Latest / The Bridge by Sammy Chand / October 20, 2026 — "Sammy talks to Nihaarika"
Transcript
- 0:00Speaker 1: South Asian music and culture can be.
- 0:02Speaker 2: Found around the world.
- 0:05Speaker 3: We track down the best and present it here for
- 0:08Speaker 3: you on Ruckus Avenue Radio.
- 0:15Speaker 4: Hi, this is Madhavan P. Bhasky and you're listening to
- 0:18Speaker 4: The Bridge with Sami Chand.
- 0:20Speaker 5: Hey, this is Jayad here and you're listening to The
- 0:23Speaker 5: Bridge with Sami Chand.
- 0:26Speaker 6: Hello, this is Dr.
- 0:27Speaker 7: Satyendra Sattar and.
- 0:28Speaker 8: You're listening to The Bridge hosted by my dear friend,
- 0:31Speaker 8: Sammy Chan on Ruckus Avenue Radio.
- 0:38Speaker 9: Thank you very much for finding the signal here on
- 0:40Speaker 9: a Tuesday morning. For all you folks listening to Ruckus
- 0:44Speaker 9: Avenue Radio, a big shout out. And wherever you may
- 0:49Speaker 9: be finding this signal on this planet, our gratitude to you.
- 0:57Speaker 9: When you talk about Tuesday shows, this is a special one.
- 1:02Speaker 9: Niharika is an artist that was previously signed to Sony Music.
- 1:10Speaker 9: And along the way decided that being an independent artist
- 1:14Speaker 9: was the best way for her. And that's a fascinating story.
- 1:20Speaker 9: Because usually artists don't go in that direction, they go
- 1:23Speaker 9: the other way. And if they did go in that direction,
- 1:27Speaker 9: it's usually something very conscious on the artist's side. They're
- 1:32Speaker 9: looking for autonomy, they're looking for creative freedom, they're looking
- 1:37Speaker 9: for a search for identity. And I guess in Niharika's case,
- 1:43Speaker 9: I'm really curious to see which one of those three
- 1:45Speaker 9: it was, or if it was some part of all
- 1:48Speaker 9: of those things, all in one answer. But a very
- 1:54Speaker 9: successful artist out there right now from Delhi. And I'm
- 1:58Speaker 9: going to talk to her about not only what it's
- 2:01Speaker 9: like to be out there as an independent artist, but
- 2:03Speaker 9: what she's got planned. Very exciting artist that we've been
- 2:11Speaker 9: keeping tabs of here on Ruckus Avenue Radio. Stay tuned
- 2:16Speaker 9: for Naharika today. Got Nish stopping by as we do
- 2:21Speaker 9: every Tuesday. We'll be joined by the Ruckus Avenue Radio All-Stars,
- 2:26Speaker 9: Dorita Dasgupta, and then we'll also be joined by Dr. Roy.
- 2:32Speaker 9: But today, folks, get ready for Niharika. So let's get
- 2:37Speaker 9: this show going, and we'll start with Arshdeep Maan. The
- 2:41Speaker 9: song is called Son Lage. Welcome to the bridge.
- 2:53Speaker 7: Aapni kamhai tere utte por dhu, Aapni kamhai tere utte
- 2:58Speaker 7: por dhu, Chattopair jaap daaya maala alde, So lagge une
- 3:04Speaker 7: maar muk jaanani, Tuchheti chheti gaal naal laala alde, So
- 3:09Speaker 7: lagge une maar muk jaanani, Tuchheti chheti gaal naal laala alde,
- 3:30Speaker 7: Tere baare ho sooch da khyaal je.
- 3:34Speaker 2: Pher toor aao tere.
- 3:36Speaker 7: Naal naal je Tere baar yo ho soch da khiyal
- 3:41Speaker 7: je Pher toor aao tere naal naal je Rab ne
- 3:46Speaker 7: yo soorth banai aisi hai Rab ne yo soorth banai.
- 3:50Speaker 10: Aisi hai Tupch bhi chade hunu pala alde Saun lagge
- 3:55Speaker 10: huni marmukh jana ni Tuchheti chheti kaal naal laala alde
- 3:59Speaker 10: Saun lagge huni marmukh jana ni Tuchheti chheti kaal naal.
- 4:03Speaker 2: Laala Thank you. Jee kare soni ye jwani.
- 4:23Speaker 7: Te thwaardaan Kee kara kala tainu wekh wekh saardaan Tera
- 4:31Speaker 7: parichama ban kumda firhaan Tera parichama ban kumda firhaan Hai
- 4:37Speaker 7: me na tulaja milaaraan alre Saun lagge une marmuk janani Tucheti.
- 4:43Speaker 10: Cheti gaal naal laala alre Saun lagge une marmuk janani.
- 4:49Speaker 2: Tucheti cheti gaal naal laala alre.
- 4:55Speaker 7: Shaini da Arshdeep likhda ya geetni Milne di unu koi
- 5:01Speaker 7: deja tu tarikni Shainedaar Shadeep writes a song Now there
- 5:08Speaker 7: is no way to meet her Love is always before
- 5:11Speaker 7: you Love is always before you You won't get life again,
- 5:15Speaker 7: my dear When you are in love with her, you
- 5:19Speaker 7: will be in love with her You will be in
- 5:21Speaker 7: love with her, you will be.
- 5:22Speaker 2: In love with her.
- 5:34Speaker 9: The song debuted at number 10 on the Bridge Countdown show.
- 5:39Speaker 9: Thought we'd open up our Tuesday program with this one.
- 5:42Speaker 9: Arshti Paman, everybody. Hope you're enjoying yourselves wherever you are
- 5:48Speaker 9: on a Tuesday morning. I want to thank you. We've
- 5:50Speaker 9: got Niharika stopping by. In the meantime, here's Arjeet Singh
- 5:55Speaker 9: from the movie Udta Teer.
- 5:56Speaker 11: Ranjha Jogi Aparna Firda Teri Ata Vich Kamla Rama Takda
- 6:03Speaker 11: Teri Aani Tu Acha Beliya Ranjha Jogi Aparna Firda Teri
- 6:10Speaker 11: Ata Vich Kamla Rama.
- 6:12Speaker 2: Takda Teri Aani Tu.
- 6:17Speaker 11: Chann to bhi chunga tera mukhda hai jaana Chann tere
- 6:23Speaker 11: mukhda da hi tukda hai jaana Taino.
- 6:27Speaker 2: Takde rene vich lagda hai dil Bin tere.
- 6:32Speaker 11: Renda ukhda ukhda hai jaana Ruhedari teri My responsibility is
- 6:40Speaker 11: to live my life with you Listen to me.
- 6:45Speaker 12: My love.
- 6:59Speaker 11: Mere ranja jogiya parne fir da teri aataan.
- 7:03Speaker 2: Vich kamda Raava tak.
- 7:05Speaker 6: Da teri aani tu aaja beliya Ranja jogiya parne fir
- 7:11Speaker 6: da teri aataan.
- 7:13Speaker 2: Vich kamda Raava tak da teri aani tu aaja.
