Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Philip Marlowe: The Unfair Lady (EP1433)
Transcript
- 0:28Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
- 0:33is your host, Adam Graham. If you have a comment, send it
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- 1:06support dot Great Detectives dot net, or you can also mail in a donation
- 1:11to Adam Graham po box one five none one three, Boise Altohol eight three
- 1:17seven one five. Well, now it's time for today's episode of the Adventures
- 1:22of Philip Marll. Original air at eight June fourth, nineteen forty nine.
- 1:26The title is The Unfair Lady, Get This and Get It Straight. Crime
- 1:30is a sucker's road, and those who travel had wind up in the gut
- 1:33of the prison of the grave. There's no other end, but they never
- 1:36learn. Let me give you an example, I was hired to find a
- 1:40thief, and I did a thousand miles from home. But first I found
- 1:42a lush with a luga, a fresh corpse in the closet, all because
- 1:46the only woman in psych wouldn't play fair. From the pen of Raymond Chandler,
- 1:51outstanding author of mystery, comes his most famous character and crime's most deadly
- 1:56enemy. As we present the adventures of blow Now with Gerald Moore starred as
- 2:10Philip Marlowe, we bring you tonight's exciting story, The Unfair Lady. A
- 2:30knock on my office door was soft, almost apologetic, so when I mumbled
- 2:34come in, I was ready for something delicate and about itself of facing as
- 2:36your rye heap. When the door swung open, I knew exactly how wrong
- 2:39I could be. A gentleman was maybe forty great at the temples, with
- 2:44shaggy eyebrows and a military mustache, and built like a heavy cruiser with a
- 2:47pair of catchers mits for hands. I Ammelio Flory, mister marlow mister r
- 2:53Jornsen's secretary, are your services available to it? All depends on what you
- 2:57and mister Bjonsen want me to do. Flori, what's the job. Specifically,
- 3:00it's her to catch a thief, said, of course, thank you.
- 3:06Mister Bejonson is being robbed systematically of diamonds? Are they disappearing from his
- 3:09story? Owns or somebody rubbing his wife? No? No, no,
- 3:12mister Maler. You see, sir, mister Beyonson owns and operates the Beyonds
- 3:15and mines a relatively new but important depositive kimberlite pipe. Kimber light which kimberlight
- 3:21pipe, mister Maler, it's a geological term of the diamantivorous blue ground which
- 3:25yields the minerals. Oh, of course, diamansiveness. Oh last November,
- 3:30so the twenty first, to be precise, you worked for mister Craig Norton,
- 3:34a mining engineer who lived here in Los Angeles. He recommended you to
- 3:38my employer. Now, mister Maler, will you take the job? I
- 3:40don't know. You still haven't said anything about the stealing itself? Is it
- 3:45a Beyonce in representative here in Los Angeles who's coming up? Minus, it's
- 3:47mister Beyonson himself who's being robbed. Mister Marlowe at the mine, proper,
- 3:51I see, and he wants me to yeah, Oh wait a minute,
- 3:54this mine, this diamond mind wouldn't be in South Africa and knows it wouldn't.
- 3:59It's at Rislow. It's a hamlet one hundred miles south of No Gallis,
- 4:01south of Way No Gallis. Mister Malo is a city in Arizona,
- 4:04a few hours drive from Tucson at the Mexican border. And now, look,
- 4:08mister Florie, I'm a private detective in the city of Los Angeles who's
- 4:11at home in a barn, a back alley, or sometimes with a blonde
- 4:15not in rural Mexico. Is that clear? Oh yes, sir, perfectly.
- 4:18Also, it's something that mister Bejonson anticipated. I refer to your reluctance
- 4:23to make the trips up to mister Beyonson and Rieslow. Los Angeles is the
- 4:26nearest metropolis where a dependable private detective could be found to you in Los Angeles,
- 4:30Riislow is a new world. Therefore, therefore, mister Marlow, these
- 4:33papers. The first is your plane reservation day looks passage leaving tonight for no
- 4:39Galleys, where you will be met and chauffeured across the border to Rislow.
