Latest / Frightmares / Ep. 135 - Texas Chainsaw Massacre (2022)

Transcript

Ep. 135 - Texas Chainsaw Massacre (2022) · Frightmares

• 0:43
  Speaker 1: So I just got this this week. I think. I'm
• 0:46
  Speaker 1: pretty sure we wanted to do this on an episode
• 0:49
  Speaker 1: but couldn't find it anywhere for Creature Features. I alligate it,
• 0:52
  Speaker 1: I think. So remember I think I think you found
• 0:54
  Speaker 1: it and you're like, oh, it's just like it's like
• 0:56
  Speaker 1: a mutant fucking fifty foot alligator in the sewers. Yeah,
• 0:59
  Speaker 1: I think, and we couldn't find it anywhere. Well, Shout
• 1:01
  Speaker 1: Factory just released it. Uh so I'm super excited for
• 1:04
  Speaker 1: that because they have this one and there's also an
• 1:07
  Speaker 1: alligator two. Know, I just did three. There there's an
• 1:10
  Speaker 1: alligator too that I had no idea about. So me
• 1:12
  Speaker 1: and Spencer are gonna do this one, but I think
• 1:14
  Speaker 1: me and you need to do number two.
• 1:16
  Speaker 2: There's gotta be some level of like extreme stress going
• 1:21
  Speaker 2: on at show Factory because they're just like, all right,
• 1:24
  Speaker 2: we can't we can't get the license for this big one.
• 1:27
  Speaker 1: So uh hey, Chad go, uh what what what movie
• 1:30
  Speaker 1: you got? Chad go? Well, and I'm pretty sure as well,
• 1:36
  Speaker 1: like this is I'm pretty sure I could be wrong,
• 1:38
  Speaker 1: but this is the first time at least on Blu
• 1:40
  Speaker 1: Ray if not DVD. I don't know, I know it's
• 1:42
  Speaker 1: the first time on something, and they have all these
• 1:44
  Speaker 1: extra special features and stuff like that. So I'm excited
• 1:47
  Speaker 1: to watch both of these because yeah, I mean it
• 1:50
  Speaker 1: was it was not available on DVD that we could find,
• 1:53
  Speaker 1: wasn't available to rent, wasn't streaming anywhere, and I'm like,
• 1:56
  Speaker 1: it's a it's a fifty alligator.
• 1:58
  Speaker 2: I have to see this, so watch them pull a
• 2:01
  Speaker 2: Shyamalan and all the extra features are better than the
• 2:03
  Speaker 2: actual movie.
• 2:04
  Speaker 1: Actually a three point two. Oh, it's kind of like
• 2:07
  Speaker 1: a three point two. So I've got high hopes for this. Okay, Oh,
• 2:10
  Speaker 1: speaking of movie, right, guess what's up? I watched the
• 2:14
  Speaker 1: worst movie of all time? Really the worst? What is it?
• 2:19
  Speaker 2: It's it's average rating on letterboxed Le's like a two five.
• 2:23
  Speaker 2: It's a point eight. Oh oh oh wait, that's you
• 2:27
  Speaker 2: said an average rating, the average rating, the average Yeah,
• 2:31
  Speaker 2: the average rating is a point eight. I think that's
• 2:33
  Speaker 2: the lowest I've heard besides the Avatar Last Air. But
• 2:37
  Speaker 2: it's called twenty twenty five.
• 2:39
  Speaker 1: Twenty twenty five.
• 2:40
  Speaker 2: Hold on, let me let me pull this up for you.
• 2:42
  Speaker 2: It is point eight so bad?
• 2:45
  Speaker 1: Oh, no, where where did you find this? Month?
• 2:49
  Speaker 2: So my roommate Wesley. His girlfriend was like, Yo, we
• 2:53
  Speaker 2: gotta watch this movie. I saw it on the internet somewhere.
• 2:55
  Speaker 2: We got to watch it, and I was like, I
• 2:57
  Speaker 2: was like, I was like, I was like, okay, because
• 2:59
  Speaker 2: it's not a horror movie. And I was like, okay, yeah, sure,
• 3:03
  Speaker 2: I'll watch it.
• 3:04
  Speaker 1: Why not.
• 3:05
  Speaker 2: And let me tell you, I was not upset watching it,
• 3:11
  Speaker 2: but it was.
• 3:12
  Speaker 1: It was so bad that.
• 3:14
  Speaker 2: It made the room look like Titanic. So, so, the
• 3:22
  Speaker 2: premise is young Christians start an underground revolution to reunite
• 3:27
  Speaker 2: Christians and reign freedom in a world transformed by the coronavirus.
• 3:31
  Speaker 1: How many times can you say Christian and so?
• 3:38
  Speaker 2: But but here's where it got really fucking weird.
• 3:41
  Speaker 1: Okay the way.
• 3:43
  Speaker 2: Yeah that me it's because me, it's because I rated
• 3:46
  Speaker 2: it half a star.
• 3:48
  Speaker 1: Oh no. Yeah. So this movie takes place.
• 3:55
  Speaker 2: In Germany with a military state happening, and it's very
• 4:02
  Speaker 2: much like the German like version of being Jewish and
• 4:09
  Speaker 2: Nazi in Nazi Germany. Like there's a whole lot of
• 4:12
  Speaker 2: fairy tone, deaf parallels, like they were doing this not
• 4:17
  Speaker 2: realizing what they were actually implying, and I'm like, this
• 4:20
  Speaker 2: is really not did they just.
• 4:22
  Speaker 1: Not learn about the Holocaust and history or something like
• 4:25
  Speaker 1: did they not know this exists?
• 4:26
  Speaker 2: They're Germans, so they legally have to know about it.
• 4:30
  Speaker 1: My god, but this, Oh is it a German movie?
• 4:32
  Speaker 1: Is it? No? No?
• 4:33
  Speaker 2: No, it's German speaking English.
• 4:36
  Speaker 1: Oh weird?
• 4:37
  Speaker 2: Okay, so let me rephrase that. It's two Germans, one Russian, uh,
• 4:45
  Speaker 2: some American and those are the and uh like a
• 4:50
  Speaker 2: like a Swedish girl and that's the that's the main
• 4:53
  Speaker 2: five group, and then the bad guys obviously are American. Yeah, track,
• 5:00
  Speaker 2: but it's it's it's very tone deaf, and it was
• 5:03
  Speaker 2: very bad.
• 5:04
  Speaker 1: And there's this one scene.
• 5:07
  Speaker 2: This was a Okay, I knew not to do shit
• 5:10
  Speaker 2: like this in a high school video.
• 5:12
  Speaker 1: Right.
• 5:12
  Speaker 2: There's a scene where two of the characters are like
• 5:15
  Speaker 2: having a heart to heart, right, and the guy's just
• 5:17
  Speaker 2: sitting there with like his hands in his lab. And
• 5:20
  Speaker 2: then there's a cut scene to just his hands in
• 5:23
  Speaker 2: his lab, not doing anything, just his hands there, and
• 5:25
  Speaker 2: it's literally like a two frame cut and then back
• 5:28
  Speaker 2: to and I'm like, what what was that? So I
• 5:32
  Speaker 2: rewound it like three times and I'm like, what the fuck?
• 5:35
  Speaker 1: What does he do with? Yeah, what's the purpose of it.
• 5:38
  Speaker 2: It's just literally terrible editing.
• 5:39
  Speaker 1: Oh man, and it came out last year too. Yeah,
• 5:43
  Speaker 1: I mean that makes sense. I figured it was you know,
• 5:45
  Speaker 1: you said a coronavirus. So obviously the last couple of years,
• 5:48
  Speaker 1: if not this year, Oh boy, twenty twenty five, the
• 5:51
  Speaker 1: world enslaved by a virus. Even you can give this
• 5:54
  Speaker 1: half a star on letterboxed because it has a point seven.
• 5:57
  Speaker 1: I'm pretty sure that that takes the cake because Avatar
• 6:01
  Speaker 1: is around that. But I don't think it was that,
• 6:04
  Speaker 1: not that one. Oh excuse me, it's the Last Airbender. Yeah,
• 6:08
  Speaker 1: my apologies. Airbender was Yeah, that's a okay, that's a
• 6:12
  Speaker 1: one point one. Jesus, that's almost double point will.
• 6:17
  Speaker 2: I will say for certain and for true that this
• 6:20
  Speaker 2: movie is one hundred times worse than the Last Airbender
• 6:25
  Speaker 2: live action movie.
• 6:26
  Speaker 1: Oh god, that's really tough. What's crazy is that this
• 6:29
  Speaker 1: movie looks like a reverse Parasite, because Parasite is like,
• 6:32
  Speaker 1: you know, four hundred thousand and five stars, and this
• 6:35
  Speaker 1: is you know, probably not that many, obviously, but you know,
• 6:37
  Speaker 1: one point six one half stars, and then thirty one
• 6:41
  Speaker 1: people gave it five stars.
• 6:44
  Speaker 2: Yeah, that's the Christian propagandist right there. But no, ok
• 6:48
  Speaker 2: And the thing that made me the most angry about
• 6:51
  Speaker 2: this movie is it sets you up from the opening
• 6:56
  Speaker 2: to be a wrap around where the beginning of the
• 6:59
  Speaker 2: movie is actually the end of the movie and they
• 7:01
  Speaker 2: show you all the events to no, fuck them. They
• 7:04
  Speaker 2: did not deserve that movie trope. They don't deserve it.
• 7:09
  Speaker 2: It should be taken away from them, just like their
• 7:11
  Speaker 2: rights in the movie. As Christians. They need to have
• 7:14
  Speaker 2: their rights to ever touch a film camera. Again, did
• 7:16
  Speaker 2: they do that or did they set it up and
• 7:18
  Speaker 2: then didn't do it. No, they set it up and
• 7:20
  Speaker 2: did it.
• 7:20
  Speaker 1: Oh no.
• 7:21
  Speaker 2: But because it was so like literally the entire budget
• 7:24
  Speaker 2: of this movie went to the cameras. They also did
• 7:28
  Speaker 2: this thing that I I under Okay, so I understand
• 7:32
  Speaker 2: why I'm sorry, listeners is not what you came here, No.
• 7:35
  Speaker 1: This is, but I have to know what everyone comes
• 7:39
  Speaker 1: here for.
• 7:41
  Speaker 2: Episode They also do this thing, which I understand why
• 7:47
  Speaker 2: they did it. It's because they had no budget for
• 7:50
  Speaker 2: any like set design at all. So they're literally just
• 7:55
  Speaker 2: shooting in like rooms of their house and shit.
• 7:58
  Speaker 1: With like four hundred thousand dollars cameras.
• 8:00
  Speaker 2: But what they do is they cast different color lights
• 8:04
  Speaker 2: on everything and then fog the fuck out of the room.
• 8:10
  Speaker 1: So it's almost like looking.
• 8:12
  Speaker 2: At like a bad stage show with like bad stage
• 8:17
  Speaker 2: effects going on. Yeah, So like they'll just be sitting
• 8:20
  Speaker 2: in there like underground hideout, and it's like it looks
• 8:23
  Speaker 2: like they set off a like fog machine and then
• 8:26
  Speaker 2: put blue jail filters over every single light in the house.
• 8:30
  Speaker 1: Interesting, okay, But then it's.
• 8:32
  Speaker 2: Hilarious because you see a window and the window is
• 8:34
  Speaker 2: obviously just casting like sunlight in and it just totally
• 8:39
  Speaker 2: breaks all.
• 8:40
  Speaker 1: Of your immersion. Oh boy.
• 8:42
  Speaker 2: And the thing that hurt the worst is I spent
• 8:44
  Speaker 2: three ninety nine to watch.
• 8:45
  Speaker 1: I say, because I don't see you streaming anywhere. No,
• 8:49
  Speaker 1: it's so.
• 8:51
  Speaker 2: It's it's three ninety nine on Amazon.
• 8:55
  Speaker 1: That's rough. It is rough.
• 8:56
  Speaker 2: It's nine to buy. If you buy this, I will
• 9:00
  Speaker 2: personally double your money that you paid for for one person,
• 9:05
  Speaker 2: the first person to buy this movie and send the
• 9:08
  Speaker 2: proof to Austin.
• 9:10
  Speaker 1: I will.
• 9:10
  Speaker 2: It's nine ninety nine. You will get twenty dollars from me,
• 9:14
  Speaker 2: all right, I will.
• 9:15
  Speaker 1: You don't count, okay, damn it, damn it.
• 9:18
  Speaker 2: Nobody associated with the show.
• 9:20
  Speaker 1: Count damn it. I love your review on this. This
• 9:23
  Speaker 1: is quite possibly the most tone deaf and empty movie
• 9:26
  Speaker 1: I've ever seen, liked, liked, Oh man, see now I
• 9:32
  Speaker 1: have to Okay, it's it's at least it's only ninety
• 9:34
  Speaker 1: two minutes, so maybe like eighty five. Oh credit, dear no,
• 9:37
  Speaker 1: dear God. Does it feel like one hundred and ninety
• 9:39
  Speaker 1: two minutes.
• 9:40
  Speaker 2: It feels like nine hundred minutes.
• 9:42
  Speaker 1: Oh god.
• 9:43
  Speaker 2: The pacing is garbage. Oh oh, I forgot to mention that.
• 9:48
  Speaker 2: Because this is a Christian movie, there are one, two, three, four,
• 9:54
  Speaker 2: five count on five breaks for worship music and just
• 9:59
  Speaker 2: walking montages.
• 10:01
  Speaker 1: Does it literally what is it like say intermission? No?
• 10:04
  Speaker 2: No, no, no, Like you'll just have the characters walking
• 10:07
  Speaker 2: and then like this praise worship music comes on and
• 10:10
  Speaker 2: it plays for a solid three minutes and then they
• 10:13
  Speaker 2: go to the next scene.
• 10:14
  Speaker 1: So that's it's like fifteen minutes of your movie right there.
• 10:17
  Speaker 1: So yeah, wow, And if I don't think I've ever
• 10:21
  Speaker 1: seen like a Christian movie before, I mean yeah, like
• 10:24
  Speaker 1: when I went to church, we'd rent movies there. Okay,
• 10:27
  Speaker 1: Christian friendly, but.
