Latest / Verbal Diorama / Lethal Weapon (1987)

Transcript

Lethal Weapon (1987) · Verbal Diorama

0:00
B
0:00
is
0:00
I'm
0:01
supposed
0:01
to
0:01
tell
0:01
you
0:01
you're
0:02
breaking
0:02
in
0:02
a
0:02
new
0:02
partner
0:02
in
0:03
on
0:03
this?
0:03
Partner
0:04
again?
0:04
Yeah,
0:05
some
0:05
cat
0:05
he's
0:05
on
0:06
loan
0:06
from
0:06
Dope.
0:07
Real
0:07
burnout
0:07
on
0:08
the
0:08
ragged
0:08
edge.
0:09
Oh,
0:09
perfect.
0:12
Gone,
0:13
gone.
0:20
Rog,
0:21
meet
0:21
your
0:21
new
0:21
partner.
0:25
I'm
0:26
too
0:26
old
0:26
for
0:28
In
0:28
a
0:29
world
0:29
overflowing
0:30
with
0:30
movies,
0:31
we
0:31
need
0:31
a
0:31
hero.
0:32
Someone
0:33
to
0:33
separate
0:33
the
0:34
bad
0:34
from
0:34
the
0:35
movie.
0:38
Watches
0:39
all
0:39
the
0:39
movies
0:40
from
0:40
comedy
0:41
to
0:41
drama
0:41
on
0:42
the
0:44
don't
0:44
forget
0:44
the
0:45
action.
0:45
She'll
0:45
watch
0:46
until
0:46
the
0:46
end
0:47
and
0:47
then
0:47
she'll
0:47
give
0:47
you
0:48
her
0:48
reaction.
0:49
Movie
0:50
should
0:50
know
0:51
the
0:51
movie
0:51
should
0:52
know.
0:53
Critical
0:53
sequels
0:54
remake
0:54
some
0:55
trivia
0:55
and
0:56
movie.
0:57
Should
0:57
know
0:58
the
0:58
movie.
1:08
Hi
1:08
everyone,
1:09
I'm
1:09
Em
1:09
and
1:09
welcome
1:10
to
1:10
verbal
1:10
diorama,
1:11
episode
1:11
279,
1:13
lethal
1:14
weapon.
1:15
This
1:15
is
1:15
the
1:15
podcast
1:15
that's
1:16
all
1:16
about
1:16
the
1:16
history
1:16
and
1:17
legacy
1:17
of
1:17
movies
1:17
you
1:18
know
1:18
and
1:18
movies
1:19
you
1:19
don't.
1:19
That's
1:20
not
1:20
too
1:20
old
1:21
for
1:21
this
1:21
sh.
1:22
Bugger.
1:22
Plum
1:22
Fairy.
1:23
And
1:23
as
1:24
always,
1:24
welcome
1:24
to
1:24
Verbal
1:25
Diorama.
1:25
Whether
1:26
you
1:26
are
1:26
a
1:26
brand
1:26
new
1:27
listener
1:27
to
1:27
this
1:27
podcast.
1:28
Welcome
1:29
back
1:29
regular
1:30
returning
1:30
listeners.
1:31
Thank
1:31
you
1:31
for
1:31
being
1:32
here.
1:32
Thank
1:32
you
1:32
for
1:32
choosing
1:33
to
1:33
listen
1:33
to
1:33
this
1:34
podcast.
1:35
I
1:35
am,
1:35
as
1:35
always,
1:36
so
1:36
happy
1:36
to
1:36
have
1:36
you
1:36
here
1:37
just
1:37
generally,
1:38
but
1:38
also
1:38
for
1:39
the
1:39
history
1:39
and
1:39
legacy
1:40
of
1:40
Lethal
1:41
Weapon.
1:42
And
1:43
a
1:43
huge
1:43
thank
1:43
you
1:43
to
1:43
everyone
1:44
who
1:44
is
1:45
a
1:45
regular
1:45
returning
1:46
listener
1:46
and
1:47
have
1:47
continued
1:47
to
1:47
listen
1:48
to
1:48
and
1:48
support
1:48
this
1:48
podcast
1:49
over
1:50
the
1:50
last
1:50
almost
1:50
six
1:51
years
1:51
now.
1:52
Thank
1:52
you
1:53
for
1:53
your
1:53
support.
1:53
It
1:53
means
1:54
so
1:54
much.
1:55
Hopefully
1:55
if
1:55
you
1:55
are
1:56
a
1:56
brand
1:56
new
1:56
listener,
1:57
you
1:57
may
1:57
start
1:58
to
1:58
become
1:58
a
1:58
regular
1:59
returning
1:59
listener.
2:00
That's
2:00
the
2:00
goal.
2:01
I
2:01
am
2:01
just
2:01
getting
2:02
back
2:02
into
2:02
the
2:02
swing
2:03
of
2:03
doing
2:04
regular
2:04
episodes
2:05
again.
2:05
Last
2:06
month,
2:06
the
2:06
month
2:06
of
2:07
November,
2:07
I
2:07
did
2:08
a
2:08
whole
2:08
month
2:08
of
2:09
rerun
2:09
episodes
2:10
for
2:11
a
2:11
few
2:11
reasons
2:12
really.
2:13
Sometimes
2:13
it's
2:14
difficult
2:14
for
2:14
listeners
2:15
to
2:15
find
2:15
older
2:16
episodes
2:17
because,
2:17
I
2:17
mean,
2:18
this
2:18
is
2:18
episode
2:18
279.
2:19
There's
2:20
a
2:20
lot
2:20
of
2:20
older
2:21
episodes
2:21
out
2:21
there.
2:22
Many
2:23
people
2:23
haven't
2:23
listened
2:23
to
2:24
older
2:24
episodes,
2:25
but
2:25
also
2:26
wanted
2:26
to
2:26
take
2:26
the
2:26
opportunity
2:27
to
2:27
have
2:27
a
2:28
bit
2:28
of
2:28
an
2:28
extended
2:28
break.
2:29
So
2:30
I
2:30
had
2:30
a
2:30
couple
2:30
of
2:30
weeks
2:31
off
2:31
and
2:31
the
2:31
other
2:32
couple
2:32
of
2:32
weeks
2:33
I
2:33
have
2:33
used
2:34
to
2:34
work
2:34
on
2:35
December's
2:36
episodes,
2:36
so
2:36
I'm
2:37
now
2:37
working
2:37
three
2:37
weeks
2:38
in
2:38
advance,
2:38
which
2:38
is
2:39
great
2:39
for
2:39
me.
2:40
And
2:40
hopefully
2:41
regular
2:42
listeners
2:42
will
2:42
not
2:42
notice
2:43
much
2:43
of
2:43
a
2:43
difference
2:44
other
2:44
than
2:45
the
2:45
patrons
2:46
get
2:46
episodes
2:47
even
2:47
earlier
2:47
than
2:47
they
2:48
did
2:48
before.
2:48
I'm
2:49
going
2:49
to
2:49
come
2:49
back
2:49
to
2:49
the
2:49
Patreon
2:50
a
2:50
bit
2:50
later.
2:51
But
2:51
this
2:51
month
2:52
is
2:52
obviously
2:52
December,
2:52
it's
2:53
Christmas
2:53
season
2:54
and
2:54
the
2:54
last
2:54
episode
2:55
was
2:55
on
2:55
Dungeons
2:56
and
2:56
Dragons,
2:56
Honor
2:57
Among
2:57
Thieves.
2:58
And
2:58
if
2:58
you
2:59
think
2:59
it
2:59
may
3:00
not
3:00
have
3:00
been
3:00
the
3:00
most
3:00
festive
3:01
start,
3:02
well,
3:02
like
3:02
I
3:02
said
3:03
in
3:03
that
3:03
episode.
3:04
Porine
3:04
is
3:04
a
3:05
very
3:05
Christmassy
3:05
scent
3:06
when
3:06
it
3:06
comes
3:07
to
3:07
Lethal
3:07
Weapon.
3:08
Obviously
3:08
it
3:08
always
3:09
tends
3:09
to
3:09
appear
3:10
on
3:10
the
3:10
Is
3:10
it
3:11
a
3:11
Christmas
3:11
movie?
3:11
List
3:12
Pretty
3:12
perennially,
3:14
alongside
3:15
its
3:15
slightly
3:15
younger
3:16
cousin,
3:16
Die
3:17
Hard.
3:17
Die
3:18
Hard,
3:18
as
3:18
we
3:18
know,
3:19
is
3:19
definitely
3:20
a
3:20
Christmas
3:20
movie.
3:21
And
3:21
if
3:21
you
3:21
want
3:21
to
3:21
listen
3:22
to
3:22
episode
3:22
235,
3:23
you
3:23
can
3:24
find
3:24
out
3:24
more
3:24
about
3:25
that
3:25
particular
3:25
Christmas
3:26
classic.
3:27
But
3:27
there
3:27
are
3:27
several
3:28
links
3:28
between
3:28
this
3:29
movie
3:29
and
3:29
Die
3:30
Hard.
3:30
And
3:30
not
3:31
just
3:31
because
3:31
that
3:31
action
3:32
movie
3:32
set
3:32
at
3:33
Christmas.
3:33
Although
3:33
that
3:34
is
3:34
the
3:34
obvious
3:34
one.
3:35
When
3:36
I
3:36
was
3:36
thinking
3:36
of
3:36
movies
3:37
to
3:37
cover
3:37
over
3:37
the
3:38
festive
3:38
season,
3:39
obviously
3:39
Dungeons
3:39
and
3:40
Dragons
3:40
was
3:40
number
3:41
one
3:41
on
3:41
the
3:41
festive
3:42
Christmas
3:42
list.
3:43
But
3:43
it
3:43
just
3:43
made
3:44
sense
3:44
to
3:44
do
3:44
this
3:45
one
3:45
just
3:45
before
3:45
Christmas.
3:46
Because
3:47
what
3:47
screams
3:48
Christmas
3:48
more
3:49
than
3:49
a
3:49
buddy
3:49
cop
3:50
movie?
3:51
Here
3:51
is
3:51
the
3:51
trailer
3:52
for
3:52
Lethal
3:52
Weapon.
3:57
He's
3:57
the
3:57
criminal's
3:58
worst
3:58
nightmare.
3:59
A
3:59
cop
4:00
who
4:00
enjoys
4:00
the
4:01
danger.
4:01
No
4:01
guns,
4:02
no
4:02
jujitsu.
4:02
Just
4:03
bring
4:03
him
4:03
down.
4:03
Do
4:04
you
4:04
really
4:04
wanna
4:04
jump?
4:05
Well,
4:05
then
4:06
that's
4:06
fine
4:06
with
4:06
me.
4:07
Come
4:07
on.
4:07
Wait.
4:07
What
4:07
do
4:07
you
4:07
mean,
4:08
wait
4:08
a
4:08
minute?
4:11
He
4:11
was
4:12
ready
4:12
to
4:12
retire.
4:13
Now
4:14
he's
4:14
gonna
4:14
wish
4:15
he
4:15
had
4:15
gone.
4:19
Raj,
4:20
meet
4:20
your
4:21
new
4:21
partner.
4:22
New
4:22
pun,
4:25
too
4:25
old
4:26
footage.
4:27
If
4:28
these
4:28
guys
4:28
can
4:29
just
4:29
stand
4:29
each
4:29
other.
4:30
What
4:30
you
4:30
got
4:30
in
4:30
there,
4:31
boy?
4:32
And
4:32
Smith?
4:32
A
4:33
lot
4:33
of
4:33
old
4:33
timers
4:33
carry
4:34
those.
4:36
The
4:36
bad
4:36
guys
4:37
don't
4:37
stand
4:37
your
4:37
chance.
4:42
Don't
4:42
kill
4:42
anybody.
4:43
Don't
4:43
kill
4:43
anybody.
4:45
I'm
4:46
too
4:46
old
4:46
for
4:46
this.
4:50
Are
4:50
you
4:50
as
4:51
good
4:51
as
4:51
you
4:51
say
4:51
you
4:51
are?
4:52
Nobody
4:53
can
4:53
touch
4:53
me.
4:55
Suppose
4:55
we
4:55
better
4:56
register
4:56
you
4:56
as
4:57
a
4:57
Lethal
4:57
Weapon.
