Latest / Stuff Mom Never Told You / "And Just Like That": A SMNTY Watch Party
Transcript
- 0:05Speaker 1: Hey, this is Annie and Samantha and welcome to Stephane
- 0:07Speaker 1: Never Told You production of I Heart Radio. And we're
- 0:19Speaker 1: very excited about the episode we have for you today.
- 0:23Speaker 1: It is brought to you by the new HBO Max
- 0:26Speaker 1: original series and just like that, a new chapter of
- 0:28Speaker 1: Sex in the City which is now streaming. And in
- 0:31Speaker 1: this episode, we're going to react to and discuss the
- 0:33Speaker 1: first two episodes of the series which we just watched,
- 0:37Speaker 1: which came out on HBO Max on December nine. Of
- 0:41Speaker 1: we did, we got to hang out in person and
- 0:45Speaker 1: watch them. There was a Cosmo had, Yes, it was
- 0:50Speaker 1: It was delightful. There were some tears, Yes, some expletives
- 0:56Speaker 1: were released, but it was fun. I enjoyed it. You
- 1:01Speaker 1: can see our past episode on Sex in the City
- 1:05Speaker 1: where we did a kind of an overview of the
- 1:06Speaker 1: whole show. Um, and check out our Happy Hour watch
- 1:09Speaker 1: series which is ongoing. It's a bit of a project
- 1:12Speaker 1: for us. I think this is gonna be really interesting,
- 1:16Speaker 1: since Samantha, you have seen all of the episodes. A
- 1:20Speaker 1: movie and a half. A movie and a half is true,
- 1:23Speaker 1: A movie and a half. Um. Whereas I'm still very
- 1:26Speaker 1: early on in my Sex in the City journey and
- 1:29Speaker 1: we already have some thoughts about that. Then we're gonna
- 1:32Speaker 1: We're gonna get into that later. But that being said, um,
- 1:36Speaker 1: there are going to be spoilers in this major spoilers,
- 1:39Speaker 1: which I have a feeling if you're interested at all
- 1:40Speaker 1: and you've seen any articles, you may already know these spoilers.
- 1:44Speaker 1: But a huge spoiler that I didn't know about that
- 1:47Speaker 1: I kind of wish I did. Yeah, I'm actually very
- 1:51Speaker 1: excited to talk about it, which sounds dark, but yeah,
- 1:56Speaker 1: it was really interesting because just having seen about three
- 2:00Speaker 1: episodes now plus these two new ones, it did feel
- 2:05Speaker 1: very different. Um, it felt like a very different thing,
- 2:09Speaker 1: which we're yeah, we're going to get into. But yes,
- 2:12Speaker 1: spoilers if you want to come back later. Um. Also,
- 2:16Speaker 1: there's podcasting in it, so it felt very meta. It
- 2:20Speaker 1: was interesting TV watching people podcasting on the show while
- 2:26Speaker 1: we were podcasting. Yes, yes, yes, okay, so you've heard
- 2:36Speaker 1: us talk about Sex in the City before, but just
- 2:38Speaker 1: a brief recap. Sex in the City is an American
- 2:41Speaker 1: comedy romance drama television series that premiered on HBO and
- 2:45Speaker 1: where it ran until two thousand four, So that's ninety
- 2:49Speaker 1: four episodes. Over six seasons and later two movies. It
- 2:53Speaker 1: was based on the Candace Bushnell book by the same
- 2:58Speaker 1: name and created by Darren starr Are and largely produced
- 3:01Speaker 1: and written and directed sometimes by Michael Patrick King. Yes
- 3:05Speaker 1: for HBO, It's Said in New York City and stars
- 3:09Speaker 1: Sarah Jessica Parker as sex columnist Carrie Batstraw, Cynthia Nixon
- 3:13Speaker 1: as Miranda Hobbs, Kristin Davis as Charlotte York, and Kim
- 3:16Speaker 1: Contrall as Samantha Jones. It follows the four women's friendships
- 3:19Speaker 1: as they navigate relationships and sex um and has had
- 3:23Speaker 1: a huge lasting cultural impact. People still talk about you
- 3:28Speaker 1: know who who are you in Sex and the City?
- 3:31Speaker 1: Are you in? Miranda? Which I love um and go
- 3:35Speaker 1: back and listen to her episode on it for more
- 3:37Speaker 1: on that. But yes, this brings us to the HBO
- 3:40Speaker 1: Max series and just like that, a new chapter of
- 3:44Speaker 1: Sex in the City. Sarah Jessica Parker, Cynthia Nixon, and
- 3:47Speaker 1: Miranda Hobbs have returned for it, and they've added Sarah
- 3:51Speaker 1: Amirez as comedian and podcast host, Chadas Nicole Are Parker
- 3:55Speaker 1: as documentarian Lisa Todd Wexley, Karen Pittman as Column be
- 4:00Speaker 1: a law school professor Dr Diah Wallace, and Serta Chattery
- 4:04Speaker 1: as real estate agent Sema Patel to the cast and
- 4:07Speaker 1: the show is trying to be less white, which is
- 4:09Speaker 1: one of the biggest criticisms of it, um, something the
- 4:13Speaker 1: cast and creators have been very open about. The writer's
- 4:15Speaker 1: room is reportedly fifty people of color and mostly women,
- 4:20Speaker 1: according to l Shrill and Ducabertie writer and Wow, No
- 4:24Speaker 1: Thank You author Samantha Irby, who will also serve as
- 4:27Speaker 1: co producer, Parks and Recreation alum Rashna fruit Baum, who
- 4:31Speaker 1: will also executive produce Twenties Black Lightning and Being Mary
- 4:34Speaker 1: Jane alum, Kelly Goff, who will serve as supervising producer,
- 4:38Speaker 1: and Julie Rottenberg and eliza's A Ritzky, who both worked
- 4:41Speaker 1: on the original series and will serve as executive producers.
- 4:46Speaker 1: New cast member Nicole Ari Parker told Variety, we can
- 4:49Speaker 1: talk about the elephant in the room that there were
- 4:50Speaker 1: no fully fleshed out characters of color, but now here's
- 4:53Speaker 1: the four of us. We're real people and they've been
- 4:56Speaker 1: great to work with, and some of our storylines deal
- 4:58Speaker 1: with race and deal with really experiences. It's New York City,
- 5:02Speaker 1: and Kathy On, the actress who plays one of Charlotte's daughters, said,
- 5:06Speaker 1: I really think it is going to showcase the way
- 5:08Speaker 1: that our beloved trio can actually interact with women of
- 5:10Speaker 1: color today, and even at a table read, there's always
- 5:13Speaker 1: discussion about how to make sure these characters are probably
- 5:16Speaker 1: representing a real person. I think those conversations are constantly
- 5:19Speaker 1: happening with the writers, with the producers, and they're so
- 5:23Speaker 1: open to it, and I see it in the storylines.
- 5:25Speaker 1: I also don't think it's going to reduce anyone to
- 5:27Speaker 1: just the color of their skin. Um And Ramirez is
- 5:30Speaker 1: also non binary and queer, the first regularly occurring non
- 5:34Speaker 1: binary cast member, and plays a comedian on a podcast
- 5:38Speaker 1: that regularly features Gary, which, yes, what's interesting. It's so
- 5:43Speaker 1: rare that I feel like I get to do the thing,
- 5:45Speaker 1: like that's not how it works or whatever. The door
- 5:52Speaker 1: is allegedly open for Samantha's character to return. We will
- 5:55Speaker 1: talk about that a little bit. So I feel interesting
- 6:00Speaker 1: eating this because I I have now seen these two episodes,
- 6:03Speaker 1: and I guess we should time stamp this because today
- 6:05Speaker 1: is December ten. Um So we've only seen the first two.
