Latest / Honey Badger Radio / Women Gooning, men to blame| Red Chill Cinema

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Women Gooning, men to blame| Red Chill Cinema · Honey Badger Radio

• 0:39
  Speaker 1: Day. All right, Uh, we are finally live and Alson
• 0:45
  Speaker 1: is not at our computer.
• 0:47
  Speaker 2: Yeah, I'm back, I'm back, Okay, Sorry for the wiggliness.
• 0:51
  Speaker 2: I've had to use a completely different camera, which is
• 0:53
  Speaker 2: my wiggly cam.
• 0:55
  Speaker 1: Yeah, it's the one attach the laptop, which I guess
• 0:57
  Speaker 1: is on like a barstool or something that's it's like
• 1:01
  Speaker 1: it's on a table that's on a giant spring.
• 1:04
  Speaker 2: Yeah, exactly. So it's gonna be a little bit nauseating
• 1:09
  Speaker 2: sea sickness inducing. But I'll try not to wiggle too
• 1:13
  Speaker 2: much so that it doesn't jiggle too much the camera.
• 1:17
  Speaker 1: I mean. Oh so anyway, so anyway, hello, everybody, welcome
• 1:22
  Speaker 1: to the show Redchill Cinema. It's not porn. It's a
• 1:24
  Speaker 1: critique of late stage capitalism or late stage streaming. Late Yeah.
• 1:32
  Speaker 2: Well, yeah, I think that what happened is the camera
• 1:36
  Speaker 2: software that I use on my phone, it they just stopped.
• 1:41
  Speaker 2: They just discontinued it without any notice, and so we
• 1:46
  Speaker 2: can't get the phone to work. I probably eventually I'll
• 1:50
  Speaker 2: figure out how to do it, but right now we're
• 1:52
  Speaker 2: sort of stuck with this and the wiggliness of it.
• 1:56
  Speaker 2: But since we can't do anything, about it. We're talking
• 2:00
  Speaker 2: once again about Morning Glory milking farm. Shoe on Head
• 2:04
  Speaker 2: did a video about it, and we'll discuss that, but
• 2:05
  Speaker 2: we'll also discussed the late stage capitalist critique of this.
• 2:15
  Speaker 1: This apparently, this gooner book is actually a lot more
• 2:18
  Speaker 1: intellectual than you think. It's actually a really smart story
• 2:23
  Speaker 1: about late stage capitalism.
• 2:26
  Speaker 2: As if complaining about something is smart. Okay, but I said,
• 2:32
  Speaker 2: as if complaining about something just makes something smart. You know,
• 2:36
  Speaker 2: it just makes you smart if you.
• 2:37
  Speaker 1: Can complain, if you call it a critique instead of
• 2:39
  Speaker 1: just complaining.
• 2:40
  Speaker 2: Oh yeah, yeah, exactly. Yeah. All right, So this wasn't
• 2:44
  Speaker 2: just degenerousy guys, This was women pointing out the degeneracy
• 2:49
  Speaker 2: of the society that men made.
• 2:54
  Speaker 1: Yep.
• 2:56
  Speaker 2: So when you point your finger at this degeneracy, know
• 2:59
  Speaker 2: that it is pointing back at you and you should
• 3:04
  Speaker 2: feel ashamed. So the fact that women are slicking to this,
• 3:08
  Speaker 2: you should feel ashamed. My dudes, you should feel the shame.
• 3:13
  Speaker 2: And this isn't darvo. This isn't like classical classic deny
• 3:17
  Speaker 2: and reverse victim and offender. No, no, this is genuine
• 3:23
  Speaker 2: women gooning women most affected men. You should feel ashamed,
• 3:31
  Speaker 2: all right, So if any point throughout the show you
• 3:33
  Speaker 2: have a burning urge to send us some message, you
• 3:36
  Speaker 2: could do so it feed the Badger dot Com slash
• 3:38
  Speaker 2: just the tip. That's feed the Badger dot Com slash
• 3:40
  Speaker 2: just the tip, very best way to tip us and
• 3:43
  Speaker 2: to send a message if you so desire with that tip.
• 3:46
  Speaker 2: I haven't got the monthly fundraiser up, which I really
• 3:49
  Speaker 2: should get on, but I was dealing with this camera nonsense,
• 3:52
  Speaker 2: so it's still in hiatus. But we will get that
• 3:55
  Speaker 2: sortly and when it is available, it will be at
• 3:57
  Speaker 2: Feedbadger dot com slash support. And also we're sort of
• 4:01
  Speaker 2: I want to look at the wiggliness of this, Okay,
• 4:05
  Speaker 2: I got to get my hands behind my back so
• 4:07
  Speaker 2: I don't touch the table which the camera is on.
• 4:12
  Speaker 2: If you would like to support the show on a
• 4:14
  Speaker 2: more ongoing basis like them, consider subscribing it Feedbadger dot
• 4:19
  Speaker 2: Com slash subscribe. I'm gonna do a shout out to that.
• 4:22
  Speaker 2: I might attempt a shill on the subscribe at the
• 4:26
  Speaker 2: end of the show because we have you know, we
• 4:29
  Speaker 2: were losing a bit of subscription income, so I would
• 4:32
  Speaker 2: like to increase that and potentially fill in the losses
• 4:36
  Speaker 2: and it's I think it's really critical to invest in
• 4:39
  Speaker 2: this concept because nobody else will except you, stubborn Fox
• 4:43
  Speaker 2: who watch us. So feed the Badger dot com slash
• 4:46
  Speaker 2: subscribe to make sure we can continue to talk about
• 4:49
  Speaker 2: this about the connection between not caring about men and
• 4:53
  Speaker 2: our society slowly crumbling into an abyss. All right, so
• 4:59
  Speaker 2: those are the things to can consitter, and let's get
• 5:02
  Speaker 2: on this topic in this topic. Let's milk this topic.
• 5:09
  Speaker 1: What's not so this is we're going to start with
• 5:13
  Speaker 1: Shoe on Heads video.
• 5:14
  Speaker 2: Then yeah, sure, let's cover that.
• 5:17
  Speaker 1: I watched them both, but I don't have any time codes,
• 5:23
  Speaker 1: so I'm gonna jump ahead. So okay, so we're introducing
• 5:28
  Speaker 1: the topic. Shoe on Head is discovering that there is
• 5:33
  Speaker 1: there are women who are perverts, and they have been
• 5:36
  Speaker 1: allowed to be perverts, unabated, uncriticized, in fact, probably propped
• 5:44
  Speaker 1: up for a long time. And now she's noticing that
• 5:49
  Speaker 1: it's it's got there. There are some problems with it
• 5:52
  Speaker 1: with the community.
• 5:55
  Speaker 2: Bigger problems, but I think she covers that as well.
• 5:59
  Speaker 2: We actually talked about all of this in a previous episode,
• 6:02
  Speaker 2: so I guess we're just revisiting it.
• 6:05
  Speaker 1: Yeah, yeah, so I don't know, like, where do you
• 6:09
  Speaker 1: have like a specific bit. I'll jump past her whole
• 6:11
  Speaker 1: ground news thing, which is.
• 6:14
  Speaker 2: Not my thing at all, so okay, and to jymps
• 6:16
  Speaker 2: past that and keep going.
• 6:18
  Speaker 1: Yeah, we'll just go like right here, I think.
• 6:21
  Speaker 3: Very interesting place.
• 6:22
  Speaker 4: And any book fans out there know how it has
• 6:24
  Speaker 4: absolutely destroyed the hobby of literature and just flooded it
• 6:30
  Speaker 4: with absolute slop.
• 6:32
  Speaker 1: It's not a hobby though, to be fair, I'm not
• 6:35
  Speaker 1: I'm this is like I'm being a nitpicky person. But
• 6:38
  Speaker 1: literature cultural things are not just hobbies like books in
• 6:42
  Speaker 1: film and television. They're important. They're not just things you
• 6:46
  Speaker 1: do for fun, you know.
• 6:48
  Speaker 4: So, But anyway, spicy you see, books on TikTok are
• 6:53
  Speaker 4: not rated by how well they are written or how
• 6:56
  Speaker 4: good the characters are. No, they are rated by the spice.
• 6:59
  Speaker 4: And what does spice mean?
• 7:01
  Speaker 3: Porn?
• 7:03
  Speaker 4: It means spice level is very important to book talkers.
• 7:07
  Speaker 4: How much spice does a book have? What are the
• 7:08
  Speaker 4: spiciest books they've ever read? How spicy is the book
• 7:11
  Speaker 4: they're currently reading? Spice spicy, spicy? The spiciest book going
• 7:15
  Speaker 4: viral on book talk lately is none other than Morning
• 7:18
  Speaker 4: Glory Milking Farm by C. M.
• 7:21
  Speaker 3: Nscosta.
• 7:23
  Speaker 1: Yep, can wait for the movie to come out. Oho,
• 7:28
  Speaker 1: oh hey, fifty Shades of Gray. They made a whole trilogy. Yeah,
• 7:33
  Speaker 1: they're saying.
• 7:34
  Speaker 2: Fifty Shades of Gray featured at least a human, Like,
• 7:37
  Speaker 2: what are they going to do with it?
• 7:39
  Speaker 1: But I mean at one point in time, at one
• 7:43
  Speaker 1: point in time, fifty Shades of Gray was considered like
• 7:47
  Speaker 1: peak spicy, and the fact that they made a movie
• 7:50
  Speaker 1: out of three movies, three movies out of it, and
• 7:54
  Speaker 1: it was the best selling book right like, women were
• 7:58
  Speaker 1: eating it up and it was literally I like fanfic.
• 8:01
  Speaker 1: So first you had a low bar of entry. You're
• 8:03
  Speaker 1: doing fan fiction of Twilight, which is trash and it's
• 8:10
  Speaker 1: just full of smut, and there were at least three
• 8:13
  Speaker 1: books and they were global bestsellers among women. And then
• 8:17
  Speaker 1: those three books, which are fanfic, well, their film fanfic
• 8:22
  Speaker 1: interpretations of smut, what like smut interpretations of you know,
• 8:27
  Speaker 1: bad young adult books or romance novels. They get made
• 8:32
  Speaker 1: into you know, massive films, which are I don't I
• 8:35
  Speaker 1: didn't I never saw them. I assume their borderline pornographic
• 8:39
  Speaker 1: probably so so now yeah, I why not I could
• 8:44
  Speaker 1: see it? Why not because we've normalized fifty shades of gray,
• 8:48
  Speaker 1: So that's become normal. That's that's really tame. Now it's
• 8:52
  Speaker 1: vanilla thing, Like what it's vanilla? Yeah, it's vanilla now
• 8:58
  Speaker 1: like it wasn't when it came out it was like
• 9:00
  Speaker 1: really like it was spicy, it was like edgy. It's
• 9:03
  Speaker 1: vanilla now, like fifty shades of gray as vanilla. So
• 9:07
  Speaker 1: like what is going when when when this becomes vanilla
• 9:12
  Speaker 1: then like as it will. Have you noticed that there's
• 9:15
  Speaker 1: like an evolution of this stuff. What's going to be
• 9:17
  Speaker 1: considered edgy at that point being.
• 9:21
  Speaker 2: Being sexually violated by a singularity in space.
• 9:25
  Speaker 1: I don't think we can imagine it yet.
• 9:31
  Speaker 2: Yeah, it'll have to be some kind of.
• 9:35
  Speaker 5: Yeah, the beast for the billion backs, Okay, okay, anyway, So.
• 9:47
  Speaker 4: Yeah, Violet is a typical down on her luck millennial
• 9:50
  Speaker 4: mid twenties, over educated and drowning in debt. Oh my god,
• 9:55
  Speaker 4: she's stuff like me, on the verge of moving into
• 9:57
  Speaker 4: her parents' basement when a lifeline appears in the form
• 10:00
  Speaker 4: of a very unconventional job.
• 10:02
  Speaker 3: In the neighboring Cambric creek.
• 10:04
  Speaker 4: She has no choice but to grab it with both hands.
• 10:08
  Speaker 4: Morning Glory Farm offers full time hours, full benefits, and
• 10:12
  Speaker 4: generous pay, with no experience needed. There's only one catch.
• 10:16
  Speaker 4: The clientele is grade A certified prime beef.
• 10:23
  Speaker 1: Oh god, Okay, I don't know if you want to
• 10:28
  Speaker 1: say anything about that, but.
• 10:29
  Speaker 2: No, not yet, I will.
• 10:31
  Speaker 4: I have said not yet with the manly, meaty endowments
• 10:35
  Speaker 4: to Okay.
• 10:36
  Speaker 6: Morning Glory Milking Farm is out get profound critique of
• 10:40
  Speaker 6: late stage capitalism.
• 10:43
  Speaker 2: Now I have something to say. First of all, I'm
• 10:45
  Speaker 2: not let's not Have you noticed have you noticed that
• 10:50
  Speaker 2: this is like, yeah, that's a different video. We'll go
• 10:53
  Speaker 2: through it as well. Have you noticed that these talking points,
• 10:57
  Speaker 2: they they come up, they emerge whenever women want to
• 11:05
  Speaker 2: make excuses for their venal and atavistic behavior.
• 11:16
  Speaker 1: Excuses excuses.
• 11:18
  Speaker 2: All right, this is what do you mean we've okay,
• 11:21
  Speaker 2: I've watched this video. Yet she's genuine, I mean woman, Yeah,
• 11:29
  Speaker 2: she is genuine this Yes, I.
• 11:31
  Speaker 1: Know, I know. I mean I thought it was a poe.
• 11:34
  Speaker 1: I had to watch it and really try to know
• 11:37
  Speaker 1: she's serious. She believes this. Yeah, this is a critique
• 11:41
  Speaker 1: of late stage capitalism. This book, and you.
• 11:45
  Speaker 2: Can't judge it now, guys, because it is a critique
• 11:48
  Speaker 2: of late stage capitalism.
• 11:50
  Speaker 1: M h. It's okay for me to flick the being
• 11:53
  Speaker 1: to this because actually I'm I'm doing it as a
• 11:57
  Speaker 1: as a member of the proletariat.
• 11:59
  Speaker 2: Yeah, I'm doing it as an exercise of defiance against
• 12:05
  Speaker 2: bourgeois the patriarchy. Patriarchy zgois patriarchy, the bourgeois patriarchy. So
• 12:16
  Speaker 2: not only is this gooning, it's gooning with a point,
• 12:20
  Speaker 2: and that point should make you ben feel ashamed of
• 12:22
  Speaker 2: yourselves because you have constructed a system which you are
• 12:27
  Speaker 2: to blame for of meritocracy, although sometimes a lot of
• 12:31
  Speaker 2: nepotism happens, and we are in the end stages of it.
• 12:37
  Speaker 2: So in other words, we've constructed a meritocracy, and the
• 12:39
  Speaker 2: meritocracy has dis deteriorated into governments voting themselves more money
• 12:47
  Speaker 2: and nepotism and also funding for ridiculously irrational crap that
• 12:54
  Speaker 2: has nothing to do with making money from an audience
• 12:57
  Speaker 2: and everything to do with just justifying getting more money,
• 13:01
  Speaker 2: which is have you ever watched Yes Prime Minister or
• 13:05
  Speaker 2: Yes Minister. Yeah, people should watch that because it is
• 13:08
  Speaker 2: a primer on how governments justify themselves and justify their
• 13:13
  Speaker 2: own spending. There's one one episode where the minister who
• 13:19
  Speaker 2: was trying to reign in government spending for and failing constantly.
• 13:25
  Speaker 2: This is what he was. He was trying to make
• 13:26
  Speaker 2: government more transparent and trying to be trying to be
• 13:34
  Speaker 2: responsible with the funds that government spends. So he's trying
• 13:38
  Speaker 2: to he's, he's, he's this is his mandate, that's what
• 13:40
  Speaker 2: he's trying to do. He's at every turn completely roadblocked
• 13:48
  Speaker 2: by the chief of staff. So basically, what we would
• 13:51
  Speaker 2: call the deep the deep state, the the gigantic hive
• 13:56
  Speaker 2: of bureaucrats upon which are elected officials merely is they're
• 14:00
  Speaker 2: merely a skin that is stretched to hide how little
• 14:05
  Speaker 2: actual control we have over this every step step of
• 14:07
  Speaker 2: the way, his attempts to reduce government spending are stymied
• 14:11
  Speaker 2: by this bureaucrat. And at one point he uncovers the
• 14:16
  Speaker 2: fact that there is a hospital that has operated for
• 14:19
  Speaker 2: eighteen months without seeing a single patient, so they've had
• 14:24
  Speaker 2: full operation costs going to the hospital not seeing any patients.
• 14:27
  Speaker 2: And he's like, this is egregious waste of money. But
• 14:31
  Speaker 2: of course, the bureaucrat manages to pull levers and shock
• 14:34
  Speaker 2: and jive and do all kinds of shit, and in
• 14:36
  Speaker 2: the end he has to sign off on continuing this
• 14:39
  Speaker 2: government waste because somehow it's justified because it employs government employees.
• 14:47
  Speaker 2: No doctors, just a bunch of government bureaucrats running around
• 14:51
  Speaker 2: the hive doing studies on how important it is to
• 14:55
  Speaker 2: treat patients without actually treating them. And so it's it's
• 14:59
  Speaker 2: like it is a the case study in how the
• 15:02
  Speaker 2: government justifies itself and getting back into late stage capitalism.
• 15:07
  Speaker 2: Our late stage capitalism is the government having eaten a
• 15:11
  Speaker 2: good portion of the economy to justify itself, and then
• 15:14
  Speaker 2: also having inserted itself and made winners and losers of
• 15:18
  Speaker 2: corporations instead of subjecting them to market forces. And yeah,
• 15:22
  Speaker 2: and sure some personal nepotism among very rich people, sure,
• 15:27
  Speaker 2: fair enough, But this is late stage capitalism. It is
• 15:30
  Speaker 2: when the meritocracy is dying, right, got ladies. It's when
• 15:35
  Speaker 2: the meritocracy is laboring under a fat berg constructed by
• 15:41
  Speaker 2: government interference. And I would also argue the fact that
• 15:45
  Speaker 2: the government controls the currency, so it does things like
• 15:48
  Speaker 2: it inflates it so that because the government runs on debt,
• 15:51
  Speaker 2: it's always inflating stuff because that means it's debt burden
• 15:55
  Speaker 2: is less, but we have to eat that cost. I
• 15:58
  Speaker 2: wonder if women are starting to notice this, like they're
• 16:00
  Speaker 2: starting to feel the pinch to the point where they're like, oh, wait,
• 16:03
  Speaker 2: maybe I shouldn't constantly vote for more government spending because
• 16:06
  Speaker 2: that's inflationary. And the other thing the government does this
• 16:10
  Speaker 2: is one thing that's really pissing me off right now,
• 16:13
  Speaker 2: is because there are people that I know who are
• 16:16
  Speaker 2: affected by it. Is the government will inflate everything and
• 16:20
  Speaker 2: then it will take capital gains. So if you put
• 16:23
  Speaker 2: your money in an asset and that asset actually performs
• 16:26
  Speaker 2: well instead of losing money, well, you don't get to
• 16:28
  Speaker 2: claim any loss of money the government. When you sell
• 16:31
  Speaker 2: that asset, the government will take capital gains without considering
• 16:36
  Speaker 2: all the inflation that the government is responsible for. Government
• 16:41
  Speaker 2: is theft. The more I get it to tax law,
• 16:46
  Speaker 2: the more illegitimate the government becomes. And then women like
• 16:49
  Speaker 2: this call it late stage capitalism. It is not late
• 16:53
  Speaker 2: stage capitalism. It is late stage government graft. And then
• 17:00
  Speaker 2: you can include corporations in that because they have become
• 17:03
  Speaker 2: recipients of it. Okay, I apologize for my anarcho capitalist rent.
• 17:11
  Speaker 2: We started with that, but this is ridiculous, and now
• 17:15
  Speaker 2: we're using it to justify gooning women's cooning Like it
• 17:21
  Speaker 2: has to be a political act.
• 17:23
  Speaker 1: You can't just you can't just in your microphone.
• 17:26
  Speaker 2: Freaking cow horns. No, you have to make it a
• 17:29
  Speaker 2: political act.
• 17:32
  Speaker 6: Yeah.
• 17:32
  Speaker 1: Well, if I had to assume, I would say that
• 17:36
  Speaker 1: the woman in this video is a communist, which means
• 17:42
  Speaker 1: she's a hammer looking for a nail that she can
• 17:45
  Speaker 1: blame on capitalism. So you know, governments and corporations, which
• 17:50
  Speaker 1: are clearly not capitalists in any way. Yes, I include
• 17:53
  Speaker 1: corporations in that because they are subsidized and protected by
• 17:57
  Speaker 1: the government, which makes them fascist institute by their very nature.
• 18:02
  Speaker 1: And I don't mean in the in the woke way
• 18:05
  Speaker 1: where everything is fascist. I mean in the literal sense. Yeah,
• 18:10
  Speaker 1: they just call it capitalism, which is ridiculous. It's not capitalism.
• 18:13
  Speaker 1: But anyway, I got a chat, Huh, what is I mean?
• 18:17
  Speaker 2: Capitalism itself is a word that they just freaking made up.
• 18:20
  Speaker 1: Yeah, they made up the word capitalism to criticize property rights.
• 18:24
  Speaker 1: So it's just property guys. You own something. Guess what,
• 18:27
  Speaker 1: You're a capitalist. So I got a super chat from
• 18:31
  Speaker 1: Arman for twenty bucks, and he says, hello, Brian and Allison.
• 18:35
  Speaker 1: Good to catch a live from you guys again. I've
• 18:37
  Speaker 1: been trying to catch up on some of your other
• 18:39
  Speaker 1: videos you've posted recently. I had a surgery recently, so
• 18:43
  Speaker 1: I've been away for a bit. Well, I hope you're recovering. Okay,
• 18:46
  Speaker 1: our man, and thank you for the super chat, and
• 18:49
  Speaker 1: thank you so much for joining us on the show.
• 18:52
  Speaker 1: All right, do doodoo. So anyway, let's let's jump ahead
• 18:56
  Speaker 1: a little bit to pass that video.
• 18:59
  Speaker 4: So I read the book myself, and I'm not gonna lie.
• 19:03
  Speaker 4: The Nineteenth Amendment needs to be abolished.
• 19:05
  Speaker 2: So welcome to the dark Side Show.
• 19:14
  Speaker 1: I know you're joking, but a part of you wants
• 19:17
  Speaker 1: it to be true. Hurt your feelings. Okay, all right,
• 19:25
  Speaker 1: jump ahead to hear I think.
• 19:30
  Speaker 3: The scene of his sack.
• 19:32
  Speaker 4: So I'm reading this and the whole time I'm thinking, like, okay,
• 19:34
  Speaker 4: he probably has like a human head, right, he probably
• 19:36
  Speaker 4: like looks something like this, like you know, just a
• 19:38
  Speaker 4: dude with like horns. Then I see the official artwork
• 19:44
  Speaker 4: that's a cow bro is a cow.
• 19:46
  Speaker 3: Bro is a straight up cow.
• 19:48
  Speaker 1: In a few those arenaurs, there was a minotaur. Do
• 19:53
  Speaker 1: you know that the the minotaur? There was just one
• 19:56
  Speaker 1: in Greek mythology, and I think it was Carnivor like
• 20:00
  Speaker 1: at eight people in the Labyrinth, which is a little weird.
• 20:05
  Speaker 1: Somehow women have sexualized it a lot.
• 20:09
  Speaker 2: But anyway, I'm like moving things around, sorry guys, and
• 20:12
  Speaker 2: it will be like, oh, hells cut.
• 20:14
  Speaker 4: Clopped, my hooves will tear up your sheets, and it's like,
• 20:20
  Speaker 4: I'm sorry, he's what.
