Latest / The Bootleg Kev Podcast / #437 - DaBoii

Transcript

#437 - DaBoii · The Bootleg Kev Podcast

0:00
Speaker 1: Or so the man. It's the boy Man. Check me
0:02
Speaker 1: out boutleg Cam podcast.
0:07
Speaker 2: Your Boutlet Cam podcast special guests in here. Just got
0:10
Speaker 2: out of jail after sitting down for about a year
0:13
Speaker 2: or so, but he is home the boys.
0:14
Speaker 1: Yes, sir, appreciate you for having me.
0:16
Speaker 2: You gained how many pounds in jail?
0:19
Speaker 1: I gained fundy for real, went in the boy looking
0:22
Speaker 1: like the man now, No appreciate it, yes, and no
0:25
Speaker 1: reference to the Kendrick Yourphoria songs.
0:27
Speaker 2: By the way, anyway, what does it feel like to
0:30
Speaker 2: be home?
0:30
Speaker 1: And obviously you know, yeah gonna Lie, I feel good
0:33
Speaker 1: like I still feel like it's my first day out
0:35
Speaker 1: for real, Lie.
0:37
Speaker 2: I mean, what was the reason why you ended up
0:39
Speaker 2: having to go sit down?
0:41
Speaker 1: Probasic violation for high speed? And then they pulled me
0:44
Speaker 1: over They found a little strap somewhere up in the
0:48
Speaker 1: whip on the high speed?
0:51
Speaker 2: Yeah, sh like criminal speed, like what you must have
0:54
Speaker 2: been I was triple digits for so triple digiting, so
0:58
Speaker 2: for so jesus, oh mamas, at least you didn't getting
1:02
Speaker 2: caught bipping or something that'd have been crying like a
1:04
Speaker 2: barrier goes to jail for bipping like Finally I know
1:06
Speaker 2: who broke it into my fucking car.
1:08
Speaker 1: Was the boy. Niggas don't get no time for that
1:10
Speaker 1: shit through they don't, right.
1:11
Speaker 2: That's why everyone does it because like they just get
1:14
Speaker 2: like let go, or there's like.
1:15
Speaker 1: They getting kicked right out oz in jail and hell
1:17
Speaker 1: the niggas thats in there for bipping, they getting right out.
1:20
Speaker 2: What the fuck?
1:21
Speaker 1: Mamas?
1:22
Speaker 2: So do you think that they're at least starting to
1:25
Speaker 2: take the bipping because I feel like there's been this
1:28
Speaker 2: like narrative about at least obviously the lated for people
1:31
Speaker 2: who don't know, the Bay Area is not just one place.
1:33
Speaker 2: It's different mayors and shit. But the mayor of San
1:35
Speaker 2: Francisco made it very easy for people to bip and
1:39
Speaker 2: keep it moving or going to the store and grab
1:43
Speaker 2: up a bunch of shit. Yeah, take it to the
1:45
Speaker 2: mission and sell it. Has it gotten like more? Is
1:49
Speaker 2: it the same?
1:51
Speaker 1: It's dinner the same for I ain't seen you know
1:53
Speaker 1: up there they talk about a lot of shit on
1:54
Speaker 1: the nose, but you feel me, A lot of shit
1:55
Speaker 1: don't happen. You feel me?
1:57
Speaker 2: Do you feel like the because the narrative of people
2:00
Speaker 2: who a lot of people from the base is too,
2:02
Speaker 2: but nationally is like San Francisco, which I know is
2:06
Speaker 2: not all of the Bay, shots of Oakland, shots of
2:08
Speaker 2: Hill shots, the whole area, but that like it's like
2:11
Speaker 2: it's kind of cooked out there right now. Like a
2:13
Speaker 2: lot of the nightlife is kind of gone, like just
2:15
Speaker 2: a lot of just because of all the crime or
2:17
Speaker 2: do you say, do you think that that's overstated?
2:20
Speaker 1: Uh, I ain't got a lot of Uh the nightlife
2:25
Speaker 1: kind of cool, but there ain't a lot of day
2:26
Speaker 1: parties in the Beato cragging praise a lot of DJs.
2:30
Speaker 2: They've always been crazy shots, army and ribs and all that.
2:32
Speaker 2: There's always I feel like always the Bays always had
2:35
Speaker 2: the best day.
2:35
Speaker 1: Parties for sure. For so the dj is run the
2:37
Speaker 1: day life for so dinner the night life too.
