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Headless' Magical Mailbag and Sigils · The Occult Rejects

• 0:02
  Speaker 1: You see, something's going to happen.
• 0:06
  Speaker 2: What what's going to happen? What?
• 0:24
  Speaker 1: What is off? Everybody? Welcome to it. New Headless is
• 0:27
  Speaker 1: magically mail bag. I've got new stuff that I'm working on.
• 0:32
  Speaker 1: So if you would appreciate the audio quality, it's because
• 0:35
  Speaker 1: I got a better mic and these headphones.
• 0:37
  Speaker 3: Oh yeah, Nick, good, good, very good.
• 0:42
  Speaker 2: I'm very happy to be here. Thank you very much.
• 0:44
  Speaker 1: Awesome, awesome. You got anything special coming up on the
• 0:47
  Speaker 1: agenda with the cult rejects?
• 0:49
  Speaker 3: Uh? Later on today after this, we were going Alive
• 0:51
  Speaker 3: with Ryan Corey Dobbs.
• 0:53
  Speaker 2: Uh.
• 0:54
  Speaker 3: You know, I know when it comes to planets in
• 0:56
  Speaker 3: the moon and stuff out in the skies, people are a
• 0:58
  Speaker 3: little iffy about what's out there. But this guy is
• 1:01
  Speaker 3: covering using stuff that NASA has put out themselves, actually
• 1:06
  Speaker 3: showing that there's proof that they're saying there's life and
• 1:08
  Speaker 3: this shit there. So it should be interesting these guys
• 1:11
  Speaker 3: putting out a movie on it. He gave me the
• 1:13
  Speaker 3: screen of the checkout at a manamat the Cosmic Summit.
• 1:16
  Speaker 3: Cool guy, so I figured i'd have them on be interesting.
• 1:19
  Speaker 1: I love that topic because it gets into what we
• 1:22
  Speaker 1: were talking about before the Electric universe and all the
• 1:24
  Speaker 1: rest of this stuff having to do with acoustics and
• 1:27
  Speaker 1: having to do with the residents and all the rest
• 1:29
  Speaker 1: of these things that the agents were talking about when
• 1:31
  Speaker 1: it came to planets, And now we're told they're stagnant,
• 1:34
  Speaker 1: they're dead, they're you know, hundreds of thousands or millions
• 1:38
  Speaker 1: of miles away, and there's nothing you can do about it.
• 1:42
  Speaker 1: But we still see the effects. So what's that. You
• 1:45
  Speaker 1: know that people got to start thinking about these things.
• 1:48
  Speaker 1: It doesn't matter if they're coming to wrong conclusions, just
• 1:51
  Speaker 1: as long as you're not married to keep that open
• 1:53
  Speaker 1: mind and see what comes in.
• 1:56
  Speaker 2: I like that.
• 1:57
  Speaker 3: Just don't be married to him. Yeah, I have that
• 1:58
  Speaker 3: open mind. You could always be wrong for new ideas.
• 2:02
  Speaker 2: You know.
• 2:03
  Speaker 3: You know what he even said himself, just for people
• 2:04
  Speaker 3: that might be listening. This isn't going to go into
• 2:06
  Speaker 3: the whole UFO alien thing, because he even said right now,
• 2:08
  Speaker 3: what sucks is that people are so stuck on the
• 2:10
  Speaker 3: alien UFO thing. He's like, I'm not sure if this
• 2:12
  Speaker 3: will really get the attention at first because people are
• 2:15
  Speaker 3: still so stuck on oh I want to see aliens. Well,
• 2:18
  Speaker 3: there's proof that they were ship on another planet. But
• 2:19
  Speaker 3: I ain't got aliens with.
• 2:23
  Speaker 2: So yeah, interesting, you were the aliens. You know, I've
• 2:28
  Speaker 2: heard I thought that when I was younger for a while.
• 2:30
  Speaker 1: Actually, yeah, well so tonight, let's get into it right
• 2:37
  Speaker 1: off the bat. Let's go with this. Look at that,
• 2:39
  Speaker 1: we got people in the chat.
• 2:41
  Speaker 2: Oh you know, I didn't even check the chat yet.
• 2:44
  Speaker 1: Yeah, I got my symbol here. This is the marine
• 2:49
  Speaker 1: pith hat. Yeah, if you guys have been in the
• 2:52
  Speaker 1: Marines or you've been around Marines, you probably don't recognize
• 2:55
  Speaker 1: it because you've got to get to the shooting days.
• 3:00
  Speaker 1: So the shooting days for a company in the Marine
• 3:04
  Speaker 1: Corps includes the NCO officers in charge putting this pith
• 3:12
  Speaker 1: hat on while the other people are shooting. So these
• 3:16
  Speaker 1: are the instructor caps. Anytime you've got a problem with
• 3:19
  Speaker 1: the weapon, you need somebody you're gonna go to the
• 3:22
  Speaker 1: eye with the pith hat. Now, it's got this fake,
• 3:26
  Speaker 1: sort of fake fabric that's all ruffled up in a
• 3:30
  Speaker 1: row on top of their and it's made out of
• 3:34
  Speaker 1: some pretty toxic chemicals. But this is a powerful symbol
• 3:39
  Speaker 1: for mind control, and a lot of people who have
• 3:42
  Speaker 1: been in the Marines are like how is that. It's
• 3:46
  Speaker 1: actually really simple. So the pith hat is where the
• 3:52
  Speaker 1: drill sergeants drill instructors for the Marine Corps have to
• 3:56
  Speaker 1: take a step back and not be so aggressive. And
• 4:00
  Speaker 1: the best way that the Marine Corps could come up
• 4:02
  Speaker 1: with to get them out of that personality of drill
• 4:05
  Speaker 1: instructor and into it different, less aggressive, more calm state
• 4:11
  Speaker 1: of mind is to introduce the pithat. And when they
• 4:14
  Speaker 1: put it on, they start talking differently. They start calling
• 4:18
  Speaker 1: everybody gents. They're much more kinder and patient because everybody
• 4:22
  Speaker 1: has weapons and they don't want this to be a
• 4:25
  Speaker 1: repeat of that classic movie. Yeah, so what this is
• 4:35
  Speaker 1: is mind control, not for the students who are doing
• 4:38
  Speaker 1: the shooting at the kV range. This is for the
• 4:42
  Speaker 1: instructors to get them outside of their head as drill
• 4:48
  Speaker 1: instructors and mean badasses. They've got to step it back.
• 4:51
  Speaker 1: And when they put on the pith hat, it's not
• 4:54
  Speaker 1: that you can get away with more stuff. They're actually
• 4:56
  Speaker 1: poised and ready to kill you in an instant and
• 5:00
  Speaker 1: they've got this on, but they have to remain calm
• 5:03
  Speaker 1: so that you don't freak out and start shooting people accident.
