Latest / The Breakfast Club / Deon Taylor, T.I. & Terrence J On Creating A Pandemic Movie, Mentoring Young Artists + More

Transcript

Deon Taylor, T.I. & Terrence J On Creating A Pandemic Movie, Mentoring Young Artists + More · The Breakfast Club

0:00
Speaker 1: Morning. Everybody is DJ and V Charlomagne the guy. We
0:03
Speaker 1: are the Breakfast Club. We got our special guest hosts
0:06
Speaker 1: La La, and we have the cast of Fear in
0:09
Speaker 1: the building and the director J T. You direct the
0:17
Speaker 1: movie like The Intrude and Black and Blue and Traffic.
0:19
Speaker 1: Do we still consider you an independent filmmaker? I have
0:22
Speaker 1: to be because I'm still making them independent, right, Okay, Okay, yeah, yeah, man?
0:26
Speaker 1: But this hitting in body a small production company, No, man,
0:28
Speaker 1: I think we've now got our name out there. There
0:31
Speaker 1: ain't so much hidden anymore. But we are still one
0:34
Speaker 1: hundred percent independent and doing our own thing, owning our
0:36
Speaker 1: own films. But this was a little bit different though,
0:39
Speaker 1: because these two brothers to my left as well as
0:42
Speaker 1: Joe Spahkora also producers UM and also have percentage and
0:46
Speaker 1: ownership in this movie with us. So this a little
0:48
Speaker 1: bit of a different marketing tool we're on now. Man.
0:50
Speaker 1: We're doing it from the creative side and the business side.
0:53
Speaker 1: Which let's talk about it For people that don't know
0:57
Speaker 1: what fear is. What is fear? Break down? An emotion? Right?
1:01
Speaker 1: It's um. It's a psychological thriller, man. It taps into
1:12
Speaker 1: UM the innermost darkest UH apprehensions of a group of
1:19
Speaker 1: a group of friends that come to a large UH
1:23
Speaker 1: in the height of the pandemic. It just so happens
1:26
Speaker 1: to be hunted, you know. And and the spirits that
1:30
Speaker 1: hunt this large they pull out the fears of people
1:34
Speaker 1: and use it against them. But it's not a scary movie.
1:37
Speaker 1: They're saying, it's not a who's that this is scary? Know,
1:43
Speaker 1: he said. He said he didn't feel like it was
1:45
Speaker 1: scary to him because that like thirty three minutes, that's
1:50
Speaker 1: when I cut it off. I was like, nah, cut
1:52
Speaker 1: off at three minute. I was home alone at the time. Yeah,
1:57
Speaker 1: yourself a DISSERVI because you know, right at thirty five
2:00
Speaker 1: then when it gets as when they go crazy and
2:04
Speaker 1: now I mean I think, um, you know, man, it's
2:07
Speaker 1: really about people tapping into the to the things that
2:11
Speaker 1: you know. You know how they talk about self taught.
2:13
Speaker 1: You know, you're a big on mental health and awareness,
2:16
Speaker 1: and you know how self taught. The things you think
2:18
Speaker 1: inside your man more important than the things you confess outside,
2:22
Speaker 1: you know, with your mouth, and they tap into the
2:25
Speaker 1: things that you feel about yourself. That's why this is
2:28
Speaker 1: the type of harror movie that I feel like you
2:29
Speaker 1: can only make it in twenty twenty three because we
2:31
Speaker 1: ain't scared of no monsters or nothing. Real life. Yeah, yeah,
2:37
Speaker 1: And that's what the movie deals with, is the manifestation
2:39
Speaker 1: of the consciousness. So inside the film, what happens is
2:43
Speaker 1: all the characters are dealing with something, you know, the
2:46
Speaker 1: most unique thing we have on earth, which is the mind.
2:49
Speaker 1: So whatever it is that you could actually manifest or see,
2:52
Speaker 1: whether that's good or bad, that's actually what you bring
2:55
Speaker 1: it to your reality. So the movie is really cool
2:58
Speaker 1: that way, and it's a big conversation piece. Man. We've
3:02
Speaker 1: been touring the last week now. We did like five
3:05
Speaker 1: six cities, and every time we screened the movie, it's,
3:07
Speaker 1: you know, it's been like an hour of Q and
3:09
Speaker 1: A after everyone about what the mind is doing and
3:12
Speaker 1: how it's doing it. It's a lot to do with
3:13
Speaker 1: mental illness too, man like, you know, So it's dope
3:16
Speaker 1: that way. And the end I think it's just spectacular,
3:19
Speaker 1: man Like what we the message we get, which is
3:22
Speaker 1: how do you defeat fear? So filming this was horrifying.
3:26
Speaker 1: Dion made us floor like we didn't have no trailer
3:41
Speaker 1: a man. I told him I would go refer I
3:44
Speaker 1: mean like refer it for me though you know what
3:46
Speaker 1: I'm saying. But but that, but I will tend you
3:48
Speaker 1: that the large week film don really is haunted yea,
3:52
Speaker 1: and no it is that the story that they told
3:56
Speaker 1: that was real. Shit. No, that story that with the
4:01
Speaker 1: with the the killing of the witches and all that
4:04
Speaker 1: shit is real. Got to sleep there though, Yes, yeah,
4:09
Speaker 1: this is really left. What did you see, Terrice? Did
4:17
Speaker 1: you see anything when you were there sleeping? So I'm
4:19
Speaker 1: not a When I pulled up my mattress, there were
4:22
Speaker 1: spiders that came out from the bed. They had to
4:24
Speaker 1: change like the bed that I was in, Like it
4:26
Speaker 1: was terrifle. It was terrifying. It was terrifying after the
4:30
Speaker 1: spiders came under your mattress. I'm a method active baby.
4:34
Speaker 1: You guys. Remember this was this was the first movie
4:38
Speaker 1: that was shot during the pandemic. So we actually went
4:41
Speaker 1: to the CDC and had the conversation with them before
4:44
Speaker 1: they started doing the bubble and all that. We were
4:46
Speaker 1: the first ones to do it. We were actually driving
4:48
Speaker 1: people or driving test results to LA and back every day.
4:52
Speaker 1: That's how he got us all there. So that's how
4:54
Speaker 1: we were able to get there. Joseph Coor drove from
4:57
Speaker 1: New York to Lake Taho to do this film. Terrence Tip.
