Latest / The conspiracy / Who REALLY Killed The Black Dhalia
Transcript
- 0:00Speaker 1: Thank you to PDS Debt for supporting this channel. In
- 0:03Speaker 1: another world, Elizabeth Short might have quietly slipped through history's fingers.
- 0:08Speaker 1: She was just one more hopeful woman drawn west by
- 0:10Speaker 1: Hollywood's glittering promises, arriving in a city known for breaking
- 0:14Speaker 1: more hearts than it ever made stars. Another waitress, rehearsing
- 0:18Speaker 1: lines between shifts, believing deeply in the widespread lies that
- 0:21Speaker 1: Los Angeles told dreamers desperate enough to listen. But fate
- 0:25Speaker 1: had different, darker plans, because Elizabeth Short became immortal, not
- 0:30Speaker 1: remembered for her charm or the dreams she chased, but
- 0:33Speaker 1: tragically defined by the brutality of her death. But before
- 0:37Speaker 1: the headlines labeled her the Block Dahlia, before her name
- 0:40Speaker 1: became synonymous with mystery and unspeakable violence, she was simply Betty. Crime, conspiracy, cults,
- 0:47Speaker 1: serial killers, and murder.
- 0:49Speaker 2: All things that I love to consume.
- 0:51Speaker 1: And I know you do too, you sick, twisted, intellectually,
- 0:54Speaker 1: beautiful minded fight And today we are talking about one
- 0:58Speaker 1: of the most infamous cold cases in all of history,
- 1:03Speaker 1: and that is the case of the Block Dahlia, otherwise
- 1:06Speaker 1: known as Elizabeth Short. So, without further ado, that's on
- 1:08Speaker 1: buckl oar seatbelts, go mock five down the highway, slam
- 1:11Speaker 1: on the brakes, and bust through the windshield into this
- 1:14Speaker 1: cold case together. So on July twenty ninth, nineteen twenty four,
- 1:31Speaker 1: Phoebe May Sawyer Short delivered her third daughter into the
- 1:35Speaker 1: world teetering on the edge of prosperity and collapse, and
- 1:39Speaker 1: Elizabeth Ann Short entered life as the middle child among
- 1:42Speaker 1: five sisters, Virginia May, Dorothea, Elizabeth Elnorra and a little
- 1:47Speaker 1: Muriel yet to come. And their father, Cleo Alvin Short, Junior,
- 1:50Speaker 1: had invested everything into a miniature golf course business during
- 1:54Speaker 1: the recreational boom of the nineteen twenties. What a what
- 1:58Speaker 1: a cool business your dad being the recreational miniature golf
- 2:03Speaker 1: course business owner. I love mini golf. But in October
- 2:07Speaker 1: nineteen twenty nine, everything would change because the stock markets
- 2:11Speaker 1: would collapse and obliterate anyone's dream, including Cleo's miniature golf business.
- 2:16Speaker 1: So his business would crumble, and then the weight of
- 2:19Speaker 1: feeding five daughters and a wife just became unbearable for him.
- 2:22Speaker 1: So on a cold morning in December of nineteen thirty,
- 2:25Speaker 1: six year old Elizabeth Short woke up to find her
- 2:28Speaker 1: mother weeping at the kitchen table, and she would tell
- 2:31Speaker 1: her daughter that daddy's car had been discovered abandoned at
- 2:34Speaker 1: the Charleston Bridge, doors open and keys inside. There was
- 2:38Speaker 1: no note and no body, just a nineteen twenty six
- 2:42Speaker 1: Model t Ford sitting empty above the dark waters of
- 2:45Speaker 1: the Charles River, and police would assume it was a
- 2:47Speaker 1: slewer slide, and Phoebe, wanting to shelter her daughters from
- 2:50Speaker 1: the knowledge of their father committing that, told them that
- 2:54Speaker 1: their father simply drowned, so the family would have a
- 2:56Speaker 1: memorial service for a man whose body was never found
- 2:59Speaker 1: and who's death would later prove to be the first
- 3:01Speaker 1: of many lies that shaped Elizabeth Short's life. So Phoebe
- 3:05Speaker 1: Short would move her and her five daughters to a
- 3:08Speaker 1: cramped Medford, Massachusetts apartment, working as a bookkeeper while neighbors
- 3:12Speaker 1: whispered about the widow with too many mouths to feed.
- 3:15Speaker 1: And that's when Elizabeth's childhood would become a series of
- 3:18Speaker 1: doctor's visits and sleepless nights, because she developed severe asthma
- 3:22Speaker 1: that would actually seize her lungs without warning, leaving her
- 3:25Speaker 1: gasping while her sisters watched in complete terror, and bronchitis
- 3:28Speaker 1: would follow each infection, just wakening her respiratory system further.
- 3:33Speaker 1: So the medical bills just consumed what little money Phoebe had,
- 3:37Speaker 1: and Elizabeth would learn really early on in life that
- 3:39Speaker 1: her existence just costs too much, and at fifteen, doctors
- 3:43Speaker 1: would recommend surgery to remove part of her lung tissue.
- 3:46Speaker 1: So she would have the surgery, but that procedure would
- 3:48Speaker 1: leave deep scars across her back and a deeper understanding
- 3:52Speaker 1: that her body would always betray her, and the recovery
- 3:55Speaker 1: required her to be in bed four months on end.
- 3:58Speaker 1: So during this time she would reach movie magazines and
- 4:01Speaker 1: just dream of a place where the air itself didn't
- 4:04Speaker 1: completely drown her lungs. And that's when doctors would recommend
- 4:08Speaker 1: that she actually moved to a warmer climate. And as
- 4:10Speaker 1: her mother, Phoebe later told reporters quote unquote, Betty was
- 4:14Speaker 1: a sophomore when she left high school in Medford.
- 4:17Speaker 2: She had asthma.
- 4:18Speaker 1: Every winter she would go south to Florida as a waitress,
- 4:21Speaker 1: then she would come back home in the summer. So
- 4:23Speaker 1: Elizabeth began spending her winters in Florida with relatives, breathing
- 4:27Speaker 1: easier among palm trees and orange groves, So the seasonal
- 4:30Speaker 1: relocations kind of taught her to live like a migrant,
- 4:33Speaker 1: never fully settling anywhere and never calling any place home.
- 4:37Speaker 1: So at this point in her life, high school kind
- 4:39Speaker 1: of became impossible because she was moving so much, and
- 4:42Speaker 1: Elizabeth's absences multiplied as her health problems persisted, so at sixteen,
- 4:46Speaker 1: she would drop out entirely, and her formal education ended
- 4:49Speaker 1: before it truly even began, so she would spend most
- 4:52Speaker 1: of her teenage years just reading, ferociously educating herself through
- 4:55Speaker 1: magazines and library books, while her healthy sisters pursued normal
- 4:59Speaker 1: at all lessons experiences, so she was kind of left
- 5:02Speaker 1: in the dark for the most part of her childhood.
- 5:04Speaker 1: But during this time, she just absorbed Hollywood gossip columns
- 5:08Speaker 1: like Scripture, memorizing the names and romantic attainlements of screen
- 5:12Speaker 1: goddesses who seemed to breathe rarefied air. And it was
- 5:15Speaker 1: during these years where she thought to herself that she
- 5:18Speaker 1: could maybe be one of those women. So December of
- 5:21Speaker 1: nineteen forty two would come around and it would redefine
- 5:24Speaker 1: everything in Elizabeth's life because a letter would arrive from Vallejo, California,
- 5:29Speaker 1: and the handwriting looked familiar but impossible, like correspondence from
- 5:34Speaker 1: a ghost, because by reading this letter, she would find
- 5:36Speaker 1: out that her father, Cleo Short, hadn't actually drowned in
- 5:40Speaker 1: the Charles River twelve years earlier. He had just walked
- 5:43Speaker 1: away from his debt and his wife and his five
- 5:47Speaker 1: daughters without even looking back, soil his family mourned and
- 5:50Speaker 1: struggled through the depression. Cleo had been living in the
- 5:53Speaker 1: California shipyards, so Elizabeth, being shocked as ever, would write
- 5:57Speaker 1: back to her father expressing her desire to visit and
- 6:00Speaker 1: care for him, and Cleo would later say that he
- 6:02Speaker 1: sent his daughter two hundred dollars, and in December of
- 6:04Speaker 1: nineteen forty two, eighteen year old Elizabeth made her way
- 6:07Speaker 1: down to Vallejo, California to reunite with her father that
- 6:10Speaker 1: she once believed had been dead for the past twelve years.
