Latest / Phil and Ted's Sexy Boomer Show / Special Guests Toy Story 5's Mr. Potato Head, Bugs Bunny and Dolly Parton.

Transcript

Special Guests Toy Story 5's Mr. Potato Head, Bugs Bunny and Dolly Parton. · Phil and Ted's Sexy Boomer Show

0:00
Welcome
0:00
to
0:00
Phil
0:00
and
0:00
Ted's
0:00
Sexy
0:01
Boomer
0:01
Show.
0:01
I'm
0:01
Ted
0:02
Bonnitt.
0:02
I'm
0:02
Phil
0:02
Proctor.
0:03
Remote
0:04
from
0:04
Lewis,
0:05
Delaware,
0:05
where
0:06
it's
0:06
sunny
0:07
and
0:07
wonderful
0:08
today.
0:08
Wonderful.
0:09
Well,
0:09
we
0:09
have
0:09
a
0:09
lot
0:09
of
0:09
people
0:10
in
0:10
the
0:10
studio
0:10
right
0:10
now.
0:11
Yes,
0:11
so
0:12
I've
0:12
heard.
0:12
I'm
0:12
glad
0:12
I'm
0:13
not
0:13
there.
0:13
In
0:14
1966,
0:15
Andy
0:16
Dufresne
0:16
escaped
0:17
from
0:17
Shawshank
0:18
Prison.
0:18
Oh,
0:19
it's
0:19
Morgan
0:20
Freeman.
0:20
Oh,
0:21
that's
0:21
wonderful,
0:22
George.
0:23
Oh,
0:23
George,
0:24
I.
0:24
I'm
0:24
getting
0:25
my
0:25
push
0:26
button
0:26
fingers.
0:27
George.
0:27
Janie,
0:28
I
0:28
gotta
0:28
ask
0:28
Mr.
0:29
Spicely
0:29
for
0:29
a
0:29
raise
0:30
and
0:30
you're.
0:31
What
0:31
am
0:31
I
0:31
doing?
0:32
For
0:32
crying
0:32
out
0:33
loud,
0:33
George.
0:34
Oh,
0:34
that
0:34
kind
0:35
of
0:35
a
0:35
Gracie
0:36
Allen.
0:36
All
0:36
right,
0:37
George.
0:37
Now
0:37
wait
0:38
a
0:38
second,
0:38
Wait
0:38
a
0:38
second.
0:39
Hold
0:39
on
0:39
a
0:39
second.
0:39
You
0:40
know,
0:40
I
0:40
had
0:40
Mel
0:41
Blanc
0:41
on
0:41
my
0:41
show
0:42
in
0:42
the
0:42
1950s.
0:43
That's
0:43
right.
0:45
I
0:46
was
0:46
Mel's
0:47
neighbor.
0:47
I'm
0:47
Walter
0:48
Mathau.
0:49
Oh,
0:49
I
0:49
woke
0:50
and
0:50
how
0:50
are
0:50
you?
0:50
Remember
0:51
that?
0:51
I
0:51
was
0:51
his
0:51
neighbor.
0:54
Wow.
0:54
Now
0:54
who's
0:54
the
0:55
little
0:55
guy
0:55
with
0:55
the
0:55
lots
0:56
of
0:56
red
0:56
hair
0:57
and
0:57
the
0:57
six
0:57
shooter
0:57
over
0:58
there
0:58
in
0:58
the
0:58
corner?
0:58
Say,
0:59
I
0:59
smells
1:00
of
1:00
carrots.
1:01
And
1:01
where
1:02
there's
1:02
a
1:02
carrots,
1:03
there's
1:04
rabbits.
1:05
Oh,
1:06
you
1:06
chevity
1:06
Sam.
1:07
See
1:08
bugs
1:08
right
1:08
over
1:09
here.
1:10
Oh,
1:10
bugs.
1:11
Oh,
1:11
carrots
1:12
are
1:12
divine.
1:13
You
1:13
get
1:13
a
1:13
dozen
1:14
for
1:14
a
1:14
dime.
1:15
It's
1:16
magic
1:19
me.
1:19
What's
1:19
up,
1:19
doc?
1:20
And
1:20
look
1:20
over
1:20
there,
1:21
your
1:21
buddy
1:21
Daffy.
1:22
Oh,
1:25
why
1:25
does
1:26
that
1:26
rabbit
1:26
always
1:27
get
1:27
to
1:27
go
1:27
first?
1:28
What
1:28
am
1:28
I,
1:28
chopped
1:29
liver?
1:30
You
1:30
could
1:30
be
1:31
frad.
1:31
Oh,
1:32
frad
1:33
E
1:34
Abbadabba
1:36
Doo.
1:36
Barney,
1:37
get
1:37
away
1:38
from
1:38
my
1:38
cereal.
1:39
Watch
1:39
me
1:40
trick
1:40
Fred
1:40
out
1:40
of
1:40
his
1:40
Cocoa
1:41
Pebbles.
1:43
Well,
1:43
if
1:44
you
1:44
haven't
1:44
figured
1:45
out
1:45
yet,
1:46
we
1:46
have
1:46
some
1:47
incredible
1:48
voice
1:48
actors
1:49
here
1:49
in
1:49
the
1:49
studio.
1:51
You'd
1:51
think
1:51
there
1:51
are
1:51
about
1:51
12
1:51
of
1:52
them.
1:52
There's
1:52
only
1:52
two,
1:53
a
1:53
husband
1:53
and
1:53
wife.
1:54
Jeff
1:54
Bergman
1:55
and
1:55
Carla
1:55
Delaney.
1:56
Bergman.
1:57
Hi.
1:57
So
1:58
nice
1:58
to
1:58
have
1:58
you
1:58
here.
1:59
Oh,
1:59
my
1:59
goodness,
2:00
it
2:00
was
2:00
a
2:00
real
2:00
treat.
2:01
Jeff,
2:01
you
2:01
were
2:02
Emmy
2:02
award
2:02
winning
2:02
voice
2:03
actor.
2:03
You're
2:03
heard
2:04
worldwide
2:05
as
2:05
the
2:05
voice
2:05
of
2:05
Bugs
2:06
Bunny.
2:06
This
2:07
summer
2:07
you're
2:08
gonna
2:08
be
2:08
a
2:08
big
2:08
motion
2:09
picture
2:09
star.
2:09
Oh,
2:10
my
2:10
goodness.
2:10
Mr.
2:11
Potato
2:11
Head.
2:12
What's
2:12
the
2:12
matter
2:12
with
2:13
you?
2:13
Why
2:14
do
2:14
I
2:14
care?
2:14
For
2:15
crying
2:15
out
2:15
loud.
2:15
I'm
2:16
Mr.
2:16
Potato
2:16
Head.
2:17
What's
2:17
it
2:17
to
2:17
you?
2:17
You.
2:18
So
2:18
you're
2:18
in
2:18
Toy
2:18
Story
2:19
5
2:19
as
2:19
Mr.
2:19
Potato
2:20
Head,
2:20
filling
2:20
the
2:21
big
2:21
shoes
2:21
of
2:21
Mr.
2:22
Don
2:22
Rickles.
2:23
Why
2:23
don't
2:23
you
2:23
go
2:23
milk
2:24
a
2:24
Clydesdale
2:24
for
2:25
a
2:25
half
2:25
hour,
2:25
Ted?
2:26
And
2:26
Carla,
2:27
you
2:28
are
2:28
also
2:28
an
2:29
award
2:29
winning
2:29
playwright,
2:30
you're
2:30
an
2:30
actress
2:31
and
2:31
you're
2:31
a
2:31
voiceover
2:32
artist
2:32
as
2:32
well.
2:32
Yes,
2:33
you've
2:33
been
2:33
in
2:33
Family
2:34
Guy,
2:34
the
2:35
new
2:35
Looney
2:35
Tunes.
2:36
Yes.
2:37
Captain
2:37
Marvel.
2:38
Oh,
2:38
yes.
2:38
Harley
2:39
Quinn.
2:39
Yep.
2:40
Kite
2:40
Man.
2:41
Hell,
2:41
yeah.
2:41
That's
2:42
a
2:42
spin
2:42
off
2:42
of
2:42
Harley
2:43
Quinn.
2:43
That
2:43
was
2:43
super
2:44
fun.
2:44
Sausage
2:44
party.
2:45
I've
2:45
been
2:45
to
2:46
sausage
2:46
parties,
2:46
but
2:48
I
2:48
don't
2:48
know
2:49
the.
2:50
Oh,
2:50
that's
2:50
Seth
2:50
Rogen's
2:51
naughty
2:51
show.
2:52
I
2:52
do.
2:53
It's
2:53
all
2:53
about
2:54
food.
2:56
Hey,
2:56
babe,
2:57
it's
2:57
gotta
2:57
be
2:58
PG
2:58
here.
2:59
We
2:59
don't
3:00
wanna
3:00
get
3:00
in
3:00
trouble
3:00
with
3:01
the
3:01
mcc.
3:02
It's
3:03
all
3:03
about
3:03
playing
3:03
with
3:04
your
3:04
food
3:04
in
3:04
a
3:04
naughty
3:05
way.
3:05
So
3:06
instead
3:06
of
3:06
Mariska
3:07
Hargitay,
3:07
I'm
3:08
Kirschka
3:08
Hargitay.
3:09
Sweet.
3:10
I
3:11
love
3:11
that.
3:11
Yeah.
3:12
Well,
3:13
thanks
3:13
for
3:13
packing
3:13
it
3:14
all
3:14
in
3:14
here
3:14
today.
3:15
Thank
3:15
you
3:15
for
3:15
having
3:16
us
3:16
today.
3:16
There's
3:16
so
3:17
much
3:17
to
3:17
talk
3:17
about.
3:17
We
3:18
have
3:18
a
3:18
mutual
3:18
friend.
3:19
We
3:19
do.
3:19
Noel
3:20
Blank.
3:20
The
3:21
great
3:21
Mel
3:21
Bl.
3:22
Noel
3:22
himself
3:23
is
3:23
a
3:23
remarkable
3:24
person.
3:24
He's
3:25
been
3:25
on
3:25
our
3:25
show.
3:25
You
3:26
can
3:26
hear
3:26
his
3:26
interview
3:27
on
3:27
our
3:28
podcast,
3:28
SexyBoomershow.com.
3:30
That's
3:30
a
3:30
great
3:30
interview,
3:30
which
3:31
I
3:31
thank
3:31
you
3:31
for
3:32
sending
3:32
that
3:32
to
3:32
me.
3:32
Oh,
3:32
my
3:33
pleasure.
3:33
I've
3:33
known
3:34
him
3:34
so
3:34
long,
3:34
it
3:34
took
3:35
me
3:35
three
3:35
years
3:35
to
3:35
talk
3:35
him
3:35
into
3:36
doing
3:36
an
3:36
interview.
3:38
He's
3:38
something
3:38
else.
3:39
Impersonations
3:40
is
3:40
your
3:40
tradecraft,
3:41
Jeff.
3:42
You
3:42
started
3:42
this
3:43
as
3:43
a
3:43
kid.
3:43
You
3:44
did
3:44
Ed
3:44
Sullivan
3:45
when
3:45
you
3:45
were
3:45
like,
3:45
five
3:46
years
3:46
old.
3:46
Yeah.
3:47
I
3:47
mean,
3:47
whoever
3:48
was
3:48
the.
3:48
You
3:48
know,
3:48
I
3:48
did
3:49
Ed
3:49
Sullivan.
3:49
I
3:49
did
3:50
LBJ.
3:52
I
3:52
did
3:52
Jimmy
3:53
Stewart.
3:53
Well,
3:54
I
3:54
always
3:55
like
3:55
to
3:55
do
3:55
Jimmy.
3:56
And
3:56
then
3:56
there
3:56
was
3:56
the
3:56
Jimmy
3:57
Cagneys
3:57
and
3:57
the
3:58
Bogeys.
3:58
But
3:59
I
3:59
didn't
3:59
start
3:59
to
3:59
do
3:59
cartoon
4:00
voices
4:01
until
4:01
after
4:02
I
4:02
met
4:02
Mel
4:03
Blanc,
4:04
so
4:04
it
4:04
never
4:04
occurred
4:05
to
4:05
me.
4:05
No.
4:05
That's
4:05
interesting.
4:06
Now,
4:06
you
4:06
met
4:06
Mel
4:06
Blanc
4:07
the
4:07
way
4:07
I
4:07
met
4:07
Mel
4:07
Blanc.
4:08
Yes,
4:08
Mel
4:09
with
4:09
a
4:09
degree
4:09
of
4:09
separation.
4:10
That's
4:10
right.
4:11
Mel
4:11
in
4:11
his
4:11
later
4:12
years,
4:13
had
4:13
a
4:13
great
4:13
time
4:14
doing
4:14
college
4:15
speaking
4:15
tours,
4:16
and
4:16
I
4:16
saw
4:16
him
4:16
at
4:16
Boston
4:17
University.
4:17
Oh,
4:18
wow.
4:19
What
4:19
year
4:19
was
4:19
that,
4:20
Ted?
4:20
76
4:22
or
4:22
so.
4:23
Yeah.
4:23
Okay,
4:23
so
4:23
I
4:23
saw
4:24
him
4:24
in
4:24
1980,
4:24
so
4:25
it
4:25
was
4:25
just
4:25
a
4:25
little
4:25
after
4:26
that.
4:26
Yeah.
4:26
Sellout
4:27
crowd.
4:27
It's
4:28
amazing
4:28
how
4:28
beloved
4:29
he
4:29
remains.
4:30
My
4:30
theory
4:31
is
4:31
that
4:31
he
4:31
did
4:31
so
4:31
many
4:32
characters
4:32
he
4:32
never
4:32
did
4:33
himself,
4:33
so
4:34
he
4:34
didn't
4:34
burn
4:34
out.
4:35
Yeah,
4:36
and
4:37
we
4:37
talk
4:37
about
4:38
that
4:38
as
4:38
well,
4:39
Ted,
4:39
that
4:39
when
4:40
you
4:40
talk
4:40
about
4:40
people
4:41
of
4:41
the
4:41
day,
4:41
Jimmy
4:42
Stewart,
4:42
Jimmy
4:42
Cagney,
4:43
Cary
4:43
Grant.
4:43
These
4:44
were,
4:44
you
4:44
know,
4:45
mythological,
4:46
you
4:46
know,
4:46
Hollywood
4:47
stars
4:47
of
4:47
the
4:48
golden
4:48
age.
4:48
Today,
4:49
so
4:50
many
4:50
people
4:50
won't
4:50
know
4:51
their
4:51
names,
4:51
but
4:51
everybody
4:52
knows
4:52
Bugs
4:52
Bunny.
4:53
It's
4:53
true.
4:53
Jeff
4:54
and
4:54
I
4:54
talk
4:54
about
4:54
this.
4:54
When
4:55
you
4:55
touch
4:55
someone's.
4:56
Their
4:56
heart
4:56
from
4:56
their
4:57
childhood,
4:58
that
4:58
is
4:59
such
4:59
a
4:59
sacred,
5:00
lovely
5:00
space.
5:01
I
5:01
mean,
5:01
that's
5:02
so
5:02
meaningful.
5:02
People
5:03
want
5:03
to
5:03
pass
5:03
that
5:03
on
5:04
to
5:04
their
5:04
children,
5:04
to
5:05
their
5:05
grandchildren.
5:06
So
5:06
I
5:06
think
5:07
that's
5:07
another
5:07
reason
5:07
why
5:08
he
5:08
lives
5:08
on.
5:09
He's
5:09
immortal.
5:10
I
5:10
was
5:10
at
5:10
a
5:10
Walgreens
5:11
three
5:11
days
5:12
ago,
5:12
and
5:13
there
5:13
was
5:13
a
5:13
guy
5:13
who
5:14
was,
5:14
you
5:14
know,
5:14
probably
5:15
in
5:15
his
5:15
60s,
5:16
working
5:16
the
5:16
cashier,
5:17
talking
5:17
to
5:17
a
5:17
woman
5:18
in
5:18
her
5:18
20s
5:19
or
5:19
30s.
5:20
And
5:20
he
5:20
referenced
5:21
a
5:21
Looney
5:22
Tunes
5:22
line.
5:22
I
5:23
love
5:23
it.
5:23
And
5:23
they
5:23
both
5:23
got
5:24
it.
5:24
Yeah.
5:24
Isn't
5:25
that
5:25
great?
5:26
Generational.
5:27
Crosses
5:27
all
5:27
the
5:28
generations.
5:29
Jeff.