- 6:10Speaker 1: I have only seen of the series the first three
- 6:14Speaker 1: episodes so far, and then like bits and pieces, but
- 6:16Speaker 1: pretty much only the first three episodes, and now these
- 6:19Speaker 1: two episodes of and just like that. So it was
- 6:22Speaker 1: interesting for me to kind of put the pieces together
- 6:25Speaker 1: of what happens in between all of these episodes that
- 6:30Speaker 1: I am going to watch. But okay, where these characters
- 6:35Speaker 1: were At the end of the second movie we have
- 6:37Speaker 1: Miranda had joined a law firm, Charlotte was hosting a
- 6:40Speaker 1: child's birthday party, Samantha was having a very nice orgasm,
- 6:44Speaker 1: and Carrie and Mr Big were cuddled up on a
- 6:46Speaker 1: couch while watching a movie together happily. Ever after, we
- 6:52Speaker 1: would think, so, we've got Carrie as a writer, Miranda
- 6:56Speaker 1: as a lawyer, and Charlotte as a homemaker now in
- 6:59Speaker 1: their fifties. All of their husbands have returned. Um, so
- 7:04Speaker 1: you got Carrie and Big, Charlotte and Harry and their
- 7:07Speaker 1: two daughters, and Randon Steve and their son Brady, who
- 7:09Speaker 1: you immediately it was like, it looks like the guy
- 7:13Speaker 1: I'm rather tuy. Yeah, Willie Garson. Stanford Blatch returns obviously
- 7:21Speaker 1: film prior to his untimely death and Stanford has married
- 7:25Speaker 1: his longtime nemesis Anthony. Did you have any predictions, like
- 7:29Speaker 1: going in Samanthony, what did you think was gonna go down?
- 7:34Speaker 1: I'm not gonna lie. I really didn't have any predictions.
- 7:36Speaker 1: I had no idea how they were going to handle it.
- 7:39Speaker 1: I think my biggest part was how they were to
- 7:41Speaker 1: handle the real life death of Willie Garson. So no, yeah,
- 7:47Speaker 1: I don't really have any predictions either, other than I
- 7:49Speaker 1: thought I thought as a novice, as someone who hasn't
- 7:56Speaker 1: seen all of them yet, I thought that Carrie and
- 8:00Speaker 1: Big We're gonna be having marital troubles. I thought it
- 8:03Speaker 1: was going to be kind of a cheating or I
- 8:09Speaker 1: don't know, some kind of struggle and their relationship. That's
- 8:13Speaker 1: what I thought was going to happen. So yes, we
- 8:16Speaker 1: watched the first two episodes, Hello, It's being a Little
- 8:18Speaker 1: Black Dress, and we recorded our reactions. Um, if there's
- 8:22Speaker 1: anything we had, we had some good We had some
- 8:26Speaker 1: moments on the mic where there are emotions, um, some
- 8:32Speaker 1: thoughts and uh, yeah, we wanted to to go over
- 8:39Speaker 1: some of those things, uh and perhaps share some of
- 8:43Speaker 1: that with you. Am I crying? Yeah? Do I want
- 8:57Speaker 1: to get past this? Yes, we just keep a crying going.
- 9:02Speaker 1: Oh my god, I don't I now understand why so
- 9:05Speaker 1: many people are mad. Is it a bad thing? No?
- 9:08Speaker 1: Do I hate it? Yet? I moved and I haven't
- 9:12Speaker 1: even seeing a lot of it. Yeah, you had tears
- 9:15Speaker 1: in your eyes. I know a lot of tears. Mind
- 9:18Speaker 1: is protruding out, but you're I get it. But i'd
- 9:23Speaker 1: legitimately like to take their have on this and do
- 9:26Speaker 1: I think it's super unexpected, but it's real. It's leg
- 9:31Speaker 1: like he almost died during one of the episodes and
- 9:34Speaker 1: like had this whole moment, so him having a heart
- 9:36Speaker 1: condition is not far off. So people being really upset
- 9:39Speaker 1: about this is like no, and I actually genuinely love
- 9:43Speaker 1: the same line. That's the best they could do. I
- 9:48Speaker 1: have a lot of feelings about this whole issue, but
- 9:50Speaker 1: that's a whole other thing. But all that to say, yes, yes,
- 9:54Speaker 1: it's exactly so for myself who has gone through grandparents
- 9:58Speaker 1: deaths and friend, it's like I had I told you,
- 10:01Speaker 1: I think I had a whole year when I had
- 10:04Speaker 1: nine funerals, including unborn like like, where had they had
- 10:09Speaker 1: children that came prematurely and they had like I had
- 10:13Speaker 1: all of these things eight months in the pregnancy where
- 10:16Speaker 1: you know, all those things, but all of that to say, like, yes,
- 10:19Speaker 1: these moments and like I'm very attached to my animals
- 10:24Speaker 1: and when my dog died, who really just kept me
- 10:30Speaker 1: going during my really bad defects years, Like I couldn't
- 10:33Speaker 1: sleep so many nightmares, so many cases that when my
- 10:38Speaker 1: dog died because he sleeps in the slept in the
- 10:41Speaker 1: bed with me, I could not sleep on my in
- 10:44Speaker 1: my bed for a year, so I would sleep on
- 10:47Speaker 1: the couch. And even after the fact, every now and
- 10:49Speaker 1: again when I get super stressed out, I slept on
- 10:51Speaker 1: the couch because that was too much. And that's with
- 10:54Speaker 1: just a dog, so a partner that you've been with
- 10:58Speaker 1: for twenty years and more thirty years. Mm hmmm, yeah, yeah,
- 11:06Speaker 1: I feel like it's really tackling grief like accurately. Yeah,
- 11:10Speaker 1: this is the good thing to me, Like they have
- 11:12Speaker 1: three perspectives in Miranda, you have the Charlotte and you
- 11:15Speaker 1: have Carrie and then stand for it. But like all
- 11:18Speaker 1: of those, I think that's a really good job in
- 11:21Speaker 1: portraying some specific things. And I hate this take, I
- 11:27Speaker 1: really do, but I think it's a good take. You
- 11:31Speaker 1: know me, if it's too too much, too real, that
- 11:35Speaker 1: I'm probably not gonna love it. But it's real, and
- 11:40Speaker 1: this I really think has established it as a different
- 11:45Speaker 1: show and coming into what does it look like after?
- 11:51Speaker 1: And here we are, and I get why people are upset,
- 11:54Speaker 1: but I think a part of this is and oh
- 11:55Speaker 1: my god, I'm sure we're gonna have many listeners yell
- 11:58Speaker 1: at me about this. People who are watching this as
- 12:01Speaker 1: a new thing, watching the reruns. So the tween or
- 12:04Speaker 1: three year olds are unhappy that they can't revisit that
- 12:09Speaker 1: in this time. And I get that, but like for
- 12:13Speaker 1: the actors who have aged, that's not where they're at.
- 12:17Speaker 1: So we're following them as they aged, and so it
- 12:21Speaker 1: becomes a different show. And I think it's on point
- 12:25Speaker 1: as a person who is actually in my forties coming
- 12:28Speaker 1: to find out, like the relationships are hard in itself
- 12:31Speaker 1: and when you have abnormal or things that are not
- 12:35Speaker 1: heteronormative to the ideas of the nineteen seventies, eighties, nineties,
- 12:41Speaker 1: this is the perfect family having an all perception, which
- 12:44Speaker 1: includes being married, having children. And to come to this point,
- 12:50Speaker 1: I think it's it works. I think this show is
- 12:53Speaker 1: aging as it's supposed to. People are angry. I get
- 12:56Speaker 1: it because they really wanted a reboot, and they should
- 13:00Speaker 1: know with the fact that it is now a new show,
- 13:04Speaker 1: it's not a reboot, it's a continuation. Therefore, right, this
- 13:09Speaker 1: is where we're at and it fits to me. Yeah, yeah,
- 13:13Speaker 1: I agree. I think it's evolved and it had to evolve.
- 13:15Speaker 1: I had to. I do like this new take, I do.
- 13:19Speaker 1: Is it hard? Am I crying? Am I angry? Yes?
