Latest / The Breakfast Club / Lil Baby Talks New Album, Activism, Friends Locked Up, Issues With Akademiks + More

Transcript

Lil Baby Talks New Album, Activism, Friends Locked Up, Issues With Akademiks + More · The Breakfast Club

0:00
Speaker 1: Morning. Everybody is DJ Envy, Angela Yee, Charlomagne, the guy
0:04
Speaker 1: were all the breakfast club. We got a special guest
0:06
Speaker 1: in the building. Indeed, albums out right now, Little Baby,
0:10
Speaker 1: welcome back, brother. So what's y'all doing. How are you
0:13
Speaker 1: feeling this morning? Man? Good? We were just saying, it's
0:16
Speaker 1: the most press we've ever seen a little Baby do
0:18
Speaker 1: ever in life. You came a long tell me about it,
0:23
Speaker 1: interview everybody. It's still hard to get me doing. Now
0:29
Speaker 1: what's the hardest Yeah, what's the hardest part about them? Now?
0:32
Speaker 1: I still just don't like interviewed and now I like
0:35
Speaker 1: talking about because and I watched it Invies, I'm like, da,
0:38
Speaker 1: I wish I would have said that. I wish I
0:39
Speaker 1: would ye. Now I feel like if I am going
0:44
Speaker 1: to do an interview, I'm trying to sell a little more.
0:47
Speaker 1: And you got a lot going on, I think, even
0:50
Speaker 1: just as far as in the world of activism, like
0:52
Speaker 1: we talk about you in that space a lot too,
0:55
Speaker 1: and I think originally you might not have thought about
0:56
Speaker 1: yourself like that, but you can see that you are
0:59
Speaker 1: somebody who is really active in the community. I saw
1:04
Speaker 1: you talking about bringing arts to the schools with Jimmy
1:07
Speaker 1: Ivan and Doctor Dry. Of course, the bigger picture was
1:09
Speaker 1: a huge deal when you put that song out for
1:11
Speaker 1: people to feel like they could relate to you and
1:13
Speaker 1: other positive things that you've been doing. Is that something
1:16
Speaker 1: that you felt like, what something you wanted to do,
1:19
Speaker 1: or was that just kind of came about without you
1:21
Speaker 1: even thinking about it. It's something that I actually been
1:24
Speaker 1: on my mind the whole time. Like so from from
1:31
Speaker 1: the beginning, I always knew like it's what I wanted
1:34
Speaker 1: to do, or not even what I wanted to do.
1:35
Speaker 1: What I've been doing far as a rapper up with
1:37
Speaker 1: fiving maybe to man, I always like trying to take
1:40
Speaker 1: care of my community and stuff. But then that's I
1:42
Speaker 1: getting bigger. How how much you say I said take
1:46
Speaker 1: care of my community or another thing you made doing
1:48
Speaker 1: a million I wish I didn't hear that either something,
2:01
Speaker 1: but go ahead, So you said you've always wanted to
2:02
Speaker 1: take care of it. I always want to take care
2:04
Speaker 1: of my community. Stiff like that something. Now I'm in
2:06
Speaker 1: a position and I could like help take care of
2:08
Speaker 1: the world. Well, imagine question you are you wanted to
2:11
Speaker 1: humanitarian award recently? Right for your contributions in your hometown.
2:14
Speaker 1: But then you ain't gonna just went diamond for for
2:17
Speaker 1: drip too hard? So which feels better or do they
2:20
Speaker 1: feel the same? Which means more to you? Hemanitar? What
2:24
Speaker 1: mean more than me? You know what I'm saying? But
2:27
Speaker 1: it record means a lot too. The oh yeah a lot,
2:31
Speaker 1: but it's like two different fields. Yeah, all right, that
2:34
Speaker 1: was a great music accompliment a little baby, and then
2:37
Speaker 1: tearing war was a great accompliment. Yeah, your family probably
2:41
Speaker 1: cares about one more, right, and your mom like, oh
2:43
Speaker 1: humanitarian a ward apparently understand you have a really understand
2:48
Speaker 1: the influence you have with these kids, Like you know
2:50
Speaker 1: where you're from, of course your neighborhood. You're a huge
2:52
Speaker 1: influence because they see somebody who made it. But then
2:55
Speaker 1: when you travel this world, in this country and even overseas,
2:58
Speaker 1: how much these kids really follow you and love you?
3:00
Speaker 1: And does that ever hit you? Yeah? Definitely a lot.
3:05
Speaker 1: And do you feel like you have to live up
3:07
Speaker 1: to a certain way of living because you got these
3:09
Speaker 1: kids following it all the time. I try how to
3:11
Speaker 1: say certain stuff, I try how to post a certain stuff,
3:13
Speaker 1: and like I know, for in fact and not even
3:15
Speaker 1: just all the other kids because I think about them,
3:19
Speaker 1: but my kids like they do everything I do, so
3:22
Speaker 1: I had to like be honest. So they helped me
3:24
Speaker 1: for like the other kids too, because you got the
3:28
Speaker 1: new album. It's only me with the album covered with
3:31
Speaker 1: all your faces on the Mount Rushmore break that down. Um,
3:37
Speaker 1: you know, I like, I guess at the time I
3:39
Speaker 1: made an album cover is just like people probably in
3:41
Speaker 1: them that Mount Rushmore stage and posting. Everybody put their
3:45
Speaker 1: own pitches and stuff, so I just thinking, like I'm
3:50
Speaker 1: gonna just use my face follow them, um um. Ashley
3:55
Speaker 1: man Cash from the eight So we came up with
3:58
Speaker 1: the idea thinking about it too because it's like your
4:01
Speaker 1: first generation millionaire in your family, so that that title
4:04
Speaker 1: probably reflects your personal life too, right, Well, I ain't
4:08
Speaker 1: really like think about it like in my personal life,
4:10
Speaker 1: but it's more so on the fact of like I
4:13
Speaker 1: don't really worry about nobody else. I'm only focused on me,
4:18
Speaker 1: So it's like most or something like that. I would say,
4:21
Speaker 1: you're one of the very few artists that have been
4:24
Speaker 1: has super super success but still do records with a
4:28
Speaker 1: lot of people, still fun with a lot of artists.
4:30
Speaker 1: It's almost like you still challenge yourself to see if
4:33
Speaker 1: you can challenge them a lot of times when when
4:35
Speaker 1: when rappers get to a certain part in their life,
4:37
Speaker 1: they don't want to do records with certain people, or
4:39
Speaker 1: it's about the number what you or the course of
4:41
Speaker 1: the price. But what you I see you do that
4:43
Speaker 1: a lot more. Why is that? Um? It's just basically
4:46
Speaker 1: like number one ain't no hater and number two. I
4:52
Speaker 1: feel like it's a it's a it's a team sport,
4:56
Speaker 1: just like it is like everybody's solo artists as a team.
4:59
Speaker 1: I feel like we do more because you'll do an
5:02
Speaker 1: you'll do an artist of course with you know, with
5:04
Speaker 1: this artist with which is known, Like you do a
5:06
Speaker 1: record with Doug or with Gunner, right, that's family. But
5:08
Speaker 1: then you'll do a sleazy but then you do ice
5:10
Speaker 1: with Vessel, But then you do this one. Like it
5:12
Speaker 1: seems like you like the competitive sport of it for sure.
