Latest / Cats & Pudding with Jennifer Dilandro / Kathrine Narducci - From Awkward Sex Scenes to Shooting D*cks Off

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Kathrine Narducci - From Awkward Sex Scenes to Shooting D*cks Off · Cats & Pudding with Jennifer Dilandro

• 0:00
  Speaker 1: I'm waiting there. They're like, well, we're waiting for Clint.
• 0:02
  Speaker 1: And he's got a whole crew that's been with him
• 0:04
  Speaker 1: for years. And they kept going, Okay, Clint's coming. Clint's
• 0:07
  Speaker 1: in front of the building's pulling up. And I'm going like, Elvis,
• 0:10
  Speaker 1: I never got like that before in my life. And
• 0:13
  Speaker 1: I was like, oh my god, Oh my god. And
• 0:14
  Speaker 1: I'm standing in front of the elevator and they go okay,
• 0:17
  Speaker 1: and I see it going. They said, he's in the elevator,
• 0:20
  Speaker 1: and all of a sudden, I see first floor and
• 0:23
  Speaker 1: the door goes ing like the door's open like that,
• 0:26
  Speaker 1: and he went Kats in Footing Podcast a melting Pot
• 0:34
  Speaker 1: And now here's Jen. Good afternoon, everybody, and welcome to
• 0:38
  Speaker 1: my new episode of Kats and Pudding and today, Oh
• 0:41
  Speaker 1: my god, do I have a guest for you guys.
• 0:44
  Speaker 1: She needs no introduction, actually, guest of all guess. She's
• 0:47
  Speaker 1: the guest of all guests, the godfather of all guests,
• 0:51
  Speaker 1: god mother god mother of all guests, Miss miss Catherine Kiddy. Now, dude,
• 0:57
  Speaker 1: you look at who I have right here. Amazing she's doing.
• 1:01
  Speaker 1: She's doing like this. When I was the what do
• 1:04
  Speaker 1: you call that one at the Saint Gennario Feast. They
• 1:07
  Speaker 1: made me the the queen, not the queen. You get
• 1:10
  Speaker 1: on the float, you're the oh the Grand Marshall, And
• 1:13
  Speaker 1: I did the Queen's wave the whole time. I finally
• 1:16
  Speaker 1: got on a float and I was able to do
• 1:17
  Speaker 1: the queen's You are the queen, you are the Queen.
• 1:20
  Speaker 1: You're amazing, You're a queen. Till now listen, I am.
• 1:24
  Speaker 1: I love you. I First of all, I love this woman.
• 1:27
  Speaker 1: I I knew that her and I were going to
• 1:30
  Speaker 1: be automatic friends the minute like I we even contacted
• 1:33
  Speaker 1: each other on Instagram, and I fell in love with
• 1:36
  Speaker 1: her the minute I met. I felt such a vibe
• 1:38
  Speaker 1: with you, like you could tell vibes through through the screen.
• 1:41
  Speaker 1: A thousand of me, a thousand people are you can
• 1:44
  Speaker 1: see you can see who's fake and with how they
• 1:46
  Speaker 1: post and everything else, because most people who post on Instagram,
• 1:49
  Speaker 1: you know, it's a show and it's so superficial. But
• 1:52
  Speaker 1: when you see when I see somebody and they really
• 1:55
  Speaker 1: posting and they and they really are real, you could
• 1:58
  Speaker 1: tell who they are, right, you could totally tell. But
• 1:59
  Speaker 1: I you how and I I would love her and
• 2:01
  Speaker 1: I'm so in awe of you. I'm such a bit
• 2:03
  Speaker 1: of fan of yours for so many years. Oh my God,
• 2:06
  Speaker 1: And I love you. I love you. I'm like so happy,
• 2:09
  Speaker 1: you know, I love you more. Yes, we're gonna go
• 2:12
  Speaker 1: surfing fier far Rockaway Beach. Yes, we're gonna be We're
• 2:15
  Speaker 1: gonna we're gonna be in a bromance. We're gonna be
• 2:18
  Speaker 1: in a hole man's and a hole man. She's my
• 2:22
  Speaker 1: new She's my new crush, Catherine, Catherine. I know we
• 2:26
  Speaker 1: don't like to ask questions. I don't. I know you
• 2:28
  Speaker 1: want to go through all the same questions that people
• 2:30
  Speaker 1: ask you all the time. But I'm gonna ask you
• 2:32
  Speaker 1: one question. How many times have you been robbed with
• 2:34
  Speaker 1: any of his wife on screen? His wife three times,
• 2:43
  Speaker 1: but working with him like six. It seems like you've
• 2:48
  Speaker 1: been his wife so many more times? Like you, she
• 2:51
  Speaker 1: thought I was his wife and the irishman. I was
• 2:53
  Speaker 1: pest She's wife and the irishman. You know what? But
• 2:55
  Speaker 1: I know I think but they think I'm because they
• 2:57
  Speaker 1: see me him. Well, everybody connects you to him, That's why,
• 3:00
  Speaker 1: especially from the Bronxtown, that's where they connect you. Well, yeah,
• 3:05
  Speaker 1: I feel like that's a good connection to be connected to.
• 3:10
  Speaker 1: He gave me my start and I do love him.
• 3:14
  Speaker 1: And how many did did you? When you go? That
• 3:16
  Speaker 1: was that? That was your first major role was in
• 3:18
  Speaker 1: was in Broxtown, off the Street and on Robert Deannairo's
• 3:23
  Speaker 1: lap in an audition. Wow, wow, talk about a step
• 3:26
  Speaker 1: off right in his lap and he was young then. Yeah,
• 3:29
  Speaker 1: I mean he's still hot. I mean he's still hot guy. Yeah.
• 3:32
  Speaker 1: Did you ever have a prushure? Like ever happened? No,
• 3:36
  Speaker 1: I know you can't talk about it. No, no, no, no, crush, crush, crush. Oh,
• 3:42
  Speaker 1: I think he's beautiful when I yeah, when I first
• 3:45
  Speaker 1: met him, I ye, r of him. Of course I
• 3:47
  Speaker 1: had like a crush. And if you who like the person,
• 3:52
  Speaker 1: like say, the first who that you have met was
• 3:55
  Speaker 1: like somebody that like just starstruck you like, I mean
• 3:58
  Speaker 1: you've been with, You've been with arscortsez Chas commentary, Roberts
• 4:03
  Speaker 1: de Niro, Oh, Christopher Walking. I mean there's people clin
• 4:07
  Speaker 1: east Wood, Joe Passion, I mean Placewood was the biggest
• 4:10
  Speaker 1: one for me. I didn't know what, like, he's clinics,
• 4:16
  Speaker 1: he's starving that man, Hollywood royalties. You know, I'm meaning
• 4:20
  Speaker 1: John Wayne. Yeah like that. Yeah, like he's old Cletable.
• 4:24
  Speaker 1: That's like legendary. Meeting de Niro was too walking in
• 4:28
  Speaker 1: a room and being like, oh my god, I'm gonna
• 4:30
  Speaker 1: have contact with this person who I watched my whole
• 4:33
  Speaker 1: life on screen. And then then all of a sudden
• 4:35
  Speaker 1: you're sitting there and you're working with them. It's like
• 4:38
  Speaker 1: it's surreal. You gotta keep saying this is surreal. And
• 4:41
  Speaker 1: we were like, I can't believe this is happening. You
• 4:42
  Speaker 1: know what is? I think maybe because Robert Dinner was
• 4:44
  Speaker 1: like an Italian and we and it's kind of like
• 4:46
  Speaker 1: feels the same, you know what I'm saying. But Clint
• 4:49
  Speaker 1: eas Wood is it's more like you have that connection
• 4:51
  Speaker 1: because you guys are the same nation, with the same nationality,
• 4:54
  Speaker 1: were the same background. So maybe that was why you
• 4:57
  Speaker 1: felt more comfortable with that. Clint east Wood is like
• 4:59
  Speaker 1: a different No Clint E's but it was like it
• 5:03
  Speaker 1: was unbelievable. And when I did Church way want to
• 5:06
  Speaker 1: hear how this is how I met him. So I
• 5:09
  Speaker 1: put myself on tape to get that role, right. I
• 5:12
  Speaker 1: self taped and then I flew to Hollywood and I
• 5:18
  Speaker 1: do the movie. I'm I'm there. I still don't meet him.
• 5:22
  Speaker 1: I never met him. Like I got the part. He's
• 5:24
  Speaker 1: gonna direct me. And I show up. They do my
• 5:28
  Speaker 1: hair makeup for first day working and then we go
• 5:31
  Speaker 1: to the location on I think it was on Paramount
• 5:35
  Speaker 1: we filmed and on the lot and then I'm waiting there.
• 5:40
  Speaker 1: They're like, well, we're waiting for Clint. And he's got
• 5:41
  Speaker 1: a whole crew that's been with him for years. And
• 5:44
  Speaker 1: they kept going, Okay, Clint's coming, Clint's in front of
• 5:46
  Speaker 1: the building, Clen's pulling up, and I'm going to Elvis.
• 5:50
  Speaker 1: I never got like that before in my life. And
• 5:52
  Speaker 1: I was like, oh my god, Oh my god. And
• 5:53
  Speaker 1: I'm standing in front of the elevator and they go okay,
• 5:56
  Speaker 1: and I see it going. They said, he's in the
• 5:59
  Speaker 1: elevator and all said, and I see first floor, second
• 6:02
  Speaker 1: and the door goes like the door is open like that,
• 6:05
  Speaker 1: and he went, well, you are astonishingly beautiful. Wow. And
• 6:10
  Speaker 1: I was just like and so, oh my god, how handsome, handsome, tall,
• 6:18
  Speaker 1: soft spoken, he's such ah my god. It was amazing,
• 6:21
  Speaker 1: such a man. Every single day I pinched myself on
• 6:24
  Speaker 1: that set. Oh my god, I love him. My grandmother
• 6:28
  Speaker 1: loved him and loved I don't know why she loved
• 6:31
  Speaker 1: Truck Norris so much. I don't think he's that sexy.
• 6:33
  Speaker 1: Grandmother loved Chuck Norris. Loved Chuck Norris. Isn't that? And
• 6:37
  Speaker 1: and and would and Paul Newman Paul Newman another one.
