Latest / Cuff’s Basement / The Top 10 Films of 2025

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The Top 10 Films of 2025 · Cuff’s Basement

• 0:01
  Speaker 1: Today's podcast is brought to you by the newest edition
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• 1:00
  Speaker 2: Else Got the words, that's Bill to the Last Anglians
• 1:03
  Speaker 2: is in there, Fast Podcast, head Stream, Crossing.
• 1:07
  Speaker 3: Fast.
• 1:11
  Speaker 2: Break, and the four of them just walk in and
• 1:13
  Speaker 2: just steamroll like walk over me, like like on the ground.
• 1:16
  Speaker 2: They're stepping on me and they're talking and they have
• 1:17
  Speaker 2: they have zero acknowledge with the.
• 1:19
  Speaker 1: Oh you're on the flagship podcast. They don't give a
• 1:22
  Speaker 1: fuck about you. We are back. This truly is really
• 1:29
  Speaker 1: Andy Juno super Bowl the Film episode. I am your
• 1:34
  Speaker 1: co host, Tim, I'm with my calls, Ryan and of
• 1:38
  Speaker 1: course everyone of course, like really the captain of the
• 1:41
  Speaker 1: ships for this episode is Andy Juno.
• 1:46
  Speaker 4: Glad to be here, guys, Glad to be back again.
• 1:48
  Speaker 1: Now like so long ago, it was so.
• 1:50
  Speaker 4: Like so long ago we did those TV shows.
• 1:52
  Speaker 1: I know it's back in January. Now for this episode,
• 1:59
  Speaker 1: I'm gonna take a back seed because I'm just going
• 2:01
  Speaker 1: to be the I'm just sort of going to announce
• 2:05
  Speaker 1: what the order is, but I'm not going to do
• 2:09
  Speaker 1: really much else because, as we talked about in the
• 2:11
  Speaker 1: last episode, I really committed to like thirty five different
• 2:15
  Speaker 1: amusement parks. I'm like, my life is probably I would
• 2:18
  Speaker 1: say thirty percent CC, five percent Shannon, fifteen percent work,
• 2:24
  Speaker 1: and fifty percent roller Coaster Taccoon.
• 2:26
  Speaker 3: So your EP that new show that's gotta be tough.
• 2:29
  Speaker 1: Yeah, exactly, the Alpha Husband Houseol. Those guys are great.
• 2:33
  Speaker 1: You'll love them.
• 2:34
  Speaker 4: You'll only spend fifteen percent of the time on the podcast.
• 2:37
  Speaker 4: I'll be your work. This is your work.
• 2:39
  Speaker 1: I forgot about that. I forgot about that. There's actually
• 2:43
  Speaker 1: a lot of homework for the podcast, which is kind
• 2:45
  Speaker 1: of tough in my life sometimes.
• 2:47
  Speaker 3: But I have to do this. Yeah, ahead, we.
• 2:50
  Speaker 1: Do have to shut up. Ryan, Come on, you literally
• 2:54
  Speaker 1: have to do this or there'll be repercussions, as you know.
• 2:56
  Speaker 3: So that's right, true, That's very true.
• 3:00
  Speaker 1: This is I would be nothing without this, to be
• 3:03
  Speaker 1: honest with you. So Andy, Andy and Ryan each have
• 3:10
  Speaker 1: a top ten list. I've seen several of these, not
• 3:13
  Speaker 1: all of them by any means. Andy cheated and made
• 3:17
  Speaker 1: a top eleven lists because he's like that.
• 3:20
  Speaker 4: But reason, you have a reason.
• 3:22
  Speaker 1: We'll get to it. We'll get to it. But we're
• 3:26
  Speaker 1: gonna do honorable mentions. So you have a list of
• 3:29
  Speaker 1: what you are not allowed to talk about in honorable
• 3:30
  Speaker 1: mentions because it'll step on other people's lists. But Andy,
• 3:33
  Speaker 1: I'm gonna give you. You had like legitimately seventeen movies for
• 3:39
  Speaker 1: honorable mentions. I am giving you. Let's see, let's do
• 3:42
  Speaker 1: the math here.
• 3:43
  Speaker 4: No I took some off.
• 3:45
  Speaker 1: Oh good for you.
• 3:46
  Speaker 4: No, you told me there was something can talk about.
• 3:48
  Speaker 4: So it's only like seven films or something.
• 3:50
  Speaker 1: Oh, it's only seven all right, I'm gonna give you
• 3:53
  Speaker 1: a maximum of five minutes, and I'm starting right right now, okay, oh.
• 3:57
  Speaker 4: Quick over sure. On the movies. On movies this year,
• 3:59
  Speaker 4: I it was I thought it was not a good
• 4:01
  Speaker 4: year for movies. I thought there was a couple great films.
• 4:05
  Speaker 4: I thought there was a lot of good movies, but
• 4:07
  Speaker 4: there wasn't a lot of great films. And I thought
• 4:09
  Speaker 4: there was a lot of bad films this year, which
• 4:11
  Speaker 4: I wouldn't say so in the previous years. For my
• 4:13
  Speaker 4: honorable mentions, there's a bunch that I had to remove
• 4:17
  Speaker 4: because they are you guys are gonna dicuss them on
• 4:19
  Speaker 4: the Oscar Pod, and some are on Ryan's list, I believe,
• 4:22
  Speaker 4: so of those that aren't ephus which is just there's
• 4:27
  Speaker 4: really no plot. It's just guys playing baseball. It's made
• 4:30
  Speaker 4: by a Worcester filmmaker. I can't think of his name,
• 4:32
  Speaker 4: but it was shot at a baseball park in Douglas,
• 4:36
  Speaker 4: like kind of near my house where I live, and
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  Speaker 4: it's just these adults playing baseball in a in a
• 4:42
  Speaker 4: baseball game, and it is just pure fun. Really really
• 4:46
  Speaker 4: really enjoyed this movie. No real plot, another movie house
• 4:50
  Speaker 4: of Sorry.
• 4:52
  Speaker 1: I'm giving you extra time because I love I'm a
• 4:55
  Speaker 1: baseball fan. Ryan, do you know an the ephis pitches
• 5:00
  Speaker 1: or do not? And you explain what an ephis pitch is?
• 5:02
  Speaker 4: This is neitch, Yeah, this is It looks like a
• 5:06
  Speaker 4: real delivery, but it has like an arc, like almost
• 5:08
  Speaker 4: like a slow pitch softball pitch where it comes in
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  Speaker 4: really slow and it tricks the batter into thinking, you know,
• 5:15
  Speaker 4: a normal speed baseball pitch, you have to swing at
• 5:17
  Speaker 4: it when it's when it's coming really fast, but this
• 5:19
  Speaker 4: pitch comes in slow and in an awkward arch, and
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  Speaker 4: it catches the batter offcase. I don't know the history
• 5:23
  Speaker 4: of it. There was a guy who threw one and
• 5:25
  Speaker 4: you know, back in the twenties or something, and that's
• 5:27
  Speaker 4: where it came from.
• 5:29
  Speaker 1: So that is that right, Yeah, no, that's that's right.
• 5:32
  Speaker 1: But a little more history that nobody cares about. It's
• 5:35
  Speaker 1: almost it's like the easiest hit you could possibly imagine,
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  Speaker 1: Like every every ephis pitch should be a home run,
• 5:41
  Speaker 1: but a major league batter is so not expecting, like
• 5:44
  Speaker 1: it's basically like a child's throw that they either every
• 5:47
  Speaker 1: major league batter either like hits a home run or
• 5:50
  Speaker 1: is so thrown off by the slowness and the delivery
• 5:53
  Speaker 1: that they strike out. And usually when a game goes
• 5:56
  Speaker 1: into like seventeen innings and they went through the whole
• 5:59
  Speaker 1: bullpen and they have to put like this second basement
• 6:02
  Speaker 1: into pitch, which happens every year. It happens at least once.
• 6:05
  Speaker 1: This second basement in that scenario is gonna throw Aphis pitches.
• 6:09
  Speaker 4: Yep, yeah, and it was. I got the name of
• 6:12
  Speaker 4: the director, Carson London, and I'm sure I think it's
• 6:14
  Speaker 4: his first time moment. Would love to see what else
• 6:15
  Speaker 4: he does going forward. A bunch of like random people
• 6:18
  Speaker 4: in his own Bill Spaceman lead, you know, Bill Lee Tim, Yeah,
• 6:20
  Speaker 4: that's who I was.
• 6:21
  Speaker 1: That's what I was thinking about when you mentioned an
• 6:22
  Speaker 1: Aphis pitch.
• 6:24
  Speaker 3: Yeah.
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  Speaker 4: Yeah, he's cuckoo, you know, out of his mind, whack job.
• 6:27
  Speaker 4: But he's like in the seventies. Now he pops up
• 6:29
  Speaker 4: in this movie. Frederick Wiseman is in the movie. Wow,
• 6:32
  Speaker 4: the director, Yeah, the famous French director. Uh, who else
• 6:36
  Speaker 4: is in it? Bill big Leo is in this movie
• 6:38
  Speaker 4: for a little bit, so I think maybe it's just
• 6:39
  Speaker 4: a voice. But yeah, good stuck, good stuck.
• 6:43
  Speaker 3: Okay.
• 6:43
  Speaker 4: Also on my list was Catherine Bigelow's House of Dynamite.
• 6:47
  Speaker 4: I think I just mentioned this is small and Tracy
• 6:48
  Speaker 4: lets it's about uh, the there's like a nuclear threat
• 6:56
  Speaker 4: to the country, there's the world's that wore and it's
• 6:58
  Speaker 4: just the frantic you know, two hours between when they
• 7:01
  Speaker 4: have to decide what they want to do about shooting
• 7:03
  Speaker 4: down these missiles, their heads sorts. The United States kind
• 7:05
  Speaker 4: of sounds like very generic and it's very zoom calling,
• 7:08
  Speaker 4: like a lot of it is people on video asking
• 7:11
  Speaker 4: what to do, but shot really well, really impressive.
• 7:15
  Speaker 1: Yeah, yeah, I'm sorry, I'm I'm doing everything I said
• 7:20
  Speaker 1: we should not do. I'm giving you more time because
• 7:21
  Speaker 1: I want to mention. Eric Lee saw this and was
• 7:24
  Speaker 1: explaining it to me, and I've done I've listened and
• 7:26
  Speaker 1: read like tons of stuff about like our nuclear guidelines
• 7:29
  Speaker 1: and the threat of mutual destruction. And Eric was like,
• 7:34
  Speaker 1: the reason I didn't like the movie is because everybody's
• 7:36
  Speaker 1: reaction was so dumb, And I thought everybody who's reaction
• 7:39
  Speaker 1: was like what a human would not do in this scenario.
• 7:42
  Speaker 1: And I said to Eric, that's our actual protocol though
• 7:45
  Speaker 1: we have in place, right, is that movie? That's actually
• 7:48
  Speaker 1: what on paper we are supposed to do in that scenario,
• 7:51
  Speaker 1: which is terrifying.
• 7:53
  Speaker 4: Yeah, so there's a couple of weird scenes, but in
• 7:55
  Speaker 4: the movie is in Elba. He's the president And who
• 7:58
  Speaker 4: was the other person that I was talking about. Rebecca
• 8:00
  Speaker 4: Ferguson is one of the leads again of this and
• 8:06
  Speaker 4: Jared Harris.
• 8:07
  Speaker 3: Yeah, it's a.
• 8:11
  Speaker 4: That assessment is right, like a lot of the things
• 8:12
  Speaker 4: that people do is stupid, but I kind of see
• 8:14
  Speaker 4: it going that way. Another movie that I had was Head, uh,
• 8:18
  Speaker 4: directed by Nia Acosta, and it's Tessa Thompson and Nina
• 8:25
  Speaker 4: Haas and it's kind of like I think I described
• 8:28
  Speaker 4: it as, what's the movie? Oh my god, I hated
• 8:33
  Speaker 4: this movie Saltburn. It's it's like it would it's like Saltburn,
• 8:36
  Speaker 4: but but good. And Yeah, nineteen fifties England and investigation
• 8:42
  Speaker 4: of a shooting a fancy estate and twisting and turning.
• 8:46
  Speaker 4: I really enjoyed this film. Not super memorable, but definitely group,
• 8:52
  Speaker 4: definitely worth your time. Friendship I had on there, Uh
• 8:54
  Speaker 4: the Tim Robinson. Uh, what's the other guy's name, Oh.
• 8:59
  Speaker 3: My god, Paul Paul Rod.
• 9:02
  Speaker 4: Yeah, different kind of comedy, but again definitely of the
• 9:05
  Speaker 4: Tim Robinson style.
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  Speaker 3: The line of the year.
• 9:08
  Speaker 2: Yeah we saw Actually Tim and I saw it together
• 9:11
  Speaker 2: has the best line of the year with Hey, guys,
• 9:15
  Speaker 2: why don't we go why don't we go down to
• 9:17
  Speaker 2: was it? The bar name is called like the JJ's
• 9:19
  Speaker 2: or whatever it's called, and the sun's.
• 9:21
  Speaker 3: Like I'm sixteen and it's seven thirty in the morning.
• 9:25
  Speaker 3: It's incredible.
• 9:27
  Speaker 4: Donal Ally has that nice cameo in that film.
• 9:29
  Speaker 3: Amazing.
• 9:30
  Speaker 1: Also, also I talked about the evan essence moment and
• 9:33
  Speaker 1: the rehearsal and friendship when they listen to Slipknod, I
• 9:36
  Speaker 1: was like elated.
