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Gunsmoke - "Miguel's Daughter" (Old Time Radio, 1958) · The 50 Greatest Old Time Radio Shows | Old Time Radio

• 0:00
  Speaker 1: When Kitty comes to the aid of Josefina Ramirez, a
• 0:03
  Speaker 1: young Mexican woman harassed by two men in Dodge City,
• 0:07
  Speaker 1: Marshal Matt Dillon takes on the task of getting her
• 0:10
  Speaker 1: safely home. But at the Ramirez farmstead outside town, Josefina's father, Miguel,
• 0:17
  Speaker 1: meets them with a gun, and fear for his daughter
• 0:20
  Speaker 1: is driving him toward his own form of justice. From
• 0:24
  Speaker 1: CBS on August 3rd, 1958, this is Gunsmoke, episode 330,
• 0:31
  Speaker 1: Miguel's Daughter. William Conrad stars as Matt Dillon, with Georgia
• 0:37
  Speaker 1: Ellis as Kitty, Parley Bear as Chester Proudfoot, and Howard
• 0:41
  Speaker 1: McNair as Doc Adams. Marion Clark wrote the script, Norman
• 0:47
  Speaker 1: MacDonald directed and produced. Here is the original broadcast.
• 1:03
  Speaker 2: Around Dodge City and in the Territory on West, there
• 1:06
  Speaker 2: is just one way to handle the killers and the spoilers,
• 1:09
  Speaker 2: and that's with a U.S. Marshal and the smell of
• 1:12
  Speaker 2: gun smoke. Gunsmoke, starring William Conrad. The story of the
• 1:36
  Speaker 2: violence that moved west with young America. And the story
• 1:39
  Speaker 2: of a man who moved with it. I'm that man.
• 1:43
  Speaker 2: Matt Dillon, United States Marshal. The first man they look
• 1:47
  Speaker 2: for and the last they want to meet. It's a
• 1:50
  Speaker 2: chancy job. And it makes a man watchful. And a
• 1:55
  Speaker 2: little lonely.
• 1:56
  Speaker 3: The man sure needs his dinner. Not one like that
• 2:07
  Speaker 3: he don't have.
• 2:24
  Speaker 4: He was feeding us better than that on the trail. Well,
• 2:27
  Speaker 4: based in there, you don't.
• 2:28
  Speaker 1: Have to look out for a rattlesnake where you sit
• 2:31
  Speaker 1: down at the table.
• 2:33
  Speaker 5: I'm going to get me something to wash that food
• 2:35
  Speaker 5: down with right now.
• 2:36
  Speaker 4: Maybe that'll help.
• 2:40
  Speaker 5: This place looks good enough.
• 2:43
  Speaker 4: Now, Jake. Oh, senor. You run right into her, Jake.
• 2:47
  Speaker 4: You bump into her real hard. So I did.
• 2:50
  Speaker 5: Run right into a pretty little girl. My basket.
• 2:53
  Speaker 6: I must have my basket.
• 2:55
  Speaker 5: Oh, you don't need to worry now. But the egg.
• 2:57
  Speaker 5: I caught the basket, all right.
• 2:59
  Speaker 4: May I have it, please?
• 3:00
  Speaker 5: Well, it seems to me you owe me a little something.
• 3:04
  Speaker 7: Oh.
• 3:04
  Speaker 1: If I hadn't caught this basket, it'd have dropped, sure,
• 3:07
  Speaker 1: and them eggs would have all broke.
• 3:09
  Speaker 5: Now, ain't that so, Ab?
• 3:10
  Speaker 4: Sure, Jack.
• 3:11
  Speaker 5: It was me who's kept them eggs from breaking.
• 3:14
  Speaker 4: I am grateful, senor.
• 3:16
  Speaker 1: I figure you might want to thank me for the favor.
• 3:20
  Speaker 5: I thank you, senor.
• 3:23
  Speaker 1: Now, that ain't exactly what I mean. But a little
• 3:26
  Speaker 1: gal like her'd know.