• 6:40
  Speaker 1: Did you get to meet a woman? No? No, I
• 6:42
  Speaker 1: never and I didn't meet him. But those are the
• 6:45
  Speaker 1: three men that I equate, like like just Rob Paul Newman,
• 6:50
  Speaker 1: Robert Redford and and and clinics Wood is like these
• 6:55
  Speaker 1: I don't know, they're just like the hot like all
• 6:58
  Speaker 1: American just I mean people that are like astonishing. I
• 7:03
  Speaker 1: don't know, I just write, write, you know what I mean?
• 7:06
  Speaker 1: Those three, Yes, that's why I look at them and
• 7:08
  Speaker 1: I and I think they're like Robertson Niro and and
• 7:11
  Speaker 1: like Joe Peschi is more relatable. So I guess you're
• 7:14
  Speaker 1: more relatable to them, so you feel more comfortable. It's
• 7:16
  Speaker 1: not just not saw struck by them, but it's like you.
• 7:20
  Speaker 1: I think even Pesci and Robert DeNiro are going to
• 7:22
  Speaker 1: be an ore of Clint Eastwood. Of That's what I'm
• 7:25
  Speaker 1: saying meeting two was a big another big moment. You know,
• 7:33
  Speaker 1: I auditioned for that. I put myself on tape and
• 7:36
  Speaker 1: then you get the call. Okay, Marty wants to meet you.
• 7:40
  Speaker 1: And the way he auditions you is you go meet
• 7:42
  Speaker 1: him in a hotel, you know, with this crew is there.
• 7:46
  Speaker 1: You're in the room alone with him because he just
• 7:48
  Speaker 1: wants to see who you are and who's working with.
• 7:52
  Speaker 1: And that was like it went from it and like
• 7:56
  Speaker 1: I got to I gotta tell you. I thought it
• 7:59
  Speaker 1: was gonna be quick. You go, you talk a little bit,
• 8:01
  Speaker 1: and then you leave. I was there over and now
• 8:03
  Speaker 1: we ordered. First we had coffee. Then I was like, hey,
• 8:06
  Speaker 1: he goes. Then we then we had champagne and and
• 8:09
  Speaker 1: I had this. I was there for like over an hours,
• 8:12
  Speaker 1: like I was with somebody. The familiality was just it
• 8:16
  Speaker 1: felt like I knew my whole life. And I would
• 8:18
  Speaker 1: think that it would feel like that with him and
• 8:21
  Speaker 1: with with with Robert de Niro and with Joe Joe pescially,
• 8:24
  Speaker 1: because it's like there there are times very he seems
• 8:28
  Speaker 1: like really laid back. Pession is very very different from
• 8:33
  Speaker 1: who he plays. He's very soft spoken, in vent Yeah,
• 8:37
  Speaker 1: I've seen him so night and day. That's why to
• 8:40
  Speaker 1: me he's an incredible actor because he's nothing like that
• 8:44
  Speaker 1: like the people he plays well he I mean, if
• 8:47
  Speaker 1: you look at him, he does of course well his gangsters.
• 8:49
  Speaker 1: But also he's been in movies where he played like
• 8:52
  Speaker 1: the you know, the comedy comedy Home Alone, My cousin
• 8:57
  Speaker 1: with the one with Me Gibson? What was that? The
• 9:00
  Speaker 1: What's on Him and Danny Glove? Yeah? I forgot he
• 9:03
  Speaker 1: played you played the Jewish Accountant? Yeah? Right, yeah, it
• 9:06
  Speaker 1: was that movie called I can't even think about it.
• 9:08
  Speaker 1: I love that movie. Do you ever meet Mel Gibson?
• 9:11
  Speaker 1: The Weapon? The Weapon? That's it? Lead the Web? Do
• 9:13
  Speaker 1: you ever meet mel Gibson? Mel Gibson No so hot?
• 9:18
  Speaker 1: Oh my god? Who was your? Who was your? Like?
• 9:21
  Speaker 1: If you could, if you could date somebody in Hollywood?
• 9:24
  Speaker 1: Who would have liked You've ever seen as like the
• 9:26
  Speaker 1: most hand. But so I've cleaning this one because we
• 9:28
  Speaker 1: know he's gorgeous, But like, who did you meet in person?
• 9:31
  Speaker 1: Just like like I know that there's so many good
• 9:34
  Speaker 1: looking like Clooney and Brad Pitt, and I don't know who.
• 9:42
  Speaker 1: I don't know, really, I don't have that many Hollywood crushes.
• 9:47
  Speaker 1: I fall in love with people that I meet, like
• 9:49
  Speaker 1: real people. Who was your who is your favorite actor?
• 9:53
  Speaker 1: Like if you had to choose I as actresses, Shirley McClain,
• 9:59
  Speaker 1: I love Maggie Gillen Hall's amazing, Laura Dern's amazing women. Yeah,
• 10:06
  Speaker 1: like those three, I love I love them. Who do you?
• 10:09
  Speaker 1: Who do you have you felt like you emulate or
• 10:12
  Speaker 1: wanted to emulate as far as as people that you
• 10:15
  Speaker 1: were tomorrow? Uh? I the three that I just said,
• 10:21
  Speaker 1: I love them. I just think that they're so all
• 10:26
  Speaker 1: three of them are raw. They're very raw actresses. They're
• 10:30
  Speaker 1: not afraid to get ugly and expose themselves. As my
• 10:34
  Speaker 1: old acting teacher said, he used to scream out when
• 10:38
  Speaker 1: you were on stage doing a scene, and he used
• 10:41
  Speaker 1: to scream out, stop being a fucking mirror actor, because
• 10:45
  Speaker 1: if you were worried about how you looked, and more
• 10:46
  Speaker 1: about how you look and you're clothes, how's my makeup?
• 10:51
  Speaker 1: Instead of screw everything, I'm just worried about the character,
• 10:55
  Speaker 1: produce what's going on internally instead of externally. And I
• 11:00
  Speaker 1: feel like surely McLain, Laura Dern and Maggie Gillenhole especially
• 11:07
  Speaker 1: you ever see the movie Baby, Yes, she's amazing, and
• 11:11
  Speaker 1: I also like the movie Secretary that she's Secretary amazing.
• 11:14
  Speaker 1: She's amazing, and she's not afraid to show her bad side.
• 11:20
  Speaker 1: She's not afraid of looking ugly. And I think that's
• 11:23
  Speaker 1: why we gravitate and that's why I love British films
• 11:26
  Speaker 1: and British TV because they use real people that are,
• 11:30
  Speaker 1: you know, imperfect, and here not everybody as a Kardashian. Yeah,
• 11:35
  Speaker 1: not everybody's call. But God bless them too, God bless
• 11:38
  Speaker 1: them too. They have a great mom and Joe, that's
• 11:40
  Speaker 1: for sure. Yes they do. I mean, godless there, that's
• 11:43
  Speaker 1: the thing. But I mean, let's be honest, they don't.
• 11:45
  Speaker 1: I don't want to talk about any but they don't
• 11:46
  Speaker 1: have the talent of being a real actresses. That's not
• 11:50
  Speaker 1: what they're the need for. I mean, listen, they're brilliant
• 11:52
  Speaker 1: of what they do, and they're brilliant at that, but
• 11:55
  Speaker 1: I don't think that they have talent as far as
• 11:57
  Speaker 1: like you have talent, like you're an artist, you know.
• 11:59
  Speaker 1: I don't look them as being an artist and somebody
• 12:02
  Speaker 1: who has got internal artistry. I think that they're very
• 12:05
  Speaker 1: good business people, and I think that they have a
• 12:07
  Speaker 1: niche and they're good at what they do on reality.
• 12:10
  Speaker 1: But I don't see them like I won't look at
• 12:11
  Speaker 1: them and say, oh my god, you know they're they're brilliant,
• 12:14
  Speaker 1: you know what I mean, Like she brilliant business people,
• 12:18
  Speaker 1: brilliant knowing what the public wants. I don't think they
• 12:21
  Speaker 1: see themselves as actors, do they? Well, I know, I
• 12:24
  Speaker 1: think Kim Kardashiana was on the New American Horror Story
• 12:26
  Speaker 1: right now, so I think she's trying to on it. Yes,
• 12:30
  Speaker 1: she she played herself. She played her mother. She played
• 12:35
  Speaker 1: a manager like that's who she played. She played somebody
• 12:38
  Speaker 1: like was she good? You like? Not that she played
• 12:40
  Speaker 1: her mother, But she played a character like her mother.
• 12:43
  Speaker 1: She played an actress's manager person, So really she was
• 12:47
  Speaker 1: acting like her mother. So how much did she have
• 12:49
  Speaker 1: to really put into it? So it wasn't like she
• 12:51
  Speaker 1: decided to play that And she's playing in the Dalai Lama.
• 12:54
  Speaker 1: You know she's not, I mean, but she played a
• 12:57
  Speaker 1: good you know, for her mother role. Very hard to
• 13:00
  Speaker 1: play yourself, you know. When I did a Bronx, Taill
• 13:05
  Speaker 1: Dnio said to me, I want you to stay natural
• 13:08
  Speaker 1: like you did on the audition. He said, that's the
• 13:10
  Speaker 1: hardest thing to do. He said, people are going to
• 13:12
  Speaker 1: say to you, oh, you're not acting, You're just being you.
• 13:15
  Speaker 1: But you know how hard it is to stay stay yourself, natural, relaxed,
• 13:19
  Speaker 1: and just be natural in front of a camera. He said,
• 13:22
  Speaker 1: think about this, when you go to a wedding and
• 13:25
  Speaker 1: the film. What do you call the guy that goes
• 13:28
  Speaker 1: around with the camera filming everybody the video for pographer
• 13:32
  Speaker 1: to hey say something for the writing boom. You're all
• 13:35
  Speaker 1: natural at the tables and everybody go hi, I want
• 13:39
  Speaker 1: to say, and you start acting. If you don't act
• 13:42
  Speaker 1: yourself and sit down, oh yeah, you become the camera
• 13:47
  Speaker 1: the day you don't look like it's very hard to
• 13:49
  Speaker 1: stay natural. That's the hardest thing in the world to do,
• 13:52
  Speaker 1: is stay natural and be yourself and stay relaxed. I
• 13:56
  Speaker 1: mean a rhyme, say you played you looked relaxed in
• 13:59
  Speaker 1: the role. Well, that's because of de Niro. He made
• 14:02
  Speaker 1: me feel very I trusted him. You know, trust is
• 14:05
  Speaker 1: a big factor. You have to trust. If you don't
• 14:08
  Speaker 1: trust your environment, you know, you gotta trust the environment.