2:39
Speaker 2: For Yeah, I mean like there's no like Lentier was
2:41
Speaker 2: a Vlentier room providence, is there?
2:45
Speaker 1: Yeah?
2:46
Speaker 2: Shots to San Jose too, if you want to party
2:48
Speaker 2: with some.
2:48
Speaker 1: Lovely Asians, you know, Mama's San Jose. That should be
2:52
Speaker 1: cracking out there too. Really the city though, San Francisco
2:56
Speaker 1: and Ugland, that's where everybody's going.
2:58
Speaker 2: Yeah, because you were like in and out Burger closed
3:01
Speaker 2: in Oakland, yep, yep. And that's the first story they
3:04
Speaker 2: ever closed, and they said it was just because of
3:05
Speaker 2: the crime and like it's crazy out there. But I
3:09
Speaker 2: feel like anytime I'm in the bay and I go often,
3:11
Speaker 2: I don't ever feel it. I just know I don't
3:13
Speaker 2: keep nothing in the car.
3:14
Speaker 1: Better not keep nothing in the car. Roll your ship down,
3:17
Speaker 1: Mama's keep that motherfucker down it. If you really don't
3:20
Speaker 1: give a fuck, pop the trunk. You leave the trunk
3:22
Speaker 1: open for so for so especially if you ain't got
3:25
Speaker 1: nothing in it, They're gonna look in there. You feel
3:26
Speaker 1: me see it's nothing in it. But are you good?
3:28
Speaker 1: Other than that, you're gonna come to your whip broken
3:31
Speaker 1: window for sure? Have you have you?
3:34
Speaker 2: Have you been bipped yourself?
3:36
Speaker 1: I think I got a bit one time ever in
3:38
Speaker 1: my life?
3:38
Speaker 2: Real did they take anything?
3:40
Speaker 1: Yeah?
3:41
Speaker 2: Anything of importance?
3:43
Speaker 1: Yeah? Damn yeah, like what some some ship.
3:48
Speaker 2: Something that you might have got violated for? Why don't
3:52
Speaker 2: mister fab has been for a couple of times. I remember,
3:54
Speaker 2: I think once they took his daughter's backpack with like
3:56
Speaker 2: her like homework in it, and he was like, yo,
3:58
Speaker 2: my keep on all the other ship.
4:00
Speaker 1: I just need my daughter ship back. She's studying niggas
4:02
Speaker 1: out of pocket for that. You know how that it
4:05
Speaker 1: beat all like if that ship in a backpack zipped up.
4:07
Speaker 1: You feel me they going for bags and ship and
4:09
Speaker 1: there ain't taking that ship to They getting they shit
4:13
Speaker 1: for sure? For sure?
4:15
Speaker 2: Did you see Bernard just dropped the trailer. He's doing
4:18
Speaker 2: a movie called Splash City. Have you heard of it?
4:19
Speaker 1: It's it's about bipping.
4:21
Speaker 2: It's about bipping. It's it's kind of the first Bay
4:24
Speaker 2: Area crime movie.
4:27
Speaker 1: I feel like that we've gotten damn near. I remember
4:31
Speaker 1: that he was talking about doing that for a couple
4:33
Speaker 1: of years. Though it's finally emotion now for so waiting
4:35
Speaker 1: for that to come out for so that gotta watch that.
4:40
Speaker 2: Yo. I've been to Vallejo a few times. You and
4:44
Speaker 2: I were supposed to shoot up there. I think we
4:48
Speaker 2: were at King's Market shout to the Crest, and then
4:52
Speaker 2: we went back and we actually got a hotel across
4:55
Speaker 2: the street from was it seven to eleven right there?
4:58
Speaker 1: Yeah?
4:59
Speaker 2: Was that Hampton? Yeah, we're sure we're staying at that
5:02
Speaker 2: Hampton end right there, because we went out and try
5:04
Speaker 2: with low Russell and everybody was tripping there like you're
5:09
Speaker 2: staying in the crest, and I was like, what's the
5:10
Speaker 2: big deal? Like, we walked over to the we got
5:13
Speaker 2: we got some fucking mister so mac dre soda over there,
5:15
Speaker 2: you know what I'm saying. But the time you and
5:17
Speaker 2: I were supposed to shoot there, it was super active
5:20
Speaker 2: over there. For people who don't kind of understand, like
5:23
Speaker 2: Vallejo is like we hear about it all the time.
