Latest / Revisionist History / Hitler’s Olympics, Part 3: Mustache to Mustache
Transcript
- 0:04Speaker 1: Pushkin October thirty first, nineteen thirty five, Park Avenue, mid Taiminhattan.
- 0:23Speaker 2: A great two friends from the Advertising Club of New
- 0:25Speaker 2: York City and present another interesting luncheon meeting of this organization.
- 0:30Speaker 1: The meal is served grilled Boston squad with Chris bacon
- 0:34Speaker 1: or breaded vealsteak Vienna style, followed by old fashioned strawberry shortcack.
- 0:41Speaker 1: The plates are cleared away. The president of the club
- 0:44Speaker 1: introduces the head table, a long row of distinguished gentleman,
- 0:48Speaker 1: and then the agenda of the day.
- 0:52Speaker 2: The Olympics to be held in Germany in nineteen thirty six.
- 0:57Speaker 2: Forgetting the thought of every nation the world over, it
- 1:05Speaker 2: seemed fitting then that we should go to our guest
- 1:09Speaker 2: of the day.
- 1:12Speaker 1: He gestures to a man sitting next to him with
- 1:14Speaker 1: a fabulous, thriving mustache, Charles Hitchcock Cheryl.
- 1:20Speaker 2: Why do we call on General Cheryl? First of all,
- 1:26Speaker 2: he's an athlete himself. He's probably the only man who
- 1:32Speaker 2: won seven intercillegiate championships while attending jail.
- 1:38Speaker 1: He lists Cheryl's many accomplishments, his time as a diplomat,
- 1:42Speaker 1: his training as a lawyer, his service in the New
- 1:46Speaker 1: York National guard.
- 1:47Speaker 2: Probably, though I should emphasize above everything else, the fact
- 1:51Speaker 2: that for fifteen years he's been a member of the
- 1:56Speaker 2: American Olympic Committee, in a nice little Olympic committee, and
- 2:03Speaker 2: we've asked him to come here to clear up the
- 2:06Speaker 2: fall which some feel exists about this nineteen thirty six
- 2:13Speaker 2: Olympic situation.
- 2:15Speaker 1: And there is no better man to clear up this
- 2:18Speaker 1: Olympic situation than Charles Hitchcock. Cheryl, of course, he opens
- 2:30Speaker 1: his Advertising Club talk with a joke.
- 2:34Speaker 2: Your president has spoken as though I was dead and
- 2:39Speaker 2: in a coffin, and he was speaking at the funeral.
- 2:45Speaker 2: He left out what I think is the most important
- 2:48Speaker 2: thing that he put and that is that I have
- 2:51Speaker 2: led the happiest life of anybody you ever met in
- 2:54Speaker 2: your life.
- 2:55Speaker 1: He beams, He looks around happily, his eyes twinkle. This
- 2:59Speaker 1: is his kind of room. He launches into a brief
- 3:03Speaker 1: and modest account of his sprinting accomplishments at Yale. He
- 3:07Speaker 1: speaks of his key role in the invention of the
- 3:10Speaker 1: crouching start on how the press love to talk about it.
- 3:13Speaker 2: I have a wife at pome So, sir, you've getched
- 3:16Speaker 2: the myathletic path. She says, why is it that whenever
- 3:20Speaker 2: you achieve anything, they must sprint half naked pictures of you?
- 3:29Speaker 1: And then Charles Cheryl tells the assembled group the story
- 3:33Speaker 1: of how he has rescued the Olympic Games from the
- 3:35Speaker 1: doubters and the naysayers, not once, but twice. Welcome to
- 3:44Speaker 1: episode three of Hitler's Olympics, our story about the nineteen
- 3:47Speaker 1: thirty six Games, the most important games in the history
- 3:51Speaker 1: of the Olympics. In the previous installment, we met our
- 3:54Speaker 1: would be hero, Charles Cheryl, who single handedly broken the
- 3:58Speaker 1: deal in Vienna, promise that he believed would save the
- 4:02Speaker 1: nineteen thirty six Olympics, a promise from the Nazis not
- 4:06Speaker 1: to exclude Jewish athletes from the Games. But now the
- 4:11Speaker 1: deal is imperiled, there are renewed calls for an Olympic boycott,
- 4:15Speaker 1: and our hero has been compelled once again to come
- 4:19Speaker 1: to the rescue. All human societies organize themselves into a pyramid,
- 4:30Speaker 1: with ordinary people at the bottom and elites at the top.
- 4:35Speaker 1: And the crucial thing about the world Charles Cheryl grew
- 4:38Speaker 1: up in America in the late nineteenth and early twentieth century,
- 4:41Speaker 1: is at the top of the pyramid is really really small.
- 4:45Speaker 1: It's a pinprick. It's basically rich white men. And if
- 4:50Speaker 1: you were all so handsome and a fraternity brother from Yale,
- 4:53Speaker 1: so much the better. Charles Cheryl was all those things.