5:00
You
5:01
ever
5:01
met
5:01
anybody
5:02
you
5:02
didn't
5:03
kill?
5:06
Well,
5:07
I
5:07
haven't
5:07
killed
5:08
you
5:08
yet.
5:19
Martin
5:20
Reeks
5:20
and
5:21
Roger
5:21
Murtaugh
5:21
are
5:22
two
5:22
LA
5:22
cops
5:23
who
5:23
both
5:23
served
5:23
in
5:24
Vietnam.
5:25
They
5:25
hate
5:25
to
5:25
work
5:25
with
5:26
partners.
5:26
They
5:26
have
5:27
nothing
5:27
in
5:27
common
5:28
and
5:28
they've
5:28
been
5:28
assigned
5:29
to
5:29
work
5:29
together.
5:30
Riggs
5:31
is
5:31
a
5:31
widower
5:31
with
5:31
a
5:32
death
5:32
wish.
5:32
Murtagh
5:33
is
5:33
a
5:33
devoted
5:34
family
5:34
man
5:34
with
5:35
a
5:35
solid
5:35
reputation.
5:36
As
5:36
they
5:37
investigate
5:37
a
5:37
suicide
5:38
which
5:38
turns
5:38
out
5:39
to
5:39
be
5:39
murder,
5:40
they
5:40
realize
5:40
they're
5:41
dealing
5:41
with
5:41
trained
5:41
mercenaries
5:42
running
5:43
a
5:43
lucrative
5:43
drug
5:44
smuggling
5:44
network
5:45
with
5:45
routes
5:45
to
5:46
the
5:46
war
5:46
in
5:46
Vietnam.
5:48
Let's
5:48
run
5:48
through
5:49
the
5:49
cast.
5:49
We
5:50
have
5:50
Mel
5:50
Gibson
5:51
as
5:51
Martin
5:51
Reeks,
5:52
Danny
5:52
Glover
5:53
as
5:53
Roger
5:53
Murtagh,
5:54
Gary
5:55
Busey
5:55
as
5:56
Mr.
5:56
Joshua
5:57
Mitchell
5:57
Ryan
5:58
as
5:58
General
5:59
Peter
5:59
McAllister,
6:00
Tom
6:00
Atkins
6:01
as
6:01
Michael
6:02
Hunsucker,
6:03
Darlene
6:03
Love
6:04
as
6:04
Trish
6:04
Murtaugh,
6:05
Tracy
6:06
Wolf
6:06
as
6:06
Rhianne
6:07
Murtagh
6:08
and
6:08
Mary
6:08
Ellen
6:08
Traynor
6:09
as
6:09
Stephanie
6:10
Woods.
6:11
Lethal
6:11
Weapon
6:12
was
6:12
written
6:12
by
6:13
Shane
6:13
Black
6:13
and
6:14
directed
6:14
by
6:15
Richard
6:15
Donner.
6:16
If
6:17
we
6:17
think
6:17
back
6:17
in
6:17
history,
6:18
the
6:18
greatest
6:18
double
6:18
acts
6:19
are
6:19
often
6:19
mismatched.
6:21
Think
6:21
Lauren
6:22
Hardy,
6:22
Simon
6:23
Pegg
6:23
and
6:23
Nick
6:24
Frost,
6:24
French
6:25
and
6:25
Saunders,
6:25
Bert
6:26
and
6:26
Ernie.
6:27
While
6:27
comedy
6:27
double
6:28
acts
6:28
have
6:28
been
6:28
a
6:28
thing
6:29
since
6:29
late
6:29
19th
6:30
century
6:30
vaudeville,
6:31
Abbott
6:32
and
6:32
Costello
6:32
in
6:33
the
6:33
1930s
6:34
and
6:34
here
6:34
in
6:34
the
6:34
UK
6:35
in
6:35
the
6:35
60s
6:35
and
6:35
70s
6:36
era
6:37
with
6:37
the
6:37
Two
6:37
Ronnies,
6:38
Morecombe
6:38
and
6:38
Wise,
6:39
American
6:40
double
6:40
act
6:40
saw
6:41
a
6:41
resurgence
6:41
in
6:42
the
6:42
70s
6:42
with
6:43
Saturday
6:43
Night
6:43
Live
6:44
providing
6:44
an
6:44
outlet
6:45
for
6:45
comedians
6:45
to
6:46
appear
6:46
in
6:46
double
6:46
act
6:47
sketches
6:47
which
6:48
led
6:48
to
6:48
Dan
6:48
Aykroyd
6:49
and
6:49
John
6:49
Belushi
6:50
creating
6:51
the
6:51
Blues
6:51
Brothers.
6:52
You
6:53
might
6:53
think
6:53
buddy
6:53
cop
6:53
movies
6:54
were
6:54
born
6:54
in
6:54
the
6:54
80s,
6:55
but
6:55
the
6:55
earliest
6:56
was
6:56
probably
6:57
Akira
6:57
Kurosawa's
6:58
1949
6:59
noir
6:59
Stray
7:00
Dogs,
7:00
starring
7:01
Toshiro
7:01
Mifune
7:02
as
7:02
the
7:03
newly
7:03
promoted
7:03
detective
7:04
Murakami,
7:05
who's
7:05
paired
7:05
up
7:06
with
7:06
veteran
7:06
detective
7:07
Saito,
7:08
played
7:08
by
7:08
Takashi
7:09
Shimura,
7:09
to
7:10
search
7:10
Tokyo
7:10
for
7:11
his
7:11
stolen
7:11
Colt
7:12
pistol.
7:12
It
7:13
established
7:13
the
7:14
two
7:14
detectives
7:15
from
7:15
different
7:15
backgrounds
7:16
and
7:16
different
7:16
personalities
7:17
come
7:17
together
7:18
to
7:18
work
7:18
a
7:19
case
7:19
trope.
7:20
Buddy
7:20
cop
7:20
movies
7:21
didn't
7:21
need
7:21
to
7:21
be
7:21
rooted
7:22
in
7:22
comedy
7:22
either.
7:23
1967's
7:24
in
7:24
the
7:24
Heat
7:25
of
7:25
the
7:25
Night
7:25
dealt
7:26
with
7:26
racial
7:26
tensions
7:27
in
7:27
small
7:27
town
7:28
America
7:28
and
7:29
starred
7:29
Sidney
7:29
Poitier
7:30
as
7:30
a
7:31
black
7:31
police
7:31
officer
7:32
who
7:32
then
7:32
becomes
7:33
a
7:33
suspect
7:33
in
7:34
a
7:34
murder
7:34
investigation
7:35
and
7:35
Rod
7:36
Steiger
7:36
as
7:36
the
7:37
prejudiced
7:37
white
7:38
police
7:38
chief
7:38
who
7:39
reluctantly
7:39
teams
7:40
up
7:40
with
7:40
him
7:40
to
7:40
clear
7:41
his
7:41
name.
7:42
The
7:42
foundation
7:42
of
7:43
the
7:43
modern
7:43
buddy
7:43
cop
7:44
movie
7:44
as
7:44
well
7:44
as
7:45
the
7:45
movie
7:45
that
7:45
made
7:45
Eddie
7:46
Murphy
7:46
a
7:47
star
7:47
was
7:47
48
7:48
hours,
7:48
when
7:49
Nick
7:49
Nolte
7:49
plays
7:50
the
7:50
stern
7:50
cop
7:51
and
7:51
Murphy
7:52
as
7:52
the
7:52
convict
7:52
he
7:53
lets
7:53
out
7:53
of
7:53
jail
7:53
for
7:54
48
7:54
hours,
7:55
hence
7:55
the
7:55
title,
7:56
to
7:56
help
7:56
him
7:57
catch
7:57
his
7:57
former
7:58
partner.
7:58
The
7:59
mismatched
7:59
characters
8:00
and
8:00
mix
8:00
of
8:00
action
8:01
and
8:01
humor
8:01
laid
8:01
the
8:02
foundations
8:02
for
8:02
Lethal
8:03
Weapon
8:03
to
8:03
come
8:03
along
8:04
and
8:04
perfect
8:05
five
8:05
years
8:05
later.
8:06
What
8:07
distinguishes
8:08
Lethal
8:08
Weapon
8:09
is
8:09
that
8:09
it
8:09
ultimately
8:10
became
8:10
the
8:10
subversion
8:11
of
8:11
the
8:11
movies
8:11
it
8:12
would
8:12
eventually
8:12
inspire
8:13
the
8:14
stereotype
8:14
of
8:14
the
8:14
button
8:15
down
8:15
veteran
8:15
and
8:15
the
8:16
world
8:16
I'm
8:16
partner
8:16
they
8:16
are
8:17
forced
8:17
to
8:17
work
8:17
with
8:18
has
8:18
been
8:18
around
8:18
for
8:19
a
8:19
while,
8:19
but
8:20
Shane
8:20
Black's
8:20
screenplay
8:21
and
8:21
the
8:21
lead's
8:22
performances
8:23
prioritize
8:23
substance
8:24
over
8:24
style
8:25
and
8:25
it
8:25
goes
8:25
remarkably
8:26
deep
8:27
for
8:27
a
8:27
buddy
8:27
cop
8:28
movie.
8:29
This
8:29
is
8:29
a
8:29
movie
8:29
that
8:30
talks
8:30
about
8:30
depression,
8:31
grief,
8:32
suicidal
8:33
thoughts
8:33
and
8:33
ptsd.
8:35
It's
8:35
a
8:35
mass
8:36
market
8:36
macho
8:37
action
8:37
movie
8:38
that
8:38
deals
8:38
with
8:39
trauma
8:39
and
8:40
not
8:40
just
8:40
any
8:40
trauma,
8:41
but
8:41
male
8:42
trauma
8:42
as
8:43
well
8:43
as
8:43
the
8:43
power
8:43
of
8:43
found
8:44
family.
8:45
Even
8:45
if
8:45
the
8:45
dinners
8:46
aren't
8:46
great.
8:48
Bear
8:48
in
8:48
mind
8:48
too,
8:49
1987
8:49
is
8:50
also
8:50
the
8:50
year
8:50
of
8:50
Predator,
8:51
the
8:51
ultimate
8:52
exercise
8:53
in
8:53
macho
8:53
male
8:54
man
8:54
badassery.
8:55
Check
8:55
out
8:55
episode
8:56
267
8:57
for
8:57
more
8:57
on
8:57
that.
8:58
But
8:58
also
8:59
RoboCop,
9:00
the
9:00
ultimate
9:00
in
9:01
satire
9:01
masquerading
9:02
as
9:02
a
9:02
sci
9:03
fi
9:03
action
9:03
film
9:04
as
9:04
well
9:05
as
9:05
go
9:05
back
9:05
to
9:05
Eddie
9:06
Murphy.
9:06
Beverly
9:07
Hills
9:07
COP2
9:08
in
9:08
1987
9:09
was
9:09
a
9:09
great
9:10
year
9:10
for
9:10
action
9:10
movies,
9:12
but
9:12
the
9:13
story
9:13
of
9:13
Lethal
9:14
Weapon
9:14
naturally
9:15
starts
9:15
with
9:15
Shane
9:15
Black,
9:16
who
9:16
would
9:16
go
9:17
on
9:17
to
9:17
become
9:17
the
9:17
highest
9:18
paid
9:18
writer
9:18
in
9:19
Hollywood
9:19
twice,
9:20
the
9:20
first
9:21
time
9:21
for
9:21
the
9:21
Last
9:21
Boy
9:21
Scout
9:22
for
9:22
$1.75
9:24
million
9:25
and
9:25
then
9:25
again
9:25
for
9:26
the
9:26
Long
9:26
Kiss
9:26
Goodnight
9:27
for
9:24
$4
9:26
million.
9:28
He's
9:29
featured
9:29
on
9:29
this
9:29
podcast
9:30
many
9:31
times
9:31
for
9:31
his
9:32
work
9:32
on
9:33
the
9:33
Last
9:33
kiss
9:33
Goodnight,
9:34
episode
9:34
88,
9:35
the
9:35
Monster
9:36
Squad,
9:36
episode
9:37
96,
9:38
the
9:38
Nice
9:38
Guys,
9:39
episode
9:39
52,
9:40
Last
9:40
Action
9:41
Hero
9:41
episode
9:42
107
9:42
and
9:43
Predator
9:44
episode
9:42
267.
