Latest / Fake Doctors, Real Friends with Zach and Donald / 205: My Best Friend's Birthday (New)

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205: My Best Friend's Birthday (New) · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: I want to welcome our two amazing, lovely co-stars, Layla
• 0:06
  Speaker 1: and Amanda, to Fake Doctors, Real Friends.
• 0:08
  Speaker 2: Thunderous applause now.
• 0:12
  Speaker 1: I want you guys to meet the lovely Joelle Monique,
• 0:15
  Speaker 1: who is.
• 0:16
  Speaker 2: Our show's producer.
• 0:17
  Speaker 3: That's my middle name.
• 0:19
  Speaker 1: Your middle name is Joelle?
• 0:21
  Speaker 4: Really?
• 0:21
  Speaker 1: Oh, my gosh.
• 0:22
  Speaker 3: Wow.
• 0:22
  Speaker 2: I've never met anybody named Joelle.
• 0:23
  Speaker 3: It's crazy.
• 0:24
  Speaker 2: How do you spell your middle name? J-O-E-L-L-E. How do
• 0:27
  Speaker 2: you spell yours?
• 0:28
  Speaker 1: Same spelling.
• 0:29
  Speaker 2: Oh, my God.
• 0:30
  Speaker 1: Twinsies.
• 0:31
  Speaker 2: Twinsies.
• 0:32
  Speaker 1: I'm so glad you guys are here. I wanted to
• 0:33
  Speaker 1: ask you, have you ever, forgive this if it's a
• 0:36
  Speaker 1: dumb question, have you been on a podcast before? Once before.
• 0:38
  Speaker 2: Have you been on a popular podcast before?
• 0:40
  Speaker 1: No, no. Well, let's first start with having been on
• 0:42
  Speaker 1: any podcast. Let's go there.
• 0:43
  Speaker 2: Let's go there.
• 0:44
  Speaker 1: No, first podcast?
• 0:45
  Speaker 5: No, we've done a podcast.
• 0:46
  Speaker 2: We did one together.
• 0:47
  Speaker 3: We did one together, yeah.
• 0:49
  Speaker 5: But still, it's, yeah, not.
• 0:50
  Speaker 1: All right, well, this is how it goes. This is
• 0:53
  Speaker 1: what's called a rewatch podcast.
• 0:55
  Speaker 6: Yes.
• 0:56
  Speaker 1: And so we watch episodes of the television program Scrubs
• 1:01
  Speaker 1: and then we talk about them. And the fans really
• 1:04
  Speaker 1: love it because they love the show very much and
• 1:06
  Speaker 1: they want to hear sort of inside stories, funny anecdotes,
• 1:11
  Speaker 1: things about Donald's marriage. They just love everything.
• 1:14
  Speaker 2: You know, I think I forced the marriage part on them,
• 1:16
  Speaker 2: I'm going to be honest.
• 1:17
  Speaker 1: No, I think they're very invested in what's happening with
• 1:19
  Speaker 1: you and Casey and what's happening at the house.
• 1:22
  Speaker 2: We should do a poll. We should find out, Joelle.
• 1:25
  Speaker 1: I don't want to do a poll because what if
• 1:26
  Speaker 1: it turns out negative? What if they're like, we don't
• 1:28
  Speaker 1: want to hear about that shit anymore?
• 1:29
  Speaker 2: Then we don't talk about that shit no more.
• 1:32
  Speaker 1: I like hearing about it. You guys, I want to
• 1:36
  Speaker 1: talk briefly. We'll get into episode five of season two.
• 1:40
  Speaker 1: That's what we're talking about, 205 today, everybody. But first
• 1:43
  Speaker 1: I want to talk about your casting process because we
• 1:45
  Speaker 1: didn't have you on season one yet. And I want
• 1:47
  Speaker 1: to just, Tell us a little bit, like, I think
• 1:49
  Speaker 1: that's always interesting, like how you came about auditioning for
• 1:52
  Speaker 1: Scrubs and what was your story? Leigh, let's start with you.
• 1:55
  Speaker 6: I got the first audition when I was actually in Europe.
• 1:58
  Speaker 6: I was having a little European summer trip with a
• 2:01
  Speaker 6: bunch of my friends. And the first one came in
• 2:05
  Speaker 6: and I remember doing a tape in an apartment and
• 2:08
  Speaker 6: it was so hot and I was dripping sweat. And I.
• 2:12
  Speaker 5: I was watching clips of Scrubs on TikTok. Because I
• 2:15
  Speaker 5: was like, I need to understand this show.
• 2:16
  Speaker 1: Because you'd never seen it before.
• 2:17
  Speaker 2: You'd never seen the show before.
• 2:18
  Speaker 5: I had heard of it.
• 2:19
  Speaker 1: I had not seen it. Oh, boy.
• 2:20
  Speaker 2: Wow.
• 2:21
  Speaker 3: But then I did.
• 2:21
  Speaker 5: It made me watch it. I fell in love with it.
• 2:23
  Speaker 1: And then I got nervous. Well, you don't have to
• 2:24
  Speaker 1: say that. Well, I was.
• 2:25
  Speaker 5: Nervous when I watched it because then I was like, oh,
• 2:27
  Speaker 5: now I really want the show.
• 2:29
  Speaker 2: Oh, God.
• 2:29
  Speaker 6: So it was better that I didn't know too much
• 2:31
  Speaker 6: about it. And then when I got my first callback,
• 2:34
  Speaker 6: my team called me and they're like, where in the
• 2:36
  Speaker 6: world are you right now? And you have to do
• 2:39
  Speaker 6: this callback. I need to know the time zone. And
• 2:41
  Speaker 6: I was like, I think I'll be in London. And
• 2:43
  Speaker 6: then I did my first callback there. And then I
• 2:45
  Speaker 6: came in person. And I remember watching this podcast after
• 2:49
  Speaker 6: going in person and you were talking about how you
• 2:52
  Speaker 6: had just seen people in person.
• 2:53
  Speaker 3: And I was like, I was there.
• 2:54
  Speaker 1: This is crazy. Yeah, you were one of the few
• 2:57
  Speaker 1: people we saw in real life because it was very,
• 2:59
  Speaker 1: you know, casting for those of you who aren't in
• 3:01
  Speaker 1: the business has really moved to Zoom and the online world.
• 3:06
  Speaker 2: But which is a whole nother issue.
• 3:08
  Speaker 1: Yeah, which is a whole nother thing. We won't go
• 3:10
  Speaker 1: down the road. But occasionally you do get to see
• 3:13
  Speaker 1: actors in real life. And you were one of the
• 3:15
  Speaker 1: few cases of that. Obviously, it goes without saying you
• 3:18
  Speaker 1: were fantastic.
• 3:19
  Speaker 5: It was so fun.
• 3:20
  Speaker 6: I remember I was so nervous. But then I walked
• 3:24
  Speaker 6: in the room and everyone was so warm and inviting.
• 3:27
  Speaker 6: And I was like, no matter what happens, I had
• 3:29
  Speaker 6: a great time coming back in person. And it felt
• 3:31
  Speaker 6: like you could feel the energy in the room.
• 3:33
  Speaker 1: One thing you get from an actor director person is
• 3:36
  Speaker 1: I know how hard it is to walk into a
• 3:37
  Speaker 1: room and I want and I know that an actor
• 3:39
  Speaker 1: is not going to give a good performance if they're
• 3:40
  Speaker 1: fucking terrified.
• 3:41
  Speaker 5: For sure.
• 3:42
  Speaker 1: So we try and Bill always did this, too, with
• 3:44
  Speaker 1: us when we were auditioning, like to create that safe space.
• 3:47
  Speaker 1: So you feel like, you know, you're comfortable, you're safe. Otherwise,
• 3:50
  Speaker 1: you're going to who's giving a good audition if they're terrified.
• 3:52
  Speaker 1: I mean, you're still terrified, obviously. but the most the
• 3:55
  Speaker 1: producer can do. You remember when Bill would do that
• 3:58
  Speaker 1: for us?
• 3:58
  Speaker 2: Dude, yeah, man.
• 3:59
  Speaker 7: He would, well, Bill did a lot for me personally.
• 4:02
  Speaker 7: Like I blew my first audition and he was the
• 4:04
  Speaker 7: one that came out into the lobby and was like, Donald,
• 4:09
  Speaker 7: can I talk to you for a second?
• 4:10
  Speaker 1: His final audition.
• 4:11
  Speaker 7: Yeah, this is in front of the studio, the network, everybody,
• 4:15
  Speaker 7: like the room was packed. And my first audition, I
• 4:17
  Speaker 7: felt great about it, to be honest with you. But
• 4:21
  Speaker 7: I guess I got really big as I sometimes do.
• 4:24
  Speaker 7: And he called me into the room, and as I'm
• 4:27
  Speaker 7: walking back, I'm like, he's about to tell me I
• 4:30
  Speaker 7: got the part. And he turns around, and he's like,
• 4:33
  Speaker 7: so you know you blew that the first time.
• 4:34
  Speaker 1: So when you came out, you didn't know that you'd
• 4:36
  Speaker 1: fucked up?
• 4:37
  Speaker 2: I thought I crushed that shit. I'm in the lobby.
• 4:40
  Speaker 1: You were like, I'm in the zone.
• 4:41
  Speaker 7: Yeah, I'm in the lobby with the rest of the
• 4:43
  Speaker 7: actors in the lobby, and we're fucking shooting the shit,
• 4:46
  Speaker 7: and I'm gassed. I'm like, these cats are all dead.
• 4:50
  Speaker 7: I just crushed them. And he comes back, and he's like, no, no, no.
• 4:54
  Speaker 7: You blew that, and I need you to go back
• 4:57
  Speaker 7: in and do it the way, and it's a joke
• 5:00
  Speaker 7: that Zach talks about. He's like, the way you did
• 5:02
  Speaker 7: it in the first audition. And he gave me a
• 5:04
  Speaker 7: couple of pointers, and I went in there, and I
• 5:06
  Speaker 7: did it the way he wanted it, and bam.
• 5:08
  Speaker 5: Did you do it the same day?
• 5:10
  Speaker 2: Same day.
• 5:10
  Speaker 4: Wow.
• 5:11
  Speaker 3: Oh, my God.
• 5:12
  Speaker 1: Same day. Back in the day, you guys don't know
• 5:13
  Speaker 1: about this because you're young, but back in our day,
• 5:16
  Speaker 1: you would go, the final audition would be in a
• 5:19
  Speaker 1: small office, like some executive's office. And they would cram
• 5:23
  Speaker 1: like literally 35 people.
• 5:24
  Speaker 2: Into a room.
• 5:25
  Speaker 1: And some of them were on the floor. Some of
• 5:27
  Speaker 1: them were like leaning on the windowsill. And it would
• 5:30
  Speaker 1: always be a cartoonish amount of people in a small room.
• 5:33
  Speaker 1: And there would just be a chair and you, and
• 5:35
  Speaker 1: you would go. And they've all heard the jokes 9,000 times.
• 5:39
  Speaker 1: One thing, another thing Bill would do is even though
• 5:41
  Speaker 1: he knew that, he would give you laughs. I mean,
• 5:44
  Speaker 1: he wrote the damn thing.
• 5:44
  Speaker 2: He knew.
• 5:45
  Speaker 1: And he knew that everyone in the room had heard.
• 5:47
  Speaker 1: But he was like, He would tell a funny story.
• 5:49
  Speaker 1: He would be like, oh, you know, I wore the
• 5:51
  Speaker 1: same outfit every callback because I was just superstitious. And
• 5:55
  Speaker 1: Bill just turned that into sort of a warm-up joke
• 5:58
  Speaker 1: for me. He's like, this is Zach. Zach, do you
• 6:00
  Speaker 1: want to tell them how you haven't changed your clothes
• 6:02
  Speaker 1: in a couple weeks? And, like, that would get everyone laughing.
• 6:04
  Speaker 1: He would, like, do a little warm-up bit for you,
• 6:06
  Speaker 1: which was so generous and lovely.
• 6:08
  Speaker 7: If you were to look at all of our tapes
• 6:11
  Speaker 7: when we auditioned for Scrubs, All of us have the
• 6:14
  Speaker 7: same outfit on. You did the same thing? Yeah, Sarah
• 6:17
  Speaker 7: Chalk did the same thing too. Every time I saw her,
• 6:19
  Speaker 7: because Sarah and I auditioned before he did. And we
• 6:23
  Speaker 7: only auditioned like three times. But every time I saw Sarah,
• 6:27
  Speaker 7: Sarah had the same blue jeans. I think they were
• 6:29
  Speaker 7: like true religion or some shit like that.
• 6:31
  Speaker 2: True religion. Yeah, and the same belt buckle and the
• 6:34
  Speaker 2: same t-shirt.
• 6:34
  Speaker 1: I got so into my superstitions, I kept getting callbacks
• 6:38
  Speaker 1: for the show. And I was like, I had literally
• 6:39
  Speaker 1: gone to the gym that morning. I wasn't like in
• 6:41
  Speaker 1: a working out phase of my life, but I had
• 6:43
  Speaker 1: gone to the gym. I had, you know, I'd listened
• 6:48
  Speaker 1: to certain songs and I was like, I will be
• 6:51
  Speaker 1: doing those exact things.
• 6:52
  Speaker 2: You were ridiculous about it.
• 6:54
  Speaker 1: I went to the gym. I got on the same treadmill.
• 6:56
  Speaker 1: I listened to the same songs in the car. I
• 6:59
  Speaker 1: was like, did you wait?
• 7:00
  Speaker 7: If somebody was on the treadmill, were you like, all right,
• 7:03
  Speaker 7: I'm gonna wait.
• 7:04
  Speaker 1: I think I was going early and I had no money.
• 7:07
  Speaker 1: I was going to the cheapest gym I could find.
