Latest / Get Into Gate: A Stargate Podcast / Episode 262: Submersion (SG-A 3.18)

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Episode 262: Submersion (SG-A 3.18) · Get Into Gate: A Stargate Podcast

• 0:25
  Speaker 1: Get into Gate episode two hundred and sixty two, talking
• 0:29
  Speaker 1: Stargate Atlantis. The Gate is here today by names Mitch
• 0:33
  Speaker 1: joining me, Brendan, hello, mate, and Maddy.
• 0:36
  Speaker 2: What's going on? Boys?
• 0:37
  Speaker 3: Oh mate, we're back?
• 0:39
  Speaker 1: What it was here? It's rare in to go in
• 0:43
  Speaker 1: an episode called Submersion, which when I hear the title
• 0:46
  Speaker 1: and being the first time SGA watcher, and then all
• 0:48
  Speaker 1: of a sudden, I see Rodney in a puddle jumper
• 0:50
  Speaker 1: going underwater. It's called submersion. My yea, are we going
• 0:53
  Speaker 1: to get like another episode where they just get sort
• 0:55
  Speaker 1: of like stuck underwater in a puddle.
• 0:57
  Speaker 2: Wow?
• 0:57
  Speaker 1: Okay, well it's going to be a seasonal thing.
• 1:00
  Speaker 2: Is it interesting? And Joe get stuck underwater a good reference?
• 1:05
  Speaker 2: I like that? You know this time?
• 1:07
  Speaker 1: Is it Renny Ronan who gets around wearing next to
• 1:09
  Speaker 1: nothing like.
• 1:12
  Speaker 2: We're into it?
• 1:12
  Speaker 3: Obviously that's Acoman But yeah.
• 1:14
  Speaker 1: Sadly we had to wait an extra couple of years.
• 1:16
  Speaker 1: But he did pack on the muscles and grew his
• 1:18
  Speaker 1: hair even longer and wilder. But anyway, Submersion what it's
• 1:22
  Speaker 1: actually about. The team searches the ocean for a mobile
• 1:25
  Speaker 1: geothermal drilling station. The ancients left dormant. Cautiously exploring the station,
• 1:29
  Speaker 1: Taylor thinks she senses the presence of a wraith. We
• 1:32
  Speaker 1: are believing it's pressure affecting Taylor as the team press on.
• 1:36
  Speaker 2: What Brendan right?
• 1:40
  Speaker 1: That straight off the MGM part? Amazon? Who owned MGM.
• 1:46
  Speaker 1: It's as official as its goal.
• 1:47
  Speaker 3: Get Yeah, why was Elizabeth in this episode?
• 1:51
  Speaker 1: Because she's great, As we learn a couple of episodes,
• 1:55
  Speaker 1: the story needs her to be.
• 1:57
  Speaker 3: I mean, we know how dangerous to jump it can
• 1:59
  Speaker 3: be underwater. We have the leader of the expedition, the
• 2:01
  Speaker 3: military leader of the whole base, and also the two
• 2:05
  Speaker 3: top scientists. Seems like an unnecessary risk if they're just
• 2:09
  Speaker 3: trying to find it.
• 2:10
  Speaker 2: No, Look, she's just she's just one of the people. Know,
• 2:13
  Speaker 2: She's just this is this is something you'd never see
• 2:16
  Speaker 2: Jack do. This is something you'd never see Hammond. She's just,
• 2:20
  Speaker 2: you know, she's one of the people and just real
• 2:23
  Speaker 2: grassroots and down to earth. Until writing delivers the pulinary
• 2:26
  Speaker 2: status report, I'm not yours.
• 2:28
  Speaker 1: I'm going to work, colonel. I'll bet she wanted him
• 2:30
  Speaker 1: to work.
• 2:31
  Speaker 2: Come on, if anyone said John Breathy this episode, it
• 2:35
  Speaker 2: was Taylor.
• 2:36
  Speaker 3: Sure, I'm glad you brought it up.
• 2:38
  Speaker 1: It was just it was just the way that she's like, Hey, John,
• 2:41
  Speaker 1: I'm yours put me however you want to put me,
• 2:44
  Speaker 1: and like, Colonel I believe sure, But it was just
• 2:48
  Speaker 1: I'm like, out of the way. I was just thinking
• 2:50
  Speaker 1: the way that this this show, and certainly this half
• 2:52
  Speaker 1: of the room of this show is going to hear
• 2:55
  Speaker 1: and view a scene presented to us like that.
• 2:57
  Speaker 3: But she's like, I've got nothing else better to do.
• 2:59
  Speaker 1: Hey, you do with me, what you tell me, what
• 3:01
  Speaker 1: you want me to do. And I'm like, oh god, your.
• 3:05
  Speaker 2: Guys, your guys, fantasies is what we're living. We're living
• 3:08
  Speaker 2: your Well.
• 3:08
  Speaker 3: Let's listen to the listen when I sometimes when I
• 3:11
  Speaker 3: watch these episode, my mind drifts to a strange thought pattern,
• 3:15
  Speaker 3: and clearly it's not just me unless I am planned
• 3:18
  Speaker 3: some kind of mind virus and new Mitch Okay.
• 3:20
  Speaker 2: Well, yeah, you've been influencing him since like tenth grade.
• 3:23
  Speaker 3: Yes, So I noticed that this episode had has some
• 3:28
  Speaker 3: strange sexual undertones, and I think that this audio that
• 3:32
  Speaker 3: I'm about to play, we'll show you why that wasn't
• 3:35
  Speaker 3: so hard. I gotta do, is doctor Stag I'm so
• 3:40
  Speaker 3: glad you came.
• 3:42
  Speaker 2: Oh sorry, I was preoccupied thinking about them not drilling.
• 3:45
  Speaker 2: Shouldn't take us much longer.
• 3:47
  Speaker 3: We just passed a thermal layer and I'm getting nuts,
• 3:52
  Speaker 3: and now that I.
• 3:53
  Speaker 4: Think you're nuts.
• 3:54
  Speaker 1: Sorry, John, I'm relieved, so am I.
• 3:59
  Speaker 3: We have have a lot of exploring to do.
• 4:01
  Speaker 2: I'm all yours, Colonel Ronan.
• 4:04
  Speaker 3: You're with tailor Elizabeth, you're with me, or I'm with you,
• 4:07
  Speaker 3: however you want to put it.
• 4:09
  Speaker 2: Either way, your friendship is very important to me. I
• 4:15
  Speaker 2: would hate to do anything that makes you uncomfortable. Okay,
• 4:21
  Speaker 2: I'm uncomfortable. That does?
• 4:28
  Speaker 3: That does?
• 4:30
  Speaker 4: Oh?
• 4:30
  Speaker 3: We are at the very bottom of maybe right. He
• 4:33
  Speaker 3: was just experiencing the effects of the pressure.
• 4:35
  Speaker 1: I feel not as bad as that guy. You know what,
• 4:37
  Speaker 1: shut up?
• 4:38
  Speaker 4: You know what?
• 4:39
  Speaker 2: You shut up?
• 4:39
  Speaker 1: Hey, I don't hear Grayson complaining because I remember thinking, get.
• 4:45
  Speaker 2: Rodney's going on?
• 4:46
  Speaker 3: Really, what's going on?
• 4:48
  Speaker 1: We just lost the light?
• 4:49
  Speaker 3: And so Lanka, what are you doing?
• 4:52
  Speaker 2: What do you mean? What am I doing? I think
• 4:58
  Speaker 2: I think it's very appropriate your wearing your rate makes
• 5:00
  Speaker 2: Stargate great again, hat because those are some alternative.
• 5:03
  Speaker 1: Facts that you just played right there.
• 5:05
  Speaker 3: Or hey, all of those audio clips, apart from the
• 5:08
  Speaker 3: the music was from the episode.
• 5:12
  Speaker 4: I know.
• 5:12
  Speaker 2: They were very, very tastefully edited.
• 5:14
  Speaker 1: You know, my kids were watching that Simpsons episode this
• 5:17
  Speaker 1: week where he gets accused of sexual assault with the
• 5:19
  Speaker 1: babysitter and then he goes and that Yeah yeah, sweet.
• 5:25
  Speaker 2: Sweet sweet, ye give me some of that sweet sweet.
• 5:30
  Speaker 1: Because I was there. Aside from a couple of those things, yeah,
• 5:34
  Speaker 1: there there were more than what I had remembered.
• 5:36
  Speaker 3: Oh yeah, it was a lot.
• 5:37
  Speaker 2: There was a lot in there, and.
• 5:39
  Speaker 3: The docking one made me laugh. Yeah, you're glad you
• 5:41
  Speaker 3: came far right out, man, and like you need to.
• 5:45
  Speaker 2: Have some private time before you watch the episode just
• 5:48
  Speaker 2: to come. I think it's the breath, the breath of
• 5:51
  Speaker 2: your stuff.
• 5:52
  Speaker 3: I'm yours, colonel. Oh my god, do with me what
• 5:56
  Speaker 3: you will. I didn't write this.
• 5:58
  Speaker 2: I think you just I think you just you secretly
• 6:00
  Speaker 2: just actually like I want to be with Weir.
• 6:04
  Speaker 3: It's not a secret, it's it's it's you.
• 6:10
  Speaker 2: You pick on her because you know that you can
• 6:12
  Speaker 2: never have her, so you're just like, you know what,
• 6:14
  Speaker 2: I need to mentally just you know, separate myself from
• 6:17
  Speaker 2: her because you're obsessed with her. Probably Meanwhile McKay is
• 6:25
  Speaker 2: a terrible boss.
• 6:27
  Speaker 3: Oh yeah, like awful.
• 6:29
  Speaker 2: Just don't remember people's names to their face. And then
• 6:33
  Speaker 2: it's like, oh, I probably shouldn't have hired you, Greason.
• 6:35
  Speaker 2: I wanted to hire the guy that sounded like Robin.
• 6:39
  Speaker 3: What I like, I think it was Dick.