- 6:13Speaker 1: And perhaps another girl would have refused such a cruel reunion,
- 6:17Speaker 1: but Elizabeth, however, saw opportunity wrapped up in betrayal. Because
- 6:21Speaker 1: her health still demanded warm weather and her prospects in
- 6:25Speaker 1: Massachusetts remained pretty bleak. No offense to Massachusetts and California
- 6:30Speaker 1: represented the closest she would ever get to Hollywood without
- 6:33Speaker 1: buying a bus ticket to nowhere. So what did she
- 6:35Speaker 1: have to lose?
- 6:36Speaker 2: Really?
- 6:36Speaker 1: You know, her father had already stolen her childhood. At
- 6:40Speaker 1: least now she could steal something back. So Elizabeth's train
- 6:43Speaker 1: would pull into Vallejo, carrying her possessions in two battered
- 6:47Speaker 1: suitcases and a head full of Hollywood fantasies, and eighteen
- 6:51Speaker 1: years old, Elizabeth possessed ethereal beauty, pale skin, large eyes,
- 6:56Speaker 1: and dark hair that caught sunlight. But the reunion with
- 6:58Speaker 1: Cleo short lasted long enough for both parties to realize
- 7:02Speaker 1: their big mistake because twelve years of separation had created
- 7:06Speaker 1: strangers who shared only genetics and mutual disappointment. Sounds like
- 7:10Speaker 1: my father. I don't want to talk about it anyway,
- 7:15Speaker 1: but within the month's father and daughter reached an unspoken agreement, really,
- 7:19Speaker 1: and that was that they would pretend to be family
- 7:21Speaker 1: while actively avoiding each other. Again very simple. Well, my
- 7:25Speaker 1: dad didn't pretend to be dead for twelve years, so
- 7:27Speaker 1: she does have that on me, that's for sure.
- 7:28Speaker 2: I wouldn't put.
- 7:29Speaker 1: It past them, so Eventually, Elizabeth would move out of
- 7:32Speaker 1: her father, Cleo's house and support herself by waitressing and
- 7:36Speaker 1: the occasional kindness of men who found her mysteriously intriguing
- 7:40Speaker 1: because she would tell different stories to different men, and
- 7:43Speaker 1: sometimes her father was dead and sometimes he was alive.
- 7:46Speaker 1: She just kind of like felt it out to see
- 7:49Speaker 1: what kind of story she would make up, and sometimes
- 7:51Speaker 1: her health problems would even disappear or multiplied depending on
- 7:55Speaker 1: the sympathy required in the moment, So her background shifted
- 7:59Speaker 1: from tragedy to try as a situation demanded, because at
- 8:02Speaker 1: this point in her life, truth became a luxury she
- 8:04Speaker 1: just couldn't afford, and the lies came very naturally because
- 8:08Speaker 1: Elizabeth had learned from a master, which was her father,
- 8:11Speaker 1: the guy who pretended to be dead for twelve years.
- 8:14Speaker 1: But it was during this time period that she would
- 8:16Speaker 1: meet Major Matthew Gordon, who was an Air Force officer
- 8:20Speaker 1: with kind eyes and genuine affection for the mysterious girl
- 8:23Speaker 1: who seemed to drift through his life like smoke, and
- 8:27Speaker 1: for perhaps the only time in her adult life, Elizabeth
- 8:30Speaker 1: allowed herself to believe in permanence and they would become engaged,
- 8:34Speaker 1: but then came the telegram and it would say that
- 8:37Speaker 1: Major Gordon's plane had crashed during training exercises just days
- 8:42Speaker 1: before the war's end.
- 8:43Speaker 2: Oh, just.
- 8:46Speaker 1: Heart wrenching, horrible, terrible. This girl's dad was dead for
- 8:51Speaker 1: twelve years. Popped up is an asshole, and then she
- 8:54Speaker 1: gets engaged and then he dies days before he's supposed
- 8:57Speaker 1: to return. She just literally could not break. It was
- 9:01Speaker 1: just another death, another abandonment, and just another reason to
- 9:04Speaker 1: stop trusting in happy endings. So Elizabeth's response to losing
- 9:08Speaker 1: Major Gordon revealed the pattern that would define her remaining years,
- 9:12Speaker 1: and that was when life became unbearable, she simply left.
- 9:15Speaker 1: She would go to California, Florida, Massachusetts, Indiana, and Texas.
- 9:20Speaker 1: So Elizabeth Short just became this beautiful ghost, haunting bus
- 9:23Speaker 1: stations and diners across America, staying long enough to catch
- 9:26Speaker 1: her breath before moving on. But the constant movement served
- 9:29Speaker 1: multiple purposes because new environments couldn't suffocate her like familiar
- 9:34Speaker 1: places and fresh starts meant fresh stories and clean slates,
- 9:37Speaker 1: and most importantly, staying in motion meant she never had
- 9:40Speaker 1: to admit that she was kind of going nowhere in life.
- 9:43Speaker 1: At this point, and it was during these wandering years
- 9:46Speaker 1: that Elizabeth perfected the art of survival through charm. In mystery,
- 9:50Speaker 1: she would learn which sad stories produced meals, and which
- 9:53Speaker 1: smiles earned bus fairs, and which promises could be made
- 9:57Speaker 1: without the intention of keeping them and her beauty just
- 10:00Speaker 1: open doors, whereas her damaged health and tragic backstory kept
- 10:03Speaker 1: them open long enough to rest. So the pattern of
- 10:06Speaker 1: intimacy followed by abandonment just became a signature dance of
- 10:10Speaker 1: hers And by July of nineteen forty six, she would
- 10:13Speaker 1: be twenty two years old, and she would face a
- 10:15Speaker 1: choice between finding stability or accepting permanent defeat. So she
- 10:19Speaker 1: would give California a chance once more, and this time
- 10:23Speaker 1: it would be different, she would tell herself. This time
- 10:26Speaker 1: she would stay long enough to make something happen. But
- 10:29Speaker 1: as we know, she would unfortunately be wrong. So on
- 10:32Speaker 1: July nineteen forty six, Elizabeth Short would step off the
- 10:35Speaker 1: bus at Hollywood and Vine with twenty dollars to her
- 10:37Speaker 1: name and infinite belief in her own transformation, and she
- 10:41Speaker 1: would find a room behind the Florentine Gardens nightclub on
- 10:44Speaker 1: Hollywood Boulevard, and she would be close enough to hear
- 10:46Speaker 1: music and laughter that represented everything she wanted to become,
- 10:49Speaker 1: and Elizabeth would make the rounds every aspiring actress knew
- 10:53Speaker 1: by heart, which was studio gates, casting calls, and auditions
- 10:57Speaker 1: that led to nowhere, because Hollywood at this point and
- 11:00Speaker 1: honestly now, operated on connections she didn't possess and talent
- 11:04Speaker 1: she had not yet developed, so with that training, experience
- 11:07Speaker 1: or influential friends, her chances were essentially zero, especially in
- 11:12Speaker 1: this day and age. But Elizabeth Short had never required
- 11:15Speaker 1: realistic expectations to fuel her dreams, so she continued pursuing
- 11:19Speaker 1: auditions while working as a waitress, and her beauty would
- 11:22Speaker 1: attract attention, and that attention came mostly from men with
- 11:25Speaker 1: money and influence, so she would date frequently, but briefly,
- 11:29Speaker 1: moving from suitor to suitor. So the financial pressure was
- 11:32Speaker 1: mounting steadily, and with rent required as a regular payment
- 11:35Speaker 1: and food costs that she did not possess, she actually
- 11:39Speaker 1: began staying overnight with various men, not necessarily for romance,
- 11:43Speaker 1: but just for basic survival because with these men she
- 11:45Speaker 1: had a warm bed, a hot meal, and a temporary
- 11:48Speaker 1: reprieve from poverty's grinding demands and it was during this
- 11:51Speaker 1: period where her clothing and her whole wardrobe basically turned
- 11:55Speaker 1: predominantly black, and whether this represented genuine fashion preference or
- 12:00Speaker 1: practical necessity remains unclear. Maybe dark colors hid stains better
- 12:04Speaker 1: than light ones, that's why I wear them, or black
- 12:07Speaker 1: outfits contransition from day to night with minimal alteration. There's
- 12:11Speaker 1: many theories, but what we do know is that the
- 12:14Speaker 1: nickname the Black Dahlia emerged sometime during these final months,
- 12:19Speaker 1: but through its exact origin remains disputed. Some people also
- 12:22Speaker 1: say it could have come from her dark wardrobe matched
- 12:25Speaker 1: with her dark raven like hair, and others suggested it's
- 12:28Speaker 1: because she had a habit of disappearing like shadows. And
- 12:31Speaker 1: if you even connected it to the nineteen forty six
- 12:33Speaker 1: film The Blue Dahlia starring Alan Ladd and Veronica Lake,
- 12:37Speaker 1: the name captured something essential about Elizabeth's short during her
- 12:41Speaker 1: Hollywood period, just beautiful, mysterious, and tinged with darkness that
- 12:46Speaker 1: people found simultaneously attractive and unsettling. So January nineteen forty
- 12:51Speaker 1: seven arrived with unusual rain and growing desperation because at
- 12:55Speaker 1: this point Elizabeth's financial situation deteriorated beyond casual concern into
- 13:00Speaker 1: genuine crisis, and her friends back in San Diego reported
- 13:03Speaker 1: that she seemed frightened during her final visits, constantly looking
- 13:07Speaker 1: over her shoulder as if she was expecting some kind
- 13:09Speaker 1: of pursuit from someone. And that's when something changed, because
- 13:12Speaker 1: a confident drift that had sustained Elizabeth through years of
- 13:15Speaker 1: uncertainty had transformed into panicked flight, and she actually spoke
- 13:20Speaker 1: of hiding from someone, but she never revealed details about it.
