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When Vaginas Change, The 🍆 Remains the Same · The Mixed Vibez Podcast

• 0:03
  Speaker 1: Yo, y'all know what time it is.
• 0:04
  Speaker 1: Another episode of the Mixed Vibes Podcast, your favorite episode of the podcast.
• 0:09
  Speaker 1: You can find us wherever you get your podcasts.
• 0:11
  Speaker 1: I'm your boy, Young Quaker T the Dream.
• 0:14
  Speaker 2: Hey, man, you already know the best.
• 0:15
  Speaker 2: It's your boy, mr Bill.
• 0:17
  Speaker 2: Hey, big Q, not the little one, what you mean?
• 0:19
  Speaker 2: Switch the game up.
• 0:22
  Speaker 2: No, george, shout out to jurors.
• 0:25
  Speaker 2: Shout out to Teddy.
• 0:28
  Speaker 2: Shout out to Teddy.
• 0:30
  Speaker 2: For sure we're going to get the fire cracking.
• 0:33
  Speaker 2: We're going to get it going.
• 0:34
  Speaker 2: It's not even an ass quack.
• 0:40
  Speaker 2: I want to get your thoughts on this.
• 0:41
  Speaker 2: I was scrolling on Facebook and I seen a woman said it is sassy for a man to use an umbrella and she said that she got it from her grandfather.
• 0:51
  Speaker 2: Her grandfather said men, just go outside in the rain and we just going to walk, we going to walk until we get to where we got to go, whether it's raining or not.
• 0:59
  Speaker 2: I think it's the craziest shit I've ever heard recently.
• 1:06
  Speaker 2: That'll change tomorrow.
• 1:07
  Speaker 2: Recently it's the craziest shit I've heard.
• 1:09
  Speaker 2: But what say you?
• 1:17
  Speaker 1: I ain't gonna hold you.
• 1:18
  Speaker 1: I might have to agree with that one sassy though.
• 1:23
  Speaker 1: I ain't never heard I mean I ain't saying sassy though I ain't never heard I mean I ain't saying sassy, but what I will say is you remember my, my homie, richard?
• 1:35
  Speaker 1: yeah that nigga carry an umbrella and all I'm gonna say is I got a little sass about him and it ain't.
• 1:46
  Speaker 1: All I'm going to say is I got a little sass about him.
• 1:48
  Speaker 1: I feel what she's saying.
• 1:50
  Speaker 1: It ain't using the umbrella, I feel like it's the carrying the umbrella.
• 1:54
  Speaker 1: That's the part she had twisted.
• 1:57
  Speaker 1: Her granddad didn't know what he was talking about.
• 2:00
  Speaker 1: That's an old country, nigga.
• 2:01
  Speaker 1: They couldn't afford no umbrella.
• 2:06
  Speaker 2: All right.
• 2:06
  Speaker 2: So do I carry around an umbrella in my car?
• 2:09
  Speaker 2: No, but like she said.
• 2:13
  Speaker 2: She said use umbrella.
• 2:14
  Speaker 2: She's at the game Twisted.
• 2:16
  Speaker 2: Okay, we're being technical.
• 2:18
  Speaker 2: We're being technical off what she said, but I'm not sassy.
• 2:21
  Speaker 2: If somebody offers me the umbrella and it's raining, just pull it down and I get up under it.
• 2:26
  Speaker 2: I don't think that's sassy.
• 2:29
  Speaker 2: You know what I?
• 2:30
  Speaker 2: Mean Now do I personally own an umbrella.
• 2:32
  Speaker 2: No, my mama get on my head all the time about me owning an umbrella.
• 2:35
  Speaker 2: To me it's just like bro.
• 2:36
  Speaker 2: By the time I put this mug up, I can just get where I'm going.
• 2:39
  Speaker 2: That's why I don't use an umbrella.
• 2:46
  Speaker 2: But I don't think it makes me.
• 2:46
  Speaker 2: I don't think it makes a man less of a man if he carries around an umbrella, personally.
• 2:53
  Speaker 2: But I mean, hey, to each their own.
• 2:55
  Speaker 1: I'm not saying Look, I'm not saying less of a man, less of a man To me sassy is saying less.
• 3:00
  Speaker 2: If you're saying somebody's sassy, that's saying they're less of a man.
• 3:02
  Speaker 2: You don't think so.
• 3:06
  Speaker 1: I never took that.
• 3:09
  Speaker 1: I just took it more like you know, potentially you, a mama's boy more or less.
• 3:14
  Speaker 1: That's how I took the sassiness in.
• 3:16
  Speaker 1: I ain't never taken it too deep.
• 3:18
  Speaker 1: I ain't never been called sassy either.
• 3:23
  Speaker 2: These females taking sassy too deep, these females taking when they accuse you of being sassy, either these females taking sassy too deep, these females taking when they accuse you of being sassy, from my perspective, I think they're accusing you to be less of a man and they questioning your manhood and they questioning your ability to be a man, your ability to lead and all that.
• 3:40
  Speaker 2: That's what I think.
• 3:41
  Speaker 2: When they say he's being sassy or he's a little too sassy for me, I think they're questioning your ability as a man.
• 3:51
  Speaker 2: That's what I think.
• 3:53
  Speaker 2: I mean, I could be one of them.
• 3:54
  Speaker 2: That's just my perspective.
• 3:57
  Speaker 2: I don't know alright.
• 3:59
  Speaker 1: well, would you prefer to be called sassy or tender Pause?
• 4:11
  Speaker 2: That's a horrible one, bro, I ain't gonna lie.
• 4:16
  Speaker 1: Because tender do it for me, but sassy no.
• 4:21
  Speaker 2: Tender make me sound like I'm a punk and I don't like it.
• 4:26
  Speaker 2: Am I wrong?
• 4:29
  Speaker 2: I guess sassy good too, but when I heard Tinder, you make me sound like I sound like I'm a punk that's what I'm saying, but sassy, sassy, you know it's a whole, it's offensive, don't get me wrong.
• 4:41
  Speaker 1: Yeah, not offensive, but you know it make you feel a way.
• 4:45
  Speaker 2: I'm just going to say, bro, it is offensive To a heterosexual man you calling that man sassy, that's offensive.
• 4:51
  Speaker 2: But, like I said tender.
• 4:55
  Speaker 1: That's a whole different can of worms.
• 4:58
  Speaker 2: Tender do feel worse.
• 4:58
  Speaker 2: I'm not going to lie about tender, especially depending on Because why else would you use Tinder?
• 5:05
  Speaker 2: Tinder is a very strong word to be using to describe a person.
• 5:09
  Speaker 2: That's a very strong word, nah, but Tinder is way worse than sassy, and I don't want to be called sassy neither, but I definitely don't want to be called Tinder.
• 5:21
  Speaker 2: Tinder, you feel Tinder in your chest a little bit when somebody calls you that, like if it's a low-key fight, why don't you call me Tinder?
• 5:30
  Speaker 2: Nah, don't Tinder?
• 5:34
  Speaker 2: Sounds like you calling me a bitch.
• 5:35
  Speaker 2: I hate to hold you.
• 5:36
  Speaker 2: Tinder sounds like you calling me a bitch.
• 5:38
  Speaker 1: You trying to win the argument with that one.
• 5:41
  Speaker 2: Hey, you trying to drop a noob Whoa Whoa Bomb with that one.
• 5:44
  Speaker 1: Yeah, you hey you try to drop a nuke.
• 5:47
  Speaker 2: Whoa, whoa, whoa Bomb on the back, dan, on your ass.
• 5:49
  Speaker 2: Them definitely is fighting worse.
• 5:50
  Speaker 2: So yeah, nah, I'm going to say 10 to this is worse, and I don't think it's sexy for a man to use up brother.
• 5:55
  Speaker 2: I don't think it's sexy for a man to carry off brother.
• 5:58
  Speaker 2: I just have to not own one.
• 6:01
  Speaker 1: I mean, if you got it in the car, that's fine.
• 6:09
  Speaker 2: If it's raining you pull it out.
• 6:11
  Speaker 1: I mean, that's what it's for.
• 6:12
  Speaker 1: But I feel like you in the store.
• 6:17
  Speaker 1: It's raining, you go buy an umbrella.
• 6:19
  Speaker 1: Nah, she might have a point.
• 6:21
  Speaker 1: So a brother's supposed to just walk around with a raincoat all the time A trench.
• 6:33
  Speaker 2: I mean, that's my get down.
• 6:33
  Speaker 1: Okay, I feel it.
• 6:34
  Speaker 1: Nah, I'm a hoodie, nigga Shit, the hoodie gonna get wet.
• 6:36
  Speaker 1: I mean I'm gonna take it off anyways, I mean.
• 6:38
  Speaker 2: Shit.
• 6:38
  Speaker 2: Hey, bro, just put the next hoodie on bro, I mean't even come last week.
• 6:44
  Speaker 1: Look, I done been soaking wet before.
• 6:45
  Speaker 1: It is what it is, shit, shit.
• 6:50
  Speaker 2: A nigga got the hoodies that the rain shit, just kind of.
• 6:53
  Speaker 2: They don't get that wet for real because of the way the hoodies made, but I know it's raining.
• 6:58
  Speaker 2: Them is the hoodies I wear.
• 6:59
  Speaker 2: I don't wear the cloth hoodies, I wear my little special, my little rug wrap.
• 7:04
  Speaker 2: Mother, I don't wear the cloth hoodies, I wear my little special, my little rug wrap.
• 7:08
  Speaker 2: It's going to be a motherfucking size smoothie.
• 7:10
  Speaker 2: All right, man, you was out in the belt, you was out in these streets this weekend.
• 7:15
  Speaker 1: Ah yeah, you already know.
• 7:16
  Speaker 1: So look, I took a, what they call them.
• 7:21
  Speaker 1: We had a gathering.
• 7:25
  Speaker 2: Hey dog, you know what You're talking about a pre-pop.
• 7:27
  Speaker 2: Somebody get that off with me.