• 6:44
  Speaker 1: It was almost like a bit of a Stargate version
• 6:49
  Speaker 1: of you know, there's in this again and Simpsons check
• 6:52
  Speaker 1: God with with less than ten minutes into Sympsons of references,
• 6:54
  Speaker 1: but when they go to that Simpsons or the show
• 6:56
  Speaker 1: where they meet Adam West and he starts talking at
• 6:59
  Speaker 1: Robin and buzz like, who the hell's Robin because like
• 7:01
  Speaker 1: he's growing up in a time of Michael Keaton Batman
• 7:03
  Speaker 1: at that time, and like probably edging towards not edging
• 7:07
  Speaker 1: that wasn't send in this episode, towards like the val
• 7:09
  Speaker 1: Kilma time, but where like no one knew who Robin
• 7:11
  Speaker 1: was there for. I guess for a bit because they
• 7:13
  Speaker 1: just traded. I don't know, we're gonna we're gonna get
• 7:15
  Speaker 1: the boy, wondered.
• 7:15
  Speaker 2: From They kind of revisited that joke all after shirw
• 7:19
  Speaker 2: It's from your favorite show, The Big Bang Theory, where
• 7:21
  Speaker 2: they got Adam west On and they're driving him to
• 7:23
  Speaker 2: a party and they're all sitting in the car and
• 7:25
  Speaker 2: they're ranking all the like the best Batman, like from
• 7:28
  Speaker 2: first to last, and they all do their own lists
• 7:30
  Speaker 2: blah blah blah. And it gets to Adam west and
• 7:32
  Speaker 2: he goes, what's an affleck? He just has no idea.
• 7:37
  Speaker 1: That voice too saying that would be amazing. Yeah, just
• 7:40
  Speaker 1: the way that he had to really run through his
• 7:46
  Speaker 1: favorite cat woman. Here's only one cat woman and then
• 7:48
  Speaker 1: this one and then this one.
• 7:49
  Speaker 2: Yeah, this one.
• 7:50
  Speaker 1: That was just the way that he like he said
• 7:51
  Speaker 1: that that. He's like, oh, Dick Grayson, Bruce, Wayne's Ward.
• 7:54
  Speaker 1: And I'm like, other than just saying Robin, it was
• 7:56
  Speaker 1: just like I had to explain like what that person
• 7:58
  Speaker 1: was in that.
• 7:59
  Speaker 2: It doesn't it. Yeah. In twenty twenty four, though, you
• 8:01
  Speaker 2: have to use Ward in air quotes because we all
• 8:03
  Speaker 2: know Byby and his name was Burt Ward, so he
• 8:06
  Speaker 2: can't get away from it. So yeah, Bur Badman is like, Oh,
• 8:08
  Speaker 2: I'm going to have this young boy. He's gonna be
• 8:10
  Speaker 2: my Ward, and I'm going to put him in green
• 8:13
  Speaker 2: Dick stickers and tights and little pixie boots. Yeah, and
• 8:15
  Speaker 2: we got a fight crime together.
• 8:17
  Speaker 1: But the outside world is aware. I have this young
• 8:20
  Speaker 1: man living with me, and after a couple of years
• 8:22
  Speaker 1: he just disappears. Yeah, and I get another young boy
• 8:25
  Speaker 1: to take his place.
• 8:26
  Speaker 2: And then he appears later on Over eighteen comes back
• 8:29
  Speaker 2: in like full head to toe black leather and had
• 8:31
  Speaker 2: the most iconic ass in all of comics.
• 8:33
  Speaker 1: And he's got his own young people around him.
• 8:35
  Speaker 3: Yeah, like Jeffrey Epstein.
• 8:38
  Speaker 2: Yeah, same same way Magneto and Professor X were just friends.
• 8:42
  Speaker 5: Yeah, you grew up in the sixties, baby, Yeah, but
• 8:46
  Speaker 5: something that like Rodney was also I found like super
• 8:50
  Speaker 5: super disrespectful to Taylor, like unnecessarily so like when she's like,
• 8:54
  Speaker 5: oh yeah, I sense a Wraith and it's like she's
• 8:57
  Speaker 5: been known to sense Wraith, Like she can hilot a
• 9:00
  Speaker 5: freaking Wraith ship with her Wraith DNA, she could communicate
• 9:04
  Speaker 5: with Wraith like a star system away.
• 9:08
  Speaker 2: And he's like, but the censors say nothing, so you
• 9:11
  Speaker 2: must just be a retarded woman, like like bro, Like,
• 9:16
  Speaker 2: it's Taylor, she's your teammate and your friend, and when
• 9:20
  Speaker 2: you were dying a couple of weeks ago, you served
• 9:22
  Speaker 2: her like the tea service out of respect and now
• 9:25
  Speaker 2: you're just disrespecting her in front of everybody.
• 9:27
  Speaker 3: But that's her superpower. Yeah, she can.
• 9:31
  Speaker 2: That's the only reason we bring her on these missions.
• 9:33
  Speaker 2: Like now we have Ronan, he's the hand to hand
• 9:35
  Speaker 2: combat guy. When was the last time we saw Stale
• 9:38
  Speaker 2: Taylor actually fight with those sticks? You know, like now
• 9:41
  Speaker 2: she just walks around and tells people she trains them.
• 9:43
  Speaker 3: Yeah that's true, No it was. And yeah, Ronan's like,
• 9:48
  Speaker 3: your machines don't know everything. I'm like, yeah, they don't
• 9:51
  Speaker 3: know everything. Oh and then he just can apple iPad.
• 9:55
  Speaker 3: You should have zoomed out, you would seen a Wraith cruiser.
• 9:58
  Speaker 2: Yeah, yeah, he mut a little bit further.
• 10:00
  Speaker 3: Jesus I did.
• 10:02
  Speaker 1: Like between Ronan and Taylor where she's there about to
• 10:05
  Speaker 1: go back into the second time knowingly go in and
• 10:09
  Speaker 1: you know, mess with the Wraith the mind connection thing,
• 10:11
  Speaker 1: and she turns to Ronan and says, hey, you look,
• 10:14
  Speaker 1: just in case you want to have that thing, because
• 10:16
  Speaker 1: I've already do it, don't worry, I will, I'll take
• 10:18
  Speaker 1: care of you. And it was just like a mutual
• 10:20
  Speaker 1: like warrior thing. It's like, you know, let's leave friendship
• 10:23
  Speaker 1: out of this. You need to take me down. He's like, oh, absolutely,
• 10:26
  Speaker 1: Like you know that I love and respect you. We
• 10:28
  Speaker 1: can just not mention that I will kill you. In fact,
• 10:32
  Speaker 1: I hope you give me the chance, and I hope
• 10:33
  Speaker 1: that you hope that I'll.
• 10:34
  Speaker 2: Give you this.
• 10:34
  Speaker 3: Yeah, he wants to kill anything any chance he gets.
• 10:38
  Speaker 1: I'm underwater. My targets are very limited down here, so
• 10:41
  Speaker 1: give me something to.
• 10:42
  Speaker 3: Shoot every time. Shepherd's like stun and he's like, why, okay, bullshit.
• 10:48
  Speaker 2: I did you mentioned before? Redd? I do love the
• 10:51
  Speaker 2: idea that like that Wraith cruiser with the Queen and
• 10:53
  Speaker 2: it has been at the bottom of the ocean the
• 10:55
  Speaker 2: whole time.
• 10:56
  Speaker 3: Yeah, how long do you I was trying to figure
• 10:58
  Speaker 3: it out.
• 10:59
  Speaker 2: I would say ten thousand years since like the I'm
• 11:02
  Speaker 2: assuming yeah, because the link had that line with like
• 11:05
  Speaker 2: the amount of silk that's been over the top of it,
• 11:06
  Speaker 2: It's been there a really, really long time. Yeah, so
• 11:11
  Speaker 2: I'm assuming it's yeah, the last invasion of Atlantis that.
• 11:16
  Speaker 1: She was leading the first invasion.
• 11:18
  Speaker 2: Oh sorry, probably later, it's probably yeah.
• 11:23
  Speaker 3: Years, yeah, yeah, longer and longer than.
• 11:25
  Speaker 2: The Only thing that kind of stretches my belief in
• 11:28
  Speaker 2: that is the fact that she didn't sense anybody until now,
• 11:34
  Speaker 2: like do you or or the SNL version of this
• 11:39
  Speaker 2: is she sensed the siege back at the end of
• 11:42
  Speaker 2: season one, but she was just stuck in a ship
• 11:45
  Speaker 2: going would you mother come down here and get me,
• 11:47
  Speaker 2: because like, you know, it's established that it's like, you know,
• 11:50
  Speaker 2: Taylor was that Taylor, with her limited amount of wrath ability,
• 11:54
  Speaker 2: was able to make contact with the wraith at the
• 11:56
  Speaker 2: edge of the Solar system, so you would see the pressure. Yeah, yeah,
• 12:00
  Speaker 2: you'd think the queen would have would have sensed the
• 12:02
  Speaker 2: battle going on and being like, guys, I'm down here, true,
• 12:04
  Speaker 2: and could have talked to them and said, oh, come
• 12:06
  Speaker 2: get back, come get send Dart down. Yeah. Well, then again,
• 12:09
  Speaker 2: I guess it's a different different hives, so they could
• 12:11
  Speaker 2: they could have been the other queen just going sorry, sorry,
• 12:14
  Speaker 2: love bye. So she's just down, she's just down below,
• 12:18
  Speaker 2: just pissed, just like being like, oh my god, they're
• 12:20
  Speaker 2: right there and I can't get to them.
• 12:22
  Speaker 3: When they showed her swimming, I'm like, wouldn't that pressure
• 12:25
  Speaker 3: just kill her immediately? Yeah, And then kind of Raddick says,
• 12:28
  Speaker 3: you know, with their generation, it'd be hard to believe
• 12:30
  Speaker 3: but yeah, maybe she could have made it, and you're like, oh, okay,
• 12:33
  Speaker 3: so that's why she never made it to the surface.