• 5:09
  Speaker 1: That's very important when you're on a firing range, especially
• 5:12
  Speaker 1: the KD range. So they call it a KD range
• 5:15
  Speaker 1: because it's known distance. It's different from the pop ups, right.
• 5:19
  Speaker 1: So I've done a KD range once to hum and
• 5:23
  Speaker 1: this is how I know about it because I was
• 5:24
  Speaker 1: in the army. I didn't I didn't really have any
• 5:26
  Speaker 1: experience with marines other than shooting at the KD range,
• 5:29
  Speaker 1: and so I thought, you know, this is a pretty
• 5:30
  Speaker 1: good symbol for that, because I can see the difference
• 5:33
  Speaker 1: in the drill instructors when they put on the pit
• 5:35
  Speaker 1: that versus when they did not have it on. And
• 5:38
  Speaker 1: you know, to me, it's kind of weird. But if
• 5:40
  Speaker 1: you think about it like this has the connotation of
• 5:42
  Speaker 1: more British gentlemanly type colonization mentality. It's it's a booty
• 5:50
  Speaker 1: not a booty cap. What do they safari hat? All
• 5:54
  Speaker 1: the rest of these different names, and it's got a
• 5:56
  Speaker 1: very generic descriptor on the on the on the magazines
• 6:01
  Speaker 1: where they're selling these things to the different uh it least,
• 6:05
  Speaker 1: but really this keeps your men, you know, straightened out
• 6:11
  Speaker 1: while they're on the firing range, while also keeping your
• 6:14
  Speaker 1: drill instructors from freaking out on them because they've shifted
• 6:18
  Speaker 1: into a different personality by wearing a different thing. This
• 6:21
  Speaker 1: is why everybody's in uniform, because it's a powerful mind
• 6:25
  Speaker 1: control technique. You're trying to get everybody thinking the same way,
• 6:30
  Speaker 1: so you get them all dressing the same way. This
• 6:32
  Speaker 1: is the fundamentals about magic. You've got to change your
• 6:36
  Speaker 1: hour appearance to start influencing that inner world. This is
• 6:40
  Speaker 1: why they're doing it. This is a form of battle magic.
• 6:46
  Speaker 2: I think this shit as well.
• 6:47
  Speaker 3: Like when you had even told me about like even
• 6:49
  Speaker 3: just the slang of the language changing, I'm like, oh,
• 6:52
  Speaker 3: that is like, like it's all like to me, very
• 6:55
  Speaker 3: mk ultras. You're even going to start talking differently and
• 6:59
  Speaker 3: use different slang when you.
• 7:00
  Speaker 2: Get to this what the fuck.
• 7:02
  Speaker 1: It's called code switching. So if you're in one role
• 7:06
  Speaker 1: and you speak a certain way, and then you enter
• 7:09
  Speaker 1: a different role you speak a different way. That's called
• 7:11
  Speaker 1: code switching. You've got the different lexicons that are now interchangeable,
• 7:15
  Speaker 1: and that lexicon switch is very important for when you're
• 7:18
  Speaker 1: talking to other you know, other soldiers in this context,
• 7:21
  Speaker 1: they know what role you're in based off of the
• 7:24
  Speaker 1: language you're using. The new LEXICONU realistic words. So it's
• 7:28
  Speaker 1: it's you know, it's a good reminder for both parties
• 7:32
  Speaker 1: where you're at and what you're supposed to be doing.
• 7:34
  Speaker 1: This is no place to eat crayons, and if you're
• 7:37
  Speaker 1: a marine, you will get that.
• 7:39
  Speaker 2: Joke a please to eat bullets either, right, right, this.
• 7:51
  Speaker 1: Is not the time throwing around. Well, at the same time,
• 7:54
  Speaker 1: it's not the time for them to be messing with you.
• 7:58
  Speaker 1: No messing around with the Katie Rich. Look down at
• 8:00
  Speaker 1: the very back there. You'll see what it means to
• 8:02
  Speaker 1: be a KD range versus a pop up target. You
• 8:05
  Speaker 1: see that burm way back in the background on that picture, Yeah,
• 8:10
  Speaker 1: that's what he's firing his weapon. Now behind that burm
• 8:14
  Speaker 1: are the soldiers that are manning and operating those targets.
• 8:18
  Speaker 1: So you've got people back behind there to pull down
• 8:21
  Speaker 1: the targets, put the little holes or covered little holes
• 8:26
  Speaker 1: with something that can be seen, you know, per each
• 8:29
  Speaker 1: round that you're firing, and then they put them back up.
• 8:32
  Speaker 1: So now you and your drill instructor can see exactly
• 8:35
  Speaker 1: where you're hitting on those targets, even though they're really
• 8:38
  Speaker 1: far away. Now on this KD range, you can move
• 8:41
  Speaker 1: forward or farther away for qualification. So the further away
• 8:45
  Speaker 1: you are, you know you're going to have, you know,
• 8:47
  Speaker 1: more shots missed. But that this is different from the
• 8:50
  Speaker 1: pop up targets that we had in the army, which
• 8:52
  Speaker 1: were you know, at varying distances and you can hit
• 8:56
  Speaker 1: them anywhere on the target to make them fall down.
• 9:00
  Speaker 1: So if you just get a grazing shot at three
• 9:02
  Speaker 1: hundred meters, that target is still going to fall down.
• 9:05
  Speaker 1: These these targets at the KD range are still bulls on,
• 9:09
  Speaker 1: so you're you're gonna have to zero it in right
• 9:11
  Speaker 1: there at that middle middle point. So I think the
• 9:14
  Speaker 1: KD range also provides way more feedback when it comes
• 9:17
  Speaker 1: to how you're shooting and everything else, because at the
• 9:21
  Speaker 1: pop up range, you know, uh, you don't know where
• 9:24
  Speaker 1: you're hitting these targets. So if you're qualifying on a
• 9:27
  Speaker 1: KD range, you're you're giving much better off, I think,
• 9:29
  Speaker 1: than if you're using pop up term but it's so
• 9:31
  Speaker 1: much more dangerous. I was back there manning those, uh,
• 9:35
  Speaker 1: manning those targets, and you hear every shot coming out
• 9:38
  Speaker 1: of that rifle, and it's so much different when you're
• 9:40
  Speaker 1: in front of the rifle versus when you're.
• 9:42
  Speaker 2: Behind Oh I bet.
• 9:45
  Speaker 1: It is. Yeah, And you know, being on the end
• 9:50
  Speaker 1: the wrong end of a rifle, you'll you'll remember that sound.