5:15
Speaker 1: Definitely Vessel QC. Right now, But you got twenty three
5:21
Speaker 1: songs on this album. No, you only got about six
5:23
Speaker 1: or seven rap features though you kept them low for reason.
5:28
Speaker 1: What do you mean that was a lot think for
5:29
Speaker 1: twenty three three songs? Now it would be a feature
5:33
Speaker 1: on every song, feel like from these rappers. I feel
5:36
Speaker 1: like seven was a lot. Okay, okay, why I'm twenty
5:40
Speaker 1: three songs too? That's a lot. And I know it's
5:41
Speaker 1: been a while people have That's the reason I put
5:44
Speaker 1: out a lot because i't so they say I plan
5:47
Speaker 1: on dropping again like nine ten minutes something. I want
5:50
Speaker 1: to have twenty three songs song. But since I ain't
5:52
Speaker 1: dropping like almost two years, I just like it. But
5:55
Speaker 1: why was it so long? Was it because those other
5:57
Speaker 1: records were still ringing and still top new records? Well?
6:01
Speaker 1: I think because COVID kind of like I dropped my
6:03
Speaker 1: last album, like right, folks, So I was like a
6:05
Speaker 1: year that I wasn't gonna drop none or even a
6:08
Speaker 1: year and a half, and just like coming out of COVID,
6:10
Speaker 1: trying to get my cell together, get back to working
6:12
Speaker 1: stuff like that. This had a different title first two right,
6:15
Speaker 1: originally I ain't never had no time at first? Okay,
6:20
Speaker 1: how did they convince you to do a documentary? Man?
6:23
Speaker 1: Because he seemed like you're very private. How did you
6:26
Speaker 1: beat you to do a doctor? It really wasn't It
6:28
Speaker 1: really wasn't right. But what you mean meaning like they
6:33
Speaker 1: had a cameraman for like four five months. I don't
6:35
Speaker 1: let him come with me, like two or three times,
6:38
Speaker 1: you do know, you were wrapper down, like like I
6:41
Speaker 1: get it what you're doing with nobody? He was like,
6:48
Speaker 1: who did dude with this boy? Oh? He's young too. Still,
6:54
Speaker 1: you know, I might be on the phone time to somebody.
6:56
Speaker 1: I don't know. It's just my person in space. You
6:58
Speaker 1: had to be in a house, that your house, me
7:01
Speaker 1: and my children, stuff like that. But now I look
7:04
Speaker 1: at that document, I kind of wish I would have
7:06
Speaker 1: let him come with me a little more because streets,
7:11
Speaker 1: you like, it's your career, it's your life. You gotta
7:15
Speaker 1: be like squeez stuff though, Like ain't like I don't
7:17
Speaker 1: want a round because we might do something just I
7:19
Speaker 1: just ain't comfortable with. Yeah, I feel record me. Did
7:24
Speaker 1: you know what he was there for? I don't. But
7:29
Speaker 1: it's like natural. So it's like you just record all day,
7:32
Speaker 1: I'm saying, or whenever you pick the phone or I
7:34
Speaker 1: ain't really fun in that. Yeah, but like even being
7:36
Speaker 1: in the studio or doing a show, that's a good
7:38
Speaker 1: time to film stuff, just to see the business aspect
7:40
Speaker 1: of things, right, And when it came to negotiating. Like
7:45
Speaker 1: I saw before you were talking about how you get
7:47
Speaker 1: three hundred and fifty thousand dollars for a feature now,
7:50
Speaker 1: and I remember previously you had said it was like hundred, yeah,
7:53
Speaker 1: one hundred thousand, So um, when people are asking you
7:58
Speaker 1: for features, you just tell them it's three fifty. Like
8:00
Speaker 1: I really only do features no more. I ain't in
8:04
Speaker 1: that space right now because people getting afford them, people
8:07
Speaker 1: could afford them. People called I turned her right, two
8:09
Speaker 1: three features a day. Damn yeah, probably two fifty, I'm saying.
8:16
Speaker 1: I ain't say three fitty either. I said like three
8:20
Speaker 1: hundred to two fifty. Maybe I even take two hundred,
8:24
Speaker 1: But I ain't really I ain't trying to do it.
8:26
Speaker 1: So if you want me to do it, I got
8:28
Speaker 1: a fee. What makes you during the reason for turning
8:31
Speaker 1: them down? I ain't really trying to do them, but
8:34
Speaker 1: like just because you have your project out or you
8:36
Speaker 1: just don't. Yeah, maybe because like like recently, I've been
8:39
Speaker 1: working on my project and I already had enough features
8:41
Speaker 1: out and I knew you need to least drop a project.
8:44
Speaker 1: I just keep doing feature So I just didn't want
8:46
Speaker 1: to do them. Who's the one person you haven't worked
8:48
Speaker 1: with that. You would love to get in the studio
8:50
Speaker 1: with and and go back and forth with Really three stacks?
8:55
Speaker 1: Have you reached out to them more? Yeah? I actually
8:57
Speaker 1: could have been on an album for sure. He's send
9:00
Speaker 1: him the song like, but I didn't feel like I
9:02
Speaker 1: had the one for them. I really want to, like
9:04
Speaker 1: you know that would versus like sending him the song.
9:07
Speaker 1: He was an outcast fan of course grown up. No,
9:10
Speaker 1: not really really, I like too young for that, But
9:13
Speaker 1: I mean, of course, of course I'm a fan of
9:16
Speaker 1: under thy Thousand. I'm saying once I got like older
9:18
Speaker 1: and I went to like the bad story and stuff.
9:20
Speaker 1: But growing up I knew they like big songs. I want,
9:23
Speaker 1: like I had to get an album, I just look
9:25
Speaker 1: under thoth thouans. But I love how the Doctor you
9:28
Speaker 1: showed how I'm not getting the nomination for my Turn
9:32
Speaker 1: for the Grammy impacted you. But what did you do
9:35
Speaker 1: creatively around that time? After that? And I know you
9:38
Speaker 1: did the performance, but how did that affect how you
9:40
Speaker 1: approach this? Up? It? Then? I don't really think about
9:43
Speaker 1: stuff like that. Honestly, I ain't never gonna be like,
9:47
Speaker 1: I gotta get me a Grammy out of it. I
9:50
Speaker 1: don't think I'm ever gonna be like that. What is
9:52
Speaker 1: important to you when you put together a project and
9:55
Speaker 1: they do well, you know what I'm saying That also
9:59
Speaker 1: that they do well for a long period of time, Like,
10:01
Speaker 1: that's what it matters to me. I wanted to stick.
10:04
Speaker 1: That's how I really care about. I only care about
10:06
Speaker 1: first week normous like all that type of style. I
10:09
Speaker 1: wanted to stick. You know. You know, you're at the
10:11
Speaker 1: point now where you've been winning so much they're waiting
10:13
Speaker 1: on you to feel see that. Yeah, it's like, no
10:16
Speaker 1: matter what you put out, they're gonna be like it
10:18
Speaker 1: ain't ye. But that comes with the territory, you know that.
10:21
Speaker 1: I guess so because I saw this video the other day.
10:23
Speaker 1: Alan obviously was saying, I told Lebron, they love you now,
10:26
Speaker 1: but eventually they're gonna hate you. It just comes with it. Though.
