Latest / The Bald Brothers Podcast / 136: Who Has The Better Rappers: NY vs. GA | #THEBALDBROTHERSPODCAST

Transcript

136: Who Has The Better Rappers: NY vs. GA | #THEBALDBROTHERSPODCAST · The Bald Brothers Podcast

• 0:00
  Speaker 1: All right, y'all, well up into the Ball Brothers podcast.
• 0:02
  Speaker 1: I'm Kevin State. These episodes are now produced by ma
• 0:05
  Speaker 1: Queeda Bradley, black woman's in charge on the ones and twos.
• 0:07
  Speaker 1: If you like the episodes, now I know you do,
• 0:09
  Speaker 1: it's because a black women and setting them up. My
• 0:11
  Speaker 1: son's here, what's up saying? All right?
• 0:14
  Speaker 2: Cool them?
• 0:15
  Speaker 3: All right?
• 0:15
  Speaker 2: Man?
• 0:15
  Speaker 1: Today we're doing top No, No, we're not doing this. Today,
• 0:20
  Speaker 1: we're doing who has better rappers? New York or Georgia? Ay,
• 0:26
  Speaker 1: the full Georgia. And then are we doing New York
• 0:30
  Speaker 1: including state safer state, State for the state, Griselda in here, Buffalo.
• 0:38
  Speaker 2: Okay, Then you get Yonkers, you got you know.
• 0:42
  Speaker 1: But that's all New York City is.
• 0:45
  Speaker 2: New York is different.
• 0:47
  Speaker 1: But that's all the bros. You're talking about New York.
• 0:48
  Speaker 1: It's not a boo. You're right, Yonkers is the city. Okay,
• 0:53
  Speaker 1: then go Tony you kick it off hip hop impresario
• 0:58
  Speaker 1: because you know me and hip.
• 0:59
  Speaker 4: Hop about the notorious b I g out the gate,
• 1:02
  Speaker 4: out the gate, I'm coming out swinging.
• 1:05
  Speaker 2: I'm coming out swinging.
• 1:07
  Speaker 4: You you you better come with out cast and you
• 1:10
  Speaker 4: better go home.
• 1:11
  Speaker 1: Well I'm not trying to go group when you go group,
• 1:13
  Speaker 1: or I can go wherever I go when I go.
• 1:16
  Speaker 2: You know what I'm saying?
• 1:18
  Speaker 4: Oh we all Yeah, I forgot about groups and stuff,
• 1:20
  Speaker 4: all right, So solo, give me a solo.
• 1:21
  Speaker 1: Okay, I'm gonna go solo.
• 1:23
  Speaker 3: Man.
• 1:23
  Speaker 1: You know if you go.
• 1:24
  Speaker 2: Tory is big, notorious b I.
• 1:26
  Speaker 1: I'm going to King of the South Tip.
• 1:31
  Speaker 2: Okay, that's good.
• 1:33
  Speaker 1: He deep in his category, deep on the feature.
• 1:36
  Speaker 4: Ain't no slou, I ain't no slout, absolutely not t
• 1:40
  Speaker 4: I funny is enough.
• 1:41
  Speaker 1: Melissa's mom super saved. We couldn't. Melissa's mom got mad
• 1:45
  Speaker 1: at me for letting the pastor listen to I was
• 1:48
  Speaker 1: listening to Jackson five compilation album in my car right
• 1:52
  Speaker 1: gave my pastor rise. She was mad, like, you shouldn't
• 1:55
  Speaker 1: have you shouldn't You should only listen to gospel if
• 1:57
  Speaker 1: you have the pastor, And I was like, it was
• 1:59
  Speaker 1: a Jackson five. Yeah, boo baby, give me one more chance.
• 2:02
  Speaker 1: He was singing. Years later, you know who the album
• 2:06
  Speaker 1: she got in the back of her car t t I.
• 2:08
  Speaker 1: I said, now you was, and I called her on it,
• 2:10
  Speaker 1: may Queena, I said, you were talking about Bubba gum
• 2:14
  Speaker 1: Jackson five BC, and you listened to the King of
• 2:17
  Speaker 1: the South, he'd be cussing by that time. That's t
• 2:22
  Speaker 1: I's range. He pulled Melissa's mom out of salvation and
• 2:26
  Speaker 1: she couldn't stand at Jackson five. Now she got t
• 2:28
  Speaker 1: I's album in the back and she she's just like I,
• 2:30
  Speaker 1: just like rubber band man.
• 2:33
  Speaker 4: Do you even know about how you know about that?
• 2:36
  Speaker 4: Even though it's a song? If you all look at these, yeah, how.
• 2:41
  Speaker 1: You know about that? She loved that Rihanna what was
• 2:46
  Speaker 1: the Rihanna t I song? Live Your Life? So t
• 2:54
  Speaker 1: I is the one that brought her out of salvation.
• 2:56
  Speaker 1: All right, you're up, Tupacs, You're cool. You count him
• 3:00
  Speaker 1: from You be arguing even though most of his stuff
• 3:03
  Speaker 1: was California, you be arguing that he's from New York,
• 3:06
  Speaker 1: from New York. But he got he got his big stuff.
• 3:08
  Speaker 1: He was California.
• 3:11
  Speaker 2: He's from New York.
• 3:16
  Speaker 1: No, people always argue about this.
• 3:20
  Speaker 2: Remember what we talked about.
• 3:21
  Speaker 5: You said, it doesn't matter where they're from what they're
• 3:23
  Speaker 5: known for.
• 3:24
  Speaker 1: And he known for her. He was on the West coast,
• 3:27
  Speaker 1: of the West Coast.
• 3:28
  Speaker 4: He didn't start he didn't start being ultra West Coast
• 3:30
  Speaker 4: until he got shot up in New York because he
• 3:33
  Speaker 4: was he was a regular rapper before. He's from New York.
• 3:38
  Speaker 4: He used to be MC. His first rap name was MC,
• 3:41
  Speaker 4: New York. They say that when he got to Cali.