• 7:28
  Speaker 2: Nah, it was friendly excursions, that's what they call them, that's what we call them, friendly excursions or gatherings, whichever one you want to call them.
• 7:37
  Speaker 1: Hey, we was at a gathering at this point.
• 7:39
  Speaker 1: The Millennium Tour was in town, so you know.
• 7:49
  Speaker 1: So we had to start due Millennium Tour 2025, first stop of the tour was in the Ville, so I had to pull up and I'm going to give you all my honest review Now.
• 7:54
  Speaker 1: I'm going to preface this by saying I am not a concert person.
• 7:59
  Speaker 1: This is my second concert.
• 8:01
  Speaker 1: I have come to learn concerts are not my thing.
• 8:04
  Speaker 1: Now, first one was that first Astroworld.
• 8:09
  Speaker 1: A good concert, don't get me wrong.
• 8:10
  Speaker 1: Me personally, just not my vibe.
• 8:12
  Speaker 1: Me sitting there watching a nigga sing it live.
• 8:15
  Speaker 1: Yeah, I could have watched this at the crib, low key, as many people was on they phone.
• 8:25
  Speaker 1: I know it was on TikTok.
• 8:25
  Speaker 1: I'm not mad at it.
• 8:26
  Speaker 1: What I'm saying is that ain't my thing.
• 8:30
  Speaker 1: The movies call me a hermit, call me whatever you want to call me.
• 8:33
  Speaker 1: I feel it.
• 8:34
  Speaker 1: The movies, the concerts, count me out.
• 8:41
  Speaker 1: I'll do one more If it's somebody like okay, I ain't going to hold you.
• 8:44
  Speaker 1: I was ready to drop the bag on the Elton John concert.
• 8:47
  Speaker 1: That's just me personally.
• 8:54
  Speaker 2: The Elton John concert.
• 8:56
  Speaker 1: Yeah, bruh, I ain't gonna hold you.
• 8:59
  Speaker 2: Oh, nah, bruh, you gonna explain this one to me.
• 9:01
  Speaker 2: I fuck with Elton John Nigga.
• 9:04
  Speaker 2: Since when?
• 9:04
  Speaker 2: Since always, I fuck with Elton.
• 9:04
  Speaker 1: John Nigga, since when?
• 9:06
  Speaker 1: Since always?
• 9:06
  Speaker 1: I've never heard you say Rocket man A day in your life, bro.
• 9:10
  Speaker 2: What you talking about, I ain't never.
• 9:12
  Speaker 1: Come on bro.
• 9:14
  Speaker 2: I ain't never.
• 9:15
  Speaker 1: Elton John, frank Sinatra.
• 9:22
  Speaker 2: I knew that one.
• 9:24
  Speaker 1: You knew.
• 9:24
  Speaker 2: Frank and you know Elton John.
• 9:25
  Speaker 2: I knew you fucked with Frank.
• 9:27
  Speaker 2: I've never heard you say nothing about Elton John, never.
• 9:31
  Speaker 1: I was ready to drop the bill.
• 9:32
  Speaker 1: Them tickets was like $600.
• 9:34
  Speaker 1: This is right before COVID.
• 9:38
  Speaker 1: Yeah, nah, nah, nah.
• 9:39
  Speaker 1: It was ready to be up, but then it got canceled because of COVID.
• 9:46
  Speaker 1: Then it came at a later date and a nigga missed that.
• 9:50
  Speaker 1: I didn't have them 600 at that time.
• 9:54
  Speaker 2: Fill it.
• 9:56
  Speaker 1: Let's get back to Millennium Tour.
• 9:57
  Speaker 1: Millennium Tour, like I said, purpose is not a concert person, but if we're going to give it a scale of 1 to 10, we'll wait for that.
• 10:05
  Speaker 1: We'll start off with the basics.
• 10:07
  Speaker 1: You go in, everything's cool.
• 10:10
  Speaker 1: You know it's kind of swole People in their Sunday best.
• 10:12
  Speaker 1: You feel me, I'm sorry, not their Sunday best, their 2000s best.
• 10:16
  Speaker 1: There was a lot of that in there.
• 10:17
  Speaker 1: Wasn't mad at it, loved what I was seeing.
• 10:19
  Speaker 1: People was feeling it too low key, was in there choosing, but that's a story for another day.
• 10:26
  Speaker 2: Chill bro, chill his body's on air bro his body's on air.
• 10:34
  Speaker 1: Bro, I ain't gonna hold you that liquor.
• 10:37
  Speaker 1: Just hit me in the bottom of the stomach it's drink some water.
• 10:43
  Speaker 2: Look, let me tell you so the kid is Drink some water, that's all I can say.
• 10:46
  Speaker 1: Look let me tell you.
• 10:48
  Speaker 1: So the kid.
• 10:55
  Speaker 2: Actually, you know what?
• 10:56
  Speaker 2: Give me one second.
• 10:56
  Speaker 2: Give him a second.
• 10:57
  Speaker 2: He ready to pull up the whole list.
• 11:00
  Speaker 2: You dig.
• 11:01
  Speaker 2: I heard one of them told us a movie.
• 11:04
  Speaker 2: I seen a bunch of wow yeah.
• 11:05
  Speaker 2: Now I heard one of them told this movie.
• 11:06
  Speaker 2: I seen a bunch of people.
• 11:07
  Speaker 2: I seen a bunch of people online, everybody.
• 11:08
  Speaker 2: I heard it.
• 11:09
  Speaker 2: Well, the promotion.
• 11:12
  Speaker 2: I seen a post somebody shared that the promotion said that motherfucker was sold out, so that motherfucker had to be sold.
• 11:19
  Speaker 2: And everybody I seen on Facebook, snapchat, everybody on Instagram they said they was there.
• 11:25
  Speaker 2: Like you said Shit.
• 11:26
  Speaker 2: I seen the whole motherfucking concert I ain't making.
• 11:28
  Speaker 2: I seen the whole concert on TikTok.
• 11:31
  Speaker 2: Shit.
• 11:33
  Speaker 2: I seen a bunch of people performing that motherfucker on TikTok.
• 11:36
  Speaker 2: I got that motherfucker was smooth as shit.
• 11:51
  Speaker 1: Alright, so we step into the scene.
• 11:53
  Speaker 1: Like I said, everything looking nice.
• 11:55
  Speaker 1: First act of the night Nivea.
• 11:59
  Speaker 1: Nah, motherfuckers.
• 12:03
  Speaker 1: Don't be familiar with Nivea till you hear her songs, and I was the same way.
• 12:10
  Speaker 1: I was like oh yeah, nivea, you know the dreamin Lil Wayne, baby mama, yes, both of them.
• 12:17
  Speaker 1: So I'm like, yeah, yeah, yeah, I know Nivea.
• 12:20
  Speaker 1: Okay, she came out, here we go.
• 12:23
  Speaker 1: I knew it was gonna be a night after this.
• 12:24
  Speaker 1: She came out, here we go.
• 12:25
  Speaker 1: I knew it was going to be a night.
• 12:26
  Speaker 1: After this, she came out doing the single ladies with her dancers trying to sing and dance at the same time.
• 12:32
  Speaker 1: Now, like I said, I wasn't really remembering Nivea's game, but I know damn well Nivea don't have a song to where she need to sing and dance at the same time.
• 12:44
  Speaker 2: Leave that lady alone.
• 12:46
  Speaker 1: Am I lying?
• 12:47
  Speaker 1: I'm pretty sure she got one Bro sing and dance at the same time.
• 12:56
  Speaker 2: I'm sure she got one.
• 12:56
  Speaker 2: I said one, I didn't say she got a bunch.
• 13:00
  Speaker 1: None of the ones she performed.
• 13:01
  Speaker 1: I tell you what.
• 13:01
  Speaker 1: None of the ones she performed.
• 13:02
  Speaker 1: I tell you what.
• 13:02
  Speaker 1: So she done tired herself out after the third song because you tried to sing and dance at the same time.
• 13:11
  Speaker 1: She tried to hit a note.
• 13:13
  Speaker 1: At the end.
• 13:14
  Speaker 1: It didn't really go as expected.
• 13:17
  Speaker 1: It was okay.
• 13:18
  Speaker 1: Performance was a.
• 13:21
  Speaker 1: Cause I'm being nice.
• 13:24
  Speaker 1: Nivea was a 4.
• 13:25
  Speaker 1: Uh, cause I'm being nice.
• 13:26
  Speaker 1: Nivea was a.
• 13:26
  Speaker 1: Nivea was a four out of 10.
• 13:27
  Speaker 1: Okay, she was a four out of 10.
• 13:30
  Speaker 1: She did what she had to do, but we know why she was there.
• 13:34
  Speaker 1: Them kids is almost grown.
• 13:37
  Speaker 1: Child support has been lowered.
• 13:39
  Speaker 1: We understand.
• 13:42
  Speaker 1: Hey and this is what.
• 13:46
  Speaker 1: And she knew what it was because at the end of her set she said I really love the vibe in here.
• 13:54
  Speaker 1: I said, bitch, you just lucky didn't nobody boo your ass.
• 13:58
  Speaker 1: You lucky we didn't boo tomato your ass, all that kind of shit.
• 14:01
  Speaker 1: Like I said, it wasn't terrible.
• 14:03
  Speaker 1: What are you doing?
• 14:06
  Speaker 1: Why are you doing the single ladies up here?
• 14:07
  Speaker 1: You got pink hair, your dancers got pink hats on.
• 14:14
  Speaker 2: She trying to set the ambiance, bro.
• 14:16
  Speaker 1: One of the dancers' hats came off, so now it's pink, pink, black.
• 14:21
  Speaker 2: She can't control that bro.
• 14:25
  Speaker 1: Anywho, I said four out of ten.
• 14:26
  Speaker 1: She love the vibe.
• 14:27
  Speaker 1: Next up, nye Twins.
• 14:32
  Speaker 1: Hey, it ain't them niggas was lit.
• 14:37
  Speaker 1: They was lit To be gone.
