Latest / Pink Shade: Reality TV with Mary Payne / 1043 - 60 DAYS IN (s4e1) "The Beginning of the End" with Keisha

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1043 - 60 DAYS IN (s4e1) "The Beginning of the End" with Keisha · Pink Shade: Reality TV with Mary Payne

• 0:14
  Speaker 1: Hey, everybody, welcome to Pink Shade. It's a monk shot Monday.
• 0:17
  Speaker 1: You guys, we have a brand new show. I got
• 0:20
  Speaker 1: Keisha here. Keisha, are we mad at Kimberly for making
• 0:25
  Speaker 1: us cover this show? Were so far where you did? Okay,
• 0:28
  Speaker 1: so far you're mad? Kisha and I have not said
• 0:31
  Speaker 1: one word to each other about this. I wanted to
• 0:33
  Speaker 1: make sure we said it on the air now because
• 0:37
  Speaker 1: I've seen sixty days in before. I don't know what season, when,
• 0:41
  Speaker 1: how I did it somehow with Kimberly. I do know
• 0:45
  Speaker 1: that these these first episodes really are like setting who
• 0:48
  Speaker 1: the people are, and it is gonna get juicy, and
• 0:52
  Speaker 1: we are going to meet more of the prisoners and
• 0:56
  Speaker 1: get their personalities, you know, like who's the good guy,
• 0:58
  Speaker 1: who's the bad guy?
• 1:00
  Speaker 2: I got enough their personalities from their first episode.
• 1:04
  Speaker 1: Okay, okay, I watched an episode.
• 1:08
  Speaker 2: It just had to hug a dog because I'm like,
• 1:10
  Speaker 2: what the actual fuck? I'm not even in the prison
• 1:14
  Speaker 2: with them, and I don't feel I'm scared of Rue.
• 1:16
  Speaker 2: This guy Rue, I'm afraid of him, Like I'm like,
• 1:19
  Speaker 2: did I look at him wrong? And He's gonna come
• 1:21
  Speaker 2: after me?
• 1:22
  Speaker 1: Like I'm scared of him.
• 1:25
  Speaker 2: Yeah, I was. I was a little bit nerved up
• 1:27
  Speaker 2: in mind. I need to go take a hot shower
• 1:29
  Speaker 2: and do like the doctor till's what is its? So
• 1:34
  Speaker 2: I need to breathe it all in. I was like, fuck, Kimberly,
• 1:37
  Speaker 2: I said, I told you, Kimberly set us up. She
• 1:40
  Speaker 2: set us up. Mary Payne, I.
• 1:43
  Speaker 1: Understand where you're coming from. But I think we're gonna
• 1:47
  Speaker 1: get more into it and get more into the characters
• 1:50
  Speaker 1: because I think that because this season is the one
• 1:53
  Speaker 1: where one of the people that goes in just starts
• 1:57
  Speaker 1: acting like a full inmate and like now wants to
• 1:59
  Speaker 1: be an inmate instead of being on the outside. And
• 2:01
  Speaker 1: that's kind of a switcher root, which is crazy.
• 2:04
  Speaker 2: I think from the previews I can guess who it is.
• 2:07
  Speaker 1: Yeah, it's gonna be the girl that we hadn't seen yet.
• 2:09
  Speaker 2: I think that's the mostly. I think she's thriving. She
• 2:13
  Speaker 2: thrives in prison like Todd Chris thrived in prison. Okay,
• 2:18
  Speaker 2: like that was her jam.
• 2:19
  Speaker 1: Yeah, yeah, that is funny. Well, and then I didn't
• 2:24
  Speaker 1: know when I went to watch it. I watched it
• 2:26
  Speaker 1: on Hulu. Everybody else went to Hulu. I talked it
• 2:28
  Speaker 1: in sixty Days in season four, episode one, and so
• 2:32
  Speaker 1: it was I guess a carryover from season three. So
• 2:37
  Speaker 1: I guess the season three we were in this same jail,
• 2:39
  Speaker 1: because Kimberly says they do switch jails, so it's not always.
• 2:43
  Speaker 1: It must have started one and two were somewhere, so
• 2:46
  Speaker 1: three and four in Fulton County, Okay. And you know,
• 2:49
  Speaker 1: I said to Kimberly, I was like, I don't understand
• 2:50
  Speaker 1: how the inmates don't catch on that they're being filmed
• 2:53
  Speaker 1: for sixty days in especially by season four, And she said,
• 2:56
  Speaker 1: they always are like it's a documentary covering the criminals,
• 3:00
  Speaker 1: the system, whatever. That's how they get them into the
• 3:02
  Speaker 1: little room, and they bring everybody in. They're not just
• 3:06
  Speaker 1: not just the ones yeah that are on the outside.
• 3:10
  Speaker 1: They bring everywhere. That's how you get some of those
• 3:11
  Speaker 1: interviews with the other people, like explaining what it's like
• 3:14
  Speaker 1: in there and stuff. I find it. Listen, it's a
• 3:18
  Speaker 1: thousand times better than Family lock Up, which we tried
• 3:21
  Speaker 1: to cover.
• 3:21
  Speaker 2: Oh god, yeah, yeah, yeah, yeah, yeah yeah. But it's
• 3:25
  Speaker 2: a certain but I felt like I was in the prison. Yeah.
• 3:28
  Speaker 1: I don't like that.
• 3:29
  Speaker 2: I didn't like that. I didn't like that. I had
• 3:32
  Speaker 2: to like tell myself afterwards, grow you were okay, you're
• 3:35
  Speaker 2: in Elite City, Texas, you are at home, you are safe.
• 3:41
  Speaker 2: My anxiety went up.
• 3:42
  Speaker 1: And my anxiety was up to and when I was
• 3:45
  Speaker 1: done with it, I closed the laptop and I'll tell Dave,
• 3:48
  Speaker 1: I go, okay, I'm done with work, you know, for
• 3:50
  Speaker 1: the day. Blah blah blah. I want to watch something
• 3:52
  Speaker 1: else because we've been watching football all day. And I said,
• 3:56
  Speaker 1: Hottie saty we won, and I was like, let's Dave
• 3:59
  Speaker 1: didn't sorry, and I was like, uh, let's watch something else.
• 4:03
  Speaker 1: Can we watch?
• 4:04
  Speaker 2: Yeah?
• 4:05
  Speaker 1: Slow Horses on Apple, which is a thing that we've
• 4:07
  Speaker 1: watched and you know, we won a couple of Emmy's
• 4:10
  Speaker 1: last year. It's great.
• 4:11
  Speaker 2: Never heard of it.
• 4:13
  Speaker 1: It's about the m I five, which is like the
• 4:15
  Speaker 1: CIA in London. But the slow Horses are like the
• 4:21
  Speaker 1: losers that did something bad in them I five and
• 4:24
  Speaker 1: got taken down to this division, like the division for losers,
• 4:28
  Speaker 1: and they call them slow Horses. So it's sort of
• 4:32
  Speaker 1: like the Misfits, but they're always like getting into stuff
• 4:35
  Speaker 1: and Gary Oldman is the head of them. Oh no,
• 4:39
  Speaker 1: don't ooh because he is. Just look up right now,
• 4:43
  Speaker 1: get your phone, look up.
• 4:44
  Speaker 2: I said, ooh, because he can be kidding. He was
• 4:48
  Speaker 2: serious black and Harry Potter. He was freaking hot. And
• 4:52
  Speaker 2: he is hands down the best Dracula. I agree, all
• 4:56
  Speaker 2: the draculas. And he was sexy even when he turned
• 4:58
  Speaker 2: into like them rat things. Yeah, he's still sexy. Yeah.
• 5:03
  Speaker 1: Gary Oldman has been in lots of things. I would
• 5:05
  Speaker 1: like for you just to get your phone right now
• 5:06
  Speaker 1: and google Gary Oldman in Slow Horses.
• 5:11
  Speaker 2: And you see guy looking.
• 5:13
  Speaker 1: Oh, Keisha, and he's supposed to look that way. He's
• 5:16
  Speaker 1: supposed to look like a fat, alcoholic, disgusting, greasy hair
• 5:20
  Speaker 1: who and he's like has terrible slow horses. Yeah, and
• 5:29
  Speaker 1: one of his characteristics is has gas and how and
• 5:32
  Speaker 1: how bad he stinks?
• 5:34
  Speaker 2: Oh no, mm.
• 5:38
  Speaker 1: Hmm, it's awful.
• 5:41
  Speaker 2: Have you seen his son?
• 5:44
  Speaker 1: No, we'll get pulled that up and show me on
• 5:47
  Speaker 1: the screen. Gary Oleman's son. Is he an actor too?
• 5:52
  Speaker 2: I believe so he is. He's quite a good looking
• 5:59
  Speaker 2: can you see you?
• 6:00
  Speaker 1: Oh he is cute.
• 6:01
  Speaker 2: Yeah, he's cute.
• 6:03
  Speaker 1: We gotta watch on YouTube.
• 6:04
  Speaker 2: Yeah, yeah, he's a haughty.
• 6:07
  Speaker 1: Yeah, you know what's interesting, Kisha so the way your
• 6:09
  Speaker 1: curtains are behind you and then the way mine are,
• 6:11
  Speaker 1: it looks like it's like kind of like one room.
• 6:14
  Speaker 1: Is that interesting?
• 6:15
  Speaker 2: One day, I feel like we will record in the
• 6:18
  Speaker 2: same room together.
• 6:19
  Speaker 1: I know it might be a hotel room, but we'll
• 6:22
  Speaker 1: be that's fine.
• 6:23
  Speaker 2: I feel like one day, I feel like us meeting
• 6:26
  Speaker 2: in New York was not the last time that we'll meet.
• 6:28
  Speaker 1: Oh absolutely, not absolutely.
• 6:30
  Speaker 2: I think I can't wait to record us together in
• 6:34
  Speaker 2: the same room.
• 6:36
  Speaker 1: Lord knows what will happen. All right, guys, it's not
• 6:39
  Speaker 1: gonna be today. So I'm sixty days in season four,
• 6:43
  Speaker 1: episode one. The beginning of the end is the name
• 6:45
  Speaker 1: of this episode. Okay, so the premise of this show,
• 6:49
  Speaker 1: I'm gonna tell you what it says like on the
• 6:51
  Speaker 1: A and E site. I gotta make this spont smaller
• 6:54
  Speaker 1: because I can't see you and see the screen.
• 6:56
  Speaker 2: Okay.
• 6:57
  Speaker 1: The premise of the show is to have ordinary civilians
• 7:01
  Speaker 1: volunteer to go undercover in a jail for two months
• 7:04
  Speaker 1: without the knowledge of other inmates or staff, to expose corruption,
• 7:09
  Speaker 1: drug use, gang activity, and other problems within the prison system.
• 7:12
  Speaker 1: The goal is to gather intel to help implement real
• 7:15
  Speaker 1: time changes and improvements within the facility. Some participants are
• 7:19
  Speaker 1: law enforcement officers, while others are motivated by personal reasons
• 7:23
  Speaker 1: such as understanding the justice system better or wanting to
• 7:26
  Speaker 1: see if they can survive the experiment.
• 7:29
  Speaker 2: Why look, why does it have to be sixty days?
• 7:32
  Speaker 2: Give me three days like they do on family Like,
• 7:35
  Speaker 2: I'll be like everything is fucked up. These people got
• 7:38
  Speaker 2: me fucked up. Day be fighting Davy Spreeman, Davy yelling
• 7:42
  Speaker 2: there's lots of bullying going on. I need sixty days.
• 7:45
  Speaker 2: I need to be a snitch within a day.
• 7:48
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• 7:52
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• 7:56
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• 8:00
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• 9:29
  Speaker 1: com slash pink shade. Okay, so we opened the episode
• 9:34
  Speaker 1: with this dramatic foreshadowing of something that's going to happen
• 9:37
  Speaker 1: somebody's going to be kicked out of the program for
• 9:40
  Speaker 1: jeopardizing other people's safety and say this person went full
• 9:43
  Speaker 1: inmate and forgot why they were there. That is why
• 9:46
  Speaker 1: Kimberly wanted us to watch this season specifically.
• 9:49
  Speaker 2: Okay Kimberly, Okay, okay, okay.
• 9:51
  Speaker 1: So we meet Colonel Mark Adger, the chief jailer at
• 9:55
  Speaker 1: the Fulton County Jail. He's been in the Marines, he
• 9:57
  Speaker 1: was the commander of the sheriff's swat team there in
• 10:01
  Speaker 1: Fulton County. Fulton County is basically Atlanta, and he wants
• 10:05
  Speaker 1: to do this operation to learn from innocent civilian so
• 10:08
  Speaker 1: he can improve his prison.
• 10:10
  Speaker 2: Okay, okay.