• 3:27
  Speaker 5: What I mean, wouldn't she, Ab?
• 3:28
  Speaker 4: Sure she would, Jack. Sure she would.
• 3:32
  Speaker 5: Just come here.
• 3:32
  Speaker 4: I'll show you. Please, Senor. Just a little kiss. No.
• 3:36
  Speaker 5: After that, boy. I got a kick.
• 3:39
  Speaker 4: Oh, shit.
• 3:40
  Speaker 7: Spooky.
• 3:40
  Speaker 5: Is it wrong?
• 3:41
  Speaker 4: Come on now.
• 3:41
  Speaker 5: Fancy it. A little kiss ain't going to hurt you, no?
• 3:45
  Speaker 5: Sure not.
• 3:45
  Speaker 1: Boy, all you black-eyed little gals can kiss plenty of times.
• 3:49
  Speaker 5: Now, ain't that right? Come on now. It ain't no
• 3:51
  Speaker 5: different with me.
• 3:52
  Speaker 4: I will not kiss you.
• 3:54
  Speaker 6: Let me go.
• 3:56
  Speaker 4: No.
• 3:56
  Speaker 5: Let me go. You let her go. Put that girl down. Well, now,
• 4:01
  Speaker 5: who do you think you are?
• 4:02
  Speaker 8: Never mind who I am.
• 4:03
  Speaker 5: You leave her alone. You've got no call to start.
• 4:05
  Speaker 7: You let her go or I'll send for the law.
• 4:07
  Speaker 5: Oh, we're just having some fun.
• 4:10
  Speaker 7: Yeah, a fine brand of fun. Two hulks like you
• 4:12
  Speaker 7: tormenting a young girl.
• 4:13
  Speaker 5: Hey, come on, honey. You come with me. You two
• 4:17
  Speaker 5: go along now. Look, we ain't done nothing.
• 4:19
  Speaker 4: You get along.
• 4:20
  Speaker 5: Come on. Senorita. Kitty will do.
• 4:32
  Speaker 4: Those men.
• 4:35
  Speaker 5: Those men, they were wrong.
• 4:36
  Speaker 4: I do not care.
• 4:37
  Speaker 5: Yeah, I know, honey.
• 4:38
  Speaker 6: Now, don't you worry.
• 4:40
  Speaker 7: Come on inside.
• 4:42
  Speaker 5: You can wash your face and calm down.
• 4:44
  Speaker 4: Thank you. Well, is she still around here, Kitty?
• 5:05
  Speaker 7: I left her up in my room, Matt.
• 5:07
  Speaker 4: She was pretty upset. Did you find out who she was?
• 5:10
  Speaker 7: Yeah, her name's Josefina. Josefina Ramirez.
• 5:13
  Speaker 6: Yeah.
• 5:14
  Speaker 7: She and her father had taken over the old Grimes
• 5:16
  Speaker 7: place west of town.
• 5:17
  Speaker 4: Oh, that's a pretty run-down outfit, as I remember it.
• 5:20
  Speaker 7: Yeah, I guess they're having a tough time with it.
• 5:23
  Speaker 7: They haven't been here very long.
• 5:25
  Speaker 4: Probably won't stay long either. That's pretty mean land.
• 5:28
  Speaker 5: Matt?
• 5:30
  Speaker 4: Yeah, what?
• 5:30
  Speaker 7: Well, I'm... I was wondering if you had something awful
• 5:35
  Speaker 7: important to do the.
• 5:36
  Speaker 4: Rest of the afternoon.
• 5:37
  Speaker 1: Nothing too important, I guess.
• 5:41
  Speaker 6: Why?
• 5:42
  Speaker 4: She's a real scared girl, Matt.
• 5:44
  Speaker 5: I'd hate for those two brutes.
• 5:46
  Speaker 7: To get their hands on her again.
• 5:47
  Speaker 4: What do you want me to do?
