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Transcript

IGÃO _ MITICO - Podpah _1024 · Luke's English Podcast

• 0:40
  Speaker 1: Amazon, attention to the best play.
• 0:43
  Speaker 2: Free shipping for you and offers with up to 40% discount.
• 0:45
  Speaker 2: Download the app now and enjoy. This is the game
• 0:50
  Speaker 2: of the rest of the world.
• 0:55
  Speaker 3: Who will get the last cup.
• 1:00
  Speaker 4: Of shrimp?
• 1:00
  Speaker 3: Cafu or Nicole? E quem venceu foi Nicole. A diversão
• 1:22
  Speaker 3: tá aí. Superbet. Você sente quando é super.
• 1:43
  Speaker 2: Damn, man. Viviana Araujo Bela. You're crazy, man. You're crazy.
• 1:47
  Speaker 2: You're crazy. You're crazy.
• 1:48
  Speaker 1: You're crazy. You're crazy. You're crazy.
• 2:00
  Speaker 5: I like episodes just us, leave your like, share, let
• 2:02
  Speaker 5: me know on social media that today.
• 2:05
  Speaker 2: Is just me and Gão, okay?
• 2:07
  Speaker 5: And today I'm more high than the last one, the
• 2:10
  Speaker 5: last one I started and.
• 2:11
  Speaker 2: Then I went up. But high means flat. No, no, no.
• 2:14
  Speaker 5: I'm 100% in the condition of Jesus Christ.
• 2:17
  Speaker 2: Our Savior, Lord of the Earth. Put him in front.
• 2:21
  Speaker 2: The rest he takes care of. You don't have to
• 2:24
  Speaker 2: be giving everything. Come with us, man. The other one
• 2:26
  Speaker 2: I recorded alone, in the beginning I was very low.
• 2:29
  Speaker 2: Which one did you record alone? The one we did here.
• 2:32
  Speaker 2: But you're not alone. There are days when you think
• 2:34
  Speaker 2: you were with your head somewhere else.
• 2:36
  Speaker 1: Yeah, yeah.
• 2:36
  Speaker 2: But isn't that normal? Tell me, you, our audience. All
• 2:40
  Speaker 2: of you have a job. But is it every day
• 2:43
  Speaker 2: that you're with your head 100% at work? Or sometimes
• 2:46
  Speaker 2: you're in a place with your head somewhere else? My
• 2:48
  Speaker 2: head is in the house of hell.
• 2:49
  Speaker 5: But today I came wanting to do this podcast to
• 2:52
  Speaker 5: just be well, you know?
• 2:54
  Speaker 2: I understand. I understand. So sometimes the podcast for me
• 2:58
  Speaker 2: works like this. Sometimes I'm bad and I'll do the
• 3:01
  Speaker 2: podcast to be good. Or sometimes I'm bad and I
• 3:03
  Speaker 2: do the podcast and I'm really bad. Then you realize
• 3:08
  Speaker 2: that you were bad. It's all right, Mítico. God is
• 3:10
  Speaker 2: with us. And the rest, leave it to me. You're fine, man.
• 3:14
  Speaker 2: I'm great. I'm very happy to be doing an episode
• 3:16
  Speaker 2: just you and me here. Because I feel loose. I
• 3:17
  Speaker 2: feel like a bird with the cage open. I know
• 3:21
  Speaker 2: it's open, but I'm not going out.
• 3:26
  Speaker 5: Yeah, today there will be a lot of topics, talks,
• 3:29
  Speaker 5: they said there will be surprises, I imagine it's shit.
• 3:32
  Speaker 2: Look, this is true, man, it's not our joke, every
• 3:34
  Speaker 2: time there's an episode now, just me and Mítico, the production,
• 3:38
  Speaker 2: along with the content, they... I said, fuck. They set
• 3:41
  Speaker 2: up some peripécias, and I have no idea, last time
• 3:43
  Speaker 2: I got punched by a franzino there who does boxing.
• 3:47
  Speaker 2: But that was cool. I wanted to get in touch
• 3:48
  Speaker 2: with him, it was cool, it was cool. But today,
• 3:50
  Speaker 2: if you get hit again, fuck. No, I already told him,
• 3:52
  Speaker 2: he doesn't want to get hit, man. Change, change. Alright?
• 3:55
  Speaker 2: Let's do it. Orange Juice. Mítico, did you watch Max
• 4:25
  Speaker 2: Till's commercial and did you think he would do that?
• 4:28
  Speaker 2: Did he set fire to it? Yes, and I was
• 4:31
  Speaker 2: always jealous of who had this doll. And I was
• 4:33
  Speaker 2: wondering how they recorded this doll. Does the doll really
• 4:36
  Speaker 2: do all of this?
• 4:36
  Speaker 5: But the first time I saw Max Till in real life,
• 4:38
  Speaker 5: I thought it was just a hard doll that looks
• 4:41
  Speaker 5: like this.
• 4:41
  Speaker 2: No, are you crazy? What age did you get Max
• 4:44
  Speaker 2: Till in your hand for the first time? Were you older?
• 4:46
  Speaker 2: I think I never got the original Max Till in
• 4:48
  Speaker 2: my hand. Oh, yes. I already got the original in
• 4:50
  Speaker 2: my hand. You already got a lot of things in
• 4:51
  Speaker 2: your hand that I know. Fake and original.
• 4:54
  Speaker 1: Veiúda.
• 4:55
  Speaker 2: Veiúda, yes, yes. Yes, I'm a fan. Mítico, seriously, once
• 4:58
  Speaker 2: I got some McStills in my hand. Originals. Originals, why?
• 5:01
  Speaker 2: I lived in a very humble little house, you know,
• 5:03
  Speaker 2: the back of the house, like this? I lived in
• 5:07
  Speaker 2: the back of the houses, two small houses, and then
• 5:11
  Speaker 2: my house gave back with the back of the house
• 5:15
  Speaker 2: on the other street. Do you understand? So the neighbor
• 5:17
  Speaker 2: threw the doll, like this. There was a boy who had.
• 5:21
  Speaker 2: I don't know what, but I know that he had
• 5:23
  Speaker 2: some psychological problems. And then, on a day when he
• 5:30
  Speaker 2: was sick, he threw everything at home, man. He threw
• 5:33
  Speaker 2: all the.
• 5:34
  Speaker 1: Dolls, man.
• 5:34
  Speaker 2: And you? Ah, I said like this, ah, man.
• 5:37
  Speaker 5: Play with your father. There was Max Till, there was Batman.
• 5:41
  Speaker 5: There was everything, there was Goku. Once there was a
• 5:42
  Speaker 5: Batman in my backyard too, I loved it.
• 5:45
  Speaker 2: I loved it, I loved it. Children have this madness of.
• 5:48
  Speaker 2: And I believed that... But then I came to find
• 5:49
  Speaker 2: out that it was the guy, I don't know what.
• 5:51
  Speaker 2: For me, it was raining toys when I was a kid.
• 5:52
  Speaker 2: But did you have to give them back? Brother, if
• 5:55
  Speaker 2: I had to give them back, I don't know if
• 5:56
  Speaker 2: my mom gave them back, but some things stayed with me.
• 5:58
  Speaker 2: Some Max Tio stayed with me. I always wanted to
• 6:01
  Speaker 2: have a Max Tio. And he's like Barbie, man.
• 6:05
  Speaker 7: Yeah?
• 6:05
  Speaker 2: Didn't it give you curiosity to... At least when I
• 6:07
  Speaker 2: was a kid, I wanted to take off the dolls'
• 6:09
  Speaker 2: clothes to see how they were. To see if there was...
• 6:13
  Speaker 2: To see if there was... But there never was, right?
• 6:14
  Speaker 2: If there was mamilo. Yes, mamilo and stuff. And then
• 6:17
  Speaker 2: it was... Always straight. I liked to eat Barbie feet.
• 6:20
  Speaker 2: Did you have that breeze? Man, Barbie feet was a
• 6:22
  Speaker 2: very tasty sausage. I've heard that people eat Barbie feet.
• 6:26
  Speaker 2: I've heard about it. I'm aware. I've never eaten it. No?
• 6:29
  Speaker 3: No.
• 6:29
  Speaker 2: It's good, man. I'll take you to a restaurant and
• 6:33
  Speaker 2: serve you Barbie feet. You're too much. Let's go, guys.
• 6:36
  Speaker 2: You're too big.
• 6:37
  Speaker 1: Ricardo.
• 6:38
  Speaker 2: Ricardo is there. You're crazy, this guy. Kit Richard of
• 6:41
  Speaker 2: the new generation. Okay. No, no, no. You see that
• 6:51
  Speaker 2: when it's just the two of us... But it's just him. No, no,
• 6:54
  Speaker 2: he's here on the side. He's our press officer. He's
• 6:57
  Speaker 2: on the table here. Who are they going to talk about?
• 6:59
  Speaker 2: Who are they going to curse? Please, please, just don't
• 7:01
  Speaker 2: curse anyone, my God. Look at the politics. Get out
• 7:05
  Speaker 2: of this, people, for the love of God. Don't curse anyone.
• 7:08
  Speaker 2: Don't curse anyone, no enemy. Don't curse. So I'm not
• 7:10
  Speaker 2: going to curse anyone now. Only later. Now I'm going
• 7:13
  Speaker 2: to talk about the brands that sponsor this podcast. Got it? Oh,
• 7:16
  Speaker 2: Mítico Jovem, when I was a.
• 7:19
  Speaker 2: The introduction of the podcast was much longer.
• 7:22
  Speaker 4: What?
• 7:22
  Speaker 2: There was already an introduction of 15 minutes. We didn't
• 7:24
  Speaker 2: talk about things afterwards. The thing is, talking about Electro-Voice,
• 7:28
  Speaker 2: who makes these wonderful microphones, and I don't know if
• 7:34
  Speaker 2: you noticed that our microphones here are from Electro-Voice. And
• 7:38
  Speaker 2: there's already a little price that we've changed. Exactly.
• 7:40
  Speaker 5: And its aesthetics is very beautiful, and the quality doesn't even.
• 7:43
  Speaker 2: Need to be said. It's absurd. You're listening. Exactly. They
• 7:46
  Speaker 2: are also our partners at Podpah Records. If you go
• 7:49
  Speaker 2: to Podpah Records, my God, we were listening to a
• 7:52
  Speaker 2: sound in there, now, a reggae in the Electro Voice boxes,
• 7:56
  Speaker 2: it's absurd, man. So, the last thing I want to
• 7:57
  Speaker 2: talk about now is the sound of the microphones, which
• 7:59
  Speaker 2: is the family of microphones RE, from Electro Voice, that
• 8:03
  Speaker 2: we use here to talk to you, from Podpah Records.
• 8:31
  Speaker 2: I recommend you to launch the RE-20, okay? It's the
• 8:34
  Speaker 2: right microphone for you, with a guarantee of 3 years. So,
• 8:37
  Speaker 2: already know that in these 3 years you will have
• 8:40
  Speaker 2: an absurd microphone and also an absurd guarantee. Let's go.
• 8:43
  Speaker 2: You will have the best microphones in your life. And
• 8:46
  Speaker 2: talking about the young myth, you play a lot, right?
• 8:50
  Speaker 2: I play, I'm a addict. You're an addict. I want
• 8:52
  Speaker 2: to talk about I want to talk to you about
• 9:02
  Speaker 2: Exit Lag, that if you play online, you've already been
• 9:05
  Speaker 2: through lag, delay, you know that it's with less frames,
• 9:07
  Speaker 2: locking up like that? So Exit Lag is a tool
• 9:10
  Speaker 2: that improves your connection to games and it optimizes the
• 9:13
  Speaker 2: route of your internet with the game server to make
• 9:16
  Speaker 2: everything even more stable and fast. Oh, but I don't
• 9:19
  Speaker 2: know about that, I don't know anything technically speaking. You
• 9:24
  Speaker 2: don't need to know, because in practice it's less lag,
• 9:27
  Speaker 2: less stress and a much more fluid gameplay, okay? You
• 9:30
  Speaker 2: don't need to understand anything, you just need to scan
• 9:34
  Speaker 2: the QR code, activate your favorite game and enjoy it.
• 9:37
  Speaker 2: It has a 50% discount, who gets it now. Really?
• 9:40
  Speaker 2: That's good, what a condition.
• 9:42
  Speaker 5: 50% discount, man, put your cell phone there, and seriously,
• 9:44
  Speaker 5: it's very good to play without lag, because I'm one
• 9:47
  Speaker 5: of the gamers, when you have lag, sometimes you lose
• 9:49
  Speaker 5: a goal.
• 9:51
  Speaker 2: Loses a pass in the car. Misses the shot. Misses
• 9:55
  Speaker 2: the shot.
• 9:55
  Speaker 5: You're aiming, you're giving a headshot and you're not going.
• 9:59
  Speaker 2: So... So, we're together, we're really us. And speaking of
• 10:02
  Speaker 2: our sponsor, Master Natanzinho, throw a focus here in the
• 10:07
  Speaker 2: Amazon box, monster, mustache. On Amazon there's free shipping and
• 10:12
  Speaker 2: up to 40% discount for you to save money. So,
• 10:14
  Speaker 2: download the app and enjoy Amazon. Thank you for being
• 10:18
  Speaker 2: with us this whole year. Let's go. You're crazy. Since
• 10:21
  Speaker 2: last year, you've arrived with both feet on the door.
• 10:24
  Speaker 2: I don't like Amaz. I love Amaz. What is this?
• 10:28
  Speaker 2: You're crazy, brother.
• 10:29
  Speaker 5: I bought the PlayStation phone that Natanzinho sent me yesterday.
• 10:33
  Speaker 2: Really? Did you buy it there? Did you pay the price?
• 10:35
  Speaker 2: It's a good price. It's good, right? I'll share it.
• 10:38
  Speaker 2: And remembering that in the description there's a link for
• 10:40
  Speaker 2: you to participate in the Podpaquera, the Brino's Plateia, and
• 10:44
  Speaker 2: also to subscribe to Podpa Records, okay? And there's also
• 10:47
  Speaker 2: a link to our community on WhatsApp. To know everything
• 10:50
  Speaker 2: that's going on there, right?
• 10:51
  Speaker 8: Exactly.
• 10:51
  Speaker 2: PodPá doesn't stop launching the show? Glory to God. What's
• 10:54
  Speaker 2: your favorite show from PodPá, taking PodPá? Wow, then you
• 10:58
  Speaker 2: put me on the wall. Now I like it, Mítico
• 11:00
  Speaker 2: Jovem Diz. You can give your opinion, I want to know. Man,
• 11:05
  Speaker 2: it depends.
• 11:06
  Speaker 5: There's a lot now. I was feeling cornered.
• 11:10
  Speaker 2: My favorite today, I think... It's all very good, but...
• 11:15
  Speaker 2: O Visita. The visit is getting me. Veneno is very good.
• 11:21
  Speaker 5: Watch the visit. Veneno was at my house. It was
• 11:24
  Speaker 5: very cool. She took my son.
• 11:26
  Speaker 2: Man, that's crazy. You didn't know you had a son? No, man.
• 11:30
  Speaker 2: He's 24 years old already. What? And how old are you?
• 11:34
  Speaker 6: 35.
• 11:34
  Speaker 2: It was early, right?
• 11:36
  Speaker 3: It was.
• 11:37
  Speaker 2: Then she took my son.
• 11:39
  Speaker 5: So, man, Podipa Visita is sensational. And then we have
• 11:42
  Speaker 5: Podipa Records, man. He's releasing a lot of shows. He's
• 11:45
  Speaker 5: released Basis, Nova.
• 11:47
  Speaker 2: He's released Reverso... Yesterday he released Puro Show, which is
• 11:52
  Speaker 2: Puro Roxo's show. It's really cool. And we also released...