- 4:58Speaker 1: He was at the very apex of the pinbrick. And
- 5:01Speaker 1: right from the beginning what distinguished Charles Cheryl was his
- 5:04Speaker 1: intuitive understanding of the rules that governed the top of
- 5:08Speaker 1: the pyramid, like, for example, never say a discouraging word
- 5:13Speaker 1: about another person in that tiny group at the very
- 5:16Speaker 1: very top. I'm reading to you now from Cheryl's unpublished memoirs,
- 5:21Speaker 1: where he recounts the story of the time he was
- 5:24Speaker 1: part of a group visiting the White House and presented
- 5:26Speaker 1: the first Lady, Grace Coolidge, with a bouquet of roses
- 5:30Speaker 1: that had been named in her honor. I did this,
- 5:34Speaker 1: Cheryl writes, with the comment that the presentation of coolidge
- 5:38Speaker 1: roses to missus Coolidge was but holding the mirror up
- 5:42Speaker 1: to nature. She replied, not exactly, because the roses are blondes,
- 5:47Speaker 1: and I am a brunette. Ernest cafalis all round. Rule
- 5:56Speaker 1: number two. If you are outside this type, little sir,
- 6:00Speaker 1: at the top of the pyramid, Charles Cheryl doesn't see you.
- 6:04Speaker 1: This is a crucial point. There is a certain kind
- 6:07Speaker 1: of racist who is racist because he or she harbors
- 6:10Speaker 1: an obsession with the other. In the Jim Crow South,
- 6:13Speaker 1: for example, swimming pools were segregated because white people didn't
- 6:17Speaker 1: want to share the same water as black people. The
- 6:20Speaker 1: idea that something might wash off black skin and linger
- 6:24Speaker 1: in the water gross them out. It kept them up
- 6:27Speaker 1: at night. It was visceral. That's not Charles Cheryl. He
- 6:32Speaker 1: has plenty of black people in his life. They work
- 6:34Speaker 1: in the kitchen, they take his coat, but the thought
- 6:37Speaker 1: that he is sharing his Manhattan townhouse with them does
- 6:40Speaker 1: not keep him up at night. He has arranged his
- 6:43Speaker 1: life so that he doesn't have to think about them
- 6:45Speaker 1: at all. So when it comes to the nineteen thirty
- 6:49Speaker 1: six Olympics and Jews in Germany, you might be wondering,
- 6:52Speaker 1: is Cheryl a n anti Semite? Well not like Hitler
- 6:57Speaker 1: was an anti Semite. Hitler got all worked up about Jews.
- 7:00Speaker 1: People like Cheryl, on the other hand, kept their voices down.
- 7:05Speaker 1: What is the attitude of these this kind of person
- 7:10Speaker 1: in this era towards Jews.
- 7:14Speaker 3: Let's see where to begin.
- 7:16Speaker 1: Nick Lemon historian.
- 7:18Speaker 3: So you're really talking about these sort of upper patrician classes, right.
- 7:23Speaker 3: So typically these people lived inside a series of institutions
- 7:31Speaker 3: that were quote unquote restricted, which meant, you know, in
- 7:36Speaker 3: the broadest sense, only gentlemen could be in them, and
- 7:40Speaker 3: in this specific sense usually meant no Jews. So this
- 7:44Speaker 3: would apply to you know, private clubs, neighborhoods that often
- 7:51Speaker 3: had deed restrictions that you know, no Jews could live there.
- 7:55Speaker 3: You know, very very often workplaces had rules against Jews
- 8:00Speaker 3: who's being hired. It was understood that Jews weren't allowed
- 8:04Speaker 3: in this world of sort of upper class gentlemen and ladies.
- 8:09Speaker 1: People in Cheryl's class arranged their lives so that they
- 8:13Speaker 1: didn't have to deal with Jews.
- 8:15Speaker 3: And I think they would have thought, you know, Jews,
- 8:17Speaker 3: or course, they're vulgar, they're not gentlemanly, they think about
- 8:24Speaker 3: money all the time, things like that.
- 8:26Speaker 1: But they didn't think of Jews. To use one of
- 8:29Speaker 1: Hitler's favorite words, as Vermin. Cheryl's great friend on the
- 8:36Speaker 1: International Olympic Committee was the group's president, the Belgian count
- 8:40Speaker 1: unreaded by La Tour. Remember Latour's wife was the one
- 8:44Speaker 1: who wrote Hitler a thank you note when he invaded Belgium.
