Latest / Corie Sheppard Podcast / Episode 200 | Ah We Boy!!

Transcript

Episode 200 | Ah We Boy!! · Corie Sheppard Podcast

• 0:14
  Speaker 1: I have been waiting for about two years to tell you welcome to episode 200.
• 0:20
  Speaker 2: I have been waiting for about two years to tell you welcome to episode 200.
• 0:24
  Speaker 2: Loud applause.
• 0:26
  Speaker 2: Episode 200 of the Corey Shepard podcast.
• 0:30
  Speaker 2: A special thank you to every and anybody who know that they listen to all 200 of these things.
• 0:35
  Speaker 2: Thank you very much for being on board.
• 0:37
  Speaker 2: I promise you a little big eucalyptus.
• 1:27
  Speaker 1: I's a man of my wood, thank you.
• 1:28
  Speaker 1: So much horror to reach up there, cause stop moving on Puts many men in fear, serious fear.
• 1:32
  Speaker 1: You got to toil and fight with the devil, for you need not toil To reach the pinnacle.
• 2:11
  Speaker 2: Proceed there and ensure it will break you.
• 2:14
  Speaker 2: I'm sorry you see this episode.
• 2:17
  Speaker 2: I might just play a song from Tobago when I line up the Tobagonians and Calypsonians right, it's a much more time to talk about nothing, but as we talk Californians.
• 2:25
  Speaker 2: Right, it ain't much more time to talk about nothing but as we talk more perseverance, right.
• 2:27
  Speaker 2: I want to dedicate this song and dedicate this episode to Kiana Mahabir right now A WPC, a bad, bad percussionist, and she's fighting through her fight and could do it with all our love and all our prayers and all our positivity.
• 2:40
  Speaker 2: Let me send them to Shino Like sugar and spice.
• 2:43
  Speaker 2: Dedicated, it's all you need to be.
• 3:08
  Speaker 1: To be rated, famous and happy.
• 3:12
  Speaker 1: Stick to it.
• 3:14
  Speaker 1: When you come From the North Pole, all your dreams will unfold.
• 3:19
  Speaker 1: When the skies are rough, mercy, yeah, really tough.
• 3:24
  Speaker 1: Mercy, yeah, to succeed in this world.
• 3:25
  Speaker 1: When the skies are rough, mercy Girl, really tough.
• 3:26
  Speaker 1: Mercy Girl.
• 3:26
  Speaker 1: You got to go for gold, you haven't been okay.
• 3:31
  Speaker 1: Mercy Girl Without pain.
• 3:34
  Speaker 1: Mercy Girl, only when you fight, fight with all your might, you will reach to higher heights.
• 3:41
  Speaker 1: Mercy Girl Cause space in right.
• 3:51
  Speaker 2: I tell you, all we come in here to do today Is to celebrate 200, and you know how long it take to make 200.
• 4:11
  Speaker 2: Voice of the Great Johnny King.
• 4:16
  Speaker 1: Life ain't easy, Life ain't over the roses.
• 4:20
  Speaker 1: It's so hard to succeed, so contrary, so depressed are the stages To get the things that we need.
• 4:32
  Speaker 1: All these conflicts and obstacles come to stay.
• 4:38
  Speaker 1: Man must stand it.
• 4:40
  Speaker 1: He can never run away.
• 4:43
  Speaker 1: Time to stop the crying.
• 4:45
  Speaker 1: Try a little, trying to achieve it the only way.
• 4:51
  Speaker 1: That's why I can't stand up, Even though you're falling and got you something.
• 4:57
  Speaker 1: You gotta try and try and do what you're doing Until you see the light.
• 5:04
  Speaker 1: Don't let it out your side.
• 5:07
  Speaker 1: Don't cry.
• 5:08
  Speaker 1: You got to try.
• 5:15
  Speaker 3: This is Caribbean Vibes Little progress.
• 5:33
  Speaker 1: Calls for much dedication, Lent-y hard work and grind In your conquest.
• 5:41
  Speaker 1: You have got to understand.
• 5:44
  Speaker 1: Keep your gold in your mind.
• 5:47
  Speaker 1: Don't fall over.
• 5:50
  Speaker 1: Let your limits be the sky, those who conquer and the ones who make a try.
• 5:58
  Speaker 1: You must have a strong will If you're climbing up the hill or stay in the gutter and die.
• 6:05
  Speaker 1: That's why you have to stand up Even though you're falling, and get you something.
• 6:12
  Speaker 1: You gotta try and try and do what you're doing Until you see the light.
• 6:19
  Speaker 1: Don't let it off your side.
• 6:21
  Speaker 1: You got to try.
• 6:35
  Speaker 2: I have a song lined up here for everybody who make the 200 with me.
• 6:38
  Speaker 2: Right, this has all been a long journey.
• 6:40
  Speaker 2: I can't remember when I start and we're nowhere near the end.
• 6:44
  Speaker 2: I appreciate everybody who walked that long road, but I want to say I also appreciate the people who come in and they're brand new.
• 6:49
  Speaker 2: You know what I like.
• 6:50
  Speaker 2: I like when people come in brand new and they come in with brand new energy and them kind of thing.
• 6:54
  Speaker 2: You know what I mean.
• 6:54
  Speaker 2: So I appreciate everybody, whether you listen to five minutes, whatever episode, or you listen to every drop out of the 200.
• 7:25
  Speaker 1: Bingo done, play Johnny King.
• 7:28
  Speaker 1: All man strive to be happy.
• 7:29
  Speaker 1: With endless search for luxury, in search of peace and happiness, the human mind wouldn't rest.
• 7:37
  Speaker 1: A constant nag, waiting with soul, demanding respect from the world.
• 7:49
  Speaker 1: We get the urge in different form, but love's already reached the norm.
• 7:56
  Speaker 1: Money is very essential but can't buy peace of mind at all.
• 8:08
  Speaker 1: We're still like dogs without a bone If we have the money and loan.
• 8:16
  Speaker 1: Because Appreciation Plays on the human mind.
• 8:23
  Speaker 1: Everyone needs some For happiness all the time.
• 8:31
  Speaker 1: Because important, everyone's on the hunt.
• 8:34
  Speaker 1: Every man ought to give generously.
• 8:57
  Speaker 1: The healing has no barrier.
• 8:59
  Speaker 1: Grace and class doesn't matter.
• 9:04
  Speaker 1: Once you're alive, you win the game.
• 9:09
  Speaker 1: You do anything to get a good name.
• 9:12
  Speaker 1: Some wealthy men turn to suicide.
• 9:19
  Speaker 1: Can't find food to feed their pride the age and cripple in the ring, fight to be like a king.
• 9:31
  Speaker 1: Children become delinquents For lack of love from their parents.
• 9:42
  Speaker 1: That's why appreciation is most important to man.
• 9:49
  Speaker 1: Appreciation plays on the human mind.
• 9:57
  Speaker 1: Everyone needs some for happiness all the time.
• 10:02
  Speaker 1: Because importance gives real drive to this.
• 10:06
  Speaker 1: Oh, happiness all the time.
• 10:08
  Speaker 1: Because it's important If we are trying to live everyone's only hunt.
• 10:11
  Speaker 3: Every man ought to give.
• 10:13
  Speaker 3: Check out me.
• 10:18
  Speaker 2: I was watching an interview with Johnny King, right, and Johnny King used to call these songs the sad ones.
• 10:22
  Speaker 2: You know what I mean.
• 10:23
  Speaker 2: He used to say, yeah, party song, but he had to play some of the sad ones.
• 10:24
  Speaker 2: To call these songs the sad ones, you know what I mean.
• 10:26
  Speaker 2: He used to say, yeah, party song, but he had to play some of the sad ones, what he called the sad ones, some of them uplifting, you know what I mean, and motivational and inspirational and thought-provoking kind of like this.
• 10:53
  Speaker 1: You know what I mean.
• 10:57
  Speaker 1: I'm holding on in order to stay around in a life therapy imbalance, in a life therapy balance, for it is nature's way.
• 11:07
  Speaker 1: Until judgment day, weakness ain't got a chance.
• 11:12
  Speaker 1: Playing strong cause.
• 11:17
  Speaker 1: I realize the price little one must pay To keep the big one in paradise is torment and misery all day.
• 11:33
  Speaker 1: Destruction of the weak is nature's plan.
• 11:37
  Speaker 1: The humble and the meek must understand, must understand.
• 11:43
  Speaker 1: This day of the strong man is the devil's headache, so they will bite the ground and the master plays da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da da.
• 12:13
  Speaker 1: As long as you have the cash and all your strings are tied, you're an earth-god living in heaven.
• 12:20
  Speaker 1: There's nothing for the poor, or as ever more Life in a lion's den, hungry man shall aspire To keep the high man on top, to take him higher and higher.
• 12:44
  Speaker 1: The poor one must struggle till he drops.
• 12:49
  Speaker 1: Destruction of the weak is nature's plan.
• 12:54
  Speaker 1: The humble and the meek must understand.
• 12:58
  Speaker 1: This day of the strong man is the death of the city, so they will bite the death of the city.
• 13:23
  Speaker 3: So they will bite the ground when the master plays.
• 13:28
  Speaker 2: We could come off for johnny king now.
• 13:29
  Speaker 2: You feel we could come out for johnny king now.
• 13:31
  Speaker 2: Happy national, we call it national calypso month.
• 13:37
  Speaker 2: This is national calypso month.
• 13:39
  Speaker 2: Happy calypso month.
• 13:41
  Speaker 2: Calypso october, the thing is right.
• 13:43
  Speaker 2: Episodes like 200 I I custom here come in and take a drink with people and I like to see if people could come and take a drink with me while you take any episode.
• 13:49
  Speaker 2: But I have in a sober October.
• 13:51
  Speaker 2: We done reached the 22nd already.
• 13:53
  Speaker 2: Does it make sense?
• 13:53
  Speaker 2: I started to drink now and I thought sober October was a thing you know.
• 13:58
  Speaker 2: I listened Soba October and everybody counting how much steps if they make the 10,000 steps and all these things.
• 14:04
  Speaker 2: And when I Google Soba October, not much results are coming up for us.
• 14:07
  Speaker 2: So like I's the only fool who ain't drinking in October.
• 14:11
  Speaker 2: But if you feel to knock a glass, only knock a glass with me.
• 14:15
  Speaker 2: On this one I ain't mine.
• 15:05
  Speaker 1: A happy one, thank you.
• 15:05
  Speaker 1: You know change is like a party.
• 15:06
  Speaker 1: You know change is like success, cause you're playing social.
• 15:09
  Speaker 1: You start up on philosophy.
• 15:11
  Speaker 1: You know you can't move up yet.
• 15:15
  Speaker 1: If you continue On that you'll regret.
• 15:19
  Speaker 1: Take a bet You've got a lot of fans, but we're getting fed up.
• 15:25
  Speaker 1: Woman said to me you got to mix it up, cause and I've always jammed on stuff, jam your song, johnny, yeah, to scare me up.
• 15:37
  Speaker 1: Pull down my body.
• 15:38
  Speaker 1: You see much.
• 15:40
  Speaker 1: So Feed it up, honey.
• 15:42
  Speaker 1: Feed it up honey.
• 15:44
  Speaker 1: Wake me up, honey all night.
• 15:47
  Speaker 1: Wake me up, let me feel right.
• 15:49
  Speaker 1: Wake me up when it turn on fire.
• 15:51
  Speaker 1: You really need to make me perspire all day.
• 15:54
  Speaker 1: Wake me up, let me break away.
• 15:58
  Speaker 1: Wake me up when it's time for fun, honey.
• 16:00
  Speaker 1: Wake me up Honey when it's time to free me.
• 16:15
  Speaker 1: Buddy Carnival is in the air.
• 16:23
  Speaker 1: No, sing me.
• 16:24
  Speaker 1: No sad song.
• 16:25
  Speaker 1: Seriousness does make me guilty for messages I don't get.
• 16:32
  Speaker 1: But me drink is fat whiskey and beer.
• 16:36
  Speaker 1: Be aware, in order to stay on top and maintain your everything.
• 17:55
  Speaker 2: If it's for energy for we to drink olé, cause I know it's jam non-stop.
• 17:58
  Speaker 2: Thank you, we'll be right back.
• 17:59
  Speaker 2: Bye-bye-bye feature act.
• 18:00
  Speaker 2: We playing with johnny king.
• 18:02
  Speaker 2: So we went down quite valencia, you know, we went some family event in valencia so we run through some of the biggest songs and work out the chords and you know I mean he's the biggest set of chord man, you know, so you could figure it out fast and we jam it down kind of like the style he wants me to play in.
