Latest / The Bootleg Kev Podcast / #316 - JasonMartin FKA Problem

Transcript

#316 - JasonMartin FKA Problem · The Bootleg Kev Podcast

• 0:00
  Speaker 1: What's hading this, Jason Martin? You can catch me on
• 0:02
  Speaker 1: the Bootleg keV podcast.
• 0:08
  Speaker 2: Boutleg cav Podcast Special guests in here my guy formerly
• 0:12
  Speaker 2: known this problem Jason.
• 0:13
  Speaker 1: Martin, what's going on?
• 0:15
  Speaker 2: What made you go by the government? Man? I mean
• 0:18
  Speaker 2: it was a couple of years.
• 0:20
  Speaker 1: I'm not.
• 0:21
  Speaker 2: I just I've been.
• 0:22
  Speaker 1: Wanting to do it. I've didn't wanting to do it
• 0:23
  Speaker 1: since like twenty sixteen. Somebody talked me out of it.
• 0:26
  Speaker 1: But to Change actually had a conversation with him a
• 0:29
  Speaker 1: while ago. It was just like, Bro, you the same talent,
• 0:32
  Speaker 1: the name Change is not gonna do anything. Just go
• 0:35
  Speaker 1: and just for me at this stage of the game,
• 0:38
  Speaker 1: my age, my situation personally, I just I feel like
• 0:41
  Speaker 1: it's irresponsible to call myself problem.
• 0:43
  Speaker 2: We have coffee, come on, Compton coffee, that is yes,
• 0:46
  Speaker 2: the Compton Coffee, coffee and cush. You brought me a
• 0:49
  Speaker 2: mug that I can get high out of. Come on, man,
• 0:51
  Speaker 2: which is nice.
• 0:53
  Speaker 1: Yeah, yeah, man. Shout out to Snoop brother. I love
• 0:56
  Speaker 1: that song you did with Snoop and with Freddy Oh yeah,
• 0:58
  Speaker 1: don't be mad at me remakes. It was dope to
• 1:00
  Speaker 1: hear Freddy in that bag like a lot of people
• 1:02
  Speaker 1: think he can't get in the up tempo party bag.
• 1:05
  Speaker 1: Like if you go look, Freddy was on the first
• 1:07
  Speaker 1: Molly I say he was on.
• 1:08
  Speaker 2: Some records like that for sure, Like I had a
• 1:09
  Speaker 2: record that he did with Fuck. I can't think of
• 1:13
  Speaker 2: his name right now. Who's the guy from the Bay
• 1:16
  Speaker 2: Clat Carson.
• 1:16
  Speaker 1: Yeah, he's super bro. Freddie's one of the I don't,
• 1:19
  Speaker 1: I wouldn't. I can't call him underrated anymore. He's one
• 1:22
  Speaker 1: of the He's one of the ones, and everybody know
• 1:23
  Speaker 1: it too.
• 1:24
  Speaker 2: Love Freddy Man. So for you, are you more focused
• 1:28
  Speaker 2: on music now or are your entrepreneurial endeavors?
• 1:32
  Speaker 1: And today? Right now music and right now I'm pushing
• 1:37
  Speaker 1: this project that's getting ready to come out May twelve. Okay,
• 1:40
  Speaker 1: I'm gonna be announcent on my birthday. So that's my
• 1:43
  Speaker 1: focus right now. But that's why I haven't been as
• 1:46
  Speaker 1: president music, because I've been establishing these situations, making sure
• 1:51
  Speaker 1: the foundation is there, the team structures there, and honestly,
• 1:54
  Speaker 1: just for other rappers and shut out here, there's no
• 1:56
  Speaker 1: point of getting as big as I got and not
• 1:58
  Speaker 1: having anything to sell, right, not having anything to put
• 2:01
  Speaker 1: your name on that you own, so I want to
• 2:03
  Speaker 1: make sure before I dropped this next better music, all
• 2:06
  Speaker 1: this was establishment.
• 2:07
  Speaker 2: Are you still rocking Diamond Lane?
• 2:09
  Speaker 1: Diamond Line is forever, But I definitely started a new
• 2:11
  Speaker 1: company called fifty Million. But I'm still a partner in
• 2:14
  Speaker 1: Diamond Line. Shot there playing games. We definitely still get
• 2:17
  Speaker 1: money together.
• 2:18
  Speaker 2: What's up with bad Luck Man?
• 2:20
  Speaker 1: Good Luck? My brother, good luck Man? He found the
• 2:24
  Speaker 1: lord and I'm happy for him. You know, I've never
• 2:26
  Speaker 1: seen him so happy.
• 2:27
  Speaker 2: There was that song he had that had like was
• 2:29
  Speaker 2: it the biggie sample on the hook? I got a
• 2:31
  Speaker 2: bit of yeah.
• 2:32
  Speaker 1: And you know what's funny, he hated that that song
• 2:35
  Speaker 1: took off because he's such an MC like you know,
• 2:38
  Speaker 1: he bad Luck is bad Luck was everybody's favorite, your
• 2:42
  Speaker 1: favorite favorite for sure, So for him it bothered him
• 2:47
  Speaker 1: that he was known for that record. But that's crazy
• 2:50
  Speaker 1: in the club though, songs still go crazy. But you know,
• 2:52
  Speaker 1: it was the time we was having a good time.
• 2:54
  Speaker 2: You are kind of like one of the forefathers, godfathers
• 2:58
  Speaker 2: of the ratchet movement in l A. I think the
• 3:00
  Speaker 2: songs like Dick Too Big and.
• 3:02
  Speaker 1: Like just called D two B two D two B.
• 3:08
  Speaker 2: It is D two B y y, Yes, it's not
• 3:09
  Speaker 2: Dick too big, it's Dick too bad, Dick too bomb.
• 3:13
  Speaker 2: Isn't it Dick too big? Dick too bombs?
• 3:15
  Speaker 1: But this is wold But that song is D two
• 3:17
  Speaker 1: B though, yeah, D two B. But it depends on who.
• 3:21
  Speaker 2: I don't know why I thought it was like Dick
• 3:23
  Speaker 2: too big, Dick too.
• 3:24
  Speaker 1: Maybe that was a wishful thinking on your part. I
• 3:26
  Speaker 1: don't know.
• 3:28
  Speaker 2: I play it on the.
• 3:32
  Speaker 1: Nah that record. That record licenses very well. Shout out
• 3:35
  Speaker 1: to East Ray and all the other people.
• 3:36
  Speaker 2: That fucking classic man, you got a lot of those,
• 3:40
  Speaker 2: Like you got a lot of just like club classics,
• 3:43
  Speaker 2: especially if you you know, or in Vegas or Phoenix
• 3:46
  Speaker 2: or l A or Bay, Like you just got just
• 3:49
  Speaker 2: a barrage outside of you know, uh, you know, you're
• 3:53
  Speaker 2: you're super smash. I just feel like you got a
• 3:54
  Speaker 2: lot of dope, dope records, and I feel like you
• 3:56
  Speaker 2: kind of. I feel like it's like you. And at
• 3:58
  Speaker 2: that time it was like why and you guys kind
• 4:01
  Speaker 2: of were doing all the club ship Then HBK up
• 4:05
  Speaker 2: top Yeah, yeah, HBK gang that. Then the rack city
• 4:08
  Speaker 2: started to happen.
• 4:09
  Speaker 1: But like each member like from our selective crew just
• 4:12
  Speaker 1: started branching out, Like from YG you branched out to
• 4:15
  Speaker 1: Tie and must and then they all start RJ and HBK.
• 4:19
  Speaker 1: You had p Low and getting cleary. You know what
• 4:23
  Speaker 1: I'm saying. It became this real thing. And from my
• 4:25
  Speaker 1: side of you know, League of Stars and Bad Luck
• 4:27
  Speaker 1: and just other stuff we were doing.
• 4:29
  Speaker 2: Yeah, League of Stars was like I just had a
• 4:31
  Speaker 2: couple of those guys on with g Perica and we're
• 4:33
  Speaker 2: just talking about like there was that era where like
• 4:36
  Speaker 2: they were producing so much shit and like some people
• 4:39
  Speaker 2: thought it was Mustard.
• 4:41
  Speaker 1: All that that they actually had a real conflict. I
• 4:44
  Speaker 1: mean that that thing was a real thing because honestly,
• 4:49
  Speaker 1: everybody all was hanging and everybody was together, So it
• 4:51
  Speaker 1: wasn't what it was this person sound or this person's sound.
• 4:54
  Speaker 1: We were kind of all in the studio together. It's
• 4:56
  Speaker 1: just when Mustard hit, he hits so big that of
• 4:58
  Speaker 1: course the first person that gets got it. That's what
• 5:01
  Speaker 1: that's what it's known for. But we were all collaborating
• 5:03
  Speaker 1: a lot back in them time.
• 5:05
  Speaker 2: You did you and why do you.
• 5:06
  Speaker 1: Have a little A little we had a little thing.
• 5:09
  Speaker 1: We had a small riff that turned into a big nothing,
• 5:13
  Speaker 1: but we actually which was crazy. I was just in
• 5:15
  Speaker 1: Joey's the other night. I mean, yeah, I'm out there
• 5:18
  Speaker 1: doing my thing, and then uh, the gentleman walks up
• 5:21
  Speaker 1: to me with a ski mask off. So you know,
• 5:24
  Speaker 1: I'm just like, what's going on? I don't know who
• 5:25
  Speaker 1: it is? You pull up, like, what's up?
• 5:27
  Speaker 2: Dog.
• 5:28
  Speaker 1: That's probably the first time we actually talked talked in years.
• 5:31
  Speaker 1: A lot of the stuff that was going on with
• 5:33
  Speaker 1: us was through a lot of other people. We hadn't
• 5:35
  Speaker 1: had our conversation. So for us, I just like, how
• 5:38
  Speaker 1: you doing, and we started together. We had a good,
• 5:40
  Speaker 1: really good conversation. It felt like it I could see
• 5:43
  Speaker 1: in his face, at least in mind. It felt like
• 5:45
  Speaker 1: some actual closure was there with everybody thinking we're in
• 5:49
  Speaker 1: these big old things like me and him did an
• 5:50
  Speaker 1: interview with tax Stone at Dre Studio in the height
• 5:55
  Speaker 1: of our quote unquote beef. So it was never that.
• 5:57
  Speaker 1: It was just more so like we both wanted to
• 5:59
  Speaker 1: be the man and we needed some edge and and
• 6:02
  Speaker 1: and it kind of just spawned some ship.
• 6:04
  Speaker 2: What what was was that kind of like the origins
• 6:07
  Speaker 2: of that situation where you guys were both kind of
• 6:09
  Speaker 2: like the it guys in La make a similar tempo records.
• 6:12
  Speaker 2: You guys go through the ratchet.
