Latest / D Blocko Series by Satin Papi / Glutes Lab by Mieks Vol 1 Blocko

Transcript

Glutes Lab by Mieks Vol 1 Blocko · D Blocko Series by Satin Papi

1:01
SPEAKER_06: Original y'all come at the body knockout, knack, knack up, knack up, cal, knacko.
1:05
unknown: And if you head this up and go to the back, on the knees, let me shake it to the max.
1:09
SPEAKER_03: They need to be telling that it is to the max.
1:11
SPEAKER_03: Please just rewind, let me shake it to the max.
1:14
SPEAKER_03: Let me check it to the max.
1:16
SPEAKER_03: Check it to the max.
1:18
SPEAKER_03: Check it to the knife.
1:22
unknown: Come on, the other physicality.
1:24
unknown: Don't break out like dry magasine.
1:26
unknown: Don't look like a real cyclist.
1:28
unknown: Now for the fuck I'm when time tell them be why you get a we of donor, certainly go and try and go.
1:54
SPEAKER_38: Yeah, right on the tents, meet bicycle, right, body be a mix bicycle.
1:59
SPEAKER_38: What you want to give you a tricycle?
2:01
SPEAKER_38: We don't take this everyone to one in Ride when it's meet by the cigar.
2:05
SPEAKER_38: Right, by the way, you make spite signal.
2:53
SPEAKER_20: She's the night.
3:03
SPEAKER_20: She bubble bubble life, she wants the price.
3:09
SPEAKER_20: I know what she needs.
3:10
SPEAKER_20: She doesn't want to pay.
3:11
SPEAKER_20: I know what she thinks.
3:12
SPEAKER_20: Oh, give it like a taste when I'm gonna think of face, face a people.
3:17
SPEAKER_20: Ooh, every night, every night she breaks the tie, fresh the light.
3:27
SPEAKER_20: I tell you, to be popular, killing you want to be popular.
3:31
SPEAKER_20: So let's all be popular.
3:35
SPEAKER_20: Everybody's mean because she populace.
3:37
SPEAKER_20: She makes me because she loves a lot.
3:42
SPEAKER_20: I'll give up.
3:45
SPEAKER_47: Just do it too.
3:46
SPEAKER_47: I'm gonna get a dead two best baby put it.
4:21
SPEAKER_10: Got nothing underneath.
4:22
SPEAKER_10: Looks like it's in the night.
4:24
SPEAKER_15: Looks like I'm spotted to delight.
4:30
SPEAKER_47: If you keep up in me, I'll keep up with me back.
4:36
SPEAKER_47: I'm gonna get a death.
4:42
SPEAKER_47: Baby, put it on.
4:44
unknown: I like it, just by that.
4:46
unknown: Spy in the nice week, girl.
4:50
unknown: Spy nice week girl.
4:53
unknown: I like it, just spy in the nice week, girl.
5:02
SPEAKER_01: I can't really explain it.
5:03
SPEAKER_01: Who's so inner you now?
5:05
SPEAKER_01: I wanna be more than a friend of you now.
5:06
SPEAKER_01: When they ask, I mention my baby girl in the interviews now.
5:09
SPEAKER_01: When I don't bring the problems from the 90s in the two thousand, there's no reason to have a friend or two now.
5:13
SPEAKER_01: Cause the kids ready to tell you how he feels in a few vows, maybe I speak in general now.
5:17
SPEAKER_01: But girl, I'ma do whatever just to keep a grin on you now.
5:19
SPEAKER_01: Well I really need the keenies in the window too now.
5:21
SPEAKER_01: What you think about lines on a skin of you now?
5:23
SPEAKER_01: Why wouldn't I wanna spend a few thousand?
5:25
SPEAKER_01: On fifth five, shopping squeeze, and I'm dynasty child.
5:27
SPEAKER_01: I ain't concerned with other men with you now.
5:29
SPEAKER_01: As long as when I slide up in you growl, and then he dude with you, he better be a kin of you now.
5:34
SPEAKER_01: And I ain't jealous, just the principle now.
5:35
SPEAKER_01: So I really like what you do.
5:45
SPEAKER_20: I really like what you do.
5:47
SPEAKER_20: I'm gonna make okay, explain what meet.
5:52
SPEAKER_09: I use on control and I see standing there in front of me.
5:57
SPEAKER_09: Your style clones don't hear your flame, you look so sexy.
6:00
SPEAKER_09: Come on, do you know what it's dance on the rain as you twist and turn your way?
7:03
SPEAKER_37: We go touch because they'll touch my love, it's free.
7:07
SPEAKER_37: We can work with us the parts just showing me.
8:03
SPEAKER_22: I could be even love at first time.
8:05
SPEAKER_22: For your seat last week, Friday night.
8:08
SPEAKER_27: We got y'all along in this place.
8:10
SPEAKER_27: She tells me I was disgraceful.
8:12
SPEAKER_27: She said, What is the wrong?
8:14
SPEAKER_22: So we take a dance for this song.
8:16
SPEAKER_22: This though had to be the last one.
8:18
SPEAKER_22: So then I'll shoot.
8:20
SPEAKER_22: She tells me Romanco Cagola.
8:24
SPEAKER_22: So violent comments.
8:28
SPEAKER_22: She drink a romance coca-cola.
8:31
SPEAKER_22: All night, then she looked me in the eye.
8:34
SPEAKER_35: Say you ain't at a night.
8:39
SPEAKER_35: That y'all don't do it wrong.
8:41
SPEAKER_35: This kind of woman, where she comes from.
8:44
unknown: Oh, she whining and suck.
8:46
SPEAKER_22: Just one more before I go.
8:49
SPEAKER_22: It was a romance for Coca-Cola.
8:51
SPEAKER_22: All that's you.
9:14
unknown: I don't think you know.
9:26
unknown: Nobody knows me, like you.
9:29
unknown: Do nobody won't love me.
9:32
SPEAKER_37: I like you, can't even be high.
