Latest / The BSB Podcast / '& Juliet' Story & Characters | The BSB Podcast
Transcript
- 0:00Welcome kind sirs and fair maidens to this episode of the BSB Podcast.
- 0:04Today we're talking about the Broadway hit & Juliet,
- 0:06which is currently touring North America.
- 0:08But before we get into the story and characters of this musical,
- 0:11like, follow, and subscribe to us on all social media platforms at BSB.insider.
- 0:16Spoiler warning, if you haven't seen this show before and wish to remain unspoiled,
- 0:20please pause this video and come back once you've attended the tale of & Juliet.
- 0:24Joining me today is a special guest,
- 0:26an actress in her own right who has been waiting impatiently to see this show,
- 0:30Kylie Wieand How you doing?
- 0:33Hi, I'm good. How are you?
- 0:35I'm so glad that you're here.
- 0:37when this show was coming around,
- 0:39you were a hundred percent like,
- 0:40have to go see the show. Like there's two shows that kind of knew there
- 0:43was this show and there was the notebook,
- 0:45which is coming next season. And you were like,
- 0:46I have to go see those shows. ~
- 0:49Yes.
- 0:50but as we were going to & Juliet you,
- 0:52you let a bomb on me that you actually didn't know much about the show going into
- 0:55it. Correct.
- 0:57So I had heard the whole soundtrack,
- 1:00~ I knew the story based on what I had heard,
- 1:04but I didn't know what I was getting myself into.
- 1:09Which could be both good and bad depending on what kind of like theater goer
- 1:13you are.
- 1:14Yeah, I was kind of excited. Usually I'm the type of person that at least listens
- 1:19to at least two or three songs from a soundtrack.
- 1:22This soundtrack I love, obviously.
- 1:25~ So I was excited.
- 1:29which I know that we'll talk about the music in part two,
- 1:31but I do think it's interesting because this is all music you know.
- 1:34So like when you listen to it,
- 1:35you're like, that's a bop, that's a bop,
- 1:35yeah.
- 1:37that's a bop, because it's
- 1:38all pop music that everybody knows as soon as they're going into.
- 1:42So then expectations going into it were probably high.
- 1:47You were expecting a lot.
- 1:48Yes.
- 1:50I think I was expecting a lot.
- 1:54I mean, I was very excited. It's one of the shows I've been wanting to
- 1:57see for so long. So I was definitely expecting a lot.
- 2:02I mean, think some of it was met and some of it wasn't,
- 2:05but that's okay.
- 2:08So I have to say that as you know,
- 2:10but maybe the listeners don't know is that I actually saw this in New York.
- 2:14I saw it with ~ the original cast,
- 2:17though we had a few understudies.
- 2:19It was very early on. ~ It was one of those times,
- 2:22one of the first trips I went on with RJ,
- 2:25my co-host who's not here right now.
- 2:26He's currently out of the
- 2:27Ugh.
- 2:28city and having fun with his family,
- 2:30which he's allowed to do sometimes.
- 2:31~
- 2:31You
- 2:33When we went, it was one of the ones that were like,
- 2:35OK, we're just going to reach out and see if we can get press tickets.
- 2:38And we did. And so we went in.
- 2:40We were like the third row from the stage.
- 2:42We were living our best life. And this show kind of blew us out of the water.
- 2:47And I think that's a really interesting place to be because
- 2:50we had high expectations. I feel like I talked about the show very highly
- 2:54to you leading up to us going.
- 2:55I was like, this is one of the best shows you're ever going to see.
- 2:57This is a show that's definitely
- 3:01One that I love to go back to New York and see.
- 3:03I love to enjoy this show, the music,
- 3:04the storylines, the messages, they're all there.
- 3:06And I think that this is one that also sometimes gets a little
- 3:12bit lost in translation. Like I think there's pieces of this that
- 3:15get lost in translation as you're bringing it to a touring production that
- 3:19Mm-hmm.
- 3:20you almost seem like a stationary home for some of it to make sense.
- 3:23Yeah, I mean get that. It's also hard like,
- 3:26so is a jukebox musical. We love like songs that we know,
- 3:29but for an audience standpoint,
- 3:33as someone who like is not a regular theater goer,
- 3:36it's like it can't be hard to understand and like grasp
- 3:41Correct.
- 3:41what's going on.