• 10:28
  Speaker 2: So we aust I'm gonna I'm gonna pitch you a
• 10:33
  Speaker 2: new series for us to do. Oh god, it's gonna
• 10:36
  Speaker 2: cost us just a wee bit of money, but I
• 10:38
  Speaker 2: think it'll be worth it because it's horror in a
• 10:40
  Speaker 2: completely different sense.
• 10:41
  Speaker 1: It's real life horror, So shuit we live.
• 10:44
  Speaker 2: Did you know that there is a Christian only version
• 10:50
  Speaker 2: of Netflix? Really, it's called pure Flix.
• 10:54
  Speaker 3: Oh god, My challenge is we do every now and
• 11:00
  Speaker 3: again one movie from pure Flix to fucking god spin that.
• 11:06
  Speaker 1: Can't you just put the kid filter on or whatever,
• 11:09
  Speaker 1: like you know, the make your account of children?
• 11:12
  Speaker 2: No, no, I'm talking. I'm I am talking adult level entertainment.
• 11:17
  Speaker 2: But that is completely secular.
• 11:20
  Speaker 1: I know. But it's just like like, oh, I can't.
• 11:24
  Speaker 1: My brain can't even comprehend that. Are you that sheltered?
• 11:27
  Speaker 1: Like really that you have to do that? I mean,
• 11:30
  Speaker 1: just don't look at the stuff you don't want to
• 11:32
  Speaker 1: look at it on Netflix? It's not hard, but damn, but.
• 11:34
  Speaker 2: Man, it's I'm talking a hundreds of different pieces of
• 11:39
  Speaker 2: media on this.
• 11:40
  Speaker 1: Oh my god. Sorry, if you're a Christian, Uh, there's
• 11:43
  Speaker 1: we're kind of like, you know, I don't know what
• 11:45
  Speaker 1: we would say. I guess we would call us what
• 11:47
  Speaker 1: we call us. What's the thing that doesn't believe in
• 11:49
  Speaker 1: anything other. Let's just yeah, we'll check other. We we
• 11:52
  Speaker 1: check under other. We have different beliefs obviously. Yeah, you know, man, and.
• 11:57
  Speaker 2: Nothing to nothing against you. If you do, it's great,
• 12:00
  Speaker 2: follow you life, whatever makes you happy. But it's when
• 12:04
  Speaker 2: it becomes rhetoric and like when it becomes whatever is
• 12:10
  Speaker 2: past dogmatic, that's when it becomes an issue.
• 12:14
  Speaker 1: I mean, dude, I went to church for like eighteen
• 12:16
  Speaker 1: years of my life. It was a Christian for a
• 12:17
  Speaker 1: long time until I kind of stopped going and realized
• 12:21
  Speaker 1: I didn't really fit into that anymore, and I was like,
• 12:23
  Speaker 1: this isn't for me, So I kind of went the
• 12:24
  Speaker 1: other way with that. Hints this podcast, hence all the
• 12:27
  Speaker 1: horror movies. That was not for me anymore. I've always
• 12:30
  Speaker 1: lived my life.
• 12:31
  Speaker 2: If you have to fear eternal damnation to not be
• 12:35
  Speaker 2: a good to in order to be a good person, exactly,
• 12:39
  Speaker 2: you're fucked up.
• 12:40
  Speaker 1: Anywhere. The logic and morals of some of the stuff
• 12:42
  Speaker 1: is good, you know what I mean, Like it really is,
• 12:44
  Speaker 1: but then when you think about it, really really think
• 12:46
  Speaker 1: about it, You're like, this is kind of weird. So yeah,
• 12:48
  Speaker 1: that's just not for me. I'm going to check this
• 12:50
  Speaker 1: movie out though I have. I mean, with a point
• 12:53
  Speaker 1: seven you can't. You can't not check that out. It's
• 12:56
  Speaker 1: gotta be like a train wreck.
• 12:57
  Speaker 2: This is This is definitely the epit me of hate Watch.
• 13:01
  Speaker 2: I know last time I was on Watch, I know,
• 13:04
  Speaker 2: last time I was on I was like, you gotta
• 13:05
  Speaker 2: check out Big Money Hustle is.
• 13:07
  Speaker 1: It's fucking hilarious. It's so bad. I gotta double feature
• 13:09
  Speaker 1: of these.
• 13:09
  Speaker 2: And like Big Money Hustle, it is bad, but it's
• 13:12
  Speaker 2: funny because it's bad. Yeah, like I said my review,
• 13:16
  Speaker 2: this is tone deaf, Like there are parts where I'm like,
• 13:19
  Speaker 2: I don't think as a German person, you can be
• 13:22
  Speaker 2: making any of these like analogies. Yeah, I think what
• 13:28
  Speaker 2: you are doing is committing literal national crimes on your
• 13:31
  Speaker 2: level for a second.
• 13:32
  Speaker 1: Yeah, I've Oh, I have so many questions. I just have.
• 13:36
  Speaker 1: I mean even that title card too, I have so
• 13:37
  Speaker 1: many questions. Militia guy, guy with mask girl and background,
• 13:41
  Speaker 1: with what's going.
• 13:42
  Speaker 2: On and so and so the main character is also
• 13:44
  Speaker 2: the director.
• 13:45
  Speaker 1: Core just complete the fuck It's complete. Yeah, come come
• 13:49
  Speaker 1: full circle there, Oh my god. Twenty twenty five, The
• 13:52
  Speaker 1: World Enslaved by a virus again. Even you can give
• 13:55
  Speaker 1: this half a star for three ninety nine on Amazon.
• 13:58
  Speaker 1: I'm gonna do it. I'm gonna myself too, but I'm
• 14:01
  Speaker 1: gonna do it.
• 14:02
  Speaker 2: And then for a palate cleanser, I have been no no,
• 14:09
  Speaker 2: started a new show on HBO. I don't know if
• 14:11
  Speaker 2: you've seen it yet. Righteous Gemstones is fucking amazing. It
• 14:16
  Speaker 2: is probably up in my number in my top five
• 14:22
  Speaker 2: of shows that came.
• 14:24
  Speaker 1: Out last year.
• 14:25
  Speaker 2: Anybody in it, Fucking Danny McBride, Adam Devine, John Goodman.
• 14:30
  Speaker 1: Oh is that HBO? Yeah? Oh that's what. That's the
• 14:34
  Speaker 1: thing I've seen every time I log in, I see
• 14:36
  Speaker 1: it looks like a like a whatever. So what they are?
• 14:40
  Speaker 2: So the whole premise is they are a family of
• 14:44
  Speaker 2: televangelists that got famous for doing uh TV preaching in
• 14:51
  Speaker 2: the eighties and it made him super fucking rich.
• 14:54
  Speaker 1: Oh like the people that go around, you know, like
• 14:56
  Speaker 1: no televangels.
• 14:57
  Speaker 2: Yeah no, I'm talking like Benny hen and fucking Jolo Stein.
• 15:02
  Speaker 2: Like they have a mega church, but they also like
• 15:05
  Speaker 2: broadcast on TV, not not a revival where they go
• 15:09
  Speaker 2: around in the fucking.
• 15:10
  Speaker 1: Holy holy ghost.
• 15:11
  Speaker 2: No, no, no, no, no, that's that's that's Pentecostal like Southern
• 15:14
  Speaker 2: Baptist Revival.
• 15:15
  Speaker 1: These are like.
• 15:18
  Speaker 2: This is non denominational like mega church like they they
• 15:23
  Speaker 2: on average every Sunday have seventeen thousand people that come
• 15:27
  Speaker 2: to their church.
• 15:27
  Speaker 1: So is it like a satire on it or something
• 15:29
  Speaker 1: or is it like that? So it's with all those
• 15:32
  Speaker 1: hilarious people, it's gotta be something.
• 15:34
  Speaker 2: So it is very satirical, and it is. It's it's
• 15:38
  Speaker 2: created by Danny McBride, So it's mostly Danny McBride's humor.
• 15:41
  Speaker 2: And let me tell you, he is a fucking anchor
• 15:44
  Speaker 2: in this show.
• 15:44
  Speaker 1: Can we just like like seriously acknowledge how awesome this
• 15:48
  Speaker 1: human being is? Because he was also involved in the
• 15:50
  Speaker 1: Halloween remake. Oh yeah he was, he.
• 15:52
  Speaker 2: Dude, and he had something to do with Alien Covenant too.
• 15:56
  Speaker 1: Yeah I think he wasn't director, but yeah he was producing,
• 15:59
  Speaker 1: he was, he helped with it like this, and you know,
• 16:01
  Speaker 1: of course he was in you know like Traffic, Thunder
• 16:03
  Speaker 1: and Pineapple Express like fucking foot fist way is what
• 16:07
  Speaker 1: made him famous? Yeah, I mean, dud, the guy is like,
• 16:09
  Speaker 1: I don't know, I feel like he doesn't get enough recognition.
• 16:11
  Speaker 1: So Dann McBride fucking Keith doing it bro because he's added.
• 16:15
  Speaker 2: Here's why he doesn't get that recognition is because if
• 16:18
  Speaker 2: you have seen foot Fist way, his character Kenny Powers
• 16:23
  Speaker 2: is basically the same character in every movie he plays.
• 16:26
  Speaker 1: Okay, so he's he's sort.
• 16:30
  Speaker 2: Of like on his own, kind of type cast himself.
• 16:33
  Speaker 2: So that yeah, it's sort of like, uh, like John
• 16:36
  Speaker 2: c Riley. You see John c Riley in his like
• 16:39
  Speaker 2: stupid comedy things, and then you see him in like
• 16:43
  Speaker 2: fucking the Lobster, Yeah, you're like, oh you can act, yeah,
• 16:47
  Speaker 2: or or when you see him even in Guardians of
• 16:49
  Speaker 2: the Galaxy, he's still he's still like okay.
• 16:52
  Speaker 1: But where a goofy guy. You know that's really John
• 16:57
  Speaker 1: c Again, it's it's almost.
• 16:59
  Speaker 2: A little Kermit the Frog, right, uh uh fun, what
• 17:06
  Speaker 2: were we talking about John c Riley?
• 17:07
  Speaker 1: Yeah, yeah, but uh he did was kind of type cast.
• 17:10
  Speaker 1: But then so again, you know, so was like uh
• 17:12
  Speaker 1: oh my god, Will Ferrell and stuff like that. They're
• 17:14
  Speaker 1: all still great people. But yeah, Danny McBride does a
• 17:17
  Speaker 1: lot of like just background shit you don't know about
• 17:19
  Speaker 1: until you look it up and you're like, okay, like
• 17:21
  Speaker 1: fucking respect for Danny McBride.
• 17:23
  Speaker 2: Yeah, and they and they have and the jokes sometimes
• 17:27
  Speaker 2: are like super subtle, but they're like really funny Danny
• 17:32
  Speaker 2: McBride jokes. But sometimes you're like, wait, wait did I
• 17:35
  Speaker 2: did he just say? And what's it called again? The
• 17:39
  Speaker 2: Righteous Gemstone?
• 17:40
  Speaker 1: Righteous Gemstone on HBO Max, Okay, a lot of good ship.
• 17:43
  Speaker 1: I didn't even introduce the fucking episode. Oh my god,
• 17:47
  Speaker 1: we've just been going. It was fucking green light. Go
• 17:50
  Speaker 1: all right, this is episode.
• 17:51
  Speaker 2: It's been a time, man, I've had a week. I
• 17:53
  Speaker 2: needed to be on Mike and yell about I'm here
• 17:56
  Speaker 2: for it. I will let you vent as long as
• 17:58
  Speaker 2: you need, my friend. This is episode oh Ship one
• 18:01
  Speaker 2: thirty five. I think, my goodness, we kind of just
• 18:03
  Speaker 2: were off to the races there. We're doing Texas Chainsaw
• 18:07
  Speaker 2: this week. But before we do that, we're gonna do
• 18:09
  Speaker 2: everything we just did and then some. So we gave
• 18:12
  Speaker 2: you some terrible things to watch. We gave you an
• 18:15
  Speaker 2: awesome thing to watch. I've been rewatching the Memo Verse
• 18:19
  Speaker 2: because I just got all the Blu rays, so I've
• 18:21
  Speaker 2: been watching those in chronological chronological. We'll have to borrow
• 18:24
  Speaker 2: that box set from you.
• 18:26
  Speaker 1: Uh yeah, it's it's so much fun to watch all
• 18:28
  Speaker 1: of them. They're also so much fun. Shout out to
• 18:31
  Speaker 1: Chris Oh my god, guest Christopher R. Mem I'm actually
• 18:34
  Speaker 1: gonna buy some more posters from him because I have
• 18:36
  Speaker 1: no self control when it comes to when it comes
• 18:38
  Speaker 1: to like niche merchandise. So he's actually gonna hook me
• 18:41
  Speaker 1: up with some to put in my office.
• 18:42
  Speaker 2: So when are we going to extract his basement and
• 18:47
  Speaker 2: put it in your house so then you can just
• 18:49
  Speaker 2: have a full memo verse like fucking museum.
• 18:52
  Speaker 1: No, right, So how much for the basement, Chris? What
• 18:55
  Speaker 1: what do you mean? I want your basement? You fucking
• 18:57
  Speaker 1: helicopter it over here, somehow fit it in. Uh, we'll
• 19:01
  Speaker 1: just take it brick. Oh my god. When he does
• 19:04
  Speaker 1: start working on his next movie, though, I am going
• 19:07
  Speaker 1: to uh because apparently it's an anthology, which is gonna
• 19:10
  Speaker 1: be tight. Oh yeah, And I'm gonna just because you
• 19:12
  Speaker 1: can be like an associate producer for like a certain
• 19:14
  Speaker 1: amount of money, I'm just gonna do it. And then
• 19:16
  Speaker 1: I'm just gonna fucking go up there and probably hopefully
• 19:18
  Speaker 1: take you with me, and then we'll just fucking fuck
• 19:21
  Speaker 1: around on the set. That's that's the that's the goal
• 19:23
  Speaker 1: for next year whenever he does it. But shout out
• 19:25
  Speaker 1: to you, dude, keep making movies. You've done it every
• 19:27
  Speaker 1: year for fucking god, Like, geez, sixteen since two thousand
• 19:31
  Speaker 1: and six, so that's sixteen years. Yeah, he's got sixteen
• 19:35
  Speaker 1: fucking movies. Like, who does that? Man? Good for him?