9:36
SPEAKER_37: Every time I try it.
9:38
SPEAKER_37: When look in my eyes, you know I'm lying.
9:48
SPEAKER_37: This again for me.
9:54
SPEAKER_37: Say you will make it.
10:14
SPEAKER_17: So I'm beach bad.
10:16
SPEAKER_17: The love seems dip down.
10:18
SPEAKER_17: There's Chinese wise or the clip that's up and make your father on my disdain.
10:22
SPEAKER_17: You know what I'm on a disguise, mana pictack.
10:24
SPEAKER_17: I saw you're disappeared.
10:26
SPEAKER_17: We know what kill I mean I just sing sound.
10:28
SPEAKER_17: With the people, you're more just giving fan.
10:30
SPEAKER_17: See, take full of like it's that.
10:32
SPEAKER_17: If you make a coming on the end of me, then I'll be a me no be for me.
10:36
SPEAKER_17: People are not skin.
10:39
SPEAKER_17: Bloody came sink.
10:39
SPEAKER_17: I'm a tea.
10:40
SPEAKER_17: I saw we should talk and figure out the G.
10:42
SPEAKER_17: Make a mm about experience, no gravity.
10:47
SPEAKER_17: Tell up, you know, that's your little people are dead.
10:52
SPEAKER_17: What should I keep in your bed cast?
10:54
SPEAKER_17: It's talibans and my makework.
11:04
SPEAKER_26: I am being so hot, I wanna take my clothes off.
11:10
SPEAKER_26: What?
11:12
SPEAKER_26: I am being so hot, I wanna take my clothes off.
11:16
SPEAKER_11: I flab arena.
11:20
SPEAKER_35: I was like gracious, foudacious, I'm worried, trying to show patience.
11:24
SPEAKER_35: I'm winning for the right time to shoot my steel.
11:26
SPEAKER_35: Wingin' for the right time to flash them G's, and I'm I'm leaving, please believe in the rest of my feelings.
11:32
SPEAKER_35: Check it, got it locked at the time of the post seasons.
11:34
SPEAKER_35: Pinhouse, rooftop birds, I'll feed it.
11:37
SPEAKER_35: No receiving, nothing else for sleepin'.
11:39
SPEAKER_35: No teasing.
11:40
SPEAKER_35: I need you to hit up phone again.
11:43
SPEAKER_35: What he asked and through.
11:45
SPEAKER_35: Cause I feel like custom loose.
11:46
SPEAKER_35: And I feel like touching you.
11:48
SPEAKER_24: Uh uh.
11:49
SPEAKER_35: It can't nobody stop the juice.
11:50
SPEAKER_35: So, baby, tell me what's the use?
11:52
SPEAKER_35: I said, It's getting hot in here.
11:55
SPEAKER_35: So take off all your clothes.
11:57
SPEAKER_26: I am getting so hot, I won't take my clothes off.
12:01
SPEAKER_26: It's getting hot in here.
12:03
SPEAKER_26: So take off all your clothes.
12:05
SPEAKER_26: I am getting so hot, I won't take my clothes off.
12:53
SPEAKER_10: I go, I'm gonna show, I'll give it, I saw, this one, I know, you know what I mean?
13:20
SPEAKER_10: I'll say, I see the country, don't you?
13:27
SPEAKER_10: Amanda, don't you show, I'll give that, say, I'm to the next, oh my baby now, I'm to the next, uh with a vessel Oh my baby quiet, your daddy mess, oh my baby got your daddy nest.
13:57
SPEAKER_10: I use sweet like sugar, I don't represent all of these five people, I don't have okay, everybody get out the way, uh, she's sweet in my body, this case, I live on board when I get late, but then you wanna get rich.
14:23
SPEAKER_22: I fly arena, if it's all it's a bit of a rock, motion pet that's gonna be some level, I was taking up, Shake, she got, I shake that, I shake that, I shake that, I shake that, I shake that, I shake it, but it's a baby's all it's a bit of a rock, motion pet that's gonna be some of the door, I'll see you, got shake, got, I shake that, she got, she got, I shake that, I shake that baby, she got calipati, the lunar tea took a sick money, baby, shake a calipati, tell you, to kiss it, money, hold-le, pala, two still yes, so serious, and so my hip several Ashoka, yes, to serias, ashika, too, too, too, too, too, too, too, too, too, too, too, too, too, too, too, too, too, too, too, too, I tell you guys, you know, but it gang, tiny gas lap, but tiny gas lap, pick a gang, but it's got to make a gas lack, and it's the batch in the gun, but pick the gun, pick a gun, but I've got gun, it's uh, repetitive solo not recipe for rope, motion pet that's gonna be by petition about shake it out Shake, shake it, shake, shake, shake, shake, shake, just shoot for the soul right, for my home, give me away, make it okay, that's where I'll be hay Now it may say I'm a kid, that ego is paying Don't give it those like this I slap arena and it's moving like this about the tongue and I know you can't stay till you're drunk and I'll show you all the movin' like dagger, I've got them movin' like dagger, I've got them move like dagger I don't need to try to control you Look into my eyes and I'll own you with them movin' like dagger, I've got them movin' like dagger, I've got them move I don't like to know it back to up there, do I think six things in a row I think six things in a row Monday, Tuesday, Wednesday, Friday.
18:42
SPEAKER_51: I took Friday off.
18:44
SPEAKER_51: Saturday, Sunday, Sunday.
18:45
SPEAKER_51: Lang one can't put it on me.
18:47
SPEAKER_51: She looked bad like she on the runway.
18:49
SPEAKER_51: Wanna see I'm beginning, I switch country.
18:52
SPEAKER_51: She toxic, but I'm toxic.
18:54
SPEAKER_51: My wife thinks she a boss dick.
18:56
SPEAKER_51: Girls think she a lot, dick.
18:58
SPEAKER_51: I'ma love things in my boss, stick cup.
19:00
unknown: Side, I'm on my boss, pick up.