- 3:44And I do say, I think that this does bring a specific type of people to the crowd.
- 3:48I think that there are people
- 3:49For sure.
- 3:50that are like less musically inclined than we are.
- 3:54You know what mean?
- 3:55Mm-hmm.
- 3:56Like people who are casual theater goers,
- 3:58people who are just there to like,
- 3:59But I think that's the appeal Like it's songs,
- 3:59~ for sure. Absolutely.
- 4:03you
- 4:04know, you're gonna love it
- 4:06And then you think about like the writer of the book.
- 4:08It's a David West Reed is actually a writer of Schitt's Creek.
- 4:13So it's got that comedy piece to it.
- 4:15You know what I mean? Like it has music,
- 4:17you know, it stories that you're going to laugh about,
- 4:18maybe stories that you've been poking fun at some of the people that
- 4:21are coming there. Like there's a lot of mass appeal to this.
- 4:24Um,
- 4:24Yeah.
- 4:26but when we jump into the story,
- 4:27what I love about this story is I'm pretty sure everybody who listens
- 4:31by now knows this. I'm sure you know this too,
- 4:32but I love a story that takes
- 4:35takes a story we know and then like changes it up a little bit.
- 4:38I love a twisted tale.
- 4:39Mm-hmm.
- 4:40I love a wicked. So like, Ann Juliet's right up my...
- 4:43story in a story.
- 4:44Yeah!
- 4:47So how did you feel going into the story,
- 4:49feeling that it was like the Ann,
- 4:51but maybe Juliet doesn't kill herself.
- 4:54Okay, like, love that, obviously.
- 4:57I was, so like I said, I didn't know much about going into it.
- 5:02I was curious to see how it was gonna play out once I realized that it
- 5:08was a story and a story. I'm like,
- 5:11how are we gonna end this? Like,
- 5:13that's kind of hard to do in, what,
- 5:15two and a half hours? Like,
- 5:17Yeah.
- 5:18I mean, you're not only like doing a story and a story,
- 5:20you're changing a story completely.
- 5:24Yes.
- 5:24well-known
- 5:25story.
- 5:27which I think is an
- 5:27interesting place to start too.
- 5:29Obviously, I'll start at the beginning,
- 5:30is that the story tells, it's like a frame story.
- 5:34It's the story of William and his wife who decide that they're gonna,
- 5:38well, his wife decides that they're gonna rewrite the end of Romeo and Juliet.
- 5:42And then it's a story that kind of spirals from there.
- 5:44But really it's kind of like they're stepping into the story,
- 5:48they're stepping out of the story,
- 5:49they're kind of the narrators of the story.
- 5:51But truthfully,
- 5:52you
- 5:53it's kind of this interesting,
- 5:56I can think of another way that you could tell the story like
- 5:59& Juliet without having like narrators to step in and out of the story
- 6:02if that makes sense.
- 6:04I think I did love it though. I think I loved how they did insert themselves.
- 6:07It added another layer almost.
- 6:12I'm like,
- 6:13Yeah.
- 6:13oh, we're going to stop here. But it was also the play to the audience.
- 6:17But the play to the audience on the stage,
- 6:21the players.
- 6:23Yes.
- 6:24Does it ruin the magic? Okay, so I think when I saw this in Broadway,
- 6:28I thought it was like they were magically stepping in and out of a story.
- 6:33I think here I felt a little more like it was actors who were going along with
- 6:39a feuding husband and wife to tell the story that they were kind of making up.
- 6:42I feel like it wasn't as like magical of like,
- 6:44you're stepping into like a mythical story almost.
- 6:47You know I mean? Like feel like there was a difference in that.
- 6:48Yeah,
- 6:50I think that energy, like, it definitely wasn't,
- 6:54like, magical in a sense,
- 6:57but I think, like, it's, it's quick,
- 7:00like, it's fast humor.
- 7:02Sure.
- 7:04Absolutely. Because I remember when they,
- 7:07spoiler people, when they broke the quill in the show,
- 7:10on
- 7:11Mm-hmm.
- 7:12Broadway, it felt like the magic spell had been broken.
- 7:15Where this one just felt like it was,
- 7:16Yeah. It felt like a breakup.
- 7:18yeah,
- 7:20yeah, yeah, felt like we can't write the story anymore on paper.