• 20:21
  Speaker 3: At one point she describes kissing him, and.
• 20:24
  Speaker 4: I swear to god, it was more disgusting than anything
• 20:27
  Speaker 4: else described in this book. She's like describing how big
• 20:30
  Speaker 4: and wide his mouth is and how big and like
• 20:33
  Speaker 4: slimy his tongue is.
• 20:34
  Speaker 3: She's like describing the ship, and you're just like, that's
• 20:37
  Speaker 3: a cow.
• 20:38
  Speaker 4: I mean we are five point five on the barb on.
• 20:42
  Speaker 1: The Barbo scale. Yeah, human, I don't know what the
• 20:46
  Speaker 1: Barbo scale is. Monster spectrum so human human pro shifter
• 20:58
  Speaker 1: like were wolves, like works orcs and ogres, non humanoid creatures.
• 21:04
  Speaker 1: Humanoid creature is that creatures are non humans.
• 21:08
  Speaker 2: You We're not. We haven't gotten to what the fuck
• 21:10
  Speaker 2: is that there?
• 21:11
  Speaker 1: No, we're definitely just not in this book.
• 21:18
  Speaker 2: Fifty of existential Horror.
• 21:21
  Speaker 1: I think that I think there is definitely like, what
• 21:26
  Speaker 1: the fuck is that porn for women out there? For sure?
• 21:28
  Speaker 1: For sure?
• 21:29
  Speaker 2: Oh yeah, oh yeah. It just it just hasn't hit
• 21:31
  Speaker 2: Barnes and Nobles or your public or your kindergarten reading
• 21:37
  Speaker 2: rot rotation. Yeah, you sigh, it is pretty man. The
• 21:44
  Speaker 2: thing is the problem is we can't this just creeps
• 21:47
  Speaker 2: everywhere because we can't say, uh no, no.
• 21:54
  Speaker 1: This is This is how you know, we're in two
• 21:56
  Speaker 1: different realms when it comes to the stuff that women consuming,
• 22:00
  Speaker 1: stuff that men consume. So you were just talking about
• 22:02
  Speaker 1: this video where the woman takes this book which is
• 22:05
  Speaker 1: just goon material for women and tries to validate its
• 22:10
  Speaker 1: significance by saying it's a sharp critique, a biting critique
• 22:16
  Speaker 1: of late stage capitalism a woman, by the by the way,
• 22:21
  Speaker 1: short version of the plot from what I remember, a
• 22:24
  Speaker 1: woman who is struggling to find work has to take
• 22:28
  Speaker 1: another job to pay off her debt, and she basically
• 22:30
  Speaker 1: goes to a farm where a bunch of buff minotaurs
• 22:35
  Speaker 1: get they get how do I put it? They get,
• 22:41
  Speaker 1: they get hand jobs, I think, or more hand jobs
• 22:45
  Speaker 1: and up no no, no, no, no, no, out of
• 22:50
  Speaker 1: their sacks. Okay.
• 22:52
  Speaker 2: Incidentally, the milking machine is very lovingly described, to the
• 22:56
  Speaker 2: point where the writers group and I were wondering if
• 22:59
  Speaker 2: this was some kind of artist, like who has milking
• 23:04
  Speaker 2: machine fetish? Yeah, because it was just very elaborate, and
• 23:08
  Speaker 2: I don't think it's a hand job. I think it's
• 23:13
  Speaker 2: they just like the the minotaur is suspended on like
• 23:19
  Speaker 2: a massage table with you know, a spot for parts
• 23:23
  Speaker 2: to come through. The milking machine is applied right then
• 23:28
  Speaker 2: they then there was this this great deal of stress
• 23:32
  Speaker 2: that they stressed this quite a bit that the the
• 23:35
  Speaker 2: milk maids needed to make sure the capture everything by
• 23:39
  Speaker 2: getting the nozzle at the right point in time. And
• 23:43
  Speaker 2: so no, they're a whole hand jobs, it's all. It's
• 23:46
  Speaker 2: all men. Am I having trouble?
• 23:48
  Speaker 1: Yeah, you're like cutting in and out a little bit. Oh,
• 23:53
  Speaker 1: let me just okay, Well what I'm.
• 23:54
  Speaker 2: Saying today, you know what it is, we've had We've
• 23:59
  Speaker 2: had a a swinter storm like our first the year. Yeah,
• 24:03
  Speaker 2: and probably everything is getting blown out, so we're probably
• 24:08
  Speaker 2: dealing with micro.
• 24:10
  Speaker 1: Are you guys, sure that it's because like she's coming
• 24:11
  Speaker 1: out a little bit for me if I'm going I
• 24:15
  Speaker 1: can hear you mostly, but a little bit you're cutting out.
• 24:18
  Speaker 1: But what I was going to say is, could you
• 24:22
  Speaker 1: imagine a man this is how you know, we're not
• 24:25
  Speaker 1: on the same plane of existence in terms of like
• 24:28
  Speaker 1: how we view each other's let's say, degenerate interests or
• 24:34
  Speaker 1: at least like interests that we wouldn't then generally want
• 24:37
  Speaker 1: to share with the world. This woman in this other
• 24:41
  Speaker 1: video is able to make a YouTube video about porn
• 24:47
  Speaker 1: for women and make the case that it's actually something
• 24:51
  Speaker 1: academic at the end of the day, and also recommend
• 24:54
  Speaker 1: it to her audience, which might, by the way, include
• 24:57
  Speaker 1: underage viewers right, and use it as as used the
• 25:02
  Speaker 1: fact that it criticizes late stage capitalism by you know,
• 25:06
  Speaker 1: and talking about the plot in detail, could you imagine
• 25:09
  Speaker 1: a man make watching a porn of another man that essentially,
• 25:16
  Speaker 1: like you know, is attacked by I don't know, like
• 25:19
  Speaker 1: a harem of succuby that are planning to kill them,
• 25:21
  Speaker 1: but he's so awesome in bed that they're all converted
• 25:24
  Speaker 1: and they fall in love with him, and he ends
• 25:26
  Speaker 1: up like taking care of the whole harem of succubi
• 25:28
  Speaker 1: with all and they all have different you know, kinks
• 25:31
  Speaker 1: and stuff, because that's like the way that that usually goes.
• 25:33
  Speaker 1: And then that guy somebody watched all of that and
• 25:37
  Speaker 1: gooned to it and then made a YouTube video saying
• 25:40
  Speaker 1: how this is actually a you know, like a I
• 25:45
  Speaker 1: don't know, like an exercise in like polygyny anarcho capitalism,
• 25:51
  Speaker 1: like some somehow made it work right and that, and
• 25:54
  Speaker 1: he put it on YouTube, and we're all just supposed
• 25:56
  Speaker 1: to be like, yeah, that's cool, right, Like this is
• 25:59
  Speaker 1: how you know that what we understand male porn for
• 26:05
  Speaker 1: men to be and what we understand porn for women
• 26:08
  Speaker 1: to be we treat completely different. So we say that,
• 26:14
  Speaker 1: you know, like everything that is wrong with men has
• 26:17
  Speaker 1: to do with their porn addiction, whatever it is that's
• 26:20
  Speaker 1: going on with them, whether you know, they're they're not
• 26:22
  Speaker 1: getting married, they're not whatever. But there's no equivalent of
• 26:27
  Speaker 1: that on the female side. And then when we look
• 26:30
  Speaker 1: at the politics and like the way the values of
• 26:33
  Speaker 1: men and women are changing have shifted, especially women's, no
• 26:37
  Speaker 1: one is making a connection. And by the way, she
• 26:40
  Speaker 1: does talk about this too in this video where she's
• 26:43
  Speaker 1: basically asked the question why are women into this monster porn?
• 26:48
  Speaker 1: And there's a whole it's Reddit, But that doesn't mean
• 26:51
  Speaker 1: it doesn't have anything value to share at least like
• 26:54
  Speaker 1: looking into the psyche of a of a female redditor
• 26:57
  Speaker 1: that is into this stuff, and it kind of like, well,
• 27:00
  Speaker 1: it is what you think it is, so just putting
• 27:03
  Speaker 1: it out there.
• 27:04
  Speaker 2: Well, and this stuff is available Barnes and Noble, It's
• 27:09
  Speaker 2: available in Walmart, It's available in your public library. This
• 27:15
  Speaker 2: is available. It is available to children apparently if they
• 27:19
  Speaker 2: want to go into the public library and read it.
• 27:22
  Speaker 2: I'm not sure where it's placed in the public library.
• 27:24
  Speaker 2: Hopefully it's placed in an adult section, you know, and
• 27:28
  Speaker 2: it is. It is there. It has no merit other
• 27:32
  Speaker 2: than it is intended to get its audience off. So
• 27:35
  Speaker 2: it is on porn and it's available everywhere. And it
• 27:43
  Speaker 2: speaks to what both Brian and I are saying, like
• 27:45
  Speaker 2: we don't view women's sexuality in the same way men do.
• 27:48
  Speaker 2: We view men's because you would you imagine the audacity
• 27:52
  Speaker 2: of a man to say that this is this is
• 27:54
  Speaker 2: breaking the guynocracy, It is breaking the monopoly on sexual
• 28:01
  Speaker 2: validation of the guynocracy or some crap you imagine that.
• 28:06
  Speaker 2: I mean, I think everybody would laugh at him, even
• 28:09
  Speaker 2: red pillars.
• 28:10
  Speaker 1: Mm hmm.
• 28:11
  Speaker 2: That would just be absurd. It make it to some
• 28:20
  Speaker 2: just oh am I breaking in breaking death.
• 28:23
  Speaker 1: No, just goon.
• 28:25
  Speaker 2: Don't make it into some political statement and do it
• 28:27
  Speaker 2: on yourself. Don't don't put it into the public eye.
• 28:30
  Speaker 2: It's like we have really bad boundaries when it comes
• 28:32
  Speaker 2: to women's sexuality and the expectation that they keep it somewhere.
• 28:41
  Speaker 2: Oh good grief.
• 28:47
  Speaker 1: See I can't hear her, but I can see her
• 28:49
  Speaker 1: audio thing moving around. Let's see if she comes back.
• 28:53
  Speaker 1: I got a super chat from uh Zarangs for ten dollars,
• 28:57
  Speaker 1: Thank you, Zarangs, and he says, I think it's good
• 28:59
  Speaker 1: to mention I've come across three separate articles related to
• 29:02
  Speaker 1: three individual women who married their dogs. Then we have
• 29:05
  Speaker 1: the twitch thoughts and their dogs behaving weirdly. Dude, I
• 29:09
  Speaker 1: don't want to go down that rabbit hole. But yeah,
• 29:12
  Speaker 1: that's a thing. And I think there is a little
• 29:16
  Speaker 1: bit of justification for their interests in these books, and
• 29:22
  Speaker 1: it may have some like I think that this woman
• 29:24
  Speaker 1: who wrote this book actually French kiss to cow so
• 29:28
  Speaker 1: that they could like write about it. And that's what. Look,
• 29:33
  Speaker 1: I'm just saying I could see it or maybe a
• 29:36
  Speaker 1: horse like whatever was, whatever was close, you know. Albatross
• 29:40
  Speaker 1: gives us five dollars and says the minotaur was a
• 29:42
  Speaker 1: single entity Greek myth where a princess falls in love
• 29:45
  Speaker 1: with a white bull and well, you know what happens
• 29:47
  Speaker 1: in Greek myths. Yeah, yeah, I know, there was only
• 29:49
  Speaker 1: one one Titar, just like there was only one Medusa.
• 29:52
  Speaker 1: But for some reason we've we've well because of D
• 29:55
  Speaker 1: and D let's be honest, we conceived it as like
• 29:57
  Speaker 1: a type of monster instead. Yeah, the minotaur is just
• 30:01
  Speaker 1: like a single like Pegasus. I think there's just one
• 30:03
  Speaker 1: of those as well. But anyway, thank you for that.
• 30:06
  Speaker 1: Alphon you back up. She stepped away, all right, Hopefully
• 30:11
  Speaker 1: that's not the camp. I can't tell if the camera's frozen.
• 30:13
  Speaker 1: Oh no, it's not.
• 30:14
  Speaker 4: It's not.
• 30:16
  Speaker 1: You're muted too.
• 30:18
  Speaker 2: I'm just I'm having a hell of the time. I
• 30:20
  Speaker 2: think it is because we're just dealing with they're dealing
• 30:24
  Speaker 2: with late or early like we're basically dealing with the
• 30:28
  Speaker 2: beginning of winter here. Yeah, which means that we got
• 30:30
  Speaker 2: a lot of ice and snow last night, plus a
• 30:33
  Speaker 2: lot of wind, which usually results in some blackouts, so
• 30:38
  Speaker 2: that's probably what we're dealing with. I'm sorry, guys. Also
• 30:40
  Speaker 2: sorry for the wiggly camp.
• 30:43
  Speaker 1: Red Kayaks says, stuck you by our men, Actually no,
• 30:46
  Speaker 1: sucky by our women.
• 30:47
  Speaker 2: By our men ins suckuby and incuby.
• 30:53
  Speaker 1: I was a dungeon master for a long time. I
• 30:56
  Speaker 1: know what a suckuby an incuby is. Okay, but anyway,
• 31:02
  Speaker 1: so anyway, let's let's keep going m hm scale here.
• 31:05
  Speaker 3: This is dangerous territory, folks.
• 31:07
  Speaker 2: She also.
• 31:12
  Speaker 4: She the cows asked, by the way, if you want
• 31:15
  Speaker 4: an uncensored version of this video, and all my.
• 31:18
  Speaker 2: This is this is she's she's yeah, look at her
• 31:20
  Speaker 2: Patreon right yeah, well, you know, become a Patreon to
• 31:24
  Speaker 2: uh to to shoot if you're interested in that. You
• 31:28
  Speaker 2: could also subscribe to us.
• 31:31
  Speaker 1: Yes we uh we actually we're already not that censored, honest.
• 31:37
  Speaker 2: Yeah we don't. We don't really, uh we don't go
• 31:39
  Speaker 2: for that, which is probably why we're we're deep de
• 31:42
  Speaker 2: boosted in the algorithm, in part also because feminists tell
• 31:45
  Speaker 2: YouTube to de boost us, and I have seen evidence
• 31:48
  Speaker 2: of that, and also we're probably we well maybe we're
• 31:51
  Speaker 2: not still on a Department of Homeland Security list.
• 31:54
  Speaker 1: Who knows, maybe maybe, but but like I think that
• 31:57
  Speaker 1: they're like the FBI are are on discord, so there
• 32:03
  Speaker 1: could be some FEDS in our discord. But as long
• 32:05
  Speaker 1: as we're not, no doubt, Yeah, as long as we're
• 32:08
  Speaker 1: not doing anything that like you know that they would. No,
• 32:11
  Speaker 1: this is not published like Surry shit, I hope like
• 32:14
  Speaker 1: that's not because they're they're kind of their radars are
• 32:16
  Speaker 1: are they're on furries are on the radar right now,
• 32:19
  Speaker 1: they're looking for them. Okay, so say just saying.
• 32:23
  Speaker 2: This was not published independently, I think it might have been,
• 32:26
  Speaker 2: but now it is professionally published.
• 32:28
  Speaker 1: Also, there's another farm, the Milk Farm.
• 32:32
  Speaker 2: Yeah, yeah, the Milk Farm is is. It's available, and
• 32:35
  Speaker 2: it's basically published professionally or if you can call it professionally,
• 32:40
  Speaker 2: it's published. It's not independent anymore, if it ever was.
• 32:43
  Speaker 2: It is now professionally published, and it is available everywhere
• 32:47
  Speaker 2: where fine books are sold. Because we can't tell women.
• 32:51
  Speaker 2: This is what I was talking about before everything went
• 32:53
  Speaker 2: to crap. Uh, we can't tell women. No, we're not
• 32:56
  Speaker 2: allowed to tell noomen No, we're not allowed to say no,
• 32:58
  Speaker 2: your sexuality doesn't blow here. No, get your tits back
• 33:01
  Speaker 2: in in your in your shirt. Nobody needs to see that, right. No,
• 33:07
  Speaker 2: you you don't get to show your hoots to the
• 33:10
  Speaker 2: police during some sort of Black Lives Matter. No, No,
• 33:13
  Speaker 2: you get your get your body back into clothing, your
• 33:16
  Speaker 2: you're streaking and your flashing children. And that is actually
• 33:19
  Speaker 2: a sexual crime. We we we have a real big
• 33:22
  Speaker 2: problem with saying no to women's sexuality in our society,
• 33:26
  Speaker 2: and this is a part of it. And like the
• 33:28
  Speaker 2: degeneracy of this, I think shoe on head touches on
• 33:31
  Speaker 2: this later. The degeneracy of this actually goes even beyond
• 33:35
  Speaker 2: it being in appropriate places, Like if you're gonna do this,
• 33:39
  Speaker 2: it should be paper bag. Fair, right, you should be
• 33:42
  Speaker 2: putting it in a paper bag, doing your business in
• 33:45
  Speaker 2: shame and secret. And it should not be available in public. Right.
• 33:51
  Speaker 2: This is not This is like having an outlet for
• 33:54
  Speaker 2: porn hub anywhere where men can just be like, oh yeah,
• 33:57
  Speaker 2: I like that. Can you imagine that? Like, just just
• 33:59
  Speaker 2: have war movies just in the regular just at Walmart.
• 34:03
  Speaker 1: On YouTube right now, you just search.
• 34:05
  Speaker 2: For it on you put it in Walmart, like you
• 34:07
  Speaker 2: just have it right there, yeah, walking past, Oh okay,
• 34:11
  Speaker 2: all right, just have it there. And then men you know,
• 34:14
  Speaker 2: picking it up, watching it in public when they're on subway,
• 34:19
  Speaker 2: you know, and discussing it as a political statement.
• 34:23
  Speaker 1: Yeah, and saying no. Actually, this is a commentary on
• 34:26
  Speaker 1: the the stocracy.
• 34:28
  Speaker 2: Yeah, this is a commentary on the gynocracy that I am.
• 34:34
  Speaker 1: Natalist commentary. I'm learning how to start families, and you
• 34:38
  Speaker 1: start families by a banging, so uh.
• 34:41
  Speaker 2: This is this is a this is my is a
• 34:43
  Speaker 2: commentary on or I'm reclaiming my sexual freedom from the gynocracy,
• 34:49
  Speaker 2: you know, like that kind of crap. No, that would
• 34:54
  Speaker 2: never happen because we sell we know how to say
• 34:55
  Speaker 2: no to me. Let's be honest, we don't know how
• 34:58
  Speaker 2: to say no to women. We don't know how to
• 35:00
  Speaker 2: say no. This is not appropriate. Put it in the
• 35:03
  Speaker 2: paper bag, go home, do it by yourself in shame
• 35:11
  Speaker 2: and feel the shame.
• 35:12
  Speaker 1: I think the thing is too is that women are
• 35:14
  Speaker 1: not they're different from men, and how they talk about
• 35:17
  Speaker 1: this stuff. Because well, I'm gonna play more. I think
• 35:21
  Speaker 1: it's coming up right here.
• 35:22
  Speaker 3: So it's dinner, not a down payment for your time.
• 35:27
  Speaker 4: But I'm in a position to comfortably spoil someone.
• 35:29
  Speaker 2: Oh oh yeah, spoiling you.
• 35:32
  Speaker 3: End of story, I.
• 35:33
  Speaker 2: Said, Okay, I highlighted that paragraph for myself.
• 35:42
  Speaker 1: So these women are making videos talking about look, maybe this,
• 35:47
  Speaker 1: maybe there is a male equipment that exists. But I
• 35:50
  Speaker 1: have never personally, and I have male friends back home
• 35:56
  Speaker 1: in Chicago, my male friends and my female friends. I
• 36:00
  Speaker 1: have never sat around, like, you know, having drinks or
• 36:04
  Speaker 1: coffee and talking about the porn I watch. I've never
• 36:07
  Speaker 1: done it. I don't get it. Like it's like, but
• 36:11
  Speaker 1: women will do that. They will. They will, you know,
• 36:13
  Speaker 1: they'll I don't know, they'll get together and knit or
• 36:17
  Speaker 1: whatever it is women do when they get together, play bridge,
• 36:19
  Speaker 1: I don't know, and they will talk about the porn
• 36:22
  Speaker 1: like that's why they have book clubs. Like like I
• 36:25
  Speaker 1: knew a friend of mine whose wife was reading Fifty
• 36:29
  Speaker 1: Shades of Gray, and he was like, you know, all
• 36:31
  Speaker 1: for it, Like oh yeah, like she's you know, he
• 36:34
  Speaker 1: was reading it too, I guess, And she would like
• 36:36
  Speaker 1: get together with her friends and they were in a
• 36:38
  Speaker 1: book club. They would talk about the book and I'm like,
• 36:40
  Speaker 1: that book can't be that deep. But you know, I
• 36:44
  Speaker 1: guess it was to them, like I cause it's you know,
• 36:47
  Speaker 1: it's it's the story of the what is it the
• 36:50
  Speaker 1: kind of man that these women really like they have everything,
• 36:53
  Speaker 1: but they need a woman to make them feel whole.
• 36:57
  Speaker 1: Isn't that what the fifty Shades of Gray? Like Christian
• 36:59
  Speaker 1: Gray is like this broken baby bird, but he's got
• 37:03
  Speaker 1: he's got everything, like super rich big dick, you know,
• 37:08
  Speaker 1: like everything.
• 37:09
  Speaker 2: From what I remember reading part of it that she
• 37:12
  Speaker 2: is orbited by a whole bunch of guys that are
• 37:14
  Speaker 2: pretty much identical to him, except they don't have his money.
• 37:19
  Speaker 2: So it's it's it's just that like this not deep
• 37:22
  Speaker 2: at all. It's like this guy is about as much
• 37:24
  Speaker 2: of an asshole as every other guy in this story,
• 37:26
  Speaker 2: but he's got money, so it's it's no deeper than that.
• 37:31
  Speaker 2: And I don't know what to say about this, this
• 37:33
  Speaker 2: feminine feminine, feminist, feminine urge to conflate your what you
• 37:42
  Speaker 2: what you what you schleck to to intellectual pursuits. Mm hm,
• 37:48
  Speaker 2: like what like there's nothing intellectual about this. This is
• 37:55
  Speaker 2: such incredible level of cod It's almost like they can't
• 37:57
  Speaker 2: handle being an animal. They just have to they have
• 38:01
  Speaker 2: to put a veneer of intellectualism over it, and there's
• 38:04
  Speaker 2: nothing intellectual about it.
• 38:06
  Speaker 1: Yeah, is this not the endpoint of liberation, like the
• 38:11
  Speaker 1: like the philosophical endpoint of liberation. Well, it's not there yet.
• 38:16
  Speaker 1: There's probably more, but it is on that path. That's
• 38:19
  Speaker 1: why the women what's more important is not necessarily what
• 38:23
  Speaker 1: they enjoy, but that you don't judge it, which is
• 38:27
  Speaker 1: why they put it in your face because they want
• 38:29
  Speaker 1: to see if you're going to judge them for it,
• 38:31
  Speaker 1: because they want to live a completely judgment free life.
• 38:36
  Speaker 1: And that's not possible because despite other people's like sort
• 38:42
  Speaker 1: of blind either indifference or support for it, when those
• 38:47
  Speaker 1: women find themselves alone with their thoughts, they're going to
• 38:52
  Speaker 1: be feeling like, I don't know, insufficient or shame or something.
• 38:57
  Speaker 1: And so there's a constant pursuit of liberation from judgment
• 39:01
  Speaker 1: but that but they're not really escaping it because they're conscious.