• 9:37
  Speaker 3: Amazing.
• 9:38
  Speaker 4: Oh yeah.
• 9:41
  Speaker 2: Also even the mushrooms and puking in the mall, incredible,
• 9:44
  Speaker 2: fuck it pukes.
• 9:49
  Speaker 4: One of the first movies that I saw this year
• 9:52
  Speaker 4: that's on the list that I actually saw it with
• 9:53
  Speaker 4: Ryan was Venetian Scheme. Uh, Wes Anderson, you know, pretty
• 10:00
  Speaker 4: standard Wes Anderson, Trope A Million Stars and Vanissatltro and
• 10:04
  Speaker 4: uh who else was in that? Ryan Michael Michael Michael
• 10:08
  Speaker 4: started doing this first, you would one of those guys
• 10:10
  Speaker 4: that if you asked was he ever in Wes Anderson,
• 10:12
  Speaker 4: be like he'd in all of them? But that is
• 10:13
  Speaker 4: the first West interesting movie that he did. I really
• 10:17
  Speaker 4: enjoyed that. Just a fun film. He doesn't really ever
• 10:20
  Speaker 4: miss for me. I know some people have problems some
• 10:22
  Speaker 4: of his recent stuff, but.
• 10:23
  Speaker 2: Actually season tickets. I'm there. Yeah.
• 10:27
  Speaker 4: Absolutely. Another movie that I really liked is Richard Linklater's
• 10:32
  Speaker 4: Blue Mood. It's a little bit. Yeah, he's a hawk
• 10:36
  Speaker 4: No nominated for Best Actor for this one. I know
• 10:38
  Speaker 4: you guys will probably go into little detail of it,
• 10:39
  Speaker 4: I guess, but it's about he plays Lorenz Hard. It's
• 10:43
  Speaker 4: a he's a I don't know anything about old theater,
• 10:49
  Speaker 4: but I guess. He was connected with Ostar Hammerston. He
• 10:51
  Speaker 4: connected with Richard Rodgers and then Rogers kind of breaks
• 10:54
  Speaker 4: with him to work with Hammerstein. And the majority of
• 10:58
  Speaker 4: the film was shot at a bar, or maybe the
• 10:59
  Speaker 4: entire comely shot in the bar, and it's him and
• 11:02
  Speaker 4: he's like in love with Margaret quality, he's kind of
• 11:04
  Speaker 4: just using him for his fame. And the bartender is
• 11:07
  Speaker 4: Bobby Kinabal, who's absolutely fantastic and everything he ever does,
• 11:10
  Speaker 4: and it's a it's kind of a acting quarter force,
• 11:14
  Speaker 4: but it's it's a it's a link Letter kind of
• 11:16
  Speaker 4: period piece.
• 11:18
  Speaker 1: I'm giving you a two a minute warning right now, okay, and.
• 11:21
  Speaker 4: Then I only have one more on my I don't
• 11:25
  Speaker 4: mention is Shrouds David Cronenberg Bizarrow film. The concept is
• 11:32
  Speaker 4: in another dystopian thing, but when your loved ones die,
• 11:37
  Speaker 4: you can choose to get into a suit and be
• 11:40
  Speaker 4: with them in their grave. So it's like it's like
• 11:43
  Speaker 4: this suit that sort of transports transports you into their grave.
• 11:47
  Speaker 4: It's really bizarro against the movie that I saw probably
• 11:50
  Speaker 4: last January, but really really enjoyed it. Weird Cronenberg body horror.
• 11:55
  Speaker 1: What was the Kronenberg movie that I absolutely hated?
• 11:57
  Speaker 3: Ryan Crimes of the Future with your girl.
• 12:02
  Speaker 1: Oh she's beautiful. The French actress what's her name? Yes, yeah,
• 12:09
  Speaker 1: I love her, she's awesome.
• 12:13
  Speaker 3: I thought they should have marketed that ship.
• 12:15
  Speaker 1: Oh wow, Yeah, it's signed up for some case stews
• 12:18
  Speaker 1: to do.
• 12:19
  Speaker 4: But the star of the Shrouds of Spensent Castles, you know,
• 12:21
  Speaker 4: Vince Castle.
• 12:22
  Speaker 1: Oh yeah, another French actor.
• 12:24
  Speaker 4: Yeah, yeah, really good.
• 12:26
  Speaker 1: He's like a god in France.
• 12:28
  Speaker 4: He's like the friend and Guy Pearce is in this
• 12:30
  Speaker 4: Sandrine Holds. It's a really cool cast too, but weird,
• 12:34
  Speaker 4: you know, preep company doing the serious things, and I
• 12:39
  Speaker 4: told you I wouldn't go along on the unble mentioned tip.
• 12:41
  Speaker 4: I have a lot more to talk about, but they've
• 12:42
  Speaker 4: been taken because they're either on Ryan's list or they're
• 12:44
  Speaker 4: a Best Picture and homes.
• 12:45
  Speaker 1: So I timed. I told you I give you five minutes.
• 12:49
  Speaker 1: It's been nine. But I like talked a lot, So
• 12:52
  Speaker 1: that's not your fault. Ryan. You have your honorable mentions.
• 12:56
  Speaker 1: Will give you five minutes as well if you need it.
• 12:58
  Speaker 2: Sure, no problem. So I'll start with one of them.
• 13:01
  Speaker 2: Days to Comedy with Kiki Palmer and Sisa. I love this.
• 13:05
  Speaker 2: This was so great, really fun, kind of Friday esque movie,
• 13:09
  Speaker 2: so good. Check it out Thunderbolts. I thought this is
• 13:14
  Speaker 2: a really good movie.
• 13:15
  Speaker 3: I was really surprised by this.
• 13:17
  Speaker 2: Thought there's a great team movie, very interesting villain portrayal.
• 13:21
  Speaker 2: To really check this out. We're talking about next one
• 13:26
  Speaker 2: is the PEP Award for a Companion. It stars Jack
• 13:28
  Speaker 2: Quade and Sophie Thatcher. She's on Yellow Jackets, but like
• 13:33
  Speaker 2: an AI robot girlfriend who they like, just choose to
• 13:37
  Speaker 2: murder and how she survives.
• 13:38
  Speaker 3: Really good thriller.
• 13:41
  Speaker 2: Scornography Award this year goes to twenty eight years later
• 13:44
  Speaker 2: honorable mention. There also Ray Fines continues to be a god.
• 13:49
  Speaker 2: Speaking of Blue Moon, the other Richard Link Glennter Movies.
• 13:52
  Speaker 2: I really like novel Vagg about the making of Breathless.
• 13:55
  Speaker 2: Really great, pass, really really good. I know Tim said,
• 13:58
  Speaker 2: you don't like a lot of stuff, like.
• 14:00
  Speaker 4: Tim would absolutely hate this movie. Ryan. It is like meta,
• 14:04
  Speaker 4: it's a it's a it's a it's a film about
• 14:06
  Speaker 4: the making of the movie Breathless, Tim, but it's shot
• 14:08
  Speaker 4: in the way of French New Waves, so it looks
• 14:10
  Speaker 4: like a French new wave film and it's all these
• 14:12
  Speaker 4: under current references to old French New Waves stuff.
• 14:15
  Speaker 2: I think Tim would like. I think Tim would like
• 14:17
  Speaker 2: Goddard though, the character of Godard, I think he would like.
• 14:20
  Speaker 2: Everyone's telling Goddard like, hey man, like you're not ready
• 14:23
  Speaker 2: for this, and he's like, fuck you, I'm ready for this.
• 14:25
  Speaker 2: I can do this, and he's well he mops the
• 14:27
  Speaker 2: flour with them and he just like was like, okay,
• 14:31
  Speaker 2: I want you two for a.
• 14:32
  Speaker 3: Wake up dead man.
• 14:34
  Speaker 2: This was a great such a different I didn't expect
• 14:38
  Speaker 2: this to be that different.
• 14:39
  Speaker 3: It's a knives Out third movie.
• 14:41
  Speaker 2: There's not a lot of ben Wa Blanc in this,
• 14:44
  Speaker 2: and I really thought Josh O'Connor was awesome in this,
• 14:48
  Speaker 2: really interesting, and then if I had likes, i'd kick you.
• 14:52
  Speaker 2: This was just so intense starring Rose Burn. She's fucking
• 14:56
  Speaker 2: amazing in this, really good, amazing.
• 15:02
  Speaker 4: She might win, yeah, she's like second.
• 15:06
  Speaker 2: I really hope she does, because Roseburn can fucking do anything.
• 15:10
  Speaker 4: The scene with the Hamster is one of my favorite scenes.
• 15:12
  Speaker 2: See with the Hamster is absolutely deranged. But asap Rocky
• 15:17
  Speaker 2: a big year for him too. He's so good in
• 15:19
  Speaker 2: this too, as as the neighbor. And then my other
• 15:22
  Speaker 2: Ronald mention is Lurker Uh. This is a movie about
• 15:25
  Speaker 2: I actually recommended this to Mark Fulcini recently, about a
• 15:28
  Speaker 2: guy who becomes friends with an up and coming musician
• 15:32
  Speaker 2: and kind of how he has essentially been stalking him,
• 15:36
  Speaker 2: tries to get close to him, and it's about how
• 15:39
  Speaker 2: when people are fighting for friendship with one person, how
• 15:42
  Speaker 2: kind of ugly it gets. It was really good, really
• 15:46
  Speaker 2: hard to not watch, I'll put it that way. That's
• 15:49
  Speaker 2: my artable mention.
• 15:52
  Speaker 1: Wow, really good jobs.
• 15:54
  Speaker 4: Wake Up dead Man wasn't that good?
• 15:56
  Speaker 2: I really were you surprised by? Like I was very surprised.
• 16:00
  Speaker 2: It's not like even a mystery. Almost in a weird
• 16:02
  Speaker 2: way too, Like I was a surprise, how much like
• 16:04
  Speaker 2: I thought Josh connor was so good.
• 16:07
  Speaker 3: He was so good in that. Yeah, he's everywhere.
• 16:10
  Speaker 1: Yeah he I really like him. I thought he was
• 16:12
  Speaker 1: awesome as Charles on the Crown. That's that's Josh O'Connor, right.
• 16:18
  Speaker 3: Yeah, also great Challengers.
• 16:21
  Speaker 1: Yeah yeah, And I don't know. I always like to
• 16:24
  Speaker 1: see how people do hosting SNL and I liked him great.
• 16:29
  Speaker 1: Shane Going, Ryan, I swear on my life, I have
• 16:33
  Speaker 1: thought that multiple times. The other there's two there's two
• 16:36
  Speaker 1: people that could play Shane mcgoing I think would be great.
• 16:39
  Speaker 1: One is Josh O'Connor and the other is the brother
• 16:43
  Speaker 1: in Peaky Blinders. What's his name, I've not seen. I
• 16:47
  Speaker 1: gotta look this up. Peeky Blinde.
• 16:49
  Speaker 2: You guys see Lamara, No, No, I have not, just
• 16:52
  Speaker 2: but that's on Prime now.
• 16:53
  Speaker 3: I think I saw he's so great.
• 16:59
  Speaker 1: This is gonna sent me.
• 17:00
  Speaker 3: Now.
• 17:02
  Speaker 1: I don't like Peaky Blinders, by the way, but I
• 17:05
  Speaker 1: I do. There's just one kid that's he's the brother.
• 17:07
  Speaker 1: He's like the main character.
• 17:10
  Speaker 4: People that like Peaky Blinders kind of bother me because
• 17:12
  Speaker 4: they like they they overhype it.
• 17:15
  Speaker 1: I think, yeah, it's one of those shows where people
• 17:18
  Speaker 1: think it's the best show ever, and you like feel
• 17:21
  Speaker 1: bad for them when somebody's obsessed with what's it called
• 17:25
  Speaker 1: Sons of Anarchy and they think it's like the best
• 17:27
  Speaker 1: show ever, and you just think, oh, you're just trash.
• 17:31
  Speaker 1: I'm sorry. What is his fucking name? Joe Cole? Joe Cole,
• 17:38
  Speaker 1: that's his name, Joe Cole. Joe Cole could play Shana. Going,
• 17:42
  Speaker 1: all right, we're gonna start with mister Juno like Alaska,
• 17:49
  Speaker 1: uh spelled differently. And it's because in the movie Oh
• 17:53
  Speaker 1: my God, you yes, which is controversial because what's her name? Sorry? Sorry? Sorry, sorry?
• 18:02
  Speaker 1: What's his name? Elliott Page said he was always a man,
• 18:06
  Speaker 1: which means in Juneo, there was a man playing a
• 18:08
  Speaker 1: pregnant woman. And Andy, you have eleven movies, so let's
• 18:13
  Speaker 1: start with your eleventh and explain why you had to
• 18:16
  Speaker 1: have Aleve.
• 18:16
  Speaker 4: Yeah, I had, so I startled all those other movies
• 18:20
  Speaker 4: that I talked about probably could be ten or eleven,
• 18:23
  Speaker 4: and some other films could be ten or eleven. In
• 18:25
  Speaker 4: my top ten list, I felt like my one through
• 18:27
  Speaker 4: five is pretty firm, and then from six through twenty
• 18:30
  Speaker 4: five this year, they're all pretty close. The problem is
• 18:34
  Speaker 4: I had my ten down and then I saw a
• 18:36
  Speaker 4: movie this week that I absolutely loved and I had
• 18:38
  Speaker 4: to put it on. And I know Tim will love
• 18:39
  Speaker 4: this movie, and I really think Ryan would like it too.