• 11:56
  Speaker 2: Follow the sound. All the shows are phenomenal, but yesterday
• 12:00
  Speaker 2: I watched Puro Roxo with Vino. And it was the
• 12:03
  Speaker 2: first one, right, bro? It was absurd, bro. Congratulations, Puro Roxo.
• 12:05
  Speaker 2: You're a monster, bro. And being with us... And it
• 12:09
  Speaker 2: was the first of many, you know? I want to
• 12:11
  Speaker 2: stick to this show. Me too.
• 12:13
  Speaker 5: I wanted to have a podcast about records too, talk
• 12:14
  Speaker 5: about music, talk about.
• 12:16
  Speaker 2: You don't have time.
• 12:17
  Speaker 5: Man, I wanted to have. I said I wanted to have.
• 12:22
  Speaker 5: I wanted to talk about... I wanted to sit down.
• 12:25
  Speaker 2: And talk about music atrocities. And Puro Roxo's show is wonderful.
• 12:29
  Speaker 2: I like it, I like it. Watch it. Now, going
• 12:30
  Speaker 2: back to our initial agenda... Which was what? Viviane Araújo
• 12:37
  Speaker 2: e o Belo se beijando que só um caralho na novela.
• 12:41
  Speaker 2: Mas eles devem ser doidos, eles não são casados? Não
• 12:45
  Speaker 2: entre eles, mas cada um é casado com o seu
• 12:49
  Speaker 2: digníssimo e a sua digníssima.
• 12:50
  Speaker 5: Mas eles tiveram uma história romântica maravilhosa no passado.
• 12:54
  Speaker 2: Exposta para o Brasil todo, né? E agora eles voltaram
• 12:57
  Speaker 2: e estão se... What's up, man? Are you exposing me
• 13:16
  Speaker 2: like this? No, you already exposed yourself some time ago.
• 13:19
  Speaker 2: And then, what's the deal? Imagine that you went to
• 13:21
  Speaker 2: make a soap opera. Then, out of nowhere, there comes
• 13:24
  Speaker 2: a ex of yours. It's impossible that you won't remember
• 13:29
  Speaker 2: some things. Yeah, because there's history, right? Obviously, that kiss
• 13:33
  Speaker 2: has already been kissed. Other times. In other occasions. I'm sorry,
• 13:38
  Speaker 2: who is the husband and the wife... of the respective, but.
• 13:42
  Speaker 5: But I pay, Paulo, I imagine when the invitation arrived, Belo,
• 13:45
  Speaker 5: and Belo is acting well as fuck.
• 13:48
  Speaker 2: He's fat, did you see?
• 13:50
  Speaker 5: No, he's acting well. The critic of the novel is
• 13:53
  Speaker 5: talking there.
• 13:54
  Speaker 2: You look like Leon Lobo to me now. And then,
• 13:56
  Speaker 2: dignity already. And then he said that he's acting well,
• 14:00
  Speaker 2: but I imagine the invitation that arrived, like this, Belo,
• 14:04
  Speaker 2: you're going to act, you're going to do Raimundo here,
• 14:07
  Speaker 2: and your partner is going to be Vivi. Anne, right?
• 14:11
  Speaker 2: And then he said, okay.
• 14:13
  Speaker 5: And then he came to Vivi and said, your partner
• 14:15
  Speaker 5: in the soap opera will be Belo.
• 14:16
  Speaker 2: Okay. Are human beings evolved too much? Yes, they are.
• 14:21
  Speaker 2: Are human beings evolved too much? They are evolved too much.
• 14:25
  Speaker 5: I'll pay for that. And actually, they are very evolved.
• 14:28
  Speaker 5: I'm not evolved like that. And their peers are much
• 14:31
  Speaker 5: more evolved. I wouldn't be either. If I were married
• 14:33
  Speaker 5: to Viviane, I would say, damn, everything is fine, my love. Actress, artist, phenomenon, success.
• 14:37
  Speaker 5: Globo's soap opera.
• 14:38
  Speaker 2: But you're going to kiss Belo. Belo is coming. Honey,
• 14:43
  Speaker 2: your mouth has honey. He's a guy who already knows, right?
• 14:46
  Speaker 2: He already knows well. He knows... Fuck, it's fucking cool, man.
• 14:49
  Speaker 2: Would you accept? Accept what?
• 14:53
  Speaker 5: If your current girlfriend contrasted with her ex, because she
• 14:58
  Speaker 5: was already married in the soap opera.
• 15:00
  Speaker 2: Wow, man, I think I would open my ass like this,
• 15:02
  Speaker 2: from the outside to the outside, you would be like.
• 15:04
  Speaker 4: Ah, of anger.
• 15:04
  Speaker 2: But would you accept?
• 15:06
  Speaker 4: No, no.
• 15:08
  Speaker 2: Accept it, like, I don't send it in the person's life.
• 15:10
  Speaker 2: But I was going to say yes. Imagine the proposal
• 15:12
  Speaker 2: of the novella of the nine, dad. You're missing it, right? Good, good.
• 15:16
  Speaker 2: I don't know. It's very difficult. I'm not evolved to
• 15:18
  Speaker 2: this point, I think.
• 15:19
  Speaker 5: I think I was going to try to be evolved,
• 15:22
  Speaker 5: but the first scene of the novella that I saw,
• 15:23
  Speaker 5: a kiss from them.
• 15:26
  Speaker 2: I would also like to open my ass and tear
• 15:28
  Speaker 2: it apart. Comment there, chat people, comment there. Are you
• 15:33
  Speaker 2: evolved to this point? Yes or no? I think most people.
• 15:37
  Speaker 5: Will say yes, but only to say that it is.
• 15:41
  Speaker 2: But in practice, when you see your baby, your love,
• 15:45
  Speaker 2: giving a kiss to her ex in a soap opera...
• 15:49
  Speaker 2: I'm going to do a field research here. I'm not
• 15:51
  Speaker 2: going to say names. Yes or no? Would you take
• 15:53
  Speaker 2: it badly, yes or no?
• 15:55
  Speaker 4: Yes.
• 15:55
  Speaker 2: Yes. Sim. Mona, ia levar a mão sim ou não? Sim.
• 16:06
  Speaker 2: Seis chances. Não dá. Você ia levar a mão, né?
• 16:12
  Speaker 2: E pior que ele traiu ela quando eles estavam juntos.
• 16:15
  Speaker 2: O Brasil não esquece. Não, não, nem fudendo. Não, não.
• 16:19
  Speaker 2: There's no way, man.
• 16:20
  Speaker 5: Hey, chat, come with us, share the live, say that
• 16:22
  Speaker 5: today it's just the boys, it's just the boys.
• 16:24
  Speaker 2: It's just the boys, huh?
• 16:25
  Speaker 5: Today it's just the boys. It's the stupid ones here, man.
• 16:28
  Speaker 5: It's the stupid boys, come with us, man.
• 16:31
  Speaker 2: Yeah, you wouldn't evolve from that point, Mítico. And then,
• 16:34
  Speaker 2: I don't know, now it's possible, the way this soap
• 16:36
  Speaker 2: opera is, the guys send Graciane there in the soap
• 16:39
  Speaker 2: opera too. Yeah, because Globo is having to move the balls, right?
• 16:41
  Speaker 2: Because I imagine.
• 16:43
  Speaker 5: Hardly nowadays, especially the Z generation, pay attention to.
• 16:46
  Speaker 2: The criticism I'm going to say.
• 16:48
  Speaker 3: Send, send, send.
• 16:49
  Speaker 5: I can't imagine who from the Z generation comes from
• 16:51
  Speaker 5: work and says, fuck the soap opera.
• 16:53
  Speaker 2: I can't see, I can't imagine. Samira. Really? Man, I
• 17:00
  Speaker 2: think it's because we're no longer this generation, the generation
• 17:04
  Speaker 2: of the moment. The trend of the generation that is
• 17:07
  Speaker 2: not from the moment is to criticize from the moment
• 17:09
  Speaker 2: and think that they are not what we have already been. No,
• 17:12
  Speaker 2: but I was a soap opera player, damn it. So
• 17:14
  Speaker 2: that's what I'm talking about. And I think they continue, bro. Obviously,
• 17:18
  Speaker 2: I think there will never be a soap opera like,
• 17:19
  Speaker 2: I don't know, Avenida Brasil, that one. 40 points, today
• 17:22
  Speaker 2: the soap opera gives 18, 15 points. But I think
• 17:24
  Speaker 2: the last soap operas they are getting it right. Because
• 17:27
  Speaker 2: I'm seeing a lot of people talking about the soap operas.
• 17:30
  Speaker 2: There's a soap opera... What is it, barbecue? No, I'm
• 17:31
  Speaker 2: going to have to talk here, because our company is
• 17:33
  Speaker 2: making barbecue now, when we're here. It was awesome. It
• 17:36
  Speaker 2: was all the time. But I also thought... What is this?
• 17:38
  Speaker 2: But it's because before, the soap operas were always the
• 17:41
  Speaker 2: same shit. It was the rich family of Neblon, with Helena,
• 17:45
  Speaker 2: and Lennon Michael, and the son, the vagabond, who ran
• 17:49
  Speaker 2: away from home. It was the same thing, always, you know?
• 17:52
  Speaker 2: If I were to make a soap opera today in Brazil...
• 17:54
  Speaker 2: What was that soap opera that Camila Pitanga did, that
• 17:57
  Speaker 2: wasn't even on TV? It was a bad success. I
• 18:02
  Speaker 2: think it was Nitibioca. Fatal beauty. Fatal beauty. I've heard
• 18:07
  Speaker 2: a lot about this soap opera. What about Big Brother?
• 18:11
  Speaker 2: I'm not following. I started to follow, then I lost
• 18:14
  Speaker 2: a little focus, then I came back to follow, turn
• 18:17
  Speaker 2: and move, I'm seeing. I just know that, brother, every
• 18:21
  Speaker 2: time I call there, there's already elimination, then it goes
• 18:23
  Speaker 2: to the leader's test, which is all together on the
• 18:26
  Speaker 2: same day, it seems that they are, you know, running
• 18:28
  Speaker 2: for how long? It's because Jonas left there. It's been
• 18:32
  Speaker 2: a long time, I think. It's been a while since
• 18:35
  Speaker 2: she left. And the one who's going to win is
• 18:37
  Speaker 2: Ana Paula. But it looks like she's going to win
• 18:40
  Speaker 2: from day one, right? She announced that BBB was going
• 18:43
  Speaker 2: to start and there was this woman, everyone already knew
• 18:46
  Speaker 2: she was going to win. Why would she win? Is
• 18:48
  Speaker 2: she crazy? I don't know. I think she's sensible. Yeah?
• 18:50
  Speaker 2: I don't watch. What is Ana Paula, guys? Sensible? The wolf.
• 18:57
  Speaker 2: The wolf. Player. I'm listening to the adjectives here. She's
• 19:01
  Speaker 2: a wolf. She's a wolf. So, people like her a lot, man.
• 19:05
  Speaker 2: She shouldn't have any problems with her tongue, right? She
• 19:08
  Speaker 2: speaks real. She speaks a little. Yeah, but I don't...
• 19:14
  Speaker 2: I prefer Juliano. He smokes a cigarette and dances. Juliano
• 19:19
  Speaker 2: looks like a vampire, right? Because he's very white. It
• 19:24
  Speaker 2: looks like it. People say he has a bad breath.
• 19:26
  Speaker 2: That's it? a Globo made a VT of him, of Bafo?
• 19:30
  Speaker 1: No.
• 19:30
  Speaker 2: You swear to God? That it's going to rain now
• 19:34
  Speaker 2: on the Cavaliers do Mit. I said, poor boy, for
• 19:35
  Speaker 2: what this fame? But who put this fame? But then
• 19:38
  Speaker 2: I tried, he coming like this, and people... Ah, this
• 19:40
  Speaker 2: is fucked. What the fuck, man? There has to be.
• 19:45
  Speaker 1: A.
• 19:50
  Speaker 2: a friend to warn, right? That the tongue is dead. Man,
• 19:52
  Speaker 2: the guys are warning there. So, but they're warning us,
• 19:54
  Speaker 2: they're not warning him. I think they're warning, I think
• 19:57
  Speaker 2: they're warning. But is it? I think there's something you
• 20:00
  Speaker 2: can't say.
• 20:00
  Speaker 3: Like what?
• 20:01
  Speaker 2: Laugh?
• 20:02
  Speaker 4: Yeah.
• 20:02
  Speaker 2: I think there's something you have to... to feel and
• 20:06
  Speaker 2: stay quiet. If the person is not your friend, you
• 20:10
  Speaker 2: won't say... We have to keep talking to people, someone
• 20:15
  Speaker 2: comes with a smell of dirt in their mouth, and
• 20:21
  Speaker 2: I just accept it, I don't say anything, like, go
• 20:23
  Speaker 2: and brush your teeth, if something happens. Or sometimes the
• 20:28
  Speaker 2: person also has... Stomachache. Yeah, because there are some stomach
• 20:33
  Speaker 2: problems that.
• 20:34
  Speaker 5: Leave a bad breath. Or sometimes it's just not brushing
• 20:38
  Speaker 5: your tongue.
• 20:38
  Speaker 2: There's that too. There can be several reasons, but I'm finding...
• 20:41
  Speaker 2: And another thing that you can't warn too. Is it hurting? Wing.
• 20:43
  Speaker 2: It's on the wing. It's on the wing too, I
• 20:46
  Speaker 2: can't say. You have to leave the person on the wing.
• 20:50
  Speaker 2: Because it's very uncomfortable. Once, we were on a roller coaster.
• 20:54
  Speaker 2: It's been a long time. But there's that wing that burns,
• 20:57
  Speaker 2: you're crazy. Then you stay away. But the guys from
• 20:59
  Speaker 2: Quebrada will remember it. We were on a rollercoaster, and
• 21:03
  Speaker 2: they said our partner was on the top. I was like, damn,
• 21:06
  Speaker 2: you're on the top. The guy was on the top. Oppressed. Oppressed,
• 21:09
  Speaker 2: holding on to his jacket. Because there was no way
• 21:11
  Speaker 2: to leave, there was no way to change. So he
• 21:13
  Speaker 2: doesn't let us know. He goes to the bathroom, throws
• 21:15
  Speaker 2: some water and we rub ourselves. Yeah, yeah. Tries to
• 21:18
  Speaker 2: save us, but it's f * * * ed up, man. Bafo, Asa, Xulé. Ah,
• 21:23
  Speaker 2: Xulé is normal, right? No, I think Xulé is more
• 21:25
  Speaker 2: beaten up. Like, if you say, oh, chulesente, I don't
• 21:30
  Speaker 2: know what, the guy gets embarrassed, but I think he
• 21:33
  Speaker 2: accepts it. I'm saying it because I've suffered this in
• 21:36
  Speaker 2: my skin, man.
• 21:36
  Speaker 1: What?
• 21:36
  Speaker 2: When I was a kid. You said it like a grandson, man.
• 21:40
  Speaker 2: Tell the truth. It's serious, man, I suffered this in
• 21:43
  Speaker 2: my skin. When I was, man, I was raised in Quebrada, right?
• 21:46
  Speaker 2: And Quebrada, man, the thing is hostile to children, to adults,
• 21:49
  Speaker 2: to everyone. Everyone is very messed up, man, everyone has
• 21:52
  Speaker 2: a nickname. And I didn't like brushing my teeth when
• 21:55
  Speaker 2: I was a kid. I don't like brushing my teeth,
• 21:56
  Speaker 2: I don't like taking a shower, I don't like doing anything.