• 10:12
  Speaker 1: In Phase one, he tells us they learned a lot
• 10:14
  Speaker 1: about issues like smuggled contraband and prescription medication abuse, gang violence,
• 10:19
  Speaker 1: issues with the staff. They learned a lot about how
• 10:21
  Speaker 1: to improve and we see a lot of clips of that,
• 10:23
  Speaker 1: which is just what we've got to come Okay, right,
• 10:26
  Speaker 1: it's all very upsetting. Now, he says, Now we're in
• 10:29
  Speaker 1: Phase two, we're going to dive deeper into the issues
• 10:31
  Speaker 1: with eight more participants. They have diverse backgrounds and experiences.
• 10:35
  Speaker 1: This phase is different because we're starting with two participants
• 10:39
  Speaker 1: already in jail. Now we only meet the one Nate, right,
• 10:45
  Speaker 1: So who's the other one? We don't know, We don't know.
• 10:49
  Speaker 2: I'm thinking maybe it's a girl because we only saw
• 10:52
  Speaker 2: one girl on this episode, Jacqueline.
• 10:55
  Speaker 1: Yeah, but in another one's coming. But there's two more
• 10:57
  Speaker 1: coming in Angel or Angel and Stephanie and Angel Angel
• 11:02
  Speaker 1: is the one. I think he's gonna go full inmate.
• 11:06
  Speaker 2: She likes it.
• 11:07
  Speaker 1: There, she likes it. So we see Nate as a
• 11:11
  Speaker 1: Phase one holdover. He's earned the trust of the gang members.
• 11:14
  Speaker 1: He's a white dude that looks super like white, but
• 11:17
  Speaker 1: somehow everybody likes it.
• 11:18
  Speaker 2: Yeah, yeah, which I was shocked. I'm like, oh, I
• 11:21
  Speaker 2: know he gets beat up every single day. Yeah, I
• 11:24
  Speaker 2: know they have forced him to drop the soak a
• 11:26
  Speaker 2: whole bunch of times. But no, it was so it
• 11:30
  Speaker 2: was a total opposite. They they like them. They clearly
• 11:35
  Speaker 2: he likes them because he's standing extra thirty what is
• 11:39
  Speaker 2: it an extra sixty days? Right?
• 11:42
  Speaker 1: He is volunteering to stay an extra stay longer.
• 11:45
  Speaker 2: Okay, See, so I know that deep down inside there's
• 11:48
  Speaker 2: something wrong with Nate because there's no way look y'all
• 11:53
  Speaker 2: says sixty days. I'm done at sixty days. I'm not
• 11:56
  Speaker 2: gonna say this is something the army.
• 11:59
  Speaker 1: Like, you don't get to reap.
• 12:01
  Speaker 2: Yeah, yeah, yeah, yeah. I don't know why he's I don't.
• 12:06
  Speaker 2: Hopefully we'll hear more about why he has chosen to stay.
• 12:10
  Speaker 1: Did you notice he had that scar in the middle
• 12:11
  Speaker 1: of his head. Yeah?
• 12:13
  Speaker 2: I wonder did he get it there?
• 12:15
  Speaker 1: Me too, It's like a Harry Potter scar. So we
• 12:18
  Speaker 1: get clips of the new people. We get like just
• 12:21
  Speaker 1: quick clips of them explaining the sales. We have Johnny, Matt,
• 12:25
  Speaker 1: Angel or Angel. It's Angel with an E on the end,
• 12:27
  Speaker 1: so we'll find out how it's pronounced. Jacqueline is also
• 12:30
  Speaker 1: spelled wrong, Alan, Andrew, Emmanuel and Stephanie.
• 12:34
  Speaker 2: Okay, so.
• 12:37
  Speaker 1: Nate, Nate was a marine. This is all we know
• 12:39
  Speaker 1: about Nate because we didn't see this.
• 12:40
  Speaker 2: Season before, and that he's engaged, right, he's engaged, so
• 12:46
  Speaker 2: he's trying specifically to stay four months away. Yeah. I
• 12:51
  Speaker 2: feel like it's fiance and he are going to have
• 12:53
  Speaker 2: a long talk when he finally gets done. If he
• 12:56
  Speaker 2: doesn't re up again, I don't know, but.
• 13:00
  Speaker 1: Maybe he's getting so much money that they're like, this
• 13:02
  Speaker 1: will pay for the whole wedding, Like we'll be able
• 13:04
  Speaker 1: to get a starter house with this money. You know,
• 13:07
  Speaker 1: maybe it's worth.
• 13:08
  Speaker 2: It, Harry Payne, what you could offer me a million dollars?
• 13:11
  Speaker 2: I'm not standing extra sixty days in there, there's no
• 13:14
  Speaker 2: I won't last a week. We wouldn't last a week.
• 13:18
  Speaker 1: I don't know if I would last just one night
• 13:20
  Speaker 1: on that little tiny mattress, my back would hurt. I
• 13:22
  Speaker 1: need my advil.
• 13:24
  Speaker 2: And it didn't look like they had pillows.
• 13:27
  Speaker 1: Uh uh, And I think they just got to figure
• 13:29
  Speaker 1: it out. So so Nate says he's been there sixty
• 13:33
  Speaker 1: one days and he feels good. He's surviving and he's thriving.
• 13:37
  Speaker 1: He says, these guys in here don't look past their twenties.
• 13:41
  Speaker 1: And I'm hoping to go for a career in law enforcement,
• 13:44
  Speaker 1: which is interesting because I think we heard that with
• 13:46
  Speaker 1: Harry on Love after Lockup, who said he never thought
• 13:49
  Speaker 1: he'd live past twenty three, so he may as well
• 13:50
  Speaker 1: just like go balls to the wall, and he did
• 13:54
  Speaker 1: and he did. So Nate meets with doctor Jamie Blandinu,
• 14:01
  Speaker 1: who's a psychologist, to evaluate him, to make sure he's
• 14:04
  Speaker 1: fit to stay there, right, So she says, have you
• 14:06
  Speaker 1: witnessed anything that you have found hard to shake off?
• 14:10
  Speaker 1: We've witnessed some things hard to shake off. In the
• 14:12
  Speaker 1: first five minutes, yeah, and he's like cool about it.
• 14:19
  Speaker 1: He goes, look, the fightings and the jumpings are hard.
• 14:22
  Speaker 1: You can't do anything about it. And then we just
• 14:23
  Speaker 1: see lots and lots of people getting beat up.
• 14:27
  Speaker 2: It was too much.
• 14:30
  Speaker 1: What was that show? We also saw where they did
• 14:33
  Speaker 1: like the where the inmates they let them run the prison,
• 14:36
  Speaker 1: and we saw that.
• 14:37
  Speaker 2: Ye good, yeah, yeah, but this just seemed a little
• 14:40
  Speaker 2: bit dark. And for me to say there's a lot
• 14:43
  Speaker 2: of fighting, it's a lot because you know, I watched
• 14:45
  Speaker 2: Jocelyn's Cabaret and Battie said, all those bitches do is fight.
• 14:48
  Speaker 1: Yeah.
• 14:49
  Speaker 2: Yeah, it just was like fight and you can't go anywhere.
• 14:53
  Speaker 2: You have to stay, I know, in this situation.
• 14:56
  Speaker 1: And you also have to like not look because if
• 15:00
  Speaker 1: you look, then the CEOs know what you're looking at.
• 15:02
  Speaker 1: And then do you know what I mean, Like the
• 15:04
  Speaker 1: people go and fight and they all have to act
• 15:05
  Speaker 1: like it's not happening, so the CEOs don't see it.
• 15:08
  Speaker 2: I don't think I didn't see enough CEOs.
• 15:12
  Speaker 1: Yeah, getting everybody off their little k Yeah.
• 15:16
  Speaker 2: Yeah, I'm like, are they just not like, do they
• 15:18
  Speaker 2: not hear? This ship that's going on is very odd?
• 15:22
  Speaker 1: So he said, he you know, I deal with it
• 15:24
  Speaker 1: by working out every day and he goes. But it
• 15:26
  Speaker 1: is hard to like keep the lie going. I lie
• 15:28
  Speaker 1: to everybody all the time, but I have a fiance's
• 15:31
  Speaker 1: very supportive. Okay, that's Nate. NAT's real cute. I think,
• 15:34
  Speaker 1: so very cute. Now we meet Alan. Now of course
• 15:38
  Speaker 1: I did get their pictures. Now I wonder Kisha because
• 15:42
  Speaker 1: we because you might get confused because some of these people.
• 15:45
  Speaker 2: Because right now I'm trying to remember who to hell.
• 15:47
  Speaker 1: Alan, Okay, let me look first of all, let's look
• 15:50
  Speaker 1: at Nate.
• 15:53
  Speaker 2: Okay, that's Nate. He's got a big forehead, but he's
• 15:58
  Speaker 2: still really cute.
• 16:00
  Speaker 1: He is.
• 16:00
  Speaker 2: I think his personality makes him cute too.
• 16:03
  Speaker 1: I do too. I think he's got a fun personally.
• 16:05
  Speaker 1: I think that's why the guys him.
• 16:07
  Speaker 2: I think they like him.
• 16:08
  Speaker 1: And then let me see Keisha. If I can find
• 16:12
  Speaker 1: I had a picture of Nate's forehead. I wonder if
• 16:14
  Speaker 1: I just didn't transfer that one over. I have like
• 16:16
  Speaker 1: a kind of a close What a weirdo, I am. Okay,
• 16:19
  Speaker 1: So here's Alan purpose Yeah I did it.
• 16:22
  Speaker 2: Oh yeah, he books.
• 16:24
  Speaker 1: So here's Alan. Now Alan. The way you can kind
• 16:27
  Speaker 1: of tell these two white guys apart is Alan has
• 16:29
  Speaker 1: darker hair. Andy has big ears, and.
• 16:33
  Speaker 2: He's short and not attractive, and he smells like a cop.
• 16:38
  Speaker 2: I can smell him as a cop through the TV.
• 16:42
  Speaker 1: That is so funny. Okay, So this is Alan. So
• 16:48
  Speaker 1: we first meet Alan. This is his first full weekend side.
• 16:51
  Speaker 1: So they pull him for an interview and he says,
• 16:54
  Speaker 1: in today's world, I think cops are perceived as killers
• 16:57
  Speaker 1: and as the enemy. And that's hard breaking. And we're
• 17:01
  Speaker 1: all people. And I don't judge anybody based on the
• 17:05
  Speaker 1: color of their skin. And I'm truly.
• 17:08
  Speaker 2: I don't know, Mary Payne, I don't. I don't think
• 17:10
  Speaker 2: I would want to get pulled over by Allen.
• 17:14
  Speaker 1: Listen. Jury's out on Alan.
• 17:17
  Speaker 2: Okay, Yeah, because he's a little there's something odd duckish.
• 17:21
  Speaker 2: But I feel like he's seen some things and he's
• 17:24
  Speaker 2: done some things.
• 17:26
  Speaker 1: I cant be wrong. We could be wrong, but but
• 17:29
  Speaker 1: y he says, yes it is. He said, I you know,
• 17:32
  Speaker 1: I became a cop. I truly want to help people,
• 17:34
  Speaker 1: and I live in the city where I work. He
• 17:37
  Speaker 1: has a seventh month old daughter. She's very cute. He
• 17:40
  Speaker 1: says he's gonna miss his daughter and his wife, Brittany
• 17:43
  Speaker 1: the most and the and the wife is like, oh,
• 17:45
  Speaker 1: this is you know, it's really gonna be hard. She's like,
• 17:48
  Speaker 1: he's why does he get to take a two month
• 17:49
  Speaker 1: break from taking care of this baby?
• 17:51
  Speaker 2: Hello?
• 17:53
  Speaker 1: So he says, I know the kind of people that
• 17:56
  Speaker 1: I put in jail, so it is nerve wracking. You know,
• 17:59
  Speaker 1: I could wind up dead in there if they find
• 18:01
  Speaker 1: out I'm a cop.
• 18:02
  Speaker 2: Right, yes, seek yeah, he could big time. He needs
• 18:07
  Speaker 2: to do he needs to put like a tattoo on
• 18:09
  Speaker 2: his face.
• 18:09
  Speaker 1: Or something right away.
• 18:10
  Speaker 2: He just looks like a total.
• 18:12
  Speaker 1: Cop sentinel right on the right on the eyebrow. Yeah,
• 18:16
  Speaker 1: but then they won't make him do fentanyl and he
• 18:18
  Speaker 1: don't want to do that.
• 18:19
  Speaker 2: Well, okay, maybe thug life.
• 18:21
  Speaker 1: Yeah that really been fit that that yeah yeah thug life.
• 18:24
  Speaker 1: Yeah yeah, this guy what a thug? Okay, So he
• 18:29
  Speaker 1: said his best move is just a lay low and
• 18:31
  Speaker 1: not look around too much. So he goes back and
• 18:35
  Speaker 1: sits alone on the stairs, and you see these big
• 18:37
  Speaker 1: black dudes going that white boy over there, he's the police.
• 18:40
  Speaker 1: And the one goes the one with the chicken feet,
• 18:42
  Speaker 1: and the other one says, no, the one with the mullet.
• 18:46
  Speaker 2: Okay, so chicken feet.
• 18:50
  Speaker 1: I didn't understand the chicken feet. And he does not
• 18:52
  Speaker 1: have a mullet, but he does have a bad hairdoo.