• 18:42
  Speaker 4: But it is from a director called Harry Lights and
• 18:45
  Speaker 4: I don't actually know anything else he's done, but it's
• 18:47
  Speaker 4: called Pillion, and it is what I would discribe it.
• 18:51
  Speaker 4: It's a black comedy, but I would discover it as
• 18:52
  Speaker 4: like a coming of age love story about an S
• 18:55
  Speaker 4: and M relationship, and it is. Yeah, so they is
• 19:01
  Speaker 4: from I don't know him, but he's from Harry Potter.
• 19:03
  Speaker 4: His name is Harry Melling. He plays Colin and he's
• 19:06
  Speaker 4: like a timid, a gay man whose parents just he
• 19:10
  Speaker 4: lives at home with his parents. He's probably, I don't know,
• 19:11
  Speaker 4: in his thirties and his parents just want him to
• 19:14
  Speaker 4: find love. They're aways kind of like setting him up
• 19:15
  Speaker 4: on dates and stuff, and he's using dating apps and
• 19:18
  Speaker 4: they checking in with him and it's, you know, love.
• 19:20
  Speaker 4: They live in south of London, somewhere I can't think
• 19:24
  Speaker 4: of the town, but they he thinks in a barbershop quartet,
• 19:26
  Speaker 4: he's just like a timid, introverted guy, and they set
• 19:31
  Speaker 4: him up on a date. And at at this bar
• 19:33
  Speaker 4: he sees this he kind of catches the eye of
• 19:35
  Speaker 4: another guy, and it's Alexander Scarsgard, who could not be
• 19:38
  Speaker 4: more opposite looking than Harry Melling. And he's Alexander Scarsguard
• 19:44
  Speaker 4: is a bier and he slips in his number and
• 19:48
  Speaker 4: tells them to meet or whatever, and they get together
• 19:50
  Speaker 4: and immediately it is a it's a it's a dom
• 19:55
  Speaker 4: sub relationship where Harry Melling is the sub and Alexander
• 19:57
  Speaker 4: Starsgard is the dome. And there's like a scene where
• 20:01
  Speaker 4: he performs a sex act on Alexander Scarsguard in an
• 20:04
  Speaker 4: alley and then like licked his boots. And then he
• 20:07
  Speaker 4: comes home and his parents are like in the living room,
• 20:08
  Speaker 4: they're like, how about your date, lovey, and it's it's
• 20:10
  Speaker 4: it's the absolute best, It's the absolute best, and and
• 20:14
  Speaker 4: it immediately becomes a slaship where he's living with him
• 20:16
  Speaker 4: and doing all his cleaning and shopping for him and
• 20:18
  Speaker 4: cooking for him and everything. And then the parents think
• 20:21
  Speaker 4: he has like this normal like love life, and they
• 20:24
  Speaker 4: invite him over to dinner and they immediately catch on
• 20:26
  Speaker 4: to what's going on here and they're like, you're an asshole.
• 20:28
  Speaker 4: And it devolves and it has a fantastic ending and
• 20:31
  Speaker 4: I just absolutely love this Stom and I really Tim,
• 20:34
  Speaker 4: I know you like this movie.
• 20:35
  Speaker 1: This This screams Mark ful Cheney.
• 20:39
  Speaker 4: I don't know Mark, but from what I know from
• 20:40
  Speaker 4: the podcast, I think he would really like I.
• 20:42
  Speaker 3: Think this trailer and he did.
• 20:44
  Speaker 1: He did.
• 20:45
  Speaker 3: Yeah.
• 20:46
  Speaker 4: So scars Guard has like other biker he hangs out
• 20:49
  Speaker 4: with other biker friends and some of the other guys
• 20:51
  Speaker 4: have other subs and so like her, Colin like meets
• 20:56
  Speaker 4: up with other subs and he's like, he's even he
• 21:00
  Speaker 4: just joined this world, which is just really really interesting.
• 21:03
  Speaker 4: It's it's quick. I feel like it was like ninety minutes.
• 21:06
  Speaker 4: I don't know how long it was, but just just, uh,
• 21:10
  Speaker 4: what do you look for a film? A yeah, but
• 21:13
  Speaker 4: this was my this This wasn't on my list and
• 21:16
  Speaker 4: I saw it this week and I was like, this
• 21:17
  Speaker 4: probably has to go in there somewhere.
• 21:18
  Speaker 3: Where'd you see it?
• 21:20
  Speaker 4: Uh? Somewhere online? I think I might have.
• 21:24
  Speaker 3: Stolen someone mild your copy.
• 21:27
  Speaker 4: Yeah, I received a rush copy.
• 21:30
  Speaker 3: As a screamer.
• 21:32
  Speaker 4: Yeah, as an Academy voter.
• 21:35
  Speaker 1: All right, well I do want to see that. I
• 21:37
  Speaker 1: think that would be great. And Ryan, your number ten
• 21:42
  Speaker 1: now is Mega Mind Will Ferrell, Jonah Hill Brad Pitt
• 21:47
  Speaker 1: animated film.
• 21:48
  Speaker 3: Right, yeah, we'll come up on the twelfth anniversary of that.
• 21:51
  Speaker 4: Oh, this is why I couldn't talk about this.
• 21:55
  Speaker 1: No, it's The Mastermind, The Mastermind. Sorry, I read it through.
• 21:58
  Speaker 3: Can you imagine twelfth? And it's important I talk about this.
• 22:02
  Speaker 1: It's actually, believe it or not, it is the sixteenth anniversary.
• 22:06
  Speaker 2: I actually have not seen Mega Mind. But what Yeah,
• 22:10
  Speaker 2: I'll stop right now. No, this is The Mastermind.
• 22:13
  Speaker 3: Uh. This is a movie starring Josh O'Connor.
• 22:16
  Speaker 2: He plays an art thief in Framingham, mass It takes
• 22:21
  Speaker 2: place in the seventies.
• 22:22
  Speaker 3: It's kind of like a That's awesome. Yep.
• 22:26
  Speaker 4: So I will say this is my only my only
• 22:29
  Speaker 4: problem with this film. It's called Framingham for no reason
• 22:33
  Speaker 4: at all other than Kelly Reker went to school here.
• 22:36
  Speaker 4: But there's no Framingham is not in the film. There's
• 22:38
  Speaker 4: no art museum in Framingham, nothing. She just uses the
• 22:41
  Speaker 4: word framing him for some reason, and it has nothing
• 22:43
  Speaker 4: to do with him.
• 22:43
  Speaker 2: Sorry, Yeah, looks it's no, it's true. It's like it's
• 22:45
  Speaker 2: like the whole like Toronto is New York kind of thing.
• 22:47
  Speaker 2: It's not really like a huge, huge thing. It's kind
• 22:51
  Speaker 2: of I get it's like somewhat inspired by the Isabella
• 22:54
  Speaker 2: Stuart Gardner robbery.
• 22:56
  Speaker 3: Yeah, that was occurring.
• 22:58
  Speaker 2: But the cool thing about this movie was really great
• 23:00
  Speaker 2: and is Joshah Connor is just so goddamn good in this.
• 23:02
  Speaker 2: But it's about kind of the fallout of the robbery,
• 23:05
  Speaker 2: where like he plans a bunch of them, how they go,
• 23:08
  Speaker 2: how they fail, and just kind of like how his
• 23:12
  Speaker 2: life falls apart.
• 23:13
  Speaker 3: But it's primarily told from his point of view. It's
• 23:16
  Speaker 3: so good, it's so.
• 23:19
  Speaker 2: It's very casual, and then the heaviness of it is
• 23:23
  Speaker 2: not a complete dramatic thump. It's just kind of like
• 23:27
  Speaker 2: you see, like how he buy his lifestyle is just
• 23:31
  Speaker 2: slowly burning every bridge in his life.
• 23:34
  Speaker 4: You've seen other Telly record stuff, right, just.
• 23:37
  Speaker 3: What's it called meex Cutoff is the only other one
• 23:39
  Speaker 3: I've seen it first?
• 23:39
  Speaker 2: Yeah, Okay, what's the art one with with Michelle?
• 23:46
  Speaker 3: Well?
• 23:46
  Speaker 4: She did first? How she did? She did Showing Up
• 23:49
  Speaker 4: last year, which another the movie Night Moves, which is
• 23:53
  Speaker 4: not the seventies Nine Moves, but another movie's nine Moves.
• 23:55
  Speaker 4: It's fantastic about ego, terror, Wendy and Lucy, which is
• 23:59
  Speaker 4: a she's done a lot with that.
• 24:01
  Speaker 3: I heard that is so hard to watch if you're.
• 24:04
  Speaker 4: Old Joy, Old Joy with Prince Billy, just Kelly Riker.
• 24:09
  Speaker 4: She had Certain Women, which is another really good one,
• 24:11
  Speaker 4: but I feel like Tim would dislike Kelly Riker film there.
• 24:16
  Speaker 4: She's described a slow cinema so like and a lot
• 24:18
  Speaker 4: of her movies not a lot happens for large periods
• 24:20
  Speaker 4: of time. It's it's all image and whatever. She went
• 24:22
  Speaker 4: to she went to film school, which I didn't even
• 24:25
  Speaker 4: know existed, but she went to film school with them.
• 24:28
  Speaker 4: The the Museum in Boston, the Art Oh my god, yes,
• 24:36
  Speaker 4: the MFA. The m f A has a h some
• 24:38
  Speaker 4: sort of film graduate school, and she went to school there,
• 24:40
  Speaker 4: and I've heard talked about it. She's a fascinating, fascinating person.
• 24:43
  Speaker 4: I'm jumping on here, Ryan, because I had this on
• 24:46
  Speaker 4: my honored Wench and I loved, love, love this movie.
• 24:50
  Speaker 4: Josh O Conress was amazing. The cast is really good.
• 24:52
  Speaker 4: The girl from Him is in it. Yes, John Magaro,
• 24:57
  Speaker 4: Bill Camp, Amanda Plumber is this movie? How's that other.
• 25:02
  Speaker 3: Actress Gabby Hoffman.
• 25:04
  Speaker 4: Yeah, becoming one of my favorites. But but yeah, it's
• 25:09
  Speaker 4: a it has a it's a slow film, but like
• 25:12
  Speaker 4: he he basically masterminds it, Brian and then has to go.
• 25:14
  Speaker 4: He kind of is on the run and he goes
• 25:17
  Speaker 4: to live with John Madar, who's like his old friend
• 25:18
  Speaker 4: from college. And it's very awkward and it's it's great,
• 25:24
  Speaker 4: it's really good.
• 25:24
  Speaker 3: I think.
• 25:25
  Speaker 2: The weird thing though, is I think is bizarre about
• 25:27
  Speaker 2: it to me is like how like again, it's so breezy,
• 25:31
  Speaker 2: and it's so it's seemingly so like even the way
• 25:35
  Speaker 2: it's lit, it looks very like cozy. But you have
• 25:38
  Speaker 2: to realize like the severity of like like when like
• 25:40
  Speaker 2: the robbery happens and you realize, like, oh, well, one
• 25:44
  Speaker 2: of the guys who is robbing which is full on
• 25:46
  Speaker 2: carrying a gun like a shotgun in his hand, and
• 25:48
  Speaker 2: then he came outside like he probably killed the two
• 25:50
  Speaker 2: people at the door when he came out, like when
• 25:52
  Speaker 2: he left, like and they just they just leave. You
• 25:54
  Speaker 2: to think that like holy shit, what the hell is
• 25:56
  Speaker 2: happening here? So it's I just thought it was great.
• 25:59
  Speaker 2: I have it's also like I think it's like ninety
• 26:01
  Speaker 2: minutes for even that for like slow Burn, it was pretty.
• 26:04
  Speaker 3: Quick, I thought, yeah, but really great love for this.
• 26:07
  Speaker 4: Yeah, I really like that film too. I love that
• 26:10
  Speaker 4: That's what it was.
• 26:12
  Speaker 1: Andy. So we don't want to step on the Oscar pod.
• 26:15
  Speaker 1: So I don't want to really go into it too much.
• 26:17
  Speaker 1: But your number ten was nominated for Best Picture. It
• 26:20
  Speaker 1: is called Twain Dweams.
• 26:23
  Speaker 4: I wish I had more to say. I wish I
• 26:24
  Speaker 4: could say more of this. Yeah, Trade Dreams. Yeah, it's
• 26:27
  Speaker 4: based on What's the Guy's named? Dennis Johnson? A novella
• 26:31
  Speaker 4: by Dennis Johnson, and it's about a guy at the
• 26:36
  Speaker 4: turn of the said, oh no, eighteen seventies. I guess
• 26:38
  Speaker 4: who is in Idaho And he's a he's a logger.
• 26:41
  Speaker 4: And the director's name is Clint Bentley. He did one
• 26:44
  Speaker 4: other film that I have not seen, but Joel Edgerton
• 26:47
  Speaker 4: plays a logger and it has has it goes along
• 26:51
  Speaker 4: and then a big event happens in the film, and
• 26:52
  Speaker 4: then the film kind of shifts in another direction. But it's, Uh,
• 26:55
  Speaker 4: this guy Bentley is just doing Terrence Mallick, so he's
• 26:57
  Speaker 4: it's it's incredibly inspired by Malac all the scenes. There's
• 27:01
  Speaker 4: scenes where people are laying in grasp discussing life and
• 27:04
  Speaker 4: like it's just right out of the Tree of Life
• 27:05
  Speaker 4: or the Richard gear One or it just looks like
• 27:08
  Speaker 4: a Malleck film.