• 5:50
  Speaker 7: I thought you might drive her out to her place.
• 5:55
  Speaker 1: You think chaperoning young girls home is part of my job?
• 5:59
  Speaker 8: Oh, Matt.
• 6:00
  Speaker 4: All right, Kitty. I'll be glad to do it.
• 6:04
  Speaker 1: I'll have Chester hitch up a buggy and we'll get
• 6:06
  Speaker 1: her out there in time for supper. Thanks, Matt.
• 6:09
  Speaker 7: I'll have her waiting out front.
• 6:11
  Speaker 1: Guess there's no use looking for those two men now.
• 6:14
  Speaker 7: Why not?
• 6:15
  Speaker 4: Well, if.
• 6:17
  Speaker 1: You took out after him. They're probably halfway to Wichita
• 6:20
  Speaker 1: by now.
• 6:20
  Speaker 7: Matt?
• 6:21
  Speaker 1: I know what I'm talking about. I haven't seen you
• 6:23
  Speaker 1: when you were riled.
• 6:24
  Speaker 7: Well, you're about to see me riled again if you're
• 6:27
  Speaker 7: not careful.
• 6:28
  Speaker 5: You go on now. Get that buggy, huh?
• 6:54
  Speaker 1: I think we can catch the shortcut along here pretty soon, Mr.
• 6:57
  Speaker 6: Dillon.
• 6:58
  Speaker 4: Is that right, Josephina?
• 7:00
  Speaker 5: Yes, senor.
• 7:01
  Speaker 7: There is a little road across the field after the
• 7:04
  Speaker 7: next turn.
• 7:05
  Speaker 4: Ah, well, we'll get you home before it really turns dark.
• 7:09
  Speaker 3: Senor?
• 7:10
  Speaker 6: Uh-huh?
• 7:12
  Speaker 7: I would thank you, senor, if you would let me
• 7:15
  Speaker 7: off here at the little road.
• 7:17
  Speaker 5: Well, that's an awful long walk for anybody, Miss Josephine.
• 7:20
  Speaker 5: I would like it.
• 7:21
  Speaker 4: You don't want us to drive you all the way home, huh?
• 7:23
  Speaker 1: No, senor. Look, Josephina, it's close to dark. I think
• 7:27
  Speaker 1: maybe we'd better go on with you.
• 7:29
  Speaker 4: Sure, it ain't no trouble.
• 7:30
  Speaker 5: Just a little piece more to go and now we've
• 7:31
  Speaker 5: turned on.
• 7:32
  Speaker 1: But you do not understand.
• 7:35
  Speaker 5: Out there behind them rocks.
• 7:37
  Speaker 4: Get out on the wagon, Josephina. Tuster, jump off and
• 7:39
  Speaker 4: come back to your side.
• 7:40
  Speaker 5: Wait, wait, don't shoot.
• 7:42
  Speaker 4: Come back here, you'll be killed. It's not that I
• 7:44
  Speaker 4: want to lose it to you, senor.
• 7:47
  Speaker 5: Don't shoot again.
• 7:48
  Speaker 4: Put down your gun, you crazy fool.
• 7:50
  Speaker 5: You come no closer.
• 7:51
  Speaker 4: Josefina, step here with me. What's going on?
• 7:56
  Speaker 3: Father, you are wrong.
• 7:57
  Speaker 4: Come up here with me if I say.
• 7:59
  Speaker 2: These men are not like the others.
• 8:01
  Speaker 4: They have not bothered you?
• 8:03
  Speaker 3: No, father.
• 8:04
  Speaker 8: They have brought me home so I would be safe.
• 8:07
  Speaker 6: I will talk to him.
• 8:14
  Speaker 4: Why don't you put your gun down? I talk better
• 8:16
  Speaker 4: that way. Tell me who you are, senor.
• 8:19
  Speaker 5: He is the U.S. Marshal at Dodge City.
• 8:23
  Speaker 7: Oh. Oh.