• 18:16
  Speaker 2: You know, I mean, and we reached down what the place was, anchorage day, and when we on stage now we play before he was to come up and sing, right, but before we went on stage he come and he tell me here what, um, I ain't sure about the band thing and why your man is singing with my tracks and them kind of thing.
• 18:34
  Speaker 2: And you know I mean.
• 18:34
  Speaker 2: So he say here what, going on, I go, I go, do I go do one with ollie?
• 18:38
  Speaker 2: I can't, I can't remember now which one of his songs he choose to play with me.
• 18:41
  Speaker 2: Could it could have been's man, I can't remember.
• 18:43
  Speaker 2: And he said I could do one with all of you and we there prepared to back up Johnny King for his whole set, right, because we went through anything he could have sung on that day.
• 18:52
  Speaker 2: We was well prepared to play it.
• 18:54
  Speaker 2: Right, that is myself, the great Ken Corby, the great Darren Ellis, I can't remember who played percussion.
• 18:59
  Speaker 2: But we have a side.
• 19:00
  Speaker 2: We have a side of musician and me who can follow.
• 19:03
  Speaker 2: So I say, well, all right, we're good to go, we're going to play for Johnny King, honor in my life, right to play for a man like this.
• 19:08
  Speaker 2: When the time comes, the man says, ah boy, one song, one song.
• 19:11
  Speaker 2: We say all right, we're going to play the one song.
• 19:12
  Speaker 2: We go on stage before him.
• 19:14
  Speaker 2: Then I can't remember whatlock, and while we're on stage jamming, I feel somebody hit my ankle from behind the stage.
• 19:28
  Speaker 2: You know, when I turn around it's Johnny King.
• 19:30
  Speaker 2: Johnny, he say hey, what's going on?
• 19:32
  Speaker 2: We go do two.
• 19:33
  Speaker 2: We go do two.
• 19:33
  Speaker 2: You know what I mean when you hear the band play.
• 19:35
  Speaker 2: The band gets sweeter.
• 20:21
  Speaker 1: And you think I want to play for you here.
• 20:22
  Speaker 1: A happy one, thank you.
• 20:23
  Speaker 1: You never did say to me that you love me.
• 20:26
  Speaker 1: You only told me you want to dance.
• 20:27
  Speaker 1: But the way you're rubbing up and massaging my body, Feeling like you want to romance, and I don't like it.
• 20:37
  Speaker 1: Rubbing up, rubbing up, I'm rubbing up, rubbing up.
• 20:40
  Speaker 1: Don't try to make me a big kid.
• 20:43
  Speaker 1: You better dance if you're dancing.
• 20:45
  Speaker 1: But, baby, it's an illegal action.
• 20:48
  Speaker 1: You better control your hands.
• 20:52
  Speaker 1: Change your plan.
• 20:53
  Speaker 1: Don't run me.
• 20:54
  Speaker 1: Running down is not a fun.
• 20:56
  Speaker 1: Don't run me.
• 20:58
  Speaker 1: Gentlemen, keep your head on.
• 21:01
  Speaker 1: Remember you only have to dance.
• 21:04
  Speaker 1: Why are you looking for romance?
• 21:06
  Speaker 1: Dance with me.
• 21:07
  Speaker 1: What do you want me?
• 21:08
  Speaker 1: You are big.
• 21:09
  Speaker 1: If you want to prove you are a good dancer, spinning and holding me close is fine.
• 21:33
  Speaker 1: You did never get no consent to explore my figure.
• 21:38
  Speaker 1: Nothing and nothing is out of line.
• 21:42
  Speaker 1: But I don't like to rub it up, rub it up and rubbing up, rubbing up.
• 21:46
  Speaker 1: I am a little friction because it's a pain in the foot of my neck.
• 21:51
  Speaker 1: It's going to bring me heartache.
• 21:55
  Speaker 1: Stop me from going to take.
• 22:00
  Speaker 1: Take a break.
• 22:00
  Speaker 1: Don't rub me.
• 22:01
  Speaker 1: Rubbing down is out of form.
• 22:04
  Speaker 1: Don't rub me.
• 22:20
  Speaker 2: Just come and keep your head on.
• 22:22
  Speaker 1: I don't like the rubbing, johnny, I doesn't like the set of rubbing.
• 22:26
  Speaker 2: Generally Johnny King.
• 22:27
  Speaker 2: He start the song at the start right.
• 22:46
  Speaker 1: Thank you.
• 22:47
  Speaker 1: A woman came up from Africa so she loves the music over here.
• 22:52
  Speaker 1: On her music exploration she countries and she to soccer land.
• 23:13
  Speaker 1: Go few up on hand to play.
• 23:16
  Speaker 1: She a jam as a DJ, she take over vehicle and she balling.
• 23:21
  Speaker 1: I want it all the time.
• 23:25
  Speaker 1: I want it all the time.
• 23:29
  Speaker 1: Big day, big wine.
• 23:33
  Speaker 1: I want it at the airport To take up me job as an escort.
• 24:02
  Speaker 1: See me she, black and beautiful.
• 24:04
  Speaker 1: See me I'm moving, beautiful.
• 24:07
  Speaker 1: Thank you, I want it all the time.
• 24:10
  Speaker 1: Leave me, take away.
• 24:11
  Speaker 1: I want it all the time.
• 24:32
  Speaker 1: I want it all the time, thank you.
• 24:50
  Speaker 1: When she feel this ho car, jam, jump out as you see and whine till you beat up that lip.
• 24:58
  Speaker 1: So I just don't know what she done when she let go.
• 25:11
  Speaker 1: I, I want it all the time.
• 25:14
  Speaker 1: I want it all the time.
• 25:19
  Speaker 1: Baby, baby, why?
• 25:22
  Speaker 1: I want it all the time.
• 25:26
  Speaker 1: I want, I want I can talk about press conference for she To talk about she discovery.
• 25:33
  Speaker 1: She said your beauty, so pure, can set the whole world on fire.
• 25:57
  Speaker 1: I love up your man one feeling like Kenwelly Gouvet.
• 26:01
  Speaker 1: I want to take him back home when I go home.
• 26:06
  Speaker 1: Boy, I want it all the time.
• 26:09
  Speaker 1: I want it all the time.
• 26:16
  Speaker 3: Make me feel the way.
• 26:20
  Speaker 2: I want it all the time.
• 26:21
  Speaker 2: Again, we're singing and we're celebrating, right, but we must remember Johnny King is our old police too.
• 26:26
  Speaker 2: Johnny King is our old police.
• 26:28
  Speaker 2: We mustn't forget that.
• 26:29
  Speaker 2: So, as we continue, we're fighting the fight with Kiana.
• 26:33
  Speaker 2: Right, we're celebrating we're 200, but we're fighting the fight with Kiana.
• 26:36
  Speaker 2: We're celebrating Calypso History Month, but we're still fighting that fight with her.
• 26:41
  Speaker 2: I, I mean, I really just here to play some kaizo from some tobogganian for a whole episode again.
• 26:48
  Speaker 2: I had thing lined up.
• 26:50
  Speaker 2: I say well, all right, I'll play this, I will talk about that.
• 26:52
  Speaker 2: I see a man say the crime in the country is we fault.
• 26:55
  Speaker 2: I say well, I must talk about that.
• 26:56
  Speaker 2: And next man say, well, bounty killer and beanie man collecting the national award.
• 27:01
  Speaker 2: I say right, I will talk about that, I have everything right on him.
• 27:03
  Speaker 2: But when I looked at the amount of calypso I had to play from the people who come from Tobago, it started to get a little bit sticky, a little bit sticky.
• 27:48
  Speaker 1: A little bit sticky All week.
• 27:49
  Speaker 1: You walk in, y'all are one to know If you is a robot or they put you so.
• 27:51
  Speaker 1: You ain't even stopping for a break at all.
• 27:52
  Speaker 1: You go dig yourself.
• 27:54
  Speaker 1: When you collapse and fall, I say, look how everybody else having fun.
• 28:01
  Speaker 1: You are alone with it like a pony one.
• 28:03
  Speaker 1: All they love is having fun.
• 28:04
  Speaker 1: You are lonely Like a pony one, all alone Having fun.
• 28:11
  Speaker 1: We rockin' all night tonight.
• 28:13
  Speaker 1: We rockin' all night tonight.
• 28:17
  Speaker 1: So relax and take it light.
• 28:22
  Speaker 1: Everything gonna be alright.
• 28:26
  Speaker 1: I don't want no sadness, me taking notes.
• 28:31
  Speaker 1: I don't want no extra when I reach, let's go.
• 28:35
  Speaker 1: You hear me we rockin' all night tonight.
• 28:38
  Speaker 1: We rockin' all night tonight.
• 28:43
  Speaker 1: So relax and take it light.
• 28:47
  Speaker 1: We rockin' all night tonight.
• 29:16
  Speaker 1: Young girl, young girl, young girl, young girl, all the children big now so long demand gone.
• 29:21
  Speaker 1: I know how you're feeling, but don't take it on All that.
• 29:27
  Speaker 1: We have problem.
• 29:28
  Speaker 1: It ain't you alone, but you just can't let them Wear you to the bone.
• 29:35
  Speaker 1: I said, look how everybody else having fun.
• 29:39
  Speaker 1: You are already like a pony one.
• 29:43
  Speaker 1: All day long I've been wrong.
• 29:47
  Speaker 1: We're rocking all night tonight.
• 29:51
  Speaker 1: We're rocking all night tonight.
• 29:55
  Speaker 1: No one, no fussing, no fight.
• 30:00
  Speaker 1: Everything gonna be alright, everything gonna be alright.
• 30:06
  Speaker 1: I don't want no sadness I ain't taking no, I don't want no excuse.
• 30:11
  Speaker 1: When I reach, let's go.
• 30:13
  Speaker 1: You hear me we rockin' all night tonight.
• 30:16
  Speaker 1: We rockin' all night tonight.
• 30:21
  Speaker 1: So relax and take it light.
• 30:24
  Speaker 1: We rockin' all night tonight.
• 30:25
  Speaker 1: So relax and take it light.
• 30:27
  Speaker 1: We're rocking all night tonight.
• 30:35
  Speaker 2: You know we don't show enough love to the foreign carnival and up to last week I was talking about how much I just hate when I see people in the foreign carnival.
• 30:44
  Speaker 2: Salute to everybody who went to Miami carnival.
• 30:47
  Speaker 2: Salute to all of you who went to Tobago carnival.
• 30:50
  Speaker 2: Salute to all of you who went to Ubersoka Cruise.
• 30:53
  Speaker 2: Salute to everybody.
• 30:54
  Speaker 2: But Rootsman never.
• 30:55
  Speaker 2: It's Rootsman right.
• 30:56
  Speaker 2: The first one was Johnny King, the first segment.
• 30:58
  Speaker 2: This segment is called Rootsman right.
• 31:00
  Speaker 2: For people who say I don't say who sing.
• 31:06
  Speaker 2: If you don't know who sing, go back from episode one and listen all the way up.
• 31:07
  Speaker 2: You'll get proper education on kaiso and kalipso, right.
• 31:09
  Speaker 2: But Rootsman never used to leave out the foreign kalipso and the kind of island he always cover with.
• 31:51
  Speaker 1: He wasn't a hater like me.
• 31:52
  Speaker 1: You know what I mean.
• 31:56
  Speaker 1: Amen, amen, amen.
• 31:58
  Speaker 1: Thank you, rootsy.
• 31:59
  Speaker 1: I got you cooked up the jam on the back way With the band on the back way, the only hand on the back way Biting a man on the back way.
• 32:17
  Speaker 1: Oh, we gon' roll and play On our love all day.
• 32:22
  Speaker 1: Rootsy, baby, just you and me.
• 32:26
  Speaker 1: I've been falling for you.
• 32:28
  Speaker 1: We'll be right back.
• 32:30
  Speaker 1: Say, look here, miss Lady, you got to be crazy.
• 32:33
  Speaker 1: I'm here on a mission.
• 32:35
  Speaker 1: I didn't come to have fun.
• 33:09
  Speaker 1: But she snatched me hand Like a policeman With a dead serious face, money rolling she weighs.
• 33:17
  Speaker 1: Come help me.
• 33:18
  Speaker 1: Jump on the back way With the band on the back way.
• 33:23
  Speaker 1: Carry up on the parkway, very, rock on the parkway.
• 33:28
  Speaker 1: Come mash it up on the parkway.
• 33:32
  Speaker 1: We go roll and play On Carnival Day.
• 33:38
  Speaker 1: Go see baby, just you and me, cause everyone will be rocking to get in your life.
• 33:47
  Speaker 3: So you keep on the back way Falling by day I biggie do boom, I biggie do bang, biggie diggie boom boom.