19:02
SPEAKER_51: Baby, I'm fine, sit up.
19:04
unknown: I'm a soul isn't off the top.
19:06
SPEAKER_51: She just tells by K on a figure.
19:09
SPEAKER_51: Who you want would you do?
19:10
SPEAKER_51: Come roll with me, call it.
19:13
SPEAKER_51: Question would you do?
19:18
SPEAKER_11: Come roll with me, call it Question, I don't know, Aflab Arena El ritmo que llevamos en la cabeza y empezamos como ven.
19:44
SPEAKER_52: Mi música no discrimina a nadie, así que vamos a romper y toda mi gente se mueve, mira el ritmo como los tiene, hago música que entretiene, el mundo nos quiere, nos quiere, me quiera y toda mi gente se mueve, mira el ritmo como los tiene, hago música que entretiene, mi música los tiene fuerte bailando y se baila drift Mustard on the beat, oh, beat, boat, give me rap, be a free throw, man damn, call her elder lambs, tell him breeze, bro, Nella to the cross, he walk around like T Zoe What's up with the sea comptin'.
20:30
SPEAKER_04: They hand the streak and hit me fuck them all in the mama.
20:32
SPEAKER_04: How many options you really got?
20:33
SPEAKER_04: I mean it's too many options.
20:34
SPEAKER_04: I'm finna pass on this body and John Stockton.
20:42
SPEAKER_04: Tell if I budget, man, I'm the one that understore it.
20:44
SPEAKER_04: Walking down whole time, I know he got some hoin him.
20:46
SPEAKER_04: Cole on him, extort, what do you death going?
20:48
SPEAKER_04: Say, Drake, I hear you like I'm young.
20:50
SPEAKER_04: You better not have a go to sell black one.
20:52
SPEAKER_04: The honey that talks to him and they in love.
20:54
SPEAKER_04: Just make sure you hide your little sister from him.
20:56
SPEAKER_04: They tell me chubbs, the only one that gets your hand downs.
20:58
SPEAKER_04: The party at the party playin' with his nose now.
21:00
SPEAKER_04: And vodka got a weird case, why is he around?
21:02
SPEAKER_04: Certified lover boy, certified pedophiles.
21:07
SPEAKER_04: What too much stuff?
21:08
SPEAKER_04: Why you trolling like a ain't you tired?
21:10
SPEAKER_00: Tryna strike a chord and it's probably a minor They not like us, they not like us, they not like us.
21:21
SPEAKER_00: They not like us, they not like us, they not like us.
21:25
SPEAKER_00: They not like us, they not like us, they not like us.
21:29
SPEAKER_21: They not like us, they not like us, like us, like us, this one, that's what it's funny, I'm a letter fucking soon, they're not this body from the left of fucking I'm a letter fucking food, this body from the letter buttons.
23:36
SPEAKER_30: I want to get out of it.
24:12
SPEAKER_35: Where you come from without big boba?
24:16
SPEAKER_35: Where you come from without big boba?
24:25
SPEAKER_35: Where you come from without big bumps?
24:45
SPEAKER_35: I don't give a time if it's free.
24:47
SPEAKER_35: I don't give a time if it's free.
24:49
SPEAKER_35: All I want you to do is just oh yeah, oh yeah, roll it's a funny.
24:53
SPEAKER_35: I don't give a time if it's fine.
24:55
SPEAKER_35: I guess what I'm gonna be mind.
24:57
SPEAKER_35: I want your bed on, I guess oh yeah, oh yeah.
25:00
SPEAKER_35: And if you gotta roll it for me, gal, you make my ball oh your bed over like you spend your money, gal, they make my ball okay, come front and just roll it for me, gal, they make my ball oh I wanna ask you a question, hey gal, I wanna ask you a question.
25:14
SPEAKER_35: Sex comes that come back, shitty question.
25:17
SPEAKER_35: Where you come from with that big bumper?
25:21
SPEAKER_35: Where you come from with that big bumper?
25:29
SPEAKER_35: Where you come from with that big bum?
25:32
SPEAKER_35: Who pay for that bambay?
25:34
SPEAKER_35: Who pay for that bam bande?
25:36
SPEAKER_35: Who pay for that bambay?
25:38
SPEAKER_35: Who pay for that bambay?
25:39
SPEAKER_35: Big one is pay for that bambay, who pay for that bambay, shake it for the bambay.
25:50
SPEAKER_32: Shake it tambaring, yo, long to the ground, long to the ground, long, long to the ground, shake it tambaring, yo, get in good positions.
25:57
SPEAKER_35: Shake, shake, shake, shake off your bumper, shake it like so shake up, shake, shake, shake, shake off your bumper.
26:03
SPEAKER_35: In the middle, girl, tambarine gown.
26:05
SPEAKER_35: Shake, shake, shake, shake off your bumper.
26:08
SPEAKER_35: Just like a pepper.
26:09
SPEAKER_35: Shake, shake, shake, shake off your bumper.
26:11
SPEAKER_35: Hey, yo, bird, no stop.
26:13
SPEAKER_32: Uh, in the middle, in the middle, one jump.
26:15
SPEAKER_32: Uh, make it shake, make a shake, don't push.
26:17
SPEAKER_32: Uh, when your wine in the base baby cough, uh, spell your rope, uh, all on head, and you move in your waist, sit the back.
26:23
SPEAKER_35: Take room, give you room, all this, uh, and I like in your bite, she's drinking, but for me, watch your drink, do shall drink, some money for me and make shot.
26:32
SPEAKER_35: I've got no drinks, kill my whole head, my shop.
26:34
SPEAKER_35: Hey, I gotta drink, kill a drunk, gotta fall in.
26:36
SPEAKER_25: No, when you see me in defense, give me rough, give me rough, when you see me in defense, give me rough, give me rough, when you see me in defense, give me rough, give me rough.
26:43
SPEAKER_35: Oh my god, I'm gonna drink till I can't drink no more.