- 13:23Speaker 1: So the mysterious nature that served as her trademark became
- 13:27Speaker 1: desperate secrecy, and on July ninth, nineteen forty seven, Robert
- 13:31Speaker 1: read manly drove Elizabeth from San Diego to Los Angeles,
- 13:36Speaker 1: dropping her at the Biltmore Hotel in downtown Lay and
- 13:39Speaker 1: she would carry a small suitcase with her, and she
- 13:41Speaker 1: would promise him that she would stay in touch, so
- 13:43Speaker 1: Red would say goodbye and watch her walk into the
- 13:46Speaker 1: hotel's ornate lobby. But after that, no one can say
- 13:49Speaker 1: with certainty what happened during the next six days, because
- 13:53Speaker 1: Elizabeth Short had vanished completely and the hotel had no
- 13:57Speaker 1: record of her registration, and friends received no phone calls,
- 14:01Speaker 1: and the men who'd previously provided temporary shelter, heard nothing
- 14:04Speaker 1: from her, so it was six days of absolute mystery
- 14:08Speaker 1: until the morning of January fifteenth, nineteen forty seven.
- 14:12Speaker 2: Whoo, what a case so far.
- 14:15Speaker 1: Real life stories like this can remind you how quickly
- 14:17Speaker 1: a real life situation conspiral when you feel cornered and
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- 14:28Speaker 1: of nightmare can lurk in our everyday lives, and that
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- 15:43Speaker 1: Thank you again to PDS Debt for supporting this channel,
- 15:46Speaker 1: and let's get back to it. So on the morning
- 15:47Speaker 1: of January fifteenth, nineteen forty seven, Betty Berzinger walked south
- 15:51Speaker 1: on Norton Avenue in Lamert Park with her three year
- 15:55Speaker 1: old daughter and heading to collect her husband's work boots
- 15:58Speaker 1: from the repair shop. The vacant lot between thirty ninth
- 16:01Speaker 1: and Colosseum Streets had become part of the neighborhood landscape,
- 16:04Speaker 1: which was another empty space waiting for post war development,
- 16:07Speaker 1: and Betty had passed it countless times without a second glance,
- 16:11Speaker 1: but at ten am this morning, something pale in the
- 16:14Speaker 1: weeds caught her eye, and her first thought involved practical annoyance,
- 16:18Speaker 1: because she thought someone had just dumped another piece of
- 16:20Speaker 1: furniture in the lot, and she thought probably a mannequin
- 16:23Speaker 1: from a downtown department store, broken and discarded, like so
- 16:27Speaker 1: much of postwar America's access. So Betty would approach the object,
- 16:31Speaker 1: and the pale object would lay about thirty feet from
- 16:34Speaker 1: the sidewalk position two, deliberately for casual dumping, though so
- 16:38Speaker 1: as she drew closer, impossible details started to emerge, and
- 16:43Speaker 1: that was that the mannequin had real hair, and the
- 16:46Speaker 1: hair was black and lustrous and spread across the dirt.
- 16:50Speaker 1: And it also had actual human flesh, flesh that was
- 16:53Speaker 1: alabaster white against the dark brown earth. And the truth
- 16:57Speaker 1: that would haunt Betty for the rest of her life
- 16:59Speaker 1: was that this wasn't a mannequin at all. And Betty's
- 17:02Speaker 1: daughter Anne would later recall her mother's scream as the
- 17:05Speaker 1: loudest sound she's ever heard. But the screaming came second,
- 17:09Speaker 1: because Betty's first instinct was protection, and she would grab
- 17:13Speaker 1: Anne and lift her away from the site, completely shielding
- 17:15Speaker 1: the child's eyes while her own mind struggled to process
- 17:18Speaker 1: what actually lay before them. And that thing was a
- 17:21Speaker 1: woman's body, bisected at the waist with surgical precision, with
- 17:26Speaker 1: the upper half positioned twelve inches north of the lower half,
- 17:30Speaker 1: arms raised above the head in a grotesque parody of ballet,
- 17:35Speaker 1: and her legs were also spread in a v formation
- 17:38Speaker 1: that suggested both vulnerability and display. And this positioning was
- 17:43Speaker 1: just too deliberate for accident. It was too theatrical for impulse.
- 17:48Speaker 1: Someone had arranged this corpse like a macabre art installation,
- 17:52Speaker 1: ensuring maximum visual impact for whoever discovered it first. So
- 17:56Speaker 1: Betty would run to the nearest house, pounding on the
- 17:59Speaker 1: door until neighbors answered and let her use the phone,
- 18:02Speaker 1: and her hysterical call to police would take several attempts
- 18:05Speaker 1: to decipher, and she would say, quote unquote, there's a
- 18:08Speaker 1: body in the lot, a woman. She's been cut in half.
- 18:13Speaker 1: So so it's just horrifying, and like I can't even
- 18:18Speaker 1: imagine coming across that, and with the daughter, Oh, oh,
- 18:21Speaker 1: it's a nightmare. So the death sergeant initially assumed he
- 18:24Speaker 1: was dealing with some sort of domestic disturbance or perhaps
- 18:27Speaker 1: even a neighborhood prank, because dismembered corpses didn't just appear
- 18:31Speaker 1: in a middle class residential area on Wednesday mornings. And
- 18:34Speaker 1: he would say, quote unquote.
- 18:36Speaker 2: Ma'am, are you certain it's a human body.
- 18:38Speaker 1: And she would say, I'm looking right at it, and
- 18:41Speaker 1: that simple confirmation to launch the largest homicide investigation in
- 18:45Speaker 1: LAPD history. So Los Angeles in nineteen forty seven operated
- 18:49Speaker 1: under unwritten rules that prioritize sensationalism over investigation, and newspaper
- 18:54Speaker 1: photographers monitored police radio frequencies and often they would arrive
- 18:57Speaker 1: at crime scenes before the detective would actually get there.
- 19:01Speaker 1: And the Black Dahlia discovery followed this pattern with catastrophic precision,
- 19:05Speaker 1: and by ten thirty am that morning, newspaper photographers had
- 19:08Speaker 1: reached Norton Avenue and their speed cameras would be clicking
- 19:11Speaker 1: away while police cars remained blocks distant. In the Los
- 19:15Speaker 1: Angeles Examiner and the Herald Express, photographers documented the scene
- 19:19Speaker 1: from every single angle, unknowingly destroying evidence.
- 19:23Speaker 2: With each footstep.
- 19:25Speaker 1: Just fucking idiots, and the afternoon's editions would feature these
- 19:29Speaker 1: images on the front page. Forever defining how America visualized
- 19:34Speaker 1: the Black Dahlia case. And police detective Harry Hansen finally
- 19:37Speaker 1: reached the scene at ten forty five am, discovering his
- 19:40Speaker 1: crime scene had already been contaminated by journalists who had
- 19:43Speaker 1: positioned themselves for optimal photography rather than evidence preservation. So
- 19:48Speaker 1: Hanson's first official act in the investigation was to arrest
- 19:51Speaker 1: every single reporter present, well threatened to. He didn't actually
- 19:55Speaker 1: arrest all of them, though the damage was already irreversible,
- 19:58Speaker 1: because at this point the photographers had already trampled any
- 20:01Speaker 1: potential footprints, disturbed soil samples, and established site lines that
- 20:06Speaker 1: drew attention to specific details while obscuring others and their
- 20:09Speaker 1: presence just guaranteed that any subsequent investigation would operate from
- 20:14Speaker 1: a compromised foundation completely, and modern crime scene protocols actually
- 20:18Speaker 1: exist specifically because of the disasters like January fifteenth, nineteen
- 20:23Speaker 1: forty seven. So detective Hanson's initial examination revealed details that
- 20:27Speaker 1: transformed a shocking discovery into something approaching the impossible, because
- 20:31Speaker 1: the bisection had been performed using a technique called a hemicorporectomy,
- 20:35Speaker 1: which was the complete separation of the upper body and
- 20:38Speaker 1: lower body at the waste, and in nineteen forty seven,
- 20:41Speaker 1: this procedure existed only in medical textbooks and the most
- 20:45Speaker 1: advanced surgical suites, and the precision required for this procedure
- 20:49Speaker 1: suggested someone with formal anatomical training and access to the
- 20:53Speaker 1: appropriate instruments to do the procedure, and the cut would
- 20:56Speaker 1: run cleanly through the lumbar spine at the L two
- 20:59Speaker 1: L three verse level, requiring both strength and knowledge of
- 21:03Speaker 1: human skeletal structure, so whoever performed this operation understood exactly
- 21:07Speaker 1: where to position their blade for maximum efficiency. But the
- 21:10Speaker 1: surgical precision didn't just end with the bisection itself, because
- 21:14Speaker 1: the killer had also carved a Glasgow smile extending from
- 21:18Speaker 1: each corner of the victim's mouth to her ears, and
- 21:21Speaker 1: there were also additionals that removed flats from both her
- 21:24Speaker 1: thighs and her breath, though those ones appeared more frenzied
- 21:28Speaker 1: than systematic, and her internal organs had also been moved
- 21:32Speaker 1: and positioned beneath her buttocks, suggesting ritualistic rather medical motivation,
- 21:37Speaker 1: and fecal matter would also be found inside of her stomachs.