• 27:09
  Speaker 1: And Ryan just got hard.
• 27:12
  Speaker 4: Yeah, it's it's as close to Malick as you will see.
• 27:14
  Speaker 4: It's really really great. I love this movie. Harry Condon
• 27:18
  Speaker 4: pops up Felsson Jones, who was in really was last year. Yeah,
• 27:23
  Speaker 4: what's that? Other guy's named Snyder?
• 27:26
  Speaker 3: Awesome from Paul Schneider from.
• 27:27
  Speaker 4: PARTA Clifton Fallends. Really really good cast. William H. Macy
• 27:31
  Speaker 4: fantastic in this movie. The part The thing that grabs
• 27:33
  Speaker 4: me the most in this movie is I never really
• 27:36
  Speaker 4: thought about someone who was born in like eighteen seventy
• 27:39
  Speaker 4: or late eighteen sixties and lived to nineteen fifty, the
• 27:42
  Speaker 4: span of things that they would see in the world.
• 27:44
  Speaker 4: Like he he he was in a log log cabin
• 27:47
  Speaker 4: and by the end of the film he sees he's
• 27:49
  Speaker 4: watching TV and people are landing on them, people are
• 27:51
  Speaker 4: in space and that that really struck me, right, Like, like,
• 27:57
  Speaker 4: I know, we've seen like a lot of technology, but
• 27:59
  Speaker 4: not to that scale of that that period of time
• 28:01
  Speaker 4: in the world is really interesting to me. It's just
• 28:03
  Speaker 4: beautifully shot. It's a it's a really it's a tear
• 28:06
  Speaker 4: drinker of a film. Like it's a it's uh as
• 28:08
  Speaker 4: sad as any movie you'll see.
• 28:09
  Speaker 1: This year, right, Andy, not to not to go down
• 28:11
  Speaker 1: a rabbit hole, but what you just said reminds me
• 28:14
  Speaker 1: of Red Dead Redemption, the first not the first, not
• 28:16
  Speaker 1: Red Dead Revolver, but the first Red Dead Redemption game
• 28:19
  Speaker 1: where it's about how the West is dying. And then
• 28:22
  Speaker 1: at the end of the game, you go to like
• 28:25
  Speaker 1: not really a city, but like sort of an urban
• 28:27
  Speaker 1: town and there are a car, there are cars driving
• 28:30
  Speaker 1: around and you have like a forty five and not
• 28:32
  Speaker 1: a revolver, and it's just very weird. But it's like, yeah,
• 28:36
  Speaker 1: this is what happened.
• 28:37
  Speaker 4: It's a big component of this film. It's like they
• 28:40
  Speaker 4: very clearly show you ridges how how bridges have changed
• 28:45
  Speaker 4: over time, because he's like they're like building bridges and
• 28:47
  Speaker 4: stuff and the technology and he's he's at the beginning
• 28:50
  Speaker 4: of the film, he's he sees a frame, but then
• 28:53
  Speaker 4: later in the film he's in a train as like
• 28:54
  Speaker 4: a normal passenger, and like it's just yeah.
• 28:59
  Speaker 3: Yeah, yeah pins that like you're gonna.
• 29:01
  Speaker 4: Say, very understag Yeah yeah.
• 29:03
  Speaker 3: But it is.
• 29:04
  Speaker 2: Really it's a great point because it's really jarring when
• 29:07
  Speaker 2: he goes into the city and you're kind of like, oh,
• 29:10
  Speaker 2: when did this take place?
• 29:11
  Speaker 4: He's never seen like a mirror and and he's watching
• 29:14
  Speaker 4: people in space on the movie. Yeah, like it's it's
• 29:17
  Speaker 4: just the same because because even even then the West
• 29:21
  Speaker 4: was like relatively not as not as popular as it
• 29:25
  Speaker 4: was now. So like the the just the the time
• 29:28
  Speaker 4: span of it is really interesting. But yeah, just beautifully
• 29:30
  Speaker 4: shot some really sad moments in this film. And I
• 29:32
  Speaker 4: think Netflix.
• 29:34
  Speaker 3: Hour and forty Minutes too. Again, Yeah, great.
• 29:37
  Speaker 4: Pace a bunch of movies on my list. I guess
• 29:40
  Speaker 4: it wasn't a great year. What I did do was
• 29:42
  Speaker 4: go back and watch a couple of movies the second time,
• 29:44
  Speaker 4: and I know I don't usually do that in a
• 29:45
  Speaker 4: short amount of time, and I watched I did watch
• 29:47
  Speaker 4: Train Dreams twice this year because it really struggled me.
• 29:50
  Speaker 3: From my top four I had.
• 29:52
  Speaker 2: I rewatched all of them again, the first time I
• 29:54
  Speaker 2: ever done that a long time myself.
• 29:55
  Speaker 1: Yeah yeah, yeah right, it struck you so hard you
• 30:00
  Speaker 1: had it as ten. But Ryan and I are very
• 30:03
  Speaker 1: much for like the return of the what the hell
• 30:07
  Speaker 1: is that noise? Anyways, I think it's like a mortal
• 30:09
  Speaker 1: going by. Ryan and I are all about the return
• 30:12
  Speaker 1: of the ninety minute film, and I think that like
• 30:14
  Speaker 1: that is happening. There are a lot of ninety minute
• 30:16
  Speaker 1: films that are coming out, which is wonderful. However, that's
• 30:20
  Speaker 1: there's two There's two movies on this list that I
• 30:24
  Speaker 1: did see that were over two and a half hours,
• 30:26
  Speaker 1: and I was like, this could easily be shorten. But anyways,
• 30:32
  Speaker 1: so we'll move on from Trained Dreams. We'll talk about
• 30:35
  Speaker 1: it more in the Oscar podcast upcoming. Ryan, your number
• 30:38
  Speaker 1: nine is a movie I'm ashamed I did not see.
• 30:41
  Speaker 1: I really wanted to see it in the theater and
• 30:43
  Speaker 1: I never did. And then I I just feel like
• 30:46
  Speaker 1: I'm never in the mindset where like I want to
• 30:48
  Speaker 1: be at home, I want to watch it on the
• 30:50
  Speaker 1: big TV. I want it to be loud, and I
• 30:53
  Speaker 1: feel like I never have the opportunity to do that.
• 30:55
  Speaker 1: So Ryan, what is your number nine.
• 30:57
  Speaker 3: My number one, not Wow, my number nine is Superman.
• 31:01
  Speaker 3: I was.
• 31:03
  Speaker 2: Really impressed by in the whole like superhero genre, how
• 31:11
  Speaker 2: colorful this movie is, how absolutely great the guy who
• 31:15
  Speaker 2: played Superman was, how positive he was, how they made
• 31:18
  Speaker 2: this character work in a modern time of the complexity
• 31:22
  Speaker 2: of like good and evil. They packed so much into
• 31:26
  Speaker 2: a two hour and five minute movie, by the way,
• 31:29
  Speaker 2: speaking of economic timing, I was just so impressed how
• 31:35
  Speaker 2: well they pulled off their story. They did such a
• 31:37
  Speaker 2: great job with the lexical characterization as well the idea
• 31:41
  Speaker 2: of like using media to make Superman a villain as
• 31:44
  Speaker 2: opposed to a hero. It was just such an They
• 31:47
  Speaker 2: packed so many ideas into a two hour movie that
• 31:50
  Speaker 2: could have been a complete disaster, and I was just
• 31:54
  Speaker 2: so impressed by this. I saw this twice in theaters.
• 31:56
  Speaker 2: That's the first time I've done that in a while
• 31:58
  Speaker 2: where I was this, like holy shit, Like I just
• 32:01
  Speaker 2: was like the first time I saw it, I will
• 32:03
  Speaker 2: say I had a genuinely terrible crowd, which was the
• 32:05
  Speaker 2: opposite with another movie we saw later.
• 32:09
  Speaker 3: But I was just so impressed by this, So definitely.
• 32:12
  Speaker 2: Check it out. I don't want to spoil anything for you.
• 32:14
  Speaker 2: There's a lot in here. James Gunn continues to kick ass.
• 32:17
  Speaker 4: But yeah, no, I didn't.
• 32:24
  Speaker 1: And you did not see that, all right, I really
• 32:26
  Speaker 1: really I'm ashamed that I've never seen it. It's like
• 32:28
  Speaker 1: how I never saw Deadpool and Wolverine. It just doesn't
• 32:30
  Speaker 1: make sense. I'm a failure and what happens. It happens.
• 32:35
  Speaker 1: I let everyone down. But all right, number nine for Andrew,
• 32:41
  Speaker 1: it was just an accident.
• 32:44
  Speaker 3: Yeah.
• 32:44
  Speaker 4: So this is Jafar Pana. He's an Iranian filmmaker famous
• 32:49
  Speaker 4: for being arrested by the Ronnie government and put in jail,
• 32:53
  Speaker 4: and he won the Pontour for his No No Bears,
• 32:57
  Speaker 4: No Bears last year, and he won the Ponmdueur while
• 33:00
  Speaker 4: he was in prison, he got let out made this movie.
• 33:04
  Speaker 4: I was second to Ryan about this before. He's kind
• 33:06
  Speaker 4: of the god Abbus what's again named Askaristami. He is
• 33:13
  Speaker 4: kind of like the Abbas. Karastami was like his mentor.
• 33:16
  Speaker 4: He worked with him. A famous Iranian filmmaker. And one
• 33:20
  Speaker 4: thing that happens a lot with Iranian films is a
• 33:22
  Speaker 4: lot of the action takes place in cars, and that's
• 33:24
  Speaker 4: because it's just easier to sort of hide from the
• 33:28
  Speaker 4: government and not have to set up huge film sets
• 33:31
  Speaker 4: and and they do it really creatively. But a lot
• 33:33
  Speaker 4: of this movie happens in a car. A lot of
• 33:35
  Speaker 4: Abbus Karstami's films happening cars. And this film is about
• 33:39
  Speaker 4: a guy who is driving with his family. His car
• 33:41
  Speaker 4: breaks down and he has to take it to a
• 33:43
  Speaker 4: like late night to a mechanic and they help him.
• 33:46
  Speaker 4: Someone at the mechanic recognizes him as one of his
• 33:50
  Speaker 4: former torturers during some regime issue in Iran, and he
• 33:57
  Speaker 4: so he calls up some people and they kidnap this
• 33:59
  Speaker 4: guy and you don't really know if it's true or not.
• 34:03
  Speaker 4: And he recognizes him by the sound in his prosthetic
• 34:06
  Speaker 4: leg because he never saw he never saw his kidnappers,
• 34:09
  Speaker 4: he never saw his torturers, but he knew the sound
• 34:12
  Speaker 4: of the guy's prosthetic leg. He said, we would never
• 34:13
  Speaker 4: forget it. And the guy has a prosthetic leg and
• 34:16
  Speaker 4: all this and it's it's a little bit of a
• 34:19
  Speaker 4: bumbling comedy, like when they when they kidnap him, there's
• 34:23
  Speaker 4: like a bunch of idiotic things he goes to. He
• 34:25
  Speaker 4: goes to it kind of goes around and it's like
• 34:26
  Speaker 4: a Road movie, Like he goes around and meets up
• 34:28
  Speaker 4: all these people who were tortured by this guy, and
• 34:32
  Speaker 4: one of the people is getting her wedding photos done
• 34:33
  Speaker 4: when he goes to to meet up with her and
• 34:35
  Speaker 4: it's this kind of funny scene. And this this movie
• 34:38
  Speaker 4: had my my best final scene of film this year. Uh,
• 34:43
  Speaker 4: really really powerful movie. I hope I think he's nominated
• 34:45
  Speaker 4: for screenplay, right.
• 34:47
  Speaker 3: I.
• 34:48
  Speaker 4: Really hope. I don't think he has a chance, right
• 34:50
  Speaker 4: because of one battle and some other things. But yeah,
• 34:52
  Speaker 4: but it would be really cool if he got to
• 34:53
  Speaker 4: get up on stage because he's not welcome back and run.
• 34:56
  Speaker 4: They told him he's gonna arrested and he comes back
• 34:58
  Speaker 4: because of that insane government. But uh, he's he's a
• 35:03
  Speaker 4: really important person in film, and he's doing some really
• 35:05
  Speaker 4: creative things. And this movie was awesome.
• 35:08
  Speaker 1: Yeah, I know that. I know everyone thinks that the
• 35:12
  Speaker 1: only conflict in the world outside of the United States
• 35:14
  Speaker 1: is Russia, Ukraine and Israel Palestine. But Iran is currently
• 35:20
  Speaker 1: executing protesters. So people are protesting the government and they
• 35:24
  Speaker 1: are being given death sentences for being arrested for protesting.
• 35:29
  Speaker 1: So that should be like, you.
• 35:31
  Speaker 4: Know, the thing about that him is like all those
• 35:33
  Speaker 4: people are dealing with that, like why did they choose
• 35:35
  Speaker 4: to be born in Iran?
• 35:36
  Speaker 1: Exactly exactly right?
• 35:38
  Speaker 4: Like do you think they're just supposed to be born
• 35:39
  Speaker 4: in America and be better?