• 7:09
  Speaker 1: Like there was like cobwebs on the treadmill. So it was,
• 7:11
  Speaker 1: no one was competing for it. And, uh, Anyway, yeah,
• 7:16
  Speaker 1: it's funny. I see that shirt, which I still have,
• 7:18
  Speaker 1: and I smile when I'm like going through my shirts.
• 7:20
  Speaker 1: I can't help but smile at that shirt and being like,
• 7:22
  Speaker 1: we did it.
• 7:24
  Speaker 5: I am superstitious like that too.
• 7:26
  Speaker 6: I was listening to like the same Frey song before
• 7:28
  Speaker 6: every single audition I had for this.
• 7:30
  Speaker 2: Which one?
• 7:31
  Speaker 5: How to Save a Life.
• 7:32
  Speaker 1: How to Save a Life. That's perfect because it's a
• 7:35
  Speaker 1: very scrub song.
• 7:36
  Speaker 2: Exactly.
• 7:36
  Speaker 1: All right, Amanda, what's your story? I mean, I know
• 7:39
  Speaker 1: from my perspective, but how did you start your process?
• 7:42
  Speaker 4: Yeah.
• 7:43
  Speaker 3: I mean, I had definitely had a very 2025 process
• 7:48
  Speaker 3: in terms of everything was online. I got the first
• 7:51
  Speaker 3: tape in the mail and I remember looking at it
• 7:54
  Speaker 3: and I was like, I need to watch the show
• 7:56
  Speaker 3: because I need to know this tone. And I was
• 7:58
  Speaker 3: listening to y'all's podcast from the pandemic and I was
• 8:02
  Speaker 3: trying to figure out, I was like, okay, this is
• 8:03
  Speaker 3: the tone. This is the vibe. Okay, let's see if
• 8:05
  Speaker 3: we can do it. Let's have a little fun. And
• 8:07
  Speaker 3: I like comedy. So I was trying to like have
• 8:09
  Speaker 3: a little fun with it. And I also was superstitious,
• 8:12
  Speaker 3: so I have the same shirt that I wore throughout
• 8:15
  Speaker 3: all of my processes and my director's callback. And I
• 8:18
  Speaker 3: brought it with me for season one. It's this Uniqlo green.
• 8:21
  Speaker 2: Uniqlo.
• 8:22
  Speaker 3: Yeah, my Uniqlo t-shirt that got me through everything. And
• 8:26
  Speaker 3: I remember I had the first callback. They brought me back.
• 8:29
  Speaker 3: And thankfully, I got to do both of my auditions
• 8:32
  Speaker 3: in an office in person. So I did a tape
• 8:35
  Speaker 3: at first. And then the second time I came back
• 8:37
  Speaker 3: and it was all film. So it was all sent
• 8:38
  Speaker 3: to L.A. And so I did another tape in person.
• 8:42
  Speaker 3: I was like, okay, they want to come back. We're
• 8:43
  Speaker 3: going to zhuzh Dashaun up a little bit. We're going
• 8:45
  Speaker 3: to try it a different angle. I could do that.
• 8:46
  Speaker 3: I was like, I'm flexible, I'm flexible. And then I
• 8:49
  Speaker 3: remember I had the director's callback and I didn't realize
• 8:52
  Speaker 3: that you were going to be there.
• 8:54
  Speaker 1: You didn't realize I was the director?
• 8:56
  Speaker 3: I did not realize that you were the director.
• 8:57
  Speaker 1: Yeah, I didn't want to throw people because it's tricky
• 9:00
  Speaker 1: because I wanted to be supportive and be there and
• 9:02
  Speaker 1: be like, hey, I'm going to read with you. It's
• 9:03
  Speaker 1: all going to be good. But also I didn't want
• 9:04
  Speaker 1: to get in people's heads.
• 9:06
  Speaker 3: It was... Honestly, nice. It was so comforting because I
• 9:09
  Speaker 3: remember you said there was something I did and I
• 9:13
  Speaker 3: made you laugh and you were like, that was funny.
• 9:15
  Speaker 3: I laughed and I was like, oh, awesome.
• 9:18
  Speaker 1: Well, it's funny because what happens for those of you
• 9:20
  Speaker 1: who don't know is that we're all on a Zoom call, right?
• 9:22
  Speaker 1: And then we all, everyone who's not the reader with
• 9:25
  Speaker 1: the actor or actress hides their camera and mutes. And
• 9:29
  Speaker 1: it's tough when it's the opposite of we're in a
• 9:31
  Speaker 1: room together because you would hear me laugh. But on
• 9:34
  Speaker 1: the Zoom thing... We all have to mute ourselves. So
• 9:37
  Speaker 1: I was coming on to be like, hey, I just
• 9:39
  Speaker 1: want you to know that I was laughing at what
• 9:40
  Speaker 1: you were saying.
• 9:41
  Speaker 3: Which made me feel so comfortable because I was like,
• 9:44
  Speaker 3: I'm throwing jokes to the wind right now.
• 9:47
  Speaker 1: See, that's another thing. Back in the day when you're
• 9:49
  Speaker 1: in the room and you had all the producers there,
• 9:51
  Speaker 1: they would laugh and that would give you juice to
• 9:53
  Speaker 1: be like, oh, shit, I'm kind of killing it. Here
• 9:55
  Speaker 1: we go.
• 9:55
  Speaker 2: And it would also scare the shit out of whoever
• 9:57
  Speaker 2: was sitting in the freaking waiting room. In the waiting room, man.
• 10:00
  Speaker 7: I remember one time, I'm not going to say what
• 10:02
  Speaker 7: I auditioned for, but this, I was, I had already
• 10:05
  Speaker 7: gotten a part and I knew it, right? But I'm
• 10:07
  Speaker 7: sitting there waiting for, to talk to everybody after and
• 10:12
  Speaker 7: now they're reading this next character and this one guy
• 10:15
  Speaker 7: goes in and nobody laughs and he comes out and
• 10:18
  Speaker 7: he sits down And then the next guy goes in
• 10:21
  Speaker 7: and the whole fucking.
• 10:22
  Speaker 1: Room goes crazy. That was so hard. You would hear
• 10:27
  Speaker 1: everybody go.
• 10:27
  Speaker 4: Yeah.
• 10:28
  Speaker 7: And I know the other guy that went in, when
• 10:31
  Speaker 7: he heard the first laugh, he was like, fuck.
• 10:35
  Speaker 2: I'm dead.
• 10:35
  Speaker 1: There were these waiting room games, too, that people would play.
• 10:37
  Speaker 1: I don't know if this still goes on when people, but, like,
• 10:40
  Speaker 1: there's actors out there who, like, they know you're going next.
• 10:43
  Speaker 4: Yeah.
• 10:43
  Speaker 1: And they'll start talking to you, like, so what have
• 10:44
  Speaker 1: you been up to, man?
• 10:45
  Speaker 3: Like.
• 10:46
  Speaker 1: And like, they're like, you just start a conversation and
• 10:48
  Speaker 1: you're like, when you're young and naive, you just start
• 10:50
  Speaker 1: going down the road and then they go, okay, Zach.
• 10:52
  Speaker 1: And you haven't even like, you're totally lost track of
• 10:55
  Speaker 1: your shit. You forgot your lines. You're not in the zone.
• 10:57
  Speaker 1: Because this dude was talking your.
• 10:59
  Speaker 7: Ear off trying to throw your game.
• 11:01
  Speaker 2: That's awful.
• 11:02
  Speaker 1: That's that New York shit.
• 11:03
  Speaker 2: That's how we came up, yo.
• 11:04
  Speaker 1: That's how we came up.
• 11:05
  Speaker 2: That's how you came up, yo.
• 11:06
  Speaker 1: Oh, yeah, man. There's a lot of waiting room shit.
• 11:09
  Speaker 7: I'll never forget this. Marlon Wayans is a perfect example
• 11:12
  Speaker 7: of this shit. We used to ride the bus, the
• 11:15
  Speaker 7: M11 bus home every day up into Harlem, right? Well,
• 11:19
  Speaker 7: I would go up to my parents' theater, and he
• 11:21
  Speaker 7: was going to his projects, right? And I'll never forget this.
• 11:25
  Speaker 7: I would see him at auditions all the time. And
• 11:28
  Speaker 7: one day we're going into an audition and no, he's
• 11:32
  Speaker 7: coming out and I'm going in and I'm like, yo,
• 11:34
  Speaker 7: where's the thing at? I'm running so late. And he goes,
• 11:38
  Speaker 7: typical Donald. And he goes, oh, it's right there.
• 11:40
  Speaker 2: It's over there. All you got to do is go
• 11:42
  Speaker 2: up in that room. I go to the room. It's
• 11:44
  Speaker 2: the motherfucking bathroom. It's the motherfucking bathroom.
• 11:47
  Speaker 3: Oh, he played you like a fiddle.
• 11:48
  Speaker 2: Oh my God.
• 11:49
  Speaker 7: He dips out and I come out, but he's about
• 11:51
  Speaker 7: to elevate me. He's like, as the shit closes in
• 11:55
  Speaker 7: his face.
• 11:56
  Speaker 1: I remember a kid who used to cry. He'd come
• 11:58
  Speaker 1: out swiping his tears at every audition.
• 12:02
  Speaker 3: Like he'd do a wet take or he was emotional?
• 12:05
  Speaker 1: I'm saying whatever happened in the room... he would come
• 12:09
  Speaker 1: out crying and we were all like flipping through our sides,
• 12:11
  Speaker 1: being like, where's the crying scene? And we, and, but like,
• 12:16
  Speaker 1: he just figured out, like if he finds a place
• 12:19
  Speaker 1: to cry, that they would be like, wow, he's fucking good.
• 12:22
  Speaker 2: He's a good actor.
• 12:22
  Speaker 1: He's a good actor. He can cry.
• 12:24
  Speaker 2: And, and it happened.
• 12:27
  Speaker 1: It would happen. Like every, we would always up against
• 12:28
  Speaker 1: this up for the same shit. And he would come
• 12:31
  Speaker 1: out and everyone's sitting in the waiting room and he's
• 12:32
  Speaker 1: swiping away his tears. And we, and once somebody asked
• 12:35
  Speaker 1: him like, yeah, why are you, why are you crying?
• 12:39
  Speaker 1: And he's like, oh, I just got, I just took
• 12:40
  Speaker 1: me there. I went there. And I'm like, we're all like,
• 12:43
  Speaker 1: but it's like a sitcom. And then, and then, oh yeah,
• 12:47
  Speaker 1: oh yeah, oh yeah, he fell for that shit. But
• 12:49
  Speaker 1: I remember one time somebody was like, how do you
• 12:51
  Speaker 1: do that? How do you just like automatically cry on
• 12:53
  Speaker 1: cue all the time? And he was like, I just
• 12:55
  Speaker 1: think anyone being mean to animals.
• 12:58
  Speaker 5: Oh my God.
• 13:02
  Speaker 1: And he would just start sobbing. Anyway, let's get into 205.
• 13:04
  Speaker 1: Count us in, Donald. Five, six, seven, eight. Here's some
• 13:07
  Speaker 1: stories about a show we made. About a bunch of
• 13:12
  Speaker 1: docs and nurses.
• 13:13
  Speaker 4: And a janitor who loved to hate. I said, here's
• 13:16
  Speaker 4: the stories that we all should know. So gather round
• 13:22
  Speaker 4: to hear our, gather round to hear our Scrubs Rewatch
• 13:26
  Speaker 4: Show with Zach and Donald.
• 13:29
  Speaker 3: Mm-hmm.
• 13:31
  Speaker 1: All right, here we go, you guys. This is a
• 13:33
  Speaker 1: very good episode.
• 13:35
  Speaker 2: I laughed quite a bit in this episode.
• 13:37
  Speaker 1: I think this is one of the, I think episode
• 13:39
  Speaker 1: five of season two of The Revival is one of
• 13:41
  Speaker 1: the best ones so far.
• 13:43
  Speaker 7: It's a nice ramp up too. Like it starts off
• 13:47
  Speaker 7: and everything's kind of calm. Well, there's a little bit
• 13:50
  Speaker 7: of beef in between Amara and Deshaun in the beginning,
• 13:53
  Speaker 7: but it starts off kind of calm and by the
• 13:55
  Speaker 7: end of.
• 13:55
  Speaker 2: It, It's crazy, man.
• 13:57
  Speaker 1: Yes, it goes off the rails. And we'll get into it.
• 13:59
  Speaker 1: But I think you guys did such a good job.
• 14:02
  Speaker 1: Your storyline together is so funny. You guys play it
• 14:05
  Speaker 1: so real. I love you guys together.
• 14:09
  Speaker 6: Yes.
• 14:09
  Speaker 1: You're such a good comic duo together. You take turns
• 14:13
  Speaker 1: playing the straight man. I mean, that's what Donald and
• 14:15
  Speaker 1: I have done for years. We take turns, you know,
• 14:18
  Speaker 1: because if you have two people being broad, it kind
• 14:21
  Speaker 1: of gets muddy. But I think you guys are lovely
• 14:23
  Speaker 1: in your dynamic of taking turns. with who's being the
• 14:27
  Speaker 1: crazy person and who's being the sane one, you know
• 14:29
  Speaker 1: what I mean? And there was a great dance in
• 14:31
  Speaker 1: this one that culminates in the fight in Turk's office,
• 14:34
  Speaker 1: which we'll get to.
• 14:35
  Speaker 2: We'll get to that part.
• 14:36
  Speaker 1: I want to open with the beach. I want to
• 14:37
  Speaker 1: give a shout out to Roger Fiers, our amazing production designer,
• 14:40
  Speaker 1: because we were supposed to shoot this beach stuff on
• 14:42
  Speaker 1: a real beach. But the weather up here in Vancouver,
• 14:46
  Speaker 1: you can never really predict. And it was all of
• 14:48
  Speaker 1: a sudden on those days scheduled to rain. So Roger
• 14:52
  Speaker 1: and his amazing team built a beach on our stage.