• 6:13
  Speaker 1: I don't know. I think it really had. It had
• 6:16
  Speaker 1: more to do with our circles having incidents and then
• 6:19
  Speaker 1: us being ahead of our face, not.
• 6:20
  Speaker 2: Here the face of our circles.
• 6:23
  Speaker 1: Uh. It became me versus him, and in actuality again,
• 6:28
  Speaker 1: we didn't even talk during it. It was just well ship,
• 6:31
  Speaker 1: well fuck it, this is what we're on, you know
• 6:33
  Speaker 1: what I mean. And then we use that to fuel
• 6:36
  Speaker 1: to become to the biggest guys from here.
• 6:39
  Speaker 2: Yeah, for sure, It's like it was like a not
• 6:41
  Speaker 2: so friendly competition, right.
• 6:44
  Speaker 1: But I will say and I'll always say this anytime
• 6:47
  Speaker 1: anybody asked me, anytime there was business to handle, we
• 6:50
  Speaker 1: had shows, anything, it was like the business together, Na
• 6:53
  Speaker 1: bro Compton, gonna get the money.
• 6:55
  Speaker 2: We're gonna go from Compton.
• 6:56
  Speaker 1: Totally. And we both started at the same time, are
• 7:00
  Speaker 1: together and we and we and I'm glad we talked.
• 7:02
  Speaker 2: You had a I don't know if you guys both
• 7:04
  Speaker 2: started at the same time because you had you had
• 7:06
  Speaker 2: a I feel like when I was an intern, I
• 7:11
  Speaker 2: went to a mixer meeting with you in Phoenix when
• 7:14
  Speaker 2: I was like eighteen or nineteen. Oh no, I Toe
• 7:17
  Speaker 2: Up record, oh Na, yeah, yeah, that was like oh nine.
• 7:19
  Speaker 1: Yeah, but see they were tearing it up around nine
• 7:22
  Speaker 1: in twenty ten.
• 7:23
  Speaker 2: Now that's yeah because I because then I remember fast
• 7:26
  Speaker 2: forward because I think Budah started to really crack like
• 7:28
  Speaker 2: twenty ten. So yeah, you're right, yeah right in Tie.
• 7:30
  Speaker 1: I've known Tie when I've known Tie before I was
• 7:33
  Speaker 1: rapping crazy. He actually put us together.
• 7:36
  Speaker 2: So that's wild man. Yo. I think back to that
• 7:39
  Speaker 2: era and I remember like when you caught like what
• 7:42
  Speaker 2: and it was like just everywhere and every label was
• 7:46
  Speaker 2: barking down your throat. You never because you had came
• 7:50
  Speaker 2: from a major label situation when you were on when
• 7:52
  Speaker 2: you did.
• 7:52
  Speaker 1: On Toe Up right, Yeah, I did it like a
• 7:54
  Speaker 1: two single deal with Republic.
• 7:56
  Speaker 2: Did you ever regret not signing a major record deal
• 8:02
  Speaker 2: at that moment because you kind of passed on I'm
• 8:04
  Speaker 2: sure every situation possible at that time.
• 8:07
  Speaker 1: Well, just to be perfectly honest with you, that wasn't
• 8:09
  Speaker 1: my decision to make at the time. I wasn't handling
• 8:11
  Speaker 1: the business for Diamond Lane. But I'm not gonna go
• 8:15
  Speaker 1: against the leadership of the person that got me to
• 8:20
  Speaker 1: what people to even give me a deal. So it
• 8:23
  Speaker 1: was a due decision to do it a certain way.
• 8:25
  Speaker 1: And it was times where I won't sit here and
• 8:28
  Speaker 1: lie to you. It was times like damn, we should
• 8:30
  Speaker 1: have did that D D D. But sitting here present
• 8:32
  Speaker 1: today and looking at the situation and looking at everybody,
• 8:35
  Speaker 1: where everybody is and where they're at and ownership and
• 8:38
  Speaker 1: where they're at with the records and what they can
• 8:39
  Speaker 1: do and with the we made the best decision possible because,
• 8:43
  Speaker 1: like I said, our license very well and it's not
• 8:46
  Speaker 1: a lot of signatures, you get what I'm saying. Sure,
• 8:49
  Speaker 1: maintaining ownership of those records was very important.
• 8:52
  Speaker 2: Yeah, who was somebody was there? Because I think back
• 8:57
  Speaker 2: to the time, like what was going crazy? And this
• 8:58
  Speaker 2: was kind of like peak, Like I feel like there
• 9:01
  Speaker 2: was some rapper crews like MMG was signing fools, Like
• 9:05
  Speaker 2: did you have any of those like situations that like
• 9:08
  Speaker 2: where somebody tried to bring you into the click like, uh,
• 9:11
  Speaker 2: you know why she ended up with C T. E.
• 9:13
  Speaker 1: Tr Uh. Definitely we were we were going real strong together.
• 9:18
  Speaker 2: Just grand hustle.
• 9:19
  Speaker 1: Yeah, grand hustle for sure. They probably came the hardest
• 9:23
  Speaker 1: as far as a crew. But everybody, every everybody's trying
• 9:26
  Speaker 1: to every everybody reached out. But how you you can't
• 9:32
  Speaker 1: sign me like that? Ain't If anything, you can come
• 9:35
  Speaker 1: be with my crew. And that's the way I was
• 9:36
  Speaker 1: looking at it back then, because we were a self
• 9:39
  Speaker 1: contained unit. The reason why diamondand was even invented was
• 9:43
  Speaker 1: because I didn't like the way the system was ran, right,
• 9:46
  Speaker 1: you know what I'm saying. And again, money is always cool,
• 9:49
  Speaker 1: but we were blessed to come in with a little
• 9:51
  Speaker 1: financial success so we can pay for certain things and
• 9:54
  Speaker 1: do certain things a little different.
• 9:55
  Speaker 2: You guys are running it up.
• 9:56
  Speaker 1: Yeah, we had a good time, you guys.
• 9:59
  Speaker 2: Gigs all the Yeah, some random ass Vegas show I
• 10:02
  Speaker 2: remember going to like that was way off the strip.
• 10:06
  Speaker 2: I forget where men.
• 10:07
  Speaker 1: Oh yeah, he was gonna grab him bags, for sure,
• 10:09
  Speaker 1: he's gonna grab him back.
• 10:10
  Speaker 2: Yo. For people who don't know I met, I met
• 10:13
  Speaker 2: Pun through you. Yeah. So back in the day, Pun
• 10:16
  Speaker 2: was your manager. What's it like to see Pun become
• 10:19
  Speaker 2: a podcaster?
• 10:20
  Speaker 1: I love it.
• 10:21
  Speaker 2: He's always been a ridiculously hilarious, ridiculous guy.
• 10:25
  Speaker 1: I think God put him right where he's supposed to be.
• 10:28
  Speaker 1: He's always been that person, for sure, He's always He's
• 10:32
  Speaker 1: the reason those parties that he were throwing. He was
• 10:35
  Speaker 1: throwing was the reason for all of those class records
• 10:37
  Speaker 1: I did. They were all thrown with some pun party
• 10:40
  Speaker 1: from the potion parties we used to throw to him,
• 10:43
  Speaker 1: just like here we got turned my fuck up. His
• 10:46
  Speaker 1: energy has always been that, so it's perfect. It's great
• 10:50
  Speaker 1: to see. I love seeing what he's doing. I love
• 10:51
  Speaker 1: seeing what ad he's doing. Trail is the biggest surprise though,
• 10:54
  Speaker 1: right Like I didn't see that one coming, and he's
• 10:57
  Speaker 1: probably one of the best at what he's done. Yeah,
• 10:59
  Speaker 1: I loved you because he doesn't operate in fear right
• 11:03
  Speaker 1: when he talks to you and has a question for you,
• 11:05
  Speaker 1: and he doesn't mind looking like, Okay, I was wrong
• 11:08
  Speaker 1: on that.
• 11:09
  Speaker 2: No, he's really he's got a lot of hagility and.
• 11:12
  Speaker 1: He's a real one though, so he's ready to back
• 11:14
  Speaker 1: up anything you bring his way. So that to me,
• 11:16
  Speaker 1: I called like that was. That was the only interview
• 11:18
  Speaker 1: I did for No Jumper was with him. I told
• 11:20
  Speaker 1: him I don't even want to go up there just
• 11:22
  Speaker 1: because I just saw something. But with Trail, I'm like,
• 11:26
  Speaker 1: bro I gotta come up there and.
• 11:27
  Speaker 2: This fuck with you because I feel like a lot
• 11:28
  Speaker 2: of guys went up there just to talk to t
• 11:30
  Speaker 2: railer Ad.
• 11:31
  Speaker 1: Yeah, trail Man, and this is no slight to that
• 11:34
  Speaker 1: whole system. I just saw something. I didn't understand it, right.
• 11:39
  Speaker 1: I didn't understand what was going on up there too much.
• 11:41
  Speaker 1: And I don't really even really do anything. I call
• 11:44
  Speaker 1: the people I want to do anything. I get you. Yeah,
• 11:46
  Speaker 1: you know what I'm saying. I'm not really into just
• 11:49
  Speaker 1: talking to everybody.
• 11:51
  Speaker 2: How do you feel about where like LA hip hop
• 11:54
  Speaker 2: is in twenty twenty three.
• 11:56
  Speaker 1: It's like it's in a funny place when you ask me,
• 12:02
  Speaker 1: it's in a place where people are afraid to try
• 12:04
  Speaker 1: something new. And when I say try something new, that
• 12:08
  Speaker 1: doesn't mean like go fucking do dance music. I'm saying
• 12:12
  Speaker 1: like taking what we do and what we're known for,
• 12:15
  Speaker 1: the funk, the instrumentation, the tempo, and just trying new sounds.
• 12:20
  Speaker 1: Like I'm not saying become a jazz musician. I'm not
• 12:24
  Speaker 1: saying become an DM star. But there's a there's a
• 12:28
  Speaker 1: there's a people we're a fright to take risks right,
• 12:31
  Speaker 1: And it's also really really tough. And this is being
• 12:33
  Speaker 1: in the Devil's advocate. It's tough to make music as
• 12:37
  Speaker 1: a California artist because you're down. If you do, you
• 12:40
  Speaker 1: down if you don't, if you don't make music, that's
• 12:42
  Speaker 1: could be hard to get buzzing here. And you don't
• 12:44
  Speaker 1: sound like here, they don't fuck with you here. But
• 12:46
  Speaker 1: if you sound like here, you get no burn nowhere
• 12:48
  Speaker 1: else less.
• 12:50
  Speaker 2: I just had a conversation with Ojiz about that right
• 12:52
  Speaker 2: before you got here. You know, we're talking about that.