5:29
I
5:30
spent
5:30
the
5:30
weekend
5:31
at
5:31
the
5:32
University
5:32
of
5:33
Pittsburgh.
5:34
No.
5:34
No
5:35
way.
5:35
That's
5:35
where
5:36
we're.
5:36
Well,
5:36
I'm
5:36
from
5:37
there,
5:37
and
5:38
Jeff
5:38
went
5:38
to
5:38
college
5:39
there.
5:39
That's
5:39
crazy.
5:40
Yes,
5:40
I
5:41
know.
5:41
I
5:41
went
5:41
to
5:41
a
5:41
wedding.
5:42
My
5:42
Amish
5:43
and
5:43
Irish
5:44
and
5:44
my
5:44
relatives,
5:45
the
5:45
Yoders,
5:46
come
5:47
from
5:47
that
5:47
part
5:48
of
5:48
Pennsylvania.
5:49
You
5:49
see
5:50
a
5:50
lot
5:50
where
5:50
my
5:51
parents
5:51
live.
5:51
You
5:52
can
5:52
see
5:52
Amish
5:53
with
5:53
the
5:54
horse
5:54
and
5:54
the
5:54
buggy.
5:54
I
5:55
mean,
5:55
to
5:55
this
5:55
day.
5:55
Oh,
5:56
yeah,
5:56
yeah.
5:57
My
5:57
claim
5:57
to
5:57
fame
5:58
is
5:58
Monroeville.
5:59
I
5:59
know
5:59
it.
5:59
The
6:00
Monroeville
6:01
Mall.
6:01
Oh,
6:01
my
6:02
God.
6:02
I
6:02
was
6:03
a
6:03
zombie
6:04
in
6:04
dawn
6:05
of
6:05
the
6:05
Dead.
6:05
Dawn
6:06
of
6:06
the
6:06
Dead
6:06
was.
6:07
Yes,
6:07
for
6:07
those
6:08
people.
6:09
You
6:09
really
6:09
know
6:09
that.
6:10
Dawn
6:10
of
6:10
the
6:10
Dead.
6:11
That's.
6:11
You
6:11
know.
6:12
When
6:12
you
6:12
talk
6:12
to
6:12
people
6:12
into
6:12
cult.
6:13
Movies,
6:14
can
6:14
you
6:15
pick
6:15
yourself
6:15
out
6:15
in
6:15
the
6:16
crowd?
6:16
No.
6:17
I
6:17
was
6:17
out
6:17
there
6:17
on
6:17
a
6:17
crew
6:18
filming
6:18
documentary
6:19
called
6:19
Document
6:20
of
6:20
the
6:20
Dead.
6:21
And
6:21
they
6:22
had
6:22
already
6:22
sold
6:23
the
6:23
international
6:24
rights
6:24
to
6:24
the
6:24
film
6:24
and
6:25
were
6:25
already
6:25
in
6:25
the
6:25
black
6:26
before
6:26
they
6:26
wrapped,
6:27
so
6:27
they
6:27
had
6:27
extra
6:28
film
6:28
reels.
6:29
So
6:29
they
6:29
decided,
6:30
let's
6:30
do
6:30
some
6:30
extra
6:31
scenes
6:31
just
6:31
for
6:31
the
6:32
fun
6:32
of
6:32
it.
6:33
And
6:33
that
6:33
was
6:33
what
6:33
the
6:34
pie
6:34
throwing
6:34
scene
6:34
at
6:35
the
6:35
end
6:35
of
6:35
the
6:35
movie
6:35
was
6:36
all
6:36
about.
6:36
It
6:36
was
6:36
sort
6:36
of
6:36
a
6:37
spontaneous
6:37
thing.
6:38
So
6:38
I
6:39
was
6:39
made
6:39
up
6:40
to
6:40
be
6:40
a
6:40
zombie
6:41
that
6:41
was
6:41
flooding
6:41
into
6:41
the
6:42
mall
6:42
to
6:42
get
6:42
a
6:42
pie
6:43
in
6:43
my
6:43
face.
6:44
So
6:44
it
6:44
was
6:44
supposedly
6:45
this
6:45
endless
6:46
stream
6:46
of
6:46
zombies
6:47
coming
6:47
down
6:47
the
6:47
fire
6:48
escape.
6:48
And
6:49
they
6:49
cut
6:49
right
6:50
before
6:50
I
6:50
came
6:50
on
6:50
camera.
6:51
But
6:51
that's
6:51
the
6:51
story
6:52
of
6:52
my
6:52
life.
6:53
We
6:54
all
6:54
have
6:54
interesting
6:54
lives.
6:55
We
6:56
all
6:56
have
6:56
been
6:56
on
6:56
the
6:57
editing
6:57
floor,
6:57
you
6:57
know.
6:59
So
6:59
you
6:59
enjoyed
6:59
your
7:00
time
7:00
there,
7:00
Phil?
7:01
Oh,
7:01
very
7:02
much.
7:03
It's
7:03
a
7:03
beautiful
7:04
city.
7:05
I
7:05
really
7:05
was
7:06
expecting
7:06
more
7:06
of
7:06
an
7:07
industrial.
7:08
That's
7:08
what
7:08
people
7:08
think.
7:09
Mr.
7:09
Rogers
7:10
came
7:10
out
7:10
of
7:10
there,
7:10
I
7:11
mean.
7:11
Oh,
7:11
is
7:11
that
7:12
right?
7:12
Yep.
7:12
Pittsburgh
7:13
had
7:13
a
7:13
real
7:13
turnaround
7:14
decades
7:14
ago.
7:15
I
7:15
mean,
7:15
many
7:15
decades
7:15
ago.
7:16
It's
7:16
come
7:16
back
7:16
a
7:16
long
7:17
time.
7:17
Yeah.
7:17
After
7:18
that,
7:18
we
7:18
drove
7:19
back
7:19
here
7:20
to
7:20
Delaware
7:20
by
7:21
way
7:21
of
7:21
Lancaster,
7:22
which
7:22
is,
7:22
you
7:23
know,
7:23
a
7:23
farm
7:23
area
7:24
and
7:24
a
7:24
very
7:24
heavy
7:25
Amish
7:25
area.
7:26
Well,
7:27
Lancaster
7:28
has
7:28
turned
7:28
into
7:29
one
7:29
of
7:30
the
7:30
most
7:30
diverse
7:31
and
7:32
hippest
7:32
towns
7:33
in
7:33
the
7:33
country.
7:34
Okay,
7:35
Phil,
7:35
the
7:35
word
7:35
Lancaster
7:36
and
7:37
hip
7:38
don't
7:38
usually
7:39
go
7:39
together.
7:40
I
7:41
know
7:41
that
7:41
seems
7:41
incongruous
7:42
there,
7:43
but,.
7:43
Hey,
7:44
I
7:45
think
7:45
it's
7:45
amazing.
7:46
It
7:46
was
7:47
wonderful.
7:48
Shops
7:48
selling
7:49
all
7:49
kinds
7:49
of
7:49
exotic
7:50
goods
7:51
and
7:51
smoke
7:52
shops
7:53
and
7:53
lots
7:54
of,
7:54
you
7:54
know,
7:55
hip
7:55
people.
7:56
In
7:56
Lancaster,
7:57
I
7:57
would
7:57
think
7:57
it
7:58
was
7:58
like
7:58
knife.
7:58
Yeah,
7:59
a
7:59
lot
7:59
of
7:59
knife
7:59
sharpening.
8:00
I
8:00
was
8:00
gonna
8:01
say,
8:02
other
8:02
than
8:02
whittling
8:03
some
8:03
wood.
8:04
You've
8:04
gotta
8:04
do
8:05
something
8:05
to
8:05
entertain
8:05
yourself.
8:06
So
8:06
we
8:06
do
8:06
voices.
8:07
Carla,
8:07
did
8:08
you
8:08
start
8:08
doing
8:08
voices
8:09
early,
8:09
too?
8:09
Fairly
8:10
early.
8:10
But
8:10
I'll
8:10
tell
8:11
you,
8:11
unlike
8:11
Je,
8:12
I
8:12
was
8:12
a
8:12
singer.
8:13
So
8:13
I
8:13
started
8:14
as
8:14
a
8:14
singer.
8:14
And
8:15
I
8:15
loved
8:16
to
8:16
sound
8:16
like
8:16
other
8:16
people.
8:17
I
8:17
tumble
8:18
out
8:18
of
8:18
bed
8:18
and
8:18
I
8:18
stumble
8:19
to
8:19
the
8:19
kitchen,
8:19
pour
8:20
myself
8:20
a
8:20
cup
8:21
of
8:21
ambition,
8:21
yawn
8:22
and
8:22
stretch
8:23
and
8:23
try
8:23
to
8:23
come
8:24
to
8:24
life
8:25
working
8:25
9
8:26
to
8:26
5.
8:27
So
8:28
I
8:29
studied
8:29
musical
8:30
theater
8:30
in
8:30
Pittsburgh
8:31
at
8:31
Point
8:31
Park
8:31
College.
8:32
And
8:33
I
8:33
loved
8:34
music
8:34
and
8:35
sound.
8:36
And
8:37
I
8:37
thought,
8:37
oh,
8:38
I
8:38
can
8:38
only
8:38
sing
8:38
like
8:38
them.
8:39
When
8:39
Jeff
8:39
heard
8:40
me
8:40
doing
8:40
impressions,
8:40
I
8:41
was
8:41
in
8:41
a
8:41
show,
8:41
a
8:41
theater
8:42
show
8:42
called
8:42
Forbidden
8:43
Broadway.
8:44
We
8:44
spoofed
8:44
a
8:44
bunch
8:44
of
8:45
Tony
8:45
Award
8:46
winner.
8:47
It's
8:47
hilarious,
8:48
that
8:48
joke.
8:48
Yes,
8:49
it's
8:49
so
8:49
fun.
8:50
Jeff
8:51
said,
8:51
well,
8:51
you
8:51
know,
8:52
if
8:52
you
8:52
can
8:52
sing
8:52
like
8:53
that,
8:53
if
8:53
you
8:53
can
8:54
sing
8:54
like
8:54
celebrities,
8:54
you
8:55
can
8:55
talk
8:55
like
8:55
them.
8:56
So
8:56
I
8:57
had
8:57
to
8:57
kind
8:57
of
8:57
develop
8:58
the
8:58
muscle
8:58
talking,
8:59
but
8:59
yeah.
9:00
Did
9:00
you
9:00
meet
9:01
through
9:01
work?
9:04
Not
9:04
exactly.
9:05
Really?
9:05
I
9:05
was
9:06
running
9:06
a
9:06
theater,
9:07
like
9:07
a,
9:08
you
9:08
know,
9:08
99
9:09
seat
9:09
theater.
9:10
Jeff
9:10
came
9:10
in
9:11
for
9:11
a
9:11
writing
9:12
class
9:12
of
9:12
all
9:13
things.
9:13
Here
9:13
in
9:13
la?
9:14
No,
9:14
this
9:14
was
9:15
in
9:15
Penn
9:15
Penny
9:16
in
9:16
Pittsburgh.
9:16
Yeah.
9:18
And
9:19
we
9:19
just
9:19
saw
9:20
each
9:20
other
9:20
across
9:20
the
9:20
candy
9:21
count.
9:22
I
9:22
didn't
9:22
like
9:22
the
9:22
Clash,
9:23
but
9:23
I
9:23
liked
9:23
the
9:23
girl.
9:24
It's
9:24
the
9:24
most
9:24
ridiculous
9:25
thing
9:25
I've
9:26
ever
9:26
heard.
9:26
Classy
9:27
girl.
9:27
Wow.
9:28
I
9:28
figured
9:28
you
9:28
met
9:28
in
9:28
a
9:29
studio
9:29
doing
9:29
voices.
9:30
One
9:30
would
9:30
think.
9:30
Yeah.
9:31
So
9:31
you
9:31
met,
9:32
got
9:32
married.
9:32
The
9:32
pillow
9:33
talk
9:33
must
9:33
be
9:34
remarkable.
9:34
Okay,
9:35
I
9:35
knew
9:36
that
9:36
was
9:36
gonna
9:36
come.
9:37
You
9:37
ready
9:38
for
9:38
that?
9:38
I
9:38
said
9:38
to
9:39
Jeff,
9:39
people
9:39
ask,
9:40
okay,
9:40
do
9:40
you
9:40
do
9:40
this?
9:41
Do
9:41
you
9:41
talk
9:41
back
9:41
and
9:41
forth
9:42
to
9:42
each
9:42
other
9:42
in
9:43
your
9:43
alone
9:43
time?
9:44
Not
9:45
exactly,
9:45
but
9:46
if
9:46
I
9:48
just.
9:48
On
9:48
the
9:48
edge
9:49
of
9:49
naughty,
9:49
I'll
9:50
say
9:51
that
9:51
we
9:52
had
9:52
neighbors.
9:52
At
9:52
one
9:52
point,
9:53
we
9:53
were
9:53
living
9:53
in
9:53
an
9:53
apartment
9:54
building
9:54
and
9:54
we
9:54
had
9:55
neighbors
9:55
who
9:56
were
9:56
really
9:56
loud,
9:57
intimately,
9:58
with
9:58
a
9:58
thin
9:59
wall.
9:59
And
10:00
so
10:00
I
10:01
thought
10:01
in
10:01
a
10:01
passive
10:02
aggressive
10:02
way,
10:02
I
10:02
thought,
10:03
you
10:03
know
10:03
what?
10:04
We
10:04
could
10:04
do,
10:05
like
10:05
some
10:05
obnoxious
10:06
voices.
10:06
Like,
10:06
we'll
10:07
do
10:07
it
10:07
back
10:07
to
10:07
them.
10:07
Like
10:08
Sofia
10:08
Vergara.
10:09
Oh,
10:09
Jay
10:10
Preachy
10:10
J
10:11
Preachy,
10:11
Pull
10:11
my
10:12
hair
10:12
Jay
10:12
Preachi.
10:13
Because
10:14
Jeff
10:14
does
10:14
animal.
10:15
Or
10:15
we
10:15
could
10:15
just
10:15
pretend
10:16
we
10:16
have
10:16
a
10:16
little
10:16
baby
10:17
you.
10:23
So
10:23
it's
10:23
like,
10:23
I
10:24
want
10:24
to,
10:24
like,
10:24
use
10:25
it
10:25
A
10:25
little
10:25
passive
10:25
aggressively.
10:26
Yeah,
10:26
very
10:27
nice.
10:27
All
10:28
couples
10:28
fight
10:28
once
10:28
in
10:29
a
10:29
while.
10:29
Do
10:30
you
10:30
fight
10:30
in
10:30
voices?
10:32
And
10:32
if
10:32
you
10:33
do,
10:33
who
10:33
do
10:33
you
10:33
bring
10:33
to
10:33
the
10:33
fight?
10:34
If
10:34
we
10:34
want
10:34
to
10:35
break
10:36
the
10:36
tension,
10:37
all
10:37
he
10:37
has
10:37
to
10:37
do
10:38
is
10:38
give
10:38
me
10:38
a
10:38
Fred
10:39
Flintstone
10:39
Wilma.
10:40
And
10:40
I
10:41
just.
10:41
I
10:41
can't.
10:42
But,
10:42
you
10:42
know,
10:42
it's
10:42
funny.
10:43
We'll
10:43
audition
10:43
in
10:44
our
10:44
homes
10:44
because
10:45
we
10:45
have
10:45
a
10:45
home
10:45
recording
10:45
studio.
10:46
So
10:47
if
10:47
we
10:47
get
10:47
really
10:47
loud
10:48
and
10:48
we
10:48
have.
10:49
Occasionally
10:49
there's
10:50
where
10:50
we
10:50
have
10:50
to
10:50
scream.
10:51
You
10:51
know,
10:52
we
10:52
think,
10:52
my
10:52
God,
10:52
what
10:52
are.
10:53
The
10:53
neighbors.
10:53
They
10:53
think
10:54
we're
10:54
abusing
10:54
each
10:54
other.
10:54
I
10:55
want
10:55
to
10:55
put
10:55
a
10:55
pie
10:55
on
10:55
their
10:55
doorstep
10:56
with
10:56
a
10:56
little
10:56
note
10:57
that
10:57
says,
10:57
voice
10:57
actor,
10:58
not
10:59
murderer.
11:00
Exactly.
11:01
Exactly.
11:01
Getting
11:02
back
11:02
to
11:02
your
11:02
roots,
11:03
Jeff,
11:03
you
11:03
had
11:03
this
11:04
remarkable
11:04
experience
11:04
with
11:05
Mel
11:06
Blanc
11:06
because
11:06
we
11:06
both
11:06
saw
11:07
him
11:07
speak
11:07
at
11:08
colleges.