• 33:59
  Speaker 2: That ain't sound good, I tell you.
• 34:02
  Speaker 2: He never leave out the foreign carnival, you know.
• 34:30
  Speaker 1: Never, I tell you, he never, leave out the foreign carnival.
• 34:33
  Speaker 1: Never I'll be giving you a call.
• 34:36
  Speaker 1: Thank you In Miami.
• 34:37
  Speaker 1: When you miss me, said I'll be there.
• 34:40
  Speaker 1: Yes, I'll be there, said I'll be there.
• 35:30
  Speaker 1: Let's go.
• 35:34
  Speaker 2: I won't need stopping this one out of out of jealousy for the people who was really in Miami for Miami Carnival.
• 35:40
  Speaker 2: One day I go reach there.
• 35:41
  Speaker 2: But, as I say, the boss never really leave out nothing out there, everything out there, he cover it, he always on top of it.
• 35:48
  Speaker 2: This is Caribbean vibes.
• 36:46
  Speaker 1: Don't know how they know that I'm in London, Thank you.
• 36:48
  Speaker 1: So now this is what you call a game of the year.
• 36:49
  Speaker 1: I'm Zanzoka in the palace.
• 36:50
  Speaker 1: We jam in without no malice.
• 36:50
  Speaker 1: If you see me, I'm a princess.
• 36:54
  Speaker 1: This is strictly royal history.
• 36:58
  Speaker 1: We Zanzoka down, hey, right to the ground.
• 37:02
  Speaker 1: Hey, we get back up.
• 37:05
  Speaker 1: Hey, we won't stop.
• 37:06
  Speaker 1: We'll be right back here in this world.
• 37:09
  Speaker 1: Let's go.
• 37:10
  Speaker 1: When you see me carryin' on so sassy, you could see me music, hypnotize she In a plane in Golden Gump.
• 37:52
  Speaker 1: She's like everyone's best man you will love she rockin' and going right down.
• 37:57
  Speaker 1: Yeah, I say soca in the palace.
• 38:00
  Speaker 1: We jam in with compromise.
• 38:04
  Speaker 1: You can see me under princess.
• 38:09
  Speaker 1: This is strictly royal business.
• 38:13
  Speaker 1: We soak our hands.
• 38:16
  Speaker 1: Yeah, right to be wrong.
• 38:17
  Speaker 1: We get back up.
• 38:20
  Speaker 1: Yeah, they won't stop.
• 38:21
  Speaker 1: Rock to the left, Rock to the right.
• 38:26
  Speaker 3: They didn't believe.
• 38:28
  Speaker 3: They didn't believe.
• 38:30
  Speaker 3: They didn't believe.
• 38:33
  Speaker 3: No-transcript.
• 38:35
  Speaker 3: They didn't believe they.
• 38:39
  Speaker 2: Diamond bead of my life.
• 38:41
  Speaker 2: It's okay in the palace, we're going to leave it out playing this right Seriously.
• 38:49
  Speaker 3: A beautiful Vinci.
• 39:18
  Speaker 1: I met in a party.
• 39:20
  Speaker 1: She was looking irie, so I start to chat she.
• 39:28
  Speaker 1: She said listen, mr Southman, if you looking for some action, well, it's me alone in this bed.
• 39:42
  Speaker 1: If you want to dance, then let's sing.
• 39:47
  Speaker 1: Come on.
• 39:48
  Speaker 1: She said rock me, rock me.
• 39:49
  Speaker 1: Go to come, rock me, rock me, don't stop.
• 39:57
  Speaker 1: She said rock me, buddy, go to come, rock me, buddy Boy.
• 40:11
  Speaker 1: I want you to understand.
• 40:13
  Speaker 1: She said to me me no confusion.
• 40:15
  Speaker 1: And then she said Rock me, rock me, rootsie.
• 40:19
  Speaker 1: Come rock me, rock me.
• 40:20
  Speaker 1: Just then she said Rock me, rock me, rootsie, rock me, rock me.
• 40:34
  Speaker 1: If you see me moving, well, it's no-one's doing A business with no-one's doing A business with no-one by myself having fun.
• 41:14
  Speaker 1: The aquatic disco champion it's a hell of a place to back down DJ Jam in every soka.
• 41:25
  Speaker 1: She arrest me in a corner and then she say Rock me, rock me, rootsie, come rock me, rock me.
• 41:34
  Speaker 1: Just like she say Rock me body, rootsie, come rock me body.
• 41:43
  Speaker 1: Rock me for death, rootsie, come rock me for death Boy.
• 41:49
  Speaker 1: I want you to understand.
• 41:51
  Speaker 1: She said to me that we now want no other man, so seriously, and I want you one damn woman tell that for me, that we now want no confusion.
• 42:03
  Speaker 1: And then she said rock me, rock me, rootsie, come rock me, rock me.
• 42:08
  Speaker 1: Just like she said panne dalle, rootsie, rock panne dalle.
• 42:31
  Speaker 2: She said rock me, rock me.
• 42:32
  Speaker 2: She come, rock me, rock me.
• 42:35
  Speaker 2: Listen.
• 42:36
  Speaker 2: Who else from Tobago?
• 42:37
  Speaker 2: All you want, I guess.
• 42:39
  Speaker 2: When you have requests, right?
• 42:41
  Speaker 2: When people request things, you have to give people what they want, right?
• 42:44
  Speaker 2: You must give people what they want when they're requesting.
• 42:46
  Speaker 2: I was requested a song this week, and a song that I don't know at all, but after the request I listened to it so much I get to love it bad.
• 42:55
  Speaker 2: Tell me if you know the voice.
• 42:56
  Speaker 2: Who else from Bego?
• 43:38
  Speaker 1: Are we boys?
• 43:38
  Speaker 1: Hello is a lover man in the morning, hello is a of man in the night.
• 43:43
  Speaker 1: When I'm making love, I just feel just like a king.
• 43:47
  Speaker 1: That's why I treat all me women right, and I don't know why man does he treat a woman and writing to let them out of his sight, I won't do my nothing that could lead to taxation, don't you know?
• 44:06
  Speaker 1: I'd rather make love than fight, fight, fight all night.
• 44:10
  Speaker 1: Do not do again.
• 44:13
  Speaker 1: I like to hear them on this.
• 44:15
  Speaker 1: Do not do again.
• 44:17
  Speaker 1: I like to hear them on this.
• 44:19
  Speaker 1: Do not do again.
• 44:21
  Speaker 1: I like to hear them on this thing.
• 44:22
  Speaker 1: Oh, do not do again.
• 44:22
  Speaker 1: Yes, I like to hear them on this.
• 44:24
  Speaker 1: Oh, do not do again.
• 44:27
  Speaker 1: That's why they call me a sexy old man.
• 44:52
  Speaker 1: Some say I just carry on like a youth.
• 44:54
  Speaker 1: But from past experience it's easy to understand.
• 45:00
  Speaker 1: I am old enough and facing the truth.
• 45:03
  Speaker 1: I don't have to prove I'm full of endurance.
• 45:08
  Speaker 1: I don't have to show I'm young and I'm strong.
• 45:13
  Speaker 1: All I know is true.
• 45:16
  Speaker 1: It all depends what you do or what you say, for the little time that you take, you take, you take, you take.
• 45:23
  Speaker 1: Do that two again.
• 45:26
  Speaker 1: I like to hear them one more time.
• 45:29
  Speaker 1: Do that two again.
• 45:31
  Speaker 1: Do that, two again.
• 45:35
  Speaker 1: I like to hear them one more time.
• 45:38
  Speaker 1: Do that, do again.
• 45:40
  Speaker 1: Do that, do again.
• 45:54
  Speaker 2: Again, again, again, again, again, again, again.
• 45:56
  Speaker 2: Do that, do again and you get requests taken.
• 46:00
  Speaker 2: People request.
• 46:01
  Speaker 2: I like to see when DJs say they don't take requests because people, I have the best audience in the world when I hear the request.
• 46:10
  Speaker 2: I don't know the tune, from nowhere, I never hear it, but as I tell you, I start to listen to it and like I can't stop.
• 46:15
  Speaker 2: The man said do that, do again.
• 46:17
  Speaker 2: Who, nelson, get to play that role where she say, do that, do again From, and get to play that role where she say, ah, from selflessness into straight selfishness, where I could get just a few, a few of my favorite Nello.
• 46:31
  Speaker 2: I could do that.
• 46:31
  Speaker 2: This is going to take a while.
• 46:32
  Speaker 2: One, two three, four.
• 46:46
  Speaker 2: I take a fresh trim for this episode.
• 47:03
  Speaker 1: It's not how you look, but the things you do.
• 47:05
  Speaker 1: Now just say share your love to your brother man, treat him kind and stretch out a helping hand.
• 47:18
  Speaker 1: But you claim you're proud, you're kind, you're gentle.
• 47:22
  Speaker 1: I hear you quoting words from the Bible, but now you're jumping and I'm backing.
• 47:27
  Speaker 1: Though I am not black, you cannot dread.
• 47:30
  Speaker 1: Now you're calling me bald head, rasta man.
• 47:45
  Speaker 1: Rasta man, I man, have a care, supposing, like me, you just lose your hair.
• 47:53
  Speaker 1: Now tell me what you gonna do for identity when your dreadlocks growing inside, like me.
• 48:05
  Speaker 1: Then we will know who dread and who faking Without them locks and flying and shaking.
• 48:12
  Speaker 1: With all that I have said, you would know this.
• 48:16
  Speaker 1: I'm undressed, so don't be misled.
• 48:18
  Speaker 1: Stop calling me bald head.
• 48:20
  Speaker 1: One love, rasta man.
• 48:36
  Speaker 1: Balik man, jaja, say.
• 48:37
  Speaker 1: One love, with the same skin color from him above.
• 48:47
  Speaker 1: Why this big separation between you and me?
• 48:50
  Speaker 1: How can the hair define an identity?
• 48:55
  Speaker 1: It's Babylon war.
• 48:59
  Speaker 1: We fighting, but I and I is still separating.
• 49:03
  Speaker 1: All the books of bread say we come from one bed.
• 49:07
  Speaker 1: I don't mess with the dead.
• 49:08
  Speaker 1: So why call me bald head Rasta?
• 49:14
  Speaker 1: I read Iman go long locks To prove Iman dread.
• 49:32
  Speaker 1: Now, to prove Iman dread Iman shave he head.
• 49:37
  Speaker 1: What's inside Iman Is inside I man too.
• 49:43
  Speaker 1: So you see, I man is no different to you.
• 49:49
  Speaker 1: The same oppression we both receiving is the same burden.
• 49:56
  Speaker 1: I and I bearing, I and I dread, I, I re, I hey silas, I I rasta dread I.
• 50:11
  Speaker 2: Now, just in case you didn't know, right Nelson have a long list of reggae songs.
• 50:15
  Speaker 2: So when you get a chance, go and listen to Lord Nelson reggae vibe, but of course, straight out of selflessness, wait, wait, wait.
• 50:22
  Speaker 2: Straight out of selflessness, wait, wait, straight out of selflessness.
• 50:24
  Speaker 2: You're going into the selfishness personal favorite.
• 50:27
  Speaker 2: I will play some tune for you again just now.
• 50:38
  Speaker 2: Right now, it's for me.
• 50:48
  Speaker 1: I don't mind when they try to treat me unkind and take away what is mine.
• 50:50
  Speaker 1: These are things I could put behind.
• 50:53
  Speaker 1: But I demand respect from the country man who at least they should understand In a way.
• 51:02
  Speaker 1: I'm an alien enough For everyone who doubts.
• 51:43
  Speaker 1: I'm a native son.
• 51:44
  Speaker 1: Both me parents are dead and gone In Tobago where I was born.
• 51:50
  Speaker 1: Bless their soul, without a doubt.
• 51:53
  Speaker 1: Anything that you talking about In my country, from north or south, I could walk straight and point it out.
• 52:00
  Speaker 1: So shut your mouth, man, understand.
• 52:03
  Speaker 1: I could walk straight and point it out.
• 52:04
  Speaker 1: Shut your mouth, man, understand.
• 52:05
  Speaker 1: You should shame to call me Foreigner, foreigner, foreigner, foreigner.
• 52:39
  Speaker 1: I was around where they now bring trolley in town and tram car running up and down, round the sub and around and round.
• 52:46
  Speaker 1: I was there when the preacher they call those gays Beg them crucify my babe, his eye will run to drag him away.
• 52:56
  Speaker 1: So when you say Ba-da-ba-da, ba-ba-da-ba-ba-da, Ba-da-ba.
• 53:27
  Speaker 2: Just now I go play tune for Oli.
