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THEY NEVER LEFT THE BASEMENT _ Our Horrifying Night At The DOSS HOUSE · CelinaSpookyBoo

• 0:00
  Speaker 1: I felt something.
• 0:01
  Speaker 2: At moments, you'll kind of feel like you're going a
• 0:03
  Speaker 2: little bit crazy.
• 0:04
  Speaker 1: I don't want Adam to be under for too long.
• 0:06
  Speaker 3: Hurry.
• 0:06
  Speaker 1: To the basement? I don't know, I don't know, I
• 0:09
  Speaker 1: don't know, I don't know. Adam, it's really hard to
• 0:17
  Speaker 1: see these gobbles with some things back and forth, back
• 0:19
  Speaker 1: and forth, back and forth.
• 0:27
  Speaker 4: Hi, my name is Danielle Rigsby. I am the owner
• 0:31
  Speaker 4: of the Doss House.
• 0:33
  Speaker 3: With my wife.
• 0:34
  Speaker 1: My name is Shawna Rigsby.
• 0:35
  Speaker 2: I am the owner of the Doss House of Loretto, PA.
• 0:38
  Speaker 2: And we have acquired the Doss House to commemorate the
• 0:43
  Speaker 2: honor of my late mother, Holly Cataldo, who was very,
• 0:47
  Speaker 2: very active in the paranormal community. So we bought this
• 0:50
  Speaker 2: to celebrate. fulfill her dreams. That led us straight here
• 0:53
  Speaker 2: to the Doss House in Loretto, Pennsylvania. So the reason
• 0:56
  Speaker 2: that the Doss House of Loretto even exists is that
• 1:00
  Speaker 2: in September of 2023, I lost my mother, Holly Cataldo,
• 1:04
  Speaker 2: to stage four bone cancer. My mother was very, very
• 1:07
  Speaker 2: active in the paranormal community. She always had a dream
• 1:11
  Speaker 2: that she one day wanted to open her own haunted location.
• 1:15
  Speaker 2: Now she wanted to own an Airbnb haunted location, but
• 1:19
  Speaker 2: we wanted to start somewhere to keep her legacy and
• 1:22
  Speaker 2: keep her memory alive in the paranormal field. Danielle started
• 1:26
  Speaker 2: looking for a haunted location, and we were lucky enough
• 1:30
  Speaker 2: that we came across the Doss House. She had a
• 1:32
  Speaker 2: direct connection to it. We did disclose that for a
• 1:35
  Speaker 2: year so that the Doss House could make a name
• 1:37
  Speaker 2: for itself. And needless to say, my mom has made
• 1:41
  Speaker 2: her presence very well known here. She has affected several
• 1:46
  Speaker 2: females that have been in here. Um, and I think
• 1:49
  Speaker 2: she's just ecstatic that we're doing this, having this place
• 1:52
  Speaker 2: that people can come to and do what she loved
• 1:55
  Speaker 2: to do so much and actually get so much activity
• 1:59
  Speaker 2: that it makes your brain hurt. But no, like seriously though,
• 2:02
  Speaker 2: like not to have a mushy moment, but you really
• 2:05
  Speaker 2: do impact people's lives in a very positive way. And
• 2:07
  Speaker 2: it means a lot to people.
• 2:08
  Speaker 1: Seriously. So I get to meet her tonight.
• 2:11
  Speaker 3: Yeah.
• 2:11
  Speaker 1: That'd be cool.
• 2:12
  Speaker 3: Yeah.
• 2:13
  Speaker 2: Oh, I'm sure. I'm sure she will. I'm sure she will.
• 2:17
  Speaker 2: So the Doss House sits in the center of town
• 2:19
  Speaker 2: in Loretto, Pennsylvania. So upon purchasing this place in 2023,
• 2:25
  Speaker 2: we came in here, this place was completely hoarded out.
• 2:27
  Speaker 2: We did investigate it first, obviously, to make sure that
• 2:29
  Speaker 2: it was actually a true haunting, and it was, to
• 2:32
  Speaker 2: our surprise, which was amazing. But in emptying the house out,
• 2:35
  Speaker 2: we found that there was a lot of religious memorabilia
• 2:38
  Speaker 2: hanging everywhere. You will notice when you go to the basement,
• 2:42
  Speaker 2: there is a cross and some medallions hanging on the
• 2:45
  Speaker 2: basement door. When you then reach the basement, entering in
• 2:48
  Speaker 2: the old basement, which originated in 1810, there is another
• 2:52
  Speaker 2: cross that sets there. The story has it that we
• 2:55
  Speaker 2: heard from Frank, the town's historian, who was also Doss'
• 2:58
  Speaker 2: very best friend, told us a story that back in 1976,
• 3:02
  Speaker 2: Doss and his family was having a lot of troubling
• 3:05
  Speaker 2: events that were happening in the house. Doss was constantly
• 3:08
  Speaker 2: complaining about a little girl in a green dress, that
• 3:10
  Speaker 2: she was very mischievous. Doss's family did bring in a
• 3:14
  Speaker 2: paranormal team of some sort, whether it was German folklore, paranormal,
• 3:18
  Speaker 2: we're not really sure. He said that they did confirm
• 3:21
  Speaker 2: that there was a little girl in a green dress
• 3:23
  Speaker 2: in here and that they found something not so pleasant
• 3:26
  Speaker 2: in the basement. and they put some things into place
• 3:29
  Speaker 2: for protection and that was it. They never spoke about
• 3:32
  Speaker 2: it again.
• 3:33
  Speaker 4: My pap was the barber in this town from 1937
• 3:36
  Speaker 4: to 1981. Some of the experiences that I've had in
• 3:40
  Speaker 4: this house actually started when I was pretty young. The
• 3:45
  Speaker 4: biggest experience that I had was whenever I would stay
• 3:50
  Speaker 4: here with my grandparents, We always had a little bit
• 3:55
  Speaker 4: of a visitor. I didn't realize at the time that
• 3:59
  Speaker 4: she was not actually alive until my pap basically told
• 4:06
  Speaker 4: me that she was not, and she was just a
• 4:09
  Speaker 4: little girl in a green dress.
• 4:10
  Speaker 2: In my opinion, the Doss house is a very high
• 4:13
  Speaker 2: vibrational space and can tend to be a very low
• 4:16
  Speaker 2: vibrational space, depending on where you are in the house.
• 4:19
  Speaker 2: I would say my worst lower vibrational experience in here
• 4:24
  Speaker 2: occurred in the old basement. I actually felt like I
• 4:27
  Speaker 2: was being held underwater. The people that were with me
• 4:31
  Speaker 2: told me that my face turned as red as a
• 4:34
  Speaker 2: bottle of ketchup. I felt very hot. I felt very sick.
• 4:36
  Speaker 2: I came upstairs, I got outside, and I was completely fine.
• 4:39
  Speaker 2: It wasn't until later that we reviewed some footage that
• 4:42
  Speaker 2: we saw that we had captured the image of this
• 4:44
  Speaker 2: said little girl in a green dress down there. And
• 4:47
  Speaker 2: the way she looked in this photo actually terrified me,
• 4:51
  Speaker 2: to be honest. Her eye set was just black holes.
• 4:54
  Speaker 2: She was pretty expressionless. I would date her clothing back
• 4:59
  Speaker 2: to the late 1800s. Since then, I've struggled with going
• 5:02
  Speaker 2: to the basement and I avoid it at all costs.
• 5:05
  Speaker 2: I don't believe that the little girl in the green
• 5:08
  Speaker 2: dress is actually a little girl. There have been a
• 5:11
  Speaker 2: couple deaths that we are aware of that have happened
• 5:14
  Speaker 2: in here. Doss himself actually passed away in the original
• 5:18
  Speaker 2: part of the house. in the living room. And then
• 5:22
  Speaker 2: his wife, Marge, later, after Doss is passing, passed away
• 5:27
  Speaker 2: here in the barber shop.
