Latest / Four Finger Discount (Simpsons Podcast) / Any Given Sundance (S19E18)

Transcript

Any Given Sundance (S19E18) · Four Finger Discount (Simpsons Podcast)

• 0:04
  Speaker 1: Job scam, another hit skinner.
• 0:10
  Speaker 2: Why can't you be a gentle clinker? Four finger discounted.
• 0:30
  Speaker 1: Welcome to four figure this game where this week we're
• 0:32
  Speaker 1: here to review episode eighteen of season nineteen. At the Simpsons.
• 0:35
  Speaker 1: It is any given sundance.
• 0:37
  Speaker 2: I'm down to and I am guy, not quite a nerd,
• 0:40
  Speaker 2: not quite a hunk.
• 0:41
  Speaker 1: Na I feel like carb diet. You becoming hunky?
• 0:45
  Speaker 2: Yeah, less husky, one might say.
• 0:48
  Speaker 1: Has Louise commented on it? You clearly dropped Wait a
• 0:51
  Speaker 1: little bit.
• 0:52
  Speaker 2: Yeah, Louise has dropped like nearly ten kilos next to
• 0:55
  Speaker 2: which I don't think she needed to do because she
• 0:57
  Speaker 2: was beautifully curvaceous. Yeah, and now.
• 0:59
  Speaker 1: She's stunt so Nicholas the same. She's been like exercising
• 1:02
  Speaker 1: the garage gym set up to be working out and
• 1:04
  Speaker 1: doing like the YouTube workouts, and they're really really hard.
• 1:08
  Speaker 1: She got me onto them, but she's been doing for
• 1:09
  Speaker 1: the last three months. And last night she was sort
• 1:11
  Speaker 1: of like following the washing and I was just like,
• 1:17
  Speaker 1: first of my sort of properly notice I was. You know,
• 1:19
  Speaker 1: because you live with someone all the time, you see
• 1:20
  Speaker 1: him every day, it's hard to sort of notice differences
• 1:23
  Speaker 1: unless it's a hair cut of things like that. But
• 1:25
  Speaker 1: I just went shit, Indeed, you're looking great.
• 1:27
  Speaker 2: Welcome to more simping with Dando and guards. Welcome to
• 1:31
  Speaker 2: the wife guys.
• 1:31
  Speaker 1: But a question for you tailgat parties. Do you wish
• 1:34
  Speaker 1: we had these in Australia?
• 1:35
  Speaker 2: This is my very first notes. I think I like
• 1:38
  Speaker 2: the idea of tailgate is more than tawergate parties themselves.
• 1:43
  Speaker 2: You see footage of them in the US for outside
• 1:45
  Speaker 2: any professional football game, especially college football games. They seem
• 1:49
  Speaker 2: to be huge, real community but they seem they seem
• 1:52
  Speaker 2: like great fun. And you know, I remember school sports days,
• 1:56
  Speaker 2: you know, when people sort of rock up with the
• 1:59
  Speaker 2: full driver station wagon and whatever and just unload the
• 2:01
  Speaker 2: picnic basket. I think I don't think I'm the kind
• 2:05
  Speaker 2: of person who gets invited along, say so, have a
• 2:09
  Speaker 2: sandwich you or anything like that. A tailgate party seems
• 2:12
  Speaker 2: a lot more you're right, inclusive, a lot more friendly,
• 2:15
  Speaker 2: a lot more welcoming.
• 2:16
  Speaker 1: I think I need to experience one to have a
• 2:18
  Speaker 1: proper click, and that's with most cases. But as I said,
• 2:21
  Speaker 1: I like the idea of it. I think every single
• 2:24
  Speaker 1: time we'd probably get annoying. But I do think I
• 2:26
  Speaker 1: would appreciate just hanging out before a game, cause I
• 2:28
  Speaker 1: feel like now when we go to the footy, we
• 2:30
  Speaker 1: get there like twenty minutes before the bounce. It used
• 2:32
  Speaker 1: to be when I was growing up. My memories of
• 2:33
  Speaker 1: the gone to the AFL footy growing up was that
• 2:36
  Speaker 1: we'd leave it like eleven am because they'd always pay
• 2:38
  Speaker 1: the seconds that the reserves came beforehand, so we leave
• 2:41
  Speaker 1: like ten thirty eleven am. It was an event. You
• 2:43
  Speaker 1: go pick up Beaumont's pies on the way to the footy,
• 2:45
  Speaker 1: get there early, watch the reserves play first.
• 2:48
  Speaker 2: Pick up our footy record, hot hot pie, cold drink. Yeah,
• 2:51
  Speaker 2: you'd get a double feature. You'd get you know, like
• 2:53
  Speaker 2: the reserves and then you get the main event.
• 2:55
  Speaker 1: Yeah. It was perfect. Yeah, now just we need to
• 2:58
  Speaker 1: go back now. It just feels like you get to
• 3:00
  Speaker 1: the game just before the bounce and you know, you
• 3:02
  Speaker 1: get the game finished, you just walk off. There's no
• 3:04
  Speaker 1: sort of community vibe to it anymore.
• 3:06
  Speaker 2: Yeah, you get a big gay Katie Perry experience. I
• 3:10
  Speaker 2: mean that in a very positive way. I went to
• 3:13
  Speaker 2: a Grand Final here in Australia. We had the Grand Final,
• 3:16
  Speaker 2: the AFL Grand final Los again.
• 3:17
  Speaker 1: Our super Bowl, very very small, smaller scale.
• 3:21
  Speaker 2: Yeah, and that that extends to the entertainment as well.
• 3:27
  Speaker 2: But Katy Perry provided the opening entertainment, the pregame entertainment.
• 3:31
  Speaker 2: Katie Perry has been in the walls a little bit recently.
• 3:33
  Speaker 2: Her recent album has been regarded as a bit of
• 3:36
  Speaker 2: a stinker.
• 3:37
  Speaker 1: We've got that first interruption here. So Elliot is home
• 3:39
  Speaker 1: from school holidays at the moment, Alliot, what's up, buddy?
• 3:41
  Speaker 2: It's a special guest.
• 3:44
  Speaker 1: Turned off? Right, Come here for a second. I've got
• 3:46
  Speaker 1: actually a storytep. You finished this story in the second mister,
• 3:48
  Speaker 1: mister Davis, Come here, Elliott.
• 3:49
  Speaker 2: Come. It wasn't really so much a story as a
• 3:51
  Speaker 2: rambling anecdom.
• 3:52
  Speaker 1: Elliot coming mate. So it's currently don't knock that camera, buddy,
• 3:56
  Speaker 1: come over here, all right, So we're gonna hop on
• 3:58
  Speaker 1: this camera with me. Okay. So what happened was this
• 4:01
  Speaker 1: week at school holidays. So Elliott's home at the moment, he's,
• 4:04
  Speaker 1: you know, being a good boy, watching his cricket out
• 4:06
  Speaker 1: in the other room. Well it was, but on the
• 4:08
  Speaker 1: weekend we went to the swimming pool. Now a month ago,
• 4:11
  Speaker 1: Elliott was a child who wouldn't was panicking before swimming
• 4:15
  Speaker 1: lessons because he didn't want his face in the water.
• 4:18
  Speaker 1: It just hated the water. Wouldn't get in the water,
• 4:20
  Speaker 1: hated water. I can relate Elliott telling, good guy, what
• 4:23
  Speaker 1: did you learn how to do yesterday? Swim? He actually swam.
• 4:27
  Speaker 1: He taught himself how to swim yesterday. We bought him
• 4:30
  Speaker 1: some goggles and he goes. I said, he, I don't
• 4:33
  Speaker 1: want to keep what I was going to teach myself,
• 4:35
  Speaker 1: and he is practice practice and he was swimming by
• 4:37
  Speaker 1: the end.
• 4:38
  Speaker 2: Tell people, for.
• 4:39
  Speaker 1: Those of us, how good was it? Yeah?
• 4:42
  Speaker 2: For those of us watching on video, you'll see that
• 4:44
  Speaker 2: Elliott has a Spider Man t He's not actually Spider Man.
• 4:47
  Speaker 2: He's Aquaman.
• 4:48
  Speaker 1: He's Aquaman. Yeah, moment was very very proud of you.
• 4:51
  Speaker 1: Proud of you, wasn't she? What's Aquaman's man? Is a
• 4:55
  Speaker 1: Marld kid?
• 4:58
  Speaker 2: Get out of here.
• 4:59
  Speaker 1: That just shows how bad of a job DC you're doing.
• 5:01
  Speaker 2: That's true. It's like it don't even know who Jason
• 5:03
  Speaker 2: Mama is and you look like him. I don't know, all.
• 5:06
  Speaker 1: Right, So I'll come fix the TV. Will be right
• 5:08
  Speaker 1: back after this short back.
• 5:10
  Speaker 2: I'm going to finish most story about Katy Perry, see Bud.
• 5:15
  Speaker 2: That's very impressive. That's a good work by anyway. What
• 5:20
  Speaker 2: was I Yep, Katy Perrys are having a bit of
• 5:22
  Speaker 2: a hard time at the moment. Her recently release album
• 5:25
  Speaker 2: is regarded as a bit of a stinker, her single
• 5:28
  Speaker 2: is regarded as a I don't know, bit of faux feminism.
• 5:32
  Speaker 2: Is not really landing on that well. In twenty twenty four,
• 5:34
  Speaker 2: she's kind of played out for mine, redeemed herself completely
• 5:38
  Speaker 2: at the part of the pregame entertainment at this year's
• 5:42
  Speaker 2: AFL Grand Final thought you did a really good job.
• 5:45
  Speaker 1: I didn't watch any of it. I'm back. It's good
• 5:48
  Speaker 1: that you weren't here for that. That's all you got
• 5:50
  Speaker 1: to add to the story. Yes, but tailgate parties just
• 5:52
  Speaker 1: seem like a lot of fun. I want to experience
• 5:54
  Speaker 1: them at least once, just to have a proper thought
• 5:57
  Speaker 1: on it.
• 5:57
  Speaker 2: I get the feeling you may have people who in
• 6:00
  Speaker 2: the Simpsons, of course it's satire and pushes scenes to extremes,
• 6:03
  Speaker 2: but you may have people in real life who do
• 6:04
  Speaker 2: go a bit far and like, you know, set up
• 6:07
  Speaker 2: a really elaborate grill or something like that. I think
• 6:10
  Speaker 2: a Towergate party should be you know, keep it simple.
• 6:12
  Speaker 1: Yeah, I mean, have a few snags Hamburgers, few snaggs Burgers. Yeah,
• 6:14
  Speaker 1: don't go chicken kebabs occasionally, yeah, wow, okay, okay, the skewers,
• 6:20
  Speaker 1: I know, because some people think kebabs are souvakis. It
• 6:22
  Speaker 1: just depends where you come from.
• 6:23
  Speaker 2: I guess, as I've said, I mean, there's that bit
• 6:26
  Speaker 2: in the Flight of the Concords where the New Zealand
• 6:28
  Speaker 2: guys have got their line about I'll buy you a
• 6:30
  Speaker 2: kebab in the song. Yeah, they've read like added to America,
• 6:33
  Speaker 2: so they're buying you like a sho It's like, okay, no, no,
• 6:37
  Speaker 2: it's a it's a Schwamer.
• 6:38
  Speaker 1: It's it's a Sorry.
• 6:41
  Speaker 2: We're doing Seinfeld a bit later, and already I'm going
• 6:43
  Speaker 2: to Seinfeld for Yeah.
• 6:43
  Speaker 1: Yeah, we had to do the pick exclusive for our
• 6:45
  Speaker 1: supporters on.
• 6:46
  Speaker 2: Patriot and as you said that, I went like that
• 6:48
  Speaker 2: and it could be easily misconstrued.
• 6:51
  Speaker 1: So any given Sun Dance, I mentioned last week the
• 6:54
  Speaker 1: end of the episode that oh, I don't have really
• 6:56
  Speaker 1: fond memories of this one. I actually enjoyed it. I
• 6:59
  Speaker 1: really enjoy that charm was in Skinner one're life nothing.
• 7:03
  Speaker 1: It didn't blow it for them at all. No, they
• 7:06
  Speaker 1: were Actually that's pretty cool, and I liked that they
• 7:10
  Speaker 1: were power players. And yeah, we're able to tell redacted
• 7:13
  Speaker 1: to We'll get to the cameo. We'll get to get
• 7:15
  Speaker 1: the cameo.
• 7:15
  Speaker 2: It was nice sort of cameo from John c Riley,
• 7:17
  Speaker 2: John c Raley with John c Riley, which I wasn't expecting.
• 7:20
  Speaker 2: I'd forgotten about that entirely, and I initially thought it
• 7:22
  Speaker 2: was going to be a cameo by independent film legend
• 7:25
  Speaker 2: Jim Jarmush. Turned out he played a pivotal role in
• 7:28
  Speaker 2: the whole thing.
• 7:28
  Speaker 1: And it was actually really good, wasn't it.
