Latest / Crime and Horror / What-he-filmed-in-his-SECRET-ROOM-destro_
Transcript
- 0:00Speaker 1: Today's story comes out of China, and it is a
- 0:02Speaker 1: brutal story. There's just no way to tell it without
- 0:05Speaker 1: being sort of graphic. So with that mind, this is
- 0:08Speaker 1: definitely a mature audience's only type of story. That said,
- 0:13Speaker 1: it is a fascinating story and the ending is something
- 0:16Speaker 1: that very few of you are going to see coming.
- 0:18Speaker 1: It's going to feel kind of predictable throughout most of
- 0:20Speaker 1: the story and then it's like the end completely changes
- 0:23Speaker 1: your impression of the story. But before we get into
- 0:26Speaker 1: that story, if you're a fan of the strange, dark
- 0:28Speaker 1: and mysterious delivered in story format, then you come to
- 0:31Speaker 1: the right place, because that's all we do, and we
- 0:33Speaker 1: upload once a week. So if that's of interest to you,
- 0:36Speaker 1: please offer to powerwash the like Button's house, but be
- 0:39Speaker 1: sure you set the machine all the way up so
- 0:42Speaker 1: you blow off their shingles and blast all their paint
- 0:44Speaker 1: off and then you just leave, just leave it as is. Also,
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- 0:53Speaker 1: let's get into today's story. One Saturday afternoon in November
- 1:10Speaker 1: of nineteen ninety, a twenty six year old kindergarten teacher
- 1:13Speaker 1: named Sue Licia sat crying on a bench at a
- 1:16Speaker 1: train station in the city of Naha, which is located
- 1:19Speaker 1: in northeastern China. Sue had just left her husband for good.
- 1:23Speaker 1: They had a bad marriage for a long time. It
- 1:25Speaker 1: was very contentious. They fought all the time, and that
- 1:28Speaker 1: morning they had gotten into this major fight, and for Sue,
- 1:31Speaker 1: it was kind of like the final straw, and so
- 1:33Speaker 1: she just stormed into the bedroom, grabbed some things, threw
- 1:36Speaker 1: it in a bag, and just stormed out. She was done.
- 1:38Speaker 1: But Sue really didn't have a plan for what she
- 1:40Speaker 1: was going to do once she left the house, and
- 1:43Speaker 1: so she found herself just sitting at this train station
- 1:45Speaker 1: doing nothing, just staring at the trains rolling in and out,
- 1:48Speaker 1: over and over again. And as she sat there again
- 1:51Speaker 1: not knowing what she's going to do, she suddenly took
- 1:53Speaker 1: stock of the fact that very few people were getting
- 1:56Speaker 1: on and off of these trains, and in fact, the
- 1:58Speaker 1: train station itself was weirdly vacant. So the city of Naha,
- 2:02Speaker 1: where Sue was was actually fairly small by China's standards,
- 2:06Speaker 1: even though there was seventy thousand people that lived there.
- 2:08Speaker 1: The city sat at the base of this towering mountain,
- 2:11Speaker 1: and then all around the city in the outskirts was
- 2:13Speaker 1: basically just farmland with lots of soy and corn crops,
- 2:17Speaker 1: and then as you move closer to the city center,
- 2:19Speaker 1: there were lots of things you would expect to see
- 2:20Speaker 1: in a city, like tall buildings and residential and commercial areas,
- 2:25Speaker 1: but overall, Naha was just kind of boring. You know.
- 2:27Speaker 1: It's like the city was a city, even if it
- 2:29Speaker 1: was small, but there was just not much going on.
- 2:32Speaker 1: And in fact, if you lived in China but not Naha,
- 2:35Speaker 1: there was a very good chance you didn't know Naha
- 2:37Speaker 1: even existed, like it was kind of irrelevant. However, in
- 2:40Speaker 1: the last few months leading up to this moment that
- 2:42Speaker 1: Sue is sitting at this train station, the city of
- 2:44Speaker 1: Naha had suddenly been put on the map, and everybody
- 2:47Speaker 1: knew about this city because women from Naha were going
- 2:51Speaker 1: missing in droves. In fact, Sue herself knew of at
- 2:55Speaker 1: least a dozen women who had gone missing over the
- 2:57Speaker 1: past few months from Naha, and as these women started
- 3:00Speaker 1: going missing, it was making the news all over the country,
- 3:03Speaker 1: and women who lived in Naha were acutely aware of
- 3:06Speaker 1: the risks of being out alone, you know, in fear
- 3:08Speaker 1: that somebody was going to come snatch them up and
- 3:10Speaker 1: take them away. In fact, every time Sue would go
- 3:13Speaker 1: to work, she would make sure she would walk with
- 3:15Speaker 1: other women, like in pairs, to ensure safety. I mean,
- 3:18Speaker 1: this was a really scary time if you were a
- 3:20Speaker 1: woman living in Naha. However, the caveat to the missing
- 3:23Speaker 1: women was all of them to this point, when Sue
- 3:26Speaker 1: was sitting at the train station, had been sex workers,
- 3:29Speaker 1: and Sue she thought, you know, in virtue of not
- 3:31Speaker 1: being a sex worker and instead being a kindergarten teacher,
- 3:34Speaker 1: that somehow she was not actually that vulnerable to being
- 3:37Speaker 1: snatched up or you know, whatever was happening to these women.