• 5:28
  Speaker 1: Doss is here.
• 5:29
  Speaker 4: He's here all the time, but he doesn't always make
• 5:32
  Speaker 4: himself known. He's very particular about.
• 5:36
  Speaker 1: Who he talks to.
• 5:37
  Speaker 4: Sometimes if it's a little too rowdy, he just kind
• 5:41
  Speaker 4: of goes aside.
• 5:42
  Speaker 2: This house has so many different levels of activity. If
• 5:47
  Speaker 2: you are a person that is very high vibrational energy,
• 5:50
  Speaker 2: you are going to get activity of all sorts. You
• 5:53
  Speaker 2: might get touched. You might hear audibles. You're going to
• 5:56
  Speaker 2: hear footsteps. You're going to hear little girls screaming. You're
• 5:58
  Speaker 2: going to hear a little boy talking. You're going to
• 6:00
  Speaker 2: hear a whole group of people chatting over here in
• 6:03
  Speaker 2: the barbershop. There's energies in here that will make you
• 6:06
  Speaker 2: feel like you're being stalked. and constantly watched, you will
• 6:10
  Speaker 2: feel very uncomfortable. At moments, you'll kind of feel like
• 6:13
  Speaker 2: you're going a little bit crazy, you know, double checking
• 6:15
  Speaker 2: and looking. There are shadow figures all the time. So
• 6:20
  Speaker 2: like I said, it just depends on the energy that
• 6:22
  Speaker 2: you're bringing in here, what type of experience that you're
• 6:24
  Speaker 2: gonna have.
• 6:25
  Speaker 1: Tonight, we are at the Dawes house. And when we
• 6:27
  Speaker 1: pulled into this town, it felt, he was out of
• 6:30
  Speaker 1: a storybook, but also out of a weird fever dream.
• 6:32
  Speaker 1: A lot of religious things going on around here. You
• 6:35
  Speaker 1: see a lot of really nice normal houses, and then
• 6:37
  Speaker 1: you pull up to the Doss house. It looks like
• 6:39
  Speaker 1: it doesn't fit in, for lack of better words. It
• 6:42
  Speaker 1: just looks, it looks creepy. It looks, it looks strange,
• 6:45
  Speaker 1: feels weird. We learned a lot from the owners here,
• 6:47
  Speaker 1: and we've learned a lot from people who have investigated here,
• 6:49
  Speaker 1: but I'm going to be honest with you. The second
• 6:51
  Speaker 1: I walked in here, I pulled up a certain energy.
• 6:54
  Speaker 1: There was a lot of talking from people, and after
• 6:56
  Speaker 1: I talked to the owners, this makes sense. But I
• 6:58
  Speaker 1: had a pacing woman. She was walking. She was mumbling.
• 7:02
  Speaker 1: She was talking. I don't know if it was Bible
• 7:04
  Speaker 1: verses or what it was. But everywhere she went, she
• 7:06
  Speaker 1: was in every room, unaware of us, but following us
• 7:09
  Speaker 1: room to room, talking. Not really looking at us or anything,
• 7:12
  Speaker 1: but in my mind's eye, she was pacing. I'm curious.
• 7:15
  Speaker 1: They think her name might be Sarah. Is this her? Also,
• 7:18
  Speaker 1: I don't think the child is the child. Do I
• 7:20
  Speaker 1: want to go to the basement? No, but I'm going
• 7:22
  Speaker 1: to go to the basement. I'm also really interested in...
• 7:25
  Speaker 1: in the stairway. I felt a lot of energy there
• 7:28
  Speaker 1: and in the main bedroom upstairs. There's also a really
• 7:31
  Speaker 1: cool little hallway where you can almost do like a
• 7:34
  Speaker 1: mirror scrying. You sit on one end in a chair
• 7:36
  Speaker 1: and you look in a mirror. I think that's cool. Also,
• 7:39
  Speaker 1: the mirror behind me is one of the original mirrors
• 7:41
  Speaker 1: owned by DOS. People have been said to see him
• 7:44
  Speaker 1: in this mirror. So I want to take some time
• 7:46
  Speaker 1: in the chair here, maybe hand him some scissors and
• 7:49
  Speaker 1: see if he wants to cut my hair off.
• 7:51
  Speaker 3: All right, so Selena brought me here. Tonight, I'm going
• 7:54
  Speaker 3: to actually try and get into this. Maybe do some
• 7:57
  Speaker 3: investigating myself alone, try some different equipment, see what we
• 8:00
  Speaker 3: can come up with. I haven't done this a lot.
• 8:02
  Speaker 3: Maybe different things are attracted to me or I can
• 8:05
  Speaker 3: uncover different things than Selena's energy can. So let's get
• 8:08
  Speaker 3: into it.
• 8:09
  Speaker 1: No one's touched it, though. How could it get messed up?
• 8:10
  Speaker 3: I don't know, but it did.
• 8:12
  Speaker 1: Could it be because we're in a haunted house?
• 8:14
  Speaker 3: Great.
• 8:14
  Speaker 1: Anyways, I want to start in the barbershop here. So Doss,
• 8:18
  Speaker 1: the owner, his wife actually passed away in here. They
• 8:21
  Speaker 1: had modified it. They had made a roll-in shower so
• 8:23
  Speaker 1: they could take care of her. after she had a stroke.
• 8:25
  Speaker 1: They've had some really cool SLS in here of spirits dancing.
• 8:28
  Speaker 1: It wasn't like horrible, crazy vibes, but they've had a
• 8:30
  Speaker 1: bunch of people come through. The Undertaker, Doss himself, and
• 8:34
  Speaker 1: I thought it'd be really, really cool to set up
• 8:36
  Speaker 1: in front of this mirror. So this mirror is actually original.
• 8:40
  Speaker 1: to the house to DOS, which is cool. I want
• 8:42
  Speaker 1: to sit in this chair right here, set up the
• 8:46
  Speaker 1: music box, the REM pod and the Alice box and
• 8:48
  Speaker 1: kind of see if I can see him. I have
• 8:50
  Speaker 1: a longstanding history with haunted mirrors, with seeing things in mirrors.
• 8:55
  Speaker 1: It's a tool that I find is so classic, but
• 8:58
  Speaker 1: really delivers some punch sometimes. Come on down from here.
• 9:11
  Speaker 1: Things are going down.
• 9:12
  Speaker 3: Okay.
• 9:17
  Speaker 1: Doss, if that's you at the music box, can you
• 9:21
  Speaker 1: step away? If that's the undertaker, can you step away?
• 9:30
  Speaker 1: If it's Doss's wife, can you step away? Okay, so
• 9:34
  Speaker 1: she passed away in this room. So that's really interesting.
• 9:38
  Speaker 1: Doss's wife, thank you so much for coming through. I'm
• 9:41
  Speaker 1: going to turn on the Alice box here. You can
• 9:43
  Speaker 1: use the Alice box to speak to us, manipulate us
• 9:47
  Speaker 1: and manipulate it and say some words to us. Did
• 9:50
  Speaker 1: you like living in this house? Heard you lived here
• 9:53
  Speaker 1: for a long time.
• 10:01
  Speaker 3: Meline.
• 10:04
  Speaker 1: Meline.
• 10:05
  Speaker 3: M-E-L-I-N-E.
• 10:06
  Speaker 1: A name.
• 10:06
  Speaker 4: Meline.
• 10:07
  Speaker 1: I feel like there was an M name in here
• 10:09
  Speaker 1: that I did hear something of. Das, this was your
• 10:11
  Speaker 1: barber shop and this mirror is very unique. I'm going
• 10:15
  Speaker 1: to take some time.
• 10:16
  Speaker 3: Seek.