• 7:30
  Speaker 2: He's really good. I mean he came he came into
• 7:33
  Speaker 2: prominence when I was becoming like a budding film nerd
• 7:35
  Speaker 2: in the eighties. Okay, you see this guy and he
• 7:37
  Speaker 2: was always wearing like as guy bends over and he's
• 7:41
  Speaker 2: changing his death. He always had like ray bands on
• 7:44
  Speaker 2: if you're if you're watching video, I just put ray
• 7:46
  Speaker 2: bands on. But he's always got this like rockabilly hairdode
• 7:50
  Speaker 2: that's went from dark to gray and now it's this
• 7:55
  Speaker 2: shock of white. But he's still got the you know,
• 7:57
  Speaker 2: the long Sideburns and the and the rockabilly rockabilly quiff.
• 8:01
  Speaker 2: It just seems like the coolest man, imagetable and very
• 8:04
  Speaker 2: laid back, and.
• 8:05
  Speaker 1: I honestly don't know who he is. I'm not gonna lie.
• 8:07
  Speaker 2: He just makes a bunch of He's never really sort
• 8:09
  Speaker 2: of broken through, but he's made the kind of movies
• 8:11
  Speaker 2: he's wanted to make for like forty years or something.
• 8:14
  Speaker 1: Is he the Pixies of the film, He's a bit
• 8:16
  Speaker 1: like that. Yeah, everyone likes Pixies, but they've never really
• 8:19
  Speaker 1: been mainstream, that's correct. Yeah, Yeah, Well I thought he
• 8:22
  Speaker 1: was great in this. Really they worked the cameo into
• 8:26
  Speaker 1: a story, into the story that actually felt natural and
• 8:29
  Speaker 1: organic and actually flowed the story flowing absolutely, it didn't
• 8:32
  Speaker 1: just feel sort of like thrown in for the sake
• 8:34
  Speaker 1: of it.
• 8:34
  Speaker 2: Yeah, because, I mean the way they're talking about Sundance here,
• 8:37
  Speaker 2: I mean it could feel inside baseball and also a
• 8:40
  Speaker 2: bit kind of oh, look at these wankers.
• 8:42
  Speaker 1: Which is why I don't think I liked it as
• 8:44
  Speaker 1: a kick. I had no idea what was going on.
• 8:46
  Speaker 2: Yeah, that's and I think that probably is if there's
• 8:49
  Speaker 2: a fault with the episode.
• 8:50
  Speaker 1: It's that that's a fault. They're definitely making it for themselves.
• 8:55
  Speaker 1: But I think it's important that they did this because
• 8:58
  Speaker 1: in a way, do see Sundance kind of in a
• 9:02
  Speaker 1: pretentious way, or they sell independent films. Their consensus is
• 9:05
  Speaker 1: it's kind of pretentious in its way, right, and it's
• 9:08
  Speaker 1: inside basewise. You said, so, I think an episode that
• 9:11
  Speaker 1: sort of flows like that suits.
• 9:13
  Speaker 2: The Sundance Festival. It does be Yeah, I mean gently
• 9:16
  Speaker 2: taking the piss out of it as well. Yeah, but
• 9:18
  Speaker 2: you're always taking You're right in what you're saying. It's like,
• 9:21
  Speaker 2: we kind of made this for ourselves, and we do
• 9:23
  Speaker 2: want to show that we're not in with the in crowd,
• 9:27
  Speaker 2: but you know, we can speak the language. And one
• 9:29
  Speaker 2: day we hope to maybe graduate out of the writer's
• 9:32
  Speaker 2: room and oh, get my low budget investigation and my
• 9:35
  Speaker 2: family made and shown that Sundance and bought for teenlean
• 9:38
  Speaker 2: bucks and now lunching with the big boys.
• 9:41
  Speaker 1: I've just got here. The quote of I'm a Bond
• 9:43
  Speaker 1: filmmaker when you're younger, so true. We've all had that moment.
• 9:47
  Speaker 1: We're just like, I can make movies. I'm going to
• 9:49
  Speaker 1: do this. It's going to be a piece of piss.
• 9:51
  Speaker 1: When you're a kid, you're fearless, right, You're fearless in
• 9:54
  Speaker 1: your approach, and you haven't truly experienced professional failure yet,
• 9:58
  Speaker 1: so you've got no fear of the fail.
• 10:00
  Speaker 2: Oh absolutely, yeah, so you just do anything you please.
• 10:02
  Speaker 2: And yeah that's Jaws usually, well that's the thing. I mean,
• 10:07
  Speaker 2: for every dude who made Jaws, that's Steven Spielberg. By
• 10:11
  Speaker 2: the way. Yeah, there were probably a dozen to one
• 10:15
  Speaker 2: hundred and two who made their first movie and it's like,
• 10:19
  Speaker 2: we don't want this, We don't want you, sir or madam.
• 10:23
  Speaker 1: Yeah, well you're you're a Lisa. They kind of want you.
• 10:25
  Speaker 1: And then Nelson's okay, Spielberg comes around, like we want
• 10:27
  Speaker 1: that one, or.
• 10:28
  Speaker 2: Is Nelson even Spielberg. It was really just because yeah,
• 10:31
  Speaker 2: that was a sign. Dance is littered, and all these
• 10:34
  Speaker 2: films was a littered with people who's like, you gotta
• 10:36
  Speaker 2: be the next big thing, or you know, we love
• 10:38
  Speaker 2: your movie. I mean, the best example I can think of,
• 10:42
  Speaker 2: I'm not sure if it's a sun Dance movie or
• 10:44
  Speaker 2: from another film. Firstival, there was a movie called Happy
• 10:46
  Speaker 2: Texas and it was what, ye oh, this is mid nineties.
• 10:51
  Speaker 2: This is when there was a real sort of boom
• 10:52
  Speaker 2: in independent films.
• 10:54
  Speaker 1: Is that because of pulp fiction?
• 10:55
  Speaker 2: I think so.
• 10:55
  Speaker 1: Yeah.
• 10:56
  Speaker 2: And it was a low budget crime company about these
• 10:58
  Speaker 2: two escape cons who Texas.
• 11:00
  Speaker 1: Okay, looking at it now, break out of jail.
• 11:02
  Speaker 2: These aren't Steve's are.
• 11:05
  Speaker 1: Yeah.
• 11:05
  Speaker 2: It's got a good cast, it's yeah, and they pose
• 11:09
  Speaker 2: as I think it's gay party planners or festival organizers
• 11:12
  Speaker 2: or something in this small Texas town and everybody has
• 11:15
  Speaker 2: a life lesson. It's just mainstream. It's quirky enough not
• 11:19
  Speaker 2: to be considered holy mainstream, but it's mainstream enough not
• 11:22
  Speaker 2: to be considered holy quirky. I think Miramax bought it
• 11:25
  Speaker 2: for like ten million bucks. It was made for like
• 11:26
  Speaker 2: two million, and but then nobody went to see it.
• 11:28
  Speaker 1: It's like nineteen ninety nine ers when it came out,
• 11:30
  Speaker 1: No no, no, yeah, and that's a box office one
• 11:32
  Speaker 1: point nine million. Yeah.
• 11:35
  Speaker 2: I think the Ausier movie The Castle was like a
• 11:39
  Speaker 2: similar example. I think it played at one of these
• 11:40
  Speaker 2: film festivals and it was like, there's gonna be huge,
• 11:42
  Speaker 2: and I mean, of course it was huge. Everybody loves
• 11:44
  Speaker 2: the Castle, but it don't if it really translated yeah,
• 11:47
  Speaker 2: but yeah, that's kind of what Sundance is. And yeah,
• 11:49
  Speaker 2: you've got a whole bunch of filmmakers like I'm gonna
• 11:52
  Speaker 2: be Steven Soderberg. He was, He was like a huge
• 11:54
  Speaker 2: hidden sun Dance. But yeah, for every soda Burg or
• 11:56
  Speaker 2: Spielberg or whatever, Yeah, you've got a thousand who are like, Okay,
• 11:59
  Speaker 2: I'm going to Tarantina got his break, I reckon.
• 12:02
  Speaker 1: So yeah, it wasn't wasn't pop fictions that cans cans,
• 12:06
  Speaker 1: wasn't it?
• 12:06
  Speaker 2: Yeah? But Reservoir Dogs I think was at Sundance, was it? Okay? Yeah, yeah,
• 12:09
  Speaker 2: but anyway, that's enough sort of me film winking.
• 12:11
  Speaker 1: But that's what this episode it is about, though, And
• 12:13
  Speaker 1: I thought that the line it's near the end where
• 12:17
  Speaker 1: he goes this is my new favorite clist, the one
• 12:18
  Speaker 1: I just watched. Yeah, that completely just sums up the
• 12:21
  Speaker 1: vibe of these festivals. Isn't it's absolutely the hot new.
• 12:24
  Speaker 2: Thing, and certainly even I mean they allude to it.
• 12:26
  Speaker 2: With Comic Book Guy being an nonline reviewer for ain't
• 12:29
  Speaker 2: it fat much of your question, Ain't.
• 12:34
  Speaker 1: That felt very nostalgic for me, just a little nerd
• 12:36
  Speaker 1: on his little website.
• 12:38
  Speaker 2: But certainly with the rise of social media, you'll see
• 12:41
  Speaker 2: people changing their Twitter acax handles to so and so
• 12:46
  Speaker 2: at this festival at Tip Toronto International Film Festival or whatever,
• 12:51
  Speaker 2: and a lot of you're not really getting considered reviews
• 12:54
  Speaker 2: of the movie. They've just come to see. It's like
• 12:57
  Speaker 2: just out of so and so first impressions. Yeah, another time,
• 13:01
  Speaker 2: that's me.
• 13:02
  Speaker 1: After I saw Force Awakened, I was like, they've done
• 13:04
  Speaker 1: it again.
• 13:06
  Speaker 2: Yeah, so yeah, I mean you're going to get a
• 13:09
  Speaker 2: lot of that snap judgment as opposed to considered opinion,
• 13:12
  Speaker 2: and so that's I think that was something that the
• 13:14
  Speaker 2: that the episode actually did pretty well.
• 13:16
  Speaker 1: And they incorporated just a really sweet family Lisa's story
• 13:20
  Speaker 1: here right. Oh, you're Lisa learning and this is very relatable.
• 13:25
  Speaker 1: You know, you might think that your family life's no good,
• 13:28
  Speaker 1: but there's going to be someone else who's worse off
• 13:30
  Speaker 1: than you and Lisa. Not that they're saying here that
• 13:32
  Speaker 1: Lisa got nothing to complain about because she has, but
• 13:34
  Speaker 1: she realizes it's not as bad as she thinks.
• 13:37
  Speaker 2: That's absolutely right. There was something else I want to
• 13:39
  Speaker 2: talk about regarding that as well. I mean, if you're
• 13:42
  Speaker 2: a creative person or you want to pursue some kind
• 13:44
  Speaker 2: of creative endeavor, you have to be old saying go
• 13:47
  Speaker 2: is write what you know. I mean it can have
• 13:49
  Speaker 2: you know, dragons or wizards or hobbits or whatever. But
• 13:52
  Speaker 2: what's really going to connect with people is what you
• 13:54
  Speaker 2: bring to it on an emotional level. What you know
• 13:57
  Speaker 2: is your emotional truth. And that's why a Simpsons podcast.
• 14:02
  Speaker 2: But how much how much on the on this on
• 14:04
  Speaker 2: this podcast are we often talking about the Lovely Luise all.
• 14:08
  Speaker 1: It literally came in and how to swim?
• 14:10
  Speaker 2: Yeah? So yeah, any creative thing that you do is
• 14:15
  Speaker 2: going to be derived from what's around you. And yeah,
• 14:19
  Speaker 2: there's going to be a risk that the people that
• 14:21
  Speaker 2: you draw inspiration from might not like what you got
• 14:24
  Speaker 2: to say about it, or might not. You're saying too much,
• 14:28
  Speaker 2: You're revealing too much, But you know that's what that's where,
• 14:31
  Speaker 2: you know, the heart of art actually lies.
• 14:33
  Speaker 1: I think the longer a show goes on too, For example,
• 14:35
  Speaker 1: we get a lot of people writing in saying I
• 14:37
  Speaker 1: listen more so for just you guys just chatting, as
• 14:39
  Speaker 1: opposed to hearing you review the Simpsons. I wasn't even
• 14:41
  Speaker 1: watching the Simpsons by this point. But when we're first
• 14:43
  Speaker 1: start in the podcast. We do often get reviews of
• 14:45
  Speaker 1: people saying, stop talking about your life and talking about
• 14:47
  Speaker 1: the Simpsons. I think people's expectations of a podcast has
• 14:50
  Speaker 1: also changed as well. I think so when we started
• 14:52
  Speaker 1: ten years ago, it was I want to hear a
• 14:54
  Speaker 1: show about the Simpsons. Now it's I want to hear
• 14:56
  Speaker 1: these guys talk just talk about the Simpsons and every
• 14:59
  Speaker 1: the other.
• 14:59
  Speaker 2: Day and how we fold, you know, what's happening in
• 15:03
  Speaker 2: our lives, how it relates to the episode that we're
• 15:05
  Speaker 2: talking about.
