Latest / The Breakfast Club / BREAKFAST CLUB REWIND: Jess Hilarious Cohosts, Stephanie Mills Interview, Tyler Lepley Interview and More!

Transcript

BREAKFAST CLUB REWIND: Jess Hilarious Cohosts, Stephanie Mills Interview, Tyler Lepley Interview and More! · The Breakfast Club

• 0:00
  Speaker 1: Good morning Usa yo yo yo yo yo yo yo
• 0:03
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:04
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:06
  Speaker 1: yo yo yo yo yo. I'm DJ Envy and now
• 0:10
  Speaker 1: go body named is Charlottage, the guy with the world
• 0:12
  Speaker 1: the most dangerous morning shore the Breakfast Club and currently
• 0:14
  Speaker 1: we are on vacation, man, totally disconnected. Yes, we're not
• 0:18
  Speaker 1: even really here. You think you're listening to us, but
• 0:20
  Speaker 1: we're not. Well, we are not. We're here in spirit.
• 0:23
  Speaker 1: Yeah yeah, but hey, it's okay because we had given
• 0:26
  Speaker 1: you some of the best of this week, the best donkeys,
• 0:28
  Speaker 1: the best interviews you guys, which are the best callers
• 0:31
  Speaker 1: in some of the best moments the Breakfast Club has
• 0:33
  Speaker 1: had in the last couple of months. So sit back, relax,
• 0:36
  Speaker 1: enjoy and have fun. Keep a lock right, it's gonna
• 0:38
  Speaker 1: be running the boards. It's the Breakfast Club morning, yo.
• 0:43
  Speaker 1: This is your time to get it off your chest.
• 0:45
  Speaker 1: Eight hundred and five A five, one oh five one.
• 0:47
  Speaker 1: We want to hear from you on the Breakfast Club. Hello.
• 0:51
  Speaker 1: Who's this? Yeah? This is the Sugar. Hey, what up, sugar?
• 0:55
  Speaker 1: And get it off your chest? Bro, man, I just
• 0:57
  Speaker 1: want to talk about my kids. Man, they'd be dressing yeah,
• 1:00
  Speaker 1: with the b Bucks vacation coming up. But I love
• 1:04
  Speaker 1: him though, I love the death he said, with it
• 1:06
  Speaker 1: what bug man, they'd be. They'll be sticking up the
• 1:09
  Speaker 1: bad room with the with the wives and the folds.
• 1:14
  Speaker 1: It's it's bad. It's the b bug how these kids
• 1:18
  Speaker 1: is bad? Man? Think it? Kids? Well, we gotta nine.
• 1:20
  Speaker 1: We got a nine year old and we got a
• 1:22
  Speaker 1: fat year room. You gotta teach how to wipe the ass.
• 1:24
  Speaker 1: That's wild nine to five din you know the white
• 1:27
  Speaker 1: big booky by now absolutely, man, pray for me, then
• 1:31
  Speaker 1: y'all pray for me. Then that means that means they
• 1:34
  Speaker 1: daddy don't really know how to wipe me as that's true. Whoa, whoa.
• 1:38
  Speaker 1: I watched the episode with you a ray Ja man,
• 1:40
  Speaker 1: I'm not a man. So you learned how to wipe
• 1:43
  Speaker 1: peple asks by watching the episode of the Breakfast Club
• 1:44
  Speaker 1: with ray Jack, and we're helping people. It does. I
• 1:48
  Speaker 1: appreciate ray Jake man, I'll be laughing. How old are you, brother,
• 1:53
  Speaker 1: I'm a good young thirty man. I was born in
• 1:55
  Speaker 1: the nineteen ninety hundreds. Man, so he was he thirtyears
• 1:58
  Speaker 1: old and just learn how to probably wipe his assos.
• 2:02
  Speaker 1: And if you got bed bugs, bro, this is a
• 2:03
  Speaker 1: serious problem. I mean you gotta do something. Yeah, yeah,
• 2:09
  Speaker 1: all right, but I appreciate that. Man. If we are
• 2:12
  Speaker 1: doing nothing cleaning this house. See yeah, I see niggas everything.
• 2:19
  Speaker 1: See that's the that's the when you're a child, that's
• 2:21
  Speaker 1: the one that your parents stay away from them because
• 2:23
  Speaker 1: that family dirty over there. That's that's that, that's that
• 2:25
  Speaker 1: dirty family. Lord have mercy. Hello hello. Yeah. I'd like
• 2:32
  Speaker 1: to say I'm a black boom Art Johnson from Long Beach, California.
• 2:35
  Speaker 1: I love black, love what I'm bugged to, my baby,
• 2:39
  Speaker 1: to a fact woman. The black woman is the pressure
• 2:42
  Speaker 1: thing gonna hurt. And if you date outside that, I
• 2:45
  Speaker 1: don't think nothing light right or white holy dark skin
• 2:50
  Speaker 1: art consult and I'm better. We've been together you and
• 2:54
  Speaker 1: all I want to say is owing the store, brother,
• 2:57
  Speaker 1: make sure your kids look like you ain't white black,
• 3:01
  Speaker 1: instead of going in there looking like any other and
• 3:04
  Speaker 1: you don't know what they are. See this black, I'm black.
• 3:08
  Speaker 1: I agree with you, that me and doctor black. Because
• 3:11
  Speaker 1: when you're going that store and they don't know what
• 3:13
  Speaker 1: your kids identify, it is they're gonna look at him
• 3:15
  Speaker 1: as others. But when you stay with your stay with
• 3:17
  Speaker 1: your black woman, they gonna know your kids the black
• 3:20
  Speaker 1: when they're going that supermarket? Are they going that mall?
• 3:22
  Speaker 1: Keep it black on black black Africa? He looks like
• 3:27
  Speaker 1: the African or bother where we came and everybody see
• 3:32
  Speaker 1: us black ain't nowhere. I'm my black brother? Doctor? Why yeah,
• 3:40
  Speaker 1: all right? Why you just said, Charlottagne. You keep telling
• 3:43
  Speaker 1: people I'm Dominican. I'm not Dominican. People starting to believe
• 3:45
  Speaker 1: I'm dominic I'm black, but I ain't. I'm black for
• 3:48
  Speaker 1: really the other black black? You know what to get
• 3:53
  Speaker 1: your hello? Who's this? This beard? Out of pumping on? Man?
• 3:57
  Speaker 1: Ain't bossil build a blast the day. I want to
• 4:00
  Speaker 1: tell y'all doing a great job. Y'all keep it positive
• 4:03
  Speaker 1: for me every morning. Thank you brother. How was your weekend?
• 4:05
  Speaker 1: What you do this week? And you said you want
• 4:06
  Speaker 1: to share something about your weekend. All I wanted to
• 4:09
  Speaker 1: said was it was a great weekend. Man. You know,
• 4:11
  Speaker 1: but something to say, employee, it UM gives me good
• 4:16
  Speaker 1: mental health. I read this book. Thank you, UM, tell
• 4:19
  Speaker 1: him thank you? When do you have you the man? Man?
• 4:22
  Speaker 1: I got a car in the making. Whenever you bring
• 4:25
  Speaker 1: your cars to the Florida, MA, I'm gonna bring you through.
• 4:27
  Speaker 1: All right, we come in the Florida. I think in October.
• 4:29
  Speaker 1: We're doing it the same weekend. It's fifties Tycoon weekends,
• 4:32
  Speaker 1: so I just stay tuned for the day, so I'm
• 4:34
  Speaker 1: not sure the exact day, though, I appreciate. Brother. Hello,
• 4:38
  Speaker 1: who's this yo? This is from Florida. What's up? What's up?
• 4:42
  Speaker 1: What's happening? Good morning, sir? Yes, sir, did you just
• 4:49
  Speaker 1: tell us what's gonna go duke for duke with any
• 4:52
  Speaker 1: country in this world? No, that's not what I said.
• 4:55
  Speaker 1: I said, I said, I said you. I said, you
• 4:58
  Speaker 1: don't want want nobody to be going new for new.
• 5:01
  Speaker 1: I said, We'll all be dead with it within a
• 5:03
  Speaker 1: matter of minutes. Absolutely, But I just wanted to put
• 5:06
  Speaker 1: on the record that America is that that country we
• 5:12
  Speaker 1: spent some military, no country wanting with us. It will
• 5:15
  Speaker 1: be over within a matter of matter of Yeah, yeah, yeah,
• 5:20
  Speaker 1: But you're acting like Russia and China don't have nuclear
• 5:22
  Speaker 1: weapons too, bro, bro be a lot of debt. You
• 5:24
  Speaker 1: don't want that. That's not what your instruction. I don't
• 5:26
  Speaker 1: want that at all. I don't think they're weapons are
• 5:30
  Speaker 1: advanced as ours, as quick as ours. I think I
• 5:34
  Speaker 1: think that y'all sound ridiculous, and I think y'all have
• 5:36
  Speaker 1: no idea what nuclear weapons are. You do not want
• 5:39
  Speaker 1: nuclear warfare, but sounds stupid. I hate when people say, yeah,
• 5:41
  Speaker 1: I will, our weapons are so more that you don't
• 5:44
  Speaker 1: want that. You do not want. You do not want
• 5:47
  Speaker 1: country to start throwing nukes around. That's not that, it's
• 5:50
  Speaker 1: there's no tomorrow. People. When when that happens, and we
• 5:53
  Speaker 1: faced a lot of them, don't do that. Begetting off
• 5:58
  Speaker 1: your chest. Eight hundred five eight five one oh five one.
• 6:01
  Speaker 1: If you need to vent, hit us up now. It's
• 6:03
  Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. It's a
• 6:09
  Speaker 1: new thing. Is your time to get it off your chest? Wait, wait,
• 6:13
  Speaker 1: whether you're man or black, something, get up and get something.
• 6:17
  Speaker 1: Call up now. Eight hundred and five eight five one
• 6:19
  Speaker 1: oh five one. We want to hear from you on
• 6:21
  Speaker 1: the Breakfast Club. Hello, who's this? You're every what's up?
• 6:25
  Speaker 1: Traf dollar man? What's up? Start pieces? What's happening? I'm
• 6:30
  Speaker 1: telling until I'm telling say hilarious. Well, well, well isn't
• 6:36
  Speaker 1: this that's not that hilarious? How are you? How are
• 6:39
  Speaker 1: you doing? Don't you start that, trav Now you be nice.
• 6:43
  Speaker 1: We're gonna go blow for blow traff. It seemed like
• 6:46
  Speaker 1: they know you don't play with me because I'm gonna
• 6:48
  Speaker 1: get to know you in a minute. There's more. What's up?
• 6:51
  Speaker 1: There's more? Got tell you something more? You better tell
• 6:54
  Speaker 1: it right? What's up? Changing into missus? Jeff? Kind of
• 6:58
  Speaker 1: funny because you walk kind of funny. Ain't know, hater,
• 7:01
  Speaker 1: she's hilarious. I think that I can't travel, argued about
• 7:04
  Speaker 1: just before travel trave you was mad at just for something,
• 7:08
  Speaker 1: but that was that was years ago. And see I
• 7:11
  Speaker 1: can't say that she has, uh she has. She has
• 7:14
  Speaker 1: said something about the gaging with the years ago. Don't
• 7:18
  Speaker 1: need to bring that up. Sorry, Oh you gay? Yeah
• 7:20
  Speaker 1: you gay. I'm just giving us some contact. I don't
• 7:23
  Speaker 1: want her to think you just coming out of no read.
• 7:24
  Speaker 1: I felt like it was coming from a place, but
• 7:26
  Speaker 1: I ain't know he was gay? All right, what's up
• 7:28
  Speaker 1: with you? You're kind of funny, she's hilarious and whatever,
• 7:34
  Speaker 1: be like you kind of screamed you you know that,
• 7:40
  Speaker 1: don't you know that you would be thinking of straight
• 7:43
  Speaker 1: when they need I'm not what I'm saying, so until
• 7:45
  Speaker 1: I get, until I get the talking, you do that
• 7:48
  Speaker 1: kind of straight now that I think that kind of
• 7:50
  Speaker 1: straight sor heavy? Just listen. I want to I need
• 7:56
  Speaker 1: what I do right. I think the first thing that
• 7:58
  Speaker 1: lives above me, I think he'd be his girl up.
• 8:01
  Speaker 1: I don't allow my business. You call the cops. You
• 8:05
  Speaker 1: want nobody to die? He beat it down? Call the police?
• 8:07
  Speaker 1: Why do you? But you gotta give us some context.