• 14:39
  Speaker 2: So early that was lit.
• 14:40
  Speaker 2: I already knew they was, because I done seen them perform live.
• 14:43
  Speaker 2: They like it.
• 14:44
  Speaker 2: They put it on the show.
• 14:49
  Speaker 1: And they did everything they're supposed to do.
• 14:50
  Speaker 1: They did whisper, they did to the windows, to the wall.
• 15:00
  Speaker 2: Yeah, I'm drawing blanks.
• 15:01
  Speaker 1: now they did a bedroom boom.
• 15:08
  Speaker 2: They they ain't do bedroom boom no, no, it wasn't.
• 15:11
  Speaker 1: Uh, look, they was trying to turn everybody they got everybody lit though they did.
• 15:14
  Speaker 1: They did uh bubba sparks, uh booty rocking everywhere, booty, booty, booty, booty rocking there they did that.
• 15:21
  Speaker 1: They had, like I said, they had a nice little lineup.
• 15:23
  Speaker 1: They got everybody crunk.
• 15:24
  Speaker 1: They was lit.
• 15:26
  Speaker 1: Kane had on a Louisville.
• 15:30
  Speaker 1: He got in and he went straight to the store, bought him a Louisville, louisville pullover on and put it on performing that.
• 15:39
  Speaker 1: I wasn't mad at it.
• 15:40
  Speaker 1: He put it on for the team.
• 15:41
  Speaker 2: I feel it.
• 15:43
  Speaker 1: Yeah, overall 8 out of 10.
• 15:46
  Speaker 1: They went early, so you know they had to.
• 15:49
  Speaker 1: They had to do what they had to do they didn't get that much time.
• 15:55
  Speaker 2: They did what they could.
• 15:58
  Speaker 1: Now it gets funny.
• 15:59
  Speaker 1: Rsvp, come to the stage.
• 16:03
  Speaker 2: Hmm, I'm enjoying this one.
• 16:07
  Speaker 1: Nah, Ray J comes out.
• 16:09
  Speaker 1: You know he did a.
• 16:11
  Speaker 1: What did Ray J do off the muscle?
• 16:15
  Speaker 2: It should have been One Wish.
• 16:17
  Speaker 1: It was not One Wish.
• 16:18
  Speaker 2: Or Sexy, can I?
• 16:20
  Speaker 1: Sexy Can.
• 16:21
  Speaker 1: I came later.
• 16:22
  Speaker 1: We'll get to that.
• 16:23
  Speaker 1: We'll get to that.
• 16:23
  Speaker 1: He did something else.
• 16:25
  Speaker 1: He did something else.
• 16:26
  Speaker 1: It didn't really hit with me.
• 16:27
  Speaker 1: Sammy came out, bobby came out, bobby came out and then kind of stole the show.
• 16:40
  Speaker 2: I was like I'm not mad at you.
• 16:45
  Speaker 1: Pleasure P came out, then everybody disappeared.
• 16:48
  Speaker 1: Bobby came back out, got on the piano, did Anonymous.
• 16:56
  Speaker 1: He started doing.
• 16:58
  Speaker 1: He did something else, then he did Miss Officer.
• 17:02
  Speaker 1: Bobby came back and stole the show again.
• 17:05
  Speaker 1: Sammy came out.
• 17:07
  Speaker 1: They tag teaming songs.
• 17:09
  Speaker 1: Pleasure P come back out.
• 17:14
  Speaker 1: He do a couple pretty Ricky joints.
• 17:17
  Speaker 1: I'm like all right, we got a vibe R where you at they look, the SVP is up there performing sexy canna.
• 17:31
  Speaker 1: They looking for Ray J, ray J in the crowd.
• 17:34
  Speaker 2: Bruh what.
• 17:36
  Speaker 1: Ray J.
• 17:37
  Speaker 1: Down there on the floor in the crowd Bruh, where Ray J at Ray, where you at they up there performing his songs, they like fuck it, we gonna do something else.
• 17:49
  Speaker 1: Let's just do.
• 17:50
  Speaker 1: Let's just do.
• 17:55
  Speaker 1: I think they end up doing they end up doing Sexy, can I?
• 17:59
  Speaker 1: And then they just went to on the hotline.
• 18:01
  Speaker 1: Oh no, they didn't miss out the hood, they didn't miss officer.
• 18:03
  Speaker 1: They was like turn his shit off.
• 18:05
  Speaker 1: And they didn't miss officer.
• 18:06
  Speaker 1: That's Ray J in the crowd trying to figure out bro, trying to figure out.
• 18:11
  Speaker 1: Overall, even with Ray J's shenanigans still comes a little higher than Nibby.
• 18:18
  Speaker 1: I'm gonna put them 5 out of 10.
• 18:19
  Speaker 1: If Ray J had acted right, it could have been ranked.
• 18:23
  Speaker 1: Still comes a little higher than Nibby.
• 18:24
  Speaker 1: I'm going to put them five out of ten.
• 18:25
  Speaker 1: If Reggie had acted right, it could have been ranked a little higher.
• 18:27
  Speaker 1: But we know what he's about and it's apparently having a good time.
• 18:31
  Speaker 1: We're going to get back to him, though.
• 18:33
  Speaker 2: He's in the crowd, bro.
• 18:35
  Speaker 1: Next up.
• 18:36
  Speaker 1: You know who it is Boosie Boop.
• 18:38
  Speaker 2: Boosie Bad Edge.
• 18:42
  Speaker 1: Got up there and handled business.
• 18:46
  Speaker 1: You know I couldn't be mad at the performer.
• 18:48
  Speaker 1: He said Louisville, I love y'all, I'm finna, get a house here.
• 18:52
  Speaker 1: Nigga, don't move here.
• 18:53
  Speaker 1: Nigga, do not move here.
• 18:56
  Speaker 1: You think the Atlanta police be fucking with you?
• 18:59
  Speaker 1: Do not move here.
• 19:01
  Speaker 2: Boosie ain't coming up his mother.
• 19:06
  Speaker 1: I think I need to get a house here.
• 19:07
  Speaker 1: No, you don't.
• 19:08
  Speaker 1: If you do, don't tell nobody else.
• 19:11
  Speaker 2: Chill, chill, chill.
• 19:11
  Speaker 2: Don't go that far.
• 19:13
  Speaker 1: Do not tell nobody else.
• 19:15
  Speaker 1: Come on, bro.
• 19:21
  Speaker 2: Alright, so Boosie was.
• 19:22
  Speaker 2: So Boosie was smooth.
• 19:23
  Speaker 1: Boosie was smooth.
• 19:23
  Speaker 1: I'm going to give him not to Glazer man.
• 19:27
  Speaker 1: I'm going to give him an 8 out of 10.
• 19:29
  Speaker 2: We know you fuck with Boosie, so I do fuck with Boosie.
• 19:32
  Speaker 1: He did set it off.
• 19:32
  Speaker 1: He did.
• 19:38
  Speaker 1: What is it?
• 19:39
  Speaker 1: Murder, murder, murder, ease my mind, gangsta music, I think, whatever it's called.
• 19:45
  Speaker 1: Did he do Set it Off?
• 19:47
  Speaker 1: He did Set it Off.
• 19:49
  Speaker 2: You know he had to do Set it Off because he got.
• 19:52
  Speaker 1: Set it Off.
• 19:52
  Speaker 1: He came out to wipe me down, got to Look.
• 19:57
  Speaker 1: I think he just got the same generic list.
• 20:00
  Speaker 1: I think he said I'm going to do this Everywhere I go, I do the same.
• 20:03
  Speaker 1: Because he had the pit on the jumbotron behind him.
• 20:07
  Speaker 1: It looked like he was performing the same songs at the same time and he owed you.
• 20:12
  Speaker 1: I was like I ain't mad at it, boosie, I'm a business and the people love Boosie.
• 20:19
  Speaker 2: Mm-hmm.
• 20:22
  Speaker 1: So, like I said, I'm going to give Boosie an 8 out of 10.
• 20:24
  Speaker 1: Not to glaze or nothing.
• 20:27
  Speaker 1: Boosie handled business, but wasn't the best performer that night.
• 20:30
  Speaker 1: After Boosie, we had Rick Ross come out.
• 20:36
  Speaker 1: Nah, I'm going to tell you this was some bullshit.
• 20:41
  Speaker 1: Man, y'all could've kept that shit.
• 20:43
  Speaker 1: That nigga could've stayed at the crib for that damn this nigga came out first of all, he came out damn Boosie got.
• 20:53
  Speaker 2: I mean, ross didn't have to show up.
• 20:56
  Speaker 1: Ross.
• 20:56
  Speaker 1: Really we could've did without Ross.
• 20:58
  Speaker 1: It was look, soon as Ross came out, it was a nigga like two rows in front of me, tall as hell, stood up singing every Ross song.
• 21:05
  Speaker 1: Okay, where I get it?
• 21:06
  Speaker 1: Like you, this, this show vibe here.
• 21:08
  Speaker 1: Ross came out.
• 21:10
  Speaker 1: Did I'm uh, uh the boss?
• 21:13
  Speaker 1: He did uh then.
• 21:18
  Speaker 1: Then this is where it get funny.
• 21:21
  Speaker 1: He did I'm on one.
• 21:21
  Speaker 1: His verse on, I'm on one, who's on I'm on one?
• 21:26
  Speaker 1: It would be Drake, drake in the row.
• 21:30
  Speaker 1: So that's how he played it.
• 21:31
  Speaker 1: Alright, cool.
• 21:34
  Speaker 1: So he did.
• 21:37
  Speaker 1: I don't remember.
• 21:39
  Speaker 1: You know I wasn't taking notes.
• 21:40
  Speaker 1: I ain't really think you think that heavy about it.
• 21:44
  Speaker 1: I'm trying to enjoy it.
• 21:45
  Speaker 1: I paid money to do it.
• 21:47
  Speaker 1: I didn't pay it.
• 21:48
  Speaker 1: I didn't do it for the podcast, it was drinks up.