• 15:06
  Speaker 1: Yeah, yeah, and yeah. I just thought, yeah, I've got here.
• 15:08
  Speaker 1: This wasn't just a spoof of film festivals, the festival
• 15:10
  Speaker 1: of the festival hype. It was actually just a sweet
• 15:12
  Speaker 1: story of Lisa realizing her family life isn't as bad
• 15:15
  Speaker 1: as she thinks.
• 15:15
  Speaker 2: Yeah, correct.
• 15:16
  Speaker 1: I do think it was kind of similar to Barney
• 15:19
  Speaker 1: stealing the thunder at the film Festival In the Stars.
• 15:21
  Speaker 2: Burns, Oh yeah, I mean this is very much a
• 15:23
  Speaker 2: star as Reburns, isn't it. Yeah. I mean there's a
• 15:26
  Speaker 2: lot of beats that are quite similar.
• 15:28
  Speaker 1: I mean it's not I think it's not beat for beat,
• 15:31
  Speaker 1: but it feels like that they.
• 15:32
  Speaker 2: Have sort of strip mined stars burns for some part
• 15:35
  Speaker 2: and particularly that yeah, that final part with Barnie or Nelson.
• 15:42
  Speaker 1: It was definitely it was more of a crossover with
• 15:44
  Speaker 1: the critic that was that was the heart of that episode.
• 15:46
  Speaker 1: It's right, it was a piss take of film festivals
• 15:49
  Speaker 1: and just people throwing in films. But this one felt
• 15:51
  Speaker 1: more adult. I think a more sophisticated version of a
• 15:55
  Speaker 1: star's burns. Stara's burns is fantastic, but this one felt
• 15:58
  Speaker 1: like a more direct takeoff of know, referencing sun Dance
• 16:01
  Speaker 1: and having that kind of thing, but.
• 16:02
  Speaker 2: Be a little more specific and actionally name checking Sundance
• 16:04
  Speaker 2: as well. Yeah, I mean that that has its upside
• 16:06
  Speaker 2: down its downside.
• 16:09
  Speaker 1: My favorite will be you favorite moments from the episode
• 16:11
  Speaker 1: quite a few beside charm Skin.
• 16:15
  Speaker 2: Do you ever think about the logo of course production
• 16:18
  Speaker 2: full Finger Discounts, that's what it's called, right, I was
• 16:23
  Speaker 2: up very late working so last minute deadlines. I'm not
• 16:27
  Speaker 2: firing on all on the full Finger Discount industries or
• 16:29
  Speaker 2: Fulling dishan product the full Finger Discount network. I mean
• 16:32
  Speaker 2: that sort of has a logo, I guess, but if
• 16:34
  Speaker 2: you ever thought about like a yeah, because we're about
• 16:38
  Speaker 2: to launch another podcast and you're sending through here's a
• 16:41
  Speaker 2: logo that we're thinking. It's like, yeah, that's pretty good.
• 16:43
  Speaker 1: Put a clock in it.
• 16:48
  Speaker 2: Charmskin was great, something that I like a little throwaway gag.
• 16:52
  Speaker 2: But the Lisa's can called is called my Little Sony.
• 16:54
  Speaker 1: Oh I didn't say that, and it.
• 16:56
  Speaker 2: Had like the rainbow from my Little Pony, which.
• 16:58
  Speaker 1: It would have been at my Little Sawny.
• 17:00
  Speaker 2: You can't have everything. I love Jim Jarmer showing up.
• 17:05
  Speaker 2: I loved that it was more than a cameo, and
• 17:06
  Speaker 2: I thought it was great that John John c Riley
• 17:08
  Speaker 2: just showed up at the end. He did a really
• 17:11
  Speaker 2: fun and fascinating, likable guy. Incredibly talented. I mean he's
• 17:16
  Speaker 2: great in dramma, he's great in comedy, he's great in musical.
• 17:19
  Speaker 1: I loved him in was it King Kong? He was
• 17:20
  Speaker 1: in King Kong Kong? Yes, yeah, yeah, he's really good
• 17:25
  Speaker 1: than that.
• 17:25
  Speaker 2: Yeah. But he would just pop up in things unexpectedly,
• 17:28
  Speaker 2: like he was in like the Tim and Eric Show,
• 17:30
  Speaker 2: the Tim and Erics Sketch comedy show, playing like this
• 17:32
  Speaker 2: wacky doctor named Steve Brule, and he just had like
• 17:35
  Speaker 2: really thick coke bottle glasses on and sort of like
• 17:37
  Speaker 2: shock of a raiser head hair and just pulling faces.
• 17:41
  Speaker 1: And if he was like Big in the nineties, he
• 17:43
  Speaker 1: would have been like a perfect guest star for Seinfeld. Oh,
• 17:46
  Speaker 1: a quirky friend of Kramer's or something.
• 17:48
  Speaker 2: Yeah, No, he's just fantastic across the board. So for
• 17:50
  Speaker 2: him to pop up just and have a couple of
• 17:51
  Speaker 2: lines and be very self.
• 17:52
  Speaker 1: DEPI felt very much. John c Riley didn't.
• 17:55
  Speaker 2: Oh yeah, yeah, you've got a lot of good Homer
• 18:02
  Speaker 2: stuff in this.
• 18:02
  Speaker 1: Yeah.
• 18:03
  Speaker 2: I loved his definition of quirky. No, no, it was
• 18:08
  Speaker 2: be quirky is a grandmother giving a finger. I'm like,
• 18:11
  Speaker 2: that is like the perfect description, is I mean, that's
• 18:14
  Speaker 2: that that grandma is basically a character from any given
• 18:17
  Speaker 2: Jack or Jack, but also his riff when he's gone
• 18:22
  Speaker 2: through the junk mail, the charity mail.
• 18:24
  Speaker 1: Okay, yeah, that's their listing things gag.
• 18:26
  Speaker 2: But it's when it's done well. Yeah, I really I
• 18:31
  Speaker 2: think my friend was green Peace. You know, get a piece.
• 18:33
  Speaker 2: I'm I agree, and you can tell you he's really
• 18:35
  Speaker 2: stoked a little of zingers and he's coming up with it.
• 18:37
  Speaker 2: But honestly, so was I I love.
• 18:40
  Speaker 1: His vision of the forty four film Festival was oh
• 18:42
  Speaker 1: yeahause the.
• 18:43
  Speaker 2: DVD islary.
• 18:48
  Speaker 1: Time has gone by and everyone just left film ships
• 18:53
  Speaker 1: at the festival.
• 18:55
  Speaker 2: I'm sure there are more and we will get to
• 18:57
  Speaker 2: the man get to them. But what did you enjoy?
• 18:58
  Speaker 1: Well, my other home and was him? I wanted to
• 19:01
  Speaker 1: be famous for catching Santa Corus. I'd be famous for
• 19:05
  Speaker 1: being me for catching satday course and the gasping. But
• 19:10
  Speaker 1: you need to limit your gasping where it's such a
• 19:11
  Speaker 1: high actually eight years old. If you're a fan of
• 19:17
  Speaker 1: everything we do here at fourth Finger Discount, but you're
• 19:19
  Speaker 1: kind of hearing these pesky ads, then you'll absolutely love
• 19:22
  Speaker 1: being a member of the fourth Finger discamp family on Patreon,
• 19:25
  Speaker 1: where you not only get access to over one hundred
• 19:27
  Speaker 1: hours of bonus podcasts, but you also get access to
• 19:30
  Speaker 1: this show early and add free every single week, as
• 19:33
  Speaker 1: well as access to our exclusive Facebook and Discord communities
• 19:36
  Speaker 1: and so much more. So go ahead join the family
• 19:38
  Speaker 1: today and support your palas Guy and Dano for a
• 19:40
  Speaker 1: little as one dollar per month at patreon dot com
• 19:43
  Speaker 1: slash fourth Finger Discount. Next question, you there eating the beast?
• 19:47
  Speaker 2: All right?
• 19:48
  Speaker 1: It's trivia time. My first question for you, mister Davis,
• 19:51
  Speaker 1: is what is the headline of the newspaper when they're
• 19:53
  Speaker 1: talking about they hold up something that has Homer on.
• 19:56
  Speaker 2: It, Oh, the news or something? Yeah? Uh, local man
• 20:01
  Speaker 2: reason because beer is banded, aquarium or something.
• 20:04
  Speaker 1: Just as a querm to stop serving beer.
• 20:06
  Speaker 2: That's ok. Yeah, because he's in bunching with local man
• 20:09
  Speaker 2: ruins everything. What's on Molman's apron?
• 20:15
  Speaker 1: Oh? Good question, no idea cereal griller? Okay, not bad.
• 20:19
  Speaker 1: I have another question. What does the sign say at
• 20:22
  Speaker 1: sun Dance?
• 20:23
  Speaker 2: A little sub it says do not feed Ben Affleck.
• 20:27
  Speaker 2: Poor old Ben cops it on every show he really does.
• 20:31
  Speaker 2: At the same time, you and I both have pretty
• 20:34
  Speaker 2: good lives. Yeah, would you trade it for Ben Afflex.
• 20:38
  Speaker 1: If I was single, Yes, I wouldn't trade.
• 20:39
  Speaker 2: I don't think I trade lives with them. I don't
• 20:41
  Speaker 2: want to trade life with Matt Damon so I could
• 20:43
  Speaker 2: hang out with Bennett. I don't want. If it means no,
• 20:46
  Speaker 2: how long I have Nicola with the kids in my life,
• 20:48
  Speaker 2: then no, Yes. But I think I think if we're single,
• 20:50
  Speaker 2: you going with Ben Afleck's life, right, you'd have to.
• 20:53
  Speaker 1: I think it just seems like such a rollercoaster. You
• 20:56
  Speaker 1: never know what's gonna happen when you open the door.
• 20:57
  Speaker 2: It seems like that's such an interesting dude.
• 20:59
  Speaker 1: Yeah, yeah, mat David just must look at him and.
• 21:02
  Speaker 2: Go, ye, crash on the can.
• 21:07
  Speaker 1: Yeah, that just wakes up and bends on the couch,
• 21:09
  Speaker 1: is like, yeah, alright.
• 21:12
  Speaker 2: In this household we love and respect Ben Affleck. What
• 21:17
  Speaker 2: scene of Lisa's film has March tenderizing meat?
• 21:21
  Speaker 1: Ah, so you're going to pick this? Is it one
• 21:24
  Speaker 1: thirty two? B?
• 21:25
  Speaker 2: It is?
• 21:26
  Speaker 1: Yes, Clark was going to be one of my questions
• 21:27
  Speaker 1: that you've ruined one of mine. So I'll say, what
• 21:30
  Speaker 1: is this teacher's name, the film teacher? It's Kincaid, Kaid, Yes,
• 21:34
  Speaker 1: the correct Yeah, and I'm done my questions?
• 21:36
  Speaker 2: Do you have anymore? I got one more?
• 21:37
  Speaker 1: Right?
• 21:38
  Speaker 2: What is Nelson's mum getting with her Laramie Bucks? Ah?
• 21:42
  Speaker 1: Man, I should know that too. What is it?
• 21:45
  Speaker 2: It's a golf umbrella?
• 21:46
  Speaker 1: Golf umbrella? That's right. Okay, it's now time for some
• 21:49
  Speaker 1: stone cutters.
• 21:50
  Speaker 2: Stone cutters.
• 21:52
  Speaker 1: We do indeed love the following people. Katig with her
• 22:03
  Speaker 1: one hundred support, thank you so much. katG andrews her
• 22:06
  Speaker 1: with his fifty dollars support. Of course, Zach Pruitt, our
• 22:09
  Speaker 1: main man here at for a discount, our editor, helps
• 22:11
  Speaker 1: with the editing. And Andrew Swanny Swan, the Lord of Discord.
• 22:14
  Speaker 1: He's going to be on a call with me tonight
• 22:16
  Speaker 1: to help set up the TV channels on my plates.
• 22:19
  Speaker 1: Then I mentioned one of the recent podcasts.
• 22:22
  Speaker 2: I felt slightly vindicated. The other day I saw one
• 22:25
  Speaker 2: of the patrons had mentioned.
• 22:28
  Speaker 1: The three stories.
• 22:28
  Speaker 2: Yeah, this is this is the third d down and
• 22:30
  Speaker 2: that story because not, well, we're recording another podcast. Keep
• 22:34
  Speaker 2: alluding to it, but you know you'll get to it
• 22:35
  Speaker 2: when we get to it. I said, you use that
• 22:38
  Speaker 2: line in both of them, and I edited that both times.
• 22:42
  Speaker 1: You know, I listed him once and no. The first
• 22:46
  Speaker 1: one was because it was a mistake because it was
• 22:48
  Speaker 1: talking about the wrong anniversary date and he set up
• 22:51
  Speaker 1: after that, so you because it was about the mats,
• 22:53
  Speaker 1: I was litib bely there'll be no mats, which is
• 22:56
  Speaker 1: because that was your cover up for getting the anniversary wrong.