- 4:42You know you toss that off like it was transferring from a red bus to
- 4:45the e car downtown. It's less complicated, so I'm sure. Now these
- 4:49other papers, mister Marlow, are both checks, each for five hundred dollars.
- 4:55One is your fee and the other for expenses, not including your air
- 4:58travel decisions. Oh well, my decision, mister Florrie, is that for
- 5:02five hundred bucks plus, Rislow is plenty cousin Politan for me, I'll go,
- 5:06you'll go, I'll go. At eight the next morning, we dropped
- 5:20gently out of the clear sky over an out gully's, where I was met
- 5:23by a short round Mexicanua should me into a car label beyond some mines and
- 5:29suggested that I sleep for the next three hours, which was the travel time
- 5:30to Rislow, one hundred miles south. So after thirty minutes of panoramic,
- 5:35dry sandy hills and occasional cactus, I did. When I woke up again,
- 5:40it was better than noon, hotter than hades, and we were parked
- 5:42at a filling station in Rislow itself, which could have passed for home if
- 5:46you happen to be a prairie dog. It wasn't until I had my eyes
- 5:49wide open and I realized that the man leaning on the running board inches away
- 5:54and staring at me like my eyebrows were on upside down was not my driver.
- 5:59It was shaggy hair all around, an unshaven, unpleasant face that was
- 6:01home to a pair of watered eyes. I said he was drinking himself at
- 6:04death, and when he talked, I knew it was a cheap rum.
- 6:11You're the new mining engineer. Maybe, yeah, I didn't know. It
- 6:13showed me. Since you're an American, that means you got to be an
- 6:16engineer. Oh no, other Americans come out this way. I'm an American
- 6:20myself, you know, from a Philly Hey, good old Philly. Yeah,
- 6:25it's a great time. What's for sale? Hot transits? Now?
- 6:30That's just been friendly. Name's Caler, MJ. Caller. I'm staying over
- 6:36the Granado Hotel for a while, the first floor rear. Why don't you
- 6:41look me up sadnight any night long? About eight. I used to been
- 6:44engineering myself my two fat a while. Yeah, yeah, we might do
- 6:47bad, so well, I'll look forward to it. It's a long foul.
- 6:59When my driver and I were back on a hot dirt road, I
- 7:01was told the Beyonce in mine was the open pit sipe, a deep hole
- 7:04about a half mile in diameter in the middle of the beyond and property,
- 7:08which was clearly circled by eleven miles of eight strand barbed wire fence, which
- 7:13was guarded by fifty xgim Mexicans who were under the iron fist of one Captain
- 7:16Juan Lufino. Twenty minutes later, when we entered the main gate and were
- 7:20slowly driving up a neatly landscaped white table road, we had a different picture
- 7:25of life of the Beyonce and Mines. It was the residential side, plush
- 7:30and strictly beverly hills, and a sprawling red brick house past the green and
- 7:33white tiled swimming pool, the guesthouse beyond. Inside I found a multi millionaire
- 7:38himself was a ball fifty perspiring and shaped like a bowling pin. At ten
- 7:43o'clock last night, Marlow, it happened again. Five thousand dollars worth of
- 7:46stones the seventh Roppery and as many weeks, excluding of course, the usual
- 7:50criket, the usual trickle one or maybe two thousand dollars worth of a month.
- 7:56That's stealing. Nobody can stop the natives, the guards, visitors,
- 7:59everybody but most of them we catch, Marlow, because in the first place,
- 8:03our policing is very thorough, and second to steal a rough time and
- 8:07this one thing. But to get rid of it is hunting else again.
- 8:11Well tell me, mister Bejoransen, these big thefts, you're concerned about it?
- 8:15They all have anything in common, Yes, two things, Marlow.