• 3:43
  Speaker 4: Really yeah, he used to go by m C.
• 3:45
  Speaker 2: New York.
• 3:46
  Speaker 1: God, I didn't know about.
• 3:48
  Speaker 4: Yeah, probably like once he got to Cali because he
• 3:53
  Speaker 4: moved to California till he was seventeen.
• 3:56
  Speaker 2: So huh, he's in Baltimore.
• 3:59
  Speaker 3: He left.
• 3:59
  Speaker 4: He left New York when he was fourteen, in Baltimore,
• 4:02
  Speaker 4: then Cali. Alright, so he was about seventeen when he
• 4:04
  Speaker 4: got the Cali.
• 4:07
  Speaker 2: All right, so what say you? Tupac?
• 4:15
  Speaker 1: He shot him, but he from New York. I'm gonna
• 4:24
  Speaker 1: go Future man, Dirty Soda in the style from Future
• 4:30
  Speaker 1: is a legend in the strip club. In the club
• 4:36
  Speaker 1: Dirty Soda in the stile from I personally could never
• 4:40
  Speaker 1: listen to a Future song, but people who love future
• 4:43
  Speaker 1: free bands Future.
• 4:45
  Speaker 4: All right, I'm gonna take Tupac off you. I'm gonna
• 4:49
  Speaker 4: take him off. I'm gonna do jay Z instead of
• 4:52
  Speaker 4: the pot.
• 4:52
  Speaker 1: All right, cool, I'm gonna go g z.
• 4:55
  Speaker 2: Oh jay Z Jes Z.
• 5:00
  Speaker 3: Need to say more.
• 5:03
  Speaker 2: Jesus j Z J jes.
• 5:08
  Speaker 1: Before he got started going by Jay, he was I'm
• 5:11
  Speaker 1: talking about the glasses man, snowman, snow clothes was big
• 5:15
  Speaker 1: selling drugs. I'm selling drugs. What it do?
• 5:22
  Speaker 2: What the business is? Word on the street. Jesus no name.
• 5:27
  Speaker 1: Jeszu has one of my favorite rap voices. He has
• 5:34
  Speaker 1: a great just a fantastic rap voice, like, oh you
• 5:38
  Speaker 1: know that's j Z. He don't sound like nobody else. Uh,
• 5:43
  Speaker 1: let's get it. Thug motivation. That was the kickoff drumb motivation.
• 5:49
  Speaker 2: I'm gonna go.
• 5:52
  Speaker 3: Ll cool ship.
• 5:53
  Speaker 1: That's what I was saying. Come on, man is hard man.
• 6:00
  Speaker 1: They gave me New York man. I'm scrawling, big scrawl.
• 6:04
  Speaker 1: I ain't got nothing for LLL Cris. You already use
• 6:09
  Speaker 1: your t right, No, I was, you're pulling spaces out
• 6:14
  Speaker 1: on the third hand. Balloons. Now I'm going ludle Chris.
• 6:19
  Speaker 1: I'm going luder man. I like Luda good pictures, Lovers
• 6:24
  Speaker 1: and Friends, balloons okay, right, Chicken and beer man, Chicken
• 6:30
  Speaker 1: beer balloons man, Okay, I'm born balloons man. New York
• 6:38
  Speaker 1: don't have I mean, Georgia don't have no rapper from
• 6:41
  Speaker 1: who was in the eighties. They the beginning, yeah, it
• 6:47
  Speaker 1: was all they really was like mid nineties and then
• 6:50
  Speaker 1: like outcast. So I've got something to say from then
• 6:53
  Speaker 1: on they jumped off. They don't have a like old head,
• 6:57
  Speaker 1: notable rapper who's been around as long as LL cool
• 7:01
  Speaker 1: J has been around. He's still from the beginning of him.
• 7:04
  Speaker 1: Mama said, knock you out. He's kango him and the
• 7:07
  Speaker 1: Beastie Boys on tour at the same time, not together
• 7:10
  Speaker 1: like they torn at the same time. That's where you have.
• 7:12
  Speaker 1: New York has the birthplace of hip hop. They got that.
• 7:14
  Speaker 1: It's hard to argue time wise with them because they
• 7:17
  Speaker 1: started there is inspired.
• 7:23
  Speaker 5: Boom celebration and they surprised him and he looked like
• 7:29
  Speaker 5: he almost cried like he was he was like, this is.
• 7:31
  Speaker 4: The person Yes, yes, legacy, legacy, legacy. I'm gonna give
• 7:38
  Speaker 4: you personality and bars okay, bust the rhymes.
• 7:44
  Speaker 1: Really should have war Ludacris now because he had the personality.
• 7:47
  Speaker 1: He's the one that had the big shoes and stuff.
• 7:51
  Speaker 4: Those two manch I already used that carre.
• 7:58
  Speaker 1: All right, man, okay, okay, I mean let me just
• 8:16
  Speaker 1: say this because he been rhymes. He he got the
• 8:19
  Speaker 1: he has the what was the group he was with
• 8:22
  Speaker 1: leaders of the New School Man he got stuff there.
• 8:25
  Speaker 4: It's just another case of that old beat.
• 8:32
  Speaker 2: Who you said you got the killer features.
• 8:35
  Speaker 6: Bust rhymes, Come on here, help me man A little John,
• 8:45
  Speaker 6: little John.
• 8:45
  Speaker 1: He was just yelling and stuff. Not just yelling and stuff.
• 8:50
  Speaker 1: But you know what I'm saying, to change, I was
• 8:52
  Speaker 1: gonna say two change too. It's personality. It ain't a
• 8:55
  Speaker 1: one to one correlation, but to changes, you get it
• 9:00
  Speaker 1: a mere yeah, okay, boy ten boar. Ever since he
• 9:04
  Speaker 1: changed with Tenny Boy and two Chains, he's been rapping
• 9:07
  Speaker 1: like his podcast with his son, and it's on a
• 9:08
  Speaker 1: wholesome tip.