• 39:04
  Speaker 1: They're conscious is you know, pecking at them if the
• 39:09
  Speaker 1: people around them are not holding them some kind of
• 39:11
  Speaker 1: standard of I know, decency. So I think this is
• 39:15
  Speaker 1: like what we're experiencing, it's like for them because men
• 39:18
  Speaker 1: are not as liberated in this way as women are
• 39:21
  Speaker 1: I think that men have are made to Yes, they're more,
• 39:27
  Speaker 1: they're more and near to shame. How they respond to
• 39:30
  Speaker 1: it that differs, you know, from individual to individual. But
• 39:33
  Speaker 1: we don't have the same sort of unbridled you know,
• 39:37
  Speaker 1: liberate men at all costs because we need men to
• 39:40
  Speaker 1: keep things going so that there there's just enough shame
• 39:44
  Speaker 1: or guilt put on men to keep them, you know,
• 39:48
  Speaker 1: like behaving a certain way, which is why everything feels
• 39:51
  Speaker 1: so like lopsided right like where we have like it's
• 39:55
  Speaker 1: not patriarchy, but it's not complete. It's not egalitarianism either.
• 40:02
  Speaker 1: It's not a complete equality because it always comes down
• 40:06
  Speaker 1: to how do women benefit? And that's basically the model
• 40:10
  Speaker 1: we use, which is why men have what none of
• 40:14
  Speaker 1: the authority but all of the responsibility, and women have
• 40:17
  Speaker 1: none of the responsibility but all the authority because we
• 40:21
  Speaker 1: don't have like a working model. It's like this, not
• 40:24
  Speaker 1: that the I don't think the egalitarian model would work anyway,
• 40:26
  Speaker 1: but but yeah, we don't even have that because women
• 40:30
  Speaker 1: are always gonna want to be preferentially treated, and we
• 40:33
  Speaker 1: don't see them in any way other than on the
• 40:39
  Speaker 1: path to liberation, constantly moving towards more liberation basically.
• 40:44
  Speaker 2: Yeah, And what's interesting about all of this is that,
• 40:48
  Speaker 2: if you think about it, this is patriarchy narrative allows
• 40:51
  Speaker 2: them to regard their own self destruction or the destruction
• 40:56
  Speaker 2: of others as liberation, as acts of defiance, as acts
• 41:02
  Speaker 2: of rebellious defiance, see what I'm saying. Like, and it
• 41:06
  Speaker 2: makes them feel more. It makes them feel more capable
• 41:14
  Speaker 2: of bucking the trend, being rebellious, being able to move
• 41:24
  Speaker 2: outside of others, like leaving the herd. It makes them
• 41:28
  Speaker 2: feel that way, and it makes them feel intelligent when
• 41:30
  Speaker 2: they're neither. They're actually moving with the herd and they
• 41:36
  Speaker 2: are being really stupid while they do it like that,
• 41:39
  Speaker 2: But it makes allows them to cast them indulging in
• 41:43
  Speaker 2: all of their lowest basis instincts as rebellion as intelligent
• 41:49
  Speaker 2: rebellion when it's basically just stupid indulgence.
• 41:57
  Speaker 1: Yet have a really high AQUE to appreciate the Milking
• 42:02
  Speaker 1: Farm book.
• 42:03
  Speaker 2: Really high IQ guys, some serious high IQ.
• 42:08
  Speaker 1: Yeah, like you to get into this to this get
• 42:12
  Speaker 1: this isn't your standard goon material. This is for women.
• 42:14
  Speaker 2: Yeah.
• 42:15
  Speaker 1: Yeah.
• 42:15
  Speaker 2: It has nothing to do with Yeah, this has nothing
• 42:19
  Speaker 2: to do with the fact that these these minotaurs are
• 42:22
  Speaker 2: seven foot uh, could tear a car apart with their
• 42:25
  Speaker 2: bare hands, have endowments the size of Schwarzenegger's forearm, and
• 42:33
  Speaker 2: make lots of money and our benevolent doms. It has
• 42:37
  Speaker 2: nothing to do with that, and everything to do with
• 42:41
  Speaker 2: a deep intellectual substance that you could you guys, could
• 42:47
  Speaker 2: never understand. You could never understand how this is an
• 42:50
  Speaker 2: act of ingenious defiance against the patriarchy. Yes, okay, And
• 42:59
  Speaker 2: it's like just it's it's this way of just feeling
• 43:03
  Speaker 2: I guess better about yourself and you're right there. It's
• 43:07
  Speaker 2: there's something pecking at them, and I think that's the
• 43:09
  Speaker 2: drive to actually become a human being, which requires some
• 43:14
  Speaker 2: kind of external standard to hold yourself to, and that
• 43:17
  Speaker 2: packs it them and they spend their entire life trying
• 43:22
  Speaker 2: to silence it. Through all of this nonsense. You could
• 43:29
  Speaker 2: just you could just you just learn the language of
• 43:34
  Speaker 2: building a sense of self based on the consequences of
• 43:37
  Speaker 2: your actions. Ladies, then you could know yourself in a
• 43:40
  Speaker 2: completely new way. It might not be as fun, just
• 43:44
  Speaker 2: like not skipping leg day is not as fun as
• 43:47
  Speaker 2: eating a cream pie, but in the end of the day,
• 43:50
  Speaker 2: you appreciate yourself more for having done it. Okay, that's
• 43:54
  Speaker 2: some get to the next part.
• 43:57
  Speaker 4: I thought of it, But what did other people think
• 43:59
  Speaker 4: of it? What are the reviews on this book? This
• 44:02
  Speaker 4: book has a four point one on Amazon with twenty
• 44:05
  Speaker 4: one thousand ratings and a three point six on Goodreads
• 44:09
  Speaker 4: with nearly sixty thousand ratings. Let's just read some random
• 44:13
  Speaker 4: ones here. Hear me out, hear me out. A milking
• 44:16
  Speaker 4: good time, sweet and creamy. The spice is spicing. I
• 44:21
  Speaker 4: was very leery of starting this because I thought it
• 44:23
  Speaker 4: was just going to be porn. The plot is pretty good, but.
• 44:29
  Speaker 1: The plot. She read it for the plot, guys, plot please?
• 44:35
  Speaker 4: This is like the New I read Playboy for the
• 44:37
  Speaker 4: articles like sure you.
• 44:39
  Speaker 1: Do No, Actually, Playboy actually had good articles and the
• 44:46
  Speaker 1: the photo shoots and Playboy are extremely.
• 44:49
  Speaker 2: Tame, yes at this point.
• 44:51
  Speaker 1: Yeah, like they're not. They're like ridiculously shamed. They're I
• 44:57
  Speaker 1: mean tame, uh tame, Yeah, Vanilla ridiculously tame. Compared to this,
• 45:03
  Speaker 1: they're basically like artistic nudes, I mean almost right. So yeah,
• 45:08
  Speaker 1: it's not even it's not even close to that.
• 45:11
  Speaker 4: This book could a Victorian Child five stars. I'll never
• 45:14
  Speaker 4: look at a joke of milk the same. I think
• 45:16
  Speaker 4: I'm lactose intolerant now, so that happened, our eyes will
• 45:20
  Speaker 4: never see the gates of heaven.
• 45:22
  Speaker 3: One star. Not a helpful guide.
• 45:23
  Speaker 4: This book failed to teach me how to milk a cow,
• 45:25
  Speaker 4: and now my family has no food for the winter.
• 45:28
  Speaker 1: Accidentally ordered probably got a lot of protein though.
• 45:31
  Speaker 2: Hmmm, here's I don't know if she gets into No,
• 45:35
  Speaker 2: actually I didn't think she does. Yeah, these are pretty fun.
• 45:39
  Speaker 2: This is funny, all right. I know we're bringing the
• 45:42
  Speaker 2: heavy here and the deep analysis, but this is.
• 45:49
  Speaker 1: I get into some of the other books that I'm
• 45:51
  Speaker 1: gonna jump.
• 45:52
  Speaker 4: Ahead, Yeah, jump ahead, gonna be picking up Animal Farm now,
• 45:54
  Speaker 4: like where's the horse?
• 45:57
  Speaker 3: Some of you people always certain streamer and apology.
• 46:00
  Speaker 4: Because this book has way too many five stars.
• 46:03
  Speaker 3: Some of you are lying.
• 46:04
  Speaker 4: So after buying this book, Amazon has given me a
• 46:06
  Speaker 4: few interesting recommendations.
• 46:09
  Speaker 3: Would you like to see them?
• 46:10
  Speaker 4: I accidentally summoned a demon boyfriend.
• 46:15
  Speaker 1: You know. This is the thing too, is that because
• 46:17
  Speaker 1: of like AI. Now, and I'm not saying this is
• 46:20
  Speaker 1: written by AI, but I've noticed a lot of people
• 46:24
  Speaker 1: are writing books and using AI to do cover art
• 46:30
  Speaker 1: and to well help write, if not outright write the books.
• 46:34
  Speaker 1: And they're all really bad because I think it's a
• 46:37
  Speaker 1: lot of people who used to write on Tumblr and
• 46:40
  Speaker 1: they want they think they're writers, so they go and
• 46:43
  Speaker 1: they start writing fiction, and it's almost all this wasn't
• 46:47
  Speaker 1: slash isn't slash fiction. This like wasn't slash fiction the
• 46:51
  Speaker 1: precursor of this stuff, but it was like taking like
• 46:54
  Speaker 1: pop culture characters and OC's and put it together. I
• 46:57
  Speaker 1: never read that. I'm just saying, isn't that like kind
• 47:00
  Speaker 1: of like the precursor, the ancestor of this stuff for women?
• 47:05
  Speaker 2: Maybe it was. I don't know if it was ever
• 47:09
  Speaker 2: meant to become like this. Like I said, if if
• 47:12
  Speaker 2: we had proper boundaries, it never would have become this.
• 47:16
  Speaker 2: It would have just been you know, because there's also
• 47:20
  Speaker 2: stuff that like male fans create Rule thirty, like they
• 47:28
  Speaker 2: create all kinds of drawn, stuffy yeah, like related to
• 47:33
  Speaker 2: characters as well, but it doesn't end up being published
• 47:36
  Speaker 2: as some kind of serious fiction or published like this,
• 47:40
  Speaker 2: you know what I mean.
• 47:41
  Speaker 1: It's it's all absolute.
• 47:42
  Speaker 2: So it's not just the existence of slash or the
• 47:45
  Speaker 2: existence of fan fiction, erotic fan fiction it's the fact
• 47:49
  Speaker 2: that we just can't draw appropriate boundaries around women's sexuality.
• 47:56
  Speaker 2: It's probably also the reason why millennial women are raping
• 48:01
  Speaker 2: at unbelievable rates, and their attitudes towards male victims have
• 48:05
  Speaker 2: gotten worse since like a generation ago. Like I bring
• 48:08
  Speaker 2: this up a lot, but that's another symptom of us
• 48:11
  Speaker 2: not being able to draw appropriate boundaries around women's sexuality,
• 48:15
  Speaker 2: and the problem with our society not making it acceptable
• 48:19
  Speaker 2: to say no to women. We give these narratives that
• 48:22
  Speaker 2: justify women putting their sexuality everywhere, and if we shame them,
• 48:26
  Speaker 2: that's wrong. We're wrong for doing that. So if we
• 48:29
  Speaker 2: shame women for having morning glory, milking farm out everywhere,
• 48:34
  Speaker 2: just slapping it on the table, we're wrong because we
• 48:37
  Speaker 2: can't shame women's sexuality. It's patriarchal or something right, and
• 48:43
  Speaker 2: that leeches into you can't say no to women in
• 48:46
  Speaker 2: other circumstances like that's the problem with our it's getting worse.
• 48:51
  Speaker 2: It's getting worse. Women are believing that no is more
• 48:55
  Speaker 2: and more of a patriarchal construct, which means it's not
• 48:59
  Speaker 2: just this right, it's not just the presence of this
• 49:02
  Speaker 2: where it doesn't belong, you know, getting its tendrils into
• 49:07
  Speaker 2: places where it just doesn't belong and taking over entire
• 49:11
  Speaker 2: genres and mediums. This is the other thing like women's
• 49:15
  Speaker 2: gooning is it's like it gets everywhere, it goes everywhere,
• 49:21
  Speaker 2: it ends up in really inappropriate places. Like I noticed
• 49:25
  Speaker 2: that conservatives are now picking up on all the crap
• 49:28
  Speaker 2: that's in children's cartoons. Now, what do you think is
• 49:32
  Speaker 2: pushing that it's women's gooning?
• 49:36
  Speaker 1: Well, yeah, it comes out of feminism, so y, and.
• 49:39
  Speaker 2: It comes out of our.
• 49:40
  Speaker 1: Feminism was sexual like probably since the beginning on some level,
• 49:45
  Speaker 1: because people like like Mary Shelley would go to orgies
• 49:48
  Speaker 1: over at Lord Byron's place, and so there was likely
• 49:52
  Speaker 1: some of that carried over from back then, even if
• 49:55
  Speaker 1: it was like reserved for the elites that had the
• 49:58
  Speaker 1: ability and the liberty and the freedom to travel and
• 50:01
  Speaker 1: like go to orchie parties. But yeah, I mean think
• 50:04
  Speaker 1: that's where it comes from anyway. Richard Bierre gave us
• 50:06
  Speaker 1: a super Chow for five and he says, so if
• 50:09
  Speaker 1: there is to be a movie version of Morning Glory
• 50:12
  Speaker 1: Milking Farm, the ideal would be for it to be
• 50:14
  Speaker 1: a musical produced and directed by mel Brooks. Three what
• 50:18
  Speaker 1: Allison had said about that episode of Yes Minister where
• 50:20
  Speaker 1: the hospital didn't have any doctors or nurses hired, but
• 50:24
  Speaker 1: had the staffed office processing paperwork to hire the medical staff.
• 50:27
  Speaker 1: There has been some statements from the UK where so
• 50:31
  Speaker 1: e doctors are talking about striking because they might be
• 50:34
  Speaker 1: asked to see patients. Three. Coming soon to an adult
• 50:38
  Speaker 1: novelty toy store near you, expect to see the line
• 50:41
  Speaker 1: of bovine pen styled females dex toys, almost a throwback
• 50:45
  Speaker 1: to an episode of Sex in the City where Miranda
• 50:47
  Speaker 1: introduces the group to the toy known as the Rabbit.
• 50:50
  Speaker 1: Well again, like, not coming soon. There already are dragon dildos.
• 50:56
  Speaker 1: They exist, They've been around for years. So a bull
• 50:59
  Speaker 1: or a horse or something like that. I'm sure that
• 51:01
  Speaker 1: that's already out there. So yeah, no, not coming soon.
• 51:04
  Speaker 1: It's been here. It's been here for a while. And
• 51:08
  Speaker 1: uh yeah, I mean they probably have all kinds of gadgets.
• 51:11
  Speaker 1: Let's be real. So but thank you Richard. Okay, So, anyway,
• 51:18
  Speaker 1: USA Today best selling author aged I accidentally summoned a demon.
• 51:23
  Speaker 3: Boyfriend that time I got drunken.
• 51:27
  Speaker 1: That time I got drunk and Save the Demon Kimberly
• 51:30
  Speaker 1: Lemming Mead Mishaps book one.
• 51:34
  Speaker 2: And you notice that all of these women are.
• 51:36
  Speaker 1: Like black blow mid Yeah, not attractive, but like black
• 51:41
  Speaker 1: women too at least are pink hair.
• 51:45
  Speaker 3: Check gentling the Beast.
• 51:48
  Speaker 1: Gentling the beast, sweet monsters coveted by the.
• 51:54
  Speaker 3: Orc cookcakes for my Orc enemy.
• 52:01
  Speaker 1: Oh wait, what I gotta see that.
• 52:05
  Speaker 3: The beast cupcakes.
• 52:07
  Speaker 1: For cupcakes for my Orc enemy. Is that a man
• 52:11
  Speaker 1: because that that that face looks feminine, like a feminine orc.
• 52:16
  Speaker 2: Well, it's the bun man, it's the man. It's the
• 52:20
  Speaker 2: it's the man bun that's doing it there.
• 52:22
  Speaker 1: Yeah, yeah, these are like the this is what D
• 52:24
  Speaker 1: and d orcs are. Now. I don't know if you
• 52:26
  Speaker 1: guys know this. They they own cafes and stuff, so
• 52:28
  Speaker 1: they don't they don't pillage and rape anymore. They don't
• 52:31
  Speaker 1: burn villages. The Uh yeah, that's where Halfworks came from,
• 52:37
  Speaker 1: to be honest.
• 52:38
  Speaker 2: Yeah, but you knew you were going in for it then.
• 52:41
  Speaker 1: Yeah, generally it wasn't considered erotic. It was it was
• 52:47
  Speaker 1: a product of tragedy, a half orc. But uh, they
• 52:51
  Speaker 1: didn't really go into specifics, but you pretty much figured that,
• 52:55
  Speaker 1: you know, that's what halfworks were a product of. But interestingly,
• 53:01
  Speaker 1: when I ran a D and D game for Lindsey,
• 53:05
  Speaker 1: my wife, Now when we were together, well before we
• 53:08
  Speaker 1: got married, but we were, like, we were playing D
• 53:10
  Speaker 1: and D game with my friends. She made a half orc,
• 53:13
  Speaker 1: a female one, and her mother was the rapist. So
• 53:18
  Speaker 1: she actually flipped the script on it and said that
• 53:21
  Speaker 1: her mother was the orc that raped a human.
• 53:24
  Speaker 2: That probably would make a lot more sense if you
• 53:27
  Speaker 2: think about it.
• 53:27
  Speaker 1: It could. I mean I didn't go either way, but like, yeah,
• 53:31
  Speaker 1: the size difference, yeah for sure. Well but a male
• 53:36
  Speaker 1: org would be bigger than a human too, But anyway,
• 53:39
  Speaker 1: but yeah, but we just thought it would be interesting.
• 53:43
  Speaker 1: So that's what we work with.
• 53:45
  Speaker 2: Okay. Anyway, anyway, getting away.
• 53:48
  Speaker 3: From orc rape for a moment, Enemy Maine of my existence.
• 53:54
  Speaker 1: That's terrible. It's a lion man.
• 53:57
  Speaker 2: Look at the size creatures.
• 53:59
  Speaker 1: Encoding book one.
• 54:01
  Speaker 2: What look at the size difference?
• 54:05
  Speaker 1: Yeah, of course that's insane. Yep. The gargoyle and the spinster.
• 54:12
  Speaker 1: What's a spinster.
• 54:15
  Speaker 3: And the spinster?
• 54:16
  Speaker 4: The widow and the orcs hoarded by the dragon. There's
• 54:20
  Speaker 4: something about dragons getting it on with gargoyles gotten by
• 54:24
  Speaker 4: the gator mate it to the mountain bear. Oh so
• 54:28
  Speaker 4: this is why they chose the bear.
• 54:30
  Speaker 2: Mm hmmm. Of course, do you ever think any different.
• 54:35
  Speaker 4: It's the Manager.
• 54:42
  Speaker 1: Moth Manager. It's a bird, it's a plane, no weight,
• 54:45
  Speaker 1: It's true love, the Mothman.
• 54:50
  Speaker 3: Wolves and whipped cream.
• 54:51
  Speaker 4: The wolf in my tavern pounded by produce.
• 55:00
  Speaker 1: Fairy, a veggie lovetail. Oh my goodness, what are they?
• 55:06
  Speaker 2: Are? These?
• 55:07
  Speaker 4: The books the nazis burned.
• 55:09
  Speaker 7: My husband only reads finance and sci fi books, and
• 55:11
  Speaker 7: so I think it's about time that I introduce him
• 55:14
  Speaker 7: to some real literature. So the first book that I
• 55:16
  Speaker 7: would like to introduce you to is called Morning Glory
• 55:18
  Speaker 7: Milking Farm. And it's not It's not a normal milking farm.
• 55:21
  Speaker 3: Like with cow's.
• 55:22
  Speaker 7: What it is is its big bulky minotaurs and it's
• 55:29
  Speaker 7: a special type of milking.
• 55:30
  Speaker 4: See honey, she's his stepsister and she got stuck in
• 55:33
  Speaker 4: the washing machine.
• 55:38
  Speaker 1: Uh okay, filed the divorce papers now right. But okay,
• 55:45
  Speaker 1: So do you want to get to what I thought
• 55:48
  Speaker 1: was the most interesting thing, which is like, why let
• 55:53
  Speaker 1: me see if I can get to it?
• 55:54
  Speaker 2: Oh? Yes, I actually I think I brought that up
• 55:57
  Speaker 2: when we covered it with the Writer's Retreat, which was
• 56:00
  Speaker 2: a patron thing. So if you're interested in a deeper
• 56:04
  Speaker 2: dive into Morning Glory Milking Farm, you can also go
• 56:07
  Speaker 2: to Feed the Badger dot com slash subscribe and get
• 56:12
  Speaker 2: access to that which it was interesting. We actually we
• 56:17
  Speaker 2: had Mike. You were there, We had Mike do the puppeteering.
• 56:22
  Speaker 1: He was not there for the puppeteering part, but I
• 56:25
  Speaker 1: was there.
• 56:26
  Speaker 2: Yeah, yeah, so he sees. So Mike did the puppet
• 56:29
  Speaker 2: he did in the narration and via puppet. So it
• 56:32
  Speaker 2: was pretty pretty hilarious, a little disturbing the jokes themselves exactly,
• 56:43
  Speaker 2: all right, all right.
• 56:44
  Speaker 1: So let's let's yeah, let's listen to this.
• 56:47
  Speaker 4: Part popular with women in particular, Like you rarely see
• 56:50
  Speaker 4: the opposite, and when you do, it's just like a
• 56:52
  Speaker 4: girl with cat ears and fangs or like a ten
• 56:55
  Speaker 4: foot tall dommy mommy vampire with giant teeth. Meanwhile, women
• 56:59
  Speaker 4: are like, I want to.
• 57:00
  Speaker 1: Say, I just ran into her today, my extreme this
• 57:05
  Speaker 1: this vampire lady here to demit demit lady, dimittresk I
• 57:11
  Speaker 1: think anyway? Anyway's the video game thing?
• 57:13
  Speaker 2: Uh?
• 57:13
  Speaker 1: Okay, moving on.
• 57:15
  Speaker 4: Meanwhile, women are like, I want to the pollution monster
• 57:17
  Speaker 4: from fern Gully. So people on Reddit asked this very question.
• 57:21
  Speaker 4: Let us see the responses. Why do you guys like
• 57:24
  Speaker 4: monster romances? Asking for a friend? Several reasons. One, human
• 57:29
  Speaker 4: men are quite often terrible. Romance books with human men
• 57:32
  Speaker 4: are already partly fantasy, but monsters just takes the fantasy
• 57:36
  Speaker 4: bit further. Two, it's sort of human nature to imagine
• 57:39
  Speaker 4: relationships with paranormal beings and creatures. We've been doing it
• 57:42
  Speaker 4: in literature and art for centuries. It's just gotten a
• 57:45
  Speaker 4: lot more graphic nowl three unique body form, slush parts,
• 57:49
  Speaker 4: and so many different kinds of skin.
• 57:52
  Speaker 2: Okay, yeah, that's this. This is actually in the book.
• 57:58
  Speaker 2: It starts with a derogation, like a denigration of men
• 58:02
  Speaker 2: and how human men are not not worthy and they're
• 58:07
  Speaker 2: not sufficient and they're awful, and then you go into
• 58:11
  Speaker 2: the monster porn for women, and uh so you talked
• 58:18
  Speaker 2: about how equivalent would be a man writing I don't know,
• 58:24
  Speaker 2: being a harem full of succubi and then talking about
• 58:29
  Speaker 2: how he's reclaiming the means of reproduction for men from
• 58:34
  Speaker 2: the genarchy genarchy, and well, it's worse than that, because
• 58:40
  Speaker 2: it would also the story would also have to start
• 58:42
  Speaker 2: about how, I don't know, uh, three D girls are gross,
• 58:47
  Speaker 2: that everything every aspect of a female's body is gross,
• 58:51
  Speaker 2: and that women are horrible beings, horrible people. Therefore he
• 58:56
  Speaker 2: deserves a succuby, a harem of succuby, because women are
• 59:01
  Speaker 2: just not worth his time. You'd have to start with
• 59:04
  Speaker 2: that and then go into the political implications and all
• 59:08
  Speaker 2: the justification and the cope and all of this intellectualizing
• 59:12
  Speaker 2: your gooning material. And uh, you have to have a
• 59:15
  Speaker 2: you have to have a high IQ to appreciate minotaur
• 59:18
  Speaker 2: meat and all of his other crap. But you have
• 59:20
  Speaker 2: to start with denigrating human women, denigrating them as partners.