- 8:48Speaker 1: Now she wouldn't call herself a Nazi. She would say
- 8:52Speaker 1: that sending a thank you note to your invaders upon
- 8:55Speaker 1: the occasion of your country's invasion was just good manners,
- 8:59Speaker 1: like sending a bud cake to the family that moves
- 9:01Speaker 1: into the mansion across the street. The Count, meanwhile, once
- 9:05Speaker 1: said of Jews in a letter to a friend that
- 9:08Speaker 1: he wasn't fond of them. He wrote, the Jews usually
- 9:12Speaker 1: quote shout before there is reason to do so. The Jews,
- 9:16Speaker 1: in the view of the cultured men of the European aristocracy,
- 9:20Speaker 1: were annoying and vulgar and a little bit exasperating. But
- 9:27Speaker 1: the Count was quite clear that you couldn't ban Jews
- 9:30Speaker 1: from the Olympics. Just because a particular race was annoying
- 9:33Speaker 1: and vulgar didn't mean that they couldn't participate in say
- 9:37Speaker 1: the long Job. People like bay Latour and Charles Cheryl
- 9:41Speaker 1: liked Jews in theory, but just not in practice, in
- 9:45Speaker 1: contrast to the Nazis, who didn't like Jews in practice
- 9:49Speaker 1: or in theory. In nineteen thirty five, that distinction seemed important.
- 9:58Speaker 1: Oh Ru three from the top of the pyramid. Remember
- 10:02Speaker 1: when we said in the last episode that another of
- 10:05Speaker 1: the people Cheryl reminds us of is Candide's pangloss, the
- 10:09Speaker 1: man who believes that all is necessarily for the best end. Essentially,
- 10:15Speaker 1: everything happens for a reason, and a good reason at that.
- 10:19Speaker 1: I mean, how could it not when you're living a
- 10:22Speaker 1: life like Charles Hitchcock Cheryl.
- 10:24Speaker 2: I have led the happiest life of anybody you ever
- 10:27Speaker 2: met in your life.
- 10:29Speaker 1: That's not just a statement of character and disposition, It's
- 10:33Speaker 1: an ideological belief. He looks around at those who would
- 10:37Speaker 1: question the status quo, radicals, communists, suffragette's Jews, and he says,
- 10:42Speaker 1: what are you complaining about? From where I sit at
- 10:46Speaker 1: the top of the pyramid, the view is pretty great, Okay,
- 10:52Speaker 1: final rule of pyramids and maybe the most important. From
- 10:56Speaker 1: his happy perch high up on the pyramid, Charles Cheryl
- 10:59Speaker 1: con trucks the following syllogism. If we are really happy
- 11:04Speaker 1: with things just as they are, then what do we
- 11:06Speaker 1: make of those at the very top responsible for keeping
- 11:10Speaker 1: things just as they are? We like them a lot.
- 11:16Speaker 1: Charles Cheryl's great literary accomplishment, Apart from the books he
- 11:20Speaker 1: wrote about Stained Glass was an ambitious work of history.
- 11:24Speaker 1: He told the story of Otto von Bismarck, the nineteenth
- 11:28Speaker 1: century strong man who unified Germany. Bismarck was a master strategist,
- 11:33Speaker 1: steely character, enormous, bushy eyebrows, a furious mustache, a jaw
- 11:39Speaker 1: chiseled from the finest Bavarian granite, a row of medals
- 11:43Speaker 1: on his crisply starched tunic. They called him the Iron Chancellor,
- 11:48Speaker 1: and in his treatise Cheryl compared Bismarck with his other
- 11:52Speaker 1: great man crush, the Italian strong man Benito Mussolini Ilduchack
- 12:00Speaker 1: vor of modern fascism. Cheryl admired Bismarck, but Mussolini, for
- 12:06Speaker 1: Il Ducce he had true passion. In the course of
- 12:09Speaker 1: his research, he would visit Mussolini in his massive office.
- 12:13Speaker 1: As he would write, it is a fashion for writers
- 12:16Speaker 1: upon Mussolini to describe this lofty room, devoid of all decoration,
- 12:21Speaker 1: as an entirely appropriate background for this forthright statesman. Possibly
- 12:27Speaker 1: they are right, but I see a wider, bolder background
- 12:30Speaker 1: for him. Il Ducjay would come striding over, and Cheryl's
- 12:34Speaker 1: heart would go all a flutter looking back on the memory,
- 12:40Speaker 1: He wrote, if he has known you several years, the
- 12:44Speaker 1: greeting is pleasingly cordial, his caesar like features lighting up,
- 12:49Speaker 1: and those piercing eyes softening into friendliness, and then a
- 12:53Speaker 1: good manly handscheck. Was Cheryl's Bismarck and Mussolini a good book?
- 13:01Speaker 1: Probably not. It got a three sentence review in the
- 13:05Speaker 1: American Journal of Sociology, ending with the line Cheryl's special
- 13:10Speaker 1: field of competence would appear to be handling and assessing
- 13:13Speaker 1: columns of marching men. A lesser man would be crippled
- 13:18Speaker 1: by a sentence like that, but not Charles Cheryl. Because
- 13:23Speaker 1: when Cheryl sent Mussolini his book, Il Ducce liked it
- 13:26Speaker 1: so much he gave Cheryl the highest of all Italian
- 13:29Speaker 1: military and civilian honors. He made him a Knight Grand
- 13:34Speaker 1: Cross of the Order of the Crown of Italy, a
- 13:38Speaker 1: gold star, plus a striking right shoulder sash. Mussolini sent
- 13:43Speaker 1: it in a box to New York, where it arrived
- 13:46Speaker 1: in time for Cheryl's twenty fifth wedding anniversary, a dinner
- 13:50Speaker 1: at the Pier Hotel with one hundred and forty two guests,
- 13:53Speaker 1: where the honor was pinned on Cheryl's chest by the
- 13:57Speaker 1: Italian Consul General in the presence of the French, Argentine,
- 14:02Speaker 1: Spanish and Cuban ambassadors and Dutch, Swedish, Greek and Czechoslovak ministers.