- 7:17Speaker 11: Beliya Ruhedari teri zimevari meri.
- 7:23Speaker 2: Wari tere te jind jaano.
- 7:29Speaker 11: Your kindness, your responsibility, my life depends on you. Listen
- 7:35Speaker 11: to me, my love. Listen to me, my love. I've
- 7:38Speaker 11: been roaming in your memories since I was a child.
- 7:43Speaker 11: I've been waiting for you.
- 7:55Speaker 9: Thank you.
- 8:17Speaker 2: I know, you know, the story of my heart.
- 8:19Speaker 6: My heart feels like it knows the whole world.
- 8:23Speaker 2: My prayer, my heaven, you are my heart.
- 8:25Speaker 6: Your friends, my friends, there.
- 8:28Speaker 11: Is no one more beautiful than you. Hoshi yari meri,
- 8:41Speaker 11: meha tere te kurpaano e Ruhedari teri, zimebari meri Arjit Singh,
- 8:52Speaker 11: lyrics by Amitabh Bhattacharya. It's Sachin Jigar's latest collection of
- 9:02Speaker 11: work under the Udta Deer soundtrack.
- 9:20Speaker 9: Play some more songs from that. Keep your eyes and
- 9:22Speaker 9: ears open for that. The song is called Chan. Folks,
- 9:27Speaker 9: this is only nine days away from the Painted Feelings
- 9:31Speaker 9: EP that is coming out. Telvinder's latest one. Telvinder also
- 9:36Speaker 9: has a Telvinder Hour here on Ruckus Avenue Radio that
- 9:39Speaker 9: you need to go check out. This song is called
- 9:42Speaker 9: Mangda Vapas Kyun.
- 9:50Speaker 13: First you used to laugh at me You used to
- 9:53Speaker 13: harass me Now you talk about why not, why not,
- 9:55Speaker 13: why not, why not, why not First.
- 9:58Speaker 2: You used to laugh at me You used to harass me.
- 10:21Speaker 13: Hey you, you didn't value me, I fought the world
- 10:24Speaker 13: behind you, I didn't see you for a while. Hey you,
- 10:27Speaker 13: you didn't value me, I fought the world behind.
- 10:29Speaker 2: You, I didn't see you.
- 10:31Speaker 14: For a while.
- 10:32Speaker 15: Why are you coming back, why did you lose me,
- 10:34Speaker 15: why did you lose me, why? .
- 11:14Speaker 13: .
- 11:19Speaker 16: Toh kendi mai chhuta ki ta ki nahi tere lai
- 11:24Speaker 16: Saade pyaar da bhuta paani paaya vi sukha Toh kendi
- 11:30Speaker 16: mai chhuta ki ta ki nahi tere lai Saade pyaar
- 11:35Speaker 16: da bhuta paani paaya vi sukha.
- 11:38Speaker 2: Yeh sukh gaya kyun?
- 11:39Speaker 13: Mainu das ja tu me tiyan nahi rakhaya kyun? Hun
- 11:43Speaker 13: pashta mega main teri banke rahna nahi hun What did
- 11:50Speaker 13: you lose?
- 11:51Speaker 2: What did you get from me? What did you get
- 11:55Speaker 2: from me? What did you get from me?
- 11:58Speaker 17: What did you get from me?
- 12:00Speaker 13: What did you get from me?
- 12:02Speaker 2: What did you get from me? What did you get
- 12:04Speaker 2: from me?
- 12:28Speaker 9: Produced by NDS. Featuring Kit J.
- 12:31Speaker 18: West.
- 12:32Speaker 9: Now it's time for Dr.
- 12:35Speaker 2: Roy.
- 12:35Speaker 17: Hey guys, this is Dr.
- 12:37Speaker 2: Roy with today's Word on the Avenue.
- 12:39Speaker 17: In film and TV news... Indian musical icon Shreya Kaushal
- 12:43Speaker 17: is making headlines amid reports that she may join the
- 12:46Speaker 17: Recording Academy's Grammy Awards voting body, a role that allows
- 12:50Speaker 17: members to participate in selecting nominees and winners. Celebrated for
- 12:54Speaker 17: her contributions to Indian music across multiple languages, Kaushal could
- 12:59Speaker 17: reach another major milestone in her career, although her voting
- 13:02Speaker 17: membership has not yet been officially confirmed by the Recording Academy.
- 13:07Speaker 2: In media news... MAC.
- 13:08Speaker 17: Cosmetics Canada is celebrating the beauty of Indian festive traditions
- 13:12Speaker 17: through the stories of four makeup influencers whose getting-ready rituals
- 13:17Speaker 17: are rooted in family memories and cultural heritage. From jasmine
- 13:21Speaker 17: flowers and gajal to the glow of diyas and the
- 13:23Speaker 17: familiar scent of MAC lipstick, the campaign captures how festive
- 13:27Speaker 17: beauty connects generations through memory, meaning, and the feeling of home.
- 13:33Speaker 2: In event news.
- 13:34Speaker 17: South African jurist of Indian Tamil origin Navanetham Navipillai has
- 13:40Speaker 17: been awarded the 2026 Nobel Peace Prize for her lifelong
- 13:44Speaker 17: efforts to advance human rights, peace, and international justice. The
- 13:49Speaker 17: 85-year-old former UN High Commissioner for Human Rights began her
- 13:53Speaker 17: career defending anti-apartheid activities and later helped establish sexual violence
- 14:00Speaker 17: as a prosecutable crime under international law, earning recognition for
- 14:05Speaker 17: her decades of work holding perpetrators of serious crimes accountable.
- 14:10Speaker 17: That's it for today's Word on the Avenue.
- 14:12Speaker 2: Until next time.
- 14:13Speaker 9: Thank you very much, Dr.
- 14:15Speaker 2: Roy.
- 14:16Speaker 9: This song we've got for you is a song by
- 14:18Speaker 9: an artist named Nijr. The song is called Baddie.
- 14:22Speaker 11: Baddie.
- 14:45Speaker 19: Jattbari o lehnde O rehri pappa par kaartunga aad ki
- 14:48Speaker 19: Tu jattbari.
- 14:48Speaker 2: O lehnde They are sitting in the dark, they.
- 15:07Speaker 9: Are not doing their mission.
- 15:08Speaker 2: It's true, God is doing it. There is no one
- 15:09Speaker 2: who breaks the rules of the day. There is no
- 15:12Speaker 2: one who wants to go and beat people up. They
- 15:13Speaker 2: break the rules of the day. See who is right
- 15:15Speaker 2: and who is wrong. There is no one who.
- 15:17Speaker 19: Is right and who is wrong. There is no one
- 15:19Speaker 19: who is right and who is wrong. There is no
- 15:21Speaker 19: one who is right and who is wrong. There is
- 15:23Speaker 19: no one who is right and who is wrong.
- 15:25Speaker 2: There is no one who is right and who is wrong.
- 15:26Speaker 2: There is no one who is right and who is wrong.
- 15:28Speaker 2: There is no one who is right and.
- 15:31Speaker 9: Who is wrong.