• 21:58
  Speaker 2: I just want to play ball, smoke Narghile and play
• 22:00
  Speaker 2: video games. I didn't even have Narghile at the time,
• 22:02
  Speaker 2: but anyway. And then I remember that people started to
• 22:04
  Speaker 2: say that I had a mustache, bro. They didn't feel
• 22:07
  Speaker 2: my mustache, but they knew that I didn't like brushing
• 22:10
  Speaker 2: my teeth. And then they wanted to make fun of
• 22:11
  Speaker 2: me that I had a mustache. And then there's the Salgadinho, Baconzitos.
• 22:15
  Speaker 2: The guys said that my Salgadinho was the Bafitos. Man,
• 22:18
  Speaker 2: I was a kid, I think I was six years old.
• 22:20
  Speaker 2: It touched my head. Did it traumatize you? It traumatized me.
• 22:24
  Speaker 2: I went home. People are laughing, but it's true. I
• 22:27
  Speaker 2: went home. From that day on, I started brushing my
• 22:30
  Speaker 2: teeth about eight times a day. So, sometimes the bully...
• 22:35
  Speaker 2: Does he come to help? I think so, sometimes. Depending
• 22:38
  Speaker 2: on the bully, yes.
• 22:40
  Speaker 4: Yes.
• 22:41
  Speaker 2: With me, it was light, because it was in a mule.
• 22:43
  Speaker 2: It wasn't something like... It was in a mule. It
• 22:46
  Speaker 2: was a baboon. What else can't you tell us? I
• 22:50
  Speaker 2: think you can only warn one thing that people can
• 22:53
  Speaker 2: change in a minute. If I say, Mítico, this glasses
• 22:55
  Speaker 2: didn't look good. You're going to take it off. Now,
• 23:00
  Speaker 2: if I say, you're on a tour, and you say, man,
• 23:01
  Speaker 2: I don't see this shirt. Why am I going to
• 23:05
  Speaker 2: say something like this? Being that you won't be able
• 23:08
  Speaker 2: to change the shirt. I'm just going to be oppressed
• 23:12
  Speaker 2: in a role. Yeah, you're going to be bad. So
• 23:13
  Speaker 2: there's no reason to talk, right, man?
• 23:15
  Speaker 5: But I think that between friends, the dress is to
• 23:17
  Speaker 5: be played. Between many friends, like that. And depending too,
• 23:20
  Speaker 5: because sometimes the person got ready to give a role,
• 23:22
  Speaker 5: and the other arrives and says, oh, you're going like this?
• 23:25
  Speaker 2: Okay, you're... You've heard, you're going like this? My God,
• 23:28
  Speaker 2: if I were to talk about who? Look, your chin here, look.
• 23:32
  Speaker 2: But what I want... I've heard a you're going like this.
• 23:33
  Speaker 3: I've, but.
• 23:34
  Speaker 2: Okay, you're going to send a you're going like this,
• 23:36
  Speaker 2: I'm still inside my house? Do you have time for
• 23:38
  Speaker 2: me to fix it? Agora, se eu chego na sua
• 23:40
  Speaker 2: casa e a pessoa olha pra mim e fala assim,
• 23:42
  Speaker 2: você veio assim? Machuca. Beijo. Dá pra falar, como assim?
• 23:48
  Speaker 2: Tipo assim, você beijou alguém e fala, nossa, que seu
• 23:50
  Speaker 2: beijo é cagado, hein, velho. É ruim. No, I think
• 23:54
  Speaker 2: the person understands without having to say it. If you
• 23:56
  Speaker 2: don't kiss again, if you don't avoid it, the person already...
• 23:58
  Speaker 2: I think that when a person kisses badly, in the
• 24:00
  Speaker 2: kiss you realize it, you stop kissing, you already hit
• 24:03
  Speaker 2: the tooth kissing. Ah, when I was younger, I already
• 24:06
  Speaker 2: hit it. But I think it's when you're emotional, right?
• 24:09
  Speaker 2: But it never happened to you, like, older, adult, you
• 24:11
  Speaker 2: kissed someone and it ended up that the person was
• 24:14
  Speaker 2: a little angry, or the kiss doesn't fit, because the
• 24:17
  Speaker 2: kiss is like a choreography, right? I turn here, you
• 24:19
  Speaker 2: turn there, you play the tongue here, you play down there.
• 24:22
  Speaker 2: You're occupying different spaces. You have to fit in, right?
• 24:25
  Speaker 2: You have to fit in. So sometimes the person can
• 24:27
  Speaker 2: make the same movement. It's already happened. There was a
• 24:30
  Speaker 2: wonderful person and I said... How was the person? I
• 24:33
  Speaker 2: wanted you to shake your shoulders. Six, seven. Six, seven. Wow, man.
• 24:37
  Speaker 2: I think it's the most... I don't even know what
• 24:38
  Speaker 2: the fuck is this. Nobody knows. Nobody knows. I went
• 24:42
  Speaker 2: to research and the guys said this is the fucking
• 24:45
  Speaker 2: brain thing. Fedorenti, I don't know.
• 24:47
  Speaker 4: What?
• 24:47
  Speaker 2: It's crazy on the internet. Go from there.
• 24:48
  Speaker 5: The person is wonderful, she became my friend because.
• 24:52
  Speaker 2: She didn't fit. And how old is she? Six, seven.
• 24:55
  Speaker 5: And then I said, man, very cool, but I can't,
• 24:58
  Speaker 5: let's see a movie, let's eat a Doritos, let's be good.
• 25:02
  Speaker 2: Let's change the idea, you're going to be my friend.
• 25:04
  Speaker 5: Because it didn't fit, yeah, you're going to be like Igor.
• 25:08
  Speaker 5: But this really happened, I said, damn, it won't, right?
• 25:10
  Speaker 2: I don't know. I know this person, it's curious. No, no, no,
• 25:15
  Speaker 2: it was just a... You don't introduce me to anyone anymore, right? Ah, man,
• 25:18
  Speaker 2: we only work, man. We only work, man.
• 25:20
  Speaker 5: Our life is being worked. Fucking Brazilian worker.
• 25:24
  Speaker 2: You're kissing your mouth. I'm not.
• 25:28
  Speaker 9: Okay.
• 25:29
  Speaker 2: It's been a while. I remember my house on Tatuapé,
• 25:31
  Speaker 2: that one. That one there. There.
• 25:33
  Speaker 1: There.
• 25:33
  Speaker 2: There. There. My God. I swear to God. There we lived.
• 25:39
  Speaker 2: A person who lived 100 years.
• 25:42
  Speaker 2: You didn't see what those walls saw. Damn, that house there, man.
• 25:46
  Speaker 2: It sucked. The house sucked. That cover sucked. It sucked. Cool, man.
• 25:53
  Speaker 2: I miss it. No, I don't miss it. Nostalgia. That's it.
• 25:57
  Speaker 2: It was an infinite madness, you know? But it was cool.
• 26:01
  Speaker 2: But it passed, right? Everything in life passes. It passes.
• 26:04
  Speaker 2: Today I'm not old enough for that. Today I want
• 26:06
  Speaker 2: to play... I want to build Lego, I want to
• 26:08
  Speaker 2: play video games. Boy, I bought the Pokemon Lego, damn it.
• 26:11
  Speaker 5: I went to Lego Domingão' s store and there was only
• 26:14
  Speaker 5: that little fox.
• 26:15
  Speaker 2: I said, if there's only this.
• 26:16
  Speaker 5: One left, it's because no one bought it. There was
• 26:18
  Speaker 5: only the little fox there. I wanted the Bulbasaur.
• 26:22
  Speaker 2: I don't have it. I wanted the Tuggerpie.
• 26:25
  Speaker 7: Charizard.
• 26:26
  Speaker 2: I wanted the Charizard. Blastoise. Do you remember when Felp...
• 26:30
  Speaker 2: Do you remember when Blastoise... Do you remember when Felp
• 26:34
  Speaker 2: came here and he took the Greymon and said it
• 26:37
  Speaker 2: was the Bulbasaur? And gave a cigarette for Bumbassaro to smoke?
• 26:43
  Speaker 2: This one was one of our first dolls, I'll leave
• 26:45
  Speaker 2: it here. Fuck, there was a tie on his head, right?
• 26:47
  Speaker 5: This one was one of our first dolls on Podpaz.
• 26:49
  Speaker 5: People with money counted. We went to the store and
• 26:53
  Speaker 5: I remember that this one was a thousand and a
• 26:56
  Speaker 5: few reais.
• 26:56
  Speaker 2: I said, Igão. But it's worth it, right? Igão, we're
• 26:59
  Speaker 2: going to give a thousand reais to a doll, Igão.
• 27:00
  Speaker 2: A thousand reais, fuck, to.
• 27:02
  Speaker 5: Stay in the shelf, in the back. And we went,
• 27:04
  Speaker 5: selected the D of our first dolls. And this one
• 27:06
  Speaker 5: will have to stay forever, huh?
• 27:08
  Speaker 2: Please, bro. I think this one is one of the
• 27:10
  Speaker 2: most important, bro. Even because Digimon... Sorry, guys. But Digimon,
• 27:16
  Speaker 2: he humiliates the fucking Pokémon. Humiliates? Humiliates. Dude, I don't remember...
• 27:24
  Speaker 2: But only the first one, right? Yeah, the Digitais. That Digimon... Darliana, singing, fuck.
• 27:31
  Speaker 2: This one is awesome. Angélica, fuck. Angélica. Sorry.
• 27:36
  Speaker 1: Right?
• 27:37
  Speaker 2: I hope there's no reverse racism. Let me tell you,
• 27:41
  Speaker 2: do you remember this one? I don't know the name
• 27:44
  Speaker 2: of the little Digimon, that he didn't devolve, didn't devolve,
• 27:47
  Speaker 2: and out of nowhere he turned into an Angelmon, this
• 27:50
  Speaker 2: day was like... Watamon, right? Batamon, Batamon. It was a
• 27:56
  Speaker 2: chat that made me shiver.
• 27:58
  Speaker 5: I was a kid, I bought the Angelmon doll. For
• 28:02
  Speaker 5: me it was the craziest, because he turned into a human,
• 28:05
  Speaker 5: I don't know, an angel.
• 28:07
  Speaker 2: No, I've already covered him from here, the Soprano in
• 28:09
  Speaker 2: my ear. Do you know that the mythic gave the
• 28:11
  Speaker 2: juggernaut to Shaquille O'Neal? I'm knowing, I covered him, I
• 28:14
  Speaker 2: covered him here live, I covered him on WhatsApp.
• 28:16
  Speaker 5: But he's not there, he kept talking, fuck, who is
• 28:19
  Speaker 5: this guy, where did you buy him?
• 28:21
  Speaker 2: I said, okay, man, take this shit then, for you.
• 28:23
  Speaker 2: Then I gave it to him. Did you feel oppressed?
• 28:26
  Speaker 5: Ah, the guy, four meters, man, the guy looked like
• 28:29
  Speaker 5: a temper. And there was a time when he was like,
• 28:33
  Speaker 5: fuck me.
• 28:34
  Speaker 2: He said, man, are you serious? Who is this thing here, man?
• 28:36
  Speaker 2: Where is the store? And the guys desperate looking for
• 28:40
  Speaker 2: the store on Instagram. Dude, if we beat him, no,
• 28:42
  Speaker 2: it's not us that he didn't know me, but if
• 28:44
  Speaker 2: you beat him in these NBA rolls that we do,
• 28:45
  Speaker 2: and he doesn't stretch his hand to punch you in
• 28:47
  Speaker 2: the hand. He will. I'm going to learn English, which
• 28:49
  Speaker 2: I'm learning with Wizard, and then I'm going to curse
• 28:52
  Speaker 2: him with everything that has a name, because he has
• 28:53
  Speaker 2: to remember at least that it's you. I'm going to
• 28:56
  Speaker 2: get to him and say, I love you, my brother.
• 28:58
  Speaker 2: I love you, my brother. I love you, my brother. Man,
• 29:01
  Speaker 2: that was awesome that day, right? That was awesome, that
• 29:03
  Speaker 2: talk was awesome. You weren't there. Não estava, infelizmente. Que isso, notícias?
• 29:08
  Speaker 2: Justin Bieber faz show com o YouTube no Coachella e
• 29:12
  Speaker 2: divide opiniões. A atração principal do Coachella 2026, Justin Bieber
• 29:16
  Speaker 2: divide opiniões com a sua apresentação. De acordo com a matéria...
• 29:19
  Speaker 2: The artist would have received a historic 10 million dollars cashier.
• 29:25
  Speaker 2: About 53 million reais in the current amount for his show.
• 29:28
  Speaker 2: But the performance divides the opinions of the fans. Why
• 29:31
  Speaker 2: does it divide the opinions of the fans? Because there
• 29:33
  Speaker 2: are people who think that he only did this show
• 29:34
  Speaker 2: sitting watching YouTube.
• 29:36
  Speaker 5: His show had two parts. His live show singing the
• 29:38
  Speaker 5: new songs.
• 29:30
  Speaker 2: Dos fãs. Por que dividir a opinião dos fãs, mano?
• 29:32
  Speaker 5: Porque tem a galera que acha que ele só fez
• 29:34
  Speaker 5: esse show sentado vendo o YouTube.
• 29:36
  Speaker 2: O show dele teve duas partes.
• 29:37
  Speaker 5: O show dele ao vivo cantando as músicas novas.
• 29:39
  Speaker 2: E depois os Remembers. Porque depois ele voltou na época
• 29:43
  Speaker 2: que ele se lançou no YouTube. E ele tá numa vibe, mano.
• 29:47
  Speaker 2: Ele não tem mais empresário. Foi ele que fechou a parada.
• 29:50
  Speaker 5: E ele tá numa vibe assim, mano, não preciso mais
• 29:53
  Speaker 5: provar porra nenhuma, rapaziada.
• 29:55
  Speaker 2: Vem com nós. Aperta o play aqui e canto.
• 29:58
  Speaker 5: If you guys wanted to see Sasarikano becoming a flying mortal,
• 30:01
  Speaker 5: go to YouTube.
• 30:03
  Speaker 2: Now I'm sure. So, what's the thing? For me, it
• 30:04
  Speaker 2: was awesome, because... He has a lot of fans, he
• 30:07
  Speaker 2: has a whole construction, he's already done all these shows of...
• 30:11
  Speaker 2: Somebody Love, Jaqueta Roxa, Purpose, I don't know what, Sorry,
• 30:17
  Speaker 2: and so on, and it was, and it flew, and
• 30:19
  Speaker 2: I don't know what, and it hit the fan's face,
• 30:21
  Speaker 2: and it went crazy, and it came back, man... Let
• 30:23
  Speaker 2: the guy sing and mess with the fan's heart, man,
• 30:26
  Speaker 2: playing him as a little kid there, singing the same songs,
• 30:28
  Speaker 2: I saw a lot of marmanjos crying, damn it. I
• 30:30
  Speaker 2: think he's in that vibe, like, ah, guys... I don't
• 30:33
  Speaker 2: need to prove anything else. Let's enjoy it together. I
• 30:36
  Speaker 2: like that he seems to be narrowing ties with Oakley.
• 30:39
  Speaker 1: Yeah?
• 30:39
  Speaker 2: You can't see it directly. He's wearing Oakley's shirts, Oakley's boots.
• 30:43
  Speaker 2: I can see Caio posting there. But, bro, straight talk.
• 30:45
  Speaker 2: What a crazy thing, right? Because when I was a kid,
• 30:48
  Speaker 2: I used to curse the guy. For nothing. Because, deep down,
• 30:51
  Speaker 2: I liked it. Because a guy who curses, but at
• 30:55
  Speaker 2: the same time knows how to sing the songs, I
• 30:58
  Speaker 2: think he's a fan. So I was this guy who
• 31:00
  Speaker 2: had to criticize Justin Bieber because I was a fan,
• 31:02
  Speaker 2: but man... I liked him a lot and didn't... Didn't
• 31:05
  Speaker 2: take over? Didn't take over. Didn't talk to people like that.