- 14:08Speaker 1: A guess list that all of us have dreamt about
- 14:11Speaker 1: for our twenty fifth wedding anniversary. Let the assistant professors
- 14:16Speaker 1: of sociology write what they choose about the book. Our
- 14:19Speaker 1: hero was now a Knight of the Grand Cross of
- 14:22Speaker 1: the Order of the Crown of Italy. Now think back
- 14:32Speaker 1: to Dorothy Thompson, America's most celebrated foreign correspondent, who famously
- 14:37Speaker 1: interviews Hitler in nineteen thirty one when he is on
- 14:40Speaker 1: the cusp of power. Thompson's day job is not a
- 14:44Speaker 1: lot different from Cheryl's. As part of his diplomatic duties
- 14:48Speaker 1: or his role at the IOC, Cheryl goes around Europe
- 14:51Speaker 1: meeting with heads of state and aristocrats. As a foreign correspondent,
- 14:56Speaker 1: Thompson does the same thing. I'm sure they meet some
- 14:59Speaker 1: of the same people, but she's not at the top
- 15:02Speaker 1: of the pyramid. She was raised by a struggling preacher.
- 15:05Speaker 1: Her mother died when Thompson was a child. Her life
- 15:08Speaker 1: experiences haven't made her comfortable with power or left her
- 15:12Speaker 1: thinking that the world is just fine the way it is.
- 15:15Speaker 1: Quite the opposite. When Thompson got out of college, she
- 15:19Speaker 1: immediately threw herself into the suffrage movement. She spent three
- 15:23Speaker 1: years on that fight, and when it finally looked like
- 15:26Speaker 1: women might get the vote, she decides, I want to
- 15:29Speaker 1: find the next fight, and she buys a ticket on
- 15:32Speaker 1: an ocean liner, and.
- 15:34Speaker 4: Then she landed in Europe just as fascism was starting
- 15:37Speaker 4: to build.
- 15:38Speaker 1: The historian Sarah Church, well.
- 15:40Speaker 4: It's actually important that we all remember that that fascism
- 15:43Speaker 4: was by no means a German phenomenon, especially in the
- 15:46Speaker 4: nineteen twenties, or uniquely certainly not a uniquely German phenomenon.
- 15:50Speaker 4: And in the twenties it's Mussolini. Well, of course gives
- 15:53Speaker 4: it its name. So Thompson traveled to Italy. She encountered
- 15:57Speaker 4: Italian fascists. She was educating herself about Italian and European fascism.
- 16:03Speaker 1: She marries a Jew, a Hungarian writer, a radical. She
- 16:06Speaker 1: meets his crowd, artists, writers, outsiders.
- 16:09Speaker 4: This was an experience, a relationship that opened her eyes
- 16:13Speaker 4: and her understanding to political conversations in Eastern Europe around
- 16:18Speaker 4: the rising tensions and all of the volatility of the
- 16:24Speaker 4: European political situation at that time. So by the time
- 16:27Speaker 4: Hitler came into power in nineteen thirty three, she'd spent
- 16:30Speaker 4: a decade becoming an, you know, pretty expert. Certainly for
- 16:32Speaker 4: an American, she probably had a more nuanced understanding than
- 16:36Speaker 4: virtually any other American of her generation, because she'd spent
- 16:39Speaker 4: the best part of that decade living among Europeans who
- 16:43Speaker 4: were breathing and debating and arguing and figuring out what
- 16:47Speaker 4: these new fascist movements were going to mean.
- 16:50Speaker 1: But I was care, I want to go back to
- 16:52Speaker 1: the thing about she starts with the suffrage movement, and
- 16:57Speaker 1: I wondered whether that experience kind of permanently sensitizes you
- 17:03Speaker 1: to the kind of the plight of the powerless in
- 17:09Speaker 1: a certain way, Like, I might be really hard to
- 17:13Speaker 1: be pro fascist if you spent your early twenties fighting
- 17:16Speaker 1: for women suffrage, don't you think?
- 17:18Speaker 4: Yeah? Absolutely so. She certainly she had a strong sense
- 17:21Speaker 4: of sympathy and identification with people who saw themselves as
- 17:26Speaker 4: being an oppressed class and oppressed minority.