• 12:35
  Speaker 2: Yeah, that was That was something I was actually wondering
• 12:37
  Speaker 2: whether Mitch actually noticed that, because Mitch is famous for
• 12:39
  Speaker 2: doing three things while he's watching Stargate, and there's just
• 12:41
  Speaker 2: this very very quick sort of cut to him, and
• 12:44
  Speaker 2: after like Rodney sends the two guys whose names he
• 12:46
  Speaker 2: doesn't really remember to go and scan from the jumper,
• 12:51
  Speaker 2: it just cuts away to this silent scene and just yeah,
• 12:54
  Speaker 2: of just like the Wraith queen swimming through the water.
• 12:57
  Speaker 2: I was like, if Mitch wasn't looking at the screen
• 12:59
  Speaker 2: at that very moment, he's going to be very confused. Yeah.
• 13:02
  Speaker 3: True, but it's going to be thinking she just she's
• 13:05
  Speaker 3: been on the she's been on the drilling pep for
• 13:08
  Speaker 3: the whole time.
• 13:08
  Speaker 2: Yeah.
• 13:08
  Speaker 1: Well, and up until that point, I think that's I
• 13:11
  Speaker 1: think that's what their intent was. Yeah, it was, and
• 13:14
  Speaker 1: that's probably why I didn't think about the fact that
• 13:16
  Speaker 1: what doesn't make sense that she wasn't able to sense
• 13:19
  Speaker 1: Wraith in the past, and the fact that this episode
• 13:21
  Speaker 1: is not that it is recconning stuff, but you're kind
• 13:23
  Speaker 1: of having to wreckon some details or make up its
• 13:26
  Speaker 1: own story and blah blahlah mess with with rape abilities
• 13:29
  Speaker 1: because they get close enough to the drilling station, and
• 13:32
  Speaker 1: then we just cut to that pre credit shot where
• 13:34
  Speaker 1: her eyes open. It's like, oh, well she's there, and
• 13:36
  Speaker 1: they're finally like they're coming closer to her, and so
• 13:40
  Speaker 1: that made sense when they're like, oh, no, life signs
• 13:42
  Speaker 1: are here. Yeah, oh that's weird. And then yeah, until
• 13:45
  Speaker 1: we see that that one shot of her swimming, and
• 13:48
  Speaker 1: at that point didn't it didn't necessarily look very human like.
• 13:51
  Speaker 1: It was obviously just a bit of you know, CGI
• 13:54
  Speaker 1: at the time, where like trying to create the human
• 13:56
  Speaker 1: body in the way that it moves look.
• 13:58
  Speaker 2: Like that scene from Harry Potter four whether all underwater?
• 14:00
  Speaker 1: Yeah yeah, yeah, well it would have been yeah, similar
• 14:03
  Speaker 1: enough time, So yeah, probably, I think because in my
• 14:06
  Speaker 1: head she was on the ship at the start, so
• 14:09
  Speaker 1: I wasn't thinking about the limitations of her powers are
• 14:12
  Speaker 1: being not in a plot hole, but at least a
• 14:16
  Speaker 1: question that I should have had. And then by the
• 14:17
  Speaker 1: time I realized, okay, well she's coming from away from
• 14:19
  Speaker 1: the ship, I was just thinking about what we were
• 14:21
  Speaker 1: getting told. Yeah, from that point.
• 14:23
  Speaker 2: It did also make me think though, It's like, Okay,
• 14:25
  Speaker 2: I could buy that her regenerative powers are what's stopping
• 14:27
  Speaker 2: her from being crushed by the pressure, And I'm like,
• 14:29
  Speaker 2: but do her a generative powers help her hold her
• 14:32
  Speaker 2: breath longer, like to swim, swim as far as she
• 14:36
  Speaker 2: had to do. And then at that point it's like, yeah,
• 14:39
  Speaker 2: so it's like, well, how far could she go? Did
• 14:41
  Speaker 2: she ever try to swim to the service? You know?
• 14:44
  Speaker 2: Are we just unaware of just how far down deep
• 14:47
  Speaker 2: they were? And that kind of thing. So yeah, it's
• 14:50
  Speaker 2: very very interesting, But it did also kind of it
• 14:53
  Speaker 2: it shined the light on my stupidity and my inability
• 14:57
  Speaker 2: to conceive the idea like the water pool like inside
• 15:02
  Speaker 2: the drilling platform, Like I get if you get like
• 15:04
  Speaker 2: a cup and turn it upside down and push it
• 15:06
  Speaker 2: down into water, the air pocket stays there. So in
• 15:09
  Speaker 2: my brain, I go, so, did they make the drilling
• 15:12
  Speaker 2: platform and then have to drop it in perfectly down?
• 15:15
  Speaker 2: Like I just can't understand how you can be underwater
• 15:20
  Speaker 2: in a room and have that pool there, Like.
• 15:22
  Speaker 1: I'm just as to water.
• 15:23
  Speaker 2: That should be yeah, that should just be flooding into
• 15:25
  Speaker 2: the places like my brain is just dumb in that way.
• 15:27
  Speaker 1: My mind takes me back to watching Deep Blue Sea
• 15:30
  Speaker 1: in ninety nine. Samuel at that same Samuel Jackson gets
• 15:33
  Speaker 1: absolutely more because they're they're there, they've been submerged. Yeah,
• 15:36
  Speaker 1: and there is that too. They go, this is how
• 15:38
  Speaker 1: we can escape. We're underwater. There's no way to get
• 15:40
  Speaker 1: out up top. But if we take this ship or
• 15:43
  Speaker 1: something and we go out that pool at the bottom
• 15:45
  Speaker 1: of the or the opening at the bottom of the
• 15:47
  Speaker 1: of the station, and then yeah, they mess with the
• 15:49
  Speaker 1: pressure and all of a sudden, that thing just shoots
• 15:51
  Speaker 1: like skyrockets up, this funnel of sea water coming up.
• 15:55
  Speaker 1: So yeah, it's obviously yeah, perfectly pressurized and whatnot. So
• 15:59
  Speaker 1: we found out when when Ronan missed, as he said,
• 16:03
  Speaker 1: was a little whoopsie of the and at least it
• 16:05
  Speaker 1: knocked down everybody. It wasn't like it put them out
• 16:07
  Speaker 1: of commission and the Raith game runs off.
• 16:09
  Speaker 2: She just swam through it.
• 16:10
  Speaker 1: She'd been Yeah, she'd been knocked out just as much.
• 16:12
  Speaker 2: So what occurred to me in that scene though, is
• 16:16
  Speaker 2: that's when like John walks into the jumper and old
• 16:19
  Speaker 2: mate is sitting at the chair and he grabs his
• 16:22
  Speaker 2: shoulder and then realized he's been fed on. We never
• 16:24
  Speaker 2: find the second body of the other guy. We never
• 16:27
  Speaker 2: find out if he survived. They just aweary Yeah, Dixon, Davidson,
• 16:31
  Speaker 2: Dixon whatever, Dickson, Yes, as far as I'm aware, Like,
• 16:36
  Speaker 2: we don't ever find out where that he survived or
• 16:39
  Speaker 2: we don't find his body.
• 16:41
  Speaker 3: Well, imagine how hungry she would be after that long,
• 16:44
  Speaker 3: Like she's she would have just seen Gray graydon with
• 16:46
  Speaker 3: a d and just just mould him, just gone for
• 16:50
  Speaker 3: the And how she resists, Like the plot said that
• 16:53
  Speaker 3: she resisted to eat Dickinson. Sorry, just making eye contacted
• 17:01
  Speaker 3: you getting Shepherd into the towards the puddle jumper. That
• 17:06
  Speaker 3: was kind of her plan, right to get him. That's
• 17:08
  Speaker 3: why she didn't just eat him immediately.
• 17:10
  Speaker 2: Yeah, Yeah, because I did see some trivia and I
• 17:13
  Speaker 2: was like, yeah, I could kind of buy that where
• 17:15
  Speaker 2: someone was kind of saying a bit if he like
• 17:17
  Speaker 2: for the joke for him to be able to go
• 17:19
  Speaker 2: and tap that guy on the shoulder to spit him out,
• 17:21
  Speaker 2: to realize he was just a corpse. They're like, well,
• 17:23
  Speaker 2: wouldn't his hair have been white from being fed on? Yeah? True,
• 17:26
  Speaker 2: But I mean, not everyone goes great, do they? I
• 17:28
  Speaker 2: feel like not everyone.
• 17:30
  Speaker 3: The feet when they get fed on. I think it's
• 17:33
  Speaker 3: kind of a different.
• 17:36
  Speaker 2: Yeah, like in life, like does everyone.
• 17:39
  Speaker 1: I reckon, I'm going to go. I reckon, I'm going
• 17:41
  Speaker 1: to go, Steve Martin, I reckon, I'm gonna go white,
• 17:43
  Speaker 1: you know, like I'm thirty eight and change. And I've
• 17:46
  Speaker 1: got a few grays in that coming through, especially in
• 17:49
  Speaker 1: the chest hair region, and they are white, but.
• 17:51
  Speaker 2: Maybe wait till they show up a little down the
• 17:54
  Speaker 2: dark brown.
• 17:55
  Speaker 1: Yeah, but I've got like the mister fantastics going on,
• 17:57
  Speaker 1: like the sort of upper sideburns set of area, and
• 18:00
  Speaker 1: they seem more white than they do.
• 18:01
  Speaker 2: Great look in the safety of the podcast, though, I
• 18:03
  Speaker 2: feel like you are a fine wine. Like I shared
• 18:05
  Speaker 2: a picture of us from the Guardians of the Galaxy
• 18:08
  Speaker 2: movie premiere like ten years ago the other day. You've
• 18:11
  Speaker 2: had a massive glow up since that point. So I
• 18:14
  Speaker 2: feel like you age quite well. So I think whatever
• 18:17
  Speaker 2: it is, it's gonna work.