- 3:40Speaker 1: She just felt like it wouldn't happen to her. But now,
- 3:42Speaker 1: as Sue sat at this train station, which again was
- 3:45Speaker 1: eerily quiet and vacant, she couldn't help but feel like
- 3:48Speaker 1: she had made a bad decision being here. She felt
- 3:50Speaker 1: like she could easily become the next woman who went
- 3:53Speaker 1: missing from Naha, and so Sue began to think, you know,
- 3:55Speaker 1: maybe I should just go back home and try to
- 3:57Speaker 1: patch things up with my husband mostly or her safety,
- 4:00Speaker 1: just to go back inside her home and be safe again.
- 4:03Speaker 1: But before she could stand up to do that, she
- 4:06Speaker 1: noticed on the other end of the platform this man
- 4:08Speaker 1: who was exceptionally well dressed with this beautiful brown woolf
- 4:11Speaker 1: coat and fancy pants. He looked like he stepped straight
- 4:14Speaker 1: out of a fashion magazine. He came up onto the
- 4:16Speaker 1: train platform and without saying a word, he walked slowly
- 4:19Speaker 1: down the platform all the way to where Sue was,
- 4:21Speaker 1: and he reached into his pocket and he held out
- 4:23Speaker 1: a tissue to her because he saw she was crying.
- 4:26Speaker 1: And Sue, she's looking up at the sky and again
- 4:28Speaker 1: there's nobody else here, and she's very much on edge,
- 4:31Speaker 1: and she doesn't know what to do. I mean, it
- 4:33Speaker 1: was already creepy that this place was vacant, but it's
- 4:35Speaker 1: even stranger to have a random man come up to
- 4:38Speaker 1: her and try to initiate some sort of interaction with her.
- 4:41Speaker 1: It just felt wrong and weird and very suspicious. But
- 4:44Speaker 1: as Sue stared at the sky trying to figure out
- 4:46Speaker 1: what his angle was, she could see that he had
- 4:48Speaker 1: kind of kept himself standing back from her, kind of
- 4:51Speaker 1: a respectful distance, you know, not trying to crowd her out,
- 4:53Speaker 1: and he was looking at her with a very sympathetic
- 4:55Speaker 1: look on his face, and he's holding this tissue out
- 4:58Speaker 1: and he said to her, are you okay? Hands the
- 5:00Speaker 1: tissue again, like please take it. And there was just
- 5:02Speaker 1: something about this guy that felt very sincere, and Sue
- 5:05Speaker 1: kind of let her guard down and she accepted the
- 5:07Speaker 1: tissue and wiped the tears from her eyes. She didn't
- 5:10Speaker 1: say anything, and then this guy, he said, hey, do
- 5:12Speaker 1: you mind if I sit with you? And at this
- 5:14Speaker 1: point Sue said, yeah, okay, you can sit down. And
- 5:16Speaker 1: so this very handsome, well dressed man took a seat
- 5:18Speaker 1: next to Sue, not right next to her, again, respectful
- 5:21Speaker 1: distance from her, and again he asked her, you know, hey,
- 5:24Speaker 1: are you doing okay? And for Sue, whose life had
- 5:26Speaker 1: been basically miserable the last few months or even years
- 5:29Speaker 1: with this terrible marriage she was in, you know, she
- 5:32Speaker 1: wasn't used to being asked if she was okay, and
- 5:35Speaker 1: this man who she didn't know, had caught her at
- 5:37Speaker 1: this very vulnerable moment in her life, and it was
- 5:40Speaker 1: like all her emotions just came pouring out and she
- 5:42Speaker 1: began sobbing hysterically, telling this guy that no, she was
- 5:46Speaker 1: not okay. Her life was in ruins. She had just
- 5:49Speaker 1: abandoned her family and she had no idea what she
- 5:51Speaker 1: was going to do. And finally, when Sue stopped telling
- 5:54Speaker 1: this guy all about her problems, she felt very embarrassed
- 5:57Speaker 1: and kind of looked up at him like she was
- 5:58Speaker 1: sorry for even saying as much. But the man who
- 6:01Speaker 1: was very intently listening, he was just nodding along, very sympathetic,
- 6:04Speaker 1: and he told Sue that his name was Gia Gia
- 6:06Speaker 1: Wang and that he was a director at a factory
- 6:09Speaker 1: not far from here, and if she was open to it,
- 6:11Speaker 1: he'd be happy to think about hiring her at the factory,
- 6:14Speaker 1: you know, give her a new start potentially, because it
- 6:16Speaker 1: seemed like that's what she really needed. And then he
- 6:18Speaker 1: asked her if she wanted to come back to his
- 6:20Speaker 1: house to discuss this job opportunity further. Now, with this,
- 6:24Speaker 1: even though Sue had really appreciated everything this guy had
- 6:27Speaker 1: done to this point, the second he asked her to
- 6:30Speaker 1: come back to his house, She's like, red flags are
- 6:32Speaker 1: going up. She knew there's something off here. Clearly, this
- 6:35Speaker 1: guy does have an angle and it's not to benefit me.