• 18:54
  Speaker 2: It's a it's a very very bad hair tout.
• 18:57
  Speaker 1: Yea.
• 18:58
  Speaker 2: Yeah, that is just the face of a cop in
• 19:02
  Speaker 2: every way. It just this.
• 19:04
  Speaker 1: And what does he say that he's in there for.
• 19:06
  Speaker 1: I'm trying to remember.
• 19:07
  Speaker 2: I don't remember hearing his story. Yeah, the only two
• 19:11
  Speaker 2: people who I remember hearing their story was Jacqueline and
• 19:15
  Speaker 2: the dad and the son. Those are the only two,
• 19:19
  Speaker 2: because I heard like Jacqueline practicing her story.
• 19:22
  Speaker 1: Yeah, right, right, right now. Okay, So now we meet Matt. Now,
• 19:27
  Speaker 1: let me pull Matt up for you, just in case
• 19:30
  Speaker 1: everybody wants to have some nightmares. This is Matt.
• 19:36
  Speaker 2: He could be good looking if he got rid of
• 19:39
  Speaker 2: the stringy, nasty hair. The hair it hasn't been washed
• 19:43
  Speaker 2: months since the Book of Mormon was.
• 19:46
  Speaker 1: Created, that's about right. So he is a former Utah
• 19:53
  Speaker 1: prison chaplain. So I wonder he must be like high
• 19:56
  Speaker 1: up in the Mormon church or did he go to
• 19:58
  Speaker 1: seminary and become I don't do Mormons go to seminary.
• 20:02
  Speaker 1: You know that's speaking for his Methodists, like, I don't know,
• 20:06
  Speaker 1: let me take him off our screen. So he now
• 20:10
  Speaker 1: he's an MMA trainer. So he says he was an idealist,
• 20:14
  Speaker 1: but you know, to be a prison chaplain. But he
• 20:16
  Speaker 1: got tired of being exploited and used by the inmates.
• 20:19
  Speaker 1: He would go to, you know, talk to and at
• 20:22
  Speaker 1: the end he had such a bad experience with one
• 20:24
  Speaker 1: inmate that he wanted He pictured himself jumping over and
• 20:27
  Speaker 1: like choking the guy, and so he had to quit.
• 20:31
  Speaker 1: And now he's an MMA trainer, so he's channeling his anger.
• 20:36
  Speaker 1: His wife is Martha and they have eight children. This
• 20:40
  Speaker 1: guy is my age fifty six. Okay, let's let's talk
• 20:45
  Speaker 1: about that for a second. Fifty six fifty six.
• 20:50
  Speaker 2: He look.
• 20:53
  Speaker 1: But again, just watch that his hair.
• 20:56
  Speaker 2: It's the hair. That hair really ages them. If he
• 20:58
  Speaker 2: got like a nice cue haircut, you do wink at him.
• 21:05
  Speaker 2: Don't come over here talk to me, but I'm gonna
• 21:07
  Speaker 2: give you a little wink.
• 21:10
  Speaker 1: Uh. He has eight kids, and his wife is saying
• 21:13
  Speaker 1: that's too many. Martha, Martha and Matt, and you know
• 21:17
  Speaker 1: they live in Utah. They moved back to Utah from
• 21:19
  Speaker 1: wherever they were and his wife really wanted to raise
• 21:22
  Speaker 1: their kids with like minded people. So okay, the kids
• 21:28
  Speaker 1: all seem to be probably twenties to teenagers. Yeah, God,
• 21:34
  Speaker 1: that means that woman probably had a baby. She probably
• 21:37
  Speaker 1: had babies from like twenty two to forty. She probably
• 21:41
  Speaker 1: had kids.
• 21:42
  Speaker 2: Oh so she just stayed for agnant. Yeah yeah, and
• 21:46
  Speaker 2: oh that's her heart.
• 21:47
  Speaker 1: Less her bless, bless her heart. Bless Martha's heart. So
• 21:50
  Speaker 1: Matt tells his family what he's doing, and he says,
• 21:53
  Speaker 1: this is what I'm doing. And guess what Andrew is
• 21:56
  Speaker 1: going with me. And Andrew is his son. One who
• 22:01
  Speaker 1: looks like this. Andrew. Andrew is a substitute teacher.
• 22:09
  Speaker 2: And he looks like one. He also looks like he
• 22:11
  Speaker 2: like sets off bombs and places and stuff like that.
• 22:14
  Speaker 2: I think he'll I think the prisoners will be afraid
• 22:17
  Speaker 2: of him because they'd be like, I know, if you
• 22:19
  Speaker 2: guys give him like a roller, pulet paper as some
• 22:23
  Speaker 2: two pasts, he's gonna blow this motherfucker up. He's just
• 22:26
  Speaker 2: got and he has child bearing hips Keisha.
• 22:31
  Speaker 1: When I saw those child bearing hips, I said, oh lord,
• 22:36
  Speaker 1: I said, Keisha is going to be upset about this.
• 22:40
  Speaker 2: But hold on, Mary, kay. Nothing was worse than when
• 22:43
  Speaker 2: they showed his brother.
• 22:45
  Speaker 1: No, let me tell me, I mean tell me. I
• 22:49
  Speaker 1: can't remember his brother long hair.
• 22:51
  Speaker 2: No long hair, and he had the emo boy man haircut.
• 22:57
  Speaker 3: I was that TONI the Knight, and I yous, I
• 23:08
  Speaker 3: did see it.
• 23:09
  Speaker 2: I did see it.
• 23:10
  Speaker 1: So he's so he's like, dad's got long hair. Yeah,
• 23:13
  Speaker 1: and then I got this nerd.
• 23:15
  Speaker 2: Yeah, then I've got the base. But I like the extreme. Bad. Yeah,
• 23:18
  Speaker 2: it was really bad.
• 23:20
  Speaker 1: It was bad. Martha, what's going on in your house?
• 23:23
  Speaker 1: Oh god? He says, Andrew's going too, and you know
• 23:28
  Speaker 1: in the talking head, Matt goes, I know what I
• 23:30
  Speaker 1: want to get from the experience, but I want Andrew
• 23:33
  Speaker 1: to grow and become tougher.
• 23:36
  Speaker 2: Okay, I think there's I think, like take him to
• 23:40
  Speaker 2: some of the m m A classes to make him tougher.
• 23:43
  Speaker 2: I think taking him to prison is a bit extreme.
• 23:46
  Speaker 1: I don't get this. I don't get my dad is
• 23:49
  Speaker 1: so down on Andrew. Andrew's twenty five.
• 23:51
  Speaker 2: Okay, do I have a suspicion?
• 23:55
  Speaker 1: Oh, okay, you think he's trying to He's trying to
• 23:58
  Speaker 1: beat the gay out of him.
• 24:00
  Speaker 2: I think he is. I hope to God I'm wrong,
• 24:05
  Speaker 2: but that is just the vibe that I'm picking up.
• 24:08
  Speaker 1: That didn't occur to me. But now that you said it. Yeah,
• 24:12
  Speaker 1: so Andrew's substitute teacher. He says he served a two
• 24:15
  Speaker 1: year LDS Mormon mission in Brazil. Religion is very important
• 24:19
  Speaker 1: to him and people people think that Mormonism is odd,
• 24:24
  Speaker 1: and he's become very liberal in his thinking, okay, and
• 24:28
  Speaker 1: it's hard to reconcile his personal beliefs with the church's beliefs.
• 24:32
  Speaker 1: But he still considers himself a Mormon. Okay, all right, Andrew,
• 24:36
  Speaker 1: Andrew going out in the world learning some things.
• 24:38
  Speaker 2: See, So now he's kinda maybe he's one of the
• 24:42
  Speaker 2: kind of Mormons that we like, because you know, we
• 24:44
  Speaker 2: like the secret lives of Mormon Mormons. That's sultry Mormons
• 24:48
  Speaker 2: like those are a kind of Mormons. So yeah, I
• 24:52
  Speaker 2: like this. I like that he is branching out.
• 24:55
  Speaker 1: Yeah, I like it too, But maybe Dad doesn't like it.
• 24:58
  Speaker 1: I don't know, maybe, But taking him to p and
• 25:00
  Speaker 1: in Atlanta. Probably not the move. So anyway, we see
• 25:04
  Speaker 1: him talking to some friends in Portugal. Now he's speaking Portuguese.
• 25:09
  Speaker 1: But to me, I was all of a sudden like,
• 25:11
  Speaker 1: does he have Parkinson's or does he have something wrong
• 25:14
  Speaker 1: with him? Because when he was on the phone, he
• 25:16
  Speaker 1: was Bobbin and weavin and I don't know what that's
• 25:19
  Speaker 1: his affect of When he's speaking Portuguese, he has to
• 25:22
  Speaker 1: move him down inside to side. So then I tried.
• 25:25
  Speaker 1: Then I tried to watch the rest and be like, Okay,
• 25:27
  Speaker 1: maybe he does have some sort of disability that they're
• 25:31
  Speaker 1: not mentioning. That'll be like they'll reveal it in another episode.
• 25:34
  Speaker 1: But he does have a giant scar on the back
• 25:37
  Speaker 1: of his head.
• 25:38
  Speaker 2: Yeah, uh huh, like you cannot you cannot miss it.
• 25:42
  Speaker 1: Okay, So more to come on that. So I guess
• 25:45
  Speaker 1: I don't know. I haven't watched forward. So he says,
• 25:48
  Speaker 1: I have no experience with jail. I just know what
• 25:50
  Speaker 1: I've seen on TV. Okay, say with us Matt. Matt
• 25:56
  Speaker 1: takes his son and Andrew to the self defense class
• 25:58
  Speaker 1: to help prepare him for jail, and he does pretty good.
• 26:02
  Speaker 1: He says, you know, he says, Andrew played football and
• 26:05
  Speaker 1: so he should he and he does fine. He does
• 26:08
  Speaker 1: fine with a person like and you know, like like
• 26:12
  Speaker 1: rehearsing it. But somebody's just coming at you. I don't
• 26:14
  Speaker 1: think you'd be able to flip him over your back
• 26:16
  Speaker 1: like that.
• 26:17
  Speaker 2: I just feel like he should have had him in
• 26:19
  Speaker 2: emmy mma, traded like for a year, yeah, to get
• 26:23
  Speaker 2: ready for prison, not just this one right thirty minute class.
• 26:27
  Speaker 1: I agree, come on now, but that's when we first
• 26:30
  Speaker 1: saw as child bearing hips.
• 26:32
  Speaker 2: Yeah, oh yeah, and those don't lie.
• 26:36
  Speaker 1: So talking to head, Matt says, I want Andrew to
• 26:40
  Speaker 1: become more assertive. You know, my look, which is long,
• 26:45
  Speaker 1: greasy here will help me fit in. But Andrew's look,
• 26:49
  Speaker 1: says I'm a target. And you know, he's not a fighter.
• 26:52
  Speaker 1: He's an intellectual. He's a man child, a little shy.
• 26:56
  Speaker 1: I mean, he could be clinically shy. I want to
• 26:59
  Speaker 1: break him out of his sheltered life. Well, there are
• 27:04
  Speaker 1: better ways, like this child like him.
• 27:09
  Speaker 2: He called him, He called him a man child. He says,
• 27:13
  Speaker 2: who's shy?
• 27:14
  Speaker 1: Soft? He's not a fighter?
• 27:17
  Speaker 2: I mean, oh that's shit who it is, and that's
• 27:20
  Speaker 2: perfectly fine. Can't look, all men can't be walking around
• 27:24
  Speaker 2: being thugs like that's right. No, we need men like Andrew.
• 27:28
  Speaker 2: I really think.
• 27:30
  Speaker 1: They think Andrew's too soft, he's not a manly Well,
• 27:34
  Speaker 1: why don't you take Emo Emo Son?
• 27:37
  Speaker 2: Oh God, I don't, I don't, I don't know. I
• 27:43
  Speaker 2: don't know. Maybe emos Son plays the guitar or something
• 27:46
  Speaker 2: like that at the church and they need him every Sunday.
• 27:49
  Speaker 2: I don't, I don't know.
• 27:51
  Speaker 1: That's a that's a great point. He's got band practice.
• 27:55
  Speaker 2: Being a teacher too, like his dad just thinks he's soft.
• 27:58
  Speaker 2: And I feel say, I.
• 28:00
  Speaker 1: Feel sorry for Andrew too, and I'm hoping he's going
• 28:02
  Speaker 1: to come out of this being I think I'm going
• 28:03
  Speaker 1: back to Brazil. I'm appreciated hopefully.
• 28:06
  Speaker 2: So yeah, So.
• 28:08
  Speaker 1: We get the black screen of death that says, after
• 28:10
  Speaker 1: a week of preparation, Matt and Andrew will enter the
• 28:13
  Speaker 1: Fulton County jail tomorrow and they say goodbye to the family.
• 28:17
  Speaker 1: And the mom was like, I do worry about them
• 28:19
  Speaker 1: a lot. A week of preparation, we should have been
• 28:22
  Speaker 1: preparing for months.