• 18:18
  Speaker 1: For you know, for the longest time I said, I
• 18:19
  Speaker 1: want to age great. I don't want to do any
• 18:20
  Speaker 1: of this stupid shit about it for going bald and
• 18:23
  Speaker 1: go on board my old man was gone bald and
• 18:24
  Speaker 1: he's twenty two, so I know that's my future.
• 18:27
  Speaker 2: That's fine. Well, isn't that old wives tale about how
• 18:30
  Speaker 2: you actually get the Baldens gene from your mother's side.
• 18:32
  Speaker 1: Mother's father. But I reckon, I reckon it's a bit
• 18:35
  Speaker 1: of half half between I think your mum, your maternal grandfather,
• 18:39
  Speaker 1: and you straight up your old man. I reckon it's
• 18:41
  Speaker 1: a nice mix in me.
• 18:42
  Speaker 2: I mean, you and Lincoln definitely have your father's hairline,
• 18:45
  Speaker 2: like fourteen wise.
• 18:46
  Speaker 1: Yeah, but where we've lasted a lot longer, Like I'm
• 18:48
  Speaker 1: sixteen years on from when my old man was starting
• 18:50
  Speaker 1: to get the fry tuck going on. And I reckon
• 18:52
  Speaker 1: that my maternal grandfather's side of it is like it's
• 18:55
  Speaker 1: a battle, yeah, and I don't know who's gonna win.
• 18:57
  Speaker 2: Yeah.
• 18:57
  Speaker 1: I think I end up just calling a truce and
• 19:00
  Speaker 1: it's like going and go that's it, and then I'll
• 19:02
  Speaker 1: go then I'll go white.
• 19:03
  Speaker 3: Yeah, It'll be like, oh, I want to if I
• 19:06
  Speaker 3: got to forty and I wasn't completely bald.
• 19:08
  Speaker 2: Yeah yeah, same same, And I'm like three weeks away
• 19:11
  Speaker 2: from that.
• 19:11
  Speaker 1: So well, when they go, we had it tougher back
• 19:13
  Speaker 1: then You're like, no, you didn't. Well maybe maybe or
• 19:16
  Speaker 1: maybe she saw the preservatives we keep eating. That's that's
• 19:18
  Speaker 1: what I Everyone's goes, Oh, well, you know, like like
• 19:21
  Speaker 1: Sarah looks at me and she's like, oh, you've got
• 19:22
  Speaker 1: a wrinkle. She's like she's younger than me, and she's like, oh,
• 19:24
  Speaker 1: I look so much older than It's just eat more
• 19:27
  Speaker 1: shit food. I'm sure, Like it's just all the chemicals
• 19:30
  Speaker 1: I'm pumping into my sud.
• 19:31
  Speaker 3: So my wife says, And I'm like, that's because I smile.
• 19:33
  Speaker 2: Just go.
• 19:37
  Speaker 1: It uses less muscles.
• 19:39
  Speaker 2: I did see a thing on TikTok though, where they
• 19:41
  Speaker 2: say like our generation is actually aging really really well
• 19:44
  Speaker 2: and that and there's like the next year like jen
• 19:47
  Speaker 2: Z or whatever, like they're they're twenty five looking like
• 19:50
  Speaker 2: they're forty already, and where all forty looks.
• 19:53
  Speaker 3: They're stressed about like global warming and stuff.
• 19:55
  Speaker 2: Yeah.
• 19:55
  Speaker 3: Yeah, chill, guys, Well that's.
• 19:57
  Speaker 2: What they want to do. They want to chill.
• 19:59
  Speaker 3: You don't want we don't want a nice age again.
• 20:03
  Speaker 1: Meet in the middle somewhere. My kids the other they
• 20:05
  Speaker 1: were like, oh, what do you want? You know, what's
• 20:07
  Speaker 1: the one thing you want or something to each other
• 20:08
  Speaker 1: in life, and one of my boys said, I want
• 20:10
  Speaker 1: to live to I'm one hundred and ten. He goes,
• 20:12
  Speaker 1: but I know that's not going to happen, And my
• 20:14
  Speaker 1: wife's like, well it might. By the time you get old,
• 20:16
  Speaker 1: that might be the norm. You know, like, yeah, you
• 20:18
  Speaker 1: think about what people are, you know, the average if
• 20:21
  Speaker 1: you're old enough to you know, oh sorry, if you're
• 20:23
  Speaker 1: lucky enough to get to a stage where you can
• 20:25
  Speaker 1: get to your nineties and die of quote unquote natural
• 20:28
  Speaker 1: causes or something, or just your your body not being
• 20:31
  Speaker 1: able to fight off stuff like it used to. You know,
• 20:34
  Speaker 1: it's a lot older than what it was twenty years ago,
• 20:37
  Speaker 1: fifty years ago, where people were not making it that old.
• 20:39
  Speaker 1: So maybe by the time my kid, who's nine, if
• 20:42
  Speaker 1: he wants to see out another one hundred and one
• 20:44
  Speaker 1: years of life, he might be able to.
• 20:46
  Speaker 2: Hey. Fun fact, the day after my birthday will be
• 20:49
  Speaker 2: when we premiere Unending.
• 20:51
  Speaker 1: Oh shit, bro, nice.
• 20:55
  Speaker 2: You unending youth cloth.
• 20:58
  Speaker 1: You maybe forty on paper mate, but you'll forever be
• 21:00
  Speaker 1: in your thirties.
• 21:01
  Speaker 2: Yeah, young.
• 21:05
  Speaker 3: I just didn't like the Wraiths plan. I get that
• 21:09
  Speaker 3: she took over Taylor's body, which was.
• 21:12
  Speaker 2: Cool, yeah. I mean, we'd all did that if we could.
• 21:16
  Speaker 1: But when we are first in line, she's made that
• 21:18
  Speaker 1: very clear.
• 21:19
  Speaker 3: But when you get Taylor to kind of unlock the
• 21:23
  Speaker 3: areas of the ship where you can get to the
• 21:25
  Speaker 3: puddle jumper, go to the puddle jumper, maybe hide in
• 21:28
  Speaker 3: the in the storage under the seats, yeah, and then
• 21:33
  Speaker 3: get out.
• 21:34
  Speaker 2: Yeah, because Taylor, maybe maybe the Queen was under the
• 21:38
  Speaker 2: impression that Taylor knew how to fly the puddle jumper
• 21:40
  Speaker 2: and she's a wife, I can take over Taylor.
• 21:42
  Speaker 3: Or she just destroyed the drilling platform and everything and
• 21:45
  Speaker 3: then made it really sucks like everyone was suspicious of
• 21:48
  Speaker 3: Taylor and then they knew that the Wraith Queen was there.
• 21:50
  Speaker 3: When you just kind of play along.
• 21:52
  Speaker 2: Well, no, she was trying to, like she activated all
• 21:55
  Speaker 2: the force fields and stuff. I think she was trying
• 21:56
  Speaker 2: to isolate everybody in the station and to give her
• 22:00
  Speaker 2: like a clear line to the puddle Jumper.
• 22:03
  Speaker 3: Okay, and then but yeah, she needed kind of gave
• 22:05
  Speaker 3: herself away though I don't think she needed to do that. Yeah,
• 22:08
  Speaker 3: I think that.
• 22:09
  Speaker 2: I think the problem was when she instructed Taylor to
• 22:11
  Speaker 2: just like shooting.
• 22:12
  Speaker 3: Up probably kicking.
• 22:16
  Speaker 2: Well, no, that that brought us some time, that brought
• 22:18
  Speaker 2: her the time to go and activate.
• 22:19
  Speaker 3: It could have just slipped away, I feel.
• 22:21
  Speaker 2: But yeah, no, that's true. I suppose, but I guess,
• 22:25
  Speaker 2: you know, she's behind the curve. She's been asleep for
• 22:27
  Speaker 2: ten thousand years, so I guess she's behind the curve
• 22:30
  Speaker 2: and knowing who they are and what they are probably
• 22:31
  Speaker 2: would have taken her time to.
• 22:33
  Speaker 3: It's funny though, because Taylor's like calling them all by
• 22:36
  Speaker 3: their name, by their names as soon as she got
• 22:38
  Speaker 3: taken over, and yeah, we haven't seen that so far,
• 22:42
  Speaker 3: that a Wraith queen can do that.
• 22:44
  Speaker 2: Yeah, because you have to imagine too. It's like, I
• 22:46
  Speaker 2: guess it's that weird thing of like Wraith don't naturally
• 22:50
  Speaker 2: speak English, so you know, is she speaking and Taylor's
• 22:55
  Speaker 2: brain is naturally translating, or you know, is the queen
• 22:58
  Speaker 2: speaking English. I guess she'd know the queen later.
• 23:01
  Speaker 3: We've had that before where the Queen's like the queen
• 23:04
  Speaker 3: took over I think it was in the previously on
• 23:05
  Speaker 3: and Taylor's like, you're all going to die.
• 23:08
  Speaker 2: Well, no, that wasn't that wasn't a queen though. I
• 23:10
  Speaker 2: think this is the first time she's been that she's
• 23:11
  Speaker 2: been brained to brain with a queen. Last time it
• 23:14
  Speaker 2: was just a normal Wraith general guy. Yeah, yeah, yeah,
• 23:19
  Speaker 2: so because didn't she say this is the most powerful
• 23:21
  Speaker 2: mind or something which does a lot about this the
• 23:22
  Speaker 2: most powerful mind she's encountered, or yeah, hundred years old.
• 23:25
  Speaker 3: So yeah. That was the new part for me, was
• 23:28
  Speaker 3: that they could take over Taylor's mind, get her memories,
• 23:32
  Speaker 3: and use that to their advantage, which we hadn't seen.
• 23:35
  Speaker 2: Yeah, maybe it's a queen specific thing.