• 14:57
  Speaker 1: And that's a green screen. By the time you audience
• 15:00
  Speaker 1: see it, it'll all look real, but that's a green
• 15:03
  Speaker 1: screen beach on our stage. I want to give him
• 15:06
  Speaker 1: a shout out.
• 15:07
  Speaker 2: Let's talk about the storyline.
• 15:08
  Speaker 1: Okay. So we have Bilson back and Scott Foley. And
• 15:12
  Speaker 1: obviously it's very hard to date a doctor with this schedule.
• 15:14
  Speaker 1: And so that's one of the things that this show
• 15:16
  Speaker 1: is getting into. this episode is getting into is that
• 15:19
  Speaker 1: if you're a loved one of a nurse or a
• 15:21
  Speaker 1: doctor who works in a hospital, the hours can be
• 15:24
  Speaker 1: grueling and it can be frustrating, especially in the dating
• 15:26
  Speaker 1: courtship phase.
• 15:27
  Speaker 4: Right.
• 15:28
  Speaker 7: Uh, and we learned that early on with Charlie and with, uh,
• 15:33
  Speaker 7: Sean that they're, well, Charlie's getting used to it. Sean's
• 15:38
  Speaker 7: been through this before. This, it reminds him of what
• 15:40
  Speaker 7: his dating life was like with Elliot before. And, uh,
• 15:45
  Speaker 7: you know, that's, it's, it's funny moments, uh, That cold open,
• 15:49
  Speaker 7: I was like, oh, snap.
• 15:50
  Speaker 2: Is that what?
• 15:51
  Speaker 7: Are we going to see this a lot this season?
• 15:54
  Speaker 7: And Rachel Bilson rips open her top.
• 15:57
  Speaker 2: Yes. And the dude falls.
• 15:58
  Speaker 1: Yeah, collapses.
• 16:00
  Speaker 7: Hindsight being 20-20, this is part of the reason why
• 16:04
  Speaker 7: Sean was like, oh.
• 16:06
  Speaker 1: Oh, I didn't even think of that.
• 16:07
  Speaker 2: Yeah.
• 16:08
  Speaker 1: So you're saying the seeds of what happened at the
• 16:10
  Speaker 1: end were planted when- In the beginning.
• 16:12
  Speaker 2: Of the show.
• 16:13
  Speaker 1: I didn't even think of that. When Sean sees how
• 16:15
  Speaker 1: fine Rachel is.
• 16:16
  Speaker 7: He's like, yo, don't you got a beast? He even
• 16:18
  Speaker 7: tries to get you out of there. Don't you got
• 16:19
  Speaker 7: a beast somewhere, dog?
• 16:22
  Speaker 1: There were so many alts to that. Plenty of doctors
• 16:24
  Speaker 1: in the hospital, Sean. He'll be fine, Sean. Well, Rachel, yeah,
• 16:33
  Speaker 1: I didn't even think of that. The seeds of their
• 16:35
  Speaker 1: relationship are planted at the very top.
• 16:37
  Speaker 2: Yes.
• 16:38
  Speaker 1: You know, so Deshaun and Amara are fighting. We know
• 16:41
  Speaker 1: it's a fruit cup. And we set up because true
• 16:43
  Speaker 1: fans of the show know that Turk and JD used to,
• 16:47
  Speaker 1: when they were broke, interns used to steal fruit cups.
• 16:49
  Speaker 1: So that's what Turk is reminded of. And raccoons are
• 16:54
  Speaker 1: becoming a theme on the show.
• 16:56
  Speaker 3: Yes.
• 16:57
  Speaker 1: Do you notice that?
• 16:58
  Speaker 2: Yes.
• 16:58
  Speaker 1: They keep coming up. The audience will see that they
• 17:00
  Speaker 1: come up in other episodes. And we keep going back
• 17:02
  Speaker 1: and forth on how you and I pronounce raccoons.
• 17:04
  Speaker 2: Raccoons, yeah. I say raccoon. You were saying raccoon.
• 17:07
  Speaker 1: I was saying raccoons.
• 17:08
  Speaker 2: And then you were told it was raccoon.
• 17:10
  Speaker 1: No, but I just thought it would be funny if
• 17:11
  Speaker 1: JD pronounced it raccoon. But then what happened was we
• 17:14
  Speaker 1: chose a take where I say raccoon, but then you
• 17:17
  Speaker 1: say raccoon. And I say raccoon, yeah. I just thought
• 17:22
  Speaker 1: it would be a funny, stupid, nonsensical runner if Turk
• 17:25
  Speaker 1: and JD both say raccoon. But we ended up putting
• 17:28
  Speaker 1: a take in where I say raccoon and only you
• 17:30
  Speaker 1: say raccoon. Yes. Just wanted to clock that for the audience.
• 17:35
  Speaker 7: I want to pitch this. I don't know if this
• 17:37
  Speaker 7: is happening. This could be a big mistake, but I
• 17:40
  Speaker 7: want to pitch that we get a puppet raccoon at
• 17:42
  Speaker 7: some point.
• 17:43
  Speaker 2: In this show.
• 17:44
  Speaker 1: It would probably be more like, that would be a
• 17:45
  Speaker 1: little too like, what's the golf movie? Caddyshack.
• 17:49
  Speaker 2: Exactly, yes.
• 17:50
  Speaker 1: I think it would be more like a CGI raccoon.
• 17:52
  Speaker 2: Okay, fine.
• 17:52
  Speaker 1: Because we do have a possum coming up, and I
• 17:54
  Speaker 1: heard that he's going to be a CGI possum.
• 17:58
  Speaker 2: Well, they've come a long way.
• 18:00
  Speaker 1: But puppets look like puppets. Okay, so y'all are fighting,
• 18:05
  Speaker 1: and I thought it was funny when Amanda Deshana says,
• 18:08
  Speaker 1: I kind of saw it coming when you're talking about
• 18:10
  Speaker 1: how your wife left you.
• 18:11
  Speaker 5: Oh, yeah.
• 18:12
  Speaker 2: That's fucked up, man.
• 18:13
  Speaker 3: Oh, it's so.
• 18:15
  Speaker 2: Yeah, but if you're watching the show, Turk beef. Messing
• 18:19
  Speaker 2: up a.
• 18:19
  Speaker 1: Lot at home, man. Yeah, all the time. I think
• 18:21
  Speaker 1: that's funny that she says, I kind of saw it coming,
• 18:24
  Speaker 1: on a trip, Deshauna. Right.
• 18:26
  Speaker 3: I just love it when Deshauna catches little strays.
• 18:29
  Speaker 1: Like, damn, sorry.
• 18:31
  Speaker 7: Well, you consistently, shots are fired consistently with your character
• 18:38
  Speaker 7: towards my character.
• 18:39
  Speaker 2: Absolutely.
• 18:39
  Speaker 3: I can just imagine her in the hallway watching everything
• 18:41
  Speaker 3: being like, Noted.
• 18:43
  Speaker 1: She really, she's not very intimidated by Turk. Like she
• 18:46
  Speaker 1: respects him as a surgeon and as a brilliant doctor,
• 18:50
  Speaker 1: but she doesn't seem really intimidated by him at all.
• 18:53
  Speaker 1: She's constantly, maybe that's a generational thing, but she's just like,
• 18:56
  Speaker 1: shooting shots.
• 18:57
  Speaker 4: 100%.
• 18:58
  Speaker 3: I think she knows her confidence. She knows exactly what
• 19:01
  Speaker 3: she's capable of. She knows what he's capable of. And
• 19:04
  Speaker 3: I feel like Deshauna can see that and was like, hey,
• 19:06
  Speaker 3: these are all similarities.
• 19:07
  Speaker 1: Yeah. But that's a fun foil for Turk because she's
• 19:11
  Speaker 1: matching his cockiness.
• 19:12
  Speaker 2: Mm-hmm.
• 19:13
  Speaker 6: Yeah.
• 19:13
  Speaker 7: Which is the exact opposite of Amara, who let, I mean,
• 19:18
  Speaker 7: still to this point, even after the choke and everything
• 19:22
  Speaker 7: like that and thrown against the wall in the fantasy
• 19:24
  Speaker 7: and her standing up for herself with hooch and everything
• 19:27
  Speaker 7: like that she still you know allows uh dashana to
• 19:32
  Speaker 7: almost bully her in a lot of ways.
• 19:34
  Speaker 6: Yeah yeah she's still not all the way.
• 19:35
  Speaker 7: There yet yeah even with the even with explaining it
• 19:38
  Speaker 7: to the the the patient uh who later on mr
• 19:42
  Speaker 7: whistler yeah uh even explaining it to him she's like
• 19:47
  Speaker 7: you know what what i do is i just pretty
• 19:49
  Speaker 7: much bury my head in the sand and I allow
• 19:51
  Speaker 7: her to do whatever.
• 19:52
  Speaker 2: She wants, but I'm not going to do that to you.
• 19:54
  Speaker 2: What I'm going to do is I'm going to get
• 19:55
  Speaker 2: you some earplugs.
• 19:55
  Speaker 1: Yeah, because you have a heart thing. I like that.
• 19:57
  Speaker 4: Yeah.
• 19:57
  Speaker 1: But you shouldn't do that because you have a heart thing.
• 19:59
  Speaker 2: Right.
• 20:02
  Speaker 1: I want to say something funny about kicking that old
• 20:04
  Speaker 1: man in the trunk. I didn't know.
• 20:06
  Speaker 2: Oh, that was.
• 20:07
  Speaker 1: I didn't know it was a stuntman, first of all. No,
• 20:10
  Speaker 1: I wasn't kicking him at first. We were just doing, like,
• 20:13
  Speaker 1: closing the door and trying to get the trunk down.
• 20:15
  Speaker 1: And then Trevor, who's our amazing stunt coordinator, came over
• 20:18
  Speaker 1: to me and was like, you know, you can be rougher.
• 20:20
  Speaker 1: He's a stuntman. And I said to him, oh, I'm sorry,
• 20:23
  Speaker 1: I didn't know you're a stuntman. I go, do you
• 20:24
  Speaker 1: mind if we do a bit where I'm trying to
• 20:25
  Speaker 1: kick your shoulder a bit? He goes, go nuts. I
• 20:27
  Speaker 1: was like, are you sure? He's like, yes, it'll be
• 20:29
  Speaker 1: so funny. So I just started, like, good fellas.
• 20:33
  Speaker 2: Oh, my God. That's hella funny. Let it happen.
• 20:37
  Speaker 1: Wasn't that funny?
• 20:38
  Speaker 2: That was hilarious.
• 20:39
  Speaker 1: We were cracking up on the day. And in my head,
• 20:41
  Speaker 1: I'm like, this isn't going to make it. This is
• 20:42
  Speaker 1: just too crazy.
• 20:43
  Speaker 2: And then it cuts to the Scorsese Goodfellas shot.
• 20:45
  Speaker 1: Yeah, then I gave him the full Goodfellas.
• 20:47
  Speaker 3: Yeah.
• 20:48
  Speaker 2: And then even the trunk closing on his head.
• 20:49
  Speaker 1: That didn't happen.
• 20:50
  Speaker 2: How did you guys do that? Did they put a
• 20:51
  Speaker 2: cameraman in the trunk for that?
• 20:53
  Speaker 1: The seats folded down. So yeah, the cameraman wasn't locked
• 20:56
  Speaker 1: in the trunk. It was one of those seats folded
• 20:58
  Speaker 1: down situations.
• 20:59
  Speaker 2: Dope.
• 21:00
  Speaker 1: But yeah, that was well done. Um, let's get to, yeah.
• 21:11
  Speaker 1: So Sean and Charlie are hanging out in admissions. She
• 21:13
  Speaker 1: shakes her shoulder. Did you know that she shakes her
• 21:15
  Speaker 1: shoulders to the good dunk of the song?
• 21:17
  Speaker 7: And this was, this was different from the original. Like I've, I,
• 21:22
  Speaker 7: I don't know if you noticed, Joel, but I watch
• 21:23
  Speaker 7: this thing over and over again.
• 21:24
  Speaker 1: Donald has been granted access to early cuts now, Joel.
• 21:27
  Speaker 2: This was a mistake.
• 21:27
  Speaker 1: And I don't know if it's good or bad.
• 21:29
  Speaker 2: This was a mistake.
• 21:30
  Speaker 1: Now he has to compare earlier cuts to the final cut.
• 21:33
  Speaker 2: No, that's not what the mistake is.
• 21:35
  Speaker 7: The mistake is that I'm watching every episode like four
• 21:38
  Speaker 7: or five times.
• 21:38
  Speaker 1: Why is that bad? That's good for the podcast.
• 21:41
  Speaker 2: It's not good for you, though, because you know what's
• 21:43
  Speaker 2: going to come from me.
• 21:44
  Speaker 1: Well, no, you don't seem to object with what we
• 21:46
  Speaker 1: settled in on as the locked cut ever.
• 21:47
  Speaker 2: No, never.
• 21:48
  Speaker 7: But I come to you in the middle of freaking
• 21:50
  Speaker 7: the director's cut and I'll be like, yo, I got notes.
• 21:52
  Speaker 1: Yeah, well, that's understandable. The director's cut is always very
• 21:55
  Speaker 1: long and has jokes that didn't work. And each cut
• 21:59
  Speaker 1: we whittle down, we whittle down. We have to get
• 22:01
  Speaker 1: these shows to 21 minutes and 30 seconds, which is
• 22:03
  Speaker 1: super tricky. and inevitably funny stuff gets gone. You know,
• 22:07
  Speaker 1: the dance sequence that we did, uh, season one.
• 22:11
  Speaker 2: One of our brisket.