• 14:13
  Speaker 1: You gotta feel safe and it's important. All that's important.
• 14:18
  Speaker 1: And you and you do work with Chaz, you do
• 14:20
  Speaker 1: a podcast with her. I love Jazz. Chazz is he's
• 14:23
  Speaker 1: the best guy in the world. Well, his favorite, favorite,
• 14:26
  Speaker 1: favorite line of Anymore is now you can't leave. I
• 14:28
  Speaker 1: say that all the time. I love that. I love it.
• 14:31
  Speaker 1: I recite I'm like a I'm like an idiot savant,
• 14:33
  Speaker 1: I recite movie lines. How about wasted talent? How many
• 14:38
  Speaker 1: people do you know that do have wasted talent? It's
• 14:40
  Speaker 1: so true. Waste of talent to me is one of
• 14:43
  Speaker 1: the most incredible quotes because I know so many people
• 14:48
  Speaker 1: that are so talented and don't use their talent. And
• 14:51
  Speaker 1: I'm like, if I knew you, knew I had what
• 14:54
  Speaker 1: you had, forget what I would do with that. So
• 14:57
  Speaker 1: they just you know, my friend does a great artist, painter,
• 15:01
  Speaker 1: he won't do anything with it. He's like, yeah, effortlessless,
• 15:05
  Speaker 1: but that's not what that's not his passion. It's sometimes
• 15:08
  Speaker 1: got to be got to be a passion. And you
• 15:10
  Speaker 1: and you're an incredible artist too. You are very good.
• 15:13
  Speaker 1: She's not only just an actress artist, but you are
• 15:15
  Speaker 1: a painter. Beautiful. I've seen some of the work that
• 15:18
  Speaker 1: you put I will. I can't wait to see the
• 15:20
  Speaker 1: question all self expression. You know, when I'm not acting,
• 15:24
  Speaker 1: I want to paint because I know you love it.
• 15:28
  Speaker 1: You love it. My instrument going however, I have to
• 15:31
  Speaker 1: express myself. That's what I do, like painting, doing a podcast,
• 15:37
  Speaker 1: just always doing something, always constantly trying to keep creative.
• 15:43
  Speaker 1: You're a creative person. I'm very creative. I agree. I
• 15:47
  Speaker 1: I am a creative person and you also are. You
• 15:51
  Speaker 1: also wrote a memoir or no, I'm writing memoirs right
• 15:56
  Speaker 1: now for my childhood, which I had a very interesting childhood,
• 16:00
  Speaker 1: a very dysfunctional amazing. This is amazing. Do you have
• 16:03
  Speaker 1: an amazing story? You have a dysfunctional, dysfunctional, but really
• 16:08
  Speaker 1: a good good it's a good story, interesting story. You know.
• 16:11
  Speaker 1: I got to tell you something. If anybody who wants
• 16:13
  Speaker 1: to write and they feel so overwhelmed, like they don't
• 16:15
  Speaker 1: know where to begin, I always everybody who said to me, oh,
• 16:19
  Speaker 1: you should write your you should write your story. You write,
• 16:22
  Speaker 1: you know, and I say, I'm not a writer, but
• 16:26
  Speaker 1: you could tell such a good story. Like all the
• 16:29
  Speaker 1: stories you tell us are so good, dude, you make
• 16:32
  Speaker 1: us see it visually. You're so you're so good at
• 16:34
  Speaker 1: expressing and telling a clear story, having a clear vision,
• 16:39
  Speaker 1: remembering every detail when you tell the story. And I
• 16:42
  Speaker 1: and I and I thought, you know what that I
• 16:45
  Speaker 1: can do? What if I act like on my computer,
• 16:49
  Speaker 1: like I'm telling the story to somebody across from me,
• 16:52
  Speaker 1: and I'll write out what I'm how you were talking?
• 16:55
  Speaker 1: How would you would tell somebody you were talking to me?
• 16:57
  Speaker 1: I wrote telling, I tell you, hey, you know what
• 17:01
  Speaker 1: happened when I was a kid, And I went to
• 17:03
  Speaker 1: you know, Jefferson Poole and and then I'd start writing it,
• 17:07
  Speaker 1: and then you know what happened, And I'd write it
• 17:10
  Speaker 1: and it came out like so good, it flowed it's
• 17:14
  Speaker 1: so good. Yes, So I did like seven short stories,
• 17:18
  Speaker 1: and I want to pitch it as a series. Through it,
• 17:23
  Speaker 1: it's gonna be like growing up in Harlem, East Harlem, uh,
• 17:31
  Speaker 1: through a little girl's eyes, through her point of view,
• 17:34
  Speaker 1: her perspective, and how she saw this world. I mean,
• 17:38
  Speaker 1: things that happened hard the story, the one story that
• 17:40
  Speaker 1: you told me. I mean, I was just I was
• 17:42
  Speaker 1: just like blown away and just it was so interesting.
• 17:46
  Speaker 1: I think that people I keep hitting this cat on
• 17:48
  Speaker 1: the heads. You know, I know when I knock it
• 17:49
  Speaker 1: over by the end of the day. But it's just
• 17:52
  Speaker 1: so interesting and I think that would it would be
• 17:55
  Speaker 1: an amazing I mean series movie. I think seemed more
• 17:59
  Speaker 1: like a series. Like I think it's more of a series.
• 18:01
  Speaker 1: My friend said it's more of a movie, but I
• 18:03
  Speaker 1: really believe it's like more of a series. And you
• 18:06
  Speaker 1: never see a series really through a little girl's eyes, No,
• 18:10
  Speaker 1: now like The Wonder Years, Was Boy all about Chris? Yes, Rock,
• 18:15
  Speaker 1: I feel like, and especially that's back in the late sixties,
• 18:21
  Speaker 1: seventies into the seventies. I think it would. I think
• 18:26
  Speaker 1: I just think it would be so good. More seventies. Yeah,
• 18:30
  Speaker 1: I just think it would be so interesting. I think
• 18:33
  Speaker 1: so too. I think people would be interested watching again.
• 18:36
  Speaker 1: And I brought this up with my last kids. It's
• 18:38
  Speaker 1: the whole Italian thing. Everybody loves to hear or anything
• 18:41
  Speaker 1: our culture. A lot of people many people just love
• 18:45
  Speaker 1: our culture. They love us, they love our they love
• 18:48
  Speaker 1: the way we are. And I think that it would
• 18:50
  Speaker 1: be so many people would be very interested in, especially
• 18:53
  Speaker 1: who you are. They would be interested in the way
• 18:55
  Speaker 1: you grew up and where you know, where you came from,
• 18:58
  Speaker 1: and how you got to where you are in the
• 19:00
  Speaker 1: the roads you traveled down because everything that happened to
• 19:02
  Speaker 1: you in your life brought you here. Right, All the
• 19:05
  Speaker 1: roles that you have brought you and defined you in
• 19:07
  Speaker 1: your life right major you are everybody right brings you closer.
• 19:12
  Speaker 1: So you absolutely that and you know it's something not
• 19:16
  Speaker 1: sometimes even the bad things that also defines you and
• 19:18
  Speaker 1: makes you a better person. Oh my god. Yeah, of course,
• 19:21
  Speaker 1: all the all the losses that I had, all the
• 19:24
  Speaker 1: death in my life at an early age, my father,
• 19:27
  Speaker 1: you know, dying when I was eleven, you know, my mother,
• 19:31
  Speaker 1: my father. Yep, isn't that weird? Say I told you
• 19:37
  Speaker 1: we have Well what month did he die? April? My
• 19:42
  Speaker 1: father was born in April? When when was he born? Say? May, No,
• 19:47
  Speaker 1: my father's birthday was in January, but he was but
• 19:49
  Speaker 1: he was born, but he died in April. Yeah. Sorry's see,
• 19:52
  Speaker 1: I'm sorry too. It's but that defines defines us. I
• 19:56
  Speaker 1: mean I know it defined me, you know so, And
• 19:59
  Speaker 1: and I think your story is amazing. I think I
• 20:03
  Speaker 1: would watch it. I would totally watch it. I know
• 20:05
  Speaker 1: people al would be interested in how you grow up. Definitely,
• 20:08
  Speaker 1: it was very colorful to say the least. And I'm
• 20:10
  Speaker 1: sure it was like a cathartic too, like to talk.
• 20:13
  Speaker 1: It is it is. Once you start writing it all out,
• 20:16
  Speaker 1: you can't stop. It's like therapy, it really is. And
• 20:20
  Speaker 1: that's probably made it if your computer becomes the therapist,
• 20:23
  Speaker 1: so you're throwing it all on and that must have
• 20:26
  Speaker 1: felt like like a relief, but it also felt like
• 20:29
  Speaker 1: an accomplishment at the same it does, right. Yes, it's
• 20:32
  Speaker 1: very gratifying. I can't wait to hear the other stories.
• 20:34
  Speaker 1: I'm excited. I'm going to know them first. So wait,
• 20:38
  Speaker 1: so you said you have a game. Yes, I have
• 20:41
  Speaker 1: a game, But first I wanted to ask you before
• 20:43
  Speaker 1: before I have to ask you organize and look at you.
• 20:45
  Speaker 1: I have to, I have to. I have to ask
• 20:47
  Speaker 1: you one. I have to talk about The Sopranos because
• 20:49
  Speaker 1: if I don't know, then what I have to how
• 20:53
  Speaker 1: was how what's the difference between being on a series
• 20:56
  Speaker 1: and then being in a movie like what you saw
• 21:00
  Speaker 1: form of family? Yeah, because you know, and on the
• 21:03
  Speaker 1: Sopranos we were a family. It was a total family.
