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John Singleton Interview and more · The Breakfast Club

• 0:01
  Speaker 1: Jo Waldmost Standrous Morning Show, The Breakfast Club Clubut y'all together,
• 0:08
  Speaker 1: y'all are like a manga for us. Y'all just took
• 0:11
  Speaker 1: over him with what's your podcast? Chris Brown, I've officially
• 0:15
  Speaker 1: joined the Breakfast Club Say something, Mother, I'm with it, Smoke,
• 0:18
  Speaker 1: Standrous Morning Show, Brislas Club Pies, Good morning Usa, yo
• 0:37
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:39
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:41
  Speaker 1: yo yo yo yo yo yo yo. Good morning Angela
• 0:44
  Speaker 1: yet piece of the plane it is today. Look, I
• 0:50
  Speaker 1: can't do too much uh inflection of stuff today because
• 0:53
  Speaker 1: I got a wisdom toothfool just I was wondering, what
• 0:55
  Speaker 1: the hell you have no base in your voice? I had,
• 0:57
  Speaker 1: yo yo yo, had a wisdom tooth in side of
• 1:00
  Speaker 1: my gum. It hadn't came all the way out yet,
• 1:03
  Speaker 1: and it had a cavity in it. I don't even
• 1:05
  Speaker 1: know how that happened. Oh, yeah, you gotta just get
• 1:07
  Speaker 1: rid of that. Yeah, they came and they had to
• 1:08
  Speaker 1: cut me open yesterday. I wasn't supposed to get cut
• 1:10
  Speaker 1: out till April, but I couldn't take the pain. They
• 1:13
  Speaker 1: cut it out yesterday. I actually got all far my wisdom,
• 1:16
  Speaker 1: teeth and moved at the same time. Thing I got. Now,
• 1:19
  Speaker 1: I think I'm undone, But if you do it, I
• 1:21
  Speaker 1: feel like it's worth it to just do all of
• 1:23
  Speaker 1: them at once. It feels like it only happens when
• 1:25
  Speaker 1: you have something important to do, or you have a
• 1:27
  Speaker 1: flight in that pain in that air makes you feel
• 1:29
  Speaker 1: a whole lot more. You got a book coming out,
• 1:31
  Speaker 1: and you got to go on your book talk the
• 1:33
  Speaker 1: next a couple of weeks, and you gotta do speaking,
• 1:34
  Speaker 1: a lot of speaking, engaged speaking, engagement stuff. But it's
• 1:37
  Speaker 1: cool though, I mean, got it out. I did get
• 1:38
  Speaker 1: it out yesterday, all right, I got ireprof an eight
• 1:41
  Speaker 1: hundred milligrams and what I said, that's right, Hyer, just
• 1:47
  Speaker 1: laughing the way he talks. No, I think you thought
• 1:49
  Speaker 1: I mispronounced no, no no, no, just the way you talk.
• 1:51
  Speaker 1: I'm just laughing at the way you're talking. I got okay,
• 1:55
  Speaker 1: yeah what you just said? Yeah, No I need I
• 1:59
  Speaker 1: don't think I need Viking because I was in real
• 2:00
  Speaker 1: bad pain yesterday when it first got done. But I
• 2:05
  Speaker 1: was cool after last night, after I popped a couple
• 2:08
  Speaker 1: of our proofs. All right, good for you. I want
• 2:10
  Speaker 1: to go see this movie yesterday called Deuces. I was
• 2:13
  Speaker 1: at Screaming with Lorenz Tate, making Good Lance grossa ro
• 2:16
  Speaker 1: Timmy Rot Timmy with his parents. A matter of fact,
• 2:19
  Speaker 1: Roll Timmy invited to me. That invited me to that yesterday.
• 2:22
  Speaker 1: What is this? Queen Latifa executive produced it for Flavor
• 2:26
  Speaker 1: Unit Entertainments making good in Yep, I got to see that.
• 2:29
  Speaker 1: That was a movie. I was good. You guys definitely
• 2:31
  Speaker 1: got to see it. An Antonique Smith is in it?
• 2:33
  Speaker 1: Lies in it? Okay, rely, yeah, never heard of it yet? Okay, okay, okay,
• 2:40
  Speaker 1: all right, Well, John Singleton will be joining US Movies.
• 2:45
  Speaker 1: Dropped on a clues bomb for John Singleton, og film director.
• 2:49
  Speaker 1: If you're young and don't know who John Singleton is,
• 2:51
  Speaker 1: I'm sure you know how you're learning. I'm sure no
• 2:53
  Speaker 1: poetic justice. I was gonna say Boys in the Hood
• 2:55
  Speaker 1: for last, but yeah, I'm sure you know all of
• 2:58
  Speaker 1: those films rose Wood, Um, Hustling, Flow, Chaft, Shaft. I
• 3:06
  Speaker 1: was good though. Why wouldn't they have seen Shaft? That
• 3:10
  Speaker 1: was Boys in the Hood? Boy that was first? Yeah,
• 3:13
  Speaker 1: but Boys in the Hood plays all the time on rerun.
• 3:16
  Speaker 1: Boy Hood's on beh one all the time. It's gonna
• 3:18
  Speaker 1: bet are like, they're all we playing boyd and I
• 3:20
  Speaker 1: used to see I don't see this much anymore. Singleton
• 3:23
  Speaker 1: actually has also directed a couple of episodes. He did Empire.
• 3:27
  Speaker 1: He did an episode of Empire any Day that people
• 3:29
  Speaker 1: versus O. J. Simpson. What chaff youre talking about? I'm
• 3:31
  Speaker 1: talking about The Shaft with Samuel Jackson and Buff the Runts.
• 3:33
  Speaker 1: That's what That's all. I won't be seeing that one
• 3:36
  Speaker 1: on TV now. We used to be on all the time.
• 3:38
  Speaker 1: All right, let's get the show cracking. Front page news.
• 3:40
  Speaker 1: What we're talking about, Well, we'll talk about Flint, you know,
• 3:43
  Speaker 1: the city of Flint and the water that's contaminated. We'll
• 3:47
  Speaker 1: tell you what they have to do in this lawsuits
• 3:49
  Speaker 1: settlement for Michigan. Also in Maryland, some parents actually foiled
• 3:54
  Speaker 1: a plot that their daughter was planning to do. Okay,
• 3:57
  Speaker 1: we'll get into all that when we come back. Keep
• 3:59
  Speaker 1: it locked. This to break was club. Come on in
• 4:00
  Speaker 1: his drake, it's fake love. Get your ass up some
• 4:03
  Speaker 1: front page news. Now, are you're a Raiders fan? Nope,
• 4:07
  Speaker 1: I'm not, because if you're you know, my girl Luria
• 4:11
  Speaker 1: is a Raiders fan. She always has her Raiders jacket
• 4:13
  Speaker 1: and she used to fly out to go to the games.
• 4:14
  Speaker 1: But why it looks like they're moving to Vegas, so
• 4:17
  Speaker 1: I wonder if she's still going to stay. She was
• 4:19
  Speaker 1: upset about it, but I said, Vegas starting from Oakland,
• 4:21
  Speaker 1: so why would she even care? Who did she used
• 4:23
  Speaker 1: to date on the Raiders Nobody? I don't know why.
• 4:25
  Speaker 1: I think her ex boyfriend was a Raiders fan and
• 4:28
  Speaker 1: then she just continued it on because they used to
• 4:30
  Speaker 1: go to ral Yeah, was he from the Bay, No,
• 4:33
  Speaker 1: there's a lot, there's a lot of Raiders fan I
• 4:35
  Speaker 1: don't know why wearing the jacket. That's probably back yeah, yeah, yeah,
• 4:40
  Speaker 1: Well they are moving to Las Vegas. I don't know
• 4:42
  Speaker 1: how this affects you or I'm sure it was a
• 4:44
  Speaker 1: tax reason why they've done that. So if you're a
• 4:45
  Speaker 1: Oakland Raiders fan, now you're a Las Vegas. Nothing about
• 4:48
  Speaker 1: Vegas say football town, by the way, nothing. I don't
• 4:51
  Speaker 1: think any Vegas says sports franchise period, But hey, what
• 4:54
  Speaker 1: do I know? But I guess there's always a lot
• 4:56
  Speaker 1: of people out there. So now you can go to
• 4:57
  Speaker 1: the games if you're happen to be in Vegas. That's
• 5:00
  Speaker 1: another fun thing to do. I don't even like being
• 5:01
  Speaker 1: in Veggas more than two days. Yeah, I mean a
• 5:03
  Speaker 1: lot of people out fund in Vegas. UNLV's out there
• 5:05
  Speaker 1: and a lot of people go to those games. I
• 5:07
  Speaker 1: can see that being a big deal in Vegas. Yeah. Well,
• 5:09
  Speaker 1: let's talk about Flint, Michigan. All right. Well, in Flint, Michigan,
• 5:13
  Speaker 1: Michigan is paying nearly one hundred million dollars in a
• 5:16
  Speaker 1: lawsuit settlement they are setting aside that money that's all
• 5:19
  Speaker 1: for lead or gap. Well, this is actually just to
• 5:21
  Speaker 1: replace the water lines. So the state is going to
• 5:24
  Speaker 1: cover the cost of replacing water lines that are the
• 5:26
  Speaker 1: pipes that connect the household plumbing to the main distribution
• 5:29
  Speaker 1: pipe that runs underneath the street for at least eighteen
• 5:32
  Speaker 1: thousand households. But get this, it's not until twenty twenty
• 5:35
  Speaker 1: that all of those households will have this. So the
• 5:38
  Speaker 1: way it's broken down is just going to be a
• 5:40
  Speaker 1: minimum of six thousand households by twenty eighteen, twelve thousand
• 5:43
  Speaker 1: by the next year, and finally all eighteen thousand households
• 5:46
  Speaker 1: by twenty twenty. I mean, are you going to give
• 5:49
  Speaker 1: them back paid for all the years that they was
• 5:50
  Speaker 1: drinking filthy, dirty water, disturbing that it's going to take
• 5:53
  Speaker 1: that long. And they also are going to hire an
• 5:55
  Speaker 1: independent third party that's going to test and monetary sampling
• 5:58
  Speaker 1: of at least one hundred home for at least three years,
• 6:01
  Speaker 1: so they'd be testing the water to make sure that
• 6:03
  Speaker 1: this all worked out. What were the officials in Flint
• 6:05
  Speaker 1: drink like the people who act like the government officials
• 6:08
  Speaker 1: in Flint probably bought a water Yeah. A couple of
• 6:12
  Speaker 1: people talk about how difficult it is just because they
• 6:15
  Speaker 1: can't even do basic things and without having water? Can
• 6:19
  Speaker 1: the city? Can the people in the city do it
• 6:21
  Speaker 1: like a class action lawsuit against the government officials there?
• 6:25
  Speaker 1: They had been Can you imagine how sick some people
• 6:27
  Speaker 1: have been from the water? Yeah? Now let's talk about
• 6:30
  Speaker 1: these parents stopping their daughter. Now imagine this. Okay, So
• 6:35
  Speaker 1: this father read his daughter's diary and found out that
• 6:38
  Speaker 1: she was planning to bomb her school, so he actually
• 6:43
  Speaker 1: ended up turning her in. Now, the police do believe
• 6:45
  Speaker 1: those diary entries were not empty, that she was an
• 6:47
  Speaker 1: honored student, and this was in Federck County, Maryland. She's
• 6:51
  Speaker 1: eighteen years old. Nicole Savario. She had bomb making materials
• 6:55
  Speaker 1: and she had a shotgun. Really right, she was eighteen wow,
• 6:59
  Speaker 1: not that she actually had this people, she had the
• 7:02
  Speaker 1: date anything that she was planning to do this April fifth.
• 7:05
  Speaker 1: She wrote about her plans in detail, and they found
• 7:09
  Speaker 1: a twelve gage shotgun with ammunition, bomb making materials, including
• 7:12
  Speaker 1: pipes with end caps. They found fireworks, magnesium tape, fuse material,
• 7:17
  Speaker 1: all of those things and they will all purchased legally,
• 7:19
  Speaker 1: by the way, And she just basically had this planned
• 7:22
  Speaker 1: out that they said, there's obvious that she has some
• 7:24
  Speaker 1: psychological issues. So she is actually now going to be
• 7:28
  Speaker 1: They have her in a hospital. They're investigating her mental
• 7:32
  Speaker 1: health issues, and when she is released from there, she
• 7:35
  Speaker 1: is going to be charged with possession of explosive and
• 7:37
  Speaker 1: incendiary material with intend to create a destructive device. That
• 7:43
  Speaker 1: I was I don't know about turning her in because
• 7:45
  Speaker 1: you know, she's going to jail, okay, but she has
• 7:48
  Speaker 1: some problems, maybe making a goal to a doctor, maybe
• 7:51
  Speaker 1: going to a psych ward, but she's going to jail.
• 7:53
  Speaker 1: This is my problem. I hate when people like that,
• 7:55
  Speaker 1: they say that they have psychological problems. You had no
• 7:58
  Speaker 1: psychological problems when you were doing all plotting and planning.
• 8:00
  Speaker 1: That sounds like MC guy. But GI Joe, you got
• 8:02
  Speaker 1: a whole full fledged plan going on over there. All
• 8:05
  Speaker 1: of a sudden you got psychological problems. You might have
• 8:07
  Speaker 1: had those sounds like a great plotting plan to me
• 8:09
  Speaker 1: to blow up a school. You had it all figured out,
• 8:11
  Speaker 1: But all of a sudden you dump of a psychological
• 8:14
  Speaker 1: doesn't mean you're dumb or whatever. You're crazy now all
• 8:16
  Speaker 1: of a sudd you want to play crazy. There had
• 8:18
  Speaker 1: some problems up there with the joker crazy, so you
• 8:21
  Speaker 1: wouldn't whatever, You wouldn't what you're saying, not to go
• 8:25
  Speaker 1: to jail man, What do you do? You just leave it? No,
• 8:28
  Speaker 1: I just say leave it a load. You take it
• 8:30
  Speaker 1: to psychologist, you take it to a psych ward, you
• 8:31
  Speaker 1: take it to something else. But she she might have
• 8:34
  Speaker 1: to do ten fifteen years in prison. By the way,
• 8:36
  Speaker 1: every terrorist, every everybody that has done some dastardly deed
• 8:40
  Speaker 1: throughout you know, society, throughout our country over the years,
• 8:43
  Speaker 1: blowing things up with somebody's child. So it don't matter. Yeah,
• 8:46
  Speaker 1: but there was somebody's show. Absolutely, Sometimes your child goes
• 8:49
  Speaker 1: to crater has nothing to do with you. Your child
• 8:51
  Speaker 1: breaks the law, your child got to go to jail.