- 6:38Speaker 1: And so she looked at him with an absolutely suspicious look, like,
- 6:41Speaker 1: no way am I going to your house. I don't
- 6:42Speaker 1: know you, Like, I appreciate the tissue and you let
- 6:45Speaker 1: me cry, but there's no way. But again, as she's
- 6:48Speaker 1: staring at him with a suspicious look, the look on
- 6:50Speaker 1: Gia's face remained very sympathetic and very gentle, and it
- 6:54Speaker 1: almost seemed like he was just going to get up
- 6:56Speaker 1: and go like, hey, I'm sorry for offending you. But
- 6:58Speaker 1: before he did get up to leave, who said, hold on, actually, yes,
- 7:02Speaker 1: I'll come with you. She didn't know why she agreed
- 7:04Speaker 1: to go with him. Maybe it was because her life
- 7:06Speaker 1: was so messed up at this point that she was
- 7:08Speaker 1: just kind of ready to take chances and be sort
- 7:10Speaker 1: of reckless, and this was definitely that big chance, very reckless.
- 7:14Speaker 1: But again, she just felt like, you know, there's something
- 7:16Speaker 1: sincere about this guy, and she felt like she could
- 7:19Speaker 1: trust him. And so Sue and Gia stood up and
- 7:22Speaker 1: together they walked down the train platform, not saying much.
- 7:25Speaker 1: They went downstairs, they went out to the street, and
- 7:27Speaker 1: they walked a couple of blocks to where Gea's street was,
- 7:30Speaker 1: and as soon as they turned the corner and he
- 7:32Speaker 1: showed Sue which house was his. Sue looked up, and
- 7:35Speaker 1: whatever hesitation she had had still to that point about
- 7:38Speaker 1: following the stranger to his house were gone, because she
- 7:41Speaker 1: saw his house was beautiful. It wasn't that it was
- 7:43Speaker 1: so grand or anything. It totally fit with the neighborhood,
- 7:46Speaker 1: but it was very well maintained and totally felt on
- 7:49Speaker 1: brand for a guy who was so well dressed and
- 7:52Speaker 1: so well manicured, and frankly, so handsome. So Gia led
- 7:55Speaker 1: the way to the front door of his house. He
- 7:56Speaker 1: unlocked the door, he opened it up, and then he
- 7:58Speaker 1: gently gestured for Sue to come on inside, and so
- 8:01Speaker 1: she did. She walked past him. Gia followed her in,
- 8:04Speaker 1: and the two of them took off their shoes and
- 8:06Speaker 1: made their way into the kitchen, where Gia brewed some
- 8:08Speaker 1: tea for them, and then they both sat down and
- 8:10Speaker 1: began to sip their tea and talk about this job opportunity.
- 8:14Speaker 1: And so for a few minutes, you know, Gia is
- 8:15Speaker 1: telling Sue all about the role and what she might
- 8:17Speaker 1: be doing, and Sue is kind of asking general questions
- 8:20Speaker 1: about it. But you know, for the most part, she
- 8:22Speaker 1: just kind of enjoyed being in the presence of somebody
- 8:24Speaker 1: who seemed to care about her. But after she finished
- 8:27Speaker 1: her entire glass of tea, suddenly Jia, who had been
- 8:30Speaker 1: talking this whole time about the factory, just stopped. It
- 8:34Speaker 1: was like he was waiting for her to drink that
- 8:36Speaker 1: entire drink, And as soon as she was done with
- 8:37Speaker 1: her cup, Gia again he went quiet and just stared
- 8:40Speaker 1: at Sue with this kind of sinister look on his face,
- 8:43Speaker 1: like he was very pleased with what was going on.
- 8:45Speaker 1: And at that point, Sue looked down at her tea
- 8:47Speaker 1: cup and then back at Gia. Then suddenly she began
- 8:50Speaker 1: to feel very drowsy. It was like a vision was
- 8:52Speaker 1: beginning to go and she realized Jia clearly had poisoned her.
- 8:57Speaker 1: There was something inside of her tea, and so before
- 8:59Speaker 1: she could do anything, everything went black. A couple of
- 9:03Speaker 1: weeks later, just a few blocks away from where Sue
- 9:05Speaker 1: met Jia at the train station, a police officer named
- 9:08Speaker 1: Jeong was standing behind his desk at the police station
- 9:11Speaker 1: when a very concerned looking elderly couple came inside. Now
- 9:15Speaker 1: this couple was here to speak with Jong about a
- 9:17Speaker 1: missing person, but the missing person was not Sue she
- 9:20Speaker 1: had been missing for two weeks now. Nobody had seen her,
- 9:23Speaker 1: but no one had reported her missing. Her husband had
- 9:26Speaker 1: just assumed that Sue had left him and that's why
- 9:28Speaker 1: he hadn't seen her, and so he had naturally not
- 9:30Speaker 1: reported that. And again nobody else knew she was missing.