• 21:51
  Speaker 1: I can't remember every song that was done.
• 21:53
  Speaker 2: I got you.
• 21:55
  Speaker 1: He did a solo joint and then he came back with another drink joint.
• 21:59
  Speaker 2: Well, you knew that was to be expected.
• 22:01
  Speaker 1: I said, okay, ross.
• 22:02
  Speaker 1: And then he came back with another Drake joint.
• 22:03
  Speaker 1: Well, you knew that was to be expected.
• 22:05
  Speaker 1: I said, okay, ross.
• 22:06
  Speaker 1: I mean we know where your money came from, but you ain't going to do it again.
• 22:10
  Speaker 1: Then he did another solo joint and let me guess we'll follow that through that.
• 22:14
  Speaker 1: Another Drake joint, another Drake.
• 22:17
  Speaker 1: I said, all right, man, get him up out of here.
• 22:20
  Speaker 1: So then his last song he brought out one of his new Maybach artists and let him perform, and then they left, while still better than Nivea.
• 22:33
  Speaker 1: You can't go that much higher.
• 22:34
  Speaker 1: Five out of ten.
• 22:37
  Speaker 2: Alright, bro, it's one, four, two fives, two eights, okay.
• 22:44
  Speaker 1: My boy, plies, came out.
• 22:45
  Speaker 1: Now I ain't never seen, you know, like I said, I ain't never seen really nobody live, but I feel like Plies always perform well.
• 22:55
  Speaker 1: You know what I mean?
• 22:56
  Speaker 1: He gonna put on a show.
• 22:57
  Speaker 1: Plies did Ritz Carlton, I want to say Bussy Baby was on there.
• 23:06
  Speaker 2: He had to do Bussy Baby Ain't no way you doing the show.
• 23:08
  Speaker 2: You ain't doing Bussy Baby.
• 23:11
  Speaker 1: Soon as I seen the shit told I he did Shoddy, he did Gotta do Shoddy too, Daddy's Home.
• 23:19
  Speaker 2: Yeah, too.
• 23:21
  Speaker 1: That's how you know it was good, because I'm remembering all the songs he did.
• 23:26
  Speaker 1: It was one that I wanted to hear the Trey songs.
• 23:28
  Speaker 1: I thought they was going to do a little crossover.
• 23:30
  Speaker 1: I thought him and Trey songs was going to do the joint.
• 23:33
  Speaker 1: I would have paid to see that.
• 23:37
  Speaker 1: You feel me, I thought I was going to get a little crossover.
• 23:40
  Speaker 1: It wasn't really no crossover, though.
• 23:43
  Speaker 1: Everybody come out and do their own thing, but, like I said, this is the first show, so everybody got to find their footing.
• 23:47
  Speaker 1: I mean, trey Songz was on that shawty remix too, and that bitch slid too.
• 23:56
  Speaker 2: But it's the remix, though A lot of people don't know that the first time we made love?
• 24:04
  Speaker 1: Pleasure Pete, no, that was.
• 24:04
  Speaker 2: Pleasure, that's what I'm saying, bro.
• 24:05
  Speaker 2: It was Pleasure Pete and Trigger.
• 24:07
  Speaker 2: Yeah, that was at least one of them.
• 24:09
  Speaker 2: Nah, he could have brought Trigger.
• 24:12
  Speaker 2: Nah, it ain't gonna happen, especially if Because I ain't heard Trey yet.
• 24:17
  Speaker 2: So that means Trey come late in the show.
• 24:19
  Speaker 2: Trey ain't coming out early, so that means Trey comes late in the show.
• 24:20
  Speaker 1: Trey ain't coming out early not for that, but I'm saying Pleasure Pete, done already been out there.
• 24:25
  Speaker 1: You could have figured something out, you know, maybe not an official remit, maybe it wasn't sanctioned.
• 24:34
  Speaker 1: I don't know the details.
• 24:36
  Speaker 1: I mean, we heard it, we heard it, we know it.
• 24:40
  Speaker 1: Nigga, you should know it.
• 24:42
  Speaker 1: Plies put on a show, though I ain't gonna hold you.
• 24:45
  Speaker 1: Plies was a 9 out of 10.
• 24:46
  Speaker 1: Plies was a 9 out of 10.
• 24:50
  Speaker 1: He was up there Handled business.
• 24:55
  Speaker 1: He came in and locked and loaded.
• 25:00
  Speaker 1: Now this is where I get to the headliners.
• 25:04
  Speaker 1: The three marquee names are at the top of the flyer Omarion Bow Wow, trey Soames, in that order Omarion Bow.
• 25:19
  Speaker 2: Wow, trey.
• 25:19
  Speaker 2: Okay, so Trey's the headliner.
• 25:20
  Speaker 2: Trey was the headliner, he came last, I guess, because Bow Wow, omarion Bow.
• 25:22
  Speaker 1: Wow, trey.
• 25:22
  Speaker 1: Okay, so Trey's the headliner.
• 25:23
  Speaker 1: Trey was the headliner, he came last.
• 25:25
  Speaker 2: I guess, because Bow Wow and Omarion have been on this tour around so many times, trey's new.
• 25:29
  Speaker 2: I guess you mean this day tour.
• 25:31
  Speaker 2: Yeah, but I guess you know we'd have been around so many times.
• 25:35
  Speaker 2: We're going to make Trey the headliner for this particular one.
• 25:43
  Speaker 1: Omarion came out, stepped out.
• 25:44
  Speaker 1: Now, me personally, that was never my bag.
• 25:47
  Speaker 1: I know Icebox, I know Touch, I know it was one more he did.
• 25:55
  Speaker 1: Oh, I know Post to Be.
• 25:58
  Speaker 1: Post to Be was the last one.
• 26:01
  Speaker 1: That was the one he closed out with, and for good reason.
• 26:05
  Speaker 1: But you know he did early on Marion.
• 26:08
  Speaker 1: And then he cut on the Jumbotron.
• 26:16
  Speaker 1: You know it showed different graphics.
• 26:18
  Speaker 1: He said I was trying to throw together a little story for y'all, but I didn't catch it.
• 26:20
  Speaker 1: Nigga, what are you talking about?
• 26:21
  Speaker 1: Just perform, nigga, you know different graphics.
• 26:21
  Speaker 1: He said I was trying to throw together a little story for y'all, but y'all ain't catch it.
• 26:22
  Speaker 1: Nigga, what are you talking about?
• 26:24
  Speaker 1: Just perform, nigga, you doing all this talking and shit, man, we don't care about what.
• 26:27
  Speaker 1: Nigga, what are you talking about?
• 26:29
  Speaker 1: What are you?
• 26:30
  Speaker 1: What story is you trying to tell?
• 26:32
  Speaker 1: Nigga, just perform your song.
• 26:34
  Speaker 1: Come up here and sing.
• 26:35
  Speaker 1: So after act two he cut and boom, he totally changed, like you know, in the blink of an eye, nigga, changing everything whole different.
• 26:49
  Speaker 1: Get up.
• 26:49
  Speaker 1: Then he ran back there and started DJing.
• 26:52
  Speaker 1: I said wait a minute.
• 26:53
  Speaker 1: So then the girls behind me they was like that ain't no Mariano, that's his brother.
• 26:58
  Speaker 1: I said oh, this nigga, look.
• 27:01
  Speaker 1: So the niggas out there hopping around.
• 27:04
  Speaker 1: This nigga's out here singing, just a Friend.
• 27:07
  Speaker 1: He's out there singing, weak, he's out there singing.
• 27:12
  Speaker 1: Can we Talk for a Minute?
• 27:19
  Speaker 1: I'm like damn, omarion's singing all these other people's songs.
• 27:22
  Speaker 1: It ain't even Omarion, it's his brother.
• 27:24
  Speaker 1: I said look.
• 27:27
  Speaker 1: I'm saying look, I'm like, damn, the nigga did change his hair, I ain't even realize.
• 27:31
  Speaker 1: So, boom, act three, start.
• 27:35
  Speaker 1: Omarion come out, and that's when he do post to be, that's when he do.
• 27:38
  Speaker 1: Uh, oh, he did something else too.
• 27:42
  Speaker 1: You know, like I said, I can't even.
• 27:44
  Speaker 1: I was out there.
• 27:45
  Speaker 1: I said do bedrock nigga.
• 27:51
  Speaker 1: You know damn well, that's Lloyd.
• 27:55
  Speaker 2: He was on the original bedrock, yeah, but that wouldn't go nowhere.
• 27:58
  Speaker 2: The Lloyd joint, all right, so Badwell.
• 28:03
  Speaker 1: Boom Badwell.
• 28:04
  Speaker 1: Oh, let me give you my grade Omarion.
• 28:05
  Speaker 1: Oh shit, I forgot Okay my bad.
• 28:07
  Speaker 1: Because you try to play the little trickery.
• 28:09
  Speaker 1: Six out of ten.
• 28:11
  Speaker 2: So without the trickery, it's an eight or a seven.
• 28:14
  Speaker 1: It's an eight, probably without the trickery.
• 28:15
  Speaker 1: Okay, I'm saying for the smoothest minute.
• 28:18
  Speaker 1: I thought that he was his brother, I thought his brother was him For a smooth little minute, for that whole little intermission for him to go get changed and everything.
• 28:28
  Speaker 1: Bow Wow, bow Wow pop up.
• 28:32
  Speaker 1: Nah, bow Wow got joints, bow Wow got joints.
• 28:36
  Speaker 1: And I was unfamiliar with Bow Wow's game, really unfamiliar, like, not the song necessarily, but stage presence performance.
• 28:48
  Speaker 1: You know, just as a talent in general.
• 28:49
  Speaker 1: I knew back in the day motherfuckers was selling out to go see Bow Wow but I personally had never seen it.
• 28:55
  Speaker 1: Bow Wow said I do this and he did it, wasn't mad at it.
• 29:03
  Speaker 1: I gave Bow Wow a nine for real.
• 29:07
  Speaker 1: Bow Wow was a nine hopping around.