• 8:53
  Speaker 1: I understand she didn't break the lawyer yet, and I
• 8:54
  Speaker 1: think she's about to she. I think she might have
• 8:56
  Speaker 1: had some mental problems. It's a difference between having a
• 8:58
  Speaker 1: mental problem and possibly being a terroist and doing it
• 9:01
  Speaker 1: for a different reason. That plane angela ye laid out
• 9:04
  Speaker 1: just now is not sound like someone with mental problems.
• 9:07
  Speaker 1: That sounds like someone who knows exactly what they're doing.
• 9:10
  Speaker 1: Well Atlas, she's off the street. Yes, you gotta go
• 9:13
  Speaker 1: somewhere Atlici's off the street, but that's front page news.
• 9:15
  Speaker 1: Tell them why you're mad eight hundred five eight five
• 9:18
  Speaker 1: one oh five one. If you're upset, you need to
• 9:20
  Speaker 1: vent call us right now. Maybe you had a bad night,
• 9:23
  Speaker 1: bad morning, whatever it may be. Tell them why you're mad. Also,
• 9:26
  Speaker 1: you can tell them why you're blessed out. Maybe you
• 9:28
  Speaker 1: celebrate your birthday, Maybe you had a great morning. Well,
• 9:32
  Speaker 1: phone lines are open for you as well. Call us now.
• 9:34
  Speaker 1: It's the breakfast club the morning, the breakfast club. Hey, yox,
• 9:41
  Speaker 1: you know what makes me mad? But the truth can't
• 9:44
  Speaker 1: handle the truth. I tell them why you mad on
• 9:46
  Speaker 1: the breakfast club. Hello, who's this scout. Tell them why
• 9:52
  Speaker 1: you mad brom that messed up the best thing I
• 9:55
  Speaker 1: ever happened to their name Diana Nagy and I love
• 10:01
  Speaker 1: you girl. How long y'all been broke up? We've been
• 10:04
  Speaker 1: broke up three months? Now? You know what do you do?
• 10:07
  Speaker 1: How'd you mess that up? Oh? Crap, mane, I don't know.
• 10:10
  Speaker 1: I don't know. It's my selfish ways, you know what
• 10:13
  Speaker 1: I mean? I guess I don't want to be like Charlemagne. Man,
• 10:15
  Speaker 1: what the hell you mean? You don't want to be
• 10:17
  Speaker 1: like me? I'm married me basketball, I've been married. I'm
• 10:22
  Speaker 1: married to the girl I've been over eighteen nineteen years.
• 10:24
  Speaker 1: I ain't messed my good woman upteen years down. Yeah
• 10:28
  Speaker 1: now now your dumb ass, now you all alone on
• 10:30
  Speaker 1: your island. Definitely, I want to be just like you. Man,
• 10:33
  Speaker 1: yeast see your fast things changed? Hello? Who's this? Sa? Man?
• 10:39
  Speaker 1: It's the man I'm saying, trying to get to work
• 10:42
  Speaker 1: early in the morning. Man, it's dude like Framlone breaks
• 10:45
  Speaker 1: early and the ChIL I'm saying early in traffic and
• 10:48
  Speaker 1: I'm trying to yield over or whatever. We just passed
• 10:50
  Speaker 1: the undercover state troop A cop right here on the
• 10:52
  Speaker 1: side of the road or whatever, coming to far. No,
• 10:55
  Speaker 1: he got legal character whatever, So I mean, hey, that's
• 10:58
  Speaker 1: one hell y'all got pulled over. He got he got.
• 11:04
  Speaker 1: Well the thing about being two black men in the
• 11:06
  Speaker 1: car when y'all get pulled over, both of y'all got
• 11:08
  Speaker 1: the potential to get shot. So don't be just throwing
• 11:10
  Speaker 1: it all our head exactly exactly. What's up, y'all have
• 11:15
  Speaker 1: a good mo bro, be safe out there. You're so hello?
• 11:18
  Speaker 1: Who's that you? You year? My brother? How you all?
• 11:26
  Speaker 1: What's your name? Bro? This word man? You know who
• 11:31
  Speaker 1: it is. Y'all get out this morning before y'all sucking cocky.
• 11:37
  Speaker 1: You took a shower, you know what just happening to
• 11:39
  Speaker 1: the shower, brushed the brushed our teeth and whatnot. Why
• 11:42
  Speaker 1: are you mad? Bro? I ain't mad. I'm like I
• 11:48
  Speaker 1: want you had that same energy if you ever see
• 11:50
  Speaker 1: you in the street, don't clam up. Of course. Well,
• 11:53
  Speaker 1: I rock thousand dollars shoes, why now, smooth, oh boy records?
• 11:59
  Speaker 1: You know that thousand dollars shoes with no petticillt shoes.
• 12:04
  Speaker 1: I'm showing them shoes and fake look like Adrian bruners,
• 12:07
  Speaker 1: but you got a thousand dollars shoes on my goodness?
• 12:10
  Speaker 1: Tell them why you mad? Eight hundred and five eighty five,
• 12:12
  Speaker 1: one oh five one. If you're upset you need to vent,
• 12:15
  Speaker 1: call us now. It's the Breakfast Club the morning. Matter
• 12:17
  Speaker 1: of fact, tell them why you blessed? If you're blessed
• 12:18
  Speaker 1: your birthday, you want to spread some positivity, call us now,
• 12:22
  Speaker 1: Breakfast Club the Morning, the Breakfast Club. Listenka, are you blessing?
• 12:31
  Speaker 1: Highly favorite? I feel blessed? Tell the congregation at eight
• 12:34
  Speaker 1: hundred and five eighty five, one five one, it's the
• 12:38
  Speaker 1: Breakfast Club. Hello. Who's this year? Butterfly from days you?
• 12:48
  Speaker 1: I miss you, Envy? Why are you bless Mama? All?
• 12:52
  Speaker 1: I tell you my daughter got me. I get for
• 12:55
  Speaker 1: Yallas for my birthday, which was really nice, and she
• 12:58
  Speaker 1: goes all this fool for me. That was one Saturday
• 13:01
  Speaker 1: for my birthday with yesterday rain, Happy birthday, thank you.
• 13:05
  Speaker 1: A lot of people came through, but I wanted my
• 13:08
  Speaker 1: friend Rudy that come through, and he didn't even show up.
• 13:11
  Speaker 1: What is that Your boots ain't supposed to be my
• 13:16
  Speaker 1: boom thing? But listen, listen, he didn't even show up
• 13:22
  Speaker 1: and it's the first birthday that I ever spent sober,
• 13:25
  Speaker 1: no drinking, no smoking, and he didn't show up. I'm
• 13:30
  Speaker 1: gonna be honest with you, Butterfly. You don't really show
• 13:33
  Speaker 1: up to your side chick's birthdays and whatnot. You know
• 13:35
  Speaker 1: what I'm saying, you might sit a little text or something.
• 13:37
  Speaker 1: The boy I can't with your mom. So now, now,
• 13:41
  Speaker 1: what's up with you with Rudy. I don't even know
• 13:44
  Speaker 1: because look, he don't answer his phone. It's gone. I
• 13:49
  Speaker 1: know what I know, Butterfly, I'm coming. He trought you.
• 13:54
  Speaker 1: I'm gonna be honest with he went somewhere else. I'm
• 13:56
  Speaker 1: not not at one, but I wouldn't appreciated he showed up.
• 14:00
  Speaker 1: And now you can't never messing him again. It's a
• 14:04
  Speaker 1: I'm gonna tell you that, baby, You're a butterfly to me,
• 14:07
  Speaker 1: but you a caterpill moody. I like being butterfly, man,
• 14:10
  Speaker 1: I love being by myself, but I would have loved
• 14:13
  Speaker 1: their bruty came through. It's about that also. I'm throwing
• 14:16
  Speaker 1: it out there. You listen, you're a butterfly to us,
• 14:20
  Speaker 1: put you a caterpillar to Rudy Booth. All right, but
• 14:23
  Speaker 1: okay for calling. All right, don't forget fatherless son, fatherless son.
• 14:29
  Speaker 1: That's right, how DVD? I don't movie? She did? She did? Oh?
• 14:35
  Speaker 1: Got you? All right? Mama? I right betterfly Hello? Who's
• 14:38
  Speaker 1: This'll tell them? Why you blessed? Along? They three? What's happening? Hey?
• 14:45
  Speaker 1: One time for them gamecocks, baby time? You already know
• 14:50
  Speaker 1: the lady game Cocks and the man Gamecocks both from
• 14:53
  Speaker 1: the final four. Hem you know, and league be alright,
• 14:59
  Speaker 1: Louis louisvie Louie's people's right there? Hey, man, Hey, this
• 15:06
  Speaker 1: is big for the shitty man. I just had to
• 15:08
  Speaker 1: call in getting off work, just wanting you know, listen,
• 15:10
  Speaker 1: you're going this weekend. You're going to Phoenix. Man, I'm
• 15:13
  Speaker 1: trying to put them tickets. Man, I want to go
• 15:15
  Speaker 1: so bad, but I'm trying to prob my son. I
• 15:17
  Speaker 1: ain't even gonna lie just I'm got to see if
• 15:20
  Speaker 1: they're gonna win. If they win, I'm trying to put
• 15:22
  Speaker 1: them tickets to the Nation Championship game. Man, Man, don't
• 15:24
  Speaker 1: wait to the National Championship Game be that Saturday. Yeah,
• 15:27
  Speaker 1: I'm gonna trying. I'm gonna try. Just room for the
• 15:33
  Speaker 1: old team man, I just be a diehard game calls. Man.
• 15:38
  Speaker 1: You gotta take them to the game. Man. You never
• 15:39
  Speaker 1: know when they'll get back to the man. It's our
• 15:41
  Speaker 1: first time. This the men's first time ever. Ladies went
• 15:44
  Speaker 1: the last ye lady car and you know that they
• 15:47
  Speaker 1: say secure the bag. Man. Ain't nobody to predict us, man, nobody.
• 15:51
  Speaker 1: That's the South Carolina way. Baby, all right, well tell
• 15:54
  Speaker 1: them why you're blessed eight, don't you? Five eighty five
• 15:56
  Speaker 1: one oh five one? That when we come back and
• 15:58
  Speaker 1: got some room and sheet, Yes, but tell you that
• 16:00
  Speaker 1: at a break baby mama who is joining basketball wives la.
• 16:04
  Speaker 1: Also give you an update on what's going on with
• 16:06
  Speaker 1: Fettie Wopp. There was an arrest made, there was some
• 16:09
  Speaker 1: back and forth. We'll tell you what's happening with the
• 16:11
  Speaker 1: whole shooting incident in Patterson. Okay, we'll get into all
• 16:14
  Speaker 1: that when we come back. Keep a locked us to
• 16:15
  Speaker 1: Breakfast Cloual Morning. The breakfast club. It's about Angela Yee,
• 16:30
  Speaker 1: the breakfast club. Well, we told you yesterday about the
• 16:34
  Speaker 1: shooting that happened over the weekend involving Fetti Wapp and
• 16:37
  Speaker 1: his friends and how three people ended up getting shot
• 16:41
  Speaker 1: everybody is still alive now, all right. Witnesses are saying
• 16:44
  Speaker 1: that a member of Fetti WAPs crew is out to
• 16:46
  Speaker 1: the one who fired first at Raheim Thomas aka Fuzz
• 16:51
  Speaker 1: Fuzz is when that posted the picture on Instagram with
• 16:53
  Speaker 1: Fattie Wapp's chain. They're saying the shooting started after Fuzz
• 16:57
  Speaker 1: and his muscle team boys followed Fetty into a Delhi
• 17:00
  Speaker 1: in Patterson and that's when things ended up getting violent.
• 17:03
  Speaker 1: Fuzz pistol whipped someone in Freddie Wapp's camp and that's
• 17:07
  Speaker 1: when he and his friends proceeded to jump Fetdi Wapp
• 17:09
  Speaker 1: rob him and his crew on the spot. By the way,
• 17:11
  Speaker 1: they're saying that they took about four hundred and fifty
• 17:13
  Speaker 1: thousand dollars worth of jewelry and thousands in cash. Nobody
• 17:18
  Speaker 1: is wondering why Freddie Wapp was in the middle of
• 17:20
  Speaker 1: the hood with all his jury on, like like you
• 17:23
  Speaker 1: don't have anything to prove, Like why are you going
• 17:26
  Speaker 1: around the wolves flashing chunks of meat, Like what's the point?
• 17:29
  Speaker 1: And this video footage of all this inside the store
• 17:31
  Speaker 1: by the way, inside of the Delhi, and then the
• 17:33
  Speaker 1: second gun was then taking out shot to fire back
• 17:36
  Speaker 1: and forth. Two of them landed on two of Rahim's
• 17:38
  Speaker 1: friends aka Fuzz, and at some point they said the
• 17:41
  Speaker 1: original shooter tried escaping and the gun fired in his
• 17:44
  Speaker 1: waistband and he struck himself in the diet. It's not
• 17:47
  Speaker 1: a fair factor challenge. You don't get extra lives and
• 17:50
  Speaker 1: extra points just for making it out of the hood
• 17:52
  Speaker 1: with all your jury on the point things. I guess
• 17:54
  Speaker 1: it is one of those things. He's always in Patterson,
• 17:56
  Speaker 1: I mean he's from there. He always goes back to
• 17:59
  Speaker 1: his family there. He's fair, he has family there. He
• 18:02
  Speaker 1: got into that accident when he was riding that motorcycle
• 18:04
  Speaker 1: leg he's from pass his hood. But it's nothing wrong
• 18:07
  Speaker 1: with that. But this you need to learn to do.