26:47
SPEAKER_35: Drink till I can't drink no more.
26:49
SPEAKER_35: I drunk till I fallin' down.
26:51
SPEAKER_25: Drunk till I fall in down, I don't know, Fred, Fred, I don't friend, hang over, I don't Fred, I don't Fred, hang over to judge me.
27:05
SPEAKER_25: Right now I am okay, my head.
27:09
SPEAKER_25: Patch, but patch, ba-pat, patch, bat my head, patch, ba-patch, ba-pad my head, patch, but patch, ba-pat, patch, bat my head, patch, but drinks in my brain, hey eh, I call your drinks in my head.
27:21
SPEAKER_25: Hey eh, we live for the vibes.
27:23
SPEAKER_25: Hey eh, so put your drinks, them.
27:24
SPEAKER_25: Hi, I want your buttop, yeah, drinks, them.
27:26
SPEAKER_25: Drinks to this guy, I want your buttops, yeah, drinks, them.
27:28
SPEAKER_25: Drinks to this guy, I'll put ups, yeah, drinks, them.
27:30
SPEAKER_35: Drinks to this guy, then this little wine in the queen of the soca.
27:35
SPEAKER_35: Everybody wanna go hola.
27:36
SPEAKER_35: What windin' queen of this soca?
27:40
SPEAKER_35: She wamino, ayy, check on, windin' up the body wamino.
27:45
SPEAKER_35: Ayy, check on, bouncing up the body wamino.
27:50
SPEAKER_35: Check her now, windin' up the body wamino.
27:53
SPEAKER_35: Ayy, check her now, bouncing up showing me.
27:59
SPEAKER_35: Overlet her breathing.
28:00
SPEAKER_35: She ain't nothing easy, so get ready for the teacher.
28:04
SPEAKER_35: Lights and flick for the camera, crowd of people, front and center.
28:08
SPEAKER_35: The video man not shaking enough.
28:10
SPEAKER_35: He ain't seen none yet.
28:11
SPEAKER_35: She only wanna check on, windin' up the body wine.
28:17
SPEAKER_35: Chicken out, bouncin up the body, wine, chicken out, windin' up the ball, wame, chip-cano, bouncing up the Well, she need it so she don't need no.
28:32
SPEAKER_35: When she started blocking no me, all about it one.
28:36
SPEAKER_35: One look to the left like ready, box I nice and heavy, box it, box it, she don't stick oh shall give her me.
29:05
unknown: Why for me fascinating slow motion?
29:07
unknown: Just fine, that's bad, roll up the rest night for me, two deep, white in the slow motion.
29:15
SPEAKER_35: Everybody just hold on, go dumb, go dumb, dumb, go, go down, go dumb, go done, go dumb, dumb, go, go down.
29:23
SPEAKER_35: Everybody just fine to the gun.
29:25
SPEAKER_35: I check back and turn it around.
29:27
SPEAKER_35: Go down, go dumb, go down, go, go design up, fine, and fine, and good and on the road like that.
29:34
SPEAKER_34: She got the vibe and smile and smooth profile.
29:37
SPEAKER_34: You go see when she go like that.
29:38
SPEAKER_34: I didn't really check it too.
29:42
SPEAKER_34: And then I'm gonna turn it on.
29:44
SPEAKER_22: Just don't it nice, mother, baby.
29:49
SPEAKER_22: Cause I don't feel no feel no way.
29:53
SPEAKER_02: Oh, she won't let you know.
29:55
SPEAKER_02: She won't you say, she won't you say, you say, why?
30:21
SPEAKER_35: We drink the silica, we don't play with it, we drink we don't play with it, take chases to the head, hit the bat, we drink the silica, we don't play with it, we drink we don't agree with the gray cool, we do my set loose at the same room, make a half million or mistake cool, mix the whiskey with the grey cool, punch the punching with the same movement, went to one set and much of two fence.
30:46
SPEAKER_35: They must have me tong something confused, and them can't even come in a glass, oh we just jump on balance with mom serving it, drinking with gas, and period no gods, someone's viable is near Kina gas, but mine you want your glass, I feel complete with it.
31:02
SPEAKER_35: I don't just talk, we love to drink something hard and we say chask.
31:06
SPEAKER_35: To the head, hit the living.
31:08
SPEAKER_35: We drink the silicon, we don't pay with it.
31:11
SPEAKER_36: We drink, we don't have it, say chask.
31:14
SPEAKER_36: To the head, hit the living.
31:16
SPEAKER_36: We drink the silicon, we don't have it.
31:21
SPEAKER_27: I got your baby.
32:07
SPEAKER_11: What do you want?
32:09
SPEAKER_11: All the value growth in all the magic, all the body, what do you want?
32:25
SPEAKER_42: I'm gonna share that bubble up, one day, bubble, one day, shake on the reading, cell better why not give them up, kill them with the whiny, point to the beat and go right on, go on, go on, go on, go right on, why not?
32:44
unknown: Go on, go on, go on, put the tap it out, why not?
32:48
SPEAKER_42: Go on, go, go on, go on, go right on, go on, go, go, go on, put the tap it out, get them, bones, bones and shake, get them, go bones, bones and shake on bones and shake on the riddle, and let the kawaii now kid them up, bones and shake on the riddle, yeah.
33:09
SPEAKER_42: Bones and shake on the riddle, hit them, give them, eat them, go, kid them, kid them, kid them, yeah, give them, give them, kid them, oh my god, take them so far, put a nasty flow, kill them with the white them up, point to the beat and go right on.
33:24
SPEAKER_42: Why to the riddle man, just step through the streets now, read thank them, get to the beat now.
33:29
SPEAKER_42: Posa, why so sweet now?
33:31
SPEAKER_42: Cause you know that you're bad and you're hot, yeah, nobody can touch you.
33:38
SPEAKER_42: Yeah, you're not the kawaii and get them.