5:00
Speaker 1: Everybody came down and descended into one location so we
5:03
Speaker 1: could make the movie. Originally I was going to do
5:05
Speaker 1: it with a cameraphone, and then I got a little
5:08
Speaker 1: bit more risky. I was like, man, I wonder if
5:09
Speaker 1: I could call it a real DP and really shoot this.
5:12
Speaker 1: And so I think it's really great about the film
5:15
Speaker 1: is in between takes you will see when you go
5:18
Speaker 1: see the movie, Wise call fears because you could really
5:21
Speaker 1: see every actor in there really dealing with something. Because
5:24
Speaker 1: this is at a time where we didn't know so
5:27
Speaker 1: now everybody's cool, Now everybody tough. Now everybody know everything.
5:30
Speaker 1: But this is when we were watching CNN and ten
5:33
Speaker 1: Thousand Bodies every day. We were saying, you know what
5:36
Speaker 1: I mean, this is that moment. So to be able
5:38
Speaker 1: to do that film during that time, and shout out
5:40
Speaker 1: to Rock sam Man for producing a film during that
5:42
Speaker 1: but we did it, man. And now to have a
5:44
Speaker 1: movie that looks like this and feels like this fresh
5:47
Speaker 1: new it's pretty dope. And that's how it got us
5:50
Speaker 1: all there, because you know, he called me and say, man,
5:51
Speaker 1: I'm gonna shot the movie. I said, Man, any nobody's
5:53
Speaker 1: shooting the movie now, I want to shoot the movie.
5:56
Speaker 1: I said, all right, win he say, like Thursday, And
6:01
Speaker 1: that's what happened. We just I mean, really it was
6:04
Speaker 1: is I guess it's spontaneous as it sounds. That's exactly
6:08
Speaker 1: how I went down. And as soon as I showed up,
6:11
Speaker 1: I saw Terence and it ain't like, you know, I
6:13
Speaker 1: got to show up and prepare and go to wardrobe
6:16
Speaker 1: like I showed them. Hey, which which we're right now here. Yeah,
6:19
Speaker 1: let's go. First scenes coming right up. The campfire scene
6:23
Speaker 1: that was. That was like thirty minutes after I got
6:25
Speaker 1: Really I love that. I love that there's such a
6:29
Speaker 1: grittiness and and so authentic. One is done that way,
6:33
Speaker 1: like when you just in the trenches shooting a movie
6:35
Speaker 1: as a labor of love. Everybody's just putting their best
6:38
Speaker 1: foot forward. It's not about the hair to make up,
6:41
Speaker 1: the clothes. It's really about just digging in and getting
6:43
Speaker 1: into it. You got to be a beast to do that. Yeah,
6:45
Speaker 1: he he his dog. So you thought to yourself, Bend,
6:48
Speaker 1: let's use no budget whatsoever. Us what the film represented
6:53
Speaker 1: was the moment of the time we were in. So
6:56
Speaker 1: even when Tip out there, right, you know, I when
7:00
Speaker 1: he got there, I looked at him. I was I
7:02
Speaker 1: was like, that's it, this is the moment. This is
7:04
Speaker 1: what he looks like, you know what I mean? And yeah,
7:07
Speaker 1: no no budget at all. You know. What we were
7:09
Speaker 1: trying to do is just be raw and be ugly
7:12
Speaker 1: and capture what it felt like during that time. But
7:15
Speaker 1: the twist is when you go to the theater you'll
7:17
Speaker 1: understand what we're going with this, because, like I said,
7:21
Speaker 1: fear is a powerful, powerful emotion and it would look
7:24
Speaker 1: it could it could manifest in a very very hurtful way.
7:28
Speaker 1: So what I thought was really cool about the movies,
7:30
Speaker 1: as we keep growing it and growing it. I was
7:32
Speaker 1: standing this the other day, like during that time, and
7:35
Speaker 1: even now, like you feel like I I mean, I
7:37
Speaker 1: feel like I got a little thing right here. You're
7:38
Speaker 1: gonna line, you start searching, you go down the rabbit
7:41
Speaker 1: hole for you know, you didn't diagnose yourself, right, So
7:48
Speaker 1: I got this And so this energy is in this film, right.
7:52
Speaker 1: How we perceive television is in this film. How we
7:55
Speaker 1: perceive everything that we consume and how we regurgitated. It's
7:59
Speaker 1: in this film about the campfire scene. That's the scene
8:01
Speaker 1: where you guys start talking about your fears. So let
8:04
Speaker 1: me ask you guys in real life, what is your
8:07
Speaker 1: biggest fear? Start with you, TJ. My biggest fear is
8:11
Speaker 1: just not maximizing my full potential, you know, waking up
8:15
Speaker 1: an old man and looking back and feeling like I
8:17
Speaker 1: left something on the table. And so that's why every
8:19
Speaker 1: morning I get up, I'm like, you know, I don't
8:21
Speaker 1: want to leave anything behind in this life, you know,
8:24
Speaker 1: So that would probably be it is that while you're
8:26
Speaker 1: looking alone, walk in front of you and my sister,
8:41
Speaker 1: my sister. That's like my sister, how did this even
8:45
Speaker 1: go left? That's like my family when when when you
8:48
Speaker 1: see me, you see you got to open the doors.
8:52
Speaker 1: You know. What I'm saying me along is A is
8:54
Speaker 1: A is a national treasure. She must be protected at
8:56
Speaker 1: all cars, you know, biggest fair I think my biggest fear, man,
9:03
Speaker 1: you know, is not being able to be there for
9:07
Speaker 1: my kids and my loved ones when they depending on
9:10
Speaker 1: me when they need me, and not even just not
9:12
Speaker 1: be there physically, like you know, just not be here
9:15
Speaker 1: to guide them and direct them and you know, off
9:18
Speaker 1: of my my I guess experience or knowledge or wisdom
9:23
Speaker 1: for them to get through whatever they might be challenged with.