• 19:39
  Speaker 1: Zool could you not thank you? So moving on, Uh,
• 19:42
  Speaker 1: let's let's talk about this. And we're doing Texas Chainsaw
• 19:45
  Speaker 1: Masker that like just released, not the Texas Chainsawn Masker
• 19:49
  Speaker 1: or Texas Chainsaw Masker from two thousand and three or
• 19:52
  Speaker 1: Texas Chainsaw three D so many of the same fucking names.
• 19:57
  Speaker 1: We are doing the one that released on the eighteenth.
• 19:59
  Speaker 1: We just because we were gonna do the indie movies,
• 20:02
  Speaker 1: but we just didn't have time to do it because
• 20:03
  Speaker 1: we both had it. We've both just had a week.
• 20:05
  Speaker 1: We've already seen this. I did rewatch it though, because
• 20:08
  Speaker 1: it's it's like it's like eighty minutes.
• 20:10
  Speaker 2: So and what's what's nice about this versus all the
• 20:14
  Speaker 2: other incarnations of Texas Chainsaw is this is, for all
• 20:18
  Speaker 2: intents and purposes, a direct sequel to the original.
• 20:22
  Speaker 1: Yep, like Halloween style.
• 20:23
  Speaker 2: Yeah, I will say though upon watching this again, it
• 20:29
  Speaker 2: got worse.
• 20:30
  Speaker 1: Really, Yes, Oh I liked it a little bit better.
• 20:32
  Speaker 1: I like I liked it less. Oh dang, it's funny.
• 20:36
  Speaker 2: But we'll we'll go into why that is, I'm sure,
• 20:40
  Speaker 2: and why you liked it more as we as we.
• 20:42
  Speaker 1: Go into it. Because it's a it's a thing. Yeah,
• 20:46
  Speaker 1: there's there's a lot of love and a lot of
• 20:49
  Speaker 1: hate for this on the Internet, and then you go
• 20:51
  Speaker 1: to uh letterbox and it's got like a two point one.
• 20:54
  Speaker 1: I don't think it deserves that low of a rating,
• 20:56
  Speaker 1: but again it is. It is there, you know, like
• 20:58
  Speaker 1: a requel thing. So it's like people are already kind
• 21:01
  Speaker 1: of annoyed at it right off the bat. Plus this
• 21:03
  Speaker 1: went around from festival to festival and just had trash,
• 21:06
  Speaker 1: like no one wanted to pick it up. And that's
• 21:08
  Speaker 1: why Netflix got it, because nobody fucking ed this movie.
• 21:12
  Speaker 1: I mean it makes sense.
• 21:13
  Speaker 2: Number one Legendary needs to stay in their lane. They
• 21:16
  Speaker 2: got too big headed from the fucking monster verse thinking
• 21:20
  Speaker 2: they can go out and do other shit that they're
• 21:22
  Speaker 2: not fucking capable of handling.
• 21:25
  Speaker 1: Yeah, yeah, because it's it's it's story driven too. We'll
• 21:29
  Speaker 1: get there, but yeah, there's just a lot of mixed reviews.
• 21:32
  Speaker 1: People badly story driven. It's terrible. It's the the baseline
• 21:36
  Speaker 1: story is just so god awful and if you can,
• 21:39
  Speaker 1: I mean, you do have to look past that to
• 21:41
  Speaker 1: enjoy it, because if you hold on to that, you're
• 21:43
  Speaker 1: gonna have a terrible time with this because it is
• 21:45
  Speaker 1: just it's it's cool in a sense, but it just
• 21:47
  Speaker 1: doesn't fit into this movie. Like, I like the idea
• 21:50
  Speaker 1: that they're going to this place to like build it
• 21:52
  Speaker 1: up and have it be kitchy and hit.
• 21:54
  Speaker 2: So to me, this was almost along the lines of
• 22:00
  Speaker 2: like a student film love letter to the original. Yeah,
• 22:05
  Speaker 2: and it got too involved in itself for it for
• 22:12
  Speaker 2: it to like really hit as a Texas Chainsaw style.
• 22:17
  Speaker 1: Yeah, because it didn't feel The only reason I knew
• 22:19
  Speaker 1: it was Texas Chainsaw was because Leatherface was there with
• 22:22
  Speaker 1: the chainsaw. Everything else did not.
• 22:24
  Speaker 2: Vibe at all, and so like, so going in to
• 22:29
  Speaker 2: leather Face for a second, just give me a ballpark,
• 22:32
  Speaker 2: because I know, I'm pretty sure they never expressly mentioned
• 22:36
  Speaker 2: this detail in the nineteen seventy four version. How Old
• 22:39
  Speaker 2: is leather Face?
• 22:40
  Speaker 1: See, give or take, And that's exactly what I wanted
• 22:42
  Speaker 1: to mention. I mean, i'd say it on the lowest
• 22:45
  Speaker 1: possible end, I'd say eighteen, like lowest possible and eighteen
• 22:49
  Speaker 1: max of like maybe like twenty five, twenty eighty. So
• 22:53
  Speaker 1: I was.
• 22:53
  Speaker 2: Thinking based off the other characters in the family from
• 22:56
  Speaker 2: the original, I was gonna guess, like, so somewhere between
• 23:00
  Speaker 2: like twenty six and thirty four.
• 23:03
  Speaker 1: Yeah, I see, I can oh igain. I should have
• 23:05
  Speaker 1: looked at that before we came out again went on live.
• 23:07
  Speaker 1: But like, I'm pretty sure it's like early twenties, right,
• 23:10
  Speaker 1: I think. But so that still makes him fucking even
• 23:14
  Speaker 1: if he's twenty, that makes him seventy in this goddamn movie.
• 23:17
  Speaker 2: Yeah, which is like, dude, and not only that, Like
• 23:20
  Speaker 2: I get why they picked the dude to play Leatherface
• 23:24
  Speaker 2: that they did, but it's not even the same, Like,
• 23:29
  Speaker 2: at least in all the other incarnations, it's been the
• 23:31
  Speaker 2: same body type. He's not a fucking squatty fucking uh
• 23:36
  Speaker 2: what's his goddamn name.
• 23:38
  Speaker 1: The guy who played the original? No, no, no, what's uh?
• 23:42
  Speaker 2: It's the small fat Italian porn star what oh uh?
• 23:48
  Speaker 1: Rob Bob fucking uh Helen hut Ron Hellen Ron Jeremy.
• 23:55
  Speaker 2: Right, No, so this this leather Face looks like a
• 23:59
  Speaker 2: fucking tall Ron Jeremy. He's he's real fucking hunched and squatty,
• 24:04
  Speaker 2: and he's got this big fucking pot belly. And yeah,
• 24:08
  Speaker 2: Leatherface was a heavy dude. But he was also built
• 24:11
  Speaker 2: like a fucking linebacker.
• 24:13
  Speaker 1: I mean not from the original. He's really he's a
• 24:15
  Speaker 1: pretty he's got it. He's got a little tuvy belly.
• 24:17
  Speaker 2: Yeah, but I'm talking about like how he stands and
• 24:20
  Speaker 2: his like shoulder with he always stood up like he
• 24:24
  Speaker 2: had broad shoulders, and he looked like a strong man.
• 24:28
  Speaker 2: This this guy looks like a fucking grimlin.
• 24:31
  Speaker 1: I mean, it's also been fifty years though, so he's
• 24:34
  Speaker 1: old as shit. Apparently from this is three days ago.
• 24:38
  Speaker 1: I don't know how accurate this is, but yeah, I
• 24:40
  Speaker 1: guess people are assuming that he's about twenty in nineteen
• 24:42
  Speaker 1: seventy four, so yeah, it still still puts him at seventy.
• 24:45
  Speaker 1: And I mean, I don't know about you, because I
• 24:47
  Speaker 1: think Mike Myers was around twenty one when he escaped
• 24:52
  Speaker 1: the mental facility in the first one, So you know,
• 24:55
  Speaker 1: in the in the direct sequel in twenty eighteen, that
• 24:57
  Speaker 1: puts him at sixty one, because it's been four years
• 25:00
  Speaker 1: in between, So sixty one okay, you know, like my
• 25:03
  Speaker 1: dad is almost sixty. I could see that seventy though, Like, fuck, man,
• 25:06
  Speaker 1: that's like you're pushing it. Yeah, you're pushing it at
• 25:09
  Speaker 1: seventy to be wielding a chainsaw. Also, let's get into
• 25:12
  Speaker 1: how the fuck is that fucking chainsaw working after fifty
• 25:15
  Speaker 1: goddamn years?
• 25:16
  Speaker 2: Oh well, because what the fun? So it never explicitly
• 25:20
  Speaker 2: shows it, but as uh is it Molly who?
• 25:26
  Speaker 1: Oh?
• 25:26
  Speaker 2: Melody Melody? Yes, it's Melody. When Melody's crawling down the stairs. Oh,
• 25:31
  Speaker 2: you can hear him working on Yeah, So like that's
• 25:34
  Speaker 2: that's that is why. But the better he does try
• 25:38
  Speaker 2: to start it and it doesn't, the better question is
• 25:41
  Speaker 2: why did you keep it around? Why did you put
• 25:43
  Speaker 2: it in the wall? Like, yeah, why does everything bad
• 25:48
  Speaker 2: and sinister have to be hidden in the walls?
• 25:50
  Speaker 1: Just fucking get.
• 25:51
  Speaker 2: Rid of it.
• 25:51
  Speaker 1: Even even almost every time Myers finds a mask, you know,
• 25:55
  Speaker 1: he like in the Rob Zombie when he rips up
• 25:56
  Speaker 1: the floorboards and it's under the floorboards and you're like,
• 25:58
  Speaker 1: why is everyone biting shit and would that you have
• 26:01
  Speaker 1: to rip? I just don't understand that.
• 26:02
  Speaker 2: Yeah, no, just fucking get rid of the item number one.
• 26:05
  Speaker 2: It's a horror movie. Burn it, you'll you'll solve all
• 26:08
  Speaker 2: the problems.
• 26:08
  Speaker 1: Just burn it. You just get rid of it. So, yeah,
• 26:10
  Speaker 1: that that's in the walls of this place, which also
• 26:13
  Speaker 1: and this is another part that fucking lost me. It's
• 26:16
  Speaker 1: it's we haven't even gotten into the ratio. Oh no,
• 26:18
  Speaker 1: I know this.
• 26:20
  Speaker 2: This is gonna be off the rails fucking episode, Kyle.
• 26:24
  Speaker 2: This one's for you because I know you needed another
• 26:26
  Speaker 2: wah my god.
• 26:27
  Speaker 1: Well there's some movies that come along like this and
• 26:29
  Speaker 1: we just have to like fucking get into it. We'll
• 26:31
  Speaker 1: get to the review at some point probably, but yeah,
• 26:34
  Speaker 1: So the chainsaws in the wall and where Leatherface is
• 26:38
  Speaker 1: is this orphanage? And now why is he had an orphanage?
• 26:42
  Speaker 1: What the lady's like, Oh, I took in teenagers. Okay,
• 26:44
  Speaker 1: you took in some twenty year old guy. That also,
• 26:47
  Speaker 1: and she's been running the place for fifty years. It's
• 26:50
  Speaker 1: been fifty years. Well so you open your doors and
• 26:52
  Speaker 1: leather Face was like, I'm here.
• 26:53
  Speaker 2: Well no, so but what but here's what the confusing
• 26:57
  Speaker 2: part about that is they have a photo of him
• 27:00
  Speaker 2: at an indescribable age standing in the background. It's like, so, like, Okay,
• 27:06
  Speaker 2: was he there get picked up by the fucking family
• 27:10
  Speaker 2: and then come back?
• 27:12
  Speaker 1: Yeah? Or like how what's the what's this? They don't
• 27:15
  Speaker 1: explain anything. They're just like, yep, he's he's at an orphanage. Now,
• 27:18
  Speaker 1: he was there for fifty years. This lady who was
• 27:20
  Speaker 1: taking care of him was like his mother figure, and yeah,
• 27:24
  Speaker 1: that's that's how this works. And you're like, why don't
• 27:27
  Speaker 1: I don't under this? No, this makes sense. There's no explanation.
• 27:31
  Speaker 1: You're just expected to pick this up and fucking deal
• 27:34
  Speaker 1: with it the entire movie. And again, it's something you
• 27:36
  Speaker 1: absolutely just have to be like, hey, whatever, fun, don't care.
• 27:39
  Speaker 1: I want to just see the gore because at least
• 27:42
  Speaker 1: the payoff is in the gore and the blood and
• 27:44
  Speaker 1: the violence because sweetsh I was not fucking ready for.
• 27:47
  Speaker 1: And what's what's really.
• 27:48
  Speaker 2: Nice about that is Netflix tends to like they don't
• 27:54
  Speaker 2: shy away from it, but they tend to not be
• 27:58
  Speaker 2: as okay with showing gratuitous violence in in some stuff
• 28:03
  Speaker 2: like if it's a movie that like they pick up
• 28:06
  Speaker 2: from where the fuck ever, and it's an old like
• 28:08
  Speaker 2: paramount movie or what the Yeah, sure, well that's what
• 28:10
  Speaker 2: happened with this, right, But what I'm saying not that
• 28:13
  Speaker 2: Netflix picks it up and makes it a Netflix Like
• 28:16
  Speaker 2: if it was just a movie that they pick up
• 28:18
  Speaker 2: that has gratuitous violence, fine with it. But when they
• 28:22
  Speaker 2: have one of their originals they get, they try to
• 28:26
  Speaker 2: not show as much like hardcore Gore onscreen. Yeah, it
• 28:30
  Speaker 2: seems in what I've noticed, which was really nice to see,
• 28:37
  Speaker 2: especially the first kill of this movie, I was like,
• 28:41
  Speaker 2: all right, fucking bet, I'm I'm here for it now.