33:55
SPEAKER_36: I got to watch today, today is a hard day, I know you want the money set, I got going through what you're today is a hard day, I know you want the money set, I got you into what today today is a high, I don't know what the money said, I don't know it to what you say.
34:31
unknown: Today's high longer, I don't know what he said.
34:35
SPEAKER_19: I don't think today Don't tell me about work and you'll tell me what today Me and some trip to me chance that you'll tell my boat today I don't care what time I day, it is that drinking arena.
34:50
SPEAKER_11: I haven't talked to me.
34:54
SPEAKER_36: Today is a holiday.
34:56
SPEAKER_36: I don't care what the body said, I'm not going to work today.
35:04
SPEAKER_13: I don't care what the body I don't do it.
35:07
SPEAKER_13: I'm the merchant.
35:08
SPEAKER_13: Yeah, but you look and give up, have a reputation, not to kill them with you what you want.
35:12
SPEAKER_13: And tonight you know what different to prepare for the funeral call to sun.
35:16
SPEAKER_13: Cause we done they get core.
35:17
SPEAKER_13: This thing, yeah, well be heard, send it to perform this thing.
35:20
SPEAKER_13: Walk out, sweet girl, show it off, miss thing.
35:22
SPEAKER_13: When the things start a bubble to sort it, king.
35:24
SPEAKER_13: Yellow way you're rolling, roll it, grind when you win and control it.
35:27
SPEAKER_13: Stallion with the knees, just pull it, roll it.
35:30
SPEAKER_13: My gallow way you're rolling, yellow way a roll.
35:35
SPEAKER_32: Stallion with the knees, just pull it, pull it, pull it.
35:44
SPEAKER_32: Probably ain't any young.
35:45
SPEAKER_32: Pressure any place when you win to the grow.
35:48
SPEAKER_32: Make it up, make it low.
35:49
SPEAKER_32: You can make a shake and that make it bro.
35:51
SPEAKER_32: Right, it's yeah, baby grow.
35:53
SPEAKER_32: It's gonna line looking nice and bro.
35:55
SPEAKER_32: Hey, see we under the room.
35:57
SPEAKER_32: And the girls take on the fun.
35:59
SPEAKER_32: Yeah, and we under the room.
36:01
SPEAKER_32: Cell before the thing done.
36:02
SPEAKER_32: Listen to me say, Tell you won't do good, get it.
36:05
SPEAKER_32: Like you want sunny sun with it.
36:07
SPEAKER_32: Tell you won't do good, get it.
36:08
SPEAKER_35: Get it, get it, it's Spanish.
36:11
SPEAKER_35: Spanish, as you slip in Spanish, as you slip, as you slide, is that Spanish coming inside?
36:18
SPEAKER_35: Spanish, Spanish, as you slip in Spanish, as you slip, as you slide, is that Spanish coming inside?
36:25
SPEAKER_35: You better do what you have to do, cause you have competition.
36:29
SPEAKER_35: I'm the man who don't raise my hand.
36:31
SPEAKER_35: So I Spanish go take your man.
36:33
SPEAKER_35: And all that money I'm on, cleaning out my bang account.
36:37
SPEAKER_35: You see the money I spendin', it's about five Spanish I get in.
36:41
SPEAKER_35: Uh-huh.
36:41
SPEAKER_35: No excuse for the road.
36:43
SPEAKER_35: If you don't want to come, it's a Spanish on the road.
36:45
SPEAKER_35: If you want to stay home, nobody comes, it's a Spanish on the road.
36:48
SPEAKER_35: Aha, and that way to my hand.
36:50
SPEAKER_35: Come below the head in a Spanish and even.
36:53
SPEAKER_35: If you want to stay home, nobody comes, it's a Spanish on Spanish.
36:57
SPEAKER_35: Spanish, as your slip is Spanish, as you slip, as your side.
37:01
SPEAKER_35: It's a Spanish coming inside.
37:03
SPEAKER_35: Spanish, Spanish, as your slip is Spanish.
37:07
SPEAKER_08: As you slip, as your slide, as high, size, it's cutting one, it's another candy one.
37:13
SPEAKER_08: Every girl won't see and I get a bad life movie, so catching it out.
37:17
SPEAKER_08: This only time every girl, let's get up.
37:19
SPEAKER_07: No, I don't care if you're feeling up.
37:21
SPEAKER_07: I never really meant to put you on this one.
37:23
SPEAKER_07: I know you're not giving me all you got.
37:24
unknown: Can't give me the gem.
37:28
SPEAKER_49: No scene.
37:29
SPEAKER_49: Do we walk?
37:29
SPEAKER_49: Keep it on chem screen.
37:30
SPEAKER_49: And some we said, on your knees.
37:34
SPEAKER_07: What you're gonna do when they get in the temper, what you're gonna say when they get in the temper.
37:38
SPEAKER_07: What you gonna do when they get in the temper why temp?
37:42
SPEAKER_07: What's you gonna do when they get in the temper?
37:44
SPEAKER_07: What's you gonna say when they get in the temper?
37:46
SPEAKER_07: What's it gonna do when they get in the temple?
37:49
SPEAKER_49: When you shake and shake it out, when you shake and shake it out, she shake it, I don't start, don't do it.
37:59
SPEAKER_49: When you shake and shake it out, she shake it, I don't is stuff, it's a what you're gonna do when they get in the temp, what you're gonna say when they get in the temp.
38:08
unknown: What you're gonna do when they get in the temple, get them by time.
38:12
SPEAKER_24: What you're gonna do when they get in the temp, what you're gonna say when they get in the temple.
38:16
SPEAKER_24: What you gonna do when they get in the temp?
38:20
SPEAKER_24: I feel in the touch the road and boss away why I feel in the touch the road and boss away, boss away, boss away, why boss away.
38:31
SPEAKER_24: I feel in to touch the road and boss away.
38:34
SPEAKER_35: Yeah, me love all your mind and make it watch.
38:37
unknown: Watch, watch, watch, watch.
38:38
SPEAKER_35: Love all your wine and make it touch.