• 31:08
  Speaker 2: I think... But I listened to him at home a lot.
• 31:10
  Speaker 5: I always liked him a lot, bro. I've seen him
• 31:12
  Speaker 5: since he was a kid on YouTube. I watched all
• 31:16
  Speaker 5: of his songs.
• 31:16
  Speaker 2: What's your favorite Justin Bieber song? Ah, there are a lot. Like,
• 31:20
  Speaker 2: by name, now... But you don't know Cantarola Uma? I
• 31:24
  Speaker 2: think Sorry. It marked me a lot.
• 31:27
  Speaker 9: The cool thing is that if we make a song
• 31:32
  Speaker 9: like this in Portuguese, we can't do anything, right?
• 31:35
  Speaker 2: Try it. Wow, that's shit. What are they apologizing for?
• 31:42
  Speaker 2: They must have done shit. The guys say... That this
• 31:45
  Speaker 2: song is for Selena. That's what Demi Lovato would say.
• 31:47
  Speaker 3: I got it wrong.
• 31:48
  Speaker 2: It's Selena Gomez. That he's publicly apologizing to her. It's
• 31:55
  Speaker 2: like that song... I cried listening to his movie, sorry. Purple. Purpose? Purpose.
• 32:02
  Speaker 2: Which is the show together... So, I remember also... It's
• 32:05
  Speaker 2: like Farrell's song. Imagine if you translate the song. Because
• 32:10
  Speaker 2: I'm happy. Look, I'm happy. I'm happy. And I'm dancing.
• 32:14
  Speaker 9: And cut, this is what you wanted to hear. Singing
• 32:16
  Speaker 9: just music, opening YouTube here in Brazil.
• 32:19
  Speaker 2: Are people listening to you? Yes. Then yes. Say it again.
• 32:22
  Speaker 7: Again.
• 32:23
  Speaker 9: Which artist would you like to see singing only the
• 32:25
  Speaker 9: things on YouTube at the same time?
• 32:29
  Speaker 2: Michael Jackson, right? He could be alive, right? Michael Jackson
• 32:32
  Speaker 2: wouldn't be able to hold himself. He would be like...
• 32:34
  Speaker 2: He wouldn't be able to hold himself. He wouldn't be
• 32:38
  Speaker 2: able to hold himself. I think that... Chris Brown!
• 32:49
  Speaker 5: He wouldn't be able to do a show sitting down either.
• 32:52
  Speaker 5: He's always flying through the wires. I think if I
• 32:55
  Speaker 5: could really rescue it, Tim Maia. Imagine Tim Maia sitting
• 33:00
  Speaker 5: down and.
• 33:03
  Speaker 2: Saying... The whole world... F * * *, bro.
• 33:05
  Speaker 5: Drinking a charuto, taking a whiskey and just saying, this
• 33:08
  Speaker 5: is it, I did this and that.
• 33:09
  Speaker 2: The guys... Did you understand the vibe of the Justin's concert?
• 33:13
  Speaker 2: I understood, but today people criticize, but that's all.
• 33:16
  Speaker 5: How annoying, right? The guys didn't go to the fucking concert,
• 33:20
  Speaker 5: they didn't watch it. They didn't even see the cut.
• 33:22
  Speaker 2: And they're complaining, stop complaining guys, stop complaining. I think
• 33:28
  Speaker 2: people today, you'll see, if we release something like this,
• 33:32
  Speaker 2: there will be people complaining, and complaining about what? What
• 33:36
  Speaker 2: are you complaining about? What the fuck are you complaining about?
• 33:38
  Speaker 2: I go on Instagram. Virginia, I don't know what, I
• 33:45
  Speaker 2: don't know what.
• 33:46
  Speaker 5: And the people are complaining that the woman is making
• 33:48
  Speaker 5: stories in the closet of Vini Malvadeza.
• 33:51
  Speaker 2: But did you see what she complained about? I said,
• 33:53
  Speaker 2: but what the fuck, what are you bothered with this, fuck?
• 33:56
  Speaker 2: It's a story of a person, leave this shit there.
• 34:00
  Speaker 2: Did you see Virginia's laugh? These days? She said it's
• 34:04
  Speaker 2: much better now. that she's in Brazil, that she doesn't
• 34:10
  Speaker 2: need to put the two times anymore, which now made
• 34:13
  Speaker 2: her life much easier, because she doesn't need to put
• 34:16
  Speaker 2: the Brazilian flag anymore, the Spanish flag, the Brazilian time,
• 34:19
  Speaker 2: the Spanish time, and she says like this, you don't understand,
• 34:23
  Speaker 2: I change the font of the time. But imagine her work, man.
• 34:27
  Speaker 2: So that's what I'm talking about. Look at this woman's work,
• 34:28
  Speaker 2: she posts 100 stories a day, and every story... She's
• 34:31
  Speaker 2: up to here, look.
• 34:33
  Speaker 5: Hey, Virginia, make a time table, put a PNG with
• 34:37
  Speaker 5: a transparent background and throw the right times.
• 34:40
  Speaker 2: You don't need to keep writing. No, man, but that's it.
• 34:45
  Speaker 2: Big deal, man. You're crazy, 100 stories, it's cool, accounting
• 34:48
  Speaker 2: from one hour to the next. Got it? But we
• 34:51
  Speaker 2: have to value it. And then, just to conclude, Justin Bieber,
• 34:55
  Speaker 2: my favorite song of his is Somebody Love. I like
• 34:58
  Speaker 2: it a lot. The name of the vehicle is Genial?
• 35:05
  Speaker 2: Genial and Coaeste. Coaeste. It shows that 47% defend the convocation,
• 35:32
  Speaker 2: while 45% are against it. What the fuck is left?
• 35:33
  Speaker 2: How many percent is left in this one? Ah, man,
• 35:35
  Speaker 2: and the other 8% didn't know what to answer. I'm
• 35:40
  Speaker 2: between the 8%. You're between the 8% what? Man, I
• 35:43
  Speaker 2: don't know, because the people in Brazil saw a shit
• 35:45
  Speaker 2: in a soap opera too, man. Holy shit, man. Serious,
• 35:50
  Speaker 2: Mítico Jovem. I don't know, man. I think we have
• 36:02
  Speaker 2: to let... Don't you.
• 36:03
  Speaker 5: Think people want to look for a fight to fight?
• 36:06
  Speaker 5: They want to look for something to complain about. They
• 36:08
  Speaker 5: want to look for something to think is bad.
• 36:11
  Speaker 2: But always. Change this perspective, guys. Because he scores.
• 36:14
  Speaker 5: Look, when I look at my Instagram or TikTok with
• 36:16
  Speaker 5: the stuff I say, why?
• 36:17
  Speaker 2: I put it doesn't matter. I use... I think a
• 36:21
  Speaker 2: lot of people don't use this tool on your social media.
• 36:23
  Speaker 2: I don't want to see that. Put it. It doesn't matter.
• 36:25
  Speaker 5: When these stupid things come, these random news, nothing to
• 36:28
  Speaker 5: do with it, which for me I think is unnecessary...
• 36:31
  Speaker 5: I hold it and say, it doesn't matter. It will
• 36:33
  Speaker 5: save your life.
• 36:34
  Speaker 4: Do it.
• 36:35
  Speaker 5: Ignore it. I use the tools of ignoring, of not
• 36:38
  Speaker 5: being interested. This subject doesn't interest me.
• 36:40
  Speaker 2: I don't like it. Use it. Use it. You'll see
• 36:42
  Speaker 2: that your feed, your algorithm will be great. Everything complains.
• 36:46
  Speaker 2: If the guy scores a goal, it's bad. If he
• 36:49
  Speaker 2: didn't play well, it's bad. If he betrays his wife,
• 36:52
  Speaker 2: it's bad. If he does it, it's bad.
• 36:55
  Speaker 7: So, fuck.
• 36:56
  Speaker 2: If he dances with his child, it's bad.
• 36:59
  Speaker 5: But you saw that he's now recording a video for
• 37:02
  Speaker 5: his channel.
• 37:02
  Speaker 2: But they're also saying that it's bad. But I think.
• 37:06
  Speaker 5: It was his planning to show the reality of his life.
• 37:09
  Speaker 5: Because of the news, everyone saying goodbye to his life.
• 37:12
  Speaker 5: He said, I'm going to film my life, I'm going
• 37:15
  Speaker 5: to take care of my plot.
• 37:17
  Speaker 2: I want to control my narrative, exactly.
• 37:20
  Speaker 5: Control his narrative. And the guys are criticizing him. Don't
• 37:24
  Speaker 5: watch it, man.
• 37:25
  Speaker 2: Put it there, I don't care. But it's very crazy, right?
• 37:27
  Speaker 2: We just talked about Justin, who is a boy who
• 37:31
  Speaker 2: was filmed since he was a child. And Neymar, the
• 37:34
  Speaker 2: same thing, man. The head of these two people must
• 37:39
  Speaker 2: be crazy. Because if mine is, and I'm not even
• 37:43
  Speaker 2: close to having fame, money, holofote. You're the Chiquinho de Osasco.
• 37:49
  Speaker 2: And my head is already tight. It's already with a
• 37:51
  Speaker 2: lot of crazy stuff. A lot of crazy stuff, right, bro? Wow,
• 37:54
  Speaker 2: imagine Neymar's head and Justin Bieber's, bro. These guys, they...
• 37:58
  Speaker 2: If I were them, I would go to a retirement.
• 38:01
  Speaker 2: They've already done that. 12 years in retirement. Justin was
• 38:04
  Speaker 2: about 5 years away, you know? I... One day I intend.
• 38:07
  Speaker 2: I have a question, huh? One day I intend to retire.
• 38:12
  Speaker 2: What's your question?
• 38:13
  Speaker 9: Will the guy from the research come to the interviews...
• 38:19
  Speaker 9: Starting the question like this, and Vagabundo is there, will
• 38:23
  Speaker 9: Neymar have to go to the Copa?
• 38:25
  Speaker 2: Will it start like this? I don't think so, bro.
• 38:28
  Speaker 2: Don't do this again, Mascari. I don't think so, bro.
• 38:31
  Speaker 2: I started well. I don't think so, bro.
• 38:35
  Speaker 1: Liar.
• 38:35
  Speaker 2: The meme went viral a lot, right, bro? It must be. Really, bro.
• 38:39
  Speaker 2: Now I'm going to be very honest. When that shit
• 38:41
  Speaker 2: came out of Copetino, Copetino, in the beginning I got
• 38:45
  Speaker 2: an air, right? That you get pissed, but then you
• 38:48
  Speaker 2: understand and then you take it. But it's been two years.
• 38:51
  Speaker 2: Two years, they're competing. My level, once again, talking about Neymar,
• 38:57
  Speaker 2: I'm a feral, a feral. Now imagine his life, when
• 39:02
  Speaker 2: something like this happens. What happened? Because there was a meme,
• 39:08
  Speaker 2: from the guys from Sola, where people asked if Neymar
• 39:12
  Speaker 2: was going to the Copa or not, if Neymar was
• 39:14
  Speaker 2: going to the Copa or not, anyway. I forgot, I
• 39:18
  Speaker 2: think it was Wallace who said that. Wallace Borges. Wallace
• 39:21
  Speaker 2: said that. And Vagabundo is there. Will Carlo Ancelotti call Neymar?
• 39:25
  Speaker 2: And he said, Neymar can't walk in a straight line.
• 39:28
  Speaker 2: And that went viral. a lot, because it's Neymar, right, bro?
• 39:31
  Speaker 2: Neymar is very big. So I kept imagining, now I'm
• 39:35
  Speaker 2: not looking at the performance, I'm looking at the human being. How, man,
• 39:40
  Speaker 2: what is the life of this boy, of his head?
• 39:45
  Speaker 2: I think he's moving now.
• 39:46
  Speaker 5: To take care of his narrative, because he really must
• 39:48
  Speaker 5: be fed up with it. To end the game, you
• 39:50
  Speaker 5: keep arguing with the crowd, you know?
• 39:52
  Speaker 2: The crowd. Hey Neymar, you asshole. Come here, you're being rude.
• 39:55
  Speaker 5: For God's sake, you don't need to. I think that
• 40:05
  Speaker 5: for you to get to this point... You're tired. It's
• 40:07
  Speaker 5: because you're tired, man. It's not that he's a kid.
• 40:09
  Speaker 5: The guy must be full of shit, man. Everyone's cursing,
• 40:12
  Speaker 5: everyone's talking about his life.
• 40:13
  Speaker 2: There's a time when he must be saying, man, take
• 40:16
  Speaker 2: it in my sack and go to hell, son of
• 40:18
  Speaker 2: a bitch. He must be in that vibe, you know? Yes, yes.
• 40:21
  Speaker 5: But he has to have some brothers. He has to
• 40:23
  Speaker 5: have some guys to relax. He has to have some
• 40:25
  Speaker 5: things to unwind. Like me, I want to go to
• 40:28
  Speaker 5: the woods this weekend to be soft, to isolate myself.
• 40:32
  Speaker 2: I think this is the great honor of being a
• 40:35
  Speaker 2: guy of the size of Neymar. And no other profession,
• 40:40
  Speaker 2: I think, with no other personality, the person goes to
• 40:44
  Speaker 2: your job and gets like... Look at the shit you're doing. Like,
• 40:47
  Speaker 2: the people outside... And he's a... Man, I'm not saying anything,
• 40:51
  Speaker 2: I'm just looking at him as a human being. He's
• 40:52
  Speaker 2: a guy that, like, man, whatever he does, good or bad,
• 40:55
  Speaker 2: they'll talk. And that makes you tired. No, there was
• 40:58
  Speaker 2: a time when we were going through that. Living in
• 41:00
  Speaker 2: the media, like, at all costs. I'm not saying he
• 41:03
  Speaker 2: does this at all costs, but I'm saying, like, everything
• 41:05
  Speaker 2: that happens to him is in the media. And that
• 41:07
  Speaker 2: must do him very bad, you know, man? No, it's
• 41:08
  Speaker 2: a pain in the ass. It's a pain in the ass.
• 41:10
  Speaker 2: There's another news there. Neymar! go to a barbecue in
• 41:15
  Speaker 2: the woods, go to the beach, make some good friends... Yeah,
• 41:18
  Speaker 2: I think before he... Before he... He has to take
• 41:21
  Speaker 2: care of himself and his mind, bro. Take care of
• 41:24
  Speaker 2: his head above all else, and his family and his daughters,
• 41:26
  Speaker 2: you know? Because in the end, man, we're talking about
• 41:28
  Speaker 2: reality right now... Say it, say it! World Cup... It's
• 41:31
  Speaker 2: a fucking championship that we like so much, it's important, but...
• 41:34
  Speaker 2: The tendency is to lose, right? How many World Cups
• 41:39
  Speaker 2: have we had? We haven't won all of them. We
• 41:41
  Speaker 2: can't win all of them. But it would be cool
• 41:42
  Speaker 2: if this guy was there. But what I'm trying to
• 41:44
  Speaker 2: say is that the biggest chance is that he doesn't win, right?
• 41:48
  Speaker 2: Because so much France, everyone, the biggest chance is just
• 41:51
  Speaker 2: one win, right, bro? There will be 60, 60, 80,
• 41:53
  Speaker 2: I don't know, one will only win. So the tendency
• 41:55
  Speaker 2: is to lose. I think that, I'm not saying, he
• 41:56
  Speaker 2: has to, damn, dedicate himself to the Cup and such,
• 41:59
  Speaker 2: but I think the main focus has to be his head, bro.