• 9:10
  Speaker 2: All right, go ahead, all right, I'm gonna I'm gonna
• 9:13
  Speaker 2: group it up. Here we go.
• 9:14
  Speaker 1: Nah Now I've been waiting for this. You go Woo
• 9:17
  Speaker 1: tang Wo tang our cast.
• 9:21
  Speaker 2: Okay, all right now we're cooking.
• 9:23
  Speaker 1: But I'm taking our casts over, wag.
• 9:27
  Speaker 4: I'm taking now now we're talking, no breaking. You can't
• 9:34
  Speaker 4: break into the all little splinter divisions. We're talking about
• 9:37
  Speaker 4: our cast. Just just group, just group for group.
• 9:40
  Speaker 1: You can't go man the Man, Red Man, Red Man's
• 9:43
  Speaker 1: not in Wu tang I was.
• 9:45
  Speaker 2: I was just checking.
• 9:46
  Speaker 1: I was just Man's but you said red Man, Well
• 9:49
  Speaker 1: you if you're gonna splinter off the group, you're gonna
• 9:51
  Speaker 1: you ain't gonna exclude.
• 9:53
  Speaker 2: Let's go and exclude their solo albums.
• 9:57
  Speaker 1: Our Cast and then also, I'm going B boys and
• 10:00
  Speaker 1: solo rapper. I'm boring Andre three. I can't do it.
• 10:03
  Speaker 1: I need it for the South. I personally need it.
• 10:06
  Speaker 1: I need to be able to say Andre three thousand.
• 10:08
  Speaker 1: Okay he had a solo speakerbox Love below that was
• 10:12
  Speaker 1: so long in the double disc Come Together, okay't big
• 10:15
  Speaker 1: boy me robbing Sleepy Brown? A tribe called quest Migos. Okay,
• 10:22
  Speaker 1: I'm going migo Okay, Okay, I ain't listening on no
• 10:25
  Speaker 1: tribe in the club. But I'm listening to me in
• 10:29
  Speaker 1: the club. But if I were, you know, and I
• 10:32
  Speaker 1: got yell left my walle Nelson goondale, I heard it.
• 10:34
  Speaker 1: I was before, but I'm listening to I want to
• 10:38
  Speaker 1: be doing this.
• 10:38
  Speaker 2: I'm gonna give you another group. See if you come
• 10:41
  Speaker 2: with another group from the South, which you.
• 10:43
  Speaker 1: Can, Yeah, the Locks, money power and spread all right, Okay,
• 10:50
  Speaker 1: if you go the Locks, I'm gonna goodie mine.
• 10:55
  Speaker 2: There we go. I'm gonna go now we cook see.
• 10:57
  Speaker 1: Low big Okay, Kujoe t you remember, Oh cool Breeze.
• 11:05
  Speaker 2: Yeah, cuss for the hooks.
• 11:06
  Speaker 1: Dungeon Faster, dungeon family right there, Man, get some.
• 11:10
  Speaker 3: Soul food where.
• 11:14
  Speaker 2: I'm gonna gone.
• 11:15
  Speaker 1: Okay, get goodie mon was legit goodie man.
• 11:19
  Speaker 2: I'm going Curtis fifty cent Jackson.
• 11:22
  Speaker 1: Okay, hardly anybody can compare him to his debut. He
• 11:28
  Speaker 1: blew everybody off the map. All right, but since I
• 11:33
  Speaker 1: got a goal.
• 11:34
  Speaker 2: You're bringing future back into the fold.
• 11:39
  Speaker 7: O.
• 11:40
  Speaker 2: Man that ha come with a heavy wheet.
• 11:43
  Speaker 1: I was gonna go Gucci mane, I was gonna go Gucci.
• 11:47
  Speaker 3: Man.
• 11:47
  Speaker 1: Put that nigga in the dirt. He was chirpping on
• 11:50
  Speaker 1: that versus.
• 11:51
  Speaker 4: He got Gucci, He got the fifty energy, he got
• 11:54
  Speaker 4: the as a human.
• 11:56
  Speaker 2: He didn't want matches energy wise. Yeah.
• 11:59
  Speaker 1: He Gucci was releasing music. Okay, he had the ice
• 12:05
  Speaker 1: cream on his face. He did Gucci, and I saw
• 12:09
  Speaker 1: him at the hotel and in Hawaii he gave me
• 12:11
  Speaker 1: the black iy head.
• 12:12
  Speaker 3: No.
• 12:13
  Speaker 1: Him and Keisha was walking down the hallway. I was like,
• 12:16
  Speaker 1: I was up. Gucci was what's up? I was like, Okay,
• 12:19
  Speaker 1: guch Gucci.
• 12:22
  Speaker 2: All right, so I.
• 12:27
  Speaker 1: I know who I should have went with? Bus Arrives.
• 12:31
  Speaker 1: You're gonna think I'm joking, but I'm not. Go ahead,
• 12:34
  Speaker 1: who you got left solo?
• 12:35
  Speaker 3: A group?
• 12:35
  Speaker 1: I'm bringing a woman into the fold. Okay, I got
• 12:39
  Speaker 1: a woman Nicki Minna. I'm gonna go to Bratt. Okay,
• 12:43
  Speaker 1: I'm gonna go to Bratt. I was in love with.
• 12:48
  Speaker 2: From Chicago.
• 12:49
  Speaker 1: But yeah, she was coming out with so so deaf.
• 12:52
  Speaker 1: Don't try I'm trying to get a portion of it
• 12:55
  Speaker 1: man from Bratt. I I love her subject matter, cadence, personality, bravado, braids.
• 13:08
  Speaker 1: Don't get her just do she really don't? She can rap?
• 13:12
  Speaker 1: Oh man, she was killing I love the Brat. Okay,
• 13:16
  Speaker 1: I'm gonna go this.
• 13:18
  Speaker 2: That was good.
• 13:18
  Speaker 1: That was yeah the Brat.