• 9:53
  Speaker 1: So it also trains you as you're as you're operating
• 9:55
  Speaker 1: back there and you've got all the brass from these
• 9:58
  Speaker 1: bullets that are shredding apart and hitting different things falling
• 10:01
  Speaker 1: down around you. It's a simulation of the combat environment
• 10:06
  Speaker 1: and you've got to keep your head, you've got to
• 10:08
  Speaker 1: stay cool, you've got to make sure that you're not
• 10:10
  Speaker 1: going to get hit back behind that burno. So I
• 10:13
  Speaker 1: think it's a better training environment than pop up targets.
• 10:16
  Speaker 1: The Army wouldn't agree with me, but you know, again,
• 10:20
  Speaker 1: all of this has to work seamlessly together so that
• 10:23
  Speaker 1: people don't get hurt on the range. And if you
• 10:25
  Speaker 1: look at the track record for Marines operating on the range,
• 10:29
  Speaker 1: they actually have a lot better safety rating than a
• 10:31
  Speaker 1: lot of the army armies trying the same tricks where
• 10:35
  Speaker 1: the drill instructors will swap out hats on their ranges,
• 10:39
  Speaker 1: but it doesn't have the same effect because I think
• 10:41
  Speaker 1: it's not as potent as symbol They started using this
• 10:46
  Speaker 1: fake sort of you know, safari looking hat back in
• 10:49
  Speaker 1: the nineteen thirties, so all throughout World War Two they
• 10:52
  Speaker 1: had these all throughout, so it's got a low tradition
• 10:55
  Speaker 1: of use. I think they discontinued it in twenty seventeen,
• 10:59
  Speaker 1: but you know, I got out in twenty thirteen. Would
• 11:02
  Speaker 1: but I thought it was a potent symbol, so I
• 11:04
  Speaker 1: thought i'd bring that.
• 11:05
  Speaker 3: Hell yeah, no, I thought that was really interesting. When
• 11:07
  Speaker 3: you even just whatever you a little bit you text
• 11:09
  Speaker 3: me about, I was like, damn fuck, and what you
• 11:11
  Speaker 3: told me about with this stuff, with like the language
• 11:13
  Speaker 3: change and everything, I was like, oh, that was like
• 11:15
  Speaker 3: so fucking like programmed.
• 11:17
  Speaker 2: That's just weird.
• 11:18
  Speaker 3: Like you said, the lexicon, you'll get a different soldier
• 11:22
  Speaker 3: probably when they hear different phrases. Oh I'm supposed to
• 11:25
  Speaker 3: be in this fucking right now. That's wild.
• 11:30
  Speaker 1: But I mean it's very useful when you're managing a.
• 11:32
  Speaker 2: Lot of people.
• 11:32
  Speaker 1: Yeah, makes sense, and they're not very smart.
• 11:35
  Speaker 2: Yeah no, no, I mean I mean I got you
• 11:39
  Speaker 2: for sure.
• 11:41
  Speaker 1: But on my serious hat.
• 11:43
  Speaker 3: Yeah yeah, somebody put in there my head, I'm better
• 11:46
  Speaker 3: than you because of this hat or something like that.
• 11:48
  Speaker 2: I have a better hat. Listen to me.
• 11:52
  Speaker 3: Yeah, all right, Well for me today I got I
• 11:56
  Speaker 3: actually got two things. They kind of go together. It's
• 12:00
  Speaker 3: galp Galpadar and getting faxy. If I'm saying those correct,
• 12:04
  Speaker 3: I don't know. Maybe anless you've heard of them, I
• 12:06
  Speaker 3: might be saying I'm wrong, but uh yeah, yeah, okay, yeah,
• 12:12
  Speaker 3: this is one of them. And then yeah that's the
• 12:15
  Speaker 3: other one. There's a couple of them here. Helped throw
• 12:17
  Speaker 3: them up on the screen so you could look at
• 12:18
  Speaker 3: them a little bit right now, just getting an idea.
• 12:22
  Speaker 2: Yeah.
• 12:26
  Speaker 3: Yeah, that's you know, pretty interesting right there too. All right, Yeah,
• 12:30
  Speaker 3: let me get back to my notes. Sorry, I just
• 12:31
  Speaker 3: wanted to throw those up. They are noted to go
• 12:34
  Speaker 3: back to around anywhere between, and these are Icelandic. They're
• 12:39
  Speaker 3: going back to around sixteen hundred to sixteen fifty. They
• 12:42
  Speaker 3: show up in a book, Galdra gal Galadra book, and
• 12:48
  Speaker 3: that is a seventeenth century grim war and it's in
• 12:51
  Speaker 3: the Swedish Antiqrium archive in Stockholm if anybody wants to
• 12:55
  Speaker 3: check it out. I guess and spell thirty four in
• 12:59
  Speaker 3: that names Galpadar among Victory and gin Faxi appears in
• 13:05
  Speaker 3: the same circle of charms in eighteen forty seven. It
• 13:09
  Speaker 3: shows back up in the Hold Manuscript which is in
• 13:13
  Speaker 3: the National Library of Iceland, and that is including it
• 13:18
  Speaker 3: has the illustrations of Galpadar and gin Faxi in there
• 13:23
  Speaker 3: as well. And then this I found interesting, which is
• 13:26
  Speaker 3: probably one of the reasons why I went with it
• 13:28
  Speaker 3: as well, is that oral tradition from the nineteenth to
• 13:31
  Speaker 3: the twentieth century records wrestlers carving or drawing the pair
• 13:35
  Speaker 3: on camvs skin and then hiding them in their shoes
• 13:38
  Speaker 3: before about And yeah, the Galpadar is supposed to be
• 13:43
  Speaker 3: slipped under the right heel and the gin Faxi is
• 13:45
  Speaker 3: under the left hose. Supposedly Galpadar, which I think is
• 13:51
  Speaker 3: the two horizontal beams with branching claws. Let me see
• 13:54
  Speaker 3: which one that is. I have that one up, let
• 14:00
  Speaker 3: me know the right one. There we go, people know
• 14:03
  Speaker 3: what I'm talking about. That one, it's uh supposed to
• 14:07
  Speaker 3: be it's supposed to keep the wrestlers steady on his feet,
• 14:10
  Speaker 3: that's what they would use it for. And then the
• 14:12
  Speaker 3: other one, gin Faxi, that fills the fighter with virility
• 14:15
  Speaker 3: and forward drive inscription however they use his historically sometimes
• 14:23
  Speaker 3: there are drawn in blood coal suit suit, you know,
• 14:27
  Speaker 3: make us from the whatever burnt stuff and carved it
• 14:31
  Speaker 3: or shit carved in the caskin charging, charging it would
• 14:35
  Speaker 3: be recitation of a short caldral lag charm while breathing
• 14:42
  Speaker 3: onto the stave deployment or howlig you could use it.
