Latest / The Bootleg Kev Podcast / #464 - 1TakeJay

Transcript

#464 - 1TakeJay · The Bootleg Kev Podcast

0:00
Speaker 1: Wait how Love It is One Take Jay and I
0:02
Speaker 1: need everybody to go check me out right now on
0:05
Speaker 1: Bootleg care Podcast. If you not, I don't know what
0:08
Speaker 1: you got going on.
0:12
Speaker 2: Yo, Bootleg Cab podcast. Man, we got a special guest
0:15
Speaker 2: in here. Just dropped this new project Summer in Compton.
0:19
Speaker 1: Love is One Take Day and this bitch and we're
0:22
Speaker 1: hanging like tits.
0:23
Speaker 2: I'm here hanging like tits.
0:25
Speaker 1: Hopefully not too much. Nah, I fuck with the saggy ones,
0:30
Speaker 1: uplifted ones, all.
0:31
Speaker 2: The you're you don't discriminate.
0:34
Speaker 1: No, no, you never heard that mustard intro?
0:36
Speaker 2: Of course, Yeah, that's what that's my ship. I was
0:38
Speaker 2: actually I was gonna ask you about this. That's one
0:41
Speaker 2: of your like, uh, that's like a that's like one
0:43
Speaker 2: of them ones in the club out here bro, like
0:45
Speaker 2: on the West Coast or.
0:45
Speaker 1: They messed with that for sure, that's happened every day.
0:52
Speaker 2: But yeah, man, you got this new project that just dropped.
0:54
Speaker 2: I wanted to ask you, like, I feel like you've
0:56
Speaker 2: been kind of like one of the faces of the
0:59
Speaker 2: last like five or six years of like la hip
1:01
Speaker 2: hop in terms of just like the new energy that's
1:03
Speaker 2: been happening. I feel like guys like yourself, Rouchie Hazy Chike.
1:08
Speaker 2: But with what's happened with like this Kendrick a moment,
1:11
Speaker 2: I feel like there's a lot more attention being paid
1:14
Speaker 2: to LA artists. Are you feeling that as well?
1:17
Speaker 1: Uh? Yeah, I say that just because of the fact
1:21
Speaker 1: he basically can't a poach. It like catapulted us to
1:25
Speaker 1: the top. It ain't really just him because it's the
1:27
Speaker 1: sound for sure me, So yeah, I fuck with that,
1:30
Speaker 1: you know everything. Yeah, I feel like it's just putting
1:33
Speaker 1: more eyes on you feel me the West Coast sound
1:36
Speaker 1: and all that.
1:40
Speaker 2: Boom. Yeah, I think too like that. It's helpful that
1:43
Speaker 2: like uh not like us as like a real West
1:47
Speaker 2: Coast bop, you know what I'm say? For sure? What
1:50
Speaker 2: was for you man? This new album? Obviously it's hot
1:53
Speaker 2: as fuck in LA right now? Was that was that
1:54
Speaker 2: kind of like the intention like making the soundtrack for
1:56
Speaker 2: the summer?
1:57
Speaker 1: Oh yeah, for sure. And when you think of one take,
1:59
Speaker 1: you're gonna automatically think you fear me summertime or you
2:03
Speaker 1: fee me when it's time to party. So yeah, that
2:06
Speaker 1: was really the intentions behind that. Then the name just
2:08
Speaker 1: came from where I'm from. Summer and Compton. Yeah mean,
2:12
Speaker 1: I'm gonna sure you all we come.
2:13
Speaker 2: We were just in comptent with the Compton Cowboys, Randy
2:17
Speaker 2: saving those guys. Yeah, I had no idea that that
2:20
Speaker 2: was there. Oh yeah, that should creates like a whole
2:22
Speaker 2: right ranch over there like that, even just that neighborhoods
2:25
Speaker 2: like hell of people with horses over there. Man. Yeah,
2:28
Speaker 2: did you ever go over there as a kid or anything?
2:29
Speaker 1: Uh not just specifically go to the ranch, but like
2:33
Speaker 1: on that street. I mean every if everybody know about
2:37
Speaker 1: the you fee me?
2:38
Speaker 2: Yeah, for sure. You got some dope features on the
2:42
Speaker 2: album Shot to the hommy X for Ralphie, the plugs
2:44
Speaker 2: on there, Uh who else who else on the project?