• 13:20
  Speaker 2: That was a good pair of.
• 13:22
  Speaker 1: Over the Brat. No hell no man, oh from oh
• 13:29
  Speaker 1: they trying not to keep man. Watch out, man the Brat.
• 13:32
  Speaker 1: Watch out. She was doing all the social death stuff.
• 13:35
  Speaker 1: She was in Atlanta. Man, watch out, you're from Chicago.
• 13:37
  Speaker 1: Well us, she was born in Chattanooga.
• 13:40
  Speaker 2: It's not born she's from Chicago.
• 13:43
  Speaker 1: Like how from Manda Brat, Manda Brat. I'm going up
• 13:49
  Speaker 1: against New York with Justin Georgia, the Brat man Earl
• 13:55
  Speaker 1: d NA Simmons. Okay, and I got the perfect foil. Okay,
• 13:58
  Speaker 1: you want to go DNA Soldier Boy.
• 14:02
  Speaker 2: What the hell?
• 14:03
  Speaker 1: These boy changed the game with rap? He can Okay,
• 14:11
  Speaker 1: you crank that. He had the kids going, okay, he
• 14:16
  Speaker 1: gave Drake. Drake was copying Soldier Boy. Soldier Boys a
• 14:19
  Speaker 1: pioneering rap music. All right, you got you know what
• 14:22
  Speaker 1: I'm saying. He was. Come on, y'all, come on, give
• 14:26
  Speaker 1: me something, y'all give me, give me.
• 14:33
  Speaker 2: New Yorker's tongue.
• 14:35
  Speaker 1: Man, what you want me to do with the New
• 14:37
  Speaker 1: York Soldier Draco Drake, you gotta go sell and DMX
• 14:44
  Speaker 1: then first two out let him out?
• 14:45
  Speaker 2: Come on, man, you know what I'm saying.
• 14:47
  Speaker 1: Soldier Boy, y'all remember yes, Big Draanco, Marquita break the
• 14:56
  Speaker 1: Soldier Boy, Big Draco. I mean, I can say killer Mike,
• 15:00
  Speaker 1: but man, you're gonna bring in the album selves and
• 15:02
  Speaker 1: cultural impact. You're talking about DMX.
• 15:08
  Speaker 2: Oh bow wow.
• 15:10
  Speaker 1: I think about.
• 15:11
  Speaker 2: Hit her from he from Ohio.
• 15:15
  Speaker 1: From listen, I listened to a song about song. He
• 15:20
  Speaker 1: wasn't raised in Atlanta, that corrupt. Yeah, he's just man.
• 15:23
  Speaker 1: Culturally he was.
• 15:24
  Speaker 5: He was snoops Atlanta was thirteen when his first album
• 15:29
  Speaker 5: came out.
• 15:30
  Speaker 8: He was already in Atlanta.
• 15:31
  Speaker 1: There you go.
• 15:32
  Speaker 2: But how long for the rest of his career?
• 15:36
  Speaker 1: Now?
• 15:36
  Speaker 2: When he get this to.
• 15:37
  Speaker 5: Atlanta to j Yeah, like in the industry was.
• 15:43
  Speaker 1: Yeah, I learn verse about that Ohio to the West Coast?
• 15:47
  Speaker 2: How old was he when he got to Atlanta?
• 15:49
  Speaker 1: Thirteen eleven? Then Corrupt wrote a little bow wow verse
• 15:56
  Speaker 1: and I heard her. I said, hey, y'all, I'm so glad.
• 15:59
  Speaker 1: Hey y'all want to filthy?
• 16:01
  Speaker 2: Oh my corrupt this filthy tone. I was like, corrupt
• 16:04
  Speaker 2: this big film.
• 16:07
  Speaker 1: I want to take a quick break from the show
• 16:08
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  Speaker 1: by plan. And now back to the show. Okay, all right, okay,
• 17:42
  Speaker 1: I'm bringing bat.
• 17:43
  Speaker 4: So he's in Atlanta. But y'all not giving Poc New York
• 17:46
  Speaker 4: even though he was born and raised in New York.
• 17:49
  Speaker 4: But then, but then nobody, nobody, who ever wants to
• 17:53
  Speaker 4: give it up.
• 17:54
  Speaker 2: Nobody ever wants to give Poc up. But he's from
• 17:57
  Speaker 2: New York.
• 17:59
  Speaker 1: You think, oh no, he's born ninety.
• 18:03
  Speaker 2: I'll get the bow Wow because he was little.
• 18:07
  Speaker 1: Seven.
• 18:09
  Speaker 2: First comes up.
• 18:11
  Speaker 5: Thousand and then he goes all the way into two
• 18:15
  Speaker 5: thousand nine.
• 18:17
  Speaker 2: Yes, yes, yeah, listen, you got you got claims in
• 18:19
  Speaker 2: Atlanta for sure.
• 18:20
  Speaker 1: Bow Wow was like six or seven. Oh my god,
• 18:23
  Speaker 1: corrupt wrote this morning. But I heard this on TikTok
• 18:26
  Speaker 1: a watercase. I said, hey, y'all, time out. This is crazy,
• 18:29
  Speaker 1: all right. It is so West coast. It's so West coast.
• 18:39
  Speaker 8: Little you want to six trains little in the morning
• 18:43
  Speaker 8: away from a doe jobs. So I get stressed and
• 18:48
  Speaker 8: make sure gay my mother like my bosday, I'll say,
• 18:53
  Speaker 8: whilst d oh damn you can And when at first
• 19:00
  Speaker 8: saying it couldn't be that chees and I'm like, so
• 19:02
  Speaker 8: you think it was you ain't want to miss fast and.
• 19:07
  Speaker 1: Was mister pumping every day. But I gotta make your please.
• 19:15
  Speaker 1: I'm not everything young Young When the ring nigh, J
• 19:26
  Speaker 1: was like, what if we just said a little bout wow?