• 8:09
  Speaker 1: Why do you think he's doing that? They could just
• 8:10
  Speaker 1: be having rough steps. But I don't know, because because
• 8:14
  Speaker 1: because the Africans, I don't know if he does yelling
• 8:17
  Speaker 1: when he thought but like he's like going off her
• 8:22
  Speaker 1: his language on the whippy who I'll be hearing FURGI
• 8:24
  Speaker 1: to move right, but he'd be like napping on her.
• 8:27
  Speaker 1: And if he makes me want to call the cops,
• 8:29
  Speaker 1: I don't know what they're talking about. Maybe you should
• 8:31
  Speaker 1: tell the landlord first. Yeah, the maintenance man. Oh he
• 8:37
  Speaker 1: maintenance maintenance man ain't live upstairs. I will. So when
• 8:42
  Speaker 1: you go to work, why don't you just go up
• 8:43
  Speaker 1: there and ask? As the girl she's not gonna see
• 8:46
  Speaker 1: but you can see a face if he gives she
• 8:47
  Speaker 1: getting beat or something. Yeah, you know I should have
• 8:50
  Speaker 1: been like, I'm mocked out and open the door there.
• 8:54
  Speaker 1: You shouldn't tell somebody if you really feel that. Definitely,
• 8:57
  Speaker 1: if you feel like it's going down up there, you
• 8:58
  Speaker 1: should tell somebody. Draft so crazy man getting off your
• 9:03
  Speaker 1: chest eight hundred five A five one oh five one.
• 9:06
  Speaker 1: If you need to vent hit this up now. It's
• 9:08
  Speaker 1: the Breakfast Club, Good morning, the Breakfast Club doing it
• 9:15
  Speaker 1: And I'm doing it on my own terms because I
• 9:17
  Speaker 1: kind of backed away from the industry because it became
• 9:19
  Speaker 1: too much for me to still do it and then
• 9:22
  Speaker 1: find someone like AMP who believed in me and allows
• 9:26
  Speaker 1: me to be who I am, because you know, in
• 9:28
  Speaker 1: this business they try to change you to meet a
• 9:30
  Speaker 1: certain criteria and I never fit into that Yahia and
• 9:35
  Speaker 1: didn't want to. And I love that. I love it.
• 9:37
  Speaker 1: And so for the Rolling Stones magazine of all time, Yeah,
• 9:42
  Speaker 1: the greatest one of the things of all time. How
• 9:44
  Speaker 1: do you feel being left out of that? I don't
• 9:46
  Speaker 1: feel anything. I don't pay any attention to that. That's
• 9:49
  Speaker 1: somebody behind the desk who doesn't really know what they're
• 9:52
  Speaker 1: talking and how could you leave Celine Diona? How could you?
• 9:57
  Speaker 1: He said, great, you know, how could you? So I
• 9:59
  Speaker 1: don't pay attention is that I don't pay attention to
• 10:01
  Speaker 1: awards and all that, even though I have awards of
• 10:04
  Speaker 1: everything that of musically, but it doesn't mean anything. What
• 10:08
  Speaker 1: means matters to me and which has kept me with
• 10:10
  Speaker 1: my sold out shows that I'm proud of is my
• 10:13
  Speaker 1: people coming to see me and playing their hard earned money.
• 10:17
  Speaker 1: That's what keeps me going. Yeah, I grew with the
• 10:19
  Speaker 1: Rolling Stone. Clearly those people are culturally clueless, you know
• 10:22
  Speaker 1: what I mean. They're leaving people like you clean theon all.
• 10:26
  Speaker 1: But see, I was never played on VHRON or MTV,
• 10:29
  Speaker 1: none of my videos because they always said I was
• 10:31
  Speaker 1: too urban and I only had a pop record with
• 10:33
  Speaker 1: Never Knew Love. That's the only one they allowed to
• 10:37
  Speaker 1: cross over. I wonder you said something earlier. You said
• 10:39
  Speaker 1: that you never had the machine behind you. And it's
• 10:41
  Speaker 1: interesting because you can see how that might still impact
• 10:43
  Speaker 1: you now when it comes to these lists, right exactly
• 10:46
  Speaker 1: when you think about it, like back in the day
• 10:48
  Speaker 1: when MTV, I want my MTV and they didn't want
• 10:51
  Speaker 1: to play Michael. You know, it was the president of
• 10:53
  Speaker 1: the company that said, if you don't play him, I'm
• 10:55
  Speaker 1: going to expose that you're racist. And I don't think
• 10:58
  Speaker 1: really anything has changed. I think you have to have
• 11:00
  Speaker 1: and back then, I didn't have that kind of person
• 11:03
  Speaker 1: that would go on the front line for me. But
• 11:05
  Speaker 1: Michael did, and I'm glad he did because just imagine
• 11:09
  Speaker 1: you not hearing Thriller the way it was, or being
• 11:11
  Speaker 1: exposed to all those wonderful videos that he did, and
• 11:15
  Speaker 1: they didn't acknowledge his forty at the anniversary of Thriller
• 11:18
  Speaker 1: or anything at the Grammys or American Music Award. How
• 11:21
  Speaker 1: did it ain't pick and choose who got the machine
• 11:23
  Speaker 1: back then though, because I feel like back then it
• 11:25
  Speaker 1: you really needed talent to get a deal. You really
• 11:28
  Speaker 1: needed talent to get a deal. That's why my audience
• 11:32
  Speaker 1: is predominantly black, because Beet and all those black outlets
• 11:38
  Speaker 1: played my videos, you know, and Black radio supported me
• 11:41
  Speaker 1: so much. So That's why I'm able to survive. That's
• 11:45
  Speaker 1: why I don't understand why a lot of black artists
• 11:47
  Speaker 1: like don't go back to the black publications and things
• 11:51
  Speaker 1: like that that made them. You know, that's well, I
• 11:54
  Speaker 1: know always why I know I don't know understand that.
• 12:00
  Speaker 1: I never understand why they think vanilla ice cream is
• 12:03
  Speaker 1: colder than chocolate. I think it's because they want that mask.
• 12:06
  Speaker 1: Look you know what I mean, but you couldn't have that.
• 12:08
  Speaker 1: Let me tell you something. I went to, Oh what's
• 12:11
  Speaker 1: the Girl's group? They came to Charlotte and they sold
• 12:14
  Speaker 1: out the arena. There was nothing there but black people escaped. Yes,
• 12:20
  Speaker 1: so what's wrong with the black dollar? I definitely get
• 12:22
  Speaker 1: what you're saying that. My generation they also feel like
• 12:26
  Speaker 1: because I don't although I'm a part of them, they
• 12:30
  Speaker 1: felt that some type of advanced validation when you get
• 12:34
  Speaker 1: like it did he call it the crossover? Right? It's
• 12:36
  Speaker 1: like you know and people, I did a show for
• 12:38
  Speaker 1: Fox sitcom on Fox people yep, yep, shout out to
• 12:42
  Speaker 1: the show row and I was on it with Simbad.
• 12:45
  Speaker 1: He played it was amazing, right, I love him too,
• 12:49
  Speaker 1: Like the show people was telling me because people was
• 12:52
  Speaker 1: only used to seeing me on like walling out and
• 12:54
  Speaker 1: all that type of stuff, you know, more production with
• 12:56
  Speaker 1: black people. And then they were like, oh, that's your crossover.
• 13:01
  Speaker 1: Fox is your crossover. It's like you really made it now,
• 13:03
  Speaker 1: I really made it because I'm on Fox, you know,
• 13:06
  Speaker 1: working around all these white people. No, I've been made
• 13:09
  Speaker 1: it and then still I still ain't make it. That's
• 13:11
  Speaker 1: that sitcom wasn't like the cream of the crop for
• 13:14
  Speaker 1: me yet. I'm still not where I want to be
• 13:16
  Speaker 1: in terms of, you know, just where I'm going, right,
• 13:19
  Speaker 1: But I didn't consider that as my crossover. That's another
• 13:23
  Speaker 1: show that I'm on. That's another stepping stone, right, you know,
• 13:26
  Speaker 1: so I never so I get exactly what you're saying.
• 13:29
  Speaker 1: And that's what we think, we think when we cross
• 13:32
  Speaker 1: over to that pop. We've made it. Why do we
• 13:35
  Speaker 1: want to be so accepted? And I never really want
• 13:38
  Speaker 1: I just wanted to be accepted. I wasn't good at smoothing,
• 13:41
  Speaker 1: you know. I wasn't chomagne. I wasn't good at doing that.
• 13:45
  Speaker 1: And I didn't want to go to the parties and
• 13:47
  Speaker 1: have to meet this one. And I didn't like auditioning. Yeah,
• 13:50
  Speaker 1: I know that's Do you like it? No? I know
• 13:53
  Speaker 1: they look at you like you're crazy, but they make
• 13:55
  Speaker 1: it so hard for you. I won't do it, or
• 13:58
  Speaker 1: they'll act like we got mold stuff emails when we
• 14:00
  Speaker 1: come back, don't move. It's the breakfast Club. Good Morning,
• 14:03
  Speaker 1: the Breakfast Club on Everybody's dj n V. Charlemagne the guy.
• 14:10
  Speaker 1: We are the Breakfast Club. Let's get back into it.
• 14:12
  Speaker 1: It's the Breakfast Club. Good morning. Question about Michael Till
• 14:16
  Speaker 1: because I want to know I will answer. Okay, good
• 14:19
  Speaker 1: So it's the truth that you and the date I
• 14:22
  Speaker 1: called it dating? How was that? It was wonderful? Michael
• 14:25
  Speaker 1: was gentle, he was kind, very determined, knew where he
• 14:30
  Speaker 1: wanted to go, and we just had fun. Yeah, used
• 14:33
  Speaker 1: to come to the whiz all the time. So was
• 14:35
  Speaker 1: he a smooth criminal? He was a smooth criminal. Can't
• 14:43
  Speaker 1: we say that? I loved him that afro and chocolate? Yeah,
• 14:48
  Speaker 1: So why do you change all that? I think that's
• 14:50
  Speaker 1: what people get Michael Miskin screwed, and you know they'll
• 14:53
  Speaker 1: they'll they'll labeled Michael toom as an Uncle Tom or
• 14:56
  Speaker 1: you know, a coon because of that. I gotta be
• 14:59
  Speaker 1: strategic cause that's my baby. But um, Michael wanted to
• 15:03
  Speaker 1: be the king of pop. He had a fetish with
• 15:06
  Speaker 1: Elvis Presley and he had his eyes on Lisa Presley
• 15:11
  Speaker 1: when she was very young. I think he always knew
• 15:14
  Speaker 1: he wanted to because he felt like that was the epitome. Yeah,
• 15:19
  Speaker 1: you know, and I think he really wanted to be king.
• 15:23
  Speaker 1: But then when he got over there, they showed him
• 15:26
  Speaker 1: that you still and he broke his heart. Yeah, don't
• 15:32
  Speaker 1: until his path. No, he was too different. Yeah, I
• 15:35
  Speaker 1: couldn't relate to that. Michael. It had gone too far.
• 15:39
  Speaker 1: But I think he knew that it had gone too far.
• 15:41
  Speaker 1: But what can you do. You can't go back at
• 15:44
  Speaker 1: this point. Yeah, you can't go back. Because we went
• 15:46
  Speaker 1: to the opening of the Atlantis and he asked me
• 15:52
  Speaker 1: to come. He asked to see me, and I didn't
• 15:55
  Speaker 1: go because I was rehearsing, and I often wondered what
• 15:59
  Speaker 1: he wanted, what he wanted to tell me. He probably
• 16:01
  Speaker 1: wanted to tell me something or you know, but it
• 16:04
  Speaker 1: had gone too far and I couldn't relate. And Michael
• 16:08
  Speaker 1: was taught the moonwalk by my ex husband, Jeffrey Daniel.
• 16:12
  Speaker 1: I went to those rehearsals. Yeah, I know, everybody claimed
• 16:15
  Speaker 1: that they did not Jeffrey Daniel taught Michael the moonwalk
• 16:19
  Speaker 1: and all those things. But you know, the Motown people,
• 16:22
  Speaker 1: they don't always give people credit. You know, they're taught
• 16:25
  Speaker 1: not to give people credit. I love giving people credit
• 16:28
  Speaker 1: for what they do for me, because you can't do
• 16:30
  Speaker 1: this by yourself. But you know, Michael never gave him credit,
• 16:34
  Speaker 1: and he should have. M It's just interesting to me, how,
• 16:38
  Speaker 1: you know. I always wondered, like, what can make a
• 16:40
  Speaker 1: person like totally lose their blackness? And have you seen
• 16:44
  Speaker 1: somebody lose their blackness or fall out with black people
• 16:47
  Speaker 1: to find a way to get back with the communicause
• 16:50
  Speaker 1: it feel like once you, once you turn your back
• 16:52
  Speaker 1: on us, we turned our back on you forever. Yeah,
• 16:54
  Speaker 1: but look at it. You know, I can remember a
• 16:57
  Speaker 1: time people not gonna like this either, But I could
• 17:00
  Speaker 1: remember a time when Michael would be at the awards
• 17:02
  Speaker 1: and you would have to get in a line to
• 17:04
  Speaker 1: see him. I never did that. I'm not getting an
• 17:08
  Speaker 1: a line to see nobody. Ain't nobody that important? Nobody's
• 17:10
  Speaker 1: more important than God? And I think there's no one
• 17:12
  Speaker 1: that's you know, like some people say, well, how can
• 17:15
  Speaker 1: you say something about Oprah or something about Gail? Aren't
• 17:18
  Speaker 1: you afraid? I fear God? And you know that, you
• 17:21
  Speaker 1: know that, Charlemagne, I only fear fear God. I don't
• 17:25
  Speaker 1: feel a backlash. I mean, I'm sixty six years old.