• 29:08
  Speaker 1: He had to look this.
• 29:11
  Speaker 1: How I know this, how I know Bow Wow was a nine performance.
• 29:16
  Speaker 1: He had hoes out there showing titties and shit showing titties, shaking ass, all that yeah, thanks, bow Wow, been doing this longer than everybody else and then Bow Wow, they said the birthday shout out where the birthday girls at.
• 29:34
  Speaker 1: So you know they went crazy.
• 29:39
  Speaker 2: Bow Wow, birthday today yeah, bow Wow birthday today and that.
• 29:42
  Speaker 1: Yeah, Bow Wow's birthday today.
• 29:43
  Speaker 1: He said you know I'm a Pisces when they at he looking for them, Set them up.
• 29:48
  Speaker 1: Bow Wow helped the crowd.
• 29:51
  Speaker 1: Bow Wow handled business.
• 29:54
  Speaker 1: He did the older hits and I was like you know, I wasn't personally with it, People was with it, but then when he came out and did Out of my System, he did Shorty Like Mine.
• 30:09
  Speaker 2: You know Out of my System and Shorty Like Mine.
• 30:12
  Speaker 1: So look, when he did Shorty Like Mine this is the crazy part of it he did Shorty Like Mine my little section started erupting.
• 30:19
  Speaker 1: I'm at the back near that left tunnel Okay, it started erupting.
• 30:21
  Speaker 1: I'm at the back near that left tunnel Okay, it started erupting.
• 30:26
  Speaker 1: We looked down in the tunnel.
• 30:27
  Speaker 1: Motherfucking Ray J down there, he said what the?
• 30:31
  Speaker 2: fuck what is you doing nigga?
• 30:35
  Speaker 1: He said I'm out here trying to watch the show with y'all All right, cool.
• 30:39
  Speaker 1: But then he started, you know.
• 30:41
  Speaker 2: Bro, why is Ray J still in the crowd?
• 30:44
  Speaker 1: So then he started doing Ray J shit.
• 30:47
  Speaker 1: Then he started climbing up on the steel.
• 30:49
  Speaker 1: Then he was down there and he was looking for a lighter.
• 30:54
  Speaker 1: He's flicking looking for a lighter.
• 30:55
  Speaker 1: He was like, oh, I said, hey, go in your bag, get your lighter so I can get a Ray J shit.
• 31:00
  Speaker 1: She's moving too slow.
• 31:02
  Speaker 1: He got a lighter from somebody else.
• 31:03
  Speaker 1: Okay, it's fine.
• 31:04
  Speaker 1: Whatever, why the fuck this nigga light up a cig, I said.
• 31:10
  Speaker 1: I said I know this nigga ain't in the Yum Center lighting up a cig.
• 31:15
  Speaker 2: Nigga on the cig bro.
• 31:16
  Speaker 2: Why you judging that man?
• 31:18
  Speaker 1: And not even.
• 31:18
  Speaker 1: That ain't even the worst part.
• 31:21
  Speaker 1: Then you dragging your wife around with you.
• 31:25
  Speaker 1: You got a princess.
• 31:30
  Speaker 2: Hey, she said she can't trust brother, go nowhere.
• 31:32
  Speaker 1: I have never felt so bad for somebody bro Like she looked like she don't want to be there.
• 31:39
  Speaker 1: She said she can't trust bro.
• 31:42
  Speaker 1: I never thought about it that way.
• 31:43
  Speaker 1: I thought it was he had be there.
• 31:44
  Speaker 1: She said she can't trust her, bro.
• 31:44
  Speaker 1: I never thought about it that way.
• 31:45
  Speaker 1: I thought it was.
• 31:45
  Speaker 1: He had her there.
• 31:46
  Speaker 1: I never thought about her wanting to be there, because every step he took she was two steps behind him.
• 31:54
  Speaker 2: She said this nigga fucking with Snoop Sookie on the low, she want to be the one on the tour I'm not even going to hold you, bro.
• 31:59
  Speaker 1: If I was close enough, I would have asked him about that shit.
• 32:04
  Speaker 2: She knew what she was doing.
• 32:05
  Speaker 2: She knew what she had to do to make the relationships about.
• 32:12
  Speaker 1: And I'm saying, bro, you be worried about you having kids and shit.
• 32:15
  Speaker 1: You be out here doing monkey shit like this.
• 32:17
  Speaker 1: Now, mind you, when the lights went out, the weed went up.
• 32:23
  Speaker 1: I didn't smell the first cigarette until you walked up, nigga.
• 32:29
  Speaker 1: Now, now you taking the air.
• 32:32
  Speaker 1: You all look this nigga always want to go against the grain, always.
• 32:40
  Speaker 1: I understand you, different man, but for once stay in your lane, my dog hey bro, that's his lane, that's all I'm asking.
• 32:51
  Speaker 2: That's his lane, bro.
• 32:52
  Speaker 2: That's what he do.
• 32:54
  Speaker 1: So we go back to the look.
• 32:54
  Speaker 1: We go back to the Bow Wow performance.
• 32:56
  Speaker 1: He signed some girl's poster.
• 32:57
  Speaker 1: You know I don't necessarily remember what he closed out with.
• 33:01
  Speaker 1: Bow Wow, nine out of ten performance Fantastic Cannot be.
• 33:07
  Speaker 1: Could never be mad at it.
• 33:08
  Speaker 1: Hey, I, if I'd have known I'd have went to a Bow Wow concert back in the G for real.
• 33:14
  Speaker 2: He's been doing this the longest, bro, that's what he do.
• 33:17
  Speaker 1: Natural.
• 33:18
  Speaker 1: The nigga said I'm Shag Gregory Mouse, don't fucking play with me.
• 33:24
  Speaker 1: The nigga said I got kids.
• 33:25
  Speaker 1: I said nigga what I got to do with anything now they was?
• 33:31
  Speaker 1: They was showing them titties and shit.
• 33:33
  Speaker 2: So I get it alright, so Trey closed it out.
• 33:39
  Speaker 1: Trey closed it out.
• 33:39
  Speaker 1: Man Trey popped up and I, well, it's not much, all right.
• 33:43
  Speaker 1: So Trey closed it out.
• 33:44
  Speaker 1: Trey closed it out, man Trey popped up and it's not much that I can really say.
• 33:47
  Speaker 1: Bro, trey came out and he didn't come right out, no, he came out.
• 33:51
  Speaker 1: They played the video.
• 33:53
  Speaker 1: The video started fucking up, all right, we sat there for a minute.
• 33:58
  Speaker 1: They played the video.
• 33:58
  Speaker 1: Again, it started fucking up again.
• 34:00
  Speaker 1: So then Trey said all right, man, we having some technical difficulties, I'm going to show you how we going to do this.
• 34:14
  Speaker 1: Trey came out and made us sing the song for him and you know, he did his thing.
• 34:17
  Speaker 1: On the other end, crowd control, crazy, nah, me personally, I done heard the stories, I done heard the lore.
• 34:24
  Speaker 1: We're going to call them, for lack of a better word, the Pied Piper Jr.
• 34:33
  Speaker 2: That was not necessary, bro.
• 34:34
  Speaker 2: We just here to celebrate people bro.
• 34:36
  Speaker 1: No, I am no, no, no, no, no, no.
• 34:38
  Speaker 1: I'm not saying it in that aspect.
• 34:40
  Speaker 1: What I'm saying is they say R Kelly used to do that.
• 34:44
  Speaker 1: Do it like it, just come out there, you know, blow into his pipe and then they just start floating in the air.
• 34:55
  Speaker 1: I ain't never seen people float before.
• 34:57
  Speaker 1: That nigga had motherfuckers floating out the crowd bro.
• 35:05
  Speaker 2: I've seen Trey perform live.
• 35:06
  Speaker 2: It was a beautiful sight.
• 35:09
  Speaker 2: It was a very, very beautiful sight, but that boy and he do put on a show.
• 35:13
  Speaker 2: It was him and Monica.
• 35:15
  Speaker 1: So, look, this is the crazy part.
• 35:17
  Speaker 1: This is how I know.
• 35:18
  Speaker 1: I told you how I knew what's-his-name was a.
• 35:22
  Speaker 1: How I knew.
• 35:24
  Speaker 1: I told you how I knew what's-his-name was a high level.
• 35:27
  Speaker 1: I'm going to tell you how I know Trey was a high level.
• 35:29
  Speaker 1: This nigga got up there the wife beater and the braids and then he ripped his shirt off.
• 35:36
  Speaker 1: I said, oh yeah, bro, this nigga know what he is.
• 35:38
  Speaker 1: I said, look that nigga's catching the charge tonight.
• 35:40
  Speaker 1: 10 out of 10 performance he's catching the charge tonight 10 out of 10 performance.
• 35:44
  Speaker 1: He's catching the charge tonight 10 out of 10 performance.
• 35:47
  Speaker 1: I feel sorry for that young lady, but hey, you fed into it, I bet.
• 35:54
  Speaker 2: So, overall, what do you think of the show?
• 35:56
  Speaker 1: Overall, even with the lackluster performances, I'm going to give it an overall 7 out of 10.
• 36:02
  Speaker 1: That's even discounting the parts that I didn't get up for.
• 36:07
  Speaker 1: I didn't really enjoy all that kind of shit.
• 36:09
  Speaker 1: 7 out of 10.
• 36:11
  Speaker 1: I think it was a pretty decent tour.
• 36:12
  Speaker 1: I think it'll get better as it goes on.
• 36:14
  Speaker 1: People will realize, like yo, we can do some collab because Bow Wow and Omarion didn't even do bruh.
• 36:20
  Speaker 1: If anything y'all supposed to be flowing, you have.
• 36:24
  Speaker 1: You should have had Rick Ross going to Omarion cause they got something together.
• 36:28
  Speaker 1: You should have had Omarion going to Bow Wow cause they got something together but you know people, they don't do that with shows.
• 36:35
  Speaker 2: It ain't like a consistent flow.