9:46
Predator
9:46
was
9:46
the
9:47
only
9:47
one
9:47
of
9:47
those
9:47
he
9:48
didn't
9:48
have
9:48
a
9:48
screenwriter
9:49
credit
9:49
on.
9:50
He
9:50
did
9:50
do
9:51
uncredited
9:51
script
9:52
doctoring
9:52
on
9:53
that
9:53
one
9:53
though.
9:54
Lethal
9:54
Weapon
9:54
was
9:55
his
9:55
first
9:55
action
9:56
film
9:56
script,
9:56
which
9:56
he
9:57
wrote
9:57
in
9:57
six
9:57
weeks
9:58
in
9:58
1985
9:59
when
9:59
he
10:00
was
10:00
23
10:00
and
10:01
fresh
10:01
from
10:01
graduating
10:02
from
10:02
UCLA.
10:03
It
10:03
was
10:04
during
10:04
rewrites
10:04
for
10:05
Lethal
10:05
Weapon
10:05
that
10:05
he
10:06
got
10:06
the
10:06
small
10:06
acting
10:07
role
10:07
in
10:07
Predator
10:08
whilst
10:08
also
10:09
co
10:09
writing
10:09
the
10:10
Monster
10:10
Squad
10:10
with
10:10
his
10:11
friend
10:11
Fred
10:11
Decker.
10:12
The
10:12
Monster
10:12
Squad
10:13
also
10:14
came
10:14
out
10:14
in
10:14
1987.
10:17
Shane
10:17
Black
10:17
was
10:18
inspired
10:18
by
10:18
Dirty
10:19
Harry,
10:19
where
10:19
a
10:19
violent
10:20
character
10:20
is
10:20
the
10:21
only
10:21
one
10:21
who
10:22
can
10:22
solve
10:22
a
10:22
specific
10:23
problem
10:23
alongside
10:24
everyday
10:24
police
10:25
officers
10:25
doing
10:26
the
10:26
job
10:26
by
10:26
the
10:26
book.
10:27
Black
10:28
claims
10:28
that
10:28
his
10:28
initial
10:29
1985
10:30
draft
10:30
of
10:30
the
10:30
script
10:30
was
10:31
significantly
10:31
darker
10:32
and
10:32
different
10:33
from
10:33
the
10:33
finished
10:33
movie,
10:34
but
10:34
he
10:34
also
10:35
quite
10:35
famously
10:35
hated
10:36
it
10:36
enough
10:36
to
10:36
throw
10:37
it
10:37
in
10:37
the
10:37
bin
10:38
before
10:38
fishing
10:38
it
10:39
back
10:39
out
10:39
again.
10:40
It
10:40
was
10:40
140
10:41
pages
10:41
long
10:42
with
10:42
a
10:42
different
10:42
plot,
10:43
different
10:43
characters
10:44
and
10:44
larger
10:44
action
10:45
sequences.
10:46
A
10:46
chase
10:46
scene
10:46
with
10:47
helicopters
10:47
and
10:48
a
10:48
trailer
10:48
truck
10:48
full
10:49
of
10:49
cocaine
10:50
exploding
10:50
over
10:51
the
10:51
Hollywood
10:51
Hills
10:52
with
10:52
cocaine
10:53
snowing
10:53
over
10:53
the
10:54
Hollywood
10:54
sign
10:55
was
10:55
part
10:55
of
10:55
the
10:55
script's
10:56
ending.
10:57
This
10:57
draft
10:57
was
10:57
sent
10:58
to
10:58
various
10:58
studios,
10:59
being
10:59
rejected
11:00
by
11:00
all
11:01
except
11:01
for
11:01
Warner
11:02
Brothers
11:02
executive
11:03
Mark
11:03
Canton
11:03
and
11:04
producer
11:04
Joel
11:04
Silver,
11:05
who
11:05
loved
11:06
the
11:06
idea,
11:06
paid
11:07
Black
11:07
$250,000
11:09
and
11:09
together
11:10
with
11:10
Black
11:10
they
11:10
rewrote
11:11
his
11:11
first
11:11
draft
11:12
into
11:12
a
11:12
second
11:12
draft.
11:13
Script
11:13
dated
11:14
6
11:14
January
11:15
1986,
11:16
which
11:16
was
11:16
106
11:17
pages
11:18
included
11:19
Sergeant
11:19
Martin
11:19
Riggs
11:20
and
11:20
Detective
11:20
Roger
11:21
Murtagh,
11:22
but
11:22
stated
11:22
Murtagh's
11:23
age
11:23
as
11:23
40
11:24
and
11:24
also
11:25
includes
11:25
a
11:25
reference
11:25
to
11:26
a
11:26
sequel
11:26
called
11:26
Body
11:27
Count,
11:27
which
11:27
was
11:28
a
11:28
working
11:28
title
11:28
for
11:29
the
11:29
sequel.
11:30
Writer
11:30
Jeffrey
11:31
Bohm
11:31
also
11:31
did
11:32
uncredited
11:32
rewrites
11:33
on
11:33
the
11:33
script
11:34
to
11:34
inject
11:34
more
11:35
humor
11:35
and
11:35
tone
11:36
down
11:36
the
11:36
dark
11:36
sequences.
11:38
Lethal
11:38
Weapon
11:39
takes
11:39
place
11:39
at
11:40
Christmas
11:40
time,
11:40
as
11:41
do
11:41
several
11:41
of
11:42
Black's
11:42
other
11:42
films
11:43
including
11:43
the
11:43
Long
11:44
Kiss
11:44
Goodnight,
11:44
the
11:45
Last
11:45
Boy
11:45
Scout
11:45
and
11:46
Kiss
11:46
Kiss
11:46
Bang
11:46
Bang.
11:47
Black
11:47
would
11:48
say
11:48
in
11:48
an
11:48
interview
11:48
with
11:48
Den
11:49
of
11:49
Geek
11:49
quote,
11:50
christmas
11:50
is
11:51
fun,
11:51
it's
11:51
unifying,
11:52
and
11:52
all
11:52
your
11:53
characters
11:53
are
11:53
involved
11:54
in
11:54
this
11:54
event
11:54
that
11:55
stays
11:55
within
11:55
the
11:55
larger
11:56
story.
11:56
It
11:57
grounds
11:57
everything
11:58
at
11:58
Christmas.
11:59
Lonely
11:59
people
12:00
are
12:00
lonelier.
12:00
Seeing
12:01
friends
12:01
and
12:01
families
12:02
go
12:02
by,
12:03
people
12:03
take
12:03
stock
12:04
of
12:04
where
12:04
their
12:04
lives
12:05
are
12:05
at
12:05
Christmas.
12:06
It
12:06
just
12:06
provides
12:06
a
12:07
backdrop
12:07
against
12:07
which
12:08
different
12:08
things
12:08
can
12:09
play
12:09
out,
12:09
but
12:10
with
12:10
one
12:10
unifying
12:11
global
12:11
heading.
12:12
I've
12:12
always
12:13
liked
12:13
it,
12:13
especially
12:14
in
12:14
thrillers.
12:14
For
12:15
some
12:15
reason.
12:15
It's
12:16
a
12:16
touch
12:16
of
12:16
magic,
12:17
unquote.
12:18
And
12:18
while
12:19
it
12:19
seems
12:19
like
12:19
Richard
12:19
Donner
12:20
was
12:20
born
12:20
to
12:21
direct
12:21
a
12:21
movie
12:21
like
12:21
this,
12:22
as
12:22
well
12:22
as
12:22
its
12:22
multiple
12:23
sequels,
12:24
there
12:24
was
12:24
a
12:24
time
12:24
when
12:25
Leonard
12:25
Nimoy
12:25
was
12:26
considered
12:26
for
12:26
the
12:26
directorial
12:27
gig.
12:28
But
12:28
he
12:28
was
12:28
working
12:29
on
12:29
Three
12:29
Men
12:29
and
12:29
a
12:30
Baby
12:30
at
12:30
the
12:30
time,
12:31
which
12:31
wasn't
12:31
a
12:31
terrible
12:32
choice
12:32
for
12:32
him
12:33
considering
12:33
it
12:33
was
12:34
the
12:34
number
12:34
one
12:34
film
12:34
of
12:35
1987
12:35
in
12:36
the
12:36
US
12:37
but
12:38
back
12:38
to
12:38
Richard
12:38
Donner
12:39
because
12:39
he
12:39
was
12:39
a
12:39
skilled,
12:40
experienced
12:41
set
12:41
of
12:41
hands
12:41
for
12:41
the
12:41
movie.
12:42
He'd
12:43
made
12:43
us
12:43
believe
12:43
a
12:44
man
12:44
could
12:44
fly.
12:45
And
12:45
he
12:45
loved
12:45
the
12:46
script
12:46
for
12:46
Lethal
12:46
Weapon
12:47
and
12:47
knew
12:47
who
12:48
he
12:48
wanted
12:48
for
12:48
Riggs.
12:49
This
12:49
upstart
12:50
Australian
12:51
actor
12:51
Mel
12:51
Gibson,
12:52
who'd
12:52
been
12:52
in
12:53
three
12:53
Mad
12:53
Max
12:54
films.
12:54
He'd
12:55
played
12:55
Max
12:55
Rockatansky,
12:56
a
12:57
police
12:57
officer
12:57
turned
12:58
vigilante,
12:58
and
12:59
both
12:59
Donna
12:59
and
13:00
casting
13:00
director
13:00
Marion
13:01
Doherty
13:01
thought
13:02
he
13:02
would
13:02
be
13:02
perfect
13:03
as
13:03
the
13:03
brilliant
13:04
but
13:04
darkly
13:04
troubled
13:05
Martin
13:05
Riggs.
13:06
He
13:06
considered
13:07
other
13:07
actors,
13:08
most
13:08
interestingly
13:09
Bruce
13:09
Willis,
13:10
who
13:10
was
13:10
up
13:10
for
13:11
this
13:11
role
13:11
as
13:12
Gibson
13:12
was
13:12
being
13:13
considered
13:13
for
13:13
Die
13:13
Hard.
13:14
Michael
13:15
Biehn
13:15
as
13:15
well,
13:16
Pierce
13:16
Brosnan,
13:17
Patrick
13:17
Swayze,
13:18
Michael
13:18
Douglas,
13:19
Jeff
13:19
Goldblum
13:19
and
13:20
Kurt
13:20
Russell
13:21
were
13:21
all
13:21
considered,
13:22
but
13:22
none
13:22
shone
13:23
like
13:23
Gibson
13:23
did.
13:24
The
13:24
original
13:25
script
13:25
never
13:26
specified
13:26
either
13:27
character's
13:27
race
13:27
at
13:28
all,
13:28
and
13:28
casting
13:29
director
13:29
Marion
13:29
Doherty
13:30
suggested
13:31
Danny
13:31
Glover
13:31
for
13:31
Roger
13:32
Murtaugh.
13:32
After
13:33
seeing
13:33
the
13:33
Color
13:33
Purple
13:34
and
13:34
the
13:35
Two
13:35
Men,
13:36
Mel
13:36
Gibson
13:37
and
13:37
Danny
13:37
Glover,
13:38
who'd
13:38
never
13:38
met,
13:39
were
13:39
flown
13:39
from
13:40
Sydney
13:40
and
13:40
Chicago
13:41
respectively,
13:42
to
13:42
Los
13:42
Angeles
13:43
to
13:43
read
13:43
through
13:44
the
13:44
script.
13:44
Donner
13:45
would
13:45
describe
13:46
that
13:46
initial
13:46
two
13:47
hour
13:47
meeting
13:48
as
13:48
magical
13:49
and
13:49
total
13:49
dynamite.
13:50
Both
13:51
men
13:51
felt
13:51
the
13:51
chemistry
13:52
and
13:52
found
13:53
Riggs
13:53
and
13:53
Murtaugh
13:54
throughout
13:54
that
13:55
session.
13:56
By
13:56
the
13:56
early
13:56
spring
13:57
of
13:57
1986,
13:58
both
13:58
actors
13:58
had
13:59
signed
13:59
onto
13:59
the
13:59
movie.