• 18:09
  Speaker 1: Learn the uh tuck. You put your jewelry away when
• 18:12
  Speaker 1: you go to the hoom. It wouldn't matter if he
• 18:13
  Speaker 1: had a jewelry there or not. They still would have
• 18:14
  Speaker 1: started that. But Fatty is not going to file a
• 18:16
  Speaker 1: police support. He's not even going to talk to the
• 18:18
  Speaker 1: cops about the robbery part of the situation. All right,
• 18:22
  Speaker 1: this ain't His seventy five carrot gold Cuban chain alone
• 18:25
  Speaker 1: is worth three hundred and fifty thousand dollars. That was
• 18:27
  Speaker 1: expensive that they took from him. Now, they actually also
• 18:30
  Speaker 1: pulled up this old video footage from Serious when Fuzz
• 18:34
  Speaker 1: was leaving Serious Satellite Radio. And here's what he said,
• 18:37
  Speaker 1: Oh man, Freddie Man, they all here, black ball and nuzzles.
• 18:40
  Speaker 1: You know what I'm saying. And I mean Freddie Wappo,
• 18:42
  Speaker 1: gangster man. Freddie Freddie Wapper is a sweet boy. He's
• 18:45
  Speaker 1: a sweet little kid. But he'd be up there now,
• 18:47
  Speaker 1: Like I said, all my home rapping about guns and
• 18:49
  Speaker 1: stuff into the music. But when you're in interview's homie
• 18:52
  Speaker 1: top that in Gangster Rot Man Carrot, come out there.
• 18:55
  Speaker 1: When I'm out there, all it's over. It's a dog
• 18:59
  Speaker 1: you want you run passing rgf if the outlet. Now
• 19:04
  Speaker 1: you got them little young Wardes on your ass, and
• 19:06
  Speaker 1: I ain't doing nothing about it, you know what I'm
• 19:08
  Speaker 1: saying now. The first time I actually met Fatty Whop
• 19:10
  Speaker 1: I was actually with Fuzz fuzz Is. He's also a
• 19:13
  Speaker 1: promoter and actually booked me for a show out in
• 19:15
  Speaker 1: Jersey and had Fattie Wap perform. And that was the
• 19:17
  Speaker 1: first time I ever met Fattiy Whap was throw Fuzz
• 19:19
  Speaker 1: well Fuzz has now gotten arrested after this whole incident.
• 19:23
  Speaker 1: I mean, Fuzz kind of toll on itself though, didn't
• 19:25
  Speaker 1: he But when he got online posing with the chain, like,
• 19:28
  Speaker 1: why would you pose with the chain right after the robberts,
• 19:30
  Speaker 1: he had to say everybody was posing with it. That
• 19:32
  Speaker 1: is true. It was a whole bunch of people posing
• 19:34
  Speaker 1: with it. But but but it's not a video of
• 19:36
  Speaker 1: everybody else holding a gun. Uh. Inside the downside, he
• 19:40
  Speaker 1: didn't get He just got charged with the possession of
• 19:43
  Speaker 1: a of a handgun. Got you. I don't want to
• 19:45
  Speaker 1: think why people think they exempt from the rules of
• 19:47
  Speaker 1: the hood. I don't care who you are. You ain't
• 19:48
  Speaker 1: got no business in the hood with you, un and
• 19:50
  Speaker 1: fifty dolland dollars worth of jewelry on all right? Basketball wise, La,
• 19:54
  Speaker 1: the rumor now is that doing with its break Baby
• 19:57
  Speaker 1: Mama a Metayor is supposed to be joining Basketball Wives. La.
• 20:01
  Speaker 1: We already told you that Evelyn Lozada is returning to
• 20:03
  Speaker 1: the cast. Now they are saying that she will be
• 20:06
  Speaker 1: joining as well. The don't even cares you with a
• 20:08
  Speaker 1: baseball player, huh, I don't even matter that she with
• 20:12
  Speaker 1: a baseball player. Just put her own basketball, but I
• 20:14
  Speaker 1: guess she's probably the most well known one in the
• 20:16
  Speaker 1: whole Francis. Even though she got a child from a
• 20:18
  Speaker 1: baseball matter don't matter. It's bad that she was engaged
• 20:21
  Speaker 1: to a football player. We need the ratings, don't none.
• 20:23
  Speaker 1: That just makes no damn sense. Alright In DJ Kalett,
• 20:27
  Speaker 1: he's going to be in pitch Perfect three. He has
• 20:29
  Speaker 1: joined the cast. Have you guys ever watched Pitch Perfect?
• 20:32
  Speaker 1: I never see it. I actually hosted the screening for
• 20:34
  Speaker 1: pitch Perfect Who last time. But it's a huge movie,
• 20:37
  Speaker 1: so that's a big deal for him. It should be
• 20:38
  Speaker 1: pretty funny. It's it's an acapella singing group and he's
• 20:42
  Speaker 1: going to be joining. I don't know what his role
• 20:43
  Speaker 1: is going to be, but that's a huge franchise for him.
• 20:46
  Speaker 1: It's definitely a baritone, Okay, yeah, I think most bradtones
• 20:50
  Speaker 1: around around the middle. All Right, Well, I'm Angela Yee
• 20:52
  Speaker 1: and that is your rumor report morning. Everybody is DJ
• 20:55
  Speaker 1: Envy Angela Yee, Charlomagne to God, we all the breakfast club.
• 20:59
  Speaker 1: We gotta shoo guests in the building. Legendary John Singleton,
• 21:04
  Speaker 1: what's happening? Good morning, Welcome. We're talking about Fatty Watch.
• 21:09
  Speaker 1: It's just it's unfair that like people that they come
• 21:12
  Speaker 1: from a certain place, they try to go back there
• 21:15
  Speaker 1: and just show love to their folks, and then somebody
• 21:18
  Speaker 1: just has a problem. I was saying that that's same
• 21:21
  Speaker 1: day they staff from the park. That's what happens with
• 21:23
  Speaker 1: a lot of people from hip hop over generations. It
• 21:26
  Speaker 1: doesn't matter if it's what if it's like out here
• 21:29
  Speaker 1: East Coast, West Coast, you go back and then somebody
• 21:32
  Speaker 1: wanted to like throw some shots that you are toss
• 21:34
  Speaker 1: some some smack. You feel like you don't have to
• 21:37
  Speaker 1: do something, and then yeah, yeah, it's so it's so
• 21:41
  Speaker 1: backwards because it's like, oh yeah, real, you don't come
• 21:43
  Speaker 1: back to the hood. Then when you come, you get
• 21:44
  Speaker 1: shot at. You wonder why I don't come back, and
• 21:46
  Speaker 1: then I say, I don't have a personal problem. But
• 21:47
  Speaker 1: I did take a picture with his chain on and
• 21:49
  Speaker 1: posted on Instagram due to take a picture with it.
• 21:51
  Speaker 1: He said he didn't. He said he didn't take it,
• 21:53
  Speaker 1: but a whole bunch of people were taking pictures with
• 21:54
  Speaker 1: his chain on. So Betty, you know, if you got
• 21:58
  Speaker 1: real love there that that'd be somebody. He got to
• 22:00
  Speaker 1: be like, you know what, get my get small World,
• 22:07
  Speaker 1: bring it to him park with your guy guy right, Yeah, yeah, yeah.
• 22:10
  Speaker 1: Is it true that you had a trilogy of movies
• 22:13
  Speaker 1: that you wanted Parking starring, and baby Boy was supposed
• 22:15
  Speaker 1: to be the first. The goal was, he was he
• 22:18
  Speaker 1: was gonna teach me how to write songs, and I
• 22:20
  Speaker 1: was gonna and made music and I was gonna show
• 22:23
  Speaker 1: him how to direct. And dude, now I was never
• 22:27
  Speaker 1: gonna be a rapper, but I was gonna write songs.
• 22:29
  Speaker 1: I do you know, I do write a little thing saying,
• 22:32
  Speaker 1: but I don't I don't spending on How did you
• 22:33
  Speaker 1: meet pop? How did you meet? We met through uh,
• 22:36
  Speaker 1: through Sham and Latifa and um and the whole flavor
• 22:40
  Speaker 1: of the crew out here actually, and there was a
• 22:42
  Speaker 1: party for Data from Latifa there and he was there.
• 22:45
  Speaker 1: And then I saw mcgil hint at the Beverly Center
• 22:49
  Speaker 1: just walking around, you know, because he had just got
• 22:52
  Speaker 1: off tour and it was talking to girls. So we
• 22:56
  Speaker 1: got to need to get up. And then um, it
• 22:58
  Speaker 1: was funny because I was gonna do poetic justice was
• 23:01
  Speaker 1: like putting it all together. Janet was already in but
• 23:04
  Speaker 1: I was like, um ariginally ice Cube was supposed to
• 23:07
  Speaker 1: be in it, and ice Cube didn't want to be
• 23:09
  Speaker 1: in a romance. Yeah, And he was like, I said, man,
• 23:14
  Speaker 1: you know, chicks think you, you know, they like you.
• 23:17
  Speaker 1: And he's like, I can't do that right now in
• 23:19
  Speaker 1: my career. I said, okay, all right. So then I
• 23:22
  Speaker 1: caught twobac because I had just seen Juice before he
• 23:25
  Speaker 1: even came out, way before it came out, and I said,
• 23:28
  Speaker 1: we got to talk about something. Then let's just started
• 23:30
  Speaker 1: really talking. That wasn't true that Janet and this was
• 23:33
  Speaker 1: always a room. Janet made him take a have any diseases?
• 23:37
  Speaker 1: That was a joke between all of us on set
• 23:40
  Speaker 1: because all guys like Janet and I was I was
• 23:43
  Speaker 1: like salting podcast like you know, because he was really
• 23:47
  Speaker 1: like enamored of her and everybody's looking at her. We
• 23:49
  Speaker 1: didn't know she was married, you know, And I was like,
• 23:53
  Speaker 1: I don't know if I want you to kiss my actress.
• 23:55
  Speaker 1: Who knows that. You'll laugh, you've been there, like you
• 23:58
  Speaker 1: didn't take an aid set. So we just started joking
• 24:01
  Speaker 1: on the set because you know, that Jackson thing is
• 24:03
  Speaker 1: the like old controversy out there that people just ride
• 24:06
  Speaker 1: about itself and look at it. Twenty years later, y'all
• 24:07
  Speaker 1: still talking about was it ever weird? Like directing Janet
• 24:12
  Speaker 1: Jackson and having to tell her because that's Janet Jackson.
• 24:14
  Speaker 1: We're friends. I mean she went places in that and
• 24:18
  Speaker 1: we're working on that movie that she had never been before.
• 24:20
  Speaker 1: Well I should have had been before actually um when
• 24:24
  Speaker 1: she was younger, Gabbarge. But when she was down in
• 24:28
  Speaker 1: the sixties French Shaw, she was at um Um, Rosco's,
• 24:33
  Speaker 1: old Rosco's not you know, like you know all these
• 24:36
  Speaker 1: different places. Yeah, she was like, so it was it
• 24:40
  Speaker 1: was just all love, man. You know, we were a
• 24:42
  Speaker 1: happy family. We always hear stories that when you go
• 24:44
  Speaker 1: to those areas you have to get permission or there's
• 24:46
  Speaker 1: certain people that you have to have in movies to
• 24:49
  Speaker 1: make it okay that when you shoot. When it's the
• 24:52
  Speaker 1: same now, I mean, when you shoot, you just have
• 24:54
  Speaker 1: to when you shoot in urban areas, you have to
• 24:56
  Speaker 1: have love for where you shoot, or you have to
• 24:58
  Speaker 1: have people. It's not about extortion, it's not about whatever.
• 25:02
  Speaker 1: We just have to have respect from the area. Like
• 25:05
  Speaker 1: when we like, we're doing a TV shary called Snowfall
• 25:07
  Speaker 1: right now, um in LA and it's all my folks.
• 25:10
  Speaker 1: It's it's in our hood, you know what I mean.
• 25:11
  Speaker 1: Like so we but what we do is we hire
• 25:14
  Speaker 1: people from the area, just give them jobs, and it's
• 25:16
  Speaker 1: just like nobody's gonna come around messing around with the folks.
• 25:20
  Speaker 1: It's our place. Everybody here is getting check because you know,
• 25:23
  Speaker 1: the dude that's just like picking that stuff up there,
• 25:26
  Speaker 1: he's in the union and he's pulling down maybe two
• 25:29
  Speaker 1: g's a week. So you don't have to start me
• 25:30
  Speaker 1: when I'm employing you. Yeah, but you know, you were
• 25:35
  Speaker 1: one of the original directors of the Tuparc movie, right
• 25:38
  Speaker 1: they came. You had that one of the one of
• 25:40
  Speaker 1: the severals you actually wrote. You would ice script for it. Yeah,
• 25:45
  Speaker 1: I know, but the people were involved in it just
• 25:48
  Speaker 1: I couldn't deal with them. They were trying to tell
• 25:50
  Speaker 1: me me how to make a movie about pot and
• 25:52
  Speaker 1: that was your guy. That was your guy. But you know,
• 25:55
  Speaker 1: come on now, you know really, so I was like,
• 26:03
  Speaker 1: it's backed out, graceful, you do still have planning. I
• 26:05
  Speaker 1: did not back up grast You're gonna read all the
• 26:09
  Speaker 1: blackout graceful me. I was like putting the money backs
• 26:13
  Speaker 1: I'm not. I don't even have to speak on that
• 26:14
  Speaker 1: any more. Y'all just see when it comes out and
• 26:16
  Speaker 1: you'll just know it's trash. Just you didn't see it though. No,
• 26:19
  Speaker 1: I don't have to see it a snap. You know
• 26:27
  Speaker 1: it ain't me, So I don't have to see it.