- 15:32Speaker 2: There is no one who is right and who is wrong.
- 15:36Speaker 2: I will do it on my dad I will do
- 15:40Speaker 2: it on my dad You are.
- 15:41Speaker 19: The king of the land I will make you sit
- 15:45Speaker 19: on the cot You are the king of the land
- 15:48Speaker 19: I will do it on my dad You are the
- 15:51Speaker 19: king of the land My mother used to say that
- 16:08Speaker 19: I am like a diamond She used to look at
- 16:10Speaker 19: me and say that I am like a diamond She
- 16:12Speaker 19: used to look at me and say that I am
- 16:14Speaker 19: like a diamond She used to look at me and
- 16:17Speaker 19: say that I am.
- 16:18Speaker 2: A diamond.
- 16:27Speaker 19: .
- 16:30Speaker 2: .
- 16:34Speaker 19: .
- 16:50Speaker 2: Hold on a day.
- 17:19Speaker 3: I do a top 10 playlist. Y'all come by, y'all enjoy,
- 17:23Speaker 3: and we have an amazing time. And you get to
- 17:25Speaker 3: go home saying, I knew that artist before it was cool.
- 17:28Speaker 3: So tune in every Tuesday at 8 p.m. EST for
- 17:31Speaker 3: the Garage Mahal, exclusively on Ruckus Avenue Radio.
- 17:35Speaker 9: Thank you very much, Nish.
- 17:36Speaker 1: We'll tune in today at 8 p.m.
- 17:38Speaker 9: Eastern.
- 17:39Speaker 2: Thank you.
- 17:53Speaker 19: I'm in the middle of a plaza, I'm in the
- 17:56Speaker 19: middle of a river. I'm like you, I don't even
- 17:58Speaker 19: remember your face. You have black eyes, you don't even
- 18:01Speaker 19: look at women. You don't even wear a black suit.
- 18:03Speaker 19: You don't live, you.
- 18:04Speaker 2: Don't even live.
- 18:05Speaker 19: Tell me, you don't even look at women. I saw
- 18:08Speaker 19: you in the moon, I.
- 18:09Speaker 2: Gave you a kiss.
- 18:10Speaker 19: Your face was bigger than the moon. Your head went
- 18:12Speaker 19: up and down. I'll take you to America without us.
- 18:15Speaker 19: I'm in the middle of a plaza, I'm in the
- 18:17Speaker 19: middle of a plaza. I'm in the middle of a
- 18:40Speaker 19: .
- 18:41Speaker 2: .
- 18:53Speaker 19: In dollars, the currency of Canada is running. All the
- 18:55Speaker 19: Jews are playing with the pilot. We have kept the
- 18:58Speaker 19: lives of animals in our pockets. There is no need
- 19:01Speaker 19: for them, we don't have to buy them. We don't
- 19:03Speaker 19: have to buy the meat of the Narjigarh. We don't
- 19:06Speaker 19: have to buy the Jatmele and Tulambe in Dindi. We
- 19:08Speaker 19: don't have to buy them in open accounts.
- 19:10Speaker 2: We are one, our passion is one. We make fashion
- 19:13Speaker 2: on our pockets. We are one, our captain is one.
- 19:16Speaker 2: We are one, our level is one. Formula one, two
- 19:20Speaker 2: G-wagons are one.
- 19:21Speaker 19: Today with you, Let's smoke a cigarette We don't have
- 19:24Speaker 19: money in our bank, we are board bank zombies We
- 19:26Speaker 19: don't eat PGA, we don't eat Zirni We don't care
- 19:28Speaker 19: about the.
- 19:29Speaker 2: Tank Noor-e-Mittra They brought us here.
- 19:30Speaker 19: They brought us here Our journey is written in the
- 19:34Speaker 19: air Our dictionary is filled with love But the chain
- 19:37Speaker 19: goes and runs in our eyes We don't go to
- 19:40Speaker 19: the gym, let's go on a train Let's get rid
- 19:41Speaker 19: of the.
- 19:42Speaker 2: Jealousy in the day.
- 19:43Speaker 19: Let's get rid of the jealousy in the day Let's
- 19:46Speaker 19: get rid of the jealousy in the day Gur Sidhu, Kaptan,
- 19:41Speaker 19: the song called Breezy.
- 20:05Speaker 9: Big show ahead for you guys today. We're going to
- 20:07Speaker 9: be talking to Niharika all the way from Delhi. Tuning
- 20:11Speaker 9: in with her on a late Tuesday night over there.
- 20:15Speaker 9: Looking forward to it. And then, of course, tomorrow and Thursday,
- 20:19Speaker 9: we're going to be talking to Amal Malik.
- 20:23Speaker 2: A two-day interview.
- 20:25Speaker 9: How about that? This is his song with Arijit Singh
- 20:28Speaker 9: called Yeh Avarapan.
- 20:30Speaker 8: Mere Zindagi To listen to Oh Oh Oh Oh Oh
- 21:17Speaker 8: Oh Yeah!
- 22:51Speaker 12: The city that once was empty, is now desolate All
- 23:02Speaker 12: happiness is lost.
- 23:40Speaker 20: Yeah.
- 24:10Speaker 21: Yeah!
- 24:50Speaker 9: I'm so excited about tomorrow, talking to Amal Malik. And
- 24:55Speaker 9: I've never done a two-day tribute-slash-interview session with somebody, so
- 25:00Speaker 9: it's the very first time that we're doing that. So
- 25:03Speaker 9: make sure you tune in tomorrow for that big episode
- 25:06Speaker 9: of The Bridge. We've got a big one still ahead.
- 25:09Speaker 9: Niharika's going to be stopping by here very shortly. We've
- 25:12Speaker 9: got Romi Huda with his latest song called Pump Up.
- 25:17Speaker 22: Ek jim ki laga hai, phir lat gaavro Tee se
- 25:19Speaker 22: tee se ke bana hai, phir pat gaavro Chatti me
- 25:22Speaker 22: bana hai, phir kat gaavro Na raha tat gaavro Ek
- 25:25Speaker 22: jim ki laga hai, phir lat gaavro Tee se tee
- 25:29Speaker 22: se ke bana hai, phir pat gaavro Chatti me bana hai,
- 25:32Speaker 22: phir kat gaavro Na raha.
- 25:34Speaker 2: Tat gaavro.
- 25:50Speaker 23: .
- 25:52Speaker 16: .
- 26:12Speaker 14: Chal maari rep palet badi jawe Chicken breast or egg
- 26:15Speaker 14: ki karet badi jawe Karu dhin pe dhin karo jab
- 26:18Speaker 14: bet badi jawe Mera khud mein reshiv mein roj feth
- 26:20Speaker 14: badi jawe.
- 26:21Speaker 22: In paave ko nagele ale jaaria mein In paave ge
- 26:24Speaker 22: ha bethe thunaria mein Ham surute re kranti kaaria mein
- 26:28Speaker 22: Ham surute reza ghillariya mein.
- 26:49Speaker 14: It's
- 26:50Speaker 14: Romi Hooda.