38:42
SPEAKER_35: Cover all your eyes and make it drop.
38:44
SPEAKER_35: Drop, drop, drop, roll it around and make it clap.
38:48
SPEAKER_35: Clap, clap, bum, bam, bum, still have your heels and a balancing.
38:53
SPEAKER_35: Move left to right like a palancing.
38:55
SPEAKER_35: Short turn round or you tall and slim.
38:56
SPEAKER_35: Any time we have you spent all that gin.
38:59
SPEAKER_35: Love when you walk through the mall and ting.
39:00
SPEAKER_35: Then you touch the road and we fall and fling.
39:02
SPEAKER_35: Let me mix this like a true san gin.
39:04
SPEAKER_40: Hey baby, let me do something.
39:06
SPEAKER_24: I feel in the touch the road and bust away, boss away.
39:09
SPEAKER_24: I'm feeling to touch the road and bust away.
39:12
SPEAKER_24: Boss a pie, boss away.
39:15
SPEAKER_24: Bus away, fight.
39:17
SPEAKER_24: I feel in the touch the road and boss away.
39:22
unknown: Tiggle it, tiggle it, tiggle it, tiggle it.
39:26
unknown: Tiggle it, tiggle it, tiggle it, tiggle it.
39:28
SPEAKER_31: Fine on your body gazle it, tiggle it, tiggle it, tiggle it.
39:31
SPEAKER_31: G I G G G S murder, falling murder, every win pop past that whole jiggle, think it like it gets a shit, shit.
39:39
SPEAKER_31: When I'm the whole bat Bring it on and make my point of view.
39:42
SPEAKER_31: Got some nice things that I wanna tell you.
39:48
SPEAKER_31: Just tiggle it, tiggle it, tiggle it, tiggle it, tiggle it, tiggle it, find on your body.
39:52
SPEAKER_31: Tiggle it, tiggle it, tiggle it, tiggle it.
39:54
SPEAKER_31: T-I-T-G-G baby.
39:55
SPEAKER_31: Tiggle it, tiggle it, tiggle it, tiggle it, tiggle it, tiggle it, find on your body.
39:59
SPEAKER_31: Tiggle it, tiggle, tiggle it, tiggle it.
40:01
SPEAKER_31: G-I-T-G-G baby.
40:03
SPEAKER_31: Tiggle it, jiggle, jiggle.
40:05
SPEAKER_31: Let me take care of you, cause I'm a good pill.
40:07
SPEAKER_31: We hold your wine and keep in it.
40:09
SPEAKER_31: Look nice in your white buttons.
40:11
SPEAKER_31: Hey, I did a little, watch the girl, jiggle.
40:12
SPEAKER_31: Don't we got you tickle?
40:13
SPEAKER_31: She gets me out single.
40:14
SPEAKER_31: Hey, I did a little, watch the girl, jiggle.
40:16
SPEAKER_31: Oh checkboard, but not getting better.
40:18
SPEAKER_31: Tigger lit, tiggle it, tiggle it, tiggle lit, tigger lit, jiggle it.
40:21
SPEAKER_31: Find no everybody, tigger lit, tiggle lit, jiggle it.
40:29
SPEAKER_31: Find no, take a look, take a look, take a lit, like a server, she that served up the chick a lot for me, girl.
40:36
SPEAKER_34: Why not chick a lot for me, meet by a monks that booty and chick a lot for me girl.
40:40
SPEAKER_34: Why not take a look for me, meet the man that booty and chick a lot for me girl?
40:44
SPEAKER_34: Why not chick a lot for me?
40:45
SPEAKER_34: I think she had that booty and take a look for me girl.
41:20
SPEAKER_35: Yo, make a tip alone Pick up a low Yo, pick up the Baba that's a dog, but the dog has been like she didn't put a day.
41:39
SPEAKER_35: I said he perfectly make a tremble to whether I symbol make it simple.
41:46
SPEAKER_05: Yo, get the tick, you think they tick, tick, to take, click it, take the tick, you think of herself.
42:02
SPEAKER_23: You think that's girl, you hear what I see when you give me first what not too long to your belly, not too long to your belly.
42:10
SPEAKER_23: Who vats we get vats when that's a pretty girl?
42:13
SPEAKER_23: You hear what you say when you give me first what not too long to your belly, not too long to your belly, vats we get vats.
42:21
SPEAKER_23: She don't listen, she don't listen, she listening, father Girl, you hear what I see when you give me first what not too long to your belly, not too long to your belly blue vats, we get vats on that support.
42:35
SPEAKER_23: Girl, you hear what you see when you give me first what not too long to your belly, not too long to your belly black vats, we get vats on that support, girl.
42:43
SPEAKER_23: So far, gonna be don't jump in the seas, she bumpers start floating.
42:47
SPEAKER_23: Belly is all we promoting door, door, door, Jasmine one and ask me a question.
42:52
SPEAKER_23: Uh-huh.
42:52
SPEAKER_23: I swear it's sound like suggestion.
42:54
SPEAKER_23: If a girl don't got good knees, 'cause she's speaking writing.
42:58
SPEAKER_18: Put your harp on your knee, I give me take top time.
43:00
SPEAKER_18: Hop for your knee, I give me poke time.
43:01
SPEAKER_18: Put your harp on your knee, I give me pals, we're still time.
43:04
SPEAKER_18: Shut down time, be all we a slime.
43:05
SPEAKER_18: Hop for your knee, I give me take top time.
43:07
SPEAKER_18: Hop for your knee, I give me books, you're about time.
43:09
SPEAKER_18: Hop for your knee, I give me pals, we are standing harp for your knee and give me pals we're standing harp for your knee and give me pals, we're still knee and give me pals we're standing.
43:17
SPEAKER_18: Hop for your knee, give me pals, we are still army girls, I see.
43:32
SPEAKER_27: You make like a dear does not show me your favourite stuff here.
43:40
unknown: Here, nails, all this does not.