- 13:23Speaker 1: Am I gonna be thinking on this and having to
- 13:25Speaker 1: watch like Ratitui, which now I'm gonna think about Brady
- 13:29Speaker 1: being the chef in Ratitui? Sure, whatever, But I do
- 13:35Speaker 1: feel like this beginning, this newness and all again, I
- 13:39Speaker 1: think you and I will talk about it a little
- 13:41Speaker 1: more in our own um Sex in the City episodes
- 13:45Speaker 1: where we do I rewatch or your new watch that
- 13:48Speaker 1: I think they did. I know people are angry about
- 13:51Speaker 1: the same thing, but I'd like this take and it's real.
- 13:55Speaker 1: I don't know for y'all who are not in your
- 13:58Speaker 1: forties later thirties that this is what happens in friendships.
- 14:02Speaker 1: And unfortunately, yes, I do wish we could have a
- 14:05Speaker 1: perspective of seeing Sam lived her own life as you
- 14:07Speaker 1: are she's at, but we lose friendships because of miscommunication
- 14:12Speaker 1: in general, and then finding that one person or both
- 14:17Speaker 1: people were like, you know what, this is not worth it.
- 14:19Speaker 1: In the story, I will say I have lost the
- 14:23Speaker 1: friendship that I thought I would have forever who was
- 14:25Speaker 1: my best friend from third grade, because there was a
- 14:28Speaker 1: miscommunication and because I would have liked to see this,
- 14:35Speaker 1: but I think they gave respect enough to the characters Samantha,
- 14:38Speaker 1: but like we lost connection. She ended up moving back
- 14:42Speaker 1: home with someone that I was like, Okay, cool, cool,
- 14:44Speaker 1: that's you. I'm not going to fight this, but I'm
- 14:46Speaker 1: definitely not coming around. She had a child. Things kind
- 14:50Speaker 1: of got awry. I live in Atlanta, she lives like
- 14:54Speaker 1: two hours away. And then on top of that, Trump
- 14:57Speaker 1: election happened and some things were said on her end.
- 14:59Speaker 1: I was like, yeah, no, no, I'm a person of color,
- 15:03Speaker 1: you're our white person who is living in our small
- 15:06Speaker 1: hometown and you really felt the need to say this,
- 15:11Speaker 1: And that in itself tells me I can't. I can't
- 15:15Speaker 1: try to force her friendship in that. And I'm so
- 15:19Speaker 1: sad because it was twenty years, twenty five years worth
- 15:22Speaker 1: of our relationship that died essentially, and I'm like, to
- 15:27Speaker 1: me though, if she were to come to me, and
- 15:29Speaker 1: if she wanted to, I would be open and I
- 15:32Speaker 1: will defend her to the end of the days. But
- 15:34Speaker 1: at this point, I'm like, I'm too old to feel
- 15:39Speaker 1: like and we've changed too much to try to do
- 15:42Speaker 1: this in a way that's unhealthy. And we've talked about
- 15:44Speaker 1: that how to break up with a friend, and this
- 15:46Speaker 1: is one of those moments of like, this is where
- 15:48Speaker 1: you were. You were inconsiderate in this, and now you're
- 15:51Speaker 1: having to reevaluate. And I think she's growing because there
- 15:53Speaker 1: are things that are happening, and I think people can grow.
- 15:57Speaker 1: But at the same time, it's like, it's not my
- 16:00Speaker 1: job to make this happen if it's a one sided thing.
- 16:04Speaker 1: And it wasn't one sided. Our friendship was good. These
- 16:06Speaker 1: things fell through, Things happen, This communicates happens. And then
- 16:10Speaker 1: like thing came out. I was like, oh no, I
- 16:13Speaker 1: feel like you said who you were during the selection time,
- 16:16Speaker 1: and I know the Donald Trump era killed a lot
- 16:21Speaker 1: of friendships, family relationships, and I think that's that case.
- 16:26Speaker 1: And I was like, you know what, yeah, and that's
- 16:29Speaker 1: I still feel that way today. Like, to be fair,
- 16:32Speaker 1: if she were to come to me and be like, yeah,
- 16:34Speaker 1: let's be let's reconcile, we would have a conversation. And
- 16:37Speaker 1: there's a couple of those that I'm like, okay, great,
- 16:40Speaker 1: But I've also come to the point that and there
- 16:42Speaker 1: are fifties, but for me in the forties, I'm like, no,
- 16:45Speaker 1: I don't have the bandwidth to do this. And I
- 16:49Speaker 1: think it's realistic. So I think that idea of like
- 16:51Speaker 1: one of the four splitting off, it's not that unheard of.
- 16:56Speaker 1: And I think even though yes, I think people are
- 16:58Speaker 1: going to be upset about the fact that the explanation
- 17:01Speaker 1: was that she fired her as a friend. Yeah, you
- 17:04Speaker 1: do see this take as the fact that that's how
- 17:07Speaker 1: you talk in your perspective, you know, like if I'm
- 17:10Speaker 1: talking about as I'm talking about my like end of
- 17:13Speaker 1: my friendship is my perspective, and people will be like,
- 17:16Speaker 1: I agree with you, hopefully you're on my side as
- 17:19Speaker 1: my friend. And then moving on to that really genuine
- 17:23Speaker 1: kind gesture of the flowers, I feel like that was
- 17:27Speaker 1: a nice little touch. Yeah. I think so too. So
- 17:33Speaker 1: I have a lot of feels and I'm snotty. Okay.
- 17:50Speaker 1: So I actually had a notebook and I was taking
- 17:53Speaker 1: notes um while we were watching, and I wanted to
- 17:56Speaker 1: read them, just my notes, and I think that it
- 18:00Speaker 1: will be very funny. That's that's my opinion. So for
- 18:03Speaker 1: the first episode, the first thing I wrote was now
- 18:06Speaker 1: that is seeing the condom half full, sexy sirens in
- 18:10Speaker 1: their sixties, brunch with stars all around it, gray, ages
- 18:16Speaker 1: you in parentheses, ages um um, spicy redhead. Ruth Bader
- 18:22Speaker 1: Ginsberg mentioned that fries because there was a scene with
- 18:32Speaker 1: fries um my hair, question fabulous exclamation mark more to
- 18:39Speaker 1: her as an a t m ouch um, someone's quick
- 18:43Speaker 1: with the pronouns masturbation, anal compulsory heterosexuality, masturbation, men's bathroom,
- 18:53Speaker 1: her swine, sex, shamed shoes, rose style, lily prodigy, cinnamon roll,
- 19:01Speaker 1: five exclamation points, tokenism, question mark, making someone talk about sex,
- 19:08Speaker 1: question mark, losing friends, awkwardness. I was lied to, there
- 19:16Speaker 1: you go. So that's for the first one. For the
- 19:19Speaker 1: second one, I wrote little back dress different meaning why
- 19:27Speaker 1: question mark killing off a man to move forward the plot,
- 19:33Speaker 1: sex with teens, loud landline, question mark, Miranda Carey friendship,
- 19:42Speaker 1: very supportive, funeral home, Mrs Preston, not knowing what to
- 19:49Speaker 1: do for grieving friends, White savior complex, the peloton, no flowers, Samantha,
- 19:57Speaker 1: funeral fashion, how to address big issues making it about
- 20:02Speaker 1: you count Dracula, alcoholism. So that's a wide A lot
- 20:11Speaker 1: of ground was covered in these two episodes. So Samantha,
- 20:17Speaker 1: what is your general how do you feel now that
- 20:21Speaker 1: we've watched them? What's your take? I mean, obviously there's
- 20:23Speaker 1: just a lot to take in. Um. I think I
- 20:27Speaker 1: summarized it pretty well at the end of our conversation
- 20:30Speaker 1: and watching it. Um, I think it's a good turn.
- 20:33Speaker 1: I think it fits with what they're going through, what
- 20:36Speaker 1: they've gone through, and as many controversial stuff has happened
- 20:41Speaker 1: and people are talking about it, I get it and
- 20:43Speaker 1: people this is a big change from what we see.