• 22:58
  Speaker 1: So I just added out the whole thing. Scond Onie
• 23:00
  Speaker 1: was edited act just like O in every podcast.
• 23:03
  Speaker 2: I just love that line. But it made me feel
• 23:07
  Speaker 2: good to realize that Dando is also prone to rebeating him.
• 23:10
  Speaker 1: I think I usually preferce it too by going I
• 23:11
  Speaker 1: know I've told this before, but I get tired again.
• 23:14
  Speaker 2: I hear myself saying that, I'm sure I've told this
• 23:16
  Speaker 2: story before how many times? Yeah? Put that on your
• 23:19
  Speaker 2: being O card. Guys, I'm sure I've told this one before,
• 23:24
  Speaker 2: and also yeah, the following people as well. But plex please, yes, good,
• 23:28
  Speaker 2: don't come to my place next and help me sort
• 23:30
  Speaker 2: mine out.
• 23:30
  Speaker 1: Jonathan Rossi, Rached Beasley, Stephen Roberts, Shawn d V, Pete Anderson,
• 23:34
  Speaker 1: Timothy Belson, Andrew Davis, Ryan Dunlap, Kevin Dantel, Planned Flood,
• 23:39
  Speaker 1: Shannon Hoofer, Bella winder Bank, Jack McFadden, Heath Appleby, Adrick McLeod,
• 23:43
  Speaker 1: Lewis Cavanaugh, Martral Even Reese, Roberts, Ginger and Pickle Preston Murray, Telea,
• 23:47
  Speaker 1: en Riquez, Jeep Mesado, Declan Phoenix, Brian McCoy, Josh Hellier, Logan,
• 23:51
  Speaker 1: b James Shephard, Joe Reading, Sect, Dave Pretzels McNally, Gavin Lang,
• 23:55
  Speaker 1: Dami Miller, and Charlie Joe. Thank you for being top
• 23:57
  Speaker 1: tier stonecutter. Supporters at four finger discount.
• 23:59
  Speaker 2: Oh my god, we're cutting in a stone to build
• 24:02
  Speaker 2: a skyscraper.
• 24:03
  Speaker 1: Exactly right. Yes, we're very lucky. And of course, if
• 24:05
  Speaker 1: you have joined us in the last couple of weeks
• 24:07
  Speaker 1: and you are a five dollar plus supporter but not
• 24:09
  Speaker 1: on the top tier, you'll get your name right at
• 24:11
  Speaker 1: the end of the month. All right, let's get into
• 24:13
  Speaker 1: our review of any given sundance. So the episode originally
• 24:16
  Speaker 1: aired May the fourth, two thousand and eight Star Wars Day.
• 24:21
  Speaker 1: The couch Gag The Family is a pop up in
• 24:23
  Speaker 1: a pitch book not chortboard gag, written by Daniel Chun
• 24:26
  Speaker 1: and directed by Chuck Sheets.
• 24:29
  Speaker 2: Is it is an alias for someone doesn't feel like
• 24:32
  Speaker 2: a real name.
• 24:32
  Speaker 1: Chuck Sheets, doesn't It Just it reminds you of Chuck
• 24:34
  Speaker 1: Laurie Chuck? What Chuck is Charlie? What's Chuck short for?
• 24:39
  Speaker 1: For Charles Charles Charles Sheets. It's a bit of a
• 24:42
  Speaker 1: tounch Charles Sheets, Charles.
• 24:44
  Speaker 2: Sheets, imagine he went with Chuck Sheets. But the same time,
• 24:46
  Speaker 2: it feels there's like a character in like an eighties
• 24:50
  Speaker 2: teen bona freck co.
• 24:52
  Speaker 1: It reminds you of something that what's the dude from
• 24:54
  Speaker 1: two families. Charlie Sheen would actually play of Chuck Sheets.
• 24:58
  Speaker 2: Oh no, no, I don't. I don't think it sounds
• 24:59
  Speaker 2: like the cool guy. I think it sounds like the
• 25:01
  Speaker 2: cool I Reckon's the nerd who like shit the bad ones.
• 25:06
  Speaker 2: Like he had the Chuck sheets. So now we've got
• 25:07
  Speaker 2: to call cherk sheets. Look at the Cherk sheets. And
• 25:11
  Speaker 2: then yeah, by the end, Chuck Sheets becomes like a stud.
• 25:16
  Speaker 1: I wish I was ever thought of as a stud.
• 25:19
  Speaker 1: Like that's like the peak of man, right, Like, I
• 25:22
  Speaker 1: what a stud? If you hear girls call you a study,
• 25:24
  Speaker 1: You're like, I've made it.
• 25:25
  Speaker 2: I am.
• 25:25
  Speaker 1: I can't get any better. I'm a stud or a
• 25:28
  Speaker 1: studd muffin. If're a study muffin, that's what your grandma
• 25:30
  Speaker 1: calls you, Well.
• 25:31
  Speaker 2: Yeah, hopefully you don't what your grandma said, Come here,
• 25:36
  Speaker 2: your big studs.
• 25:37
  Speaker 1: Nicolay called me a spunk once, and I was like, oh,
• 25:39
  Speaker 1: take it. Yeah, I heard that.
• 25:42
  Speaker 2: I heard that once as a teenager and wasn't feeling
• 25:45
  Speaker 2: particularly you know, up on myself that side, and some
• 25:47
  Speaker 2: girl said, oh, you're a spunk, And I'm like, wait what.
• 25:51
  Speaker 1: I overheard nickol like calling me a spunk the night
• 25:53
  Speaker 1: where we met to one of her friends and I
• 25:55
  Speaker 1: was like, I'm going to go to that girl.
• 25:58
  Speaker 2: Half the battles one.
• 26:00
  Speaker 1: So we kick off at Springfield Stadium. The family are
• 26:03
  Speaker 1: arriving early because there's a tailgate party. And what childbirth
• 26:06
  Speaker 1: is to women, eating trunk meats is to the be waned.
• 26:09
  Speaker 1: So basically, yeah, I just go here tailgating. It seems
• 26:12
  Speaker 1: like a lot of fun. We din' get flags. Tailgating
• 26:13
  Speaker 1: is fun. It's been a while since we had his
• 26:15
  Speaker 1: little flags, isn't it?
• 26:16
  Speaker 2: It is? And you know how I like flags.
• 26:18
  Speaker 1: Yes, it's something I ended to bring back because it
• 26:20
  Speaker 1: always brought me great jo because I never noticed it
• 26:22
  Speaker 1: as a kid. Then once he pointed it out, I
• 26:24
  Speaker 1: was like, they're everywhere, and Button Lisa are arguing because
• 26:28
  Speaker 1: Homo says there's nothing better than this, and they say
• 26:29
  Speaker 1: anything's better, everything's better. But I think I would love
• 26:33
  Speaker 1: to experience this. Yeah, as we said, but Ralph, he's
• 26:35
  Speaker 1: made a Ralph witch and I could have.
• 26:37
  Speaker 2: Done with it as I've written here enough for the Ralph. Yeah,
• 26:40
  Speaker 2: they need to move on, And then they follow up
• 26:42
  Speaker 2: with some sides meal. Yeah not as much side Jo
• 26:45
  Speaker 2: mail which isn't he That's true and admittedly what they've
• 26:49
  Speaker 2: got him doing here with his Yeah, it's traditional rival
• 26:54
  Speaker 2: schools yelling insults in one another, and these are kind
• 26:56
  Speaker 2: of esoteric and that kind of thing. It makes sense.
• 26:59
  Speaker 2: It wasn't necessarily they had funny, but I appreciated.
• 27:01
  Speaker 1: Like the payoff was cuddling at the end, but that
• 27:04
  Speaker 1: the payoff was worth it.
• 27:04
  Speaker 2: That was good. Yeah, but I appreciated what they were
• 27:06
  Speaker 2: going for, even if you know the execution wasn't quite right.
• 27:09
  Speaker 1: Yeah. I also like mooching, which is what Hammer and
• 27:12
  Speaker 1: Bart do here as well. Don't bring in the meat,
• 27:14
  Speaker 1: that's moo mooch off the mole man.
• 27:16
  Speaker 2: I've been known to mooch. There's mooching, and then there's
• 27:19
  Speaker 2: this outright theft, which you know, you grab a stag
• 27:21
  Speaker 2: off someone's I guess, so, yeah, gave a mole man's meat.
• 27:26
  Speaker 1: Yes, So margin Maggie are washing the foam fingers, doing
• 27:30
  Speaker 1: some chores. Lisa then says she's gonna work on her
• 27:32
  Speaker 1: school video project, which has to capture the beauty of
• 27:35
  Speaker 1: the every day in her school film, and she captures
• 27:38
  Speaker 1: just like a little montage with things Carl and Mal
• 27:40
  Speaker 1: they were arguing now and hugging the tattoo on the
• 27:42
  Speaker 1: back of the drunk woman laying on the ground a
• 27:44
  Speaker 1: turtle on its back, and also Barney laying on his back.
• 27:46
  Speaker 1: So he's just back to being a drunk again. Revert
• 27:48
  Speaker 1: about yeah, yep. Lisa then shows the video to mister
• 27:51
  Speaker 1: Kincaid and this was great, as we're saying earlier, when
• 27:54
  Speaker 1: you make your first little video whatever, you think it's
• 27:56
  Speaker 1: the best thing ever made. You think they're gonna love this.
• 27:59
  Speaker 1: Oh yeah, and you give that three stars out of
• 28:01
  Speaker 1: the three points out of a possible five. She's like, ah,
• 28:05
  Speaker 1: are you sure? Are you sure I can give it
• 28:06
  Speaker 1: a two?
• 28:06
  Speaker 2: I don't. Yeah, there's a great line. Listens to the
• 28:09
  Speaker 2: show and I'm a big fan of the filmmaker Wes
• 28:11
  Speaker 2: Anderson in his film The French Dispatch. You've got this
• 28:13
  Speaker 2: young guy played by Timothy Shallamy, the Shilah buff of
• 28:18
  Speaker 2: twenty twenty four, not quite a nerd, not quite hunk.
• 28:22
  Speaker 2: He shows like his political manifesto to this woman and
• 28:25
  Speaker 2: she actually gives him notes. I just gave it to
• 28:27
  Speaker 2: you so you could tell me how good it was,
• 28:30
  Speaker 2: so I didn't expect notes. And I'm like, oh god,
• 28:33
  Speaker 2: I can relate. It's like when I'm buzzing on the
• 28:35
  Speaker 2: first draft and someone's like, what do you think of this?
• 28:37
  Speaker 2: Like I would tell me that I would change this this,
• 28:39
  Speaker 2: and this's like, well you would, but yes, mister Kinca
• 28:45
  Speaker 2: gives her three out of out of a possible five.
• 28:48
  Speaker 1: And yeah, like the quick cut, the man is an idiot,
• 28:51
  Speaker 1: just telling Skinner that, you know, this is what's kind
• 28:54
  Speaker 1: of likes it, doesn't he She goes, the guy doesn't
• 28:55
  Speaker 1: know what he's talking about. It's Kinna actually likes the East.
• 28:57
  Speaker 2: But he's a frustrated filmmaker. And yes, so yeah, he's
• 29:02
  Speaker 2: he's really into it.
• 29:03
  Speaker 1: He's got his emotions, got confidence, he's got mill house.
• 29:07
  Speaker 2: I did love that. Lisa was just again being a
• 29:09
  Speaker 2: right nerd. Its like, was it talking about Aristotle's principles
• 29:12
  Speaker 2: of the story. John, He's like, there are six pillars.
• 29:14
  Speaker 1: Tell us what you're thinking about drama. Don't give me
• 29:17
  Speaker 1: the nerd drama in your life. Don't don't tell me
• 29:21
  Speaker 1: the nerds stuff about you.
• 29:23
  Speaker 2: But yeah, she can't stop herself. It's the other three
• 29:25
  Speaker 2: is one.
• 29:27
  Speaker 1: But no. Cinema is his secret passion. He's written screenplays,
• 29:30
  Speaker 1: including with Ednam at Seymour Ghost Willy, which pays off later.
• 29:33
  Speaker 1: And I think one of thee was killing Skinner's mother mother,
• 29:37
  Speaker 1: Simmer's mother and the principal who sold a screenplay. Yes,
• 29:40
  Speaker 1: so he's no longer allowed at the Universal A lot?
• 29:42
  Speaker 1: Was this a jab at Universal in La? I didn't
• 29:46
  Speaker 1: know it existed either until I heard there was a
• 29:48
  Speaker 1: second Simpsons World. I didn't know there was a Universal
• 29:50
  Speaker 1: Studios in l A and you not the one you
• 29:54
  Speaker 1: went to was the one in Florida Theme Park. I
• 29:58
  Speaker 1: didn't know there was the one in Florida. I and
• 30:00
  Speaker 1: I knew there was a thing for it there, but
• 30:01
  Speaker 1: otherwise thought that's the big one. That the one in
• 30:03
  Speaker 1: LA's tiny. I'm thinking about the Universal Studios tour. The tour, yeah, yeah,
• 30:07
  Speaker 1: I didn't know that that. I need the Warner Brothers one.