• 42:02
  Speaker 2: His head and family. Because, at the end of the day,
• 42:05
  Speaker 2: when he stops... He's very young, 34 years old, but
• 42:08
  Speaker 2: his life ends early. He's a professional football player. His
• 42:12
  Speaker 2: head and his family will be there. I think that's
• 42:15
  Speaker 2: what he has to look for. And he looks like
• 42:16
  Speaker 2: a good guy. You're crazy. He's a good guy. But
• 42:18
  Speaker 2: he's a lot of things. And he represents Cremas in
• 42:20
  Speaker 2: the Cup like this. A woman discovers a piercing in
• 42:22
  Speaker 2: the nose, lost in the lung.
• 42:23
  Speaker 3: Shit.
• 42:23
  Speaker 2: Shit, he gave a strong punch. Sorry. A 26-year-old girl
• 42:36
  Speaker 2: was scared after seeking medical help because of a persistent
• 42:40
  Speaker 2: cough that had been going on for about a month.
• 42:43
  Speaker 2: Mônica Cabreira. Poor thing. She was literally Cabreira and hoped
• 42:47
  Speaker 2: that the X-ray would reveal a common inflammation. But the
• 42:51
  Speaker 2: diagnosis was bizarre.
• 42:53
  Speaker 7: Damn.
• 42:54
  Speaker 2: Poor thing.
• 42:54
  Speaker 9: Do you think she lost her chance to say that
• 42:56
  Speaker 9: she had a piercing in the pancreas?
• 42:59
  Speaker 2: Man, bitch. Gabriel, don't let these things happen again. What
• 43:05
  Speaker 2: is this, man? She's the only one who had a
• 43:10
  Speaker 2: penis in her pancreas, man. She could have said that,
• 43:13
  Speaker 2: you know? She could have taken this one out, that
• 43:15
  Speaker 2: she's the only one who has a penis in her pancreas. Ah,
• 43:17
  Speaker 2: go to the next news, man. Ah, but what a
• 43:20
  Speaker 2: shitty news, too, right? Look, poor woman. But she's the
• 43:22
  Speaker 2: only one who had... Brazil... It's the first resort news, lie.
• 43:26
  Speaker 2: Do you have courage?
• 43:28
  Speaker 6: Never.
• 43:33
  Speaker 2: It's cool, right? I'm not going to show my piece
• 43:34
  Speaker 2: to anyone, man. Are you crazy? Then they'll say, but
• 43:37
  Speaker 2: nobody's calling. Go fuck yourself, because if the guy pisses
• 43:39
  Speaker 2: on my side in my office, they'll say that you
• 43:42
  Speaker 2: don't give a.
• 43:43
  Speaker 5: So you were going to stay here in the chair,
• 43:45
  Speaker 5: in the resort, just watching the people's piss?
• 43:46
  Speaker 2: I was going to look at everyone's piss, man.
• 43:47
  Speaker 4: Sorry.
• 43:49
  Speaker 2: .
• 43:55
  Speaker 5: .
• 44:00
  Speaker 2: We were going to observe, because we
• 44:05
  Speaker 2: were going to observe. I think it's interesting, but I
• 44:08
  Speaker 2: wouldn't go. I just think it's interesting.
• 44:12
  Speaker 5: Who proposes, who goes, who lives this footprint.
• 44:14
  Speaker 1: Yes.
• 44:15
  Speaker 2: Disposition, but no. I want to hear the chat. Would
• 44:18
  Speaker 2: you stay in the moral? Yes or no? A naked
• 44:21
  Speaker 2: resort in Brazil. And you, no, I think the question is,
• 44:24
  Speaker 2: would you repair the piece of people?
• 44:27
  Speaker 3: Yes or no?
• 44:27
  Speaker 2: That I was going to repair. I would, Mítico. I would.
• 44:33
  Speaker 2: You can see it with your clothes, right? With my clothes?
• 44:35
  Speaker 2: I can see the side that's... Can you look at
• 44:38
  Speaker 2: a man and know if he's skinny or not? Yes. Yes.
• 44:41
  Speaker 5: Ricardo.
• 44:41
  Speaker 2: I see a grey piece. A worn piece, right? A piece... Alive.
• 44:47
  Speaker 3: Alive.
• 45:00
  Speaker 2: I heard something, I'm not going to say who said it,
• 45:04
  Speaker 2: but I heard something... Gabriel Titi. Better not to say it.
• 45:09
  Speaker 2: I heard a conversation there, you can go to the records,
• 45:13
  Speaker 2: I'm not going to say who said it, that people
• 45:15
  Speaker 2: have to normalize and romanticize the Socafofo. Romanticize is strong.
• 45:23
  Speaker 4: Romanticize.
• 45:24
  Speaker 2: And I understood, Mítico. You will say that every time
• 45:28
  Speaker 2: you make love, everything is a beating of hell. It's not, man. No, no, no, no.
• 45:32
  Speaker 2: Sometimes I play that, just that... You know? Just that solution.
• 45:40
  Speaker 2: Just the solution is already good. Sometimes just the solution.
• 45:42
  Speaker 2: It's true, it's true. Looking at this... Hugging. Cool, cool.
• 45:45
  Speaker 1: You know?
• 45:45
  Speaker 2: Just the solution. Yeah, just that Fofo is normal. It's normal.
• 45:48
  Speaker 2: It's more normal than you think. It's true. It's true.
• 45:53
  Speaker 2: I think not to romanticize, but to naturalize, yes. I
• 45:56
  Speaker 2: wanted to romanticize a little. So romanticize, then. I think
• 46:01
  Speaker 2: Socafofo has its value. I think he's wanting to make love.
• 46:04
  Speaker 5: Of course, because I imagine if I were also a woman,
• 46:06
  Speaker 5: sometimes I would want a.
• 46:09
  Speaker 2: Don't you want a guy to be lacerating me? Sticking
• 46:11
  Speaker 2: to my head all the time?
• 46:14
  Speaker 5: Like, bro, at the weekend, step on my head, but
• 46:16
  Speaker 5: then step on my heart.
• 46:18
  Speaker 2: You know? Yes. I think it has to be half
• 46:21
  Speaker 2: and half. Half step on the head, half kiss on
• 46:24
  Speaker 2: the neck. That's it, Mítico. That's what I'm talking about.
• 46:26
  Speaker 2: There's a moment there, but that moment, it wears you
• 46:31
  Speaker 2: out a lot. Yeah, because if it were just wildness.
• 46:35
  Speaker 10: Because if I step on the head, the leg has
• 46:36
  Speaker 10: to go there, look.
• 46:38
  Speaker 2: Fuck, wow, look at that... No, I'm saying that the
• 46:43
  Speaker 2: leg is here. And who has... That's what I was
• 46:46
  Speaker 2: going to say. It has to be here. But who
• 46:48
  Speaker 2: has a pick to put it here, man? You can't.
• 46:51
  Speaker 5: There are people who do that.
• 46:55
  Speaker 2: Okay.
• 46:55
  Speaker 4: But I.
• 46:56
  Speaker 5: When I found out this thing of... That it's natural.
• 46:58
  Speaker 5: This thing of stepping on people's heads.
• 47:00
  Speaker 2: Have they asked you? Yes.
• 47:02
  Speaker 5: But I didn't know that this was so frequent in
• 47:04
  Speaker 5: the life of the woman.
• 47:06
  Speaker 10: This question of stepping on the face. No, I just
• 47:12
  Speaker 10: wanted to know, man.
• 47:13
  Speaker 2: Ah, I think that everything, when a woman asks... If
• 47:18
  Speaker 2: it's with consent. With certainty. Yes, I understand. Stare at
• 47:23
  Speaker 2: the head.
• 47:23
  Speaker 5: Have you ever asked for a kiss? Already, but I'm
• 47:27
  Speaker 5: not that vibe, no. I'm more of the soft vibe.
• 47:31
  Speaker 2: Let's... Do you like wet kisses? I think dry kisses,
• 47:35
  Speaker 2: there are dry kisses, man. No, no, no, no. There's
• 47:37
  Speaker 2: a normal kiss and there's a wet kiss. A kiss
• 47:39
  Speaker 2: a little more wet. Ah, normal, depending on the climate,
• 47:44
  Speaker 2: how it is. Mene, have you ever stepped on your head?
• 47:46
  Speaker 4: No.
• 47:47
  Speaker 1: No, I.
• 47:51
  Speaker 2: Don't have this debauchery, I think.
• 47:53
  Speaker 5: Ah, it all depends on the anatomy of the thing,
• 47:59
  Speaker 5: the disposition, the moment.
• 48:03
  Speaker 2: Of flexibility. Of schedules, right? And for what, too?
• 48:06
  Speaker 5: Because sometimes you have a bizarre posture.
• 48:09
  Speaker 2: That's what I'm talking about. You just want to show
• 48:12
  Speaker 2: that you're blurry. So, you stopped for 30 seconds and
• 48:15
  Speaker 2: paid attention to what you were doing?
• 48:17
  Speaker 5: Yeah, if there's a mirror there, you're like, man, what
• 48:19
  Speaker 5: the fuck is this?
• 48:21
  Speaker 2: Blurred. Especially me, who looks like the Crazy Frog in.
• 48:26
  Speaker 2: Scientists linked to secrets! Me too, man. Everything I'm saying here,
• 48:30
  Speaker 2: not everything is true. The first podcast we only talked
• 48:32
  Speaker 2: about sex, crazy stuff. And rock'n'roll. Rock'n'roll. Today it's just
• 48:38
  Speaker 2: work and Ave Maria. Scientists... This is the real image, right?
• 48:43
  Speaker 2: Scientists linked to the secrets of UFOs disappear in the museum.
• 48:48
  Speaker 2: Then you come to the bottom and there's Mascare. The
• 48:51
  Speaker 2: White House was questioned about a series of disappearances or
• 48:55
  Speaker 2: deaths of scientists and military who participated in research... I
• 48:59
  Speaker 2: don't believe in fucking anything that happens in the United States, dude.
• 49:03
  Speaker 2: I don't know if it's true. If you think there's ET,
• 49:05
  Speaker 2: put your finger here. I think there's also ET. Extraterrestrial.
• 49:10
  Speaker 2: And extraterrestrial is any life outside the Earth.
• 49:13
  Speaker 5: I think there is you think there is ET out
• 49:15
  Speaker 5: of the earth is because in the earth too I
• 49:18
  Speaker 5: don't know.
• 49:18
  Speaker 2: Then it would only be the T it wouldn't be
• 49:20
  Speaker 2: this would be having it wouldn't be ET it's.
• 49:24
  Speaker 5: True you're good it's not good good I wanted to
• 49:29
  Speaker 5: change in my life that like Even if it's Trump,
• 49:34
  Speaker 5: the bastard, who says, people, there's ET in this shit.
• 49:37
  Speaker 2: No, it's not just... No, no, no, no. And the
• 49:39
  Speaker 2: ET giving a rollercoaster. No, it's just to show... No
• 49:41
  Speaker 2: one ever explained what was that... No, no.
• 49:43
  Speaker 5: What was the UFO in the United States, full of
• 49:44
  Speaker 5: light on the ceiling.
• 49:45
  Speaker 2: So, I don't want you to come and say, I
• 49:47
  Speaker 2: want you to come at least like Michael Jackson showed
• 49:49
  Speaker 2: his son, son. Take it in the Mataleão there, play
• 49:52
  Speaker 2: it on the balcony, show it, show the cheap one.
• 49:55
  Speaker 2: Otherwise I don't believe in anything else, man. If these
• 49:57
  Speaker 2: guys say that for me everything is turning into a movie,
• 50:00
  Speaker 2: the scientists disappear, then I don't know if it really
• 50:02
  Speaker 2: disappeared or they wanted to disappear to not pay more money.
• 50:05
  Speaker 5: I'm playing a game, very crazy, artificial intelligence, I'm on
• 50:08
  Speaker 5: the moon, then my partner is artificial intelligence, from.
• 50:11
  Speaker 2: The future, and then it changed. You have these ideas there? I'm, man.
• 50:16
  Speaker 2: I'm and... Wow, I don't want to walk with you anymore, man.
• 50:20
  Speaker 2: I'm in the conspiracy theory. No, man. I think there
• 50:23
  Speaker 2: is chupacabra. No, Chupa Cabra Ratinho already showed us. I
• 50:27
  Speaker 2: think there's ET. ET, yes. I think there's Illuminatis. I
• 50:33
  Speaker 2: think there's... Reptilianos. Reptilianos. And the occultism, brother. Look at that.
• 50:42
  Speaker 2: Look at that. Son of a bitch. Thank you. No,
• 50:45
  Speaker 2: it's in your mouth. Damn, young mythical. Damn, man. Damn.
• 50:53
  Speaker 2: Very good. ET, come on. Yeah, come with us, man!
• 51:13
  Speaker 5: Imagine us doing a podcast with the ETs.
• 51:17
  Speaker 2: The ETs like this, saying, ah, man, we never appeared. Ah,
• 51:21
  Speaker 2: you were going to call Iggy at the time, I
• 51:22
  Speaker 2: don't know, imagine Iggy with ETs.
• 51:24
  Speaker 5: Man, ETs, I wanted to see in my life still ETs.
• 51:28
  Speaker 5: The police go to the house of an old woman.
• 51:30
  Speaker 2: The family of a 91-year-old woman who had lost contact
• 51:35
  Speaker 2: with her on the last Thursday looked for the Cleveland
• 51:40
  Speaker 2: police and, fearing that she had disappeared, she did not
• 51:44
  Speaker 2: answer the insistent calls. The police called the elderly's house,
• 51:48
  Speaker 2: but they were not answered either. The agents immediately... There
• 51:53
  Speaker 2: could be a summary, right? Agents immediately went to the
• 51:56
  Speaker 2: elderly's house to perform a verification. No, today I'm too much.
• 52:01
  Speaker 8: The elderly said that she had ignored the phone calls
• 52:06
  Speaker 8: because she was focused on the video game. She thanked
• 52:10
  Speaker 8: the police, said goodbye to the agents and returned to
• 52:13
  Speaker 8: the video game.
• 52:14
  Speaker 2: She was not identified. What is she playing? What a bitch.
• 52:18
  Speaker 2: Candy Crush. Candy Crush. That's what I want to play.
• 52:23
  Speaker 2: Holy shit! Damn old woman!
• 52:26
  Speaker 5: Disappeared and she was just playing the game. She must
• 52:29
  Speaker 5: have taken her headphones off.
• 52:30
  Speaker 2: What's up, guys? Gui's grandma used to play Super Nintendo,
• 52:34
  Speaker 2: a Mario's Pills game, which was called Pic Tetris. Damn,
• 52:37
  Speaker 2: she was really mad at that thing. I love old
• 52:39
  Speaker 2: people with no hair, grandma with no hair. There will
• 52:42
  Speaker 2: be a generation of grandmothers with no hair. Tattooed grandmothers. Grandmothers.
• 52:49
  Speaker 2: Influencer grandmas? Influencer grandmas? I want this generation to have
• 52:54
  Speaker 2: influencer grandmas. All tattooed grandmas. Maori's grandmas. Fuck. I think
• 53:00
  Speaker 2: my grandma was the fourth influencer grandma in the world.
• 53:03
  Speaker 2: It's true. Your grandma was an old influencer, bro. But
• 53:07
  Speaker 2: God cut her wings, quickly. And what game would she play?
• 53:09
  Speaker 2: My grandma? Yeah. I think Michael Jackson's Moonwalker on Mega Drive. No,
• 53:17
  Speaker 2: I played it, but... My grandma would play it today? GTA, GTA,
• 53:21
  Speaker 2: she would play GTA. Man, my grandma liked Crash, look
• 53:24
  Speaker 2: at the ideas. Or Cacheta on PC. Holy shit, Paciência
• 53:27
  Speaker 2: my grandma played a lot, man. Pinball, Pinball, the old
• 53:30
  Speaker 2: woman played.
