Latest / Uncomfortable Conversations with Josh Szeps / Premium: When Josh Met Russell Brand
Transcript
- 0:00G'day, this is an abridged version of the episode that you can hear in full by signing up
- 0:04at uncomfortableconversations.substac.com slash subscribe. Enjoy the freebie.
- 0:12G'day, humans. Welcome to SafeSpace with dangerous ideas.
- 0:15Russell brand. One of the funniest, most unpredictable,
- 0:19most unexpected, fast-thinking guests I've ever spoken with.
- 0:24This is, you could really divide Josh Zeppes' short, exciting life into before the interview
- 0:32that you're about to hear and after the interview. The year was 2013. The television show that I
- 0:41was doing in New York City was going gangbusters. The bookers were booking the biggest stars on the
- 0:47planet and Russell brand was on a promotional tour. What I didn't know at the time,
- 0:54this was for his world tour of a new one-man show called The Messiah Complex. What I didn't know
- 1:00was that he'd just come off, I think it was the same day, the set of the popular morning show
- 1:07Morning Joe on MSNBC, where he had completely annihilated and intimidated and devastated
- 1:16Mika Brzynski, the host. Joe Scarborough, the co-host, was off that day. It was Mika,
- 1:22Caddy Kaye, and Brian Shaqman. Russell brand showed up with wearing his necklaces and
- 1:30baubles, his open neck shirt, his chest hair, protruding, his gigantic cowboy boots. Mika
- 1:36Brzynski had no idea who he was. He did a reasonably condescending introduction, saying as much.
- 1:42And he sat there, pensively, contemplatively, copying it, looking down, obviously, on these
- 1:52boobish American talk show hosts, as they talked about him right in front of him, sort of
- 2:00snidely demeaned him. They were talking about Bradley Manning, and Julian Assange, and Wiki
- 2:06regarded him as being this light pop culture interlude on the show. And when Russell brand
- 2:13wants to bring you down, Russell brand will bring you down with a smile and a quip.
- 2:21It's unfortunate that you can't hear in the clip I'm about to show you, that you can't see
- 2:25rather what Mika Brzynski's posture is like, as her face becomes ashen, and she physically moves
- 2:33away from him towards the other end of the desk. Flustered, seemingly, erotically charged,
- 2:40flushed, and speechless, ultimately. Before this clip begins, Brian Shackman, who's there as a
- 2:48kind of interloc- a joc- a jocular interlocutor with Caddy Kay across the desk from Mika,
- 2:53has been saying that he cannot understand Russell brand's accent when he listens to Russell
- 3:01on the radio. He can't understand a word he's saying, and they misname him at one point in this
- 3:08interview. They call him Willie brand instead of Russell brand. I don't know if that's a gag that I'm
- 3:13not getting, or what. Anyway, have a listen to a few minutes of how this interview went in order
- 3:22to understand the mindset of Russell brand when he walked onto my set. Here he is on Morning Joe.
- 3:28I think, this is my first brand experience. Yeah, I think it's not listening to him, it's
- 3:36experienced. It's just sort of taking it all in. You are talking about me, I'm not here,
- 3:41and this is if I'm an extraterrestrial. You know I'm from a country that's near to you.
- 3:46No dummy, we're just sort of admiring the whole thing. Well, thank you for your
- 3:50casual objectification experience. I'm glad that it's positive for you. It's very positive,
- 3:55absolutely. Any other questions? You've become nervous. You're a powerful woman,
- 4:02you've got lovely Joe. What seems to be the trouble? I don't know. You've got a hair-like princess
- 4:07Diana. Oh wow, okay. I've never seen this in my life. Here's a little subtext. I'm petrified of
- 4:14her. She just moved down there. I absolutely love this. Willie, what seems to be the trouble?
- 4:21No, I'm good. Now we're going to have a therapy. Would you do therapy with Willie Brandt?
- 4:25With who? Willie Brandt? Would you do therapy with him? That's where he's heading.
- 4:30Okay, I'm all right. You shouldn't say he when a person is present. You should refer to
- 4:35the person I don't know, and that's basically good manners. This is where Willie is heading.
- 4:39Who is Willie? I don't know. Okay, Russell Brandt. Is this what you all do for a living?
- 4:44Yes. Okay, but I'm here to ask you not. Okay, well let me help you. I'm here to
- 4:48promote a tour called Missile Complex. It's here for the people of America. I want the people
- 4:53of America to come and see me do stand up. Go to Russellbrandt.tv where you can purchase tickets
- 4:58to see me. These people, I'm sure, are typically very, very good at it. What is it? You're conveying
- 5:02news to the people of America. People of America, we're going to be okay. Everything's all right.