• 10:19
  Speaker 1: Fig, I'm going to take some time and stare into
• 10:22
  Speaker 1: this mirror. Can you touch my hair?
• 10:31
  Speaker 3: Just. Just? You just touched it.
• 10:36
  Speaker 1: Okay, hold on. I'm going to put it down my back.
• 10:41
  Speaker 3: Dude, there's scissors there. There's scissors there.
• 10:43
  Speaker 1: Oh, yeah, okay. Grab the scissors.
• 10:47
  Speaker 3: Off from the scissors or something.
• 10:48
  Speaker 1: Right, Doss, I have some scissors here. I am due
• 10:52
  Speaker 1: for a trim.
• 10:54
  Speaker 3: Okay.
• 10:55
  Speaker 1: What do we got?
• 10:57
  Speaker 3: Turn. Turn.
• 11:00
  Speaker 1: The camera's... Oh my gosh, okay.
• 11:02
  Speaker 3: Let's turn you so he can get a good angle
• 11:04
  Speaker 3: at your hair here.
• 11:05
  Speaker 1: Probably, I feel like, yeah, this is, yes, perfect, perfect. Okay,
• 11:08
  Speaker 1: here are your scissors. I could use a trim. This
• 11:12
  Speaker 1: is intense. That's crazy.
• 11:15
  Speaker 3: Okay. Okay.
• 11:17
  Speaker 1: I felt something. Okay guys, before I get back to
• 11:21
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• 12:27
  Speaker 1: through my link for the bonus. Now back to whatever
• 12:30
  Speaker 1: I was doing. Did you live in this house at
• 12:32
  Speaker 1: one point? Or are you somebody passing through?
• 12:35
  Speaker 3: He. He. He.
• 12:43
  Speaker 1: Yeah, Timothy. He.
• 12:47
  Speaker 3: These.
• 12:48
  Speaker 1: Timothy, he, these. So I heard there was quite a
• 12:52
  Speaker 1: dance party that went on here at one point and
• 12:53
  Speaker 1: that in here it's Like, kind of a better energy.
• 12:57
  Speaker 1: Is there more than one spirit in here now? If
• 13:00
  Speaker 1: there is, you can go near the REM pod, the
• 13:02
  Speaker 1: music box, the Alice box. When I was looking at
• 13:06
  Speaker 1: myself in the mirror before, I was staring at my
• 13:10
  Speaker 1: own eyes. Yeah. And I was so locked in on
• 13:12
  Speaker 1: them that, like, everything around me had started to... What?
• 13:15
  Speaker 1: What did you hear?
• 13:16
  Speaker 3: I'm not sure. I was just waiting for what you
• 13:19
  Speaker 3: were going to say, but I think it was your foot,
• 13:21
  Speaker 3: was it?
• 13:22
  Speaker 1: Maybe. Yeah, I was moving.
• 13:23
  Speaker 3: Oh, okay.
• 13:24
  Speaker 1: Um, everything kind of disintegrated around me and I'm curious
• 13:26
  Speaker 1: if I could.
• 13:30
  Speaker 3: Rebecca.
• 13:31
  Speaker 1: Why so many names?
• 13:33
  Speaker 3: What's with all the names?
• 13:34
  Speaker 1: Okay. Timothy.
• 13:36
  Speaker 3: Are these the names of the children that are around here?
• 13:40
  Speaker 3: We've got a REM pod or music box. You could
• 13:42
  Speaker 3: give us confirmation with. Or the Alice box.
• 13:46
  Speaker 1: You communicate with them. I'm going to stare. Okay.
• 13:51
  Speaker 3: Rebecca and Timothy.
• 13:52
  Speaker 1: Okay.
• 13:55
  Speaker 3: Are you kids? There's a music box here you can
• 13:58
  Speaker 3: play with. No.
• 14:07
  Speaker 1: You are welcome. You are welcome. We're welcome here. Sorry.
• 14:14
  Speaker 1: Can I be honest? That was weird. I was staring
• 14:16
  Speaker 1: and my face wasn't really my face anymore. And I'm
• 14:18
  Speaker 1: curious who I was seeing.
• 14:19
  Speaker 3: Okay.
• 14:21
  Speaker 1: But you are welcome. So we're welcome here. Okay. I'm weird.
• 14:27
  Speaker 1: This is interesting to me. I'm having like a different
• 14:30
  Speaker 1: kind of experience right now. I looked like a different person,
• 14:34
  Speaker 1: but not a woman. Like I looked like a man
• 14:36
  Speaker 1: in the mirror.
• 14:36
  Speaker 3: Okay.
• 14:37
  Speaker 1: Who though is the question? Who am I looking at?
• 14:43
  Speaker 1: Wide nose, long face, thick brow.
• 14:50
  Speaker 3: Timothy and Rebecca, did you see your haircut here?
• 14:58
  Speaker 1: His. I'm looking at his face. Who's his?
• 15:02
  Speaker 3: Scream. No.
• 15:03
  Speaker 1: Taste. This is so strange, Adam.
• 15:18
  Speaker 3: Like, are you seeing it in your mind's eye?
• 15:20
  Speaker 1: No, I'm actually seeing it. I want you to try this. Okay.
• 15:22
  Speaker 3: Is that you, or?
• 15:24
  Speaker 1: No, I'm over here. It's over there.
• 15:26
  Speaker 3: Okay. Yeah, that's pretty far away from me.
• 15:33
  Speaker 1: Okay, cool.
• 15:34
  Speaker 3: Did you let yourself go?
• 15:35
  Speaker 1: Did you see a different face?
• 15:38
  Speaker 3: Or am I a different person in the chair now?
• 15:41
  Speaker 3: Different person looking into the mirror.
• 15:44
  Speaker 1: When you start your eyes, do you see someone different? Like,
• 15:47
  Speaker 1: when you concentrate hard, does your face morph? Mine morphed
• 15:50
  Speaker 1: into a, like, I was a man.
• 15:51
  Speaker 3: Mine, it seems like mine is, but I can't tell...
• 15:55
  Speaker 3: Because it doesn't look like the person's that much different
• 15:58
  Speaker 3: than me yet. Okay. So I don't know for sure.
• 16:09
  Speaker 1: Does the wall blend into the mirror for you? It
• 16:13
  Speaker 1: blended like I was like looking at a different time
• 16:15
  Speaker 1: at a different person.
• 16:21
  Speaker 3: No, I get what you mean.
• 16:23
  Speaker 1: Weird, right?
• 16:23
  Speaker 3: Yes.
• 16:25
  Speaker 1: Is there something?
• 16:26
  Speaker 3: Is that shadows or shapes or am I seeing glasses? Where?
• 16:29
  Speaker 3: Did you see glasses on your person? No. No?
• 16:32
  Speaker 1: Mine was a man with a wide nose.
• 16:33
  Speaker 3: That might just be that spot in the mirror. Let
• 16:36
  Speaker 3: me try a different spot.
• 16:37
  Speaker 1: Because that, what if you could be seeing somebody with glasses?
• 16:40
  Speaker 3: Yeah. You're getting more activity when you're in the chair. Yeah.
• 16:44
  Speaker 1: Okay. There's a lot of....
• 16:48
  Speaker 3: Happen.
• 16:49
  Speaker 1: Happen. Okay. There are a lot of different places in
• 16:53
  Speaker 1: this house that I want to go.
• 16:54
  Speaker 3: I can't. Stair.
• 16:55
  Speaker 1: A lot of places I wanted to go. Where did
• 16:57
  Speaker 1: they say all the energy is? It's the stairs going up,
• 17:00
  Speaker 1: which I.
• 17:00
  Speaker 3: Thought was stair.