• 26:28
  Speaker 1: But you did, like straight out of content. I love
• 26:31
  Speaker 1: Strata Compton. Now you're here promoting a new show called
• 26:35
  Speaker 1: Rebel red Ball that's on bt BT. We started actually
• 26:39
  Speaker 1: watching some of it because we managed to get a
• 26:41
  Speaker 1: little sneak peekin. I ain't gonna lot of first eighteen
• 26:44
  Speaker 1: minutes and dirty seconds. I was mad. I was ahead
• 26:45
  Speaker 1: of him, so I was mad. I was like, no,
• 26:47
  Speaker 1: don't tell nobody, this is good. You got why are
• 26:53
  Speaker 1: you telling about the times? Because long are you? And
• 27:02
  Speaker 1: I'm like, I'm over here. Yeah, we we. We really
• 27:06
  Speaker 1: wanted to. My bottom line is because of what was
• 27:09
  Speaker 1: happening last year. I really wanted to do something where
• 27:11
  Speaker 1: I see a black woman putting that foot in the
• 27:14
  Speaker 1: ass of the system. That was my whole thing. A
• 27:19
  Speaker 1: woman as a lead. Yeah, and she's got different she's
• 27:22
  Speaker 1: got different levels to her. You know, she's not just
• 27:25
  Speaker 1: you know, like she's not. She's vulnerable and stuff. You know,
• 27:28
  Speaker 1: it's great. Meth plays her her husband and like it's great.
• 27:33
  Speaker 1: You know, I see you know Meth who think about
• 27:35
  Speaker 1: Meth was up um. This was the first time he
• 27:38
  Speaker 1: had leve see you know what I'm saying. And he
• 27:40
  Speaker 1: was just like he was nervous at first, but never
• 27:44
  Speaker 1: had and I had a video. I was like, yo, listen,
• 27:49
  Speaker 1: I want you to take her. I want you to
• 27:51
  Speaker 1: take her. I want you push you up against the wall,
• 27:53
  Speaker 1: and I want you to lick her neck and by it,
• 27:55
  Speaker 1: by her a little bit. And because they're both soldiers,
• 27:58
  Speaker 1: he's he's like, uh, lieutenant and she's like she was
• 28:01
  Speaker 1: like gonna read sergeant in the army and he's like
• 28:03
  Speaker 1: he kissing our next Eddie's soldier, right, And it picks
• 28:07
  Speaker 1: up with those are across the room, mount of the bed,
• 28:09
  Speaker 1: and then all the girls in the whole set. We're
• 28:11
  Speaker 1: going crazy. I said, Okay, I think we gotta hit here,
• 28:14
  Speaker 1: all right. We have more with John Singleton when we
• 28:17
  Speaker 1: come back. Dope move keep it locked as the Breakfast Club,
• 28:19
  Speaker 1: Good morning, the Breakfast Club adj. V Angela Ye Charlomagne,
• 28:27
  Speaker 1: the guy we are the breakfast club. We have John
• 28:30
  Speaker 1: Singleton in the building, Charlemagne. Why why TV at this point?
• 28:34
  Speaker 1: Because TV is like it's getting hard and hard to
• 28:37
  Speaker 1: make movies. They're making the same movie over and over again.
• 28:41
  Speaker 1: TV is like there's so much to do with TV.
• 28:43
  Speaker 1: It's like, man, I can make a movie every week
• 28:45
  Speaker 1: and TV. Yeah, I feel like man like for you
• 28:46
  Speaker 1: because you've always made like such socially conscious, you know, films.
• 28:50
  Speaker 1: It feels like that has translated to television now, like
• 28:53
  Speaker 1: those messages are all on TV and not in the
• 28:55
  Speaker 1: film Somewhere. Yeah, you think it's hard to make those
• 28:57
  Speaker 1: kinds of socially conscious rols, Yeah, it is. It is
• 29:00
  Speaker 1: unless you unless you kind of like hide it into
• 29:02
  Speaker 1: something that's different, like you know, like get Out as
• 29:04
  Speaker 1: like a get Out as a whole other thing is
• 29:08
  Speaker 1: He's saying a lot of there, but it's actually a
• 29:10
  Speaker 1: horror movie in a comedy, you know what I mean.
• 29:13
  Speaker 1: You gotta you gotta hide it, you know. So what
• 29:15
  Speaker 1: happened to those type of movies like The Boys in
• 29:18
  Speaker 1: the Hood, the poetic just learnings, you know, the baby?
• 29:22
  Speaker 1: But what happens to those types of those are the
• 29:23
  Speaker 1: movies I grew up on like, I don't see them.
• 29:26
  Speaker 1: I gotta I gotta get back to making them. But
• 29:27
  Speaker 1: right now I'm gonna come and do something within the
• 29:30
  Speaker 1: next year that's gonna, you know, gonna hit in a
• 29:34
  Speaker 1: different way. I thought maybe it would be a good
• 29:38
  Speaker 1: Companies in LAM saying we don't anymore. What's happening is
• 29:41
  Speaker 1: they really are making They don't do dramas at as
• 29:44
  Speaker 1: much as they do like special effects kind of movies.
• 29:48
  Speaker 1: The dramas are moving to television. Is it you're making
• 29:51
  Speaker 1: for a certain prices, then you gotta market it for
• 29:53
  Speaker 1: a certain price. So you don't see unless you see
• 29:56
  Speaker 1: a drama at the end of the year for Oscar
• 29:58
  Speaker 1: consideration or whatever. Then they do that. But do you
• 30:01
  Speaker 1: like how TV and film has evolved? I love it.
• 30:03
  Speaker 1: I love it. It's great. It's like me, see what
• 30:05
  Speaker 1: I've been doing, you know, from me as a director
• 30:08
  Speaker 1: and working on from Empire to OJ you know what
• 30:11
  Speaker 1: I'm saying, Like, you know, I'm able to do some
• 30:13
  Speaker 1: different stuff, real different stuff. And now at twenty four
• 30:16
  Speaker 1: you was nominated for Best Director and Best Original Screenplay
• 30:20
  Speaker 1: for Boys in the Hood. How what was that feeling
• 30:22
  Speaker 1: like at the time? Did it affect you. You get
• 30:24
  Speaker 1: an ego. Oh yeah. I was like, you know, y'all
• 30:31
  Speaker 1: can't tell me nothing now. But the thing was, I
• 30:34
  Speaker 1: knew I had a lot to prove. I was like,
• 30:37
  Speaker 1: RS say, okay, you do something really nice. You got
• 30:39
  Speaker 1: to go back to the craze. I went back and
• 30:40
  Speaker 1: just looked at all these movies and just I put myself.
• 30:44
  Speaker 1: I just kind of read grated from film school when
• 30:46
  Speaker 1: I did Boys in the Hood, and then I went
• 30:48
  Speaker 1: back to film school and start looking at everything and
• 30:50
  Speaker 1: thinking about what I really wanted to do as a filmmaker.
• 30:53
  Speaker 1: Was it hard to even get that movie done back then?
• 30:54
  Speaker 1: I can't say it was very hard, but it was
• 30:56
  Speaker 1: like something was happening at the time. You know, Spike
• 30:59
  Speaker 1: Lee was only when they're doing dramas. And so when
• 31:02
  Speaker 1: I went in as a film when I was still
• 31:03
  Speaker 1: in USC, I went in and started talking to executives
• 31:06
  Speaker 1: and I was like, I was like that. My father
• 31:08
  Speaker 1: always told me the best sales to be not hard
• 31:11
  Speaker 1: selling people. So I was like, blasi blags. They're like
• 31:14
  Speaker 1: this is when movie I'm a director and says, what
• 31:16
  Speaker 1: if we tell you go on to do a movie?
• 31:17
  Speaker 1: I said, well, we can then this movie. Now I
• 31:19
  Speaker 1: can go across town and go sell us somewhere else.
• 31:21
  Speaker 1: And they're like, no, no, don't do dude, I do that.
• 31:24
  Speaker 1: You know a lot of hard time with that movie boys,
• 31:25
  Speaker 1: and know what I remember, and embedding it for some
• 31:27
  Speaker 1: movie theaters because of at first they thought the violence
• 31:30
  Speaker 1: would be too know actually what they were going to
• 31:32
  Speaker 1: because something some things happened outside of the movie theaters
• 31:35
  Speaker 1: or some cities, but that stuff happens every weekend, so
• 31:38
  Speaker 1: they tried to make it. No, y'are not dealing with
• 31:41
  Speaker 1: what's happening within within the communities. You're trying to put
• 31:44
  Speaker 1: it on the movie. See the movie and then you'll
• 31:46
  Speaker 1: understand what I'm talking about. And so people saw the
• 31:49
  Speaker 1: movie and they were like, Okay, you know this is
• 31:52
  Speaker 1: different from what's going on all right. Now, you've worked
• 31:55
  Speaker 1: with me along and there's been these reports that she's
• 31:58
  Speaker 1: difficult on Empire said they actually had to put together
• 32:02
  Speaker 1: some type of complaint against her, which they've never done before. Yeah,
• 32:07
  Speaker 1: like the hair and makeup people and wardrobe were saying
• 32:10
  Speaker 1: that she's hard to work with and one actor on
• 32:12
  Speaker 1: set said he'll never work with her again. This is
• 32:14
  Speaker 1: all coming from sources from Empire. Did you have any difficulties? No,
• 32:18
  Speaker 1: I mean when I'm working with Ninnie, I call her Ninny.
• 32:20
  Speaker 1: I don't call Nia. You know, I got eighteen years
• 32:25
  Speaker 1: old years old, so I don't. I don't. I don't
• 32:29
  Speaker 1: know nothing about that. And you know it's hard to have, like,
• 32:33
  Speaker 1: you know, you got some I know, I don't want
• 32:36
  Speaker 1: to use the wrong terms, but you got some upper
• 32:38
  Speaker 1: upper vaginas between her and so, you know, duel it vaginas,
• 32:50
  Speaker 1: you know what I mean. So you know, have you
• 32:53
  Speaker 1: ever worked with somebody that was really talented? But would
• 32:56
  Speaker 1: it prevent you from working with them if they were difficult,
• 32:59
  Speaker 1: even if they were super challenged. No, not really. I mean,
• 33:03
  Speaker 1: excuse me. Park was difficult. Tyres is difficult. Sometimes you
• 33:06
  Speaker 1: don't remember his lines. Tell me if I'm right. I
• 33:08
  Speaker 1: feel like Park was probably difficult to work with because
• 33:10
  Speaker 1: he was probably rushing, because he seemed like he wanted
• 33:12
  Speaker 1: to always get so much done. No, no, because he
• 33:15
  Speaker 1: was so talented. He was only twenty years old when
• 33:18
  Speaker 1: we did that movie, and Janet was like only like
• 33:21
  Speaker 1: six or seven years older than him. So he's got
• 33:23
  Speaker 1: to be the leader in the movie where somebody who
• 33:25
  Speaker 1: was a spit of superstars a life and he's just
• 33:28
  Speaker 1: gotten put on. So it was a lot of pressure
• 33:31
  Speaker 1: that brother. How was Brother Reese is cool? Man, he's
• 33:35
  Speaker 1: not my baby brother man. You know, sometimes he's on
• 33:38
  Speaker 1: his own thing, you know, but he's uh, he's said
• 33:42
  Speaker 1: us a world sometimes. But he's he's a talent to do. Man.
• 33:45
  Speaker 1: He's a real time to see what he's doing. You know,
• 33:47
  Speaker 1: he's always working. Basically, Johnson, I look at the Instagram
• 33:50
  Speaker 1: sometimes say what the hell is talking about? It's like
• 33:52
  Speaker 1: the rest of us do now you directed Michael Jackins
• 33:56
  Speaker 1: remember the time, whose idea was it to have magic
• 34:00
  Speaker 1: Johnthan and Chris Talker as express Chris Tucker wasn't in that, man,
• 34:04
  Speaker 1: It was Eddie Murphy. Eddie Murphy. It was my as
• 34:11
  Speaker 1: me and Michael's idea to have uh Eddie Murphy in it.
• 34:14
  Speaker 1: And um and then magic magic came out because uh,
• 34:17
  Speaker 1: he had just announced what happened with him b and
• 34:20
  Speaker 1: then and Michael was like, we should get something from
• 34:22
  Speaker 1: magic some Michael was like, Michel had a good heart
• 34:24
  Speaker 1: like that. He was like, let's get magic in it.
• 34:27
  Speaker 1: Somebody just write something for magic. Just put him in there.
• 34:29
  Speaker 1: Something The Magic was like happy. You know, when you
• 34:32
  Speaker 1: direct an episode of Empire, does that mean you have
• 34:34
  Speaker 1: to go back and watch all of the whole entire seasons? No? No,
• 34:37
  Speaker 1: when I I worked on the first season of it,
• 34:40
  Speaker 1: so I want to. Lee Daniels called me up. The
• 34:42
  Speaker 1: only reason I'm meant TV right now is probably bitterly
• 34:45
  Speaker 1: because of Lee, because um, I had to brag. But
• 34:48
  Speaker 1: I was sitting on my boat, you know, I was saying,
• 34:55
  Speaker 1: so I know, so I was kind of like, thank you,
• 34:57
  Speaker 1: But seriously, I was on I was on my ya.
• 35:00
  Speaker 1: I was chilling watching something and then he called me
• 35:03
  Speaker 1: up and said, man, I needed you to come to Chicago.
• 35:05
  Speaker 1: I said, wait, I did you this? I'm doing the show.
• 35:08
  Speaker 1: And then I was like, oh no, because Taragia had
• 35:10
  Speaker 1: already told me you're doing. And I was like, man,
• 35:12
  Speaker 1: you want to have to show if I hadn't done
• 35:13
  Speaker 1: Hustle and Flow, Yeah, yeah, yeah, I need you to
• 35:17
  Speaker 1: come in and show these white people. But what the
• 35:19
  Speaker 1: show could be? I said, because let me see the
• 35:22
  Speaker 1: let me see the pilot, because they had shot the
• 35:23
  Speaker 1: pilot and I hadn't seen it, but Taragers told me
• 35:25
  Speaker 1: she was gonna do it, so he showed me the
• 35:27
  Speaker 1: first episode. I was like, oh, this is something. So
• 35:29
  Speaker 1: I went out there and and they said, okay, well
• 35:32
  Speaker 1: our show it was like this. I said, no, I'm
• 35:34
  Speaker 1: gonna show yall what this show is, because you wouldn't
• 35:36
  Speaker 1: have a show if I didn't then pay for hustler flow.