• 30:10
  Speaker 1: We did the Warner Brothers one, and.
• 30:11
  Speaker 2: I was like, Ohio, the Universal Studios Tour in LA
• 30:14
  Speaker 2: is the one with like the shark.
• 30:16
  Speaker 1: With the you know letter on, just like, how did
• 30:18
  Speaker 1: I know this? But there's one in Hollywood because he's
• 30:23
  Speaker 1: banned from the Yes, yeah, Skinner wants to know that
• 30:27
  Speaker 1: the drama was already discussed, and she says she's going
• 30:29
  Speaker 1: to do one better family and he tells me make
• 30:31
  Speaker 1: a documentary about the family, gives it a key to
• 30:33
  Speaker 1: the a Vy cage, which has a film nerd. It
• 30:35
  Speaker 1: was like, well the magic yep. And but he does say,
• 30:38
  Speaker 1: if you ever win an oscar, you have to give
• 30:40
  Speaker 1: it to me. She's like, yeah, sure, whatever, especially built cabinets,
• 30:42
  Speaker 1: cabine makers. They all laughed at me. We come back
• 30:45
  Speaker 1: from commercial and Lisa is still in the family. I
• 30:47
  Speaker 1: don't want to say breakfast time.
• 30:48
  Speaker 2: Okay, everyone just be yourself, don't look at a camera.
• 30:51
  Speaker 2: Were dad, I'm not here? And No.
• 30:54
  Speaker 3: Two pays well, and I'm going for a Shila buff thing,
• 30:58
  Speaker 3: not quite a nerd, not quite a hunk, sh the buff.
• 31:01
  Speaker 1: That pretty much sums up Shy with the buff right
• 31:03
  Speaker 1: pretty much.
• 31:03
  Speaker 2: Yeah, because he's.
• 31:04
  Speaker 1: Not really doing anything.
• 31:05
  Speaker 2: Nah.
• 31:06
  Speaker 1: He sort of honed it on the mean world for
• 31:07
  Speaker 1: a while, didn't he Like, yeah, well he's.
• 31:09
  Speaker 2: Kind of gone off the rails and oh yeah, I
• 31:12
  Speaker 2: mean I think his private life is shall we say,
• 31:15
  Speaker 2: troubled and turbulent. Okay, yeah, but it was interested when
• 31:18
  Speaker 2: he was a child star for a while there, and yeah,
• 31:21
  Speaker 2: like a literal child star, like it's maybe eleven or twelve,
• 31:24
  Speaker 2: and being on Disney Channel shows and I've been the
• 31:26
  Speaker 2: scrappy little comedian and then.
• 31:27
  Speaker 1: I don't know until Transformers.
• 31:29
  Speaker 2: Yeah, and then Transformers comes on and it's like you
• 31:31
  Speaker 2: might want to buff up a little bit, so clearly
• 31:33
  Speaker 2: hit the gym, and then he was doing other stuff.
• 31:35
  Speaker 2: He's a really good actor. I mean even in those
• 31:38
  Speaker 2: Transformers movies. I mean he really commits and.
• 31:40
  Speaker 1: Yelling out after that was like, okay, he's gone for it.
• 31:43
  Speaker 1: But one of my favorite memes is him applauding.
• 31:46
  Speaker 2: Yeah, that's great. Although that whole thing that what was it?
• 31:51
  Speaker 1: Do yeah, do it? Yeah, But now that the study
• 31:53
  Speaker 1: you've had applauding, it's just the best. But like here too,
• 31:57
  Speaker 1: that he's going to all this an onset romance and
• 32:00
  Speaker 1: Marge referencing sex as snuggle I think it's like the best.
• 32:03
  Speaker 1: One of the best things that Simpsons have ever done,
• 32:05
  Speaker 1: have discussed is that they never say they say sex,
• 32:07
  Speaker 1: but Marge refers to as snuggling. Awesome, I don't think
• 32:10
  Speaker 1: it's so cute. And we get a montage here the
• 32:13
  Speaker 1: song here so great spoon, I turned my camera on right.
• 32:16
  Speaker 1: I really liked it. I thought it fit this montage,
• 32:19
  Speaker 1: this Spoon.
• 32:20
  Speaker 2: Sorry, I'm really writing for the Lovely Lays this episode,
• 32:23
  Speaker 2: but she turned me on the Spoon Good Band.
• 32:25
  Speaker 1: Yeah. So I watched this rite and realized, particularly in
• 32:29
  Speaker 1: the latest seasons, I want to do a piece an article.
• 32:32
  Speaker 1: I feel like the Simpsons, you know, we always talk
• 32:34
  Speaker 1: about it. It introduces you to various films in the
• 32:38
  Speaker 1: introduces me to a lot of bands now that I
• 32:40
  Speaker 1: didn't realize, and songs that I really love. They particularly
• 32:42
  Speaker 1: use them in montage, just when they But it makes
• 32:45
  Speaker 1: me go on referencing, look and look it up and
• 32:46
  Speaker 1: research and go, oh yeah, I like that, And I
• 32:48
  Speaker 1: find new bands as a result. The Simpsons, not just
• 32:51
  Speaker 1: film references, musical references. Yeah, I had never heard of Spoon.
• 32:54
  Speaker 2: Not gonna lie and I don't listen to this, and
• 32:56
  Speaker 2: I was like, I now like Spoon Good Band. Yeah.
• 32:59
  Speaker 1: So the family just doing a bunch of random stuff
• 33:01
  Speaker 1: that wasn't all that funny.
• 33:03
  Speaker 2: But I've got a nitpick.
• 33:04
  Speaker 1: I've got a particular one for the end.
• 33:06
  Speaker 2: Okay, well I've got one from right now. You see
• 33:09
  Speaker 2: Homer alowing they passed out, got a number of beer
• 33:13
  Speaker 2: cans around him, five to begin with. Later the cut
• 33:17
  Speaker 2: back and it's shot from the same angle, but there
• 33:19
  Speaker 2: are six.
• 33:20
  Speaker 1: Enough time to sort of sin one in.
• 33:22
  Speaker 2: I think, don't reckon anyway.
• 33:25
  Speaker 1: The magic of filmmaking. That's true, but how often do
• 33:28
  Speaker 1: you watched sitcoms and they have make mistakes like that
• 33:30
  Speaker 1: because one person took a bite out of something and
• 33:32
  Speaker 1: they forgot to sort of That's why they say you
• 33:34
  Speaker 1: should not eat much when you're filming.
• 33:36
  Speaker 2: A cigar.
• 33:39
  Speaker 1: A real bite.
• 33:39
  Speaker 2: Yeah, absolutely, yeah.
• 33:40
  Speaker 1: But Charmers arrives, you're encouraging students creativity, and he says,
• 33:44
  Speaker 1: we've got to support Lisa here because we can live
• 33:46
  Speaker 1: vicariously through her.
• 33:48
  Speaker 2: So I mean soul that you thought I was angry,
• 33:51
  Speaker 2: so now legitimately.
• 33:52
  Speaker 1: Now legitily angry. But he wants to show up the
• 33:54
  Speaker 1: Creative Arts Academy who have their building made out of
• 33:57
  Speaker 1: modeling clay.
• 33:58
  Speaker 2: Yes, and they keep reading Modeling It every afternoon, just
• 34:00
  Speaker 2: despites despite Charmers.
• 34:02
  Speaker 1: Yes. Now, what's the film festival that Skinners suggests first?
• 34:06
  Speaker 1: Because it starts to be I think it's going to go.
• 34:11
  Speaker 2: Sounds Canadian.
• 34:12
  Speaker 1: Yeah, But then Chalmers, there's been a Bamshman or whatever.
• 34:14
  Speaker 1: We're going to go to Sundance with this thing. Oh
• 34:16
  Speaker 1: you mean the preemptive Film Festival held in January and
• 34:18
  Speaker 1: Park City, Utah. Was that just a gad to sort
• 34:21
  Speaker 1: of make everyone aware of what it is?
• 34:22
  Speaker 2: Yeah? I think so. I think everyone's a really obvious exposition.
• 34:25
  Speaker 1: I think anyone at least in their teens has at
• 34:27
  Speaker 1: least heard of Sundance. Right if if you don't really
• 34:29
  Speaker 1: know what it is, you've just you've heard of sun Dance.
• 34:31
  Speaker 1: Is Sundance the independent film festival.
• 34:34
  Speaker 2: I think it's certainly one of the first, and it's yeah,
• 34:37
  Speaker 2: got a bit of longevity. It helps it. It was established
• 34:39
  Speaker 2: by Robert Redford.
• 34:40
  Speaker 1: Oh of course, yeah, because he gets reference later on
• 34:41
  Speaker 1: an episode, doesn't he?
• 34:42
  Speaker 2: I think so?
• 34:42
  Speaker 1: Yeah, because the letters from Robert Redford. Isn't it that
• 34:45
  Speaker 1: once she gets Yeah, but the school are now not
• 34:48
  Speaker 1: only the High, have the High the school with the
• 34:50
  Speaker 1: highest Hampston mortality rate. They're going to be known for
• 34:52
  Speaker 1: having a successful film. The band are doing the score,
• 34:55
  Speaker 1: the bullies doing the sound effects. So as we're saying, so,
• 34:59
  Speaker 1: they're doing this set up hitting Martin. When magicule in
• 35:01
  Speaker 1: the mate she brings out like a clever or whatever.
• 35:06
  Speaker 1: Now we're at Sundance and they're going through the various
• 35:09
  Speaker 1: films which they're going to accept.
• 35:10
  Speaker 2: We're getting too many mainstream movies.
• 35:12
  Speaker 3: Where are we going to see a submission with a
• 35:15
  Speaker 3: sun Dance independent film spirit Paul Gier Marty is the
• 35:20
  Speaker 3: world's greatest super spine who only exists in the mind
• 35:25
  Speaker 3: of an overweight, a gooraphobic jazz musician played by Martin
• 35:30
  Speaker 3: Lawrence in a fat suit. Oh okay, here's one from
• 35:39
  Speaker 3: Springfield made by a vegetarian, intellectual misfit people. You know,
• 35:45
  Speaker 3: you have to limit your gaps at this altitude because
• 35:48
  Speaker 3: oh and she's eight years old.
• 35:52
  Speaker 1: And then accused of the ambulance and they dead.
• 35:55
  Speaker 2: Run out of breath.
• 35:56
  Speaker 1: Yes. So now we're back at home and this is
• 35:59
  Speaker 1: you're mentioning earlier home. We're going to the mail and
• 36:01
  Speaker 1: then he's just mocking various charities. Yes, but then Lisa
• 36:04
  Speaker 1: gets accepted film festival. I just thought one of the
• 36:08
  Speaker 1: better moments in a while. Now they're driving to sun Dance.
• 36:12
  Speaker 1: Was this a take on the Shining because it looks
• 36:15
  Speaker 1: very similar to when the Simpsons are driving in the
• 36:16
  Speaker 1: shitty yeah, around the cliff good point, Yeah is it?
• 36:21
  Speaker 2: I don't know.
• 36:22
  Speaker 1: It kind of looked like it the winder and the
• 36:24
  Speaker 1: cliff there anyway. So it's where Parker Posey meets Parker
• 36:27
  Speaker 1: red Poses wants to meet Jim Jaron Mush. We can
• 36:30
  Speaker 1: ask you who he is. That's funny. It's so true
• 36:33
  Speaker 1: because it's one of those people, like you said, you
• 36:34
  Speaker 1: may have heard of him, but you don't actually know
• 36:36
  Speaker 1: much about it.
• 36:36
  Speaker 2: It's just a cool name. Yeah, well it's like Jim
• 36:38
  Speaker 2: Josh Mush, Jimush. Yeah, I actually know who this person is. Hey,
• 36:43
  Speaker 2: that's him.
• 36:44
  Speaker 1: Who are you? I'm the guy that can eat onions?
• 36:47
  Speaker 1: But and I cry, But then he cries because the
• 36:50
  Speaker 1: last time they were going to see each other. And
• 36:53
  Speaker 1: you think that's it, but it's not. Lisa is now
• 36:55
  Speaker 1: handing out the badger so they can get into any
• 36:57
  Speaker 1: film they want to go see. Marge here goes to
• 36:59
  Speaker 1: see Regularsville. It sounds like my kind of place.
• 37:01
  Speaker 2: Oh no, what was it? Yeah, it was a dude
• 37:04
  Speaker 2: in Dragon, Yeah, in Drag and then.
• 37:06
  Speaker 1: Uh Candy Family Game now a great family movie.
• 37:09
  Speaker 2: Oh no, it's able shooting up.
• 37:11
  Speaker 1: Every title means the opposite of what it means. So
• 37:15
  Speaker 1: then we graveyard. I think I like this. I didn't.
• 37:18
  Speaker 2: I was waiting.
• 37:19
  Speaker 1: I was waiting with a bunch. I was like, I
• 37:21
  Speaker 1: really heard their nails and they did love I did
• 37:23
  Speaker 1: all that needed?