- 21:44Speaker 2: Horrifying.
- 21:44Speaker 1: So the combination of both surgical expertise and sadistic frenzy
- 21:48Speaker 1: painted a portrait of someone operating under two distinct psychological impulses,
- 21:53Speaker 1: and those were clinical detachment and explosive rage. And complete
- 21:58Speaker 1: exanguination presented the investigator's most puzzling element, and that is
- 22:03Speaker 1: that the corpse contained absolutely no blood, not in the
- 22:07Speaker 1: major vessels, not pulled in dependent areas, like when a
- 22:10Speaker 1: body is sitting somewhere for a long time, it kind
- 22:12Speaker 1: of pools where it is sitting, like if it's on
- 22:15Speaker 1: the back, it'll kind of pull in the midsection, and
- 22:18Speaker 1: not even trapped in smaller capillaries. Every single drop of
- 22:22Speaker 1: her blood had been methodically drained using techniques that belonged
- 22:26Speaker 1: in embalming parlors, not torture chambers, and the killer had
- 22:30Speaker 1: also even washed her body before transport, so no trace
- 22:34Speaker 1: of evidence remained under fingernails, in hair, or even on
- 22:37Speaker 1: skin surfaces. And the soap resident suggested multiple cleanings with
- 22:41Speaker 1: commercial grade detergents that were strong enough to remove DNA
- 22:44Speaker 1: evidence that wouldn't be understood for another forty years down
- 22:48Speaker 1: the road. So this guy was meticulous, and it's interesting
- 22:51Speaker 1: how meticulous he was given that in nineteen forty seven,
- 22:55Speaker 1: forensic awareness bordered on the prophetic. They didn't have a
- 22:58Speaker 1: lot going on in terms of forensic evidence, so the
- 23:01Speaker 1: killer seemed to anticipate investigative techniques that didn't even exist yet,
- 23:05Speaker 1: taking precautions against evidence collection methods still decades in the future.
- 23:10Speaker 1: And the positioning of her body reinforced the theatrical elements
- 23:14Speaker 1: because the body lay precisely parallel to the sidewalk, with
- 23:17Speaker 1: arms framing the head and legs spread in a perfect symmetry.
- 23:20Speaker 1: So someone had spent considerable time arranging this display in
- 23:24Speaker 1: an exposed location where discovery was inevitable, So the risks
- 23:27Speaker 1: suggested either extreme confidence or complete psychological detachment, or both.
- 23:33Speaker 1: So at eleven thirty am that morning, Detective Hanson would
- 23:36Speaker 1: make a decision that would revolutionize criminal identification procedures forever,
- 23:40Speaker 1: because the victim's fingerprints remained intact despite the extensive mutilation,
- 23:44Speaker 1: suggesting the killer either overlooked this detail or deliberately preserved them,
- 23:49Speaker 1: and Hanson would order a complete fingerprint collection, and then
- 23:52Speaker 1: he would contact the FBI's newly established Identification Division in Washington,
- 23:57Speaker 1: d C. And what would happen next would represent a
- 23:59Speaker 1: technological breakthrough that would become standard procedure within a decade,
- 24:04Speaker 1: because the FBI had recently installed sound photo equipment and
- 24:08Speaker 1: was basically a primitive fact system capable of transmitting photographs
- 24:12Speaker 1: over telephone lines, which is pretty cool. And Hanson's fingerprint
- 24:15Speaker 1: cards were photographed in Los Angeles and then they were
- 24:18Speaker 1: transmitted across the continent to the FBI's headquarters at one
- 24:22Speaker 1: fifteen pm Pacific time that same day, which again very
- 24:26Speaker 1: impressive for that time, and only fifty six minutes later.
- 24:29Speaker 1: The transmission contained a name, and that name was Elizabeth
- 24:32Speaker 1: Ann Short with the date of birth July twenty ninth,
- 24:35Speaker 1: nineteen twenty four, and this identification would actually originate from
- 24:39Speaker 1: a nineteen forty three arrest in Santa Barbara for underage drinking,
- 24:43Speaker 1: and because of that rest, Elizabeth Prince had actually been
- 24:46Speaker 1: filed with the FBI as part of a standard booking procedure,
- 24:49Speaker 1: and by doing that would create a permanent record that
- 24:51Speaker 1: survived four years until needed for the most famous murder
- 24:55Speaker 1: case in American history. So the sound photosystem would become
- 24:58Speaker 1: the foundation for modern digit evidence sharing. But technology at
- 25:02Speaker 1: this point could only provide a name and everything else
- 25:04Speaker 1: about Elizabeth Short's final days remained locked in a mystery
- 25:07Speaker 1: that defied conventional investigation, So crime scene analysis in nineteen
- 25:12Speaker 1: forty seven relied primarily on photography, measurements, and detectives. Intuition
- 25:17Speaker 1: and forensic science existed in primitive form, lacking the sophisticated
- 25:21Speaker 1: tools that would emerge during the following decades as we know. Nevertheless,
- 25:24Speaker 1: certain facts emerged that challenge basic assumptions about criminal behavior,
- 25:28Speaker 1: and one of those facts was that the killer transported
- 25:31Speaker 1: a one hundred and fifteen pound corpse to Norton Avenue
- 25:35Speaker 1: and would position it in mathematical precision then depart without
- 25:39Speaker 1: leaving any traceable evidence. And this series of events would
- 25:42Speaker 1: require planning, physical strength, and intimate knowledge of the neighborhood's
- 25:47Speaker 1: traffic patterns because this vacant lot offered no concealment during
- 25:50Speaker 1: daylight hours and houses surrounded the space on three sides
- 25:54Speaker 1: with clear sight lines from multiple windows. So it's crazy
- 25:58Speaker 1: that no one saw this happening, because no neighbors reported
- 26:02Speaker 1: hearing anything unusual or seeing anything unusual during the evening
- 26:06Speaker 1: or even in the morning. So both possibilities suggested local
- 26:09Speaker 1: knowledge that extended beyond a casual familiarity, but the physical
- 26:13Speaker 1: evidence still remained very sparse. But they would see a
- 26:16Speaker 1: cements sack near the body that showed traces of blood,
- 26:19Speaker 1: though not enough to suggest the murder location, of course,
- 26:22Speaker 1: and they would also find a heel print in the
- 26:24Speaker 1: dirt that measured to about a size eight and a
- 26:26Speaker 1: half men's shoes, though thousands of Los Angeles residents matched
- 26:30Speaker 1: this specification. There would also be no murder weapon recovered,
- 26:33Speaker 1: despite extensive searches through storm drains and dumpsters throughout the area,
- 26:38Speaker 1: so the instruments used for dismemberment had vanished as completely
- 26:41Speaker 1: as the killer's identity. So by sunset on January fifteenth,
- 26:45Speaker 1: nineteen forty seven, investigators faced a crime that seemed to
- 26:48Speaker 1: violate fundamental assumptions about human behavior completely. So they could
- 26:51Speaker 1: only ask one question, and that was where had Elizabeth
- 26:55Speaker 1: Short spent the last six days of her life?
- 26:58Speaker 2: So they'd go to the Builtmore hotel.