• 53:30
  Speaker 6: No.
• 53:31
  Speaker 2: My grandma was from Baralho, from Baralho and Bingo. Holy shit.
• 53:35
  Speaker 5: But I wanted my grandma to disappear if she was
• 53:38
  Speaker 5: playing a game.
• 53:40
  Speaker 2: Ah, what is this, man? No, two apicultors arrived in
• 53:44
  Speaker 2: the thing? It's Salles, damn it! So I want to
• 53:49
  Speaker 2: see the touché! Oh, he got it! He got it
• 53:54
  Speaker 2: on the chest that I saw! If you get it
• 53:56
  Speaker 2: on the chest, it's over! Calm down! Please, guys, don't
• 53:59
  Speaker 2: get hurt! Watch out, dude! Look at Hanoi, guys! Don't
• 54:02
  Speaker 2: stab the girl! This girl... Oh, oops! The f *
• 54:05
  Speaker 2: * king f * * k we're looking at, I
• 54:06
  Speaker 2: don't understand anything! Oh, it's caught! Damn it, this is crazy!
• 54:10
  Speaker 2: It's caught on the head! Oops, oops! He gives a
• 54:17
  Speaker 2: superman in Barato. Wow, you guys can... What is this?
• 54:21
  Speaker 5: Was this what I was going to like?
• 54:24
  Speaker 2: The guy said with so much certainty. What is it?
• 54:27
  Speaker 2: He said, the mythical will love. The mythical, he is the...
• 54:31
  Speaker 2: What is this? Agriculturist. Apiculturist. Is it me against the mythical?
• 54:36
  Speaker 5: No, let's see if they teach... Yeah, because how do you.
• 54:39
  Speaker 2: Play this here, right? Damn, what is this? Man... Wow,
• 54:44
  Speaker 2: I'm feeling Powerade. Close here. Help me here, Salles. Please.
• 54:50
  Speaker 2: Someone take the microphone, because you can do everything. Go
• 54:53
  Speaker 2: on talking, Mastro. What's going on here, man? We're going
• 54:58
  Speaker 2: to play one-on-one there, look. Mano, só de FIFA, no máximo.
• 55:11
  Speaker 2: Tá bom. Essa é a surpresa de maluco dos caras, mano. Pensa, pensa.
• 55:33
  Speaker 7: Do you want me to do it right?
• 55:36
  Speaker 2: Yes.
• 55:36
  Speaker 7: So, if you could play a drum.
• 55:38
  Speaker 6: Yes.
• 55:38
  Speaker 7: Here, look.
• 55:40
  Speaker 2: And the idea is not to hit.
• 55:42
  Speaker 7: You can play with the tip.
• 55:43
  Speaker 2: To hit. To hit.
• 55:44
  Speaker 11: So, in any part of the body, it would be
• 55:46
  Speaker 11: the sword, which is what we were demonstrating.
• 55:48
  Speaker 2: Got it? But then, for you.
• 55:49
  Speaker 7: Excuse me, can I look?
• 55:50
  Speaker 4: You can, feel free.
• 55:51
  Speaker 2: Is it sharp? No.
• 56:02
  Speaker 11: It has a sensor, which is not on now, but
• 56:05
  Speaker 11: it stays in the weapon, it turns electric, it doesn't
• 56:09
  Speaker 11: shock because it's a continuous current, so in the Olympic
• 56:12
  Speaker 11: combat sword we have a little sensor.
• 56:14
  Speaker 7: And what is valid?
• 56:15
  Speaker 11: In the sword, the whole body, from the mask to
• 56:18
  Speaker 11: the tip of the foot, including the back, because the
• 56:22
  Speaker 11: steel we use is tempered steel. So we can even
• 56:28
  Speaker 11: touch the opponent's back from the front. So this material
• 56:34
  Speaker 11: is made of steel that, even after touching, it returns
• 56:37
  Speaker 11: to the original format. So for you not to have
• 56:40
  Speaker 11: to put on all the protective clothing, we brought the
• 56:43
  Speaker 11: initiation material. And then you can play, have fun, learn
• 56:48
  Speaker 11: a little.
• 56:49
  Speaker 2: And what is touché? I've heard it several times.
• 56:52
  Speaker 11: Touché is played in French. I'm here in French, which
• 56:57
  Speaker 11: is Esgrima's official language.
• 57:00
  Speaker 2: We say.
• 57:01
  Speaker 7: So, it's touché, it's the touch. Let's go, Mítico. Wow,
• 57:04
  Speaker 7: after this class.
• 57:06
  Speaker 2: I'm already... No, but.
• 57:08
  Speaker 7: How do you do it?
• 57:10
  Speaker 2: How do you fight?
• 57:10
  Speaker 6: Let's go.
• 57:11
  Speaker 7: You have to touch.
• 57:12
  Speaker 2: The tip on the other. Yeah.
• 57:16
  Speaker 11: Then, one way that is important for us to understand... Wait, wait, wait,
• 57:19
  Speaker 11: let me explain. It's that we always... Even to improve
• 57:25
  Speaker 11: your game, we always leave the dominant side ahead.
• 57:29
  Speaker 7: Because the sword is closer to the opponent.
• 57:32
  Speaker 11: If I change the base and leave the non-dominant side ahead,
• 57:37
  Speaker 11: I'm getting further away from my opponent. So I leave
• 57:40
  Speaker 11: the dominant side ahead. And then, within all combat sports,
• 57:45
  Speaker 11: we start with a greeting. In esgrima, an easy way
• 57:49
  Speaker 11: to understand We teach the children to point up, in
• 57:55
  Speaker 11: the nose line, and down. Then they wear the mask
• 57:59
  Speaker 11: and start the fight. To be quick for you, what
• 58:03
  Speaker 11: do we recommend?
• 58:05
  Speaker 7: In the movie, it's.
• 58:08
  Speaker 11: Nice to keep hitting the weapons, because no one is
• 58:10
  Speaker 11: going to die, it's theatrical. In real combat, the idea
• 58:14
  Speaker 11: is to run away from the opponent's blade, so don't
• 58:17
  Speaker 11: go to meet and get the opponent's body.
• 58:19
  Speaker 8: Point.
• 58:21
  Speaker 11: The tip, in the weapon that you are playing the
• 58:24
  Speaker 11: florete so it's cool to run away from the opponent's weapon,
• 58:29
  Speaker 11: the blade and try with the tip to touch the
• 58:33
  Speaker 11: trunk region, chest, belly and back and then whoever touches
• 58:37
  Speaker 11: first wins the game on the sword and on the
• 58:40
  Speaker 11: saber goes the region of the head the florete is
• 58:45
  Speaker 11: one of the three Olympic weapons only chest, belly and
• 58:48
  Speaker 11: back with the florete tip.
• 58:51
  Speaker 7: The blade is the same size, if.
• 58:53
  Speaker 2: Your hand reaches the tip of his chest.
• 59:00
  Speaker 11: The blade has the same size. If your hand reaches
• 59:07
  Speaker 11: the tip of his chest, his tip reaches your chest.
• 59:11
  Speaker 7: Because the blade has the same size.
• 59:13
  Speaker 11: If you dispute the arm with him, you will lose
• 59:16
  Speaker 11: because his arm is bigger. But if you set up
• 59:18
  Speaker 11: a strategy, you invite him to come to your trunk,
• 59:21
  Speaker 11: defend yourself and play. So there's a bit of chess.
• 59:27
  Speaker 7: In the game. Let's try to play?
• 59:31
  Speaker 11: So just the greeting, up there, on the nose line,
• 59:34
  Speaker 11: down there. Then we give the commands of guard.
• 59:38
  Speaker 7: Only with the tip. Only with the tip. Can I
• 59:42
  Speaker 7: go crazy like that?
• 59:44
  Speaker 11: You can, you can.
• 59:48
  Speaker 7: But I hit the guy.
• 59:49
  Speaker 11: Then we ask the question, ready? And then, if no
• 59:52
  Speaker 11: one says anything, we give the combat command. You saw
• 59:55
  Speaker 11: that someone touched, we speak loud, which is the command
• 59:57
  Speaker 11: to stop. and then indicate who was the point. Let's
• 1:00:01
  Speaker 11: do three touches? Whoever makes it wins? So let's go, guard, ready, fight.
• 1:00:15
  Speaker 7: Almost. High, high, it had already been touched.
• 1:00:19
  Speaker 11: Touched right, point to my left, 1 to 0, guard, ready, fight,
• 1:00:22
  Speaker 11: it's worth it. High, there was a touch but it
• 1:00:35
  Speaker 11: was on the thigh, it didn't count, on guard, ready, fight. High,
• 1:00:43
  Speaker 11: there was a touch on the arm, on the floret
• 1:00:45
  Speaker 11: it doesn't count, which weapon you are representing.
• 1:00:48
  Speaker 7: On guard, ready, fight.
• 1:00:54
  Speaker 11: High, touched, in the shoulder area it is still valid,
• 1:00:59
  Speaker 11: on guard, 2 to 0.
• 1:01:02
  Speaker 2: Ready. Fight.
• 1:01:05
  Speaker 7: High. Touch my left. Did you feel the touch on
• 1:01:08
  Speaker 7: the chest?
• 1:01:09
  Speaker 2: Two to one. Ready.
• 1:01:10
  Speaker 4: Fight.
• 1:01:11
  Speaker 8: High.
• 1:01:11
  Speaker 7: Touch the right. Point to my left.
• 1:01:15
  Speaker 2: End of fight. Win my left.
• 1:01:17
  Speaker 7: Thank you very much.
• 1:01:28
  Speaker 2: Holy shit, a round of applause! I'm tired, man! You're tired, huh? Wow!
• 1:01:36
  Speaker 2: You're tired! What's your name? Rodrigo... Rodrigo Ricardo!
• 1:01:42
  Speaker 5: Thank you for the semi-class of.
• 1:01:47
  Speaker 2: Scream! Are you tired? Fuck! I don't know what to
• 1:01:52
  Speaker 2: expect from the production, man! Fuck! But I liked it!
• 1:01:59
  Speaker 2: Look at the guys saying, fight with a soft sword
• 1:02:01
  Speaker 2: and you can't. Calm down, bro. Calm down, bro. Wow,
• 1:02:04
  Speaker 2: this is tiring, right? I'm tired. I'm tired. I'm tired, cool.
• 1:02:08
  Speaker 2: I was expecting anything, except for a scrimmage class, bro.
• 1:02:11
  Speaker 2: But thanks.
• 1:02:12
  Speaker 9: I learned.
• 1:02:12
  Speaker 2: There was this in Rango Brabo too, I think, from
• 1:02:14
  Speaker 2: Teto and from... It wasn't scrimmage, it was... It was
• 1:02:19
  Speaker 2: with a shield, right? It was medieval, I think.
• 1:02:24
  Speaker 7: Fuck.
• 1:02:25
  Speaker 2: I'm breathing, okay? Man... I had to build a bathroom
• 1:02:30
  Speaker 2: inside this studio, I wanted to do a peeps, but
• 1:02:32
  Speaker 2: it's far now. Do you have more news from the
• 1:02:34
  Speaker 2: crowd or do you have questions from the audience? Send
• 1:02:36
  Speaker 2: it to us. Hey, Mítico, do you hold 30 seconds
• 1:02:41
  Speaker 2: for the father to go to the bathroom? I hold, man. Running?
• 1:02:44
  Speaker 2: Go there. The guy can't even go to the bathroom, man.
• 1:02:54
  Speaker 2: Have you ever been with the same person? Already. Already? No,
• 1:03:02
  Speaker 2: calm down, I want to know that. I think so.
• 1:03:05
  Speaker 2: I don't think so. I think we just don't know.
• 1:03:10
  Speaker 2: You know, and I don't know. But it's all right. No,
• 1:03:14
  Speaker 2: I think that at the time we were loose....
• 1:03:25
  Speaker 5: There was a movement there that I think something similar
• 1:03:30
  Speaker 5: has already happened.
• 1:03:31
  Speaker 7: Yeah?
• 1:03:31
  Speaker 3: I think so.
• 1:03:32
  Speaker 2: I don't remember. How did you manage to talk to
• 1:03:35
  Speaker 2: Juca without his eyes hurting?
• 1:03:38
  Speaker 1: Oh, man.
• 1:03:40
  Speaker 2: Juca is awesome, man. Juca is awesome. And the Superchat
• 1:03:44
  Speaker 2: of Quebrada is on hype, right? No, it's flying. Very cool.
• 1:03:48
  Speaker 2: But he is really annoying. If you lost... If you could...
• 1:03:54
  Speaker 2: If I could, right? If you could go back in time,
• 1:03:56
  Speaker 2: what would you change? Nothing.
• 1:04:00
  Speaker 5: Because otherwise I wouldn't be here, man. If I changed anything,
• 1:04:04
  Speaker 5: I would screw up my current life.
• 1:04:06
  Speaker 2: So it's okay to have fucked me up until here.
• 1:04:09
  Speaker 2: And at least I'm fine. There's nothing I would change, no.
• 1:04:15
  Speaker 2: Maybe sometimes I would like to be closer to my family,
• 1:04:19
  Speaker 2: sometimes to my mother.
• 1:04:19
  Speaker 6: Really?
• 1:04:19
  Speaker 1: Yes.
• 1:04:20
  Speaker 2: I'm sorry. Yes, a little bit. Because I live in
• 1:04:25
  Speaker 2: this neighborhood, I live in a different city. But I
• 1:04:28
  Speaker 2: wouldn't change anything. I think everything was part of the
• 1:04:31
  Speaker 2: construction for us to be here. I agree with you.
• 1:04:33
  Speaker 2: I believe in the Borbolect Effect. I wouldn't change anything
• 1:04:37
  Speaker 2: about my past, no. And neither about my future. Which
• 1:04:40
  Speaker 2: guest would you never imagine meeting? Most of them. For me,
• 1:04:45
  Speaker 2: Shaquille O'Neal was one. For me, I'll always say it,
• 1:04:49
  Speaker 2: but let me see someone I wouldn't imagine meeting. Rodrigo Santoro.
• 1:04:54
  Speaker 2: I wouldn't imagine meeting him. The Hulk Jackman. Ryan Reynolds.
• 1:04:59
  Speaker 2: The Verstappen of the competition. There's a time I said this, guys.
• 1:05:06
  Speaker 2: What was the worst episode? I said, Verstappen. Ironizing as
• 1:05:10
  Speaker 2: much as possible, guys. Look, this guy is a... It's
• 1:05:14
  Speaker 2: a bad episode. It was a fucking episode, this episode. Next.
• 1:05:16
  Speaker 2: I love you guys. Do you still have any dreams
• 1:05:21
  Speaker 2: for you to realize?
• 1:05:23
  Speaker 1: Hmm.
• 1:05:25
  Speaker 2: Acabei de pegar um Voyage. Realizei meu último sonho, acho. Não,
• 1:05:30
  Speaker 2: acho que a vida é feita de sonhos, né? Sim.
• 1:05:32
  Speaker 2: A gente consegue um... É que normalmente quando fala sonho,
• 1:05:37
  Speaker 2: é algo que você sonha... Na minha cabeça, é algo
• 1:05:40
  Speaker 2: que você sonha há muito tempo. E eu não... As
• 1:05:43
  Speaker 2: coisas aconteceram tão melhores do que eu imaginava que meio
• 1:05:46
  Speaker 2: que eu não conseguia sonhar com essas coisas daqui. É. Entendeu? Mas...
• 1:05:51
  Speaker 2: Não sei se eu.
• 1:05:53
  Speaker 3: Good.
• 1:05:54
  Speaker 1: Good.
• 1:06:18
  Speaker 2: I think Mano Brau was like... I'm not saying we're famous,
• 1:06:22
  Speaker 2: we're famous. I felt like.