9:27
Speaker 1: I think that's that's my biggest fear. Yeah, Oh, I
9:31
Speaker 1: think I'm in the same boat. I think time. I
9:34
Speaker 1: think my biggest fear is like constantly trying to wonder
9:39
Speaker 1: if I'm be here in ten, twelve, thirteen, fourteen years
9:42
Speaker 1: my kids, Like, I'm like, man, I want to be
9:44
Speaker 1: here when they turn That's something that I keep on
9:46
Speaker 1: messing with. And that's something you gotta not do. You
9:49
Speaker 1: got to live in a moment right now and understand that,
9:52
Speaker 1: you know, every day as a blessing versus you trying
9:54
Speaker 1: to live for what you know what twenty thirty gonna
9:57
Speaker 1: feel like, you know what I mean, So it would
9:59
Speaker 1: be time for me. And it's what's crazy as we
10:01
Speaker 1: deal with all this in the film. Yeah, I'm thinking
10:04
Speaker 1: about the movie. You know, you did the whole airborne
10:06
Speaker 1: virus that got people stuck in the house, you know
10:09
Speaker 1: what I mean. But then also, I'm not gonna give
10:11
Speaker 1: it away, but there was a lot of people who
10:13
Speaker 1: committed suicide during that time. When was all of that,
10:16
Speaker 1: did y'all tape all of that during that one year
10:18
Speaker 1: or that stuff y'all did after the fact. Did it
10:21
Speaker 1: all in the fifteen days we were there? Wow? So
10:23
Speaker 1: we were really ahead of that moment. Yeah, that's why.
10:27
Speaker 1: That's why I keep telling you know, that's why the
10:29
Speaker 1: movie is being received away because you what you just
10:31
Speaker 1: hit on, which is we were actually ahead of that
10:33
Speaker 1: curve a little bit. What we were like, man, just
10:35
Speaker 1: thinking it out loud like tip Terry She that mean,
10:39
Speaker 1: like how they how it happens is pretty dope? Was
10:43
Speaker 1: it like July twenty twenty? Yeah, he did it? Yeah, yeah,
10:47
Speaker 1: everything you started hitting the fan around March April Februaries
10:50
Speaker 1: when it started going. And back to what she was
10:54
Speaker 1: asking about budget, you know, we put all the money
10:56
Speaker 1: on the screen. So it's like, you know, when he
10:58
Speaker 1: asked you to participate in something like that, you want
11:00
Speaker 1: to get paid six figures to be in it, or
11:02
Speaker 1: you want to invest six figures and have a seat
11:04
Speaker 1: at the table. And so that's the beauty of what
11:06
Speaker 1: Dion's created with This is where you know, producers complete
11:10
Speaker 1: profit participation and I and I love that because it's
11:13
Speaker 1: all about you know, Boston up, It's all about us
11:16
Speaker 1: working together. It's not reaching up. There's no studio handing
11:19
Speaker 1: us down money. It's completely self finance, looking depend If
11:22
Speaker 1: anybody look not looking dependent, like they didn't tell me
11:26
Speaker 1: that right now, I would have never thought that. Watching
11:28
Speaker 1: it feel like get Out, it's not that I think
11:29
Speaker 1: about that's why you know, the people and get out.
11:31
Speaker 1: The actors they got shot to get out there. Your
11:34
Speaker 1: mouth to guard is yet this get out? And in
11:38
Speaker 1: the movie a little bit any parts checked with an
11:42
Speaker 1: armored truck on a pillow in a box. His first
11:47
Speaker 1: road he checked from Get Up. Yeah, but I think
11:50
Speaker 1: like what this represents everyone. I think everyone talks a
11:54
Speaker 1: good game about this black excellence and building our own
11:57
Speaker 1: and but it's very seldom man, that we actually really
12:00
Speaker 1: work together. And people, Yeah, people don't want to have
12:03
Speaker 1: that conversation about like, you know, working with people that
12:05
Speaker 1: look just like you, and especially in this industry, man,
12:08
Speaker 1: where people are actually the ones that look like you
12:11
Speaker 1: could be the most cutthroat you know, and the most
12:14
Speaker 1: people that have pushed you away so very clickish, you
12:16
Speaker 1: know what I mean. So for us independently, man, I've
12:19
Speaker 1: been you know, this took us a long time to
12:21
Speaker 1: be able to build this, but now, like movies like
12:24
Speaker 1: you know, Black and Blue and Intruder and you know
12:27
Speaker 1: all these other films we didn't made Supremacy, Yeah with rehearsal,
12:31
Speaker 1: Ali and Danny Glover, like now to be able to
12:34
Speaker 1: do it at this level and now also be inclusive
12:36
Speaker 1: and work with other people, this movie could go much
12:40
Speaker 1: further than I could throw it based on the fact
12:41
Speaker 1: that these guys could run faster than me too, you
12:44
Speaker 1: know what I mean. So this should be like the
12:47
Speaker 1: new brand of what we're trying to build in Hollywood,
12:49
Speaker 1: you know, which is really everybody working together and building
12:53
Speaker 1: something and owning something collectively, not just one person getting
12:56
Speaker 1: rich or getting empowered or So this movie works, we
13:01
Speaker 1: do it again, and then we do it again, and
13:03
Speaker 1: then these guys actually participate because right now no one
13:06
Speaker 1: owns IPS. I was going to say, it's just so
13:08
Speaker 1: that's what's so important. And one thing about you, Dan
13:11
Speaker 1: is you're always about giving those opportunities to people that
13:15
Speaker 1: to us, you know, people that understand what our day
13:19
Speaker 1: to day lifestyle is like. And I think it's amazing
13:21
Speaker 1: to provide those opportunities to all of us for ownership
13:24
Speaker 1: and just also to kind of I've learned a lot
13:26
Speaker 1: from you, like just learning from you, and I know,
13:29
Speaker 1: just watching how he works, it's like it's like a masterclass.
13:32
Speaker 1: And to be able to be a part of that,
13:34
Speaker 1: and then, like he said, take that blueprint and do
13:36
Speaker 1: it again, and do it again. That's what it's about.
13:38
Speaker 1: Providing more opportunities for all of us out there to
13:40
Speaker 1: continue to grow and then put us in position to
13:43
Speaker 1: provide more opportunities for more people. You gotta have that.
13:46
Speaker 1: It's a reason why people are like, man, I ever
13:48
Speaker 1: seen Jack Nicholson work in twenty five years, but he's
13:51
Speaker 1: sitting on the front row of the Lakers game right
13:54
Speaker 1: It's because he owns stake and equity and Batman Yano
13:58
Speaker 1: reeves the matrix, you know what I mean. So you
14:01
Speaker 1: could go on and on how these guys are able
14:03
Speaker 1: to actually be a part of something, but us, we
14:06
Speaker 1: always get it up front, you know what I mean.
14:08
Speaker 1: And now in this system where everything is streaming and
14:10
Speaker 1: they own everything, you really don't get no ip or equity.