- 9:34Speaker 1: So keep that in mind. Officer Jeong has no idea
- 9:37Speaker 1: about Sue and Jia, none of it. But when this
- 9:40Speaker 1: elderly couple came in to make a missing person report,
- 9:43Speaker 1: Officer Jong was not the least bit surprised. It was
- 9:46Speaker 1: now December of nineteen ninety and over the past six months,
- 9:50Speaker 1: twenty women out of Naha had suddenly gone missing. Remember,
- 9:53Speaker 1: Sue is not one of those twenty. The twenty are
- 9:56Speaker 1: mostly sex workers who went missing at that same train
- 9:58Speaker 1: station where Sue met Gia, and so Officer Jong was
- 10:02Speaker 1: used to making all these missing person reports. But candidly,
- 10:05Speaker 1: the police actually felt, like, you know, because these were
- 10:08Speaker 1: sex workers that were going missing, they weren't sure if
- 10:11Speaker 1: they were actually being abducted or if they were simply
- 10:14Speaker 1: getting on a train and kind of leaving town to
- 10:16Speaker 1: go work somewhere else. And so really there wasn't a
- 10:18Speaker 1: whole lot of investigation happening to figure out why so
- 10:22Speaker 1: many of these women were going missing. But again, Officer Jeong,
- 10:24Speaker 1: he's not surprised that they're telling him they want to
- 10:27Speaker 1: file a missing person report. But when Jong took this
- 10:30Speaker 1: elderly couple to an interview room to talk to them
- 10:32Speaker 1: about whoever was missing in their lives. When this couple spoke,
- 10:35Speaker 1: Officer Jeong knew this was different because the couple was
- 10:39Speaker 1: not reporting another missing woman from Naha who also happened
- 10:42Speaker 1: to be a sex worker. Instead, they were reporting that
- 10:45Speaker 1: a man was missing, a businessman. However, the details of
- 10:49Speaker 1: his disappearance sounded eerily similar to all these sex working
- 10:52Speaker 1: women who had also gone missing. This guy was last
- 10:55Speaker 1: seen at that same train station where Sue had met Gia,
- 10:58Speaker 1: and then nobody had seen and so that's why they
- 11:01Speaker 1: were here. And so Officer Jeong he wrote up their
- 11:03Speaker 1: report and then he told the couple that you know,
- 11:05Speaker 1: very likely this man is okay and they'll show up
- 11:08Speaker 1: at some point under his own steam. But he told
- 11:10Speaker 1: them the police would look into it and they'd be
- 11:12Speaker 1: in touch. However, as this couple got up and turned
- 11:15Speaker 1: around and left, Officer Jean couldn't help but feel like
- 11:18Speaker 1: this missing man and all these missing women went missing
- 11:22Speaker 1: from the same place, and it's the same city, and
- 11:25Speaker 1: it's the same pattern over and over again. But now
- 11:27Speaker 1: we have a man. And even though Jeong wanted to
- 11:29Speaker 1: write it off as an anomaly, he started to wonder
- 11:32Speaker 1: if this missing man was connected to all these missing women.
- 11:35Speaker 1: Because by January of nineteen ninety one, so two months
- 11:38Speaker 1: after Sue had gone missing without a trace and still
- 11:41Speaker 1: had not been reported by anybody, And six weeks after
- 11:44Speaker 1: that elderly couple reported that man missing, another five people
- 11:47Speaker 1: from Naha had gone missing, two more women and three
- 11:51Speaker 1: more men. And so now the police in Naha were
- 11:54Speaker 1: looking at twenty six people men and women that had
- 11:57Speaker 1: all gone missing very recently out of Naha, and nobody
- 12:01Speaker 1: had a clue what happened to them. And importantly, because
- 12:04Speaker 1: now there were men who were not sex workers who
- 12:06Speaker 1: were going missing, the police couldn't just write this whole
- 12:09Speaker 1: thing off as, oh, these sex working women are just
- 12:12Speaker 1: going to another city to go do their work there,
- 12:14Speaker 1: like that was not a possibility anymore. Clearly, something bad
- 12:17Speaker 1: was happening, and the police knew they really needed to
- 12:19Speaker 1: do a real investigation here so finally, in early spring
- 12:23Speaker 1: of that year, the police in Naha formed a task
- 12:25Speaker 1: unit and legitimately began investigating all these disappearances. But amazingly,
- 12:31Speaker 1: there was like no information, like there was nothing. These
- 12:35Speaker 1: people went missing and nobody heard from them, There was
- 12:37Speaker 1: no evidence of where they went. There was not even
- 12:39Speaker 1: any sign that anything bad happened to them, because no
- 12:42Speaker 1: bodies had been found, There was no evidence of really
- 12:44Speaker 1: anything happening. All the police knew is these twenty six people,
- 12:48Speaker 1: not including Sue, so she would be the twenty seventh person,
- 12:52Speaker 1: had been at this train station and then vanished. And
- 12:54Speaker 1: that's all they knew. And it got to the point
- 12:57Speaker 1: where this story really began to spread around China, and
- 13:00Speaker 1: it became like this running joke that if you don't
- 13:03Speaker 1: want to live, go to Naha, because everybody assumed there
- 13:06Speaker 1: had to be some sort of serial killer or something
- 13:09Speaker 1: happening there who was just roaming the streets picking people off.