• 14:46
  Speaker 2: You could.
• 14:46
  Speaker 3: People would sew it sometimes into stuff, or they would
• 14:50
  Speaker 3: the wrestlers would simply just put it in the in
• 14:52
  Speaker 3: their shoes, but sometimes they would sew it this stuff
• 14:55
  Speaker 3: and then after the victory, the charms were burned or
• 14:58
  Speaker 3: buried under a horse roads to avoid unwanted backfire. And
• 15:06
  Speaker 3: how we see it today combat sports and re enactment,
• 15:11
  Speaker 3: Brazilian jiu jitsu gyms and god, how is in rake
• 15:15
  Speaker 3: Javic stencil a pair on their mats, especially the two
• 15:19
  Speaker 3: that I'd just shown, a lot of them will put
• 15:21
  Speaker 3: that on their socks. You see it in jewelry and
• 15:24
  Speaker 3: tattoos and etsy and stuff, neo pagan rituals. Sometimes you
• 15:27
  Speaker 3: will still see them and something. It has been shown
• 15:31
  Speaker 3: in pop culture. It's featured in a video game run
• 15:34
  Speaker 3: sets and Nordic theme the graphic novels. Uh so, yeah,
• 15:38
  Speaker 3: it still does kind of like pop up today, but
• 15:40
  Speaker 3: it was something a little bit older and kind of
• 15:42
  Speaker 3: not known, and for some reason, I don't know why
• 15:45
  Speaker 3: it it's attached to wrestling. So it was just like,
• 15:48
  Speaker 3: I guess when I knew that his was attached to like,
• 15:51
  Speaker 3: you know, the arms for you know whatever, I was
• 15:53
  Speaker 3: just like, well, this kind of goes with something else.
• 15:55
  Speaker 2: I'll run with this. I just thought it was weird.
• 15:58
  Speaker 3: I mean because I remember even covering I think a
• 16:01
  Speaker 3: cult wrestling on Gray Horns Pagan's podcast, and there was
• 16:06
  Speaker 3: it did seem to be like a lot of Norse
• 16:09
  Speaker 3: that I came across when I was looking into that.
• 16:11
  Speaker 3: So even when I saw this it was icelandic I
• 16:13
  Speaker 3: was like, damn, I wish I would have had this.
• 16:14
  Speaker 2: Then this is interesting. I just find that weird. It's
• 16:17
  Speaker 2: something wrestless use.
• 16:19
  Speaker 1: Do you know that the history of Iceland when it
• 16:21
  Speaker 1: comes to practicing magic.
• 16:24
  Speaker 2: No, No, I really don't.
• 16:25
  Speaker 1: Actually, oh, you're all love it. So Iceland was a
• 16:30
  Speaker 1: very unique place when they were making the Christian reforms
• 16:33
  Speaker 1: in all of Norway, Iceland and Sweden all the rest
• 16:37
  Speaker 1: of that, there were a whole bunch of people who
• 16:39
  Speaker 1: were practicing magic in those areas and they're like, we're
• 16:43
  Speaker 1: not Christian, you need to stop this. What are you doing?
• 16:46
  Speaker 1: So they decided all flee to Iceland. So for hundreds
• 16:51
  Speaker 1: of years, the official you know, religion of Iceland was
• 16:57
  Speaker 1: this sort of magic system that came on the Norse Pagans.
• 17:05
  Speaker 1: And what a lot of these staves are from is
• 17:08
  Speaker 1: actually from earlier Christian chants and charms that they incorporated
• 17:13
  Speaker 1: into their system, because the Christians did practice a lot
• 17:16
  Speaker 1: of magic that you know, were on the outskirts of society,
• 17:19
  Speaker 1: and they had other Christian traditions that were passed on
• 17:22
  Speaker 1: to them and they used them as you know spells
• 17:25
  Speaker 1: and you know charms. That's just sort of natural because
• 17:30
  Speaker 1: they came from those families who had that stuff, and
• 17:32
  Speaker 1: they just christianized their their spells and charms. If they
• 17:35
  Speaker 1: were outside of the church for too long, they started
• 17:38
  Speaker 1: to develop these you know, naturally sort of occurring shapes
• 17:43
  Speaker 1: that occurred to them as having magical powers. I don't
• 17:47
  Speaker 1: think it's that far outside of the ordinary. And when
• 17:52
  Speaker 1: they started this, then they had Christians moved to Iceland
• 17:55
  Speaker 1: and claimed to be targeted by the black magic. So
• 18:01
  Speaker 1: they came out there they're like, no, you need to
• 18:03
  Speaker 1: be Christian and they're like, we don't want to be
• 18:05
  Speaker 1: Christian and they're like, ah, stop hurting me with your
• 18:07
  Speaker 1: black magic. I'm serious. The literal cartman's coming out there
• 18:14
  Speaker 1: to say, you can't do this. You're putting spells on me.
• 18:16
  Speaker 1: You have to listen to what I'm saying. And so
• 18:20
  Speaker 1: they would go back and forth. It's like, I didn't
• 18:21
  Speaker 1: have anything to do with your wife's dat you probably
• 18:24
  Speaker 1: killed there. You're telling me that I put black magic
• 18:26
  Speaker 1: on you. I didn't put any black magic on you.
• 18:27
  Speaker 1: But now that you're saying I'm doing it, I'm going
• 18:30
  Speaker 1: to do it ten times harder, right. And ever since then,
• 18:39
  Speaker 1: Iceland has been very very suspicious of Christianity. They do
• 18:44
  Speaker 1: not like it. They see it for a bunch of
• 18:47
  Speaker 1: people in a power trip. And so now Iceland is
• 18:50
  Speaker 1: one of the most atheistic nations in the world because
• 18:52
  Speaker 1: they lost time with their roots in the modern times
• 18:55
  Speaker 1: and they're not going to go towards Christianity. So they're
• 18:59
  Speaker 1: like the biggest atheists in the world. But if you
• 19:02
  Speaker 1: bring up some of the folk legends, they still sort
• 19:05
  Speaker 1: of participate in it. So there's little people out there
• 19:07
  Speaker 1: on Iceland that they put up, you know, hillside little
• 19:13
  Speaker 1: houses for them, and they bring food and stuff to
• 19:17
  Speaker 1: them on certain days. But you know, it's more of
• 19:20
  Speaker 1: like a folk tradition than more of a religious belief.