14:13
Speaker 1: So now you're gonna get paid all the money right now,
14:15
Speaker 1: and then you're gonna watch that for the next twenty
14:17
Speaker 1: thirty years. Your kid's gonna watch that. So to be
14:20
Speaker 1: able to participate like real did and to get out
14:23
Speaker 1: or have percentage. I'm sure he didn't invest, but they
14:26
Speaker 1: gave him equity in the movie because he came in
14:28
Speaker 1: a small budget movie. But this is different, man, Like,
14:31
Speaker 1: this is ownership. So when you see Fear this weekend
14:34
Speaker 1: in the movie theater and you're right, it looks fantastic.
14:38
Speaker 1: Shout out to Chris Duskin, you know the whole VFX
14:42
Speaker 1: team that worked on this. When you see that, just
14:44
Speaker 1: understand when you buy that ticket, it is actually going
14:47
Speaker 1: back to a black production company and back to these
14:50
Speaker 1: guys who put their money up and they own that.
14:52
Speaker 1: So in five years from now, when you watch Fear,
14:54
Speaker 1: it's there. So now we could buy some cars for
14:56
Speaker 1: Envy's car show. For the car shot, I was gonna ask.
15:09
Speaker 1: So when you board during the pandemic, it was like,
15:11
Speaker 1: I gotta shoot something. I can't just sit on my ass.
15:13
Speaker 1: But what was that That thought process came because we
15:15
Speaker 1: were all home doing nothing. Dion was calling everybody. He
15:18
Speaker 1: was was on the phone with Charlemagne six am every morning.
15:21
Speaker 1: We got to change the world. We're gonna do approach,
15:23
Speaker 1: like Dion on the couple Zo. We did great man,
15:29
Speaker 1: we were acting, Dean was leading the charge on. It
15:32
Speaker 1: wasn't even entertainment stuff. It was politics. Yeah, all of us,
15:36
Speaker 1: you and me and Killer Mic and uh it. But
15:40
Speaker 1: I think we all just everybody knew something big is
15:43
Speaker 1: gonna come out of you know. We just wanted to
15:45
Speaker 1: be a part of whatever was going to be on
15:48
Speaker 1: the other side that was that was going to be
15:51
Speaker 1: financially beneficial or even just culturally beneficial. Uh And I
15:56
Speaker 1: think you know, in our own way everybody did a
16:00
Speaker 1: lot of people didn't make it to the other side.
16:03
Speaker 1: I'm saying that physically as well as mental. A lot
16:07
Speaker 1: of people did not make that jump. Y'all show that
16:09
Speaker 1: in the movie. Yeah, some people wanted to make it.
16:15
Speaker 1: You know, some motherfucker's round them justn't you know, and
16:20
Speaker 1: just wouldn't let it happen. What did an I would
16:25
Speaker 1: how important it is, like just mentorship, Like who taught you?
16:28
Speaker 1: Like you're giving the game to people, but who taught you?
16:32
Speaker 1: You know what? I wasn't taught And I think that's
16:35
Speaker 1: what really helps me to be who I am today
16:38
Speaker 1: because it was so hard for us for seventeen years.
16:40
Speaker 1: Every time we went somewhere and somebody tell you know,
16:43
Speaker 1: you don't know how to actually do something, so you
16:45
Speaker 1: have to learn on your own. I just remember Man
16:47
Speaker 1: two three times having a metaphysical death in my life.
16:50
Speaker 1: Well I'm like, damn man, Like I thought I was
16:52
Speaker 1: doing this right, but I collapsed, and later on in
16:56
Speaker 1: life I ended up meaning Robert smith Um who became
17:00
Speaker 1: a real mentor to me. But I was already on
17:02
Speaker 1: the move. He already seen that. But yeah, that's why.
17:07
Speaker 1: But that's why. I just come from a place man
17:09
Speaker 1: of like, man, we could just show it educating. I
17:11
Speaker 1: know that's not normal, but you know we already said, man,
17:14
Speaker 1: the game is to be sold, and I told I've
17:16
Speaker 1: always been like, no, man, you get to get a
17:18
Speaker 1: game away for free, so we could learn and move forward.
17:20
Speaker 1: That's the bottom line, you know what I mean. It's
17:22
Speaker 1: not it should not be this thing where it's only
17:25
Speaker 1: one and we've had this conversation. I've seen Kevin Hard
17:28
Speaker 1: have it. I've seen Tia have it, Terence have it.
17:31
Speaker 1: That's a reality right now, it's only one, you know
17:34
Speaker 1: what I mean. It's like, man, how do we get
17:35
Speaker 1: past that? And then how do we also celebrate people
17:38
Speaker 1: that's actually winning. Man. You know, we just talking about
17:42
Speaker 1: Joe Siphcore of fifty cent on the way over here,
17:44
Speaker 1: because Joe is a really big part of this film,
17:47
Speaker 1: and I was just saying to myself, Man, do you
17:49
Speaker 1: guys understand we do as a culture, but do you
17:52
Speaker 1: understand what this man has done in television? Yeah? I
17:56
Speaker 1: don't think people understand. They yeah, But at the same time,
18:00
Speaker 1: why why why does the country not understand that? And
18:03
Speaker 1: then why is he still being in a position where
18:05
Speaker 1: he has to fight for what's right? Right? Like this
18:09
Speaker 1: is real man thinking? No valuable in black content? We value,
18:13
Speaker 1: but I don't think, man, I don't think somebody else's hands. True,
18:19
Speaker 1: they try to devaluate it. Will we own now well
18:23
Speaker 1: umber his numbers than every other show on the network,
18:27
Speaker 1: So what does that mean? But that's also why it's
18:29
Speaker 1: up to us, like everything that we're talking about, because
18:31
Speaker 1: obviously fifty has been a mentor and I've said a
18:35
Speaker 1: million times I say it a million one times. Fifty
18:37
Speaker 1: changed my life by the opportunities that he's always provided
18:39
Speaker 1: to me. But then you'll see what people be like,
18:41
Speaker 1: Oh she did power now she on BMF. She just
18:44
Speaker 1: do everything we're fifties that first of all, I'm loyal
18:47
Speaker 1: and second of all, like this man provided it's like
18:55
Speaker 1: it's like you're mad about that or that's not the
18:59
Speaker 1: right thing, but some other person gives me opportunity. Yeah, yeah,
19:02
Speaker 1: you should go do that. You should go do that
19:04
Speaker 1: because you see I just said, it's not it's not
19:06
Speaker 1: it's value when we give it to somebody else, but
19:08
Speaker 1: we have it. It's just it's not valued. Man. They
19:10
Speaker 1: criticize you to, they copy you. There, you got what
19:14
Speaker 1: makes a lot of things, because I'm thinking about like
19:16
Speaker 1: somebody like Norman live Right, you know what I mean,
19:18
Speaker 1: normally called you every time no one would say anything
19:22
Speaker 1: Joe the appetite. Yeah, I would be praised every everywhere.