• 59:27
  Speaker 1: Well, they don't go there because the male fantasy is
• 59:30
  Speaker 1: essentially like a girl who is nice to him, like
• 59:34
  Speaker 1: even if she remember the wheelchair anime with the woman
• 59:37
  Speaker 1: in the wheel the girl on the wheelchair, and like
• 59:39
  Speaker 1: it was like everywhere and like the you know, the
• 59:42
  Speaker 1: human women online were like, oh, you want to rape
• 59:45
  Speaker 1: disabled people. It's like, no, we're not interested in rape,
• 59:48
  Speaker 1: unlike you guys. They want they wanted something wholesome. They
• 59:53
  Speaker 1: were drawn to it because it was wholesome, and these
• 59:55
  Speaker 1: women online could not compute it. They they couldn't compute it.
• 59:59
  Speaker 1: So it it isn't even like I made the suckyby thing.
• 1:00:02
  Speaker 1: I was exaggerating for a point because I'm trying to
• 1:00:06
  Speaker 1: find something that's even vaguely similar to what these women
• 1:00:09
  Speaker 1: are doing with their fiction. But I think in most cases,
• 1:00:12
  Speaker 1: you know, I don't even think that men want a
• 1:00:17
  Speaker 1: harem because it's like a lot to manage. I think
• 1:00:20
  Speaker 1: they just want a woman to take care of. In
• 1:00:22
  Speaker 1: most cases, that's probably enough as it is, right, Yeah, yeah,
• 1:00:25
  Speaker 1: someone is going to be nice to him. Like. That's
• 1:00:27
  Speaker 1: like it's the it's not even the bare minimum. It's
• 1:00:31
  Speaker 1: like below that.
• 1:00:32
  Speaker 2: It's like that one meme that was done by that
• 1:00:35
  Speaker 2: that author or that artist, and the male fantasy was
• 1:00:40
  Speaker 2: taking care of yeah, maybe taking care of a harem,
• 1:00:42
  Speaker 2: but treating all of them nice, and then the female
• 1:00:46
  Speaker 2: fantasy was being raped by a demon.
• 1:00:49
  Speaker 1: Yeah.
• 1:00:51
  Speaker 2: And it's not that there is a kernel of truth
• 1:00:54
  Speaker 2: to that. And yet women say that men are the
• 1:00:58
  Speaker 2: horrible ones. Maybe the problem is that men aren't horrible enough.
• 1:01:04
  Speaker 2: Maybe the problem is that you get bored by guys.
• 1:01:07
  Speaker 2: What they actually want, which is probably kids and a
• 1:01:11
  Speaker 2: loving wife. That's their big fantasy, right. Maybe they have
• 1:01:16
  Speaker 2: a little bit more hardcore stuff that they goon too,
• 1:01:18
  Speaker 2: that you know, they keep in a paper bag. But
• 1:01:20
  Speaker 2: for the most part, apparently according to surveys, it's a
• 1:01:24
  Speaker 2: loving relationship and having kids and maybe that's just too
• 1:01:29
  Speaker 2: boring for the average woman or whatever it is that
• 1:01:34
  Speaker 2: these women are seeking through their sexuality. Probably somebody to
• 1:01:39
  Speaker 2: say no to them.
• 1:01:41
  Speaker 1: Yeah, okay, well yeah, you know Hoeronymous Bosh the artist
• 1:01:47
  Speaker 1: he made in paintings that some of these women probably
• 1:01:50
  Speaker 1: would get into.
• 1:01:51
  Speaker 4: But anyway, m Gary mean a terrifying creature, is sweet
• 1:01:56
  Speaker 4: to her kind, takes care of her, protects her, works
• 1:01:59
  Speaker 4: hard to be just, etc.
• 1:02:00
  Speaker 3: Maximal escapism, minimal.
• 1:02:02
  Speaker 4: Association to real life apples, the patriarchy, massage and oppression
• 1:02:06
  Speaker 4: of women exce.
• 1:02:06
  Speaker 2: Okay, so here it is. You see what I talk about,
• 1:02:10
  Speaker 2: how feminism destroys relationships between men and women. If conservatives
• 1:02:15
  Speaker 2: are wondering where money morning, goring, milking farm, and all
• 1:02:19
  Speaker 2: of the other distorted, disturbing shit that they find in
• 1:02:24
  Speaker 2: kids cartoons, that I mean, they're gonna blame it on LGBT.
• 1:02:27
  Speaker 2: No it's women. There's also sissification as a female fetish
• 1:02:33
  Speaker 2: as well. This is women. It's why all these some
• 1:02:38
  Speaker 2: of these trans girls are actually seem to be more
• 1:02:43
  Speaker 2: Munchausens by proxy done by their mother forcing them into
• 1:02:46
  Speaker 2: the role, because it's a fetish for women. Sessification is
• 1:02:50
  Speaker 2: a fetish for women. Forcing men to be look like women,
• 1:02:55
  Speaker 2: forcing boys to look like women or behave like women
• 1:02:58
  Speaker 2: is a long standing fetes for women. So you can
• 1:03:02
  Speaker 2: blame LGBTQ, but it starts with women. It all starts
• 1:03:07
  Speaker 2: with women. This is one hundred percent women. You can't
• 1:03:09
  Speaker 2: deny it. And this is one hundred percent the result.
• 1:03:13
  Speaker 2: Well maybe not one hundred percent. It's also you know,
• 1:03:15
  Speaker 2: apparently having sex with minotaurs is something that even the
• 1:03:19
  Speaker 2: ancients recognized about women. But you know, a good portion
• 1:03:23
  Speaker 2: of it is encouraged by this bullshit narrative that men
• 1:03:28
  Speaker 2: oppress women. This is nons like, she's basically saying minimal
• 1:03:32
  Speaker 2: stage is in mac minimal association to all of the
• 1:03:37
  Speaker 2: bullshit that I believe about men that isn't actually substantiated, right,
• 1:03:42
  Speaker 2: This is just this is just her ingesting the things
• 1:03:45
  Speaker 2: that feminists have told her about men. This is this
• 1:03:49
  Speaker 2: is just her regurgitating the things that she's been told
• 1:03:52
  Speaker 2: about men because of feminist conjecture about reality, which is false.
• 1:03:56
  Speaker 2: Now she may use this to justify why she's interested
• 1:04:01
  Speaker 2: in these things. And maybe she would have been interested
• 1:04:03
  Speaker 2: in these things because women are deeply degenerate perverts and
• 1:04:07
  Speaker 2: have always been. But this is what she uses to justify.
• 1:04:11
  Speaker 2: This is what she uses to turn you into the
• 1:04:16
  Speaker 2: villain when you say, this doesn't belong in kids cartoons,
• 1:04:20
  Speaker 2: this doesn't belong in public libraries, this doesn't belong in
• 1:04:22
  Speaker 2: Barnes or noble. This is what she's using to force
• 1:04:26
  Speaker 2: to inflict her sexuality on everyone. And that sexuality, incidentally,
• 1:04:30
  Speaker 2: also includes sissification of boys and men. And that is
• 1:04:35
  Speaker 2: the liberal woman's infliction of her sexuality on everyone that
• 1:04:40
  Speaker 2: nobody can say no to her, because that is an
• 1:04:42
  Speaker 2: act of patriarchal oppression and it is the worst thing
• 1:04:46
  Speaker 2: you can ever do to women, and even conservatives, many conservatives,
• 1:04:50
  Speaker 2: buy into that narrative. There is no there's no sanity
• 1:04:56
  Speaker 2: in that narrative. There's none, no sanity within that context.
• 1:05:01
  Speaker 2: There's no sanity believing that lie. It results in the
• 1:05:06
  Speaker 2: unraveling of everything that lie results in the unraveling of
• 1:05:09
  Speaker 2: everything and the justification of degeneracy like this, and again,
• 1:05:15
  Speaker 2: if they just had it, if this is paperbag fair,
• 1:05:17
  Speaker 2: and you don't do your business and in shame and secret,
• 1:05:20
  Speaker 2: that's fine, so be it. Right, Yep, this isn't This
• 1:05:25
  Speaker 2: is now publicly displayed, proudly displayed. It is rebellion. It
• 1:05:30
  Speaker 2: is a woman's prerogative. It is her rebellion against the
• 1:05:35
  Speaker 2: evil forces which conservatives themselves buy into for the most part. Right,
• 1:05:43
  Speaker 2: it's everywhere and there. Like I said, there is no
• 1:05:45
  Speaker 2: sanity and there is no future within this narrative that
• 1:05:49
  Speaker 2: men oppress women. There is nothing, There is nothing but
• 1:05:53
  Speaker 2: waste and the end of times, the end of days.
• 1:05:58
  Speaker 2: Right that the two roads here, guys two roads. One
• 1:06:03
  Speaker 2: continuing to believe that men oppress women, and you get
• 1:06:07
  Speaker 2: the end of economic prosperity, you get the rise of
• 1:06:13
  Speaker 2: tribalism and the destruction of a civil society. We get
• 1:06:19
  Speaker 2: all of this shit, or we stop and then maybe
• 1:06:24
  Speaker 2: we get to go with Mars, and then maybe we
• 1:06:26
  Speaker 2: get to go to Alpha Centauri, and then maybe we
• 1:06:28
  Speaker 2: get to be a starfaring species. So you got your two,
• 1:06:33
  Speaker 2: You got your two choices here, like human race, we
• 1:06:36
  Speaker 2: continue on the path of feminism. We continue on the
• 1:06:39
  Speaker 2: path of destroying the central relationship that humanity is based on,
• 1:06:44
  Speaker 2: Human progress is based on, Human peace is based on
• 1:06:48
  Speaker 2: everything worth having is based on. We destroy that our
• 1:06:53
  Speaker 2: perception of that relationship, and we inherit the wages of
• 1:06:57
  Speaker 2: that sin. Or we stop and we do a good,
• 1:07:03
  Speaker 2: hard course correct. We get rid of all of this
• 1:07:07
  Speaker 2: feminist influence over academia, over schools, over government, over policy makers.
• 1:07:15
  Speaker 2: We get rid of that, and we become better, better people,
• 1:07:21
  Speaker 2: people who understand ourselves better. And maybe we have a
• 1:07:26
  Speaker 2: shot at the stars or some dignity as a species.
• 1:07:31
  Speaker 2: Choose because it's one or the other. You gotta make
• 1:07:35
  Speaker 2: your choice, all right.
• 1:07:39
  Speaker 4: All right, she had oppression of women, etcetera, etcetera, because
• 1:07:44
  Speaker 4: the monsters are less dangerous than dating actual men. As
• 1:07:47
  Speaker 4: a fat woman of color, modern contemporary and even fantasy
• 1:07:51
  Speaker 4: romances are hard to click to you because they are
• 1:07:54
  Speaker 4: almost always about thin white women and just too realistic.
• 1:07:57
  Speaker 4: And romance in real life is not always for fat
• 1:08:01
  Speaker 4: women slash women of color in monster alien romance, though
• 1:08:06
  Speaker 4: my size doesn't matter and it's easier made into that
• 1:08:09
  Speaker 4: headspace and enjoy it.
• 1:08:10
  Speaker 2: I'm like, seriously, I'm pretty sure you could probably find
• 1:08:14
  Speaker 2: a fat man to have romance with, but.
• 1:08:16
  Speaker 1: They don't want the fat man. And see those covers
• 1:08:20
  Speaker 1: that like, guys, if you do you understand that, well,
• 1:08:25
  Speaker 1: let me hear the rest of.
• 1:08:26
  Speaker 4: These first take of the men on earth and looking
• 1:08:27
  Speaker 4: for some variety non humans haven't betrayed and hurt me,
• 1:08:31
  Speaker 4: so they feel like a safe haven, if that makes sense. Plus,
• 1:08:35
  Speaker 4: the unusual monsters have big fun shapeds. I love some
• 1:08:39
  Speaker 4: bizarre pen unique genitalia.
• 1:08:44
  Speaker 1: So okay, let's put this in perspective because I want
• 1:08:48
  Speaker 1: you guys to see how sad this is. Okay, these are,
• 1:08:52
  Speaker 1: by their own admission fat, probably like under like less
• 1:08:58
  Speaker 1: than average attractiveness. When men that are reading romanticy books
• 1:09:03
  Speaker 1: and when asked why they they say that regular men
• 1:09:09
  Speaker 1: are not up to snuff. So these women are below
• 1:09:13
  Speaker 1: average and they're judging like real flesh and blood men
• 1:09:17
  Speaker 1: and measuring their worth against fantasy men that have been
• 1:09:21
  Speaker 1: made up who are all like, you know, seven foot
• 1:09:25
  Speaker 1: eight foot tall, you know, eight pound cocks heartbeast like
• 1:09:30
  Speaker 1: all muscle dominating like will could destroy anyone but chooses
• 1:09:35
  Speaker 1: to protect them, which, by the way, is a meeting
• 1:09:37
  Speaker 1: strategy that women go for. If they can't go for
• 1:09:40
  Speaker 1: high status men through their ability to earn money or
• 1:09:43
  Speaker 1: require resources, they go through men who are willing to
• 1:09:46
  Speaker 1: and able to commit violence against other people to get resources.
• 1:09:51
  Speaker 1: So it's like the drug dealer, gangbanger guy, or it's
• 1:09:55
  Speaker 1: like the business guy, right, But as long as they're
• 1:09:57
  Speaker 1: able to do that, that's what the woman is drawn to,
• 1:09:59
  Speaker 1: which is why in like urban communities, let's put it
• 1:10:03
  Speaker 1: that way, the guys, the pimps and criminals and drug
• 1:10:07
  Speaker 1: dealers and gang bangers that are willing to do violence
• 1:10:11
  Speaker 1: get all the women. And the men who are just
• 1:10:13
  Speaker 1: working like, uh, you know, a minimum wage job that
• 1:10:17
  Speaker 1: are making a decent living, they get nothing, even if
• 1:10:20
  Speaker 1: they're like working really hard because they're not measuring up
• 1:10:22
  Speaker 1: to that, right, And so these like monstrous men, these
• 1:10:27
  Speaker 1: dragon men, these werewolves, these minotaurs, whatever they are, the
• 1:10:31
  Speaker 1: equivalent of that for these women and these women they
• 1:10:35
  Speaker 1: won't even want Chad. They want Gorgoth, the half champion
• 1:10:41
  Speaker 1: of the tribe, like they want a dude that doesn't exist.
• 1:10:45
  Speaker 1: That's they like the gigachads of today, give them the ick.
• 1:10:49
  Speaker 1: That's how high the standards are for these women now, right, what, well, how.
• 1:10:57
  Speaker 2: Could they be anything but you keep keep them? Remember
• 1:11:01
  Speaker 2: your anecdote, How can it be anything but when human
• 1:11:04
  Speaker 2: men are subject to this massive advertising campaign to minimize
• 1:11:11
  Speaker 2: their value and destroy it, Like, how can you get anywhere?
• 1:11:16
  Speaker 2: But all men are not worthy? All men are not
• 1:11:19
  Speaker 2: worthy of human women. Somehow the men that evolved alongside
• 1:11:24
  Speaker 2: human women just aren't worthy of them. And that is
• 1:11:28
  Speaker 2: not actually the stupidest thing you've ever heard, Like literally,
• 1:11:34
  Speaker 2: what at fifty million years a five hundred million years
• 1:11:37
  Speaker 2: of evolution and the human men are just not worthy
• 1:11:40
  Speaker 2: of human women after all of this evolution. They're not
• 1:11:45
  Speaker 2: worthy of you, ladies, They're not worthy of you. That's
• 1:11:50
  Speaker 2: absolutely flippin' absurd. That's ridiculous on its face. And the
• 1:11:56
  Speaker 2: end result of that narrative of men oppressed women, that
• 1:11:59
  Speaker 2: is the end of men are just not worthy of us.
• 1:12:02
  Speaker 2: They're just not worthy of us. So we have to
• 1:12:05
  Speaker 2: we have to dream. It's no longer Chad or super Chad.
• 1:12:09
  Speaker 2: It has to be it has to be the cow,
• 1:12:13
  Speaker 2: it has to be the minotaur, it has to be
• 1:12:15
  Speaker 2: the werewolf. It has to be something that is masculine
• 1:12:18
  Speaker 2: but not human. That's what this is, masculine but not human,
• 1:12:22
  Speaker 2: because men are not worthy of women, because men oppress women,
• 1:12:26
  Speaker 2: and men are horrible to women. But it's all a
• 1:12:28
  Speaker 2: lie that we have been telling ourselves for a hundred years.
• 1:12:33
  Speaker 2: It's all a lie that we've been telling ourselves. It's
• 1:12:37
  Speaker 2: a complete bullshit, guys. If it wasn't bullshit, feminist framework
• 1:12:41
  Speaker 2: would have some kind of predictive quality or some kind
• 1:12:45
  Speaker 2: of predictive value, and it has validity. It has none.
• 1:12:50
  Speaker 2: It has inverse predictive validity. All right, at this point
• 1:12:54
  Speaker 2: in time, this is a failed conjecture about reality. It
• 1:12:58
  Speaker 2: is wrong, it is incorrect. It is a lie. And
• 1:13:03
  Speaker 2: this is what we believe when it comes to something
• 1:13:06
  Speaker 2: so fundamental to everything that we do, the relationship between
• 1:13:10
  Speaker 2: men and women. Okay, and go back to you said
• 1:13:13
  Speaker 2: there was a chick.
• 1:13:14
  Speaker 1: Once, yeah, her daddy, Yeah, on the Call Her Daddy
• 1:13:18
  Speaker 1: podcast recently. I forget her name, but the wife of
• 1:13:23
  Speaker 1: Steph Curry. Steph Curry is a like, you know, up
• 1:13:29
  Speaker 1: like a superstar American professional basketball player, like you know,
• 1:13:36
  Speaker 1: professional athlete, over six feet tall, super rich, you know,
• 1:13:41
  Speaker 1: got like probably has I don't know. He plays for
• 1:13:43
  Speaker 1: the Golden State Warriors of the National Basketball of the NBA.
• 1:13:48
  Speaker 1: Okay point guard, really rich, really famous, high status, like
• 1:13:53
  Speaker 1: peak status, Like I don't think there's very few people
• 1:13:56
  Speaker 1: up there. And she was on the Call Her Daddy
• 1:13:58
  Speaker 1: podcast talking to you know, the Masade Agent or whatever,
• 1:14:01
  Speaker 1: the CIA plant that runs it, and was basically telling
• 1:14:06
  Speaker 1: her that she doesn't want to have kids and she
• 1:14:09
  Speaker 1: didn't really want to get married. She's married and she
• 1:14:12
  Speaker 1: has kids, but she's telling this woman that she didn't
• 1:14:16
  Speaker 1: really want those things. And what I'm saying is Steph
• 1:14:19
  Speaker 1: Curry is like there, like that's one in a million,
• 1:14:23
  Speaker 1: that guy, and there is a woman married to him
• 1:14:26
  Speaker 1: that's like, eh, I don't know, I don't know. I
• 1:14:29
  Speaker 1: feel I don't feel free. She doesn't feel free. And
• 1:14:33
  Speaker 1: she was talking about that on the podcast, and I
• 1:14:34
  Speaker 1: was thinking, that's like the highest you can get as
• 1:14:39
  Speaker 1: a woman and you're still taking it for granted. And
• 1:14:43
  Speaker 1: there are men watching that. There are men looking at that,
• 1:14:46
  Speaker 1: and they're like, okay, Like women are not happy. No
• 1:14:49
  Speaker 1: matter what we have, nothing helps, nothing does it. And
• 1:14:52
  Speaker 1: I think, so like this is the other end of
• 1:14:54
  Speaker 1: the spectrum. First of you have the women at the
• 1:14:56
  Speaker 1: bottom of the bottom of the totem pole that are
• 1:14:58
  Speaker 1: reading Romanticy and they're still expecting their dudes to be like,
• 1:15:02
  Speaker 1: you know, eight hundred pound half men, half gorilla, half
• 1:15:05
  Speaker 1: reptile like chimera monsters with giant dicks that are able
• 1:15:09
  Speaker 1: to like lay down pipe and dominate them but not
• 1:15:13
  Speaker 1: rape them, and also kill on their kill on command
• 1:15:15
  Speaker 1: for them if they desire it, and just have all
• 1:15:18
  Speaker 1: the power. And they're at the bottom of the They're
• 1:15:21
  Speaker 1: at the bottom of the barrel, right, they have no
• 1:15:23
  Speaker 1: prospects except they just want sexual freedom all the time.
• 1:15:26
  Speaker 1: And then you have the women at the very top
• 1:15:28
  Speaker 1: that are that are getting like the best men and
• 1:15:31
  Speaker 1: they're all unhappy.
• 1:15:33
  Speaker 2: Mm hmm. What do you fucking And I don't mean you, Brian,
• 1:15:38
  Speaker 2: because I know you understand this. What do you fucking expect?
• 1:15:42
  Speaker 2: What did you do to yourselves? Humans?
• 1:15:44
  Speaker 1: Ah?
• 1:15:45
  Speaker 2: Men, oppressed women, men oppressed women? What the fuck did
• 1:15:49
  Speaker 2: you expect from that? Did you think that you were
• 1:15:53
  Speaker 2: going to get heaven? Did you think you were going
• 1:15:55
  Speaker 2: to get rainbows, utopia and freaking unicorns from embracing something
• 1:16:00
  Speaker 2: so fucking stupid? What did you think humans? What did
• 1:16:04
  Speaker 2: you think, goddamn, you need a fucking cosmic bitch slap
• 1:16:09
  Speaker 2: because this is the stupidest framing of the most essential
• 1:16:13
  Speaker 2: relationship for your society. This is sucking a tail pipe
• 1:16:19
  Speaker 2: level of stupidity, a level of species levels of stupidity,
• 1:16:24
  Speaker 2: just flat out stupidity. How are you going to get
• 1:16:32
  Speaker 2: to alpha centauri with this bullshit? How are you going
• 1:16:35
  Speaker 2: to the answers? You are not.
• 1:16:39
  Speaker 1: All right? All right, let's get back to the video.
• 1:16:43
  Speaker 4: I don't know what I was expecting. Honestly, A lot
• 1:16:45
  Speaker 4: of women's smud, especially monster smud, is about submission, domination,
• 1:16:51
  Speaker 4: forced breeding, non consensual consent. The women are like conquered
• 1:16:55
  Speaker 4: and taken and overpowered by these monsters. And I think
• 1:16:59
  Speaker 4: many of these women are reading these books containing monsters
• 1:17:02
  Speaker 4: and not men because masculinity and dominance in men has
• 1:17:06
  Speaker 4: been completely demonized in modern system. But the truth is
• 1:17:10
  Speaker 4: many women still craving. You see, the monsters in this
• 1:17:13
  Speaker 4: have those like dominant.
• 1:17:14
  Speaker 1: Masculine true, yeah, I mean that's kind of obvious. Like
• 1:17:18
  Speaker 1: the men in their monster books are just the monsters
• 1:17:22
  Speaker 1: in their books are substitutes for men, and they're not
• 1:17:25
  Speaker 1: able to square the cognitive dissonance, so they just say
• 1:17:28
  Speaker 1: stupid shit like, well, real men suck, but these like
• 1:17:31
  Speaker 1: b feel barbarian orc men are okay, right for some reason,
• 1:17:38
  Speaker 1: they don't really want the Orc warlord though. They just
• 1:17:42
  Speaker 1: say that right, so.