- 17:30Speaker 1: The point is that when Dorothy Thompson thinks of Mussolini,
- 17:34Speaker 1: it is not to remark on his manly handshake and
- 17:37Speaker 1: piercing eyes. And when she goes to see Hitler, she
- 17:40Speaker 1: doesn't defer to him just because he's on the cusp
- 17:43Speaker 1: of running Germany. She sees him for what he is,
- 17:46Speaker 1: an angry, vicious demagogue. But if you are Charles Cheryl
- 17:52Speaker 1: looking at that same man, what do you see? You
- 17:56Speaker 1: see someone very different. In the summer of nineteen thirty five,
- 18:11Speaker 1: the deal to save the Games that Cheryl had hammered
- 18:14Speaker 1: out in Vienna two years before is imperiled. The Germans
- 18:18Speaker 1: had promised to keep their Olympic team open to Jewish athletes,
- 18:22Speaker 1: but Nazi anti Semitism is accelerating and people around the
- 18:27Speaker 1: world are threatening again to boycott the games. Cheryl is
- 18:31Speaker 1: worried that his diplomatic master stroke will come to nothing.
- 18:36Speaker 1: He knows he has to act, and now he sees
- 18:38Speaker 1: the mistake he made back in Vienna he dealt with underlings.
- 18:43Speaker 1: He realizes it's time to confront Herr Hitler himself. Does
- 18:51Speaker 1: he go through Putsy Hitler's wagner playing Harvard trained pr men.
- 18:55Speaker 1: Probably Putsy was always the point of entry for Americans
- 18:59Speaker 1: want again audience with her Hitler. If Charles Cheryl had
- 19:04Speaker 1: lived to see how things turned out with the Nazis,
- 19:06Speaker 1: he would have edited his papers, particularly the Chief Offender
- 19:10Speaker 1: scrap Book thirty five, that he would have buried in
- 19:14Speaker 1: the back yard of his estate in the Hamptons, along
- 19:17Speaker 1: with his Knight Grand Cross of the Order of the
- 19:19Speaker 1: Crown of Italy. That's what people like Charles Cheryl did
- 19:22Speaker 1: after the war, cleaned house. But Charles Cheryl died too soon,
- 19:27Speaker 1: and so there remains in the archives of the New
- 19:31Speaker 1: York Historical Society a love letter in seven doubles based
- 19:36Speaker 1: type pages. His Excellency, reich Chancellor Adolf Hitler received me
- 19:43Speaker 1: at noon August twenty fourth, nineteen thirty five in his
- 19:47Speaker 1: own private Munich residence. Let me, first of all, frankly
- 19:51Speaker 1: confess that this will not prove a journalistic interview with
- 19:55Speaker 1: Germany's chief of state. It merely narrates a foreigner's visit
- 20:00Speaker 1: to an undeniably great leader. As a gift, Cheryl brings
- 20:05Speaker 1: Hitler two of his books, his treatise on German Stained
- 20:09Speaker 1: Glass Windows, and of course his master work comparing Mussolini
- 20:13Speaker 1: and Bismarck. Then they talked man to man for an
- 20:18Speaker 1: hour and ten minutes. He wrote, I was immediately struck
- 20:26Speaker 1: by the fact that Hitler deliberately chose the seat facing
- 20:30Speaker 1: the window and its bright sunlight. When in nineteen twenty
- 20:33Speaker 1: one I talked with fifteen European prime ministers plus four
- 20:37Speaker 1: presidents and two years later nine kings, none of them
- 20:40Speaker 1: did this, nor have any leading statesman I have since
- 20:44Speaker 1: then met Charles Cheryl had nothing but respect for a
- 20:48Speaker 1: man unafraid to sit facing the window he goes on.
- 20:56Speaker 1: His photographers do him grave injustice in two Guards. They
- 21:01Speaker 1: do not show enough the strength of his upper head
- 21:03Speaker 1: above the expressive eyes, and give no hint of the
- 21:07Speaker 1: engaging human being he can be when he wants to be.
- 21:11Speaker 1: Dorothy Thompson, remember, looked into those same eyes and found
- 21:15Speaker 1: the peculiar shine which often distinguishes Genius's alcoholics and hysterics.
- 21:21Speaker 1: It's like they're meeting a different man. Thompson found Hitler formless, cartilaginous,
- 21:28Speaker 1: ill poised, and insecure, but Cheryl finds himself drawn to
- 21:32Speaker 1: Hitler's famously short mustache. It's not like Cheryl's mustache, which
- 21:37Speaker 1: of course is full and luxuriant and suggestive of all
- 21:40Speaker 1: manner of daring and panash. But something this concise yet
- 21:45Speaker 1: emphatic for the fur totally works. It suits Hitler's face
- 21:52Speaker 1: while speaking, because revealing all of the expression around the mouth.
- 21:58Speaker 1: Welcome to the top of the pyramid, my little mustachioed friend.
- 22:04Speaker 1: So what do the two men talk about? Here's Cheryl again.