• 23:37
  Speaker 1: Yeah, I know, it was the only things we learned
• 23:40
  Speaker 1: after the fact, but I wish I'm like it, could
• 23:43
  Speaker 1: it be a protocol like if they come across race
• 23:46
  Speaker 1: across Wraith that they know have been dormant for so long,
• 23:49
  Speaker 1: which they didn't again until that was far too late
• 23:51
  Speaker 1: with this one, where they could you know, like this
• 23:54
  Speaker 1: one's been asleep essentially, she keeps waking up, but she's
• 23:57
  Speaker 1: by herself every thousand years or so, and then and
• 23:59
  Speaker 1: it goes back an hibernation.
• 24:01
  Speaker 2: Just does a fall like weird before I sleep to
• 24:04
  Speaker 2: check it gets gets the gets the cruiser.
• 24:07
  Speaker 1: Okay, sometimes that's the only way you can get to
• 24:09
  Speaker 1: a good sleep really quickly.
• 24:10
  Speaker 2: I mean, Raith cruises are organic in nature, so who
• 24:13
  Speaker 2: knows what they can you know, grow for her.
• 24:14
  Speaker 1: Exactly that you know they I'd like to see a
• 24:20
  Speaker 1: version of this where they put the spin on her
• 24:21
  Speaker 1: going they wake her up, you know, she wakes up like,
• 24:23
  Speaker 1: oh my god, Wow, wonderful to see you, and like
• 24:26
  Speaker 1: play out the fact that, oh, that war that ended
• 24:28
  Speaker 1: ten thousand years ago, we are the best of stuff
• 24:30
  Speaker 1: friends right now. You know that she wakes up, she's like,
• 24:32
  Speaker 1: I got a feet on you. It's like, oh no,
• 24:36
  Speaker 1: you can't say, you can't say, I'm so sorry. No,
• 24:39
  Speaker 1: you guys are vegan now, like Lisa Simpsons, you don't
• 24:45
  Speaker 1: need anything that casts a shadow anymore. Yeah, and just
• 24:49
  Speaker 1: to see what, you know, just see like I know
• 24:51
  Speaker 1: that they've already tried to, you know, pull the wool
• 24:53
  Speaker 1: over Michael's eyes, but I mean by you know, completely
• 24:58
  Speaker 1: erasing his former self and giving him in your persona,
• 25:00
  Speaker 1: so it was a little bit more invasive, but just
• 25:02
  Speaker 1: to try and.
• 25:03
  Speaker 2: Go, hey, this is wonderful.
• 25:04
  Speaker 1: And if they don't buy it, it's like, okay, cap
• 25:06
  Speaker 1: him in the head. But at least we tried before
• 25:08
  Speaker 1: they start murdering people. But she'd taken over Taylor before
• 25:11
  Speaker 1: they even knew that she was there, So that's a shame.
• 25:14
  Speaker 3: I like to the start how Taylor said shotgun to Rodney.
• 25:19
  Speaker 2: Shotgun is it? Come on?
• 25:24
  Speaker 3: I just found it nice that she was kind of
• 25:26
  Speaker 3: learning earth lingo and then also not talking year old English.
• 25:31
  Speaker 2: Yeah.
• 25:32
  Speaker 3: Yeah, and she was just like felt that more.
• 25:34
  Speaker 2: Now just get me out of the back of this
• 25:36
  Speaker 2: job with Harley's Nerds. Shotgun is it? Yeah, yeah, get
• 25:39
  Speaker 2: back there with your team. Yeah, you're the science guy.
• 25:42
  Speaker 2: You go back there and deal with your team people.
• 25:46
  Speaker 2: And it was yeah, don't, don't. Don't put the dark
• 25:49
  Speaker 2: skin girl on the back of the bus.
• 25:50
  Speaker 1: Mate, And it would be such a mackay and he'd be,
• 25:54
  Speaker 1: what are you a child? She's coming with his shotgun.
• 25:57
  Speaker 2: He's like, god, damn it, you used to see gun.
• 26:00
  Speaker 1: I have to go back. But I like that as
• 26:02
  Speaker 1: like full of himself and as as much as he
• 26:05
  Speaker 1: doesn't like to take responsibility for his own miss Like
• 26:07
  Speaker 1: in the moment, it had obviously been going on that
• 26:09
  Speaker 1: long that when he went into the back and they're like,
• 26:12
  Speaker 1: doctor McKay's like, oh, I only said I knew where
• 26:14
  Speaker 1: it last was.
• 26:15
  Speaker 2: I don't know where it is.
• 26:16
  Speaker 1: Shut up, And I'm like, oh, this has been going
• 26:18
  Speaker 1: on for a long time, to the point where even
• 26:20
  Speaker 1: you know, you've probably meant, you've gone past the idea
• 26:23
  Speaker 1: that you can blame the ship. You've gone past the
• 26:25
  Speaker 1: idea where you know that everyone else can just sort
• 26:26
  Speaker 1: of like, we'll give you the benefit of the doubt.
• 26:28
  Speaker 1: You're actually having to start going yeah, okay, I might.
• 26:31
  Speaker 3: I guess that he was so confident that's why everybody came.
• 26:34
  Speaker 1: Yeah, yeah, yeah, maybe that's why we was there. We
• 26:37
  Speaker 1: wasn't gonna come. He's like, no, no, no, Elizabeth trus but
• 26:40
  Speaker 1: you want to see this.
• 26:41
  Speaker 2: It's amazing fun fact though, because of the way they
• 26:44
  Speaker 2: did that that opening thing and Elizabeth being on the
• 26:47
  Speaker 2: mission with us, I think it might be the first time.
• 26:50
  Speaker 2: I'm not too sure, but we don't see the interior
• 26:53
  Speaker 2: of Atlantis this entire episode. Yeah, Like it's just that
• 26:56
  Speaker 2: shot where we just see the external CGI shot and
• 26:58
  Speaker 2: then it just pans down into the water. So there's
• 27:00
  Speaker 2: actual no shots filmed on Atlantis this episode.
• 27:04
  Speaker 3: Actually, like enjoyed this episode. I feel like it's the
• 27:07
  Speaker 3: best episode of kind of any stargate that we've had
• 27:10
  Speaker 3: for a fair few weeks.
• 27:12
  Speaker 2: Yeah, I really like it. It's something I talked about
• 27:15
  Speaker 2: back in was it phantom not phantoms? The other one
• 27:18
  Speaker 2: I get confused with phantoms were the one with the flatgisalis.
• 27:23
  Speaker 2: I like this, Yeah, add that to your supercut. I
• 27:30
  Speaker 2: just I like the episodes. I guess in a way
• 27:33
  Speaker 2: it's and given that you know nothing was filmed on
• 27:35
  Speaker 2: it's almost like the Lands equivalent of a Joe and
• 27:37
  Speaker 2: Paul episode. Like I like exploring the planet, like the
• 27:42
  Speaker 2: flagisalis element of it, this element of knowing that that
• 27:46
  Speaker 2: you know it's been down there this whole time, and
• 27:48
  Speaker 2: you know, no spoilers for Mitch, but this isn't the
• 27:50
  Speaker 2: last time we see the drilling platform. It is a
• 27:53
  Speaker 2: plot point in a future episode. So I like the
• 27:56
  Speaker 2: historyonics of it.
• 27:58
  Speaker 1: And they've got to be more out there, right are they.
• 28:00
  Speaker 3: Well we'll get to it's aersions on the mainland potatoes.
• 28:06
  Speaker 3: Yeah they do.
• 28:08
  Speaker 2: There is well you.
• 28:09
  Speaker 1: Grew a potato. We're drilling into the core.
• 28:12
  Speaker 2: There is a certain point where they make a choice
• 28:15
  Speaker 2: where we don't have these kind of storytelling options anymore.
• 28:19
  Speaker 2: I'm trying to get around it as much as I can.
• 28:22
  Speaker 2: But to me, I think that's a big loss for
• 28:24
  Speaker 2: the show for at least for me. Maybe that's why
• 28:26
  Speaker 2: I'm not a huge fan of like season five in particular,
• 28:29
  Speaker 2: because Yeah, I just feel like I like this kind
• 28:32
  Speaker 2: of stuff where we can get into the history of
• 28:35
  Speaker 2: the planet, like because it's it's it's this weird dichotomy
• 28:38
  Speaker 2: of like where we're living on this show in the
• 28:42
  Speaker 2: most futuristic sort of space age technology we could ever
• 28:45
  Speaker 2: possibly imagine, Like it's so much more advanced than anything
• 28:48
  Speaker 2: we've got on SG one, but it's a million years
• 28:52
  Speaker 2: old and it's and it's been abandoned for ten thousand years. Like,
• 28:56
  Speaker 2: So that's the part, and I think that's the at
• 28:59
  Speaker 2: the core of Starget SG one. That's the fun element
• 29:03
  Speaker 2: that I think we enjoy is that it's it's aliens
• 29:06
  Speaker 2: and spaceships and stuff like that ancient, but they're ancient
• 29:10
  Speaker 2: Egyptian pyramid spaceships, you know what I mean. It's that
• 29:13
  Speaker 2: dichotomy of those two things. So I think, yeah, moving forward,
• 29:17
  Speaker 2: when we can't explore things like the Flag of Sallus
• 29:20
  Speaker 2: the and the drilling platform anymore, I think it's a
• 29:24
  Speaker 2: loss for the show. And that's why I really really
• 29:26
  Speaker 2: like this episode.
• 29:27
  Speaker 3: If they had, Yeah, if there was more ancient things
• 29:33
  Speaker 3: they could yeah, I feel like feel like they go
• 29:36
  Speaker 3: around this galaxy and there's not much ancient tech or
• 29:40
  Speaker 3: architecture any Yeah, and I.
• 29:41
  Speaker 2: Feel like moving forward, all the mysteries from now on
• 29:44
  Speaker 2: are like just limited to the city, Like we just
• 29:46
  Speaker 2: keep finding these rooms, Like we've been here for three
• 29:49
  Speaker 2: years now, and somehow we still haven't explored the entire
• 29:52
  Speaker 2: city yet.
• 29:53
  Speaker 3: Especially when they can literally bring anyone over now.
