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Lux Radio Theatre - "Lost Angel" (Old Time Radio, 1944) · Lux Radio Theater | Old Time Radio

• 0:00
  Speaker 1: Margaret O'Brien, James Craig, Marsha Hunt, and Keenan Wynn reprise
• 0:05
  Speaker 1: their Metro Goldwyn Mayer roles in this Luck's adaptation. On
• 0:10
  Speaker 1: June nineteenth, nineteen forty four, Lux Radio Theater brought Lost
• 0:14
  Speaker 1: Angel to CBS as episode four hundred forty four, adapted
• 0:18
  Speaker 1: from the nineteen forty three MGM film. O'Brien plays Alpha,
• 0:23
  Speaker 1: a six year old orphan raised at the Institute of
• 0:26
  Speaker 1: Child Psychology as a carefully educated prodigy. When newspaperman Mike
• 0:32
  Speaker 1: Reagan comes to write about her, his questions about the
• 0:35
  Speaker 1: ordinary wonders missing from her controlled life lead Alpha into
• 0:39
  Speaker 1: an unexpected New York adventure, with Katie Mallory and Packy
• 0:43
  Speaker 1: Rouse along the way. And now we return to the
• 0:47
  Speaker 1: original broadcast.
• 0:52
  Speaker 2: Luck presents Hollywood Lux Radio the at Heberns Who Margaret O'Brien,
• 1:09
  Speaker 2: James Craig, Marsha Hunt, and Keenan Wynn in Lost Angele
• 1:14
  Speaker 2: Ladies and gentlemen, your producer, mister Cecil be the mill.
• 1:26
  Speaker 2: Greetings from Hollywood, ladies and gentlemen. The entire company of
• 1:29
  Speaker 2: the Lux Radio Theater has been under a magic spell.
• 1:32
  Speaker 2: This week. We fallen victim to the charm of Miss
• 1:36
  Speaker 2: Margaret O'Brien, age seven. We have wooed her favor with
• 1:41
  Speaker 2: ice cream cone and peppermint candace, and she has rewarded
• 1:45
  Speaker 2: us by treating us as equals. That's about the greatest
• 1:49
  Speaker 2: compliment that a child can pay to add up co
• 1:52
  Speaker 2: starring with Margaret, James Craig, Marsha Hunt and Keenan Wynn.
• 1:58
  Speaker 2: They were all with her and the Metro Goldron Mayor
• 2:01
  Speaker 2: picture Lost Angels, the drama that takes the futlight in
• 2:04
  Speaker 2: this theater. Tonight this week Metro Goldrin Mayor is celebrating
• 2:08
  Speaker 2: twenty years of fine picture making for the new one
• 2:13
  Speaker 2: that's been much talked about, the Fit Cliffs of Dover.
• 2:17
  Speaker 2: During those twenty years, the studio has discovered a distinguished
• 2:20
  Speaker 2: line of famous artists, but none I think more promising
• 2:24
  Speaker 2: than our little Margaret O'Brien. Lost Angel is a delightful
• 2:29
  Speaker 2: story of a very small girl who feels a certain
• 2:32
  Speaker 2: responsibility for the affairs of her friends, particularly affairs of romance.
• 2:38
  Speaker 2: I believe tonight marks rather a special occasion for the
• 2:41
  Speaker 2: lux Radio Theater because it's the first time we've had
• 2:44
  Speaker 2: a star who wasn't born even when the first play
• 2:49
  Speaker 2: was presented in this national theater by Lux Tilotow, which
• 2:53
  Speaker 2: means our whole generation has more or less grown up
• 2:56
  Speaker 2: with our program, the first birthday party, the first day
• 3:00
  Speaker 2: graduation day. In all of these, our product has played
• 3:04
  Speaker 2: its own little role. Needless to say, we're firm believers
• 3:08
  Speaker 2: in the theory that beauty is never too young to
• 3:11
  Speaker 2: learn about Lux Starlett soo o. Our cast is on
• 3:15
  Speaker 2: the stage, and here's the curtain for AQ one of
• 3:16
  Speaker 2: Los Angeles, darring Margaret O'Brien as Alpha, James Craig as Mike,
• 3:22
  Speaker 2: Marsha Hunt as Katy, and Keenan Wynne as Packie. His
• 3:36
  Speaker 2: name is Mike Reagan mike' acorner. He doesn't wear his
• 3:40
  Speaker 2: hat on the back of his head, cigarettes never dangle
• 3:42
  Speaker 2: from the corner of his mouth, and he has never
• 3:44
  Speaker 2: considered writing a novel. But in spite of these handicapps,
• 3:49
  Speaker 2: Mike Reagan is the most promising news gatherer on the
• 3:52
  Speaker 2: New York Morning Fanscript right now. In fact, he's promising
• 3:56
  Speaker 2: something to a very bewitching young lady. And I'm awfully sorry, Katie,
• 4:02
  Speaker 2: but we can go next week. Huh. That's a promise. Well,
• 4:04
  Speaker 2: if you have to, worst chum, you have to. It's
• 4:06
  Speaker 2: that pack your roo's case the cops. Just I've got
• 4:09
  Speaker 2: to do a follow up story.
• 4:10
  Speaker 3: Okay, next week.
• 4:11
  Speaker 2: Sandy, Katie, you're a wonderful girl. You know what I
• 4:14
  Speaker 2: like this about you?
• 4:15
  Speaker 4: Sure, I have a pretty good voice that pays off
• 4:18
  Speaker 4: with a pretty good salary from a pretty good night club.
• 4:20
  Speaker 2: I don't cost you much. You'll find it hard to believe,
• 4:23
  Speaker 2: but that's not it. The thing I like most is
• 4:25
  Speaker 2: if you're not one of those Whanny clean Vine dangerish books.
• 4:29
  Speaker 2: My guy's got work to do. Oh hey, you, Katie,
• 4:31
  Speaker 2: the boss wants to see you.
• 4:32
  Speaker 5: Mike.
• 4:33
  Speaker 6: Let him.
• 4:33
  Speaker 2: I'll be right there. Okay, Oh hey, I almost forgot
• 4:37
  Speaker 2: about tonight. Mike, you bring the beer. We've got the dame.
• 4:40
  Speaker 2: Oh all right, worm squirm, honest, Kate, that's just a
• 4:45
  Speaker 2: real bun and a Dame's just a poker game.
• 4:47
  Speaker 4: Oh, just the poker game.
• 4:49
  Speaker 2: It's not that I want to play poker, but I
• 4:51
  Speaker 2: took poindred bucks from those pigeons last Tuesday night.
• 4:53
  Speaker 5: And Tuesday night, yeah, oh yes, oh Lookuesday the night
• 5:00
  Speaker 5: you stood me up because the rewright man was sick, Katie.
• 5:04
  Speaker 2: And this racket. There are a lot of things a
• 5:06
  Speaker 2: guy has to do.
• 5:06
  Speaker 4: Their obligations, obligations to what Mike, you have only two
• 5:10
  Speaker 4: real obligations. One is to your job and the other
• 5:13
  Speaker 4: is to me.
• 5:13
  Speaker 2: And he seems to be pluffing in both of them.
• 5:16
  Speaker 2: Didn't They'll tell you I wanted to see you, Mike?
• 5:18
  Speaker 7: All right?
• 5:19
  Speaker 2: Please look, Katie, Katie, you're You're absolutely right, darling. Look,
• 5:23
  Speaker 2: have dinner with me tonight, really, let me have it.
• 5:25
  Speaker 4: And while I'm making speeches, you'll be figuring out how
• 5:28
  Speaker 4: you can get away early and still make that poker game.
• 5:31
  Speaker 2: Oh no, Katie, I'll be listening. I'd be heal if
• 5:34
  Speaker 2: I didn't. You will come, won't you, Darling? It means
• 5:37
  Speaker 2: a lot to me. Well, oh that's wonderful, baby. You'll
• 5:41
  Speaker 2: be sorry, Katie.
• 5:43
  Speaker 4: Oh all right, pick me up at eight thirty, eight thirty.
• 5:47
  Speaker 2: You're an angel.
• 5:48
  Speaker 4: I'm a step goodbye Art, go.
• 5:50
  Speaker 2: Along, Katie, bye brother. The things you'll get away with now?
• 5:55
  Speaker 2: Then you wanted to see me Art?
• 5:57
  Speaker 8: Yeah, when you went to Harvard, did you know a
• 5:58
  Speaker 8: professor there named Vince Vincent?
• 6:00
  Speaker 2: Oh? Sure, psychology. He's in town now with the Pickering Institute.
• 6:03
  Speaker 2: Then drag yourself down there and see they've got a
• 6:06
  Speaker 2: baby genius, get an interview. But I'm all tied up
• 6:08
  Speaker 2: with a pack of roose case Packy's in jail. The
• 6:11
  Speaker 2: case is over, and not quit stalling. Listen, Well, I'm
• 6:13
  Speaker 2: in no mood for the patter of little feet in
• 6:15
  Speaker 2: the touch of little hands.
• 6:16
  Speaker 9: No, okay, there's a poetry show.
• 6:18
  Speaker 2: That has to be covered. Pickering Institute, Pickering Institute. Yeah,
• 6:24
  Speaker 2: that's what I thought you said. I'm on my way
• 6:34
  Speaker 2: to see you again, Reagan.
• 6:36
  Speaker 8: But as far as the child is concerned, impossible, by
• 6:39
  Speaker 8: no means.
• 6:39
  Speaker 2: Ready to contact the press. I understand your point of
• 6:41
  Speaker 2: view completely. Professor Vinston's imagine the cheap sensational stories it
• 6:45
  Speaker 2: might be written professors grow genius in hothouse, that sort
• 6:47
  Speaker 2: of thing exactly. But after all, you know me, and
• 6:49
  Speaker 2: you know I wentn't very well.