• 12:54
  Speaker 2: I'm like, you've done a really good job of like
• 12:57
  Speaker 2: somehow not being regional, like he's so shows in Toronto,
• 13:01
  Speaker 2: He's got a forty day tour coming, and I'm like,
• 13:02
  Speaker 2: you one of the few guys who has done a
• 13:05
  Speaker 2: really good job of And I think a lot of
• 13:07
  Speaker 2: it has to do with like networking outside of LA
• 13:09
  Speaker 2: like Kaylen did a good job of that. Like I
• 13:11
  Speaker 2: think when Kaylen was coming up people to Atlanta for
• 13:13
  Speaker 2: like a year, you know what I mean.
• 13:14
  Speaker 1: But oh Jesus, just oh Jesus, a cool, just guy
• 13:17
  Speaker 1: if you just see him. And I think, honestly, bro,
• 13:19
  Speaker 1: being Latin doesn't hurt you know what I'm saying That
• 13:22
  Speaker 1: doesn't hurt with that, you know, I'm more so speaking
• 13:25
  Speaker 1: about like the black artists. It's tough. We don't get
• 13:28
  Speaker 1: as much leeway as everybody else. Your pigeonhole in a sense,
• 13:34
  Speaker 1: Like even our first five minutes of conversation is talking
• 13:37
  Speaker 1: about the ratchet turn up. So for me to even
• 13:40
  Speaker 1: be making this left I'm hitting it's tough for people
• 13:43
  Speaker 1: to fuck with. Like wait a minute, but it's like
• 13:45
  Speaker 1: my thing is, I don't drive the same car that
• 13:47
  Speaker 1: I was in twelve years ago, so I'm damn sure
• 13:49
  Speaker 1: not gonna make the same music for sure. But I
• 13:52
  Speaker 1: think that's the moniker that we need to take on
• 13:54
  Speaker 1: as a culture. I think there's some things that are
• 13:57
  Speaker 1: working that I like, but something gotta change.
• 14:00
  Speaker 2: This is the way I look at it, right, And
• 14:02
  Speaker 2: I just talked to my boy, you know, Sallas, Yeah
• 14:05
  Speaker 2: Head's manager. Yeah yeah. So me and Salas were talking
• 14:08
  Speaker 2: about this yesterday and I was like, think about I mean,
• 14:12
  Speaker 2: I'll say the three the three biggest artists to come
• 14:14
  Speaker 2: out of LA in the last twenty years. Now, I'll
• 14:17
  Speaker 2: say fifteen or ten to fifteen, because I'm not gonna
• 14:19
  Speaker 2: include Game in that. So let's say the last decade,
• 14:22
  Speaker 2: It's Tyler the Creator, It's Kendrick Lamar, and it's Roddy Rich.
• 14:26
  Speaker 2: All three of them have something similar in common as
• 14:28
  Speaker 2: they all three do a really good job of not
• 14:33
  Speaker 2: doing what's expected from a Cali artists. Not to say that,
• 14:36
  Speaker 2: like you won't hear Roddy on some some shit that,
• 14:39
  Speaker 2: you know what I mean, But I feel like that
• 14:40
  Speaker 2: they're very good at just like pushing the boundaries of
• 14:43
  Speaker 2: like creating without like that. I guess that that you know,
• 14:48
  Speaker 2: I gotta do this for what I think is gonna come.
• 14:50
  Speaker 2: Like I mean, Kendrick is obviously probably top five all
• 14:53
  Speaker 2: time if you ask me.
• 14:54
  Speaker 1: I think, I think, but I think I think those
• 14:56
  Speaker 1: are great names and what's your what you're really missing
• 15:00
  Speaker 1: with those big budgets. And that's not to take anything
• 15:04
  Speaker 1: away from it, but it's tough for you to tell
• 15:06
  Speaker 1: and new up and coming artists that they have to
• 15:08
  Speaker 1: compete with that budget that those three people get.
• 15:11
  Speaker 2: But I think Odd Future came into the game doing
• 15:14
  Speaker 2: some wild shit.
• 15:15
  Speaker 1: No, if you can find on record me saying Kendrick Lamar,
• 15:19
  Speaker 1: uh tired out, I mean, excuse me, tired of the creator?
• 15:22
  Speaker 1: Dooja Cat Billie Eilish like those from La. Yes, she's
• 15:26
  Speaker 1: from La. Billy Olish is from La. Like we have
• 15:30
  Speaker 1: some of the biggest things in music, Anderson Pot like
• 15:32
  Speaker 1: we're not a lot of things. But the beauty of
• 15:37
  Speaker 1: it is that when you got that kind of budget,
• 15:40
  Speaker 1: you know that a million to five hundred dollars, a
• 15:42
  Speaker 1: million dollars is about to go into what you're about
• 15:43
  Speaker 1: to do. You're a little more free with your music.
• 15:46
  Speaker 1: You're a lot more free with your music. And it's
• 15:48
  Speaker 1: not to take away from it. They earn that, but
• 15:51
  Speaker 1: it's not fair to tell somebody who has to pay
• 15:54
  Speaker 1: for his own videos, his own clothes, have his own
• 15:57
  Speaker 1: runner book, his own studio time, pay their own bills,
• 15:59
  Speaker 1: pay their own bi at the same time, and you're
• 16:01
  Speaker 1: comparing them to those monsters.
• 16:04
  Speaker 2: I just think that like if you're if you are
• 16:06
  Speaker 2: coming up and you can say okay, ship, maybe if
• 16:08
  Speaker 2: I start to because a lot of these guys do
• 16:10
  Speaker 2: have followings.
• 16:11
  Speaker 1: Now don't have great followers, because that's just why they're
• 16:13
  Speaker 1: able to make the money they are. But just imagine
• 16:16
  Speaker 1: they're following with a five hundred thousand dollars. But something
• 16:19
  Speaker 1: could be onsane out.
• 16:20
  Speaker 2: Here for some yes, I yeah.
• 16:24
  Speaker 1: I mean that's anything though.
• 16:26
  Speaker 2: But also we're talking about like generationally talented people when
• 16:29
  Speaker 2: we talk about Kendrick lamar Bro, he's the goal, That's
• 16:31
  Speaker 2: what I mean.
• 16:32
  Speaker 1: So it's like, what do we like Listen, that's like
• 16:34
  Speaker 1: an extreme I don't even I kind of leave those
• 16:38
  Speaker 1: I leave those two out of a lot of conversations.
• 16:41
  Speaker 1: Kendrick could talk. You just push them over there.
• 16:43
  Speaker 2: That's like that because they're like, they're like generational creatives.
• 16:49
  Speaker 1: There what happens when amazing skill, amazing talent, hard work,
• 16:53
  Speaker 1: and somebody that believes financially and spiritually all happened at
• 16:58
  Speaker 1: one time. But that not really that's not typical in
• 17:03
  Speaker 1: any genre of music. And that's the thing that's the
• 17:06
  Speaker 1: gift in the KURSI will be in from LA. I
• 17:08
  Speaker 1: think a lot of people. I think a lot of
• 17:10
  Speaker 1: people have the potential to do that, but they have
• 17:13
  Speaker 1: to understand why they're not so they can keep going.
• 17:15
  Speaker 1: A lot of people get caught up in this shit
• 17:17
  Speaker 1: of trying to compete.
• 17:18
  Speaker 2: And it's just like you're not well, let me ask
• 17:19
  Speaker 2: you this, right, because there was an era in music
• 17:22
  Speaker 2: when the LA sound was literally hip hop sound, and
• 17:28
  Speaker 2: that was when Lega Stars were producing for guys like, uh,
• 17:32
  Speaker 2: did Lega Stars do? Did they do rip?
• 17:36
  Speaker 1: No?
• 17:36
  Speaker 2: Must okay, okay, they did something.
• 17:39
  Speaker 1: I'm trying to think of one of the did Tiger
• 17:40
  Speaker 1: faded Faded?
• 17:42
  Speaker 2: That's what it was. But like I think about that
• 17:45
  Speaker 2: era right where like there's I'm Different from Two Chains,
• 17:48
  Speaker 2: there's rip, there's act right from Yogati which Peelo produced.
• 17:52
  Speaker 2: There's like all these like records that are obviously West
• 17:56
  Speaker 2: Coast inspired records. Why do you think that run did
• 17:59
  Speaker 2: not translate? Because think about it, like Atlanta sound is
• 18:03
  Speaker 2: just the country sound now, right, do you think there's
• 18:07
  Speaker 2: ever been like a besides that little pocket of time
• 18:10
  Speaker 2: which was maybe two or three years, there was a
• 18:12
  Speaker 2: time when hip hop sounded like la.
• 18:16
  Speaker 1: Of course, uh, late early nineties all the way to
• 18:20
  Speaker 1: the mid Like you gotta think like there's no there's
• 18:23
  Speaker 1: no brat Functified if deep Cover doesn't come out.
• 18:26
  Speaker 2: You're right about that, like Functified with I always used
• 18:29
  Speaker 2: to be like this just sounds like the female doggy Stock.
• 18:31
  Speaker 1: Yeah, there's no Like there's there's on record of Bigie
• 18:35
  Speaker 1: Small saying I'm emulating Snoop Dolls album, Like like at
• 18:39
  Speaker 1: that time, the break beat, the sub put together with
• 18:42
  Speaker 1: the sample that was our sound, and then every five
• 18:45
  Speaker 1: years this shit just kind of shift. I think what
• 18:49
  Speaker 1: happened in both of those times from when we had
• 18:51
  Speaker 1: our run with that sound and the OG's had their
• 18:54
  Speaker 1: run huge radio support, like huge radio support. People don't understand.
• 18:59
  Speaker 1: That's the second biggest marketing in the United States. So
• 19:01
  Speaker 1: when people come here and they don't hear what we
• 19:04
  Speaker 1: sound like, it's tough. It's just really really tough. We
• 19:09
  Speaker 1: had We had a lot of radio support. I will
• 19:11
  Speaker 1: say myself. I'll speak for myself.
• 19:13
  Speaker 2: Yeah, your ship was in power rotation everywhere.
• 19:16
  Speaker 1: Where, like anywhere, and even to this day, like there's
• 19:18
  Speaker 1: three to four records that are gonna come on every day,
• 19:20
  Speaker 1: So that helps a lot, you know what I'm saying.
• 19:24
  Speaker 1: But when you have to like get a sound hot
• 19:26
  Speaker 1: without the backing of your radio, and I understand how
• 19:29
  Speaker 1: radio works, I get it. It's a business, et cetera,
• 19:32
  Speaker 1: et cetera. But that's why that won't happen. But the
• 19:35
  Speaker 1: reason why two Change then was riding around out here
• 19:38
  Speaker 1: and they heard them songs like, oh shit, I want
• 19:39
  Speaker 1: to get on that. Oh man, Lil Wayne oh drake,
• 19:42
  Speaker 1: oh man, it's going crazy. I want to get on that.