• 36:37
  Speaker 2: They take breaks in between people.
• 36:39
  Speaker 1: I feel that, I feel that they don't really.
• 36:42
  Speaker 2: That ain't really.
• 36:43
  Speaker 2: They should do that, but that ain't really what they're going to do Now.
• 36:48
  Speaker 2: Bow Wow and Amariah, I think at this point, when y'all tour, y'all should have some Drake versus Wayne type shit.
• 36:55
  Speaker 2: You perform a song, I perform a song, you perform a song, I perform a song.
• 36:59
  Speaker 2: Then after a while, bow Wow just take over, because it's Bow Wow bro.
• 37:02
  Speaker 2: It got more songs, he did more numbers.
• 37:06
  Speaker 1: Right Now.
• 37:07
  Speaker 1: Mind you, like I said, this is the first show.
• 37:09
  Speaker 1: Maybe they just need a little time to get their foot in the loop.
• 37:12
  Speaker 1: We're going to come out here and get a little of the basic show, let's get warmed up for these next couple of shows, and then we'll start mixing and matching.
• 37:21
  Speaker 1: We'll do Shorty Like they.
• 37:23
  Speaker 1: Didn't even do Shorty Like Mine.
• 37:24
  Speaker 1: They played the music because I Right at the Omarion, that's how we knew Bow Wow was coming out, but they didn't do it together.
• 37:32
  Speaker 1: I'm like come on, man, that's right there.
• 37:33
  Speaker 2: That's a Well, no, no, no, shorty Like Mine.
• 37:38
  Speaker 1: So they did Shorty Like Mine.
• 37:39
  Speaker 1: What's the?
• 37:41
  Speaker 2: let me hold you.
• 37:42
  Speaker 2: Let me hold you he did.
• 37:48
  Speaker 1: He did do.
• 37:48
  Speaker 1: Okay, he did, let me hold you.
• 37:50
  Speaker 1: He did it later though, in the set, in the middle of the set yeah, they got Girlfriend well they got they got Girlfriend.
• 38:00
  Speaker 2: Of course they got they whole album they had together right, he, that's what it was they played.
• 38:03
  Speaker 1: Uh, yeah, they got girlfriend.
• 38:03
  Speaker 1: They got girlfriend.
• 38:04
  Speaker 1: Of course, they got their whole album they had together.
• 38:05
  Speaker 1: That's what it was.
• 38:05
  Speaker 1: They played the music like they was going to do it, and then they didn't.
• 38:13
  Speaker 2: The album was called Face Off, yeah.
• 38:15
  Speaker 1: Hey man, Decent album, by the way, From what I remember.
• 38:21
  Speaker 1: I might be wrong, I might not be remembering everything from the album, but from memory.
• 38:28
  Speaker 2: I thought that was a pretty decent album.
• 38:30
  Speaker 2: I don't even remember.
• 38:31
  Speaker 2: I ain't 100.
• 38:32
  Speaker 2: I ain't even remember, bro, I don't even remember that damn album.
• 38:36
  Speaker 2: Honestly, I don't think I listened to it.
• 38:38
  Speaker 1: That's crazy, I feel it.
• 38:40
  Speaker 1: Like I said, 7 out of 10, man Y'all go see the Millennium Tour.
• 38:43
  Speaker 1: No free clout, though.
• 38:43
  Speaker 1: What was the craziest thing I saw at the tour too?
• 38:49
  Speaker 1: Let me see the nigga in front of me.
• 38:52
  Speaker 1: He was, from what I could tell.
• 38:54
  Speaker 1: I don't think they was together.
• 38:58
  Speaker 1: My significant other seems to think different, that they were together.
• 39:01
  Speaker 1: I think that he was just paying for the pussy.
• 39:04
  Speaker 1: He paid for them tickets and he paid for her nose job because she had a band-aid on her nose.
• 39:10
  Speaker 1: I'm not even going to hold you, bro, I'm going to tell you look, I hate to do this to them, but every time he would touch on her she would shift a little bit.
• 39:24
  Speaker 2: That's probably because he did something to the All right, let me not, let me chill.
• 39:29
  Speaker 1: I'm not doubting they was together, I don't know how to.
• 39:32
  Speaker 2: That's the reason she got a Band-Aid on her nose.
• 39:36
  Speaker 1: I'm thinking, bro, it was a nose job.
• 39:37
  Speaker 1: Bro, I'm not thinking, the nigga dicked her in her nose.
• 39:41
  Speaker 1: Man, then he was a Chicago Bears fan.
• 39:44
  Speaker 1: I mean, while you might have reason to hit a woman, football season been over, but yeah alright, you said 7 out of 10, 7 out of 10 alright, man, let's move.
• 40:00
  Speaker 1: Let's move now.
• 40:00
  Speaker 1: Was it worth the money I paid for it?
• 40:00
  Speaker 1: Let me.
• 40:00
  Speaker 1: You said 7 out of 10?
• 40:01
  Speaker 2: 7 out of 10.
• 40:01
  Speaker 1: All right, man, that's smooth, that's smooth Now, was it worth the money I paid for it?
• 40:05
  Speaker 1: Let me, I might have to think about that.
• 40:08
  Speaker 1: I might have to think about that one.
• 40:10
  Speaker 1: I got a couple more payments to make.
• 40:12
  Speaker 2: You don't have to pay, I feel it All right, man.
• 40:18
  Speaker 2: So, mario, I speak to Mario.
• 40:19
  Speaker 2: Mario was on the millennium tour.
• 40:20
  Speaker 2: He was on the Breakfast Club not too long ago and he said they discussed why men don't sing to the pussy and basically Mario said vagina has changed.
• 40:31
  Speaker 2: Meaning he is crazy of a headline saying vagina has changed.
• 40:36
  Speaker 2: But basically he was explaining how the game has changed, how women have changed.
• 40:39
  Speaker 2: He said women aren't a soft girl to her right now, and a lot of different women.
• 40:43
  Speaker 2: The vagina talks to them in different ways.
• 40:45
  Speaker 2: Some of it's money, some of it is, you know, the love and affection that we used to have.
• 40:52
  Speaker 2: Some of them want you to be roughnecks with them.
• 40:54
  Speaker 2: That's what he was saying.
• 40:55
  Speaker 2: But the headline said the vagina has changed.
• 40:58
  Speaker 2: Cool, I can't speak for you, but I'm going to speak for me.
• 41:04
  Speaker 2: I kind of agree with him.
• 41:06
  Speaker 2: The vagina has changed.
• 41:11
  Speaker 2: The expectations that our grandfathers had, and even our fathers to a lesser degree had, is way different than what we stand by.
• 41:18
  Speaker 2: We started the fight off talking about me being sassy or men being tender.
• 41:23
  Speaker 2: This was not conversations that was had so openly back in the day.
• 41:29
  Speaker 2: Don't feel like that's not stuff you heard Now, anything a man does, if a man show any type of weakness or any type of any, I guess, sassiness or tenderness, whatever you want to use, whatever phrase you want to use, is looked bad upon.
• 41:46
  Speaker 2: And we ain't, you know, we ain't looked at as the same, so it's different for us than it was for them.
• 41:56
  Speaker 2: Of course, social media plays a factor into it.
• 41:58
  Speaker 2: I think social media is the biggest culprit of the vagina changing is because they want to keep up with the Joneses.
• 42:04
  Speaker 2: They want to keep up with the other girl on Instagram, the other girl posting how she's going on all these different trips.
• 42:09
  Speaker 2: She want to make her TikToks, she want to be an influencer, and if you ain't helping her provide the influence lifestyle stuff she composed, it ain't even necessarily got to be the trips.
• 42:19
  Speaker 2: It could be the, you know, the roses and shit in the hotel room with the balloons and all that showing out shit.
• 42:26
  Speaker 2: You can't provide that.
• 42:27
  Speaker 2: They, you know they looking for the man.
• 42:32
  Speaker 2: They can.
• 42:33
  Speaker 2: So I think that's why I think the vagina has changed in the sense of what is expected of a man is, you know, wasn't expected then.
• 42:44
  Speaker 2: So I kind of agree with the conversation that the vagina has changed.
• 42:49
  Speaker 2: What about you?
• 42:53
  Speaker 1: I ain't gonna hold you, bro.
• 42:54
  Speaker 1: I heard everything Omarion was saying Uh-huh.
• 43:00
  Speaker 2: I heard everything.
• 43:00
  Speaker 1: Omarion was saying.
• 43:08
  Speaker 1: I think he has a point.
• 43:10
  Speaker 1: The vagina has changed, but I always take it back to simple math.
• 43:18
  Speaker 1: While that vagina has changed, this dick has not back to simple math.
• 43:22
  Speaker 2: While that vagina has changed, this dick has not.
• 43:26
  Speaker 1: It's three to one out here.
• 43:27
  Speaker 1: What one won't do, another one will.
• 43:30
  Speaker 1: Hey, you might look.
• 43:33
  Speaker 1: He said what he said.
• 43:35
  Speaker 1: Some of them they need to be sung to.
• 43:38
  Speaker 1: They like that soft talk.
• 43:40
  Speaker 1: Give me them.
• 43:41
  Speaker 1: He said.
• 43:42
  Speaker 1: Some of them.
• 43:42
  Speaker 1: They like that rubbed neck, I'll entertain it.
• 43:46
  Speaker 1: They said some of them like that money.
• 43:48
  Speaker 1: Keep her away from me.
• 43:51
  Speaker 1: I don't want her Picks and chooses.
• 43:56
  Speaker 1: We know what to do.
• 43:56
  Speaker 1: Look, three to one.
• 43:59
  Speaker 1: Sometimes you can get four to one.
• 44:01
  Speaker 1: Hell, uh-uh, some vaginas to one.
• 44:02
  Speaker 1: Yeah, uh-uh.
• 44:03
  Speaker 1: Some vaginas have changed.
• 44:05
  Speaker 1: Some of them have not.
• 44:07
  Speaker 1: You just need to know which ones you choose.
