Latest / Movie Meltdown / Bava and Black Lace (Promo)

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Bava and Black Lace (Promo) · Movie Meltdown

• 0:05
  Speaker 1: All right.
• 0:24
  Speaker 2: We have returned. Are we ready to tell people about
• 0:27
  Speaker 2: a movie that we probably don't want to see? But
• 0:30
  Speaker 2: then every time I give the synopsis, you guys are like, ooh,
• 0:32
  Speaker 2: that sounds good.
• 0:33
  Speaker 3: Yeah.
• 0:34
  Speaker 2: And I feel like we're going to watch it, and
• 0:35
  Speaker 2: you're going to be like, this sucked. So, this time around,
• 0:39
  Speaker 2: we will tell them about, I figured it tied in,
• 0:43
  Speaker 2: In a Dark Place. Because later we're going to be
• 0:46
  Speaker 2: discussing the movie that there's a lot of darkness involved.
• 0:49
  Speaker 4: For a second there, I thought you were jumping right
• 0:51
  Speaker 4: into the movie, and I'm like, that is not what
• 0:53
  Speaker 4: I watched.
• 0:55
  Speaker 2: You have never done this before.
• 0:57
  Speaker 3: So.
• 0:58
  Speaker 2: In a dark place, according to this box that I saw.
• 1:02
  Speaker 2: Anna takes a new job as a nanny to two
• 1:05
  Speaker 2: young orphans. Her new workplace is a remote country estate
• 1:08
  Speaker 2: with beautiful grounds. Miles and Flora, the children, seem sweet
• 1:12
  Speaker 2: and charmed. I was like, wait a minute. Have we
• 1:14
  Speaker 2: freaking seen this? And six variations of it? They've made
• 1:18
  Speaker 2: like three in the last 20 years. Like. How many
• 1:21
  Speaker 2: times do we need to watch the same story?
• 1:23
  Speaker 5: I have no idea what you guys are talking about.
• 1:25
  Speaker 2: And you did an entire episode on it at least
• 1:28
  Speaker 2: once we've covered this.
• 1:29
  Speaker 3: I don't know if you were on that one. I
• 1:33
  Speaker 3: thought he was.
• 1:34
  Speaker 2: Maybe not.
• 1:34
  Speaker 5: You guys are doing these without me.
• 1:36
  Speaker 3: Well, it was a long time ago.
• 1:37
  Speaker 2: I didn't tell you about it, but you know. If
• 1:40
  Speaker 2: you guys really want him to show up, you're going
• 1:42
  Speaker 2: to have to sponsor an extra like five bucks because
• 1:45
  Speaker 2: we've got an extra point for Phillip. You've got to
• 1:48
  Speaker 2: pay if you want Phillip.
• 1:49
  Speaker 5: To show up.
• 1:49
  Speaker 3: Oh, yeah. It is.
• 1:51
  Speaker 5: This don't come cheap i feel like expensive but.
• 1:55
  Speaker 2: We take what we can get it yeah no is
• 1:58
  Speaker 2: this not the turning yeah is this not turn of
• 2:01
  Speaker 2: the screw yeah it's not the what was the i
• 2:05
  Speaker 2: mean good version of the oh that i.
• 2:07
  Speaker 5: Sound vaguely yeah they're all.
• 2:10
  Speaker 3: The same thing no it's turn it's uh the innocence
• 2:13
  Speaker 3: the one from the 60s.
• 2:14
  Speaker 2: Innocence when i did a whole episode on and it's Yeah.
• 2:18
  Speaker 3: I love that movie. But yeah, also The Turning, which
• 2:20
  Speaker 3: was terrible.
• 2:21
  Speaker 2: Which was pretty rough, yeah.
• 2:23
  Speaker 5: I just don't remember those specific names.
• 2:25
  Speaker 4: Miles and.
• 2:26
  Speaker 3: Yes, Miles and Flora.