10:32
Speaker 1: Oh yeah, they they've been Yeah, they've been that long
10:34
Speaker 1: time ago. But it don't matter because he keep winning
10:36
Speaker 1: and he keeps doing the thing right. How do you
10:38
Speaker 1: handle that when you see when you see things people
10:40
Speaker 1: saying like, oh I don't like that, I don't like
10:42
Speaker 1: that record. Uh baby could have can't hard enough. I
10:46
Speaker 1: just keep working. I gotta do. Everybody that's not gonna
10:50
Speaker 1: not like it, everybody entire their own opinion. Do you
10:54
Speaker 1: listen to your old music? I do? And so when
10:57
Speaker 1: you reflect, like even looking at this album cover and
10:59
Speaker 1: you look at the space that you were in in
11:01
Speaker 1: each one of those pictures, what are your thoughts about,
11:04
Speaker 1: like your growth as an artist, not even just my
11:07
Speaker 1: music or anybody music. When I hear it, I automatically
11:10
Speaker 1: go back to like the time I was at when
11:12
Speaker 1: I like remember playing a song a lot, So I
11:17
Speaker 1: don't ready just look at look at the album covern,
11:21
Speaker 1: think about the time I was at something. But different
11:23
Speaker 1: songs on the album put me back in the spot
11:26
Speaker 1: from the last two years when I've been making a song,
11:28
Speaker 1: because some of the songs from like two and a
11:30
Speaker 1: half years ago then someone kind of recent. Were you
11:35
Speaker 1: afraid to reveal so much about yourself in the documentary? No,
11:40
Speaker 1: because I don't feel like I just reveal everything, right,
11:44
Speaker 1: So maybe the documentary was like, well teaser to me then,
11:50
Speaker 1: like I mean, you know what they're anges tell like
11:53
Speaker 1: this this day I gave like major power points to
11:57
Speaker 1: get you to understand the story. But even really like
11:59
Speaker 1: a right down to my life, like I told you
12:02
Speaker 1: how what I did and stuff, and ain't like getting
12:04
Speaker 1: the details and I could have really gotten in details.
12:08
Speaker 1: Do you own with everything that's going on in the world, right,
12:10
Speaker 1: do you move differently? The reason I ask is, you know,
12:13
Speaker 1: when I talk to other DJs, whether it's in other
12:16
Speaker 1: cities and other markets, but like now, a little baby
12:19
Speaker 1: was saying, I was talking to somebody in La there
12:20
Speaker 1: was like Noah, a little baby came to the club
12:22
Speaker 1: by himself. It was just him and look outside. No now,
12:26
Speaker 1: But what do you mean differently now because of what's
12:28
Speaker 1: going on in the world and recession and you know
12:30
Speaker 1: what's happening with everybody or what's what's your mind frame
12:33
Speaker 1: with that? All the way earnestly all the way I'm
12:38
Speaker 1: on that. What you say i'd be by myself, you
12:42
Speaker 1: would think i'd beat like I know, I'm going somewhere,
12:45
Speaker 1: I'm with a lot of people. But when I just
12:47
Speaker 1: go somewhere on my leisure, most of the time, I
12:49
Speaker 1: myself and I hate secure. But p Ma sh Yes
12:56
Speaker 1: is right. He is absolutely right. And you shouldn't be
12:58
Speaker 1: sliding by yourself nowhere either because man, mother fucker's crazy.
13:02
Speaker 1: Out of the story I heard about it, La, They said,
13:05
Speaker 1: a little babies crazy, A little babies comfortable. They said,
13:07
Speaker 1: don't worry, I'm good. I ain't saying nothing can't happen
13:09
Speaker 1: to you think I'm saying like so like what I'm saying, like, man,
13:13
Speaker 1: I want to live in my life. Yeah, you work
13:16
Speaker 1: something though, you know Forty told me one time you said, Man,
13:18
Speaker 1: when you work something, you gotta protect it. You gotta
13:20
Speaker 1: protect it. But I ain't gonna just be at no where,
13:23
Speaker 1: Lola yagging man me like I'm I'm not being do
13:26
Speaker 1: what I gotta do. Get on even sometimes a lot
13:28
Speaker 1: of people be a headache, should be stretched. Sometime I
13:31
Speaker 1: just want to put my hoodie on. Then sometimes if
13:34
Speaker 1: you know me, you know me, you know me like
13:36
Speaker 1: I know how to I could come in the room
13:38
Speaker 1: when y'all y'all want to know a man feel me like,
13:41
Speaker 1: I don't gotta be loud. I could be by myself. Look,
13:44
Speaker 1: I might don't even I don't know drip Like, yeah,
13:47
Speaker 1: we've seen video. I've seen the video. You slide into
13:48
Speaker 1: the store by yourself. One timebody was open the video. Okay,
13:57
Speaker 1: actually somebody was in the car. Oh, I was walking out,
14:02
Speaker 1: but I did go and stow by myself though that
14:05
Speaker 1: We've seen your interview with with Loony and Loony, and
14:09
Speaker 1: he said, I think in the interview said now you're
14:11
Speaker 1: you're into skinny girls. You're not. You're not mad at
14:14
Speaker 1: just talking to kicking it to skinny girls, right? What
14:16
Speaker 1: made you start liking skinny girls? I don't know. At first,
14:20
Speaker 1: I just like like a previce. I just like, I
14:23
Speaker 1: like thick girls. Say you like thin girl now, I
14:27
Speaker 1: just like, I don't know. I think I'm on my
14:30
Speaker 1: supermodel phase. So all your thick girls got into your
14:33
Speaker 1: d ms and started texting you like fuck you. Nah,
14:35
Speaker 1: I ain't saying I don't like thick girls. I like girls. Now.
14:43
Speaker 1: You got a couple of records for the ladies on
14:44
Speaker 1: this on this project, what's the joint called? Uh? What
14:48
Speaker 1: was it? What was what? I forgot? Which one? It was? Forever? Yeah? Yeah, yeah,
14:54
Speaker 1: yeah Friday feature Friday? Who was that to somebody too?
14:58
Speaker 1: We kind of fucked up on it. I already had
15:00
Speaker 1: a song Ain't for Ever on another project. I ain't
15:05
Speaker 1: catch the last project. Yeah, well wine, different type of
15:10
Speaker 1: record though. Yeah. But when he had the same song,
15:16
Speaker 1: changing your girl's name that you wrote it about. You
15:18
Speaker 1: can tell ain't any about it? Girl? Something you talking
15:21
Speaker 1: about a girl on that record? Maybe seven girls? Oh
15:23
Speaker 1: so okay, all right, every particularly, It's just I when
15:29
Speaker 1: I rapped, I kind of speak in general. I try
15:31
Speaker 1: to say stuff that could go to like anybody's situation.
15:34
Speaker 1: I don't really got to be my situation, but it
15:37
Speaker 1: could be something that I went through that I know
15:38
Speaker 1: everybody go through. You know what I'm saying. So anyway,
15:41
Speaker 1: just like try to sing to one girl or like
15:44
Speaker 1: sing to a personal because I know I got an audience,
15:46
Speaker 1: so I try to make it like, well, talk about
15:49
Speaker 1: stuff I know everybody go through. Yeah, so you're just
15:51
Speaker 1: wrapping it's it's entertainment. So how do you How do
15:53
Speaker 1: you feel about them trying to use lyrics in court
15:55
Speaker 1: now days? I hate that sure that you think you
16:01
Speaker 1: could love more than one girl at a time. UM,
16:06
Speaker 1: be careful how you answer this. Probably not, probably not.