• 19:23
  Speaker 1: But it sort of crosses the boundary a little bit,
• 19:25
  Speaker 1: and they still have a very robust history of mythology
• 19:31
  Speaker 1: and their own unique way of seeing things, and the
• 19:34
  Speaker 1: staves go right along with that. That came along with
• 19:37
  Speaker 1: their magic. Iceland is a really interesting place when it
• 19:43
  Speaker 1: comes to magic, and a lot of people don't really
• 19:45
  Speaker 1: think about it like that. It's one of the last
• 19:47
  Speaker 1: surviving places where the old Norse pagan beliefs were allowed
• 19:52
  Speaker 1: to flourish. And you know, mostly it was just grumpy
• 19:55
  Speaker 1: old men that said, you're not going to take our
• 19:57
  Speaker 1: magic from us, We're going to leave.
• 20:01
  Speaker 3: That's a little fucked up though. Yeah, but black magic
• 20:04
  Speaker 3: on me because you won't listen.
• 20:08
  Speaker 1: Well, I mean, the Christian form of black magic is
• 20:11
  Speaker 1: making false accusations, So why wouldn't you do it?
• 20:14
  Speaker 3: Back to the no, No, I was like, it's just
• 20:16
  Speaker 3: like still like things haven't changed.
• 20:17
  Speaker 2: Huh. You know what I'm saying, like making a.
• 20:19
  Speaker 3: Bullshit because he doesn't like somebody fucking nuts, Yo, somebody
• 20:24
  Speaker 3: had said, Uh, Promethean said in the chat and I
• 20:27
  Speaker 3: actually heard him say this at the lecture. He says,
• 20:29
  Speaker 3: patterns like that, like the first one, are all over
• 20:32
  Speaker 3: the world. Doctor Robert Schock says that when a major
• 20:34
  Speaker 3: solar event happens, those patterns are in the sky, kind
• 20:37
  Speaker 3: of like sprites. He was going on about the ship
• 20:40
  Speaker 3: like that. That's interesting. I don't know what he was
• 20:43
  Speaker 3: saying that towards. I forgot, but what did I mention it?
• 20:48
  Speaker 4: All?
• 20:49
  Speaker 2: Right?
• 20:49
  Speaker 1: Well, I think that the geometric form is linked to
• 20:55
  Speaker 1: both the creation of matter and to the creation of
• 21:00
  Speaker 1: the mind. Right, So the first things we're able to
• 21:03
  Speaker 1: draw these you know, rudimentric geometric forms, and those rudimentary
• 21:07
  Speaker 1: geometric forms make up much more complex and interesting shapes
• 21:13
  Speaker 1: that we then can translate into painting or drawing or
• 21:17
  Speaker 1: whatever you want. So these are the basic like bottom
• 21:21
  Speaker 1: level that connect to both the creation of stuff, you know,
• 21:25
  Speaker 1: through quantum vibrations and things like that. Uh, you know,
• 21:29
  Speaker 1: string theory, the idea that there are these waves of
• 21:32
  Speaker 1: energy that actually can geal into the matter that we're
• 21:35
  Speaker 1: made out of, starting on the geometric and then also
• 21:39
  Speaker 1: through the thought process. So there is it as as
• 21:41
  Speaker 1: above so below that comes directly through human creativity. So
• 21:47
  Speaker 1: I got the first one from pretty Bug. It says
• 21:50
  Speaker 1: it's me, pretty Bug. My story is taken so long
• 21:53
  Speaker 1: to send because I've been scared to even talk about it,
• 21:56
  Speaker 1: much less put it into words in written texts. I've
• 21:59
  Speaker 1: been so scared because I didn't want to do anything
• 22:01
  Speaker 1: that would cause or provoke it to happen again ever ever,
• 22:06
  Speaker 1: But anyway, here it goes. I appreciate your bravery. So
• 22:12
  Speaker 1: all I know is that my only intention was to
• 22:15
  Speaker 1: communicate with my grandmother through dreams. She came to me
• 22:18
  Speaker 1: in a dream after she passed, which was really awesome.
• 22:22
  Speaker 1: That experience is what led me to try and eliciting
• 22:26
  Speaker 1: a dream from her. I don't know the time that
• 22:29
  Speaker 1: what I was doing was trying to elicit lucid dreaming,
• 22:33
  Speaker 1: or so I've been told. I literally don't know squat
• 22:36
  Speaker 1: about these things. What I did was put on my
• 22:39
  Speaker 1: piano playlist, lied down on my back on the bed,
• 22:43
  Speaker 1: and a hold of my labradorite stone, closed my eyes,
• 22:48
  Speaker 1: and started to do what I would only call meditate.
• 22:52
  Speaker 1: I started to imagine that the road to her house
• 22:55
  Speaker 1: was paved, was a paved road that later turned into
• 22:58
  Speaker 1: a dirt road. While walking down the road, I started
• 23:01
  Speaker 1: to think of the house. I was thinking of what
• 23:03
  Speaker 1: it looked like outside Inside I thought about what it
• 23:07
  Speaker 1: smelled like, what was probably on the TV, and what
• 23:10
  Speaker 1: might be cooking or being made in the kitchen, all
• 23:14
  Speaker 1: the things. Lol. I followed the road all the way
• 23:18
  Speaker 1: to her and my grandfather's home. At some point I
• 23:21
  Speaker 1: realized I didn't hear my piano playlist anymore. Even after
• 23:25
  Speaker 1: the realization, I didn't hear it again until I came
• 23:28
  Speaker 1: out of the dream. First thing, after walking down the driveway,
• 23:32
  Speaker 1: I went into the front door, which I don't know why,
• 23:35
  Speaker 1: because the front door was rarely used, definitely a garage
• 23:38
  Speaker 1: using family. Have you noticed that there are some places
• 23:41
  Speaker 1: where they don't use the front door, They always go around.
• 23:47
  Speaker 2: I know what you mean. Yes, I have known people
• 23:49
  Speaker 2: like that. Yeah.
• 23:52
  Speaker 1: Walking inside, there was a little furniture and a zero
• 23:55
  Speaker 1: pictures on top of tables. No books, no shelves, no
• 23:58
  Speaker 1: things on the walls. There was a small table in
• 24:01
  Speaker 1: the foyer right to my right, but it didn't have
• 24:04
  Speaker 1: the trinkets or lamps on top of it. To my left,
• 24:07
  Speaker 1: the china cabinet, there was nothing there, but had nothing
• 24:11
  Speaker 1: in it. I stepped into the living room and the
• 24:14
  Speaker 1: TV cabinet was there on my right again and was
• 24:16
  Speaker 1: void anything decorative in the TV. This kind of reminds
• 24:19
  Speaker 1: me of a mall dream. In the mall dream, there's
• 24:24
  Speaker 1: very rarely anything inside the stores that you could recognize.