• 29:57
  Speaker 2: Yeah, and we have the transporters that you can can
• 29:59
  Speaker 2: bring it thousand people and it's like you have to
• 30:01
  Speaker 2: walk from one side of the city to the other.
• 30:03
  Speaker 2: You can jump in in the transporters and just go Okay. Well,
• 30:06
  Speaker 2: for the next three months, we're exploring just the East
• 30:09
  Speaker 2: Pier and that's it. We're all just all hands on deck.
• 30:12
  Speaker 2: We're just exploring the East Pier because it's not even
• 30:14
  Speaker 2: like like season one, it was, no, we have to
• 30:18
  Speaker 2: get out and make allies and find ZPMs zedpms to
• 30:22
  Speaker 2: protect ourselves, and now it's like, well we have we
• 30:25
  Speaker 2: have a ZZPM to protect our cells. I mean, it's yeah,
• 30:28
  Speaker 2: it's down to it's getting pretty low after Rogers sort
• 30:31
  Speaker 2: of screwed us over. But it's like we have a
• 30:33
  Speaker 2: couple that we you know, and we've got the Deadalists,
• 30:35
  Speaker 2: and we can dial Earth when we need to, and
• 30:37
  Speaker 2: we've got the Midway station. So it's like, I know,
• 30:40
  Speaker 2: it's probably not going to make us good TV, but
• 30:42
  Speaker 2: I think because these shows are written so well and
• 30:45
  Speaker 2: we feel like it's the real world, that's I think
• 30:47
  Speaker 2: that's why we get critical of it and go, oh,
• 30:50
  Speaker 2: why are they just doing this?
• 30:51
  Speaker 3: This makes so much sense, So I feel like they
• 30:55
  Speaker 3: should just have the dead List, not really ferrying things anymore,
• 30:59
  Speaker 3: and just be in Atlantis as like this is our
• 31:03
  Speaker 3: galactic ship for Pegasus, and then they can just go
• 31:06
  Speaker 3: back and forth through the through the bridge or use
• 31:09
  Speaker 3: y use the zen PM from the Odyssey in the SGC.
• 31:15
  Speaker 2: Yeah. Well, it's also like, well, we've got a whole
• 31:18
  Speaker 2: garage full of jumpers, so it's like we don't have
• 31:21
  Speaker 2: to have one jumper just farying back and forward through
• 31:23
  Speaker 2: Midway for supplies. We could have half a dozen and
• 31:27
  Speaker 2: it's just these And it's a good way to train
• 31:29
  Speaker 2: up pilots as well, because there is a future episode
• 31:31
  Speaker 2: where we need a bunch of pilots at once, and
• 31:34
  Speaker 2: they're all absolutely acoustic when it comes to trying to
• 31:38
  Speaker 2: fly a ship, and it's like, well, here would be
• 31:40
  Speaker 2: a great thing if you had to just be like, okay,
• 31:41
  Speaker 2: what's your job to you know, fly the fly the
• 31:44
  Speaker 2: jumper to and from Earth through Midway and get supplies. Yeah.
• 31:49
  Speaker 3: I mean I feel like they should just be populating
• 31:51
  Speaker 3: this entire city.
• 31:52
  Speaker 1: Yeah, yeah, even just the idea that. I mean, again,
• 31:55
  Speaker 1: I don't know how far they get, but we keep
• 31:56
  Speaker 1: talking about how big it is and it's and every
• 31:59
  Speaker 1: couple of episodes they'll talk about the fact that there's
• 32:01
  Speaker 1: a place that they haven't explored yet and how much
• 32:03
  Speaker 1: of the city they don't know about just bringing in
• 32:06
  Speaker 1: research teams, it's like, hey, you're going to go over there.
• 32:08
  Speaker 1: It's like you're a fly and fly out worker. You're
• 32:12
  Speaker 1: going to come in for a time.
• 32:13
  Speaker 2: God f folded lanterns. That would be amazing.
• 32:16
  Speaker 1: You're coming in for a week and we're going to
• 32:18
  Speaker 1: stick you on the farthest part of the city and
• 32:20
  Speaker 1: you're just going to map that area and then you're
• 32:22
  Speaker 1: back home, back home for a week. We don't have
• 32:25
  Speaker 1: the supplies to keep you on full time, but we're
• 32:27
  Speaker 1: just going to bring you in and you're essentially going
• 32:29
  Speaker 1: on a You bring your own supplies and we're just
• 32:31
  Speaker 1: going to ship you over there. We don't want nothing
• 32:33
  Speaker 1: to do with you. Give us a call if you're
• 32:35
  Speaker 1: get into trouble for whatever reason, but otherwise, feed yourselves whatever,
• 32:38
  Speaker 1: and we'll see in a week. And then we bring
• 32:41
  Speaker 1: in another team and that team has a week to
• 32:43
  Speaker 1: go home, recover whatever they need to do, but just
• 32:46
  Speaker 1: to start mapping out this.
• 32:47
  Speaker 2: So they're not making they're not making mistakes like Beckett
• 32:49
  Speaker 2: working a month straight. Yeah, oh what happens there? Speaking
• 32:53
  Speaker 2: of I forgot to mention in Sunday, I mentioned it
• 32:57
  Speaker 2: a couple of weeks earlier that Sunday wasn't the last
• 33:00
  Speaker 2: episode Paul mcgillian filmed. So the episode he was in
• 33:05
  Speaker 2: before Sunday, so he wasn't in the arc, I don't think,
• 33:08
  Speaker 2: so it would have been the game. He filmed the
• 33:10
  Speaker 2: game after Sunday, so they killed him wow, and then
• 33:13
  Speaker 2: brought him back to do the game or Tale Rodney,
• 33:16
  Speaker 2: whatever it was, whatever his last one was before that.
• 33:18
  Speaker 1: So I appreciate so much when I hear about productions,
• 33:21
  Speaker 1: film or TV. Where they film they don't have to
• 33:23
  Speaker 1: film the entire thing chronologically. I appreciate when I hear
• 33:27
  Speaker 1: that a production does. It's a smaller one where it's
• 33:30
  Speaker 1: easy to do it, but where you do have a
• 33:31
  Speaker 1: character film their final scene in the script as their
• 33:35
  Speaker 1: final scene on set, like I know pickups are going
• 33:38
  Speaker 1: to come, but that big sort of crescendo where they
• 33:40
  Speaker 1: say okay, ladies and gentlemen, Paul mcgillicardy is that's it'.
• 33:44
  Speaker 1: That's a wrap on doctor Beckett and everyone sort of
• 33:46
  Speaker 1: cheers when it's that moment where he's out in the
• 33:49
  Speaker 1: middle of the green stam yeah you know, yeah, a
• 33:51
  Speaker 1: we're going to see next week where you actually play
• 33:53
  Speaker 1: like very little importance in this story about a video
• 33:56
  Speaker 1: game that's gone bad.
• 33:59
  Speaker 2: I'll get it that one for this. But they did
• 34:00
  Speaker 2: that in the Next Generation back in season one when
• 34:03
  Speaker 2: they killed off a main character. They killed off like
• 34:05
  Speaker 2: three quarters of the way through the first season, but
• 34:07
  Speaker 2: they didn't make it her last episode. So if you
• 34:09
  Speaker 2: look at the previous episode before her characters killed, there's
• 34:13
  Speaker 2: like Patrick Stewart and Gainst macfadden like walking out of
• 34:15
  Speaker 2: the cargo bay and this characters in the far far background,
• 34:18
  Speaker 2: just like doing busy work and blinket you'll miss it
• 34:21
  Speaker 2: as like the cargo bay doors close, you see her
• 34:23
  Speaker 2: just turn, look directly at the camera and go and
• 34:25
  Speaker 2: just wave and smile because that was her last scene
• 34:28
  Speaker 2: she ever filmed, because she had already filmed this episode
• 34:30
  Speaker 2: where she dies, and it was like eighty nine or
• 34:33
  Speaker 2: whatever it was, so no one noticed it until like
• 34:35
  Speaker 2: after it was broadcast.
• 34:36
  Speaker 3: Wow, it's incredible and your eighty six inch screen, Yeah,
• 34:40
  Speaker 3: I see that what.
• 34:43
  Speaker 1: You asked for.
• 34:43
  Speaker 2: An otherwise, that's fine.
• 34:44
  Speaker 1: I feel like that's like a soft one because like
• 34:47
  Speaker 1: it's a it's a record so hard.
• 34:52
  Speaker 2: I'll take it that we're getting towards the end anyway,
• 34:54
  Speaker 2: so I'll take it that too. Because there was also
• 34:56
  Speaker 2: the force fields, like the little force fields in the
• 34:59
  Speaker 2: corridors direct ripoff from Deep Space nine and the way
• 35:06
  Speaker 2: they have like.
• 35:07
  Speaker 3: The rip off from Stargate, the no the.
• 35:09
  Speaker 2: Bars down the side, and the way they move in
• 35:11
  Speaker 2: the corridor direct rip off. And then also, uh, we'll
• 35:19
  Speaker 2: get to that when when was the steep Space nine
• 35:21
  Speaker 2: episode ninety two. Yeah, it was like it was like
• 35:25
  Speaker 2: a recurring CG effect that they used. But also in
• 35:29
  Speaker 2: Deep Space nine, they had the Defiant, which was their ship,
• 35:32
  Speaker 2: and it was this little like tight ship and in
• 35:35
  Speaker 2: the crew quarters there was like bunk beds everywhere, and
• 35:38
  Speaker 2: the bunk beds in this in the in the drilling
• 35:40
  Speaker 2: platform very much remind me of the Defiant as well.
• 35:43
  Speaker 2: So that's that's my rant on Star Trek. But yeah,
• 35:49
  Speaker 2: the cellophane I heard in the audio commentary they brought
• 35:53
  Speaker 2: that gag back for this, and Jason mcmill actually did
• 35:56
  Speaker 2: run into a wall of cellophane for when he did
• 35:59
  Speaker 2: his been running into it.