- 5:08These are your trusted anguacus. Is that a news link? Give us that. That's a good pen.
- 5:15You need a pen. Okay, coming up later. Thank you very much, Cap. We're going to be talking about
- 5:21the situation with Edward Snowden. This whistle blower. Is it good? What is done for America?
- 5:26Or are our secrets being jeopardized by his intentions? We're going to be talking about that.
- 5:31Also Bradley Manning. Is Bradley Manning an American hero? Or is he compromising the safety
- 5:35of American troops? We care about your views here on Morning Joe. We'll be talking about those
- 5:39later. Here with me, a Brian and Cap. Brian, nice time. What do you think about Edward Snowden?
- 5:44What do you think about the situation with Snowden? Do we, if you got anything to hide,
- 5:49should we be concerned about the revelations, Karen? I don't know what's wrong with you. I understand
- 5:54everything. You're looking at him. When you don't see him and you don't see them, let's
- 5:57put the score. Stop saying he, a thresan, rustle. That's wrong with your manners. You're good.
- 6:04Being polite. I'm calling it tomorrow with a big necklace and I'm opening it up. Look,
- 6:10beyond the superficial. That's the problem with current affairs. You forget about what's
- 6:14important. You allow the agenda to be decided by superficial information. What am I saying?
- 6:18What am I talking about? Don't think about what I'm wearing. These things are redundant.
- 6:22I'm just superficial. Okay. These are distracted. What do you think that gesture means the way
- 6:26you're touching that bowl? What does that indicate? What is that? What's the subtext of that?
- 6:30I don't think I've got a break. You need to lose that ring me, Cap. It doesn't mean nothing to you.
- 6:34She's a sharp. So that was Russell Brand's most recent television appearance when he showed up
- 6:47at my studio to do a full half hour interview with me. Now, I wish you could see what happens in
- 6:54this interview. Suffice it to say that at one point he unbuttons my shirt and tweaks my nipples.
- 7:00At another point he paused his mug of water all over my laptop computer. Much to the subsequent
- 7:06chagrin of the IT people who were working on the show who had to replace my broken laptop.
- 7:13But it was one of those interviews where I was reasonably new at this and I realized a few minutes
- 7:20in. Okay. Well, either I'm going to get on to this bucking bronto and I'm going to ride this ride
- 7:27or I'm going to get steamroll and flattened and it's going to be the most humiliating thing
- 7:32of my life. This was an interview that got a lot of traction in the United States and was one of
- 7:38probably only two or three interviews segments shows that I ever did that really sort of punctured
- 7:44the cultural zeitgeist and got me noticed among the likes of Joe Rogan and so on. I hope you
- 7:51enjoy this adventure with the one the only Russell. He's one of the biggest British comics in the
- 8:02world. One of the few who've successfully made the leap to stateside super stardom thanks to films
- 8:08like Forgetting Sarah Marshall and Get Into The Greek. He's now embarking on his first world
- 8:12stand-up tour. He's one of the most innovative and her suit I would say of English comics.
- 8:17Russell Brand is here. Russell the tour. Your first global tour I was a little surprised to learn
- 8:23because I feel like you've been at the top of the stand-up scene for so long. I feel like you
- 8:27must have done one before. I've done lots of tours but I've never gone out of my way to do an entire
- 8:32global tour. You're going to Iceland. You're going to Abu Dhabi. Abu Dhabi Iceland, Israel, Palestine,
- 8:39South Africa, all over Europe, this country that we're in now which is called America.
- 8:44The air is all the United States of America to be correct. You could call it a number of
- 8:48things USA. USA. I mean these kind of labels ultimately are transitory. I mean it probably
- 8:54have another name in the hundred years. Why doesn't the world come together all as one?
- 8:57All as one would be nice wouldn't it? I've read you but the Messiah complex why would a man
- 9:03as bashful and unassuming as you select a name so self-aggrandizing and grand use Russell?
- 9:08You like to use understated irony as part of your technique. Pre-written of course.
- 9:13Yes. Pre-written by me though. That's okay. Pre-composed irony. So the question is why is it called
- 9:21Messiah complex? Well really because it's a nice linguistic pun Messiah complex. It's a disorder
- 9:29where people think that they are the Messiah but what I'm talking about in this show is
- 9:33messianic figures or figures that have qualities and attributes that can advance humanity.