2:48
Speaker 1: I got Ralphie and X four, I got Caribou, I
2:52
Speaker 1: got Avy k Or, I got and then I got
2:55
Speaker 1: the one Take homies, oh and John Matt back from
2:58
Speaker 1: the Bay one, take Kwan and want to take ts
3:00
Speaker 1: He got them on a couple of joints on there.
3:02
Speaker 2: Yes, you have to. I feel like John Mac a
3:04
Speaker 2: lot more people should be talking about what he's doing
3:06
Speaker 2: out of the bay.
3:07
Speaker 1: Oh yeah, brogo crazy, y'all have to get one in
3:09
Speaker 1: with him for sure.
3:10
Speaker 2: For sure, Is there anybody besides your crew that you're
3:14
Speaker 2: like just a fan of? Like I have to say,
3:16
Speaker 2: five years ago, you were kind of a new up
3:18
Speaker 2: and coming l A guy. Is there anybody that you're
3:20
Speaker 2: just tapped in with us on the come up? Yeah?
3:24
Speaker 1: Some people. H It's a dude named wyan Ness Flocko.
3:29
Speaker 1: Y'all gotta tap in with him and ship who else?
3:36
Speaker 1: It's a lot of motherfuckers. Oh, my cousin Streets he
3:41
Speaker 1: coming soon, y'all gotta tap in with that. He just
3:44
Speaker 1: dropped his first visual and single called Bag of Gems.
3:49
Speaker 1: Then we got my other good people's mns Cam. That's
3:53
Speaker 1: my cousin too. He coming to that from Compton to
3:56
Speaker 1: be on the lookout.
3:57
Speaker 2: Something about the water and content just produces like the
3:59
Speaker 2: best rappers.
4:00
Speaker 1: And both of the people I just name was on
4:02
Speaker 1: the project on the song to Gondo.
4:05
Speaker 2: Okay, Yeah, what's your favorite song on the album?
4:08
Speaker 1: Uh? I don't know, kind of probably I would say
4:13
Speaker 1: that one, either the Gondo or Torging in the Function
4:16
Speaker 1: because they both like different vibes. You see what I'm saying.
4:21
Speaker 1: The Torging and the Function is a sample to a
4:23
Speaker 1: Snoop Dogg sexual seduction.
4:26
Speaker 2: So that's a great song to sample. You know what
4:29
Speaker 2: I'm saying, So, did you turn sex sensual seduction into
4:31
Speaker 2: a fucking no?
4:33
Speaker 1: It's not No, it's not no super ratchet. I just
4:36
Speaker 1: think I don't know. It's like it is like a
4:40
Speaker 1: more West Coast beat, but I say it's like a
4:42
Speaker 1: universal beat because of that sample. You see what I'm saying.
4:45
Speaker 2: Are you? Are you independent? Obviously? Like what's it like
4:48
Speaker 2: clearing the Snoop dog record? You just throw it out
4:50
Speaker 2: there and hope, yeah, that.
4:52
Speaker 1: Bitch out there and hope they don't smet have it.
4:54
Speaker 1: It's damn mean.
4:56
Speaker 2: Yeah, it's like and if it gets big enough that's
4:58
Speaker 2: exactly exact, then you figure it out. Figure it out
5:03
Speaker 2: from there for sure. For sure. That's smart. Man, talk
5:07
Speaker 2: to me man, Like for you, I feel like you
5:11
Speaker 2: have never really necessarily been wrapped up in a lot
5:13
Speaker 2: of like the negative. I feel like we always get
5:15
Speaker 2: negative stereotypes in LA when the artists when it comes
5:17
Speaker 2: to like politics, and because.
5:20
Speaker 1: That's how everybody get their promo, they not posting your
5:22
Speaker 1: music for real.
5:23
Speaker 2: Right, I feel like though you guys have like I
5:26
Speaker 2: feel like when I think of like yourself and chicken
5:28
Speaker 2: and just your your generation. Like it was more about
5:31
Speaker 2: like the music and like kind of moving together as
5:34
Speaker 2: opposed to shit.
5:37
Speaker 1: I just feel like it was a different time type
5:39
Speaker 1: of shit, you feel me? It wasn't a lot of
5:41
Speaker 1: it was like new. It was all new, right, you
5:43
Speaker 1: feel me? So shit changed? Do you feel like?