• 8:26
  Speaker 4: The man who uphold the law. Well, I tried to.
• 8:28
  Speaker 1: And who are you?
• 8:31
  Speaker 4: My name is Senor Miguel Ramirez. Do you always ambush
• 8:36
  Speaker 4: people who come out to your place? Only when I
• 8:38
  Speaker 4: feel for my daughter.
• 8:40
  Speaker 1: Well, I can't blame you if I want to protect her.
• 8:43
  Speaker 1: But if you're so worried about her, why do you
• 8:44
  Speaker 1: let her go to town alone? Hmm.
• 8:46
  Speaker 8: See, it's not good, but we are in need of
• 8:50
  Speaker 8: all the money we can earn, senor, to make this
• 8:52
  Speaker 8: place go. The eggs have to be sold. Today my
• 8:55
  Speaker 8: cow is calving. I could not go to town, so
• 8:59
  Speaker 8: I sent Josefina. It's no one else. She did not
• 9:04
  Speaker 8: return in the daylight.
• 9:06
  Speaker 1: You decided the worst to happen.
• 9:08
  Speaker 8: Oh, senor Marshall, you do not know how it can be.
• 9:11
  Speaker 8: We have moved four times trying to find a good home.
• 9:16
  Speaker 8: But for a young girl from Mexico in your country,
• 9:19
  Speaker 8: it's not easy.
• 9:20
  Speaker 4: Your men... Yeah, yeah. I know it can be bad.
• 9:25
  Speaker 1: Look, Ramirez, you can't shoot everybody who comes out here.
• 9:29
  Speaker 4: You know.
• 9:30
  Speaker 8: I do not wish for trouble, senor. I came to
• 9:33
  Speaker 8: your country. I hope for a better way to live.
• 9:36
  Speaker 8: But if they bring trouble to my daughter... She's a
• 9:40
  Speaker 8: good girl.
• 9:41
  Speaker 4: Yeah, I know she is. If they bring trouble to
• 9:43
  Speaker 4: my daughter, then I will kill them. is the way
• 9:47
  Speaker 4: it must be.
• 9:47
  Speaker 1: You can't take the law on your own hands, Ramirez.
• 9:50
  Speaker 1: That's the way it must be, too.
• 9:52
  Speaker 4: I can't keep.
• 9:53
  Speaker 1: That won't do Josefina any good.
• 9:55
  Speaker 4: Now listen to me, Ramirez.
• 9:58
  Speaker 1: I know things can be hard. But you'll get protection
• 10:01
  Speaker 1: from the law like anyone else.
• 10:04
  Speaker 4: But you let the law handle things. I protect my daughter.
• 10:08
  Speaker 4: But you'll have to be alive to do that. Do
• 10:09
  Speaker 4: you understand?
• 10:10
  Speaker 6: Señor.
• 10:12
  Speaker 4: All right.
• 10:14
  Speaker 1: From now on, you better see that Josefina stays close
• 10:16
  Speaker 1: to home, huh?
• 10:19
  Speaker 4: Justin, come on.
• 10:20
  Speaker 6: Let's get back to town.
• 10:41
  Speaker 1: Here's where she lived, Hap. Here's the Mexican's place.
• 10:47
  Speaker 4: It ain't much. Sure ain't.
• 10:50
  Speaker 5: You stay here. I'll go in and get the girl.
• 10:52
  Speaker 4: Get off your horse. It's old man.
• 10:53
  Speaker 6: He's got a gun.
• 10:55
  Speaker 1: There's no need for the gun, old man.
• 10:58
  Speaker 5: We just come to pay a little visit to your daughter.
• 11:01
  Speaker 7: You.
• 11:01
  Speaker 5: Get off my land.
• 11:04
  Speaker 1: We just come to pass the time of day.
• 11:06
  Speaker 2: Yeah.
• 11:07
  Speaker 5: We seen her in town yesterday. Figured we'd like to
• 11:10
  Speaker 5: see her out.