• 6:51
  Speaker 8: But the article you write must first be submitted to
• 6:53
  Speaker 8: us for our approval.
• 6:54
  Speaker 2: Oh sure, sure, And I was a kid just a moment.
• 6:57
  Speaker 8: There are certain facts I first wish to make clear.
• 7:00
  Speaker 8: For years, the Pickering Institute searched for a child upon
• 7:02
  Speaker 8: whom we could make certain experiments that may revolutionize the
• 7:05
  Speaker 8: entire educational system. Fix years ago, when Alpha were three
• 7:09
  Speaker 8: days old, she was brought to.
• 7:11
  Speaker 2: Us by the Foundling Home. Any records of her parent
• 7:13
  Speaker 2: and whatsoever.
• 7:14
  Speaker 8: We chose her because we found her physically and mentally
• 7:17
  Speaker 8: perfect for our purpose. Since then, the Pickering Institute has
• 7:21
  Speaker 8: been Alpha's home. Here she has had every attention, every kind,
• 7:25
  Speaker 8: and you've given her the works. We have been her
• 7:27
  Speaker 8: teachers and her friends. Alpha knows nothing of the outside world, but.
• 7:31
  Speaker 2: Her knowledge of such subjects as.
• 7:32
  Speaker 8: Music, geometry, Chinese, and history may startle even Eurregan.
• 7:36
  Speaker 2: I'm ready to be startled very well.
• 7:38
  Speaker 8: Go inside and strip I thought you said strip I did.
• 7:43
  Speaker 8: Doctor Woodring will examine it. If you're in good health.
• 7:45
  Speaker 2: You may then have a short interview with Alpha. Gee. Thanks,
• 7:59
  Speaker 2: This is her m Reagan. I'll leave you with her. Hello, Elpha, Oh, geometry?
• 8:08
  Speaker 2: I see?
• 8:09
  Speaker 7: Did you member to be slide you to Pessorgincy?
• 8:12
  Speaker 2: How about me? Well? I do instead?
• 8:13
  Speaker 8: This is Michael Reagan, Alpha, a representative of the press.
• 8:16
  Speaker 7: How do you do?
• 8:17
  Speaker 2: How do you do? Not too long to see? Oh? Thanks? Thanks?
• 8:23
  Speaker 7: What people? Are you from?
• 8:24
  Speaker 2: A transcript?
• 8:26
  Speaker 7: Oh?
• 8:29
  Speaker 2: I suppose you read it every day?
• 8:31
  Speaker 7: Just the editorial. I don't write with them with.
• 8:33
  Speaker 2: Professor, And what do you think about editorial?
• 8:37
  Speaker 7: You fine? Have you prepared list of questions you want
• 8:43
  Speaker 7: me to answer?
• 8:44
  Speaker 2: Well, I thought we'd go by.
• 8:46
  Speaker 7: I giving you the schedule on my days.
• 8:48
  Speaker 2: Well, that's fine, that's fine.
• 8:50
  Speaker 7: Well, I have English first, Semish, history, Economics, Algebras, Chinese, Domanic,
• 8:59
  Speaker 7: and beginea to a philosophy because I prosued of it.
• 9:03
  Speaker 2: Congratulations, if your pardon my asking? What do you do
• 9:08
  Speaker 2: just for fun?
• 9:10
  Speaker 7: Well? I played chere asking the hawk and the piano and.
• 9:13
  Speaker 2: Of all the jolly things you do, professor, what do
• 9:15
  Speaker 2: you like best?
• 9:17
  Speaker 7: I think I like reading this?
• 9:19
  Speaker 2: Sure, when I was your age, I like dreaming best too.
• 9:22
  Speaker 2: You know, kids stuff? Fairy tale?
• 9:24
  Speaker 7: Oh I've been told about them?
• 9:26
  Speaker 2: Oh, what's wrong with fairy tales?
• 9:29
  Speaker 7: After all, there's no point in wasting time on things
• 9:32
  Speaker 7: that aren't true.
• 9:33
  Speaker 2: And I guess what isn't true about the fairy tales?
• 9:38
  Speaker 7: Are you serious? Dragon flying Cottee?
• 9:42
  Speaker 2: They're not true?
• 9:44
  Speaker 7: Hardly?
• 9:45
  Speaker 2: Well, I guess I'll have to tell the leprek and
• 9:47
  Speaker 2: I had breakfast with it. He isn't real?
• 9:50
  Speaker 7: Okay, what's that?
• 9:52
  Speaker 2: Oh? H Oh it's a little man about so high irish?
• 9:55
  Speaker 2: You make up a profession? You have?
• 9:58
  Speaker 7: Breakfast was secular this morning?
• 10:01
  Speaker 2: Yes? Yes?
• 10:03
  Speaker 7: What did you eat?
• 10:04
  Speaker 2: Credit? And stir about? Or we'll stir about the special
• 10:07
  Speaker 2: kind of cereal? Roll up?
• 10:09
  Speaker 7: What about cross? Do you believe in them? Well, certainly
• 10:13
  Speaker 7: you've never seen one?
• 10:15
  Speaker 2: No, if that isn't just like a woman? Look you
• 10:18
  Speaker 2: know what a zebras?
• 10:20
  Speaker 7: Of course if you manly black wine through black, it's
• 10:23
  Speaker 7: white stripe.
• 10:24
  Speaker 2: How do you know?
• 10:25
  Speaker 7: Well, well, because I.
• 10:27
  Speaker 2: Do that, But you've never seen one?
• 10:29
  Speaker 7: No?
• 10:30
  Speaker 2: Do you believe there are gabras, don't you?
• 10:32
  Speaker 7: Yes?
• 10:32
  Speaker 2: All right, then I believe there's a whole world of
• 10:35
  Speaker 2: magic outside all kinds of magic you do? Sure? Of
• 10:41
  Speaker 2: course some people will tell you that it isn't true.
• 10:44
  Speaker 2: But if you know in your heart what you're looking
• 10:45
  Speaker 2: for and you believe it, then it is true and
• 10:49
  Speaker 2: you can find it. Certainly, time for yours.
• 10:58
  Speaker 7: We're having take an interest in discuss.
• 11:01
  Speaker 2: And thanks. I'll be sure to tell my leproch I
• 11:04
  Speaker 2: knew that it wasn't real. I'm a long after professor
• 11:09
  Speaker 2: ready for you.
• 11:16
  Speaker 3: I'm afraid you have.
• 11:19
  Speaker 7: The note is do not clus I don't believe I'm concentrating,
• 11:23
  Speaker 7: Professor Caddy.
• 11:25
  Speaker 9: Well we'll try it again there ready.
• 11:27
  Speaker 7: Besides the Caddy still believe in magic.
• 11:30
  Speaker 9: Magic.
• 11:33
  Speaker 3: There's always the magic of music.
• 11:35
  Speaker 7: Oh but that's not what I mean. Oh well, let's
• 11:39
  Speaker 7: get back today's open.
• 11:53
  Speaker 10: I mean, I just wanted to say good night, my here,
• 11:58
  Speaker 10: good mad.
• 12:03
  Speaker 2: Missus. Teddy seems suddenly to have contacted a slight fever.
• 12:07
  Speaker 2: Doctor Woodring is head at the bed. I'll go right
• 12:09
  Speaker 2: to sleep.
• 12:10
  Speaker 7: I'll try, but I have to live on my mouse.
• 12:13
  Speaker 2: Oh did you have a nice suffer tonight?
• 12:17
  Speaker 7: What's lunch?
• 12:19
  Speaker 2: Merely grains of cereal?
• 12:20
  Speaker 7: Adharing after sometimes about the hot prods is so about what?
• 12:29
  Speaker 7: I don't know, But that's.
• 12:30
  Speaker 2: What ill himself, Doctor Woodings.
• 12:37
  Speaker 7: If somebody tells you simp is true, you don't think,
• 12:41
  Speaker 7: but you're not sure what you did?
• 12:44
  Speaker 8: You demand that they prove their statements. Everything true can
• 12:47
  Speaker 8: be proved true.
• 12:49
  Speaker 2: Good good night, my dear, You've been a fine good girl.
• 13:00
  Speaker 6: There's all kinds of lesument, prime cottage, dragons, enchanted forest,
• 13:08
  Speaker 6: demand that they proved their statements.
• 13:13
  Speaker 2: If you know in your heart what you're looking for,
• 13:15
  Speaker 2: and you believe it, then it is there and you
• 13:18
  Speaker 2: can find it. Everything true can be prooved, can prove it,
• 13:25
  Speaker 2: prove it.
• 13:25
  Speaker 7: The means, the region.
• 13:28
  Speaker 2: Outside, all kinds of leggement outside, all right outside, I'll
• 13:34
  Speaker 2: go down.
• 13:35
  Speaker 7: Then outside, I'll go here for a second. I am
• 13:41
  Speaker 7: going out, not rude, I'll have just warmly. I'll have
• 13:47
  Speaker 7: to find out something off.
• 13:58
  Speaker 9: Well, young lady, what can we.
• 14:00
  Speaker 2: Do for you?
• 14:02
  Speaker 7: I'd like to finish to Michael Reagan.
• 14:04
  Speaker 9: It's this guy with you, this Chinese ten.
• 14:08
  Speaker 7: Oh, yeah, the twelfy can excuse me somewhat to you
• 14:11
  Speaker 7: volunteered to rescott.
• 14:13
  Speaker 11: Oh, he's God be young n call me to you
• 14:16
  Speaker 11: give bar dude gin y'all say at the buglin o
• 14:21
  Speaker 11: me longy okay, God be hey?
• 14:24
  Speaker 2: What goes? Oh? Pardon me?