16:10
Speaker 1: I mean you can have a love for everybody, but
16:14
Speaker 1: in love, I don't think I could be in love
16:15
Speaker 1: with two people at one time. I think I'm one
16:18
Speaker 1: of the lyricism. I got a lot for you, but
16:23
Speaker 1: you got a little for you. You could be with
16:28
Speaker 1: a woman who was with other men too, like you said,
16:30
Speaker 1: we could, we could share her or whatever. That's fine
16:32
Speaker 1: with you, because you're not ready to settle down, right,
16:35
Speaker 1: So you don't expect somebody to be committed to you
16:37
Speaker 1: if you're not committed to them exactly, all right, that's
16:40
Speaker 1: open minded. Some people feel like they don't. I'm with you.
16:43
Speaker 1: I don't want you to be with anybody else. Did
16:44
Speaker 1: you used to be like that? Ain't on it, ain't
16:48
Speaker 1: on it like I do. Only make sense. I ain't selfish. No,
16:52
Speaker 1: no kind of way that'll be selfish me. You ever
16:55
Speaker 1: had a guy hit you up about you messing with
16:57
Speaker 1: this girl I'm messing with and try to confront you.
17:00
Speaker 1: How do you handle something like that? What's the conversation?
17:03
Speaker 1: Like he missed a little baby? Can you please stop
17:06
Speaker 1: knocking down my girl? Yeah, you don't have those I
17:14
Speaker 1: had like that? It should be wow, give me one
17:19
Speaker 1: more time next week. Sent it back home December, December,
17:24
Speaker 1: you get it back into something. It's just a year
17:26
Speaker 1: at least. I don't know. I feel like he went
17:32
Speaker 1: in towel, like he's you know. I feel like you
17:34
Speaker 1: gotta have those conversations, especially when you're dealing with two
17:36
Speaker 1: brothers with money, because you might be doing stuff for
17:40
Speaker 1: her financially and he might be doing it. They don't
17:42
Speaker 1: need you. All the bump heads like that, right, they
17:44
Speaker 1: ain't been I don't know nobody else. Do focus on
17:48
Speaker 1: what I do? Yeah, that's everybody. Don't get a burke in, right, Hey,
17:53
Speaker 1: I say so, Like a couple of times somebody wants
17:57
Speaker 1: to ask you for a breakin. He was like, hell, no, don't.
18:00
Speaker 1: I really only need to come out like ask me
18:02
Speaker 1: for a breaking I don't talk, so it's kind of
18:04
Speaker 1: harder like ask me for something. Relationship, you got kick it,
18:13
Speaker 1: but we don't. We don't. We don't do too much
18:15
Speaker 1: talking to the you know you gotta I'm certing. Sh up,
18:21
Speaker 1: we ain't gonna make it that far. Are you talking bad? No,
18:25
Speaker 1: I'm like a little awkward sex quietly. Yeah, I don't
18:29
Speaker 1: say too much. I'm focused. I'm trying. I'm trying to talk.
18:34
Speaker 1: You don't even say you give her nothing. You tell
18:39
Speaker 1: her you call the uber. I ain't never called a girl.
18:42
Speaker 1: I don't got uber and stuff like she needed that
18:44
Speaker 1: stuff set up. She got to get her own car service. Ye. You,
18:49
Speaker 1: I don't got that type of stuff. I just don't.
18:51
Speaker 1: You got about a hundred cars, baby, I know you
18:54
Speaker 1: can get somebody to drive home. He probably don't want
18:56
Speaker 1: to put the address. I do all that type stuff.
18:58
Speaker 1: I was saying, I ain't. I got my driver something.
19:03
Speaker 1: But I just don't don't use stuff, right, I get
19:07
Speaker 1: it because then you gotta put your address, and then
19:08
Speaker 1: they know and then they see where you're getting somebody
19:11
Speaker 1: dripping or I will get somebody to sing your all right.
19:18
Speaker 1: I see you getting into TV too, man. You co
19:19
Speaker 1: produced with the show to BT The Impact Impact Atlanta.
19:24
Speaker 1: What got you getting into the TV now? Like we
19:28
Speaker 1: got a new little film company? Yeah? What are your
19:33
Speaker 1: baby moms on the show? Did you have any reservations
19:36
Speaker 1: about putting her out there like that? I mean, I'm
19:39
Speaker 1: not against whatever somebody want to do. It was an option.
19:45
Speaker 1: You talked about it before she did what I'm saying.
19:48
Speaker 1: I mean, we brought out and she's a bit Jada
19:52
Speaker 1: is a businesswoman, sure, and she seems like a great mom.
19:55
Speaker 1: Great most we've seen you had a couple of shouts
19:59
Speaker 1: of academic on the album It's only two run shot,
20:03
Speaker 1: I thought it was on two songs. I thought the
20:05
Speaker 1: song was huge and on the turning point record academic
20:08
Speaker 1: niggas that they can't get touched, meaning somebody who would
20:11
Speaker 1: be on the computer all day. It wasn't really trolling,
20:15
Speaker 1: wasn't add h him as an example. Man. But I
20:18
Speaker 1: seen another interview he like rappers broke they least their
20:21
Speaker 1: cards more money. To me, I never thought about it.
20:25
Speaker 1: I never, never in my mind did I even think
20:27
Speaker 1: to compare y'all financially time though, that's what I'm saying,
20:32
Speaker 1: Like you say me, that's all you said? Your name, Yeah,
20:36
Speaker 1: a little baby right like all their cards least they oh,
20:38
Speaker 1: they labeled this they he had like a breakdown. My son, See,
20:42
Speaker 1: this is what pissed me out with my son showed
20:44
Speaker 1: me something. My son showed me something he liked, like
20:49
Speaker 1: what he got more money than us? Man, He asked
20:54
Speaker 1: that though he said it to you. He was just like,
20:56
Speaker 1: pull it up and show me everything. I've seen the
20:59
Speaker 1: titles about forty year cars. Now, I never had a
21:03
Speaker 1: car on. You know, he doesn't wrap his you know,
21:07
Speaker 1: people wrap the cars, you know, when you want to
21:08
Speaker 1: wrap the cars. That's the difference. People don't know people
21:11
Speaker 1: down all the card jobs like screen paint, Like man
21:16
Speaker 1: is that smart though his hands, he don't want to
21:18
Speaker 1: do what I'm saying. The cars already de appreciate with
21:21
Speaker 1: value right his cars they're like they like go up
21:24
Speaker 1: or even though they did appreciate their like collect them. Yeah,
21:29
Speaker 1: but they don't appreciate for the most part of cars.
21:31
Speaker 1: Are you sure he said that, I don't doesn't even
21:34
Speaker 1: see that. Academics me more money in a a little baby.