• 11:10
  Speaker 4: I'll order you once more. Turn your horse.
• 11:14
  Speaker 5: Right back.
• 11:15
  Speaker 1: Now, it seems to me you'd take kindly to us
• 11:18
  Speaker 1: coming to call.
• 11:19
  Speaker 5: We're a lot better than your girls been.
• 11:21
  Speaker 4: Used to, and we got.
• 11:22
  Speaker 5: Watch out, old man.
• 11:25
  Speaker 4: Next time I go, we'll be shot in the head.
• 11:27
  Speaker 4: Now you go. Look here, you old.
• 11:30
  Speaker 5: Come on, let's get out of here.
• 11:45
  Speaker 4: What are you doing, Jack? What are you stopping for?
• 11:51
  Speaker 5: We're out of sight, ain't we?
• 11:52
  Speaker 4: Yeah?
• 11:54
  Speaker 1: We ain't gonna let no dirt farmer drive us off
• 11:56
  Speaker 1: in his land.
• 11:59
  Speaker 4: What are you gonna do?
• 12:01
  Speaker 5: You just come along with me. You see what I'm
• 12:04
  Speaker 5: gonna do.
• 12:05
  Speaker 4: I ain't so sure, Jack. You scared?
• 12:07
  Speaker 7: Well, no.
• 12:09
  Speaker 1: No, I ain't scared, but I don't wanna go killing
• 12:11
  Speaker 1: no old man.
• 12:12
  Speaker 5: We ain't gonna kill nobody.
• 12:15
  Speaker 1: I'm just gonna pay a visit to that pretty little
• 12:17
  Speaker 1: girl like we set out to do.
• 12:19
  Speaker 4: How are we gonna do that?
• 12:22
  Speaker 5: Get off your horse and tie him up.
• 12:25
  Speaker 4: Leave the horses? Do like I tell you.
• 12:26
  Speaker 5: Now we're gonna sneak back through the scrub. That little
• 12:34
  Speaker 5: gal's gonna get a real surprise.
• 12:51
  Speaker 1: Now then, Doc, you don't think food like this can
• 12:53
  Speaker 1: hurt you, huh?
• 12:54
  Speaker 5: Well, I've got a theory about it, Matt.
• 12:59
  Speaker 4: It better be good. Part of the scientific.
• 13:03
  Speaker 1: Now then, I've done a lot of research on it
• 13:05
  Speaker 1: at considerable personal risk.
• 13:07
  Speaker 4: Is that so?
• 13:09
  Speaker 5: Yes, by eating the food myself.
• 13:12
  Speaker 1: And I've come to the conclusion that you build up
• 13:14
  Speaker 1: an immunity to.
• 13:15
  Speaker 4: Terrible slop like this.
• 13:18
  Speaker 5: And your stomach gets even stronger.
• 13:20
  Speaker 4: Are you the doc? Yes.
• 13:24
  Speaker 6: Yes, I'm the doc.
• 13:24
  Speaker 4: You've got to come, doc. We've got a gal out
• 13:26
  Speaker 4: there in the country. Speak up, man. Speak up.
• 13:32
  Speaker 6: Ain't he the marshal?
• 13:34
  Speaker 5: Of course he's the marshal.
• 13:36
  Speaker 4: I'll wait and see you alone, doc.
• 13:37
  Speaker 1: I think I'd better know about any girl you've got
• 13:40
  Speaker 1: out in the country.
• 13:41
  Speaker 4: Well... It really ain't nothing bad.
• 13:45
  Speaker 1: Just bad enough to need a doctor in a hurry,
• 13:46
  Speaker 1: is that it?
• 13:48
  Speaker 4: Who is she?
• 13:49
  Speaker 5: Oh, just a little Mexican gal.
• 13:51
  Speaker 4: From the Ramirez place?
• 13:54
  Speaker 1: Yeah.
• 13:55
  Speaker 5: What happened to her?