- 13:17Speaker 1: Thank you to Betterhelp for sponsoring today's video. I have
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- 14:10Speaker 1: have to be sober, and so far sobriety has actually
- 14:13Speaker 1: been kind of great. Granted I'm three weeks into the process,
- 14:16Speaker 1: but I'll tell you you know, this time, it feels permanent,
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- 15:17Speaker 1: your first month. By late summer of nineteen ninety one,
- 15:26Speaker 1: when really this story had taken hold across the country
- 15:29Speaker 1: and was becoming a bigger and bigger deal because there
- 15:32Speaker 1: was absolutely no resolution here, police had no idea what
- 15:35Speaker 1: was going on, Well, the whole situation got a whole
- 15:37Speaker 1: lot worse because now in addition to people suddenly vanishing
- 15:41Speaker 1: at the train station in Naha, more people were also
- 15:44Speaker 1: going missing in other cities nearby Naha, but all along
- 15:48Speaker 1: the same train line that left out of Naha. So
- 15:51Speaker 1: more train stations, more disappearances all around the area, not
- 15:55Speaker 1: just the city of Naha, but all around. And by
- 15:58Speaker 1: the fall of that year, when people had gone missing
- 16:01Speaker 1: all the same way from these train stations all around Naha,
- 16:04Speaker 1: the police still had absolutely nothing to go on. All
- 16:08Speaker 1: they had is here are these people, here's where they were.
- 16:11Speaker 1: They vanished. We got nothing else, no bodies, no evidence, nothing.
- 16:15Speaker 1: But all that would change on October twenty second, nineteen
- 16:18Speaker 1: ninety one, roughly a year after Sue met Jia at
- 16:21Speaker 1: the train station in Naha and then drank that drugged
- 16:24Speaker 1: tea on that October day in nineteen ninety one, So again,
- 16:28Speaker 1: a year after the disappearance of Sue, police at this
- 16:30Speaker 1: train station, seventeen hundred miles away from the city of
- 16:34Speaker 1: Naha were doing random stops of commuters on the train platform.
- 16:38Speaker 1: This had nothing to do with the ongoing investigation into
- 16:41Speaker 1: all these missing people. This was just like public safety stuff.
- 16:44Speaker 1: But the police were kind of just walking around looking
- 16:47Speaker 1: for people who look suspicious and then checking in on
- 16:49Speaker 1: them to make sure they weren't doing anything illegal. And
- 16:51Speaker 1: on this particular day, at this train station far away
- 16:54Speaker 1: from NAHA, one of these officers spotted this very handsome
- 16:58Speaker 1: guy and a beautiful brown wolf and very fancy pants
- 17:01Speaker 1: and shoes, and he stood out a lot because of frankly,
- 17:04Speaker 1: how beautiful he was, and so the police officer saw him,
- 17:07Speaker 1: and this very handsome guy looked up and he saw
- 17:10Speaker 1: the police officer, and it was like immediately he did
- 17:13Speaker 1: something very suspicious. He reached down, grabbed a bag and
- 17:16Speaker 1: quickly turned around and began walking away. And at the
- 17:19Speaker 1: same time, two other people who were right near this
- 17:22Speaker 1: very handsome guy did the same thing. They grabbed bags
- 17:25Speaker 1: off the ground, quickly turned around, fell in line with
- 17:27Speaker 1: this handsome guy, and began quickly walking away from the police.
- 17:31Speaker 1: And so the police obviously are totally suspicious. They'd run
- 17:34Speaker 1: across the platform and they managed to stop all three
- 17:37Speaker 1: of them, and they turn them around and they say
- 17:39Speaker 1: show me your bags, open them up, and the police
- 17:41Speaker 1: they would open up these bags and they contain drugs,
- 17:44Speaker 1: and so right away these three no, they are caught,
- 17:46Speaker 1: but they don't say anything. They just stand there and
- 17:48Speaker 1: they're totally silent. As the police are asking them like
- 17:51Speaker 1: what are these drugs? Where are you going with these?
- 17:52Speaker 1: What's going on here? They're not talking, and so finally
- 17:55Speaker 1: the police go, give me your IDs right now, and
- 17:57Speaker 1: so all three of them cough up their IDs, and
- 18:00Speaker 1: a very handsome guy with the beautiful brown woolf coat
- 18:02Speaker 1: and fancy clothes, well that was Giawang, the same Giawang
- 18:06Speaker 1: who had gone with Sue into his house and given
- 18:08Speaker 1: her the drug to tea. But again, these police officers
- 18:11Speaker 1: are only concerned about the drugs. They don't know anything
- 18:14Speaker 1: about these guys. They don't know that Gia met Sue
- 18:17Speaker 1: and did this thing at his house with the tea
- 18:19Speaker 1: that wasn't even reported to police. Nobody knew about it.
- 18:21Speaker 1: But these police knew they had caught these three people
- 18:24Speaker 1: with these bags of illegal drugs. So they brought them
- 18:26Speaker 1: back to the station and began to question each of them.
- 18:29Speaker 1: And when they spoke to Gia, Gia said nothing. However,
- 18:32Speaker 1: when they spoke to the two other people that were
- 18:34Speaker 1: with Gia one of them began to crack. It was
- 18:37Speaker 1: obvious they had more to tell about these drugs, and
- 18:40Speaker 1: you know, they were kind of holding back tears, like
- 18:41Speaker 1: they were very upset. And one of the interrogators, sensing
- 18:45Speaker 1: one of these people was prepared to confess to something,
- 18:48Speaker 1: instead of really drilling down on them, he was very
- 18:51Speaker 1: comforting and he offered them a blanket and said here,
- 18:53Speaker 1: you know, take this blanket, relax, it's okay. You can
- 18:56Speaker 1: tell me what's on your mind. It's okay. And that
- 18:58Speaker 1: just totally broke this person. And they said, these drugs
- 19:02Speaker 1: are nothing. You need to see what's in Gia's house
- 19:06Speaker 1: That will put these drugs to the side. They won't
- 19:09Speaker 1: matter what's in his house is horrible. The next day,
- 19:12Speaker 1: a phone rang in the police station in Naha and
- 19:15Speaker 1: Officer Jeong picked it up, and it was one of
- 19:17Speaker 1: the officers who interviewed these three people with drugs and
- 19:20Speaker 1: got this whole horrible confession about what was inside at
- 19:22Speaker 1: this guy Chia's house, and he told Jang all about it.