• 17:30
  Speaker 1: You know what I say, but I think and nobody
• 17:35
  Speaker 1: like nobody. I don't care who you are and how
• 17:38
  Speaker 1: much money you have, because you could lose that. Look
• 17:41
  Speaker 1: at Harvey Weinstein. I remember a certain person calling him God.
• 17:46
  Speaker 1: I you know, Charlie Rose, who would have thought, you know,
• 17:50
  Speaker 1: Matt lower where he was kind of arrogant. He was arrogant. Yeah,
• 17:54
  Speaker 1: But I just don't think that anybody's under approach. But
• 17:57
  Speaker 1: I do think Michael knew he went too far. And
• 17:59
  Speaker 1: you gotta remember, towards the end of his career he
• 18:01
  Speaker 1: went to Jesse Jackson and al shot and he even
• 18:05
  Speaker 1: wanted to give Pops his minister Barkon his catalog and
• 18:10
  Speaker 1: Pops wouldn't take it. And he had a lot of
• 18:12
  Speaker 1: Muslims around him. Towards the end, Michael never forgot he
• 18:17
  Speaker 1: was black. I think he just got caught up in
• 18:19
  Speaker 1: that bride. That ride can be vicious, as we see
• 18:23
  Speaker 1: with other people that are white dealing with the Britney
• 18:26
  Speaker 1: Spears and and and I go back to them because
• 18:30
  Speaker 1: I really see how the business has tormented them and
• 18:34
  Speaker 1: the people around them. Um, the movie Pride, Seven Deadly
• 18:37
  Speaker 1: Sins Story, it's gonna be all lifetime, Yes, with with
• 18:41
  Speaker 1: nephew Tommy, who did a brilliant job. He plays with
• 18:45
  Speaker 1: my son Gabe, and Ken your King who's a Canadian actress.
• 18:49
  Speaker 1: And Erica Campbell came in to play Pastor Trey. My
• 18:55
  Speaker 1: first feature That's Crazy, First Broadway and everything else. Nobody
• 19:00
  Speaker 1: decided seventy Mills should be active. They wouldn't give me
• 19:03
  Speaker 1: a job, dam they wouldn't you want to do more? Oh? Yes,
• 19:07
  Speaker 1: I got the bug now, but I'm not auditioning. No,
• 19:11
  Speaker 1: tell him, yes, she's not auditional, so don't ask her.
• 19:14
  Speaker 1: What rules? Would you want to play mothers? I mean
• 19:17
  Speaker 1: I could play a mother, you know, an older sister,
• 19:21
  Speaker 1: but mothers. I want to do a Christmas Yes, I
• 19:24
  Speaker 1: want a therapist. Or I want to play somebody really
• 19:27
  Speaker 1: tough and like gangster. I could see that too. I
• 19:31
  Speaker 1: can see that too. Now until you see your side,
• 19:36
  Speaker 1: I would you don't shorter than you? When does the
• 19:42
  Speaker 1: movie time? Movies Real eight and then Black to Broadway
• 19:46
  Speaker 1: is yes? Well, Stephanie Mills is always a pleasure sitting
• 19:51
  Speaker 1: down the bill with you and talk to you. And
• 19:53
  Speaker 1: I just love seeing you all the time. I love
• 19:55
  Speaker 1: seeing you too bad biyes, Yes, that's right. It's Steph
• 20:00
  Speaker 1: any Middle. Y'alls to the Breakfast Club. The Breakfast Club,
• 20:04
  Speaker 1: Your mornings will never be the same. What up, Y'alla's
• 20:09
  Speaker 1: DJ Envy and we are on up y'all, j Envy.
• 20:17
  Speaker 1: We are on vacation. But hey, it's okay because we
• 20:20
  Speaker 1: had given you some of the best of this week,
• 20:22
  Speaker 1: the best donkeys, the best interviews, you guys, which are
• 20:25
  Speaker 1: the best callers in some of the best moments the
• 20:28
  Speaker 1: Breakfast Club has had in the last couple of months.
• 20:30
  Speaker 1: So sit back, relax, enjoy, and have fun. It's the
• 20:32
  Speaker 1: Breakfast Club, the Morning morn and everybody's DJ NV Charlomagne
• 20:36
  Speaker 1: the guy. We are the Breakfast Club. We got our
• 20:38
  Speaker 1: guest co host just hilarious here, yes, and we got
• 20:42
  Speaker 1: our special guest Tyler long way from ringside, my brother,
• 20:47
  Speaker 1: don't way from ringside, man, shout out the rust, Pard.
• 20:50
  Speaker 1: That's when I first that's when I first met Charlemagne. Yeah,
• 20:52
  Speaker 1: y'all know he's a good actor. That's a goddamn live
• 20:55
  Speaker 1: I ain't never seen you ain't never seen ringside, have
• 20:57
  Speaker 1: seen him act? Shouldn't want to ask. That's a guy there.
• 21:00
  Speaker 1: That's when I first met this man. Gonna lie though.
• 21:02
  Speaker 1: He showed up professional. He knew his lines and he
• 21:05
  Speaker 1: had a few of them. Ye think he was a
• 21:10
  Speaker 1: true professional. That's when I met him, like, I don't know,
• 21:12
  Speaker 1: eight years ago now were Chesnut? First of all, Mars
• 21:18
  Speaker 1: Chestnut thinks that I'm him, he said, I didn't make
• 21:22
  Speaker 1: this up. He started there. But things have been on
• 21:24
  Speaker 1: the up since then. For you, though, brother man, you
• 21:26
  Speaker 1: know what, it's always good to have a job. You
• 21:28
  Speaker 1: know what I'm saying. Let's let's go back from Let's
• 21:30
  Speaker 1: go back to beginning for people that don't know who
• 21:31
  Speaker 1: you are, young man for Philly had football dreams high
• 21:35
  Speaker 1: school to football, college to football, and then decided that
• 21:38
  Speaker 1: football wasn't the key to answer. Yeah, you know a
• 21:41
  Speaker 1: lot of times like, um, you know, our losses can
• 21:43
  Speaker 1: really be lessons if you got enough, you know, if
• 21:45
  Speaker 1: you can really see it for what it is. So
• 21:47
  Speaker 1: it's like, um, I just always thought I was gonna
• 21:49
  Speaker 1: play you know, football and the NFL whatnot, like since
• 21:52
  Speaker 1: a little boy went all the way through Pop Warner
• 21:54
  Speaker 1: got a scholarship and whatnot. But it's like, you know,
• 21:56
  Speaker 1: what I figured out is that it's not always it's
• 21:58
  Speaker 1: not all about having a skill set and this really
• 22:00
  Speaker 1: crosses genres anywhere. You know what I'm saying, you gotta
• 22:02
  Speaker 1: know the right people, you gotta have the right politics
• 22:04
  Speaker 1: going on. And you know, I had a couple of injuries.
• 22:06
  Speaker 1: I was getting a little bit of trouble. Um. You know,
• 22:08
  Speaker 1: I didn't end up making it, but you know, in hindsight,
• 22:10
  Speaker 1: it definitely was one of my biggest lessons. Eagles, Oh
• 22:13
  Speaker 1: for sure. It was a tough loss. Congratulations. So then
• 22:20
  Speaker 1: you are a friend of y'alls invited you to LA blind? Yeah,
• 22:25
  Speaker 1: you know it was. It was. It was very blind.
• 22:26
  Speaker 1: But I had to blindfold on me already. So, like
• 22:28
  Speaker 1: like I said, I had, I got in a little
• 22:30
  Speaker 1: bit of trouble, couldn't get a job. I couldn't really
• 22:31
  Speaker 1: figure nothing out. I had two friends they really like,
• 22:34
  Speaker 1: you know, I call him cousins, but you know, not
• 22:36
  Speaker 1: by bloody but black understand the training now in LA. Yeah,
• 22:44
  Speaker 1: so they were thinking about training and he's like, well,
• 22:46
  Speaker 1: our football trains so but but the cats I'm talking
• 22:50
  Speaker 1: about shout out to Leona Leroy. They were they were boxers.
• 22:53
  Speaker 1: So I kind of just hanging around the gym. Finessed
• 22:55
  Speaker 1: the job. Personal training so somebody came up and just
• 22:58
  Speaker 1: asked me. The audition super small. I hope it never
• 23:00
  Speaker 1: sees the light of the day. I appreciate it. I
• 23:02
  Speaker 1: appreciate that's called super slumber, horror movie, crazy slaughter. The
• 23:11
  Speaker 1: more your star ride, it's gonna come out. It's gonna
• 23:13
  Speaker 1: come out somebody buddy produce in the bat like. It's
• 23:18
  Speaker 1: not a porn though. And you know, so I showed up.
• 23:20
  Speaker 1: I did it, I booked it, and it wasn't enough,
• 23:22
  Speaker 1: you know, a couple of thousand dollars, but it was
• 23:23
  Speaker 1: enough to kind of pique my interest. I had some
• 23:25
  Speaker 1: natural skill set, but I wasn't like the best at it.
• 23:28
  Speaker 1: So at that point I started to, Um, you know,
• 23:29
  Speaker 1: I apply myself to get the head shots and get
• 23:31
  Speaker 1: into a class, and you know, this thing started going.
• 23:34
  Speaker 1: You get deep running, you start doing reading, getting into
• 23:36
  Speaker 1: therapy and all the things that that it takes to
• 23:38
  Speaker 1: really sharpeness tool. But it takes work. I had to
• 23:42
  Speaker 1: tie up everything. They said that he actually walked in
• 23:44
  Speaker 1: wearing his outfit as you were auditioning. That had to
• 23:47
  Speaker 1: be kind of stream you with, um, six foot six
• 23:51
  Speaker 1: walking in dressed out how tall he is? Yeah, like
• 23:55
  Speaker 1: a basketball player walking through But um, yeah, so it
• 23:58
  Speaker 1: was like that that was that was a long audition process,
• 24:01
  Speaker 1: maybe over the span like four or five months. You know,
• 24:03
  Speaker 1: he was auditioned in a few different shows for like
• 24:05
  Speaker 1: plenty of different roles at the same time. So it's
• 24:08
  Speaker 1: a you know, it's like a gauntlet. You're going in
• 24:10
  Speaker 1: for this role, this this different TV show, and you know,
• 24:13
  Speaker 1: maybe like three or four auditions into it, we had
• 24:15
  Speaker 1: like some type of callbacks. They brought us to Atlanta
• 24:17
  Speaker 1: and he was in the middle of shooting something while
• 24:19
  Speaker 1: he was coming down to look at the audition and
• 24:22
  Speaker 1: anybody that knows him like, he don't got no time
• 24:23
  Speaker 1: for nothing. He's doing twelve things at once. You think
• 24:25
  Speaker 1: he's Jamaica. He got fifty different jobs. So you know,
• 24:28
  Speaker 1: on his lunch break from shooting something with me, did
• 24:30
  Speaker 1: he came in to check out what was going on
• 24:36
  Speaker 1: each perspective, how hard he worked, right, and how much
• 24:39
  Speaker 1: tunnel vision you need to really get done what you're
• 24:41
  Speaker 1: trying to do in this business, and that's what the
• 24:43
  Speaker 1: has and to half not right. Yeah, And so when
• 24:46
  Speaker 1: did you get p Valley Valley was probably like we
• 24:48
  Speaker 1: did nine seasons that the HA and have nots. I
• 24:50
  Speaker 1: think we went off the air maybe in like twenty twenty.