- 8:18They always occur at night, and they are the work of somebody who knows
- 8:22my habits and has a good knowledge of the inside of my house. The
- 8:26big safe is never bothered. It is always some drawer or cabinet where I
- 8:31am keeping stones temporarily I see. And mister Bejansen, is anybody ever seen
- 8:35this theef? Last night Helen Austen saw what could be the man running through
- 8:39the grounds at about eleven o'clock. She said he was tall, with a
- 8:43lot of wavy hair. She said that he was not the Mexican. By
- 8:48the way, Marlow, Missus Austen and her husband are staying in the guest
- 8:50house where you will be put up. He works for you, mister Johansen.
- 8:54No, Kelly Austin has a mine of his own about five miles from
- 8:58here, smaller than ours, but rich. Nevertheless, Oh, this will
- 9:01be Captain Luffino. Don't mind if he appears unfriendly, Marlow. He considers
- 9:07your presence here personally in self. Come in you wish to see me your
- 9:13benes, Yeslino, this is mister Marlowe the detective. Ah. When Senor
- 9:22Flora came back this morning, Senor Mirlo, he spoke very highly of your
- 9:24reputation lost hungry mister Florie only talked to my friends in Los Angeles. Captain,
- 9:31I must to be honest, and you were telling me about the Austins.
- 9:33Yes, they have been with us for two or three months now,
- 9:35while their new house is being constructed at their own mind, their last place
- 9:39burned to the ground. I would suggest, Marlow that you speak to her
- 9:43as soon as possible. Also, the captain here will tell you of some
- 9:46evidence that he found here on the grounds last night. No, Senior,
- 9:50it turned out to be nothing. What kind of nothing, Captain A fountain
- 9:56pain. Yes, it belonged to one of the office. Yes, did
- 10:03you tell him about that? Not Campbell or No, Marlow. The International
- 10:07time in Exchange keeps us advised that the movements of the bigger black marketeers whenever
- 10:13possible. Three days ago. We were told that a man named Nat Campbell,
- 10:18an American who was at one time an engineer, has been operating in
- 10:22Mexico close to the border. Is there an accurate description of him? No?
- 10:26Anything else you have to know. Captain Lafino will take care of you.
- 10:28Also. I am sure that the Captain will be glad to show you
- 10:33to your room at the guest house. Sure, it will be my pleasure
- 10:37to assist in your mile on any way I can these ways in your please.
- 10:50Captain Lafino's interpretation of assist was to hand my suitcase to a boy,
- 10:54pointed tack famine a general direction of a guesthouse and disappeared, so I,
- 10:58after thanking him for his trouble, I went to my room unpacked, changed
- 11:01into a dry shirt, which was down again in three minutes, and then
- 11:03started for the suite on the opposite side of the building where I'd been told
- 11:07I could find Helen Austin. But when I was halfway toway screen door,
- 11:11I stopped at the sound of a raised voice that i'd heard before. It
- 11:15was mister Elliott Florrie. I was about to leave and unhappy about the whole
- 11:18thing. When I was close enough to see missus Austin. I could also
- 11:22see why my lady was blonde, deeply just a shade off, beautiful and
- 11:28almost dressed in a white man in the shorts with alter of the match.
- 11:35Oh am, I you're just waiting, my dear. We'll see who the
- 11:37fool is around here? Oh yes, Marlow, what are you doing out
- 11:43there? Calling on missus Austin? Why do I need a visa Florrie?
- 11:52Did I need a vis Did I need anything? Look? Anne, won't
- 11:58you hello? It was Jesli. Yes, I have to be running along.
- 12:05I see you later, Helen. I can't wait here, Mister Phil,
- 12:11isn't it Phil Maler? Nice name? You know, Bill? I
- 12:16don't often get to see a new phase around here. Is there anything I
- 12:18can do for you? Be a pleasure? I'm sure the pleasure will be
- 12:22all mine. But aren't you Fred? You'll catch cold? Why do you
- 12:28like this? I made it myself. I do most of my things.