- 19:26Speaker 1: And as Jong is listening to this, his eyes went
- 19:28Speaker 1: wide because he knew this had to be connected to
- 19:31Speaker 1: all these people going missing, like this has to be it,
- 19:34Speaker 1: and so as soon as he hung up the phone,
- 19:36Speaker 1: Officer Jeong rounded up twenty other police officers and ten
- 19:39Speaker 1: forensic doctors to go search Gia's house. And when they
- 19:43Speaker 1: got there, the house from the outside looked just as
- 19:45Speaker 1: beautiful as when Sue had seen it for the first time,
- 19:48Speaker 1: and felt like her reservations about Gia had gone down
- 19:51Speaker 1: because of how wonderful his house looked. But as soon
- 19:53Speaker 1: as all those police officers and the forensic doctors stepped
- 19:56Speaker 1: inside of Gia's house, he wasn't home. There was nobody there.
- 20:00Speaker 1: When they went inside, they were instantly hit with this horrible,
- 20:03Speaker 1: horrible smell inside the house. Even though things are neat
- 20:06Speaker 1: and beautiful inside too, there was something bad inside this house,
- 20:10Speaker 1: and the smell seemed to be coming from the basement.
- 20:13Speaker 1: And so at some point Officer Jean and the other
- 20:15Speaker 1: officers that got to the door, they opened it up
- 20:17Speaker 1: and they looked down and all they could see was
- 20:19Speaker 1: just this dark room down there, and the smell was
- 20:22Speaker 1: so strong. But they pulled their shirts up over their
- 20:24Speaker 1: faces and they went down the stairs, and when they
- 20:27Speaker 1: got down there, they couldn't see anything. It's totally dark,
- 20:30Speaker 1: but the smell at this point was so overpowering that
- 20:33Speaker 1: a couple of the officers almost fainted, and so literally
- 20:36Speaker 1: they had to leave the house fearing they were breathing
- 20:39Speaker 1: in toxic chemicals or something, and they had to wear
- 20:41Speaker 1: gas masks just to go back into the house and
- 20:44Speaker 1: back down into the basement. And when they got back
- 20:46Speaker 1: down there now wearing their masks, it didn't seem like
- 20:49Speaker 1: there was anything down there that could produce such an
- 20:51Speaker 1: awful smell, Like there was just nothing down there. But
- 20:54Speaker 1: eventually one of the officers moved to the middle of
- 20:56Speaker 1: the basement, right in the middle, and they realized there
- 20:59Speaker 1: was opening, and they looked down into it and they
- 21:02Speaker 1: couldn't believe what they saw. And at the same time,
- 21:05Speaker 1: somebody upstairs made an equally horrifying discovery because they discovered
- 21:10Speaker 1: a videotape, a VHS cassette that contained this horrible footage
- 21:14Speaker 1: that effectively explained what was going on inside of that
- 21:18Speaker 1: pit in the basement. But to understand that, we need
- 21:21Speaker 1: to go back a year to when Sue met Gia
- 21:24Speaker 1: at the train station. She went back to his house
- 21:26Speaker 1: and drank the drug tea and blacked out. After Sue
- 21:30Speaker 1: drank that tea. She didn't die, Gia did not kill her. Instead.
- 21:34Speaker 1: She woke up a few hours later being totally confused,
- 21:37Speaker 1: and she was immediately hit by this horrible smell, but
- 21:40Speaker 1: it was totally pitch black. She can't see anything, and
- 21:43Speaker 1: she began feeling her hands around her, and then she
- 21:45Speaker 1: felt stone everywhere she touched, and eventually she realized she
- 21:50Speaker 1: was in what felt like the bottom of a well,
- 21:52Speaker 1: but it wasn't water she was standing in. She was
- 21:55Speaker 1: standing in something that almost felt like jelly, and she
- 21:57Speaker 1: began kind of touching it to figure out what it was.
- 22:00Speaker 1: She could not tell, but she couldn't help but feel
- 22:02Speaker 1: like that things around her were kind of moving like
- 22:04Speaker 1: they were alive. And then suddenly a lid that clearly
- 22:08Speaker 1: sat at top of this pit began to slide over
- 22:11Speaker 1: above her, and so suddenly light was coming down into
- 22:14Speaker 1: this pit. And at first Sue looked up and she
- 22:17Speaker 1: didn't see anything, but then she looked down and realized
- 22:20Speaker 1: what was all around her. It was people, dead people
- 22:23Speaker 1: and potentially even half alive people that were just stuffed
- 22:27Speaker 1: into this big pit that were all kind of decaying
- 22:30Speaker 1: or you know, slowly dying or whatever it was and
- 22:32Speaker 1: she's just standing amongst it all, and then she looks
- 22:35Speaker 1: up and she sees it's Gea, the beautiful man who
- 22:37Speaker 1: had brought her here. He's standing up there looking down
- 22:40Speaker 1: at her with a smile on his face, and Sue
- 22:42Speaker 1: immediately pleads with him to please spare me, don't kill me.