- 7:23It's not like we're magically writing a story into existence.
- 7:26Mm-hmm.
- 7:28But what I do love about this show is that it takes the love story trope.
- 7:33Obviously, Romeo and Juliet, even though it's the tragedy of Romeo and Juliet,
- 7:37people like to think it's a love story.
- 7:38~ But I love that they take this story and they make it like a love story
- 7:45for self-love. ~
- 7:47Thanks
- 7:48I think that I really was picking up on three different kind of stories in there,
- 7:51but I was wondering, did you kind of see that aspect of it?
- 7:53I was literally just about to say,
- 7:55was like, was it self love? Absolutely.
- 7:57But was it also like rediscovering a love
- 8:03for like a partner? Yes.
- 8:05Yeah.
- 8:06But it was also like love for everyone.
- 8:08Like one of the main, whatever,
- 8:11that's what we're here for. In the story,
- 8:15~ William's like, should May be like a girl name?
- 8:21and Anne says, is that any of your business?
- 8:24I
- 8:25Yes. Yes.
- 8:27loved that.
- 8:31I think
- 8:31it's so intelligent on how they portrayed love.
- 8:34it's, right. There is still romantic love because Romeo is still like
- 8:38a pursuing Juliet. Spoiler alert,
- 8:40he comes back people. ~ And then there's also Juliet
- 8:42It's not good.
- 8:44and Frankie and there's Frankie and May and there's Anne and there's Shakespeare.
- 8:48But a lot of them go on this like journey of like trying to find themselves.
- 8:51You Juliet, she runs away because she doesn't want to go to a convent.
- 8:54And she ends up trying to get married to Frankie because she doesn't want to.
- 8:56And she almost goes through with it until Frankie's like,
- 8:59I gotta love myself more in this girl.
- 9:01And Julia ends up loving herself enough to be like,
- 9:03Romeo, we're not getting back together right away.
- 9:05Like we can date.
- 9:06Mm-hmm.
- 9:06We can find ourselves again. ~
- 9:08Yeah.
- 9:09I feel like this is even mirrored in Anne's story too,
- 9:11where she's like, I've never been anybody but Shakespeare's wife.
- 9:16Like, who am I?
- 9:18like
- 9:20which is great
- 9:20Yeah.
- 9:21that's a great love that for you but you can be so much more
- 9:26Yes. Which I think, to your point,
- 9:29when you argue about it, like May's storyline really does reflect that because
- 9:35May is all about accepting themselves and all about having people accept them
- 9:41and not being put into a box. Like,
- 9:43I feel like it's the most apparent example of that kind
- 9:49of acceptance that we see throughout the show.
- 9:51⁓ I loved the bathroom scene where know,
- 9:55May just taken a second and at the end ⁓ he's like,
- 10:01Juliet will you still love me?
- 10:02⁓ Of course! ⁓
- 10:03Yes.
- 10:04Of course she does! That's how it should
- 10:07It doesn't even question it.
- 10:08be. ⁓ No, not even, it's not even a thought in her head like,
- 10:11⁓ do I love you because you're different or do I not love
- 10:14you because you're different? Not at all.
- 10:16⁓
- 10:18I remember being in Broadway and when that
- 10:20you
- 10:21scene happened and then we had May sing,
- 10:23not a girl and they get a woman,
- 10:25there was three people in front of us who could not stop
- 10:28laughing. They were straight up chuckling so much that they had
- 10:31to cover their mouths. And I think that what I loved about the Fisher Theater
- 10:35is that we didn't have people chuckling.
- 10:37This wasn't like ~ a point where like,
- 10:39I feel like it felt more accepting in that moment of being like the,
- 10:41Yeah.
- 10:41we're
- 10:43all just here on this earth, we're all on a spinning.
- 10:47ball of land around us, ball of sun.
- 10:50Like, why does it matter who you want to be or who you want to love?
- 10:50Yeah. Yeah.
- 10:55I did love that. I loved the breakaway and then right back into the song.
- 11:00it's so good.
- 11:03As I say, feel like May was the one character you connected with the
- 11:06you
- 11:06most.
- 11:07I'm about it.
- 11:09just like loved...
- 11:12authentic they were even when they were lying to their best friend honestly about
- 11:19hey you're
- 11:20Yeah.
- 11:20to me with.