- 9:39I talk about Malcolm X, Che Guevara, Gandhi and Jesus Christ, all those four figures have been
- 9:44posthumously re-designated in their meanings. What do icons mean? What did people represent in
- 9:49their lifetimes? How do we use meaning? What is the function of icons and heroes? Who's
- 9:55some of the questions that I'm asking and then answering in a sort of essay, a comedic essay?
- 10:00All in an hour and a half. Well I mean obviously it's not a historical document like it like if
- 10:06you're sort of like a serious scholar, it will take a long time. I don't think he covered
- 10:12all of Black American history correctly. Who are your icons? Those people. Actually that's why
- 10:19yeah that's why I chose them obviously there's others as well. France of Assisi's good, Bill Hixie's
- 10:24good, then like George Best. So like you know lots of different people but like those are the ones
- 10:29I thought will be good for this show. And how, when you write a show like that, since you're
- 10:32doing it in all these disparate places, how do you do stick that's going to work in Palestine as
- 10:37well as it works in Iceland? Try to watch stick for a start, because stick implies derivative, lazy,
- 10:43preconceived, pre-written, subpar irony for example would fall into the stick category. No,
- 10:49what I'll be doing is spontaneous work but also considered, I mean there are some themes
- 10:56that's universal in there mate, certain ideas. I mean that's the function of a hero that's,
- 11:00you know like Joseph Campbell, the mythologist and anthropologist, well he identifies that certain
- 11:06stories, narratives occur throughout the mythologies of different countries of the world, that the hero
- 11:11has certain credentials and criteria that uniformly appear. And my argument is that these four
- 11:16characters have many of those attributes. So it's like by that logic, you don't matter if you're
- 11:21performing in Abu Dhabi or Iceland or here, you're going to find human traits that are provoked
- 11:27and engaged by those facets. What do you think of the way the world is at? It means since we're
- 11:31talking so philosophically about coming together and having the power of myth that brings us all
- 11:36together. Are you upset at the level of divisiveness that exists in the world? I've been about upset,
- 11:41Josh. I mean it's, you know, no, not upset. I've been very optimistic about humanity, things
- 11:46are changing, things are going in a positive direction. People I think evolving and becoming
- 11:51more and more enlightened, and this is a wonderful time to be alive. I feel very, very positive.
- 11:55Of course there are things that we have to be considerate of and aware of, but I'm not a person
- 12:00that worries too much about that stuff. That's good. What about you? How do you feel about it, mate?
- 12:04I feel mildly, I feel worried. I'm obviously an optimist in the long run. Right. But I feel
- 12:10mildly pessimistic in the short run. What are you worried about, mate? A bit worried that our
- 12:14culture is becoming more coarse, that our political discourse is getting more dysfunctional,
- 12:18that's getting harder to bring people together, harder to get things done, harder to compromise on
- 12:23what really matters to us as people. Yes. There are kind of institutional obstructions that make it,
- 12:28that incentivizes us to be bad and self-interested and don't incentivize people to do anything.
- 12:32I agree with absolutely everything that you said. Absolutely everything you said is true, but as
- 12:35Joghan Anders said, it don't matter if a cave has been in darkness for 10,000 years, once the light
- 12:40comes, the light comes. And as you said yourself, these are institutions. That means they're
- 12:43fabricated. They have to fabricate that mentality because our natural inclination is towards communion
- 12:50and towards compassion. Now you can also say, like a social Darwinism, people say, no, no,
- 12:55human beings are very, very selfish. Well, maybe if these are the attributes that elevated,
- 13:00escalated, rewarded and stimulated, we live in a culture that likes to stimulate our fear,
- 13:05that likes to promote desire, who's sexuality, and they're barely a product advertised,
- 13:09it doesn't use some gorgeous legs or boobies somewhere in it. So because these are the
- 13:14characteristics that are encouraged, these are the characteristics that prevail in our culture,
- 13:18but ultimately it is our culture and we can decide to change it, Josh, whenever we want to,
- 13:22that's why they have to have a domestic army. That's why they have to have a domestic
- 13:25police force. That's why the media has to be so stringently controlled. That's why debate has
- 13:30to be stifled and contained within a small area because it can change at any moment. It's just a
- 13:35change, it's just a moment. Well said. That's why the optimism, mate, I like it. I mean,
- 13:40speaking of sexuality, speaking of the way that we interact with sexuality, that's always been
- 13:43an important part of who you are. And everyone. Yeah. I know a few Republican conservatives
- 13:50who'd say that. I bet they're perverts. Yeah, they probably are. Of course they are.
- 13:53That's why I'm saying it. People shouldn't be able to do that. They're dead in a hotel room,
- 13:58but also it's fixation of some kind. Yeah, that's right. They've lived in a six-marriage