• 17:03
  Speaker 1: S-T-A-I-R. Stair. So one of the places that has so
• 17:07
  Speaker 1: much energy here is going up the stairs. Every time,
• 17:09
  Speaker 1: even when I was going up to get B-roll, I
• 17:11
  Speaker 1: felt on those stairs super uneasy. Like there's a lot
• 17:14
  Speaker 1: of traffic through there. There's that creepy little door. A
• 17:17
  Speaker 1: lot is going on. I think that we should move
• 17:19
  Speaker 1: over there.
• 17:20
  Speaker 3: Yeah, let's check the stairs out.
• 17:21
  Speaker 1: Thank you to the spirits who have visited us in
• 17:23
  Speaker 1: this room. Feel free to follow us throughout the house.
• 17:26
  Speaker 1: I'd love to know more about this house. So Doss, Rebecca, Timothy,
• 17:31
  Speaker 1: I'd love for you to tell us more. Oh, scared myself.
• 17:37
  Speaker 1: So these are the stairs over here and it really
• 17:39
  Speaker 1: just feels like a pass through area. Like even when
• 17:42
  Speaker 1: you walk up these stairs, I was walking down and
• 17:45
  Speaker 1: I had this gut feeling. I'm like, I don't want
• 17:46
  Speaker 1: to fall. I don't want to go somewhere. We are
• 17:48
  Speaker 1: now on the stairs of the DOS house. Now this
• 17:51
  Speaker 1: is where a lot of activity seems to pass through
• 17:53
  Speaker 1: and a lot of energy is felt, which is super interesting.
• 17:56
  Speaker 1: There's also this door right here and it is nightmare
• 17:59
  Speaker 1: fuel when you look in there. shadow figures have been
• 18:02
  Speaker 1: seen people have been touched people have felt bum rushed
• 18:04
  Speaker 1: there has been a lot of feelings in this area
• 18:07
  Speaker 1: and an old house like this there's like years of
• 18:09
  Speaker 1: history people could have fallen you know people are running
• 18:12
  Speaker 1: up and downstairs this is a path of energy you
• 18:14
  Speaker 1: are always creating movement through stairs and that's why a
• 18:17
  Speaker 1: lot of the time they hold a lot of energy
• 18:19
  Speaker 1: so we have a few things set up here we
• 18:21
  Speaker 1: have three cat balls and the dead bell at the
• 18:23
  Speaker 1: top of the stairs now i'm guessing child spirits it
• 18:27
  Speaker 1: did feel that way timothy and rebecca Literally said stairs.
• 18:30
  Speaker 1: So we have come here for them. Hopefully they can
• 18:32
  Speaker 1: keep telling us the story of the Doss house. One
• 18:35
  Speaker 1: thing that's really cool that I've heard before is that
• 18:37
  Speaker 1: the Doss house is kind of like an onion. The
• 18:39
  Speaker 1: owners are new to it and it has been like
• 18:41
  Speaker 1: peeling back surprise after surprise and just different levels of history.
• 18:46
  Speaker 1: So if there is anyone here on the stairs with us,
• 18:51
  Speaker 1: we have four different pieces of equipment. Can you touch
• 18:54
  Speaker 1: any of them? This house sat empty for a little while.
• 19:07
  Speaker 1: Did you like that?
• 19:12
  Speaker 3: If there's any kids that are playing on the stairs,
• 19:16
  Speaker 3: we've got a bell and some toy balls you can
• 19:20
  Speaker 3: play with.
• 19:22
  Speaker 1: There's also a haunted doll here on the stairs. She
• 19:25
  Speaker 1: can make her presents as well.
• 19:31
  Speaker 3: The woman.
• 19:33
  Speaker 1: Oh, okay. The woman from the barber shop. Are you
• 19:41
  Speaker 1: over here as well? Okay, cool. Are you the woman
• 19:47
  Speaker 1: that I've seen pacing a lot? The one in my
• 19:50
  Speaker 1: mind's eye? You're murmuring, you're pacing.
• 19:53
  Speaker 3: Okay.
• 19:55
  Speaker 1: I couldn't... Okay, definitely her.
• 19:58
  Speaker 3: Interesting.
• 19:59
  Speaker 1: You go ahead.
• 20:00
  Speaker 3: Just want to see if the bell calms down. Kind
• 20:04
  Speaker 3: of prove that was her or if it needs to
• 20:05
  Speaker 3: be reset. Step away. Don't touch the bell for a minute, please. Okay.
• 20:18
  Speaker 1: Are any of the kids on the stairs with us? Okay,
• 20:26
  Speaker 1: the woman. Was it Bible verses you were murmuring so intensely?
• 20:31
  Speaker 1: I couldn't make it out, but it felt like that's
• 20:36
  Speaker 1: what it was. Can you let me know by ringing
• 20:40
  Speaker 1: the bell or touching a cat ball? What? Yeah, I'm curious.
• 20:49
  Speaker 1: Are you the woman that they call Sarah? Or are
• 20:52
  Speaker 1: you someone else? Is your name Sarah? Oh, wow.
• 20:59
  Speaker 3: That's Sarah. You went down the.
• 21:01
  Speaker 1: Sarah is the one who they've gotten that name. And
• 21:04
  Speaker 1: that's a... I literally said I felt a woman this
• 21:06
  Speaker 1: one time. She's just like... And she's pacing around.
• 21:11
  Speaker 3: And she's just saying.
• 21:13
  Speaker 1: And it feels rhythmic. Yeah. She just has an anxious
• 21:18
  Speaker 1: energy about her. Now, I'm curious. I feel like she
• 21:23
  Speaker 1: is somehow connected to what they consider is this child spirit,
• 21:27
  Speaker 1: the girl in the green dress. Okay, same timeline. The
• 21:34
  Speaker 1: girl in the green dress. Is she a child? Is
• 21:38
  Speaker 1: she something pretending to be a child? Is it not
• 21:45
  Speaker 1: a child at all?
• 21:51
  Speaker 3: Timeline.
• 21:53
  Speaker 1: There's a lot of religious relics in this house. Is
• 21:56
  Speaker 1: that for a reason? Is it keeping something at bay?
• 22:06
  Speaker 1: It's quiet now. You asked.
• 22:13
  Speaker 3: Spear we're talking to right now.
• 22:20
  Speaker 1: You got the floor.
• 22:23
  Speaker 3: Is this Sarah still?
• 22:26
  Speaker 1: Do you feel like it's something else?
• 22:27
  Speaker 3: I feel like we.
• 22:39
  Speaker 3: What, Adam? Is this the girl in the dress? Yes.
• 22:51
  Speaker 3: I feel like the only way to investigate the truth
• 22:56
  Speaker 3: that you want to find out behind the girl in
• 22:57
  Speaker 3: the green dress is, like, Estes or something to get
• 23:02
  Speaker 3: a story.
• 23:04
  Speaker 1: And that's going to the basement. Because they've gotten a
• 23:07
  Speaker 1: picture of the girl in the green dress in the basement.
• 23:10
  Speaker 3: Are we going back to the hotel first this time?
• 23:12
  Speaker 1: No, we're not going back to the hotel first.
• 23:15
  Speaker 3: Oh! No! All right, we've got a laptop here hooked
• 23:28
  Speaker 3: up to a speaker. We're running some software called Phasma Box.
• 23:32
  Speaker 3: This is basically kind of like a spirit box portal.
• 23:35
  Speaker 3: It uses the computer itself and like the technology around
• 23:39
  Speaker 3: it to tap it.
• 23:40
  Speaker 1: It filters out a lot of the mess so it
• 23:42
  Speaker 1: can just kind of get out the words. it's just
• 23:52
  Speaker 1: a chilling sound we're feeling spooked so apparently this bed
• 23:55
  Speaker 1: that we are sitting on is haunted i've had friends
• 23:57
  Speaker 1: actually sleep in this bed and say it was one
• 23:59
  Speaker 1: of the scariest experiences they've had they had a a
• 24:02
  Speaker 1: literal ghost on the sls get into the bed with
• 24:06
  Speaker 1: them and lay on top of them so i would
• 24:08
  Speaker 1: love to connect with anything we've heard rebecca we have
• 24:11
  Speaker 1: timothy we have sarah now who has jumped in the
• 24:13
  Speaker 1: party and dos himself who else could.