• 21:08
  Speaker 1: Not one person had I don't think from what I know,
• 21:12
  Speaker 1: never like no bad feelings like you hear all the
• 21:16
  Speaker 1: drama on some of these shows. Nobody everybody, because James
• 21:21
  Speaker 1: the top of the food chain, kept everybody, was a
• 21:25
  Speaker 1: role model, and that's just the way it was. He
• 21:28
  Speaker 1: was missed a humble and it trickled down to us.
• 21:32
  Speaker 1: And we were really like a family and loved each other,
• 21:35
  Speaker 1: and going to work was fun. You know, we were
• 21:38
  Speaker 1: all friends. We'd all go out after, we'd hang out
• 21:41
  Speaker 1: all the time, laugh on set like it was amazing.
• 21:45
  Speaker 1: It really was a family. And I was on it
• 21:47
  Speaker 1: from the beginning to the end. And Toy had the crush.
• 21:52
  Speaker 1: That was fun, always had the question on my favorite.
• 21:54
  Speaker 1: I loved James and I miss him so much. That
• 21:57
  Speaker 1: was a very very big loss to us, sent to
• 22:01
  Speaker 1: the world everybody, and to his son and his child
• 22:04
  Speaker 1: and his wife and to everyone. I mean, you know
• 22:07
  Speaker 1: what watching the Sopranos, I mean, I was telling you
• 22:10
  Speaker 1: I watched it through COVID again and it's still such
• 22:13
  Speaker 1: a brilliant, brilliant series. It's like social brilliant show, even
• 22:17
  Speaker 1: twenty twenty five years later, and you come get so
• 22:21
  Speaker 1: connected to the characters. It's like, you know, I couldn't
• 22:24
  Speaker 1: wait to come and watch the show. I remember when
• 22:26
  Speaker 1: I first came on, and I'm like, I couldn't wait
• 22:29
  Speaker 1: to see what happened, and Tony was just like you
• 22:31
  Speaker 1: just felt felt sorry for him. You felt because you know,
• 22:34
  Speaker 1: I listened. I grew up in a neighborhood full of gangsters,
• 22:36
  Speaker 1: you know what I'm saying, And listen everybody you know,
• 22:39
  Speaker 1: you look at them and they're like these movie stars
• 22:41
  Speaker 1: and then you know, of course you know when that
• 22:44
  Speaker 1: you know their whole persona. But he showed the human
• 22:47
  Speaker 1: side of the whole time. That's where it was. So
• 22:50
  Speaker 1: that's the brilliant, right I was the brilliant writing of
• 22:52
  Speaker 1: it to show that side. And I always say Lorraine Brocco,
• 22:55
  Speaker 1: oh my character, But her character to me, if she
• 23:01
  Speaker 1: wasn't on the show, and there weren't the sessions, you
• 23:04
  Speaker 1: wouldn't know all that was going on. What makes a meaning?
• 23:08
  Speaker 1: Where he's coming from, and understanding that you are a
• 23:12
  Speaker 1: victim of circumstance. A child is put into a situation.
• 23:16
  Speaker 1: He was put in the situation by his father, so
• 23:19
  Speaker 1: you start to understand him, and that's why you grew
• 23:21
  Speaker 1: a love for him. And I had professes, people from
• 23:25
  Speaker 1: all walks of life coming up to me going, oh
• 23:26
  Speaker 1: my god, the show is brilliant. You know when it
• 23:29
  Speaker 1: was out all walks of life. It doesn't matter. You
• 23:31
  Speaker 1: could have had been graduated Harvard and Tony was such
• 23:38
  Speaker 1: a character that you just were. He had such magnetism,
• 23:43
  Speaker 1: charismatic and empathy and vulnerabilities that you got to see
• 23:51
  Speaker 1: in the sessions what Lorraine speaking about his mother and
• 23:56
  Speaker 1: so you grew this. You need to shoot him up.
• 24:00
  Speaker 1: You don't care about You don't see that the human
• 24:03
  Speaker 1: side of him and and the famili side of him.
• 24:06
  Speaker 1: And it also teaches us that in life too, bring
• 24:10
  Speaker 1: it to life. Like just for instance, people say you
• 24:15
  Speaker 1: just said, well, I don't think that you didn't say
• 24:17
  Speaker 1: anything bad you're saying. I think they're more business people,
• 24:19
  Speaker 1: the Gardashians. How do we really know who a person is?
• 24:25
  Speaker 1: All of us we all have something on the back burner.
• 24:29
  Speaker 1: The guy who sweeping the streets could be a brilliant
• 24:34
  Speaker 1: artist and can have a house full of art. We'll
• 24:36
  Speaker 1: never know because all we see is him sweeping the street.
• 24:39
  Speaker 1: We don't see that what he has on the back burner.
• 24:42
  Speaker 1: We all have something that is the real us, not
• 24:48
  Speaker 1: what we showhow the projectory, I think what we don't
• 24:52
  Speaker 1: see is who we are and what we show is
• 24:56
  Speaker 1: is just what we what we show and what people
• 24:59
  Speaker 1: don't is what we protect and who we really are.
• 25:02
  Speaker 1: And you know, I feel like that's with Tony back
• 25:08
  Speaker 1: to the Sopranos. Could you imagine if we all exposed
• 25:12
  Speaker 1: our therapy sessions to the world, people that didn't like
• 25:15
  Speaker 1: you may have a little empathy for you. I'd been
• 25:17
  Speaker 1: probably they may understand you, but they may understand you
• 25:21
  Speaker 1: more your therapy session that really understand your deep dok, hurts,
• 25:26
  Speaker 1: your secrets, what went on and your childhood, and really
• 25:30
  Speaker 1: have a real understanding of you see your see the definition,
• 25:33
  Speaker 1: what defines you in your life? Were brought you to
• 25:35
  Speaker 1: where where where you are today? That's what was showing
• 25:38
  Speaker 1: what Tony was showing where exactly but all of us, yes,
• 25:42
  Speaker 1: brought us to who we are and that's why he
• 25:44
  Speaker 1: was so relatable as a character. Yeah, you know they
• 25:46
  Speaker 1: say hurt people, hurt people. Yes, if you're in that
• 25:50
  Speaker 1: guy's session, you'll see why. You know, you'll hear why,
• 25:52
  Speaker 1: you'll understand more. So I think that whole concept of
• 25:57
  Speaker 1: viewing to me, that was the most important part was
• 26:00
  Speaker 1: a brilliant family to the family family, brilliant, brilliant, but brilliant.
• 26:07
  Speaker 1: He had to put a hat on to be the father,
• 26:10
  Speaker 1: the son, the son to Olivia, the nephew to the
• 26:15
  Speaker 1: He had to serve everybody, and all these different parts
• 26:19
  Speaker 1: were working. And I think we identified with that because
• 26:23
  Speaker 1: that's what we do. That we have different relationships to
• 26:27
  Speaker 1: each person with different I'm different here today, then I'm
• 26:30
  Speaker 1: gonna be, you know, in my doctor's office with a
• 26:33
  Speaker 1: doctor or you know whatever. There's so many different parts
• 26:37
  Speaker 1: to us. That's what we that's what we related to subconsciously,
• 26:44
  Speaker 1: if you go into a deep subconsciously, that's what we
• 26:47
  Speaker 1: related to. That's true. I agree. I think that what
• 26:50
  Speaker 1: you're saying is one hundred percent. It's just you. You saw,
• 26:54
  Speaker 1: you saw his human side, and that's how you related
• 26:57
  Speaker 1: to him exactly. That's what that amazing. He would have
• 27:01
  Speaker 1: just been a gangs stuff. That's it, period, the story,
• 27:03
  Speaker 1: that's it, that's it. You were, but it was more
• 27:06
  Speaker 1: than that. He was. He had a heart even though
• 27:08
  Speaker 1: he killed, He had empathy, even though you know he
• 27:12
  Speaker 1: was vicious, and so I find that so interesting. Yeah,
• 27:17
  Speaker 1: he was a very like you said, he was an
• 27:20
  Speaker 1: interesting character and you play and your character was was great.
• 27:24
  Speaker 1: We just listen. Love the show. One of my favorites.
• 27:27
  Speaker 1: And it's funny. Like I said, the other night, I
• 27:30
  Speaker 1: walk in after the day that I first met you
• 27:32
  Speaker 1: in person. My son in law was watching it, and
• 27:35
  Speaker 1: of course it was it was a scene that you
• 27:37
  Speaker 1: were and I'm like, oh my god, there's my friend,
• 27:39
  Speaker 1: my new friends, right, and it's just amazing that you
• 27:42
  Speaker 1: I was just amazing that you were part of it.
• 27:44
  Speaker 1: Don't you feel like that was like it's I feel
• 27:46
  Speaker 1: very lucky that. I feel lucky that my career when
• 27:50
  Speaker 1: I think about my career, that I was part of
• 27:55
  Speaker 1: everything I did turn out to be iconic. Yes, like
• 27:58
  Speaker 1: a Bronx tale, Sopranos, uh Or worked with iconic people
• 28:05
  Speaker 1: like even the Irish was working with SCORSESEI Or I
• 28:08
  Speaker 1: worked with you, Jackman. I did a movie called Oh God.
• 28:16
  Speaker 1: It was on HBO. Educated something, I've got the name
• 28:19
  Speaker 1: of it. I forgot the name of it. Don't Don't
• 28:22
  Speaker 1: kill Me, you know, working with you, Jacklin, you know
• 28:24
  Speaker 1: Clinti's put up. I felt like every time I did something,
• 28:27
  Speaker 1: I got to work with somebody iconic or something that
• 28:31
  Speaker 1: turned out to be iconic, like you know you you
• 28:35
  Speaker 1: you lived, you lived, You've lived an amazing life. And
• 28:39
  Speaker 1: just the people that you work with, it's just like,
• 28:41
  Speaker 1: oh my god, it's just jam packed even God godfather
• 28:44
  Speaker 1: holem right now. The series that I'm on now, I
• 28:46
  Speaker 1: love working with Vincent's and Offrio. Jaz was on that too.
• 28:51
  Speaker 1: There's so many great people on that show. Was Fitza
• 28:53
  Speaker 1: never on this? He was never on the Sopranos? Right, No,
• 28:56
  Speaker 1: his sister was, right, well, Janie was that There wasn't
• 29:00
  Speaker 1: Johanna's sister isn't. Oh she's what's his name to? Yeah,
• 29:06
  Speaker 1: right to sister. I met him in a Yankee game once.