21:37
Speaker 1: I don't know if I said that. I know baby
21:39
Speaker 1: said that on the record. Future though rappers, I don't
21:43
Speaker 1: like that, you know what I like? I like that
21:46
Speaker 1: people think rappers are broke because a lot of rappers
21:49
Speaker 1: are broke. You are blessed. I think the majority of
21:53
Speaker 1: artists I'm getting people to like benefit do like I
21:59
Speaker 1: don't under estimate people. I try to like overestimate people, right,
22:02
Speaker 1: but this ups and downs too. Like there sometimes it's open.
22:05
Speaker 1: Don't care how much money you get for sure, And
22:08
Speaker 1: it's also how you financially handle your money, because sometimes
22:12
Speaker 1: it takes a lot to figure out investing, making sure
22:14
Speaker 1: that you're good. During the pandemic, a lot of people
22:16
Speaker 1: did struggle because they didn't have things put up and save.
22:19
Speaker 1: So I think, but that that's across the board. That's
22:22
Speaker 1: just not rappers, that's like anybody. Yeah, absolutely, but it's
22:25
Speaker 1: just something about rappers. People got like a little because
22:27
Speaker 1: rapper front the most, right, they floss the most, like
22:30
Speaker 1: they talk about having the most image that people feel
22:32
Speaker 1: like they have to. Now, I just like that you
22:36
Speaker 1: call yourself a rapper because you got a lot of
22:38
Speaker 1: people that I ain't no rapper on Muslim rapping it
22:41
Speaker 1: all the way artists, that's right, artists, man's see, that's right. Now.
22:50
Speaker 1: You also said, God watch my friends. I can handle
22:52
Speaker 1: my enemies right on, never hating. And so do you
22:56
Speaker 1: feel like part of the reason why you're a lone
22:57
Speaker 1: is that you've had a lot of things happen with
22:59
Speaker 1: your friends because of the people that can betray you
23:01
Speaker 1: the most, the people closest to you. It's crazy. I
23:04
Speaker 1: don't really get portrayed by my friends though, because you
23:10
Speaker 1: kind of know people traits as the sun. So even
23:13
Speaker 1: if they was to betray me, I kind of already
23:15
Speaker 1: knew that I'd do that anyway, if you understand what
23:18
Speaker 1: I'm saying. So like, I'm alone just because I'm alone
23:23
Speaker 1: like I'm just used to being alone. I'm like kind
23:25
Speaker 1: of product, and I can't. I can't take you where
23:29
Speaker 1: I'm taking my money. I can't show you where my
23:31
Speaker 1: baby moms stay. I can't. So like that's why I've
23:34
Speaker 1: always been like alone, because that's how I live. Like product,
23:39
Speaker 1: do you feel like um in certain ways coming from
23:43
Speaker 1: where you came from that you need to open up
23:45
Speaker 1: more in certain situations. What you mean, like, let's just
23:48
Speaker 1: say going to events or maybe even befriending people and
23:52
Speaker 1: having like interactions. It might not be a friendship, but
23:55
Speaker 1: just being a little bit more open to those things,
23:58
Speaker 1: right I would I wouldn't speak or nothing. You know
24:01
Speaker 1: what I'm saying now, you know how trying to mean
24:04
Speaker 1: And that's like a part of like for me, even
24:07
Speaker 1: saying like I am a rapper, like not saying that
24:09
Speaker 1: I'm screaming like me thinking like you're screaming and ship
24:13
Speaker 1: like I don't want to kick any stuff, but like
24:15
Speaker 1: as a rapper and it's my job and needs to
24:17
Speaker 1: my co workers, you know what I mean. I need
24:18
Speaker 1: to mingle a little, got to be friends or whatnot.
24:21
Speaker 1: But I still take the time to see if I'm
24:24
Speaker 1: interested in something and I'm sure the more you grow
24:26
Speaker 1: like you, you kind of just naturally distance yourself from
24:30
Speaker 1: people because there's folks who can't relate for sure. As
24:34
Speaker 1: an executive, what type of relationships do you have with
24:36
Speaker 1: artists that are you know that you want to sign
24:38
Speaker 1: or that you work with? Um, I try to just
24:41
Speaker 1: get I can keep a real relationship. I meaning like
24:45
Speaker 1: I ain't gonna sugar color and I ain't gonna try
24:47
Speaker 1: to make it sound what it ain't like. It is
24:49
Speaker 1: what it is and everything on the table. That's that's
24:52
Speaker 1: the way I like to keep out of this ship.
24:53
Speaker 1: Out of this ship, understood. I just artist, just pick.
24:56
Speaker 1: Like you said, you get your advice with Mike Rubin,
24:59
Speaker 1: what advice is as Mike ruve been giving you, that's
25:01
Speaker 1: help you up. I'm crease your empire. He gave me
25:06
Speaker 1: a lot of advice understand in a short period of time.
25:09
Speaker 1: Like main advice would be like it'd be something simple
25:13
Speaker 1: about business that just we don't know could because when
25:17
Speaker 1: into business, you know what I'm saying, it could be
25:18
Speaker 1: like something real simple, like something simple simple you could
25:24
Speaker 1: do a ten nine years change, like you get money,
25:27
Speaker 1: you could clarify to care where you're gonna get the money,
25:31
Speaker 1: and you could tell them what you're gonna buy, and
25:32
Speaker 1: you could go on and buy it and then know
25:34
Speaker 1: how to pay taxes on it until you sell it
25:36
Speaker 1: for forty years before you sit like simple stuff. But
25:39
Speaker 1: definitely I got a lot of advice from on this album.
25:42
Speaker 1: You talk about having dinner with Chris Jenner and somebody else.
25:46
Speaker 1: Corey Gamble, Corey my main man, I just what's what's
25:51
Speaker 1: the conversations? Like, Man, Corey, we're just kicking on some
25:54
Speaker 1: like cool shit. I just s immaggen just because that's
25:58
Speaker 1: a girl. Whatever, right, Yeah, y'all can now you connect
26:01
Speaker 1: with them kind of people. Um, it's crazy because the
26:07
Speaker 1: people are connect with really be onest and like real
26:09
Speaker 1: shit Like it's the people who can you can have
26:12
Speaker 1: like a courtire conversation with it and it don't be weird.
26:15
Speaker 1: You could just like feel like, damn, you're like me.
26:18
Speaker 1: Thing like that. Sometimes you talk to somebody, it just
26:21
Speaker 1: don't you just don't want you can laugh they laughing.
26:23
Speaker 1: It just y'all don't really click. And sometimes you could
26:27
Speaker 1: just talk and talk and talk and talk with the
26:29
Speaker 1: person I love one the doc you know, a shoulder relationship,
26:32
Speaker 1: of how you know, Pee and and Thug you know,
26:35
Speaker 1: really really believed in you in a in a real way.
26:37
Speaker 1: I think that was one of the most important takeaways
26:39
Speaker 1: from the dock, Like if you believe in somebody, like
26:42
Speaker 1: really pour into him. So so, so what that said,
26:45
Speaker 1: you know, being at Thug's not here right now, how
26:46
Speaker 1: did that? How does that impact you? Um, definitely impact man,
26:51
Speaker 1: like you know, st my personal friend. So it's like
26:56
Speaker 1: one of my friends being on tight situations, staning like
26:58
Speaker 1: gunna what I'm saying it's not my personal friend, Well,
27:02
Speaker 1: you're gonna talking more than me and sign probably probably,
27:05
Speaker 1: So that kind of definitely put me in a little
27:10
Speaker 1: I don't even know how to explain it feeling, honest,
27:13
Speaker 1: like a little uneasy feeling. Then like even just then,
27:16
Speaker 1: it wouldn't make it so uneasiest because it's them, Like
27:19
Speaker 1: all right, and one of the guys go to gym,
27:21
Speaker 1: so I feel a certain type of way. But like
27:25
Speaker 1: with them, it's like you hear them everywhere, you see
27:27
Speaker 1: their pigs like a reminder like, so it's kind of different.