11:09
And
11:10
I
11:10
got
11:10
in
11:10
line
11:10
to
11:11
meet
11:11
him.
11:11
I
11:11
had
11:11
to
11:12
meet
11:12
the
11:12
man.
11:12
And
11:13
he
11:13
was
11:13
so
11:13
tanned
11:14
and
11:14
he
11:14
was
11:15
so
11:15
full
11:15
of
11:15
gold,
11:16
and
11:16
he
11:16
had
11:17
such
11:17
a
11:17
joyful.
11:19
And
11:19
he
11:19
was
11:19
just
11:19
lovely.
11:20
I
11:20
know
11:20
I
11:20
was
11:20
like
11:20
number
11:21
300.
11:21
But
11:21
he
11:21
was
11:22
just
11:22
so
11:22
kind
11:22
and
11:22
sweet
11:23
to
11:23
me,
11:23
and
11:23
I'm
11:23
so
11:23
glad
11:24
I
11:24
had
11:24
that
11:24
moment.
11:24
But
11:25
you
11:25
took
11:25
it
11:25
a
11:25
step
11:25
further.
11:26
You
11:26
stalked
11:26
the
11:26
man.
11:27
Oh,
11:27
now,
11:27
come
11:27
on
11:27
now,
11:28
we're
11:29
not
11:29
gonna
11:29
go
11:29
there.
11:29
Nothing
11:30
wrong
11:30
with
11:30
a
11:30
little
11:30
light
11:31
stalking.
11:32
I'll
11:32
tell
11:32
you
11:33
what
11:33
happened.
11:34
As
11:34
you
11:34
well
11:34
know,
11:35
he
11:35
was
11:35
terrific.
11:36
He
11:36
did
11:36
the
11:36
voices,
11:37
he
11:37
showed
11:37
a
11:37
couple
11:37
of
11:37
cartoons.
11:38
They
11:38
had
11:38
a
11:38
reception
11:39
for
11:39
him
11:39
at
11:39
the
11:39
student
11:40
union.
11:40
But
11:41
then
11:41
I
11:41
thought
11:41
to
11:41
myself,
11:42
well,
11:42
gosh,
11:43
I
11:43
wonder
11:44
maybe
11:44
I
11:44
could
11:44
catch
11:44
him
11:44
before
11:44
he
11:45
goes
11:45
back
11:45
to
11:45
Los
11:45
Angeles.
11:46
So
11:46
I
11:46
found
11:47
out
11:47
where
11:47
he
11:47
was
11:47
staying
11:48
from
11:48
the
11:48
student
11:48
council.
11:49
And
11:50
about
11:50
10
11:50
o'
11:50
clock
11:50
at
11:51
night,
11:52
I
11:52
knocked
11:53
on
11:53
the
11:53
door
11:54
and
11:54
there's
11:55
a
11:55
voice
11:55
that
11:55
says,
11:56
just
11:57
a
11:57
jiffy.
12:00
So,
12:01
okay,
12:02
I
12:02
said,
12:02
wait
12:03
a
12:03
second,
12:03
that's
12:04
gotta
12:04
be.
12:04
That's
12:05
Mel
12:05
Blanc.
12:05
It
12:06
sounds
12:06
like
12:06
Barney
12:06
Rubble
12:07
just
12:07
said,
12:08
jiffy.
12:09
The
12:10
door
12:10
opens
12:10
up
12:10
and
12:11
there
12:11
is
12:11
a
12:11
man
12:12
standing
12:12
there
12:13
in
12:13
a
12:13
cordovan,
12:15
reddish
12:15
ruddy
12:16
kind
12:17
of
12:17
a
12:17
smoking
12:17
jacket
12:18
with
12:19
a
12:19
gold
12:20
chain.
12:20
And
12:21
at
12:21
the
12:21
end
12:21
of
12:21
the
12:21
chain
12:22
is
12:22
a
12:22
high.
12:24
And
12:24
he
12:24
looks
12:25
at
12:25
me
12:25
like,
12:25
well,
12:26
what
12:26
do
12:26
you
12:26
want?
12:26
And
12:27
I
12:27
said,
12:27
Mr.
12:27
Blank,
12:28
I
12:28
saw
12:28
your
12:28
lecture
12:28
today
12:29
at
12:29
Pitt.
12:29
I'm
12:29
a
12:29
Pitt
12:29
student.
12:29
I'm
12:30
your
12:30
biggest
12:30
fan.
12:30
Please,
12:31
I
12:31
just
12:31
have
12:31
three
12:31
questions
12:32
to
12:32
ask
12:32
you
12:32
and
12:32
I
12:32
promise
12:32
I
12:33
won't
12:33
hurt
12:33
you.
12:36
To
12:36
give
12:36
the
12:37
right
12:37
answer.
12:39
Right?
12:39
And
12:40
he
12:40
said,
12:40
well,
12:41
are
12:41
you
12:41
Jewish
12:42
or
12:42
Italian?
12:43
And
12:43
I
12:44
said,
12:46
I'm
12:46
Jewish.
12:47
And
12:47
he
12:47
goes,
12:48
okay,
12:48
come
12:49
on
12:49
in.
12:50
So
12:50
we
12:51
sat
12:51
on
12:51
those
12:51
two
12:52
uncomfortable
12:52
twin
12:53
beds
12:53
for
12:53
about
12:53
45
12:54
minutes.
12:54
He
12:54
asked
12:55
me
12:55
about
12:55
my
12:55
career
12:56
while
12:56
I
12:57
was
12:57
majoring
12:57
in
12:57
at
12:58
college.
12:59
And
12:59
I
12:59
did
12:59
some
13:00
voices
13:00
for
13:00
him.
13:01
No
13:01
cartoon
13:02
voices,
13:03
but,
13:03
you
13:03
know,
13:03
like
13:03
his
13:04
contemporaries.
13:05
And
13:05
he.
13:06
I
13:07
mean,
13:07
he
13:07
was
13:07
like
13:08
you
13:08
said,
13:08
he
13:08
was
13:09
very
13:09
kind
13:09
and
13:10
sweet.
13:11
And
13:11
he
13:11
said
13:11
to
13:12
me,
13:12
now,
13:12
those
13:13
are
13:13
good
13:13
voices,
13:13
but
13:14
if
13:14
you
13:14
can
13:14
create
13:14
your
13:14
own
13:15
characters,
13:15
that's
13:16
even
13:16
better.
13:16
He
13:17
said,
13:17
but
13:17
I'll
13:17
tell
13:17
you
13:17
what
13:18
he
13:18
said.
13:18
If
13:18
you
13:18
get
13:18
out
13:18
to
13:18
Los
13:19
Angeles,
13:19
look
13:20
me
13:20
up
13:20
when
13:21
you
13:21
do.
13:21
And
13:21
that
13:21
was
13:23
my
13:24
experience.
13:24
Good.
13:25
See,
13:26
that
13:26
changed
13:27
the
13:27
whole
13:27
trajectory
13:28
of
13:28
my
13:28
life.
13:29
It
13:29
was
13:29
like
13:29
there
13:30
was
13:30
an
13:30
open
13:30
road.
13:30
It's
13:31
like
13:31
I
13:31
knew
13:31
what
13:31
I
13:31
wanted
13:32
to
13:32
do.
13:32
Not
13:32
in
13:32
that
13:33
moment,
13:33
but
13:33
maybe
13:34
a
13:34
few
13:34
days
13:35
or
13:35
a
13:35
couple
13:36
of
13:36
weeks
13:36
after
13:36
that
13:37
lovely
13:38
story.
13:38
That's
13:39
really
13:39
nice.
13:39
And
13:39
now
13:40
you
13:40
honor
13:40
the
13:40
voices
13:41
and
13:41
consider
13:41
yourself,
13:42
in
13:42
a
13:42
way,
13:42
a
13:42
caretaker
13:43
of
13:43
them.
13:44
Such
13:44
a
13:44
huge
13:45
responsibility.
13:46
Because
13:46
it's
13:46
everyone's
13:47
childhood.
13:48
And
13:48
so
13:49
you
13:49
have
13:49
to
13:49
try
13:49
to.
13:49
What
13:50
do
13:50
people
13:50
really
13:51
remember?
13:51
You
13:52
know,
13:52
and
13:53
the
13:53
fact
13:53
that
13:53
I
13:53
got
13:54
acquainted
13:54
with
13:54
Noel.
13:55
We
13:56
had
13:56
met
13:56
37
13:57
years
13:57
ago,
13:58
but
13:58
we
13:59
hadn't
13:59
re.
13:59
Established
14:00
a
14:00
connection
14:01
until
14:01
a
14:01
few
14:01
years
14:01
ago.
14:02
May
14:02
I
14:02
tell
14:02
the
14:02
story
14:02
about
14:02
how
14:03
you
14:03
met?
14:03
Yes,
14:03
of
14:03
course.
14:04
So
14:04
Noel
14:04
told
14:04
me
14:05
that
14:05
a
14:05
lot
14:06
of
14:06
voice
14:06
people
14:06
have
14:07
done
14:07
the
14:07
characters
14:08
over
14:08
the
14:08
years.
14:09
He
14:09
did
14:09
Porky,
14:11
you
14:11
know,
14:11
and
14:11
he
14:11
does
14:11
a
14:11
great
14:12
Porky.
14:13
And
14:13
he
14:13
even
14:13
visually
14:15
assumes
14:15
the
14:15
character
14:16
as
14:16
well.
14:17
Cause
14:17
he
14:17
observed
14:17
his
14:18
dad
14:18
doing
14:19
it.
14:19
Precisely.
14:19
And
14:19
now
14:20
Jim
14:20
Cummings,
14:21
Billy
14:21
west,
14:22
really
14:22
talented
14:23
people
14:23
have
14:23
come
14:23
in
14:24
and
14:24
done
14:24
particular
14:24
voices.
14:25
Right.
14:26
But
14:26
you
14:27
know
14:27
that
14:27
I
14:27
met
14:27
Jeff.
14:28
He
14:28
didn't
14:29
do
14:29
one
14:29
of
14:30
the
14:30
Looney
14:30
Tunes
14:30
characters.
14:31
He
14:31
did
14:32
my
14:32
dad's
14:32
normal
14:33
voice.
14:33
And
14:34
I
14:34
can't
14:34
say
14:34
the
14:34
word
14:35
here,
14:35
but
14:35
it
14:35
scared
14:36
the
14:36
out
14:36
of
14:36
me.
14:37
He
14:37
said
14:37
it
14:37
was
14:37
my
14:38
dad
14:38
speaking
14:38
to
14:39
me.
14:39
Wow.
14:40
And,
14:40
you
14:40
know,
14:40
the
14:40
really
14:41
good
14:41
impersonators
14:41
that
14:42
I've
14:42
met
14:42
over
14:42
the
14:42
years,
14:43
not
14:43
only
14:43
they
14:43
can
14:43
technically
14:44
do
14:44
the
14:44
sound,
14:45
but
14:46
they
14:46
embody
14:46
body,
14:47
the
14:47
spirit.
14:47
That's
14:48
right.
14:48
They
14:48
become
14:48
the
14:48
characters.
14:49
Right.
14:50
Jim
14:50
Messeman
14:51
is
14:52
my
14:53
mentor
14:53
when
14:54
it
14:54
comes
14:54
to
14:54
that.
14:54
Jim's
14:55
great.
14:56
Oh,
14:56
my
14:56
God.
14:57
He
14:57
can
14:57
do
14:57
anybody.
14:58
It's
14:58
interesting
14:58
the
14:59
way
14:59
you
14:59
guys
14:59
got
14:59
to
15:00
your
15:00
voice
15:01
work,
15:02
which
15:03
was
15:03
basically
15:04
responding
15:05
to
15:05
voices
15:06
that
15:06
were
15:06
out
15:07
there
15:07
and,
15:08
you
15:08
know,
15:08
having
15:08
fun
15:09
playing
15:09
with
15:09
them.
15:10
And
15:10
I
15:10
was
15:11
just
15:11
thinking,
15:11
I
15:11
didn't
15:12
get
15:12
there
15:12
that
15:12
way.
15:14
I
15:14
got
15:14
there
15:15
through
15:15
language,
15:16
Carla,
15:17
like
15:17
you.
15:17
I
15:17
got
15:18
started
15:19
singing.
15:19
Yes.
15:20
I
15:20
was
15:20
in
15:20
my
15:21
grandfather's
15:22
arms
15:22
back
15:23
in
15:23
Goshen,
15:23
Indiana,
15:24
and
15:24
he
15:25
was
15:25
singing
15:25
a
15:25
hymn
15:26
to
15:26
me,
15:26
probably
15:27
Onward,
15:27
Christian
15:27
Soldiers
15:28
or
15:28
something,
15:28
I
15:28
don't
15:29
know.
15:29
And
15:30
I
15:30
started
15:30
humming
15:31
it
15:31
back
15:31
to
15:31
him.
15:32
And
15:33
he
15:33
was
15:33
so
15:33
impressed,
15:34
we
15:34
went
15:35
downstairs
15:36
and
15:36
we
15:36
repeated
15:37
it
15:37
for
15:38
my
15:39
family.
15:39
And
15:40
that's
15:40
the
15:40
last
15:40
time
15:41
I
15:41
ever
15:41
worked
15:41
for
15:42
free.
15:44
You
15:44
know,
15:44
Phil,
15:45
that's
15:45
so
15:45
fascinating
15:46
because
15:47
Mel
15:47
Blanc
15:48
had
15:48
that
15:48
facility
15:49
as
15:49
well.
15:49
He
15:49
was
15:50
so
15:50
musical.
15:51
Noel
15:51
said
15:51
he
15:51
had
15:51
perfect
15:52
pitch.
15:52
Well,
15:53
it's
15:53
like
15:53
a
15:53
muscle,
15:53
right?
15:54
So
15:54
some
15:54
people,
15:55
that's
15:55
the
15:55
way
15:55
in
15:56
through
15:56
music,
15:57
with
15:57
voices.
15:57
It's
15:58
very
15:58
true.
15:58
Big
15:58
Bear
15:59
Lake,
16:01
his
16:01
hit
16:01
song.
16:02
And
16:02
also,
16:03
in
16:03
reading
16:03
about
16:03
your
16:04
careers,
16:05
I
16:05
realized
16:06
that
16:07
the
16:07
difference
16:08
in
16:08
my
16:08
career
16:09
from
16:09
yours,
16:10
even
16:10
though
16:10
I've
16:11
done
16:11
cartoons,
16:12
I'm
16:13
basically
16:13
best
16:13
known
16:14
as
16:14
Howard
16:14
on
16:15
the
16:15
Rugrats.
16:16
You
16:16
know,
16:19
see,
16:19
that
16:19
opens
16:20
more
16:20
doors
16:20
for
16:21
me
16:21
than
16:21
anything.
16:22
You'd
16:22
be
16:22
surprised.
16:23
Rugrats.
16:24
Beloved.
16:24
Beloved
16:25
Rugrats.
16:25
Yeah.
16:26
But
16:26
when
16:27
I
16:27
became
16:28
a
16:28
member
16:28
of
16:28
the
16:28
Firestine
16:29
Theater,
16:30
I
16:30
realized
16:31
I
16:31
could
16:31
create
16:32
all
16:32
of
16:32
my
16:33
own
16:33
voices.
16:34
I
16:34
could
16:35
create
16:35
these
16:35
characters.
16:37
It's
16:37
powerful
16:37
and
16:37
liberating.
16:38
Yeah.
16:38
Isn't
16:39
it
16:39
a
16:39
wonderful,
16:40
wonderful
16:40
feeling?
16:41
So.
16:41
So
16:42
we're
16:42
blessed
16:43
to
16:43
have
16:44
this
16:44
gift.
16:45
And
16:46
as
16:46
usual,
16:48
almost
16:48
everybody
16:49
started
16:49
in
16:49
radio.
16:50
Did
16:50
you
16:51
do
16:51
radio?
16:51
Yes,
16:51
I
16:51
did.
16:52
Started
16:52
in
16:52
radio.
16:53
Absolutely.
16:54
I
16:54
did
16:54
not,
16:54
but
16:54
Jeff
16:55
did.
16:55
Yeah.
16:55
Yeah,
16:55
I
16:55
started
16:56
in
16:56
radio
16:56
when
16:56
I
16:56
wanted
16:56
to
16:57
break
16:57
into
16:57
comedy.