- 26:51Speaker 2: The song is called Pump Up.
- 27:18Speaker 9: Folks, we're getting ready to pull in Niharika into this episode,
- 27:22Speaker 9: and I thought about what song to play before we
- 27:25Speaker 9: bring her out. And I was thinking about doing something
- 27:28Speaker 9: with two artists that we've spoken to here on the show.
- 27:32Speaker 9: One is Bali, and the other one is Niharika, who
- 27:35Speaker 9: we're about to have on right after this. Stand by
- 27:38Speaker 9: for Niharika.
- 27:38Speaker 15: Niharika.
- 27:39Speaker 23: I don't know what to say, but it's a fun
- 27:41Speaker 23: fact I don't have any illness, I'm just sick I
- 27:45Speaker 23: don't have anything, I don't have their respect I hit
- 27:48Speaker 23: them in the face, I'm.
- 27:49Speaker 24: A failure, bad I met a fan, he said, bro,
- 27:52Speaker 24: we took your album We want to snort your powder,
- 27:56Speaker 24: tell come I go to the park, somewhere Rohit Sharma
- 27:59Speaker 24: tells me, you son of a bitch, tell come My
- 28:02Speaker 24: mind and tongue, I'm welcome I'm welcome means two things, Mishra,
- 28:06Speaker 24: you're welcome I'm crazy, I'm in everyone's shoes One cup
- 28:10Speaker 24: high and over time it is, wear the watch My
- 28:13Speaker 24: fight with me, I have a fist fight with these
- 28:15Speaker 24: hands I don't have a habit of speaking plainly, I
- 28:18Speaker 24: just sit quietly I stand up looking at the mirror
- 28:21Speaker 24: Because nowadays there are a lot of big people, get
- 28:24Speaker 24: up and sit My lips need a collab of your
- 28:27Speaker 24: cheeks Morning assembly, I want the most famous cab. You're
- 28:30Speaker 24: not a true fan if you don't want the name
- 28:33Speaker 24: of my name. To reach me, child.
- 28:34Speaker 9: Do you want a cab?
- 28:47Speaker 24: At the end of the year, I was making a
- 28:49Speaker 24: guest list for my wedding.
- 28:50Speaker 9: I was calling the industry and the on-core.
- 28:52Speaker 24: I was calling the industry and the on-core.
- 28:54Speaker 2: I was calling the industry and the on-core. I was
- 28:56Speaker 2: calling the industry and the on-core.
- 28:57Speaker 9: I was calling the industry and the on-core.
- 28:59Speaker 24: I was calling the industry and the on-core. and ladies and.
- 29:39Speaker 9: And ladies and gentlemen, all the way from Delhi here
- 29:42Speaker 9: on a night time over there and a morning over
- 29:44Speaker 9: here for us.
- 29:45Speaker 1: It's the wonderful Niharika.
- 29:47Speaker 9: How are you?
- 29:47Speaker 25: Hi, I'm really, really excited and happy to be speaking
- 29:54Speaker 25: to you. And yeah, thank you for spending your time
- 29:58Speaker 25: as well for me.
- 29:58Speaker 4: It means a lot.
- 29:59Speaker 1: Oh, well, it's a true treat for us to be
- 30:02Speaker 1: talking to you.
- 30:03Speaker 9: And Niharika, I wanted to, first of all, let's start
- 30:07Speaker 9: this conversation by asking you the first question, which is,
- 30:10Speaker 9: says a multigrain artist. What is exactly a multigrain artist?
- 30:14Speaker 9: And most importantly, what are those grains that you're referring to?
- 30:19Speaker 25: Well you know if I were a bread I would
- 30:22Speaker 25: be the multigrain one and.
- 30:26Speaker 4: So it was just to add a little bit of
- 30:28Speaker 4: humor in my Instagram profile.
- 30:29Speaker 25: Because I feel like social media shouldn't be taken as
- 30:32Speaker 25: seriously as people are taking it these days even though
- 30:35Speaker 25: I genuinely feel it should be used for you know
- 30:37Speaker 25: talking about the important thing but I like to I'm
- 30:40Speaker 25: the kind of person who likes to find the humor
- 30:42Speaker 25: in the most serious situations so yeah that was just
- 30:45Speaker 25: my attempt at making a light-hearted bio and multigrain because
- 30:49Speaker 25: i feel like uh my the kind of music i
- 30:53Speaker 25: do and i want to do is just versatile and
- 30:56Speaker 25: not be limited to one genre or one kind of
- 30:59Speaker 25: uh one kind of category i genuinely want to explore
- 31:04Speaker 25: music and with music explore myself also.
- 31:07Speaker 9: Yeah i could we could tell that of course from
- 31:10Speaker 9: delhi you've been putting out music through even people like
- 31:13Speaker 9: sony music since Back in 2024, and your story continues
- 31:18Speaker 9: with the music that you put out even now. And
- 31:20Speaker 9: when you, growing up in an environment like Delhi, where
- 31:24Speaker 9: the culture is all around you, and call yourself a
- 31:26Speaker 9: multigrain artist, to me, I think that the analogy sits
- 31:30Speaker 9: in the fact that I think you probably have so
- 31:32Speaker 9: many different influences.
- 31:34Speaker 1: I'll tell you very honestly, the only thing I'm inspired
- 31:36Speaker 1: by is.
- 31:53Speaker 25: Creating a change in my family generations that have been
- 31:57Speaker 25: going on. No other influences, no big story to tell,
- 32:01Speaker 25: but I am just a middle-class girl with dreams. I
- 32:03Speaker 25: know it sounds too cliche, but in my whole family,
- 32:08Speaker 25: everyone's either a doctor or an engineer. Education is very important.
- 32:13Speaker 25: And as I said, not even education, but degree is
- 32:16Speaker 25: very important.
- 32:17Speaker 1: A good distinction. Very good distinction to make.
- 32:20Speaker 12: Yes.
- 32:22Speaker 25: Yeah and I don't know I just feel like I
- 32:27Speaker 25: learned more about the world and myself through music not
- 32:32Speaker 25: through but like the process of making music just sitting
- 32:35Speaker 25: idle and letting my mind wander made me stomp on
- 32:39Speaker 25: questions that I would have not otherwise and I think
- 32:42Speaker 25: they have helped me a lot in shaping the kind
- 32:44Speaker 25: of person I am or I want to become generally
- 32:47Speaker 25: so I think music plays a huge role in that
- 32:50Speaker 25: and yeah, that's what inspires me to be the kind
- 32:55Speaker 25: of person I think in my head Niharika should be.
- 32:57Speaker 9: Yeah, I hear you. This is a really interesting story
- 33:01Speaker 9: that I've picked up about you because you put out
- 33:04Speaker 9: your work through Sony and then all of a sudden
- 33:08Speaker 9: you are in a place where you take on the
- 33:12Speaker 9: fight as the independent artist, to me, which is the best.