• 19:30
  Speaker 1: You just don't know, right, because it is just gonna
• 19:34
  Speaker 1: be kids. This d was cussing and killing that as
• 19:38
  Speaker 1: a baby.
• 19:39
  Speaker 2: That's crazy.
• 19:40
  Speaker 1: Wasp wrote that for him. You can't tell him he
• 19:42
  Speaker 1: wasn't rapping. No, you had flow, all right?
• 19:46
  Speaker 2: Is that that's yeah?
• 19:50
  Speaker 1: You didn't even go with crime Mom.
• 19:52
  Speaker 2: Man, that's like a couple of songs.
• 19:55
  Speaker 1: You want me go Woo tank planing and crime Mom? Wrong?
• 20:00
  Speaker 3: Uh?
• 20:02
  Speaker 1: I said, oh Atlanta, Yes, I don't. I don't think
• 20:09
  Speaker 1: I knew that really he ruled Atlanta. I just thought
• 20:16
  Speaker 1: it was because he was it was based in Atlanta.
• 20:20
  Speaker 1: Little all right, y'all, God bless you. This nigga was
• 20:24
  Speaker 1: saying L L D m X bust rhymes you.
• 20:27
  Speaker 2: Already there's a lot of Georgia artists.
• 20:29
  Speaker 1: He can say a little scrappy, no disrespect.
• 20:33
  Speaker 2: There's a lot of Georgia rappids. He could have said
• 20:35
  Speaker 2: that he was just trying to match.
• 20:37
  Speaker 1: Yeah, I could have went that James Soldier boy, man,
• 20:47
  Speaker 1: little baby, I don't know a little babies music like that,
• 20:50
  Speaker 1: an you, I could even at least argue for Soldier
• 20:53
  Speaker 1: boy A little baby is young. All right, man, let's
• 20:55
  Speaker 1: move on man. Next time, I get the good city
• 20:57
  Speaker 1: with the hard stuff man. Top teen Gospel album people
• 21:00
  Speaker 1: from Mississippi versus Georgia, Who you got I got? BBC?
• 21:06
  Speaker 1: Here we go, fred Hem, all right, here we go.
• 21:09
  Speaker 1: We're gonna go top ten Janet Jackson. Now this is
• 21:14
  Speaker 1: tough because obviously she got way more than ten. But
• 21:18
  Speaker 1: that ain't the point. It's supposed to be hard.
• 21:21
  Speaker 2: We're doing any order, any order.
• 21:24
  Speaker 1: I mean, you go anyplace. Yeah, we just gotta get
• 21:28
  Speaker 1: them on songs.
• 21:30
  Speaker 2: Take the videos out. We make the song, all right.
• 21:34
  Speaker 1: I mean, the video can help if you want to
• 21:35
  Speaker 1: make your man.
• 21:36
  Speaker 2: We're doing all pure songs. Okay, that's the way love goes.
• 21:40
  Speaker 2: Got to be in there.
• 21:41
  Speaker 3: Yeah.
• 21:41
  Speaker 2: I love that song. It makes me feel it's so breezy. Man,
• 21:50
  Speaker 2: this song is beautiful to me.
• 21:51
  Speaker 1: Like any order, any order, I'm gonna just go. This
• 22:02
  Speaker 1: is iconic pleasure principle. Oh I'm gonna go. Pleasure principal man,
• 22:09
  Speaker 1: that's that's iconic pleasure. You've got to go pleasure principal.
• 22:15
  Speaker 2: All right, So.
• 22:17
  Speaker 4: I'm gonna throw this in there. It personally makes me
• 22:19
  Speaker 4: feel a lot of first songs make me feel good.
• 22:21
  Speaker 2: I'm gonna say that often.
• 22:23
  Speaker 1: Escapade. I was gonna go Escapade. Escapade is a good time.
• 22:27
  Speaker 1: Escapade is a good where it's behind Yeah, and Escapaye.
• 22:41
  Speaker 2: Get hung a week.
• 22:44
  Speaker 1: Yeah, all right, I'm gonna go, great song, great sample, anytime.
• 23:03
  Speaker 2: That's good. I'm gonna go.
• 23:10
  Speaker 1: Let's wait. Everything I'm kind of sounds like what was going.
• 23:20
  Speaker 2: We go too fun man. A lot of a lot
• 23:24
  Speaker 2: of women stole from Janet. Man.
• 23:26
  Speaker 1: Yeah, all right, I'm gonna go, miss you much, miss
• 23:33
  Speaker 1: your man, miss humor. I'm rushing home just as soon
• 23:41
  Speaker 1: as I get it.
• 23:42
  Speaker 2: That's all.
• 23:42
  Speaker 4: I was singing in my colonoscopy where before I passed out.
• 23:46
  Speaker 4: What it was, it was like it was like if
• 23:49
  Speaker 4: you know the song singing. I was like, I'm rushing
• 23:51
  Speaker 4: home just as soon as I get in.
• 23:54
  Speaker 2: Woke up in another room. I was like a mister
• 23:58
  Speaker 2: Janet concert. It was just it's like passing out. I
• 24:02
  Speaker 2: was out of here immediately.
• 24:04
  Speaker 1: Oh my god.
• 24:06
  Speaker 2: It was crazy. Okay, miss you much. All right, I'm
• 24:10
  Speaker 2: gonna go with let's see. Oh that's a good one too.
• 24:17
  Speaker 2: I'm gonna go with I get so lonely, I get.
• 24:26
  Speaker 1: Every song that I've been looking at, picking the last three.
• 24:30
  Speaker 1: Tony Baker has said, you are big down bag Dawn.
• 24:48
  Speaker 1: All right, I'm gonna go.
• 24:53
  Speaker 7: Man.
• 24:56
  Speaker 1: We're not saying videos now.
• 24:58
  Speaker 2: No videos. Control, okay, control. I wouldn't all about control.
• 25:08
  Speaker 3: Man.