• 29:10
  Speaker 1: It's not funny. He was sitting in front of me,
• 29:13
  Speaker 1: not sister, cousin, cousin. Oh, I thought there was sister.
• 29:16
  Speaker 1: That's yeah. Do you still talk to a lot of
• 29:18
  Speaker 1: the casts you still? I still talked to Yes, I
• 29:22
  Speaker 1: talked to Dre. I keep in touch with the kids
• 29:26
  Speaker 1: they have they have. I did their podcast, Vinnie past
• 29:30
  Speaker 1: Stores like my brother you know that. Yeah, Pussy, I
• 29:37
  Speaker 1: talked to still, Johnny v Artie, Bugo, a k A. ALTI.
• 29:42
  Speaker 1: I still stay in to show them. But I'm thrilled
• 29:46
  Speaker 1: to I want to give my new movie. We want
• 29:48
  Speaker 1: to Yes, I just did a movie. I wrapped a
• 29:51
  Speaker 1: movie called Alto Nights. Barry Levinson directed it. I'm playing
• 29:56
  Speaker 1: Denarro's wife again. That's the before now and that's gonna
• 29:59
  Speaker 1: be a big movie that's coming out in November. That's
• 30:01
  Speaker 1: Warner Brothers. That's their baby movie. That's their baby, and
• 30:07
  Speaker 1: it's gonna be a big movie. De Niro plays two people.
• 30:10
  Speaker 1: He's playing Vito Genoviez and Frank. We'll see other gangs stuff. No,
• 30:18
  Speaker 1: not for Genevieve from Staten Island. Was the one who's
• 30:21
  Speaker 1: playing for Vito Genevieves and Castellana Costellanos. But no, not Castano, No, no,
• 30:29
  Speaker 1: not Castellano. Frank. Oh god, somebody helped me. So you
• 30:34
  Speaker 1: need a person here, and I go pull pull it
• 30:37
  Speaker 1: up because we're playing two people. Yes, but it's it's
• 30:41
  Speaker 1: it's it's gonna be an amazing movie. I'm really excited
• 30:44
  Speaker 1: about it. Deborah Messing an eye at as and it's
• 30:49
  Speaker 1: gonna be a really good, big movie. And I love
• 30:51
  Speaker 1: Barry working with Barry Levins, he's amazing director. Yes, I
• 30:55
  Speaker 1: worked put him on Wizital Eyes, where I played de
• 30:57
  Speaker 1: Niro's secretary from that matter, secretary if you're not married
• 31:01
  Speaker 1: to And what what other roles have you played with
• 31:04
  Speaker 1: him besides his wife and his secretary irishman, irishman. D're
• 31:10
  Speaker 1: his wife's friend and his friend his wife friend best
• 31:16
  Speaker 1: friends friends? Yeah? Uh. And then I did a series
• 31:21
  Speaker 1: movie of the Week for him. It was Believe It
• 31:24
  Speaker 1: or Not the Sammy Sammy the Bowl mini series that
• 31:28
  Speaker 1: was on My, ABC or NBC. Uh. Tom Sizemore played
• 31:32
  Speaker 1: Simi the Bowl and I was in that. I played
• 31:35
  Speaker 1: Michael Imperioli's wife. But he produced that. So yeah, so
• 31:41
  Speaker 1: you have you have a lot of a lot of
• 31:43
  Speaker 1: history at him. Yeah. So this this, this is a
• 31:45
  Speaker 1: good time to bring you to a game that we
• 31:47
  Speaker 1: want to play. Oh so I'm gonna say, let's say
• 31:50
  Speaker 1: I don't know if I want to do let's first,
• 31:52
  Speaker 1: let's do this. I'm gonna do this one first. So
• 31:54
  Speaker 1: the game is called fuck kill for what fuck Mary
• 31:58
  Speaker 1: or kill? So I mean I want to find them,
• 32:01
  Speaker 1: kill them or married? Okay, ready, okay, So first first
• 32:06
  Speaker 1: round of men Robert de Niro, mont Scosese, and Al Pacino.
• 32:11
  Speaker 1: Oh my god, holy ship. But if I fuck Bob.
• 32:19
  Speaker 1: That's gonna be like family. So maybe say I'll marry Bob. Okay,
• 32:30
  Speaker 1: want to kill one, because how about I? I I
• 32:34
  Speaker 1: married Bob. Okay, I fuck out, fuck school sesse, kill
• 32:40
  Speaker 1: out and kill out good aad son. So she wants
• 32:45
  Speaker 1: to kill Alcino, kill him in bed though, Oh yeah,
• 32:50
  Speaker 1: that's good to be taken, all right, Next round, Eric
• 32:54
  Speaker 1: Dane Jacob el door to say his less door? Who's Dane,
• 32:59
  Speaker 1: isn't he? Is it Euphoria the father? Yes? Okay, ahead,
• 33:05
  Speaker 1: and I can't say his al Doherty Jacob Jacob old Doherty.
• 33:10
  Speaker 1: Oh my god, he's so much younger, Dominic fight. I
• 33:14
  Speaker 1: think he's so cute. That's fun. Kill old married marri
• 33:18
  Speaker 1: kill Oh my god, Well damn, all right, I'll marry
• 33:24
  Speaker 1: Jacob and he's he's young, right, I'll fuck the father
• 33:33
  Speaker 1: the father dominant Dane and I'll damn but I don't
• 33:38
  Speaker 1: want to kill dominic fight. But but you could kill
• 33:41
  Speaker 1: him in bed. We don't have to kill him in bed.
• 33:43
  Speaker 1: You don't have to say we're gonna I'm too old.
• 33:45
  Speaker 1: I feel that I'm too old. I feel talking about you.
• 33:48
  Speaker 1: That's all right, all right, okay, next ready for this one,
• 33:52
  Speaker 1: Michael James Candalfini or Tomis Serrico. Oh ship, I'll kill
• 33:59
  Speaker 1: tom Me fuck Michael and Mary James. Yeah, I was
• 34:07
  Speaker 1: gonna say, put Tony Soprano and James gell fit to
• 34:10
  Speaker 1: see which one you would marry, whether the character or
• 34:13
  Speaker 1: Oh my god, that's so interesting, right, I was gonna
• 34:16
  Speaker 1: say that, which one would you marry? That's interesting? So
• 34:19
  Speaker 1: we can do that too, So which one to think about?
• 34:21
  Speaker 1: That ship? So take out Tony Sirico and Tony you
• 34:27
  Speaker 1: have to totally have to marry James and kill kill
• 34:35
  Speaker 1: sir Rico, Okay, because I love sir Rico. Though. I
• 34:38
  Speaker 1: want to close with I told you, I told, I
• 34:41
  Speaker 1: told you. I have a cat named after him, Paul Walnuts.
• 34:44
  Speaker 1: Is that funny? That's why I named my cat is black.
• 34:47
  Speaker 1: But it has these little it's like his hal is here,
• 34:50
  Speaker 1: so it looks like he's got the police stripes. So
• 34:53
  Speaker 1: that's why I called him, Oh my Walnuts. It's love cute.
• 34:56
  Speaker 1: And I have another cat named camel Kamela and Kamelo
• 34:59
  Speaker 1: and Paula like that, isn't that cute? Yeah? Very they
• 35:02
  Speaker 1: called me kitty. I know you love you love and pudding.
• 35:06
  Speaker 1: And then when you're to come on as my special guest,
• 35:09
  Speaker 1: that's to be Kitty and Pudding. Yeah, I'm gonna We're
• 35:12
  Speaker 1: gonna make sure our kitties taken care of. And I
• 35:14
  Speaker 1: got a question for you? Is there another question for me? One?
• 35:19
  Speaker 1: I have one more? Fuck Mary kel Okay, Vincent and
• 35:22
  Speaker 1: Afria Raffi ron or Forrest with a shock, Vincent and
• 35:32
  Speaker 1: Mary Forrest to marry Forrest? Yeah, because he's awesome. How
• 35:36
  Speaker 1: is it working with him? He's I love him, kindest gentlest,
• 35:40
  Speaker 1: soft person, soft spoken person I've ever met in my life.
• 35:43
  Speaker 1: I love him. You know who. My favorite movie he
• 35:46
  Speaker 1: was in was The Crying Game. Oh what an amazing movie.
• 35:50
  Speaker 1: Yeah that was a great moment. Yeah, great movie, one
• 35:53
  Speaker 1: of my favorites. I love him, I love I love him.
• 35:56
  Speaker 1: He's very They're so talented on this show. I love
• 35:59
  Speaker 1: working on this And Chris Boncado, the creator, also did
• 36:04
  Speaker 1: the one the cocaine show, The Knuckles Knocks. Now he's
• 36:08
  Speaker 1: got a new one, Cocaine House something Cocaine cowboys, not
• 36:12
  Speaker 1: cocaine Cowboys. I know what youre talking about. Cocaine's Netflix.
• 36:15
  Speaker 1: All right, I need I need to ask you this
• 36:18
  Speaker 1: is a good question, and this is deep. This is deep.
• 36:23
  Speaker 1: You ready, this is already? Okay, lay it on me.
• 36:26
  Speaker 1: If you were in a room, Oh should I take
• 36:29
  Speaker 1: my jacket off? I want everybody to think about this.
• 36:32
  Speaker 1: If you were all le you were in a room
• 36:36
  Speaker 1: with everyone you've ever met in your entire life, who
• 36:41
  Speaker 1: would be the one you would look for? Dead or alive? Wow,
• 36:47
  Speaker 1: with everyone you've ever met your entire life, that's amazing.
• 36:51
  Speaker 1: I would have. I probably would say my my father
• 36:54
  Speaker 1: and my mother because they're both passed away. Oh me too. Okay,
• 36:58
  Speaker 1: I got another one. If someone gave you this one
• 37:02
  Speaker 1: I loved. I can't wag so much. If someone gave
• 37:05
  Speaker 1: you a box with everything you've ever lost in it,
• 37:13
  Speaker 1: what would be the one thing you'd want to find
• 37:16
  Speaker 1: in it? So it's gonna be everything you've ever lost,
• 37:22
  Speaker 1: possessions or people, no possessions. What did I have? Is okay?