• 28:24
  Speaker 2: I as a mama, would not let my child go.
• 28:28
  Speaker 1: Well, this is this culture where it's like you have
• 28:30
  Speaker 1: to do what the man says.
• 28:31
  Speaker 2: You know, well, you know how we feel about that.
• 28:34
  Speaker 1: No, all right, So now we're going to get Jacqueline. Okay,
• 28:39
  Speaker 1: this is Jacqueline. Jacqueline is a paralegal. Jacqueline tells us
• 28:44
  Speaker 1: she's been robbed at gunpoint before, but she's never been
• 28:46
  Speaker 1: to jail. She's hoping for the best, preparing for the worst.
• 28:51
  Speaker 1: She works for a criminal defense law firm. Her goal
• 28:55
  Speaker 1: is to be an attorney, and this experiment is going
• 28:57
  Speaker 1: to help her decide if she wants to be in
• 28:59
  Speaker 1: the criminal defense or prosecution, and this is going to
• 29:04
  Speaker 1: make her a stronger person. She's doing research for her
• 29:06
  Speaker 1: future career. Now I kind of like this if this
• 29:07
  Speaker 1: is true, because she says, you know, like, I'm going
• 29:10
  Speaker 1: to go in there and meet these women and be like,
• 29:12
  Speaker 1: are these people I want to be defending because a
• 29:14
  Speaker 1: lot of them are unjustly Or are these people also
• 29:18
  Speaker 1: horrible and they deserve to be in here? Which you
• 29:20
  Speaker 1: know is probably a little bit of both. So her
• 29:24
  Speaker 1: boyfriend is justin. Now she is again, she's twenty seven. Okay,
• 29:29
  Speaker 1: so how do I get her off the screen? There
• 29:31
  Speaker 1: we go. Her boyfriend is justin. He's her high school sweetheart,
• 29:36
  Speaker 1: So they've been together for over ten years. Yeah, at seventeen,
• 29:42
  Speaker 1: she got pregnant and had a daughter, Madeline, which we
• 29:45
  Speaker 1: see some gorgeous pictures of this beautiful child, but they
• 29:48
  Speaker 1: lost her to a tragic accident. She doesn't say what.
• 29:52
  Speaker 1: She was treated like a criminal at the time, like
• 29:55
  Speaker 1: the daughter died and they immediately had to like go
• 29:57
  Speaker 1: talk to the police, and they had lost their child,
• 30:01
  Speaker 1: and she says it changed her as a person. We
• 30:03
  Speaker 1: moved into a new house, we started a new life,
• 30:06
  Speaker 1: and we now have a five year old named Jimma.
• 30:09
  Speaker 1: So at seventeen, she I don't know how old the
• 30:11
  Speaker 1: child was. It looked like the child was one or
• 30:13
  Speaker 1: under baby. And then so five years later, when she
• 30:19
  Speaker 1: was twenty two, she had this little girl named Jimma,
• 30:22
  Speaker 1: and she wants to be the best mom she can be,
• 30:25
  Speaker 1: and she says, so much has happened that I almost
• 30:28
  Speaker 1: felt like I don't deserve to be a mother. And
• 30:31
  Speaker 1: I've never left her. Leaving her will be very hard.
• 30:33
  Speaker 1: It's going to be very hard to adjust, and I
• 30:36
  Speaker 1: know being in jail is going to force me to
• 30:37
  Speaker 1: address things I've pushed away and I need to find
• 30:40
  Speaker 1: ways to forgive myself. So we don't know what happened
• 30:43
  Speaker 1: to the baby, but this is terrible, and yeah, I
• 30:47
  Speaker 1: don't We're not going to speculate because we don't know,
• 30:50
  Speaker 1: but I guess we're.
• 30:50
  Speaker 2: Going to find out.
• 30:51
  Speaker 1: So all right, Nate and Alan are in the five hundred. Now,
• 30:56
  Speaker 1: Nate and Alan are not aware of each other's participate
• 31:00
  Speaker 1: patient okay, so again Nate, okay, Yeah, so they're not
• 31:07
  Speaker 1: aware of each other's participation, which is another thing I
• 31:09
  Speaker 1: think is really interesting that they're not aware of each other.
• 31:12
  Speaker 1: And then also the staff is not aware.
• 31:16
  Speaker 2: Right, that's crazy. I need somebody. I need someone to
• 31:20
  Speaker 2: be aware. I need everyone to be aware.
• 31:22
  Speaker 1: I need somebody to be watching me. Twenty four to seven.
• 31:24
  Speaker 1: I don't want does production go home at night because
• 31:26
  Speaker 1: I don't want that.
• 31:27
  Speaker 2: I need them to stay. I need them to stay.
• 31:30
  Speaker 1: Yeah, so Nate says, I'm sizing up this new guy Alan.
• 31:36
  Speaker 1: I can tell Alan's a good guy. He just doesn't
• 31:38
  Speaker 1: know anything. On the first day he came in here
• 31:40
  Speaker 1: and asked me for shampoo.
• 31:41
  Speaker 2: I was like, bro, No, So here's the thing, Like
• 31:46
  Speaker 2: I wondered, did he ask Nate because Nate is the
• 31:49
  Speaker 2: only of the white person there, because I see, No,
• 31:54
  Speaker 2: it looks like they're the only two white people in
• 31:56
  Speaker 2: their sell block? Is so what you call it sell block? Yeah?
• 31:59
  Speaker 2: Everyone else seems if you think about it, if you rewind,
• 32:02
  Speaker 2: everyone else was black.
• 32:04
  Speaker 1: Okay, I didn't notice that. I did not notice that
• 32:07
  Speaker 1: they were the only two white guys.
• 32:09
  Speaker 2: Yeah, I think so, I was like, so, I think
• 32:12
  Speaker 2: maybe that's why he gravitated towards Nate. I mean, you
• 32:15
  Speaker 2: gravitate towards people who look like you. Yeah, you know
• 32:18
  Speaker 2: what I mean. So I think that's why he went
• 32:20
  Speaker 2: to Nate.
• 32:20
  Speaker 1: For shampoo, because I think they just give him my
• 32:23
  Speaker 1: bars open, that's it. And then anything else like shampoo
• 32:26
  Speaker 1: or anything you have to buy.
• 32:29
  Speaker 2: Well, how you get commissary though, I don't know.
• 32:32
  Speaker 1: It seems like within a week they're able to get it.
• 32:35
  Speaker 1: You should have to suffer him. Oh shit, so he says,
• 32:41
  Speaker 1: He says, the first day he asked me for shampoo
• 32:43
  Speaker 1: and said he'd, you know, pay me back when he
• 32:45
  Speaker 1: got commissary. You know, he seems new and lost, and
• 32:48
  Speaker 1: that kind of reminds me of myself, you know. But
• 32:50
  Speaker 1: I'm going to look out for him because he is
• 32:52
  Speaker 1: making himself a target by just being a dumb looking
• 32:55
  Speaker 1: white dude. Yeah.
• 32:57
  Speaker 2: Yeah, unfortunately for him, Like he's really got a US
• 33:00
  Speaker 2: cut or something like that, so he looked like a
• 33:02
  Speaker 2: member of the Aryan nation before you went in, Like
• 33:05
  Speaker 2: I think that would have done him a little bit.
• 33:07
  Speaker 2: I get better. They were like, okay, he's part of
• 33:09
  Speaker 2: some kind of a gang, so.
• 33:10
  Speaker 1: He you know, like, yeah, but that's not good either.
• 33:18
  Speaker 2: Present like all the races stuck to each other. Is
• 33:22
  Speaker 2: that still true?
• 33:24
  Speaker 1: Well, I don't know. I mean, I know the gang
• 33:25
  Speaker 1: stick with each other.
• 33:27
  Speaker 2: Is that what it is?
• 33:28
  Speaker 1: Yeah, the gang stick with each other. They go in,
• 33:30
  Speaker 1: they're like you the blood, you, the cryptu, the whatever
• 33:32
  Speaker 1: this other name of another one. We get later scary, Yeah,
• 33:37
  Speaker 1: Tuel scary. So that's the point, I think. So you
• 33:46
  Speaker 1: want to not go there, all right?
• 33:49
  Speaker 2: Exactly good? Look at you, Mary Payne, look always thinking,
• 33:54
  Speaker 2: after all the after all these years I've learned.
• 33:57
  Speaker 1: So they get ready to go in. Matt and Andrew
• 34:01
  Speaker 1: are getting ready to Dad and son are getting ready
• 34:03
  Speaker 1: to go in. They're talking to the cops. You know.
• 34:04
  Speaker 1: They go into this thing and they say, we have
• 34:05
  Speaker 1: to treat you like a real prison. They put them
• 34:07
  Speaker 1: in change. They put them in the cop car so
• 34:09
  Speaker 1: that when they take him in they look like they
• 34:11
  Speaker 1: really have just been arrested. And Matt says, God, Matt
• 34:16
  Speaker 1: is saying about his own son. God, I think Andrew
• 34:18
  Speaker 1: looks so white and privileged, He's going to be an
• 34:20
  Speaker 1: immediate target. Unlike me. He looks like a total dirt bag,
• 34:23
  Speaker 1: you know.
• 34:24
  Speaker 2: And why are you making him do this?
• 34:26
  Speaker 1: It's unclear, it's uncod Do you hate your son? What's happening?
• 34:30
  Speaker 2: I did? I feel like he just he hates this boy,
• 34:34
  Speaker 2: like I want to go rescue him.
• 34:37
  Speaker 1: I do too. So we see them getting checked in, right,
• 34:40
  Speaker 1: and there's all sources of chaos and crazy people. People
• 34:43
  Speaker 1: are screaming they're in the check in area. It's nuts.
• 34:47
  Speaker 1: So but they're letting them just walk around. And so
• 34:49
  Speaker 1: I'm like, if you're in this area where people that
• 34:51
  Speaker 1: are being booked are in, don't they shouldn't they be
• 34:54
  Speaker 1: like handcuffed to a chair. All these people are just
• 34:56
  Speaker 1: walking around like.
• 34:58
  Speaker 2: No, I need them to be handcuffed. Yeah.
• 35:00
  Speaker 1: I don't know what's going on here. I don't care
• 35:01
  Speaker 1: for all.
• 35:02
  Speaker 2: The time, in fact, too much.
• 35:04
  Speaker 1: We're all in the same boat. We've all just been arrested,
• 35:06
  Speaker 1: but I'm going to need you to stay over there.
• 35:08
  Speaker 1: So now Jacqueline goes in the paralegal and she says,
• 35:13
  Speaker 1: I'm worried about breaking my cover. You know, she's saying
• 35:17
  Speaker 1: this to the cops. You know, there's drugs and things
• 35:19
  Speaker 1: that I'm prone to. That what Jacqueline. Jacqueline had a
• 35:24
  Speaker 1: drug problem. Maybe after she lost her child, maybe she developed.
• 35:27
  Speaker 2: A drug problem.
• 35:28
  Speaker 1: Maybe so she but maybe she became an alcoholic. She says,
• 35:32
  Speaker 1: my cover story involves alcohol, and it is that my
• 35:36
  Speaker 1: boyfriend and I got into a fight and I pulled
• 35:39
  Speaker 1: a knife on him, and then I got into a
• 35:41
  Speaker 1: verbal argument with the arresting officer. And they're like, okay,
• 35:45
  Speaker 1: like you've got the story, but don't talk too much
• 35:47
  Speaker 1: about your cover story, like don't bring it up, you know,
• 35:49
  Speaker 1: just try to blend in and lay low for a
• 35:52
  Speaker 1: day or two. And then she says, my cover story
• 35:55
  Speaker 1: is believable because of the alcohol. So I guess she did.
• 35:59
  Speaker 1: She probably went to some kind of depression and had
• 36:00
  Speaker 1: a problem. And she says, you know, I know this
• 36:04
  Speaker 1: experience is going to force me to answer my inner
• 36:06
  Speaker 1: demons and thoughts. I mean, you could just got a therapy.
• 36:09
  Speaker 1: You could just That's what I would do, go to
• 36:11
  Speaker 1: intensive therapy to work out whatever's happening. So in the car,
• 36:17
  Speaker 1: the cop says, she says, oh, you know, I'm really nervous.
• 36:20
  Speaker 1: And the cop says, do you have fake nails? And
• 36:22
  Speaker 1: she looks and says yeah, And they said the inmates
• 36:26
  Speaker 1: may want your fake nails.
• 36:28
  Speaker 2: Huh.
• 36:29
  Speaker 1: I was like, what are they going to take them
• 36:30
  Speaker 1: off of her and then put them on?
• 36:33
  Speaker 2: That is crazy? Yeah.
• 36:34
  Speaker 1: I was like ew. And also, don't be wearing your
• 36:38
  Speaker 1: fake nails, Like why are you wearing them?
• 36:40
  Speaker 2: Because I feel like if I were going to prison,
• 36:43
  Speaker 2: then I would get everything taken off, the nails, olash,
• 36:47
  Speaker 2: just the hair extension you because you can't have that
• 36:49
  Speaker 2: ship while you know, there's no one to maintain it
• 36:52
  Speaker 2: while you're there.