5:47
Speaker 2: I was just talking with MC Magic, who's a Mexican
5:49
Speaker 2: artist from Arizona, and he was talking about just like
5:52
Speaker 2: Mexican hip hop artists in general. He's like, Yo, it
5:53
Speaker 2: sucks because a lot of times the most promo these
5:57
Speaker 2: guys get is they go on podcasts'll say like hell
6:00
Speaker 2: and negative ship and they stir up drama.
6:02
Speaker 1: Do you feel you got to think it's clickbait, it's
6:05
Speaker 1: all titles and all that that that'd be the best promo.
6:08
Speaker 1: That just was never my thing. My sugar can go
6:10
Speaker 1: up regardless, right.
6:12
Speaker 2: Do you feel like that's the thing that artists kind
6:13
Speaker 2: of depend on nowadays?
6:14
Speaker 1: Yeah? For sure. Yeah, And you gotta think a lot
6:17
Speaker 1: of motherfuckers don't really be like that in the boot,
6:19
Speaker 1: so they'd be running out of ship to say you
6:21
Speaker 1: gotta do something. I don't blame you even trying to
6:23
Speaker 1: get your money.
6:24
Speaker 2: Yeah, like just let's go stir some ship up and
6:25
Speaker 2: get some some real views. Yeah no, that's real man. Uh.
6:30
Speaker 2: How like for you, man, how often are you? Are
6:32
Speaker 2: you just like a studio rat? Are you living in the.
6:34
Speaker 1: Studio or you Yeah, I'll be recording myself and ship,
6:37
Speaker 1: so I being that just like every day, but ship
6:39
Speaker 1: at home, I'd be at the studio.
6:43
Speaker 2: So I don't know if you had like the little
6:44
Speaker 2: Scarlet at the crib.
6:45
Speaker 1: You know, no, I really need that type of setup though.
6:47
Speaker 1: I feel like that'd be way way more easier because
6:50
Speaker 1: you don't got to know, you don't gotta go nowhere
6:51
Speaker 1: type ship.
6:52
Speaker 2: Like yeah, blast whole ship is like Blast has the
6:56
Speaker 2: like four hundred dollars studio setup.
6:59
Speaker 1: Yeah, that's all you really need.
7:00
Speaker 2: It's at his house.
7:01
Speaker 1: If you got a motherfucker knowing how to make that ship, how.
7:04
Speaker 2: You know he's chosen and was recorded on one hundred
7:07
Speaker 2: dollars mic and on a scarlet two channel interface.
7:11
Speaker 1: I'm like, damn, yeah, the studio I'm in shit, it's
7:14
Speaker 1: just a room, the mic right there by you. I
7:16
Speaker 1: didn't even know booth.
7:17
Speaker 2: Were you always recording yourself as it something you kind
7:19
Speaker 2: of learned how to do over time.
7:20
Speaker 1: No, I learned over time, but I've been knew what
7:23
Speaker 1: was going on, but I just said, fuck, it is
7:26
Speaker 1: just because it kind of I don't know, it's just
7:28
Speaker 1: better because I feel like sometimes you feel me, even
7:33
Speaker 1: with the engineers and shit, maybe they get impatient and
7:36
Speaker 1: all that, but when it's just you, you feel me,
7:39
Speaker 1: it's just like.
7:40
Speaker 2: Yeah, you feel like you can create without.
7:43
Speaker 1: Worrying about worrying about nothing.
7:45
Speaker 2: Like if yoo, if I want to redo this line,
7:47
Speaker 2: I don't even if subconsciously you think you're bothering the engineer.
7:50
Speaker 1: Exactly or some shit like that, you just you feel me,
7:53
Speaker 1: you on your own timing, and I don't know, it's
7:56
Speaker 1: just it's just really real, like kind of like just smooth.
8:01
Speaker 2: Yeah. I feel like the one thing artists should always
8:03
Speaker 2: try to do is figure out how to do everything themselves,
8:07
Speaker 2: even if it's just to like a okay degree. Yeah,
8:10
Speaker 2: I mean that way the worst case scenario if you
8:14
Speaker 2: need to hop on photoshop.
8:15
Speaker 1: Yeah. I really just learned though from just watching you.
8:17
Speaker 2: Know what I'm saying, Like recording yourself that's a big expense.