14:00
After
14:00
taking
14:01
planes
14:01
home
14:01
to
14:01
pac,
14:02
Gibson
14:02
and
14:02
Glover
14:03
returned
14:03
to
14:03
Los
14:04
Angeles
14:04
and
14:05
started
14:05
a
14:05
rigorous
14:06
two
14:06
month
14:06
physical
14:07
training
14:07
and
14:07
preparation
14:08
program
14:09
supervised
14:09
by
14:09
stunt
14:10
coordinator
14:10
Bobby
14:11
bass,
14:11
a
14:11
former
14:12
U.S.
14:12
army
14:12
Special
14:13
Forces
14:13
instructor
14:14
and
14:14
judo
14:14
champion,
14:15
which
14:15
included
14:16
physical
14:16
conditioning,
14:17
weights,
14:18
workouts,
14:18
and
14:18
weapons
14:19
handling
14:19
and
14:20
safety.
14:20
Both
14:21
actors
14:21
spent
14:21
time
14:22
in
14:22
the
14:22
field
14:22
working
14:22
with
14:23
LAPD
14:23
officers
14:24
and
14:25
technical
14:25
advisors
14:25
from
14:26
the
14:26
lapd,
14:27
as
14:27
well
14:27
as
14:27
the
14:27
LA
14:28
County
14:28
Sheriff's
14:29
Office,
14:29
who
14:29
were
14:29
on
14:29
hand
14:30
to
14:30
ensure
14:30
authenticity
14:31
during
14:32
filming.
14:33
In
14:33
the
14:33
meantime,
14:34
Gary
14:34
Busey
14:34
asked
14:35
to
14:35
read
14:35
for
14:35
the
14:35
part
14:36
of
14:36
Mr.
14:36
Joshua,
14:37
having
14:37
had
14:37
to
14:38
not
14:38
interview
14:38
her
14:39
roles
14:39
previously.
14:40
Busey
14:40
was
14:41
a
14:41
well
14:41
known
14:41
star
14:42
since
14:42
his
14:42
Academy
14:42
Award
14:43
nominated
14:43
role
14:43
in
14:44
the
14:44
Buddy
14:44
Holly
14:44
Story,
14:45
but
14:46
he
14:46
was
14:46
currently
14:46
in
14:46
a
14:46
bit
14:46
of
14:47
a
14:47
career
14:47
slump
14:48
and
14:48
hadn't
14:48
tried
14:49
out
14:49
for
14:49
a
14:49
movie
14:49
in
14:50
years.
14:51
He
14:51
attributed
14:51
his
14:52
comeback
14:52
to
14:52
Lethal
14:53
Weapon.
14:54
According
14:54
to
14:54
his
14:55
biography
14:55
on
14:56
the
14:56
True
14:56
Hollywood
14:57
Story.
14:57
The
14:57
producers
14:58
wanted
14:58
a
14:59
big
14:59
intimidated
15:00
character
15:00
who
15:00
could
15:00
be
15:01
a
15:01
credible
15:01
opponent
15:01
for
15:02
the
15:02
intimidating
15:02
Gibson,
15:03
so
15:04
they
15:04
hired
15:04
him
15:04
to
15:04
play
15:05
Joshua.
15:06
Gibson
15:06
and
15:07
Busey
15:07
trained
15:07
in
15:07
Capoeira
15:08
with
15:08
technical
15:09
advisor
15:09
Cedric
15:10
Adams.
15:10
Jailhouse
15:11
Rock,
15:12
which
15:12
isn't
15:12
just
15:13
an
15:13
Elvis
15:13
song
15:13
and
15:14
movie,
15:14
it's
15:14
a
15:14
fighting
15:15
style
15:16
that's
15:16
something
15:16
that
15:16
I've
15:17
learned
15:17
for
15:17
this
15:17
episode.
15:18
So
15:18
they
15:19
trained
15:19
with
15:19
Jailhouse
15:20
Rock
15:20
with
15:20
Dennis
15:21
Newson
15:21
and
15:22
Brazilian
15:22
Jiu
15:22
Jitsu
15:23
with
15:23
Rory
15:24
and
15:24
Gracie,
15:25
who
15:25
six
15:25
years
15:25
later
15:26
would
15:26
co
15:26
found
15:27
the
15:27
ufc.
15:28
They
15:28
trained
15:29
in
15:29
between
15:29
filming
15:30
for
15:30
four
15:30
hours
15:30
a
15:31
day
15:31
for
15:31
six
15:31
days
15:32
a
15:32
week.
15:32
It
15:33
came
15:33
in
15:33
handy
15:33
when
15:34
filming
15:34
the
15:34
climactic
15:35
hand
15:35
to
15:35
hand
15:35
fight
15:36
between
15:36
Riggs
15:36
and
15:37
Joshua.
15:37
Filming
15:38
took
15:38
place
15:38
over
15:39
four
15:39
nights
15:39
from
15:40
dusk
15:40
till
15:40
dawn
15:41
and
15:41
the
15:41
final
15:41
product
15:42
lasted
15:42
just
15:42
a
15:43
few
15:43
minutes.
15:44
Both
15:44
men
15:44
were
15:45
continually
15:45
soaked
15:46
in
15:46
water
15:46
from
15:46
a
15:46
burst
15:47
fire
15:47
hydrant
15:48
over
15:48
the
15:48
four
15:49
nights
15:49
worth
15:49
of
15:49
filming
15:50
lit
15:50
by
15:51
Ritter's
15:51
lights
15:52
emulating
15:52
the
15:52
helicopter
15:53
on
15:53
a
15:53
crane.
15:54
The
15:54
idea
15:55
being
15:55
to
15:55
show
15:55
martial
15:56
arts
15:56
never
15:57
before
15:57
seen
15:58
on
15:58
screen.
15:59
And
15:59
Lethal
15:59
Weapon
16:00
was
16:00
shot
16:00
in
16:00
and
16:00
around
16:01
Los
16:01
Angeles.
16:02
Locations
16:03
included
16:03
Lake
16:03
Mirage,
16:04
Long
16:04
Beach,
16:05
Santa
16:05
Monica,
16:06
Inglewood
16:06
and
16:07
West
16:07
Hollywood.
16:08
And
16:08
lighting.
16:09
The
16:09
picture
16:09
covered
16:10
every
16:10
combination
16:10
of
16:11
day
16:11
and
16:11
night
16:12
interiors
16:12
and
16:12
exteriors
16:13
with
16:14
the
16:14
more
16:14
difficult
16:14
action
16:15
sequences
16:15
shot
16:16
at
16:16
night.
16:17
Director
16:17
of
16:17
photography
16:18
on
16:18
Lethal
16:18
Weapon
16:19
was
16:19
Stephen
16:19
Goldblatt
16:20
and
16:20
he
16:21
wanted
16:21
to
16:21
film
16:22
in
16:22
his
16:22
new
16:22
hometown
16:23
of
16:23
Los
16:23
Angeles.
16:24
Working
16:25
closely
16:25
with
16:25
both
16:25
Richard
16:26
Donner
16:26
and
16:26
Stephen
16:27
Goldblatt
16:27
was
16:28
production
16:28
designer
16:28
J.
16:29
Michael
16:29
Riva,
16:30
who
16:30
won
16:30
an
16:30
Academy
16:31
Award
16:31
for
16:31
Ordinary
16:32
People
16:32
and
16:33
an
16:33
Oscar
16:33
nomination
16:34
for
16:34
the
16:34
Color
16:35
Purple.
16:35
In
16:36
the
16:36
very
16:36
first
16:36
scene
16:36
of
16:37
the
16:37
movie,
16:37
a
16:37
young
16:37
woman
16:38
who
16:38
has
16:38
just
16:39
gone
16:39
on
16:39
a
16:39
bit
16:39
of
16:39
a
16:39
drug
16:40
binge
16:40
walks
16:41
out
16:41
onto
16:41
her
16:41
balcony
16:42
and
16:42
jumps
16:42
to
16:42
her
16:43
death
16:43
from
16:43
her
16:44
30th
16:44
floor
16:44
apartment.
16:45
And
16:46
this
16:46
was
16:46
actually
16:46
a
16:46
pivotal
16:47
scene
16:47
for
16:47
the
16:47
movie
16:48
and
16:48
used
16:48
a
16:49
Matthews
16:49
camera
16:50
mode
16:50
on
16:50
a
16:50
dolly
16:51
to
16:51
capture
16:51
her
16:52
dizzying
16:52
perspective
16:53
from
16:53
300ft
16:54
above
16:54
the
16:55
ground.
16:55
Three
16:56
Arri
16:56
cameras
16:57
were
16:57
mounted
16:57
on
16:58
a
16:58
rig
16:58
that
16:58
slid
16:58
down
16:59
the
16:59
side
16:59
of
16:59
the
16:59
building
17:00
to
17:00
show
17:01
the
17:01
woman's
17:01
view
17:01
of
17:01
Long
17:02
beach
17:02
and
17:03
the
17:03
surrounding
17:03
buildings
17:04
as
17:04
she
17:04
jumps
17:05
the
17:05
30
17:05
floors
17:06
to
17:06
her
17:06
death.
17:07
And
17:07
this
17:07
fall
17:08
was
17:08
filmed
17:08
on
17:08
the
17:09
studio
17:09
backlot.
17:10
But
17:10
how
17:10
did
17:11
they
17:11
get
17:11
a
17:11
shot
17:11
of
17:12
someone
17:12
falling
17:12
from
17:13
above
17:13
over
17:14
a
17:14
street
17:14
and
17:15
a
17:15
car
17:15
below,
17:16
because
17:16
surely
17:17
that's
17:17
just
17:17
an
17:17
incredibly
17:18
unsafe
17:18
fall
17:19
for
17:19
any
17:19
stunt
17:20
person.
17:21
And
17:21
how
17:21
they
17:21
did
17:22
it
17:22
was
17:22
they
17:22
had
17:22
a
17:22
canvas
17:23
painting
17:24
depicting
17:24
the
17:25
impact
17:25
point
17:26
stretched
17:26
over
17:26
an
17:27
airbag
17:27
below.
17:28
And
17:28
the
17:28
painting
17:29
is
17:29
a
17:29
perfect
17:29
match
17:30
for
17:30
the
17:31
street
17:31
below,
17:31
including
17:32
the
17:32
car
17:33
that's
17:33
parked
17:33
there.
17:34
And
17:34
so
17:35
when
17:35
you
17:35
see
17:35
her
17:36
falling
17:36
towards
17:37
this
17:37
street
17:37
view,
17:38
it's
17:38
actually
17:38
a
17:39
painting
17:39
above
17:39
an
17:40
airbag.
17:41
And
17:41
the
17:41
shot
17:41
cuts
17:42
away
17:42
just
17:42
before
17:42
the
17:43
impact,
17:43
and
17:43
then
17:44
you
17:44
see
17:44
the
17:44
car's
17:44
interior
17:45
imploding.
17:46
Providing
17:47
the
17:47
amazing
17:47
falling
17:48
stunts
17:48
and
17:49
related
17:49
rigs
17:49
was
17:50
Dar
17:50
Robinson.
17:51
He
17:51
was
17:51
a
17:51
pioneer
17:52
in
17:52
the
17:52
stunt
17:52
industry
17:53
and
17:53
he
17:54
revolutionized
17:54
how
17:55
stunts
17:55
were
17:55
performed.
17:56
He
17:56
invented
17:57
the
17:57
decelerator,
17:58
a
17:58
device
17:58
that
17:59
allowed
17:59
stunt
17:59
performers
18:00
to
18:00
fall
18:00
from
18:00
great
18:00
heights
18:01
without
18:01
the
18:01
use
18:01
of
18:01
airbags
18:02
or
18:02
other
18:02
visible
18:03
safety
18:03
equipment.
18:04
He
18:04
also
18:05
pioneered
18:05
the
18:05
use
18:05
of
18:06
an
18:06
early
18:06
version
18:06
of
18:06
the
18:07
wire
18:07
flying
18:07
technique,
18:08
which
18:08
allowed
18:09
stunt
18:09
performers
18:09
to
18:10
be
18:10
suspended
18:10
on
18:11
thin
18:11
wires.
18:12
This
18:12
earned
18:12
him
18:12
a
18:13
place
18:13
in
18:13
the
18:13
Guinness
18:13
Book
18:13
of
18:14
World
18:14
Records
18:14
on
18:15
multiple
18:15
occasions.