• 36:53
  Speaker 1: I guess the idea is she got into a fight
• 36:56
  Speaker 1: with her boyfriend, they arrested her and took her so
• 36:58
  Speaker 1: she was just as she was.
• 37:00
  Speaker 2: Yeah, right, So.
• 37:04
  Speaker 1: We see more craziness in the intake area of the
• 37:06
  Speaker 1: jail and Jacquelin's like, this is hell. This is what
• 37:10
  Speaker 1: hell is like. She said, the smell is god awful.
• 37:13
  Speaker 1: Bleach mixed with bodily fluids, and I was like, oh God.
• 37:18
  Speaker 1: And they have them seal up their belongings in a
• 37:20
  Speaker 1: bag and said, once your belongings in this bag, you
• 37:22
  Speaker 1: can't get it. So if you have any important papers
• 37:23
  Speaker 1: or anything, you've take them with you. And she's like this.
• 37:26
  Speaker 1: I felt dirty. I felt victimized because they're making her
• 37:29
  Speaker 1: shower and all that. You know, neked in front of her.
• 37:31
  Speaker 2: To take a shower when you first go to prison.
• 37:35
  Speaker 1: Yeah, and you have to do it in front of everybody. Yeah,
• 37:40
  Speaker 1: I can. So we see Nate and he's joking around
• 37:44
  Speaker 1: with an inmate, and this inmate's his buddy, I guess,
• 37:47
  Speaker 1: because the inmate goes he called me a liar. So
• 37:49
  Speaker 1: I ain't going to his wedding no more. I will
• 37:51
  Speaker 1: go to the bachelor party because I like strippers. I
• 37:53
  Speaker 1: like those big videos. But now this is where I
• 37:56
  Speaker 1: put on the close caption because I thought he said
• 37:59
  Speaker 1: big boot holes hose, but he said, I like the
• 38:03
  Speaker 1: big booty hose. He said, but I'm not going to
• 38:06
  Speaker 1: that big fat Greek wedding because he's called me a liar.
• 38:09
  Speaker 1: He's called me a liar. And Nate says, now you
• 38:11
  Speaker 1: were lying. You can't even keep a straight face. So
• 38:13
  Speaker 1: this is his buddy. They have a good relation.
• 38:15
  Speaker 2: They're cellmates.
• 38:18
  Speaker 1: It's interesting. It's interesting because Nate seems like nobody sleeps
• 38:21
  Speaker 1: on his upper bunk. When you see him in there,
• 38:23
  Speaker 1: it looks like nobody's in there. But I felt like
• 38:25
  Speaker 1: that guy was.
• 38:26
  Speaker 2: Because his roomy got his mattress and got on the
• 38:30
  Speaker 2: floor because he was trying to wash to see like
• 38:32
  Speaker 2: if Commentsary was coming through or something.
• 38:35
  Speaker 1: Okay, okay, okay, So Nate says, being in another sixty days,
• 38:43
  Speaker 1: I'm hoping to establish more relationships and get more information.
• 38:47
  Speaker 1: Nate tells us a new guy has come in. His
• 38:49
  Speaker 1: name is Rue r O. And he goes and he
• 38:53
  Speaker 1: seems like a player in the game. And the funny
• 38:56
  Speaker 1: inmate is going Rue, Ru's my bodyguard. Roo won't talk.
• 39:01
  Speaker 1: He only knows violence, death, murdering, mayhem, and Ru is
• 39:03
  Speaker 1: like nodding.
• 39:04
  Speaker 2: So I think that's true.
• 39:07
  Speaker 1: So funny roommate is trying to get in good with Rue, right,
• 39:11
  Speaker 1: Ruth tells us, Now, do you think Rue kind of
• 39:14
  Speaker 1: looks a little bit like fifty cent?
• 39:17
  Speaker 2: No?
• 39:17
  Speaker 1: I did. I found him attractive. Sorry, okay, So Rue
• 39:25
  Speaker 1: tells us he's never been out of the hood. It's
• 39:27
  Speaker 1: a goal of his. But he's only ever been his
• 39:30
  Speaker 1: whole life in Fulton County and that's his dream, is
• 39:34
  Speaker 1: to get out of Fulton County. He's in there right
• 39:37
  Speaker 1: now for burglary. And he goes, I'm like a line
• 39:40
  Speaker 1: in the jungle. If I see somebody over there that
• 39:42
  Speaker 1: has food, like, I'm gonna go get it. I'm gonna
• 39:44
  Speaker 1: kill that person for the food. He says, prison is nothing,
• 39:47
  Speaker 1: and you don't even know what you would do for
• 39:49
  Speaker 1: food or anything to survive. Now this is when well,
• 39:53
  Speaker 1: I mean, they give you food, like, they don't let
• 39:56
  Speaker 1: you starve, right, but he just wants everyone's extra. Yeah,
• 40:01
  Speaker 1: And he's doing pull ups on the stairs and he's
• 40:05
  Speaker 1: like staring at the camera, and that's when I thought
• 40:07
  Speaker 1: he kind of looked like fifty. Maybe it's from that
• 40:10
  Speaker 1: video when he's doing the pull ups.
• 40:13
  Speaker 2: Okay, maybe that can that It has to be the
• 40:15
  Speaker 2: only thing that's because their faces don't look good.
• 40:18
  Speaker 1: I think it was the eyes. It was the eyes.
• 40:21
  Speaker 1: It was at the teeth because since got the gap. Okay,
• 40:24
  Speaker 1: so we see Rue it looks like he's doing trash
• 40:30
  Speaker 1: like he's on trash duty and the guy is like
• 40:32
  Speaker 1: handed him a picture through the thing of like a
• 40:35
  Speaker 1: girl in the back or whatever, and they're chatting, and
• 40:37
  Speaker 1: you're like, what's this about now? Black Screen of Death,
• 40:42
  Speaker 1: which I've now just pult B S O D because
• 40:44
  Speaker 1: there's so many of them on here, right, Black Screen
• 40:47
  Speaker 1: of Death. Nate hears Rue telling Desmond I'm going to
• 40:52
  Speaker 1: try to extort other inmates in the pod. Okay, this
• 40:56
  Speaker 1: is these are Nates words. He's that Rue is now
• 40:58
  Speaker 1: going to try to extort other inmates in the pod.
• 41:01
  Speaker 1: Then we see Nate asking Desmond about it, and Desmond goes, yeah, yeah, yeah,
• 41:05
  Speaker 1: he's gonna do that. But you good, you good, don't
• 41:06
  Speaker 1: worry like you good, and Nate says, I know people
• 41:09
  Speaker 1: consider me a friend and everything, but I still have
• 41:11
  Speaker 1: to watch my back most definitely.
• 41:14
  Speaker 2: Yeah, that's that's smart thinking.
• 41:16
  Speaker 1: Yeah. So now we see Matt and Andrew getting their
• 41:20
  Speaker 1: mugshots taken, the father's son getting their mugshots taken, and
• 41:24
  Speaker 1: Matt's like, God, this is so foreign to me. I'm
• 41:26
  Speaker 1: so glad my son is with me because they're doing
• 41:27
  Speaker 1: an intake together. And Andrew says, hawing my dad here
• 41:30
  Speaker 1: is like super comforting. So they do the intake with
• 41:33
  Speaker 1: the shower and they putting stuff in the bags, and
• 41:35
  Speaker 1: Andrew's like, this is awkward, Like I gotta get fully
• 41:38
  Speaker 1: naked in front of my dad. I'd rather get fully
• 41:40
  Speaker 1: naked in front of strangers, you know. Yeah, they do
• 41:43
  Speaker 1: the searches. They handcuff them together and take them down
• 41:46
  Speaker 1: the hall. They give them their commissary pen numbers and
• 41:50
  Speaker 1: they tell them don't ever tell anybody this number. And
• 41:54
  Speaker 1: they give them their mats and their bags of stuff
• 41:57
  Speaker 1: and your people going fresh meat, fresh meat.
• 42:00
  Speaker 2: That's scary.
• 42:02
  Speaker 1: But they take them to two separate zones areas.
• 42:08
  Speaker 2: See, this should have been something that they should have
• 42:10
  Speaker 2: worked out beforehand because they just assumed they were going
• 42:14
  Speaker 2: to the exact same place. But they're not.
• 42:18
  Speaker 1: So so the talk of the end, Matt says, I've
• 42:23
  Speaker 1: got a responsibility as a dad to keep my son
• 42:26
  Speaker 1: safe and put him in limited harm's way, and that
• 42:30
  Speaker 1: was my intention to help him grow. He asked me,
• 42:33
  Speaker 1: am I at risk? Or am I a danger? Could
• 42:35
  Speaker 1: I die? And I said absolutely not. That's not true.
• 42:41
  Speaker 1: Matt has been to what we say in our family,
• 42:43
  Speaker 1: the Peela Hatchie School of Drama. Matt. Okay, peel Hatchie,
• 42:49
  Speaker 1: you guys, if you're new, peel Hatchie is a town
• 42:50
  Speaker 1: in Mississippi, and at some point they had like a
• 42:52
  Speaker 1: Peela Hatchie School of the Arts. It's a town of like,
• 42:55
  Speaker 1: it's a small town. So in our family, our joke
• 42:58
  Speaker 1: is if you act dramatic, we say you graduate from
• 43:00
  Speaker 1: the Pelahashi School of Drama. So Matt has been and
• 43:05
  Speaker 1: I think he got a master's degree because he's very dramatic.
• 43:09
  Speaker 2: And he decided to keep the hair. Someone told him,
• 43:11
  Speaker 2: you know what, you're going places with that hair, and
• 43:14
  Speaker 2: so he's kept the hair, which which you know that
• 43:17
  Speaker 2: was thirty years ago. You need to just give up
• 43:19
  Speaker 2: the hair.
• 43:19
  Speaker 1: It's first of all, you could put it in a bun.
• 43:21
  Speaker 1: You could put it in a low pony. You can
• 43:23
  Speaker 1: part it down the middle, which is great. Yeah, great.
• 43:25
  Speaker 2: He probably played Romeo at some point with the long hair.
• 43:29
  Speaker 2: But here's the thing. It's the grooming of it that
• 43:33
  Speaker 2: you need to kind of do something with.
• 43:34
  Speaker 1: It's dirty. Wash, it's dirty. It's dirty, all right. So
• 43:38
  Speaker 1: now we have Nate Alan and Andrew All in the
• 43:44
  Speaker 1: five hundred zone. Okay, So Andrew will be in there
• 43:48
  Speaker 1: with the Allen and Nate and of course the three
• 43:50
  Speaker 1: of them. The three now we're the three white guys.
• 43:52
  Speaker 1: They don't know each other or all in the program, right. No,
• 43:57
  Speaker 1: So in the talking head, I'm just gonna call him
• 43:59
  Speaker 1: the colonel. He's the head of the thing, Colonel. The
• 44:02
  Speaker 1: colonel says, gangs are rampant in the jail. We have
• 44:05
  Speaker 1: strong presence of bloods and crips and gangsta disciples. Now
• 44:10
  Speaker 1: is that a new gang? I hadn't heard of out
• 44:11
  Speaker 1: gangs a new gang?
• 44:13
  Speaker 2: You know, they have different gangs like in different parts.
• 44:16
  Speaker 1: Yeah, you know what I mean.
• 44:17
  Speaker 2: So I guess that's a new one. But I'll tell
• 44:18
  Speaker 2: you what that colonel look like. He don't do nothing
• 44:20
  Speaker 2: at work but talk shit and eat snacks. I'm telling you,
• 44:26
  Speaker 2: you don't do anything i work.
• 44:29
  Speaker 1: I'm trying to think the name of the gangs that's
• 44:33
  Speaker 1: near me. That is uh, it's like, oh shit, I'm
• 44:39
  Speaker 1: trying to look it up. It's like it's like MS
• 44:43
  Speaker 1: seven or something gang, but they only use MS thirteen.
• 44:49
  Speaker 1: That's what it is, Okay. MS thirteen. That's the gang
• 44:51
  Speaker 1: near me, and they use a lot of like swords
• 44:55
  Speaker 1: and knives and oh they are visitiouss vicious. And when
• 45:01
  Speaker 1: I sat on that jury that one time several years ago,
• 45:05
  Speaker 1: it was a guy that was like he wasn't he
• 45:08
  Speaker 1: wasn't a gang member, but they were in the neighborhood
• 45:10
  Speaker 1: and the guy had come and like taken his gun,
• 45:13
  Speaker 1: and this guy's gun was used to kill two people.
• 45:16
  Speaker 1: And the guy was on he was having a jury
• 45:19
  Speaker 1: trial because he said he didn't know anything about it,
• 45:22
  Speaker 1: but it was kind of proven that he did that.