- 22:46Speaker 1: And Gia he looks down at her kind of inquisitively,
- 22:48Speaker 1: and he says, if I lift you out of there,
- 22:50Speaker 1: will you do anything I tell you to do? And
- 22:53Speaker 1: Sue said, yes, I'll do anything, just get me out
- 22:55Speaker 1: of here, please, and so Gia he reached down, he
- 22:58Speaker 1: grabbed Sue, and he pulled up and out of this
- 23:00Speaker 1: pit inside of his basement. A few days later, Sue
- 23:04Speaker 1: was back at the train station where she had met
- 23:06Speaker 1: Gia for the first time, but this time she was alone,
- 23:08Speaker 1: and she walked up onto that train platform with no
- 23:11Speaker 1: intention of riding a train instead. As soon as she
- 23:14Speaker 1: got up there, she began looking around, and then she
- 23:16Speaker 1: spotted a businessman who was sitting on a bench, and
- 23:19Speaker 1: she walked over to him and she sat down next
- 23:21Speaker 1: to him. And we don't know exactly what she said,
- 23:23Speaker 1: but we think what she said was something maybe sexually
- 23:26Speaker 1: suggestive or you know, something along those lines, and she's
- 23:29Speaker 1: holding his shoulders and touching his hand. She doesn't know
- 23:31Speaker 1: this man, and this man is very caught off guard
- 23:34Speaker 1: by this, but he's kind of going along with it.
- 23:35Speaker 1: And before long she takes this businessman's hand. They stand
- 23:39Speaker 1: up and they walk out of the train station down
- 23:41Speaker 1: to the street, and they make their way a couple
- 23:43Speaker 1: blocks over to Jia's house, and when they get there,
- 23:46Speaker 1: Sue leads into the front door. She opens it up,
- 23:48Speaker 1: she brings the man inside, the door shuts, They take
- 23:50Speaker 1: their shoes off, and Sue leads this man into the
- 23:53Speaker 1: kitchen where Gia is waiting with a wire between each hand.
- 23:57Speaker 1: And as soon as this businessman walked into the kitchen,
- 24:00Speaker 1: Gia pounced on him, wrapped the wire around his neck
- 24:02Speaker 1: and held it until the man passed out, and then
- 24:05Speaker 1: he released the wire. And then Gia and Sue took
- 24:08Speaker 1: this man. They lifted him up, and they carried him
- 24:11Speaker 1: down into the basement and laid him out on the floor,
- 24:13Speaker 1: so he's not in the pit, he's just out in
- 24:15Speaker 1: the middle of the basement floor. Then Gia stepped away,
- 24:18Speaker 1: picked up a video camera, turned it on and began
- 24:21Speaker 1: to film. He was filming the man on the ground
- 24:23Speaker 1: and also Sue. And Sue she knew what to do.
- 24:26Speaker 1: She was going to do anything she was told to do,
- 24:28Speaker 1: so she climbed on top of this still very much
- 24:31Speaker 1: alive businessman who's just been knocked unconscious, and she straddles
- 24:35Speaker 1: him so she's looking down at his head. Then she
- 24:37Speaker 1: picks up a knife and she holds it in front
- 24:38Speaker 1: of her, and then she looks up at Gia, who
- 24:41Speaker 1: at this point has zoomed the camera in. She can
- 24:43Speaker 1: hear the sound the mechanics inside of the camera as
- 24:45Speaker 1: it's zooming in on what she's about to do, and
- 24:47Speaker 1: then she raises the knife over her head and drives
- 24:50Speaker 1: it into this man's chest. The video that Gia shot
- 24:54Speaker 1: of Sue murdering this man was the video police found
- 24:57Speaker 1: on the first floor of the house. Shortly after police
- 24:59Speaker 1: Sad found this horrible pit in Gia's basement. It would
- 25:03Speaker 1: turn out that Giawang was absolutely the serial killer who
- 25:06Speaker 1: was responsible for all these people going missing from the
- 25:09Speaker 1: train stations. He would abduct them just like he did Sue,
- 25:12Speaker 1: and he would bring them to his house and then
- 25:14Speaker 1: he would do horrible horrible things to them, and eventually
- 25:17Speaker 1: he would chuck their bodies into this pit. And so
- 25:19Speaker 1: when he abducted Sue, he actually thought that when he
- 25:22Speaker 1: drugged her, then he had killed her, and he had
- 25:24Speaker 1: chucked her into the pit believing she was dead. But
- 25:27Speaker 1: when Sue had woken up inside of that pit, when
- 25:30Speaker 1: he opened it up and looked down and there she
- 25:31Speaker 1: was fully alive, he had an idea, well, why don't
- 25:35Speaker 1: I turn Sue into a murderer like me. She can
- 25:37Speaker 1: help me. And so that was the condition for her
- 25:39Speaker 1: being pulled out of this pit, that she would assist
- 25:42Speaker 1: him in murdering people, and she agreed to do it.