• 37:24
  Speaker 2: Was it? I didn't. I didn't.
• 37:27
  Speaker 1: This was a good episode, wasn't it.
• 37:28
  Speaker 2: It was a lot of good stuff in it.
• 37:30
  Speaker 1: Yeah, Lisa's now it stands top of Lisa's screening and
• 37:33
  Speaker 1: I didn't like you, but but I mean it fits
• 37:35
  Speaker 1: the character. But when Scar Chalmers and Skin are trying
• 37:38
  Speaker 1: to get in and then I have the passes, I
• 37:39
  Speaker 1: don't know them, I was like, it works again, well
• 37:42
  Speaker 1: fits the character, but I don't know throw on a bone,
• 37:44
  Speaker 1: yeah exactly. But then they get put on the sled.
• 37:49
  Speaker 1: This is actually good playoff too, like the Mormon Church.
• 37:51
  Speaker 1: This doesn't seem realistic. Oh it's not. You crash you
• 37:54
  Speaker 1: have lying in countries on a snowbank. Then it's time
• 37:56
  Speaker 1: for charm Skin Simpson and this is my family. One
• 38:07
  Speaker 1: two three, another shoot go.
• 38:13
  Speaker 3: Why life me letters?
• 38:17
  Speaker 2: We never get more than one move into this change.
• 38:21
  Speaker 1: What a wonderful film about horrible people. They're like the
• 38:23
  Speaker 1: family from Helen Acid that's on steroids. You stupid kid.
• 38:31
  Speaker 1: What if I wanted here barefoot? You did? Dad? Good?
• 38:41
  Speaker 2: Happy faith?
• 38:41
  Speaker 1: They Mom, thank you dear what a depressed saying, Oh god,
• 38:47
  Speaker 1: it's happy birthday. Mom was like, oh that's actually depressing.
• 38:51
  Speaker 3: Uh.
• 38:51
  Speaker 1: But then I don't remember what they say about Maje.
• 38:53
  Speaker 1: But the death to Maggie looks the family are annoyed
• 38:58
  Speaker 1: by this, obviously, and Lisa says, look, it's all change
• 39:01
  Speaker 1: in the editing room, edited by Lisa Sinemson. And what
• 39:04
  Speaker 1: she actually says, yes, proudly edited we come back, and
• 39:09
  Speaker 1: the family explained that they're all disappointed about it.
• 39:10
  Speaker 2: Well yeah, and then but said, well, my knew always
• 39:12
  Speaker 2: near you a lame. I didn't know you were bogus.
• 39:14
  Speaker 1: Yes, and then want to burn We get the quirky.
• 39:16
  Speaker 1: Quirky is a grammar who gives people the thing so true.
• 39:19
  Speaker 1: And he says, you know, you made us look like monsters.
• 39:22
  Speaker 1: And she says, don't worry because no one's ever going
• 39:24
  Speaker 1: to really hear about this, you know, like it's just
• 39:26
  Speaker 1: at the film festival. Cue coming book guy on these websites.
• 39:29
  Speaker 4: Yes, Lisa Simpson's unflinching, darkly comic family portrait is the
• 39:34
  Speaker 4: can't mishit of the festival land Speeder, Do not benfer
• 39:38
  Speaker 4: to your nearest cinema to see Lisa Simpsons stab her
• 39:41
  Speaker 4: family in the back with her camera.
• 39:43
  Speaker 3: Don't you dare post that review?
• 39:45
  Speaker 2: I'm sorry you're too late. I have just hit entered
• 39:47
  Speaker 2: sending the Wi Fi beams along their way.
• 39:49
  Speaker 1: If I can help it, come here, beams, Come on
• 39:52
  Speaker 1: where you come? Too many? Then we get a Willie Allen,
• 39:57
  Speaker 1: we do, Yeah, he's thinking the adopting scarlet Johansson? Is
• 40:01
  Speaker 1: that so wrong? Should we even go into it?
• 40:04
  Speaker 2: We should not?
• 40:06
  Speaker 1: Do you think that's one thing they probably want to
• 40:08
  Speaker 1: take back now? Or was it by the Oh no,
• 40:10
  Speaker 1: by this point they're taking the piss out of him.
• 40:12
  Speaker 2: Oh yeah, I think so. I think when is this
• 40:15
  Speaker 2: because I mean eight, yeah, the real current backlashing ongoing
• 40:21
  Speaker 2: backlashings when I didn't start until what twenties sixteen, twenty seventeen?
• 40:25
  Speaker 2: Was that okay? Yeah? Yeah, I mean, look, this is
• 40:28
  Speaker 2: a can of worms that we really shouldn't open. Now
• 40:30
  Speaker 2: we'll never get all those worms back in, but the
• 40:32
  Speaker 2: people now want to get But still, I just wanted
• 40:34
  Speaker 2: to do my Woody Allen personation one more tame I
• 40:36
  Speaker 2: don't think it's so bad that it won't you know,
• 40:39
  Speaker 2: Scott's Johnson.
• 40:41
  Speaker 1: People want to get into the charm skin business and
• 40:44
  Speaker 1: Skinner the good businessman. Here a ten percent of the
• 40:46
  Speaker 1: first dollar price European distribution rights and access to the
• 40:49
  Speaker 1: most exclusively IRP ten at Sundance. And do you think
• 40:51
  Speaker 1: that something's going to happen? It just you think you
• 40:53
  Speaker 1: think they're.
• 40:53
  Speaker 2: Going to sort of be a quirky grammar and give
• 40:56
  Speaker 2: him the finger. But no, no, he gets into was
• 40:58
  Speaker 2: it a scary hobos chili tenth?
• 40:59
  Speaker 1: Yeah, whatever it is. Yeah, everyone just keeps coming up. Skinner,
• 41:03
  Speaker 1: it does. Yeah, now that's time. Reading the Daily Variety.
• 41:06
  Speaker 1: The Sun Dance Loves Little Backstabber is the headline, and
• 41:09
  Speaker 1: the crowd will look at them say something dysfunctional. I
• 41:12
  Speaker 1: love the crowd yelling because they say something to Nelson
• 41:14
  Speaker 1: as well, say something tragic. But Homer, you know, he
• 41:19
  Speaker 1: checked my kid. I want you doesn't want to do it.
• 41:21
  Speaker 1: We pay your salary. I feel like, you know, it's
• 41:26
  Speaker 1: so often people just feel like they don't own actors,
• 41:30
  Speaker 1: but actors have to sign things like I said, we
• 41:32
  Speaker 1: pay your salary. It's like, oh yeah, but they're also
• 41:33
  Speaker 1: providing entertainment. Yeah.
• 41:35
  Speaker 2: Yeah. In my ongoing bid to to remain relevant as
• 41:39
  Speaker 2: I reached the end of my life only fans, I'm
• 41:45
  Speaker 2: trying to pay more attention to popular music bands like Spoon,
• 41:48
  Speaker 2: for instance. Are you aware of the singer songwriter Chapel Rowan.
• 41:54
  Speaker 2: This person sort of it. She's so innovative and I
• 41:58
  Speaker 2: listened to one song, I'm like, this is Cindy up
• 42:00
  Speaker 2: a mit Lady Yaga. There's nothing new that put the
• 42:02
  Speaker 2: clock in it. But yeah, talented, energetic, a good performer.
• 42:07
  Speaker 2: She has recently been in the news. He's like, guys,
• 42:10
  Speaker 2: I know, I know you like the music, and I
• 42:12
  Speaker 2: know you're like stuff, but you know, please don't come
• 42:13
  Speaker 2: up in the street give me a selfie, bitch, all
• 42:15
  Speaker 2: this kind of stuff. You know, I'm kind of a
• 42:16
  Speaker 2: person with feelings. Everyone's going, fuck you.
• 42:18
  Speaker 1: Bitch, so self dis fuck your feelings.
• 42:25
  Speaker 2: I mean, yeah, it really is kind of a bargain
• 42:27
  Speaker 2: that or a you know, a weird bargain that you make.
• 42:30
  Speaker 2: It's like, hmm, yes, I think I'd like to be
• 42:31
  Speaker 2: in the public eye and famous and recognized for my work.
• 42:33
  Speaker 2: But at the same time, he'll like Homer in the
• 42:37
  Speaker 2: in the shower piece. My animal friends guys come on
• 42:41
  Speaker 2: five minutes.
• 42:44
  Speaker 1: It would be like con He's top of He's on
• 42:46
  Speaker 1: top of the world. He just rides the subway and people,
• 42:49
  Speaker 1: people respect himenough to just going me.
• 42:52
  Speaker 2: I wouldn't be surprised if he orchestrated that sad meme.
• 42:57
  Speaker 2: It's like he might be sad today you're living. He's
• 43:01
  Speaker 2: probably a.
• 43:03
  Speaker 1: You suckers for fools, spit three the key. I'm not sad,
• 43:13
  Speaker 1: I am kia.
• 43:15
  Speaker 2: It must be nice, it.
• 43:17
  Speaker 1: Must be nice. Indeed, But Lisa thinks that perhaps that
• 43:20
  Speaker 1: you know, maybe I knew all along this was going
• 43:22
  Speaker 1: to happen. Maybe I'm the monster this film is exposed.
• 43:24
  Speaker 1: Maybe I wanted to expose my family and expose myself
• 43:26
  Speaker 1: as the monster. Then Jim Jammers comes to comfort, comes
• 43:29
  Speaker 1: to the rescue, and he talks about his Chipped by
• 43:31
  Speaker 1: the dozen three film, which is all dead kids. If
• 43:34
  Speaker 1: you're a fan of everything we do here at Fourth
• 43:36
  Speaker 1: Finger Discamp, but you're kind of hearing these pesky ads,
• 43:39
  Speaker 1: then you'll absolutely love being a member of the Fourth
• 43:41
  Speaker 1: Finger Discamp family on Patreon, where you not only get
• 43:44
  Speaker 1: access to over one hundred hours of bonus podcasts, but
• 43:47
  Speaker 1: you also get access to this show early and add
• 43:50
  Speaker 1: free every single week, as well as access to our
• 43:52
  Speaker 1: exclusive Facebook and Discord communities, and so much more. So
• 43:55
  Speaker 1: go ahead join the family today and support your palas
• 43:57
  Speaker 1: Guy and Dano for a little as one dollar per
• 43:59
  Speaker 1: month patreon dot com slash four finger discount. But he
• 44:03
  Speaker 1: takes it to see Life blows Chunks by Nelson and
• 44:05
  Speaker 1: very much similar to the the Barney Gumble film. But yeah,
• 44:09
  Speaker 1: charm skinn, I like that. That's like, oh yeah, I
• 44:11
  Speaker 1: never put eggs in one basket two buses. Skinner game
• 44:14
  Speaker 1: didn't really work. I don't think it's just.
• 44:15
  Speaker 2: Like I didn't hate it, that's right.
• 44:19
  Speaker 1: But this has this was also really tragic this film.
• 44:22
  Speaker 1: That's one of the saddest lines I've just heard on
• 44:24
  Speaker 1: The Simpsons. I like to cry at the ocean because
• 44:26
  Speaker 1: that my tears feel small. Oh shit, lovely crap. At
• 44:30
  Speaker 1: least it realizes maybe you know that people are the
• 44:32
  Speaker 1: bigger family issues. You know why am I so worried
• 44:35
  Speaker 1: about mine?
• 44:36
  Speaker 2: Oh? By the way, another film nerd Reverence. The very
• 44:39
  Speaker 2: last shot of Nelson's film where he's standing in the
• 44:42
  Speaker 2: ocean and you get the very pretentious Finn on the
• 44:45
  Speaker 2: end that is a deliberate echo of Francois Truffau's famous
• 44:49
  Speaker 2: film The four Hundred Blows.
• 44:50
  Speaker 1: Okay, I'm pretty sure it doesn't. The Barny one end
• 44:53
  Speaker 1: with Finn as well probably does.
• 44:55
  Speaker 2: Yeah, it's sort of shorthand for just say the end.
• 44:58
  Speaker 2: You're in English, just say.
• 44:59
  Speaker 1: The artistic ending. Yeah, but the festival buzz is a
• 45:02
  Speaker 1: funny thing. And I like this film way more because
• 45:04
  Speaker 1: I saw it today. Yes, as we mentioned earlier, Lisa's
• 45:07
  Speaker 1: film will only be seen now. And Slept flights for
• 45:09
  Speaker 1: a Leska Airlines and its regional partners actually just partners. Yes.
• 45:13
  Speaker 4: The point is you made a great movie and you
• 45:15
  Speaker 4: ought to be proud and now, like the best independent films,
• 45:19
  Speaker 4: I must fade out with a cool dissolve.
• 45:23
  Speaker 1: Ow. That hurts silly, but it just seemed to work.
• 45:27
  Speaker 1: It just seemed to work.
• 45:28
  Speaker 2: Well, it's him just being you know, cool wise, yeah,
• 45:32
  Speaker 2: but also taking the.
• 45:33
  Speaker 1: Piss out of him. Yes, exactly. Yeah, and Nelson's now
• 45:36
  Speaker 1: popular with his mum. There say something poor.