• 19:44
  Speaker 1: I'm outside party and that's what's turning on. If you don't,
• 19:47
  Speaker 1: if you don't click on the rate, you click on
• 19:48
  Speaker 1: the radio, and you don't hear what the city sounds like.
• 19:50
  Speaker 1: It's just kind of tough.
• 19:52
  Speaker 2: So you think radio because again that's a different era, right,
• 19:55
  Speaker 2: So we're talking thirteen years ago, twelve years ago. When
• 19:59
  Speaker 2: it was twenty twelve, it was like what twelve, twenty twelve,
• 20:03
  Speaker 2: So yeah, so it's eleven years ago, but twenty ten
• 20:05
  Speaker 2: was like twenty ten I think was tooted and boot
• 20:08
  Speaker 2: it twenty eleven, twenty eleven is hit. But I think that,
• 20:11
  Speaker 2: like fast forward to today, right, and now radio is
• 20:14
  Speaker 2: not as important it's and I'm on the radio all
• 20:17
  Speaker 2: over the country.
• 20:18
  Speaker 1: I don't I don't think that. I keep hearing that
• 20:20
  Speaker 1: until I get in somebody's car from out of town
• 20:23
  Speaker 1: and that's the radio's on. And the thing is this
• 20:25
  Speaker 1: is not this is a tourist city. Everybody here is
• 20:28
  Speaker 1: still listening to the radio. They're not coming in here
• 20:30
  Speaker 1: and turning on streaming services. When they first get to
• 20:32
  Speaker 1: LA they might turn it on, not like what they
• 20:34
  Speaker 1: hear and go to their playlist. But these are all
• 20:37
  Speaker 1: people from out of town. This is a gumbo spot.
• 20:39
  Speaker 2: So do you still think that, particularly for Cali, it's
• 20:43
  Speaker 2: imperative that radio heavily supports local I mean, I mean,
• 20:47
  Speaker 2: then listen, I think that, like you said, we don't
• 20:50
  Speaker 2: need to dive into the business of radio. No, not
• 20:52
  Speaker 2: at all.
• 20:53
  Speaker 1: But I don't think even I'm not even saying local
• 20:55
  Speaker 1: like I don't. I don't. The thing is, you can't
• 20:58
  Speaker 1: be local with when you're market is the number two
• 21:01
  Speaker 1: media market in the world. Somebody can literally go plant
• 21:04
  Speaker 1: them just in California.
• 21:05
  Speaker 2: Yeah, they could so.
• 21:07
  Speaker 1: Imagine the power that radio has here in New York
• 21:11
  Speaker 1: because there's so many people now I'm not talking about
• 21:14
  Speaker 1: like Missouri, are somewhere in one of these middle market spots.
• 21:17
  Speaker 1: It doesn't weigh as heavy, but out here we can
• 21:20
  Speaker 1: control it because we're not number one, but we're number two.
• 21:23
  Speaker 2: Right, Yeah, I think that there so like being on
• 21:26
  Speaker 2: the other side of it, there's been a lot of
• 21:28
  Speaker 2: records that like, at least are real. We jumped out
• 21:31
  Speaker 2: on and it's tough.
• 21:33
  Speaker 1: Me and Doc had a two hour conversation that puff
• 21:35
  Speaker 1: House about this whole thing.
• 21:36
  Speaker 2: Yeah, and he broke it all the way down, and
• 21:39
  Speaker 2: we've like jumped out on records where like me and
• 21:41
  Speaker 2: like like shout out to amen, Amen, don't add a record,
• 21:43
  Speaker 2: like all right, litten, Hey let's try this re let listen. Hey,
• 21:46
  Speaker 2: this record's making some noise. Let's throw it out there
• 21:48
  Speaker 2: like like an asm a Bobster, you know, which is
• 21:51
  Speaker 2: obviously a huge record that is big in the club.
• 21:53
  Speaker 2: It just didn't translate to radio research. So you play
• 21:59
  Speaker 2: that record and for a lot of people who don't know,
• 22:01
  Speaker 2: like when you play a song on the radio, you'll
• 22:04
  Speaker 2: get The way that radio is rated is stupid. There's
• 22:08
  Speaker 2: these people carrying these fucking pagers that track your real
• 22:11
  Speaker 2: time listening and then that is how they come up
• 22:14
  Speaker 2: with your ratings. So if you get into an uber
• 22:17
  Speaker 2: and you have that pager on you and your Uber
• 22:19
  Speaker 2: drivers playing fucking k rock, you're a k rock listener, literally,
• 22:23
  Speaker 2: because it's on whether or not you're into it, it's
• 22:26
  Speaker 2: still playing. If you walk into a store and they're
• 22:29
  Speaker 2: playing any rate Power No. Six Real ninety two three,
• 22:33
  Speaker 2: you might be a fucking old white dude, but you're
• 22:35
  Speaker 2: a fucking real ninety two three listener. Subconsciously, whether you
• 22:38
  Speaker 2: like it or not, it's on, you're in there whatever, right,
• 22:40
  Speaker 2: So they can see when a song comes on. They
• 22:46
  Speaker 2: call it an m score. So if a song gets
• 22:49
  Speaker 2: played and the person who is holding that meter changes
• 22:53
  Speaker 2: the station, let's say they change it after ten seconds,
• 22:56
  Speaker 2: twenty seconds, whatever, it negatively will impact.
• 22:59
  Speaker 1: The score of that song, like streaming, Like when they
• 23:01
  Speaker 1: put on the playlist, your credit score goes up and
• 23:03
  Speaker 1: down on Yeah, but that's a very dated system. But
• 23:08
  Speaker 1: again it's but it's the system. It's the system. So
• 23:12
  Speaker 1: that's why it's important because if that, if you just said,
• 23:16
  Speaker 1: why it's so important to make sure that something is
• 23:21
  Speaker 1: heard that sounds like here?
• 23:23
  Speaker 2: Just so, who do you like from the new new
• 23:25
  Speaker 2: wave of guys.
• 23:26
  Speaker 1: I mean I'm biased with a few people just because
• 23:28
  Speaker 1: you know and things like that, but uh, I love
• 23:30
  Speaker 1: playing Love Airplane. It's amazing camera very smoked it too.
• 23:37
  Speaker 1: I'm really into like some newer newer guys though, like
• 23:40
  Speaker 1: musicians and like I'm working with this group called the
• 23:42
  Speaker 1: Melodics right now. They're special. Man, there's so many I
• 23:48
  Speaker 1: like Wally say my he's amazing, Like you know what
• 23:51
  Speaker 1: I'm saying. It's it's it's it's so many of them.
• 23:56
  Speaker 2: I think Wally could be like but could break out
• 23:58
  Speaker 2: of LA easily.
• 23:59
  Speaker 1: It's the music, bro, the music, the actual sonics and
• 24:03
  Speaker 1: sounds at the beat selection that has to change.
• 24:06
  Speaker 2: I just think like with Wiley, like he's so good
• 24:08
  Speaker 2: at the melodic ship that it could work anywhere. Like
• 24:10
  Speaker 2: I think of like Scandalous as a song to me
• 24:12
  Speaker 2: that like it's crazy, could go anywhere. He's crazy, Like
• 24:15
  Speaker 2: I know he's signed now, you know, I think he's
• 24:17
  Speaker 2: on Capital Capital and I'm like, Yo, how do you
• 24:20
  Speaker 2: guys not fucking press the button on oh three Flow
• 24:22
  Speaker 2: or fucking I.
• 24:24
  Speaker 1: Mean, you gotta understand, man, it's like that shun't work anywhere.
• 24:27
  Speaker 1: It's it's so many. It's like you said, there's so
• 24:30
  Speaker 1: many pager systems and so many meters and and it's
• 24:33
  Speaker 1: just like bro, at some point, man, we got to
• 24:35
  Speaker 1: go back to the feeling.
• 24:36
  Speaker 2: I hope Grito. I think I saw some sort of
• 24:40
  Speaker 2: talking that they like might do like a oh three
• 24:42
  Speaker 2: Flow too, or he might get on an official remix.
• 24:44
  Speaker 1: I saw that to him.
• 24:45
  Speaker 2: It might not be too educated on what's going on
• 24:46
  Speaker 2: with that, but that would be crazy.
• 24:48
  Speaker 1: Right, right, I think you know. Another thing is too,
• 24:51
  Speaker 1: is like the ship goes so fast. Now, it was
• 24:53
  Speaker 1: like what's new and what's what's veteran and what's like
• 24:57
  Speaker 1: Like Greto to me is you can get to him new,
• 25:00
  Speaker 1: but he's not. He's he's now this this main state
• 25:04
  Speaker 1: that represented a real part of chunk of this thing.
• 25:06
  Speaker 1: So I think that's where we get lost too.
• 25:08
  Speaker 2: It's like he's not new here. I mean, I just
• 25:10
  Speaker 2: think me and my boy were just talking about this,
• 25:13
  Speaker 2: like they had the first him and RJ had the
• 25:15
  Speaker 2: first versus You're at the no vote. Yeah, they was
• 25:19
  Speaker 2: going back and forth with each other online, and I
• 25:21
  Speaker 2: remember like three days later they were all I remember
• 25:25
  Speaker 2: me and Head were like we're not going. We don't
• 25:29
  Speaker 2: want no part of that ship. We're like, wait a minute.
• 25:32
  Speaker 1: It was go for them and all their cruises could
• 25:34
  Speaker 1: be heads like, have no problems, no problem, right right,
• 25:39
  Speaker 1: That's what happens. That's what happens when you just go
• 25:41
  Speaker 1: with the gut and the feeling. Man Like, those two
• 25:43
  Speaker 1: guys were amazing the way they handled that, and that's
• 25:46
  Speaker 1: why they were still main stays in the culture. Because
• 25:48
  Speaker 1: sometimes you gotta have a little balls, you gotta risk it,
• 25:51
  Speaker 1: and that goes out to everybody that's that's picking what
• 25:53
  Speaker 1: we're about to listen to. Sometimes you just gotta have
• 25:55
  Speaker 1: a little balls.
• 25:56
  Speaker 2: And risk it. You know, yo, what's good man? We
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• 28:37
  Speaker 2: for your your new company? Are you signing artists are
• 28:40
  Speaker 2: not more so.
• 28:41
  Speaker 1: Looking for the sign creatives. Okay, I want the new
• 28:44
  Speaker 1: digital designers. I want the new web designers. I want
• 28:48
  Speaker 1: cameraman photographers, clothing designers, the things that kind of make
• 28:53
  Speaker 1: the business go right. As far as an artist, I
• 28:56
  Speaker 1: won't ever like sign an artists. I'll partner with one.
• 28:59
  Speaker 1: I don't want like that term you're signed to me,
• 29:02
  Speaker 1: I have your masters. That ship is a little weird
• 29:05
  Speaker 1: for me. But I'm more so like getting a group
• 29:09
  Speaker 1: of creatives together. So if somebody did have an artist,
• 29:11
  Speaker 1: you can bring them over to fifty million your project. Yeah,
• 29:14
  Speaker 1: and we need your project done, really really fat.