- 11:23It was just like trying to be a friend but trying to balance like their selves
- 11:30at the same time.
- 11:32Which I would argue, I'm not gonna disclose too much about your life here,
- 11:36but I feel like that's who you are as a person though.
- 11:38I feel like you
- 11:38100%.
- 11:40try to find that balance of like,
- 11:41love you as a person, but also I'm trying to respect myself here.
- 11:44Yeah, and boundaries are hard.
- 11:46Space is hard.
- 11:49It's true,
- 11:49and may have some trouble with boundaries here.
- 11:52But they all kind of have boundaries
- 11:53For sure.
- 11:54issues if you think about it.
- 11:57I have to say that for some reason,
- 11:58the storyline that I'm always drawn to is that of Anne's,
- 12:03which I don't know if it's because Anne's always seems a little older than these
- 12:05other people, like a little more mature,
- 12:07a little more, but like to see her kind of like be in a relationship
- 12:11and have been in a relationship that's like not working and then either,
- 12:15and choose like, choose yourself,
- 12:16but then also choose to like, maybe we can refocus on that love.
- 12:19Like there's so much maturity to that.
- 12:21I think that she brings a lot of maturity to the show.
- 12:24And I just love the journey that Anne goes on from very early,
- 12:28almost like whimsical, I just want to drink,
- 12:30I want to party, I want to have fun,
- 12:31to the end, actively choosing both herself and William.
- 12:38Well that like I loved her journey honestly like her finding
- 12:42her own identity again because she's at home while William is out with
- 12:48her what three kids I think it was
- 12:50Yeah.
- 12:51with her three kids so all she knows about her identity is to be a mother so
- 12:56Yeah.
- 12:57when she finally gets into like writing this new story it's like a whole
- 13:02new journey for her and it's almost like she starts over a
- 13:07Like she's learning how to be a friend because she writes herself in
- 13:10as one of Juliet's best
- 13:11Yeah.
- 13:11friends. Like so she's learning how to be a friend.
- 13:14She's learning how to be like good and bad.
- 13:20So it's like a whole new journey for her all over again.
- 13:23And along the way, she gets that moment with me of learning how to think
- 13:28of somebody else before yourself.
- 13:30But she also gets Juliet's bit of like,
- 13:32I don't want to call Juliet selfish.
- 13:34That's not what I mean. But I can't think of another word where
- 13:37she actively is like, no, I'm not going to do this again.
- 13:40No, I'm not
- 13:41Mm-hmm.
- 13:42going to a convent. I'm not going to go be a nun.
- 13:44I'm not going to do these things.
- 13:46And there's that little bit of like...
- 13:48stubbornness maybe and she and I love that Anne gets to see that too and be like,
- 13:51these are things that you're allowed to have.
- 13:55Well, it's
- 13:55like she was writing it in for Juliet at first and then towards the end
- 14:00I feel like it was especially at the beginning of Act 2 like Anne
- 14:07and William are both like fighting
- 14:10Yeah.
- 14:10using
- 14:12Romeo and Juliet against each other but I feel like towards the end
- 14:16it was actually like no, is writing her story and now we have four lines
- 14:20now we have Anne, Juliet, Romeo,
- 14:23and William
- 14:24Yeah.
- 14:26Yes.
- 14:28Speaking of Romeo, I always love Romeo too.
- 14:31I don't know what it is about the character.
- 14:34I loved it so much.
- 14:36Okay, okay,
- 14:36okay. I just had to make sure that I wasn't the only one here.
- 14:39Like, he's kind of douchey, but like,
- 14:41in a very sweet way.
- 14:43So I kind of expected to see rum-
- 14:47Okay.
- 14:47storyline
- 14:48at least like flashbacks something like somewhere
- 14:53so to not see him until almost halfway through that was like
- 14:59a breath of fresh air again I was like
- 15:02Yeah.
- 15:02oh my god like who are
- 15:05I loved it.
- 15:07And I think he's such a cool plot point too,
- 15:09because like, you know, listeners,
- 15:10if you haven't seen it and you want to know,
- 15:12we get to the point where Juliet goes to Paris,
- 15:15she finds Frankie, she's going to get married to Frankie because she doesn't want
- 15:18to go back to her home and be in a nunnery.
- 15:21And Juliet,
- 15:24mean, and ~ Shakespeare doesn't like this,
- 15:26that his story is being taken over.