- 12:30You know this is no style to do far behind New York to suit me.
- 12:33My husband, Kelly says, I'm clever better than that. You startled
- 12:39me, darling. This is Philip Marler. I know I told me you
- 12:43were with us. Mister Marlin. Can I be of some help? Possibly?
- 12:46No, not at the moment, mister Rustin. Right now, I'm
- 12:48only interested in knowing if your wife here can add anything to a description of
- 12:50last night's stranger. Can you, miss Well? I know if there was
- 12:54anything else outstanding about the man, I certainly would have told, no doubt.
- 12:58But what about the run of the mill things, his dress, the
- 13:01way he walked like most men, Malo, he wore one pair of pants?
- 13:07One should had early one here? Also like most mini smell of liquor?
- 13:13Rum? Maybe we all engram here? How about joining us at dinner?
- 13:18Long buddy, thanks? But long about eight? I've got to be
- 13:22back in Rislow to see mister Calder. Have you hear of him, Austin?
- 13:26Why no? Should I have? I don't think so. He'd have
- 13:30very little in common with you people, with one exception, which is what
- 13:35rum missus Austin, he's crazy about it. After I left Kelly in what
- 13:43with one healthy cloudburst? Dat it would make a great Sadie Thompson. I
- 13:48found arab Bejonsen and told him that I thought last Night's stranger one m J
- 13:50Colder and that Campbell could be all one and the same, and that I
- 13:54would like to go into Rislow and check on just that, which sort of
- 13:58been fine. So, apologizing for having just let Captain Lafina go off the
- 14:01evening in his car, he gave me the keys to a battered station wagon
- 14:05and wished me good luck. Four hours later, when it was dark and
- 14:07I was in Rislow and walking the dirty length of the ground floor card of
- 14:11the Granada Hotel, which was doctor, I had a feeling I was gonna
- 14:15need it. Yeah, small Ow Coler, the new man at Jonson's mine.
- 14:20Oh fine, you're right with you in the expect you to take me
- 14:28up so soon. Yeah, well you know the mine's Campbell. One's just
- 14:31as dull as the next time. That's right. Did you call me Campbell?
- 14:35That's it, isn't that? No, name's Carlder MJ. I told
- 14:41you that today. Yeah, and at the time I believed your good old
- 14:43Philly included. Come on, rummy, uncover the masquerades over, open up
- 14:48while you still can talk. What do you say? Okay, okay,
- 14:52ain't the biggest secrets in the world here, sit down. You don't name
- 15:01any better than your life I had. All right, we'll see now come
- 15:09on, get up. We'll start all over again. I have to we
- 15:11check you once. Kind usually has a nasty luga tucked away someplace. All
- 15:16right, now, what do you know about, hey, Campbell? Let
- 15:18stuff over there seeping under the closet door. The color isn't right for a
- 15:22rum brother, it's too red. Wow, Captain lou Feno. Yeah,
- 15:28he's shut out. You'll be right with him. You see, I was
- 15:35right, Campbell. The kind always has a nasty luga someplace. No,
- 15:39I didn't do that. I didn't kill him. Oh yeah, sure,
- 15:41sure he committed suicide in your closet and closed the door as a gag.
- 15:45I suppose enough. I don't try to be funny. I didn't even know
- 15:48he was here. I was out. I want to come back. I
- 15:50found Campbell let line retired with a flintlock rifle. If you hadn't pop oiled
- 15:54your brains and feels the lawyer, you'd realize it. But it's the truth.
- 15:58I'll tell you what the truth is. Cousin Lafino had a piece of
- 16:00evidence that tad You was being out of Bejance's mind last night at eleven o'clock,
- 16:03but he passed it off as a fountain pen. That meant nothing because
- 16:07he resented me hounding into his territory. Then he came here alone to put
- 16:10a pinch on you and get the credit, only you dropped him instead.