- 33:15Speaker 9: You get to be who you are, you get to
- 33:18Speaker 9: put the music out that you like to do, and
- 33:21Speaker 9: For me, what was that decision like for you? You've
- 33:24Speaker 9: built this career, this kind of story. You get signed
- 33:28Speaker 9: by Sony. You put that project out. And I think
- 33:30Speaker 9: we all learn from those things. Being on a label
- 33:33Speaker 9: is great. It's not everything all the time. You definitely
- 33:36Speaker 9: get what you get from it. But there is this
- 33:37Speaker 9: level of becoming an artist. But there's a decision behind
- 33:40Speaker 9: that usually. Guide me through the moment when you were like,
- 33:43Speaker 9: you know what? I'm going to go this direction because
- 33:45Speaker 9: this is what I really want to go. And this
- 33:48Speaker 9: is how I want to express myself.
- 33:52Speaker 25: Yeah, I feel like I've been really blessed and that
- 33:56Speaker 25: I got that opportunity to work with Sony Music India
- 33:59Speaker 25: very early on. And it worked both in my favor
- 34:03Speaker 25: and against me as well because I was very new
- 34:06Speaker 25: to the whole music industry and just to music in general,
- 34:09Speaker 25: making my own music and trying to understand what kind
- 34:12Speaker 25: of music I resonate with the most. So while working
- 34:16Speaker 25: with a label as big as Sony Music India, I
- 34:20Speaker 25: realized that I do not know myself enough to tell
- 34:24Speaker 25: people who I am or what I stand for or what.
- 34:27Speaker 4: I believe in.
- 34:28Speaker 25: As a girl from India or to be specific, we
- 34:33Speaker 25: always usually have a very protected upbringing wherein all the
- 34:36Speaker 25: decisions are made for us. We never usually, and they
- 34:40Speaker 25: can be good and bad both. I'm not saying they're
- 34:42Speaker 25: usually bad, but yeah, most of our decisions are made
- 34:46Speaker 25: for ourselves, made for.
- 34:47Speaker 4: Us by other people. So when I got this huge opportunity,
- 34:51Speaker 4: I was just confused. Okay, I have the platform.
- 34:54Speaker 25: And I know how to make art, but I don't
- 34:56Speaker 25: really know how to make the most of it or what.
- 35:00Speaker 4: Exactly I want to do.
- 35:02Speaker 25: So I made the decision that after this contract gets over,
- 35:06Speaker 25: I want to be independent. Not because I have anything
- 35:09Speaker 25: against labels or.
- 35:12Speaker 4: I feel like it's an opportunity and it's on you
- 35:14Speaker 4: what you make the most of, what you make most
- 35:17Speaker 4: of it.
- 35:18Speaker 25: But I wanted to be independent so that I can
- 35:22Speaker 25: actually understand my journey better. And I feel like you
- 35:25Speaker 25: can do that only when you hustle.
- 35:28Speaker 4: And go through the mud.
- 35:33Speaker 25: And on top of all of these things, I genuinely
- 35:35Speaker 25: believed in my art. I loved my songs and I
- 35:39Speaker 25: genuinely felt like if it reached people, they would like it.
- 35:42Speaker 4: And most importantly, I liked them. So I had lots
- 35:45Speaker 4: and lots of fun performing it.
- 35:47Speaker 25: And I enjoyed having the freedom of experimenting. And it's
- 35:51Speaker 25: okay when it's a flop. I can say that I
- 35:53Speaker 25: tried a new thing.
- 35:54Speaker 4: And I feel like that really was experience. So I
- 35:58Speaker 4: just went for it. Yeah.
- 36:00Speaker 2: Absolutely.
- 36:01Speaker 9: Niharika, there's something that I'm hearing in your story, which
- 36:04Speaker 9: is perhaps an acknowledgement of something, and I'm not calling
- 36:09Speaker 9: out any labels by any means.
- 36:11Speaker 1: We work a lot with all the labels.
- 36:12Speaker 9: It's more so from the artist's perspective, which I hear
- 36:16Speaker 9: quite a bit, which is one of the things that
- 36:19Speaker 9: our labels... out there still quite don't do very well
- 36:23Speaker 9: is establish a narrative around the artist, but still something
- 36:26Speaker 9: that they're getting into. I think they're learning how to
- 36:29Speaker 9: do it, as we all do. And the nature of
- 36:31Speaker 9: how they deal with their artists in terms of contractually
- 36:35Speaker 9: puts them in very difficult dynamics to really have the
- 36:39Speaker 9: runway to establish such a narrative. I get the feeling
- 36:42Speaker 9: that one of the movements that you considered in this
- 36:46Speaker 9: independent side is that you get to, as you put it,
- 36:50Speaker 9: go through the hustle and go through the mud. And
- 36:51Speaker 9: to me, that is establishing a narrative out there where
- 36:54Speaker 9: people can start to know who you are based on
- 36:57Speaker 9: the virtues that you put out there. Okay, now, my
- 36:59Speaker 9: question to you is this. Do you recognize the same thing?
- 37:02Speaker 9: Do you think that artists, when they're going out there,
- 37:06Speaker 9: whether they're independent or not, it doesn't matter, but do
- 37:09Speaker 9: you think artists need to pay more attention to the
- 37:12Speaker 9: narrative that they're putting out, not just the music?
- 37:14Speaker 8: 100%.
- 37:18Speaker 25: I think if they want a long-term success, there needs
- 37:22Speaker 25: to be something they stand for other than just making
- 37:26Speaker 25: good songs. Because every day, 10 lakh people do that, sir.
- 37:30Speaker 4: Yeah. And they're making good songs too.
- 37:32Speaker 25: But as a brand, what do you want to be?
- 37:35Speaker 25: I feel like when you work with labels or any
- 37:37Speaker 25: other business part of the music.
- 37:42Speaker 4: So those people just.
- 37:46Speaker 25: But you need to decide for yourself how you want
- 37:52Speaker 25: to be represented and what kind of person you want
- 37:55Speaker 25: to be as an artist because you have the platform,
- 37:58Speaker 25: you have the voice and what do you want to
- 38:00Speaker 25: use it for? If you want to just use it
- 38:02Speaker 25: for making money, then that's your way.
- 38:04Speaker 4: I don't think there's no judgment at all.
- 38:06Speaker 25: But if you want to If you feel like you
- 38:10Speaker 25: want to make a difference, there needs to be something
- 38:12Speaker 25: you need to stand for. And that you can do
- 38:16Speaker 25: by spending time with yourself and learning a little bit
- 38:20Speaker 25: about yourself, having a little bit of knowledge about what's happening,
- 38:24Speaker 25: what's not happening. Being under a protected shelter kind of
- 38:28Speaker 25: distracts you from all of those things.
- 38:31Speaker 4: That's correct. Put. So.
- 38:32Speaker 9: Yeah.
- 38:53Speaker 4: So I think if you want to create.
- 38:54Speaker 25: An impact, if you want to create a difference, then
- 38:57Speaker 25: 100% you need to have a narrative.
- 38:59Speaker 4: Be it wrong or right, but have an opinion. So
- 39:01Speaker 4: that people are talking about things that matter.
- 39:05Speaker 1: Incredible.