- 15:28So he resurrects Romeo. And it's in this moment where,
- 15:33when I saw it the first time, Kylie,
- 15:35I shit you not, my jaw was on the ground.
- 15:36Hahaha
- 15:37I literally was just staring
- 15:38at the stage like, this is the best thing I've ever seen.
- 15:41What the fuck is going on? Like.
- 15:43Literally,
- 15:44literally. And like, I don't know if you caught this,
- 15:46but in the beginning, Romeo lays his jacket down.
- 15:52Yes.
- 15:54stole or whatever it is. He lays it down and I loved how when he came back
- 16:00to life he picked it up again.
- 16:02It was like, nope, I'm back right where I left off.
- 16:08It's so smart.
- 16:09It felt like time travel a little bit to me.
- 16:13like, those are the things about the show that I feel so well put together
- 16:16is that like, it's a very convoluted story when you sit and think about it.
- 16:21If like you were to boil it down to the pieces,
- 16:23which when I was trying to write this up,
- 16:24I was like, how do you describe this show?
- 16:26~ But when you start to take the pieces,
- 16:29like when you look at it, you're like,
- 16:30this is a soap opera for teens,
- 16:33but also the pieces are so intricate that you almost,
- 16:36there's nothing you could really take out to make it make sense,
- 16:39you know?
- 16:40Even talking about it now, like,
- 16:42yeah, there's that. my god, wait,
- 16:44there's that. The more you break it down,
- 16:47the more there's like, later after like...
- 16:51Yeah, I mean, for example, we didn't even talk about ~ the maid,
- 16:55the ~ angelique. Yeah.
- 16:57Angelique? my gosh. my gosh,
- 16:59She's so good.
- 17:01she is
- 17:02so good. She, I wish,
- 17:05And she has her own romance?
- 17:07I know, an unexpected one at that.
- 17:10she was to go 600 miles away to only
- 17:16go back to the exact same place and run into the exact same person like
- 17:21if that's not divine
- 17:22No way.
- 17:23timing I don't know what else
- 17:25Yeah, and I love that she was kind of like the old love in this too,
- 17:28where she's just like, you get a second chance.
- 17:30And she's kind of framing it to Juliet that like,
- 17:33sometimes life brings you things.
- 17:35And I don't think that Juliet would maybe even have accepted Romeo back into
- 17:38her life if it wasn't for Angelique and Lance.
- 17:44You know, but I think even for Romeo and for herself,
- 17:49like, Angelique was against it completely.
- 17:55Was like, nope, you're not gonna love me.
- 17:58I have to take care of Julia. I can't do this.
- 18:01you have to love me right
- 18:04Yeah.
- 18:04which was so good.
- 18:07And like that's these, all these pieces come together and it does make
- 18:13a really good story. Like I will say this.
- 18:15Does it give you the message of love and acceptance?
- 18:17Yes. Are there some people
- 18:19no.
- 18:19who are going to probably think that it's maybe a little bit bash over the head?
- 18:22Yes. But I think that's the charm of what & Juliet is,
- 18:24is that the story is, it's charming.
- 18:28It is charming to watch the show.
- 18:29Yeah.
- 18:32Well, and it's like, are we breaking it down?
- 18:34Yes. Is there so many layers behind it?
- 18:36Yes. If you're a normal person,
- 18:39do you have to do that? No. Like you can just take it at face value and be like,
- 18:44this person went on their own journey and this person went on their journey
- 18:47and everyone loves each other.
- 18:48Like it
- 18:50Absolutely.
- 18:51doesn't have to be crazy.
- 18:54Is there any stories that you didn't like in the show?
- 18:57~
- 18:58know if it was just like Frankie right
- 19:02at first I just I think
- 19:06I wanted more from him right at first but I don't know if that
- 19:11was just like the storyline or what but
- 19:18I think I wanted more from him at first and I'm gonna got we got there obviously
- 19:25I also think that Frankie's storyline is the hardest to get behind,
- 19:28because I think that he is, and this is where I struggle,
- 19:31so he feels villainous without being the villain.
- 19:37at all? Well, maybe a little.
- 19:38Yeah, because... Well...
- 19:42And like, if I think about it actually,
- 19:44I think it's more like he's the villain in his own story almost,
- 19:51like he's hiding behind himself.