• 24:52
  Speaker 1: We probably stopped filming maybe twenty eighteen, twenty nineteen, and
• 24:56
  Speaker 1: I had booked it maybe like twenty nineteen. So for
• 24:58
  Speaker 1: the last season of the having half in the first
• 25:00
  Speaker 1: season to Pee Valley, we were shooting them at the
• 25:02
  Speaker 1: same time. It's just crazy because back then in the
• 25:04
  Speaker 1: first season, we shot on Tyler Perry Studios. So like
• 25:07
  Speaker 1: I was having a couple of days that were crazy,
• 25:09
  Speaker 1: were like, you know, we would I would shoot a
• 25:11
  Speaker 1: ten hour, eleven hour day over here, you know, six
• 25:13
  Speaker 1: to seven over here, go take a shower and clock
• 25:16
  Speaker 1: in eight to six am for Pee Valley. But it
• 25:19
  Speaker 1: was just like and that's two different roles and two
• 25:21
  Speaker 1: different scripts and two different whoa, Yeah, it was. It
• 25:24
  Speaker 1: was definitely, um, you know it definitely it was difficult,
• 25:27
  Speaker 1: you know for those few days. But this is these
• 25:28
  Speaker 1: are the problems that we that we asked for, you
• 25:30
  Speaker 1: know what. I'm sat in between sets, you know, yeah, yeah,
• 25:38
  Speaker 1: Now I ask you know, you say you were playing football,
• 25:40
  Speaker 1: and this is a question that I ask every football
• 25:42
  Speaker 1: player or anybody that's played football. Would you allow your
• 25:45
  Speaker 1: child to play football, especially because you had a bad
• 25:48
  Speaker 1: back surgery. So yeah, for sure, I had yeah, knee
• 25:51
  Speaker 1: surgeries like playing concussions. It's man, It's it's different nowadays,
• 25:54
  Speaker 1: you know, with all the science and everything that we know.
• 25:56
  Speaker 1: So I would probably say, I mean, I don't want
• 25:57
  Speaker 1: to I want to be a dreamkiller. I play, you know,
• 26:00
  Speaker 1: don't want to be tough and one I got two
• 26:01
  Speaker 1: boys now graduated. But I do think that, like you know,
• 26:06
  Speaker 1: I would be a fool and not apply some of
• 26:07
  Speaker 1: the things that we know now. I wouldn't want them
• 26:09
  Speaker 1: to play my position. I was running back. It's just
• 26:11
  Speaker 1: constant contact. Maybe a little wide receiver, quarterback something. Yeah.
• 26:15
  Speaker 1: You know, we got mored with Tyler Leplie. When we
• 26:17
  Speaker 1: come back to the Mister Breakfast Club, good morning, wanting
• 26:19
  Speaker 1: everybody is DJ Envy Charlemagne the guy we all the
• 26:23
  Speaker 1: Breakfast Club. We got our co host, Jesse Hilary is
• 26:25
  Speaker 1: joining us, and we have Tyler Leplie in the building.
• 26:28
  Speaker 1: Charlemagne Valley were getting season three, Yeah, yeah, yeah, season
• 26:38
  Speaker 1: season three got green. Let shout out to Tory Hall. Yeah.
• 26:41
  Speaker 1: And in that matter of fact, so look I heard
• 26:44
  Speaker 1: when they was auditioning when they were doing the screen
• 26:46
  Speaker 1: test with the chemistry. Read who's gonna be big Bone?
• 26:49
  Speaker 1: That your name? Yeah man? Yeah yeah, your girls stole
• 26:52
  Speaker 1: that friendly shout out my bones, ain't that big man? Yeah? Man?
• 27:00
  Speaker 1: Always take the stop. I know somebody, yo, man, who
• 27:10
  Speaker 1: you want? Just some miracles miracles miracle concept though, so yeah,
• 27:19
  Speaker 1: I met her before that already, know Damn. I auditioned
• 27:24
  Speaker 1: for that four times, four times the first season, the
• 27:29
  Speaker 1: second season, Yo, what's up coutry, what's up with you?
• 27:32
  Speaker 1: He's saying, I can't. I don't got the accent. They
• 27:35
  Speaker 1: saying that. I that you you gotta be from Mississippi,
• 27:40
  Speaker 1: a place ain't even real, Like no, Lisa, that ain't
• 27:44
  Speaker 1: et real. You know what I'm saying. I turned that.
• 27:48
  Speaker 1: That's like me auditioning for Black Panther, Like you gotta
• 27:51
  Speaker 1: talk like they're doing with Connor what I said. So,
• 27:54
  Speaker 1: but I get it because I can't be country that
• 27:58
  Speaker 1: I can't. It's like she continues to go back you've
• 28:01
  Speaker 1: been Yeah, yeah, yeah, they're gonna keep bringing you back.
• 28:05
  Speaker 1: Absolutely absolutely, But yeah, I just I had heard. I
• 28:08
  Speaker 1: had heard that because Miracle was the only one that
• 28:09
  Speaker 1: actually did the chemistry read yeah, and I had asked,
• 28:12
  Speaker 1: like who else, because a lot of times with chemistry read,
• 28:13
  Speaker 1: they have a few people, so we can, right, right,
• 28:16
  Speaker 1: But I think the only one, the only other person
• 28:18
  Speaker 1: they brought up was you. Yeah. Yeah, this is before
• 28:20
  Speaker 1: y'all was a couple and all of that. Yeah. Yeah,
• 28:22
  Speaker 1: So I remember I was shooting the first season of
• 28:24
  Speaker 1: Harlem and appreciate it. Yeah, we got the new season
• 28:28
  Speaker 1: all right now on Amazon. Fine, you know, to stop that,
• 28:31
  Speaker 1: But yeah, I remember we were shooting the first season
• 28:33
  Speaker 1: and I had had a day off and Coutr hit
• 28:35
  Speaker 1: me and she was like, yeah, do you mind, um,
• 28:37
  Speaker 1: do you mind just just doing some chemistry reads with
• 28:39
  Speaker 1: us so we can see the chemistry between Diamond and
• 28:43
  Speaker 1: you know, his potential love interest. We didn't know her
• 28:45
  Speaker 1: name is gonna be big one at the time. I
• 28:46
  Speaker 1: think it was maybe like maybe like March or whatever
• 28:49
  Speaker 1: year that was twenty twenty, and so I had met
• 28:51
  Speaker 1: her on FaceTime. And then I remember a couple of
• 28:54
  Speaker 1: months later, I had showed up to my friends dinner
• 28:57
  Speaker 1: party or he was having a birthday party. He was
• 29:00
  Speaker 1: having at dinner underknown to me, we had a mutual
• 29:02
  Speaker 1: we had a mutual friend. She was there and between
• 29:04
  Speaker 1: the time I had met her on FaceTime and that
• 29:06
  Speaker 1: point she had booked it, So now I knew she
• 29:08
  Speaker 1: was about to be, you know, working with me. I
• 29:11
  Speaker 1: know what it's like to transition into this business. You know,
• 29:12
  Speaker 1: it can be a lot, you know, coming from where
• 29:14
  Speaker 1: she's coming from into something like this, especially something like
• 29:17
  Speaker 1: pe Valley accent and so many things. You gonna have
• 29:19
  Speaker 1: it with her. You know, she was just my she
• 29:21
  Speaker 1: was my friend at first, and really that's how I
• 29:23
  Speaker 1: was going into it. Let me just kind of be like,
• 29:25
  Speaker 1: you know, big bro and kind of just you know
• 29:26
  Speaker 1: what I'm saying, bro B, it was big Bro talking
• 29:40
  Speaker 1: about like that I just kind of went to school
• 29:46
  Speaker 1: or a little bit or just just be um, you know,
• 29:48
  Speaker 1: be any help that that she may need, because you know,
• 29:50
  Speaker 1: ninety five percent of her scenes are with me. It's
• 29:52
  Speaker 1: kind of like everything I go through on Harlem with Megan,
• 29:54
  Speaker 1: all my stuff was with her. So you know it
• 29:56
  Speaker 1: behooves us to have a cool relationship. You don't have
• 29:59
  Speaker 1: to like, right, no, but yeah we did. Man. We
• 30:02
  Speaker 1: hit it off and we were just we just clicked
• 30:04
  Speaker 1: so hard that it just it just was what it was.
• 30:06
  Speaker 1: So by the time we started shooting on set. It
• 30:08
  Speaker 1: already was was what it was? How does that work
• 30:10
  Speaker 1: in this area? Because to me, that's not perfectly normal.
• 30:11
  Speaker 1: But then you see all of these situations where like
• 30:14
  Speaker 1: an employee hooked up with an employee, you know, it's
• 30:16
  Speaker 1: a stand like like what is that y'all gotta disclose
• 30:18
  Speaker 1: after the production of the studio or yeah, um, you
• 30:21
  Speaker 1: know it's it's about It's about like communication, I think
• 30:24
  Speaker 1: is your best friend and just kind of knowing what's
• 30:26
  Speaker 1: going on and also and also like compartmentalizing what's going on.
• 30:30
  Speaker 1: It's like, yeah, that's my girl. But when we show
• 30:31
  Speaker 1: up on set, we're here to do work. But that
• 30:34
  Speaker 1: what happens when when when you're a miracle at home
• 30:36
  Speaker 1: arguing about something right, could be something y'all arguing because
• 30:39
  Speaker 1: every couple gets to it and you gotta go to
• 30:40
  Speaker 1: work the next day. Y'are not really talking. But now
• 30:43
  Speaker 1: y'all got to turn it on. How is that? I
• 30:46
  Speaker 1: know how to do that? But against me it's on? Yeah,
• 30:51
  Speaker 1: all jokes aside, Yeah, like, um, has that happened? Yeah? Sure,
• 30:55
  Speaker 1: I mean a big bro to her that Now you know,
• 31:02
  Speaker 1: we got the type of connection where like you know,
• 31:04
  Speaker 1: like this on the service always rolls off the sleep,
• 31:06
  Speaker 1: you know what I mean. So it's like we hain't
• 31:08
  Speaker 1: never been crazy like that. I mean, you know we
• 31:10
  Speaker 1: get there always think what you just say? Ya, I
• 31:15
  Speaker 1: don't know, man, it comes to whatever off to sleep
• 31:22
  Speaker 1: like that's what. I don't know if he said it
• 31:28
  Speaker 1: with y'all or a big boy he said that. He said,
• 31:31
  Speaker 1: sometimes you gotta think about things. How you don't want
• 31:32
  Speaker 1: to think about things? He say, what that means he's saying,
• 31:34
  Speaker 1: I don't know, it just sounds it makes sense. Though.
• 31:38
  Speaker 1: How does she feel when you got to do scenes
• 31:39
  Speaker 1: with Miss Magan? You know, she's um, she's a she's
• 31:43
  Speaker 1: a professional too, man. She understands that, you know, as
• 31:45
  Speaker 1: much as she's a professional, she understands that I'm a professional,
• 31:48
  Speaker 1: you know what I'm saying. And it's like it's and
• 31:50
  Speaker 1: she and it's it's also great that she's been in
• 31:52
  Speaker 1: some of those you know, she's she's been in the
• 31:54
  Speaker 1: scene like that with man, she's been on set. She
• 31:56
  Speaker 1: sees how it is and she kind of understands that.
• 31:58
  Speaker 1: You know, it's it's a it's a muscle that you
• 32:00
  Speaker 1: turn on the turn off, so it's not even you know,
• 32:02
  Speaker 1: you got all type of all type of sound people
• 32:05
  Speaker 1: on cameras, and it's like it's way more awkward than
• 32:07
  Speaker 1: you than it looked, right, even if it's a girl
• 32:10
  Speaker 1: or not, it's still Yeah, for sure, I was. That
• 32:13
  Speaker 1: was the first time you had to do that though,
• 32:16
  Speaker 1: the first sex scene or the first love scene like
• 32:18
  Speaker 1: period in life. No, not on me on film, because
• 32:26
  Speaker 1: I mean the first time, it's just weird. Yeah, yeah,
• 32:29
  Speaker 1: it got hard. What you want to ask, what about
• 32:33
  Speaker 1: your scene in that movie? Did you have time to
• 32:35
  Speaker 1: even get hard in the same because I've been I've
• 32:42
  Speaker 1: been you know, I've been doing it, you know, uh
• 32:45
  Speaker 1: with the Lord's Blessing Man, I've been doing it for
• 32:47
  Speaker 1: a while. So it's probably like, yeah, even a decade ago,
• 32:49
  Speaker 1: probably one of the first couple of seasons to have
• 32:51
  Speaker 1: to have not and it was it was definitely very awkward.
• 32:54
  Speaker 1: You know, as as an actor, you kind of got
• 32:55
  Speaker 1: to figure out, um, you know, what your process is
• 32:58
  Speaker 1: and how you break into things and out of it,
• 33:00
  Speaker 1: you know, to do it without like you know, drinking
• 33:02
  Speaker 1: in the bag, you know for real. So it's like,
• 33:05
  Speaker 1: you know, figuring all that out was was a learning process.