• 37:27
  Speaker 1: It would probably be my mother's ring I got slapped
• 37:30
  Speaker 1: off my hands at a party. In question, Yeah, slapped off.
• 37:33
  Speaker 1: I never found it again, so I would want to
• 37:35
  Speaker 1: find that. I would want to find that. Oh my god,
• 37:38
  Speaker 1: what do you like these questions? I love them. There's
• 37:40
  Speaker 1: a great question. Okay, if you had a chance to
• 37:43
  Speaker 1: relive one day of your life, your entire life, what
• 37:48
  Speaker 1: day would it be meeting you? So effects? Maybe my
• 37:59
  Speaker 1: new friend? I love that. Okay. If you can receive
• 38:05
  Speaker 1: a letter from your future self, future self, futureself, what
• 38:10
  Speaker 1: advice or insight would you hope to find in it? Hmmm,
• 38:15
  Speaker 1: oh my future? Uh, get rid of all the get
• 38:19
  Speaker 1: rid of all the men that bring you drama. That
• 38:22
  Speaker 1: would probably be get rid of get rid of anybody
• 38:25
  Speaker 1: who brings your drama, the men especially. So picka. Choose
• 38:28
  Speaker 1: your new sweethearts, yes, Pica, choose my new sweethearts. Now,
• 38:32
  Speaker 1: don't glorify them, don't put them. I always say, don't
• 38:35
  Speaker 1: make a man more than what he is, less than
• 38:37
  Speaker 1: what he is, See him for what he is, don't
• 38:39
  Speaker 1: put him on a pedest Still, don't make it because remember,
• 38:42
  Speaker 1: I don't know we have a I don't even know
• 38:44
  Speaker 1: if I'm saying it right, but this is my slang.
• 38:47
  Speaker 1: Don't correct me. Don't make anybody like we make every
• 38:52
  Speaker 1: big o' mosse. Yes, yeah, I'm probably saying it wrong,
• 38:56
  Speaker 1: or the dialect slang I'm fucking it up more than
• 39:03
  Speaker 1: what they are. And then you make them something they're not,
• 39:07
  Speaker 1: and then when they don't turn out to be that,
• 39:09
  Speaker 1: it's a disappointment. It's a disappointment. When they show you
• 39:11
  Speaker 1: the red red flags, we put it down. Look for
• 39:14
  Speaker 1: the green flags instead of instead of what not ignoring
• 39:19
  Speaker 1: the red flags? Yeah, don't yeah, don't ignore you see
• 39:21
  Speaker 1: the red flag? Run? I know that's what I Okay,
• 39:25
  Speaker 1: if you now another relive, if you could relive one
• 39:30
  Speaker 1: day in your past that you regret doing something. Maybe
• 39:38
  Speaker 1: you don't want to say it, but what day would
• 39:40
  Speaker 1: that be, and what would you change differently to redo
• 39:43
  Speaker 1: that day? Thank God, there's a couple of days like that.
• 39:47
  Speaker 1: I would probably say the day I don't I mean,
• 39:53
  Speaker 1: I don't know if I would say I regret it,
• 39:55
  Speaker 1: because then I wouldn't have my children. I would say
• 39:57
  Speaker 1: I would probably relive it. I would say maybe maybe
• 40:02
  Speaker 1: maybe finds a better person to marry. I don't know.
• 40:04
  Speaker 1: I guess the day I got married I did that
• 40:06
  Speaker 1: turned my life around. Is when I got married and
• 40:09
  Speaker 1: I wound up, you know, and I had my children.
• 40:12
  Speaker 1: So I don't want to I don't know if I
• 40:13
  Speaker 1: want to say that I should take that back. Something
• 40:15
  Speaker 1: that I would want to change. I think the day
• 40:18
  Speaker 1: that my that my that my my mother died, I
• 40:21
  Speaker 1: wasn't there that day she died. Oh I can't, That's
• 40:23
  Speaker 1: what I said. I wish I didn't leave the house
• 40:26
  Speaker 1: today my mother died. You know, it was not home.
• 40:29
  Speaker 1: You know. It was funny. I was the only one
• 40:31
  Speaker 1: there when my father died, and I was the only
• 40:32
  Speaker 1: one not there when my mother. It is not weird
• 40:35
  Speaker 1: because I have five brothers. There's five of us, and
• 40:37
  Speaker 1: I was the only one that my dad the only girl. No,
• 40:40
  Speaker 1: I have two sisters and one passed away. I told you, Yeah,
• 40:44
  Speaker 1: so let me tell you something. Losing his sister was
• 40:46
  Speaker 1: worth I thought losing my parents were bed. It was like,
• 40:49
  Speaker 1: I mean, can a child can't? No, nothing's worse than
• 40:52
  Speaker 1: a child, I'm sure up, But losing my sister was
• 40:54
  Speaker 1: like losing a part of Oh shit, horrible. But yeah,
• 40:57
  Speaker 1: I think I wish that I would have been my
• 40:59
  Speaker 1: when my mother was That's what I would Okay, what
• 41:01
  Speaker 1: would it be? And how does it? This is No,
• 41:07
  Speaker 1: it's good, I liked it. Wait, how is it doing
• 41:13
  Speaker 1: a sex scene? Like? That's what I how awkward? Awkward?
• 41:18
  Speaker 1: Fucking it's awkward. Do you feel it. I got to
• 41:20
  Speaker 1: do that sex scene with Jim awkward. First of all,
• 41:23
  Speaker 1: they got to put tape on the guy's b shitty
• 41:25
  Speaker 1: ill why because they hold it up. If you're on
• 41:27
  Speaker 1: top of somebody in your rubin, you're gonna get a
• 41:29
  Speaker 1: heart on. Whether you're trap it through the woman or not,
• 41:31
  Speaker 1: that's just the man's makeup. So you don't want to
• 41:34
  Speaker 1: feel fucking heart on while they're on top of you,
• 41:37
  Speaker 1: and you're like awkward because everybody's looking at you. You
• 41:43
  Speaker 1: turned on with him, no, but you're around a bunch
• 41:46
  Speaker 1: of people and I had already boogo on the side
• 41:48
  Speaker 1: of the bed, so I kind of felt very uncomfortable.
• 41:53
  Speaker 1: And then I had a sex scene with with Michael
• 41:57
  Speaker 1: Rispoli in a movie I did called Two Family House
• 42:00
  Speaker 1: and it wasn't even really a sexy and we were
• 42:02
  Speaker 1: under a sheet and it was we were laughing, but
• 42:05
  Speaker 1: it's still awkward. It's not everybody's watching what's going on?
• 42:09
  Speaker 1: Ye yeah, it's gotta be awkward. So it's not there's
• 42:12
  Speaker 1: nothing sexy about it. There's nothing sexy about it. No, okay,
• 42:17
  Speaker 1: So that we're gonna play the next game, then yeah, okay,
• 42:20
  Speaker 1: this is okay. This is a good one. Okay. So
• 42:23
  Speaker 1: I'm gonna give you a line that this is what
• 42:26
  Speaker 1: These are all your lines from movies, shows, whatever you did.
• 42:29
  Speaker 1: So you're gonna tell me where, what show or what
• 42:31
  Speaker 1: movie they came ship. All right, ready, wait, I wish
• 42:34
  Speaker 1: I had my glass. I forget everything. Let me myss.
• 42:38
  Speaker 1: I got uncle Jewel prescription. This is an Uncle Jewel prescription.
• 42:43
  Speaker 1: You gotta pay to make it, not like bottles to
• 42:46
  Speaker 1: make it by vocals. They're thicker than some of my
• 42:49
  Speaker 1: of my horrible all right, you're right, let's say my career. Okay,
• 42:56
  Speaker 1: let's see. Okay, this one's a good one. Okay. That
• 43:00
  Speaker 1: fucking bowl cut cocksuckers on we ten grand a fucking
• 43:04
  Speaker 1: bear aspir and fucked us both up the ass. Oh
• 43:07
  Speaker 1: my god, yes you said that. Oh my god, Euphoria,
• 43:13
  Speaker 1: she did good. Fouria good. I didn't say as good
• 43:16
  Speaker 1: as she does. The motherfucking g I have to I
• 43:18
  Speaker 1: have I don't have to act the disculsion, So don't
• 43:20
  Speaker 1: please don't judge me. Okay, now you gotta act them
• 43:23
  Speaker 1: out if you don't out, Okay, ready, I'll tell if
• 43:26
  Speaker 1: you got Okay, skill sets, Okay, personally with the styles today.
• 43:30
  Speaker 1: I think that that they wait, they all make women
• 43:33
  Speaker 1: look like whores. Got Godfather hallm olymp is good? Okay,
• 43:42
  Speaker 1: all right, Riddy, this is a going tell your far
• 43:45
  Speaker 1: the way you got that mine, and tell your far
• 43:47
  Speaker 1: the way you got that. My little movie called John
• 43:51
  Speaker 1: Bronx Sale. Love it when you're on the staircase. Right,
• 43:54
  Speaker 1: I remember that great one of my best best best
• 43:58
  Speaker 1: line two of that movie is twenty dollars is out
• 44:00
  Speaker 1: of your life forever? Right, right? Line? Good and good advice, Yeah,
• 44:05
  Speaker 1: true advice. Right. Chad said that? Yeah right, No, Actually,
• 44:10
  Speaker 1: didn't Rob say that, No, Chad said it right. Okay, okay,
• 44:16
  Speaker 1: somebody donated and caps for those tickets you're coming up
• 44:21
  Speaker 1: with h soprano. Oh my gosh, she's good. That's good,
• 44:26
  Speaker 1: all right, one more caps. Ain't gonna pat down a
• 44:29
  Speaker 1: fucking ten year old. She's good, she knows her stuff. Yeah,
• 44:36
  Speaker 1: we're all right. What do I get? Is there a prize? Yes?
• 44:40
  Speaker 1: Because you're you, that's your that's your problem, and you
• 44:43
  Speaker 1: want cat Wait, but I want to know what is
• 44:46
  Speaker 1: this ball? We can hustle? You know what we could hustle?