• 22:12
  Speaker 5: Oh yeah.
• 22:12
  Speaker 1: One of our camera operators came up to me, Brooke
• 22:16
  Speaker 1: and James, I want you to remind me to get
• 22:18
  Speaker 1: this to Brooke because she came up to me and
• 22:19
  Speaker 1: it was so sweet and earnest. And she's like, do
• 22:21
  Speaker 1: you think I could see the dance sequence about the brisket?
• 22:25
  Speaker 1: She goes, it was cut. And I thought it was
• 22:26
  Speaker 1: so funny and I'd love to see it. And I
• 22:29
  Speaker 1: was like, I'll get you the sequence, Brooke. I felt
• 22:32
  Speaker 1: so bad because, you know, obviously our crew works so
• 22:35
  Speaker 1: hard on things and inevitably stuff gets cut. But we're
• 22:39
  Speaker 1: trying to put some more of that stuff on Instagram.
• 22:42
  Speaker 7: That's the other mistake for you giving me the freaking
• 22:45
  Speaker 7: rights to look at all of this stuff, man. Because
• 22:47
  Speaker 7: when things get cut, I do get disappointed sometimes also.
• 22:50
  Speaker 1: Me too.
• 22:51
  Speaker 5: That was a big one too.
• 22:52
  Speaker 3: That was like a whole day. That was a lot
• 22:54
  Speaker 3: of folks in there.
• 22:55
  Speaker 5: Dancing and singing.
• 22:56
  Speaker 2: It was. And sweating.
• 22:58
  Speaker 6: Yeah.
• 22:59
  Speaker 1: Yeah, it just comes down to, you know, you have
• 23:03
  Speaker 1: to make tough choices.
• 23:04
  Speaker 2: For sure. You know?
• 23:05
  Speaker 7: Well, I hope, I don't want to, I'm not going
• 23:08
  Speaker 7: to give it away, but we do something really epic
• 23:10
  Speaker 7: in episode.
• 23:11
  Speaker 1: That's not going to get cut.
• 23:12
  Speaker 2: Shut up.
• 23:13
  Speaker 1: I know what you're talking about.
• 23:14
  Speaker 2: Oh, yeah.
• 23:14
  Speaker 6: That cannot get cut.
• 23:16
  Speaker 1: That's not going to get cut. All right, let's talk
• 23:19
  Speaker 1: about my Cox impression. Not bad.
• 23:23
  Speaker 2: Not bad at all. You actually sounded like.
• 23:24
  Speaker 1: Him a couple times. Well, you know what I did?
• 23:26
  Speaker 1: I got to tell you my cheat code. I called
• 23:28
  Speaker 1: Johnny and said... Would you lay this down for me?
• 23:31
  Speaker 1: I want to make sure I do you justice.
• 23:33
  Speaker 2: Right on.
• 23:34
  Speaker 1: So he sent me audio on my phone, three different
• 23:38
  Speaker 1: takes of it, because he's amazing and I love him.
• 23:41
  Speaker 2: Not bad.
• 23:42
  Speaker 1: And so I summoned my inner Johnny being inspired by
• 23:47
  Speaker 1: those audio recordings.
• 23:48
  Speaker 2: Not. Not bad. Not bad. Yeah, it was really good.
• 23:51
  Speaker 1: Thank you. I couldn't do the whistle. The whistle is Johnny.
• 23:54
  Speaker 1: We stole that from another episode, his whistle.
• 24:00
  Speaker 3: That's pretty close.
• 24:01
  Speaker 1: Yeah, but he can do like one of these.
• 24:02
  Speaker 5: Yeah, he hits his power to it.
• 24:04
  Speaker 2: But he doesn't even put his hand in his mouth.
• 24:06
  Speaker 1: Yeah, he's a very good whistler. He's a whistler. Asher's
• 24:10
  Speaker 1: first night alone. Let's get to that storyline. I love
• 24:12
  Speaker 1: this story.
• 24:13
  Speaker 2: So did I.
• 24:14
  Speaker 1: I really thought that Jacob and Ava are so sweet
• 24:20
  Speaker 1: in this storyline.
• 24:21
  Speaker 2: Yes, yeah.
• 24:23
  Speaker 1: And, you know, we learn, obviously we're going to learn
• 24:25
  Speaker 1: what happens in the end, but I think Penny, no
• 24:28
  Speaker 1: snoring during the podcast.
• 24:29
  Speaker 3: She's having dreams down there.
• 24:30
  Speaker 1: Yeah, she's dreaming about Ash and Todd. Okay, and then we,
• 24:35
  Speaker 1: of course, learn the main story point of the night
• 24:37
  Speaker 1: that Turk is excited for his big steak night. And
• 24:40
  Speaker 1: talk about how this was inspired by the writers in
• 24:43
  Speaker 1: real life.
• 24:43
  Speaker 7: So I was trying to ball out in front of
• 24:47
  Speaker 7: the writers like, yo, I'm an executive producer.
• 24:50
  Speaker 2: Aseem was here.
• 24:53
  Speaker 7: She was the showrunner of the show, and she had
• 24:55
  Speaker 7: a bunch of writers in town with her. And to celebrate,
• 24:59
  Speaker 7: I was like, I'm going to take you all out
• 25:01
  Speaker 7: to steak. Now, this is after Zach has taken everybody
• 25:04
  Speaker 7: out to dinner several times.
• 25:06
  Speaker 1: Every Saturday night, we do a dinner. We're going to
• 25:07
  Speaker 1: do one tonight. We do a cast bonding dinner at
• 25:10
  Speaker 1: a nice restaurant. But Donald decided he... I couldn't go out.
• 25:12
  Speaker 2: It was a school night. It was a school night.
• 25:13
  Speaker 1: I don't go out on school nights. Right. And Donald
• 25:15
  Speaker 1: was going to take all the writers out.
• 25:17
  Speaker 2: Yes. And I did that.
• 25:20
  Speaker 4: And.
• 25:20
  Speaker 7: you know, a couple other people showed up, and it
• 25:23
  Speaker 7: was a fun night, and we were, you know, we
• 25:26
  Speaker 7: got inebriated.
• 25:28
  Speaker 2: But the thing was, I didn't realize that they were gonna.
• 25:32
  Speaker 7: I didn't know that they were going to order such
• 25:34
  Speaker 7: expensive cuts.
• 25:35
  Speaker 2: Right, right, right.
• 25:37
  Speaker 1: This dude gets out there and he's like, get whatever
• 25:39
  Speaker 1: you want, get whatever you want. So they take him
• 25:41
  Speaker 1: up on it.
• 25:41
  Speaker 7: No, but when a motherfucker says, get whatever you want,
• 25:44
  Speaker 7: get whatever you want, that should be code for don't
• 25:47
  Speaker 7: get whatever you want.
• 25:48
  Speaker 3: In a black household, that's code for it.
• 25:50
  Speaker 2: Be mindful. This ain't no freaking, you know.
• 26:00
  Speaker 1: These dudes ordered like A5 Wagyu. No, that was.
• 26:03
  Speaker 7: Wait, hold on. This is a culmination of two nights.
• 26:08
  Speaker 7: But the first night, we went crazy and we had
• 26:10
  Speaker 7: a great time. And my business manager was like, it's
• 26:13
  Speaker 7: not a problem. Don't worry about it.
• 26:17
  Speaker 1: I love that your business manager would be like, that
• 26:18
  Speaker 1: dinner was a problem.
• 26:19
  Speaker 7: Right, that would have been nuts, right? But my business
• 26:22
  Speaker 7: manager was like, it's cool, don't trip. So now I'm like,
• 26:24
  Speaker 7: all right, we're going to do it again. And this time,
• 26:27
  Speaker 7: Zach can go... I will tell you something right now.
• 26:30
  Speaker 2: That one was a lot. There was a little bit of, like,
• 26:36
  Speaker 2: anger behind your ordering.
• 26:38
  Speaker 1: There was a little bit of resentment that I pay
• 26:41
  Speaker 1: for every dinner. I went a little crazy. I did
• 26:44
  Speaker 1: get the A5. I did order an expensive ass bottle
• 26:49
  Speaker 1: of wine. Because I was so pissed that Donald was
• 26:51
  Speaker 1: complaining about picking up one check. So I was like,
• 26:54
  Speaker 1: you know what? Donald, are you picking up again? I
• 26:56
  Speaker 1: will be attending this time. So anyway, they bring out
• 27:00
  Speaker 1: a decanter and he's like, Donald's like, what the hell
• 27:03
  Speaker 1: wine did you order that needs a decanter? And then
• 27:08
  Speaker 1: I did look, I did clock that check. That check
• 27:10
  Speaker 1: was crazy.
• 27:10
  Speaker 2: That check was not a joke.
• 27:11
  Speaker 1: But you're going to be fine.
• 27:12
  Speaker 3: Yeah.
• 27:13
  Speaker 2: All right.
• 27:13
  Speaker 1: So we wanted to put some of those fun stories.
• 27:16
  Speaker 1: Donald does love steak. He does love looking at the
• 27:18
  Speaker 1: meat board when they.
• 27:19
  Speaker 2: And there was an actual golden steak at that point, too.
• 27:21
  Speaker 1: But was it display or was it golden? There was
• 27:24
  Speaker 1: gold on it?
• 27:25
  Speaker 2: No, it was a display.
• 27:26
  Speaker 6: Oh, okay.
• 27:26
  Speaker 2: It was also a display.
• 27:26
  Speaker 1: So that came from the real life, that there was
• 27:28
  Speaker 1: a display steak. And I was like, we eating.
• 27:31
  Speaker 2: That shit tonight.
• 27:32
  Speaker 5: It was a night, too, and everyone was banging on
• 27:34
  Speaker 5: the door.
• 27:34
  Speaker 2: Do you remember that?
• 27:36
  Speaker 1: Yes, yes.
• 27:36
  Speaker 5: That was a rowdy night at Black and Blue.
• 27:39
  Speaker 1: We should give a shout out to Black and Blue.
• 27:40
  Speaker 1: It's our favorite steakhouse here in Vancouver. If you're ever
• 27:43
  Speaker 1: in town, it's where we go to a lot of
• 27:45
  Speaker 1: steak nights.
• 27:46
  Speaker 6: Yes.
• 27:47
  Speaker 1: It's our go-to Vancouver steak night. In fact, so much
• 27:50
  Speaker 1: so that Donald has befriended one of the waiters and
• 27:53
  Speaker 1: he came and played a waiter.
• 27:56
  Speaker 2: Yeah, he did background work.
• 27:57
  Speaker 1: Background work in the steak night.
• 27:59
  Speaker 2: Yes.
• 28:00
  Speaker 7: And every time I go to Black and Blue now,
• 28:05
  Speaker 7: they always lace me with a nice little area and
• 28:09
  Speaker 7: I get to eat good steak. So shout out Black
• 28:11
  Speaker 7: and Blue.
• 28:12
  Speaker 1: All right. I laughed when... So JD and.
• 28:17
  Speaker 1: And Elliot are fighting over if they can bring their
• 28:18
  Speaker 1: significant others. And JD says, let me, I need someplace
• 28:22
  Speaker 1: to put my love. Let me park it in her. Yes.
• 28:25
  Speaker 1: Let me park it in her.
• 28:28
  Speaker 5: Us both having that written down.
• 28:30
  Speaker 1: Did you guys write that down?
• 28:31
  Speaker 2: Yeah.
• 28:32
  Speaker 1: It's so funny.
• 28:33
  Speaker 5: Let me park it in her.
• 28:36
  Speaker 1: That was not in the script. It's so tender.
• 28:38
  Speaker 2: We were cracking up.
• 28:40
  Speaker 1: We had each other rolling. Let me park it in
• 28:42
  Speaker 1: her truck.
• 28:44
  Speaker 2: At one point, it got real growly, too. It got crazy.
• 28:47
  Speaker 1: Let me park it in her truck.
• 28:50
  Speaker 2: That's so scary. I don't like that one. No.
• 28:55
  Speaker 1: Let's talk about Dubois' ghost story.
• 28:57
  Speaker 2: Oh, my gosh. I loved that.
• 28:58
  Speaker 5: And the hey girl.
• 28:59
  Speaker 2: What is it? Oh, my God.
• 29:00
  Speaker 1: And the hey girl at the end.
• 29:02
  Speaker 2: Let's talk about Michael James Scott.
• 29:04
  Speaker 1: Yeah, let's talk about him. So that was a really
• 29:06
  Speaker 1: funny monologue, and Michael nailed it. And I was worried
• 29:09
  Speaker 1: at the time, in the spirit of 21 minutes and
• 29:11
  Speaker 1: 30 seconds, were we going to be able to keep
• 29:13
  Speaker 1: this whole thing? But I got to tell you, when
• 29:15
  Speaker 1: we got to the edit room, we were like, we
• 29:16
  Speaker 1: can't cut this. It's so funny. And he crushed it.
• 29:19
  Speaker 7: Not just that, but also Jacob's turn on it also
• 29:23
  Speaker 7: is really dope, too, on how he's like, I'm from London, man.
• 29:26
  Speaker 2: Ghosts don't scare me. Come on.
• 29:29
  Speaker 7: And it pays off in the end where he finds
• 29:31
  Speaker 7: his comfort he feels at home in said ghost room.
• 29:35
  Speaker 1: Yeah, that's very sweet. I didn't even think of that.
• 29:38
  Speaker 1: This is so good, because you watch episodes so many times,
• 29:40
  Speaker 1: you're seeing all these insights.
• 29:42
  Speaker 4: Bro.
• 29:42
  Speaker 1: I'm really proud of you. You've really leveled up your
• 29:45
  Speaker 1: podcast game.
• 29:45
  Speaker 2: Thank you. Joelle, you see how I do?
• 29:47
  Speaker 1: Joelle, you see how we level up?