- 16:14That's a lie, and I can prove it for the best witness in Mexico,
- 16:17next to Bejonsen himself. Oh, you're talking about one mister Eliot Flora.
- 16:22That's who I was in the cafe Kelota last ninety eleven and Florie saw
- 16:26me there No dice Campbell. Floria didn't get in from the galleys until this
- 16:30morning. You're pretty seedy for a big city boy, myrto. You can
- 16:34check the boutender at the cafe and see if I'm not right. But right
- 16:38now I'm gonna put you away so I can get out of here. An
- 16:42walk show, got the back way and down the stairs. Go on,
- 16:48move, What are you gonna make mine wad to look like robbery? Don't
- 16:52as a brave You'll live because I figure you'll clear me one way or another,
- 16:56whether you like it or not. It's fair enough. I opened that
- 17:03cellar door. Okay, when you get out, don't waste time looking for
- 17:08me. I won't be around, so long countryman, don't hurt yourself.
- 17:15Cellar was as lighting wholesome as a Parisian sewer. Even with the help of
- 17:32several generations it termines. It took half an hour to break out, and
- 17:37I got upstairs again. It was deserted except for the late Captain Lafino.
- 17:41I went through his pockets, but I had nothing more exciting than bat at
- 17:42cigarettes, than some small change. But under the tight sash around his waist
- 17:48was a small green suede pouch containing three minute diamonds in the rock. I
- 17:52began to see what Yonson meant by the usual trickle. Everybody, including the
- 17:56chief of his own God, seemed to be in on the act. I
- 18:00dropped the pouch in my pocket and headed for the Kiloda Cafe, where two
- 18:03American bucks and a nasty snart at the bartender brought me the fact that Elliot
- 18:06Floory actually had been there last night. I had waited two hours for somebody
- 18:10who didn't show up and then left. That made my next step the mind,
- 18:15so I bounced the station, wagging out of town back to Jornson's house
- 18:17and started in with a pair of bare shoulders above a snuggling and halter intercepted
- 18:22me. Hello, you're back safe, I see enjoy all the sights and
- 18:26now filed this thinking little town not much, missus Austin, you should have
- 18:30taken me along as a guy. I could show you a lots of interesting
- 18:34things. Hmm like what for instance? Like this guy? M h.
- 18:41I like things clean, so I like lights and muses and peach, I
- 18:51like you save it had buttons and Bow's routine is strictly your own problem.
- 18:55I've got work and it starts with Elliott Floory. Where is he? What
- 18:56makes you think I know that because you're two have been keeping c track of
- 19:00each other for some time. You're anxious to drop it, but Flori isn't,
- 19:03and now he's got a hold over you, and you're worried. Silly.
- 19:04Let's get that too. What I know I can fill in a very
- 19:07unpleasant yawn, and I will if I have to. So come on,
- 19:11baby, no dramatics, let's have it. Where's Florie Illo? You're a
- 19:15lous but that shit better than he is went over. I placed the mind
- 19:19about half an hour ago. I don't know why I wouldn't tell me.
- 19:22Just want me to keep my mouth shut and left. It doesn't make sense.
- 19:25Where's mister Austin. My good husband is off somewhere checking on supplies.
- 19:29He said, Okay, I'll pay a call on Flori right now. When
- 19:30I get back, baby, I'll have a lot of answers. So I
- 19:33advise you to wait up. Huh sure, when you're all through it,
- 19:36and do me a favor, will you, mister tough to ticket? What?
- 19:37Throw him back? No? Kill him? After she said it,
- 19:44she stared at me for a moment and then turned and walked away. In
- 19:45from the bitterness in her face, I figured she had more on he mine
- 19:48than she told me about it, because I beat it around at the driveway
- 19:52where I left the station where I can climbed in and wheeled out the gate,
- 19:55I forgot about theories and headed for the Kelly Austin mine and a big
- 19:57scale diamond thief as fast as the rudded road loose body boats will permit.