• 1:17:44
  Speaker 2: Well, yes, it's okay. It's like I've said in previous episodes,
• 1:17:50
  Speaker 2: this is like a tar pit that women get into.
• 1:17:53
  Speaker 2: And again, I know I'm calling out conservatives, but they
• 1:17:56
  Speaker 2: have the problem with this. They are keep blaming men,
• 1:18:00
  Speaker 2: but there's nothing men can do to pull women out
• 1:18:03
  Speaker 2: of this tarpit nothing. The only thing they can do
• 1:18:08
  Speaker 2: is to hold them to standards so that women can
• 1:18:11
  Speaker 2: pull themselves out eventually. But it's a self referential like,
• 1:18:15
  Speaker 2: it's a self reinforcing tar pit that these women are in, right,
• 1:18:20
  Speaker 2: They are reinforcing each other's delusions. And it's a lot
• 1:18:26
  Speaker 2: of the reason why these tarpets happen is simply because
• 1:18:29
  Speaker 2: we don't address issues of toxic competition between women. Women
• 1:18:35
  Speaker 2: police each other's reproductive opportunities because they don't want competition
• 1:18:42
  Speaker 2: for their own, like actual functional societies recognize this and
• 1:18:48
  Speaker 2: deal with it because a lot of the stuff they
• 1:18:52
  Speaker 2: talk about how men are not good enough or something.
• 1:18:55
  Speaker 2: But a lot of this stuff is a result of
• 1:18:57
  Speaker 2: the pressure being put on them by their girlfriends. Their
• 1:19:00
  Speaker 2: girlfriends don't want to see them succeed because then they
• 1:19:04
  Speaker 2: have to deal with toxic levels of envy and jealousy.
• 1:19:07
  Speaker 2: So what do they do. They yaslight their friends into
• 1:19:10
  Speaker 2: thinking they deserve a freaking space min a tar trillionaire
• 1:19:15
  Speaker 2: who owns like a galactic center. It's just like, this
• 1:19:19
  Speaker 2: is this is what And we don't even have a
• 1:19:22
  Speaker 2: language to talk about the toxicity that women inject into
• 1:19:26
  Speaker 2: each other's lives and relationships. We're only beginning that to
• 1:19:33
  Speaker 2: see how bad it is. And it's social media that's
• 1:19:36
  Speaker 2: showing us. And then we have all of these people
• 1:19:39
  Speaker 2: who are playing who are running interference. We're recognizing the
• 1:19:44
  Speaker 2: problems that women are creating for themselves through their toxic
• 1:19:48
  Speaker 2: socialization with each other. I don't know. I just wonder
• 1:19:51
  Speaker 2: if maybe women were kept the Taliban keeps women apart
• 1:19:55
  Speaker 2: for a reason. That was just that was pretty dark.
• 1:19:59
  Speaker 1: Okay, all right, I got a super child from fifthy though.
• 1:20:03
  Speaker 2: Islam was right about women.
• 1:20:06
  Speaker 1: He gives us twenty five dollars and says, reclaiming our
• 1:20:10
  Speaker 1: sexuality from the guyanocracy is that you unironically something we
• 1:20:13
  Speaker 1: should consider given what women seem to enjoy reading. Thanks
• 1:20:16
  Speaker 1: for the show.
• 1:20:18
  Speaker 2: Yeah yeah, you can have your minotaur point. Men can
• 1:20:23
  Speaker 2: have their their wife wu bots.
• 1:20:28
  Speaker 1: All right, So yeah, let's get back to this.
• 1:20:31
  Speaker 4: I guess that women like so much, but they're not
• 1:20:34
  Speaker 4: human men. They have all these traits women desire without
• 1:20:37
  Speaker 4: the problematic baggage human men bring, without being the men
• 1:20:42
  Speaker 4: they hate or have been told to hate. It is
• 1:20:44
  Speaker 4: the pultate, guilt free slop. But they don't just want
• 1:20:48
  Speaker 4: a wild dominant man. They want to tame a wild
• 1:20:52
  Speaker 4: dominant man, similar to in a man season r ho
• 1:20:54
  Speaker 4: with a nose ring. You can save her from her
• 1:20:57
  Speaker 4: daddy issues. You can do it. It definitely won't be
• 1:21:00
  Speaker 4: fire and ruin your life. Go for it, Go talk
• 1:21:02
  Speaker 4: to her. With many women, there's this desire for like
• 1:21:05
  Speaker 4: danger and aggression, but also the desire to tame that
• 1:21:09
  Speaker 4: danger and aggression, the desire to be that special woman
• 1:21:13
  Speaker 4: who can melt his heart.
• 1:21:15
  Speaker 3: You see, my dragon.
• 1:21:15
  Speaker 4: Boyfriend could rip me to shreds and kill me instantly,
• 1:21:18
  Speaker 4: but he won't because he's nice and he loves me.
• 1:21:21
  Speaker 4: But honestly, at the end of the day, just like
• 1:21:23
  Speaker 4: the video I made about the anime Girl in a Wheelchair,
• 1:21:27
  Speaker 4: where the men were saying, this is the average male fantasy,
• 1:21:29
  Speaker 4: and a bunch of women were like, you want to
• 1:21:32
  Speaker 4: disabled girl, when in reality it was just a distilled
• 1:21:36
  Speaker 4: manifestation of the average male fantasy, which is to protect
• 1:21:40
  Speaker 4: and provide for a sweet woman and safer This is
• 1:21:44
  Speaker 4: like basically the flip of that, right.
• 1:21:49
  Speaker 1: That though, that's a hard flip.
• 1:21:53
  Speaker 2: That's yeah, that's a shoot, that's a that's a hard flip.
• 1:21:57
  Speaker 1: That's a really like you could say it's the flip,
• 1:21:59
  Speaker 1: but the flip of a man rescuing a woman who
• 1:22:04
  Speaker 1: is nice to him would be a woman being rescued
• 1:22:08
  Speaker 1: by a man she's nice, nice to her, not ravaged
• 1:22:13
  Speaker 1: by it by like a monster. But you know, even
• 1:22:18
  Speaker 1: like even getting away from the romancy books, even the
• 1:22:23
  Speaker 1: the standard smut involves something similar in terms of tone,
• 1:22:28
  Speaker 1: except the men are human. They're like, you know, it's like,
• 1:22:32
  Speaker 1: I don't know, like a Southern bell and like there's
• 1:22:35
  Speaker 1: like a Native American warrior that's like, you know, that
• 1:22:39
  Speaker 1: has his way with her. Some strange man. Maybe he's
• 1:22:43
  Speaker 1: a little bit foreign, maybe he's of a lower class.
• 1:22:46
  Speaker 1: You know something like that.
• 1:22:48
  Speaker 2: Yeah, yeah, that's there's there is that, and then there's
• 1:22:50
  Speaker 2: also the fact that you know, like billionaires are sort
• 1:22:53
  Speaker 2: of these kind of strange as as human as you get,
• 1:22:59
  Speaker 2: but as like almost fay like from another world perhaps
• 1:23:04
  Speaker 2: would be the way to put it, otherworldly like world. Well,
• 1:23:07
  Speaker 2: because they're from a very different class.
• 1:23:09
  Speaker 1: From the Oh yeah, or like a different class. Yeah, no,
• 1:23:12
  Speaker 1: that's what I was saying. It's like this, it's like
• 1:23:14
  Speaker 1: it's like a fetish for the foreign, for the for
• 1:23:17
  Speaker 1: the outsider, whether it's a monster or it's just like
• 1:23:21
  Speaker 1: a guy from a from another world, maybe speaks a
• 1:23:24
  Speaker 1: different language, you know, something like that.
• 1:23:27
  Speaker 2: Okay, so gu Tarzan, shall we go to the next
• 1:23:31
  Speaker 2: video and just do yeah, segments of that. I think
• 1:23:34
  Speaker 2: that she I don't know, I don't agree with this.
• 1:23:37
  Speaker 2: I don't think it's a flip because I think that
• 1:23:39
  Speaker 2: men want women.
• 1:23:42
  Speaker 1: Yeah, men generally don't.
• 1:23:44
  Speaker 2: They don't want men. Yeah, then you know they get
• 1:23:48
  Speaker 2: men don't usually start even the even the monster of
• 1:23:50
  Speaker 2: Waifu's like, I don't think they start with women or trash.
• 1:23:53
  Speaker 2: It's just a woman plus you know, with little cute
• 1:23:56
  Speaker 2: little horns.
• 1:23:58
  Speaker 1: Yeah, it's a Naga. It's a dragon girl, it's a
• 1:24:01
  Speaker 1: cat girl. Whatever like this the original. All right, we're
• 1:24:07
  Speaker 1: gonna go to the next one.
• 1:24:09
  Speaker 2: Horns there you go.
• 1:24:10
  Speaker 1: Oh Luma, Yeah it was a great uh. I used
• 1:24:14
  Speaker 1: to love that book. It's funny.
• 1:24:15
  Speaker 2: This is this is the monster Girl a little bit
• 1:24:17
  Speaker 2: different huh than the than the Minotaur.
• 1:24:20
  Speaker 1: Well created by a woman, Yeah, Miko Takahashi, the writer
• 1:24:24
  Speaker 1: and artist of lum Oh. Yeah, all right, So next
• 1:24:32
  Speaker 1: is why Morning Glory Milking Farm is a critique about
• 1:24:37
  Speaker 1: late stage capitalism and toxic masculinity. Right, all right, let's
• 1:24:44
  Speaker 1: get into it, jumping in the first talking point lactation nation,
• 1:24:49
  Speaker 1: the political economy of monster fluids. This is not a joke.
• 1:24:53
  Speaker 1: This is what she really This is not a post.
• 1:24:55
  Speaker 2: This is this. I mean, she's she's making it slightly funny,
• 1:25:00
  Speaker 2: but this is She's also thinks that this is a
• 1:25:02
  Speaker 2: genuine critique. So yeah, she believes genuinely.
• 1:25:09
  Speaker 1: Yeah about her final conclusion.
• 1:25:11
  Speaker 6: But okay, so at first glance, Morning Glorymoking Farm seems
• 1:25:19
  Speaker 6: like it has a strange kookie premise. The story is
• 1:25:22
  Speaker 6: about a financially desperate human woman who takes a job
• 1:25:25
  Speaker 6: manually stimulating anthropomorphic minotaurs for pharmaceutical semen. Great extraction, but
• 1:25:32
  Speaker 6: when you view it through a critical theoretical lens, and
• 1:25:35
  Speaker 6: preferably a pair of latex gloves, it becomes more apparent
• 1:25:38
  Speaker 6: that the text is not mere smut, but a sophisticated
• 1:25:42
  Speaker 6: allegory exploring the intersection of neoliberal economic structures and the
• 1:25:47
  Speaker 6: disintegration of traditional masculine identity.
• 1:25:52
  Speaker 2: What just because yeah, no, I was okay, that was
• 1:25:57
  Speaker 2: a flat one Neil librorism and the disintegration of the
• 1:26:04
  Speaker 2: masculine identity. The hell do you? You don't even this is
• 1:26:08
  Speaker 2: I'm pretty sure this is a lesbian. You don't. You
• 1:26:11
  Speaker 2: don't know from what when it comes to the masculine identity, lady, Like,
• 1:26:17
  Speaker 2: what the hell is that nonsense?
• 1:26:21
  Speaker 1: How do you know that she's a lesbian?
• 1:26:23
  Speaker 2: I'm pretty sure from a previous different episode of this.
• 1:26:27
  Speaker 1: Okay, Okay, now, I mean I'm not I'm trying to
• 1:26:29
  Speaker 1: like look for the clues, like on her wall. I
• 1:26:32
  Speaker 1: guess the paintings and stuff and the tattoos. Maybe yeah,
• 1:26:37
  Speaker 1: I could see it.
• 1:26:38
  Speaker 2: Yeah, I mean, don't quote me on that. She might
• 1:26:40
  Speaker 2: not be. But even so, she's a woman opining about
• 1:26:44
  Speaker 2: masculine identity. Nothing has changed about the masculine identity for
• 1:26:49
  Speaker 2: the most part. Right, still protecting, still providing, still doing
• 1:26:53
  Speaker 2: the jobs that nobody else wants to freaking do because
• 1:26:55
  Speaker 2: they're disgusting, dangerous, and uncomfortable. So it hasn't really changed.
• 1:27:04
  Speaker 2: Still trying to appeal to women, Many of them still do. So, Yeah,
• 1:27:11
  Speaker 2: it's just that women don't find that attractive unless it
• 1:27:14
  Speaker 2: has uh, you know, with a sixteen inch horse cock attached.
• 1:27:20
  Speaker 2: Like it's because you guys are freaks, and you're making
• 1:27:26
  Speaker 2: it more and more apparent with entire every freaky choice
• 1:27:29
  Speaker 2: you make. Why every lasting religion on the planet has
• 1:27:33
  Speaker 2: put some serious constraints on you, and in fact, Christianity
• 1:27:39
  Speaker 2: was one of the most progressive, shall I say, like, uh,
• 1:27:46
  Speaker 2: previous paganism, Yeah, they put even more constraints on women
• 1:27:51
  Speaker 2: than this. Christianity is almost like, well, you know, we're
• 1:27:56
  Speaker 2: gonna put constraints on you, but we're gonna give you respect.
• 1:28:01
  Speaker 2: Previous forms of paganism were like no, no, you're not
• 1:28:04
  Speaker 2: even human, and you guys are starting to make it
• 1:28:10
  Speaker 2: seem like we should maybe go back to that, maybe
• 1:28:14
  Speaker 2: go back well maybe not.
• 1:28:16
  Speaker 1: I would I think that well, I don't know, I
• 1:28:20
  Speaker 1: will she's saying that this is a product of late
• 1:28:23
  Speaker 1: stage neoliberal capitalism. I think that this is a product
• 1:28:28
  Speaker 1: of women's liberation and a fall away from God. And
• 1:28:30
  Speaker 1: I think that my position is stronger based on the
• 1:28:33
  Speaker 1: fact that we know that this is a product of absolute, unquestioning,
• 1:28:39
  Speaker 1: non judgmental women's sexual liberation, not even men's okay, as
• 1:28:44
  Speaker 1: men are not making as far as I know, they're not.
• 1:28:47
  Speaker 1: This woman here, By the way, over half a million
• 1:28:49
  Speaker 1: subscribers read with Cindy okay, So not a small channel,
• 1:28:54
  Speaker 1: at least not to me. I don't know if like
• 1:28:56
  Speaker 1: I think, I think a big channel starts at like
• 1:28:58
  Speaker 1: one hundred thousand, and maybe that's being a little bit generous, okay,
• 1:29:02
  Speaker 1: because a lot of men's rights activists have small channels,
• 1:29:05
  Speaker 1: and I think a lot of it is to do
• 1:29:06
  Speaker 1: with the algorithm, and like our talking points are unpopular,
• 1:29:09
  Speaker 1: but like, if you're doing feminist content, you can get
• 1:29:13
  Speaker 1: into the millions very easily.
• 1:29:15
  Speaker 2: So everybody everybody understands it because everybody exists within that
• 1:29:22
  Speaker 2: lie that men oppress women.
• 1:29:26
  Speaker 1: Yeah, so I mean, you guys be the judge is
• 1:29:29
  Speaker 1: morning Glory milking Farm downstream of women's liberation and falling
• 1:29:33
  Speaker 1: away from God and secular humanism. Or is it a
• 1:29:36
  Speaker 1: product of late stage capitalism? I don't know. Maybe I'm wrong,
• 1:29:41
  Speaker 1: I'm wrong saying.
• 1:29:41
  Speaker 2: It's a critique of late stage capitalism. So yeah, but
• 1:29:44
  Speaker 2: not sing it's a product of it.
• 1:29:46
  Speaker 1: No, but it but it exists because we're in a
• 1:29:49
  Speaker 1: late stage capitalist system, according to her. Right, So, like
• 1:29:54
  Speaker 1: if we weren't in late stage capitalism, there wouldn't be
• 1:29:57
  Speaker 1: a need for the book, because she's not just saying
• 1:30:00
  Speaker 1: something theoretical like animal farm. She's saying that it is.
• 1:30:06
  Speaker 1: She's framing it in that it is a commentary on
• 1:30:08
  Speaker 1: the world we live in today. So it's a product
• 1:30:12
  Speaker 1: of it, or you know, or at least it's like
• 1:30:14
  Speaker 1: it's like a cry for help from a woman living
• 1:30:18
  Speaker 1: under late stage capitalism to have to take a job
• 1:30:22
  Speaker 1: milking bold minotaurs, you know, with her bare hands. So right,
• 1:30:29
  Speaker 1: it too. By the way, what gotcha I think? I mean,
• 1:30:33
  Speaker 1: I watched, I get what you're saying.
• 1:30:35
  Speaker 2: So she's saying that this is made necessary by late
• 1:30:38
  Speaker 2: stage capitalism, this critique of patriarchy, which is what she
• 1:30:42
  Speaker 2: means by late stage capitalism and the destruction of masculinity.
• 1:30:46
  Speaker 2: So patriarchal backlash is what they usually mean by that
• 1:30:49
  Speaker 2: is made that this critique is made necessary by these
• 1:30:53
  Speaker 2: these factors that she's identifying. I get it, I get
• 1:30:56
  Speaker 2: it right.
• 1:30:58
  Speaker 1: Yeah, it is a product of that.
• 1:30:59
  Speaker 6: But anyway, let's start with our main protagonist, Violet. She
• 1:31:03
  Speaker 6: is your typical down on your lug, mid twenties millennial
• 1:31:07
  Speaker 6: woman who is educated, unemployed, burden with student debt, and
• 1:31:12
  Speaker 6: desperate for a job, any job to make ends meet.
• 1:31:15
  Speaker 6: Some of you broke bitches could relate in today's job market.
• 1:31:18
  Speaker 2: And it's going to get worse.
• 1:31:20
  Speaker 1: So she's saying, see, like right there, it's my point.
• 1:31:23
  Speaker 1: She's saying that this character's life reflects our life.
• 1:31:29
  Speaker 2: That's superfessionality too.
• 1:31:32
  Speaker 1: She she bemoans.
• 1:31:33
  Speaker 2: Her inability to buy Starbucks. That's it, like she wants
• 1:31:40
  Speaker 2: to be a well.
• 1:31:41
  Speaker 1: The thing is too, is that she's she's in college debt,
• 1:31:44
  Speaker 1: and even she kind of like said, oh, you know,
• 1:31:47
  Speaker 1: that's just like me. But none of these women have
• 1:31:50
  Speaker 1: thought maybe college is stupid, like not like it didn't
• 1:31:54
  Speaker 1: even come across. Maybe I got ripped off. Maybe this
• 1:31:56
  Speaker 1: isn't the fault of capitalism or some abstraction. I can't
• 1:32:00
  Speaker 1: actually pinpoint like the existence of property. Maybe it's not
• 1:32:05
  Speaker 1: like my government did this to me or whatever. Maybe
• 1:32:07
  Speaker 1: it's you didn't do the research, and I look, I would,
• 1:32:12
  Speaker 1: I could. I would take the blame myself for not
• 1:32:14
  Speaker 1: doing that. You didn't consider that. Maybe college is stupid
• 1:32:17
  Speaker 1: and you didn't have to do it. Maybe you just
• 1:32:20
  Speaker 1: bought into the line that everyone is supposed to go
• 1:32:23
  Speaker 1: and you put yourself in debt and you didn't take
• 1:32:25
  Speaker 1: your major seriously. So you took like fucking film critical
• 1:32:30
  Speaker 1: film media literacy or whatever, or underwater lesbian basket weaving
• 1:32:35
  Speaker 1: or you know, interpretive dance or whatever, and you came
• 1:32:38
  Speaker 1: out six figures in debt and you're blaming the system.
• 1:32:41
  Speaker 1: But you know, on some level you have to be
• 1:32:43
  Speaker 1: like I can accept it, Like I went to art
• 1:32:45
  Speaker 1: school twice and I'm like, that was stupid. I shouldn't
• 1:32:47
  Speaker 1: have done it, and I'm done. It's behind me now
• 1:32:49
  Speaker 1: in the rearview that happened. I will tell people from
• 1:32:53
  Speaker 1: now on, really take it seriously if you're thinking about
• 1:32:56
  Speaker 1: going to college, because a last and I think, honestly,
• 1:32:59
  Speaker 1: I think that people that go to college are given
• 1:33:03
  Speaker 1: a shitty education on purpose, given a shitty degree, they
• 1:33:07
  Speaker 1: can't use on purpose, so that when they come out
• 1:33:09
  Speaker 1: the other side six figures in debt, they've already they
• 1:33:12
  Speaker 1: haven't gotten the degree that will get them anything. They
• 1:33:14
  Speaker 1: can't get a decent job. And most of these women
• 1:33:16
  Speaker 1: are just handed degree anyway, even if they're not trying
• 1:33:19
  Speaker 1: that hard, because that most of them don't pursue anything
• 1:33:21
  Speaker 1: that actually requires like a significant amount of training. But
• 1:33:24
  Speaker 1: one thing they did learn is how to criticize capitalism
• 1:33:26
  Speaker 1: in the system for it. So they come out in
• 1:33:29
  Speaker 1: debt and they're mad at capitalism.
• 1:33:31
  Speaker 2: Yeah, they're mad at an abstraction, rather than mad at
• 1:33:34
  Speaker 2: the institutions of predatory institutions that.
• 1:33:36
  Speaker 1: Have led them or themselves for their bad decisions and
• 1:33:41
  Speaker 1: for it.
• 1:33:42
  Speaker 2: I would actually argue that they can get mad at
• 1:33:44
  Speaker 2: government too, because it's government regulation that allows colleges to
• 1:33:52
  Speaker 2: create these debts that you can't like. You know that
• 1:33:56
  Speaker 2: the bankruptcy laws around call us student loans student debt
• 1:34:00
  Speaker 2: is different than bankruptcy around bankruptcy laws around anything else.
• 1:34:05
  Speaker 2: They can't declare bankruptcy, so there is a lot of
• 1:34:09
  Speaker 2: incentive for these colleges to offer these programs that are
• 1:34:13
  Speaker 2: useless get these kids into debt, and knowing that they
• 1:34:17
  Speaker 2: can't actually go bankrupt on their debt, it's secured, right,
• 1:34:23
  Speaker 2: maybe we should allow these students to go bankrupt. That
• 1:34:27
  Speaker 2: would mean these institutions would really start thinking about the
• 1:34:32
  Speaker 2: cost benefit analysis of what they're offering, so that they
• 1:34:36
  Speaker 2: make sure that the person that they're giving these loans
• 1:34:40
  Speaker 2: to can pay it back, and then we're going to
• 1:34:44
  Speaker 2: see a very different college landscape. So she's blaming late
• 1:34:48
  Speaker 2: stage capitalism. I blame predatory loan practices when it comes
• 1:34:53
  Speaker 2: to education that are enabled by the state.
• 1:34:58
  Speaker 1: Yeah, well, these people don't They don't understand that. That's
• 1:35:03
  Speaker 1: why they use word capitalism because they think that when
• 1:35:06
  Speaker 1: the government can be involved in capitalism too, is how
• 1:35:09
  Speaker 1: they see it, even though I think those things are
• 1:35:11
  Speaker 1: mutually exclusive. So that but yes, I agree, I just
• 1:35:14
  Speaker 1: don't think they would. I think they would say, it's
• 1:35:16
  Speaker 1: all the system, we got to tear it all down.