• 36:01
  Speaker 1: Held in there for a while too. I expected to
• 36:03
  Speaker 1: be more of like a bounce off effect, but he
• 36:05
  Speaker 1: sort of got stuck there for.
• 36:06
  Speaker 2: A little while.
• 36:07
  Speaker 1: Yeah, you know, kind of like one of those things.
• 36:09
  Speaker 3: It would have been better as a snap back, like
• 36:11
  Speaker 3: you see it if they cut a couple of frames earlier.
• 36:14
  Speaker 2: Yeah, kind of like he was almost acting like it
• 36:16
  Speaker 2: was like electrocuting him as well at the same time,
• 36:18
  Speaker 2: whereas like, yeah, Jack just kind of bounced off and
• 36:20
  Speaker 2: it was yeah, yeah, there wasn't at a punitive element
• 36:24
  Speaker 2: to it. The airlock though, So in the shots where
• 36:29
  Speaker 2: John's approaching the puddle jumper and you see like the
• 36:33
  Speaker 2: puddle jumpers like docked in the in the little anus
• 36:37
  Speaker 2: of the of the dock, of the drill, of the
• 36:43
  Speaker 2: drill platform. That was all a CGI extension. So it
• 36:47
  Speaker 2: was just normal, you know how when we normally go
• 36:49
  Speaker 2: into the garage in Atlantis and there's just a jumper
• 36:51
  Speaker 2: sitting there and we just walk around it. It was
• 36:54
  Speaker 2: that and the actual wall with the with the noose
• 36:56
  Speaker 2: and all that kind of stuff was all just CGI. Yeah,
• 37:00
  Speaker 2: it's pretty cool. Yeah, just like seeing the inside of
• 37:02
  Speaker 2: the drilling platform on that little hole that the that
• 37:04
  Speaker 2: the jumper was sitting in was all just like a
• 37:06
  Speaker 2: c go MAAT extension.
• 37:07
  Speaker 3: Don't you reckon. It was weird that she was Like
• 37:10
  Speaker 3: when Ronan missed and hit the glass, she got knocked out,
• 37:13
  Speaker 3: and those two didn't like she's a wraith and she just.
• 37:17
  Speaker 2: Fed and they were and she was further away like
• 37:20
  Speaker 2: oh no, I guess she was in the middle. She
• 37:23
  Speaker 2: was in between them, and then she got knocked further
• 37:25
  Speaker 2: away and then yeah, she was the last one to
• 37:28
  Speaker 2: wait us. Yeah that's interesting.
• 37:31
  Speaker 1: Maybe off the back of being uber pressurized you know,
• 37:35
  Speaker 1: in her swim, but like you said, she just fed, so.
• 37:37
  Speaker 3: She probably would have fed on two people. Yeah, there
• 37:40
  Speaker 3: was well we'll never know Graydon with the d and
• 37:43
  Speaker 3: Dickinson with.
• 37:45
  Speaker 2: Well, like I said, we never found we never found
• 37:47
  Speaker 2: one of them, so I found Dickinson. Yeah, so she
• 37:50
  Speaker 2: just devoured that dick Andson. Funny though, I saw some trivia.
• 37:56
  Speaker 2: This is the first time we've had like race as
• 38:00
  Speaker 2: like the main jeopardy of an episode since Satita, like
• 38:04
  Speaker 2: fourteen episodes ago. Yeah.
• 38:06
  Speaker 3: Yeah, and the.
• 38:09
  Speaker 2: Episode yeah, because the only the only other wraith we've
• 38:12
  Speaker 2: seen in the middle of that was the Collier episode
• 38:15
  Speaker 2: Common Ground where where John John was being held with
• 38:19
  Speaker 2: his wraith buddy. But yeah, it's kind of wild to
• 38:22
  Speaker 2: think that. Yeah, it's been like fourteen episodes since we've
• 38:25
  Speaker 2: had like a wraith as like the main and that
• 38:27
  Speaker 2: was like that stupid bald uber uber wraith guy that
• 38:31
  Speaker 2: was hunting Ronan on Satita.
• 38:33
  Speaker 3: Is like an orc.
• 38:34
  Speaker 2: Yeah. Yeah, So it's wild to think it's been that
• 38:38
  Speaker 2: long since we've had wraith as a as a threat, and.
• 38:42
  Speaker 3: This one's been like sleeping over there. They've done that
• 38:44
  Speaker 3: in SG one too, like where are the Ari? M Yeah,
• 38:46
  Speaker 3: I mean I know we're supposed to have killed the
• 38:49
  Speaker 3: Ari in the screen that we don't we're not sure
• 38:53
  Speaker 3: if that is or not happened.
• 38:55
  Speaker 2: I mean, we'll we'll talk about it next week. But
• 38:57
  Speaker 2: it's the first time we've seen a Tokra in like two.
• 38:59
  Speaker 3: Years, right, Yeah, they bring that back.
• 39:03
  Speaker 2: It's wild. Yeah.
• 39:04
  Speaker 1: I feel like we we had patches throughout the first
• 39:08
  Speaker 1: eight seasons of SG one where we wouldn't focus on
• 39:12
  Speaker 1: the on the gold, but our cad called, yeah, no,
• 39:17
  Speaker 1: I'm I keep the gold. I keep trying to get there,
• 39:20
  Speaker 1: and I ended up being stuck in the middle. But
• 39:24
  Speaker 1: that show was like, Hey, the gold out there there there,
• 39:26
  Speaker 1: there's a lot of them, uh, and that's a lot
• 39:29
  Speaker 1: of our focus. But there's also a lot of other
• 39:30
  Speaker 1: stuff going on. When you get to season nine and
• 39:33
  Speaker 1: ten and it's like the are the only thing we're
• 39:35
  Speaker 1: concerned about, and they really ran that home. But then
• 39:38
  Speaker 1: they just keep forgetting that they're even there and forgetting
• 39:42
  Speaker 1: about mentioning them. At least, I feel like in an
• 39:44
  Speaker 1: episode of SG one where you're not going to focus
• 39:46
  Speaker 1: on the gold and there's some other thing you know
• 39:48
  Speaker 1: that they're they'll still bring them up.
• 39:50
  Speaker 2: There might be a reference till.
• 39:51
  Speaker 3: They'll be finding more information. A lot yes, so we've
• 39:54
  Speaker 3: we've thought that gold were parasites and this kind of
• 39:56
  Speaker 3: proves it, like this little tiny technology, Yeah, which is cool.
• 40:00
  Speaker 2: World building, stiff Brendan, can you add in post? Can
• 40:03
  Speaker 2: you add in your super cut the part were mister
• 40:04
  Speaker 2: said ram at home?
• 40:05
  Speaker 3: Did you just add that in?
• 40:08
  Speaker 2: I didn't hear a word we've said after the Home was.
• 40:11
  Speaker 1: Just racing, running through a possibility visuals. Whereas yeah, this
• 40:15
  Speaker 1: show when it when it started and I realized there's
• 40:18
  Speaker 1: going to be a Wraith, I'm like, oh, yeah, that's right,
• 40:19
  Speaker 1: they're part of this show. Like hmm, it feels it
• 40:22
  Speaker 1: didn't really feel like we just and it.
• 40:24
  Speaker 3: Was so good. Yeah, it was good.
• 40:26
  Speaker 1: Yeah, I feel like I really need to watch it
• 40:28
  Speaker 1: again because of that sort of assumption that it was
• 40:32
  Speaker 1: called submersion. Oh look we're already underwater. I'll look, there's
• 40:36
  Speaker 1: going to be a problem. Yeah it wasn't, but I
• 40:38
  Speaker 1: figured that's where.
• 40:39
  Speaker 2: We were going.
• 40:39
  Speaker 1: But it just had more people and I was not bored.
• 40:43
  Speaker 3: But I was like, okay, it's do you reckon the
• 40:45
  Speaker 3: Iowa would have had a problem with this mission report.
• 40:48
  Speaker 2: Yeah, I feel like they would. I feel like you
• 40:51
  Speaker 2: a bundle jump I feel like in a week or
• 40:53
  Speaker 2: two weeks to get an answer to.
• 40:54
  Speaker 1: That, you were bringing your best people. What I think
• 40:59
  Speaker 1: down underneath.
• 40:59
  Speaker 2: The no see what I think the ioways you're trying
• 41:02
  Speaker 2: to blame it. I'm weird. I know you are, Brendan,
• 41:04
  Speaker 2: But I think what the Eoway is going to have
• 41:06
  Speaker 2: the most problem with is on the Wraith Cruiser. Once
• 41:11
  Speaker 2: McKay and Shepherd do the little switcheroo like and I
• 41:14
  Speaker 2: did love the fact that Taylor was able to play
• 41:16
  Speaker 2: the queen and all that kind of stuff with some
• 41:17
  Speaker 2: false memories, but they just like and again we'd add
• 41:20
  Speaker 2: this to the zuper cut. They unload on her with
• 41:23
  Speaker 2: like all of their weapons.
• 41:25
  Speaker 3: It's gonna blow. Yeah, I cut out so many.
• 41:28
  Speaker 2: I'm surprised. I'm surprised you didn't leave. In the part
• 41:31
  Speaker 2: at the end, which is the part that I had
• 41:32
  Speaker 2: the problem with, is where Rodney goes she's dead, right,
• 41:35
  Speaker 2: and then and then John just goes, let's get out
• 41:40
  Speaker 2: of here. Like they don't even confirm the double tap. Yes,
• 41:43
  Speaker 2: a couple like just empty empty the clip like like
• 41:47
  Speaker 2: can sever the head put it?
• 41:49
  Speaker 3: Yeah, cut her head off like she's survived ten thousand
• 41:52
  Speaker 3: years feeding like just sleeping.
• 41:54
  Speaker 2: Yeah, and she just fed. Yeah, she fared like a
• 41:57
  Speaker 2: couple of hours ago.
• 41:59
  Speaker 3: Hungry would that bitch bee?
• 42:02
  Speaker 2: Oh she was hungry for that.
• 42:03
  Speaker 4: D y.