• 29:48
  Speaker 3: I do see. I, too, feel pride.
• 29:50
  Speaker 1: Joelle, we got a fancy set and now Donald, like,
• 29:53
  Speaker 1: does fucking, like, watches the episode five times and sees
• 29:57
  Speaker 1: little insights.
• 29:58
  Speaker 2: It's like a real return on investment here. Listen, I'm
• 30:00
  Speaker 2: going to tell you something.
• 30:03
  Speaker 1: It is a real return on investment. And look, Joelle,
• 30:07
  Speaker 1: he has a notepad and he brought today.
• 30:09
  Speaker 2: Don't show that. How do you feel about it, Donald?
• 30:13
  Speaker 2: Are you feeling the pride as well?
• 30:14
  Speaker 7: Look, this is really ridiculous that you guys are doing this.
• 30:17
  Speaker 7: It's not that big of a deal.
• 30:19
  Speaker 1: Oh, it is.
• 30:20
  Speaker 2: I'm proud of you.
• 30:21
  Speaker 1: You're dialed.
• 30:21
  Speaker 2: Was I that bad?
• 30:23
  Speaker 1: Well, you were in a dark room on the floor.
• 30:25
  Speaker 1: In the beginning, you were in your closet.
• 30:27
  Speaker 4: Yeah.
• 30:27
  Speaker 1: You were mega baked.
• 30:30
  Speaker 2: Who says I'm not mega baked now?
• 30:32
  Speaker 1: Oh, here we go. Hold on.
• 30:33
  Speaker 2: Who says I'm not mega baked now?
• 30:36
  Speaker 1: Okay.
• 30:37
  Speaker 2: Yeah.
• 30:37
  Speaker 1: Wow. Did you not know we have sound effects?
• 30:40
  Speaker 3: That's a bong.
• 30:41
  Speaker 2: I don't smoke from a bong anymore.
• 30:42
  Speaker 1: You don't?
• 30:43
  Speaker 2: Well, not up in Vancouver.
• 30:44
  Speaker 1: This is Donald's wife and how she feels about me.
• 30:47
  Speaker 3: Zach, I love you. Zach, I love you.
• 30:49
  Speaker 5: Zach, Zach, Zach.
• 30:50
  Speaker 7: You know what's crazy is that the more I hear that,
• 30:52
  Speaker 7: the more I can hear the love in her voice.
• 30:54
  Speaker 4: Yeah.
• 30:54
  Speaker 2: I love you.
• 30:55
  Speaker 3: Yeah.
• 30:55
  Speaker 1: Zach, I love you. Zach, I love you. Zach, I
• 30:58
  Speaker 1: love you. That sounds like a B tag. So, okay.
• 31:02
  Speaker 1: I want to give a shout out to our assistant editor, Deepa,
• 31:05
  Speaker 1: because she's amazing. And she did something. She does a
• 31:08
  Speaker 1: lot of clever things. And I don't know if you
• 31:11
  Speaker 1: guys caught this, but when Dubois is talking about the
• 31:13
  Speaker 1: haunted room, you hear the ding-ding of the call. She
• 31:18
  Speaker 1: says every night that call bell rings. And it's a
• 31:23
  Speaker 1: little subtle thing, but while Dubois is talking, you hear ding-ding.
• 31:27
  Speaker 1: And I love little elegant touches like that, and I
• 31:30
  Speaker 1: cannot take credit for them. There are so many people
• 31:32
  Speaker 1: who work on the show. But that's something that our
• 31:35
  Speaker 1: assistant editor, Deepa, put in there, and I was like, oh,
• 31:37
  Speaker 1: I love that.
• 31:38
  Speaker 2: Okay, so.
• 31:39
  Speaker 1: Should we talk about shooting that dinner scene all day?
• 31:41
  Speaker 2: No, I want to talk about a couple of things.
• 31:43
  Speaker 2: Go ahead.
• 31:44
  Speaker 7: I want to talk about the interns and what they're
• 31:46
  Speaker 7: doing in the hospital at night. Because at one point,
• 31:49
  Speaker 7: Asher says to Tosh, if you're asking if I can
• 31:52
  Speaker 7: do it again, the answer's pretty much no. About sex.
• 31:56
  Speaker 7: About sex. Are they doing it in the hospital? Did
• 31:58
  Speaker 7: she come back so they could do it in the hospital?
• 32:01
  Speaker 1: No, I inferred that they had had sex once that day.
• 32:04
  Speaker 1: And he's saying, hey, I'm a one time a day
• 32:07
  Speaker 1: kind of guy. By the way, I never thought it
• 32:09
  Speaker 1: was going to last because it wasn't in the script
• 32:10
  Speaker 1: that when she points to her groin and goes, he's tired.
• 32:15
  Speaker 1: I never thought ABC was going to let that on
• 32:17
  Speaker 1: the air.
• 32:17
  Speaker 2: It stayed.
• 32:18
  Speaker 1: But they did.
• 32:19
  Speaker 2: It's hilarious.
• 32:19
  Speaker 1: We occasionally get things like that on.
• 32:21
  Speaker 7: And then also- He's tired. You guys aren't allowed to
• 32:28
  Speaker 7: hook up in the house at.
• 32:30
  Speaker 1: All because- Well, she's not letting- Right.
• 32:32
  Speaker 3: Absolutely not.
• 32:32
  Speaker 7: Because- It pays dividends, folks. It pays dividends later on.
• 32:38
  Speaker 7: But when watching it, I was like, damn, Deshauna is
• 32:42
  Speaker 7: just in full control of this relationship.
• 32:44
  Speaker 2: She was a tight ship.
• 32:47
  Speaker 1: Deshauna has a lot of rules.
• 32:49
  Speaker 3: Deshauna got a lot going on in there.
• 32:51
  Speaker 2: That only benefit her.
• 32:53
  Speaker 1: Right.
• 32:53
  Speaker 3: You know what I mean?
• 32:54
  Speaker 2: That's true.
• 32:55
  Speaker 1: We're going to see, without spoilers, we're going to see
• 32:58
  Speaker 1: how that evolves throughout the season. But I think they're
• 33:00
  Speaker 1: really teeing up. your dynamic in a great way.
• 33:03
  Speaker 4: Oh, yeah.
• 33:04
  Speaker 1: Because you're so alpha and, like, headstrong, and she's, you know,
• 33:09
  Speaker 1: being bullied by you, essentially. She's like, I have a
• 33:11
  Speaker 1: new boyfriend. Like, can he ever come over?
• 33:13
  Speaker 7: No.
• 33:14
  Speaker 2: She's like, why can't I have sex with him? Yeah.
• 33:16
  Speaker 2: She moves out of her aunt's house. I can't ever
• 33:17
  Speaker 2: have sex with him?
• 33:18
  Speaker 1: Right.
• 33:18
  Speaker 2: And then, well, it'll pay dividends. Never mind. I'll let
• 33:21
  Speaker 2: it go.
• 33:23
  Speaker 1: So we shot at this steakhouse all day long because
• 33:27
  Speaker 1: there's so many scenes, and... there's so much coverage you
• 33:31
  Speaker 1: have to shoot of all of us around that table
• 33:33
  Speaker 1: that we, I've never done this in my whole career
• 33:36
  Speaker 1: for an entire day. All of us sat around that
• 33:38
  Speaker 1: table and shot all day long.
• 33:41
  Speaker 2: I like days like that though.
• 33:42
  Speaker 7: I like days where you spend a whole day shooting
• 33:47
  Speaker 7: pretty much three or four scenes and they take the
• 33:50
  Speaker 7: time to work it because then it really feels like
• 33:53
  Speaker 7: you get everything out that you want.
• 33:55
  Speaker 2: To get out.
• 33:55
  Speaker 7: So what you guys are seeing on film, we block
• 33:59
  Speaker 7: shot that. And so, There were several.
• 34:02
  Speaker 1: Explain what that means.
• 34:03
  Speaker 7: Okay, so block shooting is when you have a... You
• 34:06
  Speaker 7: look at your schedule and you're like, wow, we have
• 34:08
  Speaker 7: so many shots that we need to do. It would
• 34:11
  Speaker 7: be great if we just do all of our shots
• 34:13
  Speaker 7: facing this way first and then we'll turn around and
• 34:17
  Speaker 7: shoot the remaining shots the opposite way.
• 34:20
  Speaker 1: Through multiple scenes.
• 34:21
  Speaker 7: Through multiple scenes. And then if we need to, we'll
• 34:24
  Speaker 7: get a couple of angles here and there and stuff
• 34:26
  Speaker 7: like that. But for the most part, We're going to
• 34:28
  Speaker 7: start this way for one half of the day and
• 34:30
  Speaker 7: then we're going to turn it around the other half.
• 34:32
  Speaker 7: And so that's what we did that day. But in
• 34:34
  Speaker 7: doing that, you get to work each scene until you
• 34:39
  Speaker 7: get it. Because once they turn around, they turn around
• 34:42
  Speaker 7: and there's no, okay, I'm going to, I'll be right back.
• 34:45
  Speaker 7: I'm going to work out this other thing. So you
• 34:47
  Speaker 7: come in and you've got a great idea of what
• 34:49
  Speaker 7: you want to do and then you get to do
• 34:51
  Speaker 7: it until.
• 34:53
  Speaker 2: you.
• 34:53
  Speaker 7: Feel really satisfied about it. And that's, what's great about,
• 34:57
  Speaker 7: I love days like that. And you're getting everything from
• 35:00
  Speaker 7: everybody else because now they're in their mind, depending on
• 35:04
  Speaker 7: which way you start in their mind, they're like, all right,
• 35:06
  Speaker 7: when it gets to that part, I'm going to do this.
• 35:08
  Speaker 2: And when it gets to this part, I'm going to
• 35:09
  Speaker 2: do that. And when it gets to, and.
• 35:10
  Speaker 7: That makes it so much fucking, it makes it exciting
• 35:14
  Speaker 7: for the scene because you know, when it's all said
• 35:16
  Speaker 7: and done, you're going to have a great scene. And
• 35:18
  Speaker 7: so it's really important that the person that starts off
• 35:20
  Speaker 7: the block shooting starts off with a bang and, I'd
• 35:23
  Speaker 7: like to say I started off the block shooting that day.
• 35:24
  Speaker 2: Yes, you did.
• 35:25
  Speaker 1: We started with Donald, and you brought it, and you
• 35:27
  Speaker 1: were very funny. Just put it out there. Yeah, you
• 35:30
  Speaker 1: did a good job.
• 35:31
  Speaker 2: Dancing on a bum knee.
• 35:34
  Speaker 1: Wait, did you hurt your knee with your dancing?
• 35:35
  Speaker 2: Do you remember James Brown?
• 35:37
  Speaker 4: No.
• 35:38
  Speaker 1: You don't remember James Brown. No, I remember James Brown,
• 35:40
  Speaker 1: but what's the context?
• 35:41
  Speaker 2: I did the splits.
• 35:42
  Speaker 3: Oh, yeah.
• 35:42
  Speaker 5: Did you hurt your knee?
• 35:43
  Speaker 2: I did. It was swollen for weeks. Oh, my God.
• 35:46
  Speaker 1: You hurt your knee doing James Brown?
• 35:47
  Speaker 6: For weeks.
• 35:47
  Speaker 2: Ask Wayne. It's on the books. Okay.
• 35:50
  Speaker 4: Oh, wow.
• 35:50
  Speaker 1: There you go, everyone. He's getting injured.
• 35:52
  Speaker 2: You see what I do for y'all?
• 35:54
  Speaker 1: He's getting injured, making y'all laugh.
• 35:56
  Speaker 5: It was really impressive.
• 35:57
  Speaker 2: Thank you very much. You were there that day. I was.
• 35:59
  Speaker 5: That was amazing.
• 36:00
  Speaker 2: You were impressive that day as well.
• 36:02
  Speaker 1: JD is so desperate for Charlie to like him. I mean,
• 36:05
  Speaker 1: that's what's funny is how needy, to me, it's funny,
• 36:08
  Speaker 1: how needy he's being. He's like, are you having a
• 36:10
  Speaker 1: good time?
• 36:11
  Speaker 2: Dude, he kisses her shoulder.
• 36:13
  Speaker 1: He kisses her shoulder like, are you having a good time?
• 36:15
  Speaker 1: And then he starts noticing that she's kind of checked out.
• 36:17
  Speaker 1: And that's when he asked Turk to go full party boy.
• 36:20
  Speaker 2: This is a real person that you've experienced before.
• 36:23
  Speaker 1: What do you mean?
• 36:24
  Speaker 2: You've seen me at restaurants like this before. Oh, yeah.
• 36:26
  Speaker 1: Donald definitely gets loud when he's got a few in him,
• 36:30
  Speaker 1: and he can definitely go full party boy.
• 36:33
  Speaker 2: And I try to get the table. I try to
• 36:34
  Speaker 2: get everybody involved, too.
• 36:35
  Speaker 1: Yeah, he tries to get the party going.
• 36:37
  Speaker 2: Joel, have you ever seen full party boy?
• 36:39
  Speaker 1: No, Joel hasn't witnessed it.
• 36:40
  Speaker 2: I have not witnessed it yet, unfortunately.
• 36:42
  Speaker 7: Unfortunately.
• 36:42
  Speaker 2: But I look forward to it. Would you like to
• 36:44
  Speaker 2: witness full party boy? We need to go out and eat.
• 36:46
  Speaker 1: Are you buying? Yeah, of course.
• 36:47
  Speaker 2: Come on.
• 36:48
  Speaker 1: Let's do it. Just order Wagyu A5.
• 36:50
  Speaker 3: Thousand percent right let's talk.