- 25:45Speaker 1: And so the reason the profile of victims changed from
- 25:48Speaker 1: sex working women to random men is because those are
- 25:52Speaker 1: the people that Sue went after. She began targeting men.
- 25:55Speaker 1: And so when that elderly couple came in and reported
- 25:58Speaker 1: to Officer Jeong that a man was missing, that was
- 26:01Speaker 1: Sue's first victim, the man who had been seen on
- 26:03Speaker 1: video being stabbed in the chest by Sue. Now nobody
- 26:06Speaker 1: to this day understands why Sue actually went along with this,
- 26:11Speaker 1: like she was pulled up out of the pit. But
- 26:13Speaker 1: then when she was told to go to the train
- 26:15Speaker 1: station and find your first victim. It's unclear why she
- 26:18Speaker 1: didn't just go to the police and say, hey, there's
- 26:20Speaker 1: a serial killer Gia. Here's his house, here's where he is,
- 26:23Speaker 1: go get him. For some reason, she just did what
- 26:26Speaker 1: he said. And in fact, Sue was not the only
- 26:29Speaker 1: person who was brought in to this murdering scheme. He
- 26:32Speaker 1: managed to convince three other people, including his ex wife,
- 26:36Speaker 1: to also commit murders for him, and all three of
- 26:39Speaker 1: those people also had ample opportunity to flee and tell police,
- 26:43Speaker 1: but they didn't. All of these people just did what
- 26:46Speaker 1: Gia wanted without asking any questions. It was like he
- 26:49Speaker 1: had absolute control over these people. That is until that
- 26:53Speaker 1: day in October of nineteen ninety one, when those police
- 26:56Speaker 1: officers doing a public safety check spotted Gia along with
- 26:59Speaker 1: two oc S complices, fleeing with drugs, and they stopped
- 27:02Speaker 1: them and they got them back to the station, and
- 27:05Speaker 1: one of his accomplices finally broke and told the truth.
- 27:08Speaker 1: And the person who told the truth, the accomplice who
- 27:10Speaker 1: broke was Sue. She was there with him at the
- 27:13Speaker 1: train station. Nobody knew she was missing, and she was
- 27:16Speaker 1: the one who, when offered a blanket and was told,
- 27:18Speaker 1: you know, tell us the truth, she came clean. Ultimately,
- 27:21Speaker 1: it was this police officer's kindness that broke her. Injia's basement,
- 27:25Speaker 1: inside of that horrible pit, right in the middle of it,
- 27:27Speaker 1: were forty two bodies, twenty four women and eighteen men.
- 27:31Speaker 1: In the end, Jia and all four of his forced accomplices,
- 27:34Speaker 1: including Sue, were sentenced to death, and they were executed
- 27:38Speaker 1: on January twenty fourth, nineteen ninety two. Today, the city
- 27:41Speaker 1: of Naha is still just as infamous as it was
- 27:43Speaker 1: in the nineties when these murders took place, and in fact,
- 27:47Speaker 1: the nickname for Naha is now just Bandit City to
- 27:50Speaker 1: reflect what happened there. I want to create a mildly
- 27:59Speaker 1: effect mildly effective. I want to make a mildly effective
- 28:05Speaker 1: cold medicine made exclusively out of Egyptian fire antswer take
- 28:09Speaker 1: his horn off its head, and you beat it to death.
- 28:13Speaker 1: Sag out due you die, turned and left, head first
- 28:21Speaker 1: out of the glass window. Wow.
- 28:27Speaker 2: Yes, gotta put its flippers and began chasing us down
- 28:33Speaker 2: the cave.
- 28:36Speaker 1: A nice hot my maga mustard.
- 28:39Speaker 2: And we settled on a pipe and hot plate, up pipe,
- 28:43Speaker 2: hot plate of eagle tonsils, your smoked chicken, gall bladder, eggnog,
- 28:47Speaker 2: your zebra cornea Souflet get to go surfing?
- 28:51Speaker 1: Surfing. Yes, it did, Lung.
- 29:03Speaker 2: He was already in there, and he looks at me
- 29:04Speaker 2: and he says, papay ye to Betty almost teficadom.
- 29:07Speaker 1: Hello, oh he put on it. Oh, mister Ballan, it's
- 29:18Speaker 1: not even funny. If you're wondering why I just shared
- 29:22Speaker 1: a whole slew of me just butchering my various intros
- 29:25Speaker 1: and different parts of strange, dark and mysterious videos, well
- 29:28Speaker 1: it's because you all asked for it. Last month, in
- 29:31Speaker 1: our first ever Mister Ballin newsletter, we posed a question,
- 29:35Speaker 1: We said, what do you want me to share with
- 29:37Speaker 1: you the most? And overwhelmingly what you all wanted to
- 29:40Speaker 1: see was a compilation of bluebers. And you don't want
- 29:43Speaker 1: to miss the next newsletter because maybe there's something else
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- 29:48Speaker 1: a chance to actually see that thing happening. And also,
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- 29:55Speaker 1: things that are coming up in the future, things that
- 29:57Speaker 1: you might have missed what we're doing now, and it's
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- 30:32Speaker 1: you're missing out. And you know what, seagull long, he's
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