8:20
Speaker 2: Hell yeah, and then like being as I'm sure for
8:24
Speaker 2: you being independent fully. Now it's like, is you got
8:26
Speaker 2: to handle all of it? You know what I'm saying?
8:29
Speaker 1: Uh yeah, yeah, yeah that shit, That shit ain't really
8:32
Speaker 1: nothing though. It's just really the only thing I need
8:34
Speaker 1: is like more promo, bro. All the other shit is
8:37
Speaker 1: like you feel me, But that's it's gonna get handled.
8:40
Speaker 1: Shout out ty Rain should be doing her thing.
8:43
Speaker 2: I was gonna say moving independently because you were on
8:46
Speaker 2: what you on a major for a second?
8:47
Speaker 1: Yeah, I was with Atlantic yeah for two projects.
8:50
Speaker 2: So like, what has been the big difference for you
8:52
Speaker 2: now handling shit on your own as opposed to when
8:56
Speaker 2: you were in the Atlantic system.
8:57
Speaker 1: I go up more when I'm on my own.
9:00
Speaker 2: So you think it was a negative to be on Atlantic, No.
9:04
Speaker 1: It's just a slower process you got. I think when
9:06
Speaker 1: I came out, I came off. I came out off
9:09
Speaker 1: of consistency and like you feel me back to back
9:13
Speaker 1: to back to back in your face, and it's good,
9:16
Speaker 1: good content, you know what I'm saying, Good music. So
9:19
Speaker 1: with the label thing is everything just like way slower.
9:22
Speaker 1: The process. You have to get lower.
9:24
Speaker 2: You have to get green lights exactly.
9:25
Speaker 1: You gotta get stuff clear, and it ain't even like
9:27
Speaker 1: that's what I'm saying. That's why I said it wasn't
9:29
Speaker 1: a bad thing, because it's just the business side, you
9:31
Speaker 1: know what I'm saying. And it's like, uh with the
9:34
Speaker 1: independence ship though, like I'm still on the business shit,
9:37
Speaker 1: Like everybody get paid, from the cover art to the
9:41
Speaker 1: producers getting the splits on a Uh. That's why you
9:44
Speaker 1: ain't never seen no producer come out take this is it?
9:47
Speaker 1: Because everybody get paid?
9:49
Speaker 2: Are you dropping through district Kid?
9:51
Speaker 1: Yeah?
9:51
Speaker 2: Yes. I always tell people like, if you're really independent
9:54
Speaker 2: and you're not cashing on producers, that's the easiest way
9:56
Speaker 2: because you can just splits. You can just cut people
9:59
Speaker 2: in on the record the record.
10:00
Speaker 1: And that's working together, you know what I'm saying. For sure,
10:04
Speaker 1: But a lot of people, a lot of artists, because
10:06
Speaker 1: you got to think producers be getting mad. A lot
10:09
Speaker 1: of artists don't even be knowing about that. They just
10:11
Speaker 1: throwing their ship up on there. Because you got to think,
10:13
Speaker 1: I didn't even know about this stroke kid until ship
10:17
Speaker 1: already had millions and millions of streams on soundclouds. So right,
10:21
Speaker 1: you just should just a process.
10:22
Speaker 2: Yeah, it's easier too, because then like those producers will
10:25
Speaker 2: push the funk out.
10:26
Speaker 1: Of like exactly if they're getting paid from it, exactly
10:30
Speaker 1: works out for everybody. Yeah, but some people be different though,
10:33
Speaker 1: Like I had a couple of producers on the thing
10:35
Speaker 1: on the project, they just rather get the h.
10:40
Speaker 2: And you just took care of him. There you go. Yeah,
10:44
Speaker 2: problem is some of the producers, Man, be fucking tripping dog.
10:48
Speaker 1: I don't know. I didn't get that. You'll be I
10:51
Speaker 1: rather be getting the streaming bread for sure, because it's forever.
10:54
Speaker 2: Exactly have you been paying attention at all to what
10:57
Speaker 2: like Russell's doing in the Bay.
11:00
Speaker 1: Yeah, yeah, yeah, yeah, I fuck with his movement and
11:01
Speaker 1: all that I followed on the ground.
11:03
Speaker 2: Yeah, he's been doing like if like someone shoots a
11:06
Speaker 2: video or they do like hell cut people in ye'ah.