• 45:24
  Speaker 1: He knew that this guy that but it was like
• 45:26
  Speaker 1: a bully in the neighborhood, like an older man came
• 45:28
  Speaker 1: and took his gun and then used it to kill
• 45:31
  Speaker 1: two people. And the guy was a gang member. Anyway,
• 45:35
  Speaker 1: don't come and get me fa faith Mary pay stay safe. Anyway,
• 45:38
  Speaker 1: I've never heard of the gangster Disciples. This doesn't roll
• 45:40
  Speaker 1: off the tongue doesn't roll off the sign it And
• 45:45
  Speaker 1: so since Andrew literally knows nothing, Yeah, coming from a
• 45:51
  Speaker 1: Mormon from Utah, he could give them a good perspective
• 45:54
  Speaker 1: on Zone five hundred. So as as he's walking in there,
• 45:59
  Speaker 1: one of the guys goes, if you bring one more
• 46:01
  Speaker 1: white boy in here.
• 46:05
  Speaker 2: Their numbers are increasing by the day that's increasing.
• 46:09
  Speaker 1: And he goes, I almost slap the shit out of
• 46:11
  Speaker 1: that guy, and he said, is he the police? Is
• 46:12
  Speaker 1: he the Feds? Is he a federal agent? He looks
• 46:15
  Speaker 1: like the FBI type. And I says, that boy's so
• 46:18
  Speaker 1: scared he don't see any other white people. And then
• 46:20
  Speaker 1: they're saying he's a copper. So as he's coming in,
• 46:23
  Speaker 1: they're just like he's a cop, he's an agent. Andrew says, well,
• 46:29
  Speaker 1: my first impression was, uh, it's a bit run down,
• 46:33
  Speaker 1: and why do we have a toilet in the middle
• 46:36
  Speaker 1: of the cell? I know, Andrew, did you think you're
• 46:39
  Speaker 1: going to the Hampton end?
• 46:41
  Speaker 2: I know, but like right in the middle of the cell.
• 46:44
  Speaker 2: Well put me in a corner to squad.
• 46:47
  Speaker 1: Well, I don't, That's what I mean. It's again, you're
• 46:50
  Speaker 1: not supposed to be comfortable. I know, I know. Yeah,
• 46:53
  Speaker 1: you're right, You're right. And so a guy says to Andrew, uh,
• 46:59
  Speaker 1: or are you locked up for He goes fraud? We
• 47:02
  Speaker 1: were charged with fraud. And he says, my dad runs
• 47:04
  Speaker 1: a charity and we were down here for a charity
• 47:06
  Speaker 1: event and they accused us of like taking the donations
• 47:09
  Speaker 1: for ourselves. But like, I don't think my dad did anything,
• 47:12
  Speaker 1: like and I didn't do anything. I'm not even from here,
• 47:14
  Speaker 1: like I'm from Utah. And they go, you ain't the police.
• 47:18
  Speaker 1: He goes what, he goes, you ain't the police, and
• 47:20
  Speaker 1: he goes no.
• 47:24
  Speaker 2: They asked that question as if the person will say, yeah, yeah.
• 47:30
  Speaker 1: Yeah, don't get me, I am the police.
• 47:34
  Speaker 2: You know, here's a messed up part about it. If
• 47:35
  Speaker 2: someone said they were a cop killer, they would be
• 47:38
  Speaker 2: running the prison mm hmm, like most definitely, Like I
• 47:43
  Speaker 2: think that's krim daya krim.
• 47:45
  Speaker 1: The thing is is that if you're in there and
• 47:48
  Speaker 1: somebody who comes in and they give you a story,
• 47:50
  Speaker 1: next time you're on the phone, you're gonna get your
• 47:51
  Speaker 1: friend to look that up and see if that's true.
• 47:54
  Speaker 1: You know what I mean.
• 47:55
  Speaker 2: That is, especially if there's suspicions. Yeah, he's saying, is
• 48:00
  Speaker 2: Andrew the unabomber? That is what he looks like to me.
• 48:05
  Speaker 2: That's all I see to me, Adam, Like, that's some motherfucker.
• 48:07
  Speaker 2: I'm staying away from right there because I don't know.
• 48:11
  Speaker 2: He just looks like he carries around fucking bombs. I mean,
• 48:13
  Speaker 2: he just I think he's gonna do okay, personally money Keisha.
• 48:18
  Speaker 1: So, Matt, the dad is going to be housed in
• 48:22
  Speaker 1: Zone six hundred. The colonel says, Zone six hundred houses
• 48:27
  Speaker 1: some older inmates that are career criminals have come and
• 48:30
  Speaker 1: gone for years, and they try to control the younger
• 48:33
  Speaker 1: guys in the pod. It can be a dangerous place
• 48:35
  Speaker 1: and we saw that on that other show we watched
• 48:38
  Speaker 1: where the old guys are trying to control the young guys.
• 48:43
  Speaker 1: He says, especially when the younger guys come in and
• 48:45
  Speaker 1: they're more disrespectful they come in, they upset the balance.
• 48:49
  Speaker 2: Right.
• 48:49
  Speaker 1: So Matt says, you know, mostly I'm afraid of my
• 48:52
  Speaker 1: emotions and now I've realized I'm putting my son in
• 48:56
  Speaker 1: a dangerous situation. And as you go in, there's door
• 48:59
  Speaker 1: after door after door slamming behind you, and if you
• 49:03
  Speaker 1: have anxiety or claustrophobia, you could feel like you're being
• 49:06
  Speaker 1: buried alive. I'm starting to really regret this. This is
• 49:09
  Speaker 1: a nightmare.
• 49:11
  Speaker 2: How did you not think of that shit before you went?
• 49:15
  Speaker 1: I don't know why didn't these people hire like what
• 49:17
  Speaker 1: Karen Huger did, like the prison person that helps you
• 49:21
  Speaker 1: understand about what prison's like before you go in so
• 49:23
  Speaker 1: you can when you get there, you know what you're
• 49:25
  Speaker 1: walking into.
• 49:26
  Speaker 2: Matts definitely needed that. And here we go, like, and
• 49:31
  Speaker 2: you still decided that this would be good for your son, right?
• 49:34
  Speaker 2: I don't get that part.
• 49:36
  Speaker 1: And that's been in jails a lot because he was
• 49:37
  Speaker 1: a prison chaplain, so at least he kind of understands, yeah, yes.
• 49:41
  Speaker 1: So now we see Jacqueline. So she's in the van
• 49:43
  Speaker 1: chatting with another inmate on the way to the jail.
• 49:46
  Speaker 1: She's going to the South Annex of the Fulton County
• 49:48
  Speaker 1: Jail with the women's section, and Jacqueline says she's starting
• 49:53
  Speaker 1: to realize she doesn't know the facility like the other
• 49:55
  Speaker 1: one Soup because they've been there before. And then she
• 49:58
  Speaker 1: gets there and people like pick up the phone in
• 50:00
  Speaker 1: her calling and she picks up the phone and was like,
• 50:03
  Speaker 1: how do I call hello? And they go, what's your
• 50:06
  Speaker 1: PIN number? And she goes, oh, I don't have one.
• 50:08
  Speaker 1: So she realizes she can't call anybody. So they tell
• 50:11
  Speaker 1: them grab a mattress, you know, get your bags, and
• 50:15
  Speaker 1: they walk into the jail and you can hear all
• 50:17
  Speaker 1: the chaos and the screaming I'm gonna beat your ass
• 50:19
  Speaker 1: and like all these you know, craziness, right, and they
• 50:22
  Speaker 1: show the craziest people. They don't show like the the
• 50:24
  Speaker 1: nice people that could be your friend or whatever. So
• 50:28
  Speaker 1: then we see Andrew, Natean and Allen are in the
• 50:31
  Speaker 1: five hundred three white guys, and it looks like Desmond,
• 50:36
  Speaker 1: which now we think is Nate's roommate, is just sitting
• 50:38
  Speaker 1: by his door looking out. He saysn't wait, no commisary
• 50:40
  Speaker 1: because last time I missed it, you know. So I
• 50:42
  Speaker 1: guess what they do. They' ring commissary and they make
• 50:45
  Speaker 1: a pile on the table, like this is the stuff
• 50:46
  Speaker 1: you ordered. So you come out, you get your like
• 50:49
  Speaker 1: plastic laundry bag and you put your stuff in it,
• 50:51
  Speaker 1: and they're watching to make sure you're getting you know,
• 50:53
  Speaker 1: just what you bought or whatever. It's like camp kind
• 50:56
  Speaker 1: of and but I don't we don't know how long
• 50:59
  Speaker 1: they've been there, Like you said, like was he able
• 51:01
  Speaker 1: to order commissary the first day? And it came to
• 51:03
  Speaker 1: I thought came once a week, you know.
• 51:06
  Speaker 2: I'm used to like orange is a New Black where
• 51:09
  Speaker 2: they it was almost like a little store. You yes,
• 51:11
  Speaker 2: it got yourself. When I saw this, I'm like, what
• 51:13
  Speaker 2: the fuck are they doing.
• 51:15
  Speaker 1: I'll be interested if Jacquelines is the same or if
• 51:17
  Speaker 1: Jacquelines is more. But Orange is the new Black was
• 51:19
  Speaker 1: like a cupcake prison, right, it wasn't It was all
• 51:22
  Speaker 1: very open and they didn't Yeah. Yeah, So Desmond sitting
• 51:29
  Speaker 1: my door looking waiting on the commissary and the talking
• 51:32
  Speaker 1: head Nate says, I know Rue is going to start
• 51:35
  Speaker 1: pushing on people for commissary, but I've been told I'm okay.
• 51:39
  Speaker 1: So in the talking head, Alan, our cop friend, says,
• 51:43
  Speaker 1: my first commissary order was like fifty dollars for necessities.
• 51:47
  Speaker 1: You know, I had to buy shampoo for Nate, you know,
• 51:49
  Speaker 1: to replace a shampoo. And yeah, I'm definitely worried somebody's
• 51:52
  Speaker 1: gonna try to jump me for food. And you know,
• 51:53
  Speaker 1: carrying a honey bun in here is like a brick
• 51:55
  Speaker 1: of gold. So and the black screen of death that
• 52:00
  Speaker 1: says Alan's first commissary order is larger than what is
• 52:03
  Speaker 1: typical for a new inmate, and it draws the attention
• 52:07
  Speaker 1: of the zone.
• 52:08
  Speaker 2: That's not good.
• 52:09
  Speaker 1: Not good. But nobody told him because Alan's like, I've
• 52:12
  Speaker 1: got the money, I'm just gonna go ahead and buy
• 52:14
  Speaker 1: all the things I need, But he should have been
• 52:15
  Speaker 1: buying a little by little.
• 52:17
  Speaker 2: I mean, because that's what I would do. I would
• 52:19
  Speaker 2: buy everything that I needed. I wouldn't think about like
• 52:22
  Speaker 2: my order is going to be bigger than this. I mean,
• 52:24
  Speaker 2: how much stuff can you buy?
• 52:26
  Speaker 1: I guess you could buy you want? Yeah, I mean
• 52:28
  Speaker 1: you could buy. We've seen on there. You could buy
• 52:30
  Speaker 1: like a speaker, you can buy. You can rent movies
• 52:33
  Speaker 1: like there's listen.
• 52:34
  Speaker 2: That's right, that's right.
• 52:36
  Speaker 1: So Alan goes in and gives Nathan shampoo and thanks him.
• 52:39
  Speaker 1: He pays it. You know, now, what Nate should have
• 52:42
  Speaker 1: said was no, no, no, no, no, you took my shampoo.
• 52:44
  Speaker 1: Now you gotta give me two. Yeah, yeah, that's true.
• 52:50
  Speaker 1: And an inmate named Timothy talks to Andrew and tells
• 52:55
  Speaker 1: Andrew he goes, now, some of these guys in here
• 52:57
  Speaker 1: are young as fuck, and they're gang members, So don't
• 53:00
  Speaker 1: surprised if people start at random fights and try to
• 53:02
  Speaker 1: fight with us. And Andrew's like, say, what, huh for
• 53:05
  Speaker 1: what reason?
• 53:06
  Speaker 2: What they need to fight with us?
• 53:07
  Speaker 1: Like yeah, what, we're just sitting Yeah. So the talking head,
• 53:11
  Speaker 1: Timothy says, the five hundred is nothing but blood gang members,
• 53:15
  Speaker 1: and they make people order stuff for commissary, or they
• 53:17
  Speaker 1: take their food.
• 53:19
  Speaker 2: You know.
• 53:19
  Speaker 1: I went in one time to help somebody who was
• 53:21
  Speaker 1: getting their food taken and the guy had a shank,
• 53:23
  Speaker 1: so I backed off because I'm not getting.
• 53:25
  Speaker 2: Stabbed over no jump food. I don't blame them, like okay.
• 53:30
  Speaker 1: And then we get a talking head with another inmate
• 53:32
  Speaker 1: who says, if I don't have if I don't have
• 53:35
  Speaker 1: the money, I'll push up on you. You give me
• 53:36
  Speaker 1: ten dollars, I won't beat you up, Like that's just
• 53:38
  Speaker 1: the way.
• 53:38
  Speaker 2: It is, Siria fucking bully he knows at school, like yeah,
• 53:45
  Speaker 2: give me your extra chips and stuff like that. Like geez.