• 53:29
  Speaker 2: Now it's my time, oli, hear this.
• 53:30
  Speaker 2: My time, my time, let go.
• 53:45
  Speaker 1: Gossipossip.
• 53:46
  Speaker 1: Give it, give it.
• 53:48
  Speaker 1: You have no defense.
• 53:59
  Speaker 1: Whether you're young or old, if you're black, not cold, you could do this role.
• 54:02
  Speaker 1: This role would help you unwind your muscle, your daily strain and your razzle dazzle.
• 54:07
  Speaker 1: Put your hand on your partner's shoulder, walk up your waist.
• 54:10
  Speaker 1: As you come together.
• 54:11
  Speaker 1: It can be so regular to your soul.
• 54:13
  Speaker 1: Let yourself unroll.
• 54:14
  Speaker 1: When you do the scroll, you could rock and roll deep, you could twist and turn, shape and walk, cut your belly, shake yourself, feel yourself, lengthen, gimmick, gimmick, gimmick.
• 54:35
  Speaker 1: Move your hands, shake your waist, shake your wings.
• 54:45
  Speaker 1: Well, if you feel you don't want to hold your partner, you dancing cool and you come to pleasure, simply back way and do your own thing.
• 54:50
  Speaker 1: Comfort yourself with whatever pleasing.
• 54:51
  Speaker 1: You could rip it up, you could shake it up, you could rock it up, you could bump it up.
• 54:55
  Speaker 1: It's whatever rules satisfy your soul.
• 54:57
  Speaker 1: Hold on a hole.
• 55:00
  Speaker 1: Anything is cool.
• 55:01
  Speaker 1: You could.
• 55:03
  Speaker 1: Left to right.
• 55:03
  Speaker 1: You're going belly to belly, you're going back to back.
• 55:11
  Speaker 1: All that.
• 55:11
  Speaker 1: Watch your ankle.
• 55:12
  Speaker 2: Give it up, give it, give it, give it, give it, give it, give it, give it, give it, give it, give it, give it, give it, give it.
• 55:18
  Speaker 2: As it's my time, I will keep them short, right, so that I have enough space for a little time, right, but still my time still my time.
• 55:40
  Speaker 4: This song remind me of Lavanty.
• 55:43
  Speaker 2: Road.
• 55:43
  Speaker 2: No man and his fella was in a disco party.
• 56:16
  Speaker 1: On the right side was Sugar Boom, boom Audrey.
• 56:19
  Speaker 1: Dj had to stop because of how no man acted.
• 56:22
  Speaker 1: When he turn and see Audrey with the boyfriend dancing, norman, walk straight up to Audrey and slap the young man, telling him you ought to know I'm a jealous woman, not because you hear they calling she sugar boom, boom, don't make me.
• 56:40
  Speaker 1: Take she boom boom and sweep this blasted ballroom.
• 56:43
  Speaker 1: If she could dance you, I could dance too.
• 56:45
  Speaker 1: If she could love you, I could love too.
• 56:48
  Speaker 1: If she could mind you, I could mind you.
• 56:50
  Speaker 1: Whatever she do, I could do too.
• 56:52
  Speaker 1: Ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay ay I'm out.
• 57:24
  Speaker 1: Audrey was so shocked to meet up with Ray Ray Norman, who lost Carnival gives you so much competition.
• 57:31
  Speaker 1: She said.
• 57:32
  Speaker 1: Now you're cutting in on me with man Like them.
• 57:34
  Speaker 1: Spanish station, something else inside your clothes.
• 57:38
  Speaker 1: Since you're playing woman, norman, you ain't ready now To give me no showdown.
• 57:43
  Speaker 1: It's me.
• 57:45
  Speaker 1: They call Miss Audrey, sugar boom boom in town.
• 57:47
  Speaker 1: This piece of man you're fighting for.
• 57:50
  Speaker 1: He can't handle this, audrey.
• 57:51
  Speaker 1: He can't even touch me.
• 57:54
  Speaker 1: Sugar To sweeten coffee.
• 57:55
  Speaker 1: I am a woman and I'm rare too.
• 57:58
  Speaker 1: Maybe you feel it does confuse you, but if you feel that you is woman too.
• 58:02
  Speaker 1: I like to see you do what I do.
• 58:21
  Speaker 2: When they're playing that.
• 58:22
  Speaker 2: Right, I remember the days of Parang up the hill I don't know what song they were singing, and it's years after I hear this song and that that carried me right back home, Right back up the hill.
• 58:34
  Speaker 2: All right, so what we gonna do now?
• 58:37
  Speaker 2: We gonna get back to Ole time.
• 58:39
  Speaker 2: Ole back in charge now.
• 58:40
  Speaker 2: Ole back in charge now.
• 58:43
  Speaker 2: All it back in charge.
• 58:45
  Speaker 2: I know some of you wouldn't believe me.
• 59:12
  Speaker 1: But if a liar asks me, good friend Mackie, it was a big lying competition To see who they will crown as lying champion.
• 59:20
  Speaker 1: Liars from all parts of the West Indies, big shot.
• 59:25
  Speaker 1: Liars from all them, foreign countries, from a field about a thousand or so entry in two days.
• 59:31
  Speaker 1: He boiled down and leave just three.
• 59:34
  Speaker 1: I had me a young liar, the lion, because I know he does come with some good ones.
• 59:40
  Speaker 1: But they had a younger fella named Deebo, come from some village here in Tobago.
• 59:46
  Speaker 1: He say his father is Tobago's best fisherman.
• 59:50
  Speaker 1: Catch, a fisherman wide, 80 feet in span.
• 59:53
  Speaker 1: He had to tighten his boat and swim back to land To get his brother Eric to give him a hand.
• 59:59
  Speaker 1: You hear lie, that is lie, lie.
• 1:00:04
  Speaker 1: You hear lie, that is lie, lie, you hear lie, teach a pussy.
• 1:00:10
  Speaker 4: Say if you tell a lie, you're going to hell as soon as you die.
• 1:00:15
  Speaker 4: Why, sir?
• 1:00:35
  Speaker 1: Check it out.
• 1:00:36
  Speaker 1: Liar the liar, check it out.
• 1:00:38
  Speaker 1: Listen to something.
• 1:00:39
  Speaker 1: When you're talking about fish you just hit the spot.
• 1:00:42
  Speaker 1: I was hoping you did, believe it or not.
• 1:00:45
  Speaker 1: The fish your father caught to you, it was great, but it's them small fish my father does use for bait.
• 1:00:52
  Speaker 1: Lion went ahead and punched him to show, completely eliminated.
• 1:00:57
  Speaker 1: Mr Depot, the next man to beat, was really outrageous.
• 1:01:03
  Speaker 1: He asked the judges if he could life us.
• 1:01:05
  Speaker 1: The judges asked lie and the lion agreed, saying the topic will pick is all right with me.
• 1:01:11
  Speaker 1: He outraged us.
• 1:01:12
  Speaker 1: I strongly.
• 1:01:14
  Speaker 1: We meet head on and when we done see who had fit to wear the crown.
• 1:01:18
  Speaker 1: You hear lie.
• 1:01:19
  Speaker 1: That is lie.
• 1:01:21
  Speaker 1: Lie.
• 1:01:22
  Speaker 1: You hear lie.
• 1:01:24
  Speaker 1: Teach a pussy, say if you tell a lie.
• 1:01:28
  Speaker 4: You're going to hell as soon as you die.
• 1:01:31
  Speaker 4: Let it go.
• 1:01:34
  Speaker 1: Let it go, choke it up.
• 1:01:36
  Speaker 1: Ha Yep.
• 1:01:37
  Speaker 1: The outrageous say that he knew a tailor comes to make him suit.
• 1:01:51
  Speaker 1: The man is the master.
• 1:01:51
  Speaker 1: If you show him a man coming round a corner he could make him a suit.
• 1:01:55
  Speaker 1: And don't even measure a talking bout suit, sitting down, correct, expertly made and fitting perfect.
• 1:02:03
  Speaker 1: He used to sew for Shakespearepeare, make suit for hamlet, and up to this day he ain't make a mistake.
• 1:02:09
  Speaker 1: Yet you know, the crowd went wild.
• 1:02:11
  Speaker 1: They couldn't cool down as the liar, the lion losing the crown.
• 1:02:16
  Speaker 1: The judges brought the crowd back to order and asked the lion to lie about a tailor.
• 1:02:32
  Speaker 1: He said my man is the best.
• 1:02:34
  Speaker 1: Rolf is his name.
• 1:02:36
  Speaker 1: We'll be right back, taylor.
• 1:02:39
  Speaker 4: You hear lie, king liar, teach your pussy, say if you tell a lie, you're going to hell as soon as you die.
• 1:02:49
  Speaker 1: Whip it up, make it up, let it go, move it up.
• 1:03:05
  Speaker 4: Let it go Teach your pussy, say.
• 1:03:09
  Speaker 4: If you tell a lie You'll fall into hell.
• 1:03:26
  Speaker 1: As soon as you die.
• 1:03:37
  Speaker 2: A square, a smack dab in the middle, only segments and only like hits, only like big Mainstream hits.
• 1:03:42
  Speaker 2: So when you like that, you have to like this A smack dab in the middle of all your segments and all your hits, all your big mainstream hits.
• 1:03:43
  Speaker 2: So when you like that, you have to like this.
• 1:03:45
  Speaker 2: Let's have a good, good time.
• 1:04:30
  Speaker 1: Let's have a good, good time.
• 1:04:32
  Speaker 1: Let's have a good, good time.
• 1:04:33
  Speaker 1: Let's have a good, good time, my lover, let's have a good, good time, me lover.
• 1:04:44
  Speaker 1: I have to mention in my confession to you, me lover, I must discuss what we should and shouldn't do as a me lover.
• 1:05:06
  Speaker 1: A good relation is a relation based on trust.
• 1:05:15
  Speaker 1: Me lover, we too jealous and suspicious.
• 1:05:25
  Speaker 1: It's outrageous and ridiculous To see we messing up with mine.
• 1:05:29
  Speaker 1: See how we messing up with mine.
• 1:05:32
  Speaker 1: I tell you no, me lover, let's have a good, good time.
• 1:05:39
  Speaker 1: No, no, me lover, me lover, let's have a good, good time.
• 1:05:46
  Speaker 1: No, no, my lover, my lover, let's have a good, good time.
• 1:05:57
  Speaker 1: No, lover, let's have a good, good time.
• 1:06:02
  Speaker 1: Oh no, oh no, no, oh no, let's have a good, good time, me lover.
• 1:06:15
  Speaker 1: I used to worry about you having a second hand, me lover, second hand Me lover, as it to help me fulfill me duty as a man.
• 1:06:35
  Speaker 1: Uh, uh, me lover.
• 1:06:39
  Speaker 1: You know we trooping.
• 1:06:40
  Speaker 1: We're really stupid, for true, me lover, it's so amusing to hear we're abusing and accusing.
• 1:06:54
  Speaker 1: It's so confusing and only messing up your mind, and only messing up your mind.
• 1:06:59
  Speaker 1: Me lover, me lover me, lover me, lover me, lover, me lover.
• 1:07:02
  Speaker 1: Oh, let's have a good good time.
• 1:07:06
  Speaker 1: No, no, let's have a good good time.
• 1:07:15
  Speaker 1: No, let's have a good good time.
• 1:07:24
  Speaker 1: Me darling, no, no, let's have a good good time.
• 1:07:31
  Speaker 1: Me lover, me lover, your love too precious and too delicious to lose, me lover, and you too vital and too special to abuse.
• 1:07:57
  Speaker 1: Me lover, what good for Ramgoth Is good for Gander and Goosey too.
• 1:08:09
  Speaker 1: Me lover, you must remember Me, baby lover, when you out yonder.
• 1:08:21
  Speaker 1: Protect me, pleasure, and don't go messing up my mind.
• 1:08:23
  Speaker 1: No, no, pleasure.
• 1:08:24
  Speaker 1: And don't go messing up my mind.
• 1:08:25
  Speaker 1: No, no, don't go messing up your mind, darling, no.
• 1:08:32
  Speaker 2: It's 200 and oh so we really just come to have a good, good time, right, what they say mainstream hits and big Mainstream hits and big big tune.
• 1:08:41
  Speaker 2: Whatever we do, we can't let Tobago get no cessation.
• 1:08:45
  Speaker 2: And if Tobago separate, we keeping some of these.
• 1:08:49
  Speaker 2: Thank you, let's go.
• 1:10:06
  Speaker 1: Let's go and do all them things we see on TV.
• 1:10:09
  Speaker 1: I get the feel of this synthesizer really.