27:32
Speaker 1: You feel like it's an attack on the industry, especially
27:34
Speaker 1: with the artists, Like you know, we've seen recently that
27:37
Speaker 1: I don't think he's got nothing doing industry. It's just
27:39
Speaker 1: not Atlanta. But in Atlanta. You feel like they're attacking
27:41
Speaker 1: artist in Atlanta because you look at Gunna and said
27:43
Speaker 1: there was nothing violent in this case and they still
27:45
Speaker 1: didn't know we talk, which seems wild like in any
27:48
Speaker 1: other case they would let him go immediately. So does
27:50
Speaker 1: it feel like it's an attack on rappers in Atlanta?
27:52
Speaker 1: For sure? For sure? And you think that's due to what,
27:57
Speaker 1: because I mean it's it's due to the y'all got out,
27:59
Speaker 1: y'all making the rise of violence. I don't don't understand
28:04
Speaker 1: its people like them took working more, not in jail
28:07
Speaker 1: to like and you stop the violet stuff like that,
28:11
Speaker 1: Like yeah, I don't make sense because y'all providing an
28:14
Speaker 1: opportunity and not even providing an opportunity. You just got
28:17
Speaker 1: a voice, ye y'all wanted to. I feel like if
28:25
Speaker 1: if if y'all wanted to be like on something and
28:27
Speaker 1: like imprisonate somebody something, I just make them do what
28:31
Speaker 1: you want them to do, versus meaning like all right,
28:33
Speaker 1: y'all got to go to hunting schools. They y'all got
28:35
Speaker 1: to do this. So y'all got like making them do
28:37
Speaker 1: something that askca change or better the community. If y'all
28:41
Speaker 1: felt like somebody was doing something wrong, whatever the case
28:44
Speaker 1: may be, versus like clean in jail. Yn't really I'm saying,
28:51
Speaker 1: I don't stopping. I saw a dog said, if you don't,
28:53
Speaker 1: if you don't drop this album Friday, y'all ain't brothers
28:59
Speaker 1: that it was a rule that you paid sixteen thousand
29:03
Speaker 1: dollars to sleep with a porn star. And that's so untry,
29:08
Speaker 1: so untry. I never paying I'm like, sixteen thousand to
29:10
Speaker 1: do nothing. Where did that come from the star? Yeah? Yeah,
29:21
Speaker 1: not sie. I ain't no sucker. What's the most you
29:27
Speaker 1: don't pay? I you ain't pay the cat. By the way,
29:30
Speaker 1: it's indirect to we have you buy the bag, you
29:32
Speaker 1: buy the flight, take them shot. I still even sixteen
29:35
Speaker 1: that's a lot. I ain't doing it. I ain't just
29:38
Speaker 1: fining you out to take your shop, ain't. I ain't. Yeah,
29:42
Speaker 1: I pay you to leave. What they say about hiring,
29:54
Speaker 1: what's the most of the pay somebody to leave? Baby?
29:56
Speaker 1: Coming down? When are you? You know what? I gotta go? Ha?
30:02
Speaker 1: How quick I need you to leave? It depends on product. Man,
30:08
Speaker 1: we saw that video of you paying accidentally. I guess
30:11
Speaker 1: you got charged two hundred and fifty thousand instead of
30:14
Speaker 1: twenty five thousand. People were like, damn, he got it
30:16
Speaker 1: because he was like crazy, like who would like? You
30:20
Speaker 1: know what I'm saying. I just let the dude to
30:22
Speaker 1: just keep two hundred and twenty five thousands. I knew
30:26
Speaker 1: he was joking. He knew I was joking. Man, like,
30:28
Speaker 1: maybe you were joking. I ain't gonna front. I'm like,
30:31
Speaker 1: that's They were like, you're not leaving here right now.
30:36
Speaker 1: He made a mistake, so you don't even got the
30:39
Speaker 1: store credit my car for two viny He just playing.
30:44
Speaker 1: I know he was playing shit. The Internet got to
30:47
Speaker 1: be a mind fucker, you know what I mean, because
30:50
Speaker 1: the Internet believe whatever you want. If you learn that,
30:54
Speaker 1: you know, I don't run the internet, how much attention
30:57
Speaker 1: do you pay to that stuff? Like right, because I
30:59
Speaker 1: know I don't feel like you be online to a minimum.
31:03
Speaker 1: I try to try my bag now to see a
31:04
Speaker 1: lot of stuff. You know, I'm on the internet, so
31:07
Speaker 1: I see a little stuff, but I ain't trying to
31:09
Speaker 1: go shad, ain't you know coming. I ain't trying to
31:14
Speaker 1: do that that's good. I don't think sometimes you people
31:18
Speaker 1: understand these these folks real life. They're dealing with them
31:20
Speaker 1: because I feel like sometimes they talk about things online
31:22
Speaker 1: they shouldn't be talking about, almost like wishing things on
31:25
Speaker 1: people that they shouldn't be wishing things. I see people,
31:28
Speaker 1: I see people, they say stuff they don't even believe,
31:31
Speaker 1: but they just just coming. But somebody else could read
31:37
Speaker 1: they got everything. I ain't into that. I don't really
31:43
Speaker 1: I try to stay away from that's oh a little cycle.
31:49
Speaker 1: You check your dms though I don't know. I used
31:51
Speaker 1: to m I don't know why you stop. You stop,
31:56
Speaker 1: I just stopped checking be so big and shit. Now
31:59
Speaker 1: he's just like, I ain't looking for them. I was
32:03
Speaker 1: just thinking about how t Pain missed all of these
32:05
Speaker 1: dms from like, because I'm sure I'm missing a whole
32:09
Speaker 1: I don't know. I'm your team ain't missing nothing, though
32:12
Speaker 1: I'm sure you're probably not. Opportunities. I don't think opportunities
32:16
Speaker 1: come in my DM like that. That's why I really
32:17
Speaker 1: ain't looking anyway. But it'd be like brands and stuff
32:22
Speaker 1: who will reach out to you. Pressure stuf too though
32:25
Speaker 1: you know what I'm saying, Or like other other people.
32:27
Speaker 1: It could be somebody supporting me or something. It'd be
32:30
Speaker 1: like stuff I really wish I would have seen, you
32:31
Speaker 1: know what I'm saying something like that was their pressure
32:33
Speaker 1: making this album because so many people have been putting
32:36
Speaker 1: you on like the top rappers list and stuff. Later.
32:38
Speaker 1: I don't think like that. I don't. I don't. It's
32:42
Speaker 1: like why I put myself like. I don't put myself
32:45
Speaker 1: as a top rapper list or the bottom rapper lists.