• 42:05
  Speaker 1: What have we learned the past about them like going
• 42:09
  Speaker 1: cannibal style, like where they eat their own it's obviously not.
• 42:12
  Speaker 2: Yeah, there was a line in this where she yes,
• 42:14
  Speaker 2: she went on it.
• 42:15
  Speaker 1: She yeah, she fed on her own crew just to
• 42:18
  Speaker 1: get herself through. But we like, we know that that's
• 42:21
  Speaker 1: not as.
• 42:24
  Speaker 3: Survival.
• 42:24
  Speaker 2: Yeah. I think that's equivalent of us like having to
• 42:26
  Speaker 2: survive for ten thousand years on Brussels sprouts, Like we
• 42:29
  Speaker 2: could do it, but you're not going to be happy
• 42:31
  Speaker 2: about it, and you're going to be craving something better.
• 42:33
  Speaker 2: It's like that.
• 42:33
  Speaker 3: Movie Alive where they crash in chili or whatever it
• 42:36
  Speaker 3: is eat each other.
• 42:38
  Speaker 2: Yeah, I mean their body. Yeah. I was gonna say,
• 42:42
  Speaker 2: where are you if you're watching them on the hub,
• 42:44
  Speaker 2: They're they're eating each other in a very very way.
• 42:47
  Speaker 1: I'll tell you what. Get me awake.
• 42:49
  Speaker 2: They're still losing limbs, if you know what I mean.
• 42:52
  Speaker 1: Disappearing.
• 42:52
  Speaker 3: Yeah, they just they're disappearing. They brought up the abyss.
• 42:56
  Speaker 3: Has anyone seen that?
• 42:57
  Speaker 1: Oh, no, no, and like it wasn't even like they
• 43:01
  Speaker 1: mentioned it once. There was a couple of mentions of it,
• 43:03
  Speaker 1: and then no, sooner had I had. I watched it
• 43:06
  Speaker 1: and I was seeing like that it was its thirty
• 43:09
  Speaker 1: fifth anniversary, only a couple of weeks ago, so I
• 43:12
  Speaker 1: would like because the fact that it's a Cameron film.
• 43:14
  Speaker 3: And we're supposed to be yeah, outrageous.
• 43:18
  Speaker 2: Yeah, I mean, well, it's funny, and it's funny that
• 43:20
  Speaker 2: it's a writtle bit of trivia. Like it's funny that
• 43:22
  Speaker 2: it's a it's a Cameron film because next Atlantis episode
• 43:26
  Speaker 2: they're basically just ripping off Alien. Yeah.
• 43:29
  Speaker 3: Yeah, of the week.
• 43:31
  Speaker 2: But yeah, no, I haven't seen I't seen Abyss. I
• 43:33
  Speaker 2: don't think I think I've seen Abyss.
• 43:36
  Speaker 1: I always think about it being older, but then when
• 43:38
  Speaker 1: I saw it was the thirty fifth anniversar, and I'm
• 43:40
  Speaker 1: like eighty nine, So he did that between I guess
• 43:43
  Speaker 1: Aliens the Terminator was eighty four, Aliens was eighty six
• 43:47
  Speaker 1: or seven, and then he would have had the Abyss
• 43:50
  Speaker 1: and then Judgment Day was ninety two one, I think
• 43:55
  Speaker 1: ninety one set in ninety four, and then in ninety
• 43:57
  Speaker 1: four True Lies like you look at Cameron, he has
• 43:59
  Speaker 1: not got a lot of films on his lip. Like
• 44:01
  Speaker 1: we had Titanic in ninety seven, and then he didn't
• 44:03
  Speaker 1: do anything until Avatar in two thousand and nine, and
• 44:05
  Speaker 1: then nothing again until twenty twenty two with Avatar too. Like,
• 44:08
  Speaker 1: he's not got a lot of movies on his resume.
• 44:10
  Speaker 1: But you know, I can make.
• 44:12
  Speaker 3: A Block'd rather be deep sea diving. Yeah, yeah, yeah,
• 44:15
  Speaker 3: I think that's where his passion is. It just seems
• 44:18
  Speaker 3: to be one of the best movie makers of all time. Yeah,
• 44:21
  Speaker 3: I do that as a hobby on.
• 44:23
  Speaker 1: Midway through spending three hundred million dollars of Disney's money.
• 44:26
  Speaker 1: But if you don't mind, I'm just going to go
• 44:28
  Speaker 1: by myself in a thing that I kind of helped
• 44:30
  Speaker 1: invent and go to the bottom of the deepest part
• 44:32
  Speaker 1: of the ocean and hope that I don't die. So
• 44:35
  Speaker 1: you can't write this thing, officer and ensure exclaim like
• 44:37
  Speaker 1: it'll be fine, right, you know.
• 44:38
  Speaker 2: Yeah, he's a psycho, but I love like wrote and
• 44:43
  Speaker 2: directed the Abyss. Wo oh my god. Michael Beach is
• 44:47
  Speaker 2: in it. That's incredible. We'll talk about that. In First Strike.
• 44:52
  Speaker 2: There's literally there's a new character that's introduced in the
• 44:57
  Speaker 2: final episode of this season of Atlantis, played by Michael Beach,
• 45:00
  Speaker 2: and Michael Beach was in the abyss.
• 45:01
  Speaker 1: Jamie, Michael Beach, I think I know who you're talking about. No,
• 45:04
  Speaker 1: I was thinking to someone.
• 45:05
  Speaker 2: Else, that's incredible. I wonder if that's how that's how
• 45:09
  Speaker 2: they got him is because he saw this and went
• 45:11
  Speaker 2: all right, I'll come and work on your stupid little.
• 45:12
  Speaker 3: Show, don't you reckon. We've had this ruse thing before
• 45:16
  Speaker 3: where we kind of trick people into believing. Actually, it's
• 45:20
  Speaker 3: kind of like three in a row episodes if you're
• 45:22
  Speaker 3: looking ahead back back when we had the replicators and
• 45:27
  Speaker 3: Richard Woolsey was there, Colonel O'Neil. Oh, Yeah, when they
• 45:31
  Speaker 3: kind of planted that fake, fake memory, fake plan into
• 45:33
  Speaker 3: Woolsey so the replicators could suck it out of his
• 45:36
  Speaker 3: brain and we could put throw the wool over their eyes.
• 45:39
  Speaker 2: Sucked his brains out. I believe it's the technology we coined.
• 45:42
  Speaker 3: And this time they do it with this guy. I
• 45:45
  Speaker 3: feel like they do it next week in SG one.
• 45:48
  Speaker 2: Yeah.
• 45:49
  Speaker 3: Right, it's like hello, Yeah, I felt like that.
• 45:52
  Speaker 2: I was, well, they've only got about five writers between
• 45:54
  Speaker 2: these two at this point, and they're all the same nerds,
• 45:56
  Speaker 2: so it makes sense.
• 45:59
  Speaker 1: Brope Adam Beach is who I was thinking about.
• 46:01
  Speaker 3: That guy, he's very I was thinking about beaches.
• 46:10
  Speaker 2: That was the beach.
• 46:11
  Speaker 1: Sorry, that was the beach.
• 46:12
  Speaker 4: I'm talking about barberstro Yeah, beaches, the same thing, similar noses.
• 46:20
  Speaker 4: I think that's just one of the most very Italian
• 46:26
  Speaker 4: you've ever said.
• 46:30
  Speaker 3: Good times.
• 46:34
  Speaker 2: Let's get out of it.
• 46:36
  Speaker 1: All right, episode sixty one of Get Into GATESG sixty two.
• 46:41
  Speaker 2: You said it the next week.
• 46:42
  Speaker 1: Sorry, yep, I'm looking at what was the last thing
• 46:44
  Speaker 1: we recorded sixty two.
• 46:47
  Speaker 2: We'll be back next.
• 46:48
  Speaker 1: Week for two hundred sixty three with s G one
• 46:51
  Speaker 1: Dominion the my favorite word penultimate episode of Stargate SG one.
• 47:00
  Speaker 2: I mean Will is your favorite child because he's your
• 47:03
  Speaker 2: penultimate child, or if I just made him your favorite
• 47:06
  Speaker 2: child by saying you know about it?
• 47:07
  Speaker 1: I mean when I like he, I didn't know that
• 47:11
  Speaker 1: he was going. I guess when you're watching TV, you
• 47:13
  Speaker 1: kind of know when you're getting a penultimate I didn't know.
• 47:15
  Speaker 1: I mean, you know, for the longest time we thought
• 47:17
  Speaker 1: he was the final chart and then he turned into
• 47:19
  Speaker 1: the penultimate child. But yeah, what's up buddy today?
• 47:23
  Speaker 2: He's watching Yeah, your Own Family Tree.
• 47:28
  Speaker 1: Yeah, maybe they go the HBO route, start at SG
• 47:31
  Speaker 1: one and they just go all out with a bang
• 47:34
  Speaker 1: in their penultimate episode and then just like chill out
• 47:36
  Speaker 1: a little bit in the and the finale, except that
• 47:38
  Speaker 1: we know that they don't. Finale is great and I
• 47:41
  Speaker 1: have no memory of dominion, so.
• 47:44
  Speaker 3: Okay, yeah me neither. I fucking forgot.
• 47:47
  Speaker 2: Oh no, it's a good one.
• 47:48
  Speaker 1: I love it, okay, And I'll be back next week
• 47:50
  Speaker 1: to to do that. Do it, same time, same channel,
• 47:54
  Speaker 1: like subscribe and you.
• 47:55
  Speaker 2: Know, same same childish sex jokes. Yes, oh my god,
• 48:00
  Speaker 2: but maybe more.
• 48:01
  Speaker 3: There'll be more.
• 48:02
  Speaker 2: I hope there won't.
• 48:04
  Speaker 1: Wait adreason next week isn't ye
• 48:08
  Speaker 2: Get into Geek, Get into the Gate, Get into the
• 48:13
  Speaker 2: Gate Stargate podcast, Get into it now before it's too late.