• 29:16
  Speaker 2: You need music, videos, you need artwork, merch, you need
• 29:18
  Speaker 2: whatever you need.
• 29:20
  Speaker 1: You need studios, you need, you need a stylist, you
• 29:23
  Speaker 1: need whatever you want. We can make that whole thing happen.
• 29:26
  Speaker 2: I respect it. What inspired you to get into the
• 29:29
  Speaker 2: are you? I mean you're a coffee drinker? What mean? Yeah?
• 29:31
  Speaker 2: This is a big deal. Yeah man, Compton Coffee House blending.
• 29:35
  Speaker 2: Is it good?
• 29:36
  Speaker 1: I'll let you be the judge of that. I think
• 29:38
  Speaker 1: it's amazing.
• 29:38
  Speaker 2: I got to figure out how my partners are bigsby.
• 29:40
  Speaker 2: I'm not gonna lie to you. I have a cure egg.
• 29:45
  Speaker 2: So I'm not even sure how to make this coffee.
• 29:49
  Speaker 1: Well, I mean I can, I can show you. You
• 29:50
  Speaker 1: know what I'm saying. You can take No, that's not
• 29:53
  Speaker 1: being around.
• 29:53
  Speaker 2: Is this instant coffee?
• 29:54
  Speaker 1: No it's not. So. What you do is you get
• 29:56
  Speaker 1: the filter? You know that little filter you just literally
• 29:58
  Speaker 1: sit it on the top and take hot water and
• 30:00
  Speaker 1: port it and it'll just seek down. We have a
• 30:02
  Speaker 1: press in there, coffee press, so I can use that right, Well, yeah,
• 30:05
  Speaker 1: it's fire.
• 30:05
  Speaker 2: I gotta try.
• 30:06
  Speaker 1: But we have cris coming with I love black coffee. Yeah,
• 30:09
  Speaker 1: that one you can drink straight. It got the chocolate
• 30:10
  Speaker 1: notes in it. It's it's, it's, it's definitely. I sat
• 30:14
  Speaker 1: there and actually put that together myself, like I got
• 30:16
  Speaker 1: to pick the billion of Guatemala and I went through
• 30:18
  Speaker 1: this whole damnage college course a coffee before we started,
• 30:23
  Speaker 1: and yeah, man, I'm I'm excited about the start of it.
• 30:26
  Speaker 1: We're about to enter a lot of different stores coming.
• 30:28
  Speaker 2: So you ever watch a Kirby Enthusiasm.
• 30:31
  Speaker 1: I didn't. I've seen the clips song.
• 30:33
  Speaker 2: Okay, never mind, there's an episode about coffee that's like
• 30:35
  Speaker 2: that he like goes to like a wherever they have.
• 30:38
  Speaker 2: I think he goes to Columbia and he like he
• 30:41
  Speaker 2: like illegally, he illegally imports a bunch of coffee beans.
• 30:44
  Speaker 2: It's you gotta watch the show. I'm gonna check it
• 30:46
  Speaker 2: Outan Snoop sampled Kirby Enthusiasm, the theme song on his
• 30:49
  Speaker 2: last album, Yes, Yeah, Yeah, Yeah, yeah, I remember the
• 30:52
  Speaker 2: greatest ship ever. I was, like, you know, I've met
• 30:55
  Speaker 2: Snoop a bunch. That is my one interview in my
• 30:58
  Speaker 2: whole life that I to do. He changed my life
• 31:01
  Speaker 2: like I got Doggy stat when I was five, change
• 31:03
  Speaker 2: my whole life. It's like, I can't. I've been fucking
• 31:06
  Speaker 2: hounding Kevin for like five years. Like, bro, I'll go
• 31:08
  Speaker 2: to Snoop, go to the compound, whatever you need for me,
• 31:13
  Speaker 2: I fucking do. I just want to interview Snoop movie.
• 31:16
  Speaker 1: He's a walking movie. He is a film like and
• 31:19
  Speaker 1: one of the the biggest heart, one of the biggest
• 31:21
  Speaker 1: hearts in the game. And he's I'm not I'm not
• 31:23
  Speaker 1: here without Snoop Dogg. Actually he's he He's helped me
• 31:28
  Speaker 1: a lot with a bunch of stuff I've gone.
• 31:29
  Speaker 2: And Snoop is the most I mean, I think he's
• 31:34
  Speaker 2: somehow as a rapper, he's still underrated somehow when we
• 31:39
  Speaker 2: talk about like the Greatest of All Time list, I
• 31:41
  Speaker 2: don't hear his name mentioned enough.
• 31:43
  Speaker 1: Well, I mean that just all depends on who you're asking,
• 31:45
  Speaker 1: because I mean, everybody's gonna have their reason for why
• 31:48
  Speaker 1: somebody's their greatest, and some people will think it's lyricism.
• 31:51
  Speaker 1: Some people will think his presence lyricism.
• 31:53
  Speaker 2: Go listen to Dogg.
• 31:56
  Speaker 1: He's he checks off every category and sometimes, Man, you
• 32:00
  Speaker 1: just don't like a winner. A lot of people just
• 32:02
  Speaker 1: don't like people that wins.
• 32:03
  Speaker 2: I mean, he is the most famous rapper, and he's
• 32:06
  Speaker 2: one of the most famous people. I was gonna say,
• 32:08
  Speaker 2: I was about to say that.
• 32:09
  Speaker 1: He's top five most famous faces on planet Earth. That's
• 32:11
  Speaker 1: an actual stat I agree. So he's the most famous
• 32:14
  Speaker 1: rapper ever. Yeah, but he's he's more famous than Eminem Drake.
• 32:18
  Speaker 2: I don't give a fuck. My grandma knows the Snoop is.
• 32:20
  Speaker 2: Everybody knows Snoop he is. He's He's like the Shack
• 32:23
  Speaker 2: of hip hop. Like if you could never have watched
• 32:26
  Speaker 2: basketball in your fucking life, you know who should kill
• 32:28
  Speaker 2: an Either you might not. There's people who don't know,
• 32:31
  Speaker 2: Like they might know Michael Jordan's name, right, but Michael
• 32:35
  Speaker 2: Jordan ain't in a bunch of commercials right now. Shack
• 32:38
  Speaker 2: is on TV every day. He's selling general car insurance.
• 32:41
  Speaker 1: Yeah, he's a Snoopsy movie.
• 32:43
  Speaker 2: Man, I love Snoop.
• 32:44
  Speaker 1: You gotta set that up though, Man.
• 32:46
  Speaker 2: That's my fucking man. That's the one interview. I was
• 32:49
  Speaker 2: so mad. I went to WrestleMania and they were selling
• 32:51
  Speaker 2: like the limited edition Snoop Dogg wrestling belts and and
• 32:54
  Speaker 2: they fucking sold out before I could buy one. Seven
• 32:56
  Speaker 2: hundred fifty dollars.
• 32:57
  Speaker 1: To plug you, man, I fucking love Snoop man Doggie Styles,
• 33:00
  Speaker 1: like I gotta plug y'all.
• 33:01
  Speaker 2: Man, what do you think it's snoop second best album?
• 33:04
  Speaker 2: It's his second best album?
• 33:06
  Speaker 1: What is his second best album? What do I think
• 33:09
  Speaker 1: it's his second best album?
• 33:11
  Speaker 2: Because Doggie Styles number one? I'm talking up to you.
• 33:12
  Speaker 2: What is your second favorite Snoop album?
• 33:15
  Speaker 1: It's either uh, top Dog, No Limit or Rhythmic Gangster m.
• 33:23
  Speaker 1: It's one of.
• 33:23
  Speaker 2: Those two minus top Dog. And then it's the Last Meal.
• 33:29
  Speaker 1: I like the last last meal.
• 33:31
  Speaker 2: Last meal was crazy.
• 33:32
  Speaker 1: His last two no limited offers was insign.
• 33:35
  Speaker 2: I didn't like the first no limited album.
• 33:36
  Speaker 1: No. The first one was it was it was it
• 33:38
  Speaker 1: was getting his feet wet.
• 33:39
  Speaker 2: It was to me, it was like they were trying
• 33:40
  Speaker 2: to do the no limit thing too much with Snoop
• 33:42
  Speaker 2: and it was just like this that top Dog was
• 33:45
  Speaker 2: the one though, because that's bitch. Please was on there
• 33:47
  Speaker 2: and it was what man, it was Man, the Mother Hitters.
• 33:50
  Speaker 1: It was crazy. That record is crazy. That rhythmic Gangsters
• 33:53
  Speaker 1: though no body saw that beautiful like it was.
• 33:57
  Speaker 2: Like, yeah, him and Paral caught a fucking way. Even
• 34:01
  Speaker 2: the Bush album we did with the Neptunes, that was
• 34:04
  Speaker 2: was actually a little Snoops got man. Shout out to
• 34:07
  Speaker 2: Snoop bron So, who's so listen, you got a new
• 34:11
  Speaker 2: album coming. You're announcing it on the eighth. Yeah, well
• 34:15
  Speaker 2: we'll wait until then to drop this. So what's the
• 34:18
  Speaker 2: name of the album? Okay, so what's the name of
• 34:21
  Speaker 2: the album?
• 34:22
  Speaker 1: I owe myself?
• 34:23
  Speaker 2: I like that you owe yourself? Okay, what is the why?
• 34:28
  Speaker 2: I mean, yeah, I think you owe yourself too. You're
• 34:31
  Speaker 2: fucking legend. Man. You're over here putting coffee on.
• 34:33
  Speaker 1: We need some rap music, man, Yeah, I feel like
• 34:36
  Speaker 1: I owe myself this moment, musically, sonically, spiritually, business wise.
• 34:40
  Speaker 1: I have been a part of helping a lot of people,
• 34:43
  Speaker 1: for sure. You know, I've assisted a lot of people
• 34:46
  Speaker 1: in helping them make their dreams come true. And actually
• 34:49
  Speaker 1: I've done a lot of things that I probably wasn't spearheading.
• 34:54
  Speaker 1: I was just kind of like following the lead or
• 34:56
  Speaker 1: assisting somebody else. Uh, this one is like, I'm gonna
• 34:59
  Speaker 1: do it exactly how I want to do it, from
• 35:02
  Speaker 1: the people I choose to produce, from who I choose
• 35:04
  Speaker 1: to mix, to who I choose to shoot videos. I
• 35:07
  Speaker 1: owe myself this one moment to be as high level
• 35:10
  Speaker 1: music as I can, so I really dove in deep
• 35:13
  Speaker 1: on it.
• 35:14
  Speaker 2: Sonically. What is like the vibe of this.