• 35:41
  Speaker 1: Yeah, it's kind of like if you're because the Islamic
• 35:43
  Speaker 1: government is, you know, is a Muslim theocratic government, and
• 35:48
  Speaker 1: much like everybody else, they know that they happen to
• 35:51
  Speaker 1: be born coincidentally into the religion that got it right,
• 35:55
  Speaker 1: and everyone else should be put to death. Yeah. But anyways,
• 36:01
  Speaker 1: life lottery, Life lottery is goddamn right. So we're moving
• 36:06
  Speaker 1: on to Ryan's number eight. Is that right?
• 36:09
  Speaker 3: Yep?
• 36:11
  Speaker 1: Okay, So this movie I watched because Andy Juno said
• 36:14
  Speaker 1: it would be in his top ten and then it wasn't.
• 36:16
  Speaker 1: So Ryan, I didn't say that.
• 36:19
  Speaker 4: I didn't say that. I said these are movies you
• 36:20
  Speaker 4: should see that should dicuss I thought would be a
• 36:21
  Speaker 4: huntbore mentioned, which.
• 36:22
  Speaker 1: Was, oh you knew, you knew the spirit of what
• 36:25
  Speaker 1: I was asking. That's that is, that.
• 36:27
  Speaker 3: Is the spirit of what I was asking.
• 36:29
  Speaker 1: No, no, no, no, Ryan, I will I would go
• 36:33
  Speaker 1: to I would die on that hill. I said. Last year,
• 36:36
  Speaker 1: you guys, ah each gave me three movies on your list,
• 36:39
  Speaker 1: and you said, if you only have to watch three movies,
• 36:41
  Speaker 1: I recommend watch these three movies. What would you recommend
• 36:44
  Speaker 1: this year? And this was one of the movies and
• 36:46
  Speaker 1: you recommended and then it didn't show up on his list.
• 36:49
  Speaker 1: So I I totally I would die on that hill
• 36:53
  Speaker 1: that that was the spirit of what I was asking.
• 36:55
  Speaker 1: And you know that, and you're gaslighting me. Ryan. It
• 36:57
  Speaker 1: is Roofman, which I watched on a plane starring Channing Tatum.
• 37:02
  Speaker 1: I probably never never would have seen this movie, and
• 37:05
  Speaker 1: this movie was fucking awesome.
• 37:07
  Speaker 3: I loved it, loved it.
• 37:10
  Speaker 2: Invalidating I, I say, I said this last year with
• 37:14
  Speaker 2: a few of the movies in the top ten, but
• 37:16
  Speaker 2: can we get like five of these per year? This
• 37:19
  Speaker 2: this kind of movie just like people just doing this
• 37:22
  Speaker 2: small story really well. They don't overembellish, they just make
• 37:26
  Speaker 2: it work. It's so fun, it's so maney n. I
• 37:30
  Speaker 2: did not I don't think it made money at all. No,
• 37:33
  Speaker 2: but so people just know this is based on a
• 37:36
  Speaker 2: true story of a guy who was a robber. He
• 37:40
  Speaker 2: would rob fast food restaurants and then he hides out
• 37:44
  Speaker 2: post one of his posts, one of his robberies in
• 37:48
  Speaker 2: a toys r us.
• 37:50
  Speaker 3: I believe it takes place in the nineties.
• 37:52
  Speaker 1: Yeah, yeah, that's actually not accurate, because that was what's
• 37:56
  Speaker 1: so fascinating about this movie is the Roofman was a
• 37:59
  Speaker 1: guy who would go to McDonald's restaurants and burrow through
• 38:02
  Speaker 1: the roof into like the cash room and then steal
• 38:07
  Speaker 1: all the money from the McDonald's and then leave out
• 38:09
  Speaker 1: the roof. So he's called Roofman. So I thought that's
• 38:11
  Speaker 1: what the movie is going to be about. But the
• 38:13
  Speaker 1: movie like immediately he's caught and put in prison for
• 38:17
  Speaker 1: being the roof's escape right, So like the movie is
• 38:21
  Speaker 1: about after he's caught and put in prison for being
• 38:24
  Speaker 1: the Roofman. And I was reading because I was so
• 38:26
  Speaker 1: fascinated about this after I saw it and starring Channing
• 38:29
  Speaker 1: Tatum as the Roofman and then Kirsen Duntz is pretty
• 38:32
  Speaker 1: much like the second lead. And I was reading about
• 38:36
  Speaker 1: this movie and this guy it's a real true story,
• 38:38
  Speaker 1: as Ryan said, and this guy's in prison, and the
• 38:39
  Speaker 1: director met with him and interviewed him for four years,
• 38:43
  Speaker 1: and he said that every time this guy would tell
• 38:46
  Speaker 1: the true story, like part of the true story the
• 38:49
  Speaker 1: director would think this is a criminal, he's in prison.
• 38:52
  Speaker 1: What he just told me is so insane, there's no
• 38:54
  Speaker 1: way that it's true. And then he would go verify
• 38:57
  Speaker 1: it by getting police records or speaking with people that
• 38:59
  Speaker 1: were in the case. And he said, like every time
• 39:02
  Speaker 1: I found out that what he was telling me was
• 39:04
  Speaker 1: one hundred percent accurate, And it's just like wild. He
• 39:08
  Speaker 1: lived in a Toys r us for months and months
• 39:10
  Speaker 1: and months and had this whole other life, and you
• 39:14
  Speaker 1: totally won million percent buy in the Channing Tatum and
• 39:18
  Speaker 1: are just like, just let him go, just just let
• 39:21
  Speaker 1: me go.
• 39:23
  Speaker 3: The movie.
• 39:24
  Speaker 2: But I think the interesting thing is this for someone
• 39:26
  Speaker 2: who is like again, who is Channing Tatum, who is
• 39:28
  Speaker 2: a movie star and is like a movie star doing
• 39:32
  Speaker 2: a true life story.
• 39:33
  Speaker 3: What I love.
• 39:34
  Speaker 2: What the movie does not do, which other movies I
• 39:37
  Speaker 2: think would do in this use case is like use case,
• 39:40
  Speaker 2: where the fuck am I right now?
• 39:42
  Speaker 3: In this case?
• 39:43
  Speaker 4: Is it best practice? Ryan?
• 39:45
  Speaker 2: It was the best practices that you should hire Channing
• 39:47
  Speaker 2: Tatum for this role.
• 39:48
  Speaker 3: He probably executed pretty well.
• 39:50
  Speaker 2: No, is the idea that like, for example, like he's
• 39:52
  Speaker 2: trying to communicate with his daughter because he's he's away
• 39:55
  Speaker 2: from his family and that that route is just cut
• 39:57
  Speaker 2: off and there is no like kind of like blow
• 40:01
  Speaker 2: it round me a lot of like blow with Johnny Depp,
• 40:02
  Speaker 2: where like it's made to be dramatic.
• 40:05
  Speaker 3: So there's all these kind of like visuals of him seeing.
• 40:07
  Speaker 2: His daughter and stuff like that whatever, but like they
• 40:10
  Speaker 2: just show like he can no longer contact his daughter anymore,
• 40:13
  Speaker 2: like and that's she that's just out of the story
• 40:15
  Speaker 2: until he is back in jail, and like most movies
• 40:18
  Speaker 2: would be like, no, he needs to go back to
• 40:20
  Speaker 2: the daughter, that's who he's doing this for. He truly
• 40:22
  Speaker 2: starts another life because he wants it to be like
• 40:24
  Speaker 2: his old life and he can't do that anymore. And
• 40:26
  Speaker 2: I think the wonderful part about it is hiring someone
• 40:29
  Speaker 2: like Kirsten Dunce, who, like you're like, she like really
• 40:34
  Speaker 2: really fell in love with him, like in a real
• 40:35
  Speaker 2: way and not like in a kind of cheesy way.
• 40:38
  Speaker 1: Yeah, shout out Kirson Dunces. Like Kirson duns was like
• 40:42
  Speaker 1: a young hot a list actress that was into you know,
• 40:45
  Speaker 1: she's in fucking Spider Man and blah blah blah, like
• 40:48
  Speaker 1: post her peak when she was no longer like that
• 40:51
  Speaker 1: popular alist actress who's hot and young. Post her peak,
• 40:55
  Speaker 1: her career has been awesome.
• 40:57
  Speaker 4: Yeah, Civil War, right, she was in some war lesson.
• 40:59
  Speaker 1: So yeah, yeah, and what's the the dog? Pawer of
• 41:06
  Speaker 1: the Dog? And yeah, love Jesse Plemons, but she's awesome
• 41:11
  Speaker 1: in this and she's actually believable as like just a
• 41:16
  Speaker 1: normal woman. But I think that this movie and I
• 41:19
  Speaker 1: texted you guys this. This is one of those movies
• 41:21
  Speaker 1: where there's a part of the movie where everything's great
• 41:24
  Speaker 1: and like Channing Tatum's starting over. He's dating Kirson Dunce.
• 41:28
  Speaker 1: He's a great guy, and you're like, I love this guy.
• 41:30
  Speaker 1: He's awesome. I'm so glad you found Kirson Dunce. And
• 41:32
  Speaker 1: he's really befriending her teenage daughters and things are going awesome,
• 41:36
  Speaker 1: and you're like, I love this. Oh I hope they
• 41:39
  Speaker 1: end up together. And then you're like no, no, no, no no,
• 41:41
  Speaker 1: this is going only one way and it's very bad,
• 41:46
  Speaker 1: very very bad. So then you realize that and you're
• 41:49
  Speaker 1: on edge the whole rest of the movie like oh no, yeah.
• 41:55
  Speaker 2: So, like every movie, you turn a corner and le
• 41:57
  Speaker 2: Keith Stanfield is standing there, that's another thing too.
• 42:01
  Speaker 3: It's pretty common randomly appear in the movie.
• 42:06
  Speaker 4: Yeah, do you know Temple was in this movie. Jimmy
• 42:08
  Speaker 4: o'yang was the car, the car salesman, right, it really
• 42:12
  Speaker 4: will cast. One thing I will say about this movie
• 42:14
  Speaker 4: that really struck me was how it looked. And it
• 42:18
  Speaker 4: sounds like a stupid thing, but it looked like how
• 42:20
  Speaker 4: the world.
• 42:20
  Speaker 1: Looks yes, and yes, not enough amen.
• 42:23
  Speaker 4: Enough movies. There's not enough movies that do that. And
• 42:25
  Speaker 4: I don't know why, but this guy Derek scene Francis
• 42:28
  Speaker 4: films do tend to look like how the world looks, right,
• 42:31
  Speaker 4: And so this one, this one really struck me.
• 42:34
  Speaker 1: I thought that, first of all, well, no, go go ahead, Ryan,
• 42:37
  Speaker 1: this is your movie.
• 42:38
  Speaker 3: Have go ahead.
• 42:38
  Speaker 1: Well, the Toys r Us looked like a Toys r
• 42:41
  Speaker 1: Us and he looked like a Toys r Us from
• 42:43
  Speaker 1: the nineties. And he there's this like bicycle display that
• 42:48
  Speaker 1: is a huge part of the movie because it's this
• 42:50
  Speaker 1: big built out bicycle display that has like a four
• 42:53
  Speaker 1: foot gap and no one would ever look behind it,
• 42:56
  Speaker 1: and no one would ever move it or clean behind it.
• 43:00
  Speaker 1: And he's like, oh my god, this is perfect. And
• 43:01
  Speaker 1: then when he goes in there, it's like disgusting because
• 43:06
  Speaker 1: no one has ever been in this four foot by
• 43:08
  Speaker 1: four foot space in ten years. And I'm like, yes,
• 43:11
  Speaker 1: this is this is what it would look like. This
• 43:14
  Speaker 1: isn't a Michael Bay movie where you know it's like
• 43:17
  Speaker 1: pristine inside of here, you know what I mean?
• 43:20
  Speaker 2: Yeah, And also like the genius move of opening the
• 43:24
  Speaker 2: video games and selling them is used to make genius
• 43:28
  Speaker 2: fucking genius move like oh, and.
• 43:31
  Speaker 1: We forgot to mention it because I texted you guys
• 43:33
  Speaker 1: this too. This is a finally a fucking role for
• 43:35
  Speaker 1: Peter Danklice that doesn't have to do with him being
• 43:38
  Speaker 1: a little person. He's just he's a guy that works
• 43:41
  Speaker 1: with the Toys r Us and he's a guy that sucks.
• 43:44
  Speaker 1: So we don't sympathize with him because he's a little person.
• 43:47
  Speaker 1: His role is not about him being a little person.
• 43:49
  Speaker 1: He's just a guy who sucks, and I thought that
• 43:51
  Speaker 1: was He.
• 43:52
  Speaker 3: Also doesn't over They don't.
• 43:54
  Speaker 2: And what other movies would do wrong is they don't
• 43:56
  Speaker 2: overdramatize like other bits.
• 43:58
  Speaker 3: Let's make the Toys.
• 43:59
  Speaker 2: Rus guy a completely monstar, like, let's make him a
• 44:01
  Speaker 2: complete asshole, like where it's completely unrealistic that like he's
• 44:04
  Speaker 2: just like a complete character, Like it is amazing, Like
• 44:07
  Speaker 2: like Andy was saying, what I wanted to like second
• 44:09
  Speaker 2: with is they make it look like it's real life.
• 44:12
  Speaker 2: They make these people look real life because the story
• 44:14
  Speaker 2: is so truly fascinatingly crazy that that's all you need
• 44:18
  Speaker 2: to do, is that you just need to make it land.
• 44:21
  Speaker 2: You don't have to worry about making it crazy. You
• 44:23
  Speaker 2: don't have to movieize it. It's already movied it.