11:10
Speaker 1: Just seen like Juvenile was on the went to his
11:13
Speaker 1: little his backyard function type thing. That shit was hard.
11:17
Speaker 2: Did you see Richie Rich from the Bay break his
11:19
Speaker 2: knee on stage there? Nah?
11:21
Speaker 1: So Richie Rich th g he really broke his knee
11:24
Speaker 1: for it.
11:24
Speaker 2: So yeah, he was jumping up and down, snapped his
11:26
Speaker 2: knee and freestyle the whole time. So he was freestyling
11:30
Speaker 2: on the up knee and he's like, I just snapped
11:32
Speaker 2: my tippy. Look I need help someone get in there.
11:35
Speaker 2: Like the ship was crazy and everyone's just dancing around
11:38
Speaker 2: him and he's like I'm like, no, I'm not lying snapped,
11:42
Speaker 2: but he's rapping the whole time. Like I was like, damn,
11:45
Speaker 2: you gotta go to the pergola. That'shit crazy. He's different
11:47
Speaker 2: for that, Like somebody in Lax should try to do
11:49
Speaker 2: some shit like that.
11:51
Speaker 1: Yeah, that would be dope. But sit you just gotta
11:54
Speaker 1: I don't know, you gotta just you gotta find the
11:57
Speaker 1: right location and the right vibe.
12:00
Speaker 2: Gotta be gotta be right.
12:01
Speaker 1: Yeah, you gotta be secured up.
12:03
Speaker 2: Yeah, and it's got Yeah, it's got to kind of
12:05
Speaker 2: be like out the way low key.
12:07
Speaker 1: That's what I'm saying, because you gotta think once something
12:11
Speaker 1: get popular and it's close enough for everybody everyone to.
12:15
Speaker 2: You almost got to move it every time.
12:17
Speaker 1: That'll be see, that'll be a thing if you have
12:20
Speaker 1: working with people and you could just pick up and move.
12:22
Speaker 1: We in this city today, were in that city today,
12:25
Speaker 1: that'd be hard.
12:26
Speaker 2: Yeah. I really feel like like Santa Clarita is the
12:28
Speaker 2: spot because who really wants to drive all the way
12:30
Speaker 2: to Santa Clarita.
12:30
Speaker 1: Yeah, there's a little mission you wanted.
12:33
Speaker 2: You gotta you gotta want it to be.
12:34
Speaker 1: A mission's going up though, They're gonna go for sure.
12:37
Speaker 2: That's it's true. That is true.
12:38
Speaker 1: Man, fast, no gas and everything pulling up.
12:43
Speaker 2: That's a hell of a number to Santa Clara, Compton
12:46
Speaker 2: to Santa Clarita, that's one hundred and ten dollars at least.
12:50
Speaker 1: They coming though, Yeah, for sure, go figure it out.
12:53
Speaker 2: Who do you got on your Compton Mount Rushmore man.
12:59
Speaker 1: Ship? No, that's gonna crazy. Let me see count around restaurant.
13:09
Speaker 1: I'm included.
13:11
Speaker 2: If you'd like to include yourself, I wouldn't say you
13:13
Speaker 2: belong on that, but you know.
13:16
Speaker 1: I'm gonna go me Okay, I'm gonna go. Yeah, I'm
13:22
Speaker 1: gonna just go out of one. Take yourself.
13:27
Speaker 2: This is crazy. This is the city that Kendrick Lamarin,
13:30
Speaker 2: doctor Dre came from. What are we talking about?
13:33
Speaker 1: What are we talking about? Elite your crew out of there?
13:38
Speaker 1: All right? All right, So I go Ken Dack, Doctor
13:43
Speaker 1: d Roddy Rich and y G.
13:50
Speaker 2: I respect the four. Yeah, I would say that those
13:54
Speaker 2: would probably be my four. I might put the game
13:57
Speaker 2: in that though.
13:58
Speaker 1: Oh yeah, yeah, no, not like yeah, you.
14:01
Speaker 2: Probably the game Dre and Kendrick.
14:05
Speaker 1: Roddy went Diamond out of the game for sure. For sure,
14:08
Speaker 1: I'm keeping Roddy.
14:11
Speaker 2: He's the sick well, he's the fifth man, and I
14:13
Speaker 2: think he's right on the bench just waiting to jump
14:15
Speaker 2: in the game. Hey man, it would be the game
14:18
Speaker 2: of Roddy. But I think YG is solidified.