16:57
I
16:58
just
16:58
created
16:58
characters
16:59
and
16:59
characters
17:00
were
17:00
the
17:00
perfect
17:00
thing
17:01
to
17:01
hide
17:01
behind
17:01
because
17:02
you
17:02
could
17:02
attribute
17:03
all
17:03
the
17:03
screw
17:03
ups
17:04
to
17:04
the
17:04
character
17:06
fail
17:06
safe.
17:07
You
17:07
know,
17:07
some
17:07
people
17:07
will
17:08
say,
17:08
like,
17:08
oh,
17:08
I
17:08
can't
17:08
do
17:09
radio
17:09
because
17:09
there's
17:09
no
17:09
audience
17:10
there.
17:10
And
17:10
stand
17:10
up
17:11
comics,
17:11
they
17:11
hate
17:12
that
17:12
because
17:12
there's
17:12
no
17:12
one
17:13
laughing.
17:13
For
17:14
me,
17:14
when
17:14
I
17:14
did
17:14
stand
17:14
up,
17:15
I
17:15
was
17:15
so
17:15
scared
17:15
because
17:16
if
17:16
I
17:16
didn't
17:16
get
17:16
laughs,
17:17
it
17:17
was,
17:17
you
17:17
know,
17:18
this
17:18
dead
17:18
silence.
17:19
But
17:19
if
17:19
you're
17:19
in
17:19
a
17:20
recording
17:20
studio,
17:20
there's
17:21
no
17:21
one
17:21
to
17:21
laugh
17:21
at
17:21
you.
17:21
That's
17:21
right.
17:22
So
17:22
you're
17:22
fine
17:23
and
17:23
you
17:23
do
17:23
a.
17:23
Live
17:23
show
17:23
and
17:24
if
17:24
it
17:24
bombs,
17:25
you
17:25
can
17:25
walk
17:25
out
17:25
of
17:25
the
17:25
building.
17:26
No
17:26
one's
17:26
gonna
17:26
throw
17:26
a
17:26
tomato
17:27
because
17:27
they
17:27
don't
17:27
know
17:28
who
17:28
you
17:28
look
17:28
like.
17:28
Right.
17:28
Until
17:28
you
17:29
get
17:29
the
17:29
pink
17:29
slip
17:29
from.
17:30
Yeah,
17:30
from
17:30
the
17:31
station.
17:31
You
17:31
know,
17:31
it
17:32
all
17:32
started
17:32
for
17:32
you
17:32
with
17:32
Charlie
17:33
the
17:33
Tuna.
17:34
It
17:34
did
17:34
start
17:34
with
17:34
Charlie
17:35
the
17:35
Tuna.
17:35
That
17:35
was
17:35
the
17:35
first,
17:36
like,
17:36
legit
17:36
big
17:36
job.
17:37
Hey,
17:37
tell
17:38
em
17:38
Charlie
17:39
sent
17:39
you.
17:41
Oh,
17:41
I'm
17:41
waiting
17:41
to
17:41
get
17:41
hooked
17:42
by
17:42
Stark
17:43
is
17:44
now.
17:44
That
17:44
was
17:44
originally
17:45
Herschel
17:45
Bernardi.
17:46
That's
17:46
right,
17:47
Herschel
17:47
Bernardi,
17:48
1961.
17:49
That
17:50
was
17:50
the
17:50
first
17:50
commercial.
17:51
Really?
17:51
Went
17:51
back
17:52
that
17:52
long.
17:52
Went
17:52
back
17:53
that
17:53
long.
17:53
And
17:53
I
17:53
took
17:53
over
17:54
in
17:55
1987.
17:56
I
17:56
wanna
17:56
say
17:57
yes.
17:58
So
17:58
you
17:58
would
17:58
just
17:58
go
17:58
to
17:58
auditions?
17:59
Is
17:59
that
18:00
how
18:00
you
18:00
got
18:01
known?
18:02
Well,
18:02
I
18:02
mean,
18:03
you
18:03
know,
18:03
you
18:03
could
18:03
audition
18:04
for
18:04
I
18:04
don't
18:04
have
18:04
to
18:04
tell
18:05
you
18:05
all
18:05
you.
18:06
Everybody
18:06
knows
18:07
you
18:07
could
18:07
audition
18:08
to
18:08
hundreds
18:09
and
18:09
not
18:09
book
18:09
anything.
18:10
And
18:10
it
18:10
just
18:11
so
18:11
happened
18:11
he
18:11
had
18:11
passed
18:12
away.
18:12
And
18:12
I
18:13
felt
18:13
like
18:13
a
18:13
connection
18:14
to
18:14
that
18:14
voice.
18:15
So
18:15
I
18:16
asked
18:16
my
18:16
agent
18:17
at
18:17
the
18:17
time.
18:17
I
18:18
said,
18:18
could
18:18
you
18:18
get
18:19
me
18:19
in?
18:19
But
18:19
the
18:20
agency
18:20
was
18:20
Leo
18:21
Burnett.
18:21
It
18:21
was
18:22
in
18:22
Chicago.
18:22
So
18:22
I
18:23
went
18:23
there,
18:23
I
18:24
made
18:24
a
18:24
tape
18:24
on
18:25
cassette
18:25
and
18:25
got
18:26
to
18:26
meet
18:26
the
18:26
head
18:26
of
18:26
the
18:27
creative
18:28
on
18:29
starkist.
18:29
And
18:29
he
18:29
heard
18:30
it.
18:30
He
18:30
said,
18:30
that's
18:30
actually
18:31
pretty
18:31
good.
18:32
So.
18:32
So
18:33
nothing
18:33
really
18:33
happened
18:34
to
18:34
it.
18:34
But
18:35
then
18:35
the
18:35
public
18:36
relations
18:37
company
18:37
called
18:38
my
18:38
agent
18:39
and
18:39
said,
18:39
would
18:39
Jeff
18:40
be
18:40
willing
18:41
to
18:41
put
18:41
on
18:41
a
18:41
Charlie
18:42
the
18:42
Tuna
18:42
suit
18:45
and
18:45
be
18:45
in
18:45
a
18:45
hot,
18:46
smelly
18:46
suit?
18:46
They
18:46
didn't
18:47
sell
18:47
it
18:47
that
18:47
way.
18:48
And
18:48
go
18:48
up
18:48
to
18:49
Citarella's
18:49
Fish
18:50
market
18:50
on
18:51
Broadway.
18:51
Oh,
18:52
you
18:52
blend
18:52
right
18:52
in
18:52
with
18:52
the
18:53
smell.
18:53
Yeah,
18:53
exactly
18:54
right.
18:54
And
18:55
just
18:55
wave
18:55
to
18:55
the
18:55
fans
18:56
and
18:56
whatnot.
18:57
And
18:57
I
18:57
said,
18:58
oh,
18:58
man,
18:58
a
18:59
suit.
18:59
Like,
18:59
somebody's
19:00
been
19:00
in
19:00
that
19:00
suit.
19:00
Who
19:01
knows
19:01
if
19:01
it's
19:01
clean?
19:02
And
19:02
my
19:02
agent
19:02
said,
19:03
I
19:03
think
19:03
if
19:03
you
19:03
do
19:03
it,
19:03
you're
19:04
gonna
19:04
get
19:04
the
19:04
job.
19:04
So
19:04
I
19:05
did
19:05
it.
19:05
And
19:05
when
19:06
I
19:06
got
19:06
into
19:06
a
19:07
limo,
19:08
there
19:09
was
19:09
the
19:09
vice
19:10
president
19:10
of
19:10
starkist
19:11
Foods
19:11
there,
19:12
and
19:12
he
19:12
said
19:13
to
19:13
me,
19:13
you
19:14
are
19:14
Charlie
19:15
the
19:15
Tuna.
19:16
Were
19:16
you
19:16
working
19:16
for
19:17
Scale
19:17
Flip?
19:18
You
19:18
a
19:18
couple
19:18
of
19:18
fins?
19:19
Yeah.
19:19
Yeah.
19:20
You
19:20
were
19:20
hooked.
19:21
Yeah.
19:21
So
19:21
I
19:21
got
19:22
the
19:22
job
19:22
right
19:22
after
19:22
that.
19:23
Because
19:23
I
19:23
did.
19:23
That's
19:23
wonderful.
19:25
That's
19:25
a
19:25
great
19:25
story.
19:26
One
19:26
of
19:26
the
19:26
stories
19:27
that
19:27
really
19:28
resonated
19:29
with
19:29
me
19:29
was
19:30
how
19:30
you
19:30
got
19:30
the
19:30
Bugs
19:31
Bunny
19:31
voice
19:32
by.
19:33
After.
19:33
After
19:33
being
19:34
rejected
19:35
by
19:35
putting
19:36
together
19:36
a
19:36
tape
19:37
that
19:37
intercut
19:38
between
19:39
Mel
19:40
Blanc
19:40
doing
19:41
the
19:41
voice
19:41
and
19:42
you
19:42
doing
19:43
the
19:43
voice
19:43
and
19:44
the
19:44
guy
19:44
who
19:44
was
19:44
gonna
19:45
hire
19:45
you
19:46
couldn't
19:46
tell
19:46
the
19:47
difference.
19:47
Right.
19:48
Well,
19:48
it's
19:48
just
19:49
crazy
19:49
of
19:50
me
19:50
to
19:50
think
19:50
that
19:51
that
19:51
would
19:51
have.
19:52
I
19:52
mean,
19:53
it
19:53
was
19:53
a
19:53
crazy
19:53
thing
19:53
to
19:53
do,
19:54
because
19:54
on
19:54
one
19:55
track
19:55
was
19:55
the.
19:56
A
19:56
Bugs
19:56
Bunny
19:56
cartoon
19:57
with
19:57
the
19:57
sound
19:57
effects
19:57
and
19:58
the
19:58
music
19:58
and
19:59
obviously
19:59
Mel
19:59
Blanc's
20:00
voice.
20:00
And
20:00
on
20:00
the
20:00
other
20:00
track
20:01
was
20:01
just
20:01
another
20:02
channel.
20:02
And
20:02
I
20:02
didn't
20:03
add
20:03
any
20:03
music
20:03
or
20:04
sweetening
20:04
to
20:04
it,
20:05
so
20:05
it
20:05
was
20:05
obvious
20:06
that
20:06
they
20:07
could
20:07
tell.
20:07
But
20:07
I
20:07
guess
20:08
some
20:08
of
20:08
the
20:08
people
20:08
thought,
20:08
well,
20:09
maybe
20:09
he
20:09
pulled
20:10
the
20:10
music
20:10
out,
20:10
you
20:10
know?
20:11
But
20:11
in
20:11
those
20:11
days,
20:11
you
20:12
couldn't
20:12
do
20:12
that.
20:12
They
20:13
really
20:13
thought
20:13
you
20:13
were
20:14
Mel.
20:15
I
20:15
guess
20:15
some
20:16
people
20:16
thought,
20:16
like,
20:17
wait
20:17
a
20:17
minute,
20:17
are
20:17
we
20:17
being
20:18
tricked
20:18
here
20:18
somehow?
20:19
But
20:19
it's
20:19
so
20:20
confident.
20:20
Confident
20:21
and
20:21
adventurous
20:22
and
20:22
courageous.
20:23
Invaluable
20:24
aptitude.
20:24
You
20:25
have
20:25
to
20:25
do
20:25
that
20:25
if
20:26
you've
20:26
got
20:26
your
20:26
eye
20:27
on
20:27
the
20:27
prize.
20:28
Let
20:28
me
20:28
tell
20:28
you
20:28
a
20:29
story
20:29
like
20:29
that
20:29
that
20:30
I
20:30
Think
20:30
you'll.
20:30
You'll
20:31
both
20:31
appreciate
20:32
this
20:32
was
20:32
told
20:32
me
20:32
by
20:33
a
20:33
director
20:34
friend
20:34
of
20:34
mine
20:35
who
20:35
originally
20:36
had
20:37
been
20:37
an
20:37
assistant
20:38
to
20:38
an
20:38
advertising
20:39
firm
20:40
in
20:40
Detroit,
20:41
Michigan.
20:41
And
20:42
one
20:42
of
20:42
their
20:42
clients
20:43
was
20:43
a
20:43
car
20:44
salesman.
20:44
And
20:45
every
20:45
week
20:46
they
20:46
do
20:46
a
20:47
series,
20:47
a
20:48
commercial
20:48
for
20:49
the
20:49
radio
20:50
that
20:50
was,
20:50
you
20:50
know,
20:50
the
20:51
specials
20:52
of
20:52
the
20:52
week.
20:53
And
20:53
this
20:53
one
20:54
time
20:54
they
20:54
go
20:54
in
20:55
and
20:55
the
20:55
guy
20:56
lays
20:56
down
20:56
the
20:57
tracks.
20:57
And
20:58
he
20:58
and
20:58
the
20:59
boss
20:59
go
20:59
off
21:00
for
21:00
lunch.
21:00
The
21:00
boss
21:01
says,
21:01
okay,
21:02
Bill,
21:03
go
21:03
through
21:03
the
21:04
tracks,
21:04
pick
21:04
out
21:05
the
21:05
takes
21:06
you
21:06
like
21:06
the
21:06
best.
21:07
I'll
21:07
come
21:07
back
21:08
and
21:08
make
21:08
the
21:08
choice
21:08
as
21:09
usual,
21:09
and
21:10
then
21:10
we
21:10
can
21:10
call
21:10
it
21:10
a
21:10
day.
21:11
He
21:11
says,
21:11
okay.
21:11
So
21:12
the
21:12
boss
21:13
leaves.
21:13
He
21:13
says,
21:13
all
21:14
right,
21:14
let's
21:14
go.
21:14
Let
21:15
me
21:15
hear
21:15
what
21:15
we
21:15
got.
21:16
Oh,
21:17
says
21:17
the
21:18
engineer,
21:19
that's
21:19
not
21:19
what
21:19
you
21:19
want
21:20
to
21:20
hear.
21:22
What
21:22
do
21:22
you
21:22
mean,
21:23
oh,
21:24
what?
21:24
He
21:24
says,
21:25
I
21:26
don't
21:26
know
21:26
how
21:26
to
21:26
tell
21:26
you
21:27
this.
21:27
I
21:27
don't
21:28
know
21:28
what
21:28
happened.
21:28
But
21:29
somehow
21:30
I
21:31
only
21:31
got
21:31
the
21:31
first
21:32
take
21:33
and
21:33
that's
21:34
all
21:34
I
21:34
got.
21:34
He
21:34
said,
21:35
oh,
21:35
my
21:35
God,
21:35
I'm
21:35
going
21:35
to
21:35
be
21:36
fine.
21:36
I
21:36
said,
21:36
don't
21:36
worry,
21:37
don't
21:37
worry.
21:37
I
21:37
can
21:38
fix
21:38
this.
21:39
He
21:39
says,
21:40
what
21:40
do
21:40
you
21:40
mean,
21:41
don't
21:41
worry?
21:41
I'll
21:42
fix
21:42
it.
21:42
So
21:43
what
21:43
he
21:43
does
21:43
is
21:43
he
21:44
puts
21:44
a
21:44
slate,
21:45
a
21:45
different
21:46
slate
21:46
on
21:47
the
21:47
same
21:48
take.
21:49
And
21:50
he
21:50
does
21:50
like,
21:50
he
21:51
does
21:51
seven
21:52
of
21:52
them.
21:52
Wow.
21:53
The
21:54
boss
21:54
comes
21:54
in.
21:57
Okay,
21:58
let
21:58
me
21:58
hear
21:58
what
21:58
you
21:59
got.
22:00
And
22:00
so
22:01
he
22:01
plays
22:02
the
22:03
seven
22:03
takes,
22:04
and
22:04
it's
22:05
all
22:05
the
22:05
same
22:06
take
22:06
with
22:07
a
22:07
different
22:07
slate.
22:08
And
22:08
he's.
22:09
And
22:09
he's
22:09
listening,
22:10
and
22:10
he's
22:10
listening.
22:11
He's
22:11
making
22:12
notes.
22:12
And
22:13
at
22:13
the
22:13
end
22:13
he
22:13
says,
22:13
okay,
22:14
let
22:14
me
22:14
hear
22:15
3
22:15
and
22:15
5.
22:18
Play
22:18
black
22:18
3
22:19
and
22:19
5.
22:19
And
22:19
then
22:19
play
22:20
says,
22:20
3,
22:21
3,
22:21
3.
22:21
Definitely
22:22
3.
22:22
And
22:23
he
22:23
never
22:24
knew.
22:25
Now,
22:25
isn't
22:25
that
22:25
the
22:26
best
22:26
voiceover
22:27
story
22:27
you
22:27
ever
22:27
heard?