19:27
Speaker 1: Now you did say something that you said, they would
19:30
Speaker 1: you say, they copy you to, you criticize you to,
19:32
Speaker 1: they copy you. Now they try to copy your daughter
19:34
Speaker 1: and her girl group. Oh, they tried to take that coach.
19:39
Speaker 1: I mean, where did you realize that was a copy?
19:41
Speaker 1: Soon as you first saw did you say that's my
19:43
Speaker 1: daughter's group? Nah? Man, that's that's really man, that's my wife,
19:48
Speaker 1: Like that's to me because she you know, that was
19:50
Speaker 1: her that was a brain child, her baby, and it
19:54
Speaker 1: was brought to her attention, I believed by some fans
19:57
Speaker 1: um a fan page kind of like inquire, Hey is
20:00
Speaker 1: this y'all? I thought about it when I saw it.
20:04
Speaker 1: When I went around, I was like, no, eat that same.
20:09
Speaker 1: But I mean I ain't I an't spend a lot
20:11
Speaker 1: of time around little girl dogs to tell I know that, man.
20:15
Speaker 1: But you know what, I think it was gifted. One
20:19
Speaker 1: of them were gifted for Hares. And I think that's
20:22
Speaker 1: when Tamika were like, look these this is what I
20:25
Speaker 1: was talking about, you know. But I mean, man, you know,
20:29
Speaker 1: I'm a regardless I have it. Shake app bro, I'm
20:32
Speaker 1: gonna get to you. I'm proud of hell her and
20:35
Speaker 1: my daughter for even you know, rolling they shleeze up
20:40
Speaker 1: and you know, and and going all the way with it.
20:44
Speaker 1: You did, because this is so many times creatives, uh
20:48
Speaker 1: in the community. Man, they they they see they see
20:52
Speaker 1: travesties of justice like the and they just go with
20:55
Speaker 1: the flow and roll with it. And you know what
20:57
Speaker 1: I'm saying, these these these these independent black women are
21:03
Speaker 1: standing up against this billion dollar company and saying, nah,
21:08
Speaker 1: y'all ain't gonna take our ship. I mean, and I
21:11
Speaker 1: respect that most people feel like we don't have enough
21:14
Speaker 1: money to go back at them. So let's just now,
21:17
Speaker 1: you know, were millions in. I ain't even gonna cap
21:19
Speaker 1: you down. There's millions multiples even to get this fun
21:23
Speaker 1: you know what I'm saying. And uh and and who
21:26
Speaker 1: knows where we would be if we weren't fortunate enough
21:30
Speaker 1: or able to to to fight the fight that that
21:33
Speaker 1: that we've been blessed to be able to fight. But
21:37
Speaker 1: I had a upmore faith that you know, God well
21:40
Speaker 1: had the last say so, hey, man, Florida just got
21:43
Speaker 1: eighty two millions. What happened with that? Say, he was
21:48
Speaker 1: an endorser of the product and get invested in as well,
21:53
Speaker 1: some investor and endorser, and he's supposed to get I
21:56
Speaker 1: believe allegedly some ship. So I think the amount was
22:00
Speaker 1: like thirty two thousand and some shares, but they wand
22:02
Speaker 1: up awarding him. It became a billion dollar company. I've
22:05
Speaker 1: not even heard of that the energy, but the thing
22:11
Speaker 1: gives though. This is a little bit different, right because
22:14
Speaker 1: Flow actually had an agreement, you know, with the company,
22:19
Speaker 1: this company here, I think that whole thing is founded
22:22
Speaker 1: on Oh why would we want to do business with
22:25
Speaker 1: these guys. Listen to the language they use. Look at
22:30
Speaker 1: you know. We don't want to We don't want to
22:32
Speaker 1: be associated with that we and that's I say, Well
22:35
Speaker 1: I'm thinking that. Well, well, well, well that's your motive,
22:40
Speaker 1: you know what I'm saying. So you wanted our ideas,
22:43
Speaker 1: but you didn't want to be associated with us for
22:45
Speaker 1: whatever it is. So that's why you didn't come in fairly,
22:48
Speaker 1: license legally, uh and partner with us like you would anyone.
22:54
Speaker 1: And the thing is, you know that company ain't no angels.
22:59
Speaker 1: They still ain't know ain'tels theyself. I'm a firm believer
23:02
Speaker 1: that he would at seeing cast the first stone. I'm
23:05
Speaker 1: not perfect, but I'm a lot better than I was,
23:07
Speaker 1: you know what I'm saying. And I think you don't
23:10
Speaker 1: have to do be in there with tip to do
23:11
Speaker 1: be in there with the girls. You did, and if
23:14
Speaker 1: you like it enough to put it on a box
23:17
Speaker 1: and designed something after it to sell it, then why
23:21
Speaker 1: not cut the girls in or whatever the growth is
23:25
Speaker 1: of whatever the proceeds is. I just think, man, it's
23:28
Speaker 1: it's terrible that you can still do this in America.
23:31
Speaker 1: You know what I'm saying, but you can't unless you
23:33
Speaker 1: got the means to fight. That's right. You know, I
23:36
Speaker 1: was thinking too, Tip, you know who was who was
23:37
Speaker 1: mentoring the young rappers in Atlanta? Because you talk about
23:40
Speaker 1: your growth and your evolution, and I feel like brothers
23:42
Speaker 1: like you who made the transition from the streets, you know,
23:45
Speaker 1: to corporate America. You gotta get these young brothers from
23:48
Speaker 1: game because I feel like they just thrown it all
23:50
Speaker 1: the way. I'm I'm I'm always here, bro, you know
23:53
Speaker 1: what I'm saying. I'm always here. I always try and
23:55
Speaker 1: make myself available whenever I can. And uh, and I
23:59
Speaker 1: believe that the mentorship is you know, it's present. It's present. Man.
24:03
Speaker 1: You know you got uh institutions of culture like Grand
24:08
Speaker 1: Hustle qc Uh. You know you got uh free bands,
24:15
Speaker 1: you got uh street execs. Uh. You know, it's it's
24:21
Speaker 1: a lot even so so deaf. You know, you got
24:24
Speaker 1: a lot of ogs. Did you know what I'm saying?