• 44:49
  Speaker 1: We should make that part the next time you come
• 44:50
  Speaker 1: on the show. We should we should have hustle every
• 44:53
  Speaker 1: day every time I come on, I want to pick
• 44:56
  Speaker 1: you picked the song? Yes, free style or yes, and
• 45:01
  Speaker 1: I'll pick the song and we do a little I
• 45:05
  Speaker 1: love it. Can we do that? Is the way we
• 45:07
  Speaker 1: could do? What think? Yeah? Okay? Good? I mean that
• 45:11
  Speaker 1: was the is a good question. I should wish I
• 45:12
  Speaker 1: had more raw lines? Now? Should we should have more lines?
• 45:15
  Speaker 1: What's your favorite Italian slang word? What's my favorite? I mean,
• 45:20
  Speaker 1: I guess I don't know. But is that a slang
• 45:24
  Speaker 1: that's not a slang that's an actual talking Italian rights? Yeah,
• 45:29
  Speaker 1: they think it's slang. Other people think if you grow
• 45:32
  Speaker 1: up with slangs in Brooklyn, like you had your own
• 45:34
  Speaker 1: little slangs that you used. Like about it? Like you
• 45:38
  Speaker 1: give them too much bands? Uh confidence confidence, by the way,
• 45:44
  Speaker 1: I would be uh, I like, forget about it, you
• 45:47
  Speaker 1: know things like that? What else? So I like, did
• 45:50
  Speaker 1: you grow up in a very Italian household? Oh? My
• 45:52
  Speaker 1: godial Italian? My father was from My father was born
• 45:56
  Speaker 1: in Italy. Yeah, my father was born another my grandma.
• 46:00
  Speaker 1: It was the typical Italian from Ellis Island with the
• 46:03
  Speaker 1: bun on her head and the black drives. She lived
• 46:05
  Speaker 1: in the house. She lived in the house, and my
• 46:08
  Speaker 1: my mother's mother, who was a fashion designer and very
• 46:12
  Speaker 1: young because my mother was seventeen years apart. So the wait,
• 46:15
  Speaker 1: your grandmother was a fashion sign my grandmother and she
• 46:18
  Speaker 1: she worked for Henry Bendell. Yeah, she was and showing
• 46:22
  Speaker 1: had one child, so she was like the progressive grandmother.
• 46:25
  Speaker 1: So we were used to that grandmother. But then when
• 46:28
  Speaker 1: when my father's mom came up, I wasn't alive then,
• 46:31
  Speaker 1: but there's a funny story. But I was still I
• 46:33
  Speaker 1: was still a twinkle in my dad's eye. But she
• 46:36
  Speaker 1: came to move in with us. When my sister and brother,
• 46:38
  Speaker 1: they'll tell us the funny story, and was used to talk.
• 46:41
  Speaker 1: It sounded like she was yelling. And you know, my
• 46:43
  Speaker 1: sister Mary was used to my my grandmother who was
• 46:46
  Speaker 1: like this fashionista. And here's this woman screaming and Italian.
• 46:51
  Speaker 1: She hated her because she's like, she's screaming at us.
• 46:55
  Speaker 1: She pushed her into she pushed her into a chair,
• 46:58
  Speaker 1: and my brother told told her she killed her. That
• 47:01
  Speaker 1: we well because she laughed or something. She went to
• 47:03
  Speaker 1: good thing. Your sister pushed the grandma. So my brother
• 47:08
  Speaker 1: always said, do you kill grandma, Dad's gonna kill you.
• 47:11
  Speaker 1: And my sister was four, but she she my grandmother
• 47:15
  Speaker 1: went to stay with somebody later on, But my sister
• 47:17
  Speaker 1: just reconnects it that she pushed her and then she
• 47:19
  Speaker 1: was gone. Was your mother with a would thinker like
• 47:21
  Speaker 1: her mother? No? My mother wanted to be and I'm sorry.
• 47:24
  Speaker 1: Was that your mother's mother? That was my mother's mother,
• 47:27
  Speaker 1: my mother's mother. My mother wanted to be the opposite
• 47:30
  Speaker 1: and wanted to have the five children and be the
• 47:32
  Speaker 1: Susie homemaker. What was she did she work? No? But
• 47:36
  Speaker 1: my mother was very intelligent and she was a writer
• 47:38
  Speaker 1: and she should have when she write. She used to
• 47:41
  Speaker 1: write short stories and she played the piano. But I
• 47:43
  Speaker 1: can't even believe my mother was a poet. Isn't that crazy?
• 47:45
  Speaker 1: And my mother played the piano Belulifield like I used
• 47:47
  Speaker 1: to come out my mother with playing chowpan. I love that?
• 47:50
  Speaker 1: You want to hear? I can't. I gotta go back
• 47:52
  Speaker 1: to that. Do you want to hear a poem my
• 47:55
  Speaker 1: mother wrote I loved before she died. That is insane.
• 48:00
  Speaker 1: It goes, it's quick, it goes from it's because have
• 48:04
  Speaker 1: you ever felt that the person a person you lost.
• 48:08
  Speaker 1: Your father and mother are in the room, and you
• 48:11
  Speaker 1: get like a chill lessons, Yep, you get the pricklies
• 48:15
  Speaker 1: on the back. My mother wrote a poem that goes
• 48:19
  Speaker 1: from far away as conceivable. I have come like a
• 48:24
  Speaker 1: breeze in the night. I have passed through your soul.
• 48:28
  Speaker 1: My touch is light, almost non existent, but I am
• 48:34
  Speaker 1: too real to be ignored. Oh I just got chills
• 48:37
  Speaker 1: from you saying that that's beautiful. Yeah, and that's the
• 48:40
  Speaker 1: way it feels. That's amazing. What a beautiful poem. Yeah.
• 48:46
  Speaker 1: So wait, your mother would be playing chopin when I
• 48:48
  Speaker 1: would come home from school. You know what's crazy? And
• 48:50
  Speaker 1: my father did never graduate in high school, isn't that? Yeah? Yeah,
• 48:55
  Speaker 1: I got that. But I love that because cultured my
• 49:02
  Speaker 1: mother too. My mother all her friends were from down
• 49:04
  Speaker 1: like a lot of her friends were from the neighborhood
• 49:06
  Speaker 1: from Harlem. But she had a friend Phyllis downtown who
• 49:09
  Speaker 1: was a poet, a painter. We'd go down there and
• 49:11
  Speaker 1: all these autistic people. My mother would hang out with them,
• 49:14
  Speaker 1: and my mother sang like you cannot believe. That's in
• 49:18
  Speaker 1: some of my short stories. That's where I get like
• 49:22
  Speaker 1: but that's so funny. Your mother didn't too, and she
• 49:24
  Speaker 1: was autistic. Yeah, very and my father was do I
• 49:26
  Speaker 1: would dirt underneath his fingernails. You know. He was a
• 49:29
  Speaker 1: street guy, you know, he was didn't he didn't never graduated,
• 49:33
  Speaker 1: never graduated high school. They met at a fight in
• 49:36
  Speaker 1: high school, so he wound he was like the savior,
• 49:39
  Speaker 1: like there was somebody coming in that started started a
• 49:42
  Speaker 1: fight with somebody, and my father basically beat up the
• 49:45
  Speaker 1: guy and he was like the hero and my mother
• 49:49
  Speaker 1: fell in love. So I was like opposite a tract.
• 49:51
  Speaker 1: So yeah, so your mother was more refined, very refined,
• 49:55
  Speaker 1: and she wound up with children that were very loud,
• 49:58
  Speaker 1: just like my f loud. But everybody was intelligent. I
• 50:02
  Speaker 1: have to say that everybody went to college. That was
• 50:04
  Speaker 1: a big deal in my family. My mother, my father
• 50:07
  Speaker 1: all wanted us to get educations and wanted us to
• 50:09
  Speaker 1: go to school, and we all did. Everybody went to
• 50:11
  Speaker 1: college and you know careers and businesses. Yeah, so they
• 50:17
  Speaker 1: My grandmother, with my grandmother especially my mother's mother, was
• 50:19
  Speaker 1: very big into that because she felt like, you know,
• 50:22
  Speaker 1: we were Italian and you know, they would look at
• 50:24
  Speaker 1: us like how they would look at us, you know
• 50:27
  Speaker 1: when she very discriminated against. Yes, we were so discriminated against, stereotyped. Yes.
• 50:33
  Speaker 1: And my sister Mary, who worked for souther Bee's, like
• 50:36
  Speaker 1: she spoke proper. She would hate if she would hear
• 50:39
  Speaker 1: me speak like my sister passed away proper. She would
• 50:44
  Speaker 1: be like, stop talking like that. She goes, she goes,
• 50:46
  Speaker 1: this is speak speak, don't speak with such an accent.
• 50:50
  Speaker 1: I'm like, we're married. This is the way I speak.
• 50:52
  Speaker 1: She would be like, but she would see how they
• 50:54
  Speaker 1: would discriminate her as being an Italian. Yeah, she worked
• 50:57
  Speaker 1: for Southbeas for many. He was the riter my sister.
• 51:01
  Speaker 1: You see, this is what I'm talking about. The backburn. Yeah,
• 51:04
  Speaker 1: Now your mother was a pianist, is creative. So this
• 51:09
  Speaker 1: is telling me more about you. So I love that.
• 51:13
  Speaker 1: And you know, but and I got I mean, like
• 51:15
  Speaker 1: I said, I my dad was was more rugged and
• 51:19
  Speaker 1: street like a street guy and that type of that
• 51:22
  Speaker 1: type of person. But I mean, you know, he was
• 51:24
  Speaker 1: a awesome guy. You see, I feel the homemance growing.
• 51:30
  Speaker 1: It's such a home. We have such a homemans, We
• 51:32
  Speaker 1: have homans and we have a lot of things that
• 51:34
  Speaker 1: are uncommon. You know, I think that. That's what I
• 51:38
  Speaker 1: told you. You are a very creative person. Yourself and
• 51:42
  Speaker 1: your brain is different from other people. I'm telling you,
• 51:46
  Speaker 1: and I'm getting the smoke blown up. It's very different.
• 51:50
  Speaker 1: How freaking birward thinker. You're a forward thinking You're not
• 51:55
  Speaker 1: letting the grass grow under your feet. You're always looking
• 51:58
  Speaker 1: to move forward. I need to be around forward thinkers.