• 1:35:18
  Speaker 1: But of course, you know, they're women, so they're not
• 1:35:20
  Speaker 1: actually going to put any skin in the game. They're
• 1:35:23
  Speaker 1: just going to have men do it for them because
• 1:35:24
  Speaker 1: that's what they do. They're going to appeal to the patriarchy.
• 1:35:27
  Speaker 1: To defeat the patriarchy, which is to tear down the
• 1:35:29
  Speaker 1: system is Antifa. So you know, there's a bunch of
• 1:35:34
  Speaker 1: men simping for women.
• 1:35:37
  Speaker 2: Yeah, wanting to get an identity as their savior through
• 1:35:40
  Speaker 2: their weird political shenanigans. What I was going to know? Okay,
• 1:35:48
  Speaker 2: let's just keep going. Let's do some more right.
• 1:35:50
  Speaker 6: To look forward to. This is how she ends up
• 1:35:52
  Speaker 6: applying to become a milking technician at Morning Glory and
• 1:35:55
  Speaker 6: Milking Farm. And this is a pharmaceutical company that's part
• 1:35:58
  Speaker 6: of an underground industry that helps human men achieve erections
• 1:36:02
  Speaker 6: with a little blue pill. But an essential ingredient to
• 1:36:06
  Speaker 6: these viagra dupes that we have is the minotaur semen,
• 1:36:11
  Speaker 6: because minotaurs are much more virale. So as the milking technician,
• 1:36:15
  Speaker 6: violent is part of the several employees that are responsible
• 1:36:18
  Speaker 6: for milking menotaars in order to collect more like what you.
• 1:36:21
  Speaker 2: Know, You notice that metaphor. Not only does she describe
• 1:36:25
  Speaker 2: men as being subpar partners, being awful people, part of
• 1:36:30
  Speaker 2: the patriarchy, She essentially those those comments are repetitions of
• 1:36:35
  Speaker 2: what is said in the actual text them. Remember Sho
• 1:36:38
  Speaker 2: showed us the comments that help men are patriarchal.
• 1:36:42
  Speaker 1: Well, the book, the book, it seems, is saying that
• 1:36:46
  Speaker 1: human men are insufficient. Yeah, they all need these pills
• 1:36:51
  Speaker 1: which are made by these minotaur superior men, and the
• 1:36:54
  Speaker 1: women end up bangings, which probably starts a revolution of
• 1:36:58
  Speaker 1: women banging military natars because I think there's going to
• 1:37:01
  Speaker 1: be more books in the series. I shit you not,
• 1:37:04
  Speaker 1: and they're going to have an uprising and they're going
• 1:37:06
  Speaker 1: to overthrow and destroy all the human men because the
• 1:37:08
  Speaker 1: humans get it up because women always default to attacking
• 1:37:12
  Speaker 1: men's sexuality.
• 1:37:14
  Speaker 2: Yeah, so they're they're basically saying that men are insufficient
• 1:37:17
  Speaker 2: sexually as well. They don't have the sufficient virility that
• 1:37:21
  Speaker 2: these women want. And they're also patriarchal and oppressive and
• 1:37:25
  Speaker 2: say no to them and their sexual desires or whatever
• 1:37:28
  Speaker 2: the hell else. So I mean, this is just like
• 1:37:32
  Speaker 2: I wish conservatives would look at this and then ask themselves,
• 1:37:35
  Speaker 2: how do how do my son? How do I what? What?
• 1:37:38
  Speaker 2: What tools have I given my son to actually make
• 1:37:42
  Speaker 2: a dent in any of this crap? Because use this
• 1:37:45
  Speaker 2: is a gigantic tar pit of women so reinforcing their
• 1:37:53
  Speaker 2: own toxic attitudes about relationships and men in a completely
• 1:37:58
  Speaker 2: delusional space. And it's it's just, and it's it goes
• 1:38:04
  Speaker 2: beyond just the degeneracy of their literature. And we we
• 1:38:08
  Speaker 2: missed the part where Shoe talks about Stardusk.
• 1:38:13
  Speaker 1: Yeah, I mean, but there.
• 1:38:19
  Speaker 2: Is sexual entitlement that's leading to them to become sexually
• 1:38:23
  Speaker 2: violent on the scale never seen before potentially, And there's
• 1:38:28
  Speaker 2: also their attitudes towards men's right to say no has
• 1:38:33
  Speaker 2: gotten worse. Like this is an ugly this is like
• 1:38:37
  Speaker 2: this is almost like a demonic energy that has consumed
• 1:38:42
  Speaker 2: these women. And the honest to god truth is that
• 1:38:46
  Speaker 2: I'm not going to even talk to like the parents
• 1:38:49
  Speaker 2: of progressive parents because you're too far gone. You don't
• 1:38:53
  Speaker 2: I don't know. I hope your son becomes a femboy
• 1:38:56
  Speaker 2: or trans woman, because that's not the only way he's
• 1:38:58
  Speaker 2: going to survive his life. But I'm talking to conservatives.
• 1:39:02
  Speaker 2: If you are counseling, if you're blaming your son for
• 1:39:05
  Speaker 2: not being able to find a wife, you are putting
• 1:39:09
  Speaker 2: him in the jaws of danger with these people, with
• 1:39:11
  Speaker 2: these women, because this needs to be avoided as much
• 1:39:14
  Speaker 2: as possible. At this point, it's the only thing I
• 1:39:16
  Speaker 2: can counsel is that women like this need to be avoided. Luckily,
• 1:39:21
  Speaker 2: they don't seem to want anything to do with human
• 1:39:23
  Speaker 2: males except to rape them anyway. I'm just saying, like,
• 1:39:29
  Speaker 2: it's it's wrong to blame boys and men for not
• 1:39:32
  Speaker 2: being able to somehow lead women out of this tarpit.
• 1:39:38
  Speaker 2: It's just wrong. Women have got to choose to get
• 1:39:42
  Speaker 2: out of it of their own accord, and that's that's
• 1:39:49
  Speaker 2: something they're going to have to decide. This is this
• 1:39:51
  Speaker 2: is this is the rubicon for women. They're going to
• 1:39:55
  Speaker 2: have to decide whether or not they want to continue
• 1:39:57
  Speaker 2: to live in hell. I mean, do you remember that
• 1:40:02
  Speaker 2: What Dreams May Come? It was a movie with Robert
• 1:40:04
  Speaker 2: Williams who goes to the afterlife and he has a
• 1:40:08
  Speaker 2: vision of hell and it's just these people caught like that,
• 1:40:13
  Speaker 2: just welded into this gigantic plane and they can barely move,
• 1:40:17
  Speaker 2: and they're just they're just wittering to themselves, nonsense, justifying
• 1:40:22
  Speaker 2: what they're where they are and what they're doing, like
• 1:40:25
  Speaker 2: they're just locked in this salopsistic loop and it's just
• 1:40:28
  Speaker 2: a plane of people stuck in the ground going nowhere.
• 1:40:35
  Speaker 2: That's their life. That's this women, These women's lives right,
• 1:40:40
  Speaker 2: and men cannot get them out of it. You get
• 1:40:44
  Speaker 2: involved with a woman like that, she's just going to
• 1:40:46
  Speaker 2: drag you into it. Women have to make the choice
• 1:40:50
  Speaker 2: to get out of it themselves. They have to make
• 1:40:54
  Speaker 2: the choice to dig themselves out of the concrete that
• 1:40:56
  Speaker 2: they're the the the dirt and filth and concrete that
• 1:40:59
  Speaker 2: they embedded themselves in, and the tar men cannot save them.
• 1:41:09
  Speaker 2: That's that's probably the message that that most destroys the
• 1:41:14
  Speaker 2: reach of our channel. If I was here telling men, yeah,
• 1:41:17
  Speaker 2: I keep trying, I'll give you a ten point a
• 1:41:22
  Speaker 2: ten point map to save women from the tar pit,
• 1:41:26
  Speaker 2: we probably would have more reach. But I honestly I
• 1:41:29
  Speaker 2: don't see how men can save them at this point.
• 1:41:35
  Speaker 2: There's too many voices whispering in their ear, like whispering
• 1:41:38
  Speaker 2: poison in their ear. They've reinforced their own imprisonment too much.
• 1:41:46
  Speaker 2: They don't even have a language for freedom anymore. These women, Okay,
• 1:41:53
  Speaker 2: all right, that's depressing thought plea.
• 1:41:56
  Speaker 6: This whole setup shows that Violet is doing what many
• 1:41:59
  Speaker 6: have to before her. She is selling bodily labor in
• 1:42:03
  Speaker 6: exchange for a fleeting stability. This goes to show how
• 1:42:06
  Speaker 6: financial desperation often overrides social taboos or personal discomfort. Yeah,
• 1:42:11
  Speaker 6: you might think that this whole setup is weird, but
• 1:42:13
  Speaker 6: I know some of you American bitches would do the
• 1:42:15
  Speaker 6: same thing for dental coverage. It actually parallels a lot
• 1:42:18
  Speaker 6: of the real world gig economy out there, whether that's
• 1:42:22
  Speaker 6: right share drivers or only fans creators. Violence work is
• 1:42:25
  Speaker 6: both hypers.
• 1:42:26
  Speaker 2: So you will undervalue, you will jack off minotaurs for
• 1:42:30
  Speaker 2: a dental plan, but you won't engage in a respectful,
• 1:42:35
  Speaker 2: monogamous relationship with a man who loves you so that
• 1:42:40
  Speaker 2: you can create a family together. Yeah, you are so
• 1:42:49
  Speaker 2: like these women are so much in hell. Like I said,
• 1:42:54
  Speaker 2: they don't even have a language for freedom anymore.
• 1:42:58
  Speaker 1: Well, they don't know what it is. They really just
• 1:43:01
  Speaker 1: want security. Yeah.
• 1:43:05
  Speaker 6: Yeah, she becomes hired not because of her humanity.
• 1:43:10
  Speaker 1: But it's also funny that she's doing all this and
• 1:43:13
  Speaker 1: she's like looks pretty freaking comfortable, like on a big
• 1:43:18
  Speaker 1: ass couch under some blankets. It's warm, she's got electricity,
• 1:43:23
  Speaker 1: running water, heat, air conditioning. Most likely, she's got paintings
• 1:43:28
  Speaker 1: on her wall. She's able. She's got a laptop. I
• 1:43:31
  Speaker 1: don't have a laptop. I'm a man, where's my where's
• 1:43:35
  Speaker 1: my you know, standard issue patriarchal laptop at where is it?
• 1:43:41
  Speaker 1: I mean, it's just crazy that you can have it.
• 1:43:44
  Speaker 1: This is the thing, like the bubble these people live in.
• 1:43:48
  Speaker 1: It is so secure. They have no idea how good
• 1:43:51
  Speaker 1: they have it. So they just criticize their conditions all
• 1:43:54
  Speaker 1: the time. And that's why they can't be happy. That's
• 1:43:57
  Speaker 1: how you know they're actually in hell because they're miserable.
• 1:44:01
  Speaker 1: But they have like a life that even people who
• 1:44:05
  Speaker 1: are alive to get today in the same country as them,
• 1:44:09
  Speaker 1: they would be extremely grateful for. Now. I don't even
• 1:44:12
  Speaker 1: have to go to like a third world country or something,
• 1:44:14
  Speaker 1: or some like you know place that's like in a
• 1:44:16
  Speaker 1: constant war, like in South America or Africa or something.
• 1:44:20
  Speaker 1: I can just say, like if she's in New York
• 1:44:23
  Speaker 1: or if she's in you know, Los Angeles, there are
• 1:44:27
  Speaker 1: people in Los Angeles that would like kill to live
• 1:44:30
  Speaker 1: like her, and she's still complaining, and she would probably
• 1:44:34
  Speaker 1: tell them that they should be complaining too while she's
• 1:44:37
  Speaker 1: living like this.
• 1:44:38
  Speaker 3: Anyway, Yeah, dexterity.
• 1:44:41
  Speaker 6: Her entry into the specialized extractive services of milking those
• 1:44:46
  Speaker 6: milkers mirrors the experience of gig workers who are commodifying
• 1:44:50
  Speaker 6: their time and bodies who survive la stage capitalism that.
• 1:44:54
  Speaker 2: The commodifying their times. So you exchange your labor or
• 1:45:00
  Speaker 2: for money, what else do you want to exchange it for?
• 1:45:03
  Speaker 2: You could exchange it for affection and a filial relationship
• 1:45:07
  Speaker 2: by being a stay at home mom or just taking
• 1:45:11
  Speaker 2: part in the enterprise of family. What else do you
• 1:45:15
  Speaker 2: want to exchange it for? Not being killed, not being
• 1:45:17
  Speaker 2: put in a gulag, like being able to eat like Honestly,
• 1:45:23
  Speaker 2: what utopia do you think that late stage capitalism is
• 1:45:28
  Speaker 2: preventing you from being part of? Do you think it's
• 1:45:31
  Speaker 2: preventing you from being part of a communist utopia? Have
• 1:45:35
  Speaker 2: you ever been in one?
• 1:45:36
  Speaker 4: I have.
• 1:45:38
  Speaker 2: I actually visited Soviet Russia. It was horrifying, beautiful architecture,
• 1:45:44
  Speaker 2: no food, no fucking food. This was supposed to be
• 1:45:48
  Speaker 2: an advanced society, more advanced than the third world country. Well,
• 1:45:54
  Speaker 2: my family would we would travel because Saudi Arabia would
• 1:45:58
  Speaker 2: kick us out once every six months, so we had to.
• 1:46:01
  Speaker 2: And incidentally, my father was just a geophysicist. He wasn't
• 1:46:06
  Speaker 2: He's not a Saudi prince. For the people that think
• 1:46:09
  Speaker 2: that that's no. He was a geophysicist. He worked in
• 1:46:12
  Speaker 2: an office with a tie and he did programming. Right.
• 1:46:17
  Speaker 2: So we would travel the world and one time, I guess,
• 1:46:20
  Speaker 2: I don't know why my parents thought that going to
• 1:46:23
  Speaker 2: the Soviet Union would be interesting. I don't know. I
• 1:46:28
  Speaker 2: don't think they were commis. So we went with a
• 1:46:30
  Speaker 2: bunch of British commis to the Soviet Union. Okay, there
• 1:46:35
  Speaker 2: was no freaking food. They didn't. They gave us soup,
• 1:46:39
  Speaker 2: but the soup was like the water that they washed
• 1:46:42
  Speaker 2: the potatoes off in, and they called that soup. And
• 1:46:47
  Speaker 2: I lived on kinder surprise eggs from like gift stores
• 1:46:53
  Speaker 2: where they'd actually sell stuff, right. I remember there was
• 1:46:56
  Speaker 2: a piece of pork that I ate, and I remember
• 1:46:59
  Speaker 2: it distinctly because it was so horrifyingly awful. It is
• 1:47:02
  Speaker 2: the worst piece of meat I have ever eaten in
• 1:47:05
  Speaker 2: my life. And I have traveled in the Third World,
• 1:47:09
  Speaker 2: and I remember getting that piece of meat and it
• 1:47:12
  Speaker 2: was It tasted like bile. It tasted like sweet and
• 1:47:15
  Speaker 2: sour bile. And a ten year old me ran around
• 1:47:19
  Speaker 2: the fucking fourier of the fucking Soviet Russia lobby trying
• 1:47:25
  Speaker 2: to spit out this piece of meat. Like, I think
• 1:47:29
  Speaker 2: I lost ten pounds and I wasn't particularly heavy as
• 1:47:33
  Speaker 2: a child, right, Okay, my mother lost weight she was pregnant.
• 1:47:39
  Speaker 2: Everybody left and we thanked God going back to Britain
• 1:47:43
  Speaker 2: for British food. That was what it was like in
• 1:47:46
  Speaker 2: Soviet Russia. It was horrifyingly awful, and everybody was miserable.
• 1:47:53
  Speaker 2: They couldn't eat, they couldn't buy anything. You know, who
• 1:47:57
  Speaker 2: got to eat? The good party people? So late you're
• 1:48:00
  Speaker 2: talking about dental plants. You're not gonna have a dental
• 1:48:04
  Speaker 2: fucking plan. You're not gonna even be able to eat properly.
• 1:48:07
  Speaker 2: That'll be for the good party people. I hope you
• 1:48:09
  Speaker 2: know how to suck cock, because you're gonna be sucking
• 1:48:12
  Speaker 2: a lot of it to get that frickin' uh roast
• 1:48:15
  Speaker 2: beef sandwich in Soviet Russia. Good God, Like, this is
• 1:48:22
  Speaker 2: why I'm like the meritocracy. No, Actually, people should be
• 1:48:26
  Speaker 2: incentivized for their labor. We did a lot of work
• 1:48:29
  Speaker 2: as the human race to get to the point where
• 1:48:32
  Speaker 2: it was pretty much standard everywhere that people deserved something
• 1:48:37
  Speaker 2: for their labor. Right that we got. It took us
• 1:48:41
  Speaker 2: a while to get here, lady. It took us a
• 1:48:44
  Speaker 2: while to get to the point where everybody can expect
• 1:48:47
  Speaker 2: to get something for their labor, to get something that
• 1:48:50
  Speaker 2: they can go and then exchange for food and pillows
• 1:48:55
  Speaker 2: and teal lamps and lovely pictures and books like Milking Farm.
• 1:49:01
  Speaker 2: It took us a while to get to this point.
• 1:49:04
  Speaker 2: And women like this say, well, what if, what if
• 1:49:08
  Speaker 2: we could have some other medium of exchange. Well, you're
• 1:49:12
  Speaker 2: a woman, use your freaking cook coo, yeah, as your
• 1:49:17
  Speaker 2: medium of exchange. God already gave you one for the
• 1:49:21
  Speaker 2: rest of us. You know, I like money in exchange
• 1:49:24
  Speaker 2: for my labor. I think most people do. And if
• 1:49:26
  Speaker 2: they really think about it, they realize that other systems
• 1:49:31
  Speaker 2: not as good. Soviet Russia, why was anybody doing any work? Well,
• 1:49:36
  Speaker 2: first of all, they weren't doing much because nobody had anything.
• 1:49:39
  Speaker 2: Well why were they doing it? Because otherwise you end
• 1:49:43
  Speaker 2: up in the freaking gulag or shot or starving. That's it.
• 1:49:48
  Speaker 2: That was their incentive structure. You want to replace actually
• 1:49:53
  Speaker 2: getting material wealth with that? Are you fucking mental? And
• 1:50:01
  Speaker 2: I don't know what is wrong with women. I swear
• 1:50:04
  Speaker 2: to God, this is like some kind of thing. This
• 1:50:06
  Speaker 2: is a flaw in their psychology. Oh all the billionaires. Okay,
• 1:50:11
  Speaker 2: So what you're telling me is that the r system
• 1:50:13
  Speaker 2: of incentive structure produces people who are fantastically wealthy. It
• 1:50:18
  Speaker 2: doesn't produce starvation the whole the more. It doesn't produce
• 1:50:23
  Speaker 2: people who are constantly scrabbling and miserable. It doesn't produce
• 1:50:27
  Speaker 2: goulags as a necessity to make people work. It produces millionaires.
• 1:50:32
  Speaker 2: Somebody just they just get the jackpot. So what stow
• 1:50:36
  Speaker 2: your envy? Stow your envy as you sit on your
• 1:50:40
  Speaker 2: comfortable couch, no doubt, having eaten some lovely avocata toast
• 1:50:45
  Speaker 2: and sipped your Starbucks latte, watching reading your book that
• 1:50:50
  Speaker 2: would be banned in the Soviet In Soviet Russia, you
• 1:50:54
  Speaker 2: think they're gonna have books like this? Are you fucking mental?
• 1:50:58
  Speaker 2: You'd probably be dragged out by your paren put in
• 1:51:00
  Speaker 2: a gulag for this book.
• 1:51:04
  Speaker 3: They were not.
• 1:51:04
  Speaker 2: They The funny thing is that they were. They were
• 1:51:07
  Speaker 2: not fond of shit like this, right, And if you
• 1:51:13
  Speaker 2: had said, oh, this is a critique of late stage communism,
• 1:51:17
  Speaker 2: two gulogs for you. Two gulogs. Okay, all right? Oh,
• 1:51:26
  Speaker 2: I did want to say one last thing Yeah, third
• 1:51:30
  Speaker 2: world countries consistently better than Soviet Russia. Right, you just
• 1:51:35
  Speaker 2: go into like a mom and pop delicious food. How
• 1:51:40
  Speaker 2: is it that supposedly this advanced culture country that we're
• 1:51:44
  Speaker 2: all supposed to aspire to, now, because you guys are
• 1:51:47
  Speaker 2: fucking idiots, how come they couldn't manage to make good food?
• 1:51:51
  Speaker 2: And yet you go to a third world country and
• 1:51:53
  Speaker 2: at the very least these people who were in poverty
• 1:51:56
  Speaker 2: supposed well, they could eat well or reasonably well, better
• 1:52:03
  Speaker 2: than better than the middle class in Soviet Russia. Okay,
• 1:52:07
  Speaker 2: let's keep going all right.
• 1:52:10
  Speaker 6: Heroine in a classical sense, but a symbolic representation of
• 1:52:14
  Speaker 6: the proletariat who is alienated from both her labor and
• 1:52:17
  Speaker 6: her self conception. Just like Marxist factory worker, she is
• 1:52:21
  Speaker 6: selling her body.
• 1:52:22
  Speaker 2: System serious Tommy.
• 1:52:26
  Speaker 6: Glory milking farm. It is the industrialized.
• 1:52:28
  Speaker 2: Okay, you know what that means. I understand it. I
• 1:52:30
  Speaker 2: understand it. I understand the Tommy gobbel She's alienated from
• 1:52:35
  Speaker 2: her labor and her self perception. What does that mean?
• 1:52:39
  Speaker 2: That means that she uses her actions to afford a
• 1:52:43
  Speaker 2: living for her instead of her vulnerabilities. Right, she should
• 1:52:48
  Speaker 2: just have shit handed to her. That would be she
• 1:52:52
  Speaker 2: should be able to identify with her vulnerabilities as tickets
• 1:52:56
  Speaker 2: to get shit rather than her actions in terms of
• 1:52:59
  Speaker 2: labor and to earn what she gets. It's the fundamental
• 1:53:04
  Speaker 2: like the fundamental contradiction here. This woman does not want
• 1:53:09
  Speaker 2: to have to earn things through her actions. That feels
• 1:53:12
  Speaker 2: foreign to her. Instead, she should be granted things by
• 1:53:15
  Speaker 2: virtue of her existence and her subjugation by the culture.
• 1:53:19
  Speaker 2: Like you see that, You see that? Do you see
• 1:53:21
  Speaker 2: the inherent the violence inherent in the system Brian women
• 1:53:25
  Speaker 2: have to Women are subjugated by patriarchy and instead of
• 1:53:28
  Speaker 2: having that subjugation be a ticket to get stuff, which
• 1:53:32
  Speaker 2: it is, but not enough. They have to work, They
• 1:53:35
  Speaker 2: have to labor and earn it. Equality never was equality
• 1:53:41
  Speaker 2: for women.
• 1:53:44
  Speaker 1: Get to the next chapter, not past this. This one
• 1:53:49
  Speaker 1: is gigged to Glenn. This one is I think the
• 1:53:51
  Speaker 1: thing about toxic masculinity.
• 1:53:53
  Speaker 6: As you're staring at his juicy.
• 1:53:55
  Speaker 1: Balls, the cretic of capitalism, of erotic efficiency. The cow
• 1:54:01
  Speaker 1: is the new cog.
• 1:54:05
  Speaker 6: There's a very deliberate choice when choosing to center their
• 1:54:10
  Speaker 6: romance in this world around menotars. It's not because we're
• 1:54:13
  Speaker 6: appealing to the monsterfuckers out there. It's much deeper than that,
• 1:54:17
  Speaker 6: because the menotars represent more than erotic fantasy. We often
• 1:54:21
  Speaker 6: know them as hulking, stoic, performulatively viro and it's really
• 1:54:25
  Speaker 6: interesting how they are essentially caricatures of the late capitalist male.