- 27:00Speaker 1: There would be no record of her registration despite witness
- 27:03Speaker 1: accounts of her arrival, and friends would receive no contact
- 27:06Speaker 1: despite her frequent communication with them, and the men she
- 27:08Speaker 1: saw regularly didn't hear from her at all in those
- 27:11Speaker 1: six days so it begs the question how had the
- 27:13Speaker 1: killer gained Elizabeth's cooperation? Because there were rope burns on
- 27:17Speaker 1: her wrists and her ankles that indicated prolonged restraint, but
- 27:22Speaker 1: no defensive wounds that suggested she had submitted without struggle,
- 27:26Speaker 1: So the implications ranged from a drug induced compliance to
- 27:29Speaker 1: willing participant was someone she trusted. So where exactly did
- 27:32Speaker 1: this torture and murder take place? Because this procedure required
- 27:36Speaker 1: hours in a controlled environment with access to running water
- 27:40Speaker 1: and surgical instruments and disposal methods for massive quantities of
- 27:44Speaker 1: blood as we know. And also why choose this theatrical
- 27:48Speaker 1: presentation because the killer could have disposed of the body
- 27:50Speaker 1: permanently using methods that precluded discovery. Clearly he was smart enough,
- 27:54Speaker 1: as we know, But instead they selected a very public
- 27:57Speaker 1: location and arranged the corpse to ensure maximum visual impact.
- 28:01Speaker 1: So each question just led to dozens more, creating an
- 28:05Speaker 1: investigation labyrinth that would consume thousands of man hours over
- 28:09Speaker 1: the following decades. So Elizabeth Shortz from unknown victim to
- 28:12Speaker 1: national obsession had finally begun, and afternoon papers would hit
- 28:16Speaker 1: the street with banner headlines and crime scene photographs and
- 28:19Speaker 1: radio stations interrupted programming with hourly updates, and the LAPD,
- 28:24Speaker 1: unprepared for a media attention of this magnitude, found themselves
- 28:27Speaker 1: conducting both a criminal investigation and just managing a public circus.
- 28:32Speaker 1: And back at LAPD headquarters, Detective Harry Hansen studied crime
- 28:36Speaker 1: scene photographs that were spread across his desk, and each
- 28:39Speaker 1: image would reveal details that defied explanation, positioning too perfect
- 28:43Speaker 1: for hasty disposal, mutilations too systemic for passion alone, and
- 28:47Speaker 1: forensic awareness too sophisticated for nineteen forty seven. So he
- 28:51Speaker 1: knew that someone had planned this murder with military operation
- 28:55Speaker 1: and executed with surgical precision and theatrical sensibility. So Hanson
- 29:00Speaker 1: would pull out a notebook and write across the first page,
- 29:03Speaker 1: quote unquote Elizabeth Short Black Dollia Case, January fifteenth, nineteen
- 29:08Speaker 1: forty seven, and he had no way of knowing that
- 29:11Speaker 1: he had just titled the most famous unsolved murder in
- 29:13Speaker 1: American history. And sixteen detectives were assigned to what photographs
- 29:17Speaker 1: had already dubbed the Dalia case, and phone lines would
- 29:20Speaker 1: buzz from reporters, amateur sleuths, and attention seekers, claiming knowledge
- 29:24Speaker 1: of the victim or the killer, and the questions would
- 29:26Speaker 1: haunt investigators for decades. Who possessed the medical knowledge, the
- 29:29Speaker 1: psychological detachment, and local familiarity necessary to transform Elizabeth Short
- 29:35Speaker 1: into America's most notorious murder victim. And the answer lay
- 29:38Speaker 1: somewhere in Los Angeles, protected by six days of silence,
- 29:42Speaker 1: and that silence was about to be shattered by the
- 29:44Speaker 1: largest criminal investigation in the city's history, and by the
- 29:48Speaker 1: killer himself, who would soon contact the newspaper directly with
- 29:52Speaker 1: evidence that should have remained forever secret. So on January sixteenth,
- 29:56Speaker 1: nineteen forty seven, the LAPD Chief Clement's Horrel and ounce
- 30:00Speaker 1: the largest criminal investigation in LA history to a room
- 30:03Speaker 1: packed with detectives, reporters, and politicians. An he said, quote unquote,
- 30:07Speaker 1: we will find Elizabeth Schwartz killer. No expense will be spared,
- 30:11Speaker 1: and it definitely wasn't, and by month's end, a seven
- 30:14Speaker 1: hundred and fifty investigators worked on the case. Detectives would
- 30:17Speaker 1: abandon other homicides to chase leads that led to nowhere,
- 30:21Speaker 1: Laboratory technicians processed evidence that revealed nothing, and within six
- 30:26Speaker 1: months Chief Horror would resign in disgrace, and within a
- 30:29Speaker 1: year key evidence would begin disappearing from police storage, so
- 30:33Speaker 1: the investigation that began with unprecedented resources would end up
- 30:37Speaker 1: in complete failure. And in January of nineteen forty seven,
- 30:40Speaker 1: optimism ran high because how difficult could it be to
- 30:43Speaker 1: solve one murder in a city of two million people?
- 30:46Speaker 1: And the answer would redefine everything LA understood about criminal investigation.
- 30:50Speaker 1: And on January sixteenth, nineteen forty seven, the LA Examiner's
- 30:54Speaker 1: phone would ring at eleven forty seven am and the
- 30:57Speaker 1: person on the other line would say, this is the
- 31:00Speaker 1: man who killed the black Dehlia. I want to give
- 31:02Speaker 1: myself up, but not to the police. I want to
- 31:05Speaker 1: surrender to you. And the person that picked up the
- 31:07Speaker 1: phone was City editor James Richardson, whose reporter's instincts overrode
- 31:12Speaker 1: any sort of caution, and he would pick up a
- 31:14Speaker 1: pencil and he would say back to the person on.
- 31:16Speaker 2: The phone, where do you want to meet?
- 31:18Speaker 1: And the person on the phone would say, I'll contact
- 31:20Speaker 1: you again soon, watch for a package, and then the
- 31:23Speaker 1: line would go dead, leaving Richardson with the first direct
- 31:26Speaker 1: communication with Elizabeth Schwartz killer and the beginning of the
- 31:29Speaker 1: media circus that would destroy any chance of solving in
- 31:32Speaker 1: the case, because what happened next violated every principle of
- 31:36Speaker 1: criminal investigation that would be codified for another thirty years.
- 31:40Speaker 1: So Richardson would call the LAPD headquarters, reporting the conversation
- 31:44Speaker 1: to Detective Harry Henson, but he also alerted every single
- 31:49Speaker 1: reporter in the building like a moron, and within hours,
- 31:53Speaker 1: the Examiner had announced the killer's phone call on the
- 31:56Speaker 1: front page, complete with speculation about the voice's accent and
- 32:00Speaker 1: psychological profile.
- 32:01Speaker 2: Just horrible media.
- 32:03Speaker 1: Practice because if the caller was indeed Elizabeth Shortz murderer,
- 32:07Speaker 1: he now knew the police were monitoring newspaper communications, so
- 32:11Speaker 1: the tactical advantage belonged entirely to someone who performed theatrical
- 32:15Speaker 1: games over straightforward confession. But the Examiner's decision to publicize
- 32:20Speaker 1: the contact represented just the beginning of the media interference
- 32:23Speaker 1: that would ultimately sabotage the entire investigation. So on January
- 32:27Speaker 1: twenty fourth, nineteen forty seven, at one thirty pm, a
- 32:31Speaker 1: United States Postal Service clerk at the Los Angeles terminal
- 32:34Speaker 1: noticed an unusual package that was addressed to Los Angeles
- 32:38Speaker 1: Examiner and other Los Angeles papers very specific, but the
- 32:42Speaker 1: envelope addressed in letters cut from newspapers and magazines and
- 32:47Speaker 1: contained items that should have remained forever secret. And those
- 32:50Speaker 1: items were Elizabeth Short's social Security card, a birth certificate, photographs,
- 32:56Speaker 1: and an address book belonging to Mark Hanson, the owner
- 33:00Speaker 1: of the Florentine Gardens nightclub. And the accompanying message assembled
- 33:04Speaker 1: for magazine clippings read quote.
- 33:06Speaker 2: Here is Delia's belongings letter to follow fucking scary and creepy.