• 14:26
  Speaker 7: My Friendish Demean James said the Korea was pill from
• 14:29
  Speaker 7: by the Japanese in nineteen twelve. It was nineteen ten
• 14:33
  Speaker 7: August nineteen.
• 14:34
  Speaker 9: Ten en huh oh not come on now, what do
• 14:39
  Speaker 9: you want to see, mister Reagan?
• 14:40
  Speaker 11: For he's my father, your father what nineteen jo jan
• 14:47
  Speaker 11: That means goodbye, my Friendish Demean Jane is very kind
• 14:51
  Speaker 11: to be me here, but it's certainly.
• 14:53
  Speaker 2: A suburn already he's looking for Mike Reagan says he's
• 14:57
  Speaker 2: a father. Mike Reagan's her oh boy, and she wants
• 15:01
  Speaker 2: to see her father, does she? Well, I think that
• 15:03
  Speaker 2: can be rain. You know where he is? Sure? Yeah,
• 15:06
  Speaker 2: he took his child of the fight, and that's that's
• 15:08
  Speaker 2: where I'm taking this little lady. One of the time. Wait,
• 15:20
  Speaker 2: one at a time, that's better. Now, which one of
• 15:23
  Speaker 2: you professors called headquarters? It was I starting time, professor Linton. Okay,
• 15:27
  Speaker 2: now you say you sat a little girl at ten
• 15:29
  Speaker 2: after eight?
• 15:29
  Speaker 9: As a rule, my wife goes in to see the
• 15:31
  Speaker 9: child of properly called Why didn't you go.
• 15:33
  Speaker 2: In a night? Because I ordered missus Tetty was dead?
• 15:35
  Speaker 7: She's you, Oh, I'll be all right, it's only we
• 15:38
  Speaker 7: can finnd Alpha.
• 15:40
  Speaker 8: Yeah, I kicked them all with the hospital, good Samaritan Bellevue,
• 15:44
  Speaker 8: No kid, are you sure you described her correctly?
• 15:47
  Speaker 7: Maybe jump a fight?
• 15:48
  Speaker 3: Clouds?
• 15:49
  Speaker 2: What made her run away? What made you hurt me?
• 15:51
  Speaker 2: Don't know what's the matter with you, lady. My wife
• 15:55
  Speaker 2: is suffering from a slide. Court. Don't look like no
• 15:57
  Speaker 2: cool to me. Hey, looks this here. Ladi's got some measles, right.
• 16:02
  Speaker 2: The father of nine kirible easel. Is this me? I
• 16:06
  Speaker 2: be your right?
• 16:06
  Speaker 9: This is condemn I'm sure I'll be all right in
• 16:09
  Speaker 9: a few days.
• 16:09
  Speaker 8: If you don't understand, seldom doctor, when we find out,
• 16:12
  Speaker 8: she won't be able to come back here. This place
• 16:15
  Speaker 8: is quarantined until missus Kekey recovers from the needle.
• 16:28
  Speaker 2: I'm in front. Not that i'd be happier if my
• 16:31
  Speaker 2: man hadn't been knocked out the next dot. I'll be
• 16:34
  Speaker 2: on in a minute. I'll give you a chance to
• 16:35
  Speaker 2: ruin your money back.
• 16:36
  Speaker 4: Okay, but I have to be back at the club
• 16:38
  Speaker 4: pretty soon.
• 16:39
  Speaker 2: I like I'll go over with you after that. Ten
• 16:42
  Speaker 2: time praise, mister Michael Reagan, it's wanted in the pressure rule.
• 16:46
  Speaker 6: Your baby is waiting for you, mister.
• 16:49
  Speaker 2: The Michael Reagan, Your baby.
• 16:51
  Speaker 10: Is in the pressure roles.
• 16:53
  Speaker 2: Well, what are you waiting for, Mike, Katie? You know
• 16:56
  Speaker 2: I haven't got a baby. Mister. I've never seen you
• 16:59
  Speaker 2: before in my life. Oh there's some mistake. Look just wait,
• 17:02
  Speaker 2: wait your honey. I'll be right back.
• 17:04
  Speaker 4: I'm leaving, but you'd better hurry and see if that
• 17:06
  Speaker 4: lady will wait for you.
• 17:15
  Speaker 2: Professional mister Reagan, your boss brought her here and ducked out. Thanks,
• 17:19
  Speaker 2: and mister Reacan, since wham am I your father, mister Vecan,
• 17:25
  Speaker 2: I'd like to talk to you, and I'd like to
• 17:27
  Speaker 2: talk to you.
• 17:28
  Speaker 7: We look can see you need your Instinctly, you said
• 17:32
  Speaker 7: that there were dragons and flying carpets. You will magic,
• 17:37
  Speaker 7: and you said not everybody could, but you knew how
• 17:40
  Speaker 7: to find it. That's what you said, so show me.
• 17:45
  Speaker 7: But of course, if what wasn't true, please don't feel bad.
• 17:48
  Speaker 7: Of course all men lies, even even if they don't
• 17:54
  Speaker 7: mean to lie. They don't always know the truth about things.
• 17:58
  Speaker 2: Oh well, tell me, why is it so important to
• 18:01
  Speaker 2: you this magic business?
• 18:03
  Speaker 7: Well, the professors say everything can be explained, but a
• 18:07
  Speaker 7: scene's happen like magic. I don't know. I just thought
• 18:11
  Speaker 7: it would make everything seem different.
• 18:13
  Speaker 2: Listen, I didn't lie to you. There is magic all kinds.
• 18:18
  Speaker 2: It's what makes people laugh and have friends and be happy.
• 18:21
  Speaker 2: And if I told you I could find it, well,
• 18:24
  Speaker 2: I'll find it for you now right now. Yeah, but
• 18:28
  Speaker 2: we've got to find Katie too. Well, it's Ms Mallory,
• 18:31
  Speaker 2: she's my girl.
• 18:32
  Speaker 7: Oh why don't we just go up to the magic.
• 18:34
  Speaker 7: Why do we have to see her?
• 18:36
  Speaker 2: Well? Because she's very angry with me. And since you're
• 18:39
  Speaker 2: the other woman in this case, well you don't have
• 18:41
  Speaker 2: to help me fix it?
• 18:43
  Speaker 7: All right? How do I do it?
• 18:44
  Speaker 2: You do it by being exactly six years old.
• 18:47
  Speaker 7: That appears very simple.
• 18:49
  Speaker 2: Mister, Shall we proceed, Yeah, we shall proceed. In the
• 19:03
  Speaker 2: two moments Michigan Ols humps, Margaret O'Brian, James Craig, Marta
• 19:07
  Speaker 2: hunts and kin and Wynne. And that's too of lost angel.
• 19:11
  Speaker 2: And now here's a young soldier home on lee, a
• 19:16
  Speaker 2: soldier in.
• 19:17
  Speaker 3: The Your heart goes bumpitty bumed.
• 19:20
  Speaker 2: It's love, love love.
• 19:23
  Speaker 3: When your throat comes up with a lovely it's love
• 19:26
  Speaker 3: love love.
• 19:28
  Speaker 7: That show you're not saying no.
• 19:31
  Speaker 2: Rather watch you, honey, You're so pretty. Where'd you get
• 19:35
  Speaker 2: that million dollar complexion? Soon? And makes my heart go
• 19:38
  Speaker 2: bump at it bump, Well, it's love love love. Sometimes
• 19:42
  Speaker 2: at first sight, when admiring eyes come close to a smooth,
• 19:46
  Speaker 2: lovable luck complexion really looks. Girls are clever. They never
• 19:50
  Speaker 2: neglect the care that really makes skin soft and more appealing.
• 19:53
  Speaker 7: Here's what they do every single day.
• 19:56
  Speaker 12: I give my skin an active lot of facial with
• 19:58
  Speaker 12: lut soap. I mooved on lots of the creamy lather
• 20:02
  Speaker 12: and work it in gently but thoroughly. I rent with
• 20:05
  Speaker 12: raw water and splash on coals, then pat my skin
• 20:09
  Speaker 12: dry with the soft towels.
• 20:11
  Speaker 3: That's all, But that quick, easy facial really does things
• 20:15
  Speaker 3: for my skin.
• 20:16
  Speaker 2: In recent tests of Lux toilet soap facials, actually three
• 20:19
  Speaker 2: out of four complexions improved in a short time. Lux
• 20:23
  Speaker 2: Soap's rich creamy leather agrees with delicate skin No wonder.
• 20:27
  Speaker 2: Nine out of ten Lovely scream stars depend on it
• 20:30
  Speaker 2: for daily complexion care. If you haven't tried this fine
• 20:33
  Speaker 2: white soap, why not get Luck toilet soap tomorrow. If
• 20:37
  Speaker 2: you find your dealer is temporarily out of stuff due
• 20:40
  Speaker 2: to wartime conditions, be sure to have more soon. Remember
• 20:44
  Speaker 2: Hollywood beauty soap is worth waiting for. And now, mister
• 20:49
  Speaker 2: Demiller returns to the Microphone Act two of Los Angeles,
• 20:52
  Speaker 2: starring Margaret O'Brien as Alpha, James Craig as Mike, Marsha
• 20:57
  Speaker 2: Hunt as Katie, and Keenan Win as Petty Well the
• 21:09
  Speaker 2: New York Police and professors at a Pickering Institute pancic
• 21:13
  Speaker 2: research for a six year old brain trust Mike League
• 21:16
  Speaker 2: and an alpha I'm on a search of their own
• 21:20
  Speaker 2: or magic under a dazzling canno bay of animated electric signs,
• 21:25
  Speaker 2: a slightly broad mic, and a saucer eye of a
• 21:29
  Speaker 2: girl hambled through the wonderland of times squares. Professor I
• 21:36
  Speaker 2: believe he wanted to see a flying carpet. Just take
• 21:39
  Speaker 2: a look up there.