5:27
Speaker 2: Obviously we know about the forty, obviously we know about
5:30
Speaker 2: mac dre. It's but I think a lot of people
5:33
Speaker 2: kind of associate Vallejo and San Francisco and Oakland all
5:36
Speaker 2: be pretty much the same thing or very close to
5:38
Speaker 2: each other. But like Vallejo is like a serious Yeah,
5:41
Speaker 2: forty five minute drive away from if there's no traffic right.
5:45
Speaker 1: Now, if there's no traffick thirty yeah, like thirty thirty.
5:48
Speaker 2: To forty five an hour, you know. But it is
5:50
Speaker 2: like a small town that is on the outskirts of
5:54
Speaker 2: San Francisco and Oakland, right so you got to cross
5:56
Speaker 2: a bridge, go over some water.
5:58
Speaker 1: Yeah.
5:58
Speaker 2: So, and it's known to be like a very violent place,
6:02
Speaker 2: you know. I feel like recently l Russell has done
6:04
Speaker 2: a really good job of just highlighting some of the
6:06
Speaker 2: positive stuff out of there. But what was it like
6:08
Speaker 2: for you growing up in that area.
6:11
Speaker 1: I ain't gonna lie like it's really what you make
6:13
Speaker 1: it for real, Like you could grow up in the
6:15
Speaker 1: hood and you feel me. You don't even gotta You're
6:18
Speaker 1: still gonna be around it. But like how affect your
6:21
Speaker 1: life is how you move for real? You feel me
6:23
Speaker 1: so with me, it was ain't I was really cool.
6:26
Speaker 1: It was smooth for real, and it got a little older,
6:29
Speaker 1: and you feel me. A lot of bushit start happening.
6:31
Speaker 1: You feel me, and it's like once you sucked into
6:33
Speaker 1: this street shit, it don't matter if you're not even
6:35
Speaker 1: in the streets no more. You feel me. You forever
6:36
Speaker 1: stuck in this shit. You feel me. Nigga could catch
6:39
Speaker 1: you out of town somewhere. You feel me. He'll try
6:41
Speaker 1: to get on you for some shit that happened years ago.
6:44
Speaker 1: You feel me so crazy, just the life of nigga,
6:46
Speaker 1: really regular shit for real.
6:48
Speaker 2: It's crazy because that shit, like you said, like it
6:50
Speaker 2: haunt you anywhere. You could be like somewhere out of
6:52
Speaker 2: town with your guard down.
6:53
Speaker 1: And we could be in can kN wrong. Niggas see
6:56
Speaker 1: who you feel me. He got the upper hand on
6:57
Speaker 1: you feel me, and it can happen.
6:59
Speaker 2: It's funny while sent as that song, I got there
7:01
Speaker 2: just trying to kill me for some shit that I forgot.
7:03
Speaker 1: I did just a life, you know, Mamas, when you
7:06
Speaker 1: live in fast, you feel me, You forget a lot
7:08
Speaker 1: of shit. But at the end of the day, you
7:10
Speaker 1: gotta stay, got to keep your head on the swivel
7:12
Speaker 1: because this shit could come back and haunt you any day.
7:14
Speaker 2: For sure.
7:15
Speaker 1: I know you.
7:16
Speaker 2: Uh, you're back to it, man. How active have you
7:20
Speaker 2: been in the studio since you got because what would
7:22
Speaker 2: you get out on twenty third, twenty.
7:23
Speaker 1: Four or something like that. Knock got out on the fifteenth.
7:25
Speaker 2: Of April, so it's been about a little under a month. Yeah,
7:29
Speaker 2: have you been just working?
7:30
Speaker 1: Nah? Really ain't been working for real. I really just
7:32
Speaker 1: been at home with the family, joined the family and
7:35
Speaker 1: trying to make up that time that you feel me,
7:37
Speaker 1: the nigga can't get back type shit. You feel me?
7:39
Speaker 2: For sure.
7:40
Speaker 1: I've been in a studio like once or twice, like
7:43
Speaker 1: really just listening to beasts, gathering beasts up and shit
7:45
Speaker 1: for real. After this weekend though, I'm back on it
7:47
Speaker 1: through for so full force on the ground, on full force.
7:50
Speaker 1: But you feel me. I had to rebuild that bond
7:53
Speaker 1: with my son and shit, the fan bam, all that
7:55
Speaker 1: type of shit, just making that time.
7:57
Speaker 2: Were you allowed? Like was your son able to come
7:59
Speaker 2: and see you while you in jail?