- 33:14Speaker 1: Oh my god. And every item had been soaked in
- 33:17Speaker 1: gasoline to remove any sort of fingerprint. And this was
- 33:20Speaker 1: a forensic countermeasure that demonstrated sophisticated criminal thinking. This guy
- 33:25Speaker 1: was playing chess. He was seeking ten steps ahead in
- 33:28Speaker 1: every move he made. But the package's most significant element
- 33:32Speaker 1: wasn't what it contained, necessarily because the killer had mailed
- 33:35Speaker 1: Elizabeth's personal effects to newspapers. Rather than police ensuring maximum
- 33:40Speaker 1: publicity while maintaining complete control over information flow, this guy
- 33:44Speaker 1: just wanted to be in the headlines. So the detective
- 33:46Speaker 1: Hanson would arrive at the Examiner building to find reporters
- 33:49Speaker 1: already photographing the contents. Stop Stop, photographing everything, and they're
- 33:54Speaker 1: also handling potential evidence without gloves, of course, and speculating
- 34:00Speaker 1: about meanings that would influence public perception for decades. So
- 34:04Speaker 1: the killer at this point and just through the entire case,
- 34:06Speaker 1: had completely out maneuvered professional investigators by understanding something they
- 34:11Speaker 1: hadn't yet learned, and that was that in media saturated crimes,
- 34:16Speaker 1: publicity can be weaponized against law enforcement, and we see
- 34:20Speaker 1: this in cases in the future, in the sixties and
- 34:22Speaker 1: the seventies and the eighties and the nineties to present.
- 34:24Speaker 1: So by February nineteen forty seven, LAPD headquarters received twelve
- 34:28Speaker 1: confessions daily saying quote.
- 34:30Speaker 2: Unquote, I killed the black Dahlia, and this.
- 34:33Speaker 1: Became Los angeles most popular false admission and attention seekers
- 34:37Speaker 1: and mentally ill individuals claim responsibility with elaborate stories, and
- 34:41Speaker 1: detectives spent thousands of hours investigating confessions containing no verifiable details,
- 34:47Speaker 1: But the most elaborate one came from Daniel S. Vorhees,
- 34:50Speaker 1: who provided a seventeen page handwritten account of torturing and
- 34:54Speaker 1: killing Elizabeth Short, and his narrative included specific crime details
- 34:59Speaker 1: and surgical takes. Techniques and detectives would spend six weeks
- 35:02Speaker 1: verifying his story before discovering Vorhees had copied every detail
- 35:06Speaker 1: from newspaper accounts, Thank you media, you've fucking idiots again,
- 35:10Speaker 1: and he'd actually been incarcerated in New York during elizabeths murder,
- 35:14Speaker 1: so it was just another dead end. And when confronted,
- 35:17Speaker 1: Vorhees even admitted that he did everything because he wanted
- 35:20Speaker 1: to be famous.
- 35:22Speaker 2: Idiot.
- 35:23Speaker 1: And by year's end, LAPD had processed sixty seven false confessions,
- 35:27Speaker 1: but this number would eventually exceed five hundred, making this
- 35:31Speaker 1: the most falsely confessed crime in American history. And each
- 35:35Speaker 1: bogus admission required investigation, consuming resources that could have pursued
- 35:39Speaker 1: legitimate leads. So just idiot people wasting time, wasting precious time.
- 35:45Speaker 1: So the surgical precision of Elizabeth schwortz bisection convinced investigators
- 35:49Speaker 1: that her killer possessed formal anatomical training, so detective Hanson
- 35:53Speaker 1: ordered comprehensive background checks on every medical professional, student and
- 35:58Speaker 1: technician in Los Angeles County. So the University of Southern
- 36:01Speaker 1: California Medical School became ground zero for an investigation that
- 36:04Speaker 1: would scrutinize scalpels class schedules. And student psychological profiles, and
- 36:09Speaker 1: UCS administrators provided complete enrollment records dating back five years,
- 36:14Speaker 1: and investigators would eventually interview four hundred and twelve medical students,
- 36:18Speaker 1: an eighty nine faculty members, and one hundred and fifty
- 36:21Speaker 1: six hospital residents. Meanwhile, they had examined laboratory access logs,
- 36:26Speaker 1: equipment inventories, and disposal procedures for anatomical specimens, and the
- 36:30Speaker 1: hemicorporareectomy technique used to bisect Elizabeth's body had been developed
- 36:35Speaker 1: in the nineteen thirties for treating specific cancers and traumatic injuries,
- 36:39Speaker 1: and in nineteen forty seven, fewer than fifty surgeons in
- 36:42Speaker 1: Los Angeles possessed the training necessary to perform this specific procedure,
- 36:47Speaker 1: so investigators would create a master list of these qualified
- 36:50Speaker 1: surgeons and then they would begin the painstaking process of
- 36:53Speaker 1: verifying each individual's whereabouts during January ninth to January fifteenth
- 36:58Speaker 1: of nineteen forty seven, and they would look at hospital schedules,
- 37:01Speaker 1: surgery logs, and witness statements and slowly eliminate suspects one
- 37:04Speaker 1: by one. But this entire investigation would just reveal something
- 37:08Speaker 1: very troubling, and that is that the killer's anatomical knowledge
- 37:11Speaker 1: exceeded what could be learned through casual medical exposure, and
- 37:15Speaker 1: whoever dismembered Elizabeth Schwartz's body understood human circulatory systems and
- 37:20Speaker 1: tissue composition at a professional level. But medical training alone
- 37:25Speaker 1: couldn't explain the killer's sophistication because the complete exanguation required
- 37:29Speaker 1: embalming knowledge typically possessed only by morticians and medical examiners,
- 37:34Speaker 1: and the forensic awareness just demonstrated advanced understanding of evidence
- 37:37Speaker 1: collection and preservation as well. So the killer represented a
- 37:40Speaker 1: convergence of medical expertise, mortuary science, and criminal sophistication that
- 37:45Speaker 1: basically shouldn't have existed in nineteen forty seven, So who
- 37:48Speaker 1: the fuck could know all of this? So of the
- 37:52Speaker 1: one hundred and fifty suspects questioned by LAPD over the decades,
- 37:57Speaker 1: four names stood out because each possessed urgical knowledge, opportunity,
- 38:01Speaker 1: and connections to Elizabeth Short that made season detectives take notice.
- 38:06Speaker 1: And the first one was the genius doctor George Hill
- 38:10Speaker 1: Hodell Junior, and George possessed an IQ of one hundred
- 38:14Speaker 1: and eighty six and worked as a prominent Los Angeles physician.
- 38:17Speaker 1: He was born in nineteen oh seven, and he moved
- 38:19Speaker 1: in elite social circles and possessed the medical expertise for
- 38:23Speaker 1: a heem corpora rectomy. The surgical technique used to cleanly
- 38:26Speaker 1: separate Short's upper body from her lower body, and the
- 38:29Speaker 1: specialized procedure appeared only in nineteen thirties medical textbooks, and
- 38:33Speaker 1: the timeline converged in October nineteen forty nine because Hodel's
- 38:36Speaker 1: teenage daughter actually accused him of essay, triggering an investigation
- 38:41Speaker 1: that actually revealed connections to Elizabeth Short stretching back to
- 38:44Speaker 1: nineteen forty six, and eyewitnesses even claimed knowledge of their relationship,
- 38:48Speaker 1: and the Laped District Attorney's office assembled an eighteen man
- 38:51Speaker 1: task force and for two months from February through March
- 38:54Speaker 1: nineteen fifty, investigators with bug Hodell's home with electronic surveillance
- 38:59Speaker 1: equipment operation recorded all conversations inside the house, and on
- 39:03Speaker 1: March fourteenth, nineteen fifty, the equipment captured Hodel saying, quote unquote,
- 39:08Speaker 1: suppose and I.
- 39:08Speaker 2: Did kill the black Dahlia. They can't prove it now.
- 39:12Speaker 1: Excuse me, and the surveillance would continue after this non
- 39:16Speaker 1: confession confession and Hodell's recorded conversations survealed intimate knowledge of
- 39:20Speaker 1: the murder's details that were never released to the public.