• 2:28
  Speaker 2: Is that exactly their names?
• 2:29
  Speaker 3: Yes, that's their names.
• 2:32
  Speaker 2: I didn't even know that much. I just knew the
• 2:34
  Speaker 2: plot's exactly the same.
• 2:36
  Speaker 3: Oh yeah, I interrupted you. What's the rest of the synopsis?
• 2:38
  Speaker 2: Does it really matter? Is it just spooky things? This
• 2:42
  Speaker 2: perfect world quickly fades as she... Makes disturbing discoveries. Do
• 2:47
  Speaker 2: we need to go on? I'm sure. Ghosts and shit.
• 2:50
  Speaker 2: I don't know.
• 2:50
  Speaker 5: I've stopped paying attention.
• 2:52
  Speaker 2: But what was missing from your other version was Lili Sobieski.
• 2:56
  Speaker 1: Oh.
• 2:56
  Speaker 2: So if you need a Lili Sobieski version of the
• 3:00
  Speaker 2: same story that we've heard and talked about multiple times. Well,
• 3:04
  Speaker 2: what do I.
• 3:05
  Speaker 5: Need a Lili Sobieski version of?
• 3:07
  Speaker 2: I mean, come on. The Glass House.
• 3:11
  Speaker 3: I love The Glass House.
• 3:12
  Speaker 2: I'm trying to think. I was like, that was probably
• 3:14
  Speaker 2: her biggest sort of by herself movie. She was the
• 3:17
  Speaker 2: star of that one. She was kind of side in
• 3:20
  Speaker 2: several others at the time. And I guess now she's
• 3:23
  Speaker 2: making it a dark place.
• 3:25
  Speaker 3: When did that come out?
• 3:26
  Speaker 2: Couldn't tell you the last time I've seen a Lili
• 3:29
  Speaker 2: Sobieski fronted vehicle. No. Let's see. This one has a
• 3:34
  Speaker 2: sticker on it like it was a rental copy if
• 3:36
  Speaker 2: that gives you any idea.
• 3:38
  Speaker 3: Somewhat.
• 3:41
  Speaker 2: Huh.
• 3:42
  Speaker 3: 2006.
• 3:43
  Speaker 2: Well, there you go. Just the other day.
• 3:45
  Speaker 5: Huh.
• 3:46
  Speaker 2: In my head. Really, that was a long time ago.
• 3:50
  Speaker 2: It's sad when that happens.
• 3:51
  Speaker 4: Yeah.
• 3:52
  Speaker 2: I do that a couple of times a week.
• 3:53
  Speaker 5: I do it daily.
• 3:54
  Speaker 2: Yeah. I'm just like, oh, do you mean the, oh, wait, math. Oh, shit. No.
• 3:59
  Speaker 3: No one should be allowed to do another adaptation of that.
• 4:02
  Speaker 2: We can eat at least a moratorium. Give us a
• 4:04
  Speaker 2: good 50 years.
• 4:05
  Speaker 3: Right.
• 4:06
  Speaker 2: In 50 years, come back, you can do one with
• 4:08
  Speaker 2: your space person or whatever. If CG robots are making movies,
• 4:13
  Speaker 2: then I don't know. I mean, we're already kind of
• 4:15
  Speaker 2: there at this point, so I can only imagine 50
• 4:16
  Speaker 2: years from now what sort of weird robots are in charge.
• 4:20
  Speaker 3: Turn of the screw in space.
• 4:22
  Speaker 2: It'll be fun. It's the Starring Pigs in Space, because
• 4:25
  Speaker 2: that I would watch.
• 4:26
  Speaker 4: I would watch that, yeah.
• 4:29
  Speaker 2: So yeah, if you'd like us to watch that, you
• 4:31
  Speaker 2: can suggest that. If not, we really suggest that you
• 4:36
  Speaker 2: go join the Meltdown Horror Club and give us a
• 4:39
  Speaker 2: better option than that that may or may not be
• 4:42
  Speaker 2: an exact ripoff of Turn of the Screen.