• 28:44
  Speaker 1: I said. I literally I literally looked at my wife.
• 28:46
  Speaker 1: I was like, bet, okay, like I am the same thing.
• 28:49
  Speaker 1: I'm fucking here for it. Because again, was not ready
• 28:52
  Speaker 1: for that at all. Had no idea when the fucking
• 28:54
  Speaker 1: chaos was gonna happen. But they they let you know
• 28:57
  Speaker 1: what it's gonna happen, because literally, first fucking uh, we'll
• 29:01
  Speaker 1: get actually we'll get to that. Yeah, we'll get to
• 29:02
  Speaker 1: the first kill because it's it's fucking it's just crazy.
• 29:04
  Speaker 1: And then there's people eventually at some point literally getting
• 29:08
  Speaker 1: cut in half with a chainsaw, and you see every
• 29:10
  Speaker 1: fucking bit of it just cut in half, cut in half,
• 29:13
  Speaker 1: and you're like, what, this is everything I've ever wanted
• 29:15
  Speaker 1: from I want to see people getting cut in half
• 29:18
  Speaker 1: and like having their fucking heads chopped off and arms
• 29:21
  Speaker 1: and limbs, and you're like, this is amazing, and like
• 29:23
  Speaker 1: they don't and I don't know how much of that
• 29:25
  Speaker 1: was practical. Obviously they didn't saw people in half. Yeah,
• 29:27
  Speaker 1: but I mean, Jesus Christ, that's not the eighties. It's
• 29:31
  Speaker 1: it looks so good though, like there was no oh
• 29:34
  Speaker 1: that was kind of spotty CG at least for me.
• 29:36
  Speaker 1: I don't know, maybe maybe I didn't see you. No,
• 29:38
  Speaker 1: I will.
• 29:39
  Speaker 2: I will agree that the violence was very well done,
• 29:45
  Speaker 2: but I also think that that's where most.
• 29:48
  Speaker 1: Of the budget. It was twenty million dollar movie. Oh really,
• 29:52
  Speaker 1: Oh yeah, twenty million dollars, And that's probably why nobody
• 29:54
  Speaker 1: fucking wanted it, because this thing no offens this movie
• 29:57
  Speaker 1: because it was supposed to go theatrical. But yeah, it
• 29:59
  Speaker 1: was twenty million dollars, and you know, the reviews were
• 30:01
  Speaker 1: just such shit. No one picked it up. And that's
• 30:03
  Speaker 1: why Netflix is like, eh, fuck it we've gotten money
• 30:05
  Speaker 1: to spare. Yeah, I'll pay twenty million.
• 30:07
  Speaker 2: And see, we'll get We'll get into it when we
• 30:11
  Speaker 2: get into the review. But I have a theory of
• 30:14
  Speaker 2: why the reviews have been and why not even the
• 30:18
  Speaker 2: budget aspect, but why nobody wanted to pick it up
• 30:21
  Speaker 2: for a theatrical run.
• 30:22
  Speaker 1: And honestly, I bet some people are kicking themselves for
• 30:25
  Speaker 1: not picking this up. And I only say that because, well,
• 30:28
  Speaker 1: it is on Netflix and it is free, so it
• 30:29
  Speaker 1: might have been different when you had to pay for it.
• 30:31
  Speaker 1: But this is all I've fucking seen on the internet
• 30:34
  Speaker 1: for the past week since it came out. Literally, it's
• 30:36
  Speaker 1: touch chance all this. I'm like, holy shit. So this
• 30:39
  Speaker 1: movie has been talked about NonStop on the internet. So again,
• 30:42
  Speaker 1: I don't know if that's because it went to Netflix,
• 30:44
  Speaker 1: or maybe it still would have been the same when
• 30:46
  Speaker 1: it was if it was released in the theaters, But
• 30:47
  Speaker 1: either way, I guarantee that this has been one of
• 30:50
  Speaker 1: the most streamed movies because every single fucking person is
• 30:54
  Speaker 1: talking about.
• 30:54
  Speaker 2: I mean, you and I have both streamed it individually twice.
• 30:57
  Speaker 1: Yep, So I know, right, I was like, I'm not
• 30:59
  Speaker 1: gonna watch it now. I want to see those skills again.
• 31:01
  Speaker 1: I gotta rewatch it. So without further ado, we're already
• 31:04
  Speaker 1: at like thirty minutes here. Let's just hop into this
• 31:06
  Speaker 1: shit and get down to this review here. So as
• 31:10
  Speaker 1: as we've been saying, it's Texas Chansaw Maasker released this
• 31:14
  Speaker 1: year on February twenty or February eighteenth, straight to Netflix,
• 31:17
  Speaker 1: Rated R for severe violence and gore, moderate profanity, mild drugs,
• 31:22
  Speaker 1: alcohol and smoking, and severe frightening and intense scenes. I
• 31:26
  Speaker 1: also love how moderate profanity is thirty two uses of
• 31:29
  Speaker 1: fuck and eleven uses of shit. I guess that's moderate
• 31:33
  Speaker 1: in the eyes of the MPa. A runtime of an
• 31:35
  Speaker 1: hour and twenty one minutes. Now, this is my biggest
• 31:37
  Speaker 1: selling feature because I also looked at when the credit started.
• 31:41
  Speaker 1: Credits start at seventy four minutes. This is seventy four
• 31:44
  Speaker 1: minutes of movie. Yeah amazing. Listed as a crime horror thriller.
• 31:50
  Speaker 2: I would almost go as far to say as you
• 31:53
  Speaker 2: could tack on splatter House.
• 31:55
  Speaker 1: Yeah, like almost pretty much like.
• 31:58
  Speaker 2: If you gave me two extra minutes of the bus.
• 32:02
  Speaker 1: Splatterhouse for sure, Yes, splatter gorse, splatterhouse, whatever you wanna
• 32:06
  Speaker 1: call it. Yeah, I could. I could agree with that.
• 32:08
  Speaker 2: Uh.
• 32:09
  Speaker 1: This is directed by a man named David Blue Garcia
• 32:11
  Speaker 1: who has only directed one other movie called Tayana or
• 32:14
  Speaker 1: Tejano I'm not sure to Hana. And he was also
• 32:18
  Speaker 1: the cinematographer on Bloodfest, so that makes sense because there's
• 32:22
  Speaker 1: a lot of blood in this. This movie star Sarah
• 32:25
  Speaker 1: Yarkin is Melody. She was also a Happy Death Day
• 32:28
  Speaker 1: to You as Andrea Morgan. Then we have Els Fisher
• 32:32
  Speaker 1: as Lilah. She was also in Eighth Grade, which is
• 32:34
  Speaker 1: a bo Burnham movie.
• 32:36
  Speaker 2: I Still need. Kyle is like, Bro, you go to
• 32:37
  Speaker 2: see the movie.
• 32:39
  Speaker 1: It's way good. Yeah, it's way good. She was in
• 32:43
  Speaker 1: that as Kayla Day the Star, and I didn't recognize
• 32:46
  Speaker 1: her at first because she's much younger in that movie
• 32:49
  Speaker 1: in blonde hair, and then she's much older in this
• 32:51
  Speaker 1: with cut off brown hair. I didn't realize who who
• 32:54
  Speaker 1: that was, and I was like, oh, it's her, It's
• 32:56
  Speaker 1: fucking I didn't realize who it was because she looks
• 32:58
  Speaker 1: so different. Then we have Jacob Latimore as Dante. He
• 33:02
  Speaker 1: was also in The Maze Runner as Jeff. My name Jeff.
• 33:06
  Speaker 2: That's a series that I have seen all of remember
• 33:10
  Speaker 2: nothing about really.
• 33:11
  Speaker 1: Yeah, first one was the best, and then two and
• 33:13
  Speaker 1: three were kind of mad, But that first one is like,
• 33:15
  Speaker 1: that's the I do enjoy the first Maize Runner, like
• 33:18
  Speaker 1: the other two were kind of hit or missed. Then
• 33:20
  Speaker 1: we have Mo Dunford as Richer. He was in Vikings
• 33:23
  Speaker 1: as Ethel Wolf for about four or five seasons, and
• 33:26
  Speaker 1: then Olwyn Foray at Sally. She was in Mandy as
• 33:31
  Speaker 1: in Mandy as mother Marley, and I was excited when
• 33:33
  Speaker 1: I saw her because I love Mandy, and then I
• 33:35
  Speaker 1: saw her on screen, I was like, I wish you
• 33:38
  Speaker 1: weren't a part of this. I wish you were not
• 33:40
  Speaker 1: in this movie. So this, like I said earlier, as
• 33:43
  Speaker 1: a budget of twenty million, no box office as it
• 33:45
  Speaker 1: went straight to Netflix. Apparently this was shot in Sophia, Bulgaria,
• 33:50
  Speaker 1: which again it's like the Hills have eyes. They shot
• 33:52
  Speaker 1: in some Middle Eastern place and you're like, I feel
• 33:55
  Speaker 1: like it's cheaper to shoot in America, but whatever, I
• 33:57
  Speaker 1: guess they're shooting on locations in taxes. Yeah, that's what
• 34:00
  Speaker 1: Spencer was saying. It's taxes, I guess are cheaper over there,
• 34:02
  Speaker 1: so I guess whatever. So that's where it was shut.
• 34:04
  Speaker 1: You can watch this on Netflix movies that came out
• 34:08
  Speaker 1: around the same time. I mean, it's it shits out
• 34:10
  Speaker 1: right now, but I will give you some upcoming stuff.
• 34:13
  Speaker 1: The Curse is actually out in theaters now. I believe
• 34:15
  Speaker 1: that's that Werewolf Joint or something like that, Studio six
• 34:18
  Speaker 1: six six and fucking hype as fuck for that movie.
• 34:23
  Speaker 1: So ready. Fucking David Grol and the Foo Fighters doing this. Uh,
• 34:27
  Speaker 1: it's almost like Tenacious Do you pick a destiny kind
• 34:30
  Speaker 1: of thing where they're making this? You know the album?
• 34:32
  Speaker 2: Well, and have you heard about what David Girl's doing
• 34:35
  Speaker 2: now with a Kroll?
• 34:37
  Speaker 1: I think I did.
• 34:37
  Speaker 2: David Groll, I don't know what he's doing with what now,
• 34:40
  Speaker 2: what he's doing with the Food Fighters right now? No,
• 34:43
  Speaker 2: they're no longer the Foo Fighters. Oh they are doing
• 34:46
  Speaker 2: disco music.
• 34:48
  Speaker 1: What? Yes, maybe that's the new album. Who knows.
• 34:52
  Speaker 2: It's gonna be fucking amazing.
• 34:53
  Speaker 1: So yeah, that comes out next weekend, the twenty fifth,
• 34:56
  Speaker 1: twenty six. I am so stoked about that because it's
• 34:59
  Speaker 1: a movie that no one asked for, we don't really need,
• 35:01
  Speaker 1: but I absolutely one percent have to watch it.
• 35:04
  Speaker 2: And David Girl's fucking hilarious.
• 35:06
  Speaker 1: Yeah, he's actually really funny and a really cool dude.
• 35:09
  Speaker 1: So I'm really I'm just excited to see that one.
• 35:11
  Speaker 1: It's something that came out of nowhere. And Spencer told me,
• 35:14
  Speaker 1: I told Gabby, and I think I told you, or
• 35:16
  Speaker 1: you may have even brought it to me, but I
• 35:17
  Speaker 1: was like the chat, yeah, chat. I was like, yes,
• 35:20
  Speaker 1: studio six six six. Uh. Then we have the Batman
• 35:23
  Speaker 1: coming out see yeah, Patons okay good, very stoked for that.
• 35:28
  Speaker 1: Ambulance is Michael Bay's new joint Morbius, which is just
• 35:31
  Speaker 1: I'm so sick of seeing this fucking trailer at this point,
• 35:34
  Speaker 1: I just come out already, or don't. And then Sonic
• 35:37
  Speaker 1: the Hedgehog two, which I am rather stoked for as well,
• 35:40
  Speaker 1: because the first one came out of like not came
• 35:42
  Speaker 1: out of nowhere, but like it just it was funny.
• 35:44
  Speaker 1: They also the studio had this horrendous version of Sonic
• 35:48
  Speaker 1: and then the fans bitched about it so much that
• 35:50
  Speaker 1: they fixed it.
• 35:51
  Speaker 2: Yeah, like okay cool, and they seriously fixed it and he.
• 35:55
  Speaker 1: Looks way like way better now. So I'm excited to
• 35:57
  Speaker 1: see Knuckles fucking interests Elbow as Knuckles. I can't remember
• 36:01
  Speaker 1: who tales is whatever, but then everyone's back. You know,
• 36:04
  Speaker 1: Jim Carrey is going to be back, and he really
• 36:06
  Speaker 1: returned to form in the first one with just his
• 36:09
  Speaker 1: goofy fucking well.
• 36:11
  Speaker 2: It's funny because he almost didn't take that role because
• 36:16
  Speaker 2: he the reason he's been doing like more quote unquote
• 36:19
  Speaker 2: serious things in the recent past is because he's like,
• 36:24
  Speaker 2: my body was my comedy and I'm old, I can't
• 36:27
  Speaker 2: do that anymore.
• 36:28
  Speaker 1: He's also a super like heavy method actor. I don't know, yeah,
• 36:31
  Speaker 1: if you knew that, like with the whole man on
• 36:32
  Speaker 1: the Moon thing, but he can kind of just get
• 36:34
  Speaker 1: a little wild.
• 36:35
  Speaker 2: Yeah, when they were like, yo, you can be as
• 36:40
  Speaker 2: comedic as you want as long as you delivered the
• 36:43
  Speaker 2: lines like Jim Carrey, and he was like, all right, all.
• 36:46
  Speaker 1: Right, I can do that. I can do that. I'll
• 36:49
  Speaker 1: take a paycheck there, all right. So let's move on
• 36:52
  Speaker 1: to specific horror moments. I'll let you go first if
• 36:56
  Speaker 1: you have one.