- 22:09Speaker 1: Because I am a member of the International Olympic Committee,
- 22:12Speaker 1: we naturally spoke of our nineteen thirty six games schedule
- 22:16Speaker 1: for Berlin. In these he expressed keen interest. Then Cheryl
- 22:22Speaker 1: brings up what he calls the unfortunate Jewish question. Not
- 22:26Speaker 1: the Nazis' anti Semitic policies writ large, of course, but
- 22:29Speaker 1: the annoying controversy over Jews of the German Olympic team
- 22:33Speaker 1: and how it's threatening to derail the games. Cheryl has
- 22:38Speaker 1: a proposal for Hitler, a simple way to calm the
- 22:42Speaker 1: waters back in the United States. Just put a Jew
- 22:46Speaker 1: on the Olympic team. One will do. Cheryl even has
- 22:49Speaker 1: someone in mind, a fencer named Helene Mayer. Mayor is
- 22:53Speaker 1: German and living in Los Angeles. She's one of the
- 22:55Speaker 1: greatest fencers of all time. Technically she's only half Jewish
- 23:00Speaker 1: since her mom is a proper Arian. Cheryl thinks that
- 23:02Speaker 1: fact will help persuade Hitler. Plus mayor is blonde and
- 23:07Speaker 1: blue eyed and really looks the part. Hitler pushes back,
- 23:11Speaker 1: so Cheryl brings up the Vienna Declaration that it hammered
- 23:14Speaker 1: out two years previously at the Hotel Imperial Germany's agreement
- 23:19Speaker 1: in principle not to exclude Jews. Hitler says he's never
- 23:23Speaker 1: heard of the Vienna deal. Cheryl is shocked, what how
- 23:28Speaker 1: is that even possible? He doubles down. Hitler responds, German
- 23:32Speaker 1: sports are for arians only. Cheryl comes at him again.
- 23:37Speaker 1: It's back and forth, back and forth. Later, in a
- 23:40Speaker 1: note to Frank and Roosevelt's private secretary, Cheryl describes the
- 23:44Speaker 1: scene my book. Bismarck and Mussolini lay before him, and
- 23:49Speaker 1: he faced a fine limback portrait of Bismarck. It was
- 23:53Speaker 1: a last chance, so I went right at him with
- 23:55Speaker 1: a question, what would Bismarck, master of foreigner's psychology do today?
- 24:02Speaker 1: He was polite but showed nothing. Had My appeal won
- 24:08Speaker 1: no sign. Two titans duking it out at the top
- 24:12Speaker 1: of the pyramid. Mustache to mustache. It was dreadful nerve
- 24:17Speaker 1: for me to tackle him in his own Munich home.
- 24:21Speaker 1: But I am only a private citizen and he can't
- 24:23Speaker 1: eat me. Cheryl leaves the meeting, has his bold gambit worked,
- 24:28Speaker 1: daring her Hitler to put himself in autovon Bismarck's shoes
- 24:33Speaker 1: WWBD What would Bismarck do? Cheryl dashes off a letter
- 24:37Speaker 1: to his friend by latour. Prepare yourself, he says, for
- 24:42Speaker 1: the very real possibility that all of my brilliant diplomatic
- 24:46Speaker 1: stratagems in Vienna two years ago have come to Nod,
- 24:51Speaker 1: please speak to him. Cheryl pleads, we need Hitler to
- 24:55Speaker 1: compromise for the sake of the games. He writes, It
- 25:00Speaker 1: will be a trying test for even your remarkable tact
- 25:03Speaker 1: in Savo Affaire, and the sooner you meet the situation,
- 25:07Speaker 1: the better the hope for your success instead of a
- 25:10Speaker 1: destructive explosion. Did our hero endure a sleepless night in
- 25:20Speaker 1: his agonies? Did he turn the essential question on himself?
- 25:25Speaker 1: W w b D. What would Bismarck do if, say,
- 25:28Speaker 1: Mussolini renegged on an agreement, but then he gets a
- 25:32Speaker 1: note in the mail. It's there in the famous scrap
- 25:36Speaker 1: book thirty five, a little embossed card inviting him to
- 25:40Speaker 1: the Nuremberg Rally in mid September, the annual propaganda festival
- 25:45Speaker 1: put on by the Nazi Party. I'm sure you've seen
- 25:47Speaker 1: film clips, thousands of soldiers marching in lockstep, chanting Hyle Hitler.
- 25:53Speaker 1: Cheryl lives for moments such as these. Remember, even the
- 25:58Speaker 1: American Journal of Sociology has noted his taste when it
- 26:01Speaker 1: comes to columns of marching men. So he accepts the
- 26:05Speaker 1: invitation from the Nazi Party. He packs an overnight bag.
- 26:09Speaker 1: They offer him a ride on Hitler's train.
- 26:11Speaker 5: He says yes, And then in his scrap book there
- 26:17Speaker 5: then follows many pages of press coverage Schwastika's Nazi propaganda
- 26:24Speaker 5: that he collected.
- 26:25Speaker 1: Mccullague bend Adaf Haffrey reporting on what he found in
- 26:28Speaker 1: Cheryl's papers at the New York Historical Society.