• 24:27
  Speaker 1: It's like products over It's all just sort of empty.
• 24:32
  Speaker 1: There was only one recliner, which was my grandmother's. My
• 24:37
  Speaker 1: grandfather's recliner was missing, along with the couch, the rug,
• 24:41
  Speaker 1: the coffee table, and the long table that was under
• 24:43
  Speaker 1: the windows. In the kitchen, there was only the kitchen
• 24:46
  Speaker 1: table and nothing else. The house was pretty much bare,
• 24:49
  Speaker 1: as if someone was moving in or moving out. I
• 24:52
  Speaker 1: stepped into the living room looked around. My grandmother wasn't
• 24:55
  Speaker 1: in the house as far as I could tell. I
• 24:57
  Speaker 1: called out for her and got no response. The house
• 25:00
  Speaker 1: was pretty small but open. You could see both sides
• 25:03
  Speaker 1: of the house standing in the living room or the kitchen.
• 25:06
  Speaker 1: So upon hearing her, I walked through the kitchen and
• 25:09
  Speaker 1: out the door. The door was always used. I looked
• 25:12
  Speaker 1: down the driveway and spotted her in the garden. She
• 25:15
  Speaker 1: spotted me at the same time, and smiled, waving enthusiastically.
• 25:19
  Speaker 1: Once I got to her, she asked me what I
• 25:21
  Speaker 1: was doing there. I told her I just wanted to
• 25:23
  Speaker 1: talk to her and that I missed her. She told
• 25:26
  Speaker 1: me to come inside. So when we were back in
• 25:28
  Speaker 1: the kitchen, she made me a glass of a famous
• 25:30
  Speaker 1: sweet tea along with a sprig of mint. Her tea
• 25:33
  Speaker 1: tasted so good you wouldn't want any other sweet tea ever. Again,
• 25:37
  Speaker 1: we sat at the kitchen table and I asked her questions.
• 25:41
  Speaker 1: I was conscious of, conscious of asking and coming up
• 25:44
  Speaker 1: with what to ask her. She would reply without me
• 25:48
  Speaker 1: consciously making up her response like I was when making
• 25:53
  Speaker 1: up the questions. It was like I was truly speaking
• 25:55
  Speaker 1: and visiting with her. So I started to visit with
• 25:58
  Speaker 1: her more often. I think I visited her four or
• 26:00
  Speaker 1: five more times before what happened. The more I visited her,
• 26:04
  Speaker 1: the more things showed up in the house, until even
• 26:07
  Speaker 1: her dogs showed them everything was back in place.
• 26:12
  Speaker 2: That's not good, that's weird.
• 26:14
  Speaker 1: So yeah, you remember the story of Padies and Persephone.
• 26:23
  Speaker 3: That detailed what about it that.
• 26:27
  Speaker 1: She ate six uh six pomegranate seeds while she was
• 26:31
  Speaker 1: in the underworld. Now, if you ate anything in the underworld,
• 26:34
  Speaker 1: you were no longer allowed to leave, so said. She
• 26:38
  Speaker 1: only ate six of them. She spent six months under
• 26:40
  Speaker 1: the surface and then six months on top. But this
• 26:42
  Speaker 1: goes back to like fairies and all the rest of
• 26:44
  Speaker 1: this stuff. If you eat anything, or if you spend
• 26:47
  Speaker 1: too long in that other world, you start to stay
• 26:51
  Speaker 1: there a lot.
• 26:55
  Speaker 2: Right.
• 26:55
  Speaker 1: Ooh, that's why there's more stuff. She is getting closer
• 27:00
  Speaker 1: to it. The more I visited her, the more things
• 27:04
  Speaker 1: showed up in the house, until even her dog showed up.
• 27:06
  Speaker 1: Everything was back in place. I still went through the
• 27:09
  Speaker 1: front door, the door we never used. I just kept
• 27:12
  Speaker 1: going in that way. I don't know why I just did.
• 27:14
  Speaker 1: After experiencing my visits with her amazing results, I decided
• 27:18
  Speaker 1: to visit my great grandmother, my grandfather's mother.
• 27:23
  Speaker 2: PS.
• 27:24
  Speaker 1: There's a pretty full and interesting lineage to me and
• 27:26
  Speaker 1: my great grandmother. That may be good to know with
• 27:29
  Speaker 1: analyzing my experience with her. If it isn't worth anything,
• 27:32
  Speaker 1: at least it's interesting. She was the daughter of the
• 27:34
  Speaker 1: American Colonists, daughter of the American Revolution, and member of
• 27:38
  Speaker 1: the National Society of the Colonial Dames of the XVIII Century.
• 27:46
  Speaker 1: I have all the applications she left for me as
• 27:49
  Speaker 1: their receipts if I wanted so, that would be the
• 27:53
  Speaker 1: seventeenth century. Yeah, yes, it is. Also she lived also
• 27:59
  Speaker 1: in a history oracle house named the Cedars in Washington, Georgia,
• 28:03
  Speaker 1: which was a story in itself. She was a Confectionary
• 28:06
  Speaker 1: Garden Club member and mastered the piano at Julia. She
• 28:10
  Speaker 1: is the most legal person I have ever known, which
• 28:15
  Speaker 1: makes sense. If you've got a long lineage here, you've
• 28:17
  Speaker 1: got a lot to draw back one, unlike us German peasants,
• 28:23
  Speaker 1: who all we want to do is dig holes in
• 28:25
  Speaker 1: the suit. I also recently found out the story of
• 28:31
  Speaker 1: being directly related to Pocahontas isn't just the family rumor anymore.
• 28:35
  Speaker 1: It's true. I am her fourteenth great granddaughter. Didn't see
• 28:39
  Speaker 1: that coming. She had our ancestry research all the way
• 28:43
  Speaker 1: back to the days of Charlemagne, not the Rapper, who
• 28:46
  Speaker 1: I am a very distant relative of. She's definitely in
• 28:50
  Speaker 1: the society of the Cincinnati. She's passing that alone. Daughters
• 28:53
  Speaker 1: of the American Revolution, No way, she's not. She was
• 28:57
  Speaker 1: once a possession of General Cornwallis's boot buckles. I think
• 29:01
  Speaker 1: that's what they're called, et cetera. So I used the
• 29:04
  Speaker 1: same method as before. I was experiencing the same result. However,
• 29:08
  Speaker 1: this time it was very different. Instead of the house
• 29:11
  Speaker 1: being full of light and color, it was dark, black
• 29:15
  Speaker 1: and white. All the furniture, pictures, et cetera. Were already there.