8:00
Speaker 1: He was able to come and see me. But I
8:03
Speaker 1: ain't want him to come and see you.
8:04
Speaker 2: Don't want them to remember you, like I had to
8:06
Speaker 2: go to jail.
8:06
Speaker 1: Yeah, it's the every time I was talking to him
8:08
Speaker 1: on the phone, telling my mat work. You feel me,
8:11
Speaker 1: that makes sense, telling my mat work.
8:14
Speaker 2: I had a long time of work. How does he
8:17
Speaker 2: he for now? Okay? So yeah, I mean he's for
8:19
Speaker 2: so he kind of understands what's going on. You get
8:21
Speaker 2: to kind of chat with.
8:21
Speaker 1: Him and them at work. I just found out, like
8:25
Speaker 1: right before I got out, that he knew what jail was.
8:28
Speaker 1: I don't even know who knew what jail was. You
8:30
Speaker 1: know what jail is though, because he'd be watching Paul
8:32
Speaker 1: Patrol and ship. Yeah, Mama out, Mamas were on a
8:38
Speaker 1: little video visit. He talking to his toys. He like,
8:41
Speaker 1: you going to jail. I'm like what you say? He
8:43
Speaker 1: like you going to jail? I'm like, you know what
8:45
Speaker 1: jail is, you feel me?
8:46
Speaker 2: That's your.
8:48
Speaker 1: You know, mama. So I just been telling him I'm
8:50
Speaker 1: at work type ship you feel me?
8:53
Speaker 2: I want you know. Obviously you're forever kind of connected
8:57
Speaker 2: with Kendrick, because I think Kendrick did a good job
8:59
Speaker 2: of using that Black Panthers soundtrack to expose SBRB and
9:04
Speaker 2: MAZI specifically to a bigger audience. You guys are obviously
9:08
Speaker 2: already torn and anti was already an anthem, and you
9:10
Speaker 2: guys already were selling out shows and ship. But what
9:13
Speaker 2: was the initial communication between t D. Kendrick and you
9:20
Speaker 2: guys to be on that soundtrack.
9:22
Speaker 1: Like how it came together?
9:23
Speaker 2: Type yeah, yeah, Like because obviously for people who don't know, man,
9:26
Speaker 2: if you were that, I always say, like s ob Shoreline, Mafia, Draco, Like,
9:34
Speaker 2: you guys influenced so much what's going on right now.
9:36
Speaker 2: But for real, y'all were kind of before all like
9:38
Speaker 2: before the before everybody. And I feel like Kendrick obviously
9:45
Speaker 2: was very attentative to the movement you guys had going
9:47
Speaker 2: on because it was hard to ignore, you know, And.
9:50
Speaker 1: He really ain't even had to come and get us,
9:53
Speaker 1: get anybody. He won't you feel Me, came and got
9:55
Speaker 1: the young niggas from the bay, you know what I mean.
9:57
Speaker 1: But now how it came about. J Rock had DM Slimmy.
10:02
Speaker 1: He was like, Kendrick trying to get in with you.
10:04
Speaker 1: You feel me? Slimmy asks my manager. He like, Nigga,
10:07
Speaker 1: it's real, It's the real j Rock. He like, yeah, Nigga,
10:10
Speaker 1: let's go fly out there. Let's go get it in.
10:12
Speaker 1: We get the call you feel me, It's time to
10:14
Speaker 1: go fly to La. Kendrick trying to get in the study.
10:16
Speaker 1: We come out here, hey save you feel me? We
10:19
Speaker 1: get in the studio. He playing the song we nod
10:22
Speaker 1: in our head and shit, I see the looks on
10:25
Speaker 1: everybody's face like we all kind of like we're like, ooh,
10:28
Speaker 1: this is Kendrick Lamar, Like what do you want us
10:29
Speaker 1: to talk about? Because you know how so when.
10:31
Speaker 2: You get when you get there is the paramedic the
10:35
Speaker 2: first like what is is it just the beat or
10:37
Speaker 2: what's been worked on already?
10:39
Speaker 1: It was the beat and then the little intro he
10:41
Speaker 1: had on there, the yeah yeah that ship you feel Me?
10:45
Speaker 1: We all nod in our head and ship, but I
10:47
Speaker 1: see nobody's picking up the they Pinning and pad you
10:50
Speaker 1: feel me? So I go over there and not ask him.