18:16
And
18:16
some
18:16
of
18:17
his
18:17
most
18:17
notable
18:18
achievements
18:18
include
18:19
the
18:19
highest
18:20
free
18:20
fall
18:20
from
18:21
a
18:21
helicopter
18:21
without
18:22
a
18:22
parachute,
18:23
which
18:23
was
18:23
311ft
18:24
in
18:24
the
18:25
film's
18:25
stick
18:25
in
18:26
1985.
18:27
The
18:27
highest
18:27
jump
18:28
from
18:28
a
18:28
building,
18:29
a
18:29
220
18:29
foot
18:30
leap
18:30
from
18:30
the
18:30
Toronto
18:31
CN
18:31
Tower
18:32
in
18:32
the
18:32
film
18:32
High
18:32
Point
18:33
in
18:33
1979.
18:35
The
18:35
highest
18:35
fall
18:36
from
18:36
a
18:36
moving
18:36
vehicle,
18:37
a
18:37
120
18:38
foot
18:38
drop
18:38
from
18:38
a
18:38
motorcycle
18:39
in
18:39
the
18:39
film
18:40
Sharkey's
18:40
machine
18:41
in
18:41
1981.
18:43
Despite
18:43
histones
18:44
always
18:44
being
18:44
well
18:45
planned
18:45
and
18:45
never
18:46
breaking
18:46
a
18:46
bone
18:46
in
18:47
his
18:47
13
18:47
year
18:48
Hollywood
18:48
career,
18:49
Robinson
18:50
tragically
18:50
died
18:50
while
18:51
filming
18:51
Million
18:52
Dollar
18:52
Mystery,
18:53
the
18:53
movie
18:53
he
18:53
made
18:54
right
18:54
after
18:54
lethal
18:54
weapon
18:55
on
18:55
21
18:56
November
18:57
1986.
18:58
He
18:58
was
18:59
performing
18:59
a
18:59
routine
19:00
high
19:00
speed
19:00
motorcycle
19:01
run
19:01
when
19:02
he
19:02
rode
19:02
his
19:02
stunt
19:03
motorcycle
19:03
past
19:04
the
19:04
breaking
19:04
point
19:04
of
19:05
a
19:05
turn
19:05
and
19:06
straight
19:06
off
19:06
a
19:06
cliff
19:07
to
19:07
his
19:07
death.
19:08
He
19:08
was
19:08
just
19:09
39
19:09
years
19:10
old
19:10
and
19:10
Lethal
19:11
Weapon
19:11
is
19:12
dedicated
19:12
to
19:12
his
19:13
memory.
19:14
Speaking
19:14
of
19:15
lethal
19:15
weapons,
19:16
it's
19:16
time
19:17
for
19:17
the
19:17
obligatory
19:17
Keanu
19:18
reference
19:18
of
19:19
this
19:19
episode.
19:20
And
19:20
if
19:20
you
19:20
don't
19:20
know
19:20
what
19:21
that
19:21
is,
19:21
it's
19:21
where
19:21
I
19:21
try
19:21
and
19:22
link
19:22
the
19:22
movie
19:22
that
19:22
I'm
19:22
featuring
19:23
with
19:23
Keanu
19:24
Reeves
19:24
for
19:24
no
19:24
reason
19:25
other
19:25
than
19:25
he
19:25
is
19:26
the
19:26
best
19:26
of
19:26
men.
19:27
And
19:27
you
19:27
could
19:28
say
19:28
that
19:28
Keanu
19:28
Reeves
19:29
as
19:29
John
19:30
Wick
19:30
was
19:31
a
19:31
bit
19:31
of
19:31
a
19:31
lethal
19:32
weapon
19:32
in
19:32
that
19:33
he
19:33
could
19:33
make
19:33
anything
19:34
a
19:34
weapon,
19:35
including
19:35
the
19:35
obvious,
19:36
like
19:36
a
19:37
gun
19:37
and
19:37
a
19:37
knife.
19:38
But
19:38
he
19:39
also
19:39
used
19:39
his
19:40
car,
19:40
a
19:41
horse
19:41
and
19:42
even
19:42
a
19:42
pencil
19:42
with
19:43
deadly
19:43
accuracy
19:44
and
19:44
resourcefulness.
19:46
And
19:46
that
19:46
is
19:46
the
19:47
easiest
19:47
way
19:47
I
19:47
can
19:47
link
19:48
Keanu
19:48
to
19:49
Lethal
19:49
Weapon
19:50
and
19:50
If
19:50
you
19:51
were
19:51
wondering
19:51
whether
19:51
or
19:52
not
19:52
this
19:52
was
19:52
a
19:52
Christmas
19:53
movie,
19:54
this
19:54
thing
19:54
literally
19:55
opens
19:55
with
19:56
Jingle
19:56
Bell
19:56
Rock.
19:57
But
19:58
I
19:58
digress.
19:59
Editor
19:59
Stuart
19:59
Baird
20:00
needed
20:00
a
20:01
temporary
20:01
score
20:01
for
20:01
the
20:02
movie,
20:02
so
20:02
he
20:02
used
20:03
the
20:03
music
20:04
from
20:04
the
20:04
1985
20:05
BBC
20:05
TV
20:06
series
20:06
Edge
20:06
of
20:06
Darkness.
20:07
Edge
20:08
of
20:08
Darkness
20:09
had
20:09
been
20:09
composed
20:10
by
20:10
Michael
20:11
Kamen
20:11
and
20:11
Eric
20:12
Clapton,
20:13
and
20:13
the
20:13
2010
20:13
movie
20:14
version
20:14
of
20:14
Edge
20:15
of
20:15
Darkness
20:16
would
20:16
coincidentally
20:17
also
20:17
go
20:17
on
20:17
to
20:17
star
20:18
Mel
20:18
Gibson.
20:19
But
20:19
after
20:19
using
20:20
Caiman's
20:20
Edge
20:21
of
20:21
Darkness
20:21
score,
20:22
it
20:22
made
20:23
total
20:23
sense
20:23
to
20:23
bring
20:24
Caiman
20:24
in
20:24
to
20:24
score
20:25
Lethal
20:25
Weapon
20:26
and
20:26
also
20:27
bring
20:27
in
20:27
Eric
20:28
Clapton
20:28
for
20:28
Rix's
20:29
guitar
20:29
theme.
20:30
The
20:31
sax,
20:32
which
20:32
does
20:32
kind
20:33
of
20:33
make
20:33
it
20:33
often
20:33
sound
20:34
like
20:34
a
20:34
certain
20:34
type
20:34
of
20:34
movie
20:35
just
20:35
for
20:35
grown
20:35
ups,
20:36
is
20:36
part
20:37
of
20:37
Murtagh's
20:38
theme,
20:38
which
20:38
is
20:38
played
20:39
by
20:39
David
20:39
Sanborn.
20:41
There
20:41
were
20:42
alternate
20:42
opening
20:43
and
20:43
endings
20:43
filmed
20:44
for
20:44
Lethal
20:44
Weapon
20:45
and
20:45
they
20:45
can
20:45
be
20:46
found
20:46
on
20:46
the
20:46
dvd.
20:47
The
20:48
alternate
20:48
opening
20:49
sees
20:49
Martin
20:49
Riggs
20:50
drinking
20:50
alone
20:50
in
20:50
a
20:51
bar
20:51
where
20:51
he
20:51
is
20:51
accosted
20:52
by
20:52
a
20:52
couple
20:52
of
20:52
thugs
20:53
who
20:53
attack
20:54
him
20:54
for
20:54
money
20:54
but
20:54
are
20:55
easily
20:55
subdued
20:56
by
20:56
Riggs.
20:57
Director
20:57
Richard
20:57
Donner
20:58
felt
20:58
the
20:58
film
20:58
should
20:59
open
20:59
with
20:59
a
20:59
brighter
21:00
look
21:00
of
21:00
Riggs
21:00
and
21:01
replace
21:01
the
21:01
bar
21:02
scene
21:02
with
21:02
the
21:02
scene
21:03
in
21:03
which
21:03
Riggs
21:03
awakens
21:04
in
21:04
his
21:04
trailer.
21:05
The
21:05
alternate
21:06
ending
21:06
features
21:06
Riggs
21:07
telling
21:07
Murtagh
21:08
not
21:08
to
21:09
retire.
21:09
An
21:10
extended
21:10
director's
21:11
cut
21:11
version
21:12
was
21:12
later
21:12
released
21:13
on
21:13
dvd,
21:14
which
21:14
is
21:14
the
21:14
version
21:14
I
21:15
have
21:15
by
21:15
the
21:15
way.
21:16
The
21:16
director's
21:16
cut
21:17
is
21:17
seven
21:17
minutes
21:18
longer
21:18
and
21:18
features
21:19
additional
21:19
scenes.
21:20
One
21:21
scene
21:21
depicts
21:21
Riggs
21:22
dispatching
21:22
a
21:23
sniper
21:23
who's
21:24
been
21:24
firing
21:24
at
21:24
children
21:25
in
21:25
a
21:25
playground,
21:26
which
21:26
is
21:27
actually
21:27
an
21:27
extremely
21:28
shocking
21:28
and
21:29
violent
21:29
scene,
21:30
and
21:30
especially
21:30
pertinent
21:31
at
21:31
the
21:31
moment
21:32
considering
21:32
school
21:32
shootings
21:33
are
21:33
so
21:33
commonplace
21:34
in
21:34
the
21:34
us.
21:35
In
21:36
another
21:36
scene,
21:36
Reeks
21:37
picks
21:37
up
21:37
a
21:37
sex
21:37
worker
21:38
in
21:38
his
21:38
car,
21:39
but
21:39
instead
21:39
of
21:39
arranging
21:40
to
21:40
have
21:40
sex
21:40
with
21:41
her,
21:41
he
21:41
pays
21:42
her
21:42
to
21:42
watch
21:42
TV
21:43
with
21:43
him.
21:44
And
21:44
these
21:44
scenes
21:45
don't
21:45
really
21:45
add
21:45
much
21:45
to
21:46
the
21:46
movie
21:46
except
21:46
to
21:47
highlight
21:47
Riggs
21:48
mental
21:48
state.
21:49
So
21:49
I
21:50
understand
21:50
why
21:50
they
21:50
were
21:50
cut,
21:51
but
21:51
I'd
21:52
be
21:52
surprised
21:52
if
21:52
the
21:53
school
21:53
shooting
21:53
scene
21:54
was
21:54
ever
21:54
reinstated.
21:55
It's
21:56
an
21:56
incredibly
21:56
dark
21:57
scene,
21:57
but
21:57
it
21:57
also
21:58
highlights
21:58
just
21:58
how
21:58
gung
21:59
ho
21:59
Riggs
21:59
is.
22:00
He
22:00
has
22:01
no
22:01
regards
22:01
for
22:01
his
22:01
personal
22:02
safety.
22:02
He
22:03
just
22:03
marches
22:04
up
22:04
through
22:04
the
22:04
playground
22:05
and
22:05
shoots
22:05
this
22:06
gunman.
22:07
Lethal
22:07
Weapon
22:08
was
22:08
released
22:08
on
22:09
6th
22:09
March
22:10
1987
22:10
domestically
22:11
in
22:11
the
22:11
US
22:12
where
22:12
it
22:12
jumped
22:13
straight
22:13
to
22:13
number
22:13
one
22:14
at
22:14
the
22:14
box
22:14
office,
22:14
beating
22:15
A
22:15
Nightmare
22:15
on
22:16
Elm
22:16
street,
22:16
three
22:16
Dream
22:17
warriors
22:17
into
22:17
third
22:18
and
22:18
Platoon
22:19
into
22:19
second.
22:20
Platoon
22:21
had
22:21
been
22:21
out
22:22
for
22:22
12
22:22
weeks
22:23
at
22:23
that
22:23
point
22:23
and
22:23
was
22:24
still
22:24
riding
22:24
high
22:24
in
22:25
the
22:25
charts.
22:26
Lethal
22:26
Weapon
22:27
would
22:27
stay
22:27
at
22:27
number
22:27
one
22:28
for
22:28
three
22:28
weeks
22:28
before
22:29
being
22:29
knocked
22:29
off
22:30
by
22:30
Blind
22:30
Date
22:31
and
22:31
not
22:32
the
22:32
UK
22:32
dating
22:32
show
22:33
hosted
22:33
by
22:33
Cilla
22:34
Black.