• 52:02
  Speaker 1: I can't be about around anybody who doesn't want to
• 52:05
  Speaker 1: grow or progress progress. I can't be around people like
• 52:09
  Speaker 1: that either. And I think that's when I wait, it's
• 52:11
  Speaker 1: not the right of progress for progress. Progress, it's not prostrate,
• 52:17
  Speaker 1: it's posting progress, press progress. No, yeah, I think that.
• 52:26
  Speaker 1: That's what I think. From when I was married and
• 52:29
  Speaker 1: when I was just raising my children, I just said
• 52:32
  Speaker 1: that to my For me, I just knew that there
• 52:35
  Speaker 1: was more for me than just that. And I always
• 52:37
  Speaker 1: still stayed in school even and I made sure I
• 52:40
  Speaker 1: advanced my education. I am my doctorate now, so it's
• 52:44
  Speaker 1: like I can't go any further on my education now.
• 52:46
  Speaker 1: So but it's like, what does that mean? You got
• 52:48
  Speaker 1: your doctors so I am a nurse practitioner, but I
• 52:51
  Speaker 1: went further and got my doctorate. So I'm basically a
• 52:54
  Speaker 1: doctor of nursing, so it's a d n P. Yeah.
• 52:58
  Speaker 1: So I mean that's that's a that's amazing. Thank you,
• 53:03
  Speaker 1: thank you, thank you, thank you. And I gotta give
• 53:06
  Speaker 1: you a standing ovation random a plause I can't say,
• 53:09
  Speaker 1: so I better not say, because all the cats will
• 53:12
  Speaker 1: definitely come vicing. But I you know, I just have
• 53:16
  Speaker 1: to be around people too that are that are progressive
• 53:19
  Speaker 1: and and and inspiring. I need to be around people
• 53:22
  Speaker 1: who are fire aspiring. That's what I want to be.
• 53:25
  Speaker 1: You need to be around We all need to be around.
• 53:26
  Speaker 1: A person's gonna take you to the next level. If
• 53:28
  Speaker 1: you're not bringing something to the table that's gonna raise
• 53:31
  Speaker 1: me up a bit. And and and I can't raise
• 53:36
  Speaker 1: you up a bit intelligently in a comparation spiritually anyway,
• 53:41
  Speaker 1: but spiritually spiritually spiritual way, which way watschowy weapon No,
• 53:51
  Speaker 1: but really, yes, you got to bring something to the table.
• 53:54
  Speaker 1: And isn't that what you look for in a guy too? Absolutely?
• 53:56
  Speaker 1: And that's what I feel like in the pair, and
• 53:59
  Speaker 1: I need something like that in my life. And it's just,
• 54:03
  Speaker 1: you know, it's a lost cause, not really though, No,
• 54:07
  Speaker 1: it's not it's just I think that the people I
• 54:10
  Speaker 1: should say, that's my significant others, they just have to
• 54:14
  Speaker 1: they have to evolve in themselves. I can't bring them
• 54:16
  Speaker 1: to their next level, so they have to get themselves
• 54:19
  Speaker 1: to that. Yeah, but that's not that's right. But then
• 54:22
  Speaker 1: that's why they're not a good match, because you need
• 54:24
  Speaker 1: somebody who's already evolved and it's gonna take you to
• 54:27
  Speaker 1: the next level. Yeah, and that's what I do need.
• 54:30
  Speaker 1: I mean, look, I I give everybody a chance to
• 54:34
  Speaker 1: do that. It's just that if you're not, if you
• 54:36
  Speaker 1: don't have the want to do that, then it's like,
• 54:39
  Speaker 1: then what's the point. Yeah, it's just I think that
• 54:42
  Speaker 1: as men, as they get older, they become so complacent
• 54:45
  Speaker 1: and so lazy. They just don't they just don't want
• 54:47
  Speaker 1: to like bring not just romance, but just anything to
• 54:51
  Speaker 1: the relationship. They think if you take out the garbage
• 54:52
  Speaker 1: for you, like, that's that's all they need to do now, right,
• 54:55
  Speaker 1: you know, you do all the little things. I want
• 54:57
  Speaker 1: the big things. But that's a certain kind of guy. Yeah,
• 55:00
  Speaker 1: a supplokal for that certain kind of guy. I need
• 55:02
  Speaker 1: get out of that circle that you've seeing. The certain
• 55:04
  Speaker 1: kind of guy in and go to another circle and
• 55:07
  Speaker 1: find that put yourself on a different kind of environment. Well,
• 55:09
  Speaker 1: I might talk. I'm single eight years. I'm just were
• 55:13
  Speaker 1: you ever married? Yes? Hell? Long, quickly, not longer year bad.
• 55:20
  Speaker 1: But I'm single now eight years and maybe longer, maybe
• 55:24
  Speaker 1: nine years, and it's very hard for me. I can't.
• 55:27
  Speaker 1: I want to be with somebody. I want to be
• 55:29
  Speaker 1: in a relationship, but I feel like, I don't know.
• 55:34
  Speaker 1: I just feel like I need somebody who's gonna be
• 55:37
  Speaker 1: like on my level of thinking that I can I
• 55:41
  Speaker 1: don't know. I feel like you want someone who's gonna
• 55:44
  Speaker 1: who's gonna excite you emotionally, physically, and mentally. Yeah, it's
• 55:50
  Speaker 1: very hard. It is hard. I'd got to be alone.
• 55:52
  Speaker 1: That's saying alone. I say that too. I go, I'd
• 55:56
  Speaker 1: rather be alone than argue and try to make something
• 56:00
  Speaker 1: that's not going to work. But look, you know, alone
• 56:03
  Speaker 1: but not lonely right, alone but not long. Hey, listen,
• 56:06
  Speaker 1: I have a lot to fill my life whether I
• 56:09
  Speaker 1: you know, I move forward with who I'm with now,
• 56:13
  Speaker 1: you know, we'll see what happens. We'll see what happens.
• 56:16
  Speaker 1: We have to see what happens. The only time will
• 56:17
  Speaker 1: tell that's right. That's it. I have to I don't
• 56:20
  Speaker 1: have I don't have a crystal ball. I just know
• 56:21
  Speaker 1: what I need to do for my what I need
• 56:24
  Speaker 1: to do it for myself to make myself advance. Are
• 56:27
  Speaker 1: we good? So tell I have one last question. I
• 56:31
  Speaker 1: got to ask you last question. Where's my say? I'm
• 56:34
  Speaker 1: actually looking at my paperwork. I'm very organized. Where's my question?
• 56:38
  Speaker 1: The last one? Okay? What I know? You want to
• 56:41
  Speaker 1: talk about your favorite role. I I know you want
• 56:44
  Speaker 1: to talk about the role that changed you that basically
• 56:48
  Speaker 1: they took you off like the stereotype of a role
• 56:50
  Speaker 1: that they would put you in. What would it be
• 56:53
  Speaker 1: the role that you did the last the last few
• 56:55
  Speaker 1: roles that you thank you and you love that character.
• 56:58
  Speaker 1: I love that character. Yeah. First of all, I love
• 57:01
  Speaker 1: the whole transformation, the blonde hair. We really bleached my hair.
• 57:04
  Speaker 1: That was fun. And working with Sam Levinson, he's a
• 57:10
  Speaker 1: genius's working with that Duye and all that whole crew geniuses.
• 57:14
  Speaker 1: They're all smart, they're all the best of the best
• 57:17
  Speaker 1: in this business. They're all at the top of their game.
• 57:21
  Speaker 1: Jacob now in Saltburn, you know, Dune and all these
• 57:26
  Speaker 1: other great movies, and Sam Levinson is just he's amazing.
• 57:31
  Speaker 1: I mean, you know, the Levinson's. I just liked that
• 57:35
  Speaker 1: role because it was out of the box for me.
• 57:38
  Speaker 1: I don't think anybody else but Sam, because he's got
• 57:41
  Speaker 1: such a creative mind and he's out of the box
• 57:43
  Speaker 1: thinker let me do that, you know. And it was
• 57:51
  Speaker 1: just a lot of fun, you know. Yes, I wasn't
• 57:55
  Speaker 1: in the kitchen making gravy, you know, and submissive to
• 58:00
  Speaker 1: my husband. Well, you're definitely not a woman who And
• 58:07
  Speaker 1: it was fun. And I want to let's go shoot
• 58:10
  Speaker 1: some dicks tonight. I want to. Oh my god. Well,
• 58:15
  Speaker 1: on that note, I'm so happy, Catherine that you came
• 58:18
  Speaker 1: in to come and I'm happy I came, and I'm
• 58:21
  Speaker 1: happy that I got to actually meet you. And I've,
• 58:25
  Speaker 1: like I said, I feel connected to you, and I'm
• 58:27
  Speaker 1: just I'm happy that we're friends. Yeah, me too. I'm excited,
• 58:31
  Speaker 1: me too, And I want to come out in Brooklyn
• 58:32
  Speaker 1: and what's the place the restaurant? Let's give it a plug.
• 58:35
  Speaker 1: Oh Sibu, I'm positive I'm bringing this this beautiful woman
• 58:42
  Speaker 1: there with me. So thank you so much for being
• 58:44
  Speaker 1: on the show, and thank you for having me. She's
• 58:46
  Speaker 1: going to be back. She's gonna come back and be
• 58:48
  Speaker 1: my guest host once a month. Yes, I'm gonna be.
• 58:50
  Speaker 1: I'm gonna be Kats, Katy and Pudding, Kats and Kitty putting. Yes,
• 58:55
  Speaker 1: Kat's kitty and putting because Kitty is my nickname. They
• 58:57
  Speaker 1: don't even know. Well, everybody's gonna know. Now you're gonna
• 59:00
  Speaker 1: do that, So everybody, make sure you watch my podcast
• 59:04
  Speaker 1: on YouTube. Watch the whole thing and subscribe. Don't only
• 59:08
  Speaker 1: watch the shorts, Apple and Spotify. Oh my god, I
• 59:12
  Speaker 1: got something in my mouth. Drink your water. Thank you everybody,
• 59:16
  Speaker 1: and have a great day. I gotta drink more water.