- 20:45Speaker 1: But I mean, part of the reason Sect in the
- 20:47Speaker 1: City did work was because of the fantasy, but also yeah,
- 20:51Speaker 1: there was a lot of realism in it too. You
- 20:53Speaker 1: haven't been a part of the show to see like
- 20:55Speaker 1: the ins and outs of the cheating and the good
- 20:58Speaker 1: guy versus the bad guy, which there is, and who's
- 21:00Speaker 1: the villain here? Who isn't the villain here? There's that
- 21:02Speaker 1: big trope about who is wrong and right, So there's
- 21:06Speaker 1: a lot of that. So I think that's where it
- 21:07Speaker 1: leads to this is what it was. I just didn't
- 21:10Speaker 1: expect to be hit so heavily at the beginning. Yes,
- 21:13Speaker 1: so I guess we should address the one of the
- 21:17Speaker 1: elephants in the room, which is the death uh that
- 21:23Speaker 1: happens in the first episode Big Dies, And Samantha and
- 21:29Speaker 1: I when we were watching it, because the reason I
- 21:31Speaker 1: wrote I was lied to is I read in an
- 21:34Speaker 1: interview from Michael Patrick King no one would be dying,
- 21:40Speaker 1: and so I was like, okay, good to know. And
- 21:43Speaker 1: then right away someone but it's a band that I
- 21:49Speaker 1: both thought he was going to masturbate um because it
- 21:53Speaker 1: had it had been a question that Carry had brought
- 21:56Speaker 1: up and she'd asked like, will you master in front
- 22:00Speaker 1: of me as part of her like drive to be
- 22:04Speaker 1: more open on this podcast about sexuality, which also is
- 22:08Speaker 1: very interesting because she was a sex columnist, but her
- 22:13Speaker 1: for her personal self being more open, which I guess
- 22:17Speaker 1: is probably going to be an arc for her. But yeah,
- 22:19Speaker 1: Samantha and I were like, oh no, he's gonna masturbate
- 22:22Speaker 1: he died instead. Yeah, Oh yeah, so so I didn't
- 22:32Speaker 1: expect that it is like I thought, as I said,
- 22:37Speaker 1: it feels very different than what I've seen from the
- 22:43Speaker 1: very first season so far of the show. It did
- 22:47Speaker 1: feel like a really accurate to me depiction of grief.
- 22:51Speaker 1: And you kind of had all of the different examinations
- 22:55Speaker 1: of it because you had like Miranda, who I loved
- 23:00Speaker 1: that scene where she just showed up when Carrie called her.
- 23:04Speaker 1: She just showed up and hugged her and held her
- 23:08Speaker 1: at night and was just there like that supportive friend
- 23:11Speaker 1: that was just there. You had her being angry. You
- 23:14Speaker 1: had Charlotte feeling this guilt because she had convinced Carrie
- 23:18Speaker 1: to come to a concert with her that night, but
- 23:22Speaker 1: kind of making it about herself. And I did like
- 23:25Speaker 1: that you got where she was coming from, but you
- 23:27Speaker 1: also got where Carrie was coming from, like you understood
- 23:32Speaker 1: both of their viewpoints. And then you had like Stanford
- 23:37Speaker 1: kind of making jokes but also kind of being performative
- 23:41Speaker 1: at a funeral. Um, And yeah, that was interesting to
- 23:45Speaker 1: see kind of this performative grief and this fashion at
- 23:50Speaker 1: a funeral. I'm interested to see where it goes from here.
- 23:57Speaker 1: Um in terms of like how Carrie's going to handle
- 24:00Speaker 1: it and how everyone's going to deal with it. Probably
- 24:07Speaker 1: the other thing we were talking about is obviously Samantha
- 24:10Speaker 1: didn't return, which has been this kind of big question
- 24:14Speaker 1: hanging over it and how they addressed it, and you
- 24:18Speaker 1: and I Samantha were talking about how we've had similar
- 24:23Speaker 1: things happened, because in the show, essentially it's sort of
- 24:27Speaker 1: told is like basically they had a falling out and
- 24:30Speaker 1: it just fizzled. Their friendship just fizzled, and she moved
- 24:34Speaker 1: to London and they're just not friends anymore, which I
- 24:38Speaker 1: have had something similar happened to me, and we talked
- 24:43Speaker 1: about We've talked about that a lot, and are like
- 24:44Speaker 1: toxic friendship episode are just you know, it feels like
- 24:48Speaker 1: failing when you lose a friends, but sometimes it's just
- 24:52Speaker 1: sort of a natural progression, right, I think about a
- 24:57Speaker 1: big part of the controversy, of course, from the beginning,
- 24:59Speaker 1: was is why Samantha wasn't returning Kim Control and just
- 25:04Speaker 1: about how this is going to be a different show now,
- 25:06Speaker 1: and absolutely it is a different show, and I think
- 25:09Speaker 1: that was the point. I made that point a few times,
- 25:11Speaker 1: saying this is why they started it as a completely
- 25:15Speaker 1: different title, a mini series to recreate something that was
- 25:19Speaker 1: loved in a different way that follows them at this
- 25:23Speaker 1: age and time. And I don't know, Like I said before,
- 25:26Speaker 1: and then when we were viewing it, I think for
- 25:28Speaker 1: a lot of newer viewers, like yourself, even like it felt,
- 25:33Speaker 1: even though we are obviously having a flashback, you still
- 25:37Speaker 1: feel that cinement and know them as that kind of like, uh,
- 25:41Speaker 1: they just that forever on screen, there forever young on screen.
- 25:45Speaker 1: So when we revisit and have them aging and then
- 25:48Speaker 1: finding new places in their lives, that doesn't feel on
- 25:53Speaker 1: point with what you thought they were at because again,
- 25:56Speaker 1: you have frozen them in that time that it has
- 25:59Speaker 1: a shock a b It's a shock when things do
- 26:02Speaker 1: change and people are written out. And of course again
- 26:07Speaker 1: I think a lot of people were just automatically going
- 26:09Speaker 1: to be upset that Samantha Jones was not gonna be
- 26:12Speaker 1: in it. People are automatically upset because they associated with
- 26:16Speaker 1: Kim Control. That even mentioning Kim Control's a character of
- 26:19Speaker 1: Samantha which she did create she did a beautiful job
- 26:22Speaker 1: with seems like an affront to the fans And I
- 26:25Speaker 1: get that, but honestly, yeah, I think it's very realistic.
- 26:29Speaker 1: I think friendships like that was realistic, as in fact,
- 26:31Speaker 1: one of the reviews that I read when they were
- 26:34Speaker 1: defending the makes sense to me when everybody else like
- 26:36Speaker 1: you did Samantha dirty, which I saw that so many times.
- 26:40Speaker 1: It essentially was no, but it made sense because they
- 26:43Speaker 1: were already struggling with friendships. They had a big conflict
- 26:46Speaker 1: when Carrie decided to get married, and that was on purpose,
- 26:49Speaker 1: and then when I when she became the maid of honor.
- 26:52Speaker 1: You know, she was accepting it all these good things,
- 26:55Speaker 1: but in actuality I always thought, which again I love
- 26:58Speaker 1: Samantha Jones, but just like in this episode, in these
- 27:02Speaker 1: two episodes, Miranda always has showed up. Miranda was the
- 27:05Speaker 1: one that she always called like that was the first
- 27:08Speaker 1: person no matter what in the group, there's always a
- 27:10Speaker 1: kind of a breakdown, and the person that closest to
- 27:13Speaker 1: her that she saw the most, or was there for
- 27:15Speaker 1: the most, or was there for her immediately, was Miranda.