32:47
Speaker 1: I'm not on the list in my head. So I
32:50
Speaker 1: just gotta do what I gotta do. That's it. So
32:53
Speaker 1: I don't really be no pressure. For the only time
32:56
Speaker 1: pressure colors weren't I do shit like get my label
33:00
Speaker 1: a date, but then then we gotta get that we
33:04
Speaker 1: got deadlines, but then it becomes pressure like that. But
33:07
Speaker 1: as far as me making music still, I don't like
33:09
Speaker 1: no pressure on that. What's your process like in the
33:12
Speaker 1: studio when it comes to you putting us on together?
33:15
Speaker 1: Is it? Do you write to the beat and then
33:18
Speaker 1: um or do you get like an idea first right
33:20
Speaker 1: at home bring it to the studio. How do you
33:22
Speaker 1: work that with people around you? I don't like people
33:25
Speaker 1: in the studio with me these people handing me every day,
33:29
Speaker 1: they never seen me rap before. Like I'm like a
33:32
Speaker 1: cat wrapper. Everybody go to sleep. I like sneaking rap.
33:34
Speaker 1: You know what I'm saying. Why is that? I don't know.
33:36
Speaker 1: It's just I feel comfortable. Wren't comfortable that way, and
33:41
Speaker 1: I just listen to beats. The beat give me the
33:43
Speaker 1: vibe when I if I hear the beat that I like,
33:45
Speaker 1: and I'll just wrapped to it, like I don't write
33:47
Speaker 1: a man like punching. Is that because early on that's
33:51
Speaker 1: how you learned how to wrap. Probably it's probably just
33:53
Speaker 1: how it used to rap, because I used to only
33:55
Speaker 1: go to the studio, like I want the clock any
33:58
Speaker 1: morning to like clock in the morning something that everybody
34:03
Speaker 1: usually sleeping stuff. So now I go to the studio
34:07
Speaker 1: at one and everybody else be there on one, you know,
34:09
Speaker 1: like everybody hang't out your studios. So but I'll go
34:12
Speaker 1: to sleep, and then I wake up at like four
34:14
Speaker 1: or five where everybody going was up here. And see
34:18
Speaker 1: when they did the record, they said that they all
34:20
Speaker 1: to diverse and you were sleeping sleep. When I woke up,
34:23
Speaker 1: everybody's gone. I heard the sound. I don't get. Yeah,
34:25
Speaker 1: that's what they said your ceg on this album with
34:29
Speaker 1: the back and Forth record. Detroit rappers are some of
34:33
Speaker 1: your favorite people to collaborate with. It seemed like from
34:36
Speaker 1: Kentucky though, Wait from Tucky. Yeah, I don't know why
34:39
Speaker 1: from from all your friends ain't around right now. Dug
34:44
Speaker 1: get out of day though, Dug get out of there.
34:47
Speaker 1: That's what it is. Ain't nobody knew that? I told
34:50
Speaker 1: you why nobody announced everyday. You probably got other stuff
34:56
Speaker 1: going on too, though, But you know what I'm saying, Yeah,
34:59
Speaker 1: this situation better. I think you gotta how're like nah,
35:03
Speaker 1: like I ain't like half halfway? Do you stay in
35:08
Speaker 1: contact with them like him thug? Yeah, okay, I try
35:11
Speaker 1: to try to. I know how this shit get. Man.
35:14
Speaker 1: You know, you can need help. It don't even matter
35:15
Speaker 1: like any money here, Like you can just need shit.
35:19
Speaker 1: I try to like hit them up and they don't
35:21
Speaker 1: need nothing. So you don't feel any guilt just because
35:24
Speaker 1: you're out here, like you know, you see your man. Okay.
35:27
Speaker 1: You know, I'm just saying when some of your men
35:28
Speaker 1: call you from jail and you damn having such a
35:30
Speaker 1: good guilt, But it ain't the right word. They're probably
35:33
Speaker 1: not the right word not guilt. What's the word guilt?
35:36
Speaker 1: Either for a feeling, like a feeling maybe maybe like
35:41
Speaker 1: uh nah, because I get it and they called, like
35:43
Speaker 1: what you're doing? You know, we know we're turning the
35:45
Speaker 1: fuck up. Ain't even gonna ship, you know what we're doing. Yeah, ship,
35:50
Speaker 1: we're grown. Ain't like kids, and it's not like they're
35:53
Speaker 1: gonna be in there forever they come out. Yeah, I
35:56
Speaker 1: saw you with Stacey Abrams too. Right, do you feel
35:59
Speaker 1: like you since you come from that environment that needs
36:03
Speaker 1: that kind of assistance, you know, how to have those
36:05
Speaker 1: conversations with politicians in ways that they probably don't get
36:09
Speaker 1: from other people. That's why I feel like I come
36:11
Speaker 1: in and I come in that like it's like a
36:15
Speaker 1: bridge from the hood to like on a politician though,
36:21
Speaker 1: so like I don't want to be a politician or
36:23
Speaker 1: even get into politics, but I know that I understand
36:28
Speaker 1: the hood or just say the minority, and then I
36:33
Speaker 1: can understand what they're saying in politics, because we don't
36:36
Speaker 1: know nothing about that and what I'm saying, we asked
36:37
Speaker 1: the minority. I don't abody explaining politicians play this work.
36:40
Speaker 1: Nobody don't really know that. Like if everybody in the community.
36:44
Speaker 1: Won't seething that happening. It can happen, Like we got
36:47
Speaker 1: control of that, but nobody don't know that for real,
36:49
Speaker 1: Like nobody to tell you, Hey, long story short is
36:54
Speaker 1: I'm gonna I'm gonna help them figure it out. When
36:57
Speaker 1: you're talking to people like Stacy, you know, if she
36:59
Speaker 1: becomes governor, like what would you what resources would you
37:02
Speaker 1: tell her? Like this is what we need in order
37:04
Speaker 1: to make our communities better. I'm all for the kids.
37:08
Speaker 1: I feel like the kids control the community because older
37:12
Speaker 1: people gonna die and the kid's gonna be older. He's
37:15
Speaker 1: just gonna you know circus. So my focus be like
37:19
Speaker 1: the youth, we get the problem, start with it you
37:22
Speaker 1: and then you still helps it dus because anything we
37:24
Speaker 1: get it youth doing. We still got to put ads
37:26
Speaker 1: on in charge of this stuff. But I think it
37:28
Speaker 1: would just start from the route. I mean, the youth.
37:31
Speaker 1: Do you vote? Definitely? Okay, that's important and that's what
37:35
Speaker 1: I'm on too. I'm not even more on so like
37:38
Speaker 1: kind of getting a politicist say with him, I'm with her,
37:41
Speaker 1: or I just want people to vote to know that
37:44
Speaker 1: if you do vote, it can't make a difference and
37:47
Speaker 1: then one vote. I know you're like, my vote ain't
37:50
Speaker 1: gonna matter, but it's like collectively, it's like if we
37:53
Speaker 1: could come together and with y'all vote, we really can
37:55
Speaker 1: make a change. Absolutely, we can actually come up with
37:59
Speaker 1: a law. Yeah I don't know that. We could come
38:02
Speaker 1: up get somebody to sponsor it. You come up with
38:04
Speaker 1: the idea. Now we gotta do it. Vote for people
38:07
Speaker 1: don't know. It's like it's control for we can't win.