• 53:50
  Speaker 1: Now there's a talking head and it's a young cute
• 53:52
  Speaker 1: guy who says, they say they'll bully you, but I'll
• 53:55
  Speaker 1: stand up for myself, like you know, and Nate says, yeah,
• 54:00
  Speaker 1: Nate has been in there for sixty days already. Guess yeah,
• 54:03
  Speaker 1: these newer guys are probably all about to get jumped.
• 54:05
  Speaker 1: You know.
• 54:06
  Speaker 2: That's so scary.
• 54:08
  Speaker 1: So over in the women's facility, we see Jacqueline. She
• 54:11
  Speaker 1: is entering the eye pod, which I was like, So
• 54:16
  Speaker 1: it's interesting because over on the men's it's like the
• 54:17
  Speaker 1: five hundred zone, the six hundred zone, but over in
• 54:20
  Speaker 1: the women's I guess they have numbers. So she's in
• 54:22
  Speaker 1: the eye pod. So in phase one they discovered rampant,
• 54:27
  Speaker 1: rampant drug activity and rampant violence in this pod. So
• 54:33
  Speaker 1: she's walking in with another girl and all their women
• 54:35
  Speaker 1: are like, who told you to go in that room?
• 54:37
  Speaker 1: Who told you to go in that room? And the
• 54:38
  Speaker 1: other girls like they came over the speaker and said,
• 54:41
  Speaker 1: mss so and so said, she seems to go in
• 54:42
  Speaker 1: here because they have bunk rooms with like eight women
• 54:46
  Speaker 1: in a room.
• 54:47
  Speaker 2: Yes, I don't know would I want that situation or.
• 54:52
  Speaker 1: Like is it better or worse? That's when I'm wondering,
• 54:56
  Speaker 1: because you have a lot of people there, if you
• 54:58
  Speaker 1: can make friends. And so Jacqueline sets up her top
• 55:03
  Speaker 1: bunk and the one girl is like, oh my gosh,
• 55:07
  Speaker 1: I love Balenciaga. I need some new clothes. And the
• 55:10
  Speaker 1: other girl girl, and the other girl goes, my daughter
• 55:13
  Speaker 1: has some of that her baby daddy got her. Some
• 55:17
  Speaker 1: girls come on, now, maybe they do. Maybe we don't
• 55:22
  Speaker 1: know their life. Maybe they do, they baby do.
• 55:25
  Speaker 2: But I just feel like that Balenciaga is gonna end
• 55:27
  Speaker 2: with an I instead of an A.
• 55:32
  Speaker 1: I like those Valenciaga's the one you wear but sucks. Okay,
• 55:35
  Speaker 1: So Jacqueline says, I hear some of the girls have children,
• 55:39
  Speaker 1: so I can relate. But I'm really having separation anxiety,
• 55:43
  Speaker 1: you know, realizing now that I'm not gonna be able
• 55:44
  Speaker 1: to use the phone.
• 55:46
  Speaker 2: Yeah.
• 55:47
  Speaker 1: Back to Matt. Back to Matt and the six hundred
• 55:49
  Speaker 1: old guy. Matt in the six hundred more chat about
• 55:52
  Speaker 1: his son and worrying about him. Blah blah blah. This
• 55:54
  Speaker 1: is gonna be his ongoing thing, and you.
• 55:58
  Speaker 2: Need to keep remembering he put his child in this situation.
• 56:01
  Speaker 1: That's right, that's right. And Matt chats with an inmate,
• 56:06
  Speaker 1: so it's it seems to be a white guy with dreads.
• 56:09
  Speaker 1: But then I don't want to say he's a white
• 56:10
  Speaker 1: guy with dreads, but he looks to be like a
• 56:12
  Speaker 1: white guy with dreads.
• 56:13
  Speaker 2: I don't think he was a white guy with dreads.
• 56:16
  Speaker 2: I think it was something else. He has a little
• 56:19
  Speaker 2: something in them. He was cute.
• 56:20
  Speaker 1: He was cute.
• 56:21
  Speaker 2: He was a white mixed with cute.
• 56:23
  Speaker 1: That's what he was. And and he's like, oh man,
• 56:28
  Speaker 1: my hair sometimes does dreads, Like I don't mean for
• 56:30
  Speaker 1: it too. I was like this because you don't wash
• 56:32
  Speaker 1: your fucking hair, and it Matt's up because you're disgusting.
• 56:36
  Speaker 1: It's not dreads that's called your hairs dirty. And Matt says, yeah,
• 56:40
  Speaker 1: I'm down for a big charge, man, but I'm going
• 56:42
  Speaker 1: to fight it. And dreadlight guy goes, it's not something weird,
• 56:45
  Speaker 1: is it, which I love because he's like, don't sit
• 56:51
  Speaker 1: with me.
• 56:52
  Speaker 2: If it's something weird, exactly, you cannot sit here. I
• 56:54
  Speaker 2: don't have for weirdness, Like I can't do it. So
• 56:58
  Speaker 2: you know, you murdered someone and you can sit here,
• 57:00
  Speaker 2: but uh, any strange things with cats or anything like that,
• 57:05
  Speaker 2: I don't want you sitting over here.
• 57:06
  Speaker 1: Did you do something to a kid or something? Man,
• 57:08
  Speaker 1: you cannot sit here.
• 57:11
  Speaker 2: Yeah, if it's something with a kid, get out of here,
• 57:13
  Speaker 2: get out of here. Play around with that shit.
• 57:16
  Speaker 1: And he says, no, no, it's fraud. The guy's like, oh, okay, okay,
• 57:19
  Speaker 1: that's fine. So then we hear prayer call, prayer call,
• 57:23
  Speaker 1: prayer call, and a bunch of guys go and stand
• 57:25
  Speaker 1: on one section and they have a prayer circle. And
• 57:29
  Speaker 1: I don't know if everybody gets to pray, but Matt
• 57:31
  Speaker 1: it takes over and says, you know, he appreciates his
• 57:34
  Speaker 1: new brothers and they're in there together, and I was like, already, brothers, okay,
• 57:41
  Speaker 1: and he says, you know, go into the prayer circle.
• 57:43
  Speaker 1: Really gave me an end. And some of them are
• 57:45
  Speaker 1: really kind, and I want to see the good in
• 57:47
  Speaker 1: these people. But I can't stop thinking on my son.
• 57:51
  Speaker 1: Oh god, this just reminded me Keisha of you saying
• 57:55
  Speaker 1: on Love is Blind that Megan has made Lucas diabetes
• 57:59
  Speaker 1: her whole personality. And I was like, Matt is making
• 58:04
  Speaker 1: him putting his own son in jail his whole personality.
• 58:07
  Speaker 2: He really is, and I was sick of it already.
• 58:09
  Speaker 2: We're only one episode in.
• 58:11
  Speaker 1: You guys, Today's Monday. The new Love is Blind episodes
• 58:14
  Speaker 1: ten and eleven will drop on Wednesday. You guys, the
• 58:18
  Speaker 1: minute those episodes drop on your Netflix, skip work, do
• 58:22
  Speaker 1: whatever you have to do, because those two episodes are unbelievable. Yeah, unbelievable.
• 58:27
  Speaker 1: You guys are gonna die. And then make sure you
• 58:28
  Speaker 1: listen to our recaps of course, please, okay, okay? Now,
• 58:33
  Speaker 1: Andrew Allen and Nate in the five hundred Rue was
• 58:35
  Speaker 1: walking around going, I'm gonna push up on anybody I
• 58:38
  Speaker 1: want to. I'll push up on anybody. He's announcing it.
• 58:40
  Speaker 1: He says, I'm gonna push up on the white boys.
• 58:43
  Speaker 1: And it is not good to be white and not
• 58:47
  Speaker 1: in the five hundred.
• 58:48
  Speaker 2: But got there because geez.
• 58:51
  Speaker 1: Alan is like, I feel like Ru is gonna jump
• 58:55
  Speaker 1: me for my commissary. And I wonder if they call
• 58:59
  Speaker 1: him because he jumps around a lot like a kangaroo.
• 59:03
  Speaker 2: No, I just think that's his outside name, Okay, but
• 59:06
  Speaker 2: I'd like to know why outside they need to call
• 59:09
  Speaker 2: him Debo because when he fucking comes around and starts
• 59:12
  Speaker 2: stealing people. You've probably never seen the movie.
• 59:15
  Speaker 1: Friday, right, Well, remember Friday. We only know the one
• 59:19
  Speaker 1: line about every time I'm in the kitchen, you're in
• 59:21
  Speaker 1: the kitchen, eat my goddamn food.
• 59:22
  Speaker 2: Yeah, this is another one. This is like the neighborhood
• 59:25
  Speaker 2: bully is Devo. Oh okay, Zbo comes around, you hide
• 59:28
  Speaker 2: all your shit because okay, steal it? So okay. That
• 59:32
  Speaker 2: reminds me of Debo.
• 59:33
  Speaker 1: Okay. So we see Ru running, running, and he goes
• 59:40
  Speaker 1: into where Alan is because are these your magazines? And
• 59:43
  Speaker 1: he goes, no, I don't know you can have it,
• 59:46
  Speaker 1: you can have the magazine. Yeah, And Alan's like, I'm
• 59:48
  Speaker 1: not about to get stabbed over this foolishes like he
• 59:50
  Speaker 1: can have it.
• 59:51
  Speaker 2: Whatever.
• 59:52
  Speaker 1: So then another guy with short dreads named Trey tells Rue,
• 59:57
  Speaker 1: this shows though you can push up on anybody, you won't.
• 1:00:00
  Speaker 1: You can't push up on Monty. You can't push up
• 1:00:02
  Speaker 1: on Trey. And say you can't push up on Monty
• 1:00:05
  Speaker 1: like screen to Death inmate, Trey stands up for himself
• 1:00:09
  Speaker 1: and his friend Monty.
• 1:00:11
  Speaker 2: Okay, so why why why why can nothing be done
• 1:00:14
  Speaker 2: to Monty.
• 1:00:16
  Speaker 1: I don't know if Monty is Trey's trying to protect
• 1:00:19
  Speaker 1: him because he's not right. I don't know. Maybe he's
• 1:00:23
  Speaker 1: a little special. I don't know.
• 1:00:24
  Speaker 2: Okay, Okay.
• 1:00:26
  Speaker 1: So Rue says, I'll push up on you if I
• 1:00:28
  Speaker 1: want to, and I'll swing on you next time. Go
• 1:00:30
  Speaker 1: in the room. It don't matter. So Trey says, you're
• 1:00:33
  Speaker 1: not going to take nothing from me, bro and they
• 1:00:35
  Speaker 1: walk upstairs together. Now it seems like they go and
• 1:00:37
  Speaker 1: they go into the room and they have a they
• 1:00:39
  Speaker 1: have a fistfight, and then another.
• 1:00:41
  Speaker 2: Guy boo boom, boom boom.
• 1:00:45
  Speaker 1: And then you hear Monty say leave this shit alone, man, like,
• 1:00:47
  Speaker 1: leave it alone. Yeah, the talking head out. But again,
• 1:00:53
  Speaker 1: because if people don't look, the CEOs don't notice that
• 1:00:57
  Speaker 1: two people go missing and then one person stands outside
• 1:00:59
  Speaker 1: the door to guard. You know, they got a whole system.
• 1:01:03
  Speaker 1: So if was talking head, Alan says, Ru is a
• 1:01:06
  Speaker 1: big dude, and Trey is like skin and bones, and
• 1:01:10
  Speaker 1: you gotta respect Trey because he like took that beating
• 1:01:13
  Speaker 1: and he didn't snitch. But then Monty decided he need
• 1:01:17
  Speaker 1: to protect Trey, right, so Ru went into Monty cell
• 1:01:21
  Speaker 1: and took this dude's commissary and another email. Another inmate
• 1:01:25
  Speaker 1: is yelling, why are you on that bullshit?
• 1:01:26
  Speaker 2: Bro?
• 1:01:27
  Speaker 1: And now because they're all screaming, a CEO comes up
• 1:01:29
  Speaker 1: and goes what's going on? And somebody says the other
• 1:01:35
  Speaker 1: inmate that we don't see. He says he's trying to
• 1:01:37
  Speaker 1: take the rest of my ship, bro, And Monty says,
• 1:01:39
  Speaker 1: they're about to jump me, and Alan says, and even
• 1:01:43
  Speaker 1: I know that's not good. You don't snitch because you
• 1:01:46
  Speaker 1: can't snitch on somebody you get murdered for that year.
• 1:01:49
  Speaker 2: Yep, sure, so.
• 1:01:53
  Speaker 1: Monty says Monte. Monty says to the CEO Ru was
• 1:01:58
  Speaker 1: trying to swipe my shit, and the inmates are all like,
• 1:02:01
  Speaker 1: it's very important.
• 1:02:02
  Speaker 2: Not to snitch.