- 27:21Speaker 1: So I found that weird when she wasn't the maid
- 27:23Speaker 1: of honor. But again I know that was actually a
- 27:26Speaker 1: lot to do with contracts in the air time. But
- 27:30Speaker 1: so having that fall apart did not seem surprising, and
- 27:34Speaker 1: with the fact that she dust in the flowers, I
- 27:37Speaker 1: thought that was a lovely touch. I thought that was
- 27:39Speaker 1: a nice sentiment of hey, we're not fixed, but I'm
- 27:43Speaker 1: thinking about you. So I think that was actually really
- 27:46Speaker 1: great way to have Samantha in that because they couldn't
- 27:50Speaker 1: just ignore as if it would have been real dirty,
- 27:52Speaker 1: if something that had not done anything at all, Knowing
- 27:56Speaker 1: that this is the love of her life and he
- 27:58Speaker 1: has gone. Um, I think one of the things that
- 28:01Speaker 1: I was really scared about. And yeah, I definitely had
- 28:04Speaker 1: to explain to you a majority of what was happening
- 28:06Speaker 1: because there was a lot of throwbacks to original seasons.
- 28:09Speaker 1: Several old school characters came back to play, which was lovely. Um.
- 28:13Speaker 1: Stanford's own relationship with Anthony kind of came back into view, like, Okay,
- 28:18Speaker 1: what's happening here? Yeah, seeing Lily and Rose was a
- 28:22Speaker 1: tiny baby when the last time I, because I did
- 28:24Speaker 1: not watch all of the second movie, had seen her. Um,
- 28:27Speaker 1: and I love you know, her being whatever, whether it's
- 28:31Speaker 1: uh non binary or she wants to be you know,
- 28:34Speaker 1: just a tomboy or that's the thing for her or
- 28:37Speaker 1: what or just not wanting to be in that world
- 28:41Speaker 1: of posh style Rose. I like where they're going with that.
- 28:44Speaker 1: I think it's going to be interesting, and I think
- 28:46Speaker 1: that opens it up for a lot. So, like, there's
- 28:48Speaker 1: a lot of throwbacks in the first two that I
- 28:50Speaker 1: really appreciated. I had to explain to you about the
- 28:53Speaker 1: shoes because I was like, that is pivotal to what
- 28:56Speaker 1: happened in the first movie. And that's kind of the
- 29:00Speaker 1: thing when Big and She did not get married, which
- 29:03Speaker 1: you don't know about. I know, I'm having all you uppeting.
- 29:09Speaker 1: Miranda was there for her immediately. And then when Miranda
- 29:13Speaker 1: and Steve had troubles, Carrie was there for her immediately.
- 29:16Speaker 1: So you have all of those kind of throwbacks in
- 29:18Speaker 1: these conversations. And yeah, also in a throwback, Lily seems
- 29:23Speaker 1: to be across in some of these plot points the
- 29:28Speaker 1: most to her poor thing. Yeah, that seemed to be
- 29:31Speaker 1: a big takeaway in social media anyway. And I did
- 29:36Speaker 1: want to touch on this because Miranda in this season,
- 29:41Speaker 1: like it was incredibly awkward, incredibly awkward interactions and I know, Samantha,
- 29:48Speaker 1: those are very difficult for you to watch. And I
- 29:54Speaker 1: think it's interesting because it feels like, um, I think
- 30:01Speaker 1: you said, you know, it's like they're kind of picking
- 30:03Speaker 1: up like that nothing is totally fixed. They're not like
- 30:08Speaker 1: totally you know, suddenly woke feminist or something, but they
- 30:11Speaker 1: they're working on it or specifically Miranda and in this case,
- 30:16Speaker 1: you know, white feminism and being the white savior and
- 30:19Speaker 1: trying to not be that but then like stepping in
- 30:21Speaker 1: it every opportunity, um and trying to work through it.
- 30:27Speaker 1: But it is I yeah, I feel like there's definitely,
- 30:33Speaker 1: you know, some some moments where it's almost kind of
- 30:37Speaker 1: leaning into our conversation we had allow on Black Chrishnas
- 30:39Speaker 1: of like this is too Wow? Is this too on
- 30:42Speaker 1: the nose? Like is it too And but at the
- 30:45Speaker 1: same time, I'm like, yeah, this would be really awkward,
- 30:48Speaker 1: And you know, they're having these conversations and I think
- 30:50Speaker 1: like sometimes they were pretty clunky in the way they
- 30:53Speaker 1: handled it. But I do appreciate the that there like
- 30:59Speaker 1: trying to have those conversations, trying to examine the flaws
- 31:04Speaker 1: of these characters of the past and trying to kind
- 31:08Speaker 1: of clumb some me be better. But it is interesting
- 31:13Speaker 1: that it's likely Miranda, right. I think Miranda is the
- 31:17Speaker 1: one being thrown into that situation, though she's the only
- 31:19Speaker 1: one that's with the younger quote unquote crew. Although we
- 31:23Speaker 1: do once again see the newest character of LTW is
- 31:28Speaker 1: how Charlotte calls her at the beginning as if she
- 31:31Speaker 1: was like, uh, I don't know, prince or something. Apparently
- 31:35Speaker 1: she's very rich and very well known in society. Lisa
- 31:39Speaker 1: like the way they introduced her too was interesting. I
- 31:42Speaker 1: kind of like, okay, uh, we're trying to try and
- 31:44Speaker 1: change some things. I think the biggest question again, like, yes,
- 31:48Speaker 1: how much can you do in two episodes? And here
- 31:50Speaker 1: we are fumbling in in And what we don't realize
- 31:53Speaker 1: until later on is that Miranda is taking a chance
- 31:56Speaker 1: by quitting what she knew, which she was a partner
- 31:59Speaker 1: in law firm, she was making money and after feeling
- 32:03Speaker 1: a lot of things. And I think we can all
- 32:04Speaker 1: say during the time of the Women's March, people were
- 32:07Speaker 1: feeling things and trying to change things and wanting to
- 32:09Speaker 1: do things. And we can also say during the Women's March,
- 32:13Speaker 1: a lot of good intended people were exclusionary and not
- 32:16Speaker 1: understanding of their privilege. And I think that's what Miranda
- 32:19Speaker 1: was representing. Maybe I'm reading into it because it also
- 32:22Speaker 1: did fit into the character of Miranda, which I already
- 32:25Speaker 1: told you, like, she is bossy, she's the first one
- 32:27Speaker 1: that's going to speak up even though she didn't have to.
- 32:30Speaker 1: So her telling someone that's so and so seet after
- 32:32Speaker 1: she'd been corrected is on point with our character. So
- 32:36Speaker 1: I think that is appropriate even in those stages of grief.
- 32:39Speaker 1: It was on point with each of those characters. And
- 32:41Speaker 1: I've already talked about that, the fact that you know,
- 32:43Speaker 1: we have Charlotte who is so over the top emotional
- 32:47Speaker 1: that Carrie had to care for her instead of the
- 32:49Speaker 1: other way around, and Miranda's automatically angry and she's going
- 32:53Speaker 1: to lash out because that's what she does, and that's
- 32:55Speaker 1: kind of their characters, uh, the entire time. So it
- 32:59Speaker 1: made sense. So people are like, why are they doing
- 33:01Speaker 1: this thing? And I did. I definitely saw a TikTok
- 33:04Speaker 1: video recently talking about how Sam got really raped over
- 33:06Speaker 1: the coals and doing the worst bits or worst plot lines,
- 33:10Speaker 1: and I was like, have you seen Miranda's character, Because
- 33:13Speaker 1: for the first three years, people just talked about how
- 33:16Speaker 1: awful she was because literally it sounded like she was
- 33:20Speaker 1: the boss bitch in a negative term. When in actuality.