• 36:51
  Speaker 1: About sarah licking her olives now she used to have
• 36:54
  Speaker 1: three olives and i believe it was donald who said
• 36:56
  Speaker 1: to her it would be funnier if it was just
• 36:59
  Speaker 1: two olives because it'll look like balls yes and sarah
• 37:02
  Speaker 1: agreed that that was funnier yes and so she started
• 37:05
  Speaker 1: tonguing those olives she tongued the.
• 37:06
  Speaker 2: Shit out of those oh my word I know I'm
• 37:14
  Speaker 2: not alone in this situation.
• 37:15
  Speaker 1: No, I got to tell you, everyone at the table,
• 37:19
  Speaker 1: from Rachel to Foley to Donald to me, was like, wow,
• 37:22
  Speaker 1: we're seeing a skill set we didn't know Sarah had.
• 37:28
  Speaker 6: Okay, but can we talk about how hot Sarah looks?
• 37:31
  Speaker 1: She looks very sexy.
• 37:32
  Speaker 5: In that dress, she looks amazing.
• 37:34
  Speaker 1: She looks very hot, and she was... We've all.
• 37:36
  Speaker 2: Been on the boat. We all know what Sarah's working with.
• 37:39
  Speaker 5: She's gorgeous.
• 37:39
  Speaker 2: She's got it going on.
• 37:41
  Speaker 1: Sarah is so hot, and it was successfully sexual when
• 37:46
  Speaker 1: she tongued the olives.
• 37:47
  Speaker 2: It was very, yes. It was uncomfortable and arousing at
• 37:52
  Speaker 2: the same time.
• 37:53
  Speaker 3: Yes.
• 37:53
  Speaker 7: Because it was like, oh, my God, that's my sister.
• 37:56
  Speaker 2: Oh, my God. She's tonguing the crap out.
• 37:59
  Speaker 1: Of some olives.
• 38:00
  Speaker 3: Yes.
• 38:02
  Speaker 1: There you go. Tannins and champagne. We thought it would
• 38:06
  Speaker 1: be funny if we made that up on the day.
• 38:08
  Speaker 1: We had to look up if champagne, what the tannins
• 38:13
  Speaker 1: were in champagne. And we learned that there were none.
• 38:15
  Speaker 2: There are none.
• 38:15
  Speaker 1: We thought it funny if Foley corrected JD and says
• 38:19
  Speaker 1: there are no tannins.
• 38:21
  Speaker 7: We should talk about Foley also and how great he is.
• 38:24
  Speaker 7: And also Rachel and how great she is. They only
• 38:28
  Speaker 7: had two episodes this season and both of them, well,
• 38:33
  Speaker 7: Foley only had two episodes this season and he crushed
• 38:37
  Speaker 7: both of them.
• 38:38
  Speaker 2: He was just so amazing. He fits in so well
• 38:39
  Speaker 2: with the comedy style.
• 38:40
  Speaker 1: I wish they were around longer. I really wish they
• 38:43
  Speaker 1: were around longer. It's just, we have so many characters
• 38:45
  Speaker 1: on this show. And obviously their availability, they're both busy actors, but.
• 38:53
  Speaker 1: I loved the episodes.
• 38:54
  Speaker 2: That they both were, you know what I mean?
• 38:56
  Speaker 1: And when this was over, obviously at the end when
• 38:59
  Speaker 1: they're hooking up, it's like, it's hilarious. But I'm like, oh,
• 39:02
  Speaker 1: we're going to have to find a clever way for
• 39:04
  Speaker 1: them both to come back because I so love having
• 39:07
  Speaker 1: them around.
• 39:07
  Speaker 2: Yeah, absolutely.
• 39:09
  Speaker 1: Dubois' bitchiness... Starts around 10 p.m., we learned.
• 39:13
  Speaker 3: The bald strays are so funny.
• 39:15
  Speaker 2: Catching strays for being bald.
• 39:17
  Speaker 1: Why does he think Tosh is going to go bald?
• 39:20
  Speaker 1: She has the most beautiful 25-year-old hair.
• 39:23
  Speaker 2: Full head hair.
• 39:24
  Speaker 1: Yeah, do you think he's jealous of her young person hair?
• 39:27
  Speaker 2: Absolutely.
• 39:28
  Speaker 3: But it's just so funny to just be like. like,
• 39:30
  Speaker 3: you got some aunts that are going bald? Because you
• 39:32
  Speaker 3: look like you're going bald.
• 39:35
  Speaker 1: Well, she warns him, like, hey, just so you know, Asher,
• 39:41
  Speaker 1: around 10 p.m.
• 39:43
  Speaker 2: Dubois goes crazy bitch.
• 39:44
  Speaker 1: He goes full bitchy, and I came in to catch
• 39:46
  Speaker 1: strays for you. And right on the clock, he comes
• 39:51
  Speaker 1: in and is like, do you have ants that are
• 39:52
  Speaker 1: going bald? Because you look like you're going bald. And
• 39:57
  Speaker 1: all of his shots fired are about baldness.
• 40:00
  Speaker 2: Yes, because he's jealous, because he's bald. When he tells
• 40:04
  Speaker 2: a story about, who is it?
• 40:07
  Speaker 1: Gerald.
• 40:08
  Speaker 5: Oh, this part? Oh, my God.
• 40:09
  Speaker 1: Gerald.
• 40:10
  Speaker 2: Catching me with Gerald.
• 40:12
  Speaker 1: Yeah, Marcus. No, Marcus.
• 40:14
  Speaker 2: Marcus.
• 40:14
  Speaker 1: Gerald. Marcus catching me with Gerald. That shit was hilarious.
• 40:18
  Speaker 2: You shouldn't stress. That's going to happen to you. Because
• 40:21
  Speaker 2: you're going bald.
• 40:24
  Speaker 1: That was funny when he goes. When Heath did that
• 40:27
  Speaker 1: throw away, walk away, that's why you going bald.
• 40:29
  Speaker 3: Wishing baldness on others.
• 40:31
  Speaker 2: The delivery.
• 40:32
  Speaker 1: That shit was so funny.
• 40:33
  Speaker 2: I love it. Every time.
• 40:35
  Speaker 1: First of all, I laugh every time, no matter what
• 40:37
  Speaker 1: he says.
• 40:37
  Speaker 2: Every time.
• 40:38
  Speaker 1: But when Heath did that throw away, turn away, that's
• 40:41
  Speaker 1: why you going bald. That's why you going bald.
• 40:43
  Speaker 2: It reminded me, here, take those bananas.
• 40:45
  Speaker 4: Yeah.
• 40:45
  Speaker 1: It was like, here, take those bananas.
• 40:48
  Speaker 2: For those of you who don't know, Beverly Hills Cop.
• 41:00
  Speaker 1: Yeah, I was laughing when Rachel goes, golden.
• 41:02
  Speaker 2: Steak, golden steak. Okay, so.
• 41:06
  Speaker 1: It's always frozen in the pediatrics ward.
• 41:09
  Speaker 2: Sorry, go ahead.
• 41:10
  Speaker 7: That was also something that's crazy. So we should go
• 41:14
  Speaker 7: back and talk about what's happening.
• 41:15
  Speaker 2: In the hospital.
• 41:16
  Speaker 1: Yes, get us on story.
• 41:19
  Speaker 7: So at some point, Asher misses a couple of things,
• 41:24
  Speaker 7: and it makes it so that Mr. Whistler, who Mara has...
• 41:30
  Speaker 7: become very fond of has to be attended to by Deshauna.
• 41:35
  Speaker 1: Yeah, she hands her off because she has an emergency
• 41:37
  Speaker 1: related to Asher's patient.
• 41:39
  Speaker 2: Right. And in that time, Mr. Whistler, unfortunately... Is it Wurtzel?
• 41:44
  Speaker 1: I think it's Witzel.
• 41:45
  Speaker 2: Witzel. Witzel. Thank you. Mr. Witzel somehow... Mr.
• 41:48
  Speaker 1: Witzel, hey.
• 41:53
  Speaker 2: Somehow he dies.
• 41:53
  Speaker 1: Yeah. I want to say that that scene where Tosh
• 42:02
  Speaker 1: helps Asher with the guy who has necrotizing fasciitis on
• 42:05
  Speaker 1: his leg, I get goosebumps every time.
• 42:08
  Speaker 2: Because?
• 42:09
  Speaker 1: Because I think I really love what the writers are
• 42:14
  Speaker 1: doing with this story of Tosh, even though she's silly
• 42:19
  Speaker 1: and she's goofy, she's actually a really great doctor. And
• 42:23
  Speaker 1: I love later when Asher admits, you're great at this.
• 42:28
  Speaker 1: And I love, we're going to learn that she's coming in,
• 42:31
  Speaker 1: she's lying. She came in solely to truly look after him.
• 42:35
  Speaker 1: But when she catches that mistake, that the guy could
• 42:38
  Speaker 1: lose his leg, and she's like, no, no, there's no time, Asher.
• 42:42
  Speaker 1: He goes, I'll pay Jamara right away. Like her actually
• 42:46
  Speaker 1: catching something. I just thought that scene was really well
• 42:49
  Speaker 1: acted and really well directed. And I thought it was,
• 42:52
  Speaker 1: I don't know. All I can tell you is I've
• 42:54
  Speaker 1: seen it a zillion times and I get goosebumps every time.
• 42:56
  Speaker 7: Well, I love all of it because it transferred, the
• 42:59
  Speaker 7: energy transfers. You know, Mara gets to Paige. She runs
• 43:04
  Speaker 7: into Deshauna. Deshauna's like, I got you. And even though
• 43:07
  Speaker 7: they're beefing, they're still that sisterhood. Don't worry about it.
• 43:09
  Speaker 2: I got you.
• 43:10
  Speaker 7: And she runs to handle Asher's patient. And then we
• 43:17
  Speaker 7: cut back to steak night and somebody's dead.
• 43:19
  Speaker 2: You know what I mean?
• 43:20
  Speaker 7: And as an audience member, like so far as an
• 43:23
  Speaker 7: audience member, I really do. As you said, you were like,
• 43:27
  Speaker 7: it's very, you know, you like the energy in that.
• 43:29
  Speaker 7: I really love the energy in that thing because it
• 43:32
  Speaker 7: just gets better. Like I was talking about how it
• 43:34
  Speaker 7: ramps up. So now this is where the ramp really happens.
• 43:37
  Speaker 2: Like everything's starting to happen. And then.
• 43:39
  Speaker 7: Boom, it all comes crashing down with someone dying, and
• 43:44
  Speaker 7: you automatically think that it is.
• 43:46
  Speaker 1: You don't know that it's Mr. Wurzel.
• 43:49
  Speaker 2: Witzel.
• 43:50
  Speaker 1: Witzel.
• 43:50
  Speaker 2: However, yeah.
• 43:51
  Speaker 1: Right, I mean, there is a mislead there, right? You
• 43:53
  Speaker 1: think that it's going to be the guy that just got...
• 43:56
  Speaker 1: I mean, I assume when I read it that it's
• 43:59
  Speaker 1: the patient that Asher may have fucked up. But then
• 44:01
  Speaker 1: it turns out it's the patient that she handed off,
• 44:04
  Speaker 1: which is the cause of the beef that's happening in
• 44:06
  Speaker 1: Turk's office.
• 44:07
  Speaker 2: Right.
• 44:07
  Speaker 1: Let's get to that scene.
• 44:08
  Speaker 2: So this is my favorite scene of the episode.
• 44:09
  Speaker 1: Yeah, this scene is great.
• 44:10
  Speaker 2: You guys crushed it. This scene is so good.
• 44:12
  Speaker 1: You guys are so funny together.
• 44:13
  Speaker 2: Together, you guys.
• 44:15
  Speaker 7: By yourselves, too, but together, you guys are like freaking
• 44:17
  Speaker 7: the Wonder Twins.
• 44:18
  Speaker 1: I get you guys.
• 44:19
  Speaker 2: I fucking get you guys.
• 44:20
  Speaker 1: They probably don't know what that is.
• 44:21
  Speaker 2: It's the freaking... It's old. They're superheroes.
• 44:23
  Speaker 3: Yeah.
• 44:24
  Speaker 2: But I get... I get... I get you guys mixed
• 44:28
  Speaker 2: up a lot. You know what I mean?
• 44:29
  Speaker 1: Yeah.
• 44:29
  Speaker 2: You can see Amara.
• 44:30
  Speaker 6: Amara.
• 44:30
  Speaker 2: Yeah. And doing this, I'm sitting here and I'm having
• 44:33
  Speaker 2: to think about it. You know what I mean?
• 44:35
  Speaker 7: Not only do I get you guys mixed up as characters,
• 44:37
  Speaker 7: I sometimes get you guys mixed up as people too.
• 44:41
  Speaker 7: And that's just a testament because you guys bounce off
• 44:43
  Speaker 7: of each other so well.
• 44:44
  Speaker 2: And this scene... shows it. It's like, it highlights. This
• 44:47
  Speaker 2: is the highlight.
• 44:48
  Speaker 7: Like, when I watched this scene, I got to play
• 44:50
  Speaker 7: with so much because of what you guys were doing.
• 44:53
  Speaker 7: I remember I studied real hard for the, you know,
• 44:55
  Speaker 7: I studied hard for this scene because I knew it
• 44:57
  Speaker 7: was an important scene, right? And so when I came in,
• 45:00
  Speaker 7: I was like, I'm about to freaking show these young
• 45:04
  Speaker 7: whippersnappers what it is. And then you guys were already
• 45:06
  Speaker 7: on point and I was like, oh, shit.
• 45:09
  Speaker 1: But that just goes to show you when you guys...
• 45:12
  Speaker 1: This is like the most simple lesson. When all three
• 45:15
  Speaker 1: actors know their shit as well as you guys do.