• 1:06:23
  Speaker 5: We're doing something....
• 1:06:28
  Speaker 2: Giant, big.
• 1:06:29
  Speaker 5: We're doing something with respect, something big. Mano Brau on
• 1:06:33
  Speaker 5: the thing.
• 1:06:34
  Speaker 2: Mano, I got scared when we talked with... It's f
• 1:06:38
  Speaker 2: * * * ed up, but we talked with Lula
• 1:06:42
  Speaker 2: and I don't know... 15 minutes before the podcast was
• 1:06:46
  Speaker 2: over and I called Globo News and we were there.
• 1:06:49
  Speaker 2: I said, what is this? So that's when I started
• 1:06:52
  Speaker 2: to understand the dimension of things. What's the team of
• 1:06:56
  Speaker 2: the mythical? Tell them, mythical. Corinthians, since I was a child. Here, look.
• 1:07:01
  Speaker 2: I was in my mother's womb. How? Bouncing to one
• 1:07:05
  Speaker 2: side and to the other. Next question. What was the
• 1:07:16
  Speaker 2: most embarrassing moment for you guys? I don't know. I've
• 1:07:22
  Speaker 2: been through a lot. Man, I don't remember now.
• 1:07:26
  Speaker 5: Have you ever been in front of the cameras?
• 1:07:30
  Speaker 2: What do you mean? Any embarrassment in front of the cameras? Ah,
• 1:07:34
  Speaker 2: I think some, but I've been filmed, but I don't
• 1:07:36
  Speaker 2: remember any embarrassment that, like, wow. I think I'm trying
• 1:07:42
  Speaker 2: to remember some in front of the pipes. There was
• 1:07:44
  Speaker 2: a recent one that was in the old Podipa, where
• 1:07:46
  Speaker 2: there was one of the bathrooms that turned into a deposit,
• 1:07:48
  Speaker 2: and I didn't know. I didn't remember, because I knew
• 1:07:51
  Speaker 2: it had already turned for a long time, but I
• 1:07:54
  Speaker 2: didn't remember. And then the bathroom on the right, which
• 1:07:57
  Speaker 2: was the only bathroom that was working, was locked, because
• 1:08:00
  Speaker 2: someone was using it, and I went to the one
• 1:08:01
  Speaker 2: on the left, which was normally a bathroom there, in
• 1:08:04
  Speaker 2: the past. When I entered, I didn't even think about it, brother.
• 1:08:07
  Speaker 2: I just put the thing out and started to mingle.
• 1:08:09
  Speaker 2: When I looked, there was a camera like this. And
• 1:08:11
  Speaker 2: you were peeing. Yeah, I was very tight. Then I said,
• 1:08:15
  Speaker 2: it's true, this is a... Then I asked Vertão to
• 1:08:19
  Speaker 2: delete it, he saw a piece of Pai Mole. And
• 1:08:24
  Speaker 2: he gave a print on the video, saved it. What
• 1:08:27
  Speaker 2: to do after a term of almost two years? Live life, brother. Follow,
• 1:08:31
  Speaker 2: life goes on. Live the mourning, which is a mourning.
• 1:08:35
  Speaker 2: With sure. Respect this moment. Fica achando, tipo, agora que terminou,
• 1:08:40
  Speaker 2: eu vou pra balada dar a resposta pra ela.
• 1:08:42
  Speaker 4: Eu vou.
• 1:08:43
  Speaker 2: Não, não, não. Não faz isso. Só faz cagada. Espera, assimila.
• 1:08:47
  Speaker 2: O baque é um golpe. Não tem o que fazer.
• 1:08:49
  Speaker 2: É pesado, irmão. Mas o tempo... E vai pra próxima.
• 1:08:51
  Speaker 5: O tempo é bom. O tempo ajuda. O tempo cura tudo.
• 1:08:54
  Speaker 5: Escuta isso de um velho.
• 1:08:55
  Speaker 2: O tempo... O tempo cura tudo, né? O tempo ajuda. Não,
• 1:08:58
  Speaker 2: tente curar um amor.
• 1:08:50
  Speaker 5: But the time is good, the time helps, the time
• 1:08:53
  Speaker 5: cures everything. Listen to this from an old man.
• 1:08:55
  Speaker 2: The time... The time cures everything, right? The time helps. No,
• 1:08:58
  Speaker 2: try to cure a love with another love. Don't do that.
• 1:09:01
  Speaker 3: Don't do that.
• 1:09:01
  Speaker 2: Or in cachaça. I've already done both options. Don't do that.
• 1:09:05
  Speaker 3: Don't do that.
• 1:09:05
  Speaker 2: Especially with cachaça. Which guest of dreams today? A mythical. Huygão, underground.
• 1:09:14
  Speaker 1: No.
• 1:09:16
  Speaker 2: Beyoncé. Rihanna.
• 1:09:20
  Speaker 7: Blah, blah, blah.
• 1:09:21
  Speaker 2: You're crazy, I'm a big fan, man. You're crazy that
• 1:09:25
  Speaker 2: I saw her video recording this song in the studio?
• 1:09:27
  Speaker 2: Me too. Live. Her voice.
• 1:09:30
  Speaker 5: The same thing is in the song, she singing there
• 1:09:32
  Speaker 5: in the studio.
• 1:09:33
  Speaker 1: Bitch, but I have my money.
• 1:09:35
  Speaker 2: Ah, T-Pain. Travis Scott. Scott. Wow, but we're only going
• 1:09:39
  Speaker 2: to the gringos, right? It's the brother who in Brazil zeroed, right, man? But,
• 1:09:45
  Speaker 2: I don't know, one of the dreams, like, Carlitos Tevez. Ah,
• 1:09:48
  Speaker 2: of the dreams? Sorry, it's your dream. Are you going
• 1:09:52
  Speaker 2: to play my dream? I'll throw the microphone in his hand.
• 1:10:02
  Speaker 2: What's up, Vini? Sit down, sit down, sit down. Sit down, guys.
• 1:10:07
  Speaker 2: What's up, man? What's up, man? He's making a voice
• 1:10:10
  Speaker 2: that I can't do. Where's Vini Malvadeza's chair? Calm down,
• 1:10:16
  Speaker 2: it's hierarchy, brother. I think that was the one I
• 1:10:24
  Speaker 2: was going to like. I like it a lot.
• 1:10:27
  Speaker 12: Hey, Vini.
• 1:10:46
  Speaker 1: Speak your language.
• 1:10:49
  Speaker 2: Speak your language! Take this carioca from the countryside. Man,
• 1:10:53
  Speaker 2: you're so handsome, Vinícius.
• 1:10:55
  Speaker 1: Am I?
• 1:10:55
  Speaker 2: Are you taking care of yourself for the Cup, man?
• 1:10:59
  Speaker 2: I am, always.
• 1:11:00
  Speaker 1: Always?
• 1:11:00
  Speaker 2: Always. Me too, I'm keeping my physique, you see? Of course. Man,
• 1:11:05
  Speaker 2: you look like Buçunda. Roberto Carlos. Cafu.
• 1:11:11
  Speaker 1: Mano.
• 1:11:34
  Speaker 2: Why is he walking like that? Come, come, man. What's
• 1:11:36
  Speaker 2: going on there, man? Man, you look like my uncle.
• 1:11:43
  Speaker 2: What did he say?
• 1:11:44
  Speaker 1: Wait, wait. Calm down, talk in the microphone.
• 1:11:49
  Speaker 2: If he came in playing Rosa, my God, man. What's up, man?
• 1:12:00
  Speaker 4: Good evening, dude.
• 1:12:03
  Speaker 2: Good evening. I told you, dude.
• 1:12:05
  Speaker 1: I love it.
• 1:12:05
  Speaker 4: So many emotions, dude. When I'm here, I live this
• 1:12:08
  Speaker 4: beautiful moment.
• 1:12:09
  Speaker 1: Look at his hair from Edna Moda, dude.
• 1:12:12
  Speaker 2: What is this, man? No, stop. What's going on here, man? Damn, guys.
• 1:12:17
  Speaker 2: We're full of celebrities today at Pod Parque. Say it, Roberto.
• 1:12:22
  Speaker 4: When I'm here, I live this beautiful moment. It's a
• 1:12:26
  Speaker 4: lot of emotion, dude.
• 1:12:29
  Speaker 2: Wow, Naipudi closing the event, there are so many emotions, bro.
• 1:12:33
  Speaker 2: Or nothing to do with it?
• 1:12:35
  Speaker 5: No, calm down. Vini, how is the preparation for the Cup?
• 1:12:40
  Speaker 5: Let's just enjoy it.
• 1:12:41
  Speaker 2: No, I'm sorry. I'm going to the bathroom because I'm ready. Vini,
• 1:12:45
  Speaker 2: how is the preparation for the Cup?
• 1:12:47
  Speaker 1: Focused, bro. Focused, 100%. To bring the Hexa.
• 1:12:52
  Speaker 2: Wait a minute, why are you zooming here? What is it?
• 1:12:56
  Speaker 1: 100% focused to bring Hexa.
• 1:12:57
  Speaker 2: Really?
• 1:12:58
  Speaker 1: Yeah.
• 1:12:58
  Speaker 2: And how is Virginia doing, bro?
• 1:13:01
  Speaker 1: She's fine, she only does live shows.
• 1:13:04
  Speaker 2: You criticized me. She only.
• 1:13:07
  Speaker 1: Wants to know how to do live shows.
• 1:13:09
  Speaker 2: Really? Why? She only does live shows in your closet? Live,
• 1:13:13
  Speaker 2: all the time. Live, live, live.
• 1:13:14
  Speaker 1: She only does live shows in your closet?
• 1:13:16
  Speaker 2: Yeah. So, do you have any news? Today you came
• 1:13:20
  Speaker 2: to Podpá to.
• 1:13:20
  Speaker 5: Enjoy this amazing vehicle. Do you have any news, any
• 1:13:28
  Speaker 5: news that you can tell your fans?
• 1:13:30
  Speaker 2: Tell the camera, Vini! I have, man.
• 1:13:33
  Speaker 1: I was already waiting because I'm going to launch a project,
• 1:13:37
  Speaker 1: a children's project. Besides Vini Jr. 's solo, I'm going
• 1:13:41
  Speaker 1: to launch a children's project now that will be the Superfoot.
• 1:13:46
  Speaker 1: There are all superheroes, right? Superman. Super Homem-Aranha, os cara.
• 1:13:53
  Speaker 2: E aí eu criei... Os cara! Os cara! Super Vini.
• 1:13:57
  Speaker 1: Aí eu fui e criei.
• 1:13:59
  Speaker 2: Falei o quê?
• 1:13:59
  Speaker 1: Faltam super heróis de futebol. Não, mas não relacionado a
• 1:14:03
  Speaker 1: Vinícius Júnior.
• 1:14:04
  Speaker 2: Ele fala sorrindo, né? É, pô.
• 1:14:06
  Speaker 1: Eu sou cantor de pagode também.
• 1:14:08
  Speaker 2: É mesmo?
• 1:14:09
  Speaker 1: Esqueci de falar essa.
• 1:14:10
  Speaker 6: E aí.
• 1:14:11
  Speaker 1: I'm going to release my character tomorrow.
• 1:14:13
  Speaker 2: What's the character? Superfoot. Superfoot? What does he do? What
• 1:14:18
  Speaker 2: does this hero do?
• 1:14:19
  Speaker 1: Superhero of football.
• 1:14:21
  Speaker 2: I think it has something to do with it.
• 1:14:24
  Speaker 5: What about you? Do you have any news, Ronaldo, to
• 1:14:26
  Speaker 5: tell our audience? Tell the camera, man.
• 1:14:29
  Speaker 6: The news is there, right? I think I'm on the cards, right?
• 1:14:33
  Speaker 6: The guys said two cards, so I'm getting ready. I
• 1:14:36
  Speaker 6: already bought two. I think it will be possible to
• 1:14:38
  Speaker 6: reach 110. And another one reached 100.
• 1:14:40
  Speaker 12: I was with the weight of the one who.
• 1:14:42
  Speaker 6: Played in Corinthians again. And Ancelotti already said, man. You
• 1:14:45
  Speaker 6: lost weight, you're on the field.
• 1:14:48
  Speaker 2: That's right. And you, king, monster, a legend, right?
• 1:14:52
  Speaker 5: Alberto Carlos, tell us there. How is the show schedule?
• 1:14:55
  Speaker 5: What do you have of information? Take advantage of the podpá, man.
• 1:14:59
  Speaker 2: Say it.
• 1:15:00
  Speaker 4: First of all, right? Thank you, right? I wish you
• 1:15:03
  Speaker 4: a good night to everyone. And say that this podpá...
• 1:15:07
  Speaker 4: It becomes a vehicle of great emotions for me, because...
• 1:15:10
  Speaker 4: It's the moment when I can talk about emotions, being here,
• 1:15:15
  Speaker 4: living this beautiful moment. And, well, one of the things
• 1:15:19
  Speaker 4: I wanted to say, which is fundamental, one of the
• 1:15:22
  Speaker 4: things I do with my heart, are some works that
• 1:15:24
  Speaker 4: are done in a shelter and orphanage. There are some
• 1:15:29
  Speaker 4: places that when I go, I think the emotions speak louder,
• 1:15:32
  Speaker 4: because there I can make people feel the emotions, at
• 1:15:37
  Speaker 4: the highest of the emotions that are inside of them.
• 1:15:41
  Speaker 2: Good, applause, applause, applause. What's up, guys? You can't stop talking,
• 1:15:45
  Speaker 2: look at that.
• 1:15:46
  Speaker 4: My God.
• 1:15:46
  Speaker 2: Thank you. Applause, applause, applause.
• 1:15:49
  Speaker 5: Vini, can you talk a little more about this character
• 1:15:51
  Speaker 5: of this hero? What is the superpower of this superhero,
• 1:15:54
  Speaker 5: of the superfoot?
• 1:15:56
  Speaker 1: There it is. Deciding football matches. But not just deciding
• 1:16:00
  Speaker 1: football matches.
• 1:16:01
  Speaker 2: Like....
• 1:16:07
  Speaker 1: Save people on the streets, you know? Like Spider-Man or Superman,
• 1:16:12
  Speaker 1: but the football superhero, you know? I got it. So
• 1:16:15
  Speaker 1: your uniform is for football.
• 1:16:16
  Speaker 5: I already have a uniform, I already have everything.
• 1:16:19
  Speaker 1: But are you going to.
• 1:16:20
  Speaker 2: Save the world of shooters and everything?
• 1:16:23
  Speaker 6: But the question that doesn't want to be quiet, are
• 1:16:26
  Speaker 6: you going to bring the X for us?
• 1:16:28
  Speaker 2: The X?
• 1:16:29
  Speaker 1: The X is coming, right?
• 1:16:31
  Speaker 7: Do you think it's coming?
• 1:16:33
  Speaker 2: You have to come, right?
• 1:16:34
  Speaker 6: Since you're going to be the superhero, I want to
• 1:16:36
  Speaker 6: see you there on the field too.
• 1:16:38
  Speaker 2: Do a question for Roberto Carlos now, Ronaldo, fuck. Yeah,
• 1:16:42
  Speaker 2: there are so many emotions.
• 1:16:44
  Speaker 4: Emotions don't stop, man.
• 1:16:45
  Speaker 6: And Roberto, since when did you start this imitation of Roberto?
• 1:16:50
  Speaker 2: No!
• 1:16:51
  Speaker 7: When were you born? I'm 72.
• 1:16:52
  Speaker 4: Ah, still young.
• 1:16:53
  Speaker 6: I'm new, new. When did you start meditating?
• 1:16:56
  Speaker 12: I'm 72.
• 1:16:56
  Speaker 2: You lost. Why? Because he's got a release that he's
• 1:17:00
  Speaker 2: going to become a superhero. Tell me, explain to me.