• 1:54:29
  Speaker 6: You can see how their exaggerated masculinity with their horns,
• 1:54:33
  Speaker 6: their bulk, their libido, even the excess gush of their
• 1:54:36
  Speaker 6: semen just pouring out on the floors everywhere. That makes
• 1:54:39
  Speaker 6: the technicians have to clean up everything. All of that
• 1:54:42
  Speaker 6: shows that it's not liberating but confined.
• 1:54:46
  Speaker 1: You know, did you guys know that that's what minotars
• 1:54:49
  Speaker 1: always were? Remember when I said the original myth women
• 1:54:54
  Speaker 1: ruined minotars. Can I just say this because when I
• 1:54:58
  Speaker 1: was a kid, I loved mythology. I thought it was
• 1:55:01
  Speaker 1: really cool. I liked watching those old I actually watched
• 1:55:07
  Speaker 1: Jason and the Argonauts, the old Ray Harry House when
• 1:55:10
  Speaker 1: I talked about a little bit on the show. He
• 1:55:12
  Speaker 1: fights a hydra and they fight harpies and there's a
• 1:55:17
  Speaker 1: fight with tallow see the golum. You know, And there's
• 1:55:22
  Speaker 1: other movies with other Ray Hemrierhauser movies with all these
• 1:55:26
  Speaker 1: like mythical beasts in them, and I didn't think of
• 1:55:30
  Speaker 1: them as sexual creatures at all, Like it didn't enter
• 1:55:36
  Speaker 1: my mind even when I was like getting like a teenager.
• 1:55:39
  Speaker 1: I thought of them as monsters, completely separate from the erotic.
• 1:55:43
  Speaker 1: But for some reason, I don't know if it's modern
• 1:55:46
  Speaker 1: women or just women, but they bring the sexuality into
• 1:55:49
  Speaker 1: these things and then they act like it was always there,
• 1:55:52
  Speaker 1: because she's like, oh, you know, this is just what
• 1:55:55
  Speaker 1: minatars are, and I'm like, no, they have two headed
• 1:55:59
  Speaker 1: axes and they chase to around labyrinths to kill you
• 1:56:01
  Speaker 1: and eat you. That's it. I don't even as far
• 1:56:05
  Speaker 1: as I know, like at the time, I didn't even
• 1:56:07
  Speaker 1: think that they even had genitals, even though they were
• 1:56:10
  Speaker 1: men man bulls, but they were monsters, you know, you
• 1:56:13
  Speaker 1: didn't think of it. And she's actually normalizing it, like,
• 1:56:17
  Speaker 1: oh yeah, all of the semen. I'm like, really, that's
• 1:56:20
  Speaker 1: not that's not in my monster manual. I didn't read that,
• 1:56:24
  Speaker 1: but she did, like this is crazy. I mean it's
• 1:56:28
  Speaker 1: not really. I mean, women just sexualize everything, like they don't.
• 1:56:32
  Speaker 1: They're way worse than men about that. Yeah, well, I
• 1:56:35
  Speaker 1: think men they compartmentalize it. Okay, like there's they look
• 1:56:40
  Speaker 1: at sexual things in a sexual context, so like when
• 1:56:45
  Speaker 1: it when it makes sense, they do it. But I
• 1:56:48
  Speaker 1: don't think they're thinking about it, like when they're playing Halo,
• 1:56:51
  Speaker 1: you know, or I don't know when like I don't,
• 1:56:55
  Speaker 1: I don't, I don't know. I think I think women
• 1:56:57
  Speaker 1: just are more like I mean, just something we don't
• 1:57:01
  Speaker 1: want to admit. But I think it's true.
• 1:57:04
  Speaker 2: Well, the thing is that it's it is actually scientific
• 1:57:08
  Speaker 2: that women respond more sexually to more different types of stimuli,
• 1:57:13
  Speaker 2: but that that has actually been shown. Uh, but I
• 1:57:18
  Speaker 2: just want to point out that when you listen to her,
• 1:57:22
  Speaker 2: this is just someone's fetish, right, Like that's all it is.
• 1:57:27
  Speaker 1: You're justifying a fetish though they're trying to intellectualize it.
• 1:57:31
  Speaker 2: Yeah, but now she's saying that these these cows representment
• 1:57:34
  Speaker 2: or these bulls representment. Okay, let's let's let's can we
• 1:57:38
  Speaker 2: can we hear the conclusion to this, Yeah, let's go.
• 1:57:41
  Speaker 6: Conversation that the main character has with her love interest.
• 1:57:44
  Speaker 6: When she's asking if other menatars know about this whole
• 1:57:48
  Speaker 6: setup of other minutar's coming to the milking farm literally
• 1:57:52
  Speaker 6: and figuratively coming. She says I don't know why I
• 1:57:54
  Speaker 6: thought this place was unique. So do all minuitars know
• 1:57:57
  Speaker 6: about this? He says, Oh, they know all right, most
• 1:57:59
  Speaker 6: bulls do. And if they haven't yet, believe me, they're
• 1:58:01
  Speaker 6: thinking about it. There's no reason not to. Humans have
• 1:58:04
  Speaker 6: commodified us, and the financial conversation for a natural bodily
• 1:58:07
  Speaker 6: function is a no brainer, especially once there's a mortgage
• 1:58:09
  Speaker 6: to think about. Family men forget about it. How us
• 1:58:12
  Speaker 6: would they be able to take the kids to blink
• 1:58:13
  Speaker 6: Sea Land? May as well get paid for what's going
• 1:58:15
  Speaker 6: down the shower train every day. He even says that
• 1:58:18
  Speaker 6: they measure their balls. His balls hung fat and full,
• 1:58:21
  Speaker 6: impressive regardless of the species, and there was some sort
• 1:58:24
  Speaker 6: of test that were required to pass. Violett had no
• 1:58:26
  Speaker 6: doubt that his would have outshown any they were judged against.
• 1:58:29
  Speaker 6: The bigger the testicles, the higher their rate of production.
• 1:58:32
  Speaker 2: So they know somebody's hit there. Okay, the thinly disguised fetish,
• 1:58:38
  Speaker 2: These minotaurre men are measuring each other's balls, and this
• 1:58:42
  Speaker 2: is this is a representation.
• 1:58:43
  Speaker 1: Of well, they get their balls measured in the factory, oh,
• 1:58:48
  Speaker 1: by the technicians. So they're not measuring each other. They're
• 1:58:51
  Speaker 1: going in and they're being you know, it's like it's
• 1:58:55
  Speaker 1: literally like when you see in movies where they're like
• 1:58:59
  Speaker 1: buying slaves, like male slaves, and they're looking at their
• 1:59:03
  Speaker 1: they're looking at all of them to see what they
• 1:59:05
  Speaker 1: want them for. It's that it's like buying like sex slaves.
• 1:59:10
  Speaker 1: In a way, they're literally chattel guys.
• 1:59:16
  Speaker 2: Okay, so what is her conclusion like this, this is
• 1:59:19
  Speaker 2: the commodification of male sexuality. No, no, I want to
• 1:59:23
  Speaker 2: let's letter continue.
• 1:59:25
  Speaker 6: Does she come to notice how traditionally this symbol of
• 1:59:28
  Speaker 6: male virility and rage has now been de skilled. He
• 1:59:32
  Speaker 6: is no longer a mythic beast, but an over worset client.
• 1:59:36
  Speaker 6: His horns have become corporate branding. His libido is now
• 1:59:39
  Speaker 6: tracked via performance analytics. Each milking session is a parody
• 1:59:44
  Speaker 6: of both intimacy and productivity. These menotaurs are paid not
• 1:59:48
  Speaker 6: to feel, but to release, So the tragic figures of
• 1:59:51
  Speaker 6: the hybrid masculine ideal, quite literally horned, hulking, and emotionally constipated,
• 1:59:56
  Speaker 6: have now been reduced to walking and sitting simple of
• 2:00:00
  Speaker 6: toxic masculinity. Their pressure to perform, to dominate, and above all,
• 2:00:05
  Speaker 6: to produce, but they're also enormous needs are.
• 2:00:09
  Speaker 2: Also they are more desirable than human men. They are
• 2:00:14
  Speaker 2: the ultimate toxic by her own admission, more desirable than
• 2:00:18
  Speaker 2: human men, and the ultimate symbol of toxic masculinity, which
• 2:00:23
  Speaker 2: is being exploited by the capitalist system for your bodily fluids. Okay,
• 2:00:31
  Speaker 2: let's I think this is this is the most relevant
• 2:00:33
  Speaker 2: to our interests here.
• 2:00:35
  Speaker 1: Yeah, this is the section, right, this is the section.
• 2:00:38
  Speaker 1: The rest of it's like who cares? Yeah, are no.
• 2:00:41
  Speaker 6: Longer a source of pride, but of dysfunction, they are not.
• 2:00:44
  Speaker 1: I think there's a reason why she's like covered up
• 2:00:47
  Speaker 1: to her waist with her blankets, just saying she's a
• 2:00:50
  Speaker 1: little bit self indulgent.
• 2:00:52
  Speaker 6: Lovers, but actually livestock in a system that sees their
• 2:00:56
  Speaker 6: bodies as resources and their intimacy and vulnerby as a
• 2:01:00
  Speaker 6: kink to be monetized. What normally would be a simple
• 2:01:04
  Speaker 6: intimate activity that alone minotaur could do in the privacy
• 2:01:08
  Speaker 6: of his own home, clogging the shower drain what it's
• 2:01:11
  Speaker 6: big fat semen has now become a ritual of clinical ejaculation,
• 2:01:15
  Speaker 6: which is symbolic of how the masculine archetype has now
• 2:01:18
  Speaker 6: been reduced to function, but what makes the loving.
• 2:01:21
  Speaker 2: Wait a second, what the fuck are you talking about?
• 2:01:23
  Speaker 2: What do you think the masculine archetype was before? It's
• 2:01:29
  Speaker 2: a function like that's that's the nature of masculinity is
• 2:01:33
  Speaker 2: they become their function. This is this is different because
• 2:01:39
  Speaker 2: this biological function is actually considered valuable, which is actually
• 2:01:44
  Speaker 2: really interesting to the deeper psychology of all of this.
• 2:01:48
  Speaker 2: These men, there are these these minotaurs. Their biology itself
• 2:01:52
  Speaker 2: has worth. Yeah, they're they're they The big difference between
• 2:01:59
  Speaker 2: them men is yes, they are bigger, but they're pretty
• 2:02:04
  Speaker 2: much exactly the way that these women would define men,
• 2:02:06
  Speaker 2: except they're bigger, and uh, you know, maybe that's a
• 2:02:09
  Speaker 2: big thing. You know, like they're they're taller, they're they're stronger,
• 2:02:12
  Speaker 2: they're more virile, they're more man. They're they're man, but
• 2:02:16
  Speaker 2: more man. But the other thing that they have is
• 2:02:21
  Speaker 2: inherent biological worth, have an inherent worth. That's interesting because
• 2:02:29
  Speaker 2: these women are seeking something outside of actual men. They're
• 2:02:35
  Speaker 2: seeking an inherent worth to masculinity, but they aren't allowed
• 2:02:40
  Speaker 2: to see it in actual men. Do you see the prison? Now?
• 2:02:46
  Speaker 2: Do you see the prison? They want to find this
• 2:02:50
  Speaker 2: because they can finally justify their desire, but they aren't
• 2:02:55
  Speaker 2: allowed to find it in men anymore because of feminism.
• 2:02:59
  Speaker 2: It's like gigantic cunt block. That's feminism, and they can't
• 2:03:03
  Speaker 2: find it. So they have to find it in this
• 2:03:06
  Speaker 2: minotaur morning glory milking farm. The inherent worth of men,
• 2:03:11
  Speaker 2: a worth that can't be taken away, a worth that
• 2:03:15
  Speaker 2: they can feel like they have earned as a woman,
• 2:03:20
  Speaker 2: because it's like fear of missing out is what drives them,
• 2:03:28
  Speaker 2: and they don't feel it with the average man, but
• 2:03:32
  Speaker 2: they could feel it with this creature whose masculinity has
• 2:03:36
  Speaker 2: inherent worth. Do you see what I'm saying? Like it's
• 2:03:39
  Speaker 2: it's the minotaurs have something they don't, something they have
• 2:03:43
  Speaker 2: to seek, something they have to be worthy of. And
• 2:03:47
  Speaker 2: there's a lot of conversation about how they the spilling
• 2:03:51
  Speaker 2: of the seed is like really they get punished for it,
• 2:03:55
  Speaker 2: and they're they're they're they're really upset when these women
• 2:03:59
  Speaker 2: fail to capture everything right, it's like they have to
• 2:04:03
  Speaker 2: be they have to be worthy of it, they have
• 2:04:07
  Speaker 2: to be worthy of being a receptacle of it, of
• 2:04:10
  Speaker 2: this worth, of this biological worth. And it's it's like
• 2:04:14
  Speaker 2: this this this thing, actually I think it might have
• 2:04:17
  Speaker 2: a deep symbolic meaning, just not what this woman thinks
• 2:04:20
  Speaker 2: it is. These women who are reading this are seeking
• 2:04:25
  Speaker 2: masculinity as having its own inherent worth, which is the
• 2:04:29
  Speaker 2: very thing that feminists stripped from masculinity by calling it toxic.
• 2:04:34
  Speaker 2: You see what I'm saying.
• 2:04:35
  Speaker 1: Yeah, And they're also like, this is a fiction written
• 2:04:40
  Speaker 1: by a woman who is trying to create what she
• 2:04:44
  Speaker 1: thinks of the most as the most I don't know,
• 2:04:50
  Speaker 1: like the most absurdly over the top expression of masculinity.
• 2:04:55
  Speaker 1: And it's exactly this extremely carnal, primal, physical thing. Like
• 2:05:02
  Speaker 1: I don't know anything about this character's personality. She doesn't
• 2:05:05
  Speaker 1: seem to care. I don't think the minotaurs have anything.
• 2:05:09
  Speaker 1: They're just nice to her. Probably the main character, well, they're.
• 2:05:12
  Speaker 2: A bit dominant. There's the guy, the the main minutaur
• 2:05:15
  Speaker 2: is sort of as it's dominant.
• 2:05:20
  Speaker 1: She basically he is an expression of what she wants
• 2:05:23
  Speaker 1: in a man. Yes, but it's like a very like
• 2:05:26
  Speaker 1: cartoonishly over the top expression of that. Right, So this
• 2:05:31
  Speaker 1: thing that they've made isn't even real because most men
• 2:05:34
  Speaker 1: are not that. And if they're, if they're go ahead,
• 2:05:42
  Speaker 1: I'm just.
• 2:05:43
  Speaker 2: Because I'm trying to explain what I was getting at.
• 2:05:46
  Speaker 2: They're a symbol of the of and if you actually
• 2:05:50
  Speaker 2: read it, the amount of effort they put into describing
• 2:05:55
  Speaker 2: how valuable the semen is and how absolutely they like it,
• 2:06:02
  Speaker 2: they should be completely that the women are just completely
• 2:06:05
  Speaker 2: terrified of spilling a drop, like every sperm is sacred
• 2:06:09
  Speaker 2: kind of thing, and they're completely terrified of losing this value,
• 2:06:14
  Speaker 2: this tremendous, profound value. And there's a lot of emphasis
• 2:06:18
  Speaker 2: in it on the text. So I'm saying that the
• 2:06:22
  Speaker 2: minotaurs are a symbol of men being valued, men having something,
• 2:06:28
  Speaker 2: a recognition of having something value inherent, and that's what
• 2:06:34
  Speaker 2: these women are seeking. And I say that because of
• 2:06:37
  Speaker 2: how everything is structured, how the stakes are structured, Like
• 2:06:43
  Speaker 2: dropping a millimeter of a millimeter of this semen is
• 2:06:47
  Speaker 2: like dropping nuclear fuel rods in any other story, Brian,
• 2:06:52
  Speaker 2: this is so valuable and they are so much supposed
• 2:06:56
  Speaker 2: to feel afraid of wasting this value commodity, and it's
• 2:07:01
  Speaker 2: just an inherent part of being a man for or
• 2:07:07
  Speaker 2: being male in this story, I'm saying that that's that
• 2:07:12
  Speaker 2: is what they're idolizing, That is that is the central thing.
• 2:07:19
  Speaker 2: Very much it's right in the title. They're idolizing it.
• 2:07:24
  Speaker 2: They are in worship to this, this masculine emergence, and
• 2:07:30
  Speaker 2: I think that's what they're missing. It's like, you know,
• 2:07:35
  Speaker 2: you could get that from any dude. You couldn't get
• 2:07:38
  Speaker 2: that from your looks match. Lady. Just be nice to it.
• 2:07:44
  Speaker 2: Just be nice to your looks match. You'll get as
• 2:07:45
  Speaker 2: much as you want whenever you want it, unless you
• 2:07:49
  Speaker 2: know he has a physical help, handicap or difficulty, but
• 2:07:52
  Speaker 2: you know, just.
• 2:07:53
  Speaker 1: Be a minutar bro.
• 2:07:57
  Speaker 2: Alternatively, women could just realize that men have this value
• 2:08:03
  Speaker 2: inherently and just seek it in their looks match, in
• 2:08:06
  Speaker 2: their species based looks match.
• 2:08:10
  Speaker 1: Yeah, and also that men are more than that, Yes,
• 2:08:13
  Speaker 1: a lot more than that. Well, yes, it's all very
• 2:08:16
  Speaker 1: earthly and physical and limited. Like there's you know, all
• 2:08:21
  Speaker 1: of it has to do with what she wants, not
• 2:08:24
  Speaker 1: what he wants. Like she said that, oh he's kind
• 2:08:27
  Speaker 1: of dominant, et cetera. But that's what she wants.
• 2:08:29
  Speaker 2: Yeah, it is what she wants. Yeah, but if you
• 2:08:32
  Speaker 2: read it, it's like the value that and yes, it
• 2:08:36
  Speaker 2: is very earthy and physical. But let's let's just start there.
• 2:08:40
  Speaker 2: Let's let's just see a crack of light in this
• 2:08:42
  Speaker 2: guitar pit. It's very earthy and physical, but it's something
• 2:08:46
  Speaker 2: out of her hands. It's something she has to give him.
• 2:08:49
  Speaker 2: It's a value that he has to give to her
• 2:08:53
  Speaker 2: and he doesn't have to and she must seek it
• 2:08:56
  Speaker 2: in him. That's what I'm getting at. She has to
• 2:09:00
  Speaker 2: seek it because she doesn't have it. He has to
• 2:09:04
  Speaker 2: serve it because she doesn't have it. She has to
• 2:09:07
  Speaker 2: value it because she doesn't have it, and she has
• 2:09:10
  Speaker 2: to respect it because she doesn't have it. And yes,
• 2:09:12
  Speaker 2: it is very earthy, it's very primal, it's very lust base.
• 2:09:16
  Speaker 2: But it's a start, like maybe we could start moving
• 2:09:20
  Speaker 2: that to you know, other qualities, spiritual qualities, emotional qualities.
• 2:09:26
  Speaker 2: But at least at some level, she's saying this is valuable.
• 2:09:30
  Speaker 2: I don't have it. And the real problem is, for
• 2:09:33
  Speaker 2: whatever reason, she can only conceive of these things outside
• 2:09:37
  Speaker 2: of her own species. That's the real problem. Okay. So
• 2:09:43
  Speaker 2: that's what I'm trying to get at, and I don't
• 2:09:45
  Speaker 2: know if I'm conveying it properly.
• 2:09:46
  Speaker 1: Yeah, no, I get it, I do, okay.
• 2:09:49
  Speaker 6: Is that he actually is a subversion of patriarchal ideals.
• 2:09:53
  Speaker 6: He's ironically less monstrous than a lot of typical human
• 2:09:57
  Speaker 6: men in romance novels. He's respectful, he's on our ball,
• 2:10:00
  Speaker 6: he's emotionally open. At one point, Violet.
• 2:10:03
  Speaker 1: Has a well, wait a minute, what about what about
• 2:10:05
  Speaker 1: actual human men? Do you know any real human men?
• 2:10:07
  Speaker 1: Or is it all just the men in your novels?
• 2:10:09
  Speaker 1: Isn't this just more feminist referencing feminist ship to make
• 2:10:13
  Speaker 1: points about reality.
• 2:10:15
  Speaker 2: Yeah, she's less monstrous than the men who are also
• 2:10:18
  Speaker 2: written by women.
• 2:10:19
  Speaker 1: Yeah, then then the than the monstrous and other fictions. Yeah,
• 2:10:26
  Speaker 1: what about real men? What about those?
• 2:10:28
  Speaker 2: Yeah? That doesn't even Yeah, well, this is what I
• 2:10:32
  Speaker 2: say about the tar pit. It's like just self referential,
• 2:10:34
  Speaker 2: Like they write about men and then they're like, oh
• 2:10:37
  Speaker 2: this is what the way men are. Yeah, and it's like,
• 2:10:40
  Speaker 2: how do you break into that? How? How does a
• 2:10:43
  Speaker 2: man break into that? How does a man save a
• 2:10:45
  Speaker 2: woman from this tar pit?
• 2:10:49
  Speaker 1: Yeah?
• 2:10:49
  Speaker 6: I don't know, all right, hardy, I work hard, literally
• 2:10:53
  Speaker 6: and figure outs hilly. She's trying not to cry as
• 2:10:55
  Speaker 6: she's trying to get the job done, and one of
• 2:10:58
  Speaker 6: her clients tells her instructions and explains condescendingly about what
• 2:11:03
  Speaker 6: she should try to do, even calling her a sweetheart
• 2:11:06
  Speaker 6: in a very negative tone. And it just really sucks
• 2:11:09
  Speaker 6: to feel so dehumanized.
• 2:11:11
  Speaker 2: Like a man is explaining.
• 2:11:14
  Speaker 1: Most affected again, So a man is.
• 2:11:16
  Speaker 2: Explaining to a woman how to like how to give
• 2:11:21
  Speaker 2: him a hand job or or work with this. So
• 2:11:25
  Speaker 2: men don't even have the right to understand their own
• 2:11:28
  Speaker 2: pleasure better than women.
• 2:11:38
  Speaker 1: Now, okay, so let's let's get that hurts.
• 2:11:44
  Speaker 6: She sees her next client, which is a menotaur that
• 2:11:47
  Speaker 6: she had been attracted to upon her first meeting, named Brook.
• 2:11:51
  Speaker 6: Their next meeting, which was a surprise because she didn't
• 2:11:53
  Speaker 6: expect to see him again. It's such a refreshing contrast
• 2:11:55
  Speaker 6: to the awful experience that she had before because he's
• 2:11:58
  Speaker 6: gentle to her. He asks her questions like if she's
• 2:12:02
  Speaker 6: in school, do they treat her well? Here, just basically
• 2:12:05
  Speaker 6: questions about her life, essentially humanizing her more instead of
• 2:12:08
  Speaker 6: just another cog in the machine. And so it shows
• 2:12:11
  Speaker 6: how as a levittress, he's being patient, honest, and gentle,
• 2:12:16
  Speaker 6: and he is a rejection of the cold, emotionally scented
• 2:12:20
  Speaker 6: alpha stereotype. What's most intriguing?
• 2:12:22
  Speaker 2: What are you fucking talking about? So this is the
• 2:12:28
  Speaker 2: big thing. Okay, so men don't don't ask you about
• 2:12:31
  Speaker 2: your life. They like I said, this is a tar pit.
• 2:12:39
  Speaker 1: Yeah yeah, saying how was your day? Because that never happens.