• 44:25
  Speaker 1: Also, like Channing Tatum, he isn't that at a thousand,
• 44:28
  Speaker 1: as no actor does, but he's made some interesting choices
• 44:32
  Speaker 1: that he has not had to make. You know, Yeah,
• 44:35
  Speaker 1: and this is this is a great example, Like this
• 44:36
  Speaker 1: is just this is awesome. This is the type of movie.
• 44:39
  Speaker 1: You know, I don't expect it to make money. People
• 44:41
  Speaker 1: are not going to go to the theater. But if
• 44:43
  Speaker 1: you just want like a random movie that's not really
• 44:46
  Speaker 1: going to like push the boundaries of genre or really
• 44:50
  Speaker 1: make you like think a whole lot, but it's just
• 44:53
  Speaker 1: really good that you could probably watch with your wife,
• 44:56
  Speaker 1: this would be a great.
• 44:57
  Speaker 3: Pick, We'll say too, like one of the.
• 45:04
  Speaker 2: Maybe next to twenty eight years later for a movie,
• 45:08
  Speaker 2: I did not expect it to have an incredibly moving ending,
• 45:13
  Speaker 2: like yeah, yeah, yeah, like wow like this for what
• 45:16
  Speaker 2: I was not expecting to be like wow, like that powerful.
• 45:19
  Speaker 3: Also, I was so glad the ending showed like real
• 45:21
  Speaker 3: life footage. I was like, so thrilling.
• 45:24
  Speaker 4: Yeah that was yeah, yeah, this attended to what you
• 45:27
  Speaker 4: were describing. Is what I would call it for the normies, right,
• 45:29
  Speaker 4: this is a movie for the normies. Anyone was a.
• 45:32
  Speaker 1: Good movie for the normies. The normanis watch bad movies, no.
• 45:36
  Speaker 4: But but there are movies that that crossover that that
• 45:38
  Speaker 4: people should see, and this I put this in the category.
• 45:40
  Speaker 4: I have another on my list that I feel the
• 45:41
  Speaker 4: same way about, and and and yeah this, this is
• 45:45
  Speaker 4: definitely everybody who should like this. So my dad, my
• 45:47
  Speaker 4: dad called me it was like the movie Roupeman looks
• 45:49
  Speaker 4: pretty good and I was like, whoa, And I was like,
• 45:50
  Speaker 4: you should definitely see that, dad, And he's already loved it.
• 45:53
  Speaker 1: So I feel like this is not fair of me
• 45:55
  Speaker 1: to say because I've not seen as many movies as you,
• 45:57
  Speaker 1: but I feel like if I watch as many movies
• 45:59
  Speaker 1: as you guys, this would be in my top five
• 46:01
  Speaker 1: of my list.
• 46:02
  Speaker 4: Maybe take a little time off to your roller coasters.
• 46:04
  Speaker 1: There's Tim, Andy, Then how am I supposed to make
• 46:08
  Speaker 1: money off of them? I said to Shannon. It was
• 46:11
  Speaker 1: like nine to thirty in the morning, and Shannon came
• 46:14
  Speaker 1: in our room and this is on a workday, and
• 46:15
  Speaker 1: I was playing roller Coaster tycoone on Switch and she said,
• 46:19
  Speaker 1: so you're going to work today, and I said, and
• 46:23
  Speaker 1: I said, I said, I am working. I'm running an
• 46:28
  Speaker 1: amusement park. And then she goes, oh, what's the salary?
• 46:31
  Speaker 1: That was the response.
• 46:33
  Speaker 2: I would love if like Tim left the game for
• 46:35
  Speaker 2: like a solid business day and was like so nervous,
• 46:39
  Speaker 2: and then he went back and you just saw millions
• 46:42
  Speaker 2: of people waiting outside the parks to get in, like
• 46:44
  Speaker 2: they were waiting for Tim to literally open the door.
• 46:46
  Speaker 4: I would fucking that might be the only job that
• 46:49
  Speaker 4: pays less than the podcast.
• 46:52
  Speaker 1: Oh actually, that's that's actually true, Andy, indyar you are
• 46:56
  Speaker 1: racing guy. Is that true? Car racing?
• 46:59
  Speaker 4: I like, but I do love racing.
• 47:00
  Speaker 1: Yes, okay, you know, Michael Schumacher, I do fun fact
• 47:05
  Speaker 1: about roller croasster Tycoon. If you name you can change
• 47:08
  Speaker 1: the guest names. If you change one of the guest
• 47:11
  Speaker 1: names to Michael Schumacher, and that guest rides the go karts.
• 47:14
  Speaker 1: They will win every time. For advice for advice, Oh,
• 47:25
  Speaker 1: I can't wait to give advice at the end of this.
• 47:28
  Speaker 1: But anyways, I.
• 47:30
  Speaker 2: Would pay to see like on like the podcast feed
• 47:32
  Speaker 2: of like Apple Podcasts, Like Our TC is the name
• 47:35
  Speaker 2: of the episode. It's four hours straight and it's a
• 47:37
  Speaker 2: solo pod from Tim.
• 47:40
  Speaker 1: Yeah, oh I would, I would. I would love to do.
• 47:42
  Speaker 1: No one would listen. Nobody does listen anyway, but like
• 47:45
  Speaker 1: truly no one listen truly.
• 47:46
  Speaker 3: Ye, that will lose viewers.
• 47:49
  Speaker 1: All right, Up next, we have number eight for mister
• 47:53
  Speaker 1: Andrew No, it is cloud.
• 48:00
  Speaker 4: Uh. This is Kosi Kyoshi Karsama is a Japanese filmmaker.
• 48:06
  Speaker 4: He does what they call psychological horror, and this movie
• 48:11
  Speaker 4: is about I guess I would call it like toxic
• 48:15
  Speaker 4: internet culture, but like a whole bunch of other things.
• 48:17
  Speaker 4: And this is this is the guy who he's a
• 48:21
  Speaker 4: He buys and reselles goods online and mostly fake junk
• 48:24
  Speaker 4: and prices it up and it sort of come back
• 48:27
  Speaker 4: to haunt him where some people get on some message
• 48:31
  Speaker 4: boards and talk about he has like an anonymous name
• 48:33
  Speaker 4: online and people start to investigate him, and he gets
• 48:36
  Speaker 4: docked and and these people band together to go after
• 48:40
  Speaker 4: him first selling these fake goods, and there's this like
• 48:43
  Speaker 4: weird cast of characters, like there's a mobster, and there's
• 48:46
  Speaker 4: this there's some people to really get into chasing him
• 48:48
  Speaker 4: down and really twisted. It's a lot about pride and
• 48:55
  Speaker 4: friendship he has. He has like a friend that he
• 48:57
  Speaker 4: kind of kicks to the curb because he suddenly he
• 49:00
  Speaker 4: has like a better gig than him, like selling all
• 49:03
  Speaker 4: this these fake goods he's selling like fake handbags, and
• 49:07
  Speaker 4: it's kind of like how the world kind of comes
• 49:08
  Speaker 4: back to bite him, but it spirals into this craziness.
• 49:13
  Speaker 4: Kyoshi Kirasala has made like I don't know twenty of
• 49:16
  Speaker 4: your thirty films, and they're I've seen probably five or
• 49:18
  Speaker 4: six of them. They're unbelievable. He made he made a
• 49:20
  Speaker 4: movie called Cure, right Ryan, that's the That's the Cure
• 49:24
  Speaker 4: is amazing. He makes a mini movie last year called Pulse.
• 49:27
  Speaker 4: I cannot recommend high enough. Yeah, it's a really dark, uh,
• 49:33
  Speaker 4: psychological horror is the best way to describe it, because
• 49:35
  Speaker 4: it's not straight up horror. The films that he's making,
• 49:37
  Speaker 4: that this one has a horror component, and yeah, I don't,
• 49:42
  Speaker 4: and I don't know how I'll say that. I watched
• 49:44
  Speaker 4: this one on Criterion Channel.
• 49:48
  Speaker 2: I haven't seen this one yet. I think, what's so
• 49:51
  Speaker 2: interesting about this guy? He is so good at like
• 49:54
  Speaker 2: he said, like it's psychological horror, so there's no like
• 49:57
  Speaker 2: physical horror elements, but he is so good at showing
• 50:01
  Speaker 2: what you could imagine to be physical horror elements like pulse,
• 50:06
  Speaker 2: Like there's a wall that drips water that eventually takes
• 50:10
  Speaker 2: the form of a person and it's almost like you're
• 50:12
  Speaker 2: seeing it out of the peripheral version of your eyes,
• 50:15
  Speaker 2: and it's just like so like concerning.
• 50:17
  Speaker 3: Yeah, it's just it's he's so good at that. Yeah.
• 50:21
  Speaker 4: This was also another movie that had a really ambiguous,
• 50:24
  Speaker 4: like a really great ending that was like ambiguous and
• 50:26
  Speaker 4: weird and like I could not think of more perfect anything.
• 50:30
  Speaker 4: This movie was a little longer tho. This movie was
• 50:32
  Speaker 4: two hours long. Okay, wow, but but yeah, any anytime
• 50:37
  Speaker 4: he's he's appointment viewing for me here as I was filmed, So.
• 50:41
  Speaker 3: Yes, it's.
• 50:44
  Speaker 1: I only watch movies that are in English. Moving on,
• 50:47
  Speaker 1: Ryan's number seven is sorry baby is Yeah.
• 50:55
  Speaker 2: This was a the Sun Hbo Max. This is a
• 50:57
  Speaker 2: recent view. It is a movie about a girl getting
• 51:02
  Speaker 2: her I think doctoral degree, yes, in a New England college.
• 51:09
  Speaker 2: She is it's actually assaulted by her professor. And the
• 51:15
  Speaker 2: movie is about the before, during, and after and it's
• 51:18
  Speaker 2: through the prism of like her friendship with Naomi Aki
• 51:22
  Speaker 2: is the actor's name, and about how she deals with it. It's
• 51:27
  Speaker 2: actually a comedy.
• 51:29
  Speaker 3: It is extremely funny.
• 51:32
  Speaker 2: The scene when she's getting jury duty picked like chosen
• 51:35
  Speaker 2: for jury duty is I think fucking hysterical. Next to friendship.
• 51:40
  Speaker 2: This year might have like the most like the funniest line.
• 51:43
  Speaker 2: When I watched the movie, I wrote this line down,
• 51:46
  Speaker 2: like the judge is talking to her and he's saying,
• 51:49
  Speaker 2: in the juror questionnaire, you wrote how would your friends
• 51:52
  Speaker 2: describe you smart? You then cross it out and wrote tall.
• 51:57
  Speaker 2: That was such a great thought. It was fucking genius.
• 52:00
  Speaker 2: But so a have a Victor has never made a
• 52:05
  Speaker 2: movie or I think TV show or anything. Was only
• 52:09
  Speaker 2: a like YouTuber and TikToker and wrote and directed this
• 52:13
  Speaker 2: movie and it was so good.
• 52:14
  Speaker 3: The movie's so.
• 52:15
  Speaker 4: Patient and she has like a big budget coming out like.
• 52:21
  Speaker 2: Oh really, I'm pumped to see what she does next
• 52:24
  Speaker 2: because this was for such dark, heavy material. How well
• 52:30
  Speaker 2: like it's showing like how she's handling it, but also
• 52:32
  Speaker 2: just like how funny it is.
• 52:34
  Speaker 3: Is so crazy.
• 52:36
  Speaker 2: The scene with the dude from Zodiac who's Arthur Lee Allen,
• 52:41
  Speaker 2: Oh my god, Drew Carey's brother.
• 52:45
  Speaker 3: When he's like the guy like her.
• 52:47
  Speaker 2: She pulls off the road because's having a panic attack,
• 52:49
  Speaker 2: and he helps her and he gives her a sandwich
• 52:51
  Speaker 2: and he's talking about the people he's he's like a
• 52:53
  Speaker 2: restaurant owner and it's he's like a clearly supposed to
• 52:55
  Speaker 2: be a Bostonian guy and he's talking to me. He's like, well,
• 52:58
  Speaker 2: these people next door that keep threatening me that I
• 53:01
  Speaker 2: have to move my restaurant because they're building some dumb
• 53:03
  Speaker 2: and he's like and he just while he's talking to
• 53:05
  Speaker 2: a midsentence, I'm not moving fucking shit, and he just
• 53:08
  Speaker 2: the way he screened it was absolutely incredible. But it's
• 53:11
  Speaker 2: so so good.
• 53:13
  Speaker 4: I was so again, Oh it's John John Carroll Lynch.
• 53:16
  Speaker 3: Right, John Caroll Lynch.
• 53:19
  Speaker 2: But really, something Andy and I talked about a few
• 53:23
  Speaker 2: weeks ago was that how a lot of the movies
• 53:25
  Speaker 2: this year, bizarrely are extremely funny, even for dark, dark
• 53:29
  Speaker 2: content that art like.
• 53:30
  Speaker 4: But my number one theme, yeah yeah, yeah.
• 53:32
  Speaker 3: It's it was so so funny And this movie was wonderful.
• 53:34
  Speaker 2: It's so great. It's on Max. People should really see it.
• 53:37
  Speaker 2: I cannot wait to see what Avi Vitor does next.