• 1:17:06
  Speaker 1: No, but it's Wagner, not Vinny Jr.
• 1:17:09
  Speaker 2: 's partner.
• 1:17:09
  Speaker 1: No. It's Wagner, it's another project.
• 1:17:11
  Speaker 2: Ah, so this project is hot. It's hot, real, I have.
• 1:17:14
  Speaker 1: The video here, man. Where?
• 1:17:16
  Speaker 2: It's here, man. Tell me, tell me, tell me, what
• 1:17:19
  Speaker 2: project is this? Take it.
• 1:17:23
  Speaker 1: The project is a football superhero. I was talking to him.
• 1:17:26
  Speaker 1: But you are already. No, Vinícius Junior is, but Wagner
• 1:17:31
  Speaker 1: is not.
• 1:17:31
  Speaker 2: I thought you were assuming that you are alone. You
• 1:17:34
  Speaker 2: are the Superfoot, then. You will become the Superfoot. Superfoot?
• 1:17:38
  Speaker 2: You are the hero of the guys.
• 1:17:39
  Speaker 1: I'll show you, I'll show you.
• 1:17:41
  Speaker 2: Please. I liked it.
• 1:17:42
  Speaker 1: And you, you are the superhero of what, Roberto?
• 1:17:45
  Speaker 2: Of the feeling. Of the mood.
• 1:17:52
  Speaker 12: It's the Superfoot, damn it.
• 1:18:03
  Speaker 2: But you're going to release this one, so it doesn't leak.
• 1:18:11
  Speaker 2: You're going to release it tomorrow, Mitch. It's turning into
• 1:18:16
  Speaker 2: a Superfoot, bitch. Fuck, there's a whole saga. There's a
• 1:18:20
  Speaker 2: whole plot. What happened? His voice, what happened? It's the Superfoot,
• 1:18:27
  Speaker 2: damn it! Where's the cover? Here, damn it! No, that
• 1:18:29
  Speaker 2: would be the beginning.
• 1:18:32
  Speaker 7: Damn it!
• 1:18:32
  Speaker 5: Tell us your Instagram, guys, to promote Trump.
• 1:18:35
  Speaker 6: Where will people find this Superfoot hero, bro?
• 1:18:37
  Speaker 2: There, go. Tell us about your Instagram, guys, to spread
• 1:18:44
  Speaker 2: the word.
• 1:18:46
  Speaker 5: Where will people find this Superfoot hero, bro?
• 1:18:49
  Speaker 1: They'll find it on my Instagram, and also on the
• 1:18:53
  Speaker 1: official Superfoot Instagram. By the way, I'm going to release
• 1:18:57
  Speaker 1: the first episode tomorrow, in collaboration with Superfoot.
• 1:19:02
  Speaker 2: Who is the villain of Superfoot?
• 1:19:05
  Speaker 1: There are several, right?
• 1:19:06
  Speaker 2: It's going to start appearing, right?
• 1:19:08
  Speaker 1: Every chapter... In the next episode, the villains will appear.
• 1:19:13
  Speaker 2: Have you ever met your own imitators? Ronaldo, Vini Jr.
• 1:19:19
  Speaker 2: and Roberto? Continue. There's a guy.
• 1:19:24
  Speaker 6: Who said he looks like me, Ronaldo. I've done his dubbing.
• 1:19:27
  Speaker 6: Have you met him personally?
• 1:19:28
  Speaker 2: Yes, I've done his dubbing for a year and a half.
• 1:19:31
  Speaker 8: Really?
• 1:19:32
  Speaker 2: What did he say to you? It's too bizarre, you
• 1:19:34
  Speaker 2: look like me. I've met Ronald already.
• 1:19:42
  Speaker 5: You look like Ronaldo from Corinthians.
• 1:19:44
  Speaker 2: No, he looks like me.
• 1:19:45
  Speaker 6: That's true. But were there places.
• 1:19:47
  Speaker 2: Where he wasn't what you made him? Tell us the truth.
• 1:19:50
  Speaker 2: We can't talk about these things. Ah, so it's okay.
• 1:19:53
  Speaker 2: I already know that. Tell us, Roberto Carlos.
• 1:19:56
  Speaker 6: Well, in my case, I.
• 1:19:56
  Speaker 2: Still haven't had this joy of being able to meet
• 1:19:59
  Speaker 2: Roberto Carlos personally.
• 1:20:02
  Speaker 4: You have to go soon. You have to go soon.
• 1:20:08
  Speaker 4: If God wills, we'll get there, right?
• 1:20:10
  Speaker 12: We'll get there!
• 1:20:12
  Speaker 4: And now, one of the things that we admire a lot,
• 1:20:14
  Speaker 4: I think his warrior side is wonderful. The guy got
• 1:20:17
  Speaker 4: where he got, because I think he also has the
• 1:20:20
  Speaker 4: majesty in his heart. If he didn't have it, he
• 1:20:22
  Speaker 4: wouldn't get there. So it's a great honor to imitate him.
• 1:20:24
  Speaker 2: And a detail, right? Do you think he has a
• 1:20:26
  Speaker 2: warrior side?
• 1:20:28
  Speaker 4: Yes, a lot. Because I think he went through tests
• 1:20:32
  Speaker 4: that he can prove to everyone that at the same
• 1:20:36
  Speaker 4: time he doesn't need to prove anything to anyone. He
• 1:20:37
  Speaker 4: just does it and it happens.
• 1:20:39
  Speaker 2: True.
• 1:20:41
  Speaker 4: And one of the facts.
• 1:20:43
  Speaker 8: The face of Edna Mona.
• 1:20:46
  Speaker 2: And one thing that I think.
• 1:20:54
  Speaker 4: Curious, every time I'm walking in São Paulo, Braz, 25,
• 1:20:56
  Speaker 4: all the places, I always hear two things, right?
• 1:20:57
  Speaker 2: When I.
• 1:20:58
  Speaker 1: Everybody!
• 1:20:59
  Speaker 2: Roberto!
• 1:20:59
  Speaker 1: Hey, dude!
• 1:21:00
  Speaker 4: When I'm here, I live this beautiful moment, or else... Hey, dude,
• 1:21:02
  Speaker 4: they thawed you out before the time, right? And what
• 1:21:05
  Speaker 4: do you prefer when they call you on the street?
• 1:21:20
  Speaker 4: Some people call me Roberto Carlos all the time.
• 1:21:23
  Speaker 2: Roberto, come here.
• 1:21:24
  Speaker 4: I have a picture. Do you always walk like this?
• 1:21:26
  Speaker 2: I walk like this often. In black and white clothes. No,
• 1:21:31
  Speaker 2: black is not allowed.
• 1:21:32
  Speaker 4: Only white and blue. Ah, he has some, how can
• 1:21:40
  Speaker 4: I say, I can't remember the exact word here now,
• 1:21:42
  Speaker 4: it doesn't come to mind, but.
• 1:21:44
  Speaker 2: A superstition?
• 1:21:44
  Speaker 4: A superstition, right? Where, during a period of his life,
• 1:21:47
  Speaker 4: he wore a lot of black clothes, clothes of various colors,
• 1:21:50
  Speaker 4: and then he started to opt for blue, white, then white, blue,
• 1:21:52
  Speaker 4: and then white, white.
• 1:21:53
  Speaker 5: Tell me an information about Roberto Carlos that many people
• 1:21:55
  Speaker 5: don't know.
• 1:21:56
  Speaker 4: Well, there are several, right? Well, first of all, he
• 1:21:59
  Speaker 4: helped many people in which he does not manifest himself,
• 1:22:01
  Speaker 4: that is, he helps in silence. I will quote one
• 1:22:03
  Speaker 4: of them, Katia. I don't even remember how long it's been,
• 1:22:07
  Speaker 4: but I don't forget that I loved her too much.
• 1:22:08
  Speaker 4: Her present from Erasmo Carlos to her, right? Katia, great Katia.
• 1:22:12
  Speaker 2: Look here, look at the two. Was it Wednesday? Let
• 1:22:16
  Speaker 2: me see. Oh, man, it's the same. And they are
• 1:22:18
  Speaker 2: at the same height, damn it. Oh, man, it's the same.
• 1:22:20
  Speaker 2: It's the same. It's the same. Only the weight is different.
• 1:22:22
  Speaker 2: Are you heavier? He, right? He's... Did he ever give
• 1:22:28
  Speaker 2: you a gift, Ronaldo? It's a simple question, man. I'm
• 1:22:36
  Speaker 2: so suspicious. He did this to answer him. Yeah, Ronaldo.
• 1:22:41
  Speaker 6: He already gave me an autographed shirt.
• 1:22:42
  Speaker 2: There, man. Are you crazy? And you, Vini? Did you
• 1:22:46
  Speaker 2: meet Vini?
• 1:22:46
  Speaker 1: No, no, no.
• 1:22:47
  Speaker 2: You'll meet him, man. Actually, we already talked about.
• 1:22:52
  Speaker 1: In various... In My Nice and in Tardezinha.
• 1:22:56
  Speaker 2: He likes it, man. If you enter the baile, what
• 1:22:59
  Speaker 2: will be the first thing you will say to Malvadeza?
• 1:23:01
  Speaker 2: The first thing?
• 1:23:02
  Speaker 1: I will thank him. Why? Because, whether you like it
• 1:23:07
  Speaker 1: or not, indirectly, all the things in my life are
• 1:23:11
  Speaker 1: happening because of him.
• 1:23:12
  Speaker 2: Very cool.
• 1:23:13
  Speaker 1: Both in music, because I'm a pagode singer too.
• 1:23:16
  Speaker 2: Really, bro? I am. Wow, that's cool.
• 1:23:18
  Speaker 1: And, in fact, I moved to São Paulo five years
• 1:23:21
  Speaker 1: ago to live with music.
• 1:23:22
  Speaker 2: Are you from Rio?
• 1:23:23
  Speaker 1: No, I'm from Minas Gerais.
• 1:23:25
  Speaker 2: Wow.
• 1:23:26
  Speaker 1: I'm from Minas.
• 1:23:26
  Speaker 2: And then I moved.
• 1:23:28
  Speaker 1: And then a year passed. In fact, I joined a
• 1:23:33
  Speaker 1: pagode producer. In fact, not a pagode, but a trap.
• 1:23:37
  Speaker 1: Because I had in my mind that I wanted to
• 1:23:40
  Speaker 1: be famous, but... Not necessarily on the pagode. I could
• 1:23:45
  Speaker 1: burst into the trap and then go to the pagode,
• 1:23:47
  Speaker 1: you know? Being on the scene. And then I became
• 1:23:50
  Speaker 1: a digital influencer.
• 1:23:52
  Speaker 2: What's your group name? Vaguinho. Vaguinho! That's right, man. Congratulations, brother. Congratulations, brother.
• 1:23:58
  Speaker 2: And then, the.
• 1:23:59
  Speaker 1: Day before yesterday, I recorded an audiovisual even with the
• 1:24:03
  Speaker 1: Chocolate group. What band?
• 1:24:05
  Speaker 2: Alô Virginia. Dude, did you record the sound together?
• 1:24:11
  Speaker 1: Actually, they recorded the music video for the World Cup,
• 1:24:13
  Speaker 1: and I recorded some songs with them, and they're going
• 1:24:17
  Speaker 1: to release their new album.
• 1:24:19
  Speaker 2: That's great, my brother. You're making progress. Roberto Carlos, do
• 1:24:25
  Speaker 2: you have a dream?
• 1:24:31
  Speaker 4: I do.
• 1:24:32
  Speaker 2: And you're not going to say anything else?
• 1:24:35
  Speaker 4: I do.
• 1:24:35
  Speaker 2: What's your dream? I don't know.
• 1:24:40
  Speaker 4: Well, I can say as the person who imitates Roberto Carlos,
• 1:24:43
  Speaker 4: or as the... Both. Well, so, if I could make
• 1:24:47
  Speaker 4: a dream come true, I would like to be the
• 1:24:49
  Speaker 4: richest man in the world, because I would do a
• 1:24:50
  Speaker 4: lot of campaigns to end hunger in the world.
• 1:24:52
  Speaker 7: I would use.
• 1:24:53
  Speaker 2: I doubt it! I doubt it! I doubt it! Is
• 1:24:58
  Speaker 2: this Roberto Carlos' dream or yours?
• 1:25:01
  Speaker 4: I think it's mine, because since I was a child
• 1:25:03
  Speaker 4: I've been following a lot of things related to social issues.
• 1:25:07
  Speaker 2: You're the guy of peace, the guy of.
• 1:25:10
  Speaker 4: I think I'm more of the music, I like music
• 1:25:13
  Speaker 4: a lot more. Peace is a sequence, that is, through
• 1:25:16
  Speaker 4: music we can show that peace is an imperative, it
• 1:25:19
  Speaker 4: is ideal in everyone's life and everyone can want it.
• 1:25:21
  Speaker 2: Can you end today's show singing one of Roberto's?
• 1:25:24
  Speaker 4: Do you have a preference?
• 1:25:27
  Speaker 2: Your favorite. Leave a like, subscribe to the channel, follow
• 1:25:31
  Speaker 2: Sósia do Vini on social media, Sósia do Ronaldo, Sósia
• 1:25:34
  Speaker 2: do Roberto too. It will be all in the description.
• 1:25:36
  Speaker 2: I hope you enjoyed our review, the surprise that the
• 1:25:40
  Speaker 2: production prepared. And have a good weekend, have a good
• 1:25:43
  Speaker 2: weekend for you, Mítico Jovem. Have an honor and Roberto Carlos, sing!
• 1:25:46
  Speaker 2: With responsibility, dignity already.
• 1:25:50
  Speaker 4: Tanto tempo longe de você Quero ao menos lhe falar
• 1:25:55
  Speaker 4: A distância não vai impedir Meu amor de te encontrar
• 1:26:01
  Speaker 4: Cartas já não adiantam mais Quero ouvir a sua voz
• 1:26:07
  Speaker 4: Vou telefonar dizendo Que eu estou quase morrendo De saudade.
• 1:26:12
  Speaker 2: De você Eu te amo Eu te amo.
• 1:26:19
  Speaker 7: I love you.
• 1:26:20
  Speaker 2: Oh, oh, oh, oh.
• 1:26:22
  Speaker 4: One more day that I can find you. I want
• 1:26:26
  Speaker 4: to tell you how much.
• 1:26:28
  Speaker 2: I suffered for all this time that I wanted to
• 1:26:31
  Speaker 2: tell you.
• 1:26:31
  Speaker 4: A lot of emotions, man.
• 1:26:33
  Speaker 2: I love you. Thank you, man. Your hair, calm down,
• 1:26:44
  Speaker 2: calm down. Come back to the show. No, no. It's
• 1:26:46
  Speaker 2: not a wig. It's not a wig. Your hair is
• 1:26:50
  Speaker 2: not a wig. No, it's not a wig, man. Stop, stop, stop.
• 1:26:55
  Speaker 2: It's the biggest one yet, man. No, no, no. Applause
• 1:26:56
  Speaker 2: for his hair. It's going to go up, it's going
• 1:26:58
  Speaker 2: to go up. It's really him, man! Applause for Edna Morda!
• 1:27:14
  Speaker 2: Let's go, man! Let's go, guys! We're together, guys! Thank you, man!
• 1:27:17
  Speaker 2: Did you like it, brother?
• 1:27:39
  Speaker 3: This is the rest of.
• 1:27:43
  Speaker 2: The game.
• 1:27:43
  Speaker 3: Who will get the last cup of shrimp?
• 1:27:47
  Speaker 2: Cafu or Nicole?
• 1:28:00
  Speaker 3: And who won was Nicole. The fun is here. Superbet.
• 1:28:07
  Speaker 3: You feel when it's super.