• 45:39
  Speaker 2: What I really enjoyed was then posing for the paparazzi.
• 45:42
  Speaker 2: I really love the poses that Nelson was striking to
• 45:44
  Speaker 2: just go.
• 45:44
  Speaker 1: He is having a great time, wasn't he?
• 45:45
  Speaker 2: Yeah?
• 45:46
  Speaker 1: Yeah, And then his.
• 45:46
  Speaker 2: Mom did like a karate post like Charlie's Angels or something.
• 45:49
  Speaker 2: That's great.
• 45:50
  Speaker 1: But the Simpsons now kind of missed being in the limelights.
• 45:53
  Speaker 1: And this is that I didn't see this gag coming.
• 45:55
  Speaker 1: I should have seen it coming from a mile away.
• 45:57
  Speaker 1: But they're like, you know, Homerson, maybe can do another
• 46:00
  Speaker 1: movie March, see no more Simpsons movies. One was plenty. Yes,
• 46:03
  Speaker 1: didn't see it coming, but it worked. It was well played.
• 46:07
  Speaker 1: But I think this is where Lisa says I know
• 46:08
  Speaker 1: that you love me, and vice versa, even though we
• 46:11
  Speaker 1: just show it in a quirky way, a little call
• 46:12
  Speaker 1: back to the Queens work. And this is where John
• 46:15
  Speaker 1: c and we get a nice, little soft sweet music
• 46:17
  Speaker 1: and it's it's like, oh, it's not a nice ending.
• 46:18
  Speaker 2: You actually told a story you've finished at the beginning,
• 46:23
  Speaker 2: a middle, and an end un present.
• 46:27
  Speaker 1: Then John c Riley appears and he wants to be
• 46:29
  Speaker 1: in the charm skin business as well. I am ghost really?
• 46:32
  Speaker 1: Who I am ghost? Really? Seems kind of needy see
• 46:36
  Speaker 1: you on the set. So they give him the gig
• 46:39
  Speaker 1: and over the credits, Skinner and charmers, the glass can't
• 46:42
  Speaker 1: Why can't you be a gentle Clinkland And that's the end.
• 46:44
  Speaker 2: Good episode, Good episode, any given sun Dance. Yeah, well,
• 46:48
  Speaker 2: I think I was a little concern going in. I thought,
• 46:50
  Speaker 2: you know, not that I dislike Lisa episodes, but or
• 46:53
  Speaker 2: Lisa sort of focused episodes.
• 46:55
  Speaker 1: Yeah.
• 46:56
  Speaker 2: Sometimes I can be a bit preachy, a bit didactic,
• 46:58
  Speaker 2: but no, this one was what was kind of fun.
• 47:00
  Speaker 1: It was nice to get a story. We like story, Yes,
• 47:04
  Speaker 1: we do like stories, as would say I like stories. Yes,
• 47:08
  Speaker 1: I just think that this is an episode that you
• 47:10
  Speaker 1: appreciate a lot more the older you get. Yeah, because
• 47:14
  Speaker 1: as a kid, I can see what I would have
• 47:15
  Speaker 1: been what not a kid by this time have been
• 47:19
  Speaker 1: twenty But I actually I don't remember watching this one.
• 47:22
  Speaker 1: I remember charm skin being a thing. I could not
• 47:25
  Speaker 1: tell you what it was on the front. But maybe
• 47:26
  Speaker 1: I don't know. Maybe I thought it was a different episode.
• 47:28
  Speaker 1: I always whenever I think of documentaries, I think of
• 47:31
  Speaker 1: that one that features Eric from Monty Python and that
• 47:34
  Speaker 1: one I just didn't really know.
• 47:35
  Speaker 2: They weren't great.
• 47:36
  Speaker 1: Yeah, it wasn't great anyway, Good episode, any given Sundance indeed,
• 47:40
  Speaker 1: what do we learn bomb esp what you learned from episode?
• 47:42
  Speaker 2: Mister Davis, under no circumstances should you feed Ben Affleck?
• 47:47
  Speaker 1: Ah? Well, if you were invited to a dinner for
• 47:50
  Speaker 1: Ben or Ben texts you right and it said take
• 47:54
  Speaker 1: me somewhere, where are you taking Ben Afflet for food Duncan?
• 47:57
  Speaker 2: Yeah?
• 47:59
  Speaker 1: That just seems like he's hanging it, doesn't it tracks.
• 48:04
  Speaker 1: I'm sure I've talked o'clock shadow again. Put it on
• 48:07
  Speaker 1: your being o Card. I'm sure I've told this story before.
• 48:09
  Speaker 1: But there's the clip from SNL when Casey Affleck was
• 48:11
  Speaker 1: hosting and they did.
• 48:12
  Speaker 2: Like a short video him. It's just this Boston dirt
• 48:16
  Speaker 2: bago hung out of Duncan Donuts. All that one of
• 48:18
  Speaker 2: the funniest fucking things. Casey Affleck, very funny guy. Ben Affleck,
• 48:22
  Speaker 2: very funny guy. But yeah, i'd take him to Duncan.
• 48:24
  Speaker 1: Casey Affleck seems like a guy that would be more
• 48:25
  Speaker 1: of the loose cannon. Though if you went out, I
• 48:27
  Speaker 1: feel like he's going to be the problem.
• 48:28
  Speaker 2: Apparently.
• 48:29
  Speaker 1: So I learned that you can never topple and they
• 48:34
  Speaker 1: will always be king director's commentary deleted scenes. I can
• 48:39
  Speaker 1: take a gift whatever. Director's commentary always the King.
• 48:42
  Speaker 2: It's a bit of a winner on the when you
• 48:44
  Speaker 2: you know you pick it up the increasingly bare shells
• 48:47
  Speaker 2: JB or somewhere else smaller and small well, I mean
• 48:49
  Speaker 2: I'm a member of the Facebook group.
• 48:51
  Speaker 1: That's I mean there putting out like stops, short stores gone,
• 48:56
  Speaker 1: or taking like sad photos. This used to be the
• 48:59
  Speaker 1: the av sex of the JB. It's not there and
• 49:02
  Speaker 1: any cuts to the cloud.
• 49:05
  Speaker 2: Just a single tear rolling down the cheek. But yeah,
• 49:07
  Speaker 2: I mean when you're grabbing off the shops like director's commentary. Okay, yeah,
• 49:11
  Speaker 2: I mean.
• 49:12
  Speaker 1: It's my favorite special feature special director's commentary for me,
• 49:15
  Speaker 1: I reckon So that are a good making of doco
• 49:17
  Speaker 1: making of Yeah, yeah, I do love making it for me.
• 49:20
  Speaker 1: Though if I'm buying something up making of, I'll probably
• 49:22
  Speaker 1: buy it. It's going to making of a good one.
• 49:23
  Speaker 1: I look at the length as well, because now they
• 49:24
  Speaker 1: put the length it was like forty five minutes plus.
• 49:26
  Speaker 1: You know it's going to be a proper one, absolutely,
• 49:28
  Speaker 1: not just one of those spots where it's like, oh
• 49:30
  Speaker 1: he was so great to wake one.
• 49:31
  Speaker 2: Of those ten minute things. Now they were paying the
• 49:32
  Speaker 2: ass I was looking through old tweets the other day
• 49:36
  Speaker 2: because I have got a big ego and B it
• 49:38
  Speaker 2: was research your old tweets, my old twist yea yea
• 49:40
  Speaker 2: yea yeah yeah, Well I'm going to read other people
• 49:42
  Speaker 2: forget about it. I own this movie on DVD called
• 49:48
  Speaker 2: Bad Dreams. It's like a Nightmare on Elm Street.
• 49:50
  Speaker 1: And I know bad Dreams dream.
• 49:51
  Speaker 2: Yeah, yeah, good movie and when it was broad.
• 49:54
  Speaker 1: Also a good local Australian band. They're still a band,
• 49:57
  Speaker 1: but they were when I used to be on radio.
• 49:58
  Speaker 1: They were a good band. I like them bad dream
• 50:00
  Speaker 1: I've never heard of the band, just an independent Australian band.
• 50:04
  Speaker 1: Really liked the from adelaideykay continue, I'm gonna.
• 50:07
  Speaker 2: Have to look them up on one of my a
• 50:11
  Speaker 2: music streaming.
• 50:12
  Speaker 1: Service back when used to be check us out on
• 50:15
  Speaker 1: tip j onearthed, oh.
• 50:18
  Speaker 2: Check us in and band camp.
• 50:21
  Speaker 1: Still a band, I'm just looking just looking up here
• 50:23
  Speaker 1: directly a Bad Dreams is an Australian rock band from Adelaide.
• 50:26
  Speaker 1: I was right and it says is and are so
• 50:29
  Speaker 1: they are still a band. They formed in twenty eleven,
• 50:31
  Speaker 1: released a debutp in twenty thirteen. Four Studio albums. Now
• 50:35
  Speaker 1: we've all reaching the top forty in the Area charts.
• 50:37
  Speaker 1: A poor formed alongstid of the likes of Midnight Oil,
• 50:40
  Speaker 1: DM as a Scientists and the Chats. Yeah, well the
• 50:43
  Speaker 1: Chats my boys.
• 50:44
  Speaker 2: Yeah, bad Dreams still kicking goals after all these years.
• 50:47
  Speaker 1: I was big in the local music scene fifteen years ago,
• 50:51
  Speaker 1: like it was my thing. I was know as like
• 50:52
  Speaker 1: the local music guy. People like, I mean, he'll always
• 50:55
  Speaker 1: be the kim Pipers to say to me, you're kind
• 50:57
  Speaker 1: of like the Malagium of like today, And I was like,
• 50:59
  Speaker 1: I can hopefully I don't pull my pants on the
• 51:02
  Speaker 1: stage when I'm mold up.
• 51:02
  Speaker 2: But not making any guarantees.
• 51:05
  Speaker 1: But you watch old school Molly Marrigement, it's like the
• 51:07
  Speaker 1: guy had no idea what he was doing. He was
• 51:09
  Speaker 1: drunk at the time, but he knew what he was doing.
• 51:11
  Speaker 1: But it wasn't it wasn't professional. It was just a
• 51:14
  Speaker 1: mate on TV. And that's what people liked about it.
• 51:16
  Speaker 1: He had a strong enough base knowledge, but most of all,
• 51:18
  Speaker 1: he had enthusiasm.
• 51:19
  Speaker 2: Yeah.
• 51:20
  Speaker 1: Yeah, so I think we should get all bands on
• 51:22
  Speaker 1: the show. It's a good idea, yeah anyway.
• 51:24
  Speaker 2: But yeah, Bad Dreams not necessarily huge. It necessarily a
• 51:29
  Speaker 2: critical success. But you know, those who know it know it.
• 51:31
  Speaker 2: But yeah, when it was brought out on DVD, it's like,
• 51:33
  Speaker 2: this's got a director's commentary, this has got a whole
• 51:35
  Speaker 2: lot of behind the scenes stuff. It's got, you know,
• 51:36
  Speaker 2: a couple of trailers. They know what they're doing, a
• 51:39
  Speaker 2: music video for it's and this is a film that
• 51:41
  Speaker 2: you didn't really go any the eighties, didn't. It was
• 51:43
  Speaker 2: like eighty eight. Yeah, so you look now it's like, okay, furiosa,
• 51:48
  Speaker 2: this should be a big title, a lot of stuff
• 51:50
  Speaker 2: on it.
• 51:50
  Speaker 1: There's not much a trailer the digital download I want
• 51:55
  Speaker 1: that give me, Yeah, just commentary making of you and
• 52:00
  Speaker 1: your set. That was it. Our pals and Entertainment know
• 52:03
  Speaker 1: exactly what they're doing. They really do.
• 52:06
  Speaker 2: They genuinely do. Actually, actually they really do, because you
• 52:09
  Speaker 2: know they hire people like your strongly to provide some
• 52:13
  Speaker 2: of that contact. Umm, that was a really we added
• 52:16
  Speaker 2: a bit. How appropriate that we added extra features to
• 52:20
  Speaker 2: the what you've learned? How about I think that might
• 52:23
  Speaker 2: have been your plan from the get go. Yeah, so
• 52:26
  Speaker 2: that's what I learned, and that's what you learned, and
• 52:28
  Speaker 2: now you know it too.
• 52:29
  Speaker 1: Now I am about to learn who is going to
• 52:32
  Speaker 1: be getting three points in the Great Davis New Name Championship.
• 52:35
  Speaker 2: That was a pretty silky segue by.
• 52:38
  Speaker 1: I tried that. I was like through the weeds.
• 52:41
  Speaker 2: I got it, I made it, I landed the plane.
• 52:43
  Speaker 2: Well done you, I own new names, new name.
• 52:45
  Speaker 1: Time forward, Your names will be all right. Currently the
• 52:49
  Speaker 1: board stands at this Mister Davis in first position obviously
• 52:53
  Speaker 1: is our mad Jared Hornby on twenty three points.
• 52:56
  Speaker 2: Got twenty three points.
• 52:58
  Speaker 1: The dead.