43:42
unknown: Every day, you always tell her you know your favorite.
43:46
unknown: Can't believe all this button.
43:48
unknown: You want it back out.
43:57
SPEAKER_38: You know what's you want to close by lying.
44:00
SPEAKER_38: What's a little slow?
44:01
SPEAKER_38: So what's a little slow?
44:09
unknown: She for the extra quick.
44:13
SPEAKER_35: Run for a punch it.
44:17
SPEAKER_35: She's on the expliquet.
44:19
SPEAKER_11: And slab arena.
44:23
SPEAKER_35: Just balance it.
44:24
SPEAKER_35: Be gone back, y'all.
44:25
SPEAKER_35: No one can manage it.
44:26
SPEAKER_35: Shake it, thing, y'all.
44:26
SPEAKER_35: I'll be the damages.
44:27
SPEAKER_35: Do I sell like y'all?
44:28
SPEAKER_35: No one it is.
44:29
SPEAKER_35: You gotta eat password, 40 wi-fi, muscle grip with real food with your die guy.
44:34
SPEAKER_35: You look right right.
44:35
SPEAKER_35: Can't make no back be you want the right size.
44:37
SPEAKER_35: Have you got the double festa?
44:39
SPEAKER_35: Mm-hmm.
44:40
SPEAKER_35: She for the expliquent.
44:41
unknown: Have your one make up on boss.
44:43
unknown: Mm-hmm.
44:44
unknown: Run follow up, punch it.
44:47
unknown: Mm-hmm.
44:48
unknown: She for the exercise.
45:00
SPEAKER_39: All night to kiss in me.
45:02
SPEAKER_35: Be where you giving it to me.
45:04
SPEAKER_35: Call roll it.
45:05
SPEAKER_35: Roll your bumper right back on me.
45:07
SPEAKER_35: You raise a man passion, baby.
45:10
SPEAKER_35: And you got me feeling seek, I'll rule it.
45:13
SPEAKER_35: Roll your bumper right fast on me.
45:15
SPEAKER_35: All night to kiss in me.
45:17
SPEAKER_35: Be where you're giving it to me.
45:19
SPEAKER_35: Call rule it.
45:21
SPEAKER_35: Roll your bumper right fast on me.
45:22
SPEAKER_35: You raise a passion, baby.
45:25
SPEAKER_35: I don't miss it all in the line.
45:30
SPEAKER_35: I don't want it for any boy.
46:01
SPEAKER_35: That's what it made for.
46:03
SPEAKER_35: She tells me all last time, kinda why she wine in it nature.
46:07
SPEAKER_35: The way she wine it back, I tell she came for it, break her.
46:10
SPEAKER_35: She tells me give she pressure, baby, that what it made for.
46:14
SPEAKER_35: So tell me all bump boss made, so I come all bumpers make a jam.
46:19
SPEAKER_35: All bump boss made so I come all bump boss, make a jam.
46:22
SPEAKER_35: All bump boss made, so I come off bumpers, make a jump, all bump boss made.
46:33
SPEAKER_41: So tell it the truth, I will probably hit me too.
46:36
SPEAKER_41: If you don't like it, are you?
46:39
SPEAKER_41: Then I don't like the cool.
46:44
SPEAKER_41: If you don't like it, are you?
46:46
SPEAKER_41: What else you gonna do?
46:48
SPEAKER_41: You don't affect nothing in my life.
46:50
SPEAKER_41: And one thing I know is true.
46:51
SPEAKER_41: You caboomen okay.
47:06
SPEAKER_16: She wants me to go, she wants to run it low, she wanna run it low, she wants to run it, she wants me to go, she wants to run it low, she wants to run it low, she wants to run it.
47:31
SPEAKER_35: And then you wanna go, I don't bring it up, so when you push back so I can take it up Can you look sweet like sugar?
47:38
SPEAKER_35: What you put in that face line, only raising my pressure, seeing that sugar Yo sweetness on the call in the calling If I stand up a little sound, would you push it back on me?
47:55
SPEAKER_28: Get in the hyperactive, it's like a good jam on that Yo sweetness on the call in me, on the call, you got that we're still not being shot by being badly eating, I think you need to go back to my own shit, show, shop, zip, dick-tap, hope it, zip, tick-tap, and up, dick-tap, not look back Jiggle up your body, jiggle up your body, jiggle, nigga, jiggle up your body, jiggle up your body.
48:46
SPEAKER_11: I flab arena.
48:47
SPEAKER_38: Yes, don't, we don't, you don't, don't, don't, don't, don't, come up, come up, come on, come up, come up, come up, come on.
48:57
SPEAKER_43: Pass white, password, fast white, pass the white, pass the white, pass the white, see behind Pushib, push it, beep, pushy beep, but yes, set it, wild, bump it, yes, set it, wild, bump it, yes, set it, wild, bump it, yes, set it, wild, bump, yes, set up a kick, and yes, set up, yes, set up, yes, set it down, yes, set up a chicken, yes, set up a chicken, yes, set up a chicken, yes, yes, set up a chicken, yes, set up a chicken, yes, let's get on the chicken, yes, let's all put it on the chicken beat, give me peace.
50:11
SPEAKER_33: She reverse my meat, she bumped up to get paid.
50:14
SPEAKER_33: Then I didn't want the license, I get paid up, then uh, the bump up on me don't put Tana issue right with the bumper stop and up, then uh just move like you ain't got a review limit here.
50:28
SPEAKER_50: Whoa, whoa, whoa, whoa, whoa, reverse it clock, reverse it clock, reverse it boa, reverse it clock, pen, uh, reverse it clock, reversing, bum, ping, bam, bing, bam, ping.
50:47
SPEAKER_35: Cadon like the door, the double pimp, the don't like the don't want the double pimp bam ping bam ping bam ping bam ping.
50:54
SPEAKER_35: The don't like the door pimp.
50:56
SPEAKER_35: Cad don't like the don't want the double pimp.
50:58
SPEAKER_35: She won't suns that one's that chat.