• 21:40
  Speaker 7: Looks like an airplane to me.
• 21:42
  Speaker 2: And just what is an aeroplane past?
• 21:44
  Speaker 7: The thing that you sit down on and you fly
• 21:46
  Speaker 7: it away direct?
• 21:48
  Speaker 2: Now the plane up there, you sit down on it,
• 21:50
  Speaker 2: it flies away. A flying carpet, no matter what you
• 21:52
  Speaker 2: call it. Cleany, hey, hey, take a look down there.
• 21:55
  Speaker 2: See that man all dressed up, swallow tailed coat, silk hat.
• 21:58
  Speaker 2: Now look at his shirt.
• 22:00
  Speaker 7: I prop by ship like top of electric tier. It says, bell,
• 22:05
  Speaker 7: here's to God, smoke a king. My, that's wonderful.
• 22:10
  Speaker 2: Man sticularly minor league professor and minor league night, great
• 22:14
  Speaker 2: old man, one bag mac, one bag, one time. Here
• 22:19
  Speaker 2: you are if it change, I remained obediently.
• 22:24
  Speaker 7: What's this, mister me?
• 22:25
  Speaker 2: The popcorn kind of cool? My leptor con is crazy
• 22:29
  Speaker 2: about it, but it gets in his TV. He has
• 22:30
  Speaker 2: a lot of trouble with it.
• 22:32
  Speaker 7: My keep is very good.
• 22:34
  Speaker 2: I see that's some popcorn. Wait here, returned the corner
• 22:40
  Speaker 2: and look a great white way of all of magic.
• 22:44
  Speaker 2: Mister taper chalking where Oh sure you're all that up
• 22:49
  Speaker 2: like a Christmas treek dragon Chinese restaurant, full course gunner
• 22:53
  Speaker 2: seventy cents. Look at that conny this word Jim mock.
• 23:00
  Speaker 2: He wouldn't be all rested money and asking for money
• 23:02
  Speaker 2: with one hand and popcorn with the other.
• 23:04
  Speaker 7: Tree if if he's a leproc, he shouldn't have popcorn
• 23:09
  Speaker 7: that first pain.
• 23:11
  Speaker 2: Yeah, but you can still give him the neck one,
• 23:15
  Speaker 2: but no popcorn. It's still your wrong. Come on, Professor,
• 23:19
  Speaker 2: we gotta go to a night love and see Katie.
• 23:24
  Speaker 7: I hope the lepro contesn't think that I didn't want
• 23:26
  Speaker 7: it to be any popcorn.
• 23:28
  Speaker 2: I'm sure it is. Now if you keep your eyes open,
• 23:31
  Speaker 2: you'll see a machine that makes stonnuts and a giant
• 23:33
  Speaker 2: I mean, I know, name stots. You see, Professor, on
• 23:37
  Speaker 2: every street, behind every door, wherever you look, nothing but
• 23:41
  Speaker 2: magic read Yeah. Yeah, but before we go another step,
• 23:45
  Speaker 2: I'm going to call Vincent and tell him where you are.
• 23:58
  Speaker 2: Well it was fast, wasn't did you the line's still
• 24:03
  Speaker 2: with it. Sit at this table, and then a minute
• 24:05
  Speaker 2: Katie will be through, singing Hello Chris. I'd last note
• 24:10
  Speaker 2: for the professor here in the usual for many guests.
• 24:15
  Speaker 2: Mister girl, Well, I like her?
• 24:22
  Speaker 7: I do you know where you like people?
• 24:24
  Speaker 2: Because you want to be with him, I guess, and
• 24:27
  Speaker 2: do things for them?
• 24:28
  Speaker 7: Do you do things for her?
• 24:30
  Speaker 2: Well? Uh, not very much, I guess, And you don't.
• 24:33
  Speaker 4: Like her very much?
• 24:34
  Speaker 2: Sure I do, And I don't understand. You're too young?
• 24:39
  Speaker 7: Well, Mike, and where did you borrow her?
• 24:41
  Speaker 2: You can apologize now or later. She's the baby I
• 24:44
  Speaker 2: was page four said I Katy, you bet I will Katie?
• 24:49
  Speaker 2: This is alf how do you do hi? If was
• 24:53
  Speaker 2: a business acquaintance of mine. She's being educated by a
• 24:55
  Speaker 2: lot of professors and they're doing a very good job,
• 24:57
  Speaker 2: except they left out what goes on outside the room,
• 25:00
  Speaker 2: you know, magic and stuff like that. So she looked
• 25:03
  Speaker 2: me up at the fights to find out more about it.
• 25:05
  Speaker 11: Magic.
• 25:05
  Speaker 2: Huh yeah for the child on the usual.
• 25:08
  Speaker 7: For you, sir, Thanks watching my problem, mister Reagan.
• 25:11
  Speaker 2: This oh it's a prough medicine.
• 25:14
  Speaker 7: And why didn't say I re twisted you on the label.
• 25:17
  Speaker 2: Because forgot you could read after Yeah, I have some. No,
• 25:23
  Speaker 2: it makes you feel awful, little sick sort of.
• 25:26
  Speaker 7: You know what's going to make you sick before you
• 25:28
  Speaker 7: drink it, and you drink it anyway. That is an
• 25:31
  Speaker 7: intelligent mister recan.
• 25:35
  Speaker 2: Okay, professor, you win this round.
• 25:40
  Speaker 7: Wish to be doing that nanny over there?
• 25:43
  Speaker 2: Oh he's eating spaghetti. I'll get yourself.
• 25:46
  Speaker 4: No better, not mark, she'll get sick.
• 25:48
  Speaker 7: I am never sick.
• 25:50
  Speaker 4: Okay, kid, you're on your own.
• 25:54
  Speaker 2: Alight. Some spaghetti for the young lady, Chris coffee for us.
• 25:58
  Speaker 2: I can see. I'm gonna have to watch my eye
• 26:00
  Speaker 2: you around her.
• 26:01
  Speaker 7: Do you have a high intelligence quotion?
• 26:04
  Speaker 4: No, I'm a middle grade moron.
• 26:07
  Speaker 7: That's too bad. That's a who were you?
• 26:10
  Speaker 2: You think it should?
• 26:11
  Speaker 7: Well, it was being out of concerns me.
• 26:14
  Speaker 2: Excuse me a minute. I've got to find out about
• 26:16
  Speaker 2: my next number.
• 26:17
  Speaker 7: Are you going away?
• 26:19
  Speaker 4: Yes, I'll be right back.
• 26:22
  Speaker 2: She's pretty, she's beautiful.
• 26:25
  Speaker 7: Do you like it better than you like me?
• 26:30
  Speaker 2: Well? Look at you do, laugh at me, especially, you're
• 26:35
  Speaker 2: getting younger every minute. Do you like me?
• 26:38
  Speaker 7: Why because I like you?
• 26:42
  Speaker 2: Why?
• 26:43
  Speaker 7: I don't know?
• 26:45
  Speaker 2: Hey, what's the matter of professor? What did I do? No,
• 26:48
  Speaker 2: you can't do that, alright, Peter, what do you think
• 26:51
  Speaker 2: I did?
• 26:52
  Speaker 7: Do you like you better than he liked me?
• 26:56
  Speaker 9: Come here, darling?
• 26:58
  Speaker 2: What's the matter with her?
• 27:00
  Speaker 4: From my past experience, I say she's in love?
• 27:03
  Speaker 2: Hey, where do you think you're going? To telephone? The institute?
• 27:06
  Speaker 2: And at that line? Still? But da, I'm gonna crack
• 27:08
  Speaker 2: my throat, Luke Alfon.
• 27:11
  Speaker 4: Mike doesn't like me better than you, honest just doesn't
• 27:14
  Speaker 4: mean people can like lots of people people with big heart.
• 27:17
  Speaker 7: Daddy, Just Mike gotta be hot.
• 27:21
  Speaker 3: Well it's bigger than his head.
• 27:24
  Speaker 4: Well, here's your spaghetti. I'm still against the idea. But
• 27:27
  Speaker 4: if you've got to eat spaghetti, I think you got it.
• 27:33
  Speaker 4: How is the spaghetti?
• 27:34
  Speaker 2: Alpha?
• 27:34
  Speaker 7: I found it very palatable if you did.
• 27:36
  Speaker 4: Huh oh, look here comes daddy.
• 27:39
  Speaker 2: I got the institute. All right, Finally you'll thank you.
• 27:44
  Speaker 2: What's the matter are they have you arrested for kidnapping?
• 27:47
  Speaker 2: I wish that was all?
• 27:49
  Speaker 7: Do I have to go right back? I'm sorry I can't.
• 27:53
  Speaker 2: No, No, you don't have to go right back. Not
• 27:55
  Speaker 2: for a couple of days, profession a couple of what look, professor,
• 27:59
  Speaker 2: you're a little bit here, saying how about washing up?
• 28:01
  Speaker 2: Oh miss, I'm miss would you mind showing my friend
• 28:05
  Speaker 2: here where the powder room is? Come out?
• 28:08
  Speaker 7: You come with me.
• 28:10
  Speaker 2: I better stay here. You come back beautiful in surprise me.
• 28:13
  Speaker 9: You will, all right?
• 28:15
  Speaker 4: Now, what's the big mystery?
• 28:17
  Speaker 2: The Pickering Institute extends its unbounding gratitude for finding out
• 28:21
  Speaker 2: for you practically kissed me over the phone. But I
• 28:24
  Speaker 2: can't take her back. There No, the joints quarantine missus.
• 28:27
  Speaker 2: Katy's got the measles. It's not funny they want it's wonderful.
• 28:34
  Speaker 2: They're gonna stick me with a kid.
• 28:36
  Speaker 4: As much as I love you, Darling, I can't tell
• 28:38
  Speaker 4: you the guardian type.