• 1:10:13
  Speaker 1: Come, let me join the people and rock with body so we could get the feeling to oh, oh, to get the sound vibrating.
• 1:10:22
  Speaker 1: Feeling to oh, oh, to get the sound vibrating, oh, oh.
• 1:10:25
  Speaker 1: And how?
• 1:10:27
  Speaker 1: The music making you boom, boom, disco in any tempo, to show it really is.
• 1:11:02
  Speaker 1: So I see this teenage woman about 80-something on top of roller skates.
• 1:11:09
  Speaker 1: Say she disco dancing, she doing she ferris wheel and she disco splitting.
• 1:11:15
  Speaker 1: I say this woman brave ain't she?
• 1:11:18
  Speaker 1: Why don't this woman behave?
• 1:11:22
  Speaker 1: Suppose she fall and break up them lights just change your feature, your eyes get wild like tiger and the rhythm beating down in your belly and you hear drums but you can't hear nobody and them spinning lights have you blanked up neatly and all you're hearing around you is boom, boom.
• 1:12:12
  Speaker 1: You have to take this song in your mouth this time.
• 1:12:18
  Speaker 2: You're getting done with your Listen, special mention had it been made of Lord Nelson Bassman, and if you listen back to some of them, you'll know how bad the bass line is.
• 1:12:36
  Speaker 2: Special mention must be made Again celebratory 200 episodes.
• 1:12:42
  Speaker 2: And over these few years, right over these few years, I'm talking about friends, family, perfect strangers who become friends and family, when they now join the journey and start from the beginning.
• 1:12:53
  Speaker 2: A little bit of message.
• 1:13:24
  Speaker 1: Family Bye-bye.
• 1:13:25
  Speaker 1: Mama tell me, since a baby don't pass people just so when you into a big hole, don't play proudy.
• 1:13:28
  Speaker 1: Tell them howdy.
• 1:13:30
  Speaker 1: I say what's the reason mommy Is?
• 1:13:33
  Speaker 1: Then she tell me she say All I wish was family.
• 1:13:36
  Speaker 1: All I wish was family.
• 1:13:40
  Speaker 1: All I wish for is one family.
• 1:13:43
  Speaker 1: All I wish for is one family.
• 1:13:45
  Speaker 1: All I wish for is one family.
• 1:13:49
  Speaker 1: Roll tight, rock, tight, jump two.
• 1:13:56
  Speaker 1: Then we run to the road, jump tight, rock, tight, rock two.
• 1:14:02
  Speaker 1: Man is in the road.
• 1:14:02
  Speaker 1: Young times, rock times.
• 1:14:03
  Speaker 1: Rock to man is history.
• 1:14:05
  Speaker 1: You can't doubt me.
• 1:14:17
  Speaker 1: Facts is history.
• 1:14:17
  Speaker 1: Old time people will know.
• 1:14:20
  Speaker 1: Now we come to be One together, one another.
• 1:14:25
  Speaker 1: Nothing could separate me From sins in slavery.
• 1:14:29
  Speaker 1: They say All I wish for is family.
• 1:14:32
  Speaker 1: All I wish for is family.
• 1:14:36
  Speaker 1: All I wish for is family.
• 1:14:40
  Speaker 1: All I wish for is one family, all.
• 1:14:44
  Speaker 3: I wish for is one family.
• 1:14:45
  Speaker 3: It's a big podcast for my lady.
• 1:14:57
  Speaker 3: It's a big podcast for my lady Only.
• 1:15:01
  Speaker 3: Who else from Tobago?
• 1:15:01
  Speaker 2: are running out of artists and are running my life?
• 1:15:03
  Speaker 2: Only.
• 1:15:03
  Speaker 2: Who else from Tobago are running out of artists and are running out of time?
• 1:15:06
  Speaker 2: Who else from Tobago?
• 1:15:06
  Speaker 2: Only?
• 1:15:07
  Speaker 2: No, I'm starting to forget, I can't remember, thank you.
• 1:15:23
  Speaker 2: Abatina Gold, who you have to break it down, you know Says she want to marry a man, but she want for someone to love her.
• 1:16:27
  Speaker 4: Abatina Gold, who you have to break it down, you know.
• 1:16:31
  Speaker 4: You scared first.
• 1:16:32
  Speaker 4: They call her a liar.
• 1:16:33
  Speaker 4: She have no song, she more full of wire.
• 1:16:36
  Speaker 4: Abatina Gold, who you have to break it down, you know.
• 1:16:41
  Speaker 1: Abatina Gold who you have to break it down.
• 1:16:44
  Speaker 1: You know it's a big one.
• 1:17:04
  Speaker 2: We're more than halfway through this episode here.
• 1:17:06
  Speaker 2: We're properly more than halfway through this episode.
• 1:17:08
  Speaker 2: I feel like I only play about 25% of this song.
• 1:17:11
  Speaker 2: That's all I'm supposed to play at this point in time.
• 1:17:13
  Speaker 2: I might just be enjoying this little 200 too much.
• 1:17:17
  Speaker 2: Oh, touch me like you're going crazy.
• 1:17:45
  Speaker 1: Let go me hand, let me jump up in the band.
• 1:17:49
  Speaker 1: I don't want nobody to come and stop me.
• 1:17:53
  Speaker 1: Leave me.
• 1:17:55
  Speaker 1: Let me free up, let me step, let me jump up.
• 1:17:58
  Speaker 1: So leave me alone.
• 1:18:03
  Speaker 1: I ain't going home, so leave me alone.
• 1:18:12
  Speaker 1: I ain't going home, let me party.
• 1:18:54
  Speaker 1: Let me party, let me go, let me go.
• 1:18:57
  Speaker 1: I can't go in home, so leave me alone.
• 1:19:00
  Speaker 1: I ain't going home, so leave me alone.
• 1:19:12
  Speaker 1: Leave me alone.
• 1:19:15
  Speaker 3: I ain't going home, leave me alone.
• 1:19:31
  Speaker 2: Who else from Tobago?
• 1:19:31
  Speaker 2: We finished with Rose, yet we have more Rose to play.
• 1:19:46
  Speaker 1: I feel like dancing.
• 1:19:48
  Speaker 1: I feel like dancing Tonight.
• 1:19:55
  Speaker 1: I'm gonna put it on From dusk till dawn.
• 1:20:01
  Speaker 1: I feel like dancing.
• 1:20:06
  Speaker 1: Oh yeah, I feel like dancing Tonight.
• 1:20:12
  Speaker 1: I'm gonna put it on, baby, from dusk till dawn.
• 1:20:17
  Speaker 1: Show me, look and me, tell them you might think I'm cool with my attitude.
• 1:20:24
  Speaker 1: Don't want my country, not because I'm higher, hotter than ever.
• 1:20:29
  Speaker 1: Don't want my country, so keep your distance.
• 1:20:32
  Speaker 1: I just want to dance.
• 1:20:33
  Speaker 1: Don't want my country.
• 1:20:35
  Speaker 1: It's a nice party.
• 1:20:36
  Speaker 1: Don't wind up on me.
• 1:20:37
  Speaker 1: I feel like dancing.
• 1:20:39
  Speaker 1: I feel like dancing.
• 1:20:59
  Speaker 1: I feel like dancing.
• 1:21:03
  Speaker 1: Tonight I'm going to put it on, oh yes, from dusk till dawn.
• 1:21:10
  Speaker 1: Show me, look at me, tell them, look at Peter Ram, the wicked slam.
• 1:21:17
  Speaker 1: No, I'm back on shit.
• 1:21:19
  Speaker 1: If you think I'm hot, show me what you got.
• 1:21:21
  Speaker 1: No, I'm back on shit.
• 1:21:23
  Speaker 1: And the man's sparrow?
• 1:21:24
  Speaker 1: I told him no, no, no, I feel like dancing.
• 1:21:33
  Speaker 1: I feel like dancing Tonight.
• 1:21:40
  Speaker 1: I'm going to put it on From dusk till dawn.
• 1:21:45
  Speaker 1: I feel like dancing.
• 1:21:50
  Speaker 1: I feel like dancing Tonight.
• 1:21:57
  Speaker 1: I'm going to put it on From dus, dust till dawn.
• 1:22:05
  Speaker 2: From dust till dawn.
• 1:22:07
  Speaker 2: From dust till dawn 200 episodes, or you could do that with all gratitude.
• 1:22:38
  Speaker 1: This is Caribbean Vibes To Bego, the land of my birth, which foreigners don't know.
• 1:22:44
  Speaker 1: I've passed through depression and starvation to be where I am in my profession.
• 1:22:53
  Speaker 1: So, to Bego, I am thankful to you.
• 1:22:58
  Speaker 4: I won't be ungrateful.
• 1:22:59
  Speaker 4: I say thanks, dance, dance.
• 1:23:02
  Speaker 4: I thank me mother, me school teacher, me neighbor, me brother and me sister.
• 1:23:08
  Speaker 4: So you see.
• 1:23:40
  Speaker 1: Tobago.
• 1:23:41
  Speaker 1: I thank thee.
• 1:23:41
  Speaker 1: I am sure you'll be more than glad to know that the mother of mexico is.
• 1:23:52
  Speaker 1: Thanks, I found you.
• 1:24:01
  Speaker 1: That's why my education Made me to be the most recognized woman.
• 1:24:04
  Speaker 1: So you see, dreamy that I found thee.
• 1:24:06
  Speaker 1: This is Caribbean Vibes.
• 1:24:23
  Speaker 1: I am not forgetting San Fernando For keeping me named for years.
• 1:24:34
  Speaker 1: We now call it so.
• 1:24:35
  Speaker 1: I am not forgetting Barataria, the deepest where I grew with my adopted mother.
• 1:24:44
  Speaker 1: I can't forget my fans who support me in my profession.
• 1:24:50
  Speaker 1: I say thanks, thanks, thanks, and to the Baptist religion who gave me so much wisdom.
• 1:24:59
  Speaker 2: glory be I plant thee.
• 1:25:01
  Speaker 2: You ever stop some songs sometimes.
• 1:25:23
  Speaker 2: Sometimes you need a hard stop.
• 1:25:25
  Speaker 2: We finish with Calypso Rose as a woman representing Tobago.
• 1:25:29
  Speaker 2: We finish with gratitude, but we still have more ¶¶.
• 1:26:24
  Speaker 1: Thank you.
• 1:26:24
  Speaker 1: They say me music's sweet and make for the clown to be.
• 1:26:27
  Speaker 1: It's not this way to jump on carnival day, the brass taking the load.
• 1:26:30
  Speaker 1: They call me queen, queen, queen.
• 1:26:32
  Speaker 1: I just say queen of the road.
• 1:26:35
  Speaker 1: Thank you, everybody hushed.
• 1:26:42
  Speaker 1: They say it was brainwashed.
• 1:27:05
  Speaker 1: How lucky tonight.
• 1:27:06
  Speaker 1: It's all they just hear.
• 1:27:08
  Speaker 1: The statement is not true.
• 1:27:10
  Speaker 1: Friendly people lost their shoe.
• 1:27:12
  Speaker 1: It was my new beat Made trouble on the street.
• 1:27:16
  Speaker 1: Now they address me as your Majesty.
• 1:27:20
  Speaker 1: They say me music sweet Is made for the country beat.
• 1:27:27
  Speaker 1: It has the strength to jump on carnival days, the brass taking the load.
• 1:27:35
  Speaker 4: They call me queen, queen.
• 1:27:36
  Speaker 4: Oh majesty.
• 1:27:47
  Speaker 3: Queen of the road.
• 1:27:48
  Speaker 2: We don't want Calypso, rose or Olise.
• 1:28:06
  Speaker 1: I can't take this tension.
• 1:28:07
  Speaker 1: It's too hard to mention, but I spend too small For the kind of bad.
• 1:28:11
  Speaker 1: I know what will happen.
• 1:28:13
  Speaker 1: It's the same, the same.
• 1:28:15
  Speaker 1: It's people like red that make me spend Murray Square Hot.
• 1:28:20
  Speaker 1: Patrick Street Hot, Sell a street hot, so I can stop.
• 1:28:23
  Speaker 1: Hey, I'll go dance San Fernando, Don't?
• 1:28:26
  Speaker 1: They have plenty tempo and a steel orchestra jamming sweet.
• 1:28:30
  Speaker 1: I'm going to join San Fernando On a coffee street.
• 1:28:35
  Speaker 1: So give me more, give me more, give me more tempo.
• 1:28:38
  Speaker 1: Give me hope.
• 1:28:38
  Speaker 1: My career does ballin'.
• 1:28:55
  Speaker 1: These people ain't movin'.
• 1:28:57
  Speaker 1: You got it done.