• 33:07
  Speaker 1: But it was it was cool. You know, I was
• 33:09
  Speaker 1: on set with professionals, and you know, I kind of
• 33:12
  Speaker 1: learned how to be um. You know when you're when
• 33:15
  Speaker 1: you're having new people come on set. You know, it's
• 33:17
  Speaker 1: supposed to welcome with open arms, have open communications. Is
• 33:20
  Speaker 1: this it's okay, it's not okay. And that's how you
• 33:23
  Speaker 1: kind of get through it until you figure out how
• 33:24
  Speaker 1: to do it and be comfortable in it. The social
• 33:26
  Speaker 1: media a gift and a curse because you are like
• 33:28
  Speaker 1: a you like an internet doling. But then it's just
• 33:30
  Speaker 1: like you see everything that that that that y'all got
• 33:33
  Speaker 1: going on. Yeah, you know, was that new for you? Yeah?
• 33:36
  Speaker 1: For sure, you know, because I had never I've always
• 33:38
  Speaker 1: been like a private person, and um, you know, that's
• 33:42
  Speaker 1: definitely one of the one of the downsides with being
• 33:44
  Speaker 1: with being in the open about anything. It doesn't matter
• 33:46
  Speaker 1: if it's my girl, for my kids, my parents, you
• 33:50
  Speaker 1: know what I'm saying. You you open things up to
• 33:52
  Speaker 1: the trolls in this world, and it's like the one
• 33:55
  Speaker 1: the one reason I feel like I've always been um private.
• 33:59
  Speaker 1: You know, people think it's it's secret, that's secrecy, it's privacy.
• 34:02
  Speaker 1: And the one reason I've always been you know, private
• 34:05
  Speaker 1: with my private life is is you know, I'm just
• 34:07
  Speaker 1: conscious of the fact that this is the life that
• 34:09
  Speaker 1: I chose and everything that comes with it. I'm cool with,
• 34:11
  Speaker 1: you know what I'm saying. My family didn't choose this, right,
• 34:14
  Speaker 1: you know, So like I've always been conscious of, I've
• 34:16
  Speaker 1: always been conscious of, you know, just just that aspect
• 34:20
  Speaker 1: of it. So you know, back to your question, you
• 34:22
  Speaker 1: know that that is that is part of the downside
• 34:24
  Speaker 1: with it. It's like, you know, it's it's great to
• 34:25
  Speaker 1: win in front of everybody, but if you're in front
• 34:27
  Speaker 1: of everybody and you lose, he's gonna talk about that too. Yeah,
• 34:30
  Speaker 1: So it's like it's just one of these things that
• 34:32
  Speaker 1: all right, we got mored with Tyler Lepli when we
• 34:34
  Speaker 1: come back, so don't move. It's to Breakfast Club. Good
• 34:36
  Speaker 1: morning morning. Everybody is DJ, Envy, Charlemagne and God. We
• 34:40
  Speaker 1: all to Breakfast Club. We got our co host, Jess
• 34:42
  Speaker 1: Hilary is joining us and we have Tyler Leplie in
• 34:44
  Speaker 1: the building. How do you stay focused because you know,
• 34:47
  Speaker 1: ladies love you, so I'm sure that in the DMS,
• 34:49
  Speaker 1: I'm sure that that holler and that you so how
• 34:51
  Speaker 1: do you stay focused from the beginning when you were
• 34:52
  Speaker 1: a trainer? So when you think about lights Kin brothers,
• 34:54
  Speaker 1: it's usually me you what else you get? What say?
• 34:58
  Speaker 1: Nobody asking about you? So back to you say, so,
• 35:11
  Speaker 1: how do you stay focused? Yeah? Again, like internally, I'm
• 35:15
  Speaker 1: just never too far away from the beginning. Man, I
• 35:17
  Speaker 1: just he was never out there. Why he was getting
• 35:22
  Speaker 1: into the ruts? Yeah yeah, yeah, but I think that,
• 35:26
  Speaker 1: you know, I'm just still close to, like, you know,
• 35:28
  Speaker 1: where I started, and I just remember some of those roadblocks,
• 35:30
  Speaker 1: like I couldn't figure it out. I didn't have a passion.
• 35:33
  Speaker 1: I wasn't I wasn't really good at something, you know
• 35:35
  Speaker 1: what I'm saying. I was kind of just like aimless.
• 35:37
  Speaker 1: I was kind of lost in a sense. So to
• 35:39
  Speaker 1: you know, fast forward twelve years and be so locked in,
• 35:42
  Speaker 1: like be so passionate about something to the point where
• 35:44
  Speaker 1: I would do it for free, but I get paid
• 35:46
  Speaker 1: handsomely for it, and you know, want to put the
• 35:49
  Speaker 1: work in. I'm just I'm just in such a blessed position,
• 35:51
  Speaker 1: you know. And I also always think about that analogy
• 35:53
  Speaker 1: the man in the arena. None of the problems of
• 35:54
  Speaker 1: being in that arena really affect me because at the
• 35:56
  Speaker 1: end of the day, I'm in I'm I'm in the arena.
• 35:58
  Speaker 1: It's easy for me to focus. It's a lock in
• 36:00
  Speaker 1: renascent me. A song I didn't know you wrapped? Yeah, yeah, yeah,
• 36:04
  Speaker 1: just dropped something last week. Yeah. I mean, I've been
• 36:06
  Speaker 1: doing music as long as I've been as as long
• 36:07
  Speaker 1: as i've been acting. But um, you know, it's just
• 36:09
  Speaker 1: that it's acting popped off first. You know what I'm saying.
• 36:11
  Speaker 1: I've been an artist as far back as I can remember. Um,
• 36:14
  Speaker 1: they but they both their own separate beast. They're gonna
• 36:16
  Speaker 1: come up down time. But it's like, if something doesn't happen,
• 36:20
  Speaker 1: it ain't never gonna be for the you know, the
• 36:22
  Speaker 1: lack of me not giving one hundred percent. So you
• 36:24
  Speaker 1: know I've been dropping. We're just gonna we're gonna keep
• 36:25
  Speaker 1: pushing into this podcast. So Michael B. Jordan got to
• 36:28
  Speaker 1: move over and right now. Yeah, but this plenty room
• 36:33
  Speaker 1: at the table, you know. So I'm just saying that.
• 36:36
  Speaker 1: All right, Well, I gotta ask you this to your
• 36:38
  Speaker 1: ex fiance my girlfriend. Yeah it was Mike's girlfriend. Never Okay,
• 36:44
  Speaker 1: thank you for cleaning it up. So yeah, ex girl.
• 36:47
  Speaker 1: I remember it was something you know, going know each other, right, Yeah,
• 36:50
  Speaker 1: I definitely know each other. Um, miracle Wat's head. It
• 36:53
  Speaker 1: said something about, you know, like she takes on your
• 36:55
  Speaker 1: kids and her kids, Like, how is that situation now?
• 36:58
  Speaker 1: Because I know that April got mad at that? How
• 37:00
  Speaker 1: is that now? Though? Um, you know it's it's it's
• 37:03
  Speaker 1: a process, you know, it's like it's definitely better than
• 37:05
  Speaker 1: it was. Still got a little way to go. As
• 37:07
  Speaker 1: much as I would not like it to be like that,
• 37:10
  Speaker 1: you know, I can't rush anything because this is you know,
• 37:12
  Speaker 1: again the problems of the man here, and it just
• 37:14
  Speaker 1: it kind of happens like this. The one thing I
• 37:16
  Speaker 1: will say is that again, that's that's some other two
• 37:18
  Speaker 1: of my children. You know what. I'm trying to have
• 37:19
  Speaker 1: nothing but love and respect for us. So you know,
• 37:22
  Speaker 1: I give her grace and patience as she actually figures
• 37:24
  Speaker 1: out what she got to feel herself through. Right, And
• 37:26
  Speaker 1: you know, it doesn't help that everything's like you talked about.
• 37:28
  Speaker 1: It doesn't help that everything is in the public eye,
• 37:31
  Speaker 1: you know what I mean. So like I kind of
• 37:32
  Speaker 1: understand where it's coming from. You know, what I will
• 37:34
  Speaker 1: want for somebody to treat my kids like that, like
• 37:38
  Speaker 1: my kid is there is you know what I yeah,
• 37:40
  Speaker 1: and you know, to get back to that part, it's like,
• 37:42
  Speaker 1: you know, Miracle does such a great job of just
• 37:44
  Speaker 1: loving me for everything, and yeah, just just just the
• 37:47
  Speaker 1: fullness of who I am and everything that comes with it. Sure,
• 37:50
  Speaker 1: you know, it brings me back to that. I don't
• 37:52
  Speaker 1: know if it was a meme someone viral on on
• 37:54
  Speaker 1: Instagram and it was about like, you know, the dad
• 37:56
  Speaker 1: came home, I only got mcdowns for his kids? You
• 38:00
  Speaker 1: want that? Or like you want someone who really loves
• 38:02
  Speaker 1: all three? Like it's exactly so, I want my kids
• 38:05
  Speaker 1: eating healthier in McDonald But McDonald you only get for
• 38:11
  Speaker 1: one one. Yeah. Yeah, that's one thing I didn't know
• 38:14
  Speaker 1: about her. People may not know that from the outside
• 38:16
  Speaker 1: looking in because the package looks like what it looks like. Yeah,
• 38:18
  Speaker 1: she is just man. She got she got the biggest
• 38:20
  Speaker 1: heart and she really just like a down south home
• 38:23
  Speaker 1: grown girl at the end of the day. So she
• 38:25
  Speaker 1: really has everything that I need as a man, for sure.
• 38:28
  Speaker 1: You love is it hard to love out loud? I
• 38:31
  Speaker 1: guess when you have a next like you like you
• 38:32
  Speaker 1: know you bought, we saw you buy the bench for
• 38:35
  Speaker 1: famercle Instagram. Yeah, shout out the man. Are you are
• 38:47
  Speaker 1: you afraid to put stuff like that out there because
• 38:49
  Speaker 1: it might piss off the act? Yeah, I mean, you know,
• 38:51
  Speaker 1: I don't really I don't really think about it like that.
• 38:53
  Speaker 1: You know, she's got to push gifts to It just
• 38:55
  Speaker 1: wasn't you know, it wasn't in front of everybody, and
• 38:56
  Speaker 1: it was at a different you know place in my
• 38:58
  Speaker 1: in my career and stuff and want the job money
• 39:02
  Speaker 1: at the time. You know, she I gave her. I
• 39:04
  Speaker 1: gave her equity in the house that we had before.
• 39:06
  Speaker 1: So when I saw it, she you know, she had
• 39:08
  Speaker 1: some money and that's dope. You know, she taking care
• 39:10
  Speaker 1: of everything when we were together, and even when we weren't,
• 39:13
  Speaker 1: she still had a full time nanny because she's got
• 39:14
  Speaker 1: a job that requires her to be away for like
• 39:16
  Speaker 1: twelve hours a day. So like, even if it's not
• 39:18
  Speaker 1: what you see on Instagram, you know, I provide for
• 39:20
  Speaker 1: all of my family, you know what I'm saying. But yeah,
• 39:22
  Speaker 1: it can be. You know, social media can make things
• 39:25
  Speaker 1: scared to not scared, but like can't feel away so
• 39:29
  Speaker 1: much like of watching what you do in this relationship
• 39:31
  Speaker 1: because of his past relationship. He's still if you want
• 39:35
  Speaker 1: to love loud, you know, maybe this girl is different.
• 39:37
  Speaker 1: You know Avery was was private, you know, Miracles different.
• 39:41
  Speaker 1: So it's like you were just I don't. I don't,
• 39:44
  Speaker 1: not that you asked me that, but I'm just saying
• 39:46
  Speaker 1: I don't think that you should, because woman, you know
• 39:52
  Speaker 1: what was then was then this is now. Yeah, and
• 39:54
  Speaker 1: there was love and there was love in both scenarios.
• 39:56
  Speaker 1: Just you know, I'm in love with Miracle. Now we
• 39:58
  Speaker 1: have we have a family, and this is this is
• 40:00
  Speaker 1: how I'm moving birthdays and Valentine If you don't did
• 40:03
  Speaker 1: the g wagon just for a push? Oh my god, man,
• 40:05
  Speaker 1: I was making that. I was making a joke. My
• 40:08
  Speaker 1: family recently, like the last five months is like loaded
• 40:11
  Speaker 1: up like everybody's birthday, Valentine's Day, Christmas. It is like
• 40:15
  Speaker 1: it's all compounded into like this five months run. So
• 40:18
  Speaker 1: I was like, I'm gonna need them three jobs. He said,
• 40:23
  Speaker 1: he just dropped the mixtape. But yeah, I don't. I don't.