10:52
Speaker 1: I'm like, big bro, like what you want us to
10:55
Speaker 1: talk about? Like you feel me? What we on? He like, Man,
10:58
Speaker 1: do y'all how you feel me? Yeah? I kind of
11:00
Speaker 1: made a nigga happy. I'm like, you serious? Do us?
11:03
Speaker 1: Like he's gonna be talking reckless on this motherfucker? He like, yeah,
11:06
Speaker 1: do that shit. He's like, all right, niggas got in
11:09
Speaker 1: you feel me? After every nigga verse, he was like,
11:10
Speaker 1: he fucking with it. We really didn't think it was
11:12
Speaker 1: gonna come out. He like asked Kendrick, anybody he won
11:15
Speaker 1: on that song? You feel me? When that motherfucker really
11:18
Speaker 1: came out, I'm in the studio at the time, my
11:20
Speaker 1: phone blowing up, everybody calling me. I'm like, Yo, what's up?
11:22
Speaker 1: What's happening here? Like nigga you black Panther soundtracked Kendrick
11:26
Speaker 1: on the hook. He went on the hook at first,
11:29
Speaker 1: you feel me? So once I heard in the studio,
11:30
Speaker 1: niggas was jokes, I ain't gonna lie.
11:33
Speaker 2: That's wild And it's funny too because I kind of
11:36
Speaker 2: feel like he paid homage to a few. I feel
11:41
Speaker 2: like you paid homage to your guys' flow, to Draco
11:44
Speaker 2: a Bit and to Vada Vada's got the wop wop,
11:47
Speaker 2: you know, the ship that's going crazy in La. So
11:50
Speaker 2: I felt like, I feel like they not like us.
11:53
Speaker 2: Was also a way for him to kind of pay
11:55
Speaker 2: homage to like this whole generation of West Coast music.
11:58
Speaker 2: It's been going crazy. He really was like you close
12:00
Speaker 2: your eyes and you didn't know.
12:01
Speaker 1: It was Kendrick, you know what I mean, mamas.
12:04
Speaker 2: So I'm just hoping. Man I saw today had posted
12:07
Speaker 2: something about Charla Mane. But Sandi helps we get like
12:11
Speaker 2: a real West Coast Kendrick gobbin where he's wrapping over
12:13
Speaker 2: like that kind of ship.
12:14
Speaker 1: So I think it might happen, you know, mamas, because
12:16
Speaker 1: him by him doing it like that, like they could
12:19
Speaker 1: keep over for everybody everybody realistically, like because if he
12:23
Speaker 1: everybody at the tone for the national sound now, you know, mamas,
12:26
Speaker 1: because realistically everybody you feel me rapping with that type
12:29
Speaker 1: of flow nowadays, you feel me, So everybody you make
12:32
Speaker 1: that flow mainstream, that's gonna help everybody, you feel. Not
12:35
Speaker 1: for sure, that's the big birth.
12:37
Speaker 2: What do you think of the battle?
12:40
Speaker 1: I guess it's crazy, right, you know, you know I
12:44
Speaker 1: gotta be team Kendrick.
12:45
Speaker 2: It's crazy. It's you know, It's like when I was
12:50
Speaker 2: growing up there we had we had, uh you know
12:52
Speaker 2: I was I was probably like seven or eight when no,
12:56
Speaker 2: let's see ninety six. I was like nine years old
12:58
Speaker 2: when the Biggie two box.
12:59
Speaker 1: Ship was happening.
13:00
Speaker 2: But I was very much alive and alert as a
13:02
Speaker 2: hip hop fan when jay Z and notas happen. And
13:06
Speaker 2: to me, this is like bigger than anything ever. This
13:10
Speaker 2: ship big and they's dropping. This is back to back
13:12
Speaker 2: to back to back.
13:13
Speaker 1: You feel me. Every one trending not playing.
13:16
Speaker 2: When when Kendrick said, you think the Bay is gonna
13:21
Speaker 2: let you disrespect Pop, that showing is gonna be your
13:24
Speaker 2: last stop? What do you think about that?
13:29
Speaker 1: I don't get too much in it. I mean, I
13:32
Speaker 1: don't know. I mean, realistically, Drake got a lot of
13:35
Speaker 1: love like you feel me.
13:36
Speaker 2: He's got a lot of love in the Bay mom,
13:38
Speaker 2: in the model video, you.
13:39
Speaker 1: Got a lot of love for real. I feel like
13:42
Speaker 1: he motherfuckers, you feel me. All his fans is not
13:46
Speaker 1: like gangsters and ship like you feel me. It's like
13:48
Speaker 1: regular just regular people.