22:34
That
22:34
is
22:34
a
22:35
very
22:35
UK
22:35
reference
22:36
that
22:36
only
22:36
UK
22:37
millennials
22:37
and
22:38
older
22:38
will
22:38
get.
22:39
Lethal
22:39
Weapon
22:40
would
22:40
stay
22:41
in
22:41
the
22:41
US
22:41
top
22:41
10
22:42
for
22:42
13
22:43
weeks
22:43
and
22:44
on
22:44
its
22:44
modest
22:45
$15
22:45
million
22:46
budget,
22:46
it
22:47
would
22:47
gross
22:45
$65.2
22:48
million
22:49
domestically
22:50
in
22:50
the
22:50
US
22:51
and
22:49
$55
22:52
million
22:53
internationally,
22:53
for
22:54
a
22:54
total
22:54
worldwide
22:55
gross
22:55
of
22:52
$120.2
22:55
million.
22:58
It
22:58
would
22:58
become
22:59
the
22:59
eighth
22:59
highest
23:00
grossing
23:00
movie
23:00
of
23:00
1987
23:01
in
23:01
the
23:02
US
23:02
and
23:03
it's
23:03
safe
23:03
to
23:03
say
23:04
the
23:04
success
23:04
of
23:04
Lethal
23:05
Weapon
23:05
really
23:06
came
23:06
out
23:06
of
23:07
nowhere
23:07
on
23:08
Rotten
23:08
Tomatoes.
23:09
It
23:09
also
23:09
has
23:09
a
23:09
score
23:09
of
23:10
80%,
23:11
with
23:11
the
23:11
website's
23:12
consensus
23:12
reading
23:13
the
23:13
most
23:14
successful
23:14
installment
23:15
in
23:15
a
23:15
phenomenally
23:16
successful
23:16
franchise,
23:17
Lethal
23:17
Weapon
23:18
helped
23:18
redefine
23:19
action
23:19
movies
23:20
for
23:20
the
23:20
1980s
23:21
and
23:21
1990s.
23:23
It
23:23
was
23:23
even
23:23
nominated
23:24
for
23:24
the
23:24
Academy
23:25
Award
23:25
for
23:25
Best
23:26
Sound
23:26
Mixing,
23:27
losing
23:27
to
23:27
the
23:28
Last
23:28
Emperor.
23:30
Now,
23:30
of
23:30
course,
23:30
Lethal
23:31
Weapon
23:31
did
23:31
have
23:32
several
23:32
sequels.
23:33
Lethal
23:33
Weapon
23:33
2
23:34
in
23:34
1989,
23:35
Lethal
23:35
Weapon
23:36
3
23:36
in
23:36
1992
23:37
and
23:38
Lethal
23:38
Weapon
23:38
4
23:39
in
23:39
1998.
23:41
The
23:41
long
23:41
mooted
23:42
Lethal
23:42
Weapon
23:43
5
23:43
was
23:43
originally
23:44
conceived
23:44
in
23:44
2007,
23:46
but
23:46
with
23:46
the
23:46
passing
23:47
of
23:47
Richard
23:47
Donner,
23:48
who
23:48
directed
23:49
all
23:49
of
23:49
the
23:49
films
23:49
in
23:49
the
23:50
series
23:50
the
23:50
Spa,
23:51
Mel
23:51
Gibson
23:52
confirmed
23:52
in
23:52
November
23:53
2021
23:54
he
23:54
was
23:54
in
23:54
talks
23:55
to
23:55
star
23:55
and
23:56
direct
23:56
lethal
23:57
weapon
23:57
5,
23:58
wanting
23:58
to
23:58
use
23:58
the
23:59
movie
23:59
to
23:59
pay
23:59
tribute
24:00
to
24:00
Richard
24:00
Donner.
24:01
In
24:01
September
24:02
2024,
24:03
Gibson
24:03
mentioned
24:04
at
24:04
a
24:04
fan
24:04
convention
24:05
that
24:05
the
24:05
movie
24:06
was
24:06
written
24:06
but
24:06
was
24:06
being
24:07
held
24:07
up
24:07
by
24:07
Hollywood
24:08
red
24:08
tape.
24:09
So
24:09
who
24:10
knows
24:10
what
24:10
will
24:10
happen
24:10
to
24:11
Lethal
24:11
Weapon
24:11
5
24:12
in
24:12
the
24:12
future.
24:13
The
24:14
TV
24:14
series
24:14
Lethal
24:15
Weapon
24:15
aired
24:16
from
24:16
2016
24:16
to
24:17
2019
24:18
with
24:18
three
24:18
seasons
24:19
on
24:19
Fox,
24:20
with
24:20
original
24:21
star
24:21
Clayne
24:21
Crawford
24:22
replaced
24:22
for
24:23
the
24:23
third
24:23
season
24:23
by
24:24
Seann
24:24
William
24:24
Scott.
24:25
Due
24:25
to
24:25
Crawford's
24:26
alleged
24:26
bad
24:27
behavior
24:27
and
24:27
hostility
24:28
on
24:28
set,
24:29
Roger
24:29
Murtaugh
24:30
was
24:30
played
24:30
by
24:31
Damon
24:31
Wayans,
24:32
and
24:32
in
24:32
the
24:33
series
24:33
they
24:33
do
24:34
actually
24:34
kill
24:34
off
24:35
Marty
24:35
Riggs,
24:36
which
24:36
is
24:36
something
24:36
Lethal
24:37
Weapon
24:37
2
24:38
never
24:38
did.
24:39
I'll
24:40
come
24:40
back
24:40
to
24:40
an
24:40
episode
24:40
on
24:41
Lethal
24:41
Weapon
24:41
2
24:42
at
24:42
some
24:42
point
24:42
in
24:43
the
24:43
future.
24:44
In
24:44
2011,
24:45
Warner
24:45
Bros.
24:46
Announced
24:46
it
24:46
would
24:46
reboot
24:47
the
24:47
Lethal
24:47
Weapon
24:48
franchise
24:48
without
24:49
Gibson
24:49
and
24:50
Glover.
24:50
The
24:51
new
24:51
franchise
24:51
was
24:52
set
24:52
to
24:52
feature
24:52
the
24:52
same
24:53
characters
24:53
with
24:53
a
24:53
brand
24:54
new
24:54
cast.
24:55
Will
24:55
Beale
24:55
was
24:56
hired
24:56
to
24:56
write
24:57
a
24:57
script,
24:57
but
24:57
that
24:58
reboot
24:58
was
24:58
eventually
24:59
canceled
25:00
and
25:00
the
25:00
TV
25:00
series
25:01
debuted
25:01
in
25:01
2016
25:02
instead.
25:04
It's
25:04
safe
25:04
to
25:05
say
25:05
that
25:05
Lethal
25:05
Weapon
25:06
changed
25:06
the
25:07
formula
25:07
for
25:08
not
25:08
only
25:08
buddy
25:08
cop
25:09
movies
25:09
but
25:09
also
25:10
action
25:10
movies
25:11
in
25:11
the
25:11
80s
25:11
and
25:12
90s.
25:12
And
25:13
all
25:13
of
25:13
that
25:13
is
25:13
really
25:14
down
25:14
to
25:15
three
25:15
men
25:15
and
25:16
one
25:16
woman,
25:17
the
25:17
three
25:17
men
25:17
being
25:18
Richard
25:18
Donner
25:18
Mel
25:19
Gibson
25:19
and
25:19
Danny
25:20
Glover,
25:21
and
25:21
the
25:21
one
25:21
woman
25:22
being
25:22
Marion
25:22
Doherty,
25:23
the
25:23
casting
25:24
director
25:24
who
25:25
found
25:25
the
25:25
chemistry
25:26
that
25:26
was
25:26
needed
25:27
for
25:27
the
25:27
characters
25:28
of
25:28
Martin
25:28
Riggs
25:29
and
25:29
Roger
25:29
Murtaugh.
25:30
Casting
25:31
directors
25:32
are
25:32
not
25:32
often
25:32
given
25:33
the
25:33
credit
25:33
they
25:33
deserve.
25:34
However,
25:34
I
25:35
feel
25:35
like
25:35
in
25:35
this
25:36
case
25:36
all
25:37
credit
25:37
for
25:37
those
25:37
casting
25:38
choices
25:38
to
25:38
Marion
25:39
Doherty
25:39
for
25:40
creating
25:40
one
25:40
of
25:41
the
25:41
ultimate
25:41
partnerships
25:42
in
25:42
action
25:43
cinema.
25:44
And
25:44
it's
25:44
really
25:45
tough
25:45
to
25:45
talk
25:45
about
25:45
this
25:45
movie
25:46
without
25:46
having
25:47
to
25:47
mention
25:47
Mel
25:48
Gibson,
25:48
because
25:49
the
25:49
Mel
25:49
Gibson
25:49
of
25:50
today
25:50
is
25:51
extremely
25:51
problematic
25:52
and
25:52
an
25:52
often
25:53
hateful
25:53
individual
25:54
who
25:54
has
25:54
openly
25:55
expressed
25:55
his
25:55
antisemitic
25:57
and
25:57
misogynistic
25:58
views.
25:59
But
25:59
in
25:59
Martin
26:00
Riggs,
26:01
Gibson
26:01
helped
26:01
to
26:02
create
26:02
one
26:02
of
26:02
the
26:02
all
26:03
time
26:03
great
26:04
loose
26:04
canon
26:05
fictional
26:05
cops.
26:06
The
26:06
Riggs
26:06
we
26:06
meet
26:07
in
26:07
Lethal
26:07
Weapon
26:08
is
26:08
dark
26:08
and
26:08
unhinged,
26:09
but
26:09
as
26:10
the
26:10
series
26:10
progresses,
26:11
he
26:11
becomes
26:11
more
26:12
of
26:12
a
26:12
comedian.
26:13
His
26:13
scene
26:13
of
26:14
his
26:14
trailer
26:14
watching
26:15
cartoons
26:15
while
26:16
sobbing
26:16
and
26:17
holding
26:17
a
26:17
gun
26:17
in
26:17
his
26:18
mouth.
26:18
At
26:18
the
26:18
beginning
26:18
of
26:19
the
26:19
movie,
26:19
we
26:20
know
26:20
that
26:20
his
26:20
wife
26:21
has
26:21
passed
26:21
away,
26:21
but
26:22
we
26:22
never
26:22
find
26:22
out
26:22
the
26:23
backstory.
26:24
And
26:24
perhaps
26:24
because
26:24
it's
26:25
actually
26:25
superfluous,
26:26
the
26:26
Riggs
26:27
in
26:27
this
26:27
movie
26:28
is
26:28
happy
26:29
to
26:29
die
26:29
and
26:29
happy
26:30
to
26:30
take
26:30
risks
26:31
to
26:31
get
26:31
that
26:31
job
26:32
done.
26:32
He
26:33
doesn't
26:33
fear
26:33
the
26:33
possibility
26:34
of
26:34
death,
26:35
and
26:35
basically
26:36
at
26:36
the
26:36
point
26:36
where
26:36
we
26:37
find
26:37
him,
26:38
he
26:38
feels
26:38
like
26:38
he
26:38
has
26:39
nothing
26:39
to
26:39
live
26:39
for.
26:40
And
26:40
that
26:40
is
26:41
a
26:41
complete
26:41
contrast
26:42
to
26:42
Roger
26:42
Murtagh,
26:43
the
26:43
complete
26:44
opposite
26:44
of
26:44
Riggs.
26:45
He
26:45
is
26:46
a
26:46
50
26:46
year
26:46
old,
26:47
charming,
26:48
loving
26:48
father
26:49
and
26:49
husband
26:49
with
26:50
plenty
26:50
to
26:50
live
26:50
for.
26:51
And
26:51
at
26:51
the
26:52
end
26:52
of
26:52
the
26:52
day,
26:52
all
26:53
he
26:53
wants
26:53
to
26:53
do
26:53
is
26:53
get
26:54
home.
26:55
Like
26:55
Riggs,
26:55
he
26:56
is
26:56
a
26:56
Vietnam
26:56
vet,
26:57
but
26:57
the
26:57
experience
26:58
affected
26:58
him
26:59
differently.