• 45:19
  Speaker 1: And people who listen to the podcast know we've talked
• 45:21
  Speaker 1: about how fast we have to shoot this show. So
• 45:23
  Speaker 1: if people don't know their shit that well and you're
• 45:25
  Speaker 1: kind of struggling to get it, half the time is
• 45:27
  Speaker 1: wasted just getting it. You three came into that scene
• 45:31
  Speaker 1: knowing your shit so well, ready to go. And so
• 45:33
  Speaker 1: you start at a fucking... B plus right and then
• 45:37
  Speaker 1: it jumps to A plus then you get warmed up
• 45:39
  Speaker 1: and then it jumps to like an A plus and
• 45:41
  Speaker 1: that's how you get such a great it's multiple scenes
• 45:44
  Speaker 1: actually but that's how Those multiple scenes in that room
• 45:46
  Speaker 1: with y'all are so good. You guys getting heated. I
• 45:51
  Speaker 1: laugh every time with the Uber driver, Kareem, who understands you.
• 45:55
  Speaker 7: Or when Deshauna's like, yeah, that's exactly what I did.
• 45:58
  Speaker 2: I said, yeah, do you.
• 45:59
  Speaker 1: Do you. Your delivery on that is so funny. Yeah,
• 46:03
  Speaker 1: I said, do you.
• 46:05
  Speaker 2: Right. This is my favorite scene.
• 46:09
  Speaker 7: And now at this point, it's like, how can I
• 46:11
  Speaker 7: want to recapture what we.
• 46:13
  Speaker 2: Did every time we do it.
• 46:15
  Speaker 7: So you and I had a scene recently and I
• 46:17
  Speaker 7: was like, how do I get there? I studied, I studied,
• 46:19
  Speaker 7: I studied and we worked it out and we got there.
• 46:24
  Speaker 7: You guys will get there when the episodes get there,
• 46:27
  Speaker 7: but every scene is like that. Uh, now for me
• 46:31
  Speaker 7: at least, you know, and sometimes I know my lines
• 46:33
  Speaker 7: really good and sometimes I don't, that's just, You know,
• 46:36
  Speaker 7: my brain.
• 46:37
  Speaker 6: No, but me and Amanda were talking about it the
• 46:38
  Speaker 6: other day about how much of a generous performer you are.
• 46:41
  Speaker 2: Right on.
• 46:41
  Speaker 3: On both sides of the camera.
• 46:43
  Speaker 6: When you're off camera, you're giving so much to where
• 46:46
  Speaker 6: we get the best takes because of what you're giving
• 46:48
  Speaker 6: us off camera.
• 46:48
  Speaker 2: Right on.
• 46:49
  Speaker 5: And we feel so lucky to... Act opposite you all
• 46:52
  Speaker 5: the time.
• 46:52
  Speaker 2: Thank you for saying that.
• 46:53
  Speaker 1: Well, continue that in the rest of your career.
• 46:56
  Speaker 5: For sure.
• 46:56
  Speaker 1: Because you will find there's people that phone that shit
• 46:58
  Speaker 1: in when they're off camera. And Donald and I don't
• 47:00
  Speaker 1: play like that.
• 47:01
  Speaker 2: No, you guys don't.
• 47:02
  Speaker 5: It makes such a difference, though. It really does.
• 47:03
  Speaker 1: Of course it does. And in fact, you'll find there's
• 47:05
  Speaker 1: times when you're off camera, you can be more helpful
• 47:10
  Speaker 1: by improv-ing shit that isn't even in the script to
• 47:13
  Speaker 1: help the person get there. If the director's just told them,
• 47:17
  Speaker 1: I need you to be more upset, I need you
• 47:18
  Speaker 1: to be more... Obviously, you work it out with the
• 47:21
  Speaker 1: actors so they're not surprised by it, but you can
• 47:23
  Speaker 1: help them sometimes by coming in hotter than you even
• 47:26
  Speaker 1: did on your coverage because it will help them address
• 47:29
  Speaker 1: the director's note.
• 47:30
  Speaker 7: Well, here's a perfect example of that. At one point
• 47:32
  Speaker 7: in the scene, I say to you guys, we're doing
• 47:35
  Speaker 7: a scene and I go, have you seen what Carla
• 47:36
  Speaker 7: looks like? in humidity and you guys both nod. And
• 47:41
  Speaker 7: I go, no, there's no way you could have seen that.
• 47:43
  Speaker 2: There's no way.
• 47:44
  Speaker 7: That's all off camera because I said it off camera
• 47:46
  Speaker 7: to you guys. And then the head shake this way becomes.
• 47:49
  Speaker 1: That was funny.
• 47:50
  Speaker 2: You know what I mean?
• 47:51
  Speaker 7: But this is all us improv-ing and you know what
• 47:54
  Speaker 7: I mean? And playing around.
• 47:55
  Speaker 2: So.
• 47:56
  Speaker 1: That was great.
• 47:56
  Speaker 2: My favorite scene of this episode. Really good scene. And
• 47:59
  Speaker 2: this episode has several really great scenes. All right.
• 48:03
  Speaker 1: So Turk made a pact with JD a la The
• 48:06
  Speaker 1: Notebook episode.
• 48:07
  Speaker 7: Didn't know it's from the notebook no that was funny
• 48:13
  Speaker 7: or maybe he did and just got caught is.
• 48:17
  Speaker 1: It I have a confession to make What's up?
• 48:20
  Speaker 2: You've never seen the notebook?
• 48:20
  Speaker 1: I've never seen the notebook.
• 48:22
  Speaker 3: No way.
• 48:23
  Speaker 1: Oh, Zach, what?
• 48:24
  Speaker 3: I feel like you would love the notebook.
• 48:26
  Speaker 1: You would love the notebook. It's Zach Coded because I'm
• 48:29
  Speaker 1: a sensi.
• 48:30
  Speaker 5: You're sensi.
• 48:30
  Speaker 1: I love romance.
• 48:31
  Speaker 5: You love romance.
• 48:32
  Speaker 1: I'm a sensi.
• 48:33
  Speaker 6: Yes.
• 48:33
  Speaker 1: I love those actors. You would lock into that story. Look,
• 48:35
  Speaker 1: I'm clutching my pearls as we talk about it.
• 48:37
  Speaker 3: You're going to love it.
• 48:38
  Speaker 1: Zach.
• 48:39
  Speaker 2: If you love La La Land.
• 48:40
  Speaker 1: I do love La La Land.
• 48:41
  Speaker 2: You're going to love the notebook.
• 48:43
  Speaker 1: Is it like La La Land without music?
• 48:45
  Speaker 2: Okay.
• 48:46
  Speaker 1: Heartbreaking. I know the premise.
• 48:48
  Speaker 2: Yeah, absolutely.
• 48:49
  Speaker 1: Don't ruin what I already know.
• 48:51
  Speaker 7: Here's the thing. La La Land is one of my
• 48:54
  Speaker 7: favorite movies of all time. So I cannot sit here
• 48:57
  Speaker 7: and say that it is comparable. But I can say,
• 49:03
  Speaker 7: When I first saw this movie, I was like, oh,
• 49:05
  Speaker 7: my boy is out of here.
• 49:07
  Speaker 2: Oh, she is out of here. Like everybody in this
• 49:09
  Speaker 2: thing crushes.
• 49:11
  Speaker 1: All right.
• 49:11
  Speaker 3: So good.
• 49:12
  Speaker 1: It's so funny. It's one of those movies. We all
• 49:15
  Speaker 1: have movies in our lives where when they come up,
• 49:17
  Speaker 1: you're like almost embarrassed to say it. I've never seen it.
• 49:21
  Speaker 7: Yo dude I was hanging out with homie when he
• 49:23
  Speaker 7: was right when he was making that shit I know
• 49:27
  Speaker 7: controversy on that stuff.
• 49:29
  Speaker 1: All right, well, we don't need to get into people's business.
• 49:31
  Speaker 7: We're not going to, but right watching that, we're not
• 49:33
  Speaker 7: going to do that, but right watching that shit, it
• 49:35
  Speaker 7: was like, wow, this is amazing.
• 49:39
  Speaker 2: Like, all of them.
• 49:40
  Speaker 7: Nick Cassavetti, I used to play ball with him. I
• 49:42
  Speaker 7: couldn't believe he was that great of a director.
• 49:44
  Speaker 2: I didn't know that. You know what I mean? Like,
• 49:45
  Speaker 2: there's so many things.
• 49:46
  Speaker 1: All right, I'll watch it.
• 49:47
  Speaker 2: Yeah, man. I'm so excited for you.
• 49:49
  Speaker 1: I'll watch it.
• 49:49
  Speaker 2: You're going to love it.
• 49:50
  Speaker 1: Maybe we'll watch it together.
• 49:51
  Speaker 2: Okay.
• 49:54
  Speaker 1: I really love the scene, another great scene in this
• 49:57
  Speaker 1: episode with Tosh and Asher in the haunted room. I
• 50:01
  Speaker 1: thought that's such a sweet scene. I laugh out loud
• 50:03
  Speaker 1: with the harmonizing for beginners.
• 50:05
  Speaker 2: Oh, yeah.
• 50:06
  Speaker 1: And then that was Ava's idea, because we don't know
• 50:09
  Speaker 1: that fucking lingo. Did we just low-key eat that down?
• 50:12
  Speaker 7: I don't know what that, I mean, I guess eat
• 50:14
  Speaker 7: it all the way to the.
• 50:16
  Speaker 3: Like you ate that up, like you smashed that, you
• 50:18
  Speaker 3: crushed that.
• 50:19
  Speaker 1: Basically in our age, we'd be like, did we just
• 50:21
  Speaker 1: crush that?
• 50:22
  Speaker 2: Got it. Joelle, did you know the.
• 50:24
  Speaker 1: Term low-key eat it down?
• 50:26
  Speaker 2: Yes.
• 50:27
  Speaker 7: Joelle's very hip, guys.
• 50:30
  Speaker 2: She said I'm in black queer space. Oh, it's a
• 50:35
  Speaker 2: black queer space thing.
• 50:36
  Speaker 1: Got it. Oh, Joelle, clock in.
• 50:41
  Speaker 2: Wow, okay.
• 50:42
  Speaker 1: She's like, that's a lot.
• 50:43
  Speaker 2: Too much.
• 50:46
  Speaker 1: Well, I thought that was sweet and funny. And for
• 50:49
  Speaker 1: mega Scrubs fans, again, shouting out Roger Fires and the
• 50:53
  Speaker 1: art department, they made that room the old style from
• 50:57
  Speaker 1: the old hospital. If you look at the way the gear,
• 51:01
  Speaker 1: the medical gear is on the wall, we used to
• 51:04
  Speaker 1: have those plastic panels that were behind the beds in
• 51:06
  Speaker 1: the old school hospital before we modernized to 2026 hospital.
• 51:11
  Speaker 1: So Roger totally recreated the the early two thousands look
• 51:16
  Speaker 1: of a hospital room and, and just did an awesome
• 51:19
  Speaker 1: job with that haunted room.
• 51:21
  Speaker 7: I really liked, we, we, we, I know, I know
• 51:23
  Speaker 7: we pushed them both together. The, the two scenes that
• 51:26
  Speaker 7: we did in the office, but in between that, we
• 51:29
  Speaker 7: skip over a couple of things.
• 51:32
  Speaker 1: Go ahead.
• 51:33
  Speaker 2: Go ahead, girl.
• 51:34
  Speaker 7: There's a line in this, in this whole show that
• 51:36
  Speaker 7: talks about the bonds that you can form when in
• 51:39
  Speaker 7: a workspace, you know what I mean? And, uh, Sometimes
• 51:44
  Speaker 7: they don't last that long, but they can last if
• 51:49
  Speaker 7: certain things are in place. And the one thing that
• 51:51
  Speaker 7: was in place for Deshauna and Amara was the fruit cups.
• 51:56
  Speaker 2: You know what I mean? And that is their bond.
• 51:59
  Speaker 7: They're so broke, just like it was Turk and JD's.
• 52:02
  Speaker 7: They're so broke and have figured out a loophole that
• 52:06
  Speaker 7: they could steal food from the cafeteria and they do it.
• 52:12
  Speaker 7: And even when they're out at night or and even
• 52:17
  Speaker 7: when Turk walks by, he realizes, oh, this is something
• 52:20
  Speaker 7: more than that. These guys are roommates and they're kind of,
• 52:25
  Speaker 7: you know, partners in this because, you know, in his eyes,
• 52:30
  Speaker 7: I got to watch both of them. And if they're
• 52:33
  Speaker 7: fighting and stuff like that, this is going to be one,
• 52:35
  Speaker 7: a pain in the ass, but two, I see myself
• 52:38
  Speaker 7: and JD in these two.
• 52:39
  Speaker 1: He sees the pep talk that he's due to give. Right.
• 52:42
  Speaker 1: He's like, wait, I can't just walk out on these women.
• 52:44
  Speaker 1: I got to tell them something they need to know.
• 52:47
  Speaker 2: Exactly.
• 52:48
  Speaker 7: And he steps back into it. And I just love
• 52:50
  Speaker 7: that scene also. This is another great scene. And we
• 52:53
  Speaker 7: said it already with the whole notebook shit, but it's
• 52:56
  Speaker 7: another great scene. But anyway, the bonds that we form
• 53:00
  Speaker 7: can last forever. And you say it in the thing,
• 53:03
  Speaker 7: but it takes a lot of luck. There's a lot
• 53:05
  Speaker 7: of luck that needs to be in it. and we
• 53:08
  Speaker 7: see a lucky moment when he walks by the.
• 53:11
  Speaker 2: Fruit cups early on before you say that.
• 53:14
  Speaker 1: You know what I mean?
• 53:15
  Speaker 7: It's fucking phenomenal. It's really good storytelling and piecing things together.
• 53:20
  Speaker 1: Yes, I agree. And then we build to J.D. and
• 53:23
  Speaker 1: Elliot walking down the hall. I laughed at scurrying down
• 53:28
  Speaker 1: the pet stairs like this when I was sleeping at
• 53:31
  Speaker 1: the edge of your bed.