- 20:02I'd barely gotten out of sight of Johnson's houseway from somewhere out of the truckload
- 20:04of shadows I was hauling in the rear into the station wagon. The muzzle
- 20:07of a gun was shoved hard against the back of my neck, and hell,
- 20:10there well over and stop, mister Marlow, but don't take your hands
- 20:12off the wheels, near off your rocket. You have been working too hard,
- 20:15not so hard that I didn't get back in time to see you kissing
- 20:18my wife. Get to deny it. Do you for what it's worth?
- 20:21You get your subject backward, but never mind, I turn around. Marll.
- 20:23I'm sorry about this. I liked you when we met today. Listen,
- 20:26we'll take this up later into the tail. Right now, I'm after
- 20:29a guy who's been biting it at Johnson's Diamonds, and I'm sure it's his
- 20:30own secretary, Elliott Flori Flory for that episode. Yeah. And what's more
- 20:34is currently after something cute at your mine. He's in my mind, Flory.
- 20:37That's what I said after I've seen him Buster. I'll be indignant with
- 20:41you all night if you like. You're a clever liar, Marlo, but
- 20:44it won't work. You're not getting out of the stead easily. I'm gonna
- 20:47tell Jornson what you've done. But first, you cheap Masher, I'm gonna
- 20:49get some satisfaction out of you personally, like this soul. First first on
- 21:00one side of my head and then the other exploded like roman candles. It
- 21:04fell a long way out of the car doing the road. I finally stopped
- 21:10falling and started back to my feet. I had a double handful of Mexico
- 21:12in my mouth. All the rest of it I could see look big and
- 21:15black and deserted. The station wagon was gone, and so was my enthusiasm.
- 21:21And the picture of mallow on foot in the middle of the Mexican mountain
- 21:23looked pretty stupid. I trudged back toward the house. I stopped as a
- 21:29pair of headlights swung out the gate and slashed down the road at me.
- 21:32Came to a sandstorm. Halt, Oh what happened to you? A long
- 21:36story, missus Austin. Unless you hear about it from me, the better
- 21:38for all of us. What do you mean that Kelly her husband was watching
- 21:41when you wanted to show me the Mexican sky and the moon up there at
- 21:45the house, It was just a tency bit irate about it? Oh?
- 21:48Is that all? That's enough? What about flooring in the mine? Marlin?
- 21:51How should I know? And I got tangled up as a heavy and
- 21:53this corny gas like melodrama. Wait a minute, you did you put that
- 21:57jacket on? Since I saw you last come over here, and they're like,
- 22:02come on, sure, listen, Helen. You told me once sewing
- 22:06was your hobby. Did you have to make this side of yourself? Yes,
- 22:07Simony, what's so important about it? It's your long shot. But
- 22:11if it pays off, I'll catch both a killer and a diamond thief.
- 22:12I to borrow your car, Beautiful. Wait a minute, I'm coming with
- 22:15you. Oh you're not. I've got to get Floria and stop a murder,
- 22:18and that takes a different kind of speed than you've got. So long,
- 22:21baby. With every jolt of the car, another Roman candle went off
- 22:27of my head, but I kept the gas pedal jammed with the floor until
- 22:30I saw that turn off signed for the Austin mine, and I cut the
- 22:33lights and pulled over. It was four hundred yards up the side road at
- 22:37the gate, where a Mexican sentry and a bat at sombrero leaned against the
- 22:40post on a bob wire barricade. I skirted him and followed a path outside
- 22:44the fence until I found the landmark I was looking for. There was another
- 22:47sombrero and a few feet away, sprawled out, sleeping soundly from a blow
- 22:49on the back of his head. It was its own two strands the above
- 22:53where have been cut. So I crawled through and up to the edge of
- 22:56the big pit. It looked black and bottomless until a tiny flicker of light
- 23:02down deep inside, went down for an instant and then went out again.