27:00
And
27:00
the
27:00
antagonists
27:01
in
27:01
Lethal
27:01
Weapon
27:02
are
27:02
also
27:03
Vietnam
27:03
vets,
27:04
as
27:04
well
27:04
as
27:04
former
27:05
CIA
27:05
officers,
27:06
secret
27:06
black
27:07
ops
27:07
veterans
27:08
and
27:08
mercenaries
27:09
who
27:09
continue
27:09
to
27:09
import
27:10
heroin
27:10
from
27:11
Asia.
27:12
However,
27:12
like
27:12
Riggs,
27:13
Murtagh
27:14
turns
27:14
into
27:14
a
27:14
cold
27:15
blooded
27:15
murderer
27:16
when
27:16
his
27:16
family
27:16
is
27:17
endangered.
27:18
The
27:18
fact
27:18
he's
27:19
black
27:19
and
27:19
Riggs
27:20
is
27:20
white
27:21
is
27:21
never
27:21
mentioned,
27:22
but
27:22
there
27:23
is
27:23
a
27:23
clear
27:23
undercurrent
27:24
of
27:25
the
27:25
racism
27:25
experienced
27:26
by
27:26
black
27:27
people
27:27
in
27:27
America,
27:28
particularly
27:29
in
27:29
the
27:29
scene
27:29
where
27:29
a
27:29
group
27:30
of
27:30
black
27:30
children
27:31
ask
27:31
Murtaugh
27:32
if
27:32
police
27:32
officers
27:33
shoot
27:33
black
27:34
people.
27:35
And
27:35
that's
27:35
another
27:35
one
27:36
in
27:36
this
27:36
movie
27:36
that
27:37
hits
27:37
differently
27:37
in
27:38
the
27:38
2000s,
27:39
especially
27:39
when
27:40
we
27:40
know
27:40
that
27:41
yes,
27:41
police
27:41
officers
27:42
do
27:42
indeed
27:43
shoot
27:43
black
27:44
people
27:44
just
27:44
for
27:45
being
27:45
black.
27:46
Now,
27:47
while
27:47
this
27:47
movie
27:47
does
27:48
hold
27:48
up
27:48
remarkably
27:49
well
27:49
to
27:50
a
27:50
2024
27:51
lens,
27:52
there
27:52
are
27:52
a
27:52
couple
27:53
of
27:53
slightly
27:54
dodgy
27:54
ethnic
27:55
and
27:55
gay
27:55
slurs
27:56
in
27:56
the
27:56
movie.
27:57
But
27:58
the
27:58
mixed
27:58
race
27:59
buddy
27:59
scenario
28:00
opened
28:00
the
28:00
door
28:00
for
28:00
the
28:01
film
28:01
and
28:02
the
28:02
sequels
28:02
to
28:02
display
28:03
social
28:04
conscience
28:04
explored
28:05
through
28:05
Murtaugh's
28:06
family
28:06
dynamic,
28:07
beginning
28:08
with
28:08
a
28:09
Free
28:09
South
28:09
Africa
28:10
sticker
28:10
on
28:10
the
28:11
family
28:11
fridge.
28:12
This
28:12
is
28:12
of
28:12
course
28:13
alluding
28:13
to
28:13
apartheid
28:14
at
28:14
the
28:15
time
28:15
in
28:15
South
28:15
Africa,
28:16
and
28:16
it
28:16
leads
28:17
to
28:17
the
28:17
villains
28:17
of
28:17
the
28:17
sequel
28:18
being
28:18
South
28:19
Africans.
28:20
And
28:20
as
28:20
I
28:20
mentioned,
28:20
Lethal
28:21
Weapon
28:21
2
28:21
is
28:22
definitely
28:22
a
28:22
movie
28:23
for
28:23
a
28:23
future
28:23
episode.
28:24
But
28:25
also
28:25
the
28:25
sequels
28:25
do
28:26
go
28:26
more
28:26
comedic,
28:27
which
28:27
makes
28:27
the
28:27
original
28:28
stand
28:28
out
28:29
for
28:29
daring
28:29
to
28:29
highlight
28:30
some
28:30
really
28:31
important
28:31
issues,
28:32
issues
28:32
that
28:33
other
28:33
80s
28:34
hero
28:34
or
28:34
buddy
28:35
cop
28:35
movies
28:36
just
28:36
wouldn't
28:36
touch.
28:37
There's
28:38
a
28:38
reason
28:38
why
28:38
Lethal
28:39
Weapon
28:39
endures,
28:39
and
28:40
there's
28:40
a
28:40
reason
28:40
why
28:40
Lethal
28:41
Weapon
28:41
5
28:42
is
28:42
still
28:42
being
28:43
talked
28:43
about,
28:44
and
28:44
that
28:44
is
28:44
the
28:44
chemistry
28:45
between
28:45
Gibson
28:46
and
28:46
Glover.
28:47
It
28:47
just
28:47
works.
28:48
And
28:49
I
28:49
think
28:49
everyone
28:50
is
28:50
interested
28:50
to
28:51
see
28:51
what
28:51
these
28:51
guys
28:51
are
28:52
up
28:52
to
28:52
in
28:52
the
28:52
2020s,
28:54
but
28:54
with
28:54
Glover
28:55
playing
28:55
a
28:56
50
28:56
year
28:56
old,
28:57
the
28:57
character
28:57
would
28:58
be
28:58
90
28:59
now.
28:59
And
29:00
the
29:00
only
29:00
thing
29:00
that
29:00
doesn't
29:01
work
29:01
in
29:01
this
29:01
original
29:02
Lethal
29:02
Weapon
29:02
movie
29:03
is
29:03
the
29:04
movie
29:04
trying
29:04
to
29:04
tell
29:04
me
29:04
that
29:05
Roger
29:05
Murtagh
29:06
is
29:06
50
29:07
because
29:07
the
29:07
man
29:08
looks
29:08
in
29:08
his
29:09
30s.
29:10
Danny
29:10
Glover
29:11
was
29:11
actually
29:12
40
29:12
during
29:12
filming,
29:13
Mel
29:13
Gibson
29:14
was
29:14
31.
29:15
But
29:16
this
29:16
movie
29:16
trying
29:16
to
29:17
tell
29:17
me
29:17
that
29:17
Roger
29:17
Murtagh
29:18
is
29:18
50.
29:19
I'm
29:19
sorry,
29:19
but
29:19
Batman
29:20
is
29:20
not
29:20
50.
29:21
My
29:21
only
29:21
sense
29:22
of
29:22
the
29:22
imagination
29:22
is
29:23
that
29:23
man
29:23
50.
29:24
But
29:24
I
29:25
just
29:25
wanted
29:25
as
29:25
well
29:25
to
29:26
give
29:26
a
29:26
little
29:26
bit
29:26
of
29:26
a
29:26
shout
29:27
out
29:27
to
29:27
Richard
29:27
Donner
29:28
because
29:28
he
29:29
really
29:29
was
29:29
one
29:30
of
29:30
Hollywood's
29:30
greatest
29:31
veteran
29:31
filmmakers,
29:32
and
29:33
at
29:33
the
29:33
time
29:33
he
29:33
had
29:34
an
29:34
odd
29:34
filmography
29:35
because
29:35
he
29:36
directed
29:36
the
29:37
Omen,
29:38
Superman,
29:38
the
29:38
Movie,
29:39
the
29:39
Goonies
29:40
and
29:40
Lady
29:40
Hawk
29:41
before
29:42
helming
29:42
all
29:42
four
29:43
Lethal
29:43
Weapon
29:43
films.
29:44
And
29:44
he
29:44
would
29:45
go
29:45
on
29:45
to
29:45
make
29:45
Scrooge
29:46
right
29:46
after
29:47
Lethal
29:47
Weapon.
29:48
But
29:48
despite
29:49
his
29:49
lack
29:49
of
29:49
expertise
29:50
in
29:50
action
29:51
movies,
29:51
Lethal
29:52
Weapon
29:52
would
29:53
prove
29:53
to
29:53
be
29:53
incredibly
29:54
successful
29:55
because
29:55
it
29:56
masters
29:56
every
29:57
small
29:57
detail
29:58
and
29:58
is
29:58
a
29:59
triumph
29:59
in
29:59
stunt
30:00
work,
30:00
editing,
30:01
pacing,
30:02
casting
30:03
and
30:04
also
30:04
cinematography
30:05
as
30:05
well.
30:06
Los
30:06
Angeles
30:07
looks
30:07
grimy
30:08
when
30:08
it
30:08
needs
30:08
to
30:08
look
30:08
grimy,
30:09
but
30:09
it
30:10
also
30:10
looks
30:10
beautiful
30:11
when
30:11
it
30:11
needs
30:11
to
30:12
look
30:12
beautiful.
30:13
Lethal
30:14
Weapon
30:14
is
30:14
a
30:14
well
30:15
written,
30:15
thrilling
30:16
action
30:16
movie
30:16
that's
30:17
remembered
30:17
more
30:17
for
30:18
its
30:18
franchise
30:18
as
30:19
a
30:19
comedy
30:19
than
30:20
anything
30:20
else.
30:21
But
30:21
what
30:21
makes
30:21
this
30:22
movie
30:22
even
30:22
more
30:23
intriguing
30:23
is
30:23
that
30:24
it
30:24
can
30:24
be
30:24
examined
30:25
on
30:25
a
30:25
level
30:25
typically
30:26
reserved
30:26
for
30:27
serious
30:27
dramas,
30:28
not
30:28
action
30:29
movies.
30:29
Shane
30:30
Black
30:30
gives
30:30
Martin
30:31
Riggs
30:31
character
30:32
psychological
30:33
conditions
30:33
and
30:34
trauma
30:35
and
30:35
lets
30:35
us,
30:35
the
30:36
audience,
30:36
go
30:37
through
30:37
those
30:38
intimate
30:38
encounters
30:39
with
30:39
him
30:39
so
30:40
that
30:40
we
30:40
can
30:40
sympathize
30:41
with
30:41
him,
30:42
even
30:42
though
30:43
we
30:43
are
30:43
unquestionably
30:44
on
30:45
Roger
30:45
Murtagh's
30:46
side
30:46
as
30:46
the
30:47
genuinely
30:47
good,
30:48
honest
30:48
family
30:49
man
30:49
cop.
30:50
It's
30:50
hard
30:50
to
30:50
believe
30:51
that
30:51
anyone
30:51
could
30:51
have
30:51
a
30:52
crisis
30:52
of
30:52
confidence
30:53
writing
30:53
this
30:54
movie
30:54
and
30:55
almost
30:55
chucking
30:55
it
30:55
in
30:56
the
30:56
Bin,
30:56
but
30:57
Shane
30:57
Black
30:57
took
30:58
the
30:58
genre
30:58
tropes
30:59
and
30:59
filled
30:59
it
30:59
with
31:00
fresh
31:00
humor,
31:01
action,
31:01
set
31:01
pieces
31:02
and
31:02
overhauled
31:03
the
31:03
buddy
31:03
cop
31:04
movie
31:04
for
31:04
a
31:04
new
31:05
generation.
31:06
Christmas
31:07
might
31:07
not
31:07
be
31:07
complete
31:08
until
31:08
you
31:08
see
31:09
Hans
31:09
Gruber
31:10
fall
31:10
from
31:10
Nakatomi
31:11
Plaza,
31:12
but
31:12
I
31:12
think
31:12
we
31:13
can
31:13
also
31:13
say
31:13
it's
31:14
incomplete
31:14
without
31:15
Martin
31:15
riggs
31:16
smacking
31:16
down
31:17
Mr.
31:17
Joshua
31:18
covered
31:18
in
31:19
water
31:19
and
31:19
mud,
31:20
surrounded
31:21
by
31:21
cops,
31:21
just
31:22
letting
31:22
it
31:22
happen.
31:23
Now
31:23
that's
31:23
what
31:24
I
31:24
call
31:24
the
31:24
meaning
31:25
of
31:25
Christmas.
31:26
Someone
31:26
call
31:27
Mariah
31:27
Carey
31:28
to
31:28
write
31:28
a
31:28
song
31:29
about
31:29
it.
31:30
Thank
31:30
you
31:30
for
31:31
listening.
31:31
As
31:31
always,
31:31
I
31:31
would
31:32
love
31:32
to
31:32
hear
31:32
your
31:32
thoughts
31:33
on
31:33
Lethal
31:33
Weapon.
31:34
And
31:34
as
31:35
always,
31:35
thank
31:35
you
31:35
for
31:35
your
31:36
continued
31:36
support
31:37
of
31:37
this
31:37
podcast.
