Latest / 70 80 / SETTANTAxOTTANTA: 1966. I Dik Dik, quando la casa discografica chiese a Pietruccio Montalbetti di impedire a Lucio Battisti di cantare

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SETTANTAxOTTANTA: 1966. I Dik Dik, quando la casa discografica chiese a Pietruccio Montalbetti di impedire a Lucio Battisti di cantare · 70 80

• 0:53
  Welcome to 70x80, the section of 7080 .it that
• 0:58
  deepens the topics discussed on the portal. I'm
• 1:01
  with the journalist Enzo Mauri, who introduces
• 1:04
  today's topic. to the way of dressing and playing
• 1:24
  and the myths beyond the sleeve. La formazione
• 1:51
  base del complesso, che prima si faceva chiamare
• 1:54
  Dreamers, poi Gli Squali, era composta da Pietruccio
• 1:57
  Montalbetti, Sergio Panno, Mario Totaro, Lallo,
• 2:00
  ovvero Giancarlo Sbriziolo, e Pepe, ovvero Erminio
• 2:03
  Salvaderi. In the rich Italian musical landscape
• 2:36
  of the period, it could happen to be recommended
• 2:39
  also by their parish. It was the years in which
• 2:42
  the parochial hall of Via dei Cinquecento in
• 2:44
  Milan served as the discographic house of memories,
• 2:46
  from the recording room and the biography of
• 2:49
  the Dick Dick seems a novel of adventures. They
• 2:52
  were visited in that room thanks to the push
• 2:54
  of Archbishop Cardinal Montini, future Pope Paul
• 2:58
  VI, after a phone call of their parish that warmed
• 3:00
  the hearing with the memory. It is precisely
• 3:03
  on that occasion that they met a young man sitting
• 3:05
  on the piano. Through him, a collaboration would
• 3:09
  have been made based on their great success,
• 3:11
  at least in the early years of musical activity.
• 3:13
  The introverted boy, all focused on the musical
• 3:16
  instrument, was Lucio Battisti. Difficult to
• 3:19
  think that Battisti would have become what we
• 3:21
  know. Years later, Pietruccio Montalbetti told
• 3:24
  in his book that in that period his songs were,
• 3:27
  difficult to believe, quite ugly, so much so
• 3:30
  that the record company asked him to try to dissuade
• 3:32
  Battisti from singing. I'm waiting for the light.
• 3:39
  I'm left alone. And I feel bad. To subjugate
• 3:59
  the intrigues of destiny, crucial would have
• 4:01
  been, for the career of the singer of Poggio
• 4:03
  Bustone, the encounter in 1966 with the songwriter
• 4:07
  who had released the Dick Dick that year, dreaming
• 4:10
  of California, that is the Italian cover of the
• 4:12
  world success of Mama's and Papa's California
• 4:14
  Dreamin' that would have remained in the hit
• 4:17
  parade stable for many weeks in 1966 in second
• 4:21
  place, surpassed only by Strangers in the Night
• 4:24
  by Frank Sinatra. We are talking about Mogoll,
• 4:26
  or Giulio Rapitti. whose other curious trick
• 4:29
  was that Battisti had reported the original USA
• 4:32
  song to be rewritten in Italian. MCL. Divisione
• 4:58
  Economico -Fiscale. www .lexmcl .it. Una volta
• 5:04
  divenuti Dick Dick, il complesso realizzò con
• 5:06
  il contributo della premiata ditta a Magor Battisti
• 5:09
  una serie di cover inediti divenuti grandi successi
• 5:12
  nella storia della musica italiana. Dalla citata
• 5:14
  Sognando California a Senza Luce, riuscita cover
• 5:17
  di A White or Shadow Pale dei Procolarum. across
• 5:28
  the floor Passing through the wind, signed by
• 5:48
  Mogol Battisti, and again from the first day
• 5:51
  of spring when Lucio Battisti and the acoustic
• 5:53
  guitar and Pino Presti, then become a very famous
• 5:56
  composer and arranger of Mina at Basso Elettrico,
• 5:59
  to Io mi fermo qui at the island of White, a
• 6:01
  beautiful cover of White is White by the French
• 6:04
  singer Michel Delpecque, to get to Viaggio di
• 6:07
  un poeta. Grazie a Denzo Mauri per il tema odierno.
• 6:35
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