- 33:23Speaker 1: We were all like, no, that's real. She's right, let's
- 33:26Speaker 1: just be real honest. And you know, to this day,
- 33:29Speaker 1: I'm like she she had the most realistic point of
- 33:33Speaker 1: view and standards, and I think it's okay, but yeah,
- 33:36Speaker 1: to me, like they all hit their characters as seen um,
- 33:41Speaker 1: and I did think it was interesting going back to
- 33:43Speaker 1: like Samantha being absent is a character in itself, and
- 33:47Speaker 1: I think they know that, yes, yes, for sure. And
- 33:51Speaker 1: there's one thing I was really curious about is how
- 33:55Speaker 1: they were going to handle like COVID, because they said
- 33:58Speaker 1: they would and it is shin but it's kind of
- 34:01Speaker 1: like implied that it's handled or something. But also, yeah,
- 34:05Speaker 1: like well what you said. They brought up current events,
- 34:07Speaker 1: things that have happened recently within the past couple of years,
- 34:12Speaker 1: and how they have influenced these characters. And also I
- 34:20Speaker 1: think one of my favorite parts they did hit on.
- 34:23Speaker 1: I mean it's almost like there was like, dang, here's
- 34:26Speaker 1: your you love brunch for em when they did brunch,
- 34:29Speaker 1: They're doing bunch like but they had that supportive relationship.
- 34:32Speaker 1: But I also thought it was really interesting that they
- 34:34Speaker 1: did have kind of these I don't I don't want
- 34:38Speaker 1: to say conflicts, but just the nuances in their friendships,
- 34:42Speaker 1: because Carrie was like, I can't have Charlotte around because
- 34:46Speaker 1: she's too emotional and she's going to make it about
- 34:50Speaker 1: herself and having that conversation and kind of working through it.
- 34:55Speaker 1: But I do appreciate that we're seeing these difficult cults
- 35:00Speaker 1: and them kind of working on those difficulties. But those
- 35:02Speaker 1: do exist, especially if they've known each other that long. Yeah,
- 35:06Speaker 1: that was still my favorite part. I think my favorite
- 35:08Speaker 1: scene was in Miranda and carry were like right after
- 35:12Speaker 1: Big died and they were in the bed. It was
- 35:16Speaker 1: and I think that was again it also kind of
- 35:19Speaker 1: attest to the fact that they were friends from a
- 35:22Speaker 1: while ago and very supportive of each other even before
- 35:26Speaker 1: the actual show. And again, yeah, that three of them
- 35:29Speaker 1: are very much supportive of each other and these shows
- 35:33Speaker 1: and whatever their activities were. When Cynthia Nixon ran for
- 35:36Speaker 1: may or, they were all behind our one and twenty
- 35:38Speaker 1: thousand percent, and that they still are. I think it's interesting. Yeah,
- 35:42Speaker 1: they did try to keep that at the crux of
- 35:47Speaker 1: the show, and that's kind of the whole thing is
- 35:48Speaker 1: like everybody's piste off that Big is dead, and yeah,
- 35:51Speaker 1: that's significant because the entire show is based on her
- 35:55Speaker 1: finding love, which is a trope in itself, but and
- 35:58Speaker 1: she lost it. Now what do you do you? And
- 36:00Speaker 1: I wonder if it's just coming back around to that
- 36:02Speaker 1: centering of friendships and and sticking to the fact that, yeah,
- 36:06Speaker 1: it was it was the crew of them and holding
- 36:09Speaker 1: each other up. I mean, in the end of the
- 36:11Speaker 1: first movie, Big does say, I know that they are
- 36:14Speaker 1: the true loves of your life, meaning these ladies that's
- 36:17Speaker 1: been with her, and it is it's true for them,
- 36:21Speaker 1: and that's again one of the big things that it
- 36:23Speaker 1: made me love Sex in the City was that they
- 36:26Speaker 1: had fights, but they still loved each other um throughout
- 36:31Speaker 1: and it felt nice. It felt nice to see that
- 36:35Speaker 1: where they weren't necessarily backstabbing each other, they weren't cheating
- 36:38Speaker 1: with each other's mands. They were you know what I mean,
- 36:39Speaker 1: like not that that has to happen, And again, that
- 36:41Speaker 1: is very much stereotype, but that was perpetuated a lot.
- 36:44Speaker 1: And so to have a successful series that actually elevates
- 36:48Speaker 1: these friendships is a beautiful thing. And I think they
- 36:50Speaker 1: did a great job in bringing that back because they
- 36:54Speaker 1: do they are there for those key moments for each other.
- 36:56Speaker 1: Same way with Charlotte was going through not being able
- 36:58Speaker 1: to get pregnant and all of the heartbreaks of miscarriages,
- 37:01Speaker 1: like they were there for each other, which you have
- 37:03Speaker 1: not seen yet, but you will come upon accidental pregnancies,
- 37:06Speaker 1: like all of these things, whether or not to decide
- 37:08Speaker 1: to keep the fetus or not. Like all of these
- 37:10Speaker 1: conversations were huge and they were right there for each other.
- 37:14Speaker 1: And it makes sense that if this is their final hurrah,
- 37:17Speaker 1: that they would approach the death of their loved one
- 37:21Speaker 1: like this. And I think this kind of feels like, yeah,
- 37:24Speaker 1: we're closing it up. If this is what they're planning
- 37:26Speaker 1: to do. Maybe that's a prediction in itself, and this
- 37:29Speaker 1: must be a mini series. Maybe they're just testing the
- 37:31Speaker 1: water to see if they can make a third movie.
- 37:33Speaker 1: I don't know, but yeah, that it does come back
- 37:35Speaker 1: around in that love and support and again coming back
- 37:39Speaker 1: to we haven't seen Charlotte do too much yet, I
- 37:43Speaker 1: will say for her character, I truly believe it wasn't
- 37:47Speaker 1: even though like, yeah, oh, don't do this, don't make
- 37:49Speaker 1: her carry her your emotional labor, But the fact is
- 37:52Speaker 1: that she feels like it's her fault. She feels like
- 37:55Speaker 1: she did something wrong and that this is gonna in
- 37:57Speaker 1: their friendship, which maybe a part of the black line,
- 38:00Speaker 1: because it could have been miscommunication when Carrie was like,
- 38:03Speaker 1: I can't deal with all the emotions. But in Charlotte's head,
- 38:06Speaker 1: it's like, as you blame me, you're mad at me,
- 38:09Speaker 1: And it absolutely could have been a part of that,
- 38:12Speaker 1: you know, even even like partially, but then they were
- 38:15Speaker 1: able to break that down and and close it up
- 38:17Speaker 1: nicely and come together. I think that that is on
- 38:22Speaker 1: point with Charlotte's character, so the new writers have added
- 38:25Speaker 1: that on as who she is. Yes, this is exactly
- 38:28Speaker 1: I believe that reaction of Charlotte, because she's also the
- 38:31Speaker 1: one when Carrie announces her engagement to Big screamed in
- 38:34Speaker 1: the middle of the restaurant and announces to everyone to
- 38:37Speaker 1: the point that Carrie is some mortified, but like that's
- 38:40Speaker 1: her response. She's an emotional person and she agrees it
- 38:44Speaker 1: this way, and I think it makes perfect sense for
- 38:46Speaker 1: a character, and I get that. I don't think it
- 38:49Speaker 1: was a selfish intent, but it just happens to be.
- 38:51Speaker 1: You know, she's a pretty she's like, what do they
- 38:54Speaker 1: call her like a park princess essentially in the beginning
- 38:57Speaker 1: of the movies, because she she's a social hite princes
- 39:00Speaker 1: Us who is like a wasp, and and then converted
- 39:02Speaker 1: to Judaism to be with her husband. Like all of
- 39:04Speaker 1: these things, Annie, you and for a treat, giving a
- 39:07Speaker 1: lot of things. All these things are on point from
- 39:12Speaker 1: what I see the character and even Samantha's reaction, even
- 39:15Speaker 1: though of course we would have liked to see our
- 39:17Speaker 1: that's on point. I think the only one thing I
- 39:21Speaker 1: did not love Stanford's reaction because between the two of them,
- 39:25Speaker 1: Stanford is typically the one that does understand emotions more
- 39:29Speaker 1: than an Anthony is the blunt, over the top, just
- 39:33Speaker 1: blurted out guy. And they had this kind of switch,
- 39:35Speaker 1: and I was like, what that was different to me? Yeah, yeah,
- 39:40Speaker 1: that'll be interesting to see how that all plays out.