• 25:08
  Speaker 1: She had such an error, man, I'm telling you, man
• 25:11
  Speaker 1: far somebody made this claim. I remember who said it,
• 25:14
  Speaker 1: that she would be much more respected if she wasn't
• 25:16
  Speaker 1: Michael Jackson.
• 25:17
  Speaker 2: I said that.
• 25:17
  Speaker 1: I thought it was you. Yeah, it was a great claim.
• 25:20
  Speaker 4: If her brother wasn't Michael Jackson, she was getting much
• 25:24
  Speaker 4: more props.
• 25:24
  Speaker 3: Out of here.
• 25:25
  Speaker 1: She's compared to Michael Moore because of the relation.
• 25:28
  Speaker 4: If she was just in the world, just Janet McGee,
• 25:33
  Speaker 4: she was just Janet McGee with the level of videos
• 25:36
  Speaker 4: and hits that she had.
• 25:38
  Speaker 1: Janney McGee, y'all Cleveland McGee.
• 25:44
  Speaker 2: Absolutely, because her run is crazy.
• 25:46
  Speaker 1: Yeah, for sure, it's a good claim. Ton I remember
• 25:49
  Speaker 1: who taught me stuff, but I knew I didn't say it.
• 25:53
  Speaker 2: I said that, all right, I.
• 25:54
  Speaker 1: Want to take a quick bak from the show to
• 25:55
  Speaker 1: talk about one of our sponsors, meant Mumble. Now that
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  Speaker 1: to the show.
• 27:57
  Speaker 2: All right, so my going through these my personal picture.
• 28:00
  Speaker 2: I'm not going it's.
• 28:01
  Speaker 1: Your personal man, who cares what the people say? They
• 28:04
  Speaker 1: gonna get mad anyway.
• 28:08
  Speaker 4: I'm gonna go this song just it gets the emotions.
• 28:13
  Speaker 4: So I'm gonna go together again together again, Yes, yeah.
• 28:19
  Speaker 1: I love that one. I'm gonna go what have you
• 28:22
  Speaker 1: done for me lately?
• 28:24
  Speaker 2: Have you done for me lately?
• 28:29
  Speaker 3: Yeah?
• 28:30
  Speaker 1: Sisteract two? What have you done for me lately? We
• 28:35
  Speaker 1: over everything so we see the cultural relevance. Man, what
• 28:41
  Speaker 1: have you done for me lately?
• 28:42
  Speaker 2: Anyway? Janet Janet got other songs and easily.
• 28:48
  Speaker 1: We need do rhyomation. It's the video if all.
• 28:52
  Speaker 2: For you, It's come back to me, I say, come
• 28:57
  Speaker 2: back to me all the time.
• 29:01
  Speaker 1: Scream is more of a video than a song.
• 29:03
  Speaker 2: Got it is gone.
• 29:04
  Speaker 4: I don't like Scream. I'm gonna tell y'all straight up.
• 29:08
  Speaker 4: I'm gonna look dead into the camera. Man, Scream didn't
• 29:12
  Speaker 4: do it for me as a song.
• 29:15
  Speaker 2: I'm never queuing it out.
• 29:16
  Speaker 4: She was like, skip, Scream is a skip coming here,
• 29:27
  Speaker 4: yelling like that guitar going all hard. I'm out I
• 29:34
  Speaker 4: was pissed if that was the song that skip before
• 29:42
  Speaker 4: the turn it off.
• 29:45
  Speaker 1: Michael was doing the every.
• 29:47
  Speaker 2: Stop pressure in me.
• 29:48
  Speaker 4: Yeah, get the glasses breaking and the pots falling down
• 29:51
  Speaker 4: the steps and somebody, yeah engine in the color. I
• 29:56
  Speaker 4: like a lot of noises in my Man production got
• 30:00
  Speaker 4: too busy when he got older. Once he left with
• 30:03
  Speaker 4: Quincy Quincy, Man, I need some more noises in this production.
• 30:06
  Speaker 4: He was like, but Michael, it's not gonna work when
• 30:09
  Speaker 4: I'm out Teddy riley, teddy, c realchitch round, real around ship.
• 30:19
  Speaker 4: Bring can get the get the candy, Yeah that I want? Yeah,
• 30:26
  Speaker 4: put that in there. I'm like, damn it, Michael, the
• 30:32
  Speaker 4: canon there, man, he heard it in the studios. One
• 30:35
  Speaker 4: of the engineers like, who was that?
• 30:38
  Speaker 1: Put that in the track?
• 30:40
  Speaker 3: Put that?
• 30:42
  Speaker 2: No, no, no, pick it up?
• 30:44
  Speaker 1: Drop it again, boom now replicate that.
• 30:47
  Speaker 2: I'm like, man, come on, man, no, no, turn it up.
• 30:53
  Speaker 2: Actually was that horns honking outside? Bring those taxis in, Like,
• 30:57
  Speaker 2: come on, there's too much going on.
• 31:01
  Speaker 1: Many this on his Instagram story one time, and I
• 31:05
  Speaker 1: was like, dang, he said, man, these are the busy beats. Man,
• 31:09
  Speaker 1: Mike gonna have the busy beats going at.
• 31:13
  Speaker 2: The construction site. I'm like, Jesus, man, it's too much
• 31:18
  Speaker 2: going on.
• 31:19
  Speaker 1: Okay, I'm sorry, Mike, is it's true. I'm sorry. All right,
• 31:24
  Speaker 1: we're doing we're finishing an episode off with this, this
• 31:27
  Speaker 1: or that. Actually pick your vibes, all right. These two
• 31:30
  Speaker 1: songs have similar themes. All right, Tony, we're gonna pick
• 31:33
  Speaker 1: which one we feel like. Okay, First up, Candy Rain,
• 31:39
  Speaker 1: so for real, Candy Girl.
• 31:41
  Speaker 2: New Edition, Oh, Candy Girl, or my.
• 31:51
  Speaker 1: Dude, this is hard jeez, Candy Yo.
• 32:01
  Speaker 2: This same my Candy Ray, Candy Ring.