• 29:18
  Speaker 1: It was also seemingly silent, silent as in void of
• 29:22
  Speaker 1: sound completely. I walked into the house and halfway down
• 29:25
  Speaker 1: the floyer, I stepped into the den and looked around.
• 29:28
  Speaker 1: She wasn't there. I stepped back into the floyer and
• 29:31
  Speaker 1: walked across to the living room. I found her there.
• 29:34
  Speaker 1: She was sitting in a rocking chair by the fireplace.
• 29:37
  Speaker 1: She was hardly ever in the house. I was calling
• 29:40
  Speaker 1: her name until I reached her. She was sitting upright while,
• 29:43
  Speaker 1: eyes wide open, no blinking or signs of life. It
• 29:46
  Speaker 1: stunned me, and I stepped backwards away from her. At
• 29:49
  Speaker 1: the same time, I noticed something moving in the hallway.
• 29:53
  Speaker 1: I stepped out into the hallway and saw a black
• 29:55
  Speaker 1: figure with no shape to it. It looked like it
• 29:58
  Speaker 1: was possibly hooded or had on kate. I wanted to
• 30:01
  Speaker 1: know who or what it was, so I followed it
• 30:04
  Speaker 1: into the kitchen, it exited out the door, the kitchen door,
• 30:07
  Speaker 1: into the backyard, where it shot straight up into the
• 30:10
  Speaker 1: sky with a deafening screech. It was at that moment
• 30:14
  Speaker 1: I sat straight up out of bed, terrifying. So terrified
• 30:18
  Speaker 1: that night that I couldn't bring myself to turn the
• 30:20
  Speaker 1: light back off, which I had immediately turned on upon waking,
• 30:24
  Speaker 1: the most terrified I had ever been. I've experienced a
• 30:29
  Speaker 1: lot of things, sleep sleep paralysis being one of the
• 30:32
  Speaker 1: biggest things. Coming face to face with a full body
• 30:35
  Speaker 1: and apparitions. Learning the repercussions of using a weedi board
• 30:39
  Speaker 1: without knowing shit about it, or protecting myself, that's a
• 30:42
  Speaker 1: whole different story. Hearing voices occasionally capturing clear who intelligent dvps?
• 30:51
  Speaker 4: Oh wowright, let me see, I have a good bit
• 31:00
  Speaker 4: of crazy stories.
• 31:02
  Speaker 1: This, however, was something completely different. It was just a
• 31:05
  Speaker 1: scary af lucid dream. Was it a type of sleep
• 31:09
  Speaker 1: paralysis I've never experienced out or heard of before, or
• 31:12
  Speaker 1: it could be something more. I've been told that it
• 31:15
  Speaker 1: could have been a couple of things, like going beyond
• 31:18
  Speaker 1: lucid dreaming and landing somewhere else where I wasn't well.
• 31:22
  Speaker 1: Also told my recipient of the visit, was it open
• 31:27
  Speaker 1: to talking or visiting. None of that makes any sense
• 31:30
  Speaker 1: to me, though also told my recipient of the visit
• 31:34
  Speaker 1: wasn't open to talking or visiting. I mentioned all of
• 31:38
  Speaker 1: these things about my lineage, my great grandmother because something
• 31:41
  Speaker 1: in me is telling me I stumbled into something or
• 31:44
  Speaker 1: somewhere I didn't belong, feeling that something dark is going
• 31:49
  Speaker 1: on or did go on. As much as I hate
• 31:51
  Speaker 1: to say this, my great grandmother may very well have
• 31:54
  Speaker 1: been had a sketchy pass that no one ever talks
• 31:57
  Speaker 1: or talked about. A note that I've always been attracted
• 32:01
  Speaker 1: to her since I was little. I wasn't around her,
• 32:04
  Speaker 1: so it's kind of weird to feel so attached attracted
• 32:07
  Speaker 1: to her. However, I've always connected to her to piano music.
• 32:13
  Speaker 1: I've always been in love with the piano and piano music.
• 32:15
  Speaker 1: Even had a picture of her and I am sitting
• 32:20
  Speaker 1: at my piano when I was maybe two or three.
• 32:22
  Speaker 1: My intuition is pretty good. It has never failed me,
• 32:25
  Speaker 1: and no one has ever told me I was wrong
• 32:27
  Speaker 1: or way off and analyzing people, things and situations. I
• 32:30
  Speaker 1: trust my feelings on this. I just don't have any
• 32:33
  Speaker 1: validating explanations for what happened? What the hell was that
• 32:36
  Speaker 1: in the hallway with a scream like a bangaing, where
• 32:39
  Speaker 1: the hell was I? If not for here, is there
• 32:42
  Speaker 1: something more I should be looking into? Or for here's
• 32:45
  Speaker 1: hoping you can help me figure this shit out because
• 32:48
  Speaker 1: it's driving me crazy much love, pretty bod. What is
• 32:55
  Speaker 1: your take?
• 32:57
  Speaker 3: It's probably actually, in my opinion, one of the more
• 32:59
  Speaker 3: crazier things actually look right. I don't know, Yeah, I
• 33:02
  Speaker 3: don't know why I'm stuck on it, but I think
• 33:04
  Speaker 3: going back and going, going back and forth and more
• 33:07
  Speaker 3: shit showing up that just weirds me the fuck out. Actually,
• 33:10
  Speaker 3: like it's almost like like some repetitive glitcher into some shit.
• 33:13
  Speaker 1: It's fucking weird, I think, if you know, because this
• 33:18
  Speaker 1: seems like astral projection.
• 33:20
  Speaker 2: Yeah, oh yeah, yeah.
• 33:23
  Speaker 1: She specifically constructed the road for going from paid to
• 33:30
  Speaker 1: going to gravel because it's in the process of going
• 33:35
  Speaker 1: from paid to gravel that your your mind now takes
• 33:39
  Speaker 1: on that transitionary phase, right, So you have to be
• 33:42
  Speaker 1: thinking about what you're stepping on. So having that focus
• 33:46
  Speaker 1: actually allows you to maybe leave the conscious realm for
• 33:50
  Speaker 1: this sort of subconscious slash astral realm. You know, if
• 33:54
  Speaker 1: you're going into the underworld to do, you know, go
• 33:57
  Speaker 1: see your grandmother, eventually your living body is going to
• 34:01
  Speaker 1: reject the experience because you don't want to die on
• 34:05
  Speaker 1: a very subconscious level. And so maybe it sort of
• 34:14
  Speaker 1: evoked this black and white sort of realm. Because did
• 34:17
  Speaker 1: you ever see the movie The Tommy Knockers.