• 35:38
  Speaker 1: So this is what it is. And I'm just dealing
• 35:41
  Speaker 1: with Taraji and Terrice you know, well our family. We
• 35:44
  Speaker 1: just got in there and that's the episode. I put
• 35:46
  Speaker 1: de Ray here, you know what I mean, and she
• 35:49
  Speaker 1: orders that hit y. Yeah, when he shot to do it,
• 35:54
  Speaker 1: I forgotten smell because he said, the dude of sins
• 36:00
  Speaker 1: roses when before you get take somebody out. Yeah, you know. So,
• 36:04
  Speaker 1: like I said, it's just I would hope that, uh,
• 36:08
  Speaker 1: black filmmakers and other people understand like when people like
• 36:12
  Speaker 1: um and like mainstream working on these different films, they
• 36:16
  Speaker 1: always make same films with the same actress than when
• 36:18
  Speaker 1: filmmakers they're doing them because there's a comfortability, uh, and
• 36:22
  Speaker 1: they're there's basically friends working together. And when we did
• 36:25
  Speaker 1: Baby Boy, like only Tyres and Taraji was supposed to
• 36:29
  Speaker 1: have love sins and and and get naked, everybody wanted
• 36:32
  Speaker 1: to get naked, like I don't want them to go
• 36:34
  Speaker 1: I don't want them gonna hand man or anything I
• 36:36
  Speaker 1: want them to do in the movie. They'll do um
• 36:39
  Speaker 1: And that's what it's about, all right. We have more
• 36:41
  Speaker 1: with John Singleton when we come back. Don't move. It's
• 36:44
  Speaker 1: the Breakfast Club. Good morning, good morning. Everybody is dj Nzy,
• 36:48
  Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.
• 36:50
  Speaker 1: We got John Singleton in the building. Charlemagne, you got
• 36:54
  Speaker 1: such a great eye because you had Laurence Fishburne, Mia Long,
• 36:58
  Speaker 1: Jena King, Tyree's ving rains like like, did you see
• 37:03
  Speaker 1: that they had that star quality because all they wan't
• 37:05
  Speaker 1: on to be huge Taragi, Yeah, I mean just it's
• 37:09
  Speaker 1: and now Daniel Monday truth. I mean with Rebel, it's
• 37:12
  Speaker 1: like if you work with people that you really just
• 37:15
  Speaker 1: look at and you're saying, if I could look at
• 37:17
  Speaker 1: them and I can't take my eyes off them, I
• 37:18
  Speaker 1: feel that the audience will feel the same thing about them.
• 37:21
  Speaker 1: That's what I do. Is it hard or easier to
• 37:23
  Speaker 1: work with new talent because of all these It's okay, Yeah,
• 37:27
  Speaker 1: as much as when people done a lot of stuff
• 37:29
  Speaker 1: and they think they whatever, they think they could kind
• 37:32
  Speaker 1: of like negot shit or tell you how it should be.
• 37:34
  Speaker 1: Hout it, just like I think they know everything. I mean,
• 37:36
  Speaker 1: like come on, man, let's go, let's do it. But
• 37:39
  Speaker 1: they should get input, like if they're in a scene
• 37:41
  Speaker 1: and do this and not that. Yeah, but if it
• 37:44
  Speaker 1: goes against what I want, then it ain't right, you
• 37:48
  Speaker 1: know what I mean. Like, so it's like my it's
• 37:50
  Speaker 1: my instincts. I'm I'm I've never made anybody's career bad,
• 37:54
  Speaker 1: so I don't want nobody trying to tell me how
• 37:56
  Speaker 1: they think it should be. It's like when you're going
• 37:58
  Speaker 1: to direct yourself, it's about the movie. Do you ever
• 38:00
  Speaker 1: have to do that? Like get it actually? Like no,
• 38:01
  Speaker 1: you gotta get out of here. No, no, no, I haven't.
• 38:03
  Speaker 1: I haven't because most because people pretty much respected they
• 38:07
  Speaker 1: you know, they know who they're working with. I don't
• 38:09
  Speaker 1: have to deal with that. Now. You also have the
• 38:10
  Speaker 1: show coming on FX, right, yes, snow Falls. So you
• 38:13
  Speaker 1: did when you did people versus THO J. Is that
• 38:15
  Speaker 1: how you got that connection with FX and they were
• 38:17
  Speaker 1: like we want you to do something He no, No,
• 38:19
  Speaker 1: I already I had already done had the deal to
• 38:21
  Speaker 1: do Snowfall. But then I ended up talking to some
• 38:25
  Speaker 1: friends of mine who were the producers on on O
• 38:27
  Speaker 1: J and it was like, I was like, I'm from
• 38:29
  Speaker 1: la I met I want to you know this gotta
• 38:33
  Speaker 1: be black. Let's you know, got to be a part
• 38:36
  Speaker 1: of this. Just told his stories about meeting It's funny, Yeah,
• 38:40
  Speaker 1: your meetings, Like he's like a politician, like you know
• 38:42
  Speaker 1: who was a dude. That's just like he'd go out
• 38:45
  Speaker 1: his way to talk to everybody, you know what I mean? Yeah, yeah,
• 38:48
  Speaker 1: because people hedn't killed him, buddy, he didn't do that. Man,
• 38:52
  Speaker 1: he didn't do it Black Superman. Okay, did you see
• 38:57
  Speaker 1: the documentary? Did you see the miniserieh I did? I didn't.
• 39:00
  Speaker 1: The documentary is what really made me for the first
• 39:02
  Speaker 1: time to be like, I don't know if did remember
• 39:06
  Speaker 1: he was gonna do that, But if I did it,
• 39:08
  Speaker 1: if I wouldn't come on, was about to get out
• 39:12
  Speaker 1: that he's doing a reality show. When he gets out too, Yeah,
• 39:14
  Speaker 1: and he's gonna say, like you know that Kardashians my daughter.
• 39:25
  Speaker 1: I'm saying he's gonna say that. Rag I don't want
• 39:31
  Speaker 1: to say but criticize the popular studios. You said they
• 39:35
  Speaker 1: refused to let African Americans direct black theme films. Is
• 39:39
  Speaker 1: that changing though, Well, that's because there were so many
• 39:42
  Speaker 1: films that we weren't directed by black filmmakers that were
• 39:46
  Speaker 1: about important black figures like James Brown. And you see,
• 39:51
  Speaker 1: when something is truly afrocentric and have soul in it,
• 39:55
  Speaker 1: it propagates in the in the marketplace. Absolutely, it got
• 39:58
  Speaker 1: to before the culture. By the culture. It's just like,
• 40:00
  Speaker 1: just like a good album, it's just like, you know, wow,
• 40:04
  Speaker 1: oh my god, it's so real, it's so like authentic. Well,
• 40:07
  Speaker 1: you're not gonna get that from somebody that is not
• 40:09
  Speaker 1: from that. There's no way you're gonna get that. What
• 40:12
  Speaker 1: do you think in Nate Pauker's movie? I loved it.
• 40:15
  Speaker 1: I thought it was good. I didn't get a lot
• 40:17
  Speaker 1: of a lot of people really didn't support it, like
• 40:19
  Speaker 1: I feel like they know why why do you think
• 40:22
  Speaker 1: they didn't? It was a lot of They created a
• 40:25
  Speaker 1: lot of controversy behind it and had people feel like, well,
• 40:28
  Speaker 1: because they felt like they couldn't support him, they wouldn't
• 40:31
  Speaker 1: support the movie. That's really what it came down. Why
• 40:35
  Speaker 1: do you think that? Because I feel like it was
• 40:37
  Speaker 1: a black liberation movie. It was a story about black liberation,
• 40:39
  Speaker 1: which was Nat Turner, and then it was a black
• 40:41
  Speaker 1: liberation movie because he raised seven point five million dollars
• 40:43
  Speaker 1: his own money to make it. They can't allow that
• 40:45
  Speaker 1: to happen. Now, what do you think after the events
• 40:48
  Speaker 1: of what happened in Dallas when that dude when crazy
• 40:51
  Speaker 1: and started shooting the cops at the Black Lives Matter thing?
• 40:54
  Speaker 1: The movie they was gonna kill the movie. They killed
• 40:56
  Speaker 1: the movie. And the bad thing is black people are
• 41:00
  Speaker 1: They fell for the oaky though. They definitely put that
• 41:07
  Speaker 1: controversy out there to deter people from wanting to see it.
• 41:10
  Speaker 1: And yeah, what do you tell all these young filmmakers
• 41:12
  Speaker 1: that are coming up. Obviously it's different nowadays because people
• 41:15
  Speaker 1: have access to, like their cell phones, all kinds of
• 41:18
  Speaker 1: different software that they can actually do things. It's not
• 41:21
  Speaker 1: as expensive as it was. What do you tell these
• 41:24
  Speaker 1: young filmmakers to try to stand out or aspiring filmmakers
• 41:28
  Speaker 1: just taste truth to themselves and really like, really what
• 41:32
  Speaker 1: they're passionate about, you know, not to try to please
• 41:35
  Speaker 1: somebody else, even if you do something that's you think
• 41:39
  Speaker 1: only you like, or you and your folks were like
• 41:41
  Speaker 1: then that's what you should do. What's your favorite Johnson
• 41:44
  Speaker 1: with the movie. I mean, I mean, baby Boy really
• 41:47
  Speaker 1: is one of my favorites, but it doesn't it's not
• 41:49
  Speaker 1: all of what, you know everything, you know what I'm saying.
• 41:52
  Speaker 1: I was actually trying to offend black people, but everybody
• 41:55
  Speaker 1: laughed at all the stuff. It didn't work because it's like,
• 41:58
  Speaker 1: you know, it's like I got a good looking dude
• 42:00
  Speaker 1: doing all these bad things, but he looks good. So
• 42:03
  Speaker 1: people are like, oh, man, you know where did you
• 42:05
  Speaker 1: get that inspiration from? You whenever? Like that? Were you
• 42:07
  Speaker 1: okay just checking? Yeah, I don't think it was. I
• 42:10
  Speaker 1: think it was honest right like that. It was in
• 42:13
  Speaker 1: that situation. I'm on the streets telling homes the truth
• 42:17
  Speaker 1: you because I care about your feelings. Nobody just said
• 42:20
  Speaker 1: that last week on Instagram. That was Kurt from Loving
• 42:26
  Speaker 1: hipp You. Yeah. Oh. People dudes just coming to me
• 42:32
  Speaker 1: and said, why are you put that in the movie.
• 42:34
  Speaker 1: My girl slapped me after we came out the movie
• 42:38
  Speaker 1: Old Baby. I'm gonna tell what else is that that movie?
• 42:42
  Speaker 1: After they got into that little altercation, you laid it
• 42:45
  Speaker 1: down and throw out I did that last night. Everyone
• 42:51
  Speaker 1: was like, we can't go to sleep like I don't
• 42:54
  Speaker 1: have for nothing. No I do go to sleep. That's it.
• 42:57
  Speaker 1: We appreciate you joining us. Oh yeah, it's good to
• 42:59
  Speaker 1: be here on Singleton the legend Rebel. Well you'll be
• 43:02
  Speaker 1: on just like anyone when something happened. I think it
• 43:08
  Speaker 1: comes on here at ten o'clock the change the BT up. Hey,
• 43:13
  Speaker 1: everybody out there, when you watch this John Singleton, and
• 43:15
  Speaker 1: you watch Rebel before, you watch it in the daytime,
• 43:18
  Speaker 1: set your DVRs in the morning so you have it.
• 43:21
  Speaker 1: So you have it, you know what I mean. And
• 43:23
  Speaker 1: turn the TV on everything, because it's just like the
• 43:25
  Speaker 1: box office. You go the first night to see the
• 43:28
  Speaker 1: movie or the first weekend. You gotta watch this first
• 43:30
  Speaker 1: episode so we can do real stuff, real black stuff
• 43:33
  Speaker 1: on TV. That's what I want, you know what I mean.
• 43:36
  Speaker 1: You know, And anybody hit me up at at John Singleton,
• 43:40
  Speaker 1: I g because I'm always on their fielding life stuff.
• 43:42
  Speaker 1: Don't ask me for a role or send me a
• 43:44
  Speaker 1: script if you want to. Never discovered anybody on Instagram.
• 43:49
  Speaker 1: One person. That's one person, that's that's the sending. Rebel
• 43:53
  Speaker 1: called Jawan Jones is a funny dude, but he's not
• 43:55
  Speaker 1: funny in the show though. All right, so you can't
• 43:57
  Speaker 1: ask for all right, Singleton, it's a breakfast club. Good morning,
• 44:06
  Speaker 1: the breakfast club. Blisten up this just in Oh gosh,
• 44:14
  Speaker 1: report got gys with Angel and the breakfast club. Man.
• 44:20
  Speaker 1: What do you do when you're a huge artist like Drake,
• 44:22
  Speaker 1: You're about to perform and you get sick. Here's what
• 44:26
  Speaker 1: happened when Drake was in Amsterdam. I'm really sorry to
• 44:30
  Speaker 1: tell you show drink got sick. It's actor told him
• 44:38
  Speaker 1: not before tickets. Wilson felons for a show on Wednesday,
• 44:43
  Speaker 1: as he wishes to bring his fast best show in
• 44:47
  Speaker 1: the world. You couldn't tell me that before I got
• 44:49
  Speaker 1: got out my house and got dressed. And after day
• 44:52
  Speaker 1: he might have had some of that weed from the
• 44:54
  Speaker 1: coffee shop and it might have been a little too strong.
• 44:56
  Speaker 1: I don't know, but you could have let me know beforehand,
• 44:59
  Speaker 1: before I got dressed, like you shouldn't head it out
• 45:00
  Speaker 1: there and all that track down parking, pay for parking.
• 45:03
  Speaker 1: He should have let me. You probably was trying to
• 45:05
  Speaker 1: make it work. Probably trying to make it work. You
• 45:07
  Speaker 1: probably was like, man, I can't go out there last minute,
• 45:09
  Speaker 1: so yeah, he had a concert already on Tuesday, and
• 45:11
  Speaker 1: then they rescheduled this one for Wednesday, so he's still
• 45:14
  Speaker 1: trying to make it happen. So I guess, yeah, well,
• 45:17
  Speaker 1: if people had to, if they have kids, they got
• 45:19
  Speaker 1: to babysitters to watch kids. Got job? What an outfit?
• 45:23
  Speaker 1: Now I gotta get another outcaret where the same outfit
• 45:25
  Speaker 1: I was outfit? All right? Chance the Rapper is looking
• 45:29
  Speaker 1: for an intern, he tweeted out, I'm looking for an intern,
• 45:31
  Speaker 1: someone with experience and putting together decks and a writing proposals.