• 24:17
  Speaker 3: There be.
• 24:20
  Speaker 1: I'd really love an opportunity to speak to Holly. Shauna's mom.
• 24:25
  Speaker 1: Did it say hi straight up?
• 24:28
  Speaker 3: It was going straight up hi.
• 24:29
  Speaker 1: That sounded like straight up hi. What is that?
• 24:39
  Speaker 3: Not sure.
• 24:43
  Speaker 1: Religious instrument.
• 24:44
  Speaker 3: Religious instrument.
• 24:45
  Speaker 1: Yeah, there's religious instruments everywhere here. Who would like to
• 24:55
  Speaker 1: speak to us right now? Doss, are you here? It's
• 25:07
  Speaker 1: me right now. That wasn't a woman's voice. Sarah, was
• 25:12
  Speaker 1: that you? Sarah, are you here? How many people are
• 25:26
  Speaker 1: in here right now? All of us. They're all here
• 25:32
  Speaker 1: in this room with us. You okay?
• 25:39
  Speaker 3: Did you just get touched?
• 25:42
  Speaker 1: I felt like it.
• 25:44
  Speaker 3: Did one of you just touch my leg? Did someone just.
• 25:47
  Speaker 1: Touch my ankle? Who just touched the back of my leg?
• 25:50
  Speaker 3: All of them?
• 26:05
  Speaker 1: Dude, that was, like, a creepy-ass horror movie moment. Like,
• 26:08
  Speaker 1: I felt like someone went, like... Like, you know the
• 26:10
  Speaker 1: bone right here? It literally felt like someone, like, went
• 26:12
  Speaker 1: pinch on the back of my leg.
• 26:13
  Speaker 3: No way.
• 26:14
  Speaker 1: Who was that? In this bedroom.
• 26:17
  Speaker 3: In this bedroom.
• 26:18
  Speaker 1: Who touched the back of my leg? My wife?
• 26:23
  Speaker 3: A life.
• 26:24
  Speaker 1: Oh, my God. Like, I'm literally going to put my...
• 26:28
  Speaker 1: I don't want to puss out, but I'm literally going
• 26:29
  Speaker 1: to cross my legs up on the bed.
• 26:30
  Speaker 3: All right, one last question. I'm literally going to turn
• 26:34
  Speaker 3: this off in a minute. Should we go to the basement? Five, four, three, two, one.
• 27:00
  Speaker 1: Jesus. Sorry. I didn't feel anything when I was on
• 27:06
  Speaker 1: the bed, but something definitely touched my foot from underneath
• 27:09
  Speaker 1: the bed. And I don't know what it is about ghosts.
• 27:11
  Speaker 1: And I know I'm literally here to talk to ghosts
• 27:12
  Speaker 1: and to investigate ghosts. When things physically touch me, it
• 27:15
  Speaker 1: is very strange. And so far in this house, something
• 27:18
  Speaker 1: has touched my hair and something has touched my leg. Adam,
• 27:21
  Speaker 1: you haven't felt anything yet?
• 27:22
  Speaker 3: Nothing yet. That's a lie. In the basement when we
• 27:27
  Speaker 3: were getting a tour earlier. In the basement, when I
• 27:31
  Speaker 3: was standing over near the green bench where she was
• 27:34
  Speaker 3: talking about, she always felt that strong energy. Yeah. I
• 27:38
  Speaker 3: kind of felt something like along the back of my head,
• 27:40
  Speaker 3: like there was a presence.
• 27:42
  Speaker 1: Are you serious?
• 27:42
  Speaker 3: Yeah.
• 27:43
  Speaker 1: And you did not speak up?
• 27:44
  Speaker 3: No, I just played it off that it was nothing because.
• 27:47
  Speaker 1: I saw you. When it happened, did you kind of
• 27:49
  Speaker 1: like do this like... Because I literally saw you step away.
• 27:53
  Speaker 3: I don't know what I did, but possibly, yes.
• 27:56
  Speaker 1: Before we head into the basement, I want to try
• 27:58
  Speaker 1: one more thing and get Adam to do something he's
• 28:00
  Speaker 1: never done. What do you have there?
• 28:03
  Speaker 3: Estes?
• 28:04
  Speaker 1: Adam has never gone on for Estes. And the cool
• 28:07
  Speaker 1: thing with Estes is it is strange. It makes you
• 28:10
  Speaker 1: feel very deprived from the world around you. You are
• 28:13
  Speaker 1: trapped in this... Sorry to scare you. You're trapped in
• 28:16
  Speaker 1: this weird moment where you can't see. You're only hearing things.
• 28:19
  Speaker 1: You can't hear what you're being asked. But I think
• 28:22
  Speaker 1: that it could be really interesting. Are you willing to
• 28:24
  Speaker 1: go under?
• 28:24
  Speaker 3: Let's try it. Let's see what happens. Let's do it.
• 28:34
  Speaker 1: Can you hear me? Is there anyone here who would
• 28:41
  Speaker 1: like to speak to us? Doss has been seen here.
• 28:46
  Speaker 1: Tonight we've had Rebecca and Timothy said his names. We've
• 28:53
  Speaker 1: also heard from Sarah. That's the spirit I've connected with
• 28:57
  Speaker 1: most tonight. People have also had their loved ones come through.
• 29:01
  Speaker 1: Is there anyone who'd like to talk to us? Someone
• 29:10
  Speaker 1: touched my hair earlier in the barber shop. Was that you, Doss?
• 29:16
  Speaker 1: Was it the Undertaker? You can say anything to Alice.
• 29:22
  Speaker 3: I think. I think. We all.
• 29:27
  Speaker 1: We all what? You all live here. You all stay here.
• 29:32
  Speaker 1: You all pass through here. Are you in the kitchen?
• 29:35
  Speaker 1: Or the dining room behind me?
• 29:38
  Speaker 3: There is none. None there?
• 29:42
  Speaker 1: Everyone says there's something dark in the basement. I hate basements.
• 29:56
  Speaker 1: Will it talk to us when we go down there?
• 29:58
  Speaker 1: Will it show me what happened? No. Okay. Doesn't want
• 30:07
  Speaker 1: me to know. Doesn't want us to know. Great, that
• 30:09
  Speaker 1: gives me the shakes. Is there a fight between good
• 30:16
  Speaker 1: and evil in this house? Almost everyone who comes here,
• 30:21
  Speaker 1: everyone who comes here has experiences.
• 30:24
  Speaker 3: You're... What?
• 30:26
  Speaker 1: I'm what? Things have been said to be tight.
• 30:31
  Speaker 3: Dark.
• 30:32
  Speaker 1: I'm dark? I've been told that. Humor comes from a
• 30:39
  Speaker 1: dark place. I'm a really good person. I vibrate really high,
• 30:44
  Speaker 1: so you won't be able to get in me, but
• 30:48
  Speaker 1: I'm afraid to say what I think happened here. I'm
• 30:52
  Speaker 1: hoping other people come through. Hurry. To the basement? I
• 31:04
  Speaker 1: don't want Adam to be under for too long. Do
• 31:07
  Speaker 1: you have anything else you want to tell me?
• 31:14
  Speaker 3: Return.
• 31:15
  Speaker 1: I'm supposed to come back here one day. Yeah, I
• 31:20
  Speaker 1: can come back again. Do you like that we're here,
• 31:24
  Speaker 1: that people come to see you, investigators? From all over
• 31:27
  Speaker 1: the world?
• 31:28
  Speaker 3: Acupuncture.