• 28:40
  Speaker 2: It seems Professor Vinson knows me from Harvard a Rep. Katie. Look,
• 28:44
  Speaker 2: look now your place is close by, and you're not
• 28:47
  Speaker 2: a ch like, not a chest. But why not? Well
• 28:52
  Speaker 2: you're a very godfather, my friend.
• 28:54
  Speaker 4: You're the fellow who said outside there's magic and excitement
• 28:58
  Speaker 4: and wonderful people. Well you've got to show him, Mike,
• 29:01
  Speaker 4: no one else.
• 29:01
  Speaker 2: Oh but it's only for a little while. I'll spend
• 29:03
  Speaker 2: a lot of time with her.
• 29:05
  Speaker 4: Oh No, did you see her eyes when she looks
• 29:08
  Speaker 4: at you. Well, you've got to pay for that look, chump,
• 29:12
  Speaker 4: And that means that you're going to sit up with
• 29:14
  Speaker 4: her tonight if she gets sick on that spaghetti, and
• 29:17
  Speaker 4: in the morning you're going to fix her breakfast.
• 29:20
  Speaker 2: Yep, this time one of your pigeons is come home
• 29:23
  Speaker 2: to roost.
• 29:24
  Speaker 3: And speaking of pigeons, for goodbye, offer bye very much.
• 29:29
  Speaker 4: You're welcome.
• 29:31
  Speaker 7: People are very interesting.
• 29:33
  Speaker 2: People are just then to get your coked.
• 29:35
  Speaker 7: I was going, yes, isn't Katie's coming? No, I'm sorry.
• 29:41
  Speaker 7: If I was living I first met you. I hope
• 29:44
  Speaker 7: I see you again. You will die goodbye, goodbye, goodbye, Michael.
• 29:50
  Speaker 13: Okay, professor, this is my my apartments, my beds, and
• 30:01
  Speaker 13: there at yours.
• 30:02
  Speaker 7: Are you being night?
• 30:04
  Speaker 2: Not at you. It's Katie who says you can't get
• 30:07
  Speaker 2: angry people you like anyway. I don't like her. I
• 30:11
  Speaker 2: love her. Oh well, you get manner at them that way.
• 30:17
  Speaker 7: I'm glad. I'm gonna stay with you.
• 30:19
  Speaker 2: Oh you are, huh And I look I'm a busy man.
• 30:22
  Speaker 2: I don't mind you staying here, but you've got to
• 30:24
  Speaker 2: play ball and stay out of my hair.
• 30:26
  Speaker 7: Oh you mean if I cooperate exactly so easy. All
• 30:30
  Speaker 7: I will cooperate if you wish, I would.
• 30:32
  Speaker 4: Play ball with you.
• 30:33
  Speaker 2: Oh, now you go in there and get out of
• 30:38
  Speaker 2: your clothes and you can sleep in one of my
• 30:40
  Speaker 2: pajama jackets.
• 30:41
  Speaker 7: I'm attaching to Washington, WI retire.
• 30:44
  Speaker 2: Well, love, that's the door over there. Hey, Wor's good?
• 30:49
  Speaker 2: Now I'm all over? Who is it? Oh? Sure, I'm
• 30:56
  Speaker 2: still working for the paper. What he broke out of jail? Back?
• 31:01
  Speaker 2: The rus broke out? Well, I was out with a
• 31:05
  Speaker 2: kid story. But I can't forget it. I've got the
• 31:08
  Speaker 2: kid here. I can't all right, listen, hello, hello, Oh why.
• 31:16
  Speaker 7: So do I my javvy urt? I'm going to be sick.
• 31:20
  Speaker 2: Well, get back in there, hurry, don't get scared. It's
• 31:23
  Speaker 2: just an hotel. Oh yes, Professor Vincent, more instructions. Oh yet,
• 31:31
  Speaker 2: Oh she's been in bed for hours. Look look, Vincent,
• 31:34
  Speaker 2: I'll call you back in the morning. Oh yes, Vincent, No, Vincent, yes, no, yes, Vince,
• 31:40
  Speaker 2: I will bye. How are you doing here? I good?
• 31:49
  Speaker 2: Just pretend you were a little seatick.
• 31:52
  Speaker 7: I feel humilated, humiliated. I never had occasion to use
• 31:58
  Speaker 7: the word before.
• 31:59
  Speaker 2: You don't have any as you use it now. Come
• 32:01
  Speaker 2: on into bed with you. He look, Professor, I get
• 32:04
  Speaker 2: to go out for a little while. You won't be
• 32:06
  Speaker 2: afraid if I leave you here alone with you?
• 32:08
  Speaker 7: I know that wouldn't be intelligent.
• 32:12
  Speaker 2: Score one for Vincent. Well, now you go to sleeping.
• 32:15
  Speaker 2: When you wake up in the morning, I'll be right here.
• 32:18
  Speaker 10: Thank you, Now, good night, professor, Jagan, Dagan.
• 32:39
  Speaker 7: Mile, it got you?
• 32:40
  Speaker 2: Now get in there? Who are you after?
• 32:43
  Speaker 7: Who are you?
• 32:44
  Speaker 2: Where's Reagan? I don't know when we be back?
• 32:49
  Speaker 7: What do you want?
• 32:50
  Speaker 2: What's it to you?
• 32:53
  Speaker 7: Obviously you've been very badly brought up?
• 32:59
  Speaker 2: Hey, who are you?
• 33:00
  Speaker 7: I told you my name was Alfa, but you didn't
• 33:02
  Speaker 7: tell me yours.
• 33:04
  Speaker 2: Well it's packy packy roos. You belong here. Huh Yeah.
• 33:10
  Speaker 7: If you're not angry with Smike, then whom are you angry?
• 33:14
  Speaker 2: Ain't angry? Ain't angry nobody?
• 33:17
  Speaker 7: So why have you got that revolver for this?
• 33:21
  Speaker 2: Or that's a that's a water pistol.
• 33:24
  Speaker 7: It's a deadly weapon. You're not angry. The smith is?
• 33:27
  Speaker 7: Whom are you a?
• 33:28
  Speaker 2: Look? Will you please go back to sleep?
• 33:31
  Speaker 7: You're just trying to change the subject.
• 33:33
  Speaker 2: Look, maybe you'd like me to read you Hugh, you've
• 33:36
  Speaker 2: got a book around here.
• 33:37
  Speaker 7: There's a book on the table I thought for you.
• 33:42
  Speaker 2: Uh, fairy tales. Yeah, you see that, sister that there
• 33:48
  Speaker 2: says fairy tales. Okay. Now, if there's uh, there's any
• 33:57
  Speaker 2: word you do not understand, you leave me knowing I'll
• 34:00
  Speaker 2: explain it to them. Now, this is a story about
• 34:07
  Speaker 2: a Chinese night in gale. You see, it's a bird.
• 34:14
  Speaker 2: Go on, Once upon a time in China was a
• 34:19
  Speaker 2: wonderful bird called a nightingale. They said it was the
• 34:26
  Speaker 2: greatest thing, you know, all the vast mpier empire, empire,
• 34:38
  Speaker 2: but one man had never heard of him. That was
• 34:42
  Speaker 2: a a uh uh c A V A L I
• 34:49
  Speaker 2: E R whatever letter. Okay, cavalier, all right then why
• 34:57
  Speaker 2: an m pier?
• 34:58
  Speaker 7: Oh hockey, you didn't the same at all? Do you
• 35:01
  Speaker 7: see the now Cavalier is a prence deprivative that whole Well,
• 35:07
  Speaker 7: go on with the story.
• 35:09
  Speaker 2: Okay, Well, let's cavalier went to the palace and he said,
• 35:15
  Speaker 2: Princess of the realm, from all points of the compass,
• 35:20
  Speaker 2: tidings come to me of a wondrous blade, a satan
• 35:26
  Speaker 2: nightingale that uh wobbles.
• 35:36
  Speaker 7: Instead. Good Nightingale. I know it well, it can sing gloriously.
• 35:44
  Speaker 2: Since they're in a bad story.
• 35:47
  Speaker 7: Every evening, when I finished my work, I go into
• 35:50
  Speaker 7: the garden and wait for him, and did them trees
• 35:54
  Speaker 7: taky taky? You sleep well, it's about time smile? Is
• 36:05
  Speaker 7: that you mid Hey?
• 36:06
  Speaker 2: What are you doing up?
• 36:08
  Speaker 7: A seam of yours came in here?
• 36:11
  Speaker 2: Oh fine, yeah, I chased all over New York looking
• 36:14
  Speaker 2: for packet roots and my friends come barging in at
• 36:16
  Speaker 2: four o'clock in the morning.
• 36:18
  Speaker 7: That is that is hockey who hockey roots? I've been
• 36:24
  Speaker 7: reading in the fairy tale very Oh, Mike, Mike, speak
• 36:30
  Speaker 7: to me.
• 36:40
  Speaker 2: Because now, for my impetition, this is there they proubably
• 36:44
  Speaker 2: a broadcasting system. After a brief intermission, mister de Miller
• 37:08
  Speaker 2: returns with Margaret O'Brien, James Craig, Marcia Hunt, and Keenan
• 37:12
  Speaker 2: Wynne for Act three of Lost Any And now here's
• 37:17
  Speaker 2: our Hollywood reporter, Libbery cullum, My, Libby, you look positively
• 37:21
  Speaker 2: starry eyed.
• 37:21
  Speaker 3: Who wouldn't, mister Kennedy. I've just been talking to Sonia Henny.
• 37:25
  Speaker 2: What a break for you, Libby? Poor they without her scape.
• 37:28
  Speaker 2: She's certainly love her to watch. She as tiny as
• 37:30
  Speaker 2: she seems when she's skimming over the ice.