• 36:58
  Speaker 2: My specific horror is probably right after the first kill
• 37:03
  Speaker 2: in the field, after the van is wrecked, where he
• 37:07
  Speaker 2: where you see in the side view mirror him pull
• 37:11
  Speaker 2: away the woman and then uh, Sally is like breathing
• 37:16
  Speaker 2: all heavy and she's trying to figure it out and
• 37:17
  Speaker 2: she's looking around, nothing there, nothing there, and then boom,
• 37:20
  Speaker 2: he's in the fucking window. I'm like, it's it's a
• 37:22
  Speaker 2: great return to like horror form when it's just a
• 37:26
  Speaker 2: well done fucking in the window scare.
• 37:28
  Speaker 1: That was good. That was a good one. Plus you
• 37:31
  Speaker 1: also when you don't really know what he's doing to
• 37:33
  Speaker 1: Sally in the background, you're like, I think or not
• 37:36
  Speaker 1: Sally that that that what Virginia her name is Virginia
• 37:38
  Speaker 1: the caretaker whatever. But you're like, I'm pretty sure he's
• 37:41
  Speaker 1: cutting off her face, and of course you see that
• 37:43
  Speaker 1: he is doing that, but you don't really know exactly
• 37:44
  Speaker 1: what's going on. And then he pops into the window. Yeah,
• 37:47
  Speaker 1: and it's just like boom, bitch, what's going on? And
• 37:49
  Speaker 1: she tries to escape and it just it does not
• 37:51
  Speaker 1: in well for her. I think her name was Ruth
• 37:53
  Speaker 1: or something. I don't remember. Everyone that dies that was Sally.
• 37:57
  Speaker 1: Now Sally is the old lady. No, that's Virginia. No,
• 38:00
  Speaker 1: Virginia is the is the person who dies in the beginning,
• 38:03
  Speaker 1: and then Sally is the old lady that comes back
• 38:06
  Speaker 1: with the shot, and then the blonde in the front
• 38:08
  Speaker 1: seat is I'm pretty sure it's Ruth or something, but
• 38:10
  Speaker 1: she dies in the first like ten minutes. I don't
• 38:12
  Speaker 1: don't really care to know your name. There's too many
• 38:15
  Speaker 1: fucking like blonde headed ladies on this. I can't keep
• 38:17
  Speaker 1: track specific horror moment for me. What the fuck was
• 38:21
  Speaker 1: the where'd go? Oh yeah, Dante's jaw. Oh, I'm just
• 38:24
  Speaker 1: gonna say that. I'm just oh, yeah, he just turns around.
• 38:26
  Speaker 1: You're like, oh shit, because I thought he just got
• 38:28
  Speaker 1: nailed right in the second. So well.
• 38:31
  Speaker 2: And then what's funny is like every one of these
• 38:34
  Speaker 2: characters after they have violence committed against them, you're like, Okay,
• 38:37
  Speaker 2: you should not be getting up now pretty much. Yeah,
• 38:40
  Speaker 2: wherever you have fallen is where you are going to decay.
• 38:43
  Speaker 1: Yeah, And I understand some of them, like Dante getting
• 38:46
  Speaker 1: back up. I was like, all right, he had a
• 38:47
  Speaker 1: little bit of life and then he went right back down.
• 38:49
  Speaker 1: But yeah, some people, You're like, you, nah, you should
• 38:52
  Speaker 1: be one hundred percent dead. So they kind of leaned
• 38:55
  Speaker 1: into that a little too much. Uh, favorite kill fit
• 38:59
  Speaker 1: the first kill. Yeah, there's there's no beating that.
• 39:02
  Speaker 2: It sets the tone for the movie. Yep, And there
• 39:07
  Speaker 2: is no other kill featured on on camera that is
• 39:12
  Speaker 2: better than that one.
• 39:13
  Speaker 1: It was just so creative. It was. It's so creative.
• 39:16
  Speaker 2: It is the It is the epitome of putting the
• 39:20
  Speaker 2: woman in the sleeping bag and beating her against the tree.
• 39:22
  Speaker 1: Yeah, before his style. Yeah, it was just because it
• 39:27
  Speaker 1: comes out of nowhere, because they're in the back of
• 39:28
  Speaker 1: the van. The police officers like, hey, guy like cal
• 39:31
  Speaker 1: him down and just takes his arm, cracks it on nothing,
• 39:34
  Speaker 1: just brute force cracks it and then just dives it
• 39:37
  Speaker 1: into his neck. I think two or three times, and
• 39:39
  Speaker 1: I I screamed. I was like, I was like holy shit,
• 39:42
  Speaker 1: and Gaby was like what the fuck. So, yeah, that
• 39:45
  Speaker 1: was an unexpected, very very very creative kill. I've never
• 39:49
  Speaker 1: seen something like that before. Yeah, I don't recommend getting
• 39:51
  Speaker 1: stabbed in the neck with your own tibby if whatever
• 39:54
  Speaker 1: the fuck that bonas. That seems like it would hurt
• 39:56
  Speaker 1: a lot.
• 39:57
  Speaker 2: So favorite character, uh Rick are probably actually just because
• 40:03
  Speaker 2: like they set him up to be like the hero.
• 40:08
  Speaker 1: Kind of ye kind of the douchey guy too.
• 40:09
  Speaker 2: Yeah, but well it's it's not even he's douchey like
• 40:13
  Speaker 2: for me, I related with that character more because it's like, Oh,
• 40:17
  Speaker 2: these motherfuckers showing up in a goddamn off brand tesla,
• 40:21
  Speaker 2: fucking trying to make my rent time gentry fuckers. Uh,
• 40:29
  Speaker 2: and it just him seeing like a great, Now my
• 40:32
  Speaker 2: fucking my ship's gonna be more expensive because of these motherfuckers.
• 40:36
  Speaker 2: Like I totally understand him, because from the get go,
• 40:40
  Speaker 2: like the main the main group of characters is kind
• 40:44
  Speaker 2: of stand offish to anybody different, which is funny because
• 40:48
  Speaker 2: that goes against basically their entire like socio political life view,
• 40:56
  Speaker 2: and they turn out worse than the people that they
• 40:59
  Speaker 2: think they're being better.
• 41:00
  Speaker 1: Then exactly, that's funny. Yeah, I was gonna say Richter,
• 41:04
  Speaker 1: but uh, I just went leather face. Fair enough. I'd
• 41:08
  Speaker 1: be pissed too. If these motherfuckers showed up in my
• 41:10
  Speaker 1: town killed my mom and then just we're like, now
• 41:14
  Speaker 1: we're gonna throw a party and have DJs, I'd be
• 41:16
  Speaker 1: pissed too. So I'm going leather face because I'd be
• 41:18
  Speaker 1: just as angry. Fuck you guys. I was doing good
• 41:20
  Speaker 1: for fifty years. You guys came and sucked it up.
• 41:23
  Speaker 1: You're all gonna die. I gotta go leather face. That's
• 41:26
  Speaker 1: a weird move. I don't typically pick the killer for
• 41:28
  Speaker 1: like my my favorite character, but.
• 41:29
  Speaker 2: Well, so to in in contrast of that, without leather
• 41:35
  Speaker 2: Face doing what he did in the first place, that
• 41:39
  Speaker 2: town wouldn't have died like it did, and there would
• 41:42
  Speaker 2: be no reason for that.
• 41:43
  Speaker 1: Possibly, Yeah, I mean you probably you're probably not wrong,
• 41:46
  Speaker 1: probably right, uh, but at least in this movie. Yeah,
• 41:49
  Speaker 1: obviously he's the I know he's a villain, but I
• 41:51
  Speaker 1: just he has he has he's the only one that
• 41:54
  Speaker 1: has the best motives because someone's coming to fuck with
• 41:57
  Speaker 1: him after he tried to do good and now they're
• 42:00
  Speaker 1: trying to take over his town or whatever. So weird move.
• 42:03
  Speaker 1: I know.
• 42:04
  Speaker 2: Least favorite character the bus driver. The bus driver. That's
• 42:08
  Speaker 2: such a good answer. He that's such a good answer.
• 42:13
  Speaker 2: Oh my god.
• 42:14
  Speaker 1: That's because number one, he has no lines. He has
• 42:17
  Speaker 1: no lines.
• 42:18
  Speaker 2: He speaks not at all, but through his actions so
• 42:22
  Speaker 2: many people die.
• 42:25
  Speaker 1: You're right. It's like, bro, just do what you're fucking
• 42:28
  Speaker 1: told and go. He had no lines, You're right. And
• 42:31
  Speaker 1: I guess I didn't even realize he was a character
• 42:33
  Speaker 1: because he's in like four seconds of the movie. Oh
• 42:36
  Speaker 1: that's I almost want to change my answer. To that
• 42:38
  Speaker 1: and now I'll keep it him. That's a great answer. Damn,
• 42:40
  Speaker 1: that's good. My least favorite character was Sally. She was pointless.
• 42:43
  Speaker 1: She was a ripoff of Lourie Strode, and her motives
• 42:47
  Speaker 1: were fucking stupid, mainly because okay, and here's my thing
• 42:51
  Speaker 1: with Sally, and this is why I hate her so much.
• 42:53
  Speaker 1: She has been trying to track this person down for
• 42:56
  Speaker 1: fifty years. Granted, I know he had a mask on.
• 42:59
  Speaker 1: I get it, it's kind of hard to identify him.
• 43:01
  Speaker 1: Like the guy said in the beginning, but you've been
• 43:03
  Speaker 1: trying to track him down for fifty years and you
• 43:05
  Speaker 1: live in the same fucking town as him. You're terrible
• 43:08
  Speaker 1: trying to try people down. At least Laurie like just
• 43:11
  Speaker 1: separated herself on purpose and was ready. She's like, I've
• 43:13
  Speaker 1: been looking for you for fifty years.
• 43:16
  Speaker 2: Like not only that, really, but this is Leatherface is
• 43:19
  Speaker 2: not Kaiser, SoSE he is not gonna be fucking changing
• 43:24
  Speaker 2: his walk. He is a mentally deficient serial killer.
• 43:29
  Speaker 1: Yeah, all you gotta do.
• 43:32
  Speaker 2: Is just to hang out and on a roof somewhere
• 43:34
  Speaker 2: and watch everybody for like ten days.
• 43:36
  Speaker 1: You'll find tiny town and it just it makes no
• 43:39
  Speaker 1: sense because like it's not like it's not like Michael
• 43:42
  Speaker 1: Myers like where he was specifically going after Lori's strow
• 43:46
  Speaker 1: like in the first movie, I mean in every subsequent
• 43:48
  Speaker 1: movie as well. For the most part, he's going after Lauri,
• 43:51
  Speaker 1: but especially in the first one, he is purposefully trying
• 43:54
  Speaker 1: to get to her by the end of the movie
• 43:56
  Speaker 1: and get and kill her. The only reason that leather
• 43:58
  Speaker 1: Face was going after Sule is because she's fucking running
• 44:01
  Speaker 1: away from the house where he brought her to. That's
• 44:03
  Speaker 1: the only reason. Once she leaves, like I doubt he's
• 44:06
  Speaker 1: gonna try to go track her down, So her motives
• 44:08
  Speaker 1: were fucking skewed.
• 44:09
  Speaker 2: We obviously didn't try and track her down when the
• 44:11
  Speaker 2: truck took her away in the first movie.
• 44:12
  Speaker 1: That's what I'm saying, Like the truck takes your away,
• 44:14
  Speaker 1: he's just like, Okay, no, he's just territorial. Don't go on.
• 44:18
  Speaker 1: You just don't go in his yard, and you're fine.
• 44:20
  Speaker 2: He'll leave you the fuck alone.
• 44:21
  Speaker 1: He doesn't care. Go to the other side of the
• 44:23
  Speaker 1: country and just live there and forget about it. But
• 44:25
  Speaker 1: you have this weird vendetta like I'm gonna get you
• 44:27
  Speaker 1: one day why he has not tried to get you.
• 44:30
  Speaker 1: If he tries to get you, that's one thing. So yeah,
• 44:32
  Speaker 1: her motives are fucking stupid. And she also is apparently
• 44:35
  Speaker 1: fucking immortal because spoiler alert, she does I'm not gonna
• 44:39
  Speaker 1: say how, but she gets into a situation where she
• 44:42
  Speaker 1: should not be alive percent and then she she comes
• 44:45
  Speaker 1: back from the dead to take one final shot at
• 44:47
  Speaker 1: leather Vase, which is which is which?
• 44:51
  Speaker 2: And it's all right, and it's also hilarious because I'm
• 44:54
  Speaker 2: fucking sorry, that's not how a shotgun were. It's not
• 44:57
  Speaker 2: not even kind of you can't you ca not hit
• 45:00
  Speaker 2: a because I know she's not shooting slugs.
• 45:03
  Speaker 1: That's what I mean. She has to be, though, because
• 45:05
  Speaker 1: she takes a shot at leather face and one little
• 45:07
  Speaker 1: thing hits them right here. I'm like, well, you're shooting
• 45:09
  Speaker 1: slugs from fucking fifty yards away. Yeah, there's no fucking way.
• 45:13
  Speaker 1: You're not doing that, lady out There's no fucking way.
• 45:15
  Speaker 1: I thought she really had a handgun until the camera
• 45:17
  Speaker 1: flipped back to her and I was like, you're not
• 45:19
  Speaker 1: using a shotgun at that range, sweetheart, There's no fucking way.
• 45:22
  Speaker 1: And hitting him right in the shoulder too, and.
• 45:24
  Speaker 2: It's funny because she did not age nearly as well
• 45:27
  Speaker 2: as Jamie Lee Curtis.
• 45:29
  Speaker 1: Well, no, that's not the same actor. Oh is it not? No,
• 45:31
  Speaker 1: I thought it was. I thought it was too until
• 45:33
  Speaker 1: I looked it up. Crazy enough. Let's just go into
• 45:35
  Speaker 1: that trivia real quick, because what the fuck was my mouth?
• 45:38
  Speaker 1: So yeah, right here. The first Texas Chansaw movie features
• 45:44
  Speaker 1: a woman named Marilyn Burns who tragically passed away and
• 45:48
  Speaker 1: August fifth of twenty fourteen. That was my first question.