• 31:30
  Speaker 1: Please don't do that to me. People have felt poked
• 31:36
  Speaker 1: and scratched here, though. Is that what you're trying to do?
• 31:41
  Speaker 1: Is there anything else?
• 31:41
  Speaker 3: To this.
• 31:44
  Speaker 1: To this what? Acupuncture to this. To what?
• 31:52
  Speaker 3: Write a book.
• 31:55
  Speaker 1: I did write a book. Were you listening earlier about that?
• 31:59
  Speaker 1: Do you want there to be a book written about
• 32:04
  Speaker 1: this place? I think we're gonna go to the basement soon.
• 32:08
  Speaker 1: Are we okay to go down there? Alright, I'm gonna
• 32:17
  Speaker 1: take Adam out. And then he... And then he what? Five.
• 32:31
  Speaker 3: Four.
• 32:32
  Speaker 1: Three.
• 32:35
  Speaker 3: Two. The last time. The last time.
• 32:45
  Speaker 1: The last time.
• 32:46
  Speaker 3: I'm really lost.
• 32:48
  Speaker 1: I'm really lost. Who is? Who are you? Who's lost?
• 33:04
  Speaker 1: How was that? Was it weird?
• 33:06
  Speaker 3: Yeah, it's crazy.
• 33:08
  Speaker 5: Like, sometimes you, like, sometimes it's just, like, picking up stuff, like,
• 33:15
  Speaker 5: obviously radio stations, and then another time it'll just, like,
• 33:20
  Speaker 5: the same voice will cross a few different stations.
• 33:23
  Speaker 3: So it's like, you know, that's separate, that that's separate.
• 33:27
  Speaker 1: Who said David? Cause I asked for a name. It
• 33:29
  Speaker 1: said he was, is that I'm really lost. And I
• 33:31
  Speaker 1: just asked for a name and it said David. So
• 33:33
  Speaker 1: what was like, I, I.
• 33:36
  Speaker 3: Don't know if it was David or maybe.
• 33:38
  Speaker 1: Okay. It was weird, dude. Cause I was talking about
• 33:41
  Speaker 1: going to the basement and it was like, Last time, like,
• 33:44
  Speaker 1: it was a weird feeling.
• 33:45
  Speaker 3: Yeah.
• 33:46
  Speaker 1: And when I said, like, are you going to talk
• 33:48
  Speaker 1: to me now? It was strange. It was just a
• 33:49
  Speaker 1: strange feeling.
• 33:50
  Speaker 3: Yeah.
• 33:50
  Speaker 1: I don't like basements.
• 33:53
  Speaker 3: This place doesn't have a basement, does it? Aren't we done?
• 33:55
  Speaker 1: Adam, you know we're not done. You were in the basement.
• 33:58
  Speaker 1: Are you trying to, are you trying to be, are
• 34:00
  Speaker 1: you trying to go? You want to go? You want to,
• 34:03
  Speaker 1: are you leaving? Are you, oh, he's, he's, he's, he's going.
• 34:08
  Speaker 1: I'm going to the basement. Why are you excited?
• 34:11
  Speaker 3: Let's go. Oh, God.
• 34:13
  Speaker 1: Bless this house, oh Lord, we pray. Make it safe
• 34:18
  Speaker 1: by night and day. I like the little prayer before
• 34:20
  Speaker 1: we go down.
• 34:21
  Speaker 3: Oh, do you want the light bar?
• 34:23
  Speaker 1: I got it in my titties. Should we just, so
• 34:25
  Speaker 1: nobody does stuff in here, should we just go in there?
• 34:27
  Speaker 3: Let's go in the old part.
• 34:29
  Speaker 1: Go in the part where nobody likes to go in
• 34:31
  Speaker 1: because things are terrifying?
• 34:31
  Speaker 3: That's the old building.
• 34:33
  Speaker 1: But no one goes in here because it's that terrifying.
• 34:35
  Speaker 1: Who says? Everyone.
• 34:37
  Speaker 3: Yeah, everyone did. I've got this lav here. These little
• 34:43
  Speaker 3: omnidirectional mics work good as EVPs, so we will see
• 34:47
  Speaker 3: if we can catch anything.
• 34:49
  Speaker 1: In this room, we are not only going to turn
• 34:52
  Speaker 1: off the light. But we are going to be setting
• 34:54
  Speaker 1: up a REM pod. Now I'm also going to be
• 34:57
  Speaker 1: going under. Now this is what I do. This is
• 34:58
  Speaker 1: what I call my home reading. I don't know if
• 35:00
  Speaker 1: it's psychic. I don't know if it's clairvoyance. But I see, hear,
• 35:03
  Speaker 1: and say things that not only I physically see, but
• 35:06
  Speaker 1: most of the time I see my mind's eye. Now
• 35:08
  Speaker 1: this is things that are memories that other people have,
• 35:11
  Speaker 1: things that have happened in this location, residual energy. It
• 35:14
  Speaker 1: consists of these goggles that I made. They are layered lenses, red, green,
• 35:19
  Speaker 1: and purple lenses. Helps mute the environment. Click me in.
• 35:23
  Speaker 1: These are nothing but sound-isolating headphones. They are intense, and
• 35:27
  Speaker 1: I can barely hear anything, if anything at all. And
• 35:30
  Speaker 1: we're in the back part of the basement where no
• 35:32
  Speaker 1: one goes because the feelings in here are so intense,
• 35:34
  Speaker 1: and sometimes people can't even breathe.
• 35:36
  Speaker 3: We've got a REM pod here as well. Going to
• 35:38
  Speaker 3: turn this on. It'll give me a hint that Selina's
• 35:41
  Speaker 3: on the right track if the spirit does want to
• 35:43
  Speaker 3: interact with it. So if there's spirits here and you
• 35:47
  Speaker 3: want to interact with the REM pod to let me
• 35:48
  Speaker 3: know that Selina's kind of getting into the groove and
• 35:51
  Speaker 3: on the right track with the story.
• 35:52
  Speaker 1: I already feel nauseous.
• 35:55
  Speaker 3: Really?
• 35:55
  Speaker 1: Mm-hmm. This is also where the little girl was seen
• 35:59
  Speaker 1: directly to the left with this camera. All right, Adam.
• 36:03
  Speaker 3: Give a hug. Yes.
• 36:08
  Speaker 1: I love you.
• 36:09
  Speaker 3: I love you.
• 36:10
  Speaker 1: This is always my scariest. If I take my headphones off,
• 36:14
  Speaker 1: it's because I want to communicate with you, okay?
• 36:21
  Speaker 3: I don't know if there's, like, water. I think there's
• 36:27
  Speaker 3: water in the sides of the stone down here. But, like,
• 36:30
  Speaker 3: I hear sounds behind me.
• 36:36
  Speaker 1: Adam, if you touched my back, tap me.
• 36:41
  Speaker 3: I did not touch her. Obviously, you guys can see that.
• 36:47
  Speaker 3: And that's... So she said her back got touched. That's
• 36:50
  Speaker 3: where I thought I heard the sounds coming from. Somewhere
• 36:54
  Speaker 3: back there. Right where the REM pod's going off. That's
• 36:59
  Speaker 3: where I heard the sounds come from. And that's where
• 37:03
  Speaker 3: her back is.
• 37:05
  Speaker 1: I just really have that woman pacing.
• 37:07
  Speaker 3: Okay. Those things line up a little too much for me.
• 37:16
  Speaker 3: If you're the spirit that touched Selena's back, were you
• 37:20
  Speaker 3: the one that walked by the REM pod as well?
• 37:22
  Speaker 3: You can hit the REM pod again for me if
• 37:24
  Speaker 3: you want.
• 37:31
  Speaker 1: Okay, it's kind of like playing, I'm going to speak
• 37:32
  Speaker 1: fast because it's going to happen fast. I have the woman.