• 32:08
  Speaker 1: I'm picking Candy Rain, so you give yourself.
• 32:16
  Speaker 4: Candy Girl, don't give me Candy Girl, go hard, but
• 32:19
  Speaker 4: Candy Rad Candy Ring, something special?
• 32:21
  Speaker 2: All right?
• 32:22
  Speaker 1: Next up, cater to You, Okay, Destiny's Child or Shanty's
• 32:27
  Speaker 1: Got a Man at Home? Shante Moore, Shante More.
• 32:32
  Speaker 2: She slept On, by the way, that precious album, Very
• 32:34
  Speaker 2: slept On.
• 32:35
  Speaker 1: That's a classic. She is the skips on that first album.
• 32:39
  Speaker 1: She's the best part of Baby Faces, Tiny Desk. Chantae
• 32:43
  Speaker 1: Moore was going smooth off. Oh man, they let her.
• 32:48
  Speaker 1: She was singing all his songs for everybody else.
• 32:50
  Speaker 4: Yeah killing Oh that's fine, Yeah, great, I'm gonna go that.
• 32:54
  Speaker 4: Being said, I'm picking thisty Child. Yeah that's all. Yeah,
• 33:05
  Speaker 4: I just wanted you to know I rocked with more heavy.
• 33:08
  Speaker 4: I just had to establish that cater to you. But
• 33:12
  Speaker 4: just Chante has got.
• 33:13
  Speaker 3: A man at home.
• 33:14
  Speaker 2: I just never liked it.
• 33:19
  Speaker 1: Yeah, man, but watch Man Destiny's Child. I wanted to
• 33:23
  Speaker 1: be on the BT Awards, Man, get magic out of here?
• 33:27
  Speaker 1: Was it magic? Terrence Howard? And who was the third dude?
• 33:32
  Speaker 2: What you're talking about?
• 33:33
  Speaker 1: The BT when the child did the performance?
• 33:37
  Speaker 2: It was they were doing it to them?
• 33:39
  Speaker 3: Yeah, it was magic?
• 33:40
  Speaker 1: Was it was it?
• 33:41
  Speaker 3: Nellie?
• 33:41
  Speaker 1: I think it was to you? Yeah? Yeah, anyway, I
• 33:46
  Speaker 1: wanted to get in Terrence Howard, any of y'all can go,
• 33:49
  Speaker 1: let me get in on this alright. Next, So Sick
• 33:53
  Speaker 1: Neo or we Can't be Friends? R L and Deborah Cox.
• 34:00
  Speaker 4: There were some vocal powerhouses and we can't be friends.
• 34:03
  Speaker 4: They was singing hard, hard, singing you little cost slot.
• 34:08
  Speaker 4: She's Canadian with the vocal, but that song Get the
• 34:12
  Speaker 4: hell up out of here, man, I'm going I'm going
• 34:15
  Speaker 4: so sick by Neo me it's more it's more listening, listenable. Sure,
• 34:20
  Speaker 4: I can run that bag more Man, we can't be
• 34:22
  Speaker 4: friends's just be like, all right, man, all right, well
• 34:25
  Speaker 4: then y'all can't be friends.
• 34:27
  Speaker 1: Think your grumpy all the time. It's really just how
• 34:30
  Speaker 1: you feel at the moment. Y'all can't be friends, and
• 34:33
  Speaker 1: just then just hush and then don't be friends. There
• 34:36
  Speaker 1: take the hell all right, because I don't want to
• 34:38
  Speaker 1: hear about the song after song. It's just one song.
• 34:40
  Speaker 1: If I just to it over and over and feels
• 34:42
  Speaker 1: like more y'all was never friends to begin with. That's
• 34:44
  Speaker 1: the problem. So Sick, it's just, uh, that's my that's
• 34:49
  Speaker 1: my favorite.
• 34:49
  Speaker 2: So Sick is a good time I can listen to.
• 34:53
  Speaker 1: Now that I'm alone.
• 34:55
  Speaker 2: Right now.
• 34:55
  Speaker 1: It says that the can't come through the phone, super
• 34:58
  Speaker 1: dope videop Williams the video within the video mountains in
• 35:02
  Speaker 1: the middle and then a little bit dig do too.
• 35:07
  Speaker 1: All right, he wasn't mad enough for me, Tony Braxton
• 35:11
  Speaker 1: and irreplaceable versus Beyonce. I already knew you don't know
• 35:15
  Speaker 1: where I'm going to know beyon Man not going Beyonce.
• 35:19
  Speaker 1: He wasn't mad enough for me. He's way more of
• 35:21
  Speaker 1: a song to me. I'm not I'm absolutely that's serious.
• 35:26
  Speaker 1: You get rid of yeah, Neo road he replaceable. Yeah,
• 35:29
  Speaker 1: you replacing, replacing. He wasn't man enough for me, really, Yes,
• 35:35
  Speaker 1: Tony Braxton was talking big trash on that song. Bro
• 35:39
  Speaker 1: she should have stole off on Tony Braxton. Oh when
• 35:42
  Speaker 1: you listen to that, I said, God damn Tony. Tony
• 35:46
  Speaker 1: Braxton was dropping her ovaries all over that song. Man,
• 35:51
  Speaker 1: move along, this little nigga.
• 35:52
  Speaker 2: He wasn't even mad.
• 35:53
  Speaker 1: Enough for me.
• 35:54
  Speaker 3: Moved.
• 35:55
  Speaker 1: She dropped more trash talk and irreplaceable.
• 35:58
  Speaker 2: She's getting rid of irreplaceable myself.
• 36:00
  Speaker 1: Yeah, Tony brox to the left, to the least, Tony
• 36:05
  Speaker 1: Broxen was grown woman talking trash on that.
• 36:08
  Speaker 2: Okay, I'm not mad.
• 36:09
  Speaker 1: He wasn't mad enough for me.
• 36:12
  Speaker 3: That all right?