• 45:51
  Speaker 1: I was like, I was like, why are we getting
• 45:52
  Speaker 1: this fucking lady to play her? Where's the original? And
• 45:54
  Speaker 1: I looked it up and I was like, oh, well,
• 45:56
  Speaker 1: I guess that makes sense.
• 45:57
  Speaker 2: They just have very similar facial structures.
• 46:00
  Speaker 1: Oh yeah, I guarantee that's why she was picked, because yeah,
• 46:02
  Speaker 1: they look very similar. So yeah, if it was the original,
• 46:05
  Speaker 1: Sally guarantee it would have been. I probably would have
• 46:07
  Speaker 1: given it the three five because like, I just cannot
• 46:11
  Speaker 1: stand Sally in this at all. Okay, least favorite character.
• 46:14
  Speaker 1: All right, So we do have an on screen kill
• 46:16
  Speaker 1: count of sixteen on screen, probably more because there's a
• 46:21
  Speaker 1: lot of people that die on that bus. But yeah,
• 46:24
  Speaker 1: you get a lot of blood and violence, and that
• 46:27
  Speaker 1: is like an understatement. So brief synopsis and then we'll
• 46:32
  Speaker 1: get into this. We got twenty minutes left. Oh goodness, So,
• 46:36
  Speaker 1: after nearly fifty years of hiding, Leatherface returns to terrorize
• 46:39
  Speaker 1: a group of idealistic young friends who accidentally disrupted his
• 46:42
  Speaker 1: carefully shielded world in a remote Texas town. So ooh goodness,
• 46:47
  Speaker 1: I'm guess yeah, should really stop drinking soda when I
• 46:49
  Speaker 1: do the podcast. All right, so let's get into this
• 46:52
  Speaker 1: review and then we'll do some trivia and some goofs.
• 46:54
  Speaker 2: So movie opens with a group going oh no, actually,
• 47:02
  Speaker 2: I'm sorry. Movie opens with like one of the opening
• 47:06
  Speaker 2: scenes from Texas Chainsaw, and as the camera zooms out,
• 47:11
  Speaker 2: you realize like it's an unsolved mysteries type of show
• 47:15
  Speaker 2: talking about the original Texas Chainsaw masker. Lylah and Melody
• 47:22
  Speaker 2: are in a gas station getting snacks and what have you.
• 47:28
  Speaker 1: Lilah buys a corkscrew.
• 47:30
  Speaker 2: That becomes somewhat important.
• 47:34
  Speaker 1: I was like, okay, if someone's gonna die with that,
• 47:36
  Speaker 1: and then it got used and I was like, I mean, okay,
• 47:39
  Speaker 1: at least at least I knew it was gonna be used. Yeah,
• 47:42
  Speaker 1: but don't don't expect too much. Yeah, when you.
• 47:46
  Speaker 2: First see it, you're like, this is gonna be the
• 47:48
  Speaker 2: fucking shattering of the mood of the villain.
• 47:52
  Speaker 1: Going through an eye or something through an eye.
• 47:54
  Speaker 2: It's gonna be used to like fucking unlock a door
• 47:57
  Speaker 2: for the whatever.
• 47:58
  Speaker 1: No, so shit.
• 48:04
  Speaker 2: Leilah and Melody walk out to the obviously Tesla, but
• 48:09
  Speaker 2: not Tesla.
• 48:09
  Speaker 1: That's dirty as shit. Bro, You you can't fucking pay
• 48:12
  Speaker 1: someone to fix Like they're clean there.
• 48:13
  Speaker 2: No, it's matt it's a Matte paint.
• 48:15
  Speaker 1: No, if you look, I mean, I guess they are. Okay.
• 48:17
  Speaker 1: They are in Texas and there's a lot of dirt. Okay,
• 48:19
  Speaker 1: I retract my mistake.
• 48:20
  Speaker 2: No, no, but it's actually not dirty.
• 48:22
  Speaker 1: So okay. There was a scene like when they were
• 48:24
  Speaker 1: painting on the side of the car and I could
• 48:25
  Speaker 1: see like fingerprints, and I was like, really, guys, you
• 48:27
  Speaker 1: guys have a fucking Tesla, but you can't clean it. Yeah,
• 48:30
  Speaker 1: fucking idiots. But they're also in Texas and there's dirt. Yeah,
• 48:33
  Speaker 1: they're on dirt roads. I retract my stake.
• 48:35
  Speaker 2: So they're they're kind of just talking about how much
• 48:38
  Speaker 2: of a shithole.
• 48:38
  Speaker 1: It is. Oh, the bus is laid.
• 48:40
  Speaker 2: They made it wrong. Turn like twenty miles round. We
• 48:42
  Speaker 2: gotta get going. Cue Richter pulling up in his big,
• 48:46
  Speaker 2: old fucking truck blasting metal music. He gets out he
• 48:51
  Speaker 2: has a gun. Melody goes, how small your dick's gotta
• 48:55
  Speaker 2: be to open carry all the time, and Richter just
• 48:58
  Speaker 2: turns around and goes, ma'am we out wild hogs here
• 49:01
  Speaker 2: that just destroy everything. You kind of just gotta shoot.
• 49:03
  Speaker 1: Him on site.
• 49:05
  Speaker 2: And then he's like, hope big guns don't bother you,
• 49:07
  Speaker 2: and she goes, I've seen bigger and they drive away.
• 49:11
  Speaker 2: Richter then proceeds to fly past them on the open road,
• 49:16
  Speaker 2: dust them with a bunch of fucking smoke.
• 49:19
  Speaker 1: Uh. They get stopped by the police.
• 49:21
  Speaker 2: The police are like, yo, people used to live here.
• 49:24
  Speaker 1: Just be respectful of the town.
• 49:27
  Speaker 2: Have a nice time.
• 49:28
  Speaker 1: Dude. I really thought they were gonna I don't know why,
• 49:30
  Speaker 1: but it's Texas and the one of the main guys
• 49:32
  Speaker 1: is you know black. I was like, I was just waiting.
• 49:33
  Speaker 1: It's like, please, please, don't just dive into the stereotype
• 49:37
  Speaker 1: and don't be racist. No, they weren't, And I was like,
• 49:38
  Speaker 1: thank you for not being racist. So that's the stereotype that.
• 49:41
  Speaker 2: Happens, and especially with how they set it up, because
• 49:45
  Speaker 2: you find out very quickly that Lila has been shot
• 49:49
  Speaker 2: in some type of act of violence shooting. You don't
• 49:53
  Speaker 2: find that out until after she meets something. Yeah, but
• 49:56
  Speaker 2: so she got shot in a school shooting. So the
• 50:00
  Speaker 2: the entire premise of this movie is this group of
• 50:04
  Speaker 2: four people are very like, excessively woke, super anti two A.
• 50:13
  Speaker 1: Like anti two A. Yeah, I don't know that is ship.
• 50:16
  Speaker 2: Anti Second Amendment? Oh anti gun. Fancy way to say that.
• 50:20
  Speaker 2: I'm gonna use that ship like that. So they're very
• 50:23
  Speaker 2: anti two A, very much like go in fix some
• 50:26
  Speaker 2: place up so it can be super fucking hipster and expensive.
• 50:31
  Speaker 1: Say they're a group of idealistic individuals who want to
• 50:34
  Speaker 1: like see change in the world. And there, yeah, that's
• 50:36
  Speaker 1: a cult. They're like, yeah, yep, that's a cult. Well
• 50:39
  Speaker 1: that's my favorite line right there, y'all a cult or something.
• 50:44
  Speaker 2: So here's one of the things that really got to
• 50:48
  Speaker 2: me for no reason other than it was just noxious.
• 50:50
  Speaker 2: The uh the cops go all right, welcome to Harlow
• 50:54
  Speaker 2: and then they drive off and then Dante goes Welcome
• 50:56
  Speaker 2: to Harlow, like literally two seconds after, I'm like, why
• 51:01
  Speaker 2: you literally just repeated the exact same line that just
• 51:04
  Speaker 2: got said.
• 51:05
  Speaker 1: Yeah, that was kind of weird. I noticed that too.
• 51:09
  Speaker 2: So they get into Harlow, they're walking around. They're like, oh,
• 51:12
  Speaker 2: this place is fucking fantastic. The bust will be here
• 51:14
  Speaker 2: any minute.
• 51:15
  Speaker 1: Uh.
• 51:15
  Speaker 2: The group finds out that Richter is their contractor, so
• 51:19
  Speaker 2: they're like, ah, Fux, sorry for disrespecting you, and he's like,
• 51:22
  Speaker 2: that's fine, just pay me, I don't care, do whatever.
• 51:27
  Speaker 2: They see a Stars and Bars flag flying above a house,
• 51:34
  Speaker 2: so they're like, fuck it, we gotta go try and
• 51:35
  Speaker 2: get rid of that. Dante and fucking Melody go into
• 51:39
  Speaker 2: this house. They're looking around. They meet Virginia. She's like,
• 51:44
  Speaker 2: this is my house. I paid for it.
• 51:46
  Speaker 1: Yeah yea da. They're like they're like, no, you're wrong.
• 51:50
  Speaker 1: They were really rude about it too, immediately, just like
• 51:53
  Speaker 1: like no, this is ours, Like whoa like summer down.
• 51:56
  Speaker 2: Well that's that's because the characters they portray they're very
• 52:00
  Speaker 2: entitled people.
• 52:02
  Speaker 1: Also, all the characters in this besides pretty much besides Lilah,
• 52:05
  Speaker 1: are all shit bags who are like they you want
• 52:08
  Speaker 1: them all to die, essentially, like i'd always I don't
• 52:10
  Speaker 1: give a shit about any of you. And you know what,
• 52:11
  Speaker 1: you do, get that justification that you know, like, oh, yay,
• 52:14
  Speaker 1: everyone dies. Good spoiler alert, Well not everybody, I mean yeah,
• 52:18
  Speaker 1: but I'm just saying, like, like ninety percent of people die,
• 52:20
  Speaker 1: and you're like, good, I hate I hate all of you,
• 52:22
  Speaker 1: thank God.
• 52:23
  Speaker 2: So they start a small argument the police get involved.
• 52:28
  Speaker 2: As the police are trying to escort Virginia out of
• 52:31
  Speaker 2: the house, she throws up and starts having some kind
• 52:35
  Speaker 2: of cardiac arrests.
• 52:37
  Speaker 1: Yeah, respiratory failure ye who. Officer thinks it's a heart attack.
• 52:43
  Speaker 2: Leatherface picks her up and they get into the ambulance,
• 52:47
  Speaker 2: which is also the police car, and the paramedics are
• 52:50
  Speaker 2: also the only two cops in the area. That's fun bro,
• 52:55
  Speaker 2: even fucking techs Arcana from Goddamn Town The Dreaded Son
• 53:00
  Speaker 2: Down had more than two plays.
• 53:01
  Speaker 1: I know, right, so man. Oh and also, you know,
• 53:04
  Speaker 1: as we mentioned earlier, I believe her name is Ruth,
• 53:07
  Speaker 1: the blonde Ruth does it's so weird. Melody's like I'm
• 53:10
  Speaker 1: gonna go, I'm gonna go. And then Ruth's like, no,
• 53:11
  Speaker 1: I'm gonna go, Like, how about none of y'all go.
• 53:13
  Speaker 1: This is not your fucking business at all. So I
• 53:16
  Speaker 1: don't know why Ruth decided to just like fucking go
• 53:19
  Speaker 1: with them. But she's in the van now, like, there's
• 53:21
  Speaker 1: no reason for you to be there. Yeah no, And
• 53:23
  Speaker 1: I was.
• 53:23
  Speaker 2: I was like, literally, this entire movie would have been
• 53:26
  Speaker 2: avoided if Ruth did not get in the car.
• 53:29
  Speaker 1: There's no reason for that's. That's all you gotta do
• 53:31
  Speaker 1: is just not get in the car. Yeah. See, if
• 53:33
  Speaker 1: two cops, Ruth, Virginia, Leatherface all in the car together
• 53:36
  Speaker 1: go into the hospital, which is far away, Virginia dies
• 53:41
  Speaker 1: in transit. Yep.
• 53:44
  Speaker 2: Leather Face starts shaking her oxygen tank, which, by the way,
• 53:48
  Speaker 2: if this is an absolute ghost town except for Virginian Leatherface,
• 53:53
  Speaker 2: where is she getting this oxygen from?
• 53:56
  Speaker 1: I know, because it's it's a.
• 53:58
  Speaker 2: Like minimum one hour drive to anywhere.
• 54:00
  Speaker 1: Yeah, and that shit is a expensive and it runs
• 54:03
  Speaker 1: out in like two weeks. Yeah, and I don't think you
• 54:05
  Speaker 1: have the money. Yeah, there's so many questions with this
• 54:07
  Speaker 1: goddamn movie.
• 54:11
  Speaker 2: So Leatherface starts shaking the oxygen machine and deputy Deputy
• 54:17
  Speaker 2: micfuck Wad slams his hand down and goes hey like
• 54:20
  Speaker 2: hey knock, which is where his arm gets snapped under
• 54:25
  Speaker 2: and backwards and then shoved into his own throat multiple times.
• 54:30
  Speaker 2: He starts trying to pull his side arm uh ends
• 54:35
  Speaker 2: up getting his bones shoved into his neck one more time,
• 54:38
  Speaker 2: causing an accidental discharge of his service weapon into the
• 54:43
  Speaker 2: neck of the guy driving. Which here here's the one
• 54:48
  Speaker 2: easter egg that I noticed of this entire movie. When
• 54:50
  Speaker 2: they're driving into Harlow, Lilah looks out the window and
• 54:55
  Speaker 2: sees the thresher working in the field. Oh yeah, that's
• 55:00
  Speaker 2: the same thresher that they run into in the car accident.
• 55:04
  Speaker 2: That's the only like, ooh thing that I noticed.
• 55:08
  Speaker 1: I did notice one thing that now that you're speaking of,
• 55:10
  Speaker 1: that when they go into town and it says population
• 55:12
  Speaker 1: of Harlow, it says nineteen seventy four, which is a
• 55:15
  Speaker 1: nod to it's also been shot out because there's nobody
• 55:17
  Speaker 1: there an exactly yeah, so it's kind of hard to
• 55:19
  Speaker 1: see if it does say nineteen seventy four, which is
• 55:21
  Speaker 1: a nod to the original.