• 37:36
  Speaker 1: She's in each place. She's pacing. I feel like.
• 37:40
  Speaker 1: Something happened she punished like there's a punishment thing that
• 37:44
  Speaker 1: goes with it i see her pacing she's in the
• 37:46
  Speaker 1: basement there are two different people i see a girl
• 37:49
  Speaker 1: a boy they are standing they are it looks like
• 37:52
  Speaker 1: they're scared she's pacing they don't understand she used to
• 37:55
  Speaker 1: be normal she's not i don't know what happened i
• 37:57
  Speaker 1: don't know if she got cheated on but it feels
• 37:59
  Speaker 1: like there's a huge shift where she used to be
• 38:01
  Speaker 1: a really great mom and really great things were happening
• 38:03
  Speaker 1: but now for some reason something has shifted i don't
• 38:06
  Speaker 1: know if it's mental health i don't know if it's
• 38:08
  Speaker 1: drug or alcohol i don't know But she seems ravaged.
• 38:11
  Speaker 1: She seems like she's affected by something. And she's really
• 38:15
  Speaker 1: leaning on the Bible. I hear the different verses. I
• 38:25
  Speaker 1: feel like she brings the children down because she feels
• 38:28
  Speaker 1: like for some reason hurting them is like... Like hurting
• 38:31
  Speaker 1: them for some reason makes them cleaner, makes them better.
• 38:35
  Speaker 1: And it's just like a really big imprint down here.
• 38:39
  Speaker 1: I feel like I see them crying, and I hate that,
• 38:44
  Speaker 1: and I see blood drops on dirt. I see crosses.
• 38:52
  Speaker 1: It's just rapid fire. I see crying, and I hear
• 38:57
  Speaker 1: kids screaming, and I hear kids crying, and I see
• 39:00
  Speaker 1: this woman, and she's pacing, and she's upset, and I
• 39:04
  Speaker 1: I don't, I feel like that dad isn't around or
• 39:06
  Speaker 1: dad is not here or dad died and something feels
• 39:10
  Speaker 1: like punishment. Like, like she feels like if she punishes them,
• 39:12
  Speaker 1: they will be clean. Was that?
• 39:17
  Speaker 3: Confirmation from the red pod right now.
• 39:19
  Speaker 1: And it's off as.
• 39:21
  Speaker 3: Soon as I say that. I just heard that sound
• 39:24
  Speaker 3: again too.
• 39:25
  Speaker 1: This is, Sarah. Are you Sarah? This is Sarah, right?
• 39:29
  Speaker 1: What happened to your children?
• 39:30
  Speaker 3: I don't know.
• 39:31
  Speaker 1: I don't know. I don't know.
• 39:32
  Speaker 3: I don't know.
• 39:33
  Speaker 1: That's what she said. I don't know.
• 39:36
  Speaker 3: Does she not want to admit it? She's saying I
• 39:39
  Speaker 3: don't know because she doesn't want to be asked because
• 39:42
  Speaker 3: she does know the bad things she did. But she
• 39:46
  Speaker 3: doesn't want to admit.
• 39:47
  Speaker 1: It out loud. Sarah, did your children live on?
• 39:59
  Speaker 3: Vibe adjusted big time. Selena just... I don't know if
• 40:05
  Speaker 3: it's because she moved, but I felt that too.
• 40:10
  Speaker 1: Adam, it's really hard to see through these goggles with
• 40:12
  Speaker 1: some things back and forth, back and forth, back and
• 40:15
  Speaker 1: forth in that doorway.
• 40:19
  Speaker 3: So there's a doorway.
• 40:20
  Speaker 1: Sarah, is that you?
• 40:22
  Speaker 3: Grandpa just went off as she said that.
• 40:28
  Speaker 3: .
• 40:31
  Speaker 1: .
• 40:42
  Speaker 3: .
• 40:47
  Speaker 1: .
• 40:48
  Speaker 3: .
• 40:51
  Speaker 1: .
• 40:58
  Speaker 3: Again, more noises behind me.
• 41:03
  Speaker 1: There's a woman and she just is standing here and
• 41:07
  Speaker 1: she's just witnessing everything and she likes being here. It's
• 41:10
  Speaker 1: a good vibe. I don't know if this is someone
• 41:13
  Speaker 1: connected to the property. I don't know if this is
• 41:15
  Speaker 1: Shauna's mom. I don't know, but she's kind. She's nice.
• 41:19
  Speaker 1: She likes to witness everything. I don't know.
• 41:23
  Speaker 3: Confirmation on the REM pod. Sarah? Sarah?
• 41:28
  Speaker 1: Is there anyone else who wants to speak to me?
• 41:29
  Speaker 1: Can I see anything else? I keep seeing little clippets.
• 41:32
  Speaker 1: I'm seeing tiny little things at a time. I'm seeing paces.
• 41:36
  Speaker 1: I'm seeing eggs being fried, lots of eggs. I'm seeing
• 41:40
  Speaker 1: someone coughing a lot. I hear a lot of coughing.
• 41:43
  Speaker 1: I see days and nights. I see people passing through doorways,
• 41:46
  Speaker 1: but nothing is clear as to who it is. It's
• 41:48
  Speaker 1: just like a rapid fire of different memories throughout time. Sarah,
• 41:53
  Speaker 1: are you still here? Are your children still here? Sarah?
• 41:59
  Speaker 3: It seems to have.
• 42:02
  Speaker 1: I scared her off.
• 42:03
  Speaker 3: It seems to have gone chill. The REM pod's... Not
• 42:07
  Speaker 3: doing anything now?
• 42:08
  Speaker 1: I don't know.
• 42:09
  Speaker 3: Adam? This.
• 42:15
  Speaker 1: You're here, Adam? That feels finished.
• 42:22
  Speaker 3: Yeah, absolutely. The REM pod chilled out. Oh, there it
• 42:26
  Speaker 3: is again now, though.
• 42:36
  Speaker 1: You don't want to talk to me anymore?
• 42:37
  Speaker 3: Okay. Yeah, that was wild. There were sounds coming from
• 42:41
  Speaker 3: behind here. The REM pod was going off, verifying things
• 42:44
  Speaker 3: you were saying. And then you had like a vibe
• 42:47
  Speaker 3: shift at one point when you noticed something over there.
• 42:49
  Speaker 1: Yeah, I just.
• 42:50
  Speaker 3: I kind of felt that too.
• 42:51
  Speaker 1: I couldn't see anything but the light, but when I
• 42:52
  Speaker 1: looked this way, all I saw was.
• 42:56
  Speaker 3: Okay, Sarah. Sarah. Running back and forth.
• 42:59
  Speaker 1: It's... This room. This room, there was a warm, feminine
• 43:05
  Speaker 1: presence behind me, witnessing, enjoying. I wonder if that's Shauna's mom.
• 43:11
  Speaker 1: I don't know. But I literally have the chatters.
• 43:15
  Speaker 3: Yeah. So listen right now. Can you hear anything in here? Nothing.
• 43:21
  Speaker 3: I hope either the lab or the camera picked it up,
• 43:24
  Speaker 3: because at times, once you started tapping in, I heard
• 43:27
  Speaker 3: all these little click.
• 43:28
  Speaker 1: Are you freaking the fuck out?
• 43:30
  Speaker 3: A little bit, yes. I heard all these, like, click, click, click, click, click,
• 43:34
  Speaker 3: click behind me. See? There it is.
• 43:39
  Speaker 1: Who is that, though? I don't get, like, I feel
• 43:41
  Speaker 1: like this warm, feminine person. If you're Sean's mom, can
• 43:46
  Speaker 1: you step away? Okay, maybe that is her, then.
• 43:48
  Speaker 3: Maybe it's different now. I wouldn't.