• 13:56
  Speaker 4: Well, I don't really know, Doc.
• 13:58
  Speaker 5: My partner and me, we were just having fun with her.
• 14:01
  Speaker 4: She fell down. Hit her head, I guess. She ain't
• 14:05
  Speaker 4: moved since. Come on, Doc. I'll get Chester and we'll
• 14:09
  Speaker 4: ride along with you.
• 14:09
  Speaker 1: Sure, Matthew.
• 14:11
  Speaker 4: Come on, you.
• 14:12
  Speaker 1: Sure, Marshal.
• 14:13
  Speaker 4: Yeah, I'll lead you right out there. You bet you will.
• 14:16
  Speaker 3: I left him right over there under that tree.
• 14:21
  Speaker 6: Jack!
• 14:21
  Speaker 1: Jack, I've run the dock.
• 14:40
  Speaker 5: He sure ain't answering you none.
• 14:42
  Speaker 4: In the woods there.
• 14:44
  Speaker 5: Where's the girl?
• 14:45
  Speaker 1: Right there.
• 14:45
  Speaker 4: By that tree. Josephina. Josephina.
• 14:56
  Speaker 6: Do not touch me.
• 14:58
  Speaker 3: Oh, my head.
• 15:00
  Speaker 4: It hurts. It's Marshal Dillon, Josephina.
• 15:03
  Speaker 8: Doc Adams is here, too.
• 15:06
  Speaker 4: Let's see now.
• 15:07
  Speaker 7: Chester.
• 15:08
  Speaker 4: Chester. Would you hold the lantern? Sure, Doc. You just
• 15:13
  Speaker 4: lie still, Justina. It isn't going to hurt.
• 15:22
  Speaker 5: Can you tell me how this happened?
• 15:26
  Speaker 4: They were after me, Doctor. They were waiting for me.
• 15:30
  Speaker 6: In the dark.
• 15:32
  Speaker 3: There.
• 15:32
  Speaker 6: It's going to be all right. She dragged me out
• 15:36
  Speaker 6: in this field with a big hand over my mouth,
• 15:39
  Speaker 6: and I fell down.
• 15:41
  Speaker 4: I fell down.
• 15:41
  Speaker 5: She wouldn't have got hurt, none, if she hadn't have
• 15:43
  Speaker 5: been fighting so. Well, she kicked me something fierce. Dear me,
• 15:48
  Speaker 5: ain't that a shame.
• 15:50
  Speaker 4: I think she's all right, Matt. She hit her head.
• 15:52
  Speaker 6: A good track, but she'll be all right.
• 15:54
  Speaker 4: Can we move her, Doc? Yes, I think so. It
• 15:57
  Speaker 4: won't hurt her at all. I'll take her home in
• 15:59
  Speaker 4: the bus.
• 15:59
  Speaker 1: I better go along, too. Her father isn't going to
• 16:01
  Speaker 1: be easy to deal with. I don't see why he
• 16:04
  Speaker 1: should be. Chester, you take Ab back and lock him up, huh?
• 16:07
  Speaker 1: We'll hold him till we're sure the girl's going to
• 16:09
  Speaker 1: be all right.
• 16:10
  Speaker 6: Yes, sir.
• 16:11
  Speaker 5: I'll do that, Mr.
• 16:11
  Speaker 7: Jones.
• 16:12
  Speaker 4: Well, I didn't hurt her none.
• 16:13
  Speaker 5: The doc says she's all right. There's no need to
• 16:15
  Speaker 5: lock me up.
• 16:16
  Speaker 1: You ought to beg me to lock you up, rather
• 16:18
  Speaker 1: than have her father out looking for you.
• 16:21
  Speaker 4: Now, come on, doc. Let's get her into the buggy.
• 16:44
  Speaker 4: She's sleeping just fine. You see that she gets a
• 16:48
  Speaker 4: lot of rest for the next couple of days, Ramirez.