13:51
Speaker 2: That's what I say about like you know, I noticed
13:53
Speaker 2: about this whole situation is like with Drake, Like there's
13:56
Speaker 2: so many fans of Drake where their only rapper they
13:58
Speaker 2: listen to is him and everything else feeling this other
14:00
Speaker 2: shit because he's like a pop artist too.
14:02
Speaker 1: At the end of the day. All this controversy shit,
14:05
Speaker 1: even if it's bad controversy nowadays, like it make niggas
14:08
Speaker 1: go up, You feel me, Like niggas is getting exposed
14:10
Speaker 1: on paperwork and they going up for that. You feel
14:13
Speaker 1: so great? Is shit? Crazy? The world different right now?
14:15
Speaker 2: It is wild too, because like you just said, like
14:17
Speaker 2: it's like un like man, even if like we there's
14:21
Speaker 2: guys out here still getting booked, still thriving, still doing
14:24
Speaker 2: whatever they're doing, and they have been jaked exactly, and
14:31
Speaker 2: it's like yo, like if this was like twenty ten,
14:35
Speaker 2: Like I don't know, these guys can walk around like
14:37
Speaker 2: it's just a different time.
14:38
Speaker 1: The world different right now, like as a whole, Like
14:41
Speaker 1: everybody not out here standing on they don't they don't
14:44
Speaker 1: give a fuck about that shit. You feel me, right,
14:46
Speaker 1: they're not standing on that type of business. Like really
14:49
Speaker 1: niggas getting away with murder right now? I ain't gonna
14:51
Speaker 1: lie you.
14:51
Speaker 2: Have a great uh working relationship. I feel like with
14:55
Speaker 2: certain guys from Detroit. Uh in Detroit, you know, I
14:58
Speaker 2: feel like it's having their own renaissance the last couple
15:02
Speaker 2: of years going crazy. Then also Shot to Flint, Shot
15:06
Speaker 2: to Real, the Younger was a show and the RMC
15:08
Speaker 2: mic and those guys. But uh, yeah, Detroit, it's going crazy.
15:12
Speaker 2: Uh have you you know, I would love to hear like, uh,
15:17
Speaker 2: somebody needs to like I don't know if it's Ghazi,
15:20
Speaker 2: but it'd be hard if they put together Like back
15:22
Speaker 2: in the day when I was growing up, there was
15:24
Speaker 2: compilation albums. They need to do like a Detroit to
15:27
Speaker 2: the Bay compilation where half of it is Detroit producers,
15:31
Speaker 2: half of the Bay Area producers and it's just POSSI
15:34
Speaker 2: cuts that Shiit would be.
15:34
Speaker 1: Great now for so niggas do need to do that.
15:37
Speaker 1: You feel me at the end of the day, Detroit,
15:39
Speaker 1: you feel me to my cousins for so you feel me, Yeah,
15:41
Speaker 1: we'd be on the same type of ship. Niggas need
15:44
Speaker 1: to handle that for show. Yeah, we had a You've
15:48
Speaker 1: worked with cash Kid, right, Yeah, that's my nigga. Yeah,
15:50
Speaker 1: Cash Kids hard Bro. They go crazy for so he's
15:53
Speaker 1: guessing his fucking bars are fucking sick. Yeah, I remember
15:59
Speaker 1: he came here in free style. All his sports references
16:01
Speaker 1: a me fucked up? What the fuck that nigga? He's
16:05
Speaker 1: smart as fuck, he'd be saying some sholly like high
16:07
Speaker 1: niggas come up with that, Like you be tripping for
16:10
Speaker 1: So what has.
16:11
Speaker 2: Getting locked up for you and being away from your
16:13
Speaker 2: kid for the last year? So has it? Has it
16:16
Speaker 2: changed any of the way you think? Any any any
16:19
Speaker 2: like now that you're free, Like obviously you don't want
16:21
Speaker 2: to go back, but like, are you changing up anything?
16:23
Speaker 2: Like is your mentality changed at all?
16:25
Speaker 1: Or my mentality change? For so I ain't gonna lie
16:28
Speaker 1: it humbled or Nigga ain't gonna lie like Nigga really
16:31
Speaker 1: trying to. Nigga really just gotta keep his head on
16:33
Speaker 1: the swivel out here. You feel me like, I ain't
16:36
Speaker 1: gonna lie. Like when I was out, I was dinner wasting,
16:38
Speaker 1: I was wasting a little time like you feel me.