- 23:06That was my cue when I was fifteen tooth and nail minutes playing mountain goat
- 23:08on tiptoe down one hundred and fifty vertical feet of ladders and catwalks before I
- 23:12was near the bottom and close enough to hear a pick biting hard clay.
- 23:17When it snapped suddenly, so did I and listened with my thirty eight clinched
- 23:22in my hand. But Flora had been surprised by someone from the bottom of
- 23:25the pit, not by me. Austin Austin, how did you don't shoot?
- 23:30Austin Fleees? Why not, mister Flory? You found what you were
- 23:33looking for, didn't you, didn't you? Yes, yes I did,
- 23:37And what precise did you find? My mind has run out, but it's
- 23:41worth listed. I've kept it going only with stolen diamonds. That's right.
- 23:45I suspected it. Now I know you're the one who's been stealing from the
- 23:48arson. You bring the diamonds here you SALTERI on ground with them and then
- 23:51remind them as fresh and get the full market price. Yes, but what
- 23:55do you hope to achieve with this information? Now, mister Flory, you
- 23:56realize, though I have to kid you away, I have nothing against you,
- 24:02Kelly. In fact, I have a proposition to offer you if you're
- 24:06in a poor position to bark and but go ahead now. You'll never get
- 24:07away with killing me. I got away with one murder. He would have
- 24:11found out about me eventually because I made a mistake last night. That soft
- 24:15tevile will take the play for him. And right now you're just another trespasser.
- 24:18So make your offer, make it good, Go on, go on,
- 24:21right, I promise you no one will ever know about this if you'll
- 24:26get out of Mexico. Leave Helen here with me that I'm not gonna shoot
- 24:36you, Florrie. I'm gonna strangle you with my back. Turn back and
- 24:38right here golds out trapping. Austin stands there bother me. It's too late
- 24:42for that. You hit it, Mama, you got it. I think
- 24:51he's dead, and I got something for you, Florrie. I hope I
- 24:59can get the slime him off my fist, pretty smaller. Pour yourself another
- 25:15here to help your headache to go away. Oh, thanks, mister Johnson.
- 25:18It's cooler out here and it was inside. It's better now times.
- 25:22I don't know. I am happy and I am sad. Book found in
- 25:26my teeth, all right, but you lost me a friend in the bargain
- 25:30and the way we live out here, our friends are as dear as our
- 25:33diamonds. Oh, it's one thing about diamonds, mister Johnsen. They won't
- 25:37go bad on you. You're right there, my boy. It's hard to
- 25:42realize that Kelly Austen was our man. I imagine it is. You said
- 25:47it was Helen's jacket that gave you the answer. How was that? Marlowe
- 25:49Well Luthino was carrying a little green swede pouch. I thought it was his,
- 25:55but actually that was a piece of evidence that he found last night.