• 53:34
  Speaker 4: And....
• 53:36
  Speaker 1: J.D., I think, thought that those were for him, the
• 53:39
  Speaker 1: pet stairs at you and Carla's bed.
• 53:41
  Speaker 2: He didn't realize.
• 53:42
  Speaker 1: I don't think he knows they're for the dog.
• 53:45
  Speaker 2: Oh, I don't think I realized that they were for
• 53:47
  Speaker 2: the dog either.
• 53:48
  Speaker 1: I didn't know we had a dog. Well, listen, he says,
• 53:51
  Speaker 1: I slept at the foot of Turk and Carla's bed.
• 53:54
  Speaker 1: And it was so nice. They had this little furry
• 53:57
  Speaker 1: staircase that I could just crawl down and when I
• 53:59
  Speaker 1: went to pee and then crawl back up when I
• 54:01
  Speaker 1: was done.
• 54:01
  Speaker 2: But I thought she put that there for you.
• 54:04
  Speaker 3: No.
• 54:04
  Speaker 1: Have you ever seen these pet staircases? Oh, you haven't
• 54:06
  Speaker 1: seen this. Have you guys seen this? Oh, so for
• 54:08
  Speaker 1: people that have pets that can't jump onto a bed,
• 54:10
  Speaker 1: they have these little furry like staircases they put next
• 54:12
  Speaker 1: to their bed. And that's what it, JD took that down.
• 54:15
  Speaker 1: He thought it was for him. I can't believe you've
• 54:20
  Speaker 1: never seen that. I'll show you a picture of one.
• 54:22
  Speaker 2: I thought of it as something completely different.
• 54:25
  Speaker 1: What did you think it was?
• 54:25
  Speaker 2: I don't want to talk about it on the podcast
• 54:27
  Speaker 2: because you're going to make Joelle cut it.
• 54:29
  Speaker 1: Oh, okay. Okay. I'm dying to know off mic what
• 54:35
  Speaker 1: it was.
• 54:35
  Speaker 2: All right.
• 54:36
  Speaker 1: So they hook up. This was really funny. This was
• 54:38
  Speaker 1: always our plan was to back into them making out
• 54:41
  Speaker 1: and they've gotten drunk off the bottle of wine and
• 54:43
  Speaker 1: they're macking in the hallway. Charlie and Sean.
• 54:45
  Speaker 2: Charlie and Sean.
• 54:46
  Speaker 1: And- Just camera-wise, we had to figure out how to
• 54:51
  Speaker 1: have the depth of field right to be able to
• 54:54
  Speaker 1: have them so far away and still in focus. So
• 54:57
  Speaker 1: we cranked the lighting in there and we cranked the
• 55:01
  Speaker 1: ISO on the camera, for those of you who are
• 55:02
  Speaker 1: into cameras, so we could have that much up the
• 55:04
  Speaker 1: field because the joke doesn't really work if you're not
• 55:06
  Speaker 1: simultaneously seeing both J.D. and Elliot in the foreground and
• 55:10
  Speaker 1: them in the background.
• 55:11
  Speaker 2: So how does that work?
• 55:12
  Speaker 7: Because this is a very interesting thing as somebody who
• 55:15
  Speaker 7: likes to do... stop motion and filming and depth of
• 55:22
  Speaker 7: field stuff. Turning up the light, more light, and turning
• 55:28
  Speaker 7: down the aperture creates more depth.
• 55:30
  Speaker 1: The more closed down the aperture is, And the numbers
• 55:33
  Speaker 1: go the opposite way. So when you say close down,
• 55:35
  Speaker 1: you're going towards 11, 16, 22. Those are the higher numbers.
• 55:39
  Speaker 1: The more depth of fields you're going to have. So
• 55:41
  Speaker 1: on a bright, sunny day outside, if you want it,
• 55:43
  Speaker 1: you can have insane depth of field. Sometimes people don't
• 55:46
  Speaker 1: want it and they put these things in front of
• 55:48
  Speaker 1: the camera that are called NDs, which are kind of
• 55:50
  Speaker 1: like sunglasses basically for the camera. So it'll allow you
• 55:53
  Speaker 1: to open up wider so you can have shallow depth
• 55:55
  Speaker 1: of field if you want it. In a case like
• 55:58
  Speaker 1: this where the joke is, isn't going to be funny
• 56:01
  Speaker 1: if they're out of focus deep in the foreground. You're
• 56:05
  Speaker 1: going to do two things. You're going to flood the
• 56:07
  Speaker 1: hallway with a lot of light, and then you can
• 56:10
  Speaker 1: turn the sensitivity, the ISO of the camera up as well,
• 56:14
  Speaker 1: and that'll allow you to get to a stop on
• 56:17
  Speaker 1: the camera where you have a really long depth of field.
• 56:20
  Speaker 7: Last question without trying to bore the audience, but how
• 56:24
  Speaker 7: does it stay in focus then if that's the case?
• 56:27
  Speaker 2: You know what I mean?
• 56:28
  Speaker 7: How does the foreground and the background... Because that's a
• 56:31
  Speaker 7: matter of depth of field. Let's say I'm in an F-22,
• 56:34
  Speaker 7: which is like the highest, the most closed down of
• 56:37
  Speaker 7: the iris. You can have from two feet to infinity
• 56:42
  Speaker 7: in focus.
• 56:43
  Speaker 2: Okay, I didn't know that. I'm not... Well, I'm giving
• 56:47
  Speaker 2: you knowledge.
• 56:48
  Speaker 1: If you ever need to accomplish this in your stop motion,
• 56:50
  Speaker 1: just come to me.
• 56:51
  Speaker 2: I do.
• 56:52
  Speaker 1: But for those of you into production, this is the
• 56:53
  Speaker 1: kind of things you got to figure out. This is...
• 56:56
  Speaker 1: This is the kind of thing you read the script
• 56:57
  Speaker 1: and go, that's not going to be funny unless they're
• 57:00
  Speaker 1: both in focus. How are we going to do that?
• 57:02
  Speaker 1: And so it's something in pre-production you need to figure
• 57:04
  Speaker 1: out with the DP and plan for it. I love
• 57:08
  Speaker 1: the Tears for Fears song.
• 57:12
  Speaker 7: Everybody wants to rule the world.
• 57:16
  Speaker 1: And I really am so moved every time I see
• 57:18
  Speaker 1: it of the moment that Tosh confesses that she's been
• 57:21
  Speaker 1: lying and she does that little check to make sure
• 57:23
  Speaker 1: that Asher's not there and confesses to Dubois that... He'll
• 57:27
  Speaker 1: get there.
• 57:28
  Speaker 7: Well, I also like Michael James Scott's reading of saying
• 57:33
  Speaker 7: to her, look, I know you made some mistakes in
• 57:35
  Speaker 7: the past, but you're turning out to be one of
• 57:38
  Speaker 7: the best doctors in this hospital.
• 57:40
  Speaker 2: And I can't say the same for him. Yeah.
• 57:43
  Speaker 1: And she's like, he'll get there.
• 57:45
  Speaker 2: And you kind of know.
• 57:48
  Speaker 4: Nah.
• 57:50
  Speaker 1: We don't know. Dun, dun, dun.
• 57:51
  Speaker 2: Dun, dun, dun. It's kind of like. That's the first
• 57:55
  Speaker 2: tale of it.
• 57:56
  Speaker 1: I really love us all. The show always comes back
• 57:59
  Speaker 1: to these three people we met 25 years ago who
• 58:04
  Speaker 1: love each other, sitting in a booth at a bar.
• 58:07
  Speaker 1: Two of them have just had something pretty devastating happen.
• 58:10
  Speaker 1: But your friends can always make you laugh, right? Your
• 58:13
  Speaker 1: friends can always sit around with you in a booth
• 58:15
  Speaker 1: and say the right things and make you laugh. And
• 58:18
  Speaker 1: I love that this show circles back in this episode
• 58:22
  Speaker 1: to three people, who all got their own shit, but
• 58:26
  Speaker 1: they're sitting there cracking each other up.
• 58:28
  Speaker 2: I love that too.
• 58:29
  Speaker 7: I also love that it's not so serious when it
• 58:31
  Speaker 7: comes to early on in relationships, especially.
• 58:37
  Speaker 1: Well, they weren't neither one of those things. Those things
• 58:39
  Speaker 1: had both just started. It wasn't like they were like affairs.
• 58:41
  Speaker 2: Exactly, but they're taking it so hard at the end
• 58:44
  Speaker 2: of the show.
• 58:45
  Speaker 1: Well, JD had got a trip to the Bahamas. Non-refundable.
• 58:49
  Speaker 7: I'm going to put it out there. This goes all
• 58:51
  Speaker 7: the way back to episode one when... Turk warned JD,
• 58:56
  Speaker 7: you do this shit too much and it's going to
• 58:58
  Speaker 7: come and bite you in the ass.
• 59:00
  Speaker 1: That was an episode. Oh, that was first of this season.
• 59:02
  Speaker 2: First of the season. And here it is, episode five.
• 59:05
  Speaker 1: And then we get to end with two cute things.
• 59:08
  Speaker 1: Both Sean saying nobody cares. JD. And then you talk... Hey, guys,
• 59:12
  Speaker 1: tell me how the fruit cups came about.
• 59:14
  Speaker 3: That was Michael Spiller.
• 59:16
  Speaker 2: Shout out.
• 59:17
  Speaker 1: He was our producing director of the show. And he
• 59:19
  Speaker 1: was on set. And he... Go ahead. He had this idea?
• 59:21
  Speaker 5: Yeah, he had this idea.
• 59:22
  Speaker 6: We were sitting doing the scene. I think it was
• 59:24
  Speaker 6: a different... ending I think it was it was just
• 59:28
  Speaker 6: supposed to end with I love you yeah I think
• 59:30
  Speaker 6: she says I love you for the first time and
• 59:31
  Speaker 6: that was it yeah and then he somehow was like
• 59:34
  Speaker 6: it would be so cute if you pulled out the
• 59:36
  Speaker 6: fruit cups and the props department is incredible within like
• 59:39
  Speaker 6: five minutes yeah they brought the fruit cups somehow that
• 59:43
  Speaker 6: was so cute you.
• 59:43
  Speaker 1: Know what's funny is that she says we're gonna order
• 59:45
  Speaker 1: the most expensive bottle of wine on the menu and
• 59:48
  Speaker 1: I'm thinking of like This level of steakhouse, there's probably
• 59:52
  Speaker 1: like a $ 25, 000 bottle of wine on the menu.
• 59:55
  Speaker 2: I don't think they're going to do that.
• 59:56
  Speaker 7: I think this is what I think. She's just like,
• 1:00:01
  Speaker 7: I'm going to order some expensive wine, but I don't
• 1:00:04
  Speaker 7: know about.
• 1:00:04
  Speaker 2: The most expensive.
• 1:00:04
  Speaker 1: She literally says to the waiter.
• 1:00:06
  Speaker 2: I totally understand that, but she knows.
• 1:00:08
  Speaker 1: You're saying the waiter's not going to bring them a
• 1:00:11
  Speaker 1: 25K bottle.
• 1:00:11
  Speaker 7: No, I'm saying she knows better.
• 1:00:14
  Speaker 1: So you're saying after the camera cuts, the waiter or
• 1:00:21
  Speaker 1: waitress is probably like, I don't think you want the
• 1:00:22
  Speaker 1: most expensive. Do you want to look at the wine list?
• 1:00:24
  Speaker 2: No, I'm saying Deshauna's like, all right. No, we can't
• 1:00:28
  Speaker 2: do that. I'm going to get yelled at.
• 1:00:30
  Speaker 7: That'll be my ass. Listen, we're going to order this.
• 1:00:33
  Speaker 7: And at the end of the day, with the food cups,
• 1:00:36
  Speaker 7: it's beautiful.
• 1:00:37
  Speaker 1: All right. Well, that's 205. Thank you, ladies, so much
• 1:00:39
  Speaker 1: for joining us. I hope you had fun.
• 1:00:42
  Speaker 6: So much fun.
• 1:00:42
  Speaker 4: Thank you, guys.
• 1:00:42
  Speaker 1: Tell people who are listening your Instagram so they can
• 1:00:45
  Speaker 1: follow you and join the fun. Layla.
• 1:00:46
  Speaker 5: Yes, Layla Moha.
• 1:00:49
  Speaker 1: Spell that.
• 1:00:49
  Speaker 5: L-A-Y-L-A-M-O-H-A.
• 1:00:53
  Speaker 1: And Amanda?
• 1:00:53
  Speaker 3: Amanda J. Morrow. Morrow spelled M-O-R-R-O-W.
• 1:00:58
  Speaker 2: Yeah, follow them.
• 1:01:00
  Speaker 1: Follow these amazing actresses. Scrubs is just the beginning of
• 1:01:03
  Speaker 1: their career. You guys are so talented, and I love
• 1:01:07
  Speaker 1: working with you.
• 1:01:07
  Speaker 5: We love working with you guys.
• 1:01:09
  Speaker 1: Donald, count us out.
• 1:01:11
  Speaker 2: Joelle. I miss you, girl.
• 1:01:13
  Speaker 1: I miss you, Joelle.
• 1:01:15
  Speaker 2: Five, six, seven, eight.
• 1:01:20
  Speaker 1: About a bunch of docs and nurses and a janitor who.
• 1:01:24
  Speaker 4: Loved to hate.
• 1:01:25
  Speaker 7: I said he's got stories that we all should know.
• 1:01:30
  Speaker 4: So gather round to hear our, gather round to.
• 1:01:34
  Speaker 1: Hear our Scrubs Rewatch Show with Zach and Donald.
• 1:01:38
  Speaker 3: Mm-hmm.