- 26:31Speaker 5: There's an amazing photo of him at the Nuremberg Rally
- 26:35Speaker 5: at some official events surrounding it, with all these medals
- 26:39Speaker 5: on his tuxedo jacket, sort of gazing up at the
- 26:43Speaker 5: ceiling in awe, because you imagine he's in some vast
- 26:46Speaker 5: hall surrounded by just they look, there's such prototypical Nazis.
- 26:51Speaker 5: So it's just this man kind of daphly wandering around
- 26:55Speaker 5: this grand hall, surrounded by these deeply evil people, and
- 26:59Speaker 5: completely unaware of the historical significance of what he's witnessing,
- 27:02Speaker 5: other than that it's a very important event and therefore
- 27:05Speaker 5: must be prepared for his scrapbook.
- 27:12Speaker 1: The nineteen thirty five Nuremberg rally is where Hitler announced
- 27:16Speaker 1: the so called Blood Laws, outlawing marriage between Arians and
- 27:19Speaker 1: Jews and stripping German Jews of their citizenship. It was
- 27:23Speaker 1: the clearest articulation yet of the Nazis' murderous anti Semitism,
- 27:28Speaker 1: and for many Americans, Nuremberg put the conundrum of the
- 27:31Speaker 1: games into sharp focus. If that's who these people are,
- 27:35Speaker 1: can we really go there? But that's not how Cheryl
- 27:38Speaker 1: sees it.
- 27:40Speaker 5: So what does he do at the Nuremberg rally? He
- 27:45Speaker 5: collects signatures he and his scrap book has autographs from
- 27:50Speaker 5: people he met at the Nuremberg rallies that are scrawled
- 27:54Speaker 5: on this one of the brochures from it, describing what's
- 27:58Speaker 5: going to happen on September in nineteen thirty five and
- 28:01Speaker 5: then there's all these pencil signatures from what I can
- 28:04Speaker 5: only assume it's prominent members of the party.
- 28:07Speaker 1: He's fan blowing the Nazi Party.
- 28:09Speaker 5: It's but it's like that, yeah, he's he was not
- 28:11Speaker 5: even Yeah. I don't think that Charles Cheryl would approve
- 28:15Speaker 5: of a campaign to exterminate the Jews. I think he
- 28:18Speaker 5: all he can recognize is force, wilfulness and power, and
- 28:23Speaker 5: so he understands that this will be a good one
- 28:25Speaker 5: for the scrap book or the after dinner toast. But
- 28:28Speaker 5: there's something about that the autographs thing I found very
- 28:33Speaker 5: It's it's really chilling, and there's like, is there has
- 28:37Speaker 5: to be a it's it feels like a different category
- 28:40Speaker 5: than the banality of evil. It's like the there there,
- 28:43Speaker 5: we have to invent a new term for the relationship.
- 28:46Speaker 5: Charles Cheryl bears to this evil.
- 28:50Speaker 1: I'm with you. He's so, he's he's got he's just
- 28:53Speaker 1: he's just, he's he's just unbelievable. At the end, a
- 28:58Speaker 1: top Nazi official pulls him and tells him her, Cheryl,
- 29:02Speaker 1: we have good news for you. We are inviting the
- 29:05Speaker 1: half Jew Helene Mayer to join the German Olympic team.
- 29:09Speaker 1: Mission accomplished, he sails for home on the S S. Normandy,
- 29:16Speaker 1: the largest and fastest passenger ship of its day. He
- 29:20Speaker 1: steps off the boat and is mobbed by reporters. I
- 29:24Speaker 1: am more convinced than ever that America should take part
- 29:27Speaker 1: in the Olympics, he says, and I'm probably the best
- 29:30Speaker 1: friend the Jews have in America. Then he makes a threat.
- 29:37Speaker 1: I'm not here to stop any antisemitic waves, but I
- 29:41Speaker 1: warn of the danger of such a development. If five
- 29:46Speaker 1: million Jews in the United States can make one hundred
- 29:49Speaker 1: and twenty five million Americans pull the chestnuts out of
- 29:54Speaker 1: the fire for the Jews in Germany, Jews Cheryl is
- 29:58Speaker 1: saying shouldn't complain about anti Semitism because that will cause
- 30:03Speaker 1: anti Semitism. Besides, having not given you exactly what she wanted.
- 30:08Speaker 1: Helene Mayer a brilliant fencer and a Jewish, or at
- 30:12Speaker 1: least the daughter of a Jew, which ought to count
- 30:14Speaker 1: for something. Right, aren't you happy now? Charles Cheryl chose
- 30:19Speaker 1: to resolve the dilemma of the pure competition in an
- 30:22Speaker 1: impure place by layering a flimsy piece of wallpaper over
- 30:27Speaker 1: the menace that was the Nazi regime and hoping no
- 30:30Speaker 1: one will look underneath. Remember Dorothy Thompson's taxonomy of who
- 30:35Speaker 1: goes Nazi? Mister b It's like she was writing with
- 30:40Speaker 1: Charles Cheryl in mind. His code is not his own,
- 30:43Speaker 1: it is that of his class. No worse, no better.