- 25:57It wasn't until I saw missus Austin's jack, the same green swede I realized
- 26:02the pouch must have been made from the scraps left over from the jacket I
- 26:04see, And since the wife showed the jacket herself, that made the husband
- 26:08the logical owner at the pouch that's right. You know, in a way,
- 26:12you might say Helen's responsible for the whole mess. How do you mean,
- 26:15Marlon, Well, it all adds up like this. Helen wanted diamonds
- 26:18bed, her husband started stealing for her. Things went well until he almost
- 26:23got caught. That was last night, that's right. Running across the lawn,
- 26:27Kelly dropped a little pouch. Lafino, who caught sight of him,
- 26:30followed and found the pouch with the three diamonds. But Captain Lafino thought Campbell
- 26:33was the thief and went to Campbell's quarters in result to force the confession out
- 26:37of him. Kelly followed him, killed him before he learned too much,
- 26:41knowing that the RUMs of Campbell would take the rap. That Austin woman,
- 26:47she's got no business here in this desolation. She loves diamonds, but not
- 26:52in the rough. So once where I'm a beautiful neck of hers with big
- 26:57city lights bouncing off them in all the dictions. But the lady wouldn't play
- 27:03fair to get them. She's packing now, and mister Florid has already left
- 27:08bag and baggage even Lafin knew is gone. Now you know it's going to
- 27:15be lonely around here, Marlow, I couldn't prevail on you to stay over
- 27:22a while. No, no, just to be honest, and I'm afraid
- 27:25not, I'd probably catch myself picking little pebbles out of every clay bank I
- 27:29found the first thing. You know, I'd be stuck here too. Besides,
- 27:33what would Hollywood Boulevard do without Marlow? And vice versa. When the
- 27:52driver who was taking me back to our gully's was finally ready and we started
- 27:56out of the mines, I I took a long last look down at the
- 28:02gaping, dirty, lonely pit that was the Beyons in diamond Field. And
- 28:07then as we headed north into the border, I settled back and thought about
- 28:12my own diamond Field, the one that stretched out for fifty miles from the
- 28:18San Fernando valleyed a long beach in blazing brias. Yet in its own way,
- 28:26I knew it was just as dirty, just as lonely, and just
- 28:30as tough as the pit at Rislom, But it was my hometown. The
- 28:55Adventures of Philip Marlowe created by Raymond Chandler, star year Old Moore and are
- 29:00produced and directed by Norman McDonald. Script is by Meldonelli, Robert Mitchell,
- 29:04and Gene Levitt. Featured in the cast were Parley Bear, Betty Lou Gerson,
- 29:08Hans Conrad, Paul Dubov, Wilms Herbert and Nester Piva. The special
- 29:14music is by Richard o'uran. Be sure and be with us again next week
- 29:21when Philip Marlowe says, she had soft brown eyes in an accent, and
- 29:26she came to town with a job to do. But before it was done,
- 29:29death had struck three times. Then she was gone, and all because
- 29:33of thirty drops of pigeon's blood worth fifty thousand bucks. Later this evening on
- 29:51CBS, you'll hear a voice saying quietly, a tortoise told a household pest
- 29:56goodbye, goodbye, an MD, he said, you'll pass the test up
- 30:02in the sky. Those words are a magic key to fifty three thousand dollars
- 30:07in cash and prizes. Like to take a try at it, then be
- 30:11waiting for sing it again. CBS is our long fun fest of music,
- 30:15laughter and wonderful songs. Later tonight, on most of these same CBS stations,
- 30:19this is Roy Rowan speaking. Now stay tuned for Gangbusters, which follows
- 30:25immediately over most of these same stations. This is CBS, the Columbia Broadcasting
- 30:33System. Welcome back. Well, the one thing I wonder is, from
- 30:49a logical standpoint, why wasn't a private detective from Phoenix, a lot closer
- 30:56to Tucson than Los Angeles. Why didn't they go to Phoenia. Well?
- 31:00I did some research, as this often promised me to do, and I
- 31:03found that in nineteen fifty Phoenix only had a population of one hundred and five
- 31:10thousand, while Los Angeles had nearly two million people. So the decision does
- 31:17make sense. I like the part where Marlow was concerned about being able to
- 31:22wipe the slime off his knuckles after hitting that one guy, which was an
- 31:26understandable act of revulsion. And of course, the basic gist of the ending
- 31:32is, yeah, he knows Los Angeles might be sleazy and corrupt, but
- 31:36when you come down to it, it's sleazy and corrupt, but it's home,
- 31:40all right. Well, that'll do it for today. We will be
- 31:42back tomorrow with Nick Carter, Master Detective, and then be sure and listen
- 31:48next Wednesday for another episode of the Adventures of Philip Marlow. In the meantime,
- 31:52sender comments to box thirteen at Great Detectives dot net. Follow us on
- 31:56Twitter at Radio Detectives, Become one of our friends on Facebook, Facebook dot
- 32:01Com. Slash Radio Detectives from Boise, Idaho. This is your host,
- 32:07Adam Grahamson and Off