• 1:28:59
  Speaker 1: You got it done.
• 1:29:00
  Speaker 1: You jump in the morning morning until evening you reach competition.
• 1:29:07
  Speaker 1: All the judges on Savannah jumping corner jabs in pixel street jam with brass and sand.
• 1:29:12
  Speaker 1: Hey, I'm going down San Fernando.
• 1:29:15
  Speaker 1: Down, there has plenty tempo, Catastrofe orchestra jamming suite.
• 1:29:20
  Speaker 1: I'm going to join San Fernando.
• 1:29:22
  Speaker 1: All them coffee streets.
• 1:29:24
  Speaker 1: So give me more, give me more tempo, Wee.
• 1:29:30
  Speaker 3: Bum, ba-da, ba-da, ba-da, ba-ba-da, ba-da, ba-da, ba-da, ba-da, ba-da, ba-da.
• 1:29:38
  Speaker 2: Bum, ba-da, ba-da, ba-da, ba sugar, give me more Tempo.
• 1:29:43
  Speaker 2: When last you get two for the price of one?
• 1:29:45
  Speaker 2: I've seen the price of everything going up in Trinidad.
• 1:29:47
  Speaker 2: I had an article here to read for all about inflation.
• 1:29:49
  Speaker 2: I know, because they say inflation stays in the same, inflation ain't going nowhere and all these things.
• 1:29:53
  Speaker 2: But I know you've only seen the price of things in the grocery.
• 1:29:56
  Speaker 2: But you could count on me to get a little two for one.
• 1:29:59
  Speaker 2: Unless I get two to be going on for the price of one, I bring me revolver.
• 1:30:03
  Speaker 2: What if I win Chester?
• 1:30:24
  Speaker 4: If you mess with Rose, put on semi-tree clothes.
• 1:30:27
  Speaker 1: What a combination To wake up this nation.
• 1:30:30
  Speaker 1: Tell the people Open the gates, open the gates, open the gates.
• 1:30:33
  Speaker 1: I just can't wait.
• 1:30:38
  Speaker 1: I have the tempo, karen, I have the tempo.
• 1:30:40
  Speaker 1: Dominic Boyd, have the tempo?
• 1:30:42
  Speaker 1: Puppies got rough tempo jump again to not act up like a macho.
• 1:30:45
  Speaker 1: Then what we doing there, from Port of Spain to Sando, we killing them with tempo.
• 1:30:51
  Speaker 1: Survival of the fittest on that street.
• 1:30:54
  Speaker 4: I said no, we ain't going home.
• 1:30:55
  Speaker 1: Better leave me alone to leave me.
• 1:30:56
  Speaker 1: No, we can't come back.
• 1:30:58
  Speaker 1: Tempo, we can't come back.
• 1:30:59
  Speaker 1: Move now.
• 1:31:00
  Speaker 1: Here we come from all the strange places.
• 1:31:01
  Speaker 1: I'm just a no Jump up.
• 1:31:03
  Speaker 1: Here we come, that big bad drum with them boys to follow.
• 1:31:05
  Speaker 1: Oh, we party every day.
• 1:31:08
  Speaker 1: Yeah, yeah, yeah, we love to join the atmosphere.
• 1:31:11
  Speaker 1: Yeah, yeah, yeah.
• 1:31:12
  Speaker 1: Music's a level.
• 1:31:12
  Speaker 1: Jump up and ride.
• 1:31:13
  Speaker 1: We're not wasting time and the odds are lying.
• 1:31:16
  Speaker 1: My only intention with this generation Is to make you weak with this hookah beat when I tell you hands up, man, you better hands up, and it's time to open the gate.
• 1:31:28
  Speaker 1: Open the gate, open the gate and just get away.
• 1:31:31
  Speaker 1: San Francisco, the tempo, what a spin.
• 1:31:33
  Speaker 1: Half the tempo.
• 1:31:34
  Speaker 1: Arima, half the tempo.
• 1:31:35
  Speaker 1: Carona, half the tempo.
• 1:31:37
  Speaker 1: Dunning Point half the tempo.
• 1:31:39
  Speaker 1: Office car work tempo, jump again to not act like a macho then how we do it.
• 1:31:55
  Speaker 2: You know, as we've done here already, right, we've done here, right, we're here.
• 1:32:12
  Speaker 2: Hey, hey, hey, yeah, yeah, jumping up, start jumping up, jumping up, start jumping up.
• 1:32:15
  Speaker 2: Jigga, jiggga, jiggga, jiggga.
• 1:32:16
  Speaker 2: Black people dancing.
• 1:32:17
  Speaker 2: Better, vibe, get all alive.
• 1:32:18
  Speaker 2: We come in here, we come in here, we come in 2005 here, we come in, here, we come in Big 5, boom, boom, telling you, there is just no stopping for this day.
• 1:32:40
  Speaker 1: I'll swing the sea, climb the highest mountain.
• 1:32:42
  Speaker 1: Let it go, blaze the heat like a fire burning.
• 1:32:46
  Speaker 1: Bust me, bust man, gonna find a way I would win.
• 1:32:48
  Speaker 1: Bust man, train me to fire me for sure, if I only live only once more.
• 1:32:53
  Speaker 1: But once you've met the underdog, it's time to go to run, to go to fly.
• 1:32:58
  Speaker 1: Don't jump on me like that.
• 1:32:59
  Speaker 1: Get on and run.
• 1:33:00
  Speaker 1: Still we coming, still we coming, still we coming.
• 1:33:16
  Speaker 2: We'll be right back road calling hey, when I was roasting.
• 1:33:20
  Speaker 2: I'm pulling on at me.
• 1:33:20
  Speaker 2: Meet me on the road.
• 1:33:41
  Speaker 1: Meet me on the road.
• 1:33:43
  Speaker 1: Meet me on the road.
• 1:33:43
  Speaker 1: Meet me on the road.
• 1:33:44
  Speaker 1: Watch you, watch you watch how you're driving.
• 1:33:46
  Speaker 1: Meet me on the road.
• 1:33:47
  Speaker 1: Truck driver.
• 1:33:48
  Speaker 1: Watch you driving, blow your horn and signal you're turning.
• 1:33:50
  Speaker 1: Truck driver.
• 1:33:51
  Speaker 1: Watch you driving.
• 1:33:52
  Speaker 1: Watch you watch you watch how you're driving.
• 1:33:54
  Speaker 1: Truck driver.
• 1:33:55
  Speaker 1: Watch you driving.
• 1:33:56
  Speaker 1: Blow your horn and signal you're turning Truck driver.
• 1:33:59
  Speaker 1: Watch you driving.
• 1:33:59
  Speaker 1: Watch you watch you watch how you're driving.
• 1:34:01
  Speaker 1: Truck driver.
• 1:34:03
  Speaker 1: Watch you driving, blow your horn and signal you're turning.
• 1:34:05
  Speaker 1: We're moving to the base, winding all over the place, up and down in the sun, jumping up and carrying on.
• 1:34:12
  Speaker 1: You've been mourning in town to the madness when we come, but you want people to run, run, run, run, run Driver.
• 1:34:20
  Speaker 1: When you see the base that we're from, Slow it down.
• 1:34:23
  Speaker 1: We come to get done, driver.
• 1:34:25
  Speaker 1: We come to get done Driver, driver.
• 1:34:28
  Speaker 3: Sexy woman come to play mass.
• 1:34:30
  Speaker 3: Look at the bottom.
• 1:34:31
  Speaker 3: Forget the gas Driver.
• 1:34:33
  Speaker 3: Forget the gas Driver truck driver.
• 1:34:34
  Speaker 3: Why the hell you driving so fast?
• 1:34:37
  Speaker 3: Driver truck driver Touching brakes and ease of the gas Driver truck driver.
• 1:34:42
  Speaker 3: You ain't see people play much Driver truck driver touching brakes and ease of the gas driver truck driver.
• 1:34:45
  Speaker 3: You won't see people playing much driver truck driver.
• 1:34:46
  Speaker 3: Where the hell you want me to bash?
• 1:34:48
  Speaker 3: Driver what you driving driving, driving, driving what you driving driving, driving driving what you driving.
• 1:34:58
  Speaker 2: Hey, we've got plenty more to play, but we are still having a show in Winchester.
• 1:35:02
  Speaker 2: Salute couldn't talk about.
• 1:35:05
  Speaker 2: Hey, we've got plenty more to play, but we also have a show in Winchester.
• 1:35:08
  Speaker 2: Couldn't talk about Tobago without talking about show in Winchester, but somehow I feel like we wasn't done with the roast.
• 1:35:26
  Speaker 2: I feel like we wasn't done with the roast A little bit.
• 1:35:29
  Speaker 2: I heard a ballin' like somebody cryin'.
• 1:35:32
  Speaker 2: I just couldn't imagine what was happenin'.
• 1:35:35
  Speaker 2: I saw this old lady runnin' Callin' out to she never ran, sayin' Never, never.
• 1:35:40
  Speaker 2: Come on, god, we have some fire and if you hear she, fire, fire.
• 1:36:32
  Speaker 3: Give me wire fire.
• 1:36:33
  Speaker 3: Oh, yeah, yeah, yeah, yeah, yeah, thank you.
• 1:36:35
  Speaker 3: We had to make some decisions.
• 1:36:37
  Speaker 3: I need all your help.
• 1:36:38
  Speaker 3: Chihuahua big for.
• 1:36:39
  Speaker 2: So, olehewata, we had to make some decisions.
• 1:36:46
  Speaker 2: No, I need Oleh help.
• 1:36:47
  Speaker 2: 200 episodes in.
• 1:36:48
  Speaker 2: I need Oleh help Because I watching an hour and 40 minutes gone.
• 1:36:54
  Speaker 2: I kind of like to be around the two-hour mark.
• 1:36:57
  Speaker 2: I care the thinking behind the two hours.
• 1:36:58
  Speaker 2: Right, the two hours is an hour on your way to work and an hour on your way back.
• 1:37:01
  Speaker 2: It is designed for people who sit away in traffic for a long time and so on.
• 1:37:06
  Speaker 2: Right, and here we're designed to An hour for resistance training, an hour for cardio.
• 1:37:15
  Speaker 2: But it's a special episode.
• 1:37:16
  Speaker 2: Only if I allow myself a little more time this week, only if I wouldn't complain If I go over time this week.
• 1:37:21
  Speaker 2: Only if'll complain.
• 1:37:22
  Speaker 2: All you'll stay with me.
• 1:37:22
  Speaker 2: Don't drop off.
• 1:37:24
  Speaker 2: You know, because I see some mountain on YouTube and then when it's to the past, you have one and a half and see it drop off fast.
• 1:37:29
  Speaker 2: I drop it off a cliff for a good, because with Tobago Hotties, there's a gentleman from Tobago that I cannot close the episode without playing.
• 1:37:40
  Speaker 2: And since we're in reminiscing mode and celebrating mode and so on, I want to start this segment with one of the songs that inspired this podcast and might be one of the first songs I ever play on this podcast and if it's not, I can tell you that when you do 200 or something, or when you do any amount of something right where you're worth celebrating, it have days it has come here in his field to turn on this mic and record on top all kind of thing, and it had days you don't want to do it.
• 1:38:07
  Speaker 2: You hear what johnny king says perseverance.
• 1:38:09
  Speaker 2: Sometimes you just had to fight through it.
• 1:38:11
  Speaker 2: Battle.
• 1:38:11
  Speaker 2: Sometimes you're sick.
• 1:38:12
  Speaker 2: It's our episodes that do here my back hurting.
• 1:38:14
  Speaker 2: I used to do standing up because them days I wasn't on video yet I I used to have to stand up and do it because when I sit down for too long my back used to hurt.
• 1:38:23
  Speaker 2: Listen, anybody who do something for a long time can tell you a story about how hard it was to do.
• 1:38:28
  Speaker 2: You see this song in particular.
• 1:38:29
  Speaker 2: I used to play this song Sometimes.
• 1:38:32
  Speaker 2: Stacey must be fed up with it.
• 1:38:34
  Speaker 2: I'm going to take this minute to say a sincere and genuine thank you to my family, my household, my wife and my son for tolerating me, putting up with me doing this every week, all the noise in the head, sometimes one o'clock in the morning.
• 1:38:49
  Speaker 2: I record and I shout and make a noise right through zachary wall and say she just used to leave.
• 1:38:54
  Speaker 2: Man, let me do my thing.
• 1:38:55
  Speaker 2: She never wants to complain, never.
• 1:38:57
  Speaker 2: Salute to them, right, but this song?
• 1:39:01
  Speaker 2: She must get fed up, because I used to play this song, sometimes hundreds of times, just to get me to get the vibe and the energy to record.