• 16:50
  Speaker 4: She's all right. How did you hear him, Ramirez? The
• 16:55
  Speaker 4: doctor says Josephina's all right. She just needs a little rest.
• 16:59
  Speaker 4: I hear the words, Marshal. I'll wait for you out
• 17:03
  Speaker 4: in the buggy.
• 17:03
  Speaker 1: All right, doctor.
• 17:04
  Speaker 4: I'll be along in a minute.
• 17:09
  Speaker 1: Ramirez, I want to say a couple of things to you.
• 17:15
  Speaker 4: Hey, Ramirez, are you listening? I will listen.
• 17:17
  Speaker 5: Good.
• 17:19
  Speaker 1: Because I'm not asking you to do anything.
• 17:21
  Speaker 4: I'm telling you. Now, you let me handle this. Your
• 17:25
  Speaker 4: daughter's all right. And we got the man locked up.
• 17:28
  Speaker 4: There were two men, senor. I know.
• 17:30
  Speaker 1: And we'll find the other one. But you let me
• 17:32
  Speaker 1: handle it, do you hear? You can't take the law
• 17:34
  Speaker 1: into your own hands. Now, do you understand me?
• 17:40
  Speaker 4: I hear the words. Well, you better hear them. And
• 17:43
  Speaker 4: you better remember them. Oh, come in, come in. Oh, hello, Ramirez.
• 18:10
  Speaker 1: Well, folks don't usually bother to knock.
• 18:12
  Speaker 4: At this office. You're Martian. How's Josefina? Oh, she is well. Ah, good, good. Well,
• 18:19
  Speaker 4: don't you want to come on in?
• 18:21
  Speaker 8: No, señor, I can't say what I must say from
• 18:23
  Speaker 8: the doorway.
• 18:25
  Speaker 1: Now, Ramirez, don't get any crazy ideas again. We'll pick
• 18:28
  Speaker 1: that man up one of these days.
• 18:30
  Speaker 5: It is not necessary.
• 18:31
  Speaker 4: Yes, it is.
• 18:32
  Speaker 1: We don't want him to get away with that any
• 18:34
  Speaker 1: more than you do.
• 18:34
  Speaker 4: It is not necessary for you to pick him up.
• 18:38
  Speaker 4: What do you mean? I brought him to you. Where
• 18:43
  Speaker 4: is he? He's just outside, senor. Outside? On my horse.
• 18:49
  Speaker 4: He's tied on my horse. Yes, I see. I killed him, senor.
• 19:01
  Speaker 8: Now I have come to bring you.
• 19:03
  Speaker 4: Both of us. You just had to do it, didn't you?
• 19:12
  Speaker 8: Say, your marshal, the law of a man's honor, this
• 19:18
  Speaker 8: has to be in his own hands.
• 19:24
  Speaker 4: I'm sorry, Ramirez. I'm sorry it had to be this way.
• 19:32
  Speaker 6: THE END.
• 19:55
  Speaker 4: Gunsmoke.
• 19:56
  Speaker 2: Produced and directed by Norman McDonald, stars William Conrad as
• 20:00
  Speaker 2: Matt Dillon, U.S.
• 20:01
  Speaker 1: Marshal.
• 20:02
  Speaker 2: The story was specially written for Gunsmoke by Marion Clark,
• 20:05
  Speaker 2: with editorial supervision by John Meston.
• 20:08
  Speaker 4: Featured in the cast were.
• 20:09
  Speaker 2: Lynn Allen, Lawrence Dobkin, Vic Perrin, and Dick Crenna.
• 20:12
  Speaker 1: Harley Bear as Chester, Howard McNair as Doc, and Georgia
• 20:16
  Speaker 1: Ellis as Kitty. This is George Walsh inviting you to
• 20:23
  Speaker 1: join us again next week for another story on Gunsmoke.
• 20:27
  Speaker 1: Gunsmoke closes with Miguel's daughter. Follow the 50 greatest old-time
• 20:32
  Speaker 1: radio shows for more classic broadcasts.