- 39:23Speaker 1: Red Flag because he would discuss the positioning of the body,
- 39:27Speaker 1: the surgical techniques employed, and the theatrical staging design to
- 39:31Speaker 1: shock and terrorize. But within days of the district attorney
- 39:34Speaker 1: preparing arrest warrants, doctor George Hill Hodell Junior bordered a
- 39:38Speaker 1: plane to the Philippines and he would never return to
- 39:42Speaker 1: Los Angeles soil Red Flag. Just say decades later, his son,
- 39:48Speaker 1: Steve Hodell, a retired LAPD detective, discovered photographs hidden in
- 39:52Speaker 1: his father's belongings, and some researchers believe that these images
- 39:57Speaker 1: show Elizabeth Short alive and pos posed before her transformation
- 40:02Speaker 1: into the Black Dahlia, but others dismissed them as complete coincidence,
- 40:07Speaker 1: and this genius doctor would die in nineteen ninety nine,
- 40:10Speaker 1: taking his secrets to the grave. He's a top one
- 40:13Speaker 1: for me, too much suspicion. But that brings us to
- 40:16Speaker 1: suspect number two, and that is the mortician's assistant, Leslie
- 40:20Speaker 1: Dylan So Leslie Dyllon worked as a bellhop, a aspiring writer,
- 40:24Speaker 1: and a mortician's assistant. These were jobs that gave him
- 40:27Speaker 1: familiarity with corpses and embombing techniques, and in nineteen forty
- 40:30Speaker 1: eight he actually wrote an unsolicited letter to the LAPD psychiatrist,
- 40:34Speaker 1: doctor J. Paul De River, and the letter contained details
- 40:37Speaker 1: of Elizabeth Swartz murder that had never been released to
- 40:40Speaker 1: the public, and Dylan claimed that a friend had committed
- 40:43Speaker 1: the killing, and he described the surgical techniques with clinical precision,
- 40:47Speaker 1: so he knew about the rope burns on Short's wrists
- 40:50Speaker 1: and the forced ingestion that filled her stomach with fecal matter,
- 40:53Speaker 1: and the hours of torture that preceded her death. So
- 40:56Speaker 1: laped investigators brought Dylan to Los Angeles for questioning natural life,
- 41:00Speaker 1: and the mortician's assistant displayed intimate knowledge of the crime scenes,
- 41:03Speaker 1: theatrical staging, and he would know the positioning of Short's
- 41:06Speaker 1: arm above her head and the wide v formation of
- 41:09Speaker 1: her legs and the complete exangination that drained every drop
- 41:12Speaker 1: of blood from her body.
- 41:13Speaker 2: And even more disturbing.
- 41:15Speaker 1: If we can we can get there, is that Dylan
- 41:18Speaker 1: possessed connections to Mark Hanson, which was the nightclub owner
- 41:21Speaker 1: whose address book was found soaked in gasoline alongside Short's
- 41:26Speaker 1: belongings in that package sent to the newspapers. Puzzle pieces
- 41:29Speaker 1: are puzzle piecing, and his alibis crumbled under scrutiny, and
- 41:32Speaker 1: his behavior during interrogation set off alarm bells among seasoned detectives.
- 41:36Speaker 1: Yet after extensive questioning, the LAPD officials cleared Dylan of
- 41:40Speaker 1: suspicion somehow, and the mortician's assistant sued the department for
- 41:45Speaker 1: false arrest and won you know, what do I know?
- 41:47Speaker 1: Maybe it was just all aquinkitink. Maybe it was all
- 41:49Speaker 1: a quinkinink I don't know. And in twenty seventeen, author
- 41:52Speaker 1: Pugh Ittwall published Block Delia Red Rose, presenting evidence that
- 41:56Speaker 1: Leslie Dillon orchestrated Schwartz murder. And the book argues that
- 42:00Speaker 1: previous investigators dismissed crucial connections linking Dylan to the crime,
- 42:04Speaker 1: but the bellhat mortician just eventually vanished into obscurity, and
- 42:08Speaker 1: his intimate knowledge of death and dismemberment just faded into
- 42:11Speaker 1: the Los Angeles criminal archives. And that brings us to
- 42:14Speaker 1: suspect number three, and that is Jack Anderson Wilson. So
- 42:18Speaker 1: between nineteen thirty four and nineteen thirty eight, the Cleveland
- 42:21Speaker 1: Torso murders claimed twelve victims in Ohio, and each showed
- 42:25Speaker 1: surgical dismemberment and theatrical body positioning techniques identical to those
- 42:29Speaker 1: of Elizabeth Swartz murder. But the killings stopped abruptly in
- 42:32Speaker 1: nineteen thirty eight, and Jack Anderson Wilson became the prime
- 42:35Speaker 1: suspect in both the Cleveland murders and the Black Dhlia
- 42:38Speaker 1: case because he possessed medical training surgical knowledge, and he
- 42:42Speaker 1: relocated from Cleveland to Los Angeles around the time of
- 42:45Speaker 1: the Ohio killings ending. So in nineteen eighty LPD detective
- 42:49Speaker 1: John Saint John reopened the Black Dahlia case and focused
- 42:52Speaker 1: intensely on Wilson because the detective believe he stood on
- 42:55Speaker 1: the verge of solving the Los Angeles most famous cold case,
- 42:58Speaker 1: and he would prepare a ron warrants so he would
- 43:01Speaker 1: gather evidence linking Wilson to both the Cleveland murders and
- 43:04Speaker 1: Short's death. But on February fourth, nineteen eighty two, Jack
- 43:07Speaker 1: Anderson Wilson would die in a house fire, and the
- 43:10Speaker 1: timing just seemed impossibly convenient, just as authorities had closed
- 43:15Speaker 1: in the prime suspect perished in flames that consumed potential
- 43:19Speaker 1: evidence along with his body. Before Wilson's death, author John
- 43:23Speaker 1: Gilmour claimed that suspect provided a deathbed confession, and that
- 43:26Speaker 1: confession he admitted to the Block Dolly murder and described
- 43:29Speaker 1: the details that match the crime scene's horrific reality. But
- 43:32Speaker 1: Detective Saint John would take his suspicions to the grave,
- 43:35Speaker 1: just convinced that Wilson's death robed Los Angeles of justice
- 43:39Speaker 1: for Elizabeth Short. So who knows all of these suspects,
- 43:43Speaker 1: It's like they could be them. I have no idea
- 43:46Speaker 1: and we'll probably never know. But that brings us to
- 43:49Speaker 1: suspect number four, and that is Mark Hanson. So Mark Hanson,
- 43:53Speaker 1: as we know, owned the Florentine Gardens nightclub, where Elizabeth
- 43:56Speaker 1: Short rented a room behind the building her final months
- 43:58Speaker 1: in Los Angeles. In the nightclub owner's connection to Short
- 44:01Speaker 1: extended beyond landlord and tenant because friends actually reported romantic
- 44:05Speaker 1: involvement between Hanson and the aspiring actress, and she would
- 44:09Speaker 1: also work at his establishment, and she moved in the
- 44:12Speaker 1: same social circles as him, and she trusted him enough
- 44:14Speaker 1: to list his contacts in her personal address. Book, and
- 44:17Speaker 1: that address book surfaced in the package sent to the
- 44:19Speaker 1: newspaper in January twenty fourth, nineteen forty seven, So someone
- 44:22Speaker 1: had carefully selected Hanson's business contacts and included them alongside
- 44:27Speaker 1: Short's birth certificate and Social Security card, and the items were,
- 44:30Speaker 1: as we know, soaked in gasoline to remove any sort
- 44:32Speaker 1: of fingerprints. So LAPD investigators would subject Hanson to extensive questioning,
- 44:37Speaker 1: and they would also surveil his home, and they would
- 44:39Speaker 1: examine his alibi on the night of Short's disappearance and
- 44:42Speaker 1: the six days between January ninth and January fifteenth, nineteen
- 44:46Speaker 1: forty seven, and Hanson would provide inconsistent statements about his
- 44:49Speaker 1: relationship with Short, and he would kind of downplay their
- 44:52Speaker 1: connection while evidence suggested a deeper involvement, and his business
- 44:55Speaker 1: operated in Hollywood's shadow economy, where a young women traded
- 44:59Speaker 1: companionship for security, similar to what Elizabeth Short was doing.
- 45:03Speaker 1: But despite intensive investigation, authorities never charged Hanson for Shortz
- 45:07Speaker 1: murder and no definitive evidence linked him to the crime
- 45:10Speaker 1: or the surgical disparment that required medical expertise. So the
- 45:14Speaker 1: Night Cup owner just kind of faded into Los Angeles history.
- 45:17Speaker 1: Leaving behind questions about his role in Elizabeth Short's final
- 45:20Speaker 1: days or if he had any sort of connection to
- 45:22Speaker 1: her actual killer, because I really don't think that he
- 45:25Speaker 1: was the actual killer, but.
- 45:27Speaker 2: Could have been involved, who knows.