16:40
Speaker 1: I could have been stepping harder than what I was,
16:42
Speaker 1: but you were going you were going up there, Yeah,
16:44
Speaker 1: but I could have been stepping way harder. You feel
16:47
Speaker 1: me like that shit made me realize that, like I
16:49
Speaker 1: gotta go full fledged with this ship. You feel me, You.
16:52
Speaker 2: Feel like it would help you to like leave the
16:54
Speaker 2: bay for a little bit, he said, would have helped me, Yeah,
16:56
Speaker 2: to like get out the bay for like a year
16:58
Speaker 2: or so.
16:58
Speaker 1: Like I ain't gonna lie, I don't. I'll be thinking
17:01
Speaker 1: about that shit sometime, like like just get out the way.
17:04
Speaker 1: I don't know, it's just something about being in the backyard,
17:06
Speaker 1: like I got access to everything I need. You feel
17:09
Speaker 1: me like I don't want to go to Atlanta and
17:11
Speaker 1: I'm trying to work out there and then like I
17:14
Speaker 1: got hell at Lena producers pulling up on me and
17:17
Speaker 1: like none of this shit my style. You feel me
17:19
Speaker 1: like for soul Nigga gonna branch out and like work
17:21
Speaker 1: with other artists, and you feel me like try with
17:23
Speaker 1: different sounds, but like I need my man.
17:26
Speaker 2: I just mean, like just for the sake of like
17:29
Speaker 2: getting out the way of the bullshit and just focusing. Yeah,
17:32
Speaker 2: because like you know, like Mazie did that where he
17:34
Speaker 2: came to LA and I feel like it almost like
17:36
Speaker 2: immediately changed his minium, you know, be a little bit
17:42
Speaker 2: more like tuned into the music. And I have to
17:43
Speaker 2: worry because when you're at home and you got whatever
17:45
Speaker 2: issues you got at home, it's like you're always you
17:47
Speaker 2: always gotta have that guard up. You can't really focus.
17:50
Speaker 2: I feel like one hundred percent if you got street
17:52
Speaker 2: shit going.
17:53
Speaker 1: On, mamas. So once you've been in this shit for
17:56
Speaker 1: so long, it's like you kind of become new to it.
17:59
Speaker 1: I mean you've become come numb to it type shit.
18:01
Speaker 1: You feel me like you don't even notice, Like being
18:04
Speaker 1: on guard, just being on point is just regular. For
18:07
Speaker 1: really feel me like, even if I moved to La,
18:09
Speaker 1: I'm gonna be on gard, I'm gonna be on point.
18:11
Speaker 1: Me me personally, I'd rather be on point in the
18:14
Speaker 1: Bay because you feel me. I know niggas facings. You
18:17
Speaker 1: feel me out here. You don't know, Yeah, I don't
18:19
Speaker 1: know what's going on out here. You feel me, I
18:21
Speaker 1: like I got a couple niggas out here. You feel me,
18:23
Speaker 1: but you feel me, I gotta I got a whole
18:26
Speaker 1: city behind me in the v You feel me like
18:28
Speaker 1: I got niggas in Oakland. You feel me, I got
18:30
Speaker 1: niggas in Enrichment. I got niggas in the city. You
18:32
Speaker 1: feel me like nigga got pulled out there? You feel me?
18:35
Speaker 1: I got love out here for show, but like on
18:37
Speaker 1: some street shit, ain't. I ain't got no pull out here.
18:40
Speaker 1: This ain't my backyard, you feel me?
18:42
Speaker 2: Uh? Did you see recently? Well yesterday Shortland Mafi dropped
18:46
Speaker 2: a new song.
18:47
Speaker 1: Oh yeah, I was just on the phone with that
18:48
Speaker 1: nigga Phoenix today for real Phoenix flexing o GZ shout
18:52
Speaker 1: out to the whole storyline?
18:54
Speaker 2: Could this spark Obviously one of you guys are incarcerated
18:57
Speaker 2: for like twenty years for him, But could this spark
19:01
Speaker 2: at least a song between the guys from SB of
19:05
Speaker 2: one song and no comments? I saw the shortline thing.
19:10
Speaker 2: I said, maybe this could lead two. And when you
19:15
Speaker 2: say no comment to me, that means yes, that means
19:18
Speaker 2: it's already happening. If you're gonna hit me with a
19:21
Speaker 2: no comment to me, that that's that's it's already in
19:24
Speaker 2: the It's already in the cooker. It's already in the
19:26
Speaker 2: deep frier. So you guys are already working.