• 53:01
  Speaker 2: It never gets old, except it really does.
• 53:04
  Speaker 1: In second position we have Adam Wolhouse sorry, in sec
• 53:08
  Speaker 1: Phil Hawkins on fifteen points, and in third position we
• 53:10
  Speaker 1: have Adam Moorehouse on fourteen points.
• 53:12
  Speaker 2: You made Adam all excited then second anyway, I.
• 53:15
  Speaker 1: Made Phil go wait a minute, wait up minute time
• 53:18
  Speaker 1: number two. Do you think people get genuinely annoyed? If
• 53:20
  Speaker 1: I suppose they're putting lots of effort to come up
• 53:23
  Speaker 1: with these names. If I fucked that up, it would
• 53:25
  Speaker 1: ruin Phil's day. They would ruin Phil's next five minutes.
• 53:30
  Speaker 2: Okay?
• 53:31
  Speaker 3: Uh?
• 53:32
  Speaker 2: One point in the new Name Challenge for any given
• 53:36
  Speaker 2: sun dance goes to fifteen minutes of shame.
• 53:39
  Speaker 1: Oh not bad from Rage Beasley Rag another one point
• 53:43
  Speaker 1: of what on Rachel? I think she's on two points.
• 53:44
  Speaker 2: Now good John and rage two points goes to well
• 53:49
  Speaker 2: Rache Beasley, but also to the Sundance kid.
• 53:53
  Speaker 1: That's what's our man?
• 53:54
  Speaker 2: His name, he's jeered, he's got to him my buns.
• 53:58
  Speaker 1: I think that means he wins now right, he's less
• 54:02
  Speaker 1: unless our next one is our man Phil with the
• 54:05
  Speaker 1: three pointer.
• 54:05
  Speaker 2: Let's see what happens.
• 54:06
  Speaker 1: I still don't think you can catch up now. I
• 54:08
  Speaker 1: think that's that's enough, just episodes left, so I think
• 54:12
  Speaker 1: I think it is.
• 54:17
  Speaker 2: Still keep putting names in jar because we like, we
• 54:21
  Speaker 2: just like singing that song. Three three three points, yeah,
• 54:25
  Speaker 2: three points go to sundance, bloody sundance.
• 54:29
  Speaker 1: What's a good one with our man Steve Roberts, I
• 54:32
  Speaker 1: mean Steve, I don't think he's working in the factory anymore.
• 54:34
  Speaker 1: We used to call us on.
• 54:35
  Speaker 2: Oh, that's right, he'd be operating heavy machinery while calling
• 54:38
  Speaker 2: us on zoom and yeah, we was afraid he was
• 54:41
  Speaker 2: going to lose a digit or an eye or burn
• 54:43
  Speaker 2: the factory down. But he's still there and he's still
• 54:47
  Speaker 2: giving it.
• 54:47
  Speaker 1: Oh, it doesn't work if it's not Jared, so he
• 54:52
  Speaker 1: is now in eight points. Well I'm Steve and man
• 54:55
  Speaker 1: Steve all right, so lived the world now third position.
• 54:58
  Speaker 1: We have adamoal House on four. Unfortunately Phil our Man
• 55:01
  Speaker 1: didn't get any points oh boy this week, so he's
• 55:03
  Speaker 1: still stuck on the fifteen and Jared hornby ten points.
• 55:07
  Speaker 1: Clear now in.
• 55:08
  Speaker 2: Two episodes to go, as I like to say, it
• 55:13
  Speaker 2: was my understanding there would be no mad six points.
• 55:17
  Speaker 2: He said, we're gonna catch up to ten points. I
• 55:18
  Speaker 2: believe that six is less than ten. So look, we're
• 55:22
  Speaker 2: not going to name a winner at this stage or
• 55:24
  Speaker 2: do that at the very end of the race. But yeah,
• 55:27
  Speaker 2: his name is Jared and he looks like he's than
• 55:30
  Speaker 2: you did. But we'll announced that properly when or when
• 55:34
  Speaker 2: it's all when it's all done and un you say
• 55:37
  Speaker 2: said and done out say sun dance, but said and
• 55:39
  Speaker 2: done couldn't come out properly. Yeah, I've got I've got
• 55:42
  Speaker 2: problems with words.
• 55:43
  Speaker 1: What was that? What did you have for breakfast? See
• 55:45
  Speaker 1: garbing out for a nice breakfast? Pull the curtain back.
• 55:47
  Speaker 1: We record the new names a couple of days after,
• 55:49
  Speaker 1: just to give you guys the next couple of days.
• 55:51
  Speaker 1: Could we record on the Monday the main review on
• 55:53
  Speaker 1: the Wednesday morning, we do the new names. Just to
• 55:56
  Speaker 1: give you guy a couple of extra days to put
• 55:57
  Speaker 1: in some some some chances. That's correct, some entries. But
• 56:00
  Speaker 1: going out for a lovely breakfast with Louise today.
• 56:02
  Speaker 2: I did with not just Louise, but two of her
• 56:05
  Speaker 2: kids because at the school holidays, her brother and her dad.
• 56:08
  Speaker 2: Who is saying, I'm going have for breakfast every day,
• 56:12
  Speaker 2: kids feel free to join.
• 56:13
  Speaker 1: Me even when you can or feel like goes every
• 56:15
  Speaker 1: day for breakfast.
• 56:16
  Speaker 2: Well he just goes down to the Condinua Cafe and
• 56:18
  Speaker 2: every day, well he's not far from there, and he
• 56:20
  Speaker 2: has a cup of teen. He knows the guy who
• 56:21
  Speaker 2: runs the place.
• 56:22
  Speaker 1: And there's a guy he knows a guy.
• 56:24
  Speaker 2: He knows a guy who's willing to put a bit
• 56:26
  Speaker 2: of bacon and eggs on the grill. So we did that. Well,
• 56:29
  Speaker 2: I mean I had a little time before we started recording.
• 56:32
  Speaker 2: Wednesday is traditionally lose day off the kids are on
• 56:34
  Speaker 2: school holidays. We said, so it was like, well, this
• 56:38
  Speaker 2: is the one day that we're not recording our new
• 56:40
  Speaker 2: podcast that we have to do at a specific time
• 56:42
  Speaker 2: on a specific day. More information to come. I keep
• 56:45
  Speaker 2: looking at it. So yeah, it went down to the
• 56:52
  Speaker 2: Codinua Cafe on Latrobe here in Geelong, Gelong reference for
• 56:56
  Speaker 2: Geelong people had sausage's knes. It was a very traditional
• 57:00
  Speaker 2: I mean it was not like not like fancy. It
• 57:03
  Speaker 2: was just like you know, it was like I was
• 57:05
  Speaker 2: a truckee on the road roadhouse. Yeah, but even Roadhouse
• 57:09
  Speaker 2: started to fancy this ship up, this bit fancy. Yeah,
• 57:11
  Speaker 2: this is just you know, you got to the places
• 57:15
  Speaker 2: I'll have the big breefast and you get fancy sausages
• 57:17
  Speaker 2: and what have you done with? What have you sprinkled
• 57:20
  Speaker 2: on these eggs? This was like he's some scrambled snags.
• 57:22
  Speaker 2: He's a couple of snags that looked like the pack
• 57:24
  Speaker 2: of ten that you get the no name making a
• 57:27
  Speaker 2: bit too crispy. The bag looked really good. I just
• 57:29
  Speaker 2: had sausages and eggs on and it wasn't on sourdough.
• 57:33
  Speaker 1: It was on that's the thing off this hour. It
• 57:35
  Speaker 1: was on plain tip top with a bit of butter bread.
• 57:41
  Speaker 1: I'll tell you what. It was fucking delicious. It was
• 57:43
  Speaker 1: really nice, just the way Mama used to make it.
• 57:49
  Speaker 2: You'll take that like ap So, yeah, this was really good.
• 57:52
  Speaker 2: So yeah, I'm feeling quite energized because I had a
• 57:54
  Speaker 2: good Aussie breakfast in good company, couple of snags in
• 57:56
  Speaker 2: the morning, a couple of snags and coffee. Yeah.
• 57:59
  Speaker 1: The smell of sauce. What does that remind you the
• 58:01
  Speaker 1: most of sausages? For me, it reminds walking into Bunnies
• 58:04
  Speaker 1: on Oh okay, yeah, I was like, we're at Bunnies.
• 58:06
  Speaker 1: You can smell the barbecue. Reminds me of walking down.
• 58:09
  Speaker 2: Packer giving a gold coin donation to Nikola.
• 58:13
  Speaker 1: And my wife.
• 58:16
  Speaker 2: Here you go, you earn this all right?
• 58:18
  Speaker 1: So the next episode I've seen nineteen minutes shall be
• 58:21
  Speaker 1: reviewing is Mona Leaves It. I believe this may be
• 58:24
  Speaker 1: the finale of Homer's mark. Oh, I know she meets
• 58:28
  Speaker 1: her demise at some point soon. Her name is Mona
• 58:31
  Speaker 1: and it says Leaves in the title.
• 58:33
  Speaker 2: Wow. Could they could be calling their shot at that one?
• 58:38
  Speaker 2: But no.
• 58:38
  Speaker 1: The better bit of a roll season nineteen so far
• 58:40
  Speaker 1: we have not been last couple of weeks.
• 58:42
  Speaker 2: Terribly disappointed were the I think the theme of these
• 58:45
  Speaker 2: last few weeks that wasn't bad, but that was all right.
• 58:48
  Speaker 1: Don't get me wrong. We've had some shit episodes this sea.
• 58:50
  Speaker 1: We've had some shock the last three. I feel like
• 58:51
  Speaker 1: I've been pretty good.
• 58:52
  Speaker 2: They haven't quite knocked him out of the park, but
• 58:54
  Speaker 2: they have been. I don't earn more baseball terminology the
• 58:59
  Speaker 2: home run.
• 59:00
  Speaker 1: To quite a conversation we had profride there. You mean
• 59:01
  Speaker 1: they went total five out of five?
• 59:06
  Speaker 2: Wow? What a subtweet.
• 59:09
  Speaker 1: There is just I think it is out.
• 59:10
  Speaker 2: There is just get it out.
• 59:11
  Speaker 1: There are too many Simpsons content creators out there saying
• 59:14
  Speaker 1: that the new episodes are perfect and they're great and
• 59:16
  Speaker 1: then tagging the show creator is.
• 59:17
  Speaker 2: Like, fuck off, one off.
• 59:21
  Speaker 1: They are good. They are good episodes, they are not
• 59:23
  Speaker 1: five out of five. Honestly, I don't think there is
• 59:26
  Speaker 1: a five out of five episode of The Simpsons. Maybe
• 59:28
  Speaker 1: a handful, to say, the premiere of season thirty six
• 59:31
  Speaker 1: was a total five out of five. Stop with the
• 59:33
  Speaker 1: circle joke.
• 59:34
  Speaker 2: Indeed we are you were basically John Love's going another
• 59:37
  Speaker 2: Jim So I don't do it.
• 59:40
  Speaker 1: It's just yeah, whatever, just made me laugh Anyway, guys,
• 59:42
  Speaker 1: next episode is going to be Mona Lisa. Thanks for
• 59:45
  Speaker 1: supporting the show here each and every week at the
• 59:47
  Speaker 1: four Finger Discount Network. Remember if you listen to some
• 59:51
  Speaker 1: Spotify Apple podcasts, please don't get don't only give us
• 59:53
  Speaker 1: five stars, give us a crime review as well. We'd
• 59:55
  Speaker 1: love to read all the reviews. If you want to
• 59:56
  Speaker 1: get in touch with us, it is mail bag at
• 59:58
  Speaker 1: four finger discount com dot au. If we do have
• 1:00:01
  Speaker 1: a couple of sped dollar you do, some financial support
• 1:00:03
  Speaker 1: on Patreon would be much appreciated as well. But for now,
• 1:00:06
  Speaker 1: I say, Davis, any final words for those amazing listeners
• 1:00:09
  Speaker 1: out there.
• 1:00:09
  Speaker 2: I do a final words, but I just want to say,
• 1:00:11
  Speaker 2: you know, the five stars is good for the algorithm,
• 1:00:13
  Speaker 2: but a good review is good for our egos, which
• 1:00:15
  Speaker 2: is equally important. Now final words for our listeners. Well,
• 1:00:18
  Speaker 2: we hope you've enjoyed this.
• 1:00:20
  Speaker 1: I love that you turn to the camera. Day you've
• 1:00:23
  Speaker 1: created among stups I've turned. Nobody wants to see Marshall
• 1:00:25
  Speaker 1: no more. The camera's off for this be here. Every
• 1:00:29
  Speaker 1: time he turns to the camera, it makes me smile.
• 1:00:33
  Speaker 2: Then I'll then I'll keep doing it because I like
• 1:00:34
  Speaker 2: to make his money.
• 1:00:35
  Speaker 1: All right.
• 1:00:37
  Speaker 2: We hope you've enjoyed this episode of forfing a discount
• 1:00:40
  Speaker 2: to the podcast that is sometimes lame, but never bogus