• 37:32
  Speaker 3: Here the exact statistic, mister Kennedy, one hundred and ten pounds,
• 37:36
  Speaker 3: five feet two and eyes that are sparkling brown. In fact,
• 37:40
  Speaker 3: its sparkling Percy.
• 37:41
  Speaker 2: She must have a great capacity for hard work. How
• 37:44
  Speaker 2: does she do it and yet look so fresh?
• 37:46
  Speaker 3: All that grace and greatness is a result of talent
• 37:49
  Speaker 3: and lots of hard work. Besides being the world's former
• 37:52
  Speaker 3: figure stater, she's an accompass sallet dancer. I watched her practicing.
• 37:56
  Speaker 3: She does begin a new picture, you know, and she
• 37:59
  Speaker 3: seems to be tired.
• 38:00
  Speaker 2: I've heard she goes into rigid training before every ice
• 38:02
  Speaker 2: show and every picture.
• 38:04
  Speaker 3: Yes, a careful diet and as much rest as she
• 38:06
  Speaker 3: can get. And mister Kennedy, I've injured to all lux girls.
• 38:10
  Speaker 2: Being smart as well as pretty. Of course, Sonya is
• 38:12
  Speaker 2: a lux girl.
• 38:13
  Speaker 3: Yes, she is a LUTs girl, a girl who depends
• 38:16
  Speaker 3: on Lot's toilet coprick bridgets andtection care and for a
• 38:19
  Speaker 3: luxurious beauty bath too. She says, a really soothing, refreshing
• 38:23
  Speaker 3: bath is very important to her.
• 38:25
  Speaker 2: Here's what she told me.
• 38:27
  Speaker 3: A Lot soap bath gives me a wonderful kickoff, leads
• 38:30
  Speaker 3: me fi re fret.
• 38:31
  Speaker 2: You might say a lux soap beauty bath makes the
• 38:33
  Speaker 2: girl feel perky as well as pretty.
• 38:35
  Speaker 3: So many screen stars recommend it for a quick beauty pickup.
• 38:39
  Speaker 3: They're keen about the rich, creamy left soap lavish. These
• 38:42
  Speaker 3: skin really fresh and sweet, and they love the nice
• 38:45
  Speaker 3: curfin luck leaves on the skin.
• 38:47
  Speaker 2: Well, Libby, a lux beauty bath is a little luxury
• 38:49
  Speaker 2: we can recommend to everyone these strenuous days. Lux toilet
• 38:53
  Speaker 2: solf is thrifty too. Being hard milled, it lasts down
• 38:57
  Speaker 2: to the thinnest sliver so everywhere. Here's a Hollywood tip, Mick,
• 39:02
  Speaker 2: Hollywood fragrant white beauty. So your daily bath so too.
• 39:07
  Speaker 2: Now our producer, mister is the mill. We'll have a
• 39:10
  Speaker 2: whole quartead of stars for a cuttin call after the play.
• 39:13
  Speaker 2: Here's a cuttin for the third act of Los Angeles,
• 39:16
  Speaker 2: starring Margaret O'Brien, James Craig, Marsha Hunt and Keenan Wynn.
• 39:27
  Speaker 2: After calling the city in search of Packy Root, a
• 39:30
  Speaker 2: weary Mike Reagan has staggered home to find out by
• 39:34
  Speaker 2: entertaining the escaped gunman in his living room. Packy had
• 39:38
  Speaker 2: dozed off, but Mike's arrival brings him to his feet
• 39:41
  Speaker 2: with a very mean looking gun in his hands. Hey,
• 39:44
  Speaker 2: what's the idea of busting into my place? Everybody in
• 39:46
  Speaker 2: town is looking for you. I shut up.
• 39:51
  Speaker 11: On my father.
• 39:52
  Speaker 2: Well, I'm I'm sorry. I look Reagan, I think Gilly
• 39:56
  Speaker 2: you that murder raptor trying to hang it on me.
• 39:58
  Speaker 2: I never said you were guilty. One guy who can
• 40:00
  Speaker 2: claim me left me Moran jer Yeah, Moran, seeing the
• 40:04
  Speaker 2: whole thing, I gotta find Moran quicker. I wind up
• 40:07
  Speaker 2: in a chair. Now I can't go looking for him,
• 40:12
  Speaker 2: but you can't. So you're gonna find Moran for me.
• 40:15
  Speaker 2: Get it? Well, you head out here. You got it, Reagan,
• 40:19
  Speaker 2: I'm sorry, fell I got my hand full of the
• 40:22
  Speaker 2: professor here, and I'm not making myself uneccessory. Rather, harboring
• 40:25
  Speaker 2: a fella makes you an accessory, and you're harboring me.
• 40:30
  Speaker 2: Happen you stay out of this. Why go at, You're
• 40:35
  Speaker 2: getting to like an awful lot of people.
• 40:37
  Speaker 7: Yeah, it's getting easier and easier.
• 40:42
  Speaker 2: All right, I'll try to find Lefty, but if I do,
• 40:45
  Speaker 2: I get the whole story. Exclusive pictures everything. Oh sure, sure,
• 40:48
  Speaker 2: but you're wasting time. I'll start in the morning. I'm dead, tad. Brother,
• 40:54
  Speaker 2: you don't know how dead you can be. You're starting now.
• 41:04
  Speaker 7: Don't worry about Packey. I'll eat you tomorrow.
• 41:06
  Speaker 2: Oh what did I do to Dig? What's the big
• 41:19
  Speaker 2: idea coming back here? If you didn't find him? Because
• 41:21
  Speaker 2: I'm tired. I'm very tired. Told me that yesterday and
• 41:24
  Speaker 2: now listen to me. Brother, you better go out and
• 41:26
  Speaker 2: find Hey. What's that? Oh, stop being so jumpy. It's
• 41:29
  Speaker 2: just Katie with the grocers.
• 41:31
  Speaker 10: You heard me, phoner?
• 41:32
  Speaker 2: Hello, good morning?
• 41:35
  Speaker 7: Oh were you? This is Packy, Packy, This is Katie
• 41:39
  Speaker 7: nice Scale.
• 41:40
  Speaker 2: I'm a very please to meet you.
• 41:43
  Speaker 4: I don't mean to be inquisitive, but are the police
• 41:45
  Speaker 4: looking for you?
• 41:47
  Speaker 2: Shorter?
• 41:50
  Speaker 7: It's all a misunderstanding, you see. You have gone on
• 41:53
  Speaker 7: the assumption that Packey is anti social type. But of
• 41:57
  Speaker 7: course you're all wrong. You can just tell back. I
• 41:59
  Speaker 7: list you.
• 42:01
  Speaker 2: Look, kid, let's hear and me lug these groceries into
• 42:03
  Speaker 2: the kitchen. Huh, Hey, Reagan, what you're gonna stand around
• 42:07
  Speaker 2: there all day? Get going?
• 42:08
  Speaker 6: Oh?
• 42:09
  Speaker 2: Why don't you stop? You big bed man?
• 42:12
  Speaker 4: Hi telephone.
• 42:14
  Speaker 2: Oh hello, oh hello boss. No, no, I'm not going
• 42:21
  Speaker 2: to sleep all day. I'm just going out. Yes, sure, sure,
• 42:25
  Speaker 2: right away. Oh yeah, don't play funny. My paper is
• 42:31
  Speaker 2: yelling I gotta play nurse Maids and this character is
• 42:34
  Speaker 2: turning my place into an alakatrez annex. Fix some breakfast
• 42:38
  Speaker 2: for you, Katie h. I want to watch you, then
• 42:41
  Speaker 2: at least get the professor started with a lesson Vincent
• 42:44
  Speaker 2: sent up on her books?
• 42:45
  Speaker 4: What and reveal my ignorance?
• 42:46
  Speaker 2: Still more, well, somebody's gonna help packing. Go on, you've
• 42:50
  Speaker 2: got to help the professor with a homework. Wat you.
• 42:53
  Speaker 2: I didn't bring my thinking cap with me, didn't you?
• 42:58
  Speaker 2: Oh gee wiz I.
• 43:06
  Speaker 7: I'm so Napoleon had had better equipment, mister, since people
• 43:11
  Speaker 7: hadn't been discouraged by the length of the war.
• 43:14
  Speaker 2: I'll go on going, not me. Where's Reagan?
• 43:18
  Speaker 10: And when I Dame left you.
• 43:19
  Speaker 2: Six hours ago?
• 43:21
  Speaker 7: My kitty be lefty back in there.
• 43:23
  Speaker 2: I never should have let that dame leave with him.
• 43:25
  Speaker 2: I don't why know what she's up to.
• 43:27
  Speaker 7: You've got to relock.
• 43:28
  Speaker 2: Oh no, please, I heard all your lessons, didn't I.
• 43:31
  Speaker 2: I even promised i'd let you lend me to hop.
• 43:33
  Speaker 2: So now I can't relax when you have a heart.
• 43:36
  Speaker 7: I'm jumpy now, hockey the very wise many means your
• 43:40
  Speaker 7: works out a series which will help you to re lock.
• 43:43
  Speaker 7: It's called yoga, and I'm going to show you.
• 43:47
  Speaker 5: Me.
• 43:47
  Speaker 2: Hey, give me a hand.
• 43:50
  Speaker 10: What you don't know where I could get him here?
• 43:53
  Speaker 2: Had to tap him a little on the head, hoping
• 43:56
  Speaker 2: his chair. There coming to.
• 44:01
  Speaker 7: No hurt.
• 44:04
  Speaker 2: All right, close the door and get that kid out
• 44:06
  Speaker 2: of here where packy Yeah, take a good look, sweetheart? Hey, hey,
• 44:13
  Speaker 2: what's going on here? I had to see you left hee.