- 39:43Speaker 1: And I think one of the things we were talking
- 39:45Speaker 1: about is, you know, the original series felt very much
- 39:49Speaker 1: like a fantasy and kind of an aspirational fantasy element
- 39:54Speaker 1: of you know, we all kind of new there's no
- 39:57Speaker 1: way they could have afforded what the fashion they we're
- 40:00Speaker 1: wearing on what they were, the jobs they had, but
- 40:03Speaker 1: but we liked, you know, seeing it and suspending on disbelief,
- 40:07Speaker 1: whereas this one feels very much more like there's still
- 40:12Speaker 1: that Absolutely they're still fashion and stuff. I'm like, I'm
- 40:17Speaker 1: sure that costs more than my entire wardrobe. Shoes, It's
- 40:21Speaker 1: worth more than two months of our paycheck. Any the shoe.
- 40:24Speaker 1: I gassed aloud when I saw those shoes, And so
- 40:27Speaker 1: it feels kind of like jarring. I think of of
- 40:32Speaker 1: kind of a reality check, and especially we were talking
- 40:35Speaker 1: about how like, I don't think this was the intent,
- 40:37Speaker 1: but it's interesting that you know they're older and then
- 40:39Speaker 1: immediately someone dies from a heart attack kind of. And
- 40:44Speaker 1: I was thinking about that because I did rewatch right
- 40:46Speaker 1: after we watched them to kind of get my thoughts
- 40:48Speaker 1: together for this, and I was thinking of the you
- 40:51Speaker 1: know when Carrie ends the episodes, but she doesn't have
- 40:54Speaker 1: a lot of um voiceover in these when she ends them,
- 41:00Speaker 1: and you know, it's and just like that both times,
- 41:03Speaker 1: it's very sobering, it's very sad, it's abrupt, yes, yes, yes,
- 41:08Speaker 1: and very jarring. Yeah. So I think that's interesting, And
- 41:12Speaker 1: I was thinking about that with the Little Black Dress.
- 41:14Speaker 1: The title of the second episode where it's clearly a
- 41:18Speaker 1: nod to to fashion, but also to you know, this
- 41:21Speaker 1: grief and trying to deal with that in your and
- 41:29Speaker 1: and move on. And I just touching on all this
- 41:31Speaker 1: different stuff, And I thought that was interesting because I
- 41:33Speaker 1: feel like it's kind of a nod too. A lot
- 41:36Speaker 1: of the things that were huge and key and made
- 41:38Speaker 1: the show what people loved about it, And part of
- 41:41Speaker 1: that was fashion, um, but also like you know, funeral, uh,
- 41:47Speaker 1: and trying to find that fashion for funeral. And there's
- 41:51Speaker 1: just so many things in there that were very very sad,
- 41:53Speaker 1: like when she's like in the closet, she hugs his
- 41:56Speaker 1: jackets and like smells them. Oh my gosh. Oh. There's
- 42:00Speaker 1: definitely a lot that seems very real. Because also we
- 42:04Speaker 1: were talking about the fact that, yeah, they did, she
- 42:06Speaker 1: did want that posh look for his funeral. Did not
- 42:11Speaker 1: want to go to what looked like again Uptown was
- 42:15Speaker 1: palacy type of funeral home. She wanted that black and
- 42:20Speaker 1: white where I was like that was like an art
- 42:21Speaker 1: space that was like and the fact that everybody was
- 42:25Speaker 1: in high fashion, including you know, I think we talked
- 42:28Speaker 1: about Missy von Muslin. I think it's her name. I
- 42:31Speaker 1: keeps anything wrong who comes in that has a full
- 42:34Speaker 1: on cape and you're like what, but she is an
- 42:36Speaker 1: heiress or she is very rich, so like this makes sense, okay.
- 42:40Speaker 1: But in then one of the other episodes, and I
- 42:42Speaker 1: told you a little bit about it, there's two which
- 42:45Speaker 1: deal with deaths and it's very like not comical but
- 42:48Speaker 1: kind of used as comic plotline. And one of them
- 42:52Speaker 1: is a designer who died and the entire audience is
- 42:57Speaker 1: made up of people wearing his collection, which has now
- 43:00Speaker 1: rippled in value like that, and then the other one
- 43:03Speaker 1: is a really sad funeral and everybody's bringing in dates.
- 43:06Speaker 1: But like there it was like all of Vogue editors
- 43:08Speaker 1: and these people like that. It's just like the upper
- 43:11Speaker 1: class of upper class of people. And she like comes
- 43:14Speaker 1: in and she sees a big old secretary who actually says,
- 43:18Speaker 1: you know, you look amazing. I love this outfit, and
- 43:19Speaker 1: she's more like I want to make him proud. She's like,
- 43:21Speaker 1: you did that, you did that in that essense of like, yeah,
- 43:24Speaker 1: he was absolutely all about style too, not that he cared,
- 43:27Speaker 1: but like he saw his suits like they are very
- 43:30Speaker 1: on point, all of the brand um. And also I
- 43:33Speaker 1: think again I had to be reminded because it's been
- 43:35Speaker 1: a menace as I've seen all of it. As we
- 43:37Speaker 1: were rewatching it. He did have a hard condition, so
- 43:40Speaker 1: it wasn't so off point, like it is not so
- 43:44Speaker 1: like out of left field that I'm like, oh, that
- 43:46Speaker 1: that actually makes sense. I hate it, but this made sense.
- 43:51Speaker 1: I didn't want it to make sense, but it does.
- 43:54Speaker 1: And it's a part of that understanding that it happened.
- 43:58Speaker 1: Now what do we do? Did it? I expected They've
- 44:01Speaker 1: gone through so much hell and finally get to a
- 44:03Speaker 1: point of being truly happy. And like his brother says
- 44:06Speaker 1: that at the funeral, you know he was happy, and
- 44:09Speaker 1: it's just like, uh yeah. And that was one line
- 44:14Speaker 1: that um when carry says what do I do now? Know?
- 44:17Speaker 1: What do I do now? Um truly resonated because I
- 44:23Speaker 1: think that's it's kind of asking the question of like
- 44:25Speaker 1: the show and like grappling with this and what is
- 44:29Speaker 1: sex in the city now during our modern times? And
- 44:33Speaker 1: we get to see Carrie sort of you know, trying
- 44:36Speaker 1: to be like on a podcast or like you know,
- 44:38Speaker 1: adapt her sex column to more modern formats and then
- 44:44Speaker 1: asking these questions. Also, I thought it was interesting and
- 44:48Speaker 1: I know a lot of people have had conversation about
- 44:50Speaker 1: this about it's kind of the reverse of what we
- 44:54Speaker 1: normally see where a woman dies and kicks off the
- 44:56Speaker 1: whole story. This is a man dying and kicking off
- 44:59Speaker 1: the plan one. Um. I know some people have kind
- 45:02Speaker 1: of critiqued that and said, like, basically they we're getting
- 45:07Speaker 1: out of showing problems in their marriage or something. But um,
- 45:11Speaker 1: I think that's an interesting twist on it. Also, we
- 45:15Speaker 1: have to touch on the age is um, because I
- 45:18Speaker 1: would say that's probably one of the big things when
- 45:21Speaker 1: when like the show was announced and when some of
- 45:24Speaker 1: the first set pictures came out and the trailers came out,
- 45:27Speaker 1: the internet at large was of course discussing their age,
- 45:31Speaker 1: the work they had gotten done or hadn't gotten done. Um,
- 45:34Speaker 1: you know, did they age well? And they did. In
- 45:37Speaker 1: the very first episode they kind of addressed that, and
- 45:39Speaker 1: it was one of those kind of icky scenes where
- 45:41Speaker 1: Charlotte was like, I missed the red hair and Branda
- 45:44Speaker 1: likede your hair and red and You're like, no, your
- 45:46Speaker 1: hair looks so good, Brandon, Right, Yeah, I think that's
- 45:51Speaker 1: the entire thing, the fact that there's a lot of
- 45:53Speaker 1: questions in my head. There was a lot of because
- 45:55Speaker 1: like a Carrie goes in for an interview for the podcast,
- 45:58Speaker 1: which I find interesting. This wi them vote for Vogue.