• 53:39
  Speaker 4: One really one thing that I really liked about this
• 53:41
  Speaker 4: movie was how when like the incident happens, the way
• 53:46
  Speaker 4: it is shot is very different than I've ever seen
• 53:48
  Speaker 4: something like that shot before. Oh maybe it's taken from
• 53:50
  Speaker 4: something else that I've never seen, but I've never seen
• 53:52
  Speaker 4: it done this way. Where the she enters the house,
• 53:55
  Speaker 4: I think like the professor asks her to come over
• 53:57
  Speaker 4: at night or something like you know, red flag or whatever,
• 53:59
  Speaker 4: and then she answers the house and then the camera
• 54:02
  Speaker 4: is stays outside the home and then Pine passes, it
• 54:06
  Speaker 4: gets dark, and then you see her come out of
• 54:08
  Speaker 4: the home, and I thought that that was there's no
• 54:12
  Speaker 4: audio or you know nothing even you get no details,
• 54:15
  Speaker 4: and I thought that that was a really creative way
• 54:16
  Speaker 4: to show that.
• 54:18
  Speaker 2: How she speaks to her friend about it after, she's like,
• 54:21
  Speaker 2: I like, is was this bad?
• 54:22
  Speaker 3: I don't know like that. I mean, I don't know,
• 54:24
  Speaker 3: but like.
• 54:24
  Speaker 2: It felt bad that when she goes to the doctor
• 54:27
  Speaker 2: and the doctor is just so cold about it.
• 54:30
  Speaker 3: It's just it was so wow.
• 54:32
  Speaker 4: Yeah, did either of you see the look at Guernino
• 54:35
  Speaker 4: film After the Hunt? It came out here Julia roberts No,
• 54:41
  Speaker 4: it's it's Julia roberts And I forget who else said it.
• 54:44
  Speaker 4: It's it's a similar theme. It's at college where an
• 54:47
  Speaker 4: alleged assault happens, and it's the guy from Garfield right
• 54:54
  Speaker 4: in Gudfield, he plays a professor. Julia Robertson is another
• 54:57
  Speaker 4: professor and Garfield gets a huged of in the SA
• 55:00
  Speaker 4: and like it's this whole.
• 55:01
  Speaker 3: It's Iowa Deebris Yeah, yeah, yeah, yeah.
• 55:03
  Speaker 4: And it's it's like, in my opinion, like how not
• 55:07
  Speaker 4: to do that film compared to this one, Like like
• 55:09
  Speaker 4: the movie was fine, but like not it was it
• 55:12
  Speaker 4: was kind of exhausting, and this movie did not feel
• 55:14
  Speaker 4: that way at all, And that movie was pretentious and
• 55:17
  Speaker 4: this movie did not feel pretentious. And yeah it's not.
• 55:20
  Speaker 4: Those two similar things in the same film came all
• 55:22
  Speaker 4: this year, and yeah.
• 55:25
  Speaker 2: I just think it's amazing how for such a delicate
• 55:28
  Speaker 2: yet heavy situation. It is just so funny, Like is
• 55:32
  Speaker 2: that a bad thing that I took away from this
• 55:34
  Speaker 2: so much?
• 55:34
  Speaker 3: The humor of it was so good.
• 55:36
  Speaker 4: So I just I just looked this up. So sorry.
• 55:39
  Speaker 4: Maybe the budget was one point five and it made
• 55:41
  Speaker 4: three point three million dollars, so you know, a success
• 55:44
  Speaker 4: for a small budget film. After the Hunt was seventy
• 55:47
  Speaker 4: to eighty million dollar budget and it made nine point four.
• 55:51
  Speaker 2: Well, doude, I guarantee a salary. Roberts takes like twenty
• 55:54
  Speaker 2: or something of that.
• 55:55
  Speaker 4: Yeah, salaries, yep, because she's a pretty The cast is
• 56:00
  Speaker 4: the cast of Julia Roberts, Iowa, Debrie, Andrew Garfield, Michael Stolberg,
• 56:03
  Speaker 4: and Chloe seven a like expensive expensive.
• 56:07
  Speaker 1: Yeah, I'm just glad Iowa Devere is getting a glow up.
• 56:13
  Speaker 1: All right, we need to move on, all right? Andy?
• 56:16
  Speaker 1: Your number? Uh, what is it? Seven? Is Shitsville?
• 56:23
  Speaker 4: Yeah, Splitsville. Oh I'm sorry, sorry, Yeah, it's a typo.
• 56:27
  Speaker 4: The the funniest movie I saw this year, one of
• 56:31
  Speaker 4: the funniest movies I've seen in years. I laughed the
• 56:33
  Speaker 4: entire film it is. I think it's a first time
• 56:36
  Speaker 4: film from this guy. Michael Angelo Cavino, but it's him
• 56:39
  Speaker 4: and his friend. Kyle Marvin wrote this movie a very
• 56:44
  Speaker 4: unique romandic comedy. It's about these two couples. Uh a
• 56:48
  Speaker 4: guy and his wife. He's married to uh Coda Johnson,
• 56:53
  Speaker 4: and they they're they're going out to their the summer
• 57:00
  Speaker 4: home of their other friends to visit them. I think
• 57:02
  Speaker 4: it's in Long Island, and I mean in the Hampton's
• 57:06
  Speaker 4: and she tells him in the car that she wants
• 57:09
  Speaker 4: a divorce, she does love him anymore, and then they
• 57:12
  Speaker 4: agree to have a open relationship rather than get Essentially,
• 57:19
  Speaker 4: she's breaking up with him and just leaving with other
• 57:21
  Speaker 4: men and he's still in the house. And there was like,
• 57:25
  Speaker 4: there's a fight scene in this movie that is as
• 57:26
  Speaker 4: good as any fight scene you'll ever see. That it's
• 57:29
  Speaker 4: just this movie. I laughed my ass off. I think
• 57:32
  Speaker 4: I saw it on Hulu, and I don't believe it's
• 57:34
  Speaker 4: on Hulu anymore. I think it's now pay again. But
• 57:37
  Speaker 4: man like just a rare romantic comedy that made me
• 57:40
  Speaker 4: laugh my ass off. And I recommend this movie to
• 57:43
  Speaker 4: everyone I know. I really really like roof Man. This
• 57:46
  Speaker 4: is one that is fine for everybody.
• 57:48
  Speaker 1: Okay, kind of a gross romantic comedy. I can try
• 57:51
  Speaker 1: to pressure my wife into watching this.
• 57:53
  Speaker 4: I think I think she would get a kick out
• 57:54
  Speaker 4: of this. Yeah, it's the other lead is Adria are Joyna.
• 58:00
  Speaker 4: Oh yeah, she's absolute beautiful. You know who's in this
• 58:03
  Speaker 4: movie is cousin Greg from Secessionally. He plays a musician,
• 58:08
  Speaker 4: like a magician at a children's birthday party, and he's
• 58:11
  Speaker 4: so part of the gag in this film is the
• 58:13
  Speaker 4: woman Adria Oh so sorry. Dakota Johnson is dating the
• 58:17
  Speaker 4: other guy, and the person who tells her husband that
• 58:20
  Speaker 4: she wants to get divorced is Adria r Jonah. And
• 58:22
  Speaker 4: and during the film, Adria ar Jonah dates like one
• 58:25
  Speaker 4: hundred men during the course of the film, and like
• 58:27
  Speaker 4: she's just constantly going on dates and it's fantastic. And
• 58:30
  Speaker 4: he's living in the house with her. Well, these men
• 58:31
  Speaker 4: keep coming by and he's like befriending the men and
• 58:33
  Speaker 4: it's it's really, really, really good.
• 58:36
  Speaker 3: I do like the thing. I've seen a lot. I
• 58:38
  Speaker 3: was I forget what theater was in.
• 58:39
  Speaker 2: They had the poster up and I thought there has
• 58:41
  Speaker 2: to be a joke because the two guys look like
• 58:45
  Speaker 2: the three of us and then the two women are
• 58:48
  Speaker 2: Dakota Johnson and the Adria.
• 58:50
  Speaker 4: So that's part of the that is part of the
• 58:51
  Speaker 4: joke of the film, is there the women are way
• 58:53
  Speaker 4: too hot for the men that their marriage is exactly Yeah. Yeah,
• 58:56
  Speaker 4: it's the best Jacotah Johnson has ever loved. Yeah, it's
• 58:58
  Speaker 4: it's yeah, high recommendation. This is this isn't everyone?
• 59:03
  Speaker 3: Look, I gotta see this. This looks great. Yeah.
• 59:05
  Speaker 4: I saw actually Tara watch with the second time and
• 59:07
  Speaker 4: she loved it.
• 59:08
  Speaker 1: So well, I'm gonna I'm gonna make a comment. Not
• 59:12
  Speaker 1: I'm gonna make an off pod comment. I'm pausing right
• 59:14
  Speaker 1: now and this is being recorded, but I'm going to pause.
• 59:16
  Speaker 1: All right, I made my comment. Why did Honey don't suck?
• 59:21
  Speaker 3: Well, it's just there's just no energy to it.
• 59:25
  Speaker 1: Is that Marble quality? Is that that movie?
• 59:27
  Speaker 3: Yes? Marbat quality, Aubrey Plaza, I'm.
• 59:29
  Speaker 1: Already in mar quality. Yeah, she's awesome, of course.
• 59:35
  Speaker 2: Charlie Day's directed by Ethan Cohen and his wife Trisha Cook.
• 59:39
  Speaker 4: There's no chemistry. It wasn't funny because it's it just
• 59:43
  Speaker 4: had no energy.
• 59:45
  Speaker 3: It was so disappointing.
• 59:46
  Speaker 1: Yeah, all right, moving on, we got two movies left
• 59:51
  Speaker 1: in this episode number six. I saw this movie today.
• 59:55
  Speaker 1: It is Marty Supreme for Ryan. Ryan. Before you start talking,
• 1:00:00
  Speaker 1: I just want to say this was nominated for Best Picture.
• 1:00:02
  Speaker 1: I don't want to step on the oscar pod. I
• 1:00:04
  Speaker 1: don't really want to get into it. I will say
• 1:00:07
  Speaker 1: I really like this movie and Marty is a character.
• 1:00:10
  Speaker 1: One thing I fucking hated about this movie is stunt casting.
• 1:00:13
  Speaker 1: This is the most obnoxiously stunt casted movie I have seen,
• 1:00:18
  Speaker 1: maybe ever. And by that I mean there was like, Okay,
• 1:00:22
  Speaker 1: so there's Timothy Shallomey, who's like an actor, and then
• 1:00:26
  Speaker 1: everyone else in the movie is either a non actor
• 1:00:29
  Speaker 1: weirdo that clearly the director like found on the streets
• 1:00:32
  Speaker 1: of New York City and said please be in my movie,
• 1:00:35
  Speaker 1: or it's just like what are we doing? Like there's no,
• 1:00:40
  Speaker 1: that's absolutely true.
• 1:00:42
  Speaker 4: She's playing herself.
• 1:00:44
  Speaker 1: Oh well yeah, but that's that's that's a good point.
• 1:00:48
  Speaker 1: She's playing herself.
• 1:00:50
  Speaker 4: What about the girlfriend?
• 1:00:52
  Speaker 1: Oh, the girlfriend was great. The girlfriend is great. The
• 1:00:54
  Speaker 1: safe brothers are wonderful and identifying like women I've never
• 1:00:59
  Speaker 1: seen before, who are absolutely gorgeous where very you know
• 1:01:01
  Speaker 1: where my mother is, who are very Jewish looking, they're
• 1:01:04
  Speaker 1: great at doing that. No, who is her.
• 1:01:06
  Speaker 4: Mother, Pamela, Pamela, Pamela ad On, She's she was like from.
• 1:01:11
  Speaker 1: Louis Yes, No, she's Bobby Hill.
• 1:01:15
  Speaker 3: Yeah, that's Bobby.
• 1:01:16
  Speaker 1: That's Bobby Hill.
• 1:01:17
  Speaker 4: Yeah, both of her daughters were actors.
• 1:01:21
  Speaker 1: No, that the the the mom like his girlfriend, but
• 1:01:24
  Speaker 1: not girlfriend, but his the female lead that you're talking
• 1:01:28
  Speaker 1: about was awesome. Other than that, everybody is insane, Like
• 1:01:31
  Speaker 1: it's an elderly director, a magician, comedians. Yeah, that's not
• 1:01:41
  Speaker 1: stunt casting. Or are you saying that is an example of
• 1:01:43
  Speaker 1: stunt casting, because that's insane that his mother is, Like,
• 1:01:46
  Speaker 1: there's not a single normal a Jewish.
• 1:01:49
  Speaker 4: Woman from New York, Like, how is that?
• 1:01:51
  Speaker 3: Please?
• 1:01:52
  Speaker 1: So you can cast any actress in the world. You're
• 1:01:54
  Speaker 1: gonna cast sucking the nanny in this room?
• 1:02:00
  Speaker 4: You know.
• 1:02:01
  Speaker 1: The casting this movie was obnoxious and insane and I
• 1:02:04
  Speaker 1: hated it. But like, other than that, I enjoyed it.
• 1:02:07
  Speaker 1: And I really like Marty. I really like Shallow you.
• 1:02:09
  Speaker 4: Din like George Gervan as the owner of the table
• 1:02:12
  Speaker 4: tennis hall.
• 1:02:13
  Speaker 1: Yeah, I mean like come come the iceman, like, come on,
• 1:02:17
  Speaker 1: come on, what are we doing? What are we doing
• 1:02:19
  Speaker 1: with this, and that's like clearly a direct We talked
• 1:02:22
  Speaker 1: about this, how directors do like masturbatory things, and one
• 1:02:25
  Speaker 1: of them is cast comedians and these like really important roles.