- 39:06Speaker 9: Thank you very much for that. That was a great answer.
- 39:08Speaker 9: And there is no real right answer, but that's the
- 39:11Speaker 9: right answer.
- 39:12Speaker 2: Seven crores.
- 39:16Speaker 9: That was really interesting. I noticed after your Gurgaon performance
- 39:20Speaker 9: this summer, you posted something that was really interesting. You said,
- 39:23Speaker 9: I love singing, I love performing, I love being an artist.
- 39:27Speaker 9: I was going to ask you, what happened that night?
- 39:30Speaker 9: to make you declare that in that way? And I
- 39:33Speaker 9: know that there is a, I don't know, people would say, oh,
- 39:36Speaker 9: she just came off the stage. She was feeling the
- 39:37Speaker 9: vibe and she did that. But I get that there
- 39:39Speaker 9: was probably more to it than just that.
- 39:42Speaker 4: Yeah, you know what?
- 39:44Speaker 25: Honestly, those people didn't pay me one penny. Everything that
- 39:49Speaker 25: went was out of my pocket. All I got was
- 39:53Speaker 25: the stage and I enjoyed.
- 39:55Speaker 4: Every second of it. And that's when I realized I'm
- 39:59Speaker 4: doing it for the moment and not for anything else.
- 40:01Speaker 4: And I'm just like, I love this, man. I love
- 40:03Speaker 4: being an artist.
- 40:04Speaker 25: I love performing myself. I love getting reactions out of people.
- 40:07Speaker 25: I love when people like me and I love when
- 40:09Speaker 25: they talk to me.
- 40:10Speaker 4: So, Yeah, that's all.
- 40:12Speaker 25: I really enjoy every bit of it, 100%.
- 40:15Speaker 9: I wanted to pull up a song title that I noticed.
- 40:19Speaker 9: I always look at artists' song titles. It tells me
- 40:21Speaker 9: a lot about them. It's a funny thing that I have.
- 40:24Speaker 9: And I go through it, and I saw one title
- 40:26Speaker 9: that you recently put out. It was called Urdu Mi Gita.
- 40:29Speaker 9: And I stopped at it and I was like, okay,
- 40:33Speaker 9: I'm going to listen to this. And I listened to it,
- 40:34Speaker 9: but I wanted to ask you, those are two interesting
- 40:37Speaker 9: words to put side by side. And it's essentially from
- 40:40Speaker 9: a cultural level. I think that beyond just the obvious,
- 40:44Speaker 9: how did people react to the title? And then before
- 40:46Speaker 9: you can even tell me that, what is the song
- 40:48Speaker 9: about from your eyes?
- 40:50Speaker 18: The song was basically about me being done with, all
- 40:58Speaker 18: the rules and regulations and ideologies and beliefs.
- 41:03Speaker 4: I was just lost. I was just, I didn't know
- 41:07Speaker 4: what exactly.
- 41:09Speaker 25: I was just sharing my experience of when I was
- 41:12Speaker 25: just feeling like all the things that are important to
- 41:17Speaker 25: people around me, like religion, to talk about. It's a
- 41:22Speaker 25: sensitive topic, but I feel like you should be talking
- 41:25Speaker 25: about sensitive things so that they are not as sensitive
- 41:28Speaker 25: as they are you know so things like religion or
- 41:34Speaker 25: things like I would say things that create a difference
- 41:39Speaker 25: between one person to the other it could be anything
- 41:43Speaker 25: and when sitting in when I was.
- 41:44Speaker 4: Sitting in my room alone.
- 41:47Speaker 25: I just needed a friend one friend who could just
- 41:51Speaker 25: be what I wanted them to be at that moment
- 41:54Speaker 25: and I didn't care what race they were from, what
- 41:57Speaker 25: religion they were from, what was their age or what was,
- 42:02Speaker 25: you know, their political view.
- 42:03Speaker 4: I just wanted some human connection. And, uh, that is,
- 42:07Speaker 4: that song is all about that beneath all of this. Sure.
- 42:12Speaker 4: And loudness.
- 42:14Speaker 25: There is a silence, which where we all come together.
- 42:18Speaker 25: I think.
- 42:19Speaker 26: Yeah. Yeah.
- 42:21Speaker 1: I appreciate you putting that in front of people.
- 42:23Speaker 9: It's a, beautiful song and a topic that I think
- 42:26Speaker 9: that a lot of people need to hear.
- 42:28Speaker 1: And so thank you for sharing that with the world.
- 42:32Speaker 9: My audience is very globally based. They are here in
- 42:36Speaker 9: North America, but they are in all of the places
- 42:40Speaker 9: that the diaspora exists.
- 42:42Speaker 1: And it's a very interesting market.
- 42:44Speaker 9: And I recently had the great Nayab Mida on the
- 42:48Speaker 9: show who toured North America. And I asked her, I said,
- 42:51Speaker 9: there's one thing What was the one thing you took
- 42:53Speaker 9: away from being here?
- 42:53Speaker 1: And she said something interesting. She said, the fact that
- 42:56Speaker 1: we are so similar.
- 42:58Speaker 9: And when we're in India, we look at the Indian
- 43:00Speaker 9: people that have moved out or in the diaspora, whatever
- 43:03Speaker 9: it might be, as being somebody that we're not sure
- 43:06Speaker 9: that really connect to us. But she said that she
- 43:08Speaker 9: was pleasantly surprised in just how small.
- 43:11Speaker 1: The Indian community feels, no matter where they go around
- 43:15Speaker 1: the world. As a music maker.
- 43:17Speaker 9: Do you now consider the Indian people around the world
- 43:21Speaker 9: when you write your songs? And furthermore, in a moment
- 43:24Speaker 9: where Indian music is spreading the way it is and
- 43:27Speaker 9: it's now starting to cross boundaries in certain ways, how
- 43:31Speaker 9: big is the world that you make music for now?
- 43:37Speaker 4: Yeah, I'll be very honest. I just make art for myself.
- 43:42Speaker 25: I am not the kind of person who... I want
- 43:45Speaker 25: to be, but I'm really not able to think from
- 43:50Speaker 25: the business POV of it. I feel like that takes
- 43:53Speaker 25: away the authenticity from it. If I consider, oh, what
- 43:58Speaker 25: would the person in Africa think.
- 43:59Speaker 4: About this song? Or what would the person sitting in
- 44:04Speaker 4: Europe think about this song? Then I would never be
- 44:06Speaker 4: able to come up.
- 44:07Speaker 1: With a song.
- 44:07Speaker 4: Of course.
- 44:10Speaker 25: So I'm in a room with two or three of
- 44:14Speaker 25: my friends. They start making a beat. I start jamming
- 44:18Speaker 25: on it. And whatever comes from within comes. And if
- 44:21Speaker 25: we like it, we relieve it.
- 44:23Speaker 4: If we feel.
- 44:24Speaker 25: Like it's something we can dance to when we perform,
- 44:27Speaker 25: we relieve it. I don't think too much about it.
- 44:30Speaker 25: And that is why I like it.