• 1:02:03
  Speaker 1: You're gonna get hurt, You're gonna get killed. Yep Alan
• 1:02:06
  Speaker 1: goes the invates did not appreciate that stitching, and all
• 1:02:10
  Speaker 1: the gangs stick together.
• 1:02:13
  Speaker 2: Thanks Alan for letting us know.
• 1:02:15
  Speaker 1: Yeah, we got it. Black Screen of death officers will
• 1:02:17
  Speaker 1: remove Monty and Rue from the zone. So I don't
• 1:02:20
  Speaker 1: know if they're removed forever and they have to go
• 1:02:21
  Speaker 1: to different zones or what, or if they're coming back,
• 1:02:25
  Speaker 1: it's gonna be a problem, or even if one of
• 1:02:28
  Speaker 1: them comes back, it's gonna be a problem with the
• 1:02:29
  Speaker 1: other people.
• 1:02:31
  Speaker 2: I agree, all right.
• 1:02:32
  Speaker 1: Jacqueline's in the South Annex, and she says the hardest
• 1:02:35
  Speaker 1: thing to know is like when will I eat? When
• 1:02:37
  Speaker 1: will I shower? You know, I saw the phones, but
• 1:02:39
  Speaker 1: I don't know how to use them. I don't know
• 1:02:41
  Speaker 1: what the process is. You're given nothing, no information, no instructions, which.
• 1:02:46
  Speaker 2: That's bad, Like I feel like they should at least
• 1:02:49
  Speaker 2: tell them, like, look, this is how we do things.
• 1:02:51
  Speaker 2: This is how you get your pin for this, your
• 1:02:54
  Speaker 2: pin for that. This is the eating schedule. Yeah, you
• 1:02:57
  Speaker 2: need it. I mean not like a hotel. You know
• 1:03:00
  Speaker 2: what I'm saying, Like when you go in, they tell
• 1:03:02
  Speaker 2: you everything. But I mean, damn, at least let the
• 1:03:05
  Speaker 2: girl know when she'll be able to call home.
• 1:03:07
  Speaker 1: Yeah, yeah, I'm out. But why didn't she feel like
• 1:03:10
  Speaker 1: she could just walk up to the CEO station and go, hey,
• 1:03:13
  Speaker 1: nobody's told me anything. Can you give me information about
• 1:03:15
  Speaker 1: when do we eat? When do we shower? You know?
• 1:03:18
  Speaker 2: But she doesn't ask the one girl on family locked up,
• 1:03:20
  Speaker 2: She's like, I need chapstick. I need this.
• 1:03:23
  Speaker 1: I have asked for my CarMax and my chap set
• 1:03:27
  Speaker 1: I'm going to need when she kept going, I needna
• 1:03:30
  Speaker 1: sporing for my lips. Yeah, We're like, yes, you'll get
• 1:03:33
  Speaker 1: it when you get it. So she asked a CEO
• 1:03:37
  Speaker 1: when am I going to get a pin? And she goes, oh,
• 1:03:39
  Speaker 1: you didn't get one, and she goes no, She goes
• 1:03:41
  Speaker 1: how long had you been here? And she goes, oh, I
• 1:03:43
  Speaker 1: got here yesterday or whatever today and she goes, well,
• 1:03:45
  Speaker 1: sometimes it takes a minute. And that's all she tells her.
• 1:03:48
  Speaker 1: I need to know what a minute is, right, But yeah,
• 1:03:52
  Speaker 1: So now she walks around and she puts her arms
• 1:03:53
  Speaker 1: behind her head like this, and black Screen of Death
• 1:03:57
  Speaker 1: says Jacqueline has given the sign of distress that she
• 1:04:00
  Speaker 1: needs to meet with producers.
• 1:04:01
  Speaker 2: And the sound of the stress is written all over
• 1:04:03
  Speaker 2: her face. She didn't even need to do that part,
• 1:04:05
  Speaker 2: like we see it. I'm like, oh shit, she ain't
• 1:04:08
  Speaker 2: gonna make it sixty days.
• 1:04:10
  Speaker 1: So the production king team comes into the area and
• 1:04:13
  Speaker 1: production's asking her, oh, okay, so you're a new person.
• 1:04:17
  Speaker 1: You're okay. So we're gonna do Jacqueline and then we're
• 1:04:19
  Speaker 1: gonna get the other new girl, but we'll do Jacqueline first.
• 1:04:22
  Speaker 1: So they pull her into the production area. She goes
• 1:04:24
  Speaker 1: into the interview area and she is like crying and hyperventilating,
• 1:04:28
  Speaker 1: and she's saying she feels like she might pass out.
• 1:04:30
  Speaker 1: She needs to hear from her family, and she goes,
• 1:04:33
  Speaker 1: I haven't had a panic attack in eight years, but
• 1:04:35
  Speaker 1: I can feel that it's coming. I haven't had a
• 1:04:37
  Speaker 1: panic attack since I lost my daughter. And she's hyperventilating
• 1:04:40
  Speaker 1: and she's like, I can't do this, I can't do this.
• 1:04:42
  Speaker 1: I can't do this. Oh boy, okay, this season on
• 1:04:46
  Speaker 1: for this season on sixty days. In season four four
• 1:04:50
  Speaker 1: more participants enter, they will be pushed to their limits.
• 1:04:53
  Speaker 1: We see a lot of fighting. We see some participants
• 1:04:56
  Speaker 1: will crack, but one will break their cover and we
• 1:04:59
  Speaker 1: see more fighting, and then we see somebody sets a fire.
• 1:05:06
  Speaker 1: So that's not.
• 1:05:07
  Speaker 2: Great love to look forward to.
• 1:05:10
  Speaker 1: Okay, all right, now that we've gotten to the end,
• 1:05:13
  Speaker 1: are you still mad at Kimberly?
• 1:05:17
  Speaker 2: Now that we have talked about it and debriefed together, yes,
• 1:05:21
  Speaker 2: I feel better. But after watching the show, I'm like
• 1:05:24
  Speaker 2: my anxiety is high, Like I don't feel safe in
• 1:05:27
  Speaker 2: my own home. Yeah, Like, am I gonna have nightmares today?
• 1:05:31
  Speaker 2: But now that we have talked about it together, okay.
• 1:05:34
  Speaker 1: Kimberly, Okay, I think we're gonna be able to do it.
• 1:05:39
  Speaker 1: And we're gonna be able to do it. Well, I
• 1:05:41
  Speaker 1: feel positive about this experience for us.
• 1:05:44
  Speaker 2: Okay, okay.
• 1:05:45
  Speaker 1: And because in my mind I was like, I'm not
• 1:05:48
  Speaker 1: a quitter, but yes I am a quitter because we
• 1:05:50
  Speaker 1: did quit family lock up. I mean they quit on
• 1:05:53
  Speaker 1: us first.
• 1:05:54
  Speaker 2: They made they made it very easy to quit. They
• 1:05:57
  Speaker 2: really did. Like, yeah, they did give us much at all.
• 1:06:01
  Speaker 2: Like I mean even to get a response to like
• 1:06:03
  Speaker 2: you have to send an owl? Yeah, oh to get
• 1:06:06
  Speaker 2: a response. It's just like, Okay, what the fuck it's
• 1:06:08
  Speaker 2: an email, so yeah, you know, yeah, I feel we
• 1:06:12
  Speaker 2: don't have to depend on them. We just go straight
• 1:06:14
  Speaker 2: to Hulu for this. That's right, we got what we need.
• 1:06:17
  Speaker 2: But before we go, I do need you because this
• 1:06:20
  Speaker 2: is on the free feed right, yes, yes, to tell
• 1:06:23
  Speaker 2: about the birthday giveaway.
• 1:06:26
  Speaker 1: Okay, guys, our birthday giveaway. So everybody go to my
• 1:06:29
  Speaker 1: Instagram or Keisha's Instagram, Pink Shade Pod or the liber
• 1:06:32
  Speaker 1: Lounge Wakisha and that's where you can find the information.
• 1:06:35
  Speaker 1: So we have a birthday giveaway. Kisha and I share
• 1:06:37
  Speaker 1: a birthday. If you've been living under a rock, it's us,
• 1:06:41
  Speaker 1: Kim Kardashian, Kerry Fisher, rip So and Amber Rose. So. Yes,
• 1:06:47
  Speaker 1: so we share a birthday and for our birthdays, we're
• 1:06:49
  Speaker 1: doing a giveaway. It's gonna be like a Libra Lounge
• 1:06:51
  Speaker 1: T shirt, a Pink Shade T shirt. And yes, we
• 1:06:54
  Speaker 1: will ask you your sizes. We won't just send you
• 1:06:56
  Speaker 1: an extra small. I think I'm gonna give a personal thing.
• 1:07:00
  Speaker 1: We've got like stickers, we've got fun stuff, but we're
• 1:07:03
  Speaker 1: going it's our birthday. You win. However, you have to
• 1:07:06
  Speaker 1: post a birthday message to the both of us on
• 1:07:08
  Speaker 1: your social media and tag us. Then we'll repost us.
• 1:07:11
  Speaker 1: You have to make sure you're following us all that
• 1:07:13
  Speaker 1: jazz and uh, that's what's doing. And then there's going
• 1:07:17
  Speaker 1: to be some Ingrid always figures this out. I don't
• 1:07:19
  Speaker 1: know how she gets the people, then she does like it. It
• 1:07:22
  Speaker 1: puts the names and the thing and the draws and
• 1:07:24
  Speaker 1: then that's the winner. And there's one winner. So on winter,
• 1:07:27
  Speaker 1: you better get on it. You better start preparing your
• 1:07:30
  Speaker 1: birthday message for us, because we like our birthdays to
• 1:07:32
  Speaker 1: be celebrated by the people.
• 1:07:35
  Speaker 2: Yeah. Like I said that, one person has said the
• 1:07:37
  Speaker 2: fact that you have to wish them a happy happy birthday?
• 1:07:41
  Speaker 2: Is it most libra shit that I've ever heard. Oho,
• 1:07:44
  Speaker 2: she's kind of right. It is very libra of us.
• 1:07:47
  Speaker 2: But you know, we are who we are. We can't
• 1:07:49
  Speaker 2: help it. So we are who we are.
• 1:07:50
  Speaker 1: And I think that the birthday this year is like
• 1:07:52
  Speaker 1: on a Tuesday. It's not even on a fun day. Yeah,
• 1:07:55
  Speaker 1: that's okay.
• 1:07:56
  Speaker 2: I just bought my birthday dinner dress.
• 1:07:59
  Speaker 1: You did, okay?
• 1:08:00
  Speaker 2: Amazon, And guys, I do have an Amazon store if
• 1:08:03
  Speaker 2: you want to go shopping some of my looks go there.
• 1:08:06
  Speaker 1: What I was thinking, Keisha, A lot of people that
• 1:08:08
  Speaker 1: I follow that it pops up like things I got
• 1:08:11
  Speaker 1: on Amazon, and I follow a lot of these people
• 1:08:14
  Speaker 1: and then I follow them on Amazon and then I
• 1:08:16
  Speaker 1: follow their lt K. You know, okay, like like to
• 1:08:21
  Speaker 1: know accounts, and so I feel like that should be
• 1:08:25
  Speaker 1: your next step because you say, my top is Amazon,
• 1:08:28
  Speaker 1: my pants are Amazon, dah D, I got this machine whatever,
• 1:08:31
  Speaker 1: But then you don't tag the items, do you know
• 1:08:34
  Speaker 1: what I mean? I think I think you need to
• 1:08:35
  Speaker 1: move into that realm of influencing your outfits. Okay, okay,
• 1:08:42
  Speaker 1: I send you some examples. Okay, everybody, make sure you're
• 1:08:47
  Speaker 1: following Keisha so you can get her her new LTK
• 1:08:50
  Speaker 1: that she's going to be starting, and make sure following me.
• 1:08:56
  Speaker 1: And again we are covering Keisha and I are covering
• 1:08:59
  Speaker 1: Love Is Over on Pink Shade Prime that comes out
• 1:09:02
  Speaker 1: on Wednesday's Love This Blind is really good and when
• 1:09:05
  Speaker 1: Love Is Blind is Over, guys, Keisha and I are
• 1:09:07
  Speaker 1: going to start a rewatch of Welcome to Platfill. People
• 1:09:09
  Speaker 1: are very excited about this, very exciting.
• 1:09:12
  Speaker 2: With my first time watching, it'll be my first time
• 1:09:15
  Speaker 2: sitting down and actually watching an episode.
• 1:09:18
  Speaker 1: It's gonna be incredible because, like I said, I know
• 1:09:21
  Speaker 1: everything about it. You know nothing about it, and that's
• 1:09:23
  Speaker 1: what's it's gonna be. It's gonna be podcast gold. I'm
• 1:09:25
  Speaker 1: sure we're gonna win all the podcast awards for it.
• 1:09:29
  Speaker 1: We should, we should, or you should win an award
• 1:09:33
  Speaker 1: for being forced to watch it. Okay, everybody, that's it
• 1:09:37
  Speaker 1: and I'll see you tomorrow with ninety Day h e
• 1:09:40
  Speaker 1: A with Kimberly. Okay, bye bye