• 44:10
  Speaker 2: Yeah, I think it's a good point.
• 44:11
  Speaker 2: Some of them have changed, some of them are different.
• 44:12
  Speaker 2: It's all about finding a woman who has realistic expectations, but not us slacking expectations.
• 44:22
  Speaker 2: I'm going to raise you.
• 44:24
  Speaker 2: He also talked about a female that's used to fast food.
• 44:27
  Speaker 2: Okay, cool, show us something different.
• 44:29
  Speaker 2: I'm going to elevate you but I'm not out here to elevate your Instagram, not out here to elevate your TikTok.
• 44:37
  Speaker 2: I'm not here to elevate you.
• 44:39
  Speaker 2: We elevate each other and we build towards something great.
• 44:40
  Speaker 2: All that other nonsense.
• 44:40
  Speaker 2: I'm not here to elevate you.
• 44:41
  Speaker 2: We elevate each other and we build towards something great.
• 44:42
  Speaker 2: All that other nonsense I'm not here to do because let's be real but the people I heard posting this shit on social media, they ain't really doing this shit.
• 44:49
  Speaker 2: They saving pictures from their trip last year and they just posting them.
• 44:54
  Speaker 1: They just not coming around.
• 44:56
  Speaker 2: They took a bunch of pictures and a bunch of outfits on their last trip and now they're using it again.
• 45:00
  Speaker 2: Bunch of pictures and a bunch of outfits on their last trip and now they're using it again.
• 45:02
  Speaker 2: Ain't no shade to them, but I mean, let's be real.
• 45:05
  Speaker 2: Why you trying to keep up with the fake?
• 45:07
  Speaker 2: Let's keep up with the real.
• 45:09
  Speaker 2: Let's keep up with the real.
• 45:09
  Speaker 2: Let's progress the real.
• 45:12
  Speaker 2: Let's not progress the fake.
• 45:13
  Speaker 2: I mean, that's my thoughts on this.
• 45:15
  Speaker 2: I agree with him for the most part, he said.
• 45:19
  Speaker 2: But in the deeper meaning of life has changed.
• 45:23
  Speaker 1: Oh, yeah, no, no, the way he meant it.
• 45:25
  Speaker 1: I get it that deeper meaning, but at the same time he where it ain't got no face, and the ones that do got a face, keep it away from me.
• 45:40
  Speaker 2: You see, I ain't gonna lie.
• 45:42
  Speaker 2: When he first said the vagina had changed, I was like oh something about sexually.
• 45:46
  Speaker 2: You know medical things, what we doing.
• 45:54
  Speaker 1: What we talking about.
• 45:55
  Speaker 1: I thought about what Charlemagne said.
• 46:00
  Speaker 2: Charlemagne as well.
• 46:01
  Speaker 1: Charlemagne's monkey, bro, shout out to him.
• 46:02
  Speaker 1: Charlamagne's monkey, bro, shout out to him.
• 46:05
  Speaker 2: Charlamagne's monkey.
• 46:06
  Speaker 2: Speaking of R, you said 5-5.
• 46:09
  Speaker 2: R Kelly said.
• 46:12
  Speaker 2: The man said he got 25 albums Written in jail.
• 46:16
  Speaker 2: He said I'm always Singing.
• 46:19
  Speaker 2: He did an interview with podcast Inmate T, with A&P, and singing is a beautiful disease that's uncurable.
• 46:30
  Speaker 2: He said he still writes songs.
• 46:33
  Speaker 2: I'm always singing, I am always writing.
• 46:36
  Speaker 2: I have written 25 albums since I've been in here.
• 46:40
  Speaker 2: He also claimed his legal fight isn't over.
• 46:43
  Speaker 2: I'm working on getting out.
• 46:45
  Speaker 2: I'm using patience as a tactic.
• 46:47
  Speaker 2: Cool, we're not going to get into the conversation of him getting out, but we're going to get into the conversation of him writing 25 albums in jail.
• 46:57
  Speaker 2: Now, if you are a killer or, let me do it like this If you are an artist and you heard that R Kelly had 25 albums wrote, do you hit up R Kelly and get some of those albums?
• 47:14
  Speaker 2: Because R Kelly is R Kelly.
• 47:21
  Speaker 2: You can't For what that band done.
• 47:23
  Speaker 2: Look what they say done.
• 47:24
  Speaker 2: Look what they say on the court or off the court, on the field, what that man do in them studios.
• 47:30
  Speaker 2: What that man do in them studios, as far as behind the microphone.
• 47:36
  Speaker 2: I don't know what he do on the other side of the board, but what he do on the microphone and with that pen is different.
• 47:43
  Speaker 2: Ain't too many that could compare.
• 47:45
  Speaker 2: It's not many that could do it like him.
• 47:48
  Speaker 2: We always talk about who can go up against him first.
• 47:50
  Speaker 2: It's about solo joints or songs that he wrote for other people.
• 47:54
  Speaker 2: That man does it.
• 47:55
  Speaker 2: If you R Kelly, if you're another artist, do you reach out to R Kelly and get one of those albums?
• 48:03
  Speaker 2: Because I personally I ain't going to lie I might have to pick one.
• 48:09
  Speaker 2: Brother, it's R Kelly.
• 48:11
  Speaker 2: You can't, you know.
• 48:14
  Speaker 2: You know, if he sent you an album, let's say he sent you 15, 16 songs R Kelly owes me, so he ain't sending you 11,.
• 48:19
  Speaker 2: He ain't sending you a 10, 11 song album.
• 48:20
  Speaker 2: Let's say he sent you 15, 16 songs, so he ain't sending you a 10, 11 song album you gonna get 15, 16.
• 48:30
  Speaker 1: He said 25.
• 48:31
  Speaker 1: He's 25 albums.
• 48:33
  Speaker 1: I'm saying we thinking what 15 a piece?
• 48:36
  Speaker 2: It's probably 15, 16.
• 48:37
  Speaker 2: Some of them might be 20.
• 48:39
  Speaker 1: Let's say 15.
• 48:40
  Speaker 1: Average 15 a piece.
• 48:41
  Speaker 1: Let's say 15.
• 48:41
  Speaker 1: And let's say you get greedy.
• 48:41
  Speaker 1: Maybe you want two of them.
• 48:42
  Speaker 1: Might be 20.
• 48:42
  Speaker 1: Let's say 15.
• 48:42
  Speaker 1: Average 15 apiece.
• 48:42
  Speaker 1: Let's say 15.
• 48:43
  Speaker 1: And let's say you get greedy, maybe you want two of them and you just chop and screw them.
• 48:47
  Speaker 2: But I'm just saying let's just say you get one of them.
• 48:50
  Speaker 1: That's 375 songs.
• 48:52
  Speaker 1: We might as well just round it up and say 400.
• 48:55
  Speaker 2: Sure, we probably do get 400.
• 48:56
  Speaker 2: But if you get an album you get 15 songs.
• 48:59
  Speaker 2: You know you're going to be able to use at least seven of them.
• 49:03
  Speaker 1: You just need to do If I said you get two of them, you get two, you got 25 of them.
• 49:12
  Speaker 2: I'm saying he might want a little price of two of them.
• 49:14
  Speaker 2: He knows who he is.
• 49:18
  Speaker 1: And he know why he did.
• 49:20
  Speaker 2: He know who he is.
• 49:21
  Speaker 2: If you get one of them, you get seven.
• 49:25
  Speaker 2: Hell, you pipe, like I said, you seven of them.
• 49:27
  Speaker 2: You tweak them a little bit, make them you know that fit that particular artist.
• 49:32
  Speaker 2: Or you get on the phone with R Kelly, he make them fit to that particular artist and you get the music behind that.
• 49:38
  Speaker 2: Nah, I can't.
• 49:39
  Speaker 2: I can't say with a clear conscience that I'm going to pass up opportunity to take songs that R Kelly wrote, because, at the end of the day, r Kelly is R Kelly.
• 49:51
  Speaker 2: That man made so many hits.
• 49:55
  Speaker 2: People forget how many great songs R Kelly has written for other people, not just himself.
• 50:04
  Speaker 2: The songs Kelly has written for other people, not just himself.
• 50:06
  Speaker 2: The songs that he wrote for other people, the numbers is crazy.
• 50:08
  Speaker 2: So I can't honestly say if I'm another artist, am I going to turn?
• 50:13
  Speaker 2: Am I going to turn, can I?
• 50:15
  Speaker 2: I'm going to turn it down if he offers it.
• 50:17
  Speaker 2: Or I can't say I ain't going to call him and be like let me get one of them.
• 50:20
  Speaker 2: What's the price?
• 50:22
  Speaker 2: What you want, he gonna charge.
• 50:26
  Speaker 2: Oh me, bro, what you need for he in jail.
• 50:27
  Speaker 2: So he gonna charge.
• 50:28
  Speaker 2: He gonna want some money off the back of it Shit.
• 50:30
  Speaker 2: Hey, man, what's cool?
• 50:31
  Speaker 2: Let's see what the numbers is.
• 50:32
  Speaker 2: I might give you a little cut, but my thought is I don't know if I'm going to put that Robert wrote all these songs.
• 50:40
  Speaker 2: I'm going to pay Robert for these joints and if it comes out later, then Robert wrote them joints, cool.
• 50:48
  Speaker 1: I don't know if I'm going to say Robert Kelly in the hub oh, you're going to have to pay him up front, then, if he ain't getting no publishing, off of it.
• 50:58
  Speaker 2: That's cool.
• 50:58
  Speaker 2: I'm going to pay you.
• 50:59
  Speaker 2: I'm going to pay you and we might work out another deal.
• 51:02
  Speaker 2: I don't know if I want my shit to say or not.
• 51:06
  Speaker 1: What's the number you think he's going to take for it to be like all right, that's cool.
• 51:12
  Speaker 2: I don't know.
• 51:13
  Speaker 2: It's going to start with an M.
• 51:17
  Speaker 2: It's going to start because it's going to be an M or more.