- 30:46Speaker 1: He fits easily into whatever pattern is successful. That is
- 30:50Speaker 1: his sole measure of value. Success. Nazism as a minority
- 30:56Speaker 1: movement would not attract him. As a movement likely to
- 31:00Speaker 1: attain power, it would. He goes home to his Manhattan townhouse,
- 31:06Speaker 1: rests his weary head in triumph, and a week later
- 31:09Speaker 1: takes the stage at the Advertising Club of New York City,
- 31:13Speaker 1: where he will say.
- 31:15Speaker 2: I have led the happiest life of anybody you ever
- 31:18Speaker 2: met in your life.
- 31:38Speaker 1: Charles Cheryl will not live to see the Berlin Olympics.
- 31:40Speaker 1: He will die of a heart attack at his Paris
- 31:43Speaker 1: townhouse the following June, a few weeks before the spectacle
- 31:46Speaker 1: of the opening ceremonies in Berlin. That is a shame.
- 31:50Speaker 1: Few would have enjoyed that bit of fascist pageantry more
- 31:54Speaker 1: than Charles Hitchcock Cheryl. So the Advertising Club speech is
- 31:59Speaker 1: really the last time we will see him in his element,
- 32:03Speaker 1: and he has a message for the world that day.
- 32:06Speaker 1: It's about the Jews. They are violating the rules of
- 32:10Speaker 1: the pyramid. People are supposed to be nice to each other.
- 32:14Speaker 1: People are supposed to accept the world as it is,
- 32:17Speaker 1: be glad for it. People at the bottom are supposed
- 32:20Speaker 1: to stay out of sight, and everyone should revere the
- 32:24Speaker 1: people at the top. But ever since he stepped off
- 32:27Speaker 1: the normandy and said that bit about how Jews shouldn't
- 32:30Speaker 1: really complain about antisemitism because that will cause antisemitism, people
- 32:35Speaker 1: had been mean to him. This is what he wanted
- 32:39Speaker 1: to tell the August members of the Advertising Club of
- 32:42Speaker 1: New York. He has been wronged.
- 32:47Speaker 2: After all my years of arding a square deal for Jews.
- 32:52Speaker 2: They called me andy Jewish. Many questions have been asked
- 32:58Speaker 2: me by telephone a letter about the type of communication
- 33:04Speaker 2: that have been coming in since my arrival from abroad
- 33:09Speaker 2: ten days ago. In the first place, almost all the
- 33:14Speaker 2: Jewish letters, I'm sorry to say, have been either abusive
- 33:20Speaker 2: or threatening.
- 33:21Speaker 1: He goes on and on. He is aggrieved, heavy hangs
- 33:26Speaker 1: the head, the worse the crown.
- 33:28Speaker 2: This force is me, and I say it with deef emotion.
- 33:33Speaker 2: So there's this from those friendly efforts in the future.
- 33:37Speaker 2: But neither that incident nor the torrent of Jewish abuse
- 33:41Speaker 2: recently poured upon me can succeed in making me Auntie Jules.
- 33:47Speaker 1: He doesn't hate the Jews, he's trying to say, but
- 33:50Speaker 1: he will not stand with them again because his feelings
- 33:53Speaker 1: have been hurt. And then our wounded lion raises his
- 33:57Speaker 1: heavy head and says.
- 34:00Speaker 2: Enough, everybody has a perfect right to have an opinion
- 34:05Speaker 2: on this much discussed question. But now that decision to
- 34:09Speaker 2: go to Berlin has been definitely made by the only
- 34:14Speaker 2: American group having the right of decision.
- 34:17Speaker 1: That would be people like Charles Hitchcock Cheryl, the people
- 34:21Speaker 1: at the top of the pyramid.
- 34:23Speaker 2: It would be well to remember General Grant saying the
- 34:26Speaker 2: close of our civil war, let us have tea.
- 34:31Speaker 1: And with that the room rises in loud agreement on
- 34:36Speaker 1: to Berlin.
- 34:37Speaker 6: General cherfls, you have quickened our democratic faith by telling
- 34:42Speaker 6: us of that global international democracy, the Olympic Gay and
- 34:46Speaker 6: let us run with patients. The race that is set.
- 34:49Speaker 1: Before religion's history is produced by ben Na daph Haffrey,
- 35:07Speaker 1: Tolly Emlin and Nina Bird Lawrence. Our editor is Sarah Nix.
- 35:12Speaker 1: Fact checking by Arthur Gomperts and JAYL Goldfein. Original scoring
- 35:18Speaker 1: by Luis Garra, mastering by Flawan Williams, Sarah Buger and
- 35:22Speaker 1: Jake Gorsky. Engineering by Nina Bird Lawrence. Our executive producer
- 35:27Speaker 1: is Jacob Smith. Special thanks to Karen Chakerji. I'm Malcolm
- 35:33Speaker 1: Gladwell