- 44:33Speaker 9: Niharika, there are a lot of great answers to give out.
- 44:35Speaker 9: And there are many right answers. But that right there
- 44:38Speaker 9: was the right answer.
- 44:40Speaker 2: I hope so.
- 44:41Speaker 4: That was the honest one, at least.
- 44:43Speaker 1: That's well put.
- 44:44Speaker 4: All right.
- 44:45Speaker 9: My last question for you is something that I love
- 44:49Speaker 9: to ask every artist that comes on the show here.
- 44:52Speaker 9: And that is, there is a young girl sitting somewhere
- 44:56Speaker 9: in Delhi.
- 44:57Speaker 1: And she is, I don't know, 9, 10, 11, 12.
- 45:01Speaker 1: I don't even know.
- 45:01Speaker 9: Somewhere in that kind of age. She looks at you
- 45:04Speaker 9: like you're the biggest hero in her life. She wants
- 45:07Speaker 9: to be like you one day. What advice would.
- 45:09Speaker 4: You give her? oh being like me never worked out for.
- 45:15Speaker 26: Me so don't be like me just be yourself girl
- 45:19Speaker 26: and yeah you'll figure it out there's.
- 45:21Speaker 4: Only one me there's only one you you do.
- 45:23Speaker 26: You that's all i have not had the best life
- 45:26Speaker 26: and i am not the best i'm not the best
- 45:28Speaker 26: decision maker i'm also figuring it.
- 45:30Speaker 25: Out on the way but one thing i would want
- 45:32Speaker 25: her to feel when she looks at me that And
- 45:35Speaker 25: I'm not saying with any, what do I say, self-hate
- 45:38Speaker 25: for myself. But if I'm being self-aware and very honest,
- 45:41Speaker 25: I'm not.
- 45:41Speaker 4: The most good-looking girl.
- 45:43Speaker 25: Or I don't come from the most rich background. No
- 45:46Speaker 25: one in my family has any music knowledge. And I
- 45:50Speaker 25: did not really think I could do this, honestly. I
- 45:55Speaker 25: thought it was too big of a dream for someone.
- 45:58Speaker 4: Like me to dream of. These things only happen to
- 46:01Speaker 4: big people.
- 46:03Speaker 25: And yeah, I still believed in myself and I felt.
- 46:17Speaker 9: Despite that, despite what you think of with, with complete
- 46:22Speaker 9: humility that you answered that question in my eyes, but
- 46:25Speaker 9: the empowering thing is Despite the humility in this, you
- 46:29Speaker 9: still decide to do what you do and put it out.
- 46:32Speaker 9: And to me, that's the empowering message here.
- 46:35Speaker 1: As you do. Yeah, Niharika. And so no matter what,
- 46:38Speaker 1: even in the humility of your answer.
- 46:40Speaker 9: There is so much power there in that response. So
- 46:43Speaker 9: thank you. Thank you for sharing that.
- 46:45Speaker 4: Thank you for asking. All right.
- 46:48Speaker 1: I'm going to pick a song here.
- 46:49Speaker 9: I want you to pick a song for me that
- 46:52Speaker 9: your audience should hear right now.
- 46:55Speaker 1: Or my audience, rather, should hear from you right now.
- 46:57Speaker 1: For my song?
- 46:58Speaker 16: Yeah.
- 46:59Speaker 1: Which song should I play for everybody?
- 47:02Speaker 4: Yeah, let's go for Urdu Megita.
- 47:04Speaker 27: Why not?
- 47:04Speaker 9: Let's do that.
- 47:05Speaker 1: We've talked about it a little bit, so why not
- 47:07Speaker 1: play that?
- 47:08Speaker 26: All right.
- 47:09Speaker 9: Nihayaka, please introduce this song for me, and let's sail
- 47:12Speaker 9: out into this song called Urdu Megita.
- 47:16Speaker 25: Yeah, so this song, everyone, whoever's listening, this song is
- 47:20Speaker 25: called Urdu Meg Gita. It was written, composed and sung
- 47:23Speaker 25: by me and produced by my brother Broji. Yeah, I
- 47:27Speaker 25: hope you all enjoy it and do whatever you want
- 47:30Speaker 25: with your.
- 47:31Speaker 9: Thank you, Niharika, for joining us today. It was a
- 47:34Speaker 9: complete treat to have you on the show. And for folks,
- 47:38Speaker 9: please go follow Niharika on Instagram. I'm going to send
- 47:41Speaker 9: a link on there and go check her out on
- 47:42Speaker 9: Ruckus Avenue radio socials as well. We're going to share
- 47:44Speaker 9: a world about her on there as well. Niharika, thanks
- 47:47Speaker 9: for coming on today on the bridge.
- 47:50Speaker 4: Most welcome. Beautiful feeling. So honored to speak to you again.
- 47:54Speaker 4: And yeah, thank you for having me.
- 47:56Speaker 9: Thank you. All right, folks.
- 47:58Speaker 2: Urdu Megita.
- 47:58Speaker 9: Here it is.
- 48:05Speaker 20: Thank you.
- 48:07Speaker 23: I sit quietly in my room, I don't like anything
- 48:10Speaker 23: Who is Geeta in Urdu? I don't like anything I
- 48:14Speaker 23: sit quietly in my room, I don't like anything Who
- 48:17Speaker 23: is Geeta in Urdu? I don't like anything I don't.
- 48:22Speaker 27: Like anything.
- 48:38Speaker 23: I can see that she's a guy shopping right now.
- 48:43Speaker 2: I left that.
- 48:44Speaker 23: Street where all the poets used to live I left
- 48:47Speaker 23: that street where all the cowards used to sit Neither
- 48:53Speaker 23: there is day nor night, there is sadness, there is
- 48:57Speaker 23: only peace all around I lost my job of hopelessness.
- 49:01Speaker 2: My eyes opened.
- 49:08Speaker 23: I've been sitting in my room quietly. I don't like anything.
- 49:13Speaker 23: I don't like anything.
- 49:15Speaker 2: I don't like anything.
- 49:10Speaker 23: Subchap mere mujhe kesi cheeze ka shok nahi Burdu me
- 49:15Speaker 23: gita kaun ka sahi Mujhe kesi cheeze ka shok nahi
- 49:20Speaker 23: Tabse kamere me baithoon Subchap mere mujhe kesi cheeze ka
- 49:25Speaker 23: shok nahi It's Niharika, everybody.
- 49:37Speaker 9: And I'm going to share some closing remarks on her
- 49:41Speaker 9: very shortly. That's a cool song. Urdu Megita Niharika, everybody.
- 49:49Speaker 9: And how lovely was it to talk to her? You know,
- 49:53Speaker 9: we've been doing this show for quite a while. And
- 49:57Speaker 9: it never goes past us. to really respect and recognize
- 50:02Speaker 9: how much the artists do to be so open with
- 50:06Speaker 9: us and share their story and be so vulnerable on
- 50:09Speaker 9: the air. It's not easy. So shout out to Niharika
- 50:12Speaker 9: and shout out to all the other artists that get
- 50:14Speaker 9: on the air and share their story. Here's Doita for
- 50:17Speaker 9: you guys.