22:28
That
22:28
is
22:28
great.
22:29
I
22:29
mean.
22:29
Cause
22:30
we've
22:30
all
22:30
been
22:30
in
22:30
that
22:31
situation.
22:31
Only
22:31
two
22:32
words
22:32
an
22:32
actor
22:32
never
22:33
wants
22:33
to
22:33
hear
22:33
from
22:33
an
22:33
engineer
22:34
is
22:34
get
22:35
what?
22:35
When
22:35
you
22:36
do
22:36
the
22:36
Looney
22:36
Tune
22:36
characters.
22:38
Now,
22:38
Mel
22:38
streamlined
22:39
the
22:39
production
22:39
by
22:40
saying,
22:40
why
22:40
don't
22:40
I
22:40
just
22:40
do
22:41
all
22:41
of
22:42
the
22:42
Daffy
22:42
character
22:43
lines?
22:44
He
22:44
didn't
22:44
do
22:44
the
22:45
ensemble
22:45
at
22:46
the
22:46
same
22:46
time.
22:46
Cut
22:47
it
22:47
in
22:47
together.
22:48
How
22:48
do
22:48
you
22:48
work
22:48
when
22:49
you
22:49
do
22:49
Looney
22:49
Tunes?
22:49
It's
22:50
the
22:50
same
22:50
thing.
22:50
Because
22:50
you
22:50
want
22:50
to
22:51
stay
22:51
in
22:51
character.
22:51
Because
22:51
if
22:51
you're
22:52
doing
22:52
a
22:52
scene
22:52
between
22:52
scene.
22:54
Well,
22:54
especially,
22:54
say,
22:55
Bugs
22:55
and
22:55
Daffy.
22:56
Bugs
22:57
Bunny
22:57
was
22:57
never
22:57
sped
22:58
up,
22:59
but
22:59
Daffy
23:00
was.
23:00
So
23:01
you'd
23:01
have
23:02
to
23:02
be
23:02
careful
23:02
how
23:03
you
23:03
navigate
23:04
that
23:04
in
23:05
the
23:05
recording.
23:05
So
23:05
you'd
23:06
want
23:06
to
23:06
do
23:06
it
23:06
separately.
23:07
Same
23:07
thing
23:07
with
23:08
Porky
23:08
and
23:08
Tweety.
23:09
They
23:09
were
23:09
sped
23:09
up,
23:10
very
23:10
speeded
23:11
up
23:11
a
23:11
little
23:11
bit.
23:12
Like,
23:12
I
23:12
don't
23:12
know
23:13
the
23:13
exact
23:13
percentage,
23:14
but,
23:14
you
23:14
know,
23:14
where's
23:14
Foghorn,
23:15
Yosemite
23:15
Sam?
23:16
Those
23:16
are
23:16
characters
23:17
that
23:17
are
23:17
not.
23:17
But
23:17
we
23:17
do
23:18
them
23:18
separately.
23:18
How
23:19
taxing
23:19
is
23:19
it
23:20
on
23:20
your
23:20
vocal
23:20
cords?
23:20
How
23:21
long
23:21
can
23:21
you
23:21
go
23:21
on
23:22
a
23:22
session
23:22
for
23:22
this?
23:23
Well,
23:23
I
23:24
mean,
23:25
know,
23:25
it
23:26
really
23:26
depends
23:27
on
23:27
the
23:27
director.
23:28
Because
23:28
if
23:29
you're
23:29
gonna
23:29
do,
23:29
say
23:30
you
23:30
have
23:30
40.
23:31
40
23:31
lines
23:32
as
23:32
bugs.
23:33
Well,
23:34
if
23:34
you
23:34
do
23:34
two
23:34
takes,
23:35
that's
23:35
80
23:35
takes.
23:36
Yeah.
23:36
If
23:36
you
23:37
start
23:37
doing
23:37
three
23:37
or
23:37
four
23:38
now
23:38
you're
23:38
into.
23:38
You're
23:39
over
23:39
100
23:39
takes.
23:40
That's
23:40
just
23:40
one
23:40
character.
23:41
So
23:41
it
23:41
depends
23:42
on
23:42
the
23:42
director.
23:43
Depends
23:43
on
23:43
the
23:43
material.
23:44
So,
23:45
you
23:45
know,
23:45
if
23:45
there
23:45
are
23:45
one
23:45
or
23:45
two
23:46
lines,
23:46
I
23:46
probably
23:47
can
23:47
get
23:47
it
23:47
out
23:47
in
23:47
one
23:48
or
23:48
two
23:48
takes,
23:48
you
23:48
know.
23:49
Yeah.
23:49
And
23:49
it's
23:49
true.
23:50
Different
23:50
directors
23:51
work
23:51
in
23:51
different
23:51
ways.
23:52
You
23:52
worked
23:52
with
23:52
Hanna
23:53
Barbera,
23:54
right?
23:54
Oh,
23:55
absolutely.
23:56
I
23:56
had
23:56
William
23:56
Hanna
23:57
direct
23:57
me,
23:57
and
23:58
he
23:59
never
23:59
did
23:59
that,
23:59
but
24:00
he
24:00
just.
24:00
Joe
24:00
Barbera
24:01
was
24:01
not
24:01
there
24:01
that
24:01
day.
24:02
And
24:02
I
24:02
had
24:02
Bill
24:02
Hanna
24:02
direct
24:03
me
24:03
as
24:03
George
24:04
Jetson
24:04
and
24:04
Mr.
24:04
Spacely
24:05
for
24:05
the
24:05
movie
24:05
the
24:05
Jetsons.
24:06
How
24:06
was
24:06
that?
24:07
Oh,
24:07
it
24:07
was
24:07
terrifying.
24:08
Terrifying.
24:09
Oh,
24:09
my
24:09
God.
24:10
He
24:10
was
24:10
falling
24:11
asleep.
24:12
And
24:12
every
24:13
time
24:13
that
24:13
I
24:14
would
24:14
say
24:14
a
24:14
line
24:14
and
24:16
I
24:16
would
24:16
joust
24:16
him,
24:16
he
24:17
would
24:17
wake
24:17
up
24:17
and
24:17
he
24:17
would.
24:17
Go,
24:18
I'm
24:18
doing
24:18
again.
24:19
It
24:19
wasn't
24:19
right.
24:20
It
24:20
wasn't
24:20
right.
24:21
How
24:22
old
24:22
was
24:22
he
24:22
at
24:22
this
24:22
point?
24:23
Oh,
24:23
he
24:24
was
24:24
in
24:24
his
24:24
70s
24:25
for
24:25
sure.
24:26
Yeah.
24:26
And
24:26
he
24:26
would
24:26
fall
24:27
asleep.
24:27
So
24:27
that
24:27
doesn't
24:28
say
24:28
much
24:28
about
24:28
me
24:29
either.
24:30
So
24:31
I
24:31
did
24:31
quite
24:32
a
24:32
few
24:32
of
24:32
the
24:32
different
24:33
characters
24:34
for
24:34
Hannah
24:34
Barbera
24:35
when
24:35
I
24:35
first
24:35
came
24:35
out
24:35
here.
24:36
And
24:36
I
24:36
was.
24:36
I
24:37
ended
24:37
up
24:37
being
24:37
a
24:38
character
24:38
called
24:39
King
24:39
Gerard
24:40
on
24:40
the
24:41
Smurfs.
24:41
Oh,
24:42
yes.
24:42
Yeah.
24:43
Yeah.
24:44
But
24:44
the
24:44
technique
24:45
of
24:45
that
24:46
show
24:46
was
24:47
they
24:47
did
24:47
it
24:47
like
24:48
a
24:48
radio
24:48
show.
24:48
Yeah.
24:49
It's
24:49
great
24:50
to
24:50
do
24:50
that.
24:50
And
24:51
you've
24:51
probably
24:51
been
24:51
in
24:51
a
24:52
situation
24:52
like
24:52
that.
24:52
All
24:53
the
24:53
actors
24:53
are
24:53
there.
24:54
It's
24:54
wonderful
24:55
to
24:55
do
24:55
that.
24:55
I'm
24:55
sitting
24:55
next
24:56
to
24:56
Jonathan
24:56
Winters,
24:58
and,
24:58
oh,
24:58
my
24:58
God,
24:59
all
24:59
of
24:59
my
24:59
idols
25:00
are
25:00
there.
25:01
And
25:01
we
25:01
do
25:01
a
25:02
radio
25:02
show.
25:03
And
25:03
then
25:03
they
25:03
would
25:04
do
25:04
pickups
25:05
afterwards.
25:06
Okay,
25:06
say,
25:07
Phil,
25:07
do
25:07
that
25:08
line
25:08
again.
25:08
And
25:09
you
25:09
could
25:09
do
25:09
it,
25:09
like,
25:09
three
25:10
different
25:10
ways.
25:11
Cause
25:11
they're
25:11
gonna
25:11
make
25:11
a
25:12
choice
25:12
and
25:12
then
25:12
cut
25:12
it
25:13
in.
25:13
I
25:13
think
25:13
that
25:14
gets
25:15
such
25:15
a
25:15
good
25:15
performance
25:16
usually
25:17
out
25:17
of
25:17
your
25:17
actors.
25:18
I
25:18
do,
25:18
too.
25:18
Yeah.
25:19
You've
25:19
got
25:19
the
25:19
camaraderie.
25:20
It's
25:21
wonderful.
25:21
But
25:21
they
25:22
so
25:22
rare.
25:23
I
25:23
mean,
25:23
Phil,
25:24
thank
25:24
you
25:24
for
25:24
sharing
25:25
that
25:25
story.
25:25
You
25:25
remind
25:26
me,
25:26
because
25:26
Jonathan
25:27
Winters
25:27
is
25:27
one
25:27
of
25:28
the
25:28
kings
25:29
of
25:29
comedy,
25:30
is
25:30
that
25:30
when
25:30
I
25:31
was
25:31
doing
25:31
tiny
25:31
tunes,
25:33
I
25:33
had
25:33
the
25:33
honor
25:34
to
25:34
sit
25:34
next
25:34
to
25:34
Don
25:34
Messick.
25:35
And
25:35
we
25:36
all
25:36
know
25:37
he
25:37
was
25:37
so
25:37
quiet.
25:38
You
25:38
know,
25:38
when
25:38
we're
25:39
sitting
25:39
around
25:39
in
25:39
the
25:39
green
25:39
room,
25:40
we're
25:40
just
25:40
chatting
25:40
in
25:41
between
25:41
records,
25:42
and
25:42
he
25:42
would
25:42
have
25:42
his
25:42
coffee.
25:43
He
25:43
wouldn't
25:43
say
25:43
much,
25:44
but,
25:44
boy,
25:44
when
25:44
that
25:44
mic
25:45
was
25:45
on,
25:45
he
25:46
just
25:46
exploded.
25:48
Maybe
25:49
he
25:49
was
25:49
saving
25:49
his
25:49
voice.
25:50
He
25:50
probably
25:50
was
25:50
saving
25:51
his
25:51
voice.
25:51
But
25:51
what
25:51
little
25:52
he
25:52
told,
25:53
it
25:53
really
25:53
affected
25:54
me.
25:54
And
25:54
many
25:55
years
25:55
later,
25:55
Cartoon
25:56
Network
25:56
was
25:57
looking
25:57
to
25:57
create
25:58
a
25:58
voice
25:58
for
25:58
the
25:58
network
25:59
of
25:59
Boomerang.
26:00
And
26:01
I
26:01
don't
26:02
know
26:02
what
26:02
made
26:02
me
26:03
think
26:03
of
26:03
it.
26:03
And
26:04
so
26:04
the
26:04
voice
26:04
that
26:05
I
26:05
ended
26:05
up
26:05
doing
26:05
for
26:06
Boomerang
26:06
was.
26:07
It's
26:07
all
26:07
coming
26:07
back
26:08
to
26:08
you
26:08
on
26:09
Boomerang
26:10
from
26:10
Cartoon
26:11
Network.
26:11
Watch
26:12
the
26:12
Flintstones
26:13
and
26:13
the
26:13
Jetsons,
26:14
which
26:14
is
26:15
kind
26:15
of
26:15
an
26:16
amalgamation
26:16
of
26:17
him
26:17
and
26:17
some
26:18
announcers
26:18
of,
26:18
like,
26:18
the
26:19
40s
26:20
and
26:20
50s.
26:20
So
26:21
it
26:21
was,
26:22
you
26:22
know,
26:22
I
26:23
just
26:23
sort
26:23
of
26:23
ingested
26:24
it,
26:24
just
26:24
being
26:24
around.
26:25
We
26:25
were
26:25
all
26:25
inspired
26:26
by
26:27
these
26:27
wonderful
26:28
actors.
26:29
Did
26:29
you
26:29
ever
26:29
work
26:29
with
26:30
Joni
26:30
Gerber?
26:32
I
26:32
think
26:32
I
26:33
did
26:33
work
26:33
with
26:33
Joni
26:33
Gerber.
26:34
Yes.
26:34
Yes.
26:35
Yeah.
26:35
I
26:35
mean,
26:35
remember,
26:36
I
26:36
was
26:36
on
26:36
the
26:36
east
26:36
coast,
26:37
so
26:37
I
26:37
didn't
26:37
come
26:37
out
26:38
here
26:38
full
26:38
time.
26:38
Oh,
26:39
that's
26:39
right.
26:39
Yeah.
26:40
Until
26:40
2008.
26:41
But
26:41
I
26:41
came
26:42
out
26:42
here
26:42
in
26:42
the
26:42
late
26:43
80s,
26:43
and
26:44
I
26:44
was
26:44
here
26:44
in
26:44
the
26:44
90s
26:45
when
26:45
I
26:45
was
26:45
doing
26:45
pebble
26:45
serial.
26:47
So
26:47
I
26:47
didn't
26:47
really
26:47
know
26:48
a
26:48
lot
26:48
of
26:48
people
26:49
because
26:49
I
26:49
wasn't
26:49
here
26:50
for,
26:50
you
26:50
know,
26:51
a
26:51
long
26:51
stretch
26:51
of
26:52
time.
26:52
You
26:53
actually
26:53
turned
26:54
down
26:54
some
26:54
work
26:55
in
26:55
LA
26:56
so
26:56
you
26:56
could
26:57
maintain
26:57
your
26:57
life
26:57
on
26:58
the
26:58
East
26:58
Coast.
26:58
And
26:58
what
26:59
were
26:59
you
26:59
in
26:59
Philly
27:00
or
27:00
New
27:00
York?
27:00
Where
27:00
were
27:01
you?
27:01
Well,
27:01
it
27:01
was
27:01
both.
27:02
I
27:02
mean,
27:02
I
27:02
raised
27:03
my
27:03
sons
27:03
in
27:04
Pittsburgh,
27:04
but
27:05
born
27:05
and
27:05
raised
27:05
in
27:06
Philadelphia
27:06
and
27:07
had
27:07
a
27:07
lot
27:07
of
27:07
family
27:07
there.
27:08
So
27:08
in
27:08
those
27:08
days,
27:09
it
27:09
was,
27:09
you
27:10
know,
27:10
it
27:10
was
27:10
territorial.
27:11
If
27:11
you
27:11
were
27:11
a
27:11
New
27:11
Yorker,
27:12
you
27:12
worked
27:12
in
27:12
New
27:12
York,
27:13
and
27:13
if
27:13
you
27:13
were
27:13
in
27:13
LA
27:14
or
27:14
Chicago,
27:14
and
27:14
you
27:15
worked
27:15
in
27:15
Chicago,
27:16
so
27:16
it
27:16
just
27:16
wasn't
27:17
so
27:17
easy
27:17
to
27:17
do.
27:18
Today,
27:19
you
27:19
can
27:20
be
27:20
anywhere.
27:21
That's
27:21
right.
27:22
You're
27:22
listening
27:22
to
27:22
Phil
27:22
and
27:22
Ted's
27:23
Sexy
27:23
Boomer
27:23
Show.
27:24
Our
27:24
guests
27:24
today,
27:25
Jeff
27:25
Bergman
27:26
and
27:26
Carla
27:26
Delaney.
27:27
Bergman.
27:27
Carla,
27:28
you've
27:28
done
27:28
some
27:28
impersonations
27:29
that
27:29
have
27:29
been
27:30
on
27:30
the
27:30
Kimmel
27:31
Show.
27:31
Oh,
27:31
yeah.
27:32
Late
27:32
night.
27:32
Loves
27:33
impressions.
27:33
What
27:34
did
27:34
you
27:34
do?