• 40:28
  Speaker 1: You know what I give. I give out of the
• 40:30
  Speaker 1: goodness of my heart. I don't really take tabs of it.
• 40:32
  Speaker 1: You know, it's it's nice. You may get you may
• 40:34
  Speaker 1: get a g wagon. One day, you may get a
• 40:35
  Speaker 1: conversation another two flowers or something like. I don't really
• 40:38
  Speaker 1: pay attention to it. I'm not coming to damn conversation
• 40:41
  Speaker 1: for a birthday, university or Christmas. If you know what,
• 40:47
  Speaker 1: let's have a talk. I love how the game has
• 40:49
  Speaker 1: changed for y'all though, because back in the day, I say,
• 40:51
  Speaker 1: about fifteen years ago, they'd have told you, Tyler, don't
• 40:53
  Speaker 1: tell nobody you in a relationship, you know what I mean.
• 40:55
  Speaker 1: The women have to feel like they can have you. Yeah, yeah,
• 40:59
  Speaker 1: I have. But you know, I've never I've never lived,
• 41:02
  Speaker 1: I've never lived for for anybody else. So you know,
• 41:04
  Speaker 1: I think it's one thing I love about Harlem that, like,
• 41:07
  Speaker 1: I see this through line of people chasing the life
• 41:09
  Speaker 1: that that they see for themselves as opposed to the
• 41:11
  Speaker 1: life the others see for them, you know what I'm saying.
• 41:13
  Speaker 1: And I connect with that because I've always been like that.
• 41:15
  Speaker 1: So I don't really listen to that too much because
• 41:17
  Speaker 1: it can be difficult. I just last question for me,
• 41:20
  Speaker 1: how do you pronounce your son's name Zi Zi? Yeah?
• 41:23
  Speaker 1: Zi spelled l e oh. Yeah. Za's his middle name.
• 41:28
  Speaker 1: In her family, everybody got the middle name Lee, and
• 41:31
  Speaker 1: she wanted to do something different, so Zale and I
• 41:34
  Speaker 1: kind of like how I played off a lepile zale
• 41:36
  Speaker 1: leple sound like what do you want to do next time? Like?
• 41:41
  Speaker 1: What do you want to do next ultimate? I mean
• 41:43
  Speaker 1: you said you want to you want to knock Michael B.
• 41:45
  Speaker 1: Jordan up, you want to put your drink out? Now,
• 41:50
  Speaker 1: I'm just try. I'm I'm just trying to get to
• 41:51
  Speaker 1: where they at. That's all um. Now. I think for me,
• 41:54
  Speaker 1: it's like, man, I just gotta I gotta, I gotta
• 41:56
  Speaker 1: check off everything that I'm feeling, you know what I'm saying,
• 41:58
  Speaker 1: and not let the obstacles get in the way. You know.
• 42:00
  Speaker 1: I feel like in the tug of war between like
• 42:02
  Speaker 1: the heart and the mind, sometimes we overthink things and
• 42:05
  Speaker 1: we're getting our own way, you know. So I don't.
• 42:07
  Speaker 1: The short answer is right now, I'm I'm producing the movie.
• 42:11
  Speaker 1: I got you know, the music dropping, We got pe
• 42:13
  Speaker 1: Valley and Harlem seasons three coming up. So it's like,
• 42:16
  Speaker 1: you know, that's gonna take up most of the twelve months.
• 42:17
  Speaker 1: But it's like, you know, as I look into the
• 42:19
  Speaker 1: crystal ball, you know, the sky is the limit, and
• 42:20
  Speaker 1: I don't want to put a limit on myself, you know,
• 42:22
  Speaker 1: because I would have never thought in a million years
• 42:24
  Speaker 1: when I was going through that rut that I would
• 42:26
  Speaker 1: be sitting right here with y'all. Know what I'm saying. Never, Yeah,
• 42:29
  Speaker 1: I couldn't. I couldn't. Like right before I came out, man,
• 42:33
  Speaker 1: I was, I went around the room, grab a little
• 42:35
  Speaker 1: jewelry here, and now I was at the pawn shop.
• 42:37
  Speaker 1: You know what I'm saying. Like I didn't have I
• 42:38
  Speaker 1: didn't have fifty dollars to my name. So it's like
• 42:41
  Speaker 1: to see where it went if you just follow what
• 42:44
  Speaker 1: you're feeling. That's what I'm on. I'm trying to. I'm
• 42:46
  Speaker 1: trying to just get to to, you know, where where
• 42:49
  Speaker 1: my destiny is taking me. You were running back, running backs,
• 42:53
  Speaker 1: We see the whole. Yeah, I mean it's a crazy analga. Yeah. Absolutely.
• 42:56
  Speaker 1: So you're producing the film, you are like holding auditions. No, no,
• 43:00
  Speaker 1: I'm I'm doing it with with um, he said, No,
• 43:03
  Speaker 1: Jess and me and you. That means you da I
• 43:11
  Speaker 1: mean not yet you mean what you say. No, ladies
• 43:21
  Speaker 1: and gentlemen, we appreciate you for joining us, brother, y'all.
• 43:27
  Speaker 1: Oh man, the Miracles got the role Jess again. Okay,
• 43:33
  Speaker 1: it's the Breakfast Club, the time to let y'all. No,
• 43:38
  Speaker 1: let's don't be a dust because right now you want
• 43:40
  Speaker 1: some real doctor. It's time for Donkey of the Dead.
• 43:44
  Speaker 1: So if you ever feel I need to be a
• 43:46
  Speaker 1: duk man with the heat, did she get the name? Please?
• 43:51
  Speaker 1: I had become Donkey of the Dead the Breakfast Club, bitch,
• 43:55
  Speaker 1: you're yes, Donkey. Dave goes to a twenty year old
• 43:59
  Speaker 1: man who was in Brazil at Carnival having big fun. Okay,
• 44:05
  Speaker 1: slew to everyone who has been having big fun at
• 44:07
  Speaker 1: carnivals all around the world, dropping a cluees bombs where
• 44:09
  Speaker 1: everybody at Carnival all around the world. I'm talking like
• 44:12
  Speaker 1: I know what I'm speaking on, but I don't. I
• 44:14
  Speaker 1: just saw Nicki Minaj and Trinidad for Carnival and Ashanti
• 44:18
  Speaker 1: I saw her on Instagram saying she was upset she
• 44:20
  Speaker 1: was missing Carnival. And now I read this story about
• 44:22
  Speaker 1: this young man this morning at Carnival. So I'm just
• 44:25
  Speaker 1: assuming it's Carnival season. I'm just assuming that now Carnival
• 44:28
  Speaker 1: looks like a lot of fun for those of you
• 44:30
  Speaker 1: who like going out in public and having a lot
• 44:32
  Speaker 1: of the public there. It's a very public thing. And
• 44:34
  Speaker 1: one reason I try to avoid so much of the
• 44:36
  Speaker 1: public is because it's hard to control that much crazy
• 44:39
  Speaker 1: when it's that much public. Okay, the more public there
• 44:42
  Speaker 1: is out, the more chances of you encountering crazy. And
• 44:46
  Speaker 1: today's donkey is absolutely crazy. See this man, this twenty
• 44:50
  Speaker 1: year old was arrested for harassing women. I would think
• 44:53
  Speaker 1: women being harassed at carnivals are very common because the
• 44:55
  Speaker 1: women be out there looking amazing, you know, dressed in
• 44:58
  Speaker 1: their carnival garb, which to me is you usually a
• 45:00
  Speaker 1: two piece swimsuit and a lot of feathers, and you
• 45:02
  Speaker 1: have a lot of men who can't handle being around
• 45:04
  Speaker 1: all that. Okay, they just scraped up perverts, all right,
• 45:05
  Speaker 1: shame on those types of dudes. But this man took
• 45:08
  Speaker 1: harassment to a whole nother level. Okay, But I have
• 45:10
  Speaker 1: to commit the police for being on top of the situation,
• 45:12
  Speaker 1: because when a person looks suspicious or as acting as
• 45:15
  Speaker 1: especially as this man was, he should be seized immediately.
• 45:18
  Speaker 1: And I know you can't look at a person and tell, hey,
• 45:22
  Speaker 1: this person is gonna be someone who sexually harasses women.
• 45:24
  Speaker 1: But this man wasn't hard to identify at all. See
• 45:27
  Speaker 1: the reason this human is getting donkey in the days
• 45:30
  Speaker 1: because he decided to go to carnival in Brazil dressed
• 45:35
  Speaker 1: in a seven foot penis costume. Oh you want to
• 45:38
  Speaker 1: see the pictures, let me show you the picture. Nope,
• 45:40
  Speaker 1: I don't want to see that picture. Look at the picture.
• 45:43
  Speaker 1: Get a picture. Oh, I mean it's a black one.
• 45:52
  Speaker 1: This is a black penis. But it's this a black man. No,
• 45:55
  Speaker 1: that's right. He's either white or Latino, he's some type
• 45:57
  Speaker 1: of other. Listen. If you can't beat him, you join now.
• 46:01
  Speaker 1: I'm not gonna happen doing that. I don't like that.
• 46:03
  Speaker 1: I don't like this white or Latito or other deciding
• 46:06
  Speaker 1: to dress in a shock size slong suit. Okay, a
• 46:11
  Speaker 1: shock size his size, ain't that size? He that size?
• 46:15
  Speaker 1: Why would you say that? I mean shot size. Ain't
• 46:17
  Speaker 1: talking about his penis. Find I'm not talking about some
• 46:20
  Speaker 1: mighty be Okay, good, here we go. We're on a
• 46:22
  Speaker 1: straight path today. That's nice. Crooked with you, y'all. I mean,
• 46:32
  Speaker 1: I don't love him, but the relationship boy like them.
• 46:40
  Speaker 1: You'll listen. I don't know what makes one want to
• 46:44
  Speaker 1: wake up and dresses Indiana bones. But we live in
• 46:46
  Speaker 1: an error where people can wake up and identify with
• 46:48
  Speaker 1: whatever they want to identify ass and this man dressed
• 46:50
  Speaker 1: up as a seven foot skin flute to harassed women
• 46:53
  Speaker 1: at carnival. Let me tell you something. There's so much
• 46:55
  Speaker 1: wrong with this number one. It's the harassment. Number two.
• 46:59
  Speaker 1: Why you got be a colored chuck dickens. Okay, y'all
• 47:02
  Speaker 1: be knowing what y'all doing when you decide to present
• 47:04
  Speaker 1: as a black anything, because you know how people perceive
• 47:07
  Speaker 1: black skin all around the world, even when it's black foreskin. Okay,
• 47:12
  Speaker 1: Now you really gotta go see the pictures for yourself,
• 47:14
  Speaker 1: because not only is he presenting as a seven foot
• 47:17
  Speaker 1: meat puppet, this man, this man is this man dressed
• 47:21
  Speaker 1: as a Wu tang wang got on flip flops. You
• 47:23
  Speaker 1: ain't see that blax god on flip flops man right
• 47:29
  Speaker 1: a third leg with all these toes out. Yo, listen,
• 47:32
  Speaker 1: I don't care what you say. They may hate us,
• 47:34
  Speaker 1: but everybody loves the black. Yeah, I'm saying, piece, yes, wow, wow,
• 47:41
  Speaker 1: moth the ice so yeah or bother me. The most
• 47:45
  Speaker 1: about this situation is this man really woke up and
• 47:47
  Speaker 1: chose sexual violence. He literally woke up and said, I'm
• 47:50
  Speaker 1: going to harass and chase women dressed as a seven
• 47:52
  Speaker 1: foot dark dingleling. Okay, I think the only suitable punishment
• 47:56
  Speaker 1: is for him to be in prison, in a cell
• 47:59
  Speaker 1: one on one with the largest penis in the penitentiary.
• 48:03
  Speaker 1: I think he'd love that, You think, I think. I
• 48:05
  Speaker 1: don't know. It wouldn't be prisoner, would be jail. You know.
• 48:08
  Speaker 1: Go find the biggest Johnson in the joint. I'm talking.
• 48:11
  Speaker 1: Go find someone who got something that's the size of
• 48:13
  Speaker 1: those little women from Atlanta, Okay, and let that man
• 48:16
  Speaker 1: get chased around of jail. So with it, all right, Peter,
• 48:18
  Speaker 1: miss Minnie, find someone who got a PDD her size
• 48:20
  Speaker 1: and let him go to work. Okay, ain't no fun
• 48:23
  Speaker 1: when the rabbit got the custod launching, is it? Now?