24:26
Speaker 1: They reached back and still make sure that the conversations
24:31
Speaker 1: of being had. Uh. You gotta killer Mike, you got
24:35
Speaker 1: you know, uh c low Yeah, of course, geez, everybody
24:39
Speaker 1: like does that part to make sure that if there's
24:44
Speaker 1: some information that a young man or a young lady
24:46
Speaker 1: needs that they know where to find the places like
24:49
Speaker 1: the gathering spot, places like the Trap Music Museum, places
24:53
Speaker 1: like Trap City Cafe where you just show up and
24:56
Speaker 1: just happen to see somebody. Hey, man, how do you
24:59
Speaker 1: like a person like pull it up to the cafe
25:01
Speaker 1: with like, how do I copyright my music if I
25:03
Speaker 1: can't really afford the lawyer? I was like, man, you know,
25:06
Speaker 1: I just used to. I don't know if they still
25:08
Speaker 1: do it like that, but I just used to put
25:09
Speaker 1: my demo in the mail. That's what I learned. You know.
25:28
Speaker 1: Let me ask you a question, this question for you too,
25:31
Speaker 1: and you this this is interesting. Could you could you
25:35
Speaker 1: when you name Killer Mike, yourself, QC, all these different
25:39
Speaker 1: brands organizations as Pioneer Rap, could you unionize hip hop? Like,
25:46
Speaker 1: is there a real way to actually delegate this brand?
25:48
Speaker 1: Because it is a multi it's a multi billion dollars
25:52
Speaker 1: a year business and you have these pioneers, right, So
25:56
Speaker 1: is there a way to actually unionize hip hop? Was
25:59
Speaker 1: it somebody trying to do that? They've been trying to
26:01
Speaker 1: do it for them, So why they trying what I'm
26:04
Speaker 1: saying you could actually do that. I think I think
26:06
Speaker 1: it should be done it and the reason not only
26:08
Speaker 1: for that for conversation and growth, but also think about
26:11
Speaker 1: all the artists that get older, and that's what I'm saying, Yeah,
26:16
Speaker 1: don't have healthcare. Yeah, you know, don't have the finances,
26:20
Speaker 1: have retirement. I mean, I think that would be a
26:22
Speaker 1: great I guess you have to look at other industries
26:24
Speaker 1: to see how they did it, because that's out of
26:25
Speaker 1: my spectrum education. I guess you'd have to look at
26:27
Speaker 1: like the film industry and see how they did it
26:29
Speaker 1: way way way back, because those old artists have nothing right, right, Like,
26:34
Speaker 1: they've been used through the system, through the studios of
26:38
Speaker 1: nothing and records get sam So they got a way
26:41
Speaker 1: for them. They got a way for the fifty year
26:42
Speaker 1: hip hop to get a check. Right. So that's crazy, man,
26:46
Speaker 1: Like you should you should as smart as you are,
26:47
Speaker 1: I mean, you should dive into that. That. I mean, bro,
26:51
Speaker 1: I hear. It takes participation, you know what I mean.
26:54
Speaker 1: Everybody gotta be you know, willing to come together. Uh
26:59
Speaker 1: and and you know, I see most of the time
27:02
Speaker 1: I have people if it ain't our idea. Yeah, you
27:06
Speaker 1: know what I'm saying, if we didn't think of it first,
27:10
Speaker 1: like you know, a lot of times people don't really
27:12
Speaker 1: want to participate, you know, collectively. But it is a
27:15
Speaker 1: phenomenal idea, and it's gonna be a resentment to the
27:18
Speaker 1: to the artists who aren't doing well. Then you know,
27:21
Speaker 1: why should I work with the artists that is doing well?
27:23
Speaker 1: We don't just build it without them? Yeah right, I
27:26
Speaker 1: mean you don't get in right, So anyway, that's interesting.
27:29
Speaker 1: We just couldn't your dudes for after So it's the
27:31
Speaker 1: same thing you pay your dudes yelling and when things happen,
27:33
Speaker 1: you get help in chance you get true, we need that.
27:36
Speaker 1: We need that right now. Yeah, I'm with it. Yeah,
27:39
Speaker 1: we need that. I'm gonna ask you other director because
27:41
Speaker 1: I know y'all gotta go do do you do you
27:42
Speaker 1: think of the audience when you're making these films? Like
27:45
Speaker 1: a black person wouldn't do that, black person wouldn't running
27:47
Speaker 1: that room and they're screaming going on, and you know,
27:52
Speaker 1: you know, that's all I think about. I'm I'm actually
27:55
Speaker 1: an audience first director, um, which obviously the track regular
27:59
Speaker 1: movies made. UM. But yeah, you have to actually put
28:02
Speaker 1: up I think That's what makes me a little different
28:04
Speaker 1: is that I'm not trying to appease anyone else but
28:07
Speaker 1: the audience that I'm making that film for, and also
28:09
Speaker 1: grounded it in something that's authentic and real. Um like
28:13
Speaker 1: even like fear, like having all these guys, these all
28:15
Speaker 1: alpha males, Joseph ka Tip, you know what I mean?
28:19
Speaker 1: Terrence Batch, Um, yeah, man, we're trying to like alpha females,
28:23
Speaker 1: and alpha females means I'll be seeing all alpha males
28:27
Speaker 1: I see to be getting in a whole lot of trouble.
28:29
Speaker 1: What is alpha male being? Well, I mean they're they're
28:31
Speaker 1: they're leaders. They're they're guys that are in the front
28:34
Speaker 1: that normally are leading a situation or their group. If
28:36
Speaker 1: if if I didn't know them, and I know you
28:39
Speaker 1: got a group of guys you hang around, they would
28:41
Speaker 1: be the leaders of that group, you know what I mean.
28:43
Speaker 1: So yeah, I always say, man, if I worried that mcdges,
28:45
Speaker 1: I'd be the baddest freeman. But yeah, we want to
28:53
Speaker 1: make the movies for the audience. And this weekend, when
28:55
Speaker 1: this movie comes out, I think people will have a really,
28:57
Speaker 1: really good time watching it. And that's what the first
29:00
Speaker 1: priority is We're so excited and it's about that participation
29:04
Speaker 1: showing up, supporting, absolutely, watching the movie, tweeting about it,
29:07
Speaker 1: talking about it, so that we can spread the word
29:10
Speaker 1: and really you know, get some some real numbers out
29:13
Speaker 1: there to be able to continue doing What is success?