• 36:13
  Speaker 1: Last up? All right, you are my Lady by Freddie Jackson,
• 36:17
  Speaker 1: My Lord Lady by D'Angelo, You my lady.
• 36:24
  Speaker 2: You my lady. I'm keeping D'Angelo you my lady. If
• 36:41
  Speaker 2: you go back to that, you're down playing the ladies.
• 36:43
  Speaker 1: Man, I'm gonna go to the ladies. We'll come back
• 36:45
  Speaker 1: to them.
• 36:46
  Speaker 2: Distract do child.
• 36:49
  Speaker 1: Yeah, child, Yeah, she's warm up, man, big divorce your man.
• 37:03
  Speaker 2: I'm surprised you picked this over here place.
• 37:05
  Speaker 1: Man, this is a jazz because you Beyonce McGee. No,
• 37:08
  Speaker 1: but this is Tony Boxing is in her best when
• 37:12
  Speaker 1: she's talking trash and Tony Baxon was when I was
• 37:16
  Speaker 1: a kid, I was like, god, no, that's a woman.
• 37:18
  Speaker 7: Yoah.
• 37:19
  Speaker 1: Of course Tony Braxon is a woman.
• 37:21
  Speaker 2: She emerged with that short hair. Class was you remember.
• 37:25
  Speaker 1: Where Chris j just thought she was. She thought Beyonce
• 37:28
  Speaker 1: was dressing like her for Halloween when she dressed like
• 37:30
  Speaker 1: Tony Praxton. Chris Jenner was like, thank you so much.
• 37:33
  Speaker 1: People are like, girl, she's Tony Braxton.
• 37:36
  Speaker 2: She was like, oh yeah, my bad job.
• 37:39
  Speaker 1: She tried to delete it, but it was too like
• 37:41
  Speaker 1: nigga larious, Like no, Chris Jenner for Halloween girls Tony
• 37:45
  Speaker 1: Braxton hilarious. She was like, oh but I had the shrut.
• 37:49
  Speaker 1: Was like, man, let me get the Chris Jinner going
• 37:52
  Speaker 1: absolutely not. The hair wasn't short enough for.
• 37:56
  Speaker 2: Me, Tony, but this is like, this is part of
• 38:01
  Speaker 2: my life. That lady go hardo.
• 38:04
  Speaker 7: Wow, wow bum bum god, my lady shout out to
• 38:10
  Speaker 7: rough you're my leady, dude, do do do.
• 38:22
  Speaker 2: Boot This is they were doing this video. They was
• 38:24
  Speaker 2: at the house for.
• 38:28
  Speaker 1: Woh woh, woh, woh, wow wow and as a matter
• 38:38
  Speaker 1: of fact, dudem doo doom boom do do do do
• 38:49
  Speaker 1: doo wow wow wow wow wow.
• 38:53
  Speaker 3: Lead you my leader, dude, due o my lead.
• 39:14
  Speaker 1: Y'all.
• 39:15
  Speaker 2: We love y'all.
• 39:17
  Speaker 1: We was in here. This is almost seven hours of
• 39:20
  Speaker 1: just being live. Some of us were here before we
• 39:22
  Speaker 1: went live.
• 39:23
  Speaker 3: It was an hour.
• 39:25
  Speaker 1: Some of us were here way after. Three out of
• 39:28
  Speaker 1: four of the people in this room, we're early that
• 39:30
  Speaker 1: on time, on time.
• 39:31
  Speaker 2: Some people left, y'all the lease.
• 39:35
  Speaker 4: Out of the two people in front of the camera,
• 39:38
  Speaker 4: one of them stayed with y'all the most.
• 39:40
  Speaker 1: Thank y'all. Then Patreon, y'all, y'all was rocking with us.
• 39:44
  Speaker 1: We love y'all. You're not on Patreon, you should be
• 39:48
  Speaker 1: support us, yes, because listen, podcasts don't pay like that,
• 39:52
  Speaker 1: all right, they don't.
• 39:55
  Speaker 4: Quity getting paid, Quity getting paid. The budget went up,
• 39:59
  Speaker 4: but the didn't do nothing.
• 40:01
  Speaker 1: We're taking a risk, real we hey, we but all this.
• 40:07
  Speaker 2: Is I love cooking with money well spent.
• 40:10
  Speaker 1: If we could have done this many Carson the cards
• 40:14
  Speaker 1: this right here, picking wag topics up like we got
• 40:17
  Speaker 1: car look at this, she asked her, a bitch, I forgot,
• 40:20
  Speaker 1: I said, this is when she was cooking up, she said, man,
• 40:24
  Speaker 1: and also the thinking time. This took time. Y'all don't
• 40:27
  Speaker 1: even see the full work, y'all. She got we gotta,
• 40:30
  Speaker 1: we got the study gud.
• 40:32
  Speaker 2: Yes, we got the study guy right here.
• 40:35
  Speaker 1: This she's done the pre work. Y'all help us help her,
• 40:40
  Speaker 1: because if it don't work with her, the whole thing's over.
• 40:43
  Speaker 1: And it ain't just gonna be now. We ain't going
• 40:45
  Speaker 1: my queen again. It's over. If it don't work here,
• 40:49
  Speaker 1: it don't work, Tony will still be, friends will still be.
• 40:53
  Speaker 1: But we'll argue about this in the text chat. If
• 40:57
  Speaker 1: it don't get a Patreon increase or we don't get
• 40:59
  Speaker 1: in the ads, it's all over. Figure out the rest
• 41:05
  Speaker 1: of your work week another way with black women. All right,
• 41:10
  Speaker 1: We love y'all. Will see y'all next time. Happy holidays
• 41:13
  Speaker 1: wherever the hell you are. This is coming out in
• 41:14
  Speaker 1: twenty twenty six. I might have a brand new car
• 41:19
  Speaker 1: or one leg. I don't know what day this airs,
• 41:22
  Speaker 1: but don't you have to go. God bless y'all will
• 41:24
  Speaker 1: see you, y'all. So I'm gonna