• 55:22
  Speaker 2: I did not notice that. Yeah, what's it called thresher. Thresher,
• 55:26
  Speaker 2: that's a metal name.
• 55:27
  Speaker 1: Yeah.
• 55:30
  Speaker 2: So police van thing ambulance crashes leatherface, then gets out
• 55:40
  Speaker 2: with the uh with Virginia yep, laser on the ground.
• 55:45
  Speaker 2: We have that whole scene, starts dragging her away. Ruth
• 55:49
  Speaker 2: gets on the radio goes he's he's out of here.
• 55:54
  Speaker 1: Can you come help me? YadA YadA.
• 55:56
  Speaker 2: There's nobody there, obviously, because the only two police in
• 55:58
  Speaker 2: the entire fucking town are.
• 56:00
  Speaker 1: There and dead, well, not dead yet.
• 56:03
  Speaker 2: So the the driver, the police chief starts to kind
• 56:07
  Speaker 2: of come to and then he gets fucking mollywom fucking
• 56:13
  Speaker 2: log in the side of the head just and the
• 56:15
  Speaker 2: noises just wack whack. It was wet and boopy. It
• 56:20
  Speaker 2: was fucking amazing. So I forgot, I forgot what I
• 56:28
  Speaker 2: was saying.
• 56:30
  Speaker 1: He got Molly Wam Molly.
• 56:35
  Speaker 2: Ruth then sees him cutting off the face of Virginia
• 56:39
  Speaker 2: and then shows up in the window and proceeds to
• 56:42
  Speaker 2: fucking kill her dead, very dead.
• 56:45
  Speaker 1: With in the in the stomach with with some piece
• 56:47
  Speaker 1: of metal or some ship. It was very crazy. And
• 56:50
  Speaker 1: then this is essentially when the film just kind of
• 56:52
  Speaker 1: kicks off, because he goes back to Town.
• 56:55
  Speaker 2: Yeah, I don't. We've already spoiled the Good Hills. I
• 57:01
  Speaker 2: don't know if because like after that, the next bit
• 57:05
  Speaker 2: of story is kind of like thrown at you very hard. Yeah,
• 57:10
  Speaker 2: And I don't necessarily want to fully spoil it in
• 57:13
  Speaker 2: case there are some people that actually find the story
• 57:17
  Speaker 2: behind this decent.
• 57:19
  Speaker 1: I mean we don't. I mean we still got some
• 57:21
  Speaker 1: time left. Though, we got some time left. Sometimes we
• 57:23
  Speaker 1: don't have to spoil everything. But uh, let's see, uh,
• 57:27
  Speaker 1: because I know when they go back. Yeah, So it's
• 57:29
  Speaker 1: weird because you have that going on, and then back
• 57:32
  Speaker 1: at town you have that bus showing up with a
• 57:34
  Speaker 1: bunch of people. So I guess the the theory behind
• 57:36
  Speaker 1: the thing, the thing that they were trying to do
• 57:38
  Speaker 1: behind this was by this place and then just yeah,
• 57:41
  Speaker 1: gentrify it with like restaurants and people living there. And
• 57:43
  Speaker 1: then the people show up on the bus and they're like, no, no, no,
• 57:45
  Speaker 1: we don't, we don't even need to paint.
• 57:46
  Speaker 2: We like the old history because what they what they're
• 57:50
  Speaker 2: trying to do, which they kind of tell you but
• 57:53
  Speaker 2: they kind of don't really outright tell you, is the
• 57:56
  Speaker 2: town that they're going in and buying up property in
• 58:00
  Speaker 2: is the town where the Texas changeawn masker happened. Everybody
• 58:04
  Speaker 2: fucking left because they are like, we don't want to
• 58:07
  Speaker 2: fucking be here no more.
• 58:08
  Speaker 1: Yeah, I think, yeah, it's the towns. The house was
• 58:11
  Speaker 1: outside of the town, but it's yeah, it's the same
• 58:13
  Speaker 1: the same fucking area. Yeah. So yeah, that's why there's
• 58:17
  Speaker 1: no one there. That's why there's no one there. And
• 58:19
  Speaker 1: I get it. They don't even explain how Ri Richter
• 58:21
  Speaker 1: really did they explain why he's in possession of this town.
• 58:25
  Speaker 1: He's not.
• 58:26
  Speaker 2: He's just a contractor. Oh that's right, that's right. He's
• 58:29
  Speaker 2: the guy that's kind of doing all the facelifts on
• 58:32
  Speaker 2: the that's right. Okay, so I know they don't ever
• 58:35
  Speaker 2: accept Oh the lady from the bank, Oh, the lady
• 58:37
  Speaker 2: from the bank. Oh, the lady from the bank. I'm sorry,
• 58:40
  Speaker 2: No bank deals in anything seven and a half hours away.
• 58:44
  Speaker 1: That's a different bank. That's like the state. Yeah, that's It's.
• 58:48
  Speaker 1: The whole thing is weird on how they get the property,
• 58:51
  Speaker 1: because you know, when Sally or when Virginia is like, no,
• 58:54
  Speaker 1: I have the I have the title. I have the title,
• 58:56
  Speaker 1: and they're like, no, you don't. Eventually later they find
• 58:59
  Speaker 1: out that Dante not have the title.
• 59:01
  Speaker 2: And that Sally dug Year that Virginia does have the title.
• 59:05
  Speaker 1: Yeah, which they find it in like two seconds upon
• 59:08
  Speaker 1: searching the house.
• 59:09
  Speaker 2: I'm like, really, give me the story of how she
• 59:13
  Speaker 2: got back to having that. That's what I want to know.
• 59:17
  Speaker 2: I want to know what espionage fucking shit happened to
• 59:20
  Speaker 2: allow her after the bank foreclosed on her house, for
• 59:24
  Speaker 2: her to go back and reget the deed.
• 59:26
  Speaker 1: Well remember because she said that, she said, you know, like,
• 59:29
  Speaker 1: oh that thing with the bank that was settled ages ago.
• 59:31
  Speaker 1: I paid everything I owed, So I am assuming that
• 59:34
  Speaker 1: was true. But like you don't, you don't know like exactly,
• 59:38
  Speaker 1: you have no clue as to what's going on. So yeah,
• 59:41
  Speaker 1: the whole story, the whole background plot is just it's
• 59:44
  Speaker 1: very choppy, and it's just they don't explain enough, and
• 59:48
  Speaker 1: I think they were relying too much on the gore,
• 59:50
  Speaker 1: which fine, that's fine, Like I like, that's why I said,
• 59:53
  Speaker 1: I just kind of blacked out everything else besides, Like
• 59:55
  Speaker 1: I mean, but at least the acting I felt was good.
• 59:58
  Speaker 1: It's just a story behind it not that great. But
• 1:00:00
  Speaker 1: the actors themselves I feel did a good job with
• 1:00:03
  Speaker 1: what they had.
• 1:00:04
  Speaker 2: Yeah, it's it's hard to do a good job with
• 1:00:07
  Speaker 2: one sided character.
• 1:00:08
  Speaker 1: Exactly because I don't know. And see, I don't know.
• 1:00:10
  Speaker 1: I was talking to Gavvy about this. I'm like, did
• 1:00:12
  Speaker 1: they make the characters so unlikable on purpose because they
• 1:00:15
  Speaker 1: knew they were gonna wipe everybody out? And that was
• 1:00:17
  Speaker 1: like good, Like, oh, it's all justified.
• 1:00:21
  Speaker 2: They just so here's here's what I think it is.
• 1:00:24
  Speaker 2: I think somewhere someone behind the scenes that had sway
• 1:00:30
  Speaker 2: because either they helped bankroll it or they were on
• 1:00:33
  Speaker 2: the creative team. Somebody was trying to put a political
• 1:00:38
  Speaker 2: message into the movie. And they were trying to because
• 1:00:45
  Speaker 2: the whole thing is all the characters that you want
• 1:00:50
  Speaker 2: to see die die, But then they try and spin
• 1:00:55
  Speaker 2: it as the person with the least values is the
• 1:00:58
  Speaker 2: one that lives so she can gain value. It's it's
• 1:01:01
  Speaker 2: a it's a whole weird thing. Like it starts off
• 1:01:06
  Speaker 2: with the political message of oh, this group is the
• 1:01:08
  Speaker 2: good group, and then they try and spin it one
• 1:01:12
  Speaker 2: hundred and eighty degrees, where so it's it's hey, let's
• 1:01:17
  Speaker 2: play each side as much as we can until it
• 1:01:20
  Speaker 2: doesn't work.
• 1:01:20
  Speaker 1: Anymore that makes that makes sense?
• 1:01:23
  Speaker 2: And no, And the reason I think no place wanted
• 1:01:25
  Speaker 2: to pick it up.
• 1:01:26
  Speaker 1: I was just about to say, please tell me, is the.
• 1:01:29
  Speaker 2: First thirty minutes of the movie is a guns are bad,
• 1:01:34
  Speaker 2: hickser fucking racist and everything needs to be done in
• 1:01:40
  Speaker 2: this artesianal.
• 1:01:41
  Speaker 1: Boho style way or it's bad. Yeah, and.
• 1:01:46
  Speaker 2: Especially big film studios, like you're fucking with the status quo, don't.
• 1:01:51
  Speaker 1: We don't want your shit.
• 1:01:52
  Speaker 2: Also, this is an expensive insult to us.
• 1:01:56
  Speaker 1: Yeah, yeah, because it like get twenty million. Yeah, I
• 1:01:58
  Speaker 1: feel like if they had done it for or less, well,
• 1:02:00
  Speaker 1: obviously the kills and gore wouldn't have been that good,
• 1:02:02
  Speaker 1: but if they did it for maybe ten million instead
• 1:02:04
  Speaker 1: of twenty maybe someone would. Yeah, with that twenty million
• 1:02:08
  Speaker 1: dollar price tag, that's a hefty tag to be like,
• 1:02:11
  Speaker 1: are we gonna even like break even on this thing?
• 1:02:14
  Speaker 2: And here's the other thing, twenty million to run the
• 1:02:18
  Speaker 2: circuit first.
• 1:02:19
  Speaker 1: Yeah, Like, yeah.
• 1:02:22
  Speaker 2: That's that's not even that's not even like clo, that's
• 1:02:26
  Speaker 2: not even taking a chance.
• 1:02:28
  Speaker 1: That is fucking like the bad business. What do you
• 1:02:32
  Speaker 1: mean running this what the like film circuit? No, that's
• 1:02:36
  Speaker 1: what festival did. It was doing that, and that's why
• 1:02:38
  Speaker 1: no one was picking it up. It was running the
• 1:02:40
  Speaker 1: film fest and it was just getting shit reviews.
• 1:02:43
  Speaker 2: No, no, no, but that That's what I'm saying is
• 1:02:45
  Speaker 2: normally you would take like the concept of a movie,
• 1:02:49
  Speaker 2: or like the low budget version of a movie.
• 1:02:51
  Speaker 1: To a film festival. Yeah, have it get run.
• 1:02:54
  Speaker 2: Then some studio goes, yo, we'll pay you twenty million.
• 1:02:58
  Speaker 1: Dollars to make this movie.
• 1:02:59
  Speaker 2: Instead I pained twenty million dollars in going do you
• 1:03:02
  Speaker 2: like it?
• 1:03:03
  Speaker 3: Yeah?
• 1:03:03
  Speaker 1: That's that's all. That's it, This is it? Okay, Yeah, yeah, yeah, Okay,
• 1:03:07
  Speaker 1: I get what you're saying. Yeah, that's that does That
• 1:03:09
  Speaker 1: is a very fair point because yeah, and it's funny
• 1:03:11
  Speaker 1: too because speaking of which, uh did to do? Where
• 1:03:15
  Speaker 1: was it? Something about David fucking Essentially it came down to, uh,
• 1:03:21
  Speaker 1: yeah right here. The film was initially stated for theatrical release,
• 1:03:25
  Speaker 1: but oh no, I don't know something about how when
• 1:03:27
  Speaker 1: David Garcia got involved that he pretty much threw out
• 1:03:31
  Speaker 1: what was already there and uh and then just did
• 1:03:35
  Speaker 1: something different with it. So it's like he got ahold
• 1:03:36
  Speaker 1: of it halfway through because two directors decided to leave
• 1:03:39
  Speaker 1: because they were like I'm not vibing with this. Then
• 1:03:41
  Speaker 1: he started directing again. This is everything else.
• 1:03:43
  Speaker 2: This is another thing when it comes to Hollywood, and
• 1:03:47
  Speaker 2: I wish directors would fucking take this for what it's worth. Yeah,
• 1:03:53
  Speaker 2: if your movie has had more than two directors, it's
• 1:03:59
  Speaker 2: gonna be fucking shit.
• 1:04:00
  Speaker 1: And yeah, unless for some reason the first director was
• 1:04:03
  Speaker 1: fired because of some scandal, you know what I mean,
• 1:04:06
  Speaker 1: or something like that. But yeah, if the original people
• 1:04:09
  Speaker 1: walked away from this because they were not vibing it,
• 1:04:12
  Speaker 1: yeah it's probably not probably not gonna be very good
• 1:04:15
  Speaker 1: because yeah, like it's just it's such a weird balance
• 1:04:18
  Speaker 1: that I found myself because I really enjoyed how it
• 1:04:21
  Speaker 1: was shot. It was gorgeous, really, it was truly really
• 1:04:24
  Speaker 1: like beautiful to watch. The score fucking hit and the
• 1:04:27
  Speaker 1: kills were crazy, like some of the crazy shit I've
• 1:04:30
  Speaker 1: seen in a while. But then you have terrible plot,
• 1:04:32
  Speaker 1: this whole woke, woke culture, weird shit going on, and
• 1:04:35
  Speaker 1: then yeah, everything you said about the first thirty minutes
• 1:04:37
  Speaker 1: here like I don't know how to feel about this movie,
• 1:04:39
  Speaker 1: Like I don't I don't know, I don't know what
• 1:04:41
  Speaker 1: to do.