• 44:15
  Speaker 2: You wasn't just a witness to that shooting, was your chump?
• 44:19
  Speaker 2: You was a kid himself. Well now i's framing me.
• 44:22
  Speaker 2: Wait a minute, pack, are you crazy? He's no good
• 44:25
  Speaker 2: to you. Did make him sign a convision, then we
• 44:26
  Speaker 2: can call the cups. But if you're paying him off
• 44:28
  Speaker 2: with the load of lid, then you're just buying yourself
• 44:30
  Speaker 2: a one way ticket to sing sing.
• 44:32
  Speaker 5: Pack.
• 44:32
  Speaker 4: He don't anything.
• 44:33
  Speaker 7: It don't make you go to jail. I wouldn't be
• 44:35
  Speaker 7: able to see you anymore. Pumise me how to shoot,
• 44:41
  Speaker 7: shout and shovel carton?
• 44:46
  Speaker 2: Well, all right, get out that typewriter, O, Reagan, there's
• 44:50
  Speaker 2: a nightingale here that wants to wobble. Are yeah, Vinson? Yeah,
• 44:55
  Speaker 2: she's fine. Huh oh that's great. Great, Well, I can't
• 45:00
  Speaker 2: do it right now, but oh sure that'll be okay
• 45:03
  Speaker 2: in about two hours. Oh you better make it three.
• 45:05
  Speaker 2: I got a little business to take care of. Yeah, okay,
• 45:08
  Speaker 2: Now what Alpha.
• 45:12
  Speaker 10: Vincent's coming to get you?
• 45:13
  Speaker 2: In about three hours, quarantine's been lifted. Oh you ready, Reagan? Yeah? Shoot, okay, Iran,
• 45:19
  Speaker 2: stop singing hot talk backy hop talk.
• 45:29
  Speaker 4: You've got slightly untidy Professor Vincent. But they've been entertaining
• 45:33
  Speaker 4: some unexpected guests.
• 45:35
  Speaker 2: Five of these pieces of shambles.
• 45:39
  Speaker 11: We'll d a dainty.
• 45:41
  Speaker 7: I mean, cops came now, Patty.
• 45:42
  Speaker 2: Won't have to do his chayo and Reagan, what is
• 45:45
  Speaker 2: this child talking about? You'll find the whole story in
• 45:47
  Speaker 2: the Morning. Transcript exclusive with pictures left of Moran confesses murder,
• 45:51
  Speaker 2: Cops rush down, Factor, Russ goes free, and I get
• 45:54
  Speaker 2: the hottest break in six months. You should have been
• 45:57
  Speaker 2: you you unprincipal, ma'am. Is this the care with which
• 46:01
  Speaker 2: you watched over Alpha gangsters? Criminals? Are You're not better
• 46:05
  Speaker 2: than one yourself talk that way to mouth. I hope
• 46:08
  Speaker 2: it gives you some satisfaction, mister Egan to realize that
• 46:11
  Speaker 2: you've probably ruined years of work. But believe me, you
• 46:14
  Speaker 2: haven't heard the master of this. Oh yes, I have
• 46:17
  Speaker 2: the very last Get out of here, Alfa, Dear. They're
• 46:20
  Speaker 2: all waiting for us downstairs, all the professors. We can
• 46:23
  Speaker 2: go home now.
• 46:24
  Speaker 7: I can't leave Mount.
• 46:26
  Speaker 2: I think you'll have to Alpha because I said it.
• 46:30
  Speaker 10: Look, Professor, you came to me, so I'll show you magic,
• 46:35
  Speaker 10: didn't you?
• 46:36
  Speaker 2: Well? I showed you lots of magic, didn't I. Now
• 46:41
  Speaker 2: you've got to go back. The professors are your friends.
• 46:44
  Speaker 2: You've always liked the institute, but I never got to
• 46:48
  Speaker 2: go outside that. You will just as soon as you're
• 46:53
  Speaker 2: old enough, and there'll be more magic and more people
• 46:57
  Speaker 2: to like the night didn't.
• 47:00
  Speaker 7: When you love people, it's not the same as lik.
• 47:04
  Speaker 2: But you don't have to be with people to love him. Oh, Mike,
• 47:07
  Speaker 2: Yes you do, Reagan. Yeah, if I spoke harshly, I'm sorry,
• 47:11
  Speaker 2: perhaps I was. What do you please get out of here?
• 47:15
  Speaker 13: Mike?
• 47:16
  Speaker 7: Yes, you do, tell him, Tell him Katie.
• 47:20
  Speaker 2: Come Alpha, come right here.
• 47:24
  Speaker 11: Bye?
• 47:25
  Speaker 2: So long professor.
• 47:30
  Speaker 4: You're going to let it go, Mike, just like that?
• 47:33
  Speaker 2: What else could I do?
• 47:35
  Speaker 4: I didn't hear you tell a kid you'd be bye
• 47:37
  Speaker 4: to Sierra anything.
• 47:38
  Speaker 2: I thought it'd be easier if I didn't.
• 47:40
  Speaker 4: Easier for whom, for whom? Mike, for you Alpha, all.
• 47:44
  Speaker 2: Right, Easier for me, Katie. You know I'm crazy about
• 47:47
  Speaker 2: that kid. But a punk like that, she's a responsibility. Yes,
• 47:50
  Speaker 2: I know, Katie. Let's get married. Let's go someplace where
• 47:53
  Speaker 2: it's nice and quiet. Let's just I've been wanting you
• 47:55
  Speaker 2: to ask me that for so long.
• 47:58
  Speaker 4: Not ant is no, Mike. You see, I think i'd
• 48:02
  Speaker 4: be a responsibility too. I'd complicate your life too, Darling.
• 48:08
  Speaker 4: You know I love you, sure, but I don't like
• 48:11
  Speaker 4: the way you love people.
• 48:12
  Speaker 2: Mike. You run out on me, Kitty. When my boss
• 48:16
  Speaker 2: was here, he opened me a job in Washington, a
• 48:19
  Speaker 2: job I've been after for years. I told him, no,
• 48:21
  Speaker 2: I wouldn't leave you. Does that sound like running out, Mike?
• 48:26
  Speaker 4: When you love people, you owe them something more than
• 48:28
  Speaker 4: just turning down a job. You've got to give something,
• 48:32
  Speaker 4: A little of your freedom, maybe your time, yourself. Maybe
• 48:36
  Speaker 4: I don't know, but whatever it is, you're not willing
• 48:40
  Speaker 4: to give it. I saw that when Alpha walked out
• 48:43
  Speaker 4: that door, just as I'm doing.
• 48:45
  Speaker 9: Now, go long, Alpha, Miss Mallory has come to visit
• 48:59
  Speaker 9: with you. Now, if something.
• 49:02
  Speaker 2: Hurts you, if you don't feel well, won't you tell
• 49:04
  Speaker 2: us what it is?
• 49:05
  Speaker 4: But doctor Needles, do you suppose she cough me to Carriess?
• 49:11
  Speaker 2: Ah? If it were only that simple. No.
• 49:15
  Speaker 9: Alpha's been back with us now for nearly a month,
• 49:18
  Speaker 9: and it's something else.
• 49:19
  Speaker 2: I don't just know what. I have an idea, Alpha.
• 49:22
  Speaker 8: Let's show miss Marla how you do problems.
• 49:25
  Speaker 2: You just put those blocks into their proper spaces as
• 49:27
  Speaker 2: fast as you can. Now, I'll time you ready. Oh,
• 49:32
  Speaker 2: would you like to have me read to you? We
• 49:36
  Speaker 2: could go out Alpha and take a nice walk you
• 49:39
  Speaker 2: and I, Darling.
• 49:42
  Speaker 4: Would you like to see Mike?
• 49:45
  Speaker 7: Yes, but do a wan.
• 49:48
  Speaker 2: Alpha?
• 49:49
  Speaker 9: Just what was the nature of the magic mister Reagan
• 49:52
  Speaker 9: showed you?
• 49:53
  Speaker 2: Oh?
• 49:53
  Speaker 7: Do you love to see? It was a fine copy
• 49:58
  Speaker 7: and there was a man who sh light it up.
• 50:04
  Speaker 2: Oh, but that.
• 50:06
  Speaker 3: Magic that was just a little kind of what was
• 50:09
  Speaker 3: the real magic?
• 50:10
  Speaker 2: Going Louvey people the way you love Mike.
• 50:16
  Speaker 3: Excuse yes, Katy, there's a person here asking her elpa
• 50:20
  Speaker 3: A mister Ruth's.
• 50:21
  Speaker 2: Uh room, Miss Marlow, and I have seen him right
• 50:25
  Speaker 2: away just a minute. Yes, this child is really ill vincent.
• 50:29
  Speaker 2: If this goes on much longer, I can't be responsible.
• 50:32
  Speaker 2: I know, Packy. Is this where the little babe is?
• 50:36
  Speaker 2: In this joint? How do you do? Katie? What are
• 50:39
  Speaker 2: you doing here?
• 50:40
  Speaker 3: She's sicky, she's awfully sick.
• 50:42
  Speaker 2: Oh, ain't anybody gonna do something about her? We're doing
• 50:45
  Speaker 2: everything we can. Oh. Hey, I was just my neighborhood.
• 50:47
  Speaker 2: I brought a couple of little presents. Hey, Jake, back
• 50:51
  Speaker 2: up the truck. Turkey said, I see Mike. Yeah, yeah,
• 51:01
  Speaker 2: I just left him. We've got to get him here
• 51:03
  Speaker 2: right away. I don't think he can make it. He
• 51:05
  Speaker 2: must make it. The child won't teach, he won't sleep.