• 48:26
  Speaker 1: You about to meet a seven foot spank aaron batter
• 48:28
  Speaker 1: up young man Okay, that's twenty year old should have
• 48:31
  Speaker 1: to experience the same trauma that all old women at
• 48:33
  Speaker 1: carnival had to experience. Because he wants to dress up
• 48:35
  Speaker 1: like a seven foot we need to poop, all right,
• 48:38
  Speaker 1: Please give this twenty year old from Rio de Jannaro dokey,
• 48:46
  Speaker 1: Oh the day, yeah, dog, oh the day. Yeah, tell
• 49:00
  Speaker 1: him just being chased in harass is not fun. Yeah,
• 49:05
  Speaker 1: all right, being chased harass is not fun. I mean
• 49:09
  Speaker 1: being chased by a big black you know what I'm saying.
• 49:15
  Speaker 1: But it happens usually. Act like this doesn't just happen
• 49:20
  Speaker 1: to you. I'm just saying, like, I'm just saying, those
• 49:24
  Speaker 1: people want if you want somebody to do it, yeah,
• 49:27
  Speaker 1: if you want somebody to cook cool, all right. I
• 49:30
  Speaker 1: don't think he woke up. It was like, you know what,
• 49:32
  Speaker 1: I'm gonna go on harass people with this. I think
• 49:35
  Speaker 1: he's thinking, like, they don't like what I got, so
• 49:37
  Speaker 1: let me give them what I don't got, hoping and
• 49:40
  Speaker 1: I can get something. You know what I'm saying. That's interesting, Okay,
• 49:46
  Speaker 1: they ain't still like na thank you for that, dunkey today,
• 49:49
  Speaker 1: Charlotte Man, the Breakfast club never treated my child crazy.
• 49:56
  Speaker 1: That was just something you know that we as mothers,
• 49:58
  Speaker 1: as women or whatever, But nah, it's never been that way.
• 50:02
  Speaker 1: So do you want them to take a mother type
• 50:04
  Speaker 1: role or you just want them just to be cool?
• 50:06
  Speaker 1: You don't gotta take them. That's what they end up
• 50:08
  Speaker 1: doing anyway, but you don't have to take that. You
• 50:11
  Speaker 1: don't have to be over nurture, like oh you know
• 50:13
  Speaker 1: what I'm saying where it seems fosil if it's something
• 50:15
  Speaker 1: that you just because he needed. My son's dad has
• 50:18
  Speaker 1: been with a lot of girls who didn't have kids,
• 50:19
  Speaker 1: so they didn't really even have experience and being around kids.
• 50:22
  Speaker 1: But they tried that. It was just like, you don't
• 50:25
  Speaker 1: really gotta try to be his mother, but you have to.
• 50:29
  Speaker 1: You have to like my child. My child gotta like
• 50:31
  Speaker 1: you too. Like but let me ask you, Jesse, so, yeah,
• 50:34
  Speaker 1: you know when it's a younger child, they have to
• 50:35
  Speaker 1: be motherly, right, but what is is it like mom too?
• 50:40
  Speaker 1: Is it like did it never happened? And that never happened?
• 50:45
  Speaker 1: He better not ever called nobody else, no mom, not
• 50:48
  Speaker 1: mom to Okay, okay, yeah, I don't get mom two
• 50:56
  Speaker 1: three whatever? No is I'm the first and only mom.
• 51:00
  Speaker 1: He can call them miss whatever because you gotta put
• 51:02
  Speaker 1: a hand on it. I don't care how young the girl, whatever,
• 51:05
  Speaker 1: it's gonna be miss whatever her name is. Now, what
• 51:07
  Speaker 1: about you know? Tyler bought his miracle or g wagon right,
• 51:11
  Speaker 1: and I asked him, like, you know, just to keep
• 51:14
  Speaker 1: the piece. Do you do stuff like that for your
• 51:16
  Speaker 1: other baby moms? Is that expected? Man? Because when you
• 51:19
  Speaker 1: think about when people get divorced, you know, they got
• 51:22
  Speaker 1: to make sure that they're they're exits set up the
• 51:24
  Speaker 1: same way that set I think they should. You know,
• 51:26
  Speaker 1: I'm gonna tell you why. Because you don't want your
• 51:28
  Speaker 1: one kid to be driving into G sixty three G
• 51:30
  Speaker 1: Wagon and that's one hundred and eighty thousand dollars and
• 51:32
  Speaker 1: the other kid to be driving in a Ford Escort.
• 51:35
  Speaker 1: What's wrong for Look? Yo, that's that's what listen, man.
• 51:39
  Speaker 1: Why would you say that word up? Say it? Prisus? Okay, yeah,
• 51:48
  Speaker 1: not not if my brother got a G sixty three.
• 51:50
  Speaker 1: That's what I'm saying. I'm pulling up. Yeah, what you're saying,
• 51:52
  Speaker 1: I'm pulling up in that No do you have so
• 51:54
  Speaker 1: you're saying you have to do that if you got
• 51:56
  Speaker 1: If I got an X and she got kids, of mind,
• 51:59
  Speaker 1: she gotta be right the same way with my new woman. Right.
• 52:01
  Speaker 1: I don't agree with that. I don't know what envy
• 52:03
  Speaker 1: is saying over there, but I don't. I don't think that.
• 52:07
  Speaker 1: I don't think that. I think whatever I do for
• 52:09
  Speaker 1: my kids all right, cool, I don't I shouldn't have
• 52:11
  Speaker 1: to be responsible for what you got going on after me.
• 52:15
  Speaker 1: Like I'm in a new relationship. My responsibility is my
• 52:17
  Speaker 1: kids and me protecting the kids gonna still be in
• 52:20
  Speaker 1: the p Yeah, that's what I'm saying. The kids go,
• 52:22
  Speaker 1: your kids, as long as they not dropped in the back.
• 52:25
  Speaker 1: It's you're in the back, so you're good. You don't
• 52:28
  Speaker 1: got no buills, You ain't got nothing to worry about.
• 52:29
  Speaker 1: You still want four wheels. I'm not saying you gotta
• 52:31
  Speaker 1: have another Mercedes, but give me something that the kids
• 52:34
  Speaker 1: feel cold. And then I'm making fun of Listen, we
• 52:37
  Speaker 1: grew up different whatever. But he didn't buy the kids
• 52:40
  Speaker 1: at GI Wagon. He bought Miracle or g Wagon. Yeah,
• 52:42
  Speaker 1: the baby wagonbe don't know number no g Wagon. That's true.
• 52:48
  Speaker 1: It ain't that kids like your son is in fifth grade.
• 52:51
  Speaker 1: He knows the difference between the g Wagon and the priest.
• 52:53
  Speaker 1: I'm telling you my kids, and all right, y'all, listen,
• 52:57
  Speaker 1: I don't care I said what I say. That's it.
• 52:59
  Speaker 1: All right, let's go to the phone. Jests soon definitely
• 53:01
  Speaker 1: know the different tween the wagon. At the point I
• 53:04
  Speaker 1: get that man three hundred dollars birthday. He didn't want that.
• 53:09
  Speaker 1: I have a gwagon and I also have I forgot
• 53:12
  Speaker 1: the name of whatever my other bends is. I got
• 53:15
  Speaker 1: both of them right. But my baby father, he got
• 53:20
  Speaker 1: a nice little actor showing my son the best of
• 53:24
  Speaker 1: both words. You know what I'm saying, Tyler, Little kids,
• 53:28
  Speaker 1: they're gonna know the best of I say, he's so stupid. Hello,
• 53:37
  Speaker 1: hey boy, I love you too. Baby. What's your thoughts, Mama?
• 53:43
  Speaker 1: What do you think? Yeah, I'm a lover, so a
• 53:48
  Speaker 1: very important or whoever my brother's father was to treat
• 53:52
  Speaker 1: her exactly how I retreat her. You know, I want
• 53:54
  Speaker 1: her to feel about She got to mom. You know
• 53:56
  Speaker 1: it's I'm plaint. However that now is it? That's not
• 54:01
  Speaker 1: your experience? No, woman, it's just like so jealous of
• 54:06
  Speaker 1: my child. I don't understand it. Like she started baking
• 54:11
  Speaker 1: my daughter's saw it when I was pregnant, and I
• 54:13
  Speaker 1: came to her when the baby was born, like, girl,
• 54:17
  Speaker 1: I'm my mother, you and her man, let's come together
• 54:19
  Speaker 1: bring it and let's a friend. And it's definitely gonna
• 54:22
  Speaker 1: goes down that way. And my daughter is now seven.
• 54:24
  Speaker 1: It was still the little back This is a good
• 54:26
  Speaker 1: example of maybe you should treat both like the baby
• 54:28
  Speaker 1: dad should probably treat both of them the same, like
• 54:30
  Speaker 1: you buy one of three? Is you got yes, and
• 54:34
  Speaker 1: like he starting to realize that, like you have to
• 54:37
  Speaker 1: be there for your thing mother no matter what, because
• 54:39
  Speaker 1: at the end of the baby has a comment everything
• 54:44
  Speaker 1: you're still and he had a new girlfriend that Yeah,
• 54:48
  Speaker 1: I don't know that's how things happened like that because
• 54:50
  Speaker 1: my baby has been in that situation too, But it's different.
• 54:53
  Speaker 1: It sure he felt the way because he was having it.
• 54:55
  Speaker 1: That's when her though she she was having a baby.
• 54:57
  Speaker 1: The baby wasn't even here yet and then and so
• 55:00
  Speaker 1: she probably felt the way because honestly, breaking news. We
• 55:04
  Speaker 1: never heard she talking about the last talk about the
• 55:06
  Speaker 1: last Yeah, the girl you hung up on the um, Yeah,
• 55:09
  Speaker 1: like it is. Yeah, that's different. The girl she met
• 55:13
  Speaker 1: the guy and his baby mother was still pregnant. Yeah,
• 55:16
  Speaker 1: broke up while she was pregnant. So she probably still
• 55:19
  Speaker 1: was like you could go back with her anytime. That
• 55:21
  Speaker 1: baby is so fresh and so new. Yeah, you know,
• 55:23
  Speaker 1: so that's different, all right. Eight hundred five A five
• 55:26
  Speaker 1: one oh five one. What are your thoughts if you
• 55:28
  Speaker 1: buy your baby, but your new baby mom or your
• 55:31
  Speaker 1: new fiance a g wagon. Let's say, you know, is
• 55:35
  Speaker 1: it you're right? You are you supposed to buy the
• 55:36
  Speaker 1: old baby mom? Is something comparable you could be driving
• 55:40
  Speaker 1: in a comparable type of lifestyle? Yes? And do you
• 55:43
  Speaker 1: want someone to treat your kids like they're their own
• 55:45
  Speaker 1: as well? All right, let's talk about it. It's the
• 55:47
  Speaker 1: Breakfast Club. Good morning, it's topic time, eight hundred five
• 55:56
  Speaker 1: five one oh five. Want to join it to the
• 55:58
  Speaker 1: discussion with the Breakfast Club, wanting everybody Steve, we all
• 56:05
  Speaker 1: the Breakfast Club? We have what's wrong with you? Oh?
• 56:09
  Speaker 1: Now I was singing Justin Steffords, He's singing. Stefan jes
• 56:13
  Speaker 1: Hilarius is our co host. We're asking eight hundred five
• 56:16
  Speaker 1: A five one on five one. It's coming from our
• 56:18
  Speaker 1: tyler to play what's his name? All the time? Black
• 56:26
  Speaker 1: always want to fancy up their name name be Johnson,
• 56:28
  Speaker 1: Reginald val Johnson play Tyler left leave was here earlier.
• 56:35
  Speaker 1: This is what he said. Miracle Watt's head said something about,
• 56:39
  Speaker 1: you know, like she takes on your kids and her kids,
• 56:41
  Speaker 1: Like how is that situation now? Because I know that
• 56:43
  Speaker 1: April got mad at that she how is that now though? Um,
• 56:46
  Speaker 1: you know it's it's it's a process. You know, it's
• 56:49
  Speaker 1: like it's definitely better than it was. Still got a
• 56:51
  Speaker 1: little way to go. As much as I would not
• 56:53
  Speaker 1: like it to be like that, you know, I can't
• 56:55
  Speaker 1: rush anything because this is you know, again the problems
• 56:57
  Speaker 1: of the man you ring. It just it kind of
• 56:59
  Speaker 1: happens like that. It's the one thing I will say,
• 57:01
  Speaker 1: is that again, that's that's some other two of my children.
• 57:03
  Speaker 1: You know what. I'm trying to have nothing but love
• 57:05
  Speaker 1: and respect for us. So you know, I give her
• 57:06
  Speaker 1: grace and patience as she as she figures out what
• 57:09
  Speaker 1: she gotta feel herself through. You know what, I will
• 57:11
  Speaker 1: want for somebody to treat my kids like that, like
• 57:14
  Speaker 1: my kid is there? You know what? I Yeah. So
• 57:17
  Speaker 1: we're asking eight hundred five A five one oh five one.