• 34:21
  Speaker 2: I've seen polsitive, but that's the whole thing.
• 34:25
  Speaker 1: But you know what I mean. They go into this
• 34:26
  Speaker 1: realm that sort of represents the place that was, and
• 34:29
  Speaker 1: it's being eaten by these like weird pac man look
• 34:33
  Speaker 1: at things with sharp teeth, and so it's like, those
• 34:35
  Speaker 1: are the moments that were, Those aren't the moments of
• 34:39
  Speaker 1: the present, and those aren't the moments in the future.
• 34:41
  Speaker 1: So in the movie The Tommy Knockers, they take off
• 34:43
  Speaker 1: from this airport that you know exists in the past,
• 34:46
  Speaker 1: fly through the anomaly to get back to the president.
• 34:49
  Speaker 1: They ever end up overshooting it into the future, and
• 34:52
  Speaker 1: so they show up inside the airport in the future
• 34:56
  Speaker 1: and you know, basically everything appears around them with the
• 34:59
  Speaker 1: present us up that That's kind of what I'm seeing here.
• 35:04
  Speaker 1: If you're constantly astrally projecting into the world of the dead.
• 35:09
  Speaker 1: Your body is going to reject that. You're going to
• 35:10
  Speaker 1: start to see things get off funking because you're not
• 35:13
  Speaker 1: supposed to be there, you know. I mean there's a
• 35:16
  Speaker 1: sort of order to the whole world, and so if
• 35:19
  Speaker 1: you're constantly doing I think this would be an example
• 35:22
  Speaker 1: of necromancy. It's not a bad example of necromancy, by
• 35:24
  Speaker 1: the way, but you are communing with the dead, so
• 35:29
  Speaker 1: in a certain sense, the body will reject it for
• 35:31
  Speaker 1: a certain time period if you're too close to it.
• 35:35
  Speaker 1: You're not supposed to be dead, you know, you're supposed
• 35:37
  Speaker 1: to be living, So that world is kind of closed
• 35:39
  Speaker 1: off from us a little bit because we still have
• 35:42
  Speaker 1: our bodies, we're still in forms. That's just my tich.
• 35:45
  Speaker 1: What do you think?
• 35:47
  Speaker 4: Uh?
• 35:49
  Speaker 3: I thought it was a lot like I don't know why,
• 35:52
  Speaker 3: but I just was like more of again, and I
• 35:54
  Speaker 3: think I mentioned the last time with inception. I just
• 35:56
  Speaker 3: felt like even the whole repetitive thing, like like almost
• 36:01
  Speaker 3: reprogramming and redoing it. I don't know, I don't know
• 36:04
  Speaker 3: why I'm stuck on that one part. I just found
• 36:06
  Speaker 3: that very weird for a dream where it's it's like
• 36:09
  Speaker 3: you're stuck in a glitch. But it was almost like
• 36:12
  Speaker 3: I felt like an inception. Maybe she was like designing
• 36:14
  Speaker 3: it in a sense to the experience, and I felt
• 36:18
  Speaker 3: a lot of Stranger Things as well. I felt like
• 36:20
  Speaker 3: I was listening to like a Stranger Things episode, right.
• 36:25
  Speaker 1: I think it was it was merging in the two minds.
• 36:28
  Speaker 1: So not only was she seeing it the way you
• 36:30
  Speaker 1: know it exists in sort of like this fading memory
• 36:33
  Speaker 1: in reality, but the more she's into it, the more
• 36:36
  Speaker 1: she sees all of the things that show you show
• 36:39
  Speaker 1: up because she's merging her mind with her grandmothers, which
• 36:43
  Speaker 1: I think is you know, probably what would happen symbolically
• 36:47
  Speaker 1: in these different realms. Again, when you're in the symbolic
• 36:51
  Speaker 1: realm on the astro symbolic things are going to happen,
• 36:56
  Speaker 1: then you have to be the one to see and
• 36:58
  Speaker 1: understand what symbols are being showed to you, because that's
• 37:01
  Speaker 1: your mind trying to communicate to you, that's your subconscious
• 37:05
  Speaker 1: trying to communicate to you, and that's your body trying
• 37:07
  Speaker 1: to communicate to you in different ways in what you're seeing,
• 37:10
  Speaker 1: don't you. Yeah, I think it was a very powerful dream.
• 37:14
  Speaker 1: But you know at some.
• 37:15
  Speaker 3: Time that was probably one of my favorite honesty and
• 37:18
  Speaker 3: not to play favorites, but I really enjoyed that one.
• 37:20
  Speaker 2: I think it was so stuck in the story. I
• 37:22
  Speaker 2: wasn't really trying to decipher.
• 37:25
  Speaker 1: Thank you very much, Table Ferguson five dollars.
• 37:27
  Speaker 3: Yeah, thank you, man, appreciate that. But uh yeah, yeah,
• 37:31
  Speaker 3: I thought that was really cool. I saw somebody, I think,
• 37:33
  Speaker 3: bad hat. I see that bad hat. It says, oh
• 37:35
  Speaker 3: my god, hells, I'll send you my dreams. So we're
• 37:38
  Speaker 3: expecting that. We sort we're going to keep it to
• 37:40
  Speaker 3: your word.
• 37:43
  Speaker 1: Absolutely, so I think you know, that was a great email.
• 37:48
  Speaker 1: I think if you guys have more of them. Remember
• 37:51
  Speaker 1: we're still taking mall dreams. We're going to probably have
• 37:53
  Speaker 1: a mall dream that we're doing next week, so tune
• 37:55
  Speaker 1: in for that one. But I think there is something
• 37:58
  Speaker 1: to these mall dreams. You guys are into it, make
• 38:03
  Speaker 1: sure to tune in and we will see you again
• 38:06
  Speaker 1: next time. Nick any no, just.
• 38:08
  Speaker 3: If people if yeah, the Occult Rejects, check us out.
• 38:12
  Speaker 3: If you're interested, we're doing you're doing a live in
• 38:15
  Speaker 3: about another fucking ten minutes, so you could jump up
• 38:18
  Speaker 3: over there. Well, or stay here on Headless's channel because
• 38:20
  Speaker 3: he'll be restreaming it anyway. So yeah, if you want
• 38:23
  Speaker 3: to check out some Mars Red Planet Blue or Blue
• 38:26
  Speaker 3: Plant Red and fucking it up, but whatever, check it out.
• 38:29
  Speaker 3: I'm really excited for it, actually cool guy too, so
• 38:34
  Speaker 1: Absolutely thank you guys so much for joining us, and
• 38:36
  Speaker 1: we will see you again next time.