• 51:22
  Speaker 1: It just depends on how many of them.
• 51:23
  Speaker 2: Especially because, like you said, we're getting rid of publishing and all that, so he ain't making no money off his joints.
• 51:29
  Speaker 2: Later I might give him publishing after single.
• 51:31
  Speaker 2: Oh man, I don't know.
• 51:32
  Speaker 2: I might give him publishing after one, but not the whole album.
• 51:36
  Speaker 1: Like I said, you had to put it under a different name, or something.
• 51:42
  Speaker 2: Hey, bro, send it to his lawyer.
• 51:44
  Speaker 2: Look, it's going straight to your lawyer, bro.
• 51:45
  Speaker 2: We got to figure this shit out.
• 51:51
  Speaker 1: I mean, I think if I'm the artist I would do it Now if I'm R Kelly.
• 51:52
  Speaker 2: I don't know if I want to give up my albums because of the fact I can record these in jail, like Tory Lanez just did, and I can make my own bread.
• 51:59
  Speaker 2: But it's not as easy to promote when you're behind bars.
• 52:05
  Speaker 1: That's fair.
• 52:05
  Speaker 1: Look, I mean I'm glad you brought this up because I respect you know everything that went on you getting up there trying to.
• 52:19
  Speaker 1: You know, boost your out.
• 52:21
  Speaker 1: You know, boost some sales, let people know that you still working, that you got it.
• 52:25
  Speaker 1: If you need it, I got it, just call me.
• 52:28
  Speaker 1: I appreciate that.
• 52:29
  Speaker 1: But at the same time you done went on here with these women from the Caucus Mountains and, nigga, we was right here, nigga, we was right here.
• 52:38
  Speaker 1: We just did a whole draft for you and you didn't think to call nobody and let nobody know.
• 52:43
  Speaker 1: Had your people reach out to our people to be like, hey, I got this exclusive interview, I'm going to come on there and sing a song for y'all and then give you an interview.
• 52:54
  Speaker 2: We didn't reach out to R Kelly we did not reach out to R Kelly but that's cool, we could have reached out.
• 53:03
  Speaker 1: We could have reached out.
• 53:04
  Speaker 1: We could have reached out, but he also could have reached out.
• 53:07
  Speaker 1: He see these Pandora streams off of your name.
• 53:09
  Speaker 1: You feel me you could have gave us the scoop, but you're reaching out to these two hoes that I ain't never heard of with a podcast where they only talk to niggas.
• 53:16
  Speaker 1: That's locked up.
• 53:19
  Speaker 2: Hey, it kind of feels Tory need to hop on her.
• 53:23
  Speaker 1: If that's the case, tory, come holler at us then Shit.
• 53:26
  Speaker 1: If niggas is out here just freely doing podcasts which I didn't know they was we ain't did the Tory drop yet we got to do the Tory drop.
• 53:35
  Speaker 1: We'll be I mean, honestly, we need to get this nigga Kells on here, because I want to hear his draft of his own song Shit Comment it.
• 53:45
  Speaker 1: No, let me stop.
• 53:46
  Speaker 1: Let me stop.
• 53:47
  Speaker 1: No, but for real, though, somebody is going to reach out.
• 53:54
  Speaker 1: I think it'll be a big name too, a big name that got some money to be like look, look, bow Wow just played.
• 54:02
  Speaker 1: I'm a Flirt.
• 54:03
  Speaker 1: What if Bow Wow reach out and get these R Kelly joints and start singing R&B?
• 54:15
  Speaker 1: Drake need fuck with KOS he gave him credits on his own, the last song he had with him.
• 54:22
  Speaker 2: Drake need fuck with him.
• 54:27
  Speaker 1: You need to fuck with Gales.
• 54:33
  Speaker 2: Hey bro Shit.
• 54:42
  Speaker 1: But shit without further ado.
• 54:43
  Speaker 1: Hey, today's edition of Hot high thoughts is brought to you by, um, some shit called permanent marker.
• 54:48
  Speaker 1: Nah, it do what it's supposed to do.
• 54:53
  Speaker 1: You feel me?
• 54:54
  Speaker 1: It handles business.
• 54:54
  Speaker 1: I'm not mad at it.
• 54:55
  Speaker 1: I was like, damn this shit decent.
• 54:58
  Speaker 1: But um, I uh shit decent.
• 55:03
  Speaker 1: I know I talked about the tour, but that wasn't necessarily my high thought.
• 55:11
  Speaker 1: I was high.
• 55:13
  Speaker 1: I love the fact that people popped up with the weed and shit, bro.
• 55:19
  Speaker 1: As soon as the lights went out, the weed went up instantly.
• 55:25
  Speaker 1: Now I was going to roll my shit up but, like I said, I'm on a time crunch.
• 55:33
  Speaker 1: I paid good money for these tickets.
• 55:35
  Speaker 1: We need to get in here and get to our seat.
• 55:37
  Speaker 1: We ain't got time for all that.
• 55:44
  Speaker 2: I figured you would have been prepared.
• 55:44
  Speaker 2: I ain't gonna lie to you.
• 55:46
  Speaker 1: I was pushing time, bro.
• 55:47
  Speaker 1: It was 6.50.
• 55:48
  Speaker 1: I was just at the store getting the cars.
• 55:50
  Speaker 1: I came home, lit one up and, you know, smoked that like that'll get me through, that'll be my it'll hold me over that'll hold me over to the end of the, the end of the end of the concert.
• 56:07
  Speaker 1: It didn't though.
• 56:11
  Speaker 1: I was out there trying.
• 56:12
  Speaker 1: I was out there trying to get a content.
• 56:14
  Speaker 2: Look, bro, the minute you think it ain't gonna hold you over, it's the minute it don't it didn't that and my high got blue.
• 56:22
  Speaker 1: but you know, like I said, story for another day.
• 56:25
  Speaker 2: What'd you say?
• 56:28
  Speaker 1: Today's hot thought.
• 56:29
  Speaker 1: I can't even hold you, bro.
• 56:35
  Speaker 1: This is the monkeyest shit I've ever seen.
• 56:37
  Speaker 1: It was a lady took her son to the store to get some shoes they shoe shopping and this nigga went and picked up the new Ant Edwards.
• 56:51
  Speaker 1: Oh okay, he's like yeah, I want these, I want these.
• 56:54
  Speaker 1: Do you know that?
• 56:57
  Speaker 1: The mama told him put them shoes back?
• 56:59
  Speaker 1: He don't take care of his kids, he's a deadbeat.
• 57:02
  Speaker 1: We're not buying the deadbeat shoes.
• 57:04
  Speaker 1: She told him go get the John Morant.
• 57:08
  Speaker 1: He take care of his daughter.
• 57:13
  Speaker 2: I'm saying what kind of monkey shit is this?
• 57:20
  Speaker 1: The John Morant of all people.
• 57:21
  Speaker 1: You could have told this nigga to go get the Zion, the LeBron.
• 57:26
  Speaker 1: You told him to go get the John Morant cause he take care of his daughter.
• 57:31
  Speaker 1: John Morant told come on, man, he keep a pistol on him bruh, he stay strapped.
• 57:43
  Speaker 2: What did you say?
• 57:44
  Speaker 1: Always strapped when I Nick oh, by the way, let me not go too deep Always strapped, Nigga, sick, underrated.
• 57:55
  Speaker 1: I listened to that bit the other day.
• 57:59
  Speaker 1: I had to look around.
• 58:02
  Speaker 1: I was trying to rewind it, but I was on Pand day.
• 58:04
  Speaker 1: I had to look around, I was trying to rewind it, but I was on Pandora.
• 58:08
  Speaker 1: I couldn't go back.
• 58:08
  Speaker 1: I said I need to run that motherfucker back.
• 58:10
  Speaker 1: I said, wait a minute, this shit is just not registering with me.
• 58:15
  Speaker 1: Wayne was eating that motherfucker up boy.
• 58:21
  Speaker 1: But yeah, no, that's Ja Morant.
• 58:21
  Speaker 1: We pushing that.
• 58:22
  Speaker 1: Is we telling niggas to go get the Ja Morant?
• 58:22
  Speaker 1: We pushing that?
• 58:22
  Speaker 1: Is we telling niggas to go get the Ja Morant shoes cause he take care of his daughter?
• 58:30
  Speaker 2: the son who has both jobs.
• 58:32
  Speaker 2: And Edwards, tell your child to go pick the other one because the other one is a better role model, but that's the one that's on the goods.
• 58:43
  Speaker 2: Tell me you don't know the whole story without telling me you don't know the whole story.
• 58:53
  Speaker 1: Amen, Amen.
• 58:53
  Speaker 1: We didn't get into it.
• 58:58
  Speaker 1: But we knocking Ant Edwards for not taking his kid, taking care of kids.
• 59:02
  Speaker 1: We knocking DDG because he want to take care of his kid.
• 59:06
  Speaker 1: What's the end game?
• 59:10
  Speaker 1: What are we doing?
• 59:11
  Speaker 2: Niggas can't win.
• 59:12
  Speaker 2: Men can't win, men cannot win.
• 59:15
  Speaker 2: That's what it is.
• 59:16
  Speaker 2: Men can't win.
• 59:17
  Speaker 2: Put a boy down.
• 59:18
  Speaker 2: Put a boy down.
• 59:21
  Speaker 1: But hey, y'all know what time it is.
• 59:23
  Speaker 1: It was another episode of the Mixed Vibes Podcast, your favorite amateur podcast, and you can find us wherever you get your podcasts, like Apple, spotify, pandora.
• 59:32
  Speaker 1: They fuck with us over there Instagram, facebook, twitter.
• 59:35
  Speaker 1: You know, you get the email, the phone number.
• 59:37
  Speaker 1: Refresh those comments concerns early.
• 59:39
  Speaker 1: But I'm your boy, young Quaggity the dream, and I'll holler at y'all.
• 59:43
  Speaker 2: You already know the best it's your boy, mr Bill, aka Big Q, not the little one we're going to holler at y'all on the next one.