29:16
Speaker 1: What is success for this movie? Like what we didn't
29:19
Speaker 1: have to do opening weekend? We already we are, We
29:21
Speaker 1: already won. Um, we already won, you know, just movie.
29:26
Speaker 1: Yeah I didn't think we also put COVID, No, we
29:31
Speaker 1: didn't put in theaters? Is a huge window, you know,
29:35
Speaker 1: this many screens, doing that independently and then having so
29:39
Speaker 1: many opportunities for windows after this, right, so after this,
29:43
Speaker 1: then there'll be the streaming window. Then there'll be another tier,
29:45
Speaker 1: so we'll be able to profit international. So there's a
29:50
Speaker 1: lot of upside as long as we all support it
29:53
Speaker 1: as well as as well as the you know, the
29:57
Speaker 1: learning and the wisdom and the experience is that comes
30:01
Speaker 1: we're producing NIXT to someone who's dead it so many
30:05
Speaker 1: times before Terrace and that we just like, Amen, So
30:08
Speaker 1: what this means? It's great, man, it's great, and this
30:12
Speaker 1: is and this is a new this is new for
30:14
Speaker 1: me as well in terms of releasing this wide. So
30:18
Speaker 1: we've we've put our movies on our own UM and one,
30:22
Speaker 1: but this this is a wide release, so we're actually running.
30:25
Speaker 1: We've beat studio movies a bunch, but this one's gonna
30:28
Speaker 1: do great. Man. Like I said, we're in the system
30:31
Speaker 1: right now where you know, you're watching some of these
30:33
Speaker 1: mega films made two, three, four million dollars um that
30:37
Speaker 1: have fifty million, sixty million in So we know Fear
30:40
Speaker 1: gonna come and do that, which means we already beat
30:43
Speaker 1: most of these films anyway. But what I love about
30:46
Speaker 1: what we're doing with Fear is um which is actually
30:50
Speaker 1: very present in this room right now, which is the
30:52
Speaker 1: power of reinvention. See part of part of the system
30:56
Speaker 1: that we're in right now. As black people, we're scared
30:58
Speaker 1: to reinvent ourselves. So the minute that you step out
31:01
Speaker 1: of whatever lane you've been running in, everybody always make
31:04
Speaker 1: a joke about it. You know, I was talking to
31:06
Speaker 1: Tip like his comedy, Like why can't he do comedy? Right?
31:11
Speaker 1: Terrence went from hosting to now acting. Look at you
31:14
Speaker 1: multi hyphen it acting, hosting, building company owner, you you book, Like,
31:21
Speaker 1: we have to get to a place, man, and we're
31:22
Speaker 1: not scared to reinvent ourselves or learn something different and
31:26
Speaker 1: for fear. For me, it was like, man, let me
31:28
Speaker 1: show Tip and Terrence and Joseph and everybody else, myself
31:33
Speaker 1: and Rock Sand like really get on the box and
31:35
Speaker 1: be like, let me show y'all how this works at
31:37
Speaker 1: the highest level. Here's how you can compete and create
31:39
Speaker 1: Warner Brothers or New Line or Lionsgate. And that's exactly
31:43
Speaker 1: what we're doing right now. Two other questions. One break
31:46
Speaker 1: down how y'all make money on planes? Right? Because a
31:49
Speaker 1: majority of the movie planes I see on the plane,
31:52
Speaker 1: But how do you how do they record that? How
31:54
Speaker 1: do y'all make money over that? Because the planes, every
31:56
Speaker 1: movie's on the plane before you know it gets to
31:58
Speaker 1: most of the time when you actually purchased that. So
32:01
Speaker 1: how does that work? That's a window, So basically you're
32:04
Speaker 1: gonna a movie opens and then it's the same with
32:06
Speaker 1: a hotel, So you ever go like it in hotel, Yeah,
32:10
Speaker 1: but where the plane is actually paying for it as well.
32:12
Speaker 1: They're gonna license for us. But all those deals that
32:16
Speaker 1: we're talking about in film, those are deals that you
32:19
Speaker 1: could only make if you own the IP, right, So
32:22
Speaker 1: when you look at these movies you're talking about, for instance,
32:25
Speaker 1: Top Gun, right or Avatar. Those movies are making three
32:28
Speaker 1: four hundred million dollars here and then they open overseas
32:32
Speaker 1: and they're at seven eight nine hundred million dollars to
32:34
Speaker 1: three billion dollars. Well, that's only the theatrical experience. Now
32:38
Speaker 1: understand that that's what that made. Ends from the theater.
32:42
Speaker 1: Now when it goes downstream, what's downstream, planes, hotels, cable,
32:47
Speaker 1: first window buys, it'll keep on selling when it gets
32:53
Speaker 1: the team. You run down the line, right, and now
32:57
Speaker 1: you just resell it again. So it just keeps making
33:00
Speaker 1: money over and over again, the same way we're watching
33:02
Speaker 1: all these old movies. You know that what's Eddie Murphy
33:07
Speaker 1: coming to America? Life? That's all life life, right, So
33:10
Speaker 1: you imagine how much money that is. Man, if you're
33:13
Speaker 1: a student, you just keep licensing that through system for real.
33:15
Speaker 1: Most of the time, know, you know, the ips are
33:19
Speaker 1: held under the big studios. So some you know, the
33:24
Speaker 1: airlines or whoever is responsible for doing the licenses for
33:27
Speaker 1: the airlines would just go to that like a one
33:29
Speaker 1: stop shop and go and do a deal with Warner
33:32
Speaker 1: Brothers or do a deal with Universal or do a
33:34
Speaker 1: deal with Lionsgate and they get all of the library.
33:38
Speaker 1: You know what I mean. The last time I saw
33:40
Speaker 1: you to you was at the Operation Hope for Him. Yeah,
33:43
Speaker 1: guy John O'Brian, and you were talking about your development
33:46
Speaker 1: that you was complex. Yeah, yeah in Trata in Trota
33:52
Speaker 1: is my first, my first development, affordable housing on bank
33:56
Speaker 1: kid or property I bought by five years ago aid
33:59
Speaker 1: and half acres partner with with the city um along
34:04
Speaker 1: with you know, some some private equity as well. Uh.