• 4:45
  Speaker 5: Or even if you hate us, give us something terrible.
• 4:48
  Speaker 2: Torture us.
• 4:48
  Speaker 5: We have nothing to live for at this point.
• 4:51
  Speaker 2: We kind of do it to ourselves now. You might
• 4:53
  Speaker 2: as well join in.
• 4:54
  Speaker 5: I mean, Nora's newly happily married, but that'll wear off.
• 4:58
  Speaker 3: That's funny.
• 4:59
  Speaker 2: She'll need something to distract from her days of like, oh, God,
• 5:03
  Speaker 2: I'm with this guy all the time. I didn't really
• 5:05
  Speaker 2: think that part through.
• 5:06
  Speaker 1: It's true.
• 5:08
  Speaker 2: It's already set in.
• 5:10
  Speaker 5: For being honest, it'll probably go the other way.
• 5:14
  Speaker 2: What was I thinking? Why is she here again? She's
• 5:19
  Speaker 2: making me watch these terrible horror movies. That's true. I've
• 5:22
  Speaker 2: got to get out of here.
• 5:25
  Speaker 3: That's how I try to get my alone time.
• 5:27
  Speaker 2: Yeah. I'll make him go away by watching crap. He's like, ooh,
• 5:31
  Speaker 2: I gotta go do anything else. Anyway, I'll be back.
• 5:39
  Speaker 2: You can add to that. Give us something to watch.
• 5:43
  Speaker 2: He'll have a reason to run out of the room.
• 5:45
  Speaker 3: Yeah.
• 5:48
  Speaker 2: In the meantime, we'll go to another dark place and
• 5:50
  Speaker 2: we'll say creepy things like this.
• 5:54
  Speaker 3: There were a lot of points where I covered my
• 5:56
  Speaker 3: eyes and would not look at the TV and Pierce
• 5:59
  Speaker 3: was going, oh my God, oh my God.
• 6:01
  Speaker 2: And you're horribly jaded, so that says something.
• 6:03
  Speaker 3: I know, and I'm used to stuff.
• 6:06
  Speaker 5: Which I know has already turned Brian off because reading.
• 6:09
  Speaker 2: Books. Thank you.
• 6:12
  Speaker 4: I'm about 70 pages in and it is slow.
• 6:16
  Speaker 2: Oh, yeah.
• 6:17
  Speaker 5: It spins a lot of time.
• 6:19
  Speaker 3: And we recently went back and rewatched all of Jersey Shore.
• 6:26
  Speaker 2: So we're stacking dead girls at this point. In the
• 6:30
  Speaker 2: trying to piece together the overview of the story, I
• 6:33
  Speaker 2: was like, maybe it's blown a little out of proportion, this,
• 6:36
  Speaker 2: I'm again using quotes, plan.
• 6:38
  Speaker 3: Yeah. Well, this one was also hyped, but it was gnarly.
• 6:45
  Speaker 3: It was really bad.
• 6:46
  Speaker 2: Good gnarly? Yeah.
• 6:48
  Speaker 3: Okay. Like.
• 6:50
  Speaker 5: Well, I would like to see a scene where one
• 6:52
  Speaker 5: of the cops is like, well, if We just sit
• 6:55
  Speaker 5: back and wait. There will only be one left.
• 6:58
  Speaker 2: Right. Police work. That's police work.
• 7:01
  Speaker 5: Probably a sex maniac.
• 7:05
  Speaker 3: Only men can be sex maniacs. Obviously.
• 7:10
  Speaker 5: I don't know if either of you have ever tried
• 7:12
  Speaker 5: to strangle someone. I have not.
• 7:15
  Speaker 1: I have not.
• 7:15
  Speaker 5: But I assume it would not give me.
• 7:17
  Speaker 2: I mean, when they ask or not.