38:12
Speaker 1: We do it right, and you can exercise your power
38:14
Speaker 1: by everybody coming together, Like if you like, we're gonna all,
38:18
Speaker 1: I have a whole group of us. We're all gonna
38:20
Speaker 1: put our power behind this candidate if we get these
38:23
Speaker 1: things done. And that's how you make it happen. Yeah,
38:27
Speaker 1: we ain't gonna hold you much longer because we know
38:29
Speaker 1: you don't want to be here. But I do have
38:30
Speaker 1: one more question. How do you control your gambling? Because
38:33
Speaker 1: you see I always hear you rap about gambling. You
38:36
Speaker 1: see the documentary, We know you was a big gambler
38:39
Speaker 1: more most people get more money and gamble more. How
38:41
Speaker 1: do you control you're gambling habit? Well, I used to
38:47
Speaker 1: be like a screet gamma, so I ain't even screet
38:49
Speaker 1: no more so, I don't even got nobody to gamble.
38:53
Speaker 1: I don't gamble with my friends like people I know.
38:55
Speaker 1: I don't ain't go around. So I'm really good. But
38:59
Speaker 1: now I got like a casino that's like way worse
39:02
Speaker 1: than screak. But I don't. I haven't woke up one
39:06
Speaker 1: day and like I'm going to the casino. I'm dear,
39:09
Speaker 1: no I gam but I'm really over that stage in
39:12
Speaker 1: my life. How you good at walking away when you're up?
39:14
Speaker 1: Or do you just how to do it right? Now?
39:16
Speaker 1: That's how I've been winning, and I don't know how
39:18
Speaker 1: to do that. Like if I went to two hundred thousds,
39:20
Speaker 1: I'm still trying to win a mill now, I'll just
39:23
Speaker 1: be like I legit leave with a two hundred You
39:26
Speaker 1: know this, dude, if you talk about losing but then
39:28
Speaker 1: getting it back the same night, Yeah, like I didn't
39:32
Speaker 1: been down million dollars man, all my money back in
39:36
Speaker 1: the screet of the casino. Casino, Okay, we had we
39:40
Speaker 1: had men and all dice game before the screek. Though
39:42
Speaker 1: I ain't never went down man screaked. I don't went
39:45
Speaker 1: down and screak like two hundred thousand down to a
39:47
Speaker 1: thousand and then got my two hundred back one night.
39:51
Speaker 1: You always gamble with the always lose that. It's just
39:53
Speaker 1: to lick every telly. See, I ain't gonna put them
39:56
Speaker 1: out there like you run. It's he wanted. I can't
40:07
Speaker 1: for show him't got no him. He ain't no gambler
40:10
Speaker 1: for real, Like I need somebody who's gonna I can't
40:12
Speaker 1: lose five tenth thous. I don't want that. I'm trying
40:15
Speaker 1: to like, fuck you up. Yeah, I'm trying. So when
40:18
Speaker 1: you do, you know, usually when you when you bust
40:21
Speaker 1: somebody down, you get him a little bit so he
40:22
Speaker 1: could be happy on the way, pending on who it is, Yeah,
40:26
Speaker 1: him a little bit like you do here you go, Yeah,
40:27
Speaker 1: depending on who it is and something. Some people be
40:31
Speaker 1: like suckers, like they won't give me nothing bad. Yeah,
40:34
Speaker 1: So you talk to them to the point where they
40:37
Speaker 1: want to cry for sure, for sure, so they want
40:39
Speaker 1: to fight, shoot whatever. That's that's my goal. They shouldn't
40:44
Speaker 1: be They shouldn't be asked betting what you then don't.
40:46
Speaker 1: They shouldn't bet what they don't got. I ain't got it, okay,
40:49
Speaker 1: Just nobody don't want to be what's the most somebody
40:52
Speaker 1: don't hurt you for um, probably one time I lost,
40:58
Speaker 1: like I don't know, and like two days to the
41:03
Speaker 1: same person or just a couple of people. Yeah, like
41:05
Speaker 1: in the house, it's a bad weekend. I gotta signed
41:08
Speaker 1: it the next day. You gotta signed the next I
41:12
Speaker 1: gotta be the record there gonna sign. Do you refer
41:20
Speaker 1: to gamble against Drake or me? Because they both seem
41:23
Speaker 1: like their gambles, like like man meet and kind of
41:27
Speaker 1: build a person relationship that I was telling y'all, like
41:31
Speaker 1: gam with my friends, but Meet used to shouting that
41:32
Speaker 1: up on this ship. We didn't get them. But but Drake,
41:36
Speaker 1: he won't. I won't to get them when he's like Drake,
41:39
Speaker 1: he won't, he won't. I ain't saying they'd be scaring me,
41:43
Speaker 1: but like stories and ship ain't like that. Drake more
41:48
Speaker 1: like a casino gambler anyway, mh. Do you have to
41:51
Speaker 1: tell somebody to stop? Like, look, I think we gotta
41:56
Speaker 1: people try to Like my people don't even tell me
41:58
Speaker 1: to stop though, because because I'm like a comeback kid,
42:02
Speaker 1: feel me like, so telling me to stop really gonna
42:04
Speaker 1: piss me off because I could get my money back.
42:08
Speaker 1: So like I kind of like the casino because I
42:11
Speaker 1: get I'm with the credit line. I mean, let's say,
42:14
Speaker 1: if I get a credit line for twenty thous, I'm
42:16
Speaker 1: only gonna be able to lose twenty thous. So I first,
42:19
Speaker 1: it's like gambling in the street. You can lose everything
42:21
Speaker 1: you got. You just keep going getting more and more.
42:23
Speaker 1: Once you get to the casino and I get to
42:25
Speaker 1: a certain match, it's like no other way for me
42:27
Speaker 1: to get no more money now, Like I can't unless
42:30
Speaker 1: like I can go to the bank nine times tens nighttime.
42:33
Speaker 1: It's gonna be when I lose, It's just I'm done, Lece,
42:35
Speaker 1: I go to sleep and wake up. I ain't gonna
42:36
Speaker 1: wake up like I got to get my money back.
42:38
Speaker 1: It's just gonna be yes today. All right, Well, let's
42:41
Speaker 1: get into a jil off down. What you want here?
42:43
Speaker 1: What you want to play? Man? M hm, I'm only
42:49
Speaker 1: never never hating, never hate it. All right, Well we'll
42:54
Speaker 1: get into that. Baby. It's only me out right now.
42:56
Speaker 1: I'm out right now. And I always want to say
42:58
Speaker 1: thank you because every time I do it cost whatever
43:01
Speaker 1: I need. You open up the doors and you allow
43:03
Speaker 1: me to ball you and use your car, so I
43:04
Speaker 1: appreciate that. I just want to thank you for coming
43:06
Speaker 1: doing an interview because I know it's gonna be a
43:07
Speaker 1: point in your career where you ain't doing documentary to
43:10
Speaker 1: appreciate it. Oh, absolutely absolutely, I know it's gonna be
43:13
Speaker 1: a point where you ain't doing no more interviews, no more. Yeah,
43:15
Speaker 1: it's being closer and closer yesterday. Yeah, my goodest little baby.
43:24
Speaker 1: It's the Breakfast Club. Good morning,