51:04
SPEAKER_35: Ping ping on that one, she won that, what suns that's that ping bam pam ping ping ping ping on that one sheep on that one ping ping ping ping Pam ping bam ping bam ping bang ping I don't want to do what I don't want pin the don't like the door pin bing pam ping pam ping pam ping the don't like the door pin what the door shirt on your filling room shorty world you wear the growth now the girl can't come shall you don't hear this sounding I'll tell you something that was something I'll build it up you hear this sound comes any medal comes any medal you hear this song Commissary metal comes any medal that call something belt we call something I'll pellet it weird something belt it we call something I'll pell it we don't girl Fling the money fling the money fling the body put that bump up on me put that bump up on me put that bump up on me, put that bum in the right dear look put that bump up on me, put that bump up on me right there, girl put that bump up on me, just me tell me by your door, see them funny why slow, pocket up, pocket up, tickle up here, and then shoot up the bumper.
53:00
SPEAKER_28: Shh, then over, it's a rings of things to give them floor walk tick chop behind me, chop so that sweet in your head, eat it up, turn around cause my wanna beat it up now.
53:11
SPEAKER_28: I'm a wanna feel it up now.
53:13
SPEAKER_28: Make a sick for my thing now, make a smack for my thing, baby box for my thing, make a man singing now.
53:32
SPEAKER_40: Give me the giveaway give me the give me hotness, give me the give me the game, they give me hotness, give me the game, they give me the give me the hotness.
53:37
SPEAKER_40: Gar your dye to know it, and so they give me the give me the give me the hotness, give me the give me the give me the give me the hotness.
53:42
SPEAKER_40: Give me the give me the give me the give me the happiness, girl.
53:45
SPEAKER_40: You die to do it again She can take Miguel, she can the thing, she can chicken the thing, Miguel One Pitt Miguel, one panic one, one for it, Miguel.
53:54
SPEAKER_40: She can take Miguel, she can be ting, she can chicken the sing Miguel.
54:11
SPEAKER_29: I know that, the Pana to a fiddle of Janadal, tippy to a fiddle of Janadal, Hey, phon that we I go down gave by like your nati, but you know what Yana Pani Come on Janavana to ask me, font that we fold that wey come down to the five, if you clap like to honey, was it with the light baby tali?
54:34
unknown: Don't that we don't that we have to open a low girl, the pile of gall, why not be funny to be done a gall was that it's funny over, I don't know, yeah.
54:45
SPEAKER_48: I have to get on the whole yeah, you know, some back is announcing, no need to go down, up that run that they so we found, easy all on me figure down, easy now, no need to go down, up that run that they're so need to figure down, no need to go down, is it?
56:27
SPEAKER_46: Just a link to the shit, is it I think?
57:09
unknown: Is it like me?
57:11
unknown: Is it eat?
57:13
unknown: Is it every?
57:19
SPEAKER_02: What the fuck the focus time?
57:21
SPEAKER_02: What the fuck the focus time?
57:22
SPEAKER_02: The way I feel right now, I feel like we should be all alone.
57:26
SPEAKER_02: So if you just playin' around, you need to tell your girl, take a fine ass home, that's real.
57:30
SPEAKER_02: Stop teasing me, stop teasing me.
57:32
SPEAKER_02: I can change your life so easily.
57:34
SPEAKER_02: I keep buying it so you can leave in me, we got face in the fucking leaving me.
57:39
SPEAKER_02: I don't say believing me.
57:41
SPEAKER_02: We got manbirds beats at the DVD, we got manbus breaths on 401.
57:44
SPEAKER_02: We got a lock on the cloud, but it's morning cone.
57:46
SPEAKER_02: You got a five ass to the morning cone.
57:48
SPEAKER_02: You wanna talk for the girl, they don't order some.
57:51
SPEAKER_02: Who's coming in?
57:53
SPEAKER_02: Who's coming in shot?
57:54
SPEAKER_02: Who's coming in?
57:56
SPEAKER_02: Who's coming in top?
58:04
unknown: Is it tasty?
58:05
unknown: Is it tasty?
58:07
SPEAKER_36: Is it fashion?
58:11
unknown: What's it?
58:12
SPEAKER_36: Is it party?
58:25
unknown: What you're taking back and wait in front, what you back on the back of the back, back on the back of the back of the back of the back, back on the back of the back in it.
59:00
SPEAKER_14: I want to take your proof and sweep my yard, your better brush is good, or we go fall up.
59:07
SPEAKER_14: Don't give me no shot a thing.
59:09
SPEAKER_14: You have all day and night.
59:10
SPEAKER_14: I just love this big though, you better do it right.
59:16
unknown: Put your back in it, just a little bit alone.
59:23
SPEAKER_39: Walk it hard and low when you finish up, go down, come down, come down, go down, come up, come up, come up, come up, come down, go down, come down, come down, come up, come up, come on, come on, come on, come on, come on, come on, let's put it, let's put it, let's take some calls from the request line, bone, box that all, I'm in a boy crap when it came soil, but it's all like wallets and all, I'm in a boy crop when I could soil, but it's all like wallet.
1:00:38
SPEAKER_21: Good jump and I don't want a ton, put good love when I don't want to walk, bear pumps and bear box now, be a pumpkin hour, be a pump and be a box now, be a pump and be a box and our pongst and be a box and our pongst an hour, be a pump, be a box and our pongst.
1:00:56
SPEAKER_21: I will be a good pump, it's a little wanna have and down like a pumpkin.
1:01:01
SPEAKER_21: I feel like that right to stay, but I wanna bump up and down like a boy, I wanna bounce the ears and heels, then easy and go, what the fall fauna, up on a dung, up in the polar, up on the bone, up on a done, up on a dumb, good love for my gold tongue, good jam and go in the toma, good love for that go on the tongue, good jam and I don't know, we have some hour, yeah, pongst we are boxing our pongst we have, be a bunks and we have some, be able to be able to be able to