• 7:19
  Speaker 4: Well, my point is I don't know if I would
• 7:21
  Speaker 4: have time to take my other hand and write out
• 7:24
  Speaker 4: a little note.
• 7:27
  Speaker 2: It's equating the end of the world with getting in
• 7:31
  Speaker 2: a committed relationship that's how like he is that level
• 7:35
  Speaker 2: of juvenile I don't know if you guys noticed but
• 7:39
  Speaker 2: a couple of times in this movie ladies were in
• 7:42
  Speaker 2: their brassieres sex maniacs yep that we are so we've
• 7:49
  Speaker 2: discussed in previous movies some of which in this subgenre Mannequins. Alright,
• 7:55
  Speaker 2: I'm a weirdo. I like some mannequins. For odd reasons,
• 7:59
  Speaker 2: and not even the weird ones you might think.
• 8:02
  Speaker 3: Yeah, when he pulled it out, he was like, drugs.
• 8:04
  Speaker 3: I was like, wait, is that that big of a deal?
• 8:06
  Speaker 5: I know, I was like, wait, what year is this?
• 8:08
  Speaker 3: It's the 60s in Italy in a fashion house? Yeah,
• 8:11
  Speaker 3: there's gonna be cocaine, my guy. Come on.
• 8:15
  Speaker 2: For some reason.
• 8:17
  Speaker 5: There's at least one scene of a car driving backwards
• 8:20
  Speaker 5: for a really long time. This had that three times
• 8:22
  Speaker 5: that I remember.
• 8:24
  Speaker 3: Really?
• 8:24
  Speaker 2: Yeah.
• 8:26
  Speaker 3: I will say whatever eyeliner they were using, I wanted
• 8:30
  Speaker 3: because the last kill where they have the girl in
• 8:33
  Speaker 3: the bathtub completely stays on.
• 8:36
  Speaker 2: Waterproof, yo. Yes.
• 8:38
  Speaker 3: It's really impressive. Look at that.
• 8:42
  Speaker 5: And that's about it. The supernatural stuff is Barely mentioned
• 8:47
  Speaker 5: it all so far.
• 8:48
  Speaker 2: Yeah.
• 8:48
  Speaker 5: There are a lot of priests in it, so.
• 8:51
  Speaker 3: They got to get you invested in the characters first.
• 8:53
  Speaker 3: And I'm not.
• 8:55
  Speaker 5: So far, I don't care about any of it.
• 9:00
  Speaker 2: At that point, I'm just like, if you came to
• 9:01
  Speaker 2: this movie for dialogue. Yeah. Well, no. I feel like
• 9:05
  Speaker 2: you took a wrong turn.
• 9:07
  Speaker 4: No, I got most of what I was expecting, which is, again,
• 9:11
  Speaker 4: the cars, the beautiful women, and the skinny ties.
• 9:13
  Speaker 1: Mm-hmm.
• 9:15
  Speaker 2: And was one of those that like in that 70s
• 9:17
  Speaker 2: era when movies were done, they just ended. Like, is
• 9:21
  Speaker 2: the story wrapped up? Nah, not really. But look at
• 9:23
  Speaker 2: this cool way we found to end it. Like, there's
• 9:26
  Speaker 2: this shot and it's a shocking scene and then we
• 9:28
  Speaker 2: got the credits. What are you doing, Sean? You're just
• 9:32
  Speaker 2: a drunken idiot. He's a drunken idiot. You're just a
• 9:33
  Speaker 2: drunken idiot.
• 9:34
  Speaker 5: And that would be enough explanation for me.
• 9:36
  Speaker 3: Yeah. Epileptic sex maniac.
• 9:42
  Speaker 2: First of all, speaking of purses, in your purse right now,
• 9:45
  Speaker 2: do you have $ 1, 000 in cash?
• 9:46
  Speaker 3: I do not.
• 9:47
  Speaker 2: Damn it. I know. I was totally going to hit
• 9:48
  Speaker 2: you up for that.