• 35:18
  Speaker 1: I'll just tell you what I was listening to on
• 35:20
  Speaker 1: the Walker studio, Uh, DiAngelo, Brown Sugar, Okay, Thriller, Get Richard,
• 35:29
  Speaker 1: I Trying Ship and a Cumini. Those were like, those
• 35:34
  Speaker 1: are the four projects that were on repeat during this
• 35:36
  Speaker 1: whole process. And then I would like throw in like Graduation,
• 35:40
  Speaker 1: Kanye out of Nowhere, just random. But yeah, it's in that,
• 35:44
  Speaker 1: It's in that pocket of things.
• 35:46
  Speaker 2: Any Chachi moments on this album?
• 35:48
  Speaker 1: What does that mean?
• 35:49
  Speaker 2: I feel like I feel like when I think in
• 35:51
  Speaker 2: D two B, I think I think that's like is
• 35:52
  Speaker 2: that you're like I feel like that's kind of like
• 35:54
  Speaker 2: your fucking at your persona?
• 35:57
  Speaker 1: I mean, you mean where I'm talking sexually towards women,
• 36:00
  Speaker 1: Is that what you're talking about?
• 36:01
  Speaker 2: Or just you know some ship that I can do
• 36:03
  Speaker 2: some Molly too.
• 36:05
  Speaker 1: I don't know. I mean you got to, I don't,
• 36:06
  Speaker 1: I mean organized confusion. You can do whatever you like
• 36:09
  Speaker 1: to do, whenever you want to do it. I've seen
• 36:10
  Speaker 1: people do Mady of the Jazz. So it's it's all
• 36:13
  Speaker 1: on how you tend to do, how you do your thing.
• 36:15
  Speaker 1: I think I touched on a lot of different subjects here,
• 36:19
  Speaker 1: and I think it'll be some moments that you can
• 36:22
  Speaker 1: play in your club and you can okay they break
• 36:24
  Speaker 1: into the Spotify grae grabbing knife. Uh, I'll actually send
• 36:33
  Speaker 1: you the link and you can check it out.
• 36:35
  Speaker 2: So let's go back to the Welcome to Mollywood Days.
• 36:40
  Speaker 2: What is your craziest Uh, give me your because I've
• 36:44
  Speaker 2: had some pretty wild nights tripping hard. I've never done
• 36:47
  Speaker 2: Molly in my life, never done and MDMA now they're
• 36:49
  Speaker 2: using m d m A as uh like literal like
• 36:54
  Speaker 2: people who have PTSD they do MDMA therapy. Give me
• 36:58
  Speaker 2: your craziest Molly story, peak problemy World days.
• 37:04
  Speaker 1: I would never tell you that story here on live
• 37:09
  Speaker 1: on this show, but I will say one like that
• 37:12
  Speaker 1: that I can't say that doesn't involve anybody else.
• 37:15
  Speaker 2: Whatever.
• 37:15
  Speaker 1: The first time I ever tried it. It was a
• 37:19
  Speaker 1: long ass car writer. It was Halloween and I was
• 37:22
  Speaker 1: in the car for two hours and that was the
• 37:24
  Speaker 1: most enjoyable car ride ever. And it was the next
• 37:28
  Speaker 1: It was when I figured out I was gonna sample
• 37:31
  Speaker 1: the master P record.
• 37:33
  Speaker 2: So you're on Molly. When you figured that out?
• 37:35
  Speaker 1: When we were me and Luck riding the old ship,
• 37:37
  Speaker 1: we used to listen to and like, oh this is crazy.
• 37:39
  Speaker 1: We got to flip this tomorrow. So then the next
• 37:42
  Speaker 1: morning I went to the studio about ten o'clock, took
• 37:45
  Speaker 1: a little bit and went sat there chop at the beat,
• 37:49
  Speaker 1: created the created the song right then the next morning crazy.
• 37:53
  Speaker 2: Yeah, you're like, dude, when I think of when I
• 37:56
  Speaker 2: think of Molly, I think a problem.
• 37:57
  Speaker 1: Well I don't like that. I want you to think
• 37:59
  Speaker 1: I do. That's why my name is Jason Martinell, because
• 38:02
  Speaker 1: I don't want you to think we think of a drug.
• 38:04
  Speaker 1: You think of me.
• 38:05
  Speaker 2: So that's not about my classic mixtapes. You know.
• 38:09
  Speaker 1: Like I said, I had a good time, but I
• 38:11
  Speaker 1: do not want you to repeat. I do not want
• 38:13
  Speaker 1: you guys to think.
• 38:14
  Speaker 2: Of I'm glad you weren't doing Molly when Fetnah was out,
• 38:17
  Speaker 2: I'm glad.
• 38:18
  Speaker 1: Oh wow, yeah, shit.
• 38:21
  Speaker 2: At the right time.
• 38:22
  Speaker 1: Noah, I just I just like I said, man, I
• 38:25
  Speaker 1: had a good time. I had a good time. Something
• 38:27
  Speaker 1: crossed me that nobody was really doing at the time,
• 38:29
  Speaker 1: and I just was talking about my day to day
• 38:31
  Speaker 1: and when I was on and how I was partying.
• 38:33
  Speaker 1: I thought I needed a daring, shocking name to get
• 38:35
  Speaker 1: people to.
• 38:35
  Speaker 2: Click, because I'm thinking if you came up with the
• 38:38
  Speaker 2: like what idea, that probably was like a twenty eleven
• 38:42
  Speaker 2: car ride. No I did that.
• 38:45
  Speaker 1: No, I did that was on Mady with two.
• 38:47
  Speaker 2: Okay, so twenty twelve when it came out.
• 38:50
  Speaker 1: No, like right before I did part one, Okay, So
• 38:52
  Speaker 1: I had the song, I recorded the song. We put
• 38:55
  Speaker 1: it on part two.
• 38:57
  Speaker 2: I'm just trying because did you ever go to the
• 39:00
  Speaker 2: Bay and like, did they ever like say, hey, dude,
• 39:02
  Speaker 2: it's not Molly, it's.
• 39:03
  Speaker 1: This No, but you already know I was already in
• 39:06
  Speaker 1: the Bay anyway. Heavy mister fab used to have me
• 39:09
  Speaker 1: coming up there, staying at his house in two thousand
• 39:11
  Speaker 1: and seven, him is stretched like I've always been in
• 39:14
  Speaker 1: the Bay. Kick Schneek told me I'm Honorary Oakland. He
• 39:17
  Speaker 1: said he said, you oakly, I know you've got him,
• 39:19
  Speaker 1: you ugly niggas. So they didn't have to tell me.
• 39:22
  Speaker 1: They knew, they knew I wasn't there to bite the culture.
• 39:24
  Speaker 1: I've always I just talked to you forty today, like
• 39:27
  Speaker 1: we I'm from California. I don't rep just one.
• 39:30
  Speaker 2: I like that. Are you gonna pop up at any
• 39:34
  Speaker 2: one of these games?
• 39:37
  Speaker 1: I mean, you know the Battle of Cali right, thinking
• 39:39
  Speaker 1: of going to the game. I guess it'll be tonight
• 39:42
  Speaker 1: air wise, you know what I'm saying. Yeah, I'm thinking
• 39:44
  Speaker 1: of I'm thinking of popping in there. I definitely want
• 39:48
  Speaker 1: to go.
• 39:48
  Speaker 2: Did you see mister Fabe forty last night? They had
• 39:51
  Speaker 2: the whole fucking mister fab suit was ridiculous. Yeah, you
• 39:55
  Speaker 2: know where do you get a suit like that?
• 39:57
  Speaker 1: Man? They all cut they customed them to if they
• 39:59
  Speaker 1: only customed and their thing from row. Fodi gonna be
• 40:01
  Speaker 1: at everything everything, bro, Yeah, he's definitely gonna be there too.
• 40:05
  Speaker 2: Talk to me because I do feel like, you know,
• 40:08
  Speaker 2: with the name change, I feel like it's it's obviously
• 40:11
  Speaker 2: shows an intentional pivot creatively and just kind of like
• 40:16
  Speaker 2: you said, you know, your problem is a legend Jason Martin,
• 40:20
  Speaker 2: I feel like you're kind of not You're not starting
• 40:22
  Speaker 2: for scratch because people who follow you know about it.
• 40:24
  Speaker 2: You know, people will follow you close to your fans,
• 40:26
  Speaker 2: they know what's up. Do you feel like this new project,
• 40:30
  Speaker 2: like you said, you're gonna be kind of a new
• 40:32
  Speaker 2: artist to like a whole new generation of people that way.
• 40:35
  Speaker 1: I think that for me that was the point. The
• 40:37
  Speaker 1: point was to say, this apartment building is doing very
• 40:42
  Speaker 1: well for me. I still own it, but what's wrong
• 40:45
  Speaker 1: with having too? You get what I'm saying, Jason Martin
• 40:49
  Speaker 1: is my name. This is about my family. It's about
• 40:51
  Speaker 1: my legacy. This is about my children, saying I'm a
• 40:54
  Speaker 1: Martin my dad like, yeah, this is my son. This
• 40:57
  Speaker 1: is about bigger than like music, but musically. This explains
• 41:01
  Speaker 1: the pivot. And I like the fact that I'm a
• 41:03
  Speaker 1: brand artist. It gives me like realistic goals for what
• 41:06
  Speaker 1: I'm doing, especially now, like it's been like a fucking
• 41:09
  Speaker 1: pain in the ass with all the DSP situations and
• 41:12
  Speaker 1: changing your name and having to tire this name, and
• 41:14
  Speaker 1: it's like, this is not just a regular name change.
• 41:17
  Speaker 1: This is a real business thing that had to happen.
• 41:19
  Speaker 1: And I wasn't really aware of. So I think this
• 41:22
  Speaker 1: is a good direction forward. Yes, sonically I'm different. Physically,
• 41:26
  Speaker 1: I'm different. Mentally, I'm different. If you just hear the
• 41:28
  Speaker 1: way I talk, it's just not the same. My message
• 41:30
  Speaker 1: is not the same.
• 41:31
  Speaker 2: So if I want to go listen to like what
• 41:33
  Speaker 2: on Spotify is it under Jason Martin?
• 41:36
  Speaker 1: Now it's still under problem.
• 41:37
  Speaker 2: Okay, so you're but you're starting a whole new profile.
• 41:39
  Speaker 1: There's a whole new profile right now started.
• 41:42
  Speaker 2: It's literally starting from scratch.
• 41:43
  Speaker 1: Yeah, and the and the funny thing is it's crazy
• 41:46
  Speaker 1: to me, like with us, we just and you know,
• 41:49
  Speaker 1: we just got announced it's one of the top one
• 41:51
  Speaker 1: hundred West Coast songs of all time out on the
• 41:53
  Speaker 1: Stone For that to happen, and then the next day
• 41:56
  Speaker 1: I leak I actually post my new single frequent. See
• 42:00
  Speaker 1: we have a whole new frequency for me. It's just crazy.