• 45:35
  Speaker 1: That would be an exciting job to have. We should
• 45:37
  Speaker 1: apply for that. I would be a chance to rappers intern.
• 45:41
  Speaker 1: Why can I pay you to be free work? And
• 45:48
  Speaker 1: then um, chance the rappers? You know you can be
• 45:50
  Speaker 1: involved in all kinds of positive things. Be involved. It's
• 45:54
  Speaker 1: like charity, all right. Now, let's discuss this whole situation
• 45:58
  Speaker 1: where Bernice Burgos versus Tiny and ties and balls for
• 46:04
  Speaker 1: Bernie's burgles right now, I've got to man. I tried
• 46:07
  Speaker 1: to avoid talking about it, but we have to discuss this,
• 46:09
  Speaker 1: okay at this point. Now, apparently the rumor is that
• 46:13
  Speaker 1: Bernice is dating Ti. She has since said that's not
• 46:16
  Speaker 1: true that they are just friends, but Tiny had posted.
• 46:20
  Speaker 1: Somebody said to her, Bernice, be all over your husband's ig.
• 46:23
  Speaker 1: You're a strong woman to Mika, because I would have
• 46:25
  Speaker 1: bust tipped side his head with a bottle of Hennessy. Now,
• 46:29
  Speaker 1: Tiny responded, I ain't losing no sleepover no pass around bitch.
• 46:33
  Speaker 1: Bless him and her too well. Of course, Bernice had
• 46:36
  Speaker 1: to respond to these allegations of her being I passed around.
• 46:39
  Speaker 1: Here's what she said, Oh, passed around bitch. Never been
• 46:43
  Speaker 1: a pass around bitch. Sad that bitch has got to
• 46:46
  Speaker 1: really make up to make me look bad and forty
• 46:49
  Speaker 1: damn if I was forty, God, damn, bitch, look good.
• 46:53
  Speaker 1: I'm not forty yet. My woman. I'm just gonna get
• 46:55
  Speaker 1: this straight. I'm a revery independent woman. For my support
• 46:59
  Speaker 1: is I've been there to me and having my back.
• 47:01
  Speaker 1: Thank you so so, so so much. Right, what does
• 47:05
  Speaker 1: that even mean? You're passing around? Beat people? Try to
• 47:08
  Speaker 1: shame people for that. You pass around? Blunt, don't you
• 47:10
  Speaker 1: not the same as a person. But anyway, now, somebody
• 47:14
  Speaker 1: else went on on Instagram and left to comment, sad
• 47:18
  Speaker 1: thing is she's always been a home wrecker. I know
• 47:20
  Speaker 1: her personally, and unfortunately she broke my old buss his marriage.
• 47:23
  Speaker 1: He left his wife and his two kids for her.
• 47:25
  Speaker 1: She's a hoe and will always be a hole. She
• 47:27
  Speaker 1: needs to sit her old ass down already. She's pushing forty,
• 47:30
  Speaker 1: acting like she watched. She's always making the same dance
• 47:33
  Speaker 1: moves in every video she records of herself. What does
• 47:35
  Speaker 1: it matter if you're pushing forty and you look better
• 47:37
  Speaker 1: than the twenty somethings now. Bertie's responded, She said, I
• 47:39
  Speaker 1: had enough of the bs, fake ass stories. I have
• 47:43
  Speaker 1: to commend Brinnie's for not saying anything for so long,
• 47:45
  Speaker 1: but I guess she's just had enough. She said, always
• 47:49
  Speaker 1: been a homewrecker, that home been broken, and I've never
• 47:52
  Speaker 1: dealt with a merryman in my life, So please stop
• 47:54
  Speaker 1: trying to declass my character and my name. Here's what
• 47:57
  Speaker 1: she said. Nobody breaking happy, ain't no none of that.
• 48:01
  Speaker 1: But that's none of my business. Okay. I'm there for him.
• 48:05
  Speaker 1: He's a boss and I'm a boy. People think this
• 48:07
  Speaker 1: this and is not. I can't even twisted. It's just
• 48:10
  Speaker 1: friends and you having to cut your shop. I'm not
• 48:12
  Speaker 1: trying to say that. I don't you know, what I'm
• 48:14
  Speaker 1: saying that I'm perfect for a serious things like nobody
• 48:18
  Speaker 1: in breaking don't have the home. This is not me
• 48:20
  Speaker 1: being a stot chick, because I would never be a
• 48:23
  Speaker 1: shot stop chick, grand hustle. I don't know what's true. Listen,
• 48:28
  Speaker 1: I don't know what's truan was not true. But if
• 48:29
  Speaker 1: this is true, this is Tip's greatest height. He strump
• 48:31
  Speaker 1: want to cluse bombs with you to y'all, PI, Tipp
• 48:34
  Speaker 1: ain't lost in a long time. But the question is
• 48:36
  Speaker 1: is if they were married and they said they took
• 48:39
  Speaker 1: a separation, can Tip date you goddamn rating and date
• 48:43
  Speaker 1: and any date do? We'll talk about that next song.
• 48:50
  Speaker 1: But yeah, I mean, all right, we are gonna get
• 48:54
  Speaker 1: into that because we're gonna hear your opinions because they're
• 48:56
  Speaker 1: sometimes people are married and they're separated and they start
• 49:00
  Speaker 1: eating other people. And is that the wrong thing to do?
• 49:02
  Speaker 1: Because some people like what he's married. You can't talk
• 49:05
  Speaker 1: to a merry man, and other people are separated separated.
• 49:09
  Speaker 1: As he went, I remember getting on this radio and
• 49:10
  Speaker 1: saying that about Chloe kardash It, and that was the
• 49:12
  Speaker 1: Oh she's separated, she ain't with Lamart no, Maro. So
• 49:15
  Speaker 1: it don't matter if men can do it, women can
• 49:17
  Speaker 1: do it. You're separated, you separated areas you can't. Lamar
• 49:21
  Speaker 1: was on, she was on what crack cocaine? Say? Crack crack?
• 49:26
  Speaker 1: All right, I manage report. I hate you, man, I
• 49:30
  Speaker 1: hate you so much. Time for Donkey of the Day Democrat.
• 49:40
  Speaker 1: So being Dunky of the day a little bit of
• 49:42
  Speaker 1: a mix like a day. Now, I've been called a
• 49:51
  Speaker 1: lot of my twenty three years, but Donkey of the
• 49:53
  Speaker 1: day is a new wife. Why do the life you
• 49:57
  Speaker 1: going on and off? And now I don't know, I
• 49:59
  Speaker 1: don't know what's going on? Don't here today for Tuesday,
• 50:01
  Speaker 1: March twenty eighth, goes to Detective Robert Francis, forty six
• 50:05
  Speaker 1: years old NYPD. Detective. Now, I know you're thinking, what
• 50:10
  Speaker 1: did the police do? Now? What did they do? Who
• 50:13
  Speaker 1: did they do? It? Too? Well, Detective Robert Francis didn't
• 50:16
  Speaker 1: do anything to anybody but his damn self. He was
• 50:19
  Speaker 1: arrested and charged with four counts of public lewdness stemming
• 50:23
  Speaker 1: from four different situations, and every situation involved him peeping
• 50:28
  Speaker 1: into young women's windows in Long Island and masturbating. Oh yes,
• 50:33
  Speaker 1: detective Robert Francis was busted for being peeping Tom. Yes,
• 50:37
  Speaker 1: Robert Francis wanted to get a little peep, so he
• 50:39
  Speaker 1: was going around looking in women, were looking at women's windows,
• 50:42
  Speaker 1: and you know, bashing his can doing, purping his worms,
• 50:46
  Speaker 1: shining his own nightstick. Let's go to NBC Fort New
• 50:48
  Speaker 1: York for the report. Police. The mom's of Rockville Centerer
• 50:51
  Speaker 1: shocked that the alleged creep turned out to be veteran
• 50:54
  Speaker 1: NYPD Detective Robert Francis. Rockville Centers Police commissioner says four
• 50:59
  Speaker 1: times between February fifth and last Friday, Francis exposed himself
• 51:04
  Speaker 1: to high school girls from the backyards of their homes.
• 51:07
  Speaker 1: Got the attention of the homeowner by shining the light
• 51:11
  Speaker 1: at the window. When she looked out, he began masturbating it.
• 51:15
  Speaker 1: Each time the suspect ran away, but after beefing up patrols,
• 51:19
  Speaker 1: Rockville Center Police finally arrested Francis late on Saturday. The
• 51:23
  Speaker 1: commissioner says all four of the female victims were teams
• 51:27
  Speaker 1: from the same high school, three under the age of sixteen.
• 51:30
  Speaker 1: The NYPD has suspended him without pay. Yes, Detective Robert
• 51:35
  Speaker 1: Francis some would say the pig was playing with his
• 51:38
  Speaker 1: own pigtail. He was cleaning his own rifle. Yeah, okay,
• 51:42
  Speaker 1: Detective Robert Francis was on the beat beating his meat.
• 51:46
  Speaker 1: All right, forty six year old, grown as pert, pervert
• 51:49
  Speaker 1: stalking little high school girls. I bet you didn't even
• 51:52
  Speaker 1: want to be a detective. You probably wanted to be
• 51:54
  Speaker 1: a school resource officer. School hall mounted it so you
• 51:57
  Speaker 1: can walk around to high school cuffing you carrot off
• 52:00
  Speaker 1: day long. Do you know? In Australia they call snitches jack's,
• 52:05
  Speaker 1: so if you snitch on someone, they call it to
• 52:07
  Speaker 1: go jack on him mate. That had nothing to do
• 52:10
  Speaker 1: with nothing, just a little fun fact, Just a little
• 52:13
  Speaker 1: fun fact, you know, because to go jack on him mate,
• 52:16
  Speaker 1: sounds a lot like jacking off. And that's exactly what
• 52:19
  Speaker 1: Detective Robert Francis was doing. All right. He's being charged
• 52:22
  Speaker 1: with four accounts from choking the chicken, but Detective Robert
• 52:25
  Speaker 1: Francis has informed police that he has jerked off in
• 52:28
  Speaker 1: other jurisdictions. Okay, so it's no telling how many times
• 52:32
  Speaker 1: he's played a little flute solo at the window of
• 52:35
  Speaker 1: a young, unsuspecting teenage girl. Detective Robert Francis. I have
• 52:39
  Speaker 1: never okay, I mean I've heard of people saying f
• 52:42
  Speaker 1: the police in public, but this is the first time
• 52:44
  Speaker 1: I've heard of the police fing themselves in public. Please
• 52:47
  Speaker 1: give Detective Robert Francis the biggest he had police and
• 52:53
  Speaker 1: if you care, he's been suspended and they've taken it.
• 52:56
  Speaker 1: They've taken his firearm, his firearms, the least of his word,
• 53:00
  Speaker 1: which fire It's not the weapon you should have took away, NYPD. Alright,
• 53:05
  Speaker 1: take his hands away, maybe take confiscate his penis. There
• 53:09
  Speaker 1: you go, okay, all right, sick guy six six sick guy,
• 53:13
  Speaker 1: all right, you do if your woman could converse, get
• 53:15
  Speaker 1: your penis, you would, right every chance she got. All right, well,
• 53:20
  Speaker 1: thank you for that. Doctor day. Now when we come
• 53:23
  Speaker 1: back and we're talking TI Bernice Burgos and tiny warning,
• 53:27
  Speaker 1: everybody is DJ Envy Angela Yee, Charlomagne, the guy we
• 53:30
  Speaker 1: all the breakfast club. Now if you just joined us,
• 53:32
  Speaker 1: we're talking about Bernice to Bernie's who's there a full name,
• 53:37
  Speaker 1: Bernice Burgo. Bernice Burgos at the real Bernice on Instagram
• 53:41
  Speaker 1: has brought men joy for years on Instagram. Very beautiful
• 53:46
  Speaker 1: young ladies amazing. Now, explain to the people what's going
• 53:48
  Speaker 1: on you. Yes, Apparently the rumor is that Bernice is
• 53:52
  Speaker 1: dating Ti and people are upset because it's saying Ti
• 53:54
  Speaker 1: still married to Tiny. Part of it is that people
• 53:56
  Speaker 1: are used to seeing Tiny and Ti together, whether or
• 53:59
  Speaker 1: not there's separated. That's what they're used to. They just
• 54:02
  Speaker 1: had a young baby heiress, they just celebrated her birthday
• 54:05
  Speaker 1: party and all of that. So I think it's probably
• 54:08
  Speaker 1: what people are accustomed to. So now that he's dating
• 54:10
  Speaker 1: other women, allegedly people are upset, but they are separated, right,
• 54:15
  Speaker 1: So the question is, if somebody is separated, is it
• 54:18
  Speaker 1: okay to date? If you're separated, it's absolutely okay to date.
• 54:21
  Speaker 1: If you're separated, meaning that you're separated and you're in
• 54:25
  Speaker 1: the process of getting a divorce, is absolutely okay to date.
• 54:27
  Speaker 1: Even if y'all separated, but y'all decided I'm gonna break
• 54:30
  Speaker 1: up and we apart for a while, Yeah, it's okay
• 54:32
  Speaker 1: to even date then. But you know what the thing
• 54:34
  Speaker 1: is is, I agree with you if somebody's separated, if
• 54:36
  Speaker 1: you're separated in a relationship of marriage, if y'all decide
• 54:39
  Speaker 1: y're separated, it is okay to date. But did Tiny
• 54:42
  Speaker 1: not get the memo because she wouldn't have feelings. She
• 54:45
  Speaker 1: wouldn't respond if it was cool. But she can have feelings,
• 54:48
  Speaker 1: you know what I mean. Anybody would have feelings, she
• 54:50
  Speaker 1: wouldn't respond. By the way, though, when you separate and
• 54:55
  Speaker 1: you go on a break, you know what I'm saying,
• 54:57
  Speaker 1: you might get you a little low profile when you
• 55:00
  Speaker 1: hop out there, and allegedly you would burn the real BERNIEE.
• 55:06
  Speaker 1: Burgos on Instagram. It's kind of hard not to catch it.
• 55:09
  Speaker 1: But it doesn't matter. If the girl that you dating
• 55:11
  Speaker 1: now it looks better than your wife is that that's irrelevant.