- 50:18Speaker 2: Thanks, Sammy.
- 50:18Speaker 8: Hi, everyone.
- 50:19Speaker 21: This is Doita Tashkupta, your Ruckus Avenue radio music correspondent,
- 50:22Speaker 21: back with some fun facts about your favorite artists. Did
- 50:25Speaker 21: you know that Pritam began studying for a master's degree
- 50:28Speaker 21: in science after earning a bachelor's degree in geology? His
- 50:32Speaker 21: dream of becoming a musician, however, had taken a backseat
- 50:35Speaker 21: as a result. So, Pritam dropped out of his master's
- 50:38Speaker 21: program and enrolled in a sound recording and engineering course
- 50:41Speaker 21: at FTII Pune, India.
- 50:44Speaker 1: Well, that's all from me.
- 50:45Speaker 21: Now back to you, Sammy.
- 50:46Speaker 9: Thank you so much, Doita. That's got to be one
- 50:49Speaker 9: of my favorite artist spotlight stories out there. Somebody that...
- 50:54Speaker 9: You know, by all accounts, you listen to that story
- 50:56Speaker 9: there by Doita, and thanks, Doita, by the way. You
- 50:59Speaker 9: get the feeling that it almost didn't happen for him.
- 51:03Speaker 9: You know, but it did. And we're all so fortunate
- 51:07Speaker 9: because of it. This is Britham. The song is called
- 51:11Speaker 9: Tu Hi Dista, and it's with his long-term collaborator, Arjun Singh.
- 51:15Speaker 21: Ruby!
- 53:44Speaker 20: Jitna bhi hai yeh zafar Ik jaisa saari umar Reh
- 53:53Speaker 20: nahi sakta Oh yaara ishq yeh jadoosa hai Bazaaro me.
- 54:01Speaker 28: Yeh nahi bikta Hai lakho me bhi tu aaya nazar
- 54:07Speaker 28: Bazaaro me bhi tu hi ik tha.
- 54:11Speaker 4: Tu hi.
- 54:25Speaker 9: Good night. Dijit Singh, Jonita Gandhi, and Preetam. The song
- 55:23Speaker 9: is called Tuhi Disda. And a big shout out to
- 55:28Speaker 9: Niharika for joining us today. And let me tell you
- 55:31Speaker 9: guys what you just heard today. A girl from UP
- 55:34Speaker 9: from a family of doctors and engineers where, in her words,
- 55:38Speaker 9: it wasn't even about the education that got the priority.
- 55:41Speaker 9: It was the degree. Nobody in that house knew a
- 55:44Speaker 9: thing about music, and she thought this dream was only
- 55:46Speaker 9: for big people. Then the big people called. Sony Music India.
- 55:50Speaker 12: Early.
- 55:51Speaker 9: The thing every young artist prays for. And she told
- 55:54Speaker 9: you the truth about it. She had the platform. She
- 55:57Speaker 9: knew how to make the art. And she didn't know
- 56:00Speaker 9: herself well enough yet to tell anyone who she was.
- 56:03Speaker 9: So when the artist's contract ended, she did something most
- 56:07Speaker 9: artists would never do on purpose. She walked away from
- 56:10Speaker 9: the shelter. Not against labels. But for herself. Because in
- 56:15Speaker 9: her words... You only understand your own journey when you
- 56:18Speaker 9: hustle and go through the mud. And here's what she
- 56:22Speaker 9: figured out in the mud. Ten lakh people are making
- 56:26Speaker 9: good songs every day. The rare thing is standing for something.
- 56:30Speaker 9: And you can't give words to a struggle you've never
- 56:33Speaker 9: felt yourself. She wrote Uddu Megita alone in her room,
- 56:38Speaker 9: needing one friend and not caring what religion, race, age,
- 56:41Speaker 9: or politics that friend came with. Beneath all the noise,
- 56:46Speaker 9: she said, there's a silence where we all come together.
- 56:49Speaker 9: And when you asked what she'd tell a young girl
- 56:51Speaker 9: in Delhi who wants to be her, she said, don't
- 56:54Speaker 9: be like me. Be yourself. Because if I can do this,
- 56:59Speaker 9: anybody can. Call her a multigrain artist if you want.
- 57:03Speaker 9: I'd call her an artist who went looking for herself
- 57:06Speaker 9: and came back.
- 57:08Speaker 1: Niharika.
- 57:09Speaker 9: You heard it here on the bridge, folks. Have a
- 57:12Speaker 9: great day, everybody. I'll see you tomorrow. We'll be joined
- 57:14Speaker 9: by Amal Malik on a very interesting interview. Have a
- 57:18Speaker 9: great day.
- 57:28Speaker 5: Aankho pe chashme chadha liye ki sabko dekhe ye chaira
- 57:30Speaker 5: hasta hua Ruki ni saase to chal pada fir aur
- 57:33Speaker 5: kandho pe baste utha liye Duniya kumariye mai bhi kamaal
- 57:37Speaker 5: hu dekho na ghoomte jaara hu Ki toote na himmat
- 57:40Speaker 5: isliye tasweer ko maa ki mai choomte jaara hu Mili
- 57:43Speaker 5: na manzil to chal pada mandir ko socha bhagwaan milenge
- 57:46Speaker 5: jo pehle se andar hai mujh me basa hua Mai
- 57:48Speaker 5: usko hi dhoonte jaara hu Hai garga wo chota jo
- 57:51Speaker 5: kandho pe zimmedari badi leke chala hai Jab betha wo
- 57:54Speaker 5: chhaon me utare chute tab jana wo kitna chala hai
- 57:58Speaker 5: He just knows that if you do good, then good
- 58:00Speaker 5: will happen. History is a witness that the one who
- 58:03Speaker 5: shares and eats, gets only less from God. The family
- 58:05Speaker 5: members also remember that they don't want to go home.
- 58:08Speaker 5: When they are hungry, they sleep on the bed, but
- 58:10Speaker 5: they don't dream. There is dust on the face of
- 58:13Speaker 5: those whose mirrors are clean.
- 58:14Speaker 2: They fill their stomachs more than hunger.
- 58:18Speaker 5: Jo aksar hi maang ke khaate hain Toota hai dil,
- 58:21Speaker 5: toota hu main Par fir bhi sab roos sambala hai
- 58:24Speaker 5: Kush na kuch kam hi bada hai Jabse zindagi mein
- 58:26Speaker 5: hosh sambala hai Likhi hai upar wale ne Zindagi hai ya,
- 58:30Speaker 5: moot ki saza Moot hi hogi shayad.
- 58:33Speaker 2: Kyunki kalam ko apni wo toorne wala hai.
- 58:36Speaker 27: I don't feel like I'm a foreigner. I walk to
- 58:45Speaker 27: every corner of my home. Why are you away from me?
- 58:55Speaker 27: Why are you away from my dreams? dreams have been
- 59:14Speaker 27: sent from faraway countries.
- 59:28Speaker 2: Thank you for watching.