• 43:52
  Speaker 1: I wonder about those kids. We got Timothy and Rebecca
• 43:54
  Speaker 1: in my head. It was a boy, it was a girl.
• 43:56
  Speaker 1: I didn't get anything dark and human child. I got
• 43:59
  Speaker 1: human children, woman, something wrong with her. Scolding children, really
• 44:05
  Speaker 1: caught in a religious loop, punishing them, makes them closer
• 44:09
  Speaker 1: to God, giving them to God. I don't know. But
• 44:12
  Speaker 1: they've talked about wanting to dig in here, and I'm like,
• 44:14
  Speaker 1: I'm not sure, but I wouldn't be surprised.
• 44:17
  Speaker 3: If there's remains.
• 44:18
  Speaker 1: I don't know.
• 44:19
  Speaker 3: I don't know.
• 44:21
  Speaker 1: I'm not going to say that, but the way that
• 44:23
  Speaker 1: she acted, I could see it getting worse.
• 44:27
  Speaker 3: What I was saying while you were kind of in
• 44:29
  Speaker 3: on that is she didn't want to admit what she did.
• 44:33
  Speaker 3: It's not that she didn't know. It's that she didn't
• 44:36
  Speaker 3: like saying it.
• 44:38
  Speaker 1: Yeah.
• 44:39
  Speaker 3: It was the feeling and the vibe I was getting
• 44:41
  Speaker 3: from the story you were telling plus the things that
• 44:44
  Speaker 3: were going on.
• 44:45
  Speaker 1: I don't know what it is about Basement's Man, but
• 44:46
  Speaker 1: maybe it's because Old basements. Well, it's six feet. You're
• 44:50
  Speaker 1: under the ground. Energy is weird. It is held by dirt.
• 44:53
  Speaker 1: It is held by soil. But the one.
• 44:56
  Speaker 3: Yeah. Soil. You said soil, and it starts going off.
• 44:59
  Speaker 1: And I'm curious about them digging. All I can say, guys,
• 45:04
  Speaker 1: is that the Doss house is a weird one, and
• 45:06
  Speaker 1: it's one for the books.
• 45:08
  Speaker 3: Absolutely.
• 45:10
  Speaker 1: And I'm going to be honest. I want to get
• 45:12
  Speaker 1: the fuck out of here.
• 45:13
  Speaker 3: Let's get out of the basement at least, dude.
• 45:17
  Speaker 1: I just don't like it because I don't like, I
• 45:19
  Speaker 1: don't like seeing, I don't like seeing the sad stuff.
• 45:21
  Speaker 1: Like I see these kids, right? And I see this
• 45:23
  Speaker 1: little boy, he reminds me of Remini. He only has like,
• 45:25
  Speaker 1: like linen shorts on and they're in the basement and
• 45:27
  Speaker 1: they're like, they're cold and they're like wet. And he's
• 45:29
  Speaker 1: like at his sister and he's like, please. And the
• 45:31
  Speaker 1: mom's like this. And then she like smacks them and.
• 45:34
  Speaker 1: It just makes me sad because it's like, did they
• 45:37
  Speaker 1: grow up? And did they live normal lives? Are they fine? Like, obviously,
• 45:40
  Speaker 1: this is set so far back in time. Like, I
• 45:42
  Speaker 1: don't know if this is the 1800s or the 1900s.
• 45:45
  Speaker 1: But like, it's just, it makes me sad. And it
• 45:47
  Speaker 1: makes me, because like, I have a kid and I
• 45:49
  Speaker 1: couldn't imagine. Because there's so many, the thing is, it's like,
• 45:52
  Speaker 1: it reminds you. It reminds you that there's kids in
• 45:56
  Speaker 1: the world that are in those situations and you can't
• 45:58
  Speaker 1: do anything. And I see them and they're done and
• 46:01
  Speaker 1: it's happened.
• 46:01
  Speaker 3: Yeah, yeah, yeah.
• 46:02
  Speaker 1: But it's like, do they grow up and live a
• 46:03
  Speaker 1: normal life?
• 46:03
  Speaker 3: But still, that energy exists today too in other people,
• 46:06
  Speaker 3: in other situations, in other families.
• 46:07
  Speaker 1: But like, do they grow up and do they live
• 46:09
  Speaker 1: a normal life? Or did they die here? Or did
• 46:11
  Speaker 1: she beat them? Or did she abandon them? Like, I
• 46:14
  Speaker 1: just have a hard time knowing that there's kids that
• 46:15
  Speaker 1: are hungry.
• 46:16
  Speaker 3: I know, I know. There's nothing in this world worse than...
• 46:20
  Speaker 3: than trauma and negative bullshit towards children.
• 46:24
  Speaker 1: And that's the one thing that's the hardest thing that
• 46:27
  Speaker 1: I have with ghost hunting is when it comes like
• 46:29
  Speaker 1: it's different. Once you're a parent, you feel different and
• 46:32
  Speaker 1: you see things differently. And I just wish that I
• 46:35
  Speaker 1: could jump into their timeline and save them from the
• 46:38
  Speaker 1: situation that they're in. But you can't. And it's over.
• 46:42
  Speaker 1: And I pray that they lived long lives and they
• 46:45
  Speaker 1: had families. But are they buried in the basement? I
• 46:49
  Speaker 1: don't know. Yeah.
• 46:50
  Speaker 3: No, I get you.
• 46:51
  Speaker 1: Like, I love doing this, but it takes so much.
• 46:54
  Speaker 1: It takes so much because I live in ignorance. And
• 46:56
  Speaker 1: I've talked about the fact that I live in ignorance
• 46:59
  Speaker 1: because I literally mentally can't really handle it all the time.
• 47:02
  Speaker 1: And I love ghost hunting, but then I have these
• 47:04
  Speaker 1: moments where, like, I know I'm going to go and
• 47:06
  Speaker 1: I'm going to lay in bed and I'm just going
• 47:07
  Speaker 1: to think about all the kids in the world that
• 47:09
  Speaker 1: are having shitty lives. Yep. I just hope it's residual
• 47:12
  Speaker 1: and they're fine.
• 47:13
  Speaker 3: I love you. I'm sorry. No, you're not. Well, sorry
• 47:17
  Speaker 3: about what?
• 47:18
  Speaker 1: You're the most caring person in the world.
• 47:20
  Speaker 3: I just feel wrong. It's beautiful.
• 47:21
  Speaker 1: I just feel wrong. Not like myself after I do that.
• 47:23
  Speaker 3: It's okay. Don't worry about it. Children are special. There's
• 47:27
  Speaker 3: too much trauma kids have to go through in this world.
• 47:29
  Speaker 3: There's nothing I hate more than somebody that fucks with children.
• 47:33
  Speaker 1: I just hope that they live a normal life. And
• 47:35
  Speaker 1: I hope that Sarah got better. And I hope that
• 47:38
  Speaker 1: this is just residual from her. And I was just
• 47:40
  Speaker 1: saying in memory. But she didn't want to tell me,
• 47:42
  Speaker 1: which felt intelligent. I don't know. It was weird. I'm just,
• 47:46
  Speaker 1: I'm ready to go home. Yeah. And hug my boy.
• 47:48
  Speaker 3: Let's get the fuck out of here. Bye, Dawson.
• 47:52
  Speaker 1: Hey, guys. I hope you enjoyed watching this episode of
• 47:54
  Speaker 1: The Haunted Estate. If you want to binge all of
• 47:56
  Speaker 1: the episodes right now, you can head over to Tubi.
• 47:59
  Speaker 1: And guess what? I have really cool news. Season 2
• 48:02
  Speaker 1: of The Haunted Estate will be premiering exclusively on Tubi
• 48:05
  Speaker 1: this fall, where we will be taking you to some
• 48:07
  Speaker 1: of the most haunted places in North America. See you soon.