• 2:12:46
  Speaker 2: Yeah, that's not like the first thing that people say
• 2:12:49
  Speaker 2: to each other. How do you get like, how does
• 2:12:53
  Speaker 2: a man get a woman out of this tar pit?
• 2:12:56
  Speaker 2: First of all, he's constantly behind the eight ball in
• 2:13:00
  Speaker 2: terms of being a patriarchal oppressor, so every time he
• 2:13:05
  Speaker 2: asks for anything in the relationship, she immediately can jump to,
• 2:13:09
  Speaker 2: oh yourselfish, you're commodifying me, blah blah blah. How do
• 2:13:13
  Speaker 2: you have a relationship this one sided? Like how do
• 2:13:20
  Speaker 2: you this that? You really gotta gotta analyze the tar
• 2:13:25
  Speaker 2: pit that women are in because somehow I don't know
• 2:13:31
  Speaker 2: who knows, who knows how to get them out of it? Like,
• 2:13:34
  Speaker 2: I gotta really think about this. Okay, let's you want
• 2:13:38
  Speaker 2: to finish this.
• 2:13:39
  Speaker 6: Is there another interested in violence?
• 2:13:41
  Speaker 1: No one's going to do this section. I think that's it.
• 2:13:43
  Speaker 6: When you do that, what he's seeking through this cold,
• 2:13:47
  Speaker 6: clinical environment is not relief but relationship. This suggests that
• 2:13:52
  Speaker 6: even hyper masculinity beings yearn for intimacy and a society
• 2:13:56
  Speaker 6: that often expects them to repress it. But there's an
• 2:13:59
  Speaker 6: internal conflicts going on inside Violet as she deals with
• 2:14:02
  Speaker 6: her own romantic feelings for her client. But as we
• 2:14:05
  Speaker 6: see throughout the book, what she learns might be the
• 2:14:08
  Speaker 6: solution to dismantling the system.
• 2:14:11
  Speaker 1: All right, so, oh my god, the conclusion, I'm not
• 2:14:17
  Speaker 1: gonna watch anymore of that. She's coming to conclusion that
• 2:14:23
  Speaker 1: the alpha male, superstoic, emotionless dominant, toxically masculine stereotype is
• 2:14:31
  Speaker 1: subverted by a guy who just wants to be tender
• 2:14:36
  Speaker 1: and closer to a woman. And it took her reading
• 2:14:41
  Speaker 1: the Morning Glory Milking Farm book about minotaurs to discover
• 2:14:46
  Speaker 1: that men could be human and maybe, like, well, she
• 2:14:51
  Speaker 1: doesn't even really discover it because she thinks this is
• 2:14:53
  Speaker 1: all coming through the fiction and she's not talking to
• 2:14:57
  Speaker 1: real life men. Like that not abnormal, that's most men
• 2:15:03
  Speaker 1: want that, Like these things are not zero sum either,
• 2:15:07
  Speaker 1: Like you need stoicism and reasonable and logical like pathways
• 2:15:15
  Speaker 1: for the purposes of being a better caring and compassionate
• 2:15:20
  Speaker 1: and kind person. Like these things are not diametrically opposed,
• 2:15:25
  Speaker 1: and they're always framed this way, like, oh, if you're rational,
• 2:15:28
  Speaker 1: that means you're not emotional. No, you can use emotional
• 2:15:34
  Speaker 1: impulses that tell you I should do this thing, like
• 2:15:38
  Speaker 1: a guide where you should go, but you use the
• 2:15:41
  Speaker 1: logic so you don't do something stupid to get there.
• 2:15:45
  Speaker 1: That's all you know.
• 2:15:46
  Speaker 2: Yeah, but anyway, well, there was something I wanted to
• 2:15:50
  Speaker 2: add to this. Like she talks about these characters not
• 2:15:53
  Speaker 2: being stoic or not being alpha, but the only metric
• 2:15:57
  Speaker 2: the one who just didn't care about her just was
• 2:15:59
  Speaker 2: con earned about her performance because it's her job. Like
• 2:16:04
  Speaker 2: he just didn't care about her internal life. That wasn't
• 2:16:06
  Speaker 2: him being stoic, It was just him being indifferent. And
• 2:16:10
  Speaker 2: now this particular one cares about her internal life. That
• 2:16:14
  Speaker 2: has nothing to do with stoicism, and it has nothing
• 2:16:16
  Speaker 2: to do with toxic masculinity. Like one just wanted to
• 2:16:20
  Speaker 2: get the job done, just wanted her to do the job,
• 2:16:23
  Speaker 2: that's it. The other had an interest in her as
• 2:16:25
  Speaker 2: a person. That doesn't mean that the second one wasn't
• 2:16:29
  Speaker 2: also stoic, right, Like just a man having an interest
• 2:16:35
  Speaker 2: in your feelings doesn't make him any less stoic than
• 2:16:38
  Speaker 2: a man who doesn't have an interest in your feelings, ladies,
• 2:16:44
  Speaker 2: His stoic is about his feelings.
• 2:16:48
  Speaker 1: You see what I'm saying, Brian, Yeah, yeah, no, for sure, Like.
• 2:16:53
  Speaker 2: All right, I'm actually really curious now about tender is
• 2:16:55
  Speaker 2: the flesh? Erotic mutuality is class revolt. I think it's
• 2:16:59
  Speaker 2: basically saying what you predicted. She was going to say.
• 2:17:03
  Speaker 1: Should I just play a little bit of this then.
• 2:17:05
  Speaker 2: Yeah, sure, just a little bit. Let's see if she
• 2:17:07
  Speaker 2: gets to an actual point.
• 2:17:11
  Speaker 6: The first time she meets Rooke, the love interest, she
• 2:17:14
  Speaker 6: is instantly attracted, especially being in social close proximity and intimacy.
• 2:17:19
  Speaker 6: For example, in the scene of their first meeting, she says,
• 2:17:23
  Speaker 6: please just let me know if I'm using too much pressure,
• 2:17:25
  Speaker 6: she called out hesitantly, having her a curiate may say
• 2:17:27
  Speaker 6: similar things to clients brand new to the farm, or
• 2:17:30
  Speaker 6: not enough pressure. Just let me know. A short grunt
• 2:17:33
  Speaker 6: was her only response, and she shrugged herself, gripping the
• 2:17:36
  Speaker 6: turget length once more. He definitely responded to that, you
• 2:17:39
  Speaker 6: weren't imagining it. There was nothing on his chart, she
• 2:17:41
  Speaker 6: read from where it was propped on the table before her.
• 2:17:43
  Speaker 6: No preferences, no technician notes, nothing more than his initials.
• 2:17:46
  Speaker 6: An Asian wade, followed by the eight digit identification number
• 2:17:49
  Speaker 6: and barcode matching that of the adhesive label that she
• 2:17:51
  Speaker 6: would have fixed his bottle. No noted preference. But as
• 2:17:54
  Speaker 6: she slipped her finger beneath the loose pucker of skin
• 2:17:56
  Speaker 6: once more, the minitary grunted again has brought hitching. When
• 2:17:59
  Speaker 6: she's around the flared underside, there's an of these two
• 2:18:05
  Speaker 6: different feelings.
• 2:18:05
  Speaker 1: Go, yeah, there's juggling going on for sure. That may
• 2:18:10
  Speaker 1: be uncomfortable. This is on YouTube. Yeah, this is on
• 2:18:16
  Speaker 1: YouTube subscribers, This is.
• 2:18:19
  Speaker 2: On YouTube, no doubt she it's monetized, and we cannot
• 2:18:22
  Speaker 2: have a discussion about rape in the context of statistics
• 2:18:26
  Speaker 2: and research without getting demonetized. Yeah, it's this freaking ridiculous.
• 2:18:35
  Speaker 1: So okay, she's going to take that and turn it
• 2:18:38
  Speaker 1: into something academic.
• 2:18:41
  Speaker 2: Wait, let's hear it going on.
• 2:18:43
  Speaker 6: Where you're trying to be professional and responsible, you're literally
• 2:18:47
  Speaker 6: diluting each minotaur as clients that only have identification numbers.
• 2:18:52
  Speaker 6: No technician knows only basic stats. Despite all that, she
• 2:18:55
  Speaker 6: can help but want that big bull dick, and that
• 2:18:59
  Speaker 6: is the spark of a revolutionary mindset. Later at home,
• 2:19:03
  Speaker 6: she flicks the bean of her own Kouchi and imagines
• 2:19:07
  Speaker 6: him while doing that. In fact, she imagines him in
• 2:19:11
  Speaker 6: all kinds of scenarios that wouldn't be appropriate for the workplace.
• 2:19:15
  Speaker 6: And it's not until post Nott clarity.
• 2:19:17
  Speaker 2: But this is literally, this is literally women incapable of
• 2:19:25
  Speaker 2: simply finding men sexually attractive. This is this is this
• 2:19:31
  Speaker 2: is complete and utter sexual constipation right here. You don't
• 2:19:36
  Speaker 2: in order to actually enjoy yourself, you don't have to
• 2:19:39
  Speaker 2: make it public. But this is, this is women who
• 2:19:43
  Speaker 2: just can't accept that they find men sexually attractive and
• 2:19:46
  Speaker 2: they have to project it onto all this other crap. Literally,
• 2:19:53
  Speaker 2: that's their identities are incompatible with their sexual drive. And
• 2:19:57
  Speaker 2: so this comes out of it, and it's because feminism.
• 2:20:01
  Speaker 2: Maybe it's even deeper. Maybe it's because they feel like
• 2:20:04
  Speaker 2: male sexuality is degrading to them and is the source
• 2:20:07
  Speaker 2: of sin.
• 2:20:10
  Speaker 1: Well, there is a bit of an emission of the
• 2:20:12
  Speaker 1: UH link between revolutionary Marxism and sexual liberation because that's
• 2:20:21
  Speaker 1: what she's commenting on. So the women's lib movement and
• 2:20:24
  Speaker 1: Marxism's relationship is stated when she says that she wants
• 2:20:29
  Speaker 1: to break that professional relationship and turn it into something
• 2:20:34
  Speaker 1: personal and liberating. But it's all obviously it's just like
• 2:20:39
  Speaker 1: I don't know, like what's the word I want, Like
• 2:20:43
  Speaker 1: it's just like a grasp at power, like maybe just
• 2:20:47
  Speaker 1: for the self, but like it's it's a will to
• 2:20:49
  Speaker 1: power thing.
• 2:20:52
  Speaker 2: Yeah, well it is interesting that because you were right
• 2:20:56
  Speaker 2: they do do hand jobs. Wow, I didn't get to
• 2:20:58
  Speaker 2: that point.
• 2:21:00
  Speaker 1: Yeah, I told you that's what I thought. That's why
• 2:21:04
  Speaker 1: it's you.
• 2:21:05
  Speaker 2: Know, I just find this bizarre, Like you can't you
• 2:21:13
  Speaker 2: know that human men are what you have evolved to
• 2:21:18
  Speaker 2: respond to, right, Like this is the other thing, Like
• 2:21:23
  Speaker 2: they have these gigantic symbols of virility. Maybe you can
• 2:21:27
  Speaker 2: stop emasculating human men. So.
• 2:21:33
  Speaker 1: Frederick Ingels wrote a book called or Wrote the Origin
• 2:21:37
  Speaker 1: of the Family, Private Property in the State in eighteen
• 2:21:39
  Speaker 1: eighty four and argued that sexual oppression is tied to
• 2:21:42
  Speaker 1: class oppression, positing that monogamous marriage and patriarchal family structures
• 2:21:48
  Speaker 1: emerged to secure private property and control women's labor and reproduction,
• 2:21:52
  Speaker 1: serving capitalists interests. From this view, sexual liberation aligns with
• 2:21:56
  Speaker 1: Marxism by dismantling these structures, bring individuals from bourgeois norms
• 2:22:01
  Speaker 1: and reinforcing economic inequality or no that reinforced economic inequality.
• 2:22:07
  Speaker 1: Early Soviet policies like legalizing divorce and abortion in the
• 2:22:11
  Speaker 1: nineteen twenties reflected this, aiming to disrupt traditional family units
• 2:22:15
  Speaker 1: seen as capitalist relics. So there is a relationship between
• 2:22:21
  Speaker 1: sexual liberation and communism, and that's what she is. So
• 2:22:26
  Speaker 1: when they say late stage capitalism, it's like Allison said,
• 2:22:29
  Speaker 1: they are also saying patriarchy because those things are the same,
• 2:22:33
  Speaker 1: because patriarchy is a form of capital that men have
• 2:22:39
  Speaker 1: over women and that needs to be dismantled and redistributed.
• 2:22:45
  Speaker 1: But because it's more amorphist than like capital, which is
• 2:22:48
  Speaker 1: more materialist, there's almost no way to do it without
• 2:22:52
  Speaker 1: destroying everything first. So anyway, yeah, like three Eagles in
• 2:22:58
  Speaker 1: eighteen hundreds, we.
• 2:22:59
  Speaker 2: Have to but what do you replace the incentive structure with, right?
• 2:23:03
  Speaker 2: Like that that's the big problem.
• 2:23:06
  Speaker 1: Yeah. Herbert Marcusa, also of the Frankfurt School, wrote Euros
• 2:23:13
  Speaker 1: and Civilization in nineteen fifty five and argued for a
• 2:23:16
  Speaker 1: liberated sexuality as part of a non repressive society, merging
• 2:23:20
  Speaker 1: Marxist and Freudian ideas. So there is definitely, like I
• 2:23:26
  Speaker 1: think that this woman is probably you know, would if
• 2:23:30
  Speaker 1: she read those guys, which she may have, she probably
• 2:23:34
  Speaker 1: wouldn't disagree. I mean, as a matter of fact, women
• 2:23:37
  Speaker 1: hold up half the sky is a maoist is a
• 2:23:39
  Speaker 1: maoist mantra.
• 2:23:41
  Speaker 2: So yeah, they're pretty inextricable, like and I think it's
• 2:23:47
  Speaker 2: because in part communism it doesn't have any recognition of
• 2:23:54
  Speaker 2: the importance of the meritocracy. No, it doesn't, it doesn't.
• 2:23:59
  Speaker 2: It just doesn't. And meritocracies are something that men make
• 2:24:04
  Speaker 2: and they're just they're naturally drawn to it, and they're
• 2:24:08
  Speaker 2: naturally drawn to upholding the principles necessary for the meritocracy.
• 2:24:12
  Speaker 2: I think that's if we were to look at the
• 2:24:14
  Speaker 2: whole formula. Men, men submit to God, women submit to
• 2:24:21
  Speaker 2: men in the context of meritocracies, and how meritocracies actually
• 2:24:28
  Speaker 2: benefit all, it's actually men submit to the meritocracy, women
• 2:24:33
  Speaker 2: submit to men because men understand the meritocracy or they
• 2:24:37
  Speaker 2: have the instincts around maintaining meritocracies and meritocracy support everyone.
• 2:24:42
  Speaker 1: I mean, if you don't like the word God, you
• 2:24:44
  Speaker 1: can just say reality because that's like, you know, you can't.
• 2:24:48
  Speaker 1: That's the thing about liberation. That's why I bring it
• 2:24:51
  Speaker 1: up a lot is that you can only be liberated
• 2:24:55
  Speaker 1: from things that are real, that can be liberal, like
• 2:24:59
  Speaker 1: that have that won't affect you negatively, like you have
• 2:25:02
  Speaker 1: to work within the framework of reality, like the laws
• 2:25:04
  Speaker 1: of nature. You can call it the laws of nature,
• 2:25:06
  Speaker 1: you can call it the laws of God, whatever you
• 2:25:09
  Speaker 1: want to call it. But the point is you can't
• 2:25:11
  Speaker 1: be liberated from everything because there are things that are
• 2:25:14
  Speaker 1: limits on you, because you are a human being with
• 2:25:18
  Speaker 1: you know, human limits. So you can't be liberated from gravity,
• 2:25:21
  Speaker 1: for example, because you can't, like you know, the reason
• 2:25:28
  Speaker 1: why liberation only works within the context of what is
• 2:25:31
  Speaker 1: real and the reason, oh God, I would, but you
• 2:25:35
  Speaker 1: don't have to. You can just call it nature or
• 2:25:37
  Speaker 1: the laws of nature if you want.
• 2:25:39
  Speaker 2: The reason why I call it the meritocracy. I think
• 2:25:43
  Speaker 2: there's there's deeper parts to it, but I don't want
• 2:25:45
  Speaker 2: to go into it is because it's tied to men. Yeah,
• 2:25:48
  Speaker 2: for sure, likes tied to men. Men understand it implicitly
• 2:25:53
  Speaker 2: and they understand its nature on a fundamental level, and
• 2:25:57
  Speaker 2: it's it's it's profoundly important for the productivity and the
• 2:26:02
  Speaker 2: progress of humanity, and you know, and the principles that
• 2:26:08
  Speaker 2: uphold it. You know, men understand those principles almost inherently,
• 2:26:13
  Speaker 2: and I think that that's what makes everything make sense
• 2:26:17
  Speaker 2: and why Christianity does that. And it's not just Christianity,
• 2:26:22
  Speaker 2: like every single advanced religion that has produced anything related
• 2:26:28
  Speaker 2: to an advanced society has the same formulation. Men submit
• 2:26:34
  Speaker 2: to that version of the meritocracy and women submit to men.
• 2:26:39
  Speaker 2: Why because if women want to, they can destroy the meritocracy.
• 2:26:45
  Speaker 2: They can turn it into tribal warfare. They can turn
• 2:26:48
  Speaker 2: it into intersectional political bullshit that makes the meritocracy bog
• 2:26:56
  Speaker 2: down in gridlock. They can turn it into lets you
• 2:26:59
  Speaker 2: and him fight they wanted. The thing is like the
• 2:27:04
  Speaker 2: trick for Eve wasn't rebelling. It was not rebelling. Women
• 2:27:12
  Speaker 2: are fully capable of destroying everything, leveling everything that men construct.
• 2:27:16
  Speaker 2: We're fully capable of it, like we one hundred percent
• 2:27:20
  Speaker 2: can do it at any point, and I think the
• 2:27:22
  Speaker 2: last century is evidence of that. The trick is not
• 2:27:26
  Speaker 2: to do it. The trick is to understand why you
• 2:27:32
  Speaker 2: let men get on with it? Do you understand why?
• 2:27:37
  Speaker 2: And I think we've we've we've seen examples of this.
• 2:27:39
  Speaker 2: Now women take over publishing, it becomes porn women take
• 2:27:43
  Speaker 2: over animation, it becomes crap, It becomes dog weird, sexual
• 2:27:48
  Speaker 2: grooming of children. Right, women take over immedia, Hollywood, it
• 2:27:55
  Speaker 2: becomes awful, like women's interests take over everything and it
• 2:28:00
  Speaker 2: just turns to crap. It's because women don't understand the meritocracy.
• 2:28:05
  Speaker 2: Women can understand it, like they can demonstrate that they
• 2:28:09
  Speaker 2: understand it, but a woman who understands it. When women
• 2:28:15
  Speaker 2: are seen as agentive, they lose The women are wonderful effect.
• 2:28:18
  Speaker 2: Women who understand meritocracies don't want the women or wonderful
• 2:28:26
  Speaker 2: effect because they understand meritocracies. They understand and they want
• 2:28:31
  Speaker 2: to earn things through merit that just be handed things
• 2:28:34
  Speaker 2: because they're women. Right, that's the difference. And feminism doesn't
• 2:28:41
  Speaker 2: just destroy men, it destroys women who understand meritocracies and
• 2:28:46
  Speaker 2: don't want to be handed respect for being a women. Okay,
• 2:28:51
  Speaker 2: this is really rarefied and abstract, so I will leave
• 2:28:54
  Speaker 2: it at that.
• 2:28:56
  Speaker 1: Okay, I want to finish this.
• 2:28:57
  Speaker 2: I mean it's pretty late.
• 2:28:59
  Speaker 1: No, I think, yeah, almost get this.
• 2:29:02
  Speaker 2: I think you get it.
• 2:29:03
  Speaker 1: Yeah, yeah, I mean communism it'll certainly work this time.
• 2:29:09
  Speaker 2: It'll work this time. Obviously we got to get kill.
• 2:29:12
  Speaker 1: Another ten million people. It's fine, we'll get it. We'll
• 2:29:16
  Speaker 1: get it.
• 2:29:17
  Speaker 2: We got to get rid of the meritocracy, guys, we
• 2:29:19
  Speaker 2: don't need to worry about what replaces it. Don't don't worry.
• 2:29:23
  Speaker 2: Don't trouble your male brains about what's going to replace
• 2:29:26
  Speaker 2: the meritocracy. Yeah, don't trouble yourself with examples throughout history
• 2:29:33
  Speaker 2: that whenever you get rid of the meritocracy, you have
• 2:29:35
  Speaker 2: to go kill people or be killed as men. Let's
• 2:29:38
  Speaker 2: just's forget that. That's not going to happen this time.
• 2:29:41
  Speaker 2: Women got this, even though they don't want to got this.
• 2:29:44
  Speaker 2: They don't want to take any responsibility for it at all.
• 2:29:47
  Speaker 2: Just hand them all authority, but don't expect them to
• 2:29:50
  Speaker 2: take any responsibility for it. All Right, So, as I said,
• 2:29:55
  Speaker 2: I'm going to do a bit of appealing to you guys,
• 2:30:00
  Speaker 2: because I got nobody else to appeal to. Let's face it,
• 2:30:03
  Speaker 2: you are just stubborn, ornery and contradictory enough to actually
• 2:30:08
  Speaker 2: stick around and listen to what we have to say. So, unfortunately,
• 2:30:13
  Speaker 2: that puts you in the unenviable position of being the
• 2:30:15
  Speaker 2: only ones that can be relied upon to actually make
• 2:30:18
  Speaker 2: sure that we can continue to say it, so please
• 2:30:21
  Speaker 2: go to feed the Badger dot com slash support or sorry,
• 2:30:24
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• 2:30:30
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• 2:30:33
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• 2:30:37
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• 2:30:39
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• 2:30:42
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• 2:30:45
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• 2:30:48
  Speaker 2: to show on this channel is caring about these issues
• 2:30:51
  Speaker 2: enough to invest in them. And again, like, if you
• 2:30:55
  Speaker 2: spend time here, please consider investing further in these issues. Okay,
• 2:31:02
  Speaker 2: it's a little shill. I could go longer. Do you
• 2:31:04
  Speaker 2: guys want me to go longer? I could try.
• 2:31:06
  Speaker 1: Nope, Okay, I'd like to get on with my life.
• 2:31:09
  Speaker 2: Yeah, support support Brian getting on with his life. Okay.
• 2:31:13
  Speaker 2: Feed thebade dot com slash subscribe And if you want
• 2:31:18
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• 2:31:27
  Speaker 2: Get to talk to us. If you get a subscription,
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  Speaker 2: great start building a community the outside of the insane asylum,
• 2:31:41
  Speaker 2: outside of this nonsense narrative that is going to drag
• 2:31:46
  Speaker 2: our entire species into into extinction. Okay, I'll hand it
• 2:31:51
  Speaker 2: back to you, Brian.
• 2:31:52
  Speaker 1: All right, Well, if you guys like this video, please
• 2:31:55
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• 2:31:59
  Speaker 1: leave us a comment, let us know what you guys
• 2:32:01
  Speaker 1: think about what'll be discussed on the show today. You'll
• 2:32:04
  Speaker 1: find links to both the shoe on head video as
• 2:32:07
  Speaker 1: well as the read with Cindy video in the description
• 2:32:10
  Speaker 1: of this one and what I always said. Oh yeah,
• 2:32:14
  Speaker 1: and please please please share this video because sharing is caring.
• 2:32:17
  Speaker 1: Thank you guys so much for coming on today's episode
• 2:32:20
  Speaker 1: of Red Chill Cinema, and we'll talk to you guys
• 2:32:23
  Speaker 1: in the next one.