27:34
Well,
27:35
for
27:35
Kimmel,
27:35
I
27:35
did
27:36
Sarah
27:36
Palin
27:36
when
27:37
she
27:37
was
27:39
in
27:39
the
27:39
headlines.
27:40
Oh,
27:40
you
27:40
know,
27:41
that
27:41
kind
27:41
of,
27:42
you
27:42
know,
27:42
very
27:42
Midwestern
27:43
thing.
27:43
You
27:44
betcha.
27:45
And
27:46
we
27:46
love
27:47
spoofing
27:47
her.
27:47
I
27:47
think
27:48
for
27:48
Conan,
27:48
I
27:49
did.
27:50
We
27:50
did
27:51
a
27:51
bunch
27:51
of
27:51
bits
27:52
with
27:53
Martha
27:53
Stewart.
27:54
And
27:54
they
27:54
were
27:55
just
27:55
naughty
27:56
and
27:56
funny.
27:57
You
27:58
were
27:58
in
27:58
the
27:58
Groundlings?
27:59
Yeah,
27:59
the
27:59
improv
28:00
group
28:00
here
28:00
in
28:00
Los
28:01
Angeles.
28:01
And
28:01
I'm
28:01
a
28:02
Groundlings
28:02
mom.
28:02
Yeah.
28:03
Jeff
28:03
is
28:03
my
28:04
Groundlings.
28:04
I
28:04
did
28:04
all
28:04
the
28:04
shopping
28:05
and
28:05
everything.
28:06
I
28:06
looked
28:06
out
28:06
for
28:07
her.
28:07
Yes.
28:07
Bought
28:08
all
28:08
the
28:08
snacks.
28:08
How
28:09
long
28:09
were
28:09
you
28:09
with
28:09
the
28:09
Groundlings?
28:10
I
28:11
think
28:11
it
28:11
was
28:11
like
28:11
five
28:11
years
28:12
total.
28:13
Did
28:13
you
28:13
work
28:13
with
28:13
Phyllis
28:14
Katz?
28:15
Yes,
28:15
and
28:15
I
28:16
love
28:16
Phyllis
28:17
Katz.
28:17
She's
28:18
phenomenal.
28:19
Isn't
28:19
she?
28:20
Amazing.
28:21
She's
28:21
so
28:22
brilliant
28:22
and
28:22
such
28:23
a
28:23
giving,
28:24
so
28:24
creative,
28:25
such
28:25
a
28:25
giving.
28:25
Wonderful
28:26
host.
28:26
Another
28:26
past
28:27
guest
28:27
on
28:27
our
28:27
show.
28:28
Oh,
28:28
I
28:28
love
28:29
Phyllis.
28:29
And
28:30
Phyllis
28:30
is
28:31
also
28:31
a
28:31
genius
28:32
in
28:33
song
28:33
improvisation.
28:34
And
28:35
like
28:35
you,
28:35
Carla,
28:36
she's
28:36
a
28:36
playwright.
28:37
She
28:37
writes.
28:38
Yes.
28:38
You
28:38
know,
28:39
at
28:39
the
28:39
Groundlings,
28:40
you
28:40
know,
28:40
that
28:40
was
28:41
the
28:41
best
28:41
thing
28:43
on
28:43
the
28:43
performance
28:43
end.
28:43
But
28:44
being
28:44
at
28:44
that
28:44
kind
28:45
of
28:45
a
28:45
comedy
28:45
place
28:45
where
28:46
you're
28:46
literally
28:46
writing
28:47
a
28:47
new
28:47
show
28:48
every
28:48
week
28:48
that
28:48
you're
28:49
putting
28:49
up
28:49
in
28:49
front
28:49
of
28:49
an
28:50
audience.
28:50
So
28:51
I
28:51
think
28:51
for
28:51
a
28:51
lot
28:51
of
28:51
actors
28:52
who
28:52
start
28:52
with
28:52
performance,
28:53
it
28:53
shows
28:54
you,
28:54
hey,
28:54
you've
28:55
got
28:55
to
28:55
be
28:55
a
28:55
different
28:55
kind
28:56
of
28:56
triple
28:56
threat.
28:56
You've
28:57
got
28:57
to
28:57
be
28:57
a
28:57
writer,
28:57
producer,
28:58
you
28:58
know,
28:58
you've
28:59
got
28:59
to
28:59
put
28:59
on
28:59
these
28:59
different
29:00
hats
29:00
and
29:00
you
29:00
walk
29:01
out
29:01
of
29:01
there.
29:01
Most
29:02
people
29:03
have
29:04
this
29:04
ability
29:05
to
29:05
be
29:05
a
29:05
multi
29:05
hyphenate
29:06
after
29:06
they've
29:06
gone
29:06
through
29:07
that.
29:07
Yeah,
29:07
yeah,
29:07
that's
29:08
right.
29:09
Wonderful
29:09
training.
29:09
You
29:10
are
29:10
working
29:10
on
29:10
a
29:10
book
29:11
with
29:11
Noel
29:11
Blank's
29:12
wife,
29:13
Kat.
29:13
That's
29:13
Catherine.
29:14
Yeah.
29:15
Who
29:15
is
29:15
Mel
29:16
Blanc's
29:16
daughter
29:16
in
29:17
law.
29:17
She
29:17
writes
29:18
children's
29:18
books.
29:18
And
29:18
you're
29:19
writing
29:19
a
29:19
book
29:19
with
29:19
her
29:20
about
29:20
Mel's
29:21
life.
29:21
Yes.
29:22
So
29:22
it's
29:22
a
29:22
children's
29:23
picture
29:23
book.
29:24
And
29:24
I'm
29:24
not
29:24
sure
29:24
how
29:25
much
29:25
we're
29:25
at
29:25
liberty
29:25
to
29:26
say
29:26
yet,
29:26
but
29:26
yes,
29:27
we
29:27
have
29:27
been
29:28
writing
29:28
this
29:29
wonderful
29:30
book.
29:30
I
29:30
cannot
29:31
wait
29:31
for
29:31
it
29:32
to
29:32
be
29:32
in
29:32
the
29:33
world.
29:33
I
29:33
can't
29:34
say
29:34
much
29:34
else
29:35
about
29:35
it.
29:35
Fair
29:36
enough.
29:36
But
29:36
when
29:37
it
29:38
makes
29:39
its
29:39
debut
29:40
in
29:40
the
29:40
world,
29:40
you
29:40
will
29:40
be
29:41
one
29:41
of
29:41
the
29:41
first
29:41
to
29:41
know.
29:42
Please.
29:42
And
29:43
you
29:43
guys
29:43
are
29:43
collaborating
29:44
on
29:44
a
29:45
two
29:45
person
29:45
show?
29:46
Stage
29:46
show.
29:47
Yes,
29:47
we've
29:47
been
29:48
working
29:48
on
29:48
that.
29:48
We
29:48
are
29:48
super
29:48
excited.
29:49
What's
29:49
that
29:49
on?
29:50
Can
29:50
you
29:50
talk
29:50
about
29:50
that?
29:51
Well,
29:51
I
29:51
can
29:52
talk
29:52
a
29:52
little
29:52
bit
29:52
about
29:53
it.
29:53
It's.
29:54
You
29:54
have
29:54
more
29:55
security
29:55
clearances
29:55
than
29:56
a
29:56
CIA.
29:57
We
29:57
had
29:57
to
29:58
wait
29:58
to
29:58
see.
29:58
We'll
29:58
have
29:58
you
29:58
sign
29:59
two
29:59
NDAs.
30:00
I'm
30:00
sorry,
30:00
I
30:00
can't
30:01
talk
30:01
about
30:01
Mr.
30:01
Potato
30:02
Head.
30:02
I
30:02
cannot
30:02
talk
30:03
about.
30:03
But
30:04
now
30:04
we
30:04
can.
30:04
Now
30:04
we
30:04
can.
30:04
Yeah,
30:05
yeah.
30:05
No,
30:06
this
30:06
two
30:06
person
30:06
stage
30:07
show
30:07
really
30:07
is.
30:08
Are
30:08
so
30:08
many
30:09
things
30:09
that
30:09
have
30:09
happened
30:10
in
30:10
my
30:10
life
30:11
and
30:12
so
30:12
many
30:12
Incidences.
30:13
And
30:13
so
30:14
Carla
30:14
and
30:14
I
30:14
started
30:14
to
30:15
collaborate
30:15
on
30:15
this.
30:16
Well,
30:16
I've
30:17
written
30:18
three
30:18
one
30:18
woman
30:19
shows,
30:19
three
30:19
that
30:20
have
30:20
done
30:20
pretty
30:20
well.
30:21
And
30:21
so
30:21
in
30:21
the
30:21
Hollywood
30:22
Fringe
30:22
Festival.
30:22
Yeah,
30:23
I
30:23
think
30:23
my
30:24
brain
30:24
thinks
30:24
that
30:25
way.
30:25
And
30:26
so
30:26
when
30:26
Jeff
30:27
started,
30:27
he
30:27
would
30:27
tell
30:28
me
30:28
these
30:28
stories
30:28
and
30:28
I
30:29
would
30:29
think,
30:29
oh,
30:30
my
30:30
gosh,
30:30
Jeff,
30:30
please
30:31
pen
30:31
these
30:31
down.
30:32
These
30:32
are
30:32
really
30:32
great.
30:33
Just
30:33
the
30:34
way
30:34
you
30:34
got
30:34
an
30:34
agent.
30:35
I
30:35
was
30:36
like,
30:36
I
30:37
can
30:37
visualize
30:38
this.
30:38
I
30:38
don't
30:38
know.
30:39
Do
30:39
you
30:39
want
30:39
to
30:39
tell
30:39
me
30:40
how
30:40
I
30:40
got
30:40
an
30:40
agent?
30:41
Were
30:41
you
30:41
in
30:41
a
30:41
Charlie
30:41
the
30:42
Tuna
30:42
suit?
30:43
No,
30:44
no.
30:44
It's
30:44
a
30:44
little
30:44
bit
30:44
less
30:45
conspicuous
30:46
than
30:46
that.
30:46
It
30:46
was
30:47
something
30:47
as
30:48
simple
30:48
as
30:48
I
30:49
was
30:49
getting
30:49
ready
30:49
to
30:49
graduate
30:50
Pitt.
30:50
I
30:51
had
30:51
my
30:51
finals
30:51
to
30:51
take,
30:52
and
30:52
I
30:52
thought,
30:52
well,
30:52
I
30:52
got
30:52
about
30:53
a
30:53
week.
30:53
I'll
30:53
go
30:53
to
30:53
New
30:53
York
30:54
and
30:54
see
30:54
if
30:54
I
30:54
could
30:54
drop
30:54
my
30:55
tape
30:55
off
30:55
and
30:55
maybe
30:55
get
30:55
an
30:56
agent
30:56
after
30:56
I
30:56
graduate.
30:57
So
30:58
nobody
30:59
would
30:59
take
30:59
my
30:59
tape.
30:59
They
31:00
didn't
31:00
want
31:00
you
31:00
to
31:00
drop
31:00
off
31:01
any
31:01
pictures,
31:01
resumes
31:02
or
31:02
tapes.
31:02
And
31:02
I
31:02
thought,
31:02
well,
31:03
how's
31:03
anybody
31:03
gonna
31:03
get
31:03
heard?
31:04
Yeah,
31:05
a
31:06
strike.
31:06
So
31:07
I
31:08
decided
31:08
instead
31:09
of
31:09
doing
31:09
it
31:10
that
31:10
way,
31:10
I
31:10
would
31:11
deliver
31:11
my
31:11
tape
31:12
as
31:12
a
31:12
delivery
31:12
boy
31:14
and
31:14
I
31:14
would
31:14
get
31:14
the
31:15
reception
31:15
at
31:15
William
31:16
Morris
31:16
to
31:16
sign
31:17
for
31:17
me.
31:18
And
31:18
so.
31:19
And
31:19
I
31:20
just
31:20
put
31:20
on.
31:20
I
31:20
said,
31:20
I'm
31:21
here
31:21
to
31:21
give
31:21
a
31:22
tape
31:22
to
31:22
Carol
31:22
Baker
31:23
for
31:23
the
31:23
voiceover
31:23
department.
31:24
He
31:24
assigned.
31:24
Yeah,
31:24
it's
31:24
Jeff
31:25
Bergman
31:25
or
31:25
whatever.
31:26
And
31:26
she
31:26
looked
31:26
at
31:26
me
31:27
like,
31:27
I
31:27
see
31:27
through
31:28
this.
31:28
I
31:28
see
31:28
through.
31:28
Through
31:29
the
31:29
ruse,
31:29
but,
31:29
all
31:29
right,
31:29
I'll
31:30
play
31:30
along
31:30
with
31:30
you.
31:31
So
31:31
she
31:32
signed
31:32
for
31:32
it
31:32
and
31:32
she
31:32
took
31:33
the
31:33
tape
31:33
back.
31:33
I
31:33
forgot
31:34
all
31:34
about
31:34
it.
31:35
Couple
31:35
of
31:35
weeks
31:35
later,
31:36
I
31:36
guess
31:36
they're
31:37
watching
31:37
the
31:37
tape
31:38
in
31:38
one
31:38
of
31:39
their
31:39
conference
31:39
rooms
31:40
and
31:40
the
31:40
receptionist
31:41
walks
31:41
by
31:42
and
31:42
goes,
31:42
wait
31:42
a
31:42
minute.
31:43
That
31:43
guy
31:43
in
31:44
the
31:44
tape,
31:44
that
31:45
was
31:45
the
31:45
guy
31:45
who
31:45
delivered
31:46
the
31:46
tape.
31:47
So
31:47
they
31:47
realized
31:48
they
31:48
were
31:48
punked.
31:50
But
31:50
anyhow,
31:50
there
31:51
was
31:51
an
31:51
advertising
31:52
agency
31:52
that
31:53
had
31:53
their
31:53
client
31:54
Lee
31:54
and
31:54
Parent's
31:54
Worcestershire
31:55
sauce.
31:55
They
31:55
needed
31:56
somebody
31:56
who
31:56
could
31:57
do
31:57
like
31:57
Bogey
31:57
and
31:58
Cagney
31:58
and
31:58
Cary
31:58
Graham,
31:59
some
31:59
classic
32:00
Hollywood
32:01
voices.
32:01
And
32:02
they
32:02
said,
32:02
well,
32:02
look,
32:02
we
32:03
haven't
32:03
met
32:03
the
32:03
guy.
32:03
He's
32:03
not
32:03
our
32:04
client,
32:04
but
32:04
we'll
32:05
send
32:05
over
32:05
this
32:05
tape
32:06
and
32:06
if
32:06
you
32:06
like
32:06
him,
32:07
then
32:07
book
32:07
them.
32:08
So
32:08
they
32:08
liked
32:08
it.
32:09
William
32:09
R.
32:09
Has
32:10
called
32:10
me
32:10
up,
32:10
left
32:10
me
32:11
a
32:11
message
32:11
on
32:11
my
32:11
answering
32:12
machine.
32:12
He's
32:12
in
32:12
college.
32:13
In
32:13
between
32:13
finals,
32:14
I'm
32:14
going
32:14
home.
32:14
And
32:14
I
32:14
hear,
32:15
boop.
32:15
Hi,
32:16
this
32:16
is
32:16
Debbie
32:16
from
32:16
the
32:16
William
32:16
R's
32:17
agency.
32:17
Call
32:17
us
32:17
back.
32:18
You
32:18
have
32:18
a
32:18
booking
32:18
at
32:19
2:00
32:19
clock
32:19
at
32:19
Blah,
32:20
blah,
32:20
blah.
32:20
Yeah.
32:21
And
32:21
I
32:21
go,
32:21
what
32:21
is
32:21
a
32:22
booking?
32:23
What
32:24
does
32:24
that
32:24
mean
32:25
I'm
32:26
going
32:26
to
32:26
jail?
32:27
Yeah,
32:27
right.
32:27
I'm
32:28
booking.
32:28
So,
32:29
yeah,
32:29
it
32:29
just
32:29
was.
32:30
What
32:30
were
32:30
you
32:31
studying?
32:31
Well,
32:32
it
32:32
was
32:32
speech
32:33
and
32:33
rhetorical
32:33
communication
32:34
was
32:34
the
32:34
fancy
32:35
degree.
32:36
So
32:36
I'm
32:36
still
32:36
trying
32:37
to
32:37
figure
32:37
out
32:37
what
32:37
that
32:37
degree
32:38
was.
32:38
Seemed
32:38
applicable.
32:40
Yeah.
32:40
It
32:41
wasn't
32:41
theater
32:41
and
32:41
it
32:41
wasn't
32:42
radio.