• 42:03
  Speaker 1: And you would think it was playing.
• 42:04
  Speaker 2: Like that and it just wasn't. What do you think
• 42:06
  Speaker 2: about the list? I'm on it, so I love it,
• 42:09
  Speaker 2: and you know what, a lot of people are on
• 42:11
  Speaker 2: it that I'm glad that like, because like I you know,
• 42:14
  Speaker 2: when Rolling Stone and these big publications do these fucking lists.
• 42:17
  Speaker 2: They're usually just.
• 42:19
  Speaker 1: Goofy and there. I think, I think, you know, I
• 42:21
  Speaker 1: think what we got to understand is this. And I
• 42:24
  Speaker 1: was talking to Terrris about about this earlier. There's a
• 42:27
  Speaker 1: lot of lists that I don't see my name on.
• 42:30
  Speaker 1: There's a lot of situations that I'm not really brought
• 42:32
  Speaker 1: up in when it comes to who did this in
• 42:34
  Speaker 1: the last decade and who did what? And I don't complain,
• 42:39
  Speaker 1: you know, I clap and like and keep going. So
• 42:42
  Speaker 1: don't start bitching out that you're not on this one.
• 42:44
  Speaker 1: Whoever that is. It's not. That's not how this works.
• 42:48
  Speaker 1: These lists are not they're they're they're not setting stone.
• 42:51
  Speaker 1: These are opinions.
• 42:51
  Speaker 2: I even drove into the list. I know I've seen.
• 42:53
  Speaker 1: I've been seeing all type of crazy shit. I've been like, wala, I.
• 42:56
  Speaker 2: Saw you were on there. I saw Plog made it.
• 42:58
  Speaker 1: Yeah, I think they think of course with any list,
• 43:02
  Speaker 1: I saw records of that. I'm like, I didn't even
• 43:03
  Speaker 1: know that song. So it made me have to go
• 43:05
  Speaker 1: like diving and listen. I know that there's records that
• 43:08
  Speaker 1: I think should be on there.
• 43:11
  Speaker 2: What was your biggest snub you think.
• 43:13
  Speaker 1: I don't say person, I say song, I think I
• 43:17
  Speaker 1: think I think that Snoop should have had a lot
• 43:23
  Speaker 1: more songs. I think for Shopak should have had a
• 43:26
  Speaker 1: lot more song I think forty should have had a lot,
• 43:28
  Speaker 1: a lot of more, like more records. Honestly, and again
• 43:32
  Speaker 1: not just because I'm on.
• 43:33
  Speaker 2: It, but function birth three, Function wasn't on there.
• 43:37
  Speaker 1: Function not on there? Forty he got I want to
• 43:41
  Speaker 1: be saved?
• 43:41
  Speaker 2: Is uh tell me, Nah, that's not on there.
• 43:45
  Speaker 1: That's what weird. We were talking about that earlier.
• 43:48
  Speaker 2: Not on the list. Nah.
• 43:49
  Speaker 1: I mean it's a lot of records. One number one
• 43:52
  Speaker 1: is none.
• 43:52
  Speaker 2: But think that makes sense?
• 43:55
  Speaker 1: I don't know, man, Like I said, those things are subjective.
• 43:57
  Speaker 2: I think if you were to make like a realistic list,
• 44:01
  Speaker 2: they like you would be including so many from the
• 44:04
  Speaker 2: same artists you right, So I think that they probably
• 44:07
  Speaker 2: were like hey.
• 44:07
  Speaker 1: And again like I don't, I don't. I mean, would
• 44:11
  Speaker 1: I be upset if I wasn't on it?
• 44:13
  Speaker 2: I mean, we'll never know, Like Gangs to Make the
• 44:16
  Speaker 2: World Go Around and Gangster Killer, Dope Dealer bow Down
• 44:19
  Speaker 2: and all that trip should be on it.
• 44:20
  Speaker 1: We all got personal favorites. I think that did Matt
• 44:23
  Speaker 1: ten have a solo song on there. He didn't have
• 44:24
  Speaker 1: a solo I want. I want to say he had
• 44:27
  Speaker 1: no he had a couple, had one Westie Connection. I
• 44:30
  Speaker 1: saw some with him west Side Connection, and I saw
• 44:32
  Speaker 1: one with him and nothing but the caveat here with
• 44:34
  Speaker 1: Dog Crown.
• 44:35
  Speaker 2: So I love Backyard Boogie too. But yeah, there's so many.
• 44:37
  Speaker 1: Like you said, it's all subjective. I think what should
• 44:40
  Speaker 1: happen is you clapp who's on there, and then you
• 44:42
  Speaker 1: make your own list.
• 44:43
  Speaker 2: You know what I'm saying, I don't need to shoot
• 44:45
  Speaker 2: on the list exactly.
• 44:46
  Speaker 1: Didn't make it because they don't want me to get
• 44:48
  Speaker 1: to talk about a lot of these lists.
• 44:49
  Speaker 2: You can't. If you can never make a list like
• 44:52
  Speaker 2: that and make everyone happy, that's it's an opinion based
• 44:56
  Speaker 2: list's objective.
• 44:57
  Speaker 1: This is what I do want to say. We shipped
• 45:01
  Speaker 1: on the Grammys, we shipped on Rolling Stone, we ship
• 45:04
  Speaker 1: on all these publications, but we get mad when they
• 45:07
  Speaker 1: don't do what we want him to do. It's like,
• 45:09
  Speaker 1: that's like that makes no sense to me.
• 45:11
  Speaker 2: If you don't care about it.
• 45:12
  Speaker 1: I don't need a grammar. I hear all these things.
• 45:14
  Speaker 1: I don't need this, but then get mad when they
• 45:16
  Speaker 1: don't include you. I'm I don't understand. That doesn't make
• 45:19
  Speaker 1: any sense, Like I don't understand where all the air
• 45:21
  Speaker 1: come from. Because if I don't need something, I don't
• 45:23
  Speaker 1: give a fuck what is doing right, So I think
• 45:25
  Speaker 1: we should just stop. We need to stop all this
• 45:28
  Speaker 1: goddamn complaining out here. I think it's I think it's
• 45:30
  Speaker 1: beautiful that somebody took time to write about the West
• 45:33
  Speaker 1: Coast for one for sure, and really just focus on that.
• 45:36
  Speaker 1: And like, there's gonna be more lists. I'm pretty sure
• 45:39
  Speaker 1: this list is gonna spawn tons of lists, and all
• 45:41
  Speaker 1: our streams are gonna go.
• 45:42
  Speaker 2: There's no way in hell enough DJ Quick songs made
• 45:44
  Speaker 2: the list either. I don't even know.
• 45:46
  Speaker 1: It's a night's pretty high good, it's pretty hard. He
• 45:49
  Speaker 1: got up there, He's pretty odd.
• 45:52
  Speaker 2: It's two shorts players on there.
• 45:54
  Speaker 1: Nah, he has getting it blow the whistle is like
• 45:56
  Speaker 1: a he like Shop ten is getting it on there, though.
• 45:58
  Speaker 1: I don't know if getting on Jesus, But I like
• 46:01
  Speaker 1: how they put battle ram on there. Right, It's like
• 46:03
  Speaker 1: we were here to see the effect of some of
• 46:06
  Speaker 1: these things.
• 46:07
  Speaker 2: No, I mean I just saw some of the ship
• 46:08
  Speaker 2: and I was like, oh ship, They actually put some
• 46:10
  Speaker 2: ship on there. They're like sixteen.
• 46:12
  Speaker 1: Good they had they had ninety five infinity? What is it?
• 46:16
  Speaker 2: Five? Right? Yeah, that's it as it should be top ten.
• 46:20
  Speaker 1: But guess what the that record wasn't commercially successful record.
• 46:23
  Speaker 2: It's five. Yeah, I think that's frett, that's top ten.
• 46:26
  Speaker 1: I'm just saying, I think I think you know, like again,
• 46:31
  Speaker 1: thank you guys.
• 46:32
  Speaker 2: Thank Okay, where's Gin and Juice two or three? It's
• 46:34
  Speaker 2: gotta be top three?
• 46:36
  Speaker 1: Mm hmm.
• 46:39
  Speaker 2: Wait, Gin and Juice is the top five.
• 46:44
  Speaker 1: But you gotta think what I know?
• 46:46
  Speaker 2: They don't says has a lot of a lot of
• 46:49
  Speaker 2: wrong California. Are they not including Tupac because.
• 46:55
  Speaker 1: See look they got Hall married though as higher up
• 46:58
  Speaker 1: hail Mary's higher? Yeah, oh no, no, don't do that.
• 47:04
  Speaker 2: Come on now, don't do that.
• 47:06
  Speaker 1: Come on, don't do that. Uh. See.
• 47:10
  Speaker 2: The thing is I like him, Mary Moore.
• 47:13
  Speaker 1: I like that. This is finally a conversation that isn't
• 47:15
  Speaker 1: derived in bullshit.
• 47:17
  Speaker 2: It's Roddy rich On there. Yeah the box. See this
• 47:22
  Speaker 2: is the thing if you really like I mean, yes,
• 47:25
  Speaker 2: the the New York based publication would have the fuck
• 47:29
  Speaker 2: Donald Trump song higher than it should be because it
• 47:32
  Speaker 2: can't be higher than Tutor and boot it, but it is.
• 47:34
  Speaker 1: I'm sure.
• 47:36
  Speaker 2: You wouldn't put fun Donald Trump higher than Tutor and
• 47:38
  Speaker 2: Boot it would you Toutor and Boot. It was like
• 47:40
  Speaker 2: a fucking moment. I did a lot kickoff ties solo
• 47:43
  Speaker 2: ship for real, like he had an all star and
• 47:45
  Speaker 2: he had his ship, you know, but Tutor to Boot
• 47:47
  Speaker 2: it is like what changed YG and TI's whole trajectory.
• 47:50
  Speaker 1: I think that I think FDT was so left nobody
• 47:55
  Speaker 1: saw that coming over the conscience souls a Bay Area
• 48:00
  Speaker 1: moments in some in some forms with the conscious daughter situations.
• 48:03
  Speaker 2: She was on you got and how many Nipsey songs?
• 48:05
  Speaker 2: I mean they gotta at least have nip I think
• 48:07
  Speaker 2: it is like you Broke should be on there.
• 48:10
  Speaker 1: I think last time I checked the stop sare it
• 48:15
  Speaker 1: was like.
• 48:18
  Speaker 2: Last time I checked this, higher than California Love.
• 48:20
  Speaker 1: Mm hmm you got yeah hmm yeah yeah, Like I said,
• 48:28
  Speaker 1: like I said.
• 48:28
  Speaker 2: Man, where's bout down that we're straight out of Compton.
• 48:36
  Speaker 1: It's on there, It's on there.
• 48:39
  Speaker 2: Hm hm Easy Radio Easy e uh.