• 51:07
  Speaker 2: She she misses him. So I left him at Grand Central. Katie,
• 51:10
  Speaker 2: he was getting on a train for Washington. Oh no,
• 51:13
  Speaker 2: we had no good. Heal running out on her, trying
• 51:16
  Speaker 2: to tell me she wasn't his kid Washington. Wait a minute,
• 51:19
  Speaker 2: you gotta phone here. Jack, certainly, come in my office, Kacky,
• 51:21
  Speaker 2: what are you gonna do? I send a telegram, I
• 51:23
  Speaker 2: call a railroad station. Stop the train. I don't know,
• 51:25
  Speaker 2: but we gotta do something.
• 51:26
  Speaker 4: Fat Mike, you did come back.
• 51:36
  Speaker 2: I knew you would, My dear fellow. I'm so delighted
• 51:38
  Speaker 2: to see you.
• 51:40
  Speaker 5: Go.
• 51:41
  Speaker 2: S got my wire? Huh? What wire? I want to do?
• 51:43
  Speaker 2: Page on a train? What they stopped? The trainer? Work?
• 51:46
  Speaker 2: What's the matter with you? What are you all looking
• 51:48
  Speaker 2: so funny for?
• 51:50
  Speaker 6: Uh?
• 51:50
  Speaker 2: Look here, Vincent, I want to talk to you about
• 51:52
  Speaker 2: the professor. Mike. You came back here all on your own.
• 51:55
  Speaker 2: Of course I came back.
• 51:57
  Speaker 6: On my own.
• 51:57
  Speaker 2: But the train. I seen you taking the train. I
• 52:00
  Speaker 2: did a little thanking on that train. The time we
• 52:02
  Speaker 2: got to Trentle, I was through thinking. I got off
• 52:05
  Speaker 2: and took the next train back. And you don't know
• 52:08
  Speaker 2: what's happened? What do you mean? Hey? What is this?
• 52:12
  Speaker 2: What's wrong? Has something happened to offer? She's been rather ial?
• 52:15
  Speaker 2: We've been what's the matter with her? Don't you know
• 52:18
  Speaker 2: how to take care of a kid? Can I? Can
• 52:20
  Speaker 2: I go out of town with without something happening to her?
• 52:22
  Speaker 7: Oh?
• 52:22
  Speaker 2: My? Hey, why I want to see her? Come with me?
• 52:32
  Speaker 2: Hey a professor, Yeah, it's me, professor Mike.
• 52:38
  Speaker 7: Oh Mike, I'm stop glad to see you.
• 52:43
  Speaker 2: Hey, what kind of monkey business are you up to?
• 52:46
  Speaker 2: What does I hear about you not eating or sleeping? Huh?
• 52:50
  Speaker 7: All night?
• 52:51
  Speaker 2: A fine thing, a fine reputation you're giving me. You
• 52:54
  Speaker 2: stay with me a couple of days and you come
• 52:56
  Speaker 2: back here and you know good to anyone?
• 52:59
  Speaker 4: Thank you, Chip Packing.
• 53:01
  Speaker 2: No, it's just hate fevering. Get him in Dutch with
• 53:05
  Speaker 2: the professors. And Katie is sore at men. I just
• 53:08
  Speaker 2: marked out on a new job.
• 53:10
  Speaker 7: You can have met like Mike, be too.
• 53:13
  Speaker 2: Help us if you have us, you bet I will
• 53:18
  Speaker 2: well packy what do you say? It's a lovely day
• 53:22
  Speaker 2: hate it of tonight stars only James Craig has visited
• 53:59
  Speaker 2: us the far and now. Margaret O'Brien, Marsha Hunt and
• 54:03
  Speaker 2: Keenan Wynn join him in a curtain call.
• 54:06
  Speaker 7: It's well being, hu, mister demil Sey Marsha. Did you
• 54:10
  Speaker 7: know that King and Winn had a wonderful name?
• 54:13
  Speaker 2: Well, both he and his father has made it famous.
• 54:15
  Speaker 7: Margaret, tell me your homely us to win.
• 54:17
  Speaker 2: No, I don't think we have time. This is only
• 54:19
  Speaker 2: an hour program.
• 54:21
  Speaker 7: We'll start on it anyway.
• 54:23
  Speaker 2: Well, Francis Xavier Ali wish is James Jeremiah kingan win Gee.
• 54:28
  Speaker 7: I always wondered if yours named daddy? How long is
• 54:33
  Speaker 7: your daddy?
• 54:34
  Speaker 2: Ed? We have a couple of fine athletes here tonight.
• 54:40
  Speaker 2: To Margaret, did you know that James Craig used to
• 54:43
  Speaker 2: be a prize fighters Jill Lewis, mister Craig, Well, I
• 54:48
  Speaker 2: don't know, Margaret. I never thought him. He might have
• 54:51
  Speaker 2: a slight age. And then Keenan Winn is a champion
• 54:56
  Speaker 2: speedboat racer. I believe he holds the record for circumnavigator
• 55:00
  Speaker 2: being Manhattan Island in thirty nine minutes?
• 55:02
  Speaker 7: I say, who.
• 55:04
  Speaker 2: Cast it in Columbus by a slight edge?
• 55:10
  Speaker 7: Why aren't you in the history book?
• 55:13
  Speaker 2: Well, lots of things that aren't in the history books, Margaret,
• 55:16
  Speaker 2: good thing, says luck Starlett, though, for instance, the product
• 55:20
  Speaker 2: behind this program.
• 55:21
  Speaker 7: Oh, I knew all about that soil. My mother met
• 55:25
  Speaker 7: with it.
• 55:26
  Speaker 2: I knew you had a wise mother.
• 55:28
  Speaker 1: I agree with Margaret's mother too.
• 55:30
  Speaker 2: Mister Demill, luxop is a grand way.
• 55:32
  Speaker 4: To take care of your complexion.
• 55:34
  Speaker 2: After seeing you too, who could doubt it?
• 55:37
  Speaker 7: What did your plan?
• 55:37
  Speaker 2: The next week? Mister Dell A delightful comedy, Maga The
• 55:41
  Speaker 2: timeout screenplay Christmas in July, and our stars will be
• 55:46
  Speaker 2: Dick Paul and Linda Donnell. Christmas in July is the
• 55:50
  Speaker 2: story of a boy and a girl in love, and
• 55:53
  Speaker 2: that's not likely to go out of style toon. But
• 55:56
  Speaker 2: this particular drama has a gaiety and charm that make
• 56:00
  Speaker 2: it a perfect way to welcome the coming of summer.
• 56:03
  Speaker 2: I remember the picture had a lot of surprises, seb
• 56:06
  Speaker 2: good night, good night, red night night. I have passed
• 56:11
  Speaker 2: off the comments of whatever I had. One I have
• 56:19
  Speaker 2: sponsored to make it the buck stile of soak. Find
• 56:22
  Speaker 2: me in inviting you to be with us again next
• 56:24
  Speaker 2: Monday night, when the Lux Radio Theater presents Dick Powell
• 56:28
  Speaker 2: and Linda Donell in Christmas in July. The decesser be
• 56:33
  Speaker 2: the melk Ron Holly Wood. And now here's the question
• 56:44
  Speaker 2: from Uncle Sam to housewives everywhere. If you had roast
• 56:48
  Speaker 2: or stew or soup for dinner tonight, did you make
• 56:51
  Speaker 2: sure that every drop of waist fat was poured into
• 56:53
  Speaker 2: the salvage tins, even the burner black crippings from the
• 56:56
  Speaker 2: roasting pan. That fat turned into your butcher tomorrow will
• 57:00
  Speaker 2: be made into war materials and rush to our fighting men.
• 57:03
  Speaker 2: Perhaps it will help to make the self a drug
• 57:05
  Speaker 2: that eases a wounded soldier's pain. But the tannic acid
• 57:08
  Speaker 2: needed to treat as burns. There are countless other military
• 57:12
  Speaker 2: uses for that waist, kitchen fat of yours if needed,
• 57:15
  Speaker 2: for synthetic rubber, parachute material, and many life saving medicines.
• 57:19
  Speaker 2: Right now, the heavy fighting in France makes the need
• 57:22
  Speaker 2: more urgent than ever. Before you throw away a single
• 57:25
  Speaker 2: drop of used fats, think of that boy fighting in
• 57:28
  Speaker 2: far away lands whose very life depends on a constant,
• 57:32
  Speaker 2: unceasing flow of supplies from home to help shorten the war,
• 57:36
  Speaker 2: to bring more of our men home safe. Save all
• 57:39
  Speaker 2: the waste fats. You can put them in a tin,
• 57:42
  Speaker 2: can rush them to your butcher. Remember he gives you
• 57:45
  Speaker 2: two free red ration points and four cents for every
• 57:48
  Speaker 2: pound to turn in. Save meat drippings, table scraps. Every
• 57:53
  Speaker 2: bit counts. Save every precious drop now, while our fighting
• 57:58
  Speaker 2: men need your help so urgently. Heard in tonight's play
• 58:01
  Speaker 2: were stand Ferraar, Griff Barnett, Norman Field, Regina Wallace, ed Emerson,
• 58:07
  Speaker 2: LALs chand Mira, Charles Seal, Herbert Rollinson, Ferdinand Munier and
• 58:13
  Speaker 2: Katharine Lewis. This program is broadcast to our fighting forces
• 58:16
  Speaker 2: overseas to a cooperation with the Armed Forces Radio Service.
• 58:20
  Speaker 2: Our music was directed by Lois Silvers and this is
• 58:23
  Speaker 2: your announcer, John M. Kennedy, reminding you to tune in
• 58:26
  Speaker 2: again next Monday night to hear Dick Powell and Linda
• 58:29
  Speaker 2: Darnell in Christmas in July.
• 58:34
  Speaker 1: That brings us to the close of Lux Radio Theatres
• 58:36
  Speaker 1: Los angel Follow Lux Radio Theater for more classic broadcasts.