32:44
But
32:44
anyhow,
32:46
it
32:46
was
32:46
out
32:46
of
32:47
desperation
32:47
because,
32:47
you
32:47
know,
32:48
what
32:48
are
32:48
you
32:48
gonna
32:48
do?
32:48
Desperation
32:49
breeds
32:49
opportunity.
32:50
Well,
32:51
I
32:51
like
32:51
that.
32:51
Chutzpah.
32:52
I
32:52
like.
32:52
Yes.
32:53
And
32:53
so
32:54
a
32:54
lot
32:54
of
32:54
the
32:54
show
32:54
is
32:54
weaving
32:55
itself,
32:55
you
32:55
know,
32:56
as
32:56
do.
32:56
If
32:56
you've
32:57
ever.
32:57
I
32:57
don't
32:57
know
32:57
if
32:57
you
32:58
have
32:58
any.
32:58
If
32:58
either
32:58
you
32:59
or
32:59
Phil
32:59
have
33:00
ever
33:00
done
33:00
any
33:00
kind
33:00
of
33:00
like
33:01
one
33:01
person
33:02
work,
33:02
but
33:02
it
33:02
tends
33:03
to
33:03
weave
33:03
itself
33:04
together,
33:04
I
33:05
kind
33:05
of
33:05
think
33:05
magically.
33:06
And
33:07
all
33:07
these
33:07
stories.
33:08
We
33:08
just
33:08
started
33:08
compiling
33:09
stories
33:09
and
33:09
they
33:10
just.
33:10
There
33:11
was
33:11
a
33:11
theme
33:11
there
33:12
and
33:12
it's.
33:12
Well,
33:12
we're
33:13
dramatizing,
33:14
you
33:14
know,
33:14
as
33:14
a
33:14
scene.
33:15
So
33:16
we're
33:16
really
33:16
super
33:16
excited
33:17
about
33:17
it.
33:18
So
33:18
you're
33:18
looking
33:18
at
33:18
what,
33:19
end
33:19
of
33:19
the
33:20
year?
33:21
End
33:21
of
33:21
the
33:21
year?
33:21
It
33:21
could
33:21
be
33:22
end
33:22
of
33:22
the
33:22
year.
33:22
Yeah.
33:23
Possibly
33:23
a
33:23
premiere
33:24
at
33:24
the
33:24
end
33:24
of.
33:24
The
33:24
year
33:24
here
33:24
in
33:24
Los
33:24
Angeles
33:25
or
33:25
Monroe
33:25
ville.
33:27
Well,
33:28
I
33:28
can
33:28
tell
33:28
you
33:28
it
33:28
won't
33:28
be
33:29
in
33:29
the
33:29
lab.
33:29
I'm
33:30
gonna
33:30
say
33:30
theater
33:31
in
33:31
Lancaster.
33:32
Yeah,
33:33
I.
33:34
Well,
33:34
don't,
33:34
you
33:34
know,
33:35
so
33:35
many
33:35
shows
33:35
that
33:36
premiered
33:36
in
33:36
Lancaster.
33:36
Well,
33:37
now
33:37
you're
33:37
selling
33:37
it,
33:37
Phil.
33:38
You're
33:38
saying
33:38
it's
33:38
so
33:39
hip
33:39
now
33:39
that
33:39
maybe
33:40
we
33:40
have
33:40
to
33:40
consider
33:41
that.
33:41
Yeah,
33:41
yeah,
33:42
yeah.
33:42
Opening
33:43
it
33:43
to
33:43
horse
33:43
and
33:43
buggy.
33:45
Listen,
33:45
we
33:45
hope
33:46
it's
33:46
in
33:46
LA
33:47
and
33:47
so
33:48
we
33:48
can
33:48
promote
33:48
it
33:48
and
33:49
have
33:49
you
33:49
back.
33:50
How
33:50
is
33:50
the
33:50
landscape
33:51
of
33:51
your
33:51
profession
33:52
these
33:52
days?
33:52
Everything's
33:53
in
33:53
such
33:53
flux,
33:54
you
33:54
know,
33:54
from
33:55
the
33:55
pandemic.
33:55
Then
33:56
we
33:56
had
33:56
the
33:56
strikes
33:57
and
33:57
the
33:57
fires.
33:59
So,
33:59
you
33:59
know,
33:59
it
33:59
takes
34:00
years
34:00
to
34:01
recover
34:01
from
34:01
strikes
34:02
alone.
34:03
So
34:03
I
34:03
think
34:04
we're
34:04
now
34:04
just
34:05
bouncing
34:05
back.
34:06
Don't
34:06
you
34:06
think
34:06
so?
34:07
I
34:07
do,
34:07
yeah.
34:08
I
34:09
get
34:09
that
34:09
feeling.
34:09
It's
34:10
really.
34:11
I
34:12
don't
34:12
know
34:12
if
34:12
I
34:12
want
34:12
to
34:12
say
34:13
reshaping
34:13
itself,
34:14
but
34:14
there
34:14
are.
34:15
For
34:15
everything
34:15
that
34:16
seems
34:16
to
34:16
be
34:16
contracting,
34:17
there
34:18
are
34:18
things
34:18
expanding.
34:19
So
34:19
it's
34:19
kind
34:20
of
34:20
just
34:20
getting
34:20
our
34:20
heads
34:21
around.
34:21
What
34:22
does
34:22
a
34:22
micro
34:22
drama
34:23
look
34:23
like?
34:23
What
34:23
does
34:24
a
34:24
vertical
34:24
look
34:24
like?
34:25
How
34:25
do
34:25
we
34:26
be
34:26
in
34:26
this
34:26
space
34:26
right
34:27
now?
34:28
So
34:28
you're
34:28
looking
34:28
at
34:28
this
34:29
as
34:29
entrepreneurs
34:30
as
34:30
well?
34:30
Yeah,
34:31
I
34:31
am.
34:31
Well,
34:31
yeah.
34:32
Because
34:32
today
34:33
when
34:33
I
34:33
go
34:33
to
34:33
a
34:33
Comic
34:34
Con
34:34
or
34:34
fan
34:34
expo,
34:35
the
34:35
first
34:35
question
34:35
how
34:36
do
34:36
I
34:36
get
34:36
started?
34:36
How
34:36
do
34:36
I
34:37
get
34:37
started?
34:37
And
34:38
I
34:38
tell
34:38
people
34:38
the
34:38
same
34:39
thing.
34:39
I
34:39
mean,
34:39
Carl
34:39
and
34:39
I
34:39
made
34:40
a
34:40
video
34:40
the
34:40
other
34:40
day.
34:40
It
34:40
was
34:41
Mel
34:41
Blanc's.
34:41
Birthday.
34:42
Oh,
34:42
wonderful.
34:44
How
34:44
many
34:44
voices
34:44
can
34:45
you
34:45
do
34:45
in
34:45
45
34:45
seconds?
34:46
Right.
34:46
F.
34:47
Bergmanofficial.
34:48
Go
34:48
to
34:48
Instagram.
34:49
Jeffbergman
34:50
official.
34:51
Like
34:51
Peter
34:51
Bergman.
34:52
That's
34:52
right.
34:53
And
34:53
there's
34:54
a
34:54
video.
34:54
Or
34:54
Ingrid
34:55
Bergman.
34:55
If
34:55
you're
34:55
overseas,
34:57
the
34:57
two
34:57
of
34:58
you.
34:58
Are
34:58
on
34:58
video
34:58
saying,
34:59
the
34:59
challenge
34:59
of
34:59
how
34:59
many
35:00
Looney
35:00
Tunes
35:00
voices
35:01
can
35:01
you
35:01
do
35:01
in
35:01
45
35:02
seconds?
35:02
Yeah.
35:03
Well,
35:03
how
35:03
many
35:03
gender?
35:04
I
35:04
couldn't.
35:04
I
35:04
lost
35:04
count.
35:05
Thirteen.
35:05
At
35:05
least.
35:05
Thirteen.
35:06
Thirteen.
35:06
Yeah.
35:07
It's
35:07
fun.
35:07
And
35:07
that
35:08
went
35:08
viral.
35:08
That's
35:09
it.
35:09
Yeah.
35:09
We
35:09
have
35:10
almost
35:10
a
35:10
half.
35:10
I
35:10
think
35:10
we
35:10
have
35:10
a
35:11
half
35:11
a
35:11
million
35:11
views
35:11
on
35:11
TikTok.
35:12
So
35:13
there's
35:13
a
35:13
whole
35:13
business
35:13
opportunity.
35:14
There's
35:14
a
35:14
whole
35:15
business
35:15
for
35:15
anybody
35:15
that
35:16
wants
35:16
to
35:16
get
35:16
seen.
35:17
I
35:17
mean,
35:17
you
35:17
used
35:17
to
35:17
have
35:18
to
35:18
go
35:18
to
35:18
a
35:18
comedy
35:18
club
35:18
and
35:19
be.
35:19
And
35:19
if
35:19
you
35:19
got
35:19
on
35:20
at
35:20
one
35:20
o'
35:20
clock
35:20
in
35:20
the
35:20
morning
35:20
and
35:21
catch
35:21
a
35:21
rising
35:21
star,
35:21
maybe
35:22
somebody
35:22
would
35:22
see.
35:23
Or
35:23
the
35:23
improv.
35:24
Now
35:24
you
35:24
do
35:24
a
35:24
video
35:25
and
35:25
everybody
35:26
sees
35:26
it.
35:26
You
35:27
know,
35:27
energy's
35:27
energy.
35:27
You
35:28
can
35:28
either
35:28
spend
35:28
it.
35:29
It's
35:29
like
35:29
anything.
35:30
You
35:30
can
35:30
spend
35:30
it
35:30
saying,
35:31
oh,
35:31
what
35:31
are
35:31
we
35:31
gonna
35:32
do?
35:32
What's
35:32
happening?
35:32
Or
35:33
you
35:33
can
35:34
say,
35:34
all
35:34
right,
35:34
well,
35:35
let's.
35:35
What
35:35
can
35:35
we
35:36
do?
35:36
So
35:36
you're
35:37
thinking
35:37
of
35:37
yourselves
35:38
as
35:38
independent
35:38
content
35:39
creators
35:40
in
35:40
some
35:40
ways.
35:41
I
35:41
think
35:41
all
35:42
artists
35:42
are
35:43
being
35:44
asked
35:44
if
35:45
you
35:45
are
35:45
comfortable
35:46
with
35:46
that,
35:46
to
35:46
pick
35:46
up
35:47
that
35:47
gauntlet.
35:47
Yeah.
35:48
I
35:48
mean,
35:48
look
35:48
at
35:49
that
35:49
movie
35:49
that
35:49
just
35:49
is
35:50
out
35:50
in
35:50
the
35:50
back.
35:51
Back
35:51
rooms.
35:51
The
35:51
kid
35:52
did
35:52
it.
35:52
Yeah.
35:52
The
35:52
YouTuber
35:53
backrooms.
35:54
20
35:54
year
35:54
old.
35:54
Yeah.
35:55
80,
35:55
$81
35:56
million.
35:56
It
35:56
opened.
35:57
Yeah.
35:58
It's
35:58
a
35:58
new
35:58
world.
35:58
And
35:59
now
35:59
you
35:59
can
35:59
do
35:59
everything
35:59
remotely
36:00
from
36:00
your
36:00
home.
36:01
I
36:02
don't
36:02
really
36:02
know
36:02
the
36:02
business,
36:03
but
36:03
I
36:03
see
36:03
animation
36:04
coming
36:04
out
36:04
of
36:05
Atlanta.
36:05
Archer.
36:07
I'm
36:07
hearing
36:07
that
36:07
the
36:07
studio
36:08
model.
36:08
This
36:08
whole
36:09
idea
36:09
of
36:09
sets
36:09
and
36:09
location
36:10
and
36:10
fixed
36:11
places
36:11
is
36:12
sort
36:12
of
36:12
going
36:12
by
36:13
the
36:13
way
36:13
of
36:13
AI.
36:14
Yeah.
36:15
And
36:15
they
36:15
don't
36:15
need
36:16
so
36:16
much
36:16
many
36:16
physical
36:17
props
36:17
and
36:18
they
36:18
don't
36:18
need
36:18
physical
36:19
scenic
36:19
as
36:20
much
36:20
as
36:20
they
36:20
did,
36:20
which
36:20
is
36:21
terrible
36:21
because
36:21
all
36:22
these
36:22
folks
36:22
are
36:22
generational
36:23
businesses
36:24
that
36:24
are
36:24
going
36:24
out
36:25
11
36:26
labs.
36:26
AI
36:27
vo.
36:28
Do
36:28
you
36:28
get
36:29
offers
36:30
to
36:30
license
36:31
your
36:31
voice
36:31
for
36:32
AI?
36:32
I
36:33
haven't
36:33
yet.
36:34
That.
36:35
That
36:35
has
36:35
not
36:35
happened
36:36
yet.
36:36
But
36:36
I
36:36
mean,
36:37
we
36:37
do
36:37
get
36:37
a
36:37
lot
36:37
of
36:37
auditions
36:38
for
36:38
podcasts.
36:40
So
36:40
I
36:41
mean.
36:41
Yeah,
36:42
I
36:42
mean,
36:42
I'm
36:42
sure
36:42
you've
36:42
had
36:43
those
36:43
as
36:43
well,
36:44
Phil.
36:45
Like
36:45
dramatized?
36:46
Yeah,
36:46
dramatized.
36:47
Yeah.
36:48
I've
36:48
done
36:48
some
36:49
of
36:49
those
36:49
recently.
36:49
But
36:50
I
36:50
have
36:50
been
36:50
approached
36:51
to
36:51
do
36:52
one
36:52
of
36:52
my
36:52
voices
36:53
for
36:53
perpetuity
36:55
with.
36:55
With
36:56
a
36:57
company
36:57
which
36:57
I
36:58
cannot.
36:58
Of
36:58
which
36:59
I
36:59
cannot
36:59
speak.
37:01
Yeah.
37:01
But
37:02
if
37:02
I
37:02
do.
37:02
They'll
37:03
kill
37:03
me
37:03
and
37:03
they'll
37:04
still
37:04
use
37:04
my
37:04
voice.
37:07
Where's.
37:09
But
37:10
I
37:10
do
37:10
want
37:10
to
37:10
mention
37:11
one
37:11
thing,
37:11
and
37:11
I'm
37:11
sure
37:11
that
37:12
you
37:12
guys
37:12
will
37:12
both
37:12
hear
37:12
degree
37:13
before
37:14
the,
37:16
the
37:16
contagion
37:17
hit,
37:18
we
37:18
would
37:18
all
37:18
go
37:19
into
37:19
our.
37:20
Our
37:21
agents
37:21
offices,
37:23
right?
37:24
They
37:24
had
37:24
little
37:24
studios.
37:26
And
37:26
you'd
37:26
sit
37:27
with
37:27
all
37:27
of
37:27
your
37:28
peers,
37:28
all
37:28
of
37:29
you,
37:29
your
37:29
voice
37:29
over
37:30
friends.
37:30
I
37:31
missed
37:31
that.
37:31
And
37:32
tell
37:32
wonderful
37:32
stories.
37:34
And
37:34
then
37:34
sometimes
37:35
you'd
37:35
go
37:35
in
37:35
and
37:35
work
37:36
together.
37:37
All
37:37
of
37:37
a
37:37
sudden
37:37
that
37:38
all
37:38
went
37:38
away
37:39
and
37:39
now
37:39
we
37:39
have
37:40
to
37:40
sit
37:40
in
37:40
our
37:41
own
37:41
little
37:41
private
37:42
studios
37:43
or
37:43
closets
37:44
or
37:44
whatever
37:44
we
37:44
work
37:45
from
37:45
and
37:46
send
37:46
stuff
37:47
out
37:47
and
37:47
we
37:48
don't
37:48
even
37:48
know
37:48
who
37:48
we're
37:48
competing
37:49
against
37:49
anymore.
37:50
They
37:50
call
37:50
it
37:51
the
37:51
vacuum.
37:55
Yeah.
37:55
We
37:56
go
37:56
from
37:56
the
37:56
vacuum
37:57
tube,
37:57
which
37:58
I'm
37:58
sure
37:58
only
37:58
I
37:59
remember,
38:00
to
38:00
the.
38:00
To
38:01
the
38:01
vacuum.
38:01
Right.
38:02
I'm
38:02
grateful
38:03
that
38:03
I'm
38:03
as
38:03
old
38:04
as
38:04
I
38:04
am
38:04
right
38:04
now
38:05
and
38:05
don't
38:05
have
38:05
to
38:06
keep
38:06
up
38:06
with.