34:08
Speaker 1: And you know we got one hundred and forty three
34:11
Speaker 1: units retail space at the bottom right now. Man, you
34:14
Speaker 1: know we're about to you know, about to cut the
34:16
Speaker 1: ribbon later on this year. But I'm looking for a tenant.
34:20
Speaker 1: I need a grocery store because it's a food desert
34:23
Speaker 1: over there in the area. I need a grocery store
34:26
Speaker 1: and a drug store for a pharmacy. You know what
34:29
Speaker 1: I'm saying for the people in the area, because you know,
34:31
Speaker 1: some people don't have cars and they got a drive
34:34
Speaker 1: you know way you know up the street rude, you know,
34:36
Speaker 1: on the other side of the town just to get
34:38
Speaker 1: their prescriptions. Field and a bank. We need a central
34:40
Speaker 1: look you know, a central bank. I think it's important
34:43
Speaker 1: to speak to how they if you us sometime right
34:46
Speaker 1: because if I'm mistake, I'm I'm thinking you had a
34:48
Speaker 1: grocery store there, but they pulled out because they thought
34:51
Speaker 1: we'd be stealing. Well it ain't den it ain't really
34:53
Speaker 1: that they thought we've been and they right, you know
34:55
Speaker 1: what I because you know, it's just such a they.
35:04
Speaker 1: What they say is, you know, they they the growth
35:08
Speaker 1: of the community has not matured to a place. You know,
35:12
Speaker 1: they got to look at they they overhead and expenses
35:15
Speaker 1: that it caused them to operate, and how much people
35:18
Speaker 1: in the area presumably can afford to pay. So they
35:23
Speaker 1: need some subsidation, some coming from the city, you know,
35:27
Speaker 1: you know, some kind of rent, some rent consideration. But
35:32
Speaker 1: but we need some people that could work with us,
35:34
Speaker 1: just simply because the neighborhood, the community needs it. Anybody
35:38
Speaker 1: who have been in the bank Yead area and it's
35:40
Speaker 1: it's growing, you know, Microsoft up the street and you
35:43
Speaker 1: know Bill Gate needs somewhere to go by Bagel man,
35:45
Speaker 1: you know what I'm saying. So you man, well, just
35:48
Speaker 1: come on end and work with some people that want
35:51
Speaker 1: to really really feel the void in the community. So
35:53
Speaker 1: how do they reach out to you? Somebody listening to
35:56
Speaker 1: this thing like I got the grocery store for ya,
35:58
Speaker 1: got the okay asolutely you want to talk to Crystal
36:02
Speaker 1: Peterson and Dynasty Realty or Dynasty broke reach um and
36:08
Speaker 1: she could connect to all the dots. Uh, you can.
36:11
Speaker 1: You can talk to to to people that in trata.
36:14
Speaker 1: You know what I'm saying, and you can pull up
36:16
Speaker 1: on me. And I definitely make sure you get on
36:19
Speaker 1: the phone to get in front of who you need
36:20
Speaker 1: to talk to, get to get it going. Last question
36:24
Speaker 1: to buy. Beyonce performed no cameras supposed to be no
36:30
Speaker 1: cameras then looking at you? Are you looking at you?
36:35
Speaker 1: You want to know what's down that performance? That's seventy
36:40
Speaker 1: twenty four million dollars. You need a long watch beyond
36:45
Speaker 1: a bunch of different So you got cameras leg long
36:58
Speaker 1: stop stop stop, no aun chips, Celebrities wearing out there
37:01
Speaker 1: right kneel long as a friend, A bunch of friends
37:04
Speaker 1: were all out there were hanging out. Incredible performance. This
37:07
Speaker 1: is the biggest launch in the world. They launched this hotel,
37:09
Speaker 1: the Royal Atlantis. Nobu launched a new restaurant. It was incredible.
37:14
Speaker 1: We all went out there. Beyonce looked amazing, she looked
37:18
Speaker 1: impeccable voice obviously, Blue Ivy came out. All the vibes
37:23
Speaker 1: were there, a very theatrical performance. So this wasn't you know,
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Speaker 1: this wasn't single ladies dancing tight Beyonce. This was like
37:30
Speaker 1: this was Halo Beyonce. Right, very very you know what
37:34
Speaker 1: I mean. So the the the outfits in the wardrobe
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Speaker 1: was masterful. She came out, she went on this little
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Speaker 1: platform and had the wind and the water hitting her.
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Speaker 1: It was amazing. You know what. Yeah, they had these
37:47
Speaker 1: sprinklers hitting Curd. It was fire. There was was coming
37:51
Speaker 1: off of the building. Um no, I mean she she
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Speaker 1: went through a lot of her catalog, but not not
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Speaker 1: not as many of the upbeat, more of the you know,
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Speaker 1: the emotional you know what I mean. People were tearing
38:02
Speaker 1: up in the audience, very emotional Beyonce performance. You know,
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Speaker 1: everybody was out there. It was it was a vibe.
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Speaker 1: Had one question when why not twenty five million? The
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Speaker 1: number was reflective of not just the payment to her,
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Speaker 1: but it was a whole production, you know what I mean. Yeah,
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Speaker 1: so this we said that was all with like a
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Speaker 1: million dollars. A don't even think that was a number.
38:32
Speaker 1: I think the number was actually more. I think like
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Speaker 1: the bigger number was somewhere around forty five million. Like
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Speaker 1: it was. It was. It's the biggest launch. They wanted
38:38
Speaker 1: to outdo the original Atlantis. Somebody like she deserved it
38:44
Speaker 1: absolutely where she worked her ass all throughout the year. Man,
38:48
Speaker 1: and when you see BSA, you're gonna get a show.
38:51
Speaker 1: So you know, it's certain people were just happy to
38:54
Speaker 1: see those types of numbers go to expecting absolutely, like, man,
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Speaker 1: why I can't get twenty for me? Because show back
39:03
Speaker 1: back to you know the knee A long question. We
39:05
Speaker 1: have to celebrate our queens. We have to make sure
39:08
Speaker 1: when when they stepped out you when you know, when
39:14
Speaker 1: I see Gabriel Union, n s Nash making good like,
39:18
Speaker 1: we gotta celebrate our icons. You know what I'm saying,
39:21
Speaker 1: will tell you I don't care where I see together together.
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Speaker 1: I'm asking, man, no shout out to me, and I
39:43
Speaker 1: don't know, I'm not terce long no, no celebrating gotta
40:03
Speaker 1: be there to celebrating them. No, I mean never doing
40:10
Speaker 1: the this is it so recosided down