14:20
Speaker 1: Like yeah, but it's just that that But you gotta
14:23
Speaker 1: understand that what you gotta think down to l A
14:26
Speaker 1: like for sure though, But I'm saying just that, well,
14:29
Speaker 1: did you just had to put to put a fifth
14:31
Speaker 1: person in? Because coming coming Diamond out the gate is
14:35
Speaker 1: like over crazy, you see what I'm saying. Sure, I
14:37
Speaker 1: don't give a damn who you is because you gotta
14:39
Speaker 1: think that's like a small box of people, for sure,
14:41
Speaker 1: you know what I'm saying. So yeah, we just had
14:44
Speaker 1: to go five.
14:45
Speaker 2: That's a that's a great five. And then obviously you're five,
14:48
Speaker 2: which is just you and your your crew. Yeah, I'm
14:52
Speaker 2: trying to think, is there anyone forgetting I hope not
14:56
Speaker 2: ship not Gorilla Black, Gorilla Black, that guy I heard
15:01
Speaker 2: it bro before this don't called confident. That was pretty Hard.
15:04
Speaker 2: Wait wait wait, wait wait wait, DJ Quick.
15:07
Speaker 1: Oh yeah, we tripped out.
15:08
Speaker 2: God include Quick in that comment. Yeah, honestly, honestly, my four,
15:15
Speaker 2: my four would be Quick, Yg, Doctor Dre, and Kendrick.
15:23
Speaker 2: I would leave the game in Rody off if I
15:25
Speaker 2: had to pick four.
15:26
Speaker 1: You just said the game did all this ship.
15:28
Speaker 2: I'm just saying I forgot about DJ Quick. Jesus, Honestly,
15:33
Speaker 2: we probably should take Dre off because Dre is more
15:36
Speaker 2: like a too. What you trying to say, no, no, no,
15:39
Speaker 2: Dre's like a producer. Dre's like the architect, so he
15:42
Speaker 2: obviously he built the mountain. There's no Mount Rushmore without him.
15:45
Speaker 2: He's a He's an architect that saw you throw game
15:47
Speaker 2: in there. You got throw game in there, all right?
15:50
Speaker 1: We could just rock like that shot. I like that's fair. Yeah.
15:53
Speaker 1: DJ Quick though, big apologies on me, DJ Quick and
15:58
Speaker 1: sugar Free. That's the only people I liked it before,
16:01
Speaker 1: Like it was like the jerking era and shit, like
16:03
Speaker 1: he used to be listening to the ship and I
16:06
Speaker 1: didn't even know what they was talking about.
16:07
Speaker 2: Sugar Free has one of the most I always say this,
16:10
Speaker 2: like we just talked about that with Roddy Rax I
16:12
Speaker 2: was like, Yo, there's nobody who's ever sounded like sugar Free,
16:16
Speaker 2: and I don't think anybody ever will.
16:17
Speaker 1: Yeah, you can't even imitate that.
16:19
Speaker 2: Like the way he raps like it's so like it's
16:22
Speaker 2: so in a pocket.
16:24
Speaker 1: It's like.
16:27
Speaker 2: Good unorthan, it's so insane. Like I just heard he
16:32
Speaker 2: did a song with Roddy racks from the pointing like
16:36
Speaker 2: he was snapping, but he was snapping.
16:38
Speaker 1: That's the thing too. Look when I did he was
16:40
Speaker 1: on my album before, a couple two albums, Ago Calmed
16:46
Speaker 1: and Globetrotter, so Bro, I sent them two songs to
16:49
Speaker 1: pick out either one type shit Bro ended up doing
16:53
Speaker 1: both of them. Bitches Bro, When I tell you, he
16:56
Speaker 1: was talking like when I first ever heard sugar Free
16:59
Speaker 1: and thought it was hard. Yes, it's still rapping the
17:02
Speaker 1: same way.
17:03
Speaker 2: That's crazy and like he's one of them dudes. The
17:06
Speaker 2: way he raps like you almost like gotta listen.
17:09
Speaker 1: Yeah, you gotta, you gotta like you gotta you gotta
17:12
Speaker 1: keep playing it back, you gotta keep knowing byang on Cap,
17:16
Speaker 1: I never did that.