- 19:52And so like that's how it presents.
- 19:56Like he doesn't want to disappoint his father,
- 20:00you know?
- 20:02And that's what it truly is. I think that the worst that I think that he's done is
- 20:08rejecting May. You know what mean?
- 20:11Like, I think...
- 20:11But it wasn't even
- 20:12like rejecting me, it was like,
- 20:14you played me. You made me feel like a joke.
- 20:18Yes, and that is not great. That's not a great feeling.
- 20:22But also when you think about how young they are,
- 20:23we've all did stupid stuff when we were young,
- 20:26especially in the name of love.
- 20:31You're like, don't remind me.
- 20:33I'm like don't bring me back to those years.
- 20:37I think that that is still the only storyline the second time seeing
- 20:40it that I really did not connect with the way I wanted to was because I really,
- 20:45I think that I also, this is nothing against Noah Marlowe,
- 20:49who plays Francois. We had an understudy in New York for Frankie,
- 20:55who was giving a thousand and 10%.
- 20:58And so the char, the geekiness came off as charming in a way.
- 21:02And this one, I think Frankie has written a little standoffish like,
- 21:07almost dare I say like autistic coded,
- 21:11you know what I mean? Like just very much like kind of blunt in a
- 21:15way that he doesn't mean to, but he also doesn't just have
- 21:16Mm-hmm.
- 21:16the words to say what he wants to say.
- 21:18I think that more. just don't think he knows how to say what he wants to say.
- 21:22Like he's, I think he's so worried about like disappointing his father,
- 21:28you know, his brothers have gone off to war.
- 21:31You know, he's following these footsteps so he just doesn't know how to get past the
- 21:39Yeah. And I think it also, I think the only other person that felt
- 21:44a little more villainous in this,
- 21:45and I say this with, we had a great Shakespeare in New York.
- 21:49We had a great Shakespeare here.
- 21:50I feel like this Shakespeare was
- 21:51Dylan.
- 21:52a very villainous. He was kind of a dick.
- 21:55felt that way too. Like, why are you so stuck in your ways that you can't
- 22:02let your be anything more? Like,
- 22:05why are you good to do it all?
- 22:07Yeah, I'm... And it's interesting,
- 22:11because I'm really interested in how Drew's doing it.
- 22:13Our BFF, Drew's doing it on Broadway.
- 22:15Because I'm wondering how he's portraying it,
- 22:16Drew Gehling, have to see you,
- 22:18angel.
- 22:22if it's a little more
- 22:22goofy, because he's got that little bit of goofy charm to him.
- 22:25~ But CJ Eldred did such a good villain in Shakespeare that
- 22:31you actually kind of hate him even in the end.
- 22:33You're like, you're kind of awful.
- 22:35Like, you're kind of a bad person.
- 22:37Okay, so I didn't hate on him yet,
- 22:39but he was pissing me off.
- 22:42Ha ha!
- 22:42I was like, why can't she be a person too?
- 22:46But then at the end it was like,
- 22:50he's explaining his actual love for her and having empathy.
- 22:57I'm like, that's your wife, bro.
- 22:59Love her.
- 23:00Yeah, the father.
- 23:03I would say the father of your children,
- 23:05but she's the mother of your children.
- 23:08Literally
- 23:09You know, I think that it's interesting when you look at something like recently
- 23:12the movie Hamnet that came out and you find out that maybe they lost a kid.
- 23:15was that a part of this? And then it's not explained that like
- 23:19he was distancing himself because he couldn't handle the emotions.
- 23:22But also I think that it doesn't matter for the story of Anjuli yet.
- 23:26Like you needed somebody
- 23:27No.
- 23:27who is a little more villainous and he took on that role of being like slightly
- 23:32gaslighting his wife, you know?
- 23:34It's my way or the highway.
- 23:36Yeah. And listen, Backstreet Boys
- 23:39don't always get it their way.
- 23:42which I did love that though, it was pretty good.
- 23:46~ But with that, are actually running out of time,
- 23:48so stay tuned to our closing episode of the & Juliet discussion.
- 23:52But before we let you go, did you enjoy the story of & Juliet?
- 23:55Who was your favorite character?
- 23:56Let us know in the comments. Thank you again for
- 23:58Thanks
- 23:58joining us here in our box seats.
- 24:00Until next curtain call.