19:29
Speaker 1: HUHN were not working? Are you sure? No?
19:33
Speaker 2: Have you talked about Nah?
19:35
Speaker 1: We ain't talked about it. No nothing. I really ain't
19:37
Speaker 1: talked to brouh. I ain't talked to bro in yours.
19:40
Speaker 1: I ain't gonna lie.
19:41
Speaker 2: Well, I hope I'm wrong. I hope you're capping right now.
19:47
Speaker 1: It would be a beautiful thing to see.
19:49
Speaker 2: It would be well if in twenty twenty four we
19:52
Speaker 2: got a Shoreline Mafia song and the s ob RB song.
19:57
Speaker 2: You guys are the biggest probably what if out of
19:59
Speaker 2: like West Coast hip hop in like years.
20:01
Speaker 1: A big what It would be a beautiful thing to
20:04
Speaker 1: see for so yeah, cool.
20:06
Speaker 2: Well, and now that it's in the air, hopefully we
20:08
Speaker 2: can revisit this conversation too and be like, look he.
20:10
Speaker 1: Was lying hopefully one day never know.
20:14
Speaker 2: All right, So obviously you said you ain't really been
20:15
Speaker 2: working too much, but now you're back, your back focused
20:18
Speaker 2: is putting out singles? Is it working on a project?
20:21
Speaker 2: What is What's? And are you still with Empire?
20:23
Speaker 1: Uh No, I'm not under Empire right now, but you
20:25
Speaker 1: feel me in my boys for so like shot the
20:27
Speaker 1: guys probably realistically like I'm probably gonna end up being
20:31
Speaker 1: under Empired or for show Mama's But yeah, I'm really
20:37
Speaker 1: on some uh right now, I think I'm gonna play
20:40
Speaker 1: the I'm a fuck with the single.
20:41
Speaker 2: Game, right now you throw out there shooting video.
20:43
Speaker 1: Fuck with the single game before drop a tape tape
20:45
Speaker 1: on the way for soon the Russell should do a tape,
20:48
Speaker 1: yeah for show do it man, that'd be big for
20:50
Speaker 1: the city.
20:51
Speaker 2: Is it like kind of like seeing him kind of
20:52
Speaker 2: like change, you know the way independent artists are able
20:55
Speaker 2: to kind of think about how they do things.
20:56
Speaker 1: Because he's it's crazy. It just showing taking from the
20:59
Speaker 1: backyard front the backyard, tool making cheese out of his backyard.
21:03
Speaker 1: That's shit crazy, like when you pushing all positivity, you
21:06
Speaker 1: feel me and like you ain't got too much going
21:09
Speaker 1: on in the streets like that, you can move like that,
21:11
Speaker 1: like he's showing niggas like you feel me. Just be yourself.
21:15
Speaker 1: You feel me, you ain't got too much going on
21:16
Speaker 1: in the streets. I watch your back, you feel me.
21:18
Speaker 1: Niggas need to be moving like this, you feel me.
21:21
Speaker 1: I call the Russell all the time, call him baby.
21:23
Speaker 1: I call him baby Jesus, Baby Jesus. That's baby Jesus.
21:26
Speaker 1: For sure. He showing niggas the way me personally, I
21:29
Speaker 1: can't do no shit like that. I ain't gonna lie.
21:31
Speaker 1: I got too much going on. Well, one day man
21:35
Speaker 1: one day for one day, one day for sure. New
21:38
Speaker 1: music coming hopefully. We just put some shit into the
21:40
Speaker 1: air that ends up come to Fruition, so go watch.
21:45
Speaker 1: We just dropped the crazy freestyle over Not Like Us too,
21:47
Speaker 1: so you could check that out on YouTube.
21:49
Speaker 2: I appreciate you coming through, man. Look we got to
21:51
Speaker 2: keep you free, bro, keep that weight on you.
21:53
Speaker 1: Noah for so look good on you. I ain't even
21:56
Speaker 1: spoke for real. Yeah, I've been on my sober shit.
21:58
Speaker 1: You feel me?
21:59
Speaker 2: Oh you ain't just again. Keep that Souper ship going, bro,
22:02
Speaker 2: you can stay fund so yeah, I got it. There
22:04
Speaker 2: it is man, the boy. Appreciate you, Brother, appreciate you.
22:07
Speaker 2: Fire