38:06
With
38:06
it.
38:07
I
38:07
don't
38:07
feel
38:07
the
38:08
necessity
38:08
to
38:09
do
38:09
that.
38:09
And
38:09
by
38:09
the
38:09
way,
38:10
in
38:10
my
38:10
book,
38:11
where's
38:11
my
38:11
Fortune
38:12
Cookie?
38:13
Like
38:13
you,
38:13
Jeff
38:14
and
38:14
Carla,
38:15
I
38:15
talk
38:15
about
38:16
the
38:16
coincidences
38:17
and
38:18
the
38:18
incidences
38:19
that
38:20
led
38:20
to,
38:20
you
38:20
know,
38:21
representation
38:22
and
38:23
remarkable
38:24
coincidences
38:25
that
38:25
led
38:25
to
38:25
the
38:26
meeting
38:26
with
38:26
the
38:26
Fireside
38:27
Theater
38:28
and
38:28
the
38:28
odd
38:29
way
38:29
that
38:29
our
38:29
careers,
38:31
you
38:31
know,
38:32
lead
38:32
us
38:33
into
38:33
various
38:34
roles.
38:34
You
38:34
never
38:34
know.
38:34
Yeah.
38:35
So
38:35
Mr.
38:36
Potato
38:36
Head,
38:37
this
38:37
is
38:37
a
38:37
big
38:38
deal
38:39
to
38:39
be
38:39
a
38:40
character,
38:40
a
38:41
fixed
38:41
character
38:43
in
38:43
a
38:43
franchise
38:44
of
38:44
that
38:44
magnitude.
38:45
And
38:45
doing
38:46
Don
38:46
Rickles,
38:47
how
38:48
was
38:48
that
38:48
experience
38:48
all
38:49
in
38:49
all?
38:49
I
38:49
mean,
38:49
did
38:49
you
38:49
audition?
38:50
Were
38:50
you
38:50
called?
38:51
How
38:51
did
38:51
you
38:51
get
38:52
the
38:52
job?
38:52
Do
38:52
you
38:53
want
38:53
me
38:53
to
38:53
tell?
38:53
No,
38:53
you
38:54
tell
38:54
this.
38:54
Yeah.
38:55
Okay.
38:55
Well,
38:55
I've
38:56
been
38:56
on
38:56
the
38:56
journey
38:56
with
38:57
him.
38:58
The
38:58
short
38:58
story
38:59
is
39:01
when
39:01
he
39:01
passed
39:01
away,
39:02
I
39:02
was
39:02
so
39:02
distraught.
39:03
I
39:03
was
39:03
so
39:03
upset
39:03
because
39:03
I
39:04
thought,
39:04
I
39:05
love
39:05
this
39:05
movie
39:05
so
39:06
much.
39:06
I
39:06
took
39:06
both
39:06
of
39:06
my
39:07
sons
39:07
to
39:07
see
39:07
the
39:07
first
39:08
one
39:08
31
39:08
years
39:09
ago.
39:10
Fantastic
39:10
movie.
39:11
It's
39:11
an
39:11
amazing
39:12
movie.
39:12
I
39:12
mean,
39:13
it's
39:13
the
39:13
first
39:13
all
39:14
computer
39:14
generated
39:15
film.
39:15
I
39:15
mean,
39:15
it
39:16
was
39:16
a
39:16
remarkable
39:17
achievement.
39:17
Yeah.
39:18
I'm
39:18
glad
39:18
to
39:18
have
39:18
inspired
39:19
you.
39:23
Thank
39:23
you,
39:23
Phil.
39:24
Thank
39:24
you.
39:25
My
39:25
pleasure.
39:26
I
39:26
just
39:26
was
39:27
so
39:28
like,
39:28
oh,
39:28
does
39:29
that
39:29
mean
39:29
we
39:29
lose
39:29
Mr.
39:30
Potato
39:30
Head?
39:30
You
39:30
gotta
39:31
be
39:31
kidding
39:31
me.
39:32
And
39:32
so,
39:33
you
39:33
know,
39:33
I
39:33
thought
39:34
to
39:34
myself,
39:34
well,
39:34
they
39:35
could
39:35
retire
39:35
the
39:35
character
39:36
then.
39:36
That's
39:36
it.
39:36
But
39:36
then
39:37
I
39:37
thought,
39:37
well,
39:37
kids
39:37
don't
39:38
really
39:38
know
39:39
per
39:39
se
39:40
who
39:41
voices
39:41
it.
39:41
They
39:42
just
39:42
hear
39:42
it
39:42
and
39:42
go
39:43
see
39:43
it.
39:43
And
39:43
that's
39:44
Mr.
39:44
Potato
39:44
or
39:44
that's
39:45
so
39:45
and
39:45
so.
39:45
So
39:46
I
39:46
started
39:47
to
39:47
work
39:47
on
39:47
the
39:47
character
39:48
because
39:48
of
39:48
the
39:49
love
39:49
that
39:49
I
39:49
had
39:50
for
39:50
the
39:50
character
39:51
and
39:51
for
39:51
John
39:51
Rickles,
39:52
of
39:52
course.
39:53
So
39:53
eventually
39:54
I
39:54
made
39:54
a
39:54
tape.
39:54
It
39:55
took
39:55
me
39:55
about,
39:55
I
39:55
don't
39:56
know,
39:56
maybe
39:56
six
39:56
months
39:56
to
39:56
make.
39:57
I
39:57
had
39:57
Carla
39:58
to
39:58
help
39:58
pick
39:58
the
39:58
takes
39:59
and
39:59
send
39:59
it
39:59
to
39:59
my.
40:00
So
40:00
it's
40:00
a
40:00
big.
40:01
It's
40:01
a
40:01
long
40:01
training
40:02
process
40:02
for
40:02
you
40:02
to
40:03
get
40:03
these
40:03
voices.
40:03
They
40:03
don't
40:03
just
40:04
come
40:04
naturally
40:04
to
40:04
you.
40:05
Some
40:05
more
40:05
so
40:05
than
40:05
others.
40:06
This
40:06
took
40:07
more
40:07
time
40:07
and
40:08
I
40:08
just.
40:08
Wanted
40:08
to
40:08
think
40:08
of
40:08
that.
40:09
Rocky
40:09
da
40:09
na
40:09
na,
40:10
you
40:10
know,
40:10
the
40:11
montage.
40:13
Sometimes
40:13
you
40:13
really
40:13
have
40:14
to
40:14
work
40:14
for
40:14
it.
40:15
And
40:15
so
40:15
I
40:16
brought
40:16
it
40:16
to
40:16
my
40:17
agent
40:17
and
40:17
she
40:17
said,
40:18
okay,
40:18
it's
40:18
great
40:18
you
40:19
do
40:19
old
40:19
Jews,
40:19
I
40:19
get
40:20
it.
40:20
What
40:20
do
40:20
you
40:20
want
40:20
me
40:20
to
40:20
do?
40:22
And
40:24
so
40:24
I
40:25
don't
40:25
know.
40:25
I
40:25
didn't
40:25
know
40:26
what
40:26
to
40:26
do.
40:26
So
40:26
a
40:27
couple
40:27
of
40:27
years
40:27
ago,
40:28
this
40:28
is
40:28
almost
40:29
nine
40:29
years
40:29
ago,
40:29
a
40:29
couple
40:30
years
40:30
ago,
40:30
they're
40:30
talking
40:30
about
40:31
there's
40:31
going
40:31
to
40:31
be
40:31
Toy
40:31
Story
40:32
5.
40:32
And
40:33
so
40:33
I
40:33
said,
40:33
maybe
40:34
I'll
40:34
finagle
40:35
up
40:35
another
40:35
sample
40:36
or
40:36
I'll
40:36
edit
40:36
it
40:37
down.
40:37
Anyhow,
40:38
I
40:38
presented
40:38
it
40:38
to
40:39
my
40:39
manager.
40:40
She
40:40
got
40:40
it
40:41
to
40:41
casting
40:41
at
40:41
Pixar.
40:42
They
40:42
were
40:42
already
40:42
looking
40:43
at
40:43
higher
40:43
profile
40:44
people
40:44
than
40:44
me,
40:45
other
40:45
comedians
40:46
and
40:46
actors,
40:47
but
40:47
she
40:47
got
40:47
it
40:47
to
40:47
the
40:48
casting
40:48
person.
40:48
They
40:48
thought
40:49
it
40:49
was
40:50
good.
40:50
She
40:50
asked
40:51
me
40:51
to
40:51
submit
40:51
a
40:51
second
40:52
audition
40:52
in
40:52
my
40:53
own
40:53
voice,
40:53
which
40:54
rarely.
40:54
Happens
40:54
when
40:55
we
40:55
do
40:55
voice
40:56
matching,
40:56
which
40:56
stunned
40:56
me.
40:57
Your
40:57
own
40:58
voice?
40:58
Yes,
40:59
we
40:59
just
40:59
want
41:00
to
41:00
hear
41:00
your
41:00
voice.
41:00
I
41:00
said,
41:01
well,
41:01
what
41:01
would
41:01
you
41:01
like
41:02
me
41:02
to
41:02
read?
41:02
She
41:02
said,
41:02
anything
41:03
that
41:03
you
41:03
want.
41:03
So
41:04
now
41:04
this
41:04
is
41:04
okay,
41:05
we're
41:05
talking
41:05
about
41:05
the
41:06
synchronicities.
41:08
So
41:09
this
41:09
two
41:09
person
41:09
show
41:10
that
41:10
we've
41:10
been
41:10
writing,
41:10
Jeff
41:11
had
41:11
written
41:11
a
41:11
piece.
41:11
I'm
41:12
going
41:12
to
41:12
jump
41:12
in
41:12
just
41:12
so
41:12
I
41:12
can
41:13
say
41:13
Jeff
41:13
wrote
41:14
a
41:14
piece
41:14
about
41:15
his
41:15
and
41:16
you
41:16
can
41:16
tell
41:16
the
41:16
story,
41:16
but
41:17
about
41:17
his
41:17
first
41:17
exposure
41:18
to
41:19
Don
41:19
Rickles
41:20
as
41:20
a
41:20
child.
41:21
And
41:21
I
41:21
said,
41:22
traumatic
41:24
as
41:24
it
41:24
would.
41:24
Be
41:24
for
41:25
any
41:25
child,
41:25
right?
41:25
But
41:26
I
41:26
said,
41:26
I
41:26
think
41:26
this
41:27
is
41:27
the
41:27
story.
41:28
This
41:28
is
41:28
what
41:28
you
41:28
do
41:29
with
41:29
your
41:29
voice.
41:30
You've
41:30
got
41:30
to
41:30
tell
41:30
this
41:30
in
41:31
your
41:31
voice,
41:31
but
41:31
go
41:31
ahead.
41:33
Well,
41:33
it
41:34
was.
41:34
My
41:34
parents
41:35
were
41:35
so.
41:36
They
41:36
were
41:36
so
41:37
taken
41:37
with
41:37
Don
41:37
Rickles
41:38
album
41:38
hello
41:39
Dummy.
41:40
And
41:40
that
41:40
was,
41:40
we're
41:41
talking
41:41
58
41:42
years
41:42
ago
41:42
that
41:43
that
41:43
album
41:43
came
41:43
out.
41:44
And
41:44
so
41:44
they'd
41:44
be
41:44
sitting
41:44
in
41:45
the
41:45
living
41:45
room
41:45
listening
41:45
to
41:45
that
41:46
record,
41:46
getting
41:46
sloshed
41:47
with
41:47
their
41:47
neighbors
41:47
and
41:48
giggling.
41:48
And
41:48
I
41:49
was
41:49
at
41:49
the
41:49
top
41:49
of
41:49
the
41:49
steps
41:50
as
41:50
an
41:50
8
41:50
year
41:50
old
41:50
kid
41:51
laughing.
41:51
I
41:51
don't
41:52
know,
41:52
I
41:52
couldn't
41:52
get
41:52
any
41:52
of
41:52
the
41:53
jokes,
41:53
but
41:53
they're
41:53
laughing,
41:53
so
41:54
I'm
41:54
laughing.
41:55
Never
41:55
could
41:55
I
41:55
have
41:55
imagined
41:56
that
41:56
the
41:56
Mr.
41:56
Potato
41:57
Head
41:57
that
41:57
I'm
41:57
playing
41:57
with
41:58
as
41:58
a
41:58
child.
41:59
And
41:59
that
42:00
comedy
42:00
album
42:00
with
42:01
Rickles
42:01
would
42:02
converge
42:02
at
42:02
some,
42:03
you
42:03
know,
42:04
40,
42:04
50
42:04
years
42:05
later.
42:06
So
42:06
that
42:07
he
42:07
inspired
42:07
me.
42:08
And
42:08
being
42:09
bullied
42:09
as
42:09
a
42:09
kid,
42:09
which
42:10
we
42:10
do
42:11
talk
42:11
about
42:11
in
42:12
the
42:12
two
42:12
person
42:12
show,
42:14
Rickles
42:14
made
42:15
it
42:15
easier
42:15
to
42:16
be
42:16
who
42:17
you
42:17
are
42:17
because
42:18
he
42:18
picked
42:18
on
42:18
everybody.
42:19
There
42:19
were
42:19
no
42:19
sacred
42:20
cows.
42:20
Right.
42:21
We
42:21
all
42:21
remember
42:21
that.
42:22
I
42:23
kid
42:23
you
42:23
because
42:23
I
42:23
love
42:24
you.
42:24
Yeah,
42:24
yeah,
42:25
exactly.
42:26
Sometimes
42:26
you
42:26
need
42:26
that.
42:26
People
42:27
knew
42:27
what
42:27
a
42:27
really
42:27
warm
42:28
hearted
42:28
person
42:28
that
42:29
he
42:29
was.
42:29
And
42:30
so
42:30
that
42:30
was
42:30
all
42:30
just
42:30
exaggeration
42:31
on
42:32
his
42:32
part.
42:32
Well,
42:32
anyhow,
42:34
told
42:34
that
42:34
story.
42:35
And
42:35
then
42:35
I
42:36
peppered
42:36
in
42:36
a
42:36
couple
42:36
of
42:37
Don
42:37
Rickles
42:37
lines
42:38
in
42:38
there.
42:39
They
42:39
heard
42:39
both
42:40
of
42:40
the
42:40
tapes.
42:40
She
42:41
sent
42:41
it
42:41
to
42:41
the
42:41
director,
42:41
the
42:42
casting
42:42
director.
42:43
Director
42:43
heard
42:43
it
42:43
and
42:44
said,
42:44
book
42:44
him.
42:44
He's
42:44
the
42:45
guy.
42:45
Wow.
42:45
So
42:46
I'm
42:46
still
42:46
pitching
42:46
myself.
42:47
Congratulations,
42:47
guys.
42:48
Thank
42:48
you.
42:48
I
42:48
mean,
42:48
it
42:48
is
42:49
an
42:49
honor
42:49
to
42:50
be
42:50
in
42:50
a
42:50
Toy
42:51
Story
42:51
film.
42:51
And
42:51
then
42:52
for
42:52
an
42:52
iconic
42:53
voice
42:53
like
42:54
Don
42:54
Rickles.
42:55
Oh,
42:55
man,
42:56
we're
42:56
out
42:56
of
42:56
time.
42:57
Oh,
42:57
went
42:58
so
42:58
fast.
42:58
Do
42:59
I
42:59
do
42:59
the
42:59
sign
42:59
off,
43:05
Folks?
43:08
Oh,
43:09
man.
43:09
Thank
43:09
you
43:10
so
43:10
much.
43:10
Jeff
43:10
Bergman.
43:11
Carla
43:11
Delaney
43:12
Bergman.
43:12
What
43:12
an
43:13
amazing
43:13
couple
43:13
you
43:14
are.
43:14
Thank
43:14
you
43:14
so
43:14
much
43:14
for
43:15
coming
43:15
on
43:15
our
43:15
show.
43:15
Thank
43:16
you,
43:16
Ted.
43:16
Thank
43:16
you.
43:16
This
43:17
is
43:17
Phil
43:17
and
43:17
Ted's
43:17
Sexy
43:18
Boomer
43:18
show.
43:19
Thank
43:19
you,
43:19
Phil.
43:20
You
43:20
can
43:20
hear
43:21
all
43:21
our
43:21
shows
43:22
at
43:22
SexyBoomershow.com.
43:23
Thank
43:23
you
43:23
so
43:23
much
43:23
for
43:23
listening
43:24
and
43:24
we'll
43:24
see
43:24
you
43:24
soon.