• 1:02:28
  Speaker 1: We're talking about that, and Ryan justifiably said, but to
• 1:02:34
  Speaker 1: give Sandler an entire movie like Punch Drunk Love, nobody
• 1:02:37
  Speaker 1: does that, but even Scorsese, who I love, he casted
• 1:02:41
  Speaker 1: Rickles and excuse me and Casino and then castid Jim
• 1:02:47
  Speaker 1: Norton as Rickles and irishmen. Like that's fine, but this
• 1:02:50
  Speaker 1: movie was just spiraling out of control with its casting choices.
• 1:02:53
  Speaker 1: And I hated that, but I enjoyed it. It was entertaining.
• 1:02:59
  Speaker 1: But sorry, this is Ryan's movie, Ryan's pick. Sorry, I
• 1:03:04
  Speaker 1: think it's interesting that.
• 1:03:05
  Speaker 4: Wait, why are we doing? Ryan's movie is lower on
• 1:03:07
  Speaker 4: his list and it was higher online.
• 1:03:11
  Speaker 1: Wait it was not. Wait it was on your list.
• 1:03:16
  Speaker 1: Let me fact check this, Let me fact check this. Fuck.
• 1:03:21
  Speaker 1: You're right. I'm so sorry it was number five. I
• 1:03:24
  Speaker 1: didn't I didn't see that. I'm so sorry.
• 1:03:26
  Speaker 4: I'm just kidding. It's totally fine. Ryan and I start together, But.
• 1:03:30
  Speaker 1: Why do why? I want? I want you to discuss this,
• 1:03:34
  Speaker 1: and I'll shut up But my question is why did
• 1:03:35
  Speaker 1: the Saffi brothers break up Because they're not directing together anymore.
• 1:03:39
  Speaker 2: They they both have been like, we haven't broken up.
• 1:03:41
  Speaker 2: They both they they I guess from what Benny said
• 1:03:45
  Speaker 2: when I was listening to you about The Smashing Machine
• 1:03:47
  Speaker 2: is that, like uncut Gems was kind of like they're great,
• 1:03:49
  Speaker 2: like thing we wanted to get done. So after that
• 1:03:52
  Speaker 2: they both had different things they wanted to do.
• 1:03:53
  Speaker 3: So I think they're eventually going to reunite. But I
• 1:03:56
  Speaker 3: don't think it's a case why they're not like doing
• 1:03:57
  Speaker 3: anything ever again together kind of thing.
• 1:04:00
  Speaker 4: That's a not great movie, Tim, that's probably worth your
• 1:04:02
  Speaker 4: time for, like the UFC in Nostalgia and I watched.
• 1:04:07
  Speaker 1: I watched it.
• 1:04:08
  Speaker 3: Oh yeah, yeah, walk is very good in that movie.
• 1:04:11
  Speaker 1: I liked it. I mean, it's not like amazing, but
• 1:04:14
  Speaker 1: because of my we we should talk about that in
• 1:04:16
  Speaker 1: the next episode, but no, we don't. I don't want
• 1:04:18
  Speaker 1: to waste time. Let's talk about again.
• 1:04:20
  Speaker 2: We'll have we'll have an entire pot with ar to
• 1:04:22
  Speaker 2: talk about this in detail.
• 1:04:23
  Speaker 3: But I like this a lot. I really really enjoyed this. Obviously.
• 1:04:28
  Speaker 2: I thought, like I've always liked Shallamey. I've never been
• 1:04:32
  Speaker 2: like I can't wait to see what this person does next.
• 1:04:34
  Speaker 2: This was the first movie I was like, I can't
• 1:04:35
  Speaker 2: wait to see what this guy does next as an actor.
• 1:04:38
  Speaker 2: For him, he obviously he's great. And call me by
• 1:04:40
  Speaker 2: your name. He's the best part of that movie. Other
• 1:04:43
  Speaker 2: movies like doing stuff like that, I think he's a
• 1:04:44
  Speaker 2: great part of them.
• 1:04:45
  Speaker 3: But so well done. Fucking love the music here.
• 1:04:50
  Speaker 2: It's incredible having an eighties soundtrack and the score from
• 1:04:53
  Speaker 2: movie Place in the fifties is so good.
• 1:04:56
  Speaker 3: I love that part of it.
• 1:04:58
  Speaker 2: The reason it's a little bit lower on my list
• 1:04:59
  Speaker 2: is I Korea. I think it's a little bit too long.
• 1:05:02
  Speaker 4: Yeah, it's a little bit.
• 1:05:04
  Speaker 1: This is one of my I said, there's two movies
• 1:05:06
  Speaker 1: that I've was gonna mention later that are too long.
• 1:05:08
  Speaker 1: This was one of the movies that was too long.
• 1:05:09
  Speaker 1: It's two and a half hours.
• 1:05:13
  Speaker 4: So yeah, I love this movie. What I really liked
• 1:05:14
  Speaker 4: about this movie ish they didn't waste a second, right,
• 1:05:17
  Speaker 4: so saie. The sad fi films always have like kind
• 1:05:19
  Speaker 4: of a friend take the pace of them, like on
• 1:05:21
  Speaker 4: gat Gems those news. But it was like it was
• 1:05:26
  Speaker 4: like step peace set piece, set piece and piece, like
• 1:05:28
  Speaker 4: something happened and then you have two seconds think about it,
• 1:05:32
  Speaker 4: and then the next thing happens, and it was all
• 1:05:33
  Speaker 4: we texted a little bit about this, but it was
• 1:05:35
  Speaker 4: like this the plorable human being this movie that the
• 1:05:38
  Speaker 4: main character of the film. Yeah, Chalame is, but but
• 1:05:43
  Speaker 4: he keeps doing all these awful, awful things and he
• 1:05:45
  Speaker 4: keeps doubling down on them at every incident. The theme,
• 1:05:48
  Speaker 4: the theme in the hotel, like that five minute segment
• 1:05:51
  Speaker 4: was unreal, unreal. The shower goes through the floor and
• 1:05:56
  Speaker 4: able for air. All that stuff is so good. The
• 1:05:58
  Speaker 4: dog anything, And I I fully enjoyed the film all
• 1:06:03
  Speaker 4: the way through. I think I think it deserves the nomination.
• 1:06:05
  Speaker 2: And they did such a good job of being like
• 1:06:10
  Speaker 2: as frantic as it is, everything comes back to fuck
• 1:06:13
  Speaker 2: with Marty.
• 1:06:14
  Speaker 3: That's what I like about it the most.
• 1:06:15
  Speaker 2: Like it's frantic and you could leave shit behind, Like
• 1:06:18
  Speaker 2: they have these incredibly like everything is so detailed the whole,
• 1:06:22
  Speaker 2: like the buildings they're in, like the shoe store he's
• 1:06:24
  Speaker 2: working at, just like felt so like, oh my god,
• 1:06:27
  Speaker 2: this is a real fucking place. But like every time
• 1:06:30
  Speaker 2: some slight he did to somebody or something. He left untethered.
• 1:06:34
  Speaker 2: It always came back to fuck with him after where
• 1:06:37
  Speaker 2: like he wasn't he was never anytime he got on top,
• 1:06:40
  Speaker 2: he wasn't on top, which I thought was really interesting
• 1:06:43
  Speaker 2: about this movie.
• 1:06:48
  Speaker 1: I was on mute. Sorry if I'm the safteas or
• 1:06:52
  Speaker 1: the casting director or whatever, Okay, we need like an
• 1:06:54
  Speaker 1: actor to have a big role in this movie. He's
• 1:06:57
  Speaker 1: sort of like an older like billionaire guy, mister wonderful.
• 1:07:02
  Speaker 1: It's like, wait, wait what, there's like thousands of So
• 1:07:05
  Speaker 1: that's the one that I have.
• 1:07:06
  Speaker 4: The biggest problem with because that guy's a dickhead, but.
• 1:07:08
  Speaker 1: He sucks and he's not an actor.
• 1:07:10
  Speaker 4: Yeah, I know, I know. That's the one that didn't
• 1:07:13
  Speaker 4: make sense to me.
• 1:07:14
  Speaker 1: It's hard to justify having him in the No, and
• 1:07:16
  Speaker 1: Gwyneth Paltrow is stunt casting. I disagree with you there,
• 1:07:20
  Speaker 1: I will say. I will say though, when I saw
• 1:07:23
  Speaker 1: Gwyneth Paltrow on screen, I thought, there's nothing more. And
• 1:07:27
  Speaker 1: this is not like a conscious decision, It's just like
• 1:07:29
  Speaker 1: a feeling in my body. There's nothing more attractive to
• 1:07:32
  Speaker 1: me than like a very beautiful woman who's a little
• 1:07:35
  Speaker 1: pastor prime because she's still very very beautiful, but the
• 1:07:39
  Speaker 1: being a little pastor prime like kind of subconsciously makes
• 1:07:43
  Speaker 1: her more attainable. So I was like, oh, Gwyneth Paltrow
• 1:07:47
  Speaker 1: looks kind of older in this movie, but looks great.
• 1:07:53
  Speaker 1: And I think that, and then I try to like
• 1:07:55
  Speaker 1: evaluate myself psychologically, and that's what I came up.
• 1:07:57
  Speaker 4: With, Well, that that means that she's to me, that
• 1:08:01
  Speaker 4: means she's castwall because that's her role in that in
• 1:08:03
  Speaker 4: that film, she's like over the hill, famous person, right
• 1:08:07
  Speaker 4: who is like kind of bored with a rich husband
• 1:08:09
  Speaker 4: and she's eager to sleep with the young guy.
• 1:08:12
  Speaker 1: But yeah, I don't know. I just think that she
• 1:08:13
  Speaker 1: was like, yeah, like much like mister Wonderful, she's a
• 1:08:17
  Speaker 1: horrible person that's not really an actor anymore and runs
• 1:08:20
  Speaker 1: like a scam company. So like, why are we doing
• 1:08:23
  Speaker 1: this fun?
• 1:08:24
  Speaker 4: How did that company still exist?
• 1:08:26
  Speaker 1: I don't know. My wife like takes it seriously and
• 1:08:29
  Speaker 1: I'll send her articles. I'll be like, this is literally
• 1:08:32
  Speaker 1: snake oil. She is defrauding people. She's a bad person.
• 1:08:37
  Speaker 1: I'll send her articles from like the New York Times,
• 1:08:40
  Speaker 1: you know, and she'll just be like, oh, but it's
• 1:08:42
  Speaker 1: on Instagram. You know. People buy it. It's on Instagram.
• 1:08:45
  Speaker 1: My wife if a doctor prescribed her medication, my wife
• 1:08:49
  Speaker 1: would be like, I don't know about this. I don't
• 1:08:51
  Speaker 1: really like taking things, like I'm probably gonna pass in
• 1:08:54
  Speaker 1: this medication. She sees something on Instagram that's like, do
• 1:08:57
  Speaker 1: you know that you know fucking chlorophyl in a pill
• 1:09:01
  Speaker 1: form will make your face better? Like, She'll buy chlorophyl
• 1:09:05
  Speaker 1: pills on Amazon within five seconds.
• 1:09:08
  Speaker 4: And who's the guy who's the Dilbert guy who just died?
• 1:09:12
  Speaker 1: Scott Adams died.
• 1:09:13
  Speaker 4: Scott Adams died and he, oh, thank god, it was
• 1:09:16
  Speaker 4: taking He tried to take the horse tranquilizer to treat
• 1:09:19
  Speaker 4: his cancer or whatever.
• 1:09:21
  Speaker 1: Scott Adams, Like, I have no I'm not going to
• 1:09:24
  Speaker 1: shed a tear for Scott Adams. He absolutely sucks. My
• 1:09:31
  Speaker 1: favorite Ben and Jerry's flavor of all time was Dilbert.
• 1:09:33
  Speaker 1: I'm not kidding, that's a true story. Dilbert totally nuts
• 1:09:36
  Speaker 1: was my favorite Ben and Jerry's flavor. Ever, it's discontinued.
• 1:09:40
  Speaker 1: But other than that, fuck Dilbert.
• 1:09:43
  Speaker 3: You can see right.
• 1:09:47
  Speaker 2: I'm actually searching eBay right now for Dilbert.
• 1:09:51
  Speaker 1: And Ryan, we all know that you're a big dog
• 1:09:53
  Speaker 1: Bert fan, it.
• 1:09:56
  Speaker 4: Doesn't better Bay than ice.
• 1:09:57
  Speaker 1: Cream, right, yeah yeah, yeah yeah.
• 1:10:00
  Speaker 4: Dis continued ice cream flavors on eBay.
• 1:10:02
  Speaker 3: And that's I know a guy though.
• 1:10:05
  Speaker 1: All right, all right, so so we accidentally we accidentally
• 1:10:11
  Speaker 1: covered Andy's number five. Should we cover Andy's number six now?
• 1:10:15
  Speaker 1: Or should you just bring that to the next episode?
• 1:10:17
  Speaker 3: What do you think?
• 1:10:18
  Speaker 4: Ye listeners a listener poll to a listener poll, Yeah.
• 1:10:23
  Speaker 3: Listeners right now. Marie and Robert have both voted.
• 1:10:27
  Speaker 1: I'm gonna say we're gonna bring it to a part two.
• 1:10:30
  Speaker 1: That's what we're gonna do right now. That's my that's
• 1:10:31
  Speaker 1: my vote. Thank you for listening. We will wrap up
• 1:10:35
  Speaker 1: the top five films according to two Idiots in twenty
• 1:10:39
  Speaker 1: twenty five. Thank you for listening. Catch you on the
• 1:10:41
  Speaker 1: flip