• 9:51
  Speaker 5: Maybe I just got no coltron. I don't know.
• 9:53
  Speaker 2: We know that. That's a given. But again, I'm just
• 9:56
  Speaker 2: starting to medically be concerned.
• 9:58
  Speaker 5: I will admit that my... attention span is not.
• 10:03
  Speaker 5: What's going on?
• 10:06
  Speaker 3: Well, and this was pre-DNA, so at some point the
• 10:09
  Speaker 3: detectives are talking about the shoes, and all I could
• 10:12
  Speaker 3: think of was, wouldn't it be funny if you were
• 10:14
  Speaker 3: to commit murders with the most ridiculous shoes? Clown shoes. Yeah,
• 10:18
  Speaker 3: you do like clown shoes. You do like these little
• 10:21
  Speaker 3: stilettos and like these tiny little beep, beep, beep, beep, beep.
• 10:24
  Speaker 3: And like you switch out your shoes every time. You
• 10:26
  Speaker 3: get away with a lot of stuff.
• 10:27
  Speaker 2: Yeah, kind of. You just switch your shoes. But yeah,
• 10:31
  Speaker 2: I just like the lengths he will go to to
• 10:33
  Speaker 2: not let anyone else touch his shit. I'm like, I
• 10:37
  Speaker 2: respect that, you crazy old man.
• 10:38
  Speaker 4: Well, my favorite part is the first time I saw it,
• 10:43
  Speaker 4: my quote was, hey, Nora, where'd you get this creepy.
• 10:46
  Speaker 5: Painting of these kids?
• 10:48
  Speaker 2: And you're like, oh.
• 10:48
  Speaker 5: Did you find it, or was it here when you
• 10:50
  Speaker 5: moved in? And your response was, that's.
• 10:52
  Speaker 2: Me and my brother. I am that creepy kid.
• 10:55
  Speaker 5: I hate to break it to you, but should Nora die.
• 10:59
  Speaker 2: Which let's hope not.
• 11:00
  Speaker 3: Knock on wood.
• 11:01
  Speaker 4: I will go out of my way to make sure
• 11:03
  Speaker 4: that painting is either buried with her or thrown in
• 11:07
  Speaker 4: the cremated thingy.
• 11:11
  Speaker 3: When your movie makes so little sense that you have
• 11:14
  Speaker 3: to have the guy explain exactly why you did it
• 11:17
  Speaker 3: like that.
• 11:17
  Speaker 2: To the person who did it with him.
• 11:19
  Speaker 3: Right. And you're still kind of like, I guess.
• 11:22
  Speaker 2: I mean, I guess. But then why her?
• 11:25
  Speaker 5: And then why did she?
• 11:26
  Speaker 2: I don't get it. You could just murder people and
• 11:31
  Speaker 2: move around the country and have fun doing it. Am
• 11:34
  Speaker 2: I sounding a little wistful about it?
• 11:36
  Speaker 5: Well, I'm concerned about the way you are.
• 11:38
  Speaker 2: The good old days when you could just murder people.
• 11:41
  Speaker 5: Well, that feels like that was a whole episode.
• 11:43
  Speaker 2: Well, there you go.
• 11:44
  Speaker 3: See you guys next time.
• 11:45
  Speaker 2: Next time around. So go to MovieMeltdown.com, join the Meltdown
• 11:49
  Speaker 2: Horror Club, and give us something better to watch than
• 11:52
  Speaker 2: whatever Lili Sobieski's doing on a random Tuesday. Unless she
• 11:58
  Speaker 2: wants to come on. She can't. Tell us about her.
• 12:01
  Speaker 2: She's like, oh, I didn't even know this was based
• 12:03
  Speaker 2: on a book. Really? I don't know. Lili might be
• 12:07
  Speaker 2: super smart. Very well read. Let's find out.
• 12:11
  Speaker 5: I just assume everyone's better read than I am.
• 12:33
  Speaker 2: Thank you.