• 57:20
  Speaker 1: You know, if you buy your fiance something, are you
• 57:22
  Speaker 1: supposed to take care of your baby mom's the same way?
• 57:24
  Speaker 1: And also do you want your fiance, you know, look
• 57:27
  Speaker 1: at you your other kids the same way as they
• 57:29
  Speaker 1: look at your kids. That's the question we're asking grenin Hello,
• 57:32
  Speaker 1: who's this? This is siquana Hey Shiquana, Hey, guys, good morning. Yes,
• 57:37
  Speaker 1: what right? She got so bad? But she play with,
• 57:51
  Speaker 1: don't play with, don't play What's what's your thoughts? Mom? Um? Honestly,
• 57:54
  Speaker 1: I just want the way in and say, um, it
• 57:56
  Speaker 1: depends on how long you know what the person, because
• 57:59
  Speaker 1: I have asked who would take our kids around his girlfriend?
• 58:02
  Speaker 1: He just met like a week ago, and I feel
• 58:04
  Speaker 1: that's something you shouldn't do. But if you're serious with
• 58:07
  Speaker 1: the person and you know you're feel like you got
• 58:09
  Speaker 1: a future with them, I mean, I see nothing wrong
• 58:11
  Speaker 1: with it. But on the stand still, it is a
• 58:14
  Speaker 1: lot of crazy people in the world. You got to
• 58:16
  Speaker 1: be cautious. A lot of people harming kids and doing
• 58:18
  Speaker 1: crazy things to kids. So that's where I'm with it. Like, if, um,
• 58:22
  Speaker 1: you think you're gonna do at the first long term
• 58:24
  Speaker 1: and you're dating for a minute and you get to
• 58:26
  Speaker 1: know each other, you're talking about your kids, okay, but
• 58:29
  Speaker 1: on your first date, you're not taking their kids to
• 58:31
  Speaker 1: Chucky Keys to play together because y'allo kids. I agree, right,
• 58:36
  Speaker 1: I agree? I agree. You can't to be bringing anybody
• 58:39
  Speaker 1: around your Yeah, that's that's what she's saying. That's what
• 58:41
  Speaker 1: she's saying, but I do believe. I do believe that. Um,
• 58:46
  Speaker 1: if I got kids and you got kids and we
• 58:48
  Speaker 1: ain't got no babysit this, we want to see you
• 58:50
  Speaker 1: bad enough. Yeah, let's meet up at Hello, Hello, Hello, Hey,
• 58:57
  Speaker 1: what's your name? Monica? Monica? Good morning, good morning. What's
• 59:02
  Speaker 1: your thoughts, Mama, my thoughts? I do not date with me.
• 59:06
  Speaker 1: I don't date mess kid. For a fact. If I
• 59:10
  Speaker 1: can't let my kids go over to the other parent,
• 59:12
  Speaker 1: I don't feel comfortable. That's not like. How am I
• 59:15
  Speaker 1: gonna feel comfortable if my kid going to see his
• 59:18
  Speaker 1: other parent if I don't like or get along with
• 59:20
  Speaker 1: the other person, Now, is that better enough? But let
• 59:23
  Speaker 1: me ask you this, Monica, is that because you better
• 59:26
  Speaker 1: or is that because has he ever given you any
• 59:28
  Speaker 1: type of like, Yo, I'm gonna I'm gonna put my
• 59:30
  Speaker 1: son in jevity or put my kid in jevity, Like
• 59:32
  Speaker 1: it's he that you got to know the other parents too?
• 59:34
  Speaker 1: Are they ever gonna bring somebody that you don't like
• 59:37
  Speaker 1: around your kid that's gonna do something to your kid?
• 59:39
  Speaker 1: Is that better? Or is that just how you feel
• 59:41
  Speaker 1: that's not better? I think it's out as a mother. Yeah,
• 59:45
  Speaker 1: I'm gonna speak it for the mother thing to do.
• 59:46
  Speaker 1: As a mother, you have to feel comfortable. If you're
• 59:50
  Speaker 1: not comfortable with the man, she's gonna write me it's
• 59:53
  Speaker 1: not ever gonna work. So I would think that maybe
• 59:55
  Speaker 1: me and the girl would have to talk. I would
• 59:57
  Speaker 1: be maturing, be like, let me talk to the girl.
• 1:00:00
  Speaker 1: And that's if I'm still on her and I like her. Yeah,
• 1:00:04
  Speaker 1: you can go. But listen, Jeff, yes must and I'm
• 1:00:08
  Speaker 1: talking about it. You have to stay the permanent co
• 1:00:12
  Speaker 1: host on the show. I've been crying all week. Yeah,
• 1:00:16
  Speaker 1: this is the funniest show ever been in my life.
• 1:00:19
  Speaker 1: Teller man is at his best with you. Thank you
• 1:00:22
  Speaker 1: so much, girl. I I agree with everything you say
• 1:00:26
  Speaker 1: that because I can't. I had you, and I think
• 1:00:29
  Speaker 1: I dressed the best win here out of everybody. Thank
• 1:00:33
  Speaker 1: you so much. Baby. I already told yes, she get
• 1:00:35
  Speaker 1: the permanent role. I'll guarantee you she won't be coming
• 1:00:37
  Speaker 1: here like she hosted the Award Show every day. I
• 1:00:39
  Speaker 1: guarantee you to be sweatsuits all right. So what's the
• 1:00:45
  Speaker 1: moral of the story. What is the moral of the story,
• 1:00:47
  Speaker 1: jes Because you've been co parenting very well for a
• 1:00:50
  Speaker 1: pretty long time. Now, oh man, the moral of the stories,
• 1:00:53
  Speaker 1: all right, So look what wish she said, which is
• 1:00:55
  Speaker 1: also a part of the moral. You still cannot say
• 1:00:58
  Speaker 1: because she said if you don't, if you don't trust
• 1:01:02
  Speaker 1: the other parents to date somebody that you you can't.
• 1:01:05
  Speaker 1: Really that's still in the sense controlling, Like you, you
• 1:01:07
  Speaker 1: don't know who they're gonna date. They dated you, So
• 1:01:10
  Speaker 1: if you're going off of that past, then you got
• 1:01:13
  Speaker 1: to include yourself. Like you can't just say he and not.
• 1:01:15
  Speaker 1: That's not the monica. But I'm just saying, like it's
• 1:01:18
  Speaker 1: just period. You can't control who some of you. Who
• 1:01:21
  Speaker 1: are you to say like, oh hey, I don't like
• 1:01:23
  Speaker 1: the way he dates. I don't. You don't until you
• 1:01:24
  Speaker 1: get to know somebody. But I like how she ended it.
• 1:01:26
  Speaker 1: If we have a conversation, Look, you're gonna be around
• 1:01:28
  Speaker 1: my child. This is who I am, this is you
• 1:01:30
  Speaker 1: know whatever. So the more what the story is, you
• 1:01:34
  Speaker 1: do not, I don't think you have to. You're not
• 1:01:36
  Speaker 1: responsible for your actual responsible for your kids. I think
• 1:01:39
  Speaker 1: that's what that is. That makes sense. You're not responsible
• 1:01:43
  Speaker 1: for your actually responsible for your kids. Yeah, you're not.
• 1:01:45
  Speaker 1: You're not responsible like my Like I said, my son's
• 1:01:48
  Speaker 1: dad has five kids with five different women. As after
• 1:01:52
  Speaker 1: he moved on, he take care of his bomb father
• 1:01:55
  Speaker 1: take care of his kids, and I don't try to
• 1:01:56
  Speaker 1: support no more for none of them. But no more. Yeah,
• 1:02:00
  Speaker 1: but he is not responsible for their mothers right, not
• 1:02:04
  Speaker 1: in that nothing. Yeah, it's different than the marriage because
• 1:02:06
  Speaker 1: the divorce you gotta settle that, you gotta you get this,
• 1:02:09
  Speaker 1: I get this whatever. But like girlfriend, boyfriend, yo, if
• 1:02:11
  Speaker 1: if it's not about my child, yo, I'm in my relationship.
• 1:02:16
  Speaker 1: Let's say you move on and now that one child
• 1:02:19
  Speaker 1: lives a different life than those off those other four kids,
• 1:02:22
  Speaker 1: how do you think the other four kids will feel like?
• 1:02:24
  Speaker 1: You know what I mean? Like, yeah, that one kid
• 1:02:25
  Speaker 1: he gets you know, he gets to go to the
• 1:02:28
  Speaker 1: football games, he gets to go to this because he's
• 1:02:30
  Speaker 1: with the father old day long in that house. Don't
• 1:02:32
  Speaker 1: you feel like all the kids should have that same
• 1:02:34
  Speaker 1: love and that same feeling. But that's what I'm saying.
• 1:02:37
  Speaker 1: What the ex gotta do with that. I'm gonna go
• 1:02:39
  Speaker 1: pick my kid up and we're gonna I'm gonna take
• 1:02:41
  Speaker 1: you with the rest of my kids. Your daddy, it
• 1:02:44
  Speaker 1: ain't I'm gonna pick you in the baby mother up
• 1:02:45
  Speaker 1: and y'all and no, I'm picking my all. I'm gonna
• 1:02:47
  Speaker 1: get all my kids together, just like Rome do it,
• 1:02:50
  Speaker 1: just like my son's dad does it. He don't do
• 1:02:52
  Speaker 1: nothing with all his other kids. Or if he got
• 1:02:54
  Speaker 1: his girls his girls Day and boys boys Day, then
• 1:02:57
  Speaker 1: he got days when he get all of them, so
• 1:02:59
  Speaker 1: he does. I don't know, but my baby father though
• 1:03:02
  Speaker 1: it basically what justice saying. She only buying McDonald's for
• 1:03:04
  Speaker 1: her son. She ain't buying me donald for the rest
• 1:03:06
  Speaker 1: of your own kids. It's the Breakfast Club. Good Morning,
• 1:03:11
  Speaker 1: the Breakfast Club. One of everybody is DJ n V
• 1:03:17
  Speaker 1: Charlomagne the Guy. We are the Breakfast Club. April twenty
• 1:03:20
  Speaker 1: second um for the first ever Black Effect Podcast Festival,
• 1:03:24
  Speaker 1: happening at Pulman Yards in Atlanta, hosted by me and
• 1:03:26
  Speaker 1: my good sister Just Hilarious. We got some of your
• 1:03:29
  Speaker 1: favorite podcasts hitting that stage, like The eighty five South Show,
• 1:03:32
  Speaker 1: Horrible Decisions, Reasonably Shady, Checking In with Michelle Williams, and
• 1:03:37
  Speaker 1: a whole lot more. We got the Black Effect Marketplace,
• 1:03:39
  Speaker 1: where a lot of local businesses in Atlanta will be
• 1:03:41
  Speaker 1: set up and we'll have merchandise from a lot of
• 1:03:43
  Speaker 1: your favorite podcasts, man, So go to event bright dot
• 1:03:46
  Speaker 1: com right now and get your tickets and go to
• 1:03:48
  Speaker 1: black Effect dot com for more information. Okay, on the
• 1:03:51
  Speaker 1: first ever Black Affect Podcast Festival April twenty second in Atlanta,
• 1:03:58
  Speaker 1: beat dj Envy. We are on vacation, but I want
• 1:04:02
  Speaker 1: to remind you that my call show is going down
• 1:04:05
  Speaker 1: May twenty eighth in Memphis. You don't want to miss it.
• 1:04:09
  Speaker 1: It's family fund, celebrity cause, exotic cause, old school cause,
• 1:04:13
  Speaker 1: rides and all those things. So get your tickets. You
• 1:04:16
  Speaker 1: can click the link in my buio for more information
• 1:04:18
  Speaker 1: and kids fiving under up Free morning. Everybody is DJ Envy, Charlomagne,
• 1:04:23
  Speaker 1: the guy. We are the breakfast Club. Charlomagne. You got
• 1:04:25
  Speaker 1: a positive note? Yes, the positive note simply this man.
• 1:04:27
  Speaker 1: I said it once during Dunkey Today, I want to
• 1:04:29
  Speaker 1: repeat it. When you choose an action, you choose the
• 1:04:32
  Speaker 1: consequences of that action. When you desire a consequence, you
• 1:04:36
  Speaker 1: had damn well better take the action that we create it. Okay,
• 1:04:39
  Speaker 1: we all make choices, but in the end, our choices
• 1:04:42
  Speaker 1: make us. We are free to choose our paths, but
• 1:04:44
  Speaker 1: we can't choose the consequences that come with them. Breakfast
• 1:04:48
  Speaker 1: club you don't finish, or y'all dumb