• 1:39:31
  Speaker 1: If you do good, god would follow you, and if you do bad, your journey is hard.
• 1:39:41
  Speaker 1: You're always in war with your conscience.
• 1:39:45
  Speaker 1: It's squeezing you up like a tight fence.
• 1:39:51
  Speaker 1: You could be living in a den of luxury, yet you're always unhappy.
• 1:39:57
  Speaker 1: In a den of luxury, yet you're always unhappy.
• 1:40:04
  Speaker 1: You go to your bed on your lovely mattress.
• 1:40:07
  Speaker 1: You're dying to sleep, but you can't find a rest.
• 1:40:12
  Speaker 1: No rest, no rest, tossing about like a leaf on the bed.
• 1:40:18
  Speaker 1: The wrong things you do, like a bomb in your head.
• 1:40:52
  Speaker 1: Many people In this world today, satisfaction Is their enemy.
• 1:40:59
  Speaker 1: They want every object they behold.
• 1:41:03
  Speaker 1: The agreed enos is out of control.
• 1:41:09
  Speaker 1: They could be living in the midst of happiness, but their minds are in sadness.
• 1:41:17
  Speaker 1: They go to the bed on their soft, nice mattress, dying to sleep, but cannot find a rest.
• 1:41:31
  Speaker 1: No rest, no rest, dossing about just like leaf on the bed.
• 1:41:36
  Speaker 1: The wrong things they do, just like leaf on the bed.
• 1:41:40
  Speaker 1: The wrong things they do, just like bombs in their head.
• 1:41:59
  Speaker 2: Suppose I tell you I have about a hundred of these to play my time right.
• 1:42:09
  Speaker 2: Give me a little selfish time first, no a?
• 1:42:11
  Speaker 1: woman crying out I'm tired, I'm tired, I'm tired, I'm tired.
• 1:42:14
  Speaker 1: I'm gonna ask her what is wrong.
• 1:42:22
  Speaker 1: She said I'm with Mr Brown.
• 1:42:24
  Speaker 1: He has me working all day long.
• 1:42:27
  Speaker 1: Then she said to Mr Brown every minute you want coffee.
• 1:42:32
  Speaker 1: Don't hustle me, boy, you have me busy, busy, don't hustle me.
• 1:42:38
  Speaker 1: Go look for me shoe.
• 1:42:40
  Speaker 1: Go look for me hat.
• 1:42:41
  Speaker 1: I want you to know.
• 1:42:42
  Speaker 1: I'm fed up with that.
• 1:42:43
  Speaker 1: And every night you preaching your love.
• 1:42:45
  Speaker 1: But I have a problem to solve.
• 1:42:48
  Speaker 1: Is this love or what?
• 1:42:50
  Speaker 1: Tell me, mr Brown, is this love or what?
• 1:42:54
  Speaker 1: Come on, honey, I want me tea.
• 1:42:58
  Speaker 1: I want me empty tomato and celery.
• 1:43:00
  Speaker 1: I want me food.
• 1:43:01
  Speaker 1: I hope it's good and bring me food.
• 1:43:04
  Speaker 1: I'm in a very hungry mood.
• 1:43:06
  Speaker 1: Is this love or what?
• 1:43:08
  Speaker 1: Is this love or what?
• 1:43:12
  Speaker 1: Don't touch me, don't touch me there, don't touch me.
• 1:43:17
  Speaker 1: Don't touch me there.
• 1:43:18
  Speaker 1: Don't touch me.
• 1:43:19
  Speaker 1: Don't touch me there.
• 1:43:20
  Speaker 1: Don't touch me.
• 1:43:21
  Speaker 1: Don't touch me there.
• 1:43:22
  Speaker 1: Take it easy, mr Brown, going crazy.
• 1:43:28
  Speaker 1: Mr Brown, don't touch me, don't touch me, don't touch me, don't touch me, don't touch me.
• 1:43:39
  Speaker 1: Not long ago, when we were young and our love was very strong, was flowers by showers and kisses for hours.
• 1:43:45
  Speaker 1: Now our love is getting weak.
• 1:43:47
  Speaker 1: It's like a bucket with a leak.
• 1:43:49
  Speaker 1: It's getting empty by the drips.
• 1:43:50
  Speaker 1: Don't know when last you kissed my lips, thank you, but I have a problem to solve.
• 1:43:54
  Speaker 1: Is this love or what?
• 1:43:55
  Speaker 1: Please tell me, mr Brown, is this love or what?
• 1:44:25
  Speaker 1: Come on, honey.
• 1:44:26
  Speaker 1: I want me tea.
• 1:44:27
  Speaker 1: I want the egg with tomato and celery.
• 1:44:29
  Speaker 1: I want me food.
• 1:44:30
  Speaker 1: I hope it's good.
• 1:44:31
  Speaker 1: I'm really good.
• 1:44:32
  Speaker 1: I'm in a very hungry mood.
• 1:44:39
  Speaker 2: Is this love, or what Is this love, or what Is this love, or what?
• 1:44:43
  Speaker 2: Don't touch me.
• 1:44:43
  Speaker 2: Don't touch me there, don't touch me.
• 1:44:46
  Speaker 2: Don't touch me there, don't touch me.
• 1:44:48
  Speaker 2: Don't touch me there, don't touch me.
• 1:44:50
  Speaker 2: I in front a list of about a hundred song here.
• 1:45:42
  Speaker 1: But this had to be one of my favorites.
• 1:45:44
  Speaker 1: Thank you.
• 1:45:44
  Speaker 1: I call the mental hospital.
• 1:45:45
  Speaker 1: Come quick to avoid a funeral.
• 1:45:46
  Speaker 1: A man came in my house to beat me.
• 1:45:47
  Speaker 1: He came in my house to bite me.
• 1:45:51
  Speaker 1: I belong to the house of music.
• 1:45:58
  Speaker 3: He's either crazy, quillio Real C, but I don't want to sink that soca boat.
• 1:46:04
  Speaker 3: I don't want to sink that soca boat, just don't want to sink that soca boat.
• 1:46:09
  Speaker 3: I don't want to sink that soca boat.
• 1:46:12
  Speaker 2: Everybody supposed to know, shadow is quality right.
• 1:46:15
  Speaker 2: So right now we're going for quantity In and out.
• 1:46:23
  Speaker 2: Feeling my feeling, yeah, feeling your body, feeling the fat.
• 1:47:05
  Speaker 1: Feeling the body until me clothes wet.
• 1:47:07
  Speaker 1: Baby, I feel it all dance.
• 1:47:20
  Speaker 1: I feel it, I dance.
• 1:47:21
  Speaker 1: I feel it, I dance, I feel it, I dance until morning comes.
• 1:47:24
  Speaker 1: Baby, are you feeling the feelings?
• 1:47:35
  Speaker 1: Baby, Feel the feelings.
• 1:47:37
  Speaker 1: Are you feeling the feelings, baby?
• 1:47:38
  Speaker 1: Baby Feel the feelings.
• 1:47:39
  Speaker 1: Are you getting the symptoms?
• 1:47:39
  Speaker 1: Baby Feeling the feelings?
• 1:47:40
  Speaker 1: Are you feeling the feelings, baby?
• 1:47:40
  Speaker 1: Baby Feeling the feelings.
• 1:47:41
  Speaker 1: Are you getting the symptoms?
• 1:47:43
  Speaker 1: Honey, getting the symptoms?
• 1:47:46
  Speaker 1: Are you getting the symptoms, Getting the symptoms?
• 1:47:49
  Speaker 1: Are you feeling the feelings, baby?
• 1:47:52
  Speaker 1: Baby Feeling the feelings.
• 1:47:54
  Speaker 1: Are you feeling the feelings?
• 1:47:57
  Speaker 1: Baby Feeling the feelings.
• 1:47:58
  Speaker 1: Are you getting the symptoms?
• 1:47:59
  Speaker 1: Honey, getting the feelings?
• 1:48:00
  Speaker 1: Are you getting the symptoms, getting the symptoms?
• 1:48:03
  Speaker 2: Are you getting the symptoms?
• 1:48:04
  Speaker 2: Getting the symptoms?
• 1:48:06
  Speaker 2: I tell you, we're going for quantity.
• 1:48:08
  Speaker 2: You know the quality down there and there's a thousand shoes, even if the man do.
• 1:48:29
  Speaker 1: Our greatest hits album, right it's still have over 50 songs guitar solo.
• 1:49:06
  Speaker 1: What's wrong with the controllers, these old-time controllers?
• 1:49:11
  Speaker 1: If your conscience haunting you, it's you I am talking to.
• 1:49:16
  Speaker 1: I've spent restless days and sleepless nights in many ways to make soca rye.
• 1:49:23
  Speaker 1: Now they're playing games, heavy, heavy games.
• 1:49:32
  Speaker 1: To protect my honor, I'm going to fight like a tiger.
• 1:49:36
  Speaker 1: Tension in my body, tension in my soul.
• 1:49:39
  Speaker 1: Tension in my soul, tension in my belly, my blood running cold.
• 1:49:44
  Speaker 1: Is the tension, is the tension?
• 1:49:48
  Speaker 1: Is the tension?
• 1:49:50
  Speaker 1: Is the tension?
• 1:49:52
  Speaker 1: The tension keep rising, reaching for my head.
• 1:49:56
  Speaker 1: If it don't stop rising, I will soon be dead.
• 1:50:01
  Speaker 1: It's the tension, it's the tension.
• 1:50:05
  Speaker 1: It's the tension.
• 1:50:06
  Speaker 1: It's the tension.
• 1:50:07
  Speaker 1: It's the tension.
• 1:50:07
  Speaker 1: It's the tension.
• 1:50:08
  Speaker 1: It's the tension, it's the tension.
• 1:50:09
  Speaker 1: It's the tension.
• 1:50:10
  Speaker 1: It's the tension.
• 1:50:10
  Speaker 1: It's the tension.
• 1:50:11
  Speaker 1: It's the tension, it's the tension.
• 1:50:12
  Speaker 1: It's the tension, it's the tension.
• 1:50:17
  Speaker 2: It's the tension.
• 1:50:18
  Speaker 2: We're just sticking to the greatest hits.
• 1:50:19
  Speaker 2: She said.
• 1:50:54
  Speaker 1: My husband gone away, gone on a holiday, he gone to Mexico and then to Tokyo.
• 1:51:02
  Speaker 2: So we went inside and we hugged her.
• 1:51:04
  Speaker 2: Oh yeah, then I hear a motorcar pull up.
• 1:51:06
  Speaker 1: And then she peep out in the gallery.
• 1:51:08
  Speaker 1: Oh, yeah, yeah, I hear she fall out.
• 1:51:09
  Speaker 1: Roll on against me, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet, janet.
• 1:51:23
  Speaker 1: Tell me who is he in the gallery?
• 1:51:30
  Speaker 1: Tell me, who is that in the sailor hat?
• 1:51:34
  Speaker 1: Oh Lord, janet.
• 1:51:37
  Speaker 3: Janet, janet.
• 1:51:39
  Speaker 2: Janet In her time, in her time, in her time.
• 1:51:42
  Speaker 2: As we're talking about Janet, janelle, call your husband for a minute Before I start to play this tune.
• 1:51:47
  Speaker 2: Call your husband for a minute.
• 1:51:48
  Speaker 2: This is between me and my brother-in-law.
• 1:51:50
  Speaker 2: Call him close.
• 1:51:50
  Speaker 2: Call him close to the pause and call him close to the radio for a minute.
• 1:51:54
  Speaker 2: Thank you, music sweet.
• 1:52:37
  Speaker 1: Music, sweet, music's sweet, music's sweet.
• 1:52:41
  Speaker 1: The one who invented music is got to be terrific, got to be the one who created the sun and the trees, rivers and seas.
• 1:52:55
  Speaker 1: See, everybody, single leg, single leg.
• 1:53:22
  Speaker 1: Single leg, single leg, single leg.
• 1:53:26
  Speaker 1: If you're close to a rock or you're super tough, you can still jump up when music plays.
• 1:53:35
  Speaker 1: Old lady, young baby Everybody, single leg.
• 1:53:40
  Speaker 1: When music plays old lady, young baby, everybody.
• 1:53:43
  Speaker 1: Ding-a-ling, ding-a-ling, ding-a-ling, ding-a-ling, ding-a-ling.
• 1:53:48
  Speaker 1: Yeah, yeah, yeah.
• 1:53:56
  Speaker 2: Let me tell you something One of the greatest songs ever written musically and lyrically.
• 1:54:06
  Speaker 2: Ding-o-lay Janelle, rewind that and play it for me again.