• 48:44
  Speaker 1: Three.
• 48:45
  Speaker 2: I like the three mm hmmm yo, real motherfucking g's
• 48:50
  Speaker 2: by Easy. He's gotta be definitely not that. That's such
• 48:54
  Speaker 2: a great you know that song.
• 48:57
  Speaker 1: I just wish it wasn't about one of my eros.
• 49:00
  Speaker 2: What happened to the other guys on that song?
• 49:02
  Speaker 1: Ohis BG knockout?
• 49:05
  Speaker 2: Yeah, fucking that song so good. It's like one of
• 49:08
  Speaker 2: my favorite songs. Ever. I don't think anyone ever talks
• 49:10
  Speaker 2: about that. Ships so hard. I remember having that fucking
• 49:13
  Speaker 2: on CD.
• 49:14
  Speaker 1: That ship was I as a as a kid, I
• 49:16
  Speaker 1: hated that moment because they made us have to pick,
• 49:18
  Speaker 1: but they were going at each other. It was hard.
• 49:21
  Speaker 1: It was fire that that that exchange.
• 49:23
  Speaker 2: I never knew as a little kid that Easy E
• 49:25
  Speaker 2: was like, uh didn't really like like paying a lot
• 49:28
  Speaker 2: of his own ship. So I was a little kid.
• 49:30
  Speaker 2: I just thought I was just too short. Snoop and
• 49:33
  Speaker 2: Uh Easy were like just gods.
• 49:37
  Speaker 1: I mean they were.
• 49:38
  Speaker 2: I got like a gas station tape that had Easy
• 49:40
  Speaker 2: East Radio on it. Oh my god, I love that
• 49:43
  Speaker 2: Easy Easy.
• 49:44
  Speaker 1: He kicked off all this ship for sure. With all
• 49:46
  Speaker 1: Easy there's no West Coast business. Yes, you know what
• 49:49
  Speaker 1: I'm saying. We got to really understand. But but this
• 49:51
  Speaker 1: is what I like.
• 49:52
  Speaker 2: This is what I like about that list Iced tea colors.
• 49:55
  Speaker 1: We're having a conversation that's a music based conversation about
• 49:59
  Speaker 1: the West Coast. I know, bullshit, ass beefs and all
• 50:02
  Speaker 1: that other shit. You know what I mean, Like you
• 50:06
  Speaker 1: know what I'm saying.
• 50:08
  Speaker 2: Yeah, for sure, I love it.
• 50:12
  Speaker 1: I think you should. I think you're gonna be thoroughly
• 50:13
  Speaker 1: enter time and again, let's just keep it positive.
• 50:17
  Speaker 2: Feeling myself on there, Mac dre, I'm just curious.
• 50:20
  Speaker 1: Top ten, right, that's top ten.
• 50:23
  Speaker 2: It shouldn't be top ten. It's too high. It is summertime.
• 50:27
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• 50:31
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  Speaker 2: back to the interview.
• 55:28
  Speaker 1: Do it, won't you do your list? I would actually
• 55:31
  Speaker 1: be entertained.
• 55:31
  Speaker 2: If somebody from the bay wrote that list. If mac
• 55:34
  Speaker 2: Dre's top ten. I love Dre. It's about top It's
• 55:36
  Speaker 2: like thirty two though it feels like it feels like
• 55:40
  Speaker 2: a thirty seven. Just tell me when to go? Should
• 55:44
  Speaker 2: be top ten?
• 55:46
  Speaker 1: What?
• 55:48
  Speaker 2: That's why I like blow the whistle. Blow the whistle.
• 55:49
  Speaker 2: Being top ten is fucking perfect. Getting it should be
• 55:55
  Speaker 2: higher than feeling myself getting it.
• 55:58
  Speaker 1: Come on, man, okay, I like, hey, listen, I like
• 56:02
  Speaker 1: how you take a stance. I'm into that. You know
• 56:03
  Speaker 1: what I'm saying.
• 56:04
  Speaker 2: I'm into that? Is the ice cube two ice cube,
• 56:08
  Speaker 2: Dre Natural Born Killers on there. There's no way it's
• 56:12
  Speaker 2: on there. They didn't put that on there.
• 56:13
  Speaker 1: No, that's not on.
• 56:13
  Speaker 2: It's not on there. You don't even have to look.
• 56:17
  Speaker 2: Do it's not on there?
• 56:18
  Speaker 1: Do you smoke on this show?
• 56:19
  Speaker 2: Sometimes? I smoked the highest. What about corrupt? Ride with Us?
• 56:25
  Speaker 1: Is that?
• 56:26
  Speaker 2: No, that's dazzing corrupt, right, that's corrupt. That's it. That's
• 56:31
  Speaker 2: Streets is the Mother is one of the fucking most
• 56:33
  Speaker 2: slept on albums.
• 56:33
  Speaker 1: Ever, one of the most amazing. But that that thing
• 56:36
  Speaker 1: dropped the same time as Chronic two thousand and one.
• 56:40
  Speaker 2: Okay, is exhibit on the list? Are they considering Exhibit
• 56:44
  Speaker 2: LA because they know he's from New Mexico, But he's
• 56:45
  Speaker 2: an l A rapper because West Coast exhibit.
• 56:50
  Speaker 1: Exhibit who's New Mexico's West Coast?
• 56:53
  Speaker 2: No, no, no, But who's on Who's Who's got Seattle? Sir?
• 56:55
  Speaker 2: Mixed a lot?
• 56:56
  Speaker 1: I think they got some mixed lot on there. I
• 56:58
  Speaker 1: want to say they got some macnamore record there too.
• 57:02
  Speaker 2: The boxes fifty three exhibits gotta be on there. He is,
• 57:07
  Speaker 2: he's right, he's bitch.
• 57:08
  Speaker 1: Please in there?
• 57:09
  Speaker 2: Is you your walk on?
• 57:11
  Speaker 1: That's what's on there for him?
• 57:13
  Speaker 2: Good.
• 57:14
  Speaker 1: We're actually right next to each other.
• 57:17
  Speaker 2: That's fucking crazy. Sixty four mac dre.
• 57:20
  Speaker 1: You have not seen the letter. You need to look
• 57:22
  Speaker 1: at the list and see what's going on. They give
• 57:24
  Speaker 1: an explanation for everything.
• 57:27
  Speaker 2: Oh fuck, this right above nothing. Cavey hit.
• 57:35
  Speaker 1: You know what fun shout out this is my boys
• 57:37
  Speaker 1: stretched baby, Yeah, shout to stress.
• 57:40
  Speaker 2: A lot of people don't know kray Sean was a
• 57:42
  Speaker 2: cameraman or she was a camera chick for. When I
• 57:45
  Speaker 2: first met Krashaan, she was the camera check for the
• 57:49
  Speaker 2: YG Tie Bobby Brackens tour. Yeah, I think it was
• 57:53
  Speaker 2: she stayed down too.
• 57:55
  Speaker 1: I fucked with her like I remember a bigger artist
• 57:58
  Speaker 1: trying to snatch her, and then she was like.
• 57:59
  Speaker 2: No worse than her I ever did in my life. Yeah,
• 58:02
  Speaker 2: I literally ended in. It was like, oh, you can go.
• 58:03
  Speaker 2: You don't want to be here.
• 58:05
  Speaker 1: I mean, you know that it's tough when you get
• 58:07
  Speaker 1: those big records, but you know what happens when you
• 58:08
  Speaker 1: get those big records and you treat people like shit,
• 58:11
  Speaker 1: you only got one of them.
• 58:13
  Speaker 2: I'm not a fan of But I know Stretch was
• 58:15
  Speaker 2: behind her, but she's I met her, I met her
• 58:16
  Speaker 2: bro When I interviewed her, it was literally the worst
• 58:19
  Speaker 2: experience I've ever had with a rapper. I've interviewed everybody.
• 58:23
  Speaker 2: Anybody asked me, what's the worst interview you ever did? Krashan?
• 58:26
  Speaker 2: I had dram not off in an interview and fall asleep.
• 58:29
  Speaker 2: Not as bad as Krashan. Shout out to drum Kevin keVs. Wild,
• 58:34
  Speaker 2: I see no, No, that list is wild. If Gucci
• 58:36
  Speaker 2: Gucci's top one hundred, this is fucking atrocious. So that
• 58:39
  Speaker 2: so that one move a hundred percent. So Krashan's higher
• 58:45
  Speaker 2: than exhibit. I don't think Kashan should be higher than
• 58:50
  Speaker 2: anybody because you don't like her. No, because the song
• 58:53
  Speaker 2: was okay, you would put okay. I'm just gonna pull
• 58:58
  Speaker 2: a song out of my ass. Would you put Krashawn's
• 59:03
  Speaker 2: Gucci Gucci above Hmmm? Let me just pick a random
• 59:13
  Speaker 2: song that I probably don't think is on there. Any
• 59:16
  Speaker 2: song on Good Kid Maad City Man, what are you
• 59:19
  Speaker 2: talking about?
• 59:21
  Speaker 1: I'm going with the hometown about schoolboy Q.
• 59:24
  Speaker 2: What he's on the studio, I don't know.
• 59:29
  Speaker 1: For the studio.
• 59:30
  Speaker 2: I love groovy Q man. I can't wait to hear
• 59:32
  Speaker 2: his new album.
• 59:32
  Speaker 1: Shout out to him, man, put that ship out man.
• 59:35
  Speaker 2: Your point, Tyler the creator, But I have a lot
• 59:37
  Speaker 2: of shit on there. I respect it, so.
• 59:41
  Speaker 1: Now you respect See bro, This is not please everybody,
• 59:45
  Speaker 1: is what I've noticed with this situation.
• 59:46
  Speaker 2: No way you can put Rashan on top one hundred.
• 59:48
  Speaker 2: That's fucking as God bless it. Shout out to my guy,
• 59:51
  Speaker 2: PLO put me on something's on there or so shut
• 59:53
  Speaker 2: out to my brother. Uh is love rants up on
• 59:59
  Speaker 2: there with I am? That should be on there if
• 1:00:02
  Speaker 2: you're gonna include creation saying don't listen man, problem AKA
• 1:00:08
  Speaker 2: Jason Martin. No no no, no, no, no no no no,
• 1:00:11
  Speaker 2: let's get this right Martin Jackson Mark Jason f KA problem.
• 1:00:16
  Speaker 1: Jason mart I want Jason Martin, thanks for having me, brother.
• 1:00:19
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• 1:00:30
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• 1:00:33
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• 1:01:05
  Speaker 1: see him around San Francisco. Russom ship fire. Come on, man.
• 1:01:08
  Speaker 1: I owe myself out May twelve. I owe myself May twelfth.
• 1:01:12
  Speaker 1: On the album, you'll see all new heads, all new music.
• 1:01:18
  Speaker 2: My god, thank you brother, Appreciate you, man,