• 1:04:41
  Speaker 2: And then like the just bizarro absurdity of the last
• 1:04:47
  Speaker 2: like the last few seconds of the final climax where
• 1:04:53
  Speaker 2: they're like in that movie theater, but there's like a
• 1:04:56
  Speaker 2: fucking pool of water.
• 1:04:58
  Speaker 1: Like, yeah, that was weird.
• 1:04:59
  Speaker 2: Like I'm like, okay, this is it, this is it.
• 1:05:01
  Speaker 2: This now looks like I'm in the set of a
• 1:05:04
  Speaker 2: dream on nightmare on elm the street.
• 1:05:06
  Speaker 1: Where did this fucking come from? Some reals. Yeah, so
• 1:05:11
  Speaker 1: it's just a very bizarre movie. So like, I'll just
• 1:05:15
  Speaker 1: leave it here, I guess once they find the title,
• 1:05:18
  Speaker 1: and again, after about five seconds of searching, uh shit, yeah,
• 1:05:23
  Speaker 1: leather Face, hold on, leather Face shows up to bust
• 1:05:26
  Speaker 1: up the party because Dante he gets done. That's when
• 1:05:29
  Speaker 1: he gets Dante, and then Melody hides in the closet,
• 1:05:31
  Speaker 1: and that's where we'll leave it. Is Melody hiding in
• 1:05:33
  Speaker 1: the closet, who has the title. Dante got goosed, and
• 1:05:36
  Speaker 1: then everyone else is having a party, which a leather
• 1:05:38
  Speaker 1: Face eventually becomes aware to and gets really angry and
• 1:05:41
  Speaker 1: throws shit and then goes down there, and then that's
• 1:05:43
  Speaker 1: when you have the bus scene. And oh my god,
• 1:05:45
  Speaker 1: that bust scene is just absolutely banana sandwhich I think
• 1:05:48
  Speaker 1: my favorite thing from that is. I love this line
• 1:05:50
  Speaker 1: when leather Face comes onto the bust and he's standing
• 1:05:53
  Speaker 1: there with the chainsaw and the one guy everyone pulls
• 1:05:55
  Speaker 1: out their phone and the one guy in fronts like,
• 1:05:58
  Speaker 1: make another move and you'll be canceled. Bro. You think
• 1:06:01
  Speaker 1: that motherfucker's worried about being canceled? No, he probably First
• 1:06:03
  Speaker 1: of all, I probably doesn't even know what that means
• 1:06:05
  Speaker 1: because he's old. And also he's got a chainsaw on
• 1:06:08
  Speaker 1: a bus. He's gonna kill He's gonna.
• 1:06:10
  Speaker 2: Kill you, dude, he is wearing somebody else's face on him.
• 1:06:13
  Speaker 1: Yes, you're getting canceled with this fucking chainsaw. Bro. I
• 1:06:16
  Speaker 1: thought that was the he said that, And I'm like,
• 1:06:18
  Speaker 1: oh my god. And then one more other stupid line
• 1:06:21
  Speaker 1: and then I'm done for good. I swear. Is when
• 1:06:24
  Speaker 1: dude Sally literally has the chance to blow Leatherface away
• 1:06:28
  Speaker 1: with that with that shotgun because she's right there, because
• 1:06:31
  Speaker 1: she finally finds what she remember me? Say my name?
• 1:06:34
  Speaker 1: I'm like, all right, Walter White, really say my name? Really,
• 1:06:37
  Speaker 1: what do you beat? What are you fucking Destiny's child?
• 1:06:40
  Speaker 2: And then actually what she says is say you remember me?
• 1:06:42
  Speaker 1: Well, then she says say my name? Does she.
• 1:06:46
  Speaker 2: Whacked out that entire scene because I'm like, you are
• 1:06:49
  Speaker 2: a dumb bitch.
• 1:06:50
  Speaker 1: Yes, she goes say my name, say you remember me?
• 1:06:53
  Speaker 1: And then she just he just walked past her. I'm like,
• 1:06:55
  Speaker 1: this was your opportunity to blast him away.
• 1:06:59
  Speaker 2: It's like, not, not okay, Sally, do you remember did
• 1:07:01
  Speaker 2: he say any words to you during that fucking no
• 1:07:05
  Speaker 2: two and a half day standoff?
• 1:07:06
  Speaker 3: No?
• 1:07:07
  Speaker 2: Okay, why is he gonna say anything to you now? No,
• 1:07:10
  Speaker 2: I don't care if it's not leatherface. If I walk
• 1:07:13
  Speaker 2: around the corner in that house and see anybody sitting
• 1:07:17
  Speaker 2: anywhere douche especially then ask questions and then ask questions,
• 1:07:20
  Speaker 2: oh what was your name?
• 1:07:21
  Speaker 1: Or I don't care anymore, you're fucking dead. Yeah. The
• 1:07:24
  Speaker 1: only noise he made in the original was like when
• 1:07:27
  Speaker 1: they were all howling at the dinner table, he was
• 1:07:28
  Speaker 1: like whoa or whatever. That's it. I don't think he
• 1:07:32
  Speaker 1: can even formulate words because he has that. You know,
• 1:07:35
  Speaker 1: he's he's mentally challenge or something. I don't know what
• 1:07:38
  Speaker 1: it was, but I know he's not all there. So yeah,
• 1:07:40
  Speaker 1: he's not gonna know your name. It probably doesn't give
• 1:07:42
  Speaker 1: a shit about you. At all, Like he he wasn't
• 1:07:44
  Speaker 1: coming after you, bro, I don't know what you was
• 1:07:46
  Speaker 1: so worried about. So yeah, movie's fucking weird. Definitely fucking weird.
• 1:07:50
  Speaker 1: It has a five point zero out of ten on
• 1:07:53
  Speaker 1: letter or on IMDb. It's got a two point one
• 1:07:57
  Speaker 1: on the letter box. I gave it a three just because, like,
• 1:08:01
  Speaker 1: like the things I said, gore score, cinematography, that's three
• 1:08:04
  Speaker 1: stars for you, right there. Everything else was fucking shit,
• 1:08:06
  Speaker 1: but like I still enjoyed it, and I still had
• 1:08:09
  Speaker 1: fun with it, and the kills I can't I cannot
• 1:08:11
  Speaker 1: get over. I cannot get over those fucking kills.
• 1:08:13
  Speaker 2: I gave it a three literally only because the kills
• 1:08:17
  Speaker 2: bumped it up a full point.
• 1:08:18
  Speaker 1: Yeah, yeah, exactly, like the kills were unreal. Man. Our
• 1:08:22
  Speaker 1: boy Eric Cloud gave it a one and a half.
• 1:08:25
  Speaker 2: Oh no, and his review says, bummer, I was ready
• 1:08:30
  Speaker 2: to love this. Everything Scream five did right, this one
• 1:08:33
  Speaker 2: did wrong.
• 1:08:34
  Speaker 1: Oh damn. That's fair. It's funny because sometimes we're completely
• 1:08:38
  Speaker 1: on point with him, and then sometimes we're wildly off.
• 1:08:41
  Speaker 1: But yeah, this movie is not for everyone. You're you're
• 1:08:43
  Speaker 1: really either going to like enjoy it or completely hate it.
• 1:08:46
  Speaker 1: There's no one that's like, fuck yeah, five star movie
• 1:08:48
  Speaker 1: movie of the year. Uh, because if you are, I mean,
• 1:08:51
  Speaker 1: I don't, I don't know. It's definitely not movie of
• 1:08:53
  Speaker 1: the year, but I will, I will. I definitely enjoyed
• 1:08:55
  Speaker 1: it and we'll probably watch it again at some point.
• 1:08:58
  Speaker 1: Real quick, here, we got some few minutes left. We
• 1:09:01
  Speaker 1: already talked about how was sold to Netflix. The film
• 1:09:05
  Speaker 1: was originally yeah, oh yeah, that's right. The film was
• 1:09:09
  Speaker 1: initially stated for theatrical theatrical release, but was scrapped due
• 1:09:12
  Speaker 1: to a string of disastrous test screens. Oh no, movie suck,
• 1:09:18
  Speaker 1: your movie suck. Yeah. We talked about how the original
• 1:09:21
  Speaker 1: Sally was not in there. John Lauraquette serves as the
• 1:09:24
  Speaker 1: narrator in this film as well as the original nineteen
• 1:09:26
  Speaker 1: seventy four film. Funny enough, one of the comments on
• 1:09:29
  Speaker 1: the live videos during the bus scene was David blue Garcia,
• 1:09:32
  Speaker 1: director of the film, which I actually saw on this viewing.
• 1:09:35
  Speaker 1: I thought that was pretty cool. I already went over
• 1:09:37
  Speaker 1: that piece of trivia too, so we're nailing it. That
• 1:09:40
  Speaker 1: was the population in nineteen seventy nineteen seventy four, so
• 1:09:44
  Speaker 1: we got some goofs here. The size of the chainsaw
• 1:09:46
  Speaker 1: Guidebar seems to he's doing sol seems to considerably be longer.
• 1:09:51
  Speaker 1: When leather Face is song through the bathroom door of
• 1:09:53
  Speaker 1: the bus to get to Melody and Lila. Obviously that
• 1:09:56
  Speaker 1: makes sense. They probably had chancealls with different lengths. That
• 1:09:59
  Speaker 1: makes total sense. Yeah, leather Face gets the fifty year
• 1:10:02
  Speaker 1: old chainsaw by going with little fuss. In real life
• 1:10:05
  Speaker 1: it needs to be completely rebuilt, not to mention fuel
• 1:10:07
  Speaker 1: being viable after fifty years. Fucking fact this too, I
• 1:10:11
  Speaker 1: realize as well. On this watch, it's real quick, but
• 1:10:14
  Speaker 1: when he pops his head up in the field, it
• 1:10:16
  Speaker 1: is obviously a green screen for whatever reason, I'm not
• 1:10:19
  Speaker 1: sure why. I feel like that field that they were
• 1:10:22
  Speaker 1: in was real, but yeah, when he pops his head up,
• 1:10:24
  Speaker 1: you can you can see an outline around his head,
• 1:10:26
  Speaker 1: but it's like a real quick shot. Yeah. But yeah,
• 1:10:29
  Speaker 1: I already gave you the rating. So this is streamable
• 1:10:32
  Speaker 1: on Netflix, I believe if you're in the UK, Canada,
• 1:10:35
  Speaker 1: and the US. I don't know any about any other countries.
• 1:10:40
  Speaker 1: I don't know, but I know it's available in those
• 1:10:41
  Speaker 1: three countries, so you can go check it out. And again,
• 1:10:43
  Speaker 1: it's seventy four minutes before before Oh yeah, and also
• 1:10:46
  Speaker 1: stay around because there is a post credit seen all
• 1:10:50
  Speaker 1: the way at the end, So just fast forward through
• 1:10:52
  Speaker 1: the ten minutes of fucking credits and get to the ending.
• 1:10:54
  Speaker 1: It's actually pretty cool. Some people were like, oh, that's stupid,
• 1:10:57
  Speaker 1: but I enjoyed it for what it was. I don't
• 1:10:59
  Speaker 1: know if you saw it. I probably missed it. Okay,
• 1:11:01
  Speaker 1: I'll show it to you before you go. It's just
• 1:11:03
  Speaker 1: a cool little like nod. But other than that, yeah,
• 1:11:06
  Speaker 1: check it out. I recommend it. I wouldn't call it
• 1:11:09
  Speaker 1: a certified slap definitely. I'd call it like a what
• 1:11:13
  Speaker 1: would you call it? You got a name for it?
• 1:11:15
  Speaker 1: I know you've got something over there. It's there. We
• 1:11:18
  Speaker 1: go see.
• 1:11:19
  Speaker 2: This is why it's it's there, and it'll make you
• 1:11:22
  Speaker 2: not hungry yet. It'll it doesn't mean it's good. It'll
• 1:11:25
  Speaker 2: satisfy your Yeah, satisfy your hunger. Oh goodness, all right.
• 1:11:31
  Speaker 1: So give us a follow on Facebook at fright Mares
• 1:11:34
  Speaker 1: and Instagram at fright Maaar's podcast. You can catch us
• 1:11:38
  Speaker 1: on slasher app two as Frightmar's podcast, Twitter, fright Maar's
• 1:11:42
  Speaker 1: Underscore pod, email, stay Spooky Outlook dot com. Throw us
• 1:11:47
  Speaker 1: a line. Kyle. I hope you enjoyed this episode. I
• 1:11:49
  Speaker 1: hope it was crazy enough for you. I just realized
• 1:11:52
  Speaker 1: I didn't say, hey, oh shit, uh and I'm your host,
• 1:11:55
  Speaker 1: Austin Procer, and that is Corey Johnson your coast. Hey,
• 1:12:00
  Speaker 1: we really shited the bet on that one.
• 1:12:01
  Speaker 2: We started yelling.
• 1:12:05
  Speaker 1: Oh that was episode one thirty five. In case I
• 1:12:07
  Speaker 1: forgot to say that, I can't remember. It's been a blur.
• 1:12:10
  Speaker 1: So next week, me and Spencer will be back and
• 1:12:12
  Speaker 1: we'll will be doing a rob zombie joint. I'm not
• 1:12:15
  Speaker 1: gonna say the movies because you know, like I don't
• 1:12:17
  Speaker 1: have themes anymore, so with you, I can say the theme. Yeah,
• 1:12:20
  Speaker 1: the theme this week was a new movie then came
• 1:12:23
  Speaker 1: out to Netflix.
• 1:12:25
  Speaker 2: The theme of this week was fuck it.
• 1:12:26
  Speaker 1: We forgot fuck it. I wanted to do something, but
• 1:12:29
  Speaker 1: we had to do something different last second. Uh So yeah,
• 1:12:32
  Speaker 1: we'll be back next week doing again a rob zombie joint.
• 1:12:35
  Speaker 1: I mean he's only got done about five or six
• 1:12:37
  Speaker 1: of those, so you can probably figure out what we're
• 1:12:39
  Speaker 1: going to do. So until next week, guys, Zuol says,
• 1:12:42
  Speaker 1: stay tuned and stay spoogye bitches. Its h.