• 1:54:10
  Speaker 2: But when you're talking about Shadow, listen one of the greatest lyricists, his arrangement of music, one of the greatest Calypsonians of all time.
• 1:54:18
  Speaker 2: I think when they had made a top 50 list of the greatest Calypsonians of all time, I think when they had made a top 50 list of the greatest Calypsonians of all time, shadow was at the top and the level of versatility he had, because to sing songs like those over the years and then come to something like this, you're bad.
• 1:54:33
  Speaker 2: You have to be bad.
• 1:54:39
  Speaker 1: You're bad, bad, bad, bad, bad, bad bad.
• 1:54:40
  Speaker 1: Yes, a poor man living in a tinny winny hut, children hungry, nothing in the pot.
• 1:54:57
  Speaker 1: He gone by the neighbor to beg for some rice, the neighbor on the fresh of items, and nights he gone in the big short area to bed.
• 1:55:08
  Speaker 1: A police put a bullet in the tinny winny leg.
• 1:55:10
  Speaker 1: He gone in the court and he lost the case.
• 1:55:13
  Speaker 1: The prosecutor say he have a bandage face.
• 1:55:15
  Speaker 1: Bump a detail, bump a detail, thank you.
• 1:55:34
  Speaker 1: The whole dream cutting up the belly, the young girl falling.
• 1:55:38
  Speaker 1: She won't settle, she rides, she bumps away, stinging nettle toilet paper.
• 1:55:43
  Speaker 1: They never had a use to toot toot in the gully by the old backyard.
• 1:55:47
  Speaker 1: They rub she down and they put she to sleep.
• 1:55:50
  Speaker 1: The rain come down and the house does leak.
• 1:55:52
  Speaker 1: Puppeteer.
• 1:55:53
  Speaker 1: A poor man always dream another dream.
• 1:55:55
  Speaker 1: He happy like a puppy when he dream another dream.
• 1:56:08
  Speaker 1: He dream that he have a new roof on the hut.
• 1:56:11
  Speaker 1: He dream that he have some good food in the pot.
• 1:56:13
  Speaker 1: He dream that he have a rich friend named Frank.
• 1:56:16
  Speaker 1: He dream that he have a lot of cash in the bank.
• 1:56:18
  Speaker 1: He dream that he pay all his bills for the month.
• 1:56:21
  Speaker 1: He dream that he have a new car in the front.
• 1:56:24
  Speaker 1: Poverty is hell.
• 1:56:42
  Speaker 2: Poverty is hell.
• 1:56:42
  Speaker 2: You know what it's making me feel to do it, making me feel like, every now and again, right, every now and again, I feel I want an episode with just music.
• 1:56:49
  Speaker 2: Salute to my guy, kaiso Kern, right, salute Kaiso Kern, fellow podcaster, one of the baddest men in the podcast game and one of the baddest men when it comes to knowing Kaiso too.
• 1:56:59
  Speaker 2: This fella know a lot of Kaiso and Calypso right.
• 1:57:02
  Speaker 2: So take him in.
• 1:57:02
  Speaker 2: He usually have a Monday morning drop, right.
• 1:57:05
  Speaker 2: Take him in.
• 1:57:05
  Speaker 2: Look for Kaiso Kern.
• 1:57:07
  Speaker 2: Tgim Thank God it's Monday is the name of the thing TGIM, the 10th right.
• 1:57:12
  Speaker 2: So here's what you see.
• 1:57:14
  Speaker 2: As we talk about Shadow and we're done on it here already I have a couple of things that, as with every artist I play for this episode, right, they have a few songs that is signature to these artists and we can't really leave it without playing them.
• 1:57:30
  Speaker 2: Songs, right, and for Shadow, this is one of them.
• 1:57:33
  Speaker 2: Songs, again, one of the songs that make me fall in love with Calypso music, one of the songs that all of we know, one of the earliest and easily one of the biggest hits, right.
• 1:57:42
  Speaker 2: One more time, I was planning to forget Calypso to go and plant bees into a bagel, but I am afraid I can't make the grade.
• 1:57:48
  Speaker 2: Every night I lie down in my bed.
• 1:58:26
  Speaker 1: I hear a bass man in my head Bum, bum, bittin' bum, bum, bum, bum bittin' bum, bum, bum, bum bittin' bum, bum, bum, bum, bum, bum, bum, bum, bum, bum.
• 1:58:35
  Speaker 1: I don't know how this thing gets inside me.
• 1:58:44
  Speaker 1: Mama every morning is driving me crazy, like he's taking me for a panhard Morning and evening Uncle Pharrell gone mad.
• 1:58:51
  Speaker 1: If I don't want to sing when he starts to do his thing?
• 1:58:55
  Speaker 1: I don't want to, but I gotta sing.
• 1:58:58
  Speaker 1: If I don't want to dance, I gotta sing, but I don't wanna dance.
• 1:59:02
  Speaker 1: He does have me in a trance.
• 1:59:04
  Speaker 1: I don't want to, but I gotta dance to his.
• 1:59:15
  Speaker 2: The one time we get to play for Shadow, I'll tell him we had to play this.
• 1:59:19
  Speaker 2: And he'll tell me well, them two songs just go together.
• 1:59:20
  Speaker 2: If you had to play that, you get to play for Shadow.
• 1:59:21
  Speaker 2: I tell him we had to play this and he tell me well, them two song just go together.
• 1:59:21
  Speaker 2: If you had to play that, you had to play that.
• 1:59:23
  Speaker 2: I come home to play.
• 1:59:25
  Speaker 2: I come home to play.
• 1:59:29
  Speaker 2: I come home to play.
• 1:59:52
  Speaker 1: Oh, my, my, my.
• 1:59:52
  Speaker 1: It was Tuesday night, last night, carnival Me head feeling.
• 1:59:57
  Speaker 1: Right when I met this girl she said I drink up me whiskey and I smoke up me tam dee, and right now I'm searching for a man to jump up with me.
• 2:00:08
  Speaker 1: But boy, you're dancing like your freighter's touched me.
• 2:00:11
  Speaker 1: I come out to play, hold me tight around my belly.
• 2:00:15
  Speaker 1: I come out to play, you're afraid my man will beat you.
• 2:00:18
  Speaker 1: I come out to play, i're afraid my man will beat you.
• 2:00:19
  Speaker 1: I come out to play.
• 2:00:21
  Speaker 1: I don't have a man, I tell you.
• 2:00:23
  Speaker 1: I only hope you don't have no humanity band.
• 2:00:28
  Speaker 1: If you have a woman, that don't be well, confusion.
• 2:00:32
  Speaker 1: I am in search of a man with your description.
• 2:00:44
  Speaker 3: And you got to play with me from now until last Wednesday and if you feel it's only an old tune from the 70s.
• 2:00:51
  Speaker 2: I think the man has his hits.
• 2:00:52
  Speaker 2: I'm a stranger.
• 2:01:25
  Speaker 1: I came down here For the carnival who's home music.
• 2:01:30
  Speaker 1: Have me in a trance.
• 2:01:32
  Speaker 1: One who play mass, teach me how to dance.
• 2:01:36
  Speaker 1: Buy a little rock and Hold it in your pocket.
• 2:01:40
  Speaker 1: Buy a little flag, but see where we do it.
• 2:01:44
  Speaker 2: find yourself a band and find a good position.
• 2:01:48
  Speaker 1: When we music blast, you'll find out how to play math when they say rock, pull your rock when they say rock, pull your rock when they say flag, pull your flag.
• 2:01:57
  Speaker 1: When they say flag, pull your flag, Wave it, wave it, wave it.
• 2:01:58
  Speaker 1: Pull your rags.
• 2:01:59
  Speaker 1: When they say flack, Wave it, wave it, wave it, wave it.
• 2:02:06
  Speaker 1: Do your thing, chop up.
• 2:02:08
  Speaker 1: Do your thing.
• 2:02:08
  Speaker 1: Wind up, Do your thing, dance up, do your thing, dance up.
• 2:02:13
  Speaker 1: When they say wine, you got no wine.
• 2:02:15
  Speaker 1: When they say wine, you got no wine.
• 2:02:17
  Speaker 1: When they say wine, hold your waist when they say wine.
• 2:02:20
  Speaker 1: When they say wine, when they say wine, when they say wine, when they say wine roll it, roll it, roll it, roll it.
• 2:02:27
  Speaker 3: Do your thing, do your thing, do your thing do your thing do your thing do your thing.
• 2:02:35
  Speaker 2: Now I pay off one debt in this episode right with a Lord Nelson song.
• 2:02:39
  Speaker 2: I also owe a debt to one of a long time listener this podcast.
• 2:02:42
  Speaker 2: I don't know if you could really say listen to 200 or no, but a long time listener, salute my guy cassius.
• 2:02:47
  Speaker 2: All right, easy, just no shadow.
• 2:02:49
  Speaker 2: I win cassius, but I watch any time here in 2010 minutes.
• 2:02:54
  Speaker 2: This is my last shadow and the last tune of the Tobago episode.
• 2:03:00
  Speaker 2: It's episode 200.
• 2:03:02
  Speaker 2: I done beg Wally for extra time already, so I might as well.
• 2:03:05
  Speaker 2: The extra time does come with two half right.
• 2:03:07
  Speaker 2: The extra time generally are two half 15 minutes for the first half and 15 minutes for the second half.
• 2:03:12
  Speaker 2: Let me use this and finish off the first half, because I don't like to owe Cassius Ocasios.
• 2:03:17
  Speaker 2: The Calibra wasn't so no, no, but plenty of job and tables.
• 2:03:19
  Speaker 2: They came down to let it go.
• 2:03:45
  Speaker 2: They came from Culloden.
• 2:03:48
  Speaker 2: Ones on the head, one mini-Trips, eyes always red.
• 2:03:54
  Speaker 2: One of us in here, a hero of man Portrait Sleeper with a fork in his hand.
• 2:04:35
  Speaker 2: Thank you, don't die.
• 2:04:36
  Speaker 2: Walk about and cry the devil, don't pay.
• 2:04:38
  Speaker 2: You don't have to pay.
• 2:04:39
  Speaker 2: Pay the devil, pay the devil, pay the devil, pay the devil, thank you.
• 2:05:19
  Speaker 2: Have I seen you coming through?
• 2:05:20
  Speaker 2: The crowd starts to scatter.
• 2:05:23
  Speaker 2: They're setting warm, fall in the gutter.
• 2:05:25
  Speaker 2: They don't care, a damn man starts to free up.
• 2:05:29
  Speaker 2: Spirits are high.
• 2:05:31
  Speaker 2: The crowd starts to jump up Like they don't need to fly Bye, thank you.
• 2:06:25
  Speaker 2: And this song, too sweet not to end the episode up.
• 2:06:29
  Speaker 2: Cassius, I go out of the way for a week, right, we go all this cash in.
• 2:06:33
  Speaker 2: Cassius, he ain't got no Christmas music right, christmas music right.
• 2:06:41
  Speaker 2: So I have lined up from Tobago artists, christmas music From every artist.
• 2:06:45
  Speaker 2: I play this.
• 2:06:45
  Speaker 2: We have a Christmas tune lineup, but I can't find a helper, not even my team, and I can't find a butcher To turn them to beef.
• 2:07:08
  Speaker 2: Pack, pack, pack, pack, pack, pack, pack, pack, pack, pack, pack, pack, pack, pack, pack, pack.
• 2:07:16
  Speaker 1: Headed ever, headed ever.
• 2:07:46
  Speaker 2: Headed, ever, headed, ever.
• 2:07:48
  Speaker 2: Thank you, hey, I enjoyed this tour.
• 2:07:50
  Speaker 2: You know 200 things to celebrate.
• 2:07:53
  Speaker 2: It's October, so I can't drink.
• 2:07:55
  Speaker 2: But I'll take a drink or two.
• 2:07:56
  Speaker 2: But until I talk to you all next week, it's 101.
• 2:08:00
  Speaker 2: Have a drink with me.
• 2:08:01
  Speaker 2: But until I talk to Oli next week, it's 101.
• 2:08:02
  Speaker 2: Have a safe and productive week, oli.
• 2:08:05
  Speaker 2: See what's happening in the country.
• 2:08:06
  Speaker 2: Stay on your right side.
• 2:08:07
  Speaker 2: I like the idea of this.
• 2:08:08
  Speaker 2: You know I enjoy doing this.
• 2:08:09
  Speaker 2: Sometimes we just need an episode to lighten up the place and just to enjoy.
• 2:08:13
  Speaker 2: We must always remember, regardless of what happens, Trinidad and Tobago is one of the greatest places on earth.
• 2:08:18
  Speaker 2: I will see you all here and talk to you all next week.
• 2:08:39
  Speaker 2: Bye.