- 45:29Speaker 1: And several other suspects drew police attention over the decades,
- 45:32Speaker 1: including doctor Walter Bailey, he had surgical skills and lived
- 45:35Speaker 1: near Short's last known locations. And then there was Bugsy Siegel,
- 45:39Speaker 1: and he represented the organized crime angle, though the theatrical
- 45:42Speaker 1: nature of shorts murder didn't really match typical mob killings
- 45:46Speaker 1: and orson Wells. He was actually accused by a childhood friend,
- 45:49Speaker 1: Mary Passios, who claimed the director's artistic temperament and anatomical
- 45:54Speaker 1: knowledge enabled such calculated violence, but investigators gave the series
- 45:58Speaker 1: very little credence. And then there's George Knowlton, who was
- 46:00Speaker 1: accused by his daughter Janice in her book, but DNA
- 46:03Speaker 1: testing later discredited her claims completely. But there was also
- 46:06Speaker 1: a wider pattern because the Black Dahlia murder didn't happen
- 46:10Speaker 1: in isolation, and between nineteen thirty four and nineteen forty nine,
- 46:13Speaker 1: other women across America were being surgically dismembered with techniques
- 46:18Speaker 1: that required medical training and specialized knowledge on top of
- 46:21Speaker 1: these bodies being positioned for maximum visual impact and also
- 46:26Speaker 1: drained of their blood completely. So Elizabeth Schwartz killer might
- 46:29Speaker 1: have been practicing these techniques for years before January nineteen
- 46:32Speaker 1: forty seven, and the surgical precision that shocked investigators in
- 46:36Speaker 1: Los Angeles had appeared before in Cleveland, Chicago, and other
- 46:40Speaker 1: cities where similar crimes were unsolved, including the Cleveland butcher
- 46:45Speaker 1: who operated between nineteen thirty four and nineteen thirty eight,
- 46:48Speaker 1: and they had twelve victims who were dismembered using advanced
- 46:51Speaker 1: surgical techniques, and the investigation focused on doctor Francis Sweeney
- 46:55Speaker 1: who disappears into a mental hospital system and has just
- 46:57Speaker 1: never heard from again. And then the Los Angeles cluster,
- 47:00Speaker 1: and this happened between nineteen forty three and nineteen forty nine,
- 47:03Speaker 1: so in the same time zone as the Black Dohlia case,
- 47:06Speaker 1: and these murders were also done with surgical expertise and
- 47:09Speaker 1: complete exaguation and theatrical body positioning. And then there was
- 47:13Speaker 1: the Chicago connection, which was the Lipstick murders which happened
- 47:17Speaker 1: in Chicago in nineteen forty six, which victims included Suzanne Degnan,
- 47:21Speaker 1: who was dismembered using identical hemicorporareectomy techniques, and the killer
- 47:25Speaker 1: also demonstrated the same medical knowledge and theatrical staging. But
- 47:29Speaker 1: even with all that, with all these suspects, with all
- 47:32Speaker 1: these pretty good leads, we were left with nothing. And
- 47:36Speaker 1: in October of nineteen forty nine, Los Angeles County District
- 47:39Speaker 1: Attorney William E. Simpson conveyed a grand jury to investigate
- 47:43Speaker 1: the Block Delia case, acknowledging what everyone already knew, and
- 47:46Speaker 1: that is that the LAPD investigation had failed catastrophically. So
- 47:49Speaker 1: the grand jury would spend eighteen months examining evidence and
- 47:53Speaker 1: interviewing witnesses and reviewing investigative procedures, and their final report
- 47:57Speaker 1: would be released on April nineteen fifty one, and it
- 48:00Speaker 1: just documented a comedy of errors that were completely laughable
- 48:04Speaker 1: because evidence had been lost, misfiled, or damaged through improper storage.
- 48:09Speaker 1: Crime scene photographs showed contamination from the first hours of investigation,
- 48:13Speaker 1: and witness statements contained contradictions that were never resolved, and
- 48:17Speaker 1: there was detective notes that completely disappeared from files without explanation.
- 48:22Speaker 1: And as we know, the media had compromised this investigation
- 48:24Speaker 1: from day one, publishing information that allowed the killer to
- 48:27Speaker 1: stay ahead of police efforts. And there was also the
- 48:30Speaker 1: false confessions that had completely consumed investigative resources and that
- 48:34Speaker 1: should have been pursuing legitimate leads. And the most damaging
- 48:37Speaker 1: of all was that the grand jury discovered that the
- 48:40Speaker 1: certain high profile suspects had received protection from investigation due
- 48:45Speaker 1: to political connections and financial influence.
- 48:48Speaker 2: So the Black Dahlia case.
- 48:49Speaker 1: Hadn't just gone unsolved, it had been sabotaged by incompetence, corruption,
- 48:55Speaker 1: and a system that prioritized publicity over justice. So by
- 48:59Speaker 1: nineteen sixty, curious detectives attempting to review the back Dhalia
- 49:02Speaker 1: case discovered that the key pieces of physical evidence had
- 49:05Speaker 1: disappeared from the LAPD storage facilities completely, and those included
- 49:09Speaker 1: crime scene photographs, Elizabeth Short's personal effects that were returned
- 49:12Speaker 1: by the killer, plastercasts of footprints found at the scene,
- 49:16Speaker 1: laboratory reports analyzing blood traces in fiber samples, and the
- 49:19Speaker 1: evidence hadn't been destroyed through official channels or transferred to
- 49:23Speaker 1: other jurisdictions. It had just simply vanished, leaving investigators with
- 49:28Speaker 1: incomplete files and fading memories, So what remained told the
- 49:31Speaker 1: story of investigative failure rather than criminal success, hundreds of
- 49:36Speaker 1: false leads, thousands of witness statements that led to nowhere,
- 49:39Speaker 1: and decades of speculation that generated publicity rather than answers,
- 49:44Speaker 1: and the Black Dahlia murder just became a case study
- 49:46Speaker 1: in how to not conduct a helmside investigation because every mistake,
- 49:51Speaker 1: literally every mistake that could have been made, was made
- 49:54Speaker 1: in this case, and every procedure that could have been
- 49:57Speaker 1: corrupted had been corrupted. Bl Dhia case changed criminal investigation
- 50:02Speaker 1: procedures nationwide, and crime scene preservation protocols emerged directly from
- 50:06Speaker 1: the Norton Avenue disaster, and media relation guidelines developed to
- 50:10Speaker 1: prevent journalistic interference as well, and evidence storage procedures improved
- 50:14Speaker 1: to prevent mysterious disappearances that plagued the shortcase. Specifically, and
- 50:19Speaker 1: most importantly, the investigation's failure demonstrated that publicity could be
- 50:23Speaker 1: more dangerous than helpful in complex cases, and Elizabeth Shortz
- 50:27Speaker 1: Murder became required reading at police academies, not as successful
- 50:31Speaker 1: detective work, of course, but as a cautionary tale about
- 50:34Speaker 1: everything that could go wrong when ego incompetence and corruption
- 50:37Speaker 1: converged around a high profile crime, and the case also
- 50:40Speaker 1: revealed something darker about post war American society, and that
- 50:44Speaker 1: is that public fascination with Elizabeth Short's torture and mutilations
- 50:48Speaker 1: suggested that there was appetites that transcended normal interest in
- 50:52Speaker 1: criminal justice, and that Block Dahlia became entertainment rather than
- 50:56Speaker 1: just a tragedy. And Detective Harry Hanson retired in nineteen
- 50:59Speaker 1: sixty eight without solving the case that defined his career,
- 51:02Speaker 1: and in his final interview he admitted, quote unquote.
- 51:05Speaker 2: We never came close, not really. Whoever killed that girl
- 51:08Speaker 2: was smarter than all of us.
- 51:10Speaker 1: And the Black Dahlia investigation ended with recognition that some
- 51:13Speaker 1: crimes just transcend the capabilities of their time, and Elizabeth
- 51:16Speaker 1: Schwartz killer understood the limitation and exploited it with surgical precision.
- 51:21Speaker 1: So the Black Dahlia case occupies a unique position in
- 51:24Speaker 1: American criminal justice. It's too famous to ignore and too
- 51:28Speaker 1: compromised to solve, and most experts acknowledge that the case
- 51:31Speaker 1: will never be solved through conventional means. Physical evidence has
- 51:34Speaker 1: degraded beyond forensic usefulness. Witnesses have died, suspects had been
- 51:38Speaker 1: buried for decades, and legal standards have proved remain impossibly
- 51:42Speaker 1: high for circumstantial cases. But justice extends beyond legal conviction,
- 51:47Speaker 1: and Elizabeth shortz murder sparked improvements in crime scene preservation,
- 51:51Speaker 1: evidence handling, and media relations that have helped solve thousands
- 51:55Speaker 1: of subsequent cases. But at the end of the day,
- 51:57Speaker 1: the woman who wanted to be remembered as a famous
- 52:00Speaker 1: actress became America's most famous murder victim instead. But I'm
- 52:05Speaker 1: going to choose to remember her as Betty, the girl
- 52:08Speaker 1: who chose to chase her dreams and had her life
- 52:11Speaker 1: taken away.
- 52:12Speaker 2: That is the end of the video.
- 52:15Speaker 1: If you want to give me any other cases to
- 52:17Speaker 1: deep dive into, let me know down below. I always
- 52:19Speaker 1: read your comments. This was kind of a little Saturday
- 52:22Speaker 1: bonus video was supposed to be short. It was not
- 52:26Speaker 1: in at all, so there was that, But I appreciate
- 52:29Speaker 1: you hanging around.
- 52:30Speaker 2: Please be safe out there and I will see you
- 52:32Speaker 2: a beautiful face in the next video. Okay, Bye,