• 55:15
  Speaker 1: I don't got nothing to do, but Bernie's do look good.
• 55:17
  Speaker 1: Me and my wife look at Bernie's Instagram page all
• 55:19
  Speaker 1: the time. Bernie is amazing looking. Now, let's be clear,
• 55:22
  Speaker 1: just like a month ago, Tiny had said that Tian
• 55:25
  Speaker 1: needs to come back home to her. That's what I'm
• 55:27
  Speaker 1: trying to say, and I'm bringing Bernie's with me. And
• 55:31
  Speaker 1: if you don't understand this, then we just gotta figure
• 55:35
  Speaker 1: things out on another way. Well, this is what Bernie
• 55:37
  Speaker 1: said about the whole thing. Passed around bitch, never been
• 55:40
  Speaker 1: a pass around bitch, Chad. That bitch has got to
• 55:43
  Speaker 1: really make up to make me look bad. I can't
• 55:46
  Speaker 1: eve get twisted, which is friends and you haven't cut
• 55:48
  Speaker 1: your shop. I'm not trying to say that. I don't
• 55:51
  Speaker 1: you know what I'm saying that I'm perfect on a
• 55:53
  Speaker 1: serious thing like nobody in breaking don't happy home? All right?
• 55:56
  Speaker 1: So eight hundred and five eighty five one O five one.
• 55:59
  Speaker 1: If you're in the marriage and you separated, does that
• 56:01
  Speaker 1: mean you can date? Hello? Who's this? Hello? Hello? Hey?
• 56:07
  Speaker 1: What's your name? Mama? Hey? This is Cheryl, not Cheryl.
• 56:10
  Speaker 1: If you're in a marriage and you separate, is it
• 56:12
  Speaker 1: okay to date? No? No, it's not okay to date.
• 56:15
  Speaker 1: It's not because you're still married. Separation means it doesn't
• 56:19
  Speaker 1: mean the worce. It means separated. It's feelings involved. Why
• 56:22
  Speaker 1: just move on? It makes you feel shut up, shelfish
• 56:27
  Speaker 1: You shelfish, you're selfish, set up shelf time. But but
• 56:32
  Speaker 1: that's the whole thing. If they separate, they can separate.
• 56:35
  Speaker 1: What this relationship really real? Like? How can you move
• 56:38
  Speaker 1: on so bad? Like? It's feelings involved? You can't sound
• 56:42
  Speaker 1: like you've been through it. You've been through it? Yes,
• 56:45
  Speaker 1: I know it. I can hear to hurting your voice.
• 56:47
  Speaker 1: Tell me what happened? Hell, uncle Charlotte, what happened? What happened?
• 56:51
  Speaker 1: I as a real way, just know that it's not okay?
• 56:56
  Speaker 1: Just so bad? Did he come back? Can't wait tout
• 56:59
  Speaker 1: ITVCE is over. It's not going to be that long.
• 57:01
  Speaker 1: Did he did he? Did he ever come back home? No? Okay,
• 57:04
  Speaker 1: Well he made the right decision. That's not funny. You
• 57:06
  Speaker 1: have a good morning. Thank you for listening. Don't worry
• 57:08
  Speaker 1: about Shawl. He's an ass. Can't do that. Man cry Hello,
• 57:16
  Speaker 1: who's this? That's not funny? Hello, hey, k hey kk
• 57:21
  Speaker 1: Now we're talking separation? Is it okay today? If you
• 57:24
  Speaker 1: guys are separated? No? Why not okay? Why do you
• 57:28
  Speaker 1: say that the women are not happy with this? Explain
• 57:31
  Speaker 1: what you what you think I mean? Because you're still
• 57:33
  Speaker 1: married at the end of the day. There's so many men.
• 57:35
  Speaker 1: It's free and clear. Why not just just somebody. He's
• 57:38
  Speaker 1: free and clear separated. It's not divorced, but separated. Separated,
• 57:43
  Speaker 1: but separation sometimes so you can you can end up
• 57:48
  Speaker 1: going back to that person. That is true. Free and clear, mean,
• 57:52
  Speaker 1: it's free and clear. You're free to do what you
• 57:54
  Speaker 1: want to do. You know what I think. I think
• 57:56
  Speaker 1: people should have a conversation with each other and say,
• 57:58
  Speaker 1: we're separated, and if you want to date other people,
• 58:01
  Speaker 1: you should make it be known, like, listen, we're separated
• 58:03
  Speaker 1: right now until we get divorced. I just want to
• 58:05
  Speaker 1: let you know. You should respect the person enough to
• 58:07
  Speaker 1: give them a heads up. This is what's going down.
• 58:09
  Speaker 1: I think on the end of the day, like, if
• 58:13
  Speaker 1: you're separated and you want to date other people, let's
• 58:15
  Speaker 1: just divorce. They think, have you been through that? Had
• 58:19
  Speaker 1: you can hear the hurt in her voice. I can
• 58:20
  Speaker 1: hear it. No, I'm married, but but sometimes getting divorced
• 58:24
  Speaker 1: does take a long time. It does take a lost
• 58:26
  Speaker 1: especially in Tyr and Tiny's case. They have a lot
• 58:28
  Speaker 1: of assets, a lot. By the way, I think everybody's
• 58:30
  Speaker 1: getting too much flat in the situation. I think Tis
• 58:32
  Speaker 1: is getting too much flag Burne's is getting too much flat.
• 58:34
  Speaker 1: Tiny's getting too much flak. I want everybody to have
• 58:36
  Speaker 1: the same energy they had when they saw Tiny Dancer
• 58:39
  Speaker 1: with Floyd Mayweather and everybody was like Ta and Tiny
• 58:42
  Speaker 1: or separated, they going through it. I want everybody to
• 58:45
  Speaker 1: have that same energy right now, That's that's what I want,
• 58:48
  Speaker 1: that same energy because I don't forget nothing. All right,
• 58:53
  Speaker 1: calm down, right, You're not in this relationship. You're not
• 58:55
  Speaker 1: married to either one of the Hello, who's this gosh?
• 58:57
  Speaker 1: I have invested interest in Bernie's Hello. What her niece is? All?
• 59:00
  Speaker 1: Our girl? Hell mine too? Yeah? What's your name? Bro?
• 59:06
  Speaker 1: My name drew from the five eight drew. Now, if
• 59:08
  Speaker 1: you separate it in a marriage, does that mean you
• 59:10
  Speaker 1: can date? Separated in a marriage or separated in a
• 59:13
  Speaker 1: relationship and a married separate talking about marparated? She separated
• 59:18
  Speaker 1: in a marriage is a little bit different. Separated in
• 59:21
  Speaker 1: the marriage. You two have already made the decision that
• 59:24
  Speaker 1: it's you against the world until you put me six
• 59:26
  Speaker 1: feet under. So separated is really trying to see if
• 59:29
  Speaker 1: you can get back into the fight. So dating separated
• 59:31
  Speaker 1: in a marriage, I can't say yes. I can't. So
• 59:34
  Speaker 1: you think you should wait till your divorce before you
• 59:36
  Speaker 1: start dating somebody else? I mean I would say separated
• 59:40
  Speaker 1: long enough that you're more than at least thirty to
• 59:44
  Speaker 1: forty five percent. I'm not going back. Makes like if
• 59:46
  Speaker 1: you separated, if you separated in two weeks later, you
• 59:49
  Speaker 1: dating somebody else, that's going to be making a question
• 59:51
  Speaker 1: mark for everybody. That's a fact. Now you're telling the truth. Now,
• 59:55
  Speaker 1: if you've been separated and split up for a long time,
• 59:57
  Speaker 1: well you know, I feel like they break up and
• 59:58
  Speaker 1: get back together a lot. All I hear is Ti
• 1:00:01
  Speaker 1: in my ear saying, mind you business. But the thing is,
• 1:00:04
  Speaker 1: the thing is this. I just want everybody to have
• 1:00:07
  Speaker 1: the same energy they had when we saw Tiny dancing
• 1:00:10
  Speaker 1: with Floyd. Okay, when we saw a Tiny dancing with Floyd,
• 1:00:13
  Speaker 1: it wasn't all of this. I don't know why it's
• 1:00:15
  Speaker 1: all of this now, why it's always this double standard thing.
• 1:00:18
  Speaker 1: Have that same energy whatever they were doing. When it
• 1:00:20
  Speaker 1: was okay for Heard to dance with Floyd, it's okay
• 1:00:22
  Speaker 1: for Tia to do whatever he's doing right now. Eight
• 1:00:24
  Speaker 1: hundred and five eight five one oh five one. If
• 1:00:26
  Speaker 1: you're separated in a marriage, is it okay to date?
• 1:00:29
  Speaker 1: Call us now? It's the breakfast club. Good morning, yo.
• 1:00:31
  Speaker 1: For one, you would have to see me when you
• 1:00:32
  Speaker 1: come to one of those Good morning. Everybody is cej Envy, Angela, Yee, Charlomagne,
• 1:00:38
  Speaker 1: the guy. We are the breakfast club now, if you
• 1:00:40
  Speaker 1: just join us. We're talking about separation in a marriage.
• 1:00:43
  Speaker 1: If you're separated in a marriage, is it okay to date? See?
• 1:00:46
  Speaker 1: I look at it. If you're separated, both parties are separated.
• 1:00:50
  Speaker 1: Maybe you're separated because you're trying to work it out.
• 1:00:52
  Speaker 1: You're trying to see if you date somebody else, will
• 1:00:54
  Speaker 1: you miss that person? So I think if you're separated, yes,
• 1:00:57
  Speaker 1: it's okay. We call that taking a break. Though. I
• 1:00:59
  Speaker 1: thought when you're in a relationship, are well, marriage is
• 1:01:01
  Speaker 1: different than just in a relationship. Yeah, separated To me,
• 1:01:04
  Speaker 1: when I think separated, I think that they're in the
• 1:01:06
  Speaker 1: process of getting a divorce. That's what I think. It
• 1:01:08
  Speaker 1: could well separated could it could mean that. It could
• 1:01:11
  Speaker 1: mean let's see if we should get divorced completely, or
• 1:01:13
  Speaker 1: let's see if we spend some time apart and we
• 1:01:16
  Speaker 1: can figure out how to work things out. We don't
• 1:01:18
  Speaker 1: know what it means in this situation. It couldn't mean either. Yeah,
• 1:01:21
  Speaker 1: when you take a break and you see if if
• 1:01:22
  Speaker 1: it's if you missed the person, if you can work
• 1:01:24
  Speaker 1: it out, maybe even dating somebody to see if you
• 1:01:27
  Speaker 1: missed that personal But I'm gonna tell you breaks a marriage, Bro,
• 1:01:29
  Speaker 1: But I'm gonna tell you. Yeah, people do it all
• 1:01:32
  Speaker 1: the time, but I'm gonna tell you what I really Thinkage.
• 1:01:36
  Speaker 1: I think that if you are gonna date, you gotta
• 1:01:38
  Speaker 1: be low key about it, especially when you're a public person.
• 1:01:41
  Speaker 1: Just can't be low key. You can. People are low
• 1:01:45
  Speaker 1: key all the time, but I just think that out
• 1:01:47
  Speaker 1: of respect for somebody else and just keep it low
• 1:01:49
  Speaker 1: like you are free to. I feel like if you're separated,
• 1:01:51
  Speaker 1: yes we have an agreement, I'm gonna do me and
• 1:01:54
  Speaker 1: we have no intention on getting back together, then you
• 1:01:57
  Speaker 1: should be allowed to date other people. But I think
• 1:01:58
  Speaker 1: you should be discreet. Who's this my name name Mary?
• 1:02:02
  Speaker 1: I'm saying, Mary, what's that we're talking separation? If you
• 1:02:05
  Speaker 1: guys are separated in the marriage, is it okay to date? Yeah,
• 1:02:08
  Speaker 1: there's nothing wrong with it. There's nothing wrong with it.
• 1:02:11
  Speaker 1: I agree with you, brother, Okay, thank you? Man? All right,
• 1:02:16
  Speaker 1: what's up? Bro? I gotta I'm gonna tell you, man, Yo,
• 1:02:18
  Speaker 1: you relieve short in person. But I've seen you at
• 1:02:20
  Speaker 1: club Artist. I was going security a couple of weeks back. Man,
• 1:02:23
  Speaker 1: in Charlotte, I was I was saying no. Not in Philly.
• 1:02:27
  Speaker 1: You said I'm short. I ain't gonna lie. You sound
• 1:02:29
  Speaker 1: like you you separated from your wife and you want
• 1:02:31
  Speaker 1: to make a move with viator. I'm six foot what
• 1:02:34
  Speaker 1: you show? I'm six foot man? Why don't you telling
• 1:02:35
  Speaker 1: that lie? I am sitting. You're the short one. I
• 1:02:40
  Speaker 1: know you tell all people do. Hello. Hello, Hey, we're
• 1:02:43
  Speaker 1: talking about if you're separated in a marriage, is it
• 1:02:46
  Speaker 1: okay to date? Well, hey, you know if I believe
• 1:02:51
  Speaker 1: you separated and the goal is divorced, you know it's
• 1:02:54
  Speaker 1: okay to to date. No buddies, y'all planning on getting
• 1:02:56
  Speaker 1: back together or set out right? I feel you Sometimes
• 1:03:02
  Speaker 1: people separates and then you shouldn't date other people. But
• 1:03:06
  Speaker 1: if you're separated, like this just isn't working. We got
• 1:03:08
  Speaker 1: to get in the processes. Don't your voice? But don't
• 1:03:10
  Speaker 1: you separate and start dating other people? And then you
• 1:03:12
  Speaker 1: realize like, damn, I'd rather be at home. I really
• 1:03:15
  Speaker 1: love this other person. I think I don't love this
• 1:03:18
  Speaker 1: girl I'm dating this guy I'm dating. I'd rather be
• 1:03:20
  Speaker 1: with my husband or wife. I think every case is different.
• 1:03:23
  Speaker 1: In some cases every some cases it's no, but we
• 1:03:26
  Speaker 1: don't know what's happened in their case. But if they
• 1:03:27
  Speaker 1: say separate where they are separated and not living in
• 1:03:30
  Speaker 1: the same house. I don't think dating is a problem. Hello,
• 1:03:33
  Speaker 1: who's this? Like, what's something, Mama? We're talking about separation? Now?