- 46:01Speaker 1: She had like two or three top bestseller lifestyle books
- 46:05Speaker 1: that went international, and I'm like, couldn't she just have
- 46:09Speaker 1: her own podcast? But maybe it's hard trying to come
- 46:13Speaker 1: into the new age, or because she just not just
- 46:16Speaker 1: all she did was books in the story, which she
- 46:19Speaker 1: looks like she was preparing for with her infamous laptops
- 46:22Speaker 1: that she likes, the type of one which we got
- 46:24Speaker 1: to see that. I found that interesting. A B. People
- 46:27Speaker 1: taking latent life changes. I adore that. I think they
- 46:31Speaker 1: they're wonderful with that. Again, I love Miranda's hair altogether.
- 46:34Speaker 1: But it is interesting to have Carrie talk about Instagram
- 46:37Speaker 1: and posting on Instagram about different people's fashions and which
- 46:40Speaker 1: I've actually seen in Instagram about New York fashion. There's
- 46:44Speaker 1: one like that shows off New York fashions and then
- 46:47Speaker 1: there's one that shows up Korean fashion in Japanese fashion,
- 46:50Speaker 1: which are very interesting. I sound old just saying that,
- 46:53Speaker 1: but yeah, like it. It's kind of interesting to see
- 46:56Speaker 1: that take on them trying to keep up in their
- 46:58Speaker 1: success or the latent life chains and what does that
- 47:00Speaker 1: look like as you're navigating as an older woman, what
- 47:05Speaker 1: does it do? But you afforded this because you have
- 47:07Speaker 1: the money under the time, So wonderful, but can you
- 47:11Speaker 1: actually fit in? Yes, yes, yes, chess um, And there's
- 47:15Speaker 1: so much like we don't have time to go into.
- 47:17Speaker 1: But they are continuing these conversations that we're having as
- 47:22Speaker 1: we do this watch through series, but around like yeah, masturbation, um,
- 47:27Speaker 1: like they're they're still asking those questions that are kind
- 47:29Speaker 1: of familiar to the conversations they had in the original series.
- 47:34Speaker 1: So I'm sure we'll have a lot more thoughts. I
- 47:37Speaker 1: did want to include this quote from Kristin Davis, who
- 47:40Speaker 1: plays Charlotte, who was asked about this kind of agism reaction.
- 47:45Speaker 1: She said, I'm a woman in my fifties, so I'm
- 47:47Speaker 1: well aware that your life does not end, whether you
- 47:49Speaker 1: have find a guy or a girl or not, whether
- 47:51Speaker 1: you have kids or not. Right, we can testify to
- 47:53Speaker 1: the fact that it's not over and it's not boring.
- 47:55Speaker 1: So I was never in doubt that we could tell
- 47:57Speaker 1: interesting stories. Um. Yeah, and I'm interested to see how
- 48:01Speaker 1: it goes. I enjoyed it, so one of our one
- 48:05Speaker 1: of the things I'm curious about Miranda and Jay. I
- 48:09Speaker 1: feel like there was some flirting. It does feel like
- 48:13Speaker 1: that something was going on, yes, so I'm interested to
- 48:17Speaker 1: see how that goes. I'm also Samantha and I discussed
- 48:20Speaker 1: were like, IM not sure if Miranda is an alcoholic
- 48:23Speaker 1: or if she's just really stressed. Not that you should
- 48:26Speaker 1: drink going stressed, but I don't know. Interested to see
- 48:29Speaker 1: about that. I think you're right, there's gonna be some
- 48:32Speaker 1: Charlotte carry drama. Um, you got any thoughts or predictions
- 48:37Speaker 1: for the future episodes. I think we're just gonna see
- 48:39Speaker 1: her really really evolve herself, and maybe they're gonna see
- 48:43Speaker 1: her for the first time just being her because again,
- 48:49Speaker 1: a majority of the episodes and the show's previously were
- 48:52Speaker 1: not I didn't revolve around men, but men were very
- 48:55Speaker 1: heavily part of it, So maybe this isn't. This is
- 48:58Speaker 1: kind of an awakening of her finding her off again
- 49:00Speaker 1: in what it looks like to be without being a
- 49:03Speaker 1: widow in this point, and I actually really do again
- 49:06Speaker 1: want to appreciate that this is a a plot line
- 49:10Speaker 1: and it's not, Uh, we've seen them before, but this
- 49:13Speaker 1: is like the headline like the stars and one Who's here,
- 49:17Speaker 1: and not that that doesn't happen a lot. We do
- 49:18Speaker 1: see this happen a lot, but typically it involves horror
- 49:22Speaker 1: movie stuff. So what I'm thinking on instead of everyday
- 49:26Speaker 1: life stuff and seeing this and we've seen it, yes,
- 49:28Speaker 1: people revolve around it, and then we've only seen the
- 49:31Speaker 1: aftermath or I don't know, maybe they else shall end
- 49:34Speaker 1: up having another relationship. I don't know. I kind of
- 49:37Speaker 1: hope that it's not. I would like to see what
- 49:39Speaker 1: it looks like for this conversation, which has always been
- 49:43Speaker 1: finding the man of your dreams, to turn into being
- 49:48Speaker 1: being single and it's okay, or being without a relationship,
- 49:51Speaker 1: and it's okay because times have changed since the original
- 49:55Speaker 1: to where we are and now women are afforded that
- 49:57Speaker 1: and are happy with that. Like the second an option
- 50:00Speaker 1: is to be married. First option is just be good
- 50:03Speaker 1: and independent? So what does that look like? Not that
- 50:05Speaker 1: she wasn't independent, but I would like to. I hope
- 50:07Speaker 1: to see that a little bit, just to see her
- 50:09Speaker 1: growth because I couldn't imagine her jumping into a relationship
- 50:12Speaker 1: anytime soon. This is definitely not like a breakup. Um,
- 50:15Speaker 1: So I see that and her core, like pushing herself
- 50:19Speaker 1: and evolving and what that looks like. And I'm excited
- 50:22Speaker 1: to see that. Yep, I see contention between Charlotte and
- 50:26Speaker 1: her daughter and what that looks like. I'm interested to
- 50:30Speaker 1: see where the Steve and Miranda plotline is because he
- 50:33Speaker 1: is very heavily into I don't know what I would
- 50:36Speaker 1: do if I lost you. So I feel like the
- 50:38Speaker 1: first two episodes built up a lot of stuff that
- 50:41Speaker 1: when we came back to her like, oh, okay, you
- 50:43Speaker 1: were trying to be foreshadow that's rude. Um. I think
- 50:48Speaker 1: that maybe that's something foreshadowing. I don't know, Yeah, I agree.
- 50:52Speaker 1: I agree. Well, Samantha will have to hang out and
- 50:56Speaker 1: watch them watch some more when they come out and
- 50:59Speaker 1: let senners. You can stream new episodes of and Just
- 51:02Speaker 1: like That on HBO Max and listen to the Companion
- 51:05Speaker 1: podcast on HBO Max and wherever you get your podcasts,
- 51:08Speaker 1: And of course you can contact us with your thoughts.
- 51:14Speaker 1: You can email us at Stuff Media Mom Stuff at
- 51:16Speaker 1: i heeart media dot com. You can find us on
- 51:17Speaker 1: Instagram at stuff I've Never Told You are on Twitter
- 51:19Speaker 1: at most podcast Thanks, It's always to our super producer
- 51:22Speaker 1: Christina thank you, Christina, and thanks to you for listening
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