17:17
Speaker 2: Befreak it on the job at the sperm Bank.
17:19
Speaker 1: I never did that before for no body because I
17:23
Speaker 1: catch it like quick, no him, you guys and ship bro,
17:27
Speaker 1: he was he sent the verse back, Bro, I kepveryone
17:30
Speaker 1: in that bitch. He was saying some ship.
17:32
Speaker 2: Sugar Free is a fucking legend. I feel like, uh,
17:36
Speaker 2: I don't know. I don't know what it is about
17:38
Speaker 2: sugar Free. For whatever reason, he just don't get like
17:41
Speaker 2: love like nationally when we think about La and the
17:43
Speaker 2: West Coast.
17:43
Speaker 1: Does he just doing him?
17:45
Speaker 2: Yeah? He's an alien and I think quicks in the
17:48
Speaker 2: same And.
17:49
Speaker 1: You gotta think what you what you just asked me
17:53
Speaker 1: to begin in this ship with the drama and all
17:56
Speaker 1: the ship. You don't see she was not doing no
17:58
Speaker 1: click bait ship and all that.
17:59
Speaker 2: And so back in the day, he wasn't on that game.
18:01
Speaker 1: He was on the pimp and hit exactly I say,
18:04
Speaker 1: doing him.
18:04
Speaker 2: Did you meet trug Free?
18:06
Speaker 1: Uh? Yeah, I met him one time.
18:08
Speaker 2: I met him in Vegas, not when we did this
18:09
Speaker 2: song though, why I lived in Vegas And uh he
18:13
Speaker 2: was at the Planet Hollywood Hotel walking a chick with
18:17
Speaker 2: a leash on her neck like she was a dog.
18:19
Speaker 1: And I was like, doing him, bro.
18:21
Speaker 2: But I literally was like, I literally was like, this
18:25
Speaker 2: is all I ever hoped to happen if I met
18:27
Speaker 2: sugar Free. This shit real, Like this is exactly how
18:31
Speaker 2: it'd be, Like, you know, it's like this is this
18:32
Speaker 2: is this is the man I listened to as a kid.
18:35
Speaker 2: He has a girl on a leash in the middle
18:37
Speaker 2: of a fucking Vegas casino. This is crazy. It might
18:41
Speaker 2: have been two girls, it was definitely one man. Shout
18:44
Speaker 2: out to sugar Free. Man, shout out to sugar Free.
18:47
Speaker 2: We'll look your new album's out right now, summer in
18:49
Speaker 2: Compton And are you are you gonna are you sitting
18:53
Speaker 2: on a lot of music right now? Are you gonna
18:54
Speaker 2: work this for a while?
18:55
Speaker 1: Like nah, I'm gonna I'm gonna drop. We're gonna drop
18:58
Speaker 1: a one take project, Like shit, they probably let this
19:02
Speaker 1: ship breathe for a couple of weeks or something. I
19:05
Speaker 1: got like thousands of unreleased songs. Yeah, like I record
19:09
Speaker 1: every day, thousands, I swear.
19:12
Speaker 2: Do you ever go through demoitis where you have a
19:16
Speaker 2: song that's unreleased and it's old to you and you
19:18
Speaker 2: get tired of us. You don't put it out, but it's.
19:20
Speaker 1: I mean, that's when you just start previewing it, throw
19:21
Speaker 1: it up on TikTok or something. I feel like that,
19:24
Speaker 1: and you gotta think. You gotta when you're around people,
19:27
Speaker 1: you gotta just play music like unexpectedly and just.
19:29
Speaker 2: See what they feel like. Because it might be old
19:32
Speaker 2: to you.
19:33
Speaker 1: It's always old to you, but to somebody else's brand new.
19:36
Speaker 1: It's fresh, and some songs is timeless. Like you see
19:40
Speaker 1: what I'm.
19:40
Speaker 2: Saying for sure, I mean the good ones are.
19:42
Speaker 1: Released exactly there it is. That's why you just throw
19:44
Speaker 1: that bitch on. If they get up and get to
19:46
Speaker 1: doing what they do.
19:47
Speaker 2: I mean there it is. One take, Jake, go get
19:50
Speaker 2: the album. Appreciate you sitting down brother?
19:51
Speaker 1: Wait how love Summer and comp thing out? Now, go
19:54
Speaker 1: get that boom