• 1:03:39
  Speaker 1: If you're separated in a marriage, is it okay to date?
• 1:03:43
  Speaker 1: I don't think it is. No. I don't think it is,
• 1:03:47
  Speaker 1: only because how are you going to work on something
• 1:03:49
  Speaker 1: if you're already into somebody else? Right? Yeah, but I
• 1:03:52
  Speaker 1: might start dealing with this other person and realize, you
• 1:03:55
  Speaker 1: know what, man, I got the good stuff at home.
• 1:03:57
  Speaker 1: Why I'm over here doing this? True? True, that's that's
• 1:04:01
  Speaker 1: your gambling. That's a risky one. That's true though. Okay,
• 1:04:05
  Speaker 1: what Tyler Perry said, Tyler Perry saying, you got you?
• 1:04:08
  Speaker 1: What is it? You're eighty percent and you're twenty percent.
• 1:04:10
  Speaker 1: Don't trade your twenty for your eighty or the eighty
• 1:04:12
  Speaker 1: twenty rule. Don't trade your twenty for your eighty. Sometimes
• 1:04:15
  Speaker 1: you'd be separated. You got dad messing with your little
• 1:04:17
  Speaker 1: twenty and realize you got eighty at home. You're like, man,
• 1:04:20
  Speaker 1: I'm going back to get this eighty. Now. What's the
• 1:04:22
  Speaker 1: moral of the story? The marl of the stories? I
• 1:04:24
  Speaker 1: need everybody to have that same energy they had when
• 1:04:26
  Speaker 1: Tiny was out here dancing with Floyd Mayweather. Okay, I
• 1:04:29
  Speaker 1: want you to have that same energy when you see
• 1:04:30
  Speaker 1: Ti out here with dancing whoever he wanted to dance with.
• 1:04:33
  Speaker 1: And the other moral of the story is simply this
• 1:04:35
  Speaker 1: back up, like spin around, like all right, I'm going
• 1:04:41
  Speaker 1: with Tia, I'm going with Tad. All right, now you've
• 1:04:43
  Speaker 1: got rules all the way. Yes, I'll tell you what
• 1:04:44
  Speaker 1: legendary producer slash Artists is now going to be doing
• 1:04:48
  Speaker 1: a musical on facts about his life. All right, we'll
• 1:04:52
  Speaker 1: get into all that when we come back. Keeping locked
• 1:04:53
  Speaker 1: this to breakfast, clumping the morning. This is the rule
• 1:04:57
  Speaker 1: of report with angela year. Well, Nicki Minaj has some
• 1:05:07
  Speaker 1: new material out if you guys in here. She's on
• 1:05:10
  Speaker 1: a David Gettis so on her and Little Wayne. It's
• 1:05:12
  Speaker 1: called light my Body Up and check out some of
• 1:05:15
  Speaker 1: her lyrics. I just started my sentence like the capital
• 1:05:19
  Speaker 1: letdu got bars for years. I hope you'll send me
• 1:05:22
  Speaker 1: a letter. She'll never be tweeny, so now she got
• 1:05:25
  Speaker 1: to be dead. I ain't talking about ten when I say, y'all,
• 1:05:29
  Speaker 1: MC get twenty million season of course, twenty million when
• 1:05:34
  Speaker 1: you ain't put out no album. Maturis, yes, which I
• 1:05:37
  Speaker 1: need pretty and icy diet it icy, but my name's
• 1:05:41
  Speaker 1: felt and icy. I don't get it fart on those bars.
• 1:05:46
  Speaker 1: I can't get it. All right, there's some more digs.
• 1:05:49
  Speaker 1: And I know you guys saw it when she put
• 1:05:51
  Speaker 1: on Twitter barbes because one of you send me a
• 1:05:53
  Speaker 1: list of all my opening acts I've ever had on
• 1:05:55
  Speaker 1: American and World tours. Thanks. I guess that was a
• 1:05:59
  Speaker 1: dig at Songs when Trey Songs was on the Breakfast
• 1:06:02
  Speaker 1: Club talking about Nicki minaj at those balls on that
• 1:06:05
  Speaker 1: get a record. That's all I know, all right, all
• 1:06:08
  Speaker 1: kinds of subliminals. Harry, all right, Fatty Whapp, we give
• 1:06:12
  Speaker 1: you an update on this whole Fettie Whapp situation. Now,
• 1:06:15
  Speaker 1: we told you about the shooting that happened in Pattison,
• 1:06:18
  Speaker 1: New Jersey after an altercation in the Delhi and Pattison.
• 1:06:21
  Speaker 1: Fattie Wapp was there with his crew and apparently he
• 1:06:24
  Speaker 1: ran into a member of Fuzz aka Raheim Thomas's crew. Now,
• 1:06:29
  Speaker 1: apparently Fuzz and his muscle Team boys have had issues
• 1:06:32
  Speaker 1: with Fetti Whopp in the past. Here's what they said.
• 1:06:34
  Speaker 1: When they were outside of serious previously. Oh man, Freddie Man,
• 1:06:39
  Speaker 1: they all here black ball and nuzzle. You know what
• 1:06:41
  Speaker 1: I'm saying, And I mean Freddie Wapping, gangster man, Fattie.
• 1:06:44
  Speaker 1: Freddie Wapper is a sweet boy. He's a sweet little kid.
• 1:06:47
  Speaker 1: But he'd be up there now, Like I said, all
• 1:06:49
  Speaker 1: my home rapping about guns and stuff into dake. But
• 1:06:51
  Speaker 1: when you're in interview's homie shopped that gangster rap man
• 1:06:55
  Speaker 1: cat come out there. When I'm out there, it's over.
• 1:06:59
  Speaker 1: It's a dull, you know what I'm talking about. You
• 1:07:01
  Speaker 1: run passing RGF if the outlet. Now you got them
• 1:07:05
  Speaker 1: little young Wardes on your ass, and I ain't doing
• 1:07:07
  Speaker 1: nothing about it, you know what I'm saying. There's so
• 1:07:09
  Speaker 1: much I don't understand about these types of situations, because
• 1:07:11
  Speaker 1: it's like, why would you want to harm the dude
• 1:07:14
  Speaker 1: from the hood who's actually got the potential to probably
• 1:07:17
  Speaker 1: bring well. He said that it was like he got
• 1:07:20
  Speaker 1: blackballed due to Fatty Wapp. So I don't know what.
• 1:07:22
  Speaker 1: I don't know what their situation is, but that's what
• 1:07:24
  Speaker 1: he just said in that audio. So being that you
• 1:07:25
  Speaker 1: got black ball, you're gonna keep him from possibly putting
• 1:07:27
  Speaker 1: some other people on from that hood and getting other
• 1:07:29
  Speaker 1: people out there that may He's deeper than that, because
• 1:07:30
  Speaker 1: the first time I actually met Fatti Wapp was with
• 1:07:33
  Speaker 1: Fuzz Fuzz. He promotes out in Jersey sometimes he promoted
• 1:07:36
  Speaker 1: the party if Fatty Wapp was performing. That was the
• 1:07:38
  Speaker 1: first time I met him, So they were cool before.
• 1:07:40
  Speaker 1: It's something deeper than I'm sure, all right, So let
• 1:07:42
  Speaker 1: me finish telling you what went down now. Apparently raheem
• 1:07:46
  Speaker 1: time and say Kat Fuss, who you just heard, actually
• 1:07:48
  Speaker 1: got arrested on gun charges because he also had Fatty
• 1:07:52
  Speaker 1: Wapp's chain that was stolen on Instagram. Now, Fatti Wapp
• 1:07:55
  Speaker 1: got ribed for about four hundred and fifty thousand dollars
• 1:07:57
  Speaker 1: worth of jewelry and thousands in cash at that Delhi
• 1:08:00
  Speaker 1: eyewitnesses at the scene are saying that a member of
• 1:08:02
  Speaker 1: Fetti's crew actually fired the first shot, and all the
• 1:08:05
  Speaker 1: shots that landed in the shootout were all from Fetti
• 1:08:09
  Speaker 1: Wapp's crew, So the only bullets that landed, even though
• 1:08:11
  Speaker 1: there was back and forth shooting, the shots that landed
• 1:08:13
  Speaker 1: war from Fetti Wapp's crew. So they did say there
• 1:08:16
  Speaker 1: was more than one gun clearly and three men were
• 1:08:20
  Speaker 1: taken to the hospital from gunshot wounds. By the way,
• 1:08:23
  Speaker 1: why are you in the hood at for something in
• 1:08:24
  Speaker 1: the morning with one hundred and fifty thousand dollars worth
• 1:08:26
  Speaker 1: for jewelry on fifty dollars? Can't we all be smarter
• 1:08:30
  Speaker 1: than that. You gotta safe at your house to put
• 1:08:31
  Speaker 1: your jelry in, but then you leave out the house
• 1:08:33
  Speaker 1: and being the hood with the jewelry on your neck
• 1:08:34
  Speaker 1: in the day. The first the chain was not worth
• 1:08:36
  Speaker 1: four hundred and fifty thousand dollars. Well, they said the
• 1:08:39
  Speaker 1: chain was valued at three hundred and fifty. But you
• 1:08:41
  Speaker 1: know when you buy a chain and then the actual
• 1:08:43
  Speaker 1: value when you ensure it is always one hundred percent more.
• 1:08:46
  Speaker 1: It's probably worth about one fifty. But you couldn't still
• 1:08:49
  Speaker 1: too much. If he wants to wear his chain, he
• 1:08:50
  Speaker 1: should be able to wear his chain. Yeah, there's not
• 1:08:52
  Speaker 1: in the hood. Yeah, you just gotta be smart, Like
• 1:08:54
  Speaker 1: it's okay. It's just like going outside and it's raining outside.
• 1:08:57
  Speaker 1: You don't bring your umbrella, and then you wonder why
• 1:08:59
  Speaker 1: you get wet. He probably though he feelt more comfortable
• 1:09:01
  Speaker 1: where he was from. He probably went there all the time,
• 1:09:03
  Speaker 1: all right, now Farrell's life story is going to be
• 1:09:06
  Speaker 1: adapted for a Fox musical, so that should be pretty exciting.
• 1:09:10
  Speaker 1: And he's going to be working with Broadway director Michael Mayer,
• 1:09:13
  Speaker 1: who actually produced Hidden Figures as well. So Fox has
• 1:09:17
  Speaker 1: one that pits for. This musical is called Atlantis, as
• 1:09:20
  Speaker 1: described as a Romeo and Juliette style story with the
• 1:09:22
  Speaker 1: musical element that's inspired by Farrell's childhood in Virginia Beach.
• 1:09:28
  Speaker 1: Here for it. Broll's got a great imagination. I'm sound
• 1:09:31
  Speaker 1: like something. I'm definitely here to watch that. And your guy,
• 1:09:34
  Speaker 1: LaVar Ball is actually shopping some TV projects, reality show
• 1:09:39
  Speaker 1: and documentary obviously based on his family of young basketball superstars.
• 1:09:44
  Speaker 1: Can't can't understand the disrespect around LaVar Ball. All a
• 1:09:47
  Speaker 1: man is doing is setting big goals and dreams for
• 1:09:49
  Speaker 1: his kids. Y'all ain't even got no damn father, And
• 1:09:52
  Speaker 1: don't even understand where the father's dreams off of his children.
• 1:09:55
  Speaker 1: You don't want your children to make a billion dollars
• 1:09:56
  Speaker 1: one day? Nay, going a little far with it though?
• 1:09:58
  Speaker 1: How he could beat Michael Jordan one on one? What
• 1:10:01
  Speaker 1: DJ can beat you? Nobody? All right? Thing, So shut
• 1:10:04
  Speaker 1: the hell up. You're a black daddy. You know what
• 1:10:05
  Speaker 1: black daddies due. Black daddies. We either can beat everybody
• 1:10:08
  Speaker 1: or know somebody who can shut up. You're all so crazy,
• 1:10:12
  Speaker 1: all right? And Mary J. Blige has announced a brand
• 1:10:15
  Speaker 1: new album, Strength of a Woman. We're excited for that.
• 1:10:18
  Speaker 1: That album is coming out April twenty eighth. She posted
• 1:10:21
  Speaker 1: it on Instagram. So excited to hear some new Mary J.
• 1:10:24
  Speaker 1: Blige material. I want to hear that. Yes, well, I'm
• 1:10:27
  Speaker 1: angela yea. And that is your rumor report. By the way,
• 1:10:29
  Speaker 1: I just want to say that's one one time. Real
• 1:10:31
  Speaker 1: black fathers never admit defeat ever, never not. The real
• 1:10:38
  Speaker 1: black fathers never admit defeat. You put it like that.
• 1:10:41
  Speaker 1: He got three sons. You can't let You can't tell
• 1:10:43
  Speaker 1: your sons another man can beat you at anything anything.
• 1:10:47
  Speaker 1: Three sons won't respect you call Michael Jordan daddy. So
• 1:10:53
  Speaker 1: would you tell your son or your daughter that you
• 1:10:55
  Speaker 1: played one of one Michael Jordan? You say, yeah, I
• 1:10:56
  Speaker 1: beat Michael Jordan. No. I said I could wash them
• 1:10:59
  Speaker 1: shut saying I could watch them. They wouldn't believe it.
• 1:11:01
  Speaker 1: I don't care what they believes. That wasn't no fun.
• 1:11:06
  Speaker 1: That was the fun. Somebody had too much milk, they said,
• 1:11:09
  Speaker 1: very lactose intolerant. If that somebody felt like that ever
• 1:11:14
  Speaker 1: around me, I'm calling nine one one. All right, well,
• 1:11:16
  Speaker 1: thank you for those rules. Something's wrong, something is clearly wrong. Alright,
• 1:11:21
  Speaker 1: the people's Choice mixes up. Next. You want to hear
• 1:11:23
  Speaker 1: something eight hundred five eight five one O five one.
• 1:11:26
  Speaker 1: Let me know what you want to hear. Let's start
• 1:11:27
  Speaker 1: off with some West any music. People have been asking
• 1:11:29
  Speaker 1: me for that, so let's get some of that on
• 1:11:31
  Speaker 1: and whatever else you want to hear some