31:38
And
31:38
if
31:39
you
31:39
want
31:39
to
31:39
get
31:39
involved
31:40
and
31:40
help
31:40
this
31:40
podcast
31:41
grow,
31:41
you
31:41
can.
31:42
You
31:42
could
31:43
leave
31:43
a
31:43
rating
31:43
or
31:43
review
31:44
wherever
31:44
you
31:44
found
31:44
this
31:45
podcast.
31:45
You
31:46
could
31:46
tell
31:46
your
31:46
friends
31:46
and
31:47
family
31:47
about
31:47
this
31:48
podcast
31:48
or
31:48
about
31:48
this
31:49
episode,
31:50
or
31:50
you
31:50
can
31:51
find
31:51
like
31:52
and
31:52
share
31:52
posts
31:53
on
31:53
social
31:53
media.
31:54
You
31:54
can
31:54
find
31:55
me
31:55
and
31:55
follow
31:55
me
31:56
on
31:56
Twitter,
31:57
Facebook,
31:57
Instagram
31:58
threads,
31:58
Blue
31:58
sky
31:59
and
31:59
letterboxd.
32:00
I
32:00
am@VerbalDiorama
32:02
and
32:02
if
32:02
you
32:02
like
32:03
this
32:03
episode
32:03
on
32:03
Lethal
32:03
Weapon,
32:04
you
32:04
might
32:04
also
32:05
like
32:05
I'm
32:05
just
32:06
going
32:06
to
32:06
suggest
32:06
episode
32:07
235
32:07
on
32:08
Die
32:08
Hard
32:08
because
32:09
this
32:09
is
32:09
a
32:09
Christmas
32:10
movie
32:10
that's
32:11
a
32:11
Christmas
32:11
movie.
32:12
If
32:12
you
32:12
want
32:13
a
32:13
good
32:13
pair
32:13
of
32:14
Christmas
32:14
movies
32:14
to
32:15
watch
32:15
over
32:15
the
32:15
festive
32:16
period,
32:17
you
32:17
can
32:18
do
32:18
no
32:18
wrong
32:19
with
32:19
a
32:19
double
32:20
of
32:20
Die
32:21
Hard
32:21
and
32:21
Lethal
32:21
Weapon.
32:23
So
32:23
the
32:24
next
32:24
episode.
32:25
Sort
32:25
of
32:25
a
32:26
double
32:26
episode
32:27
really,
32:28
Because
32:28
I
32:28
need
32:28
to
32:29
know,
32:29
have
32:29
you
32:29
been
32:29
naughty
32:30
or
32:30
nice
32:31
this
32:31
year?
32:32
And
32:32
I
32:32
guess
32:32
there's
32:32
only
32:33
one
32:33
way
32:33
to
32:33
find
32:33
out
32:34
which
32:34
of
32:34
Santa's
32:35
lists
32:35
you're
32:35
on
32:36
and
32:37
which
32:37
verbal
32:37
diorama
32:38
episode
32:39
you
32:39
will
32:39
be
32:39
receiving
32:40
this
32:40
year.
32:41
Will
32:41
it
32:42
be
32:42
the
32:42
naughtiest
32:43
episode,
32:44
which
32:44
is
32:44
how
32:44
the
32:44
Grinch
32:45
Stole
32:45
Christmas,
32:46
the
32:46
live
32:46
action
32:46
comedy
32:47
from
32:47
2000
32:48
starring
32:48
Jim
32:49
Carrey
32:49
about
32:49
a
32:50
mean
32:50
green
32:50
other
32:51
from
32:51
outside
32:52
Whoville?
32:53
Or
32:53
will
32:53
it
32:53
be
32:53
the
32:53
nicelst
32:54
episode,
32:55
Elf,
32:56
the
32:56
charming
32:57
movie
32:57
about
32:58
another
32:58
buddy,
32:59
this
32:59
time
32:59
not
32:59
a
32:59
cop,
33:00
but
33:00
Buddy
33:01
the
33:01
Elf
33:01
raised
33:02
by
33:02
elves
33:02
at
33:03
the
33:03
North
33:03
Pole
33:04
who
33:04
just
33:04
wants
33:05
to
33:05
find
33:05
his
33:05
father
33:06
and
33:06
reunite
33:06
with
33:07
him?
33:07
Or
33:08
have
33:08
you
33:08
been
33:08
a
33:09
bit
33:09
of
33:09
both
33:10
and
33:10
so
33:10
maybe
33:10
you'll
33:11
get
33:11
a
33:11
bit
33:12
of
33:12
both?
33:13
I
33:13
guess
33:13
you'll
33:14
find
33:14
out
33:14
just
33:15
before
33:15
Christmas
33:16
when
33:16
both
33:16
episodes
33:17
come
33:17
out.
33:18
So
33:18
join
33:19
me
33:19
next
33:20
episode
33:20
whichever
33:21
one
33:21
you
33:21
may
33:21
receive
33:22
on
33:22
the
33:23
history
33:23
and
33:23
legacy
33:24
of
33:24
how
33:25
the
33:25
Grinch
33:25
Stole
33:25
Christmas
33:26
and
33:26
the
33:27
history
33:27
and
33:27
legacy
33:28
of
33:28
Elf.
33:29
And
33:29
as
33:29
I
33:29
always
33:30
say,
33:30
this
33:30
podcast
33:30
is
33:31
free
33:31
and
33:31
it
33:31
always
33:32
will
33:32
be
33:32
free.
33:32
However,
33:33
if
33:33
you
33:34
have
33:34
some
33:34
spare
33:34
pennies.
33:35
I
33:35
know
33:35
not
33:35
many
33:36
people
33:36
have
33:36
spare
33:36
pennies
33:37
at
33:37
the
33:37
moment,
33:38
especially
33:38
at
33:39
Christmas
33:39
time.
33:40
But
33:40
if
33:40
you
33:40
do
33:41
and
33:41
you
33:41
love
33:41
what
33:42
I
33:42
do
33:42
and
33:42
you
33:42
want
33:42
to
33:42
help
33:43
support
33:43
what
33:43
I
33:43
do,
33:44
then
33:44
you
33:45
can
33:45
financially
33:46
support
33:46
this
33:46
podcast
33:47
if
33:47
you
33:47
wish.
33:48
There
33:48
are
33:48
a
33:48
couple
33:48
of
33:49
ways
33:49
you
33:49
can
33:49
do
33:49
that.
33:50
You
33:50
can
33:50
go
33:50
to
33:50
verbaldiorama.com
33:51
tips
33:52
and
33:53
give
33:53
a
33:53
one
33:53
off
33:53
tip.
33:54
Or
33:54
you
33:54
can
33:55
go
33:55
to
33:55
verbaldiorama.compatreon
33:57
and
33:57
you
33:57
can
33:58
join
33:58
the
33:58
amazing
33:59
patrons
33:59
of
33:59
this
34:00
podcast.
34:00
They
34:01
are
34:01
Sade,
34:02
Claudia,
34:02
Simon,
34:03
Laurel,
34:03
Derek,
34:04
Kat,
34:05
Andy,
34:05
Mike,
34:06
Luke,
34:06
Michael,
34:07
Scott,
34:07
Brendan,
34:08
Lisa,
34:08
Sam,
34:09
Jack,
34:09
Dave,
34:10
Stuart,
34:10
Nicholas,
34:11
so,
34:11
Kev,
34:12
Pete,
34:12
Heather,
34:13
Danny,
34:13
Ali,
34:14
Stuart,
34:14
Brett,
34:15
Philip
34:15
M,
34:16
Michelle,
34:16
Xenos,
34:17
Sean,
34:18
Rhino,
34:18
Philip
34:19
K,
34:19
Adam,
34:20
Elaine,
34:20
Kyle.
34:21
And
34:21
a
34:22
huge
34:22
welcome
34:23
to
34:23
the
34:24
Patreon
34:24
for
34:25
brand
34:25
new
34:25
patron
34:26
Aaron.
34:27
I
34:28
am
34:28
so
34:28
delighted
34:29
to
34:29
have
34:29
a
34:29
new
34:30
patron
34:30
just
34:30
before
34:30
Christmas.
34:31
It's
34:31
always
34:31
exciting
34:32
when
34:32
new
34:32
patrons
34:33
join,
34:33
but
34:33
I
34:33
feel
34:34
like
34:34
just
34:34
before
34:34
Christmas
34:35
is
34:36
just
34:36
even
34:37
more
34:37
so
34:37
exciting.
34:38
And
34:38
I'm
34:39
so
34:39
very
34:39
grateful
34:40
for
34:40
all
34:40
of
34:40
the
34:40
patrons
34:41
support.
34:42
Making
34:42
a
34:42
podcast
34:43
is
34:43
not
34:43
free.
34:44
They
34:44
help
34:44
me
34:44
fund
34:45
things
34:45
like
34:45
software,
34:46
subscriptions,
34:47
hosting
34:48
equipment,
34:49
anything
34:49
that
34:50
this
34:50
podcast
34:50
might
34:50
need
34:51
to
34:51
improve
34:52
be
34:52
better.
34:53
That
34:53
all
34:53
comes
34:54
from
34:54
the
34:54
patrons
34:54
and
34:55
from
34:55
the
34:55
tips.
34:55
So
34:56
thank
34:56
you
34:56
so
34:56
much
34:57
to
34:57
everyone.
34:58
If
34:59
you
34:59
want
34:59
to
34:59
get
34:59
in
34:59
touch
34:59
with
34:59
me,
35:00
then
35:00
you
35:00
can.
35:00
You
35:00
can
35:01
email
35:01
verbaldiorama
35:02
gmail.com.
35:04
you
35:04
can
35:04
say
35:05
general
35:05
hellos,
35:06
you
35:06
can
35:06
give
35:06
me
35:06
feedback,
35:07
or
35:07
you
35:07
can
35:07
give
35:07
me
35:07
suggestions.
35:08
Or
35:09
you
35:09
can
35:09
go
35:09
to
35:09
verbaldiorama.com
35:10
and
35:10
fill
35:11
out
35:11
the
35:11
little
35:11
contact
35:12
form
35:12
there.
35:13
You
35:13
can
35:13
also
35:13
find
35:13
my
35:14
work@filmstories.co.uk
35:15
too.
35:16
You
35:16
can
35:16
find
35:17
issues
35:17
of
35:17
the
35:17
magazine,
35:18
I
35:18
have
35:18
a
35:18
column
35:18
in
35:19
the
35:19
magazine.
35:19
And
35:19
you
35:19
can
35:20
also
35:20
find
35:20
articles
35:21
online
35:21
as
35:22
well.
35:23
And
35:23
finally.
35:24
Hey.
35:24
What
35:24
the.
35:25
You
35:25
just
35:25
do?
35:26
Well,
35:26
I
35:26
controlled
35:27
the
35:27
jump.
35:27
You
35:27
wanted
35:28
him
35:28
down.
35:28
He's
35:28
down.
35:29
Hey,
35:30
come
35:30
here.
35:31
Come
35:31
where?
35:31
Here
35:31
with
35:32
me.
35:38
Party's
35:38
over.
35:40
What's
35:40
going
35:41
on?
35:41
Excuse
35:42
me,
35:42
buddy.
35:44
Get
35:44
in
35:44
here.
35:49
Hey.
35:50
Okay.
35:51
Nope.
35:51
You
35:52
want
35:52
to
35:52
kill
35:52
yourself?
35:52
Oh,
35:53
Christ.
35:53
Shut
35:54
up.
35:54
Yes
35:54
or
35:55
no?
35:55
You
35:55
want
35:55
to
35:55
die?
35:56
Yes
35:56
or
35:56
no?
35:57
I
35:57
got
35:57
the
35:57
job
35:58
done.
35:58
What
35:58
the
35:58
hell
35:58
do
35:58
you
35:59
want?
36:00
What
36:00
do
36:01
you
36:01
want
36:01
to
36:01
hear,
36:01
man?
36:02
Do
36:03
you
36:03
want
36:03
to
36:03
hear
36:03
that
36:03
sometimes
36:04
I
36:04
think
36:04
about
36:04
eating
36:05
a
36:05
bullet?
36:06
Well,
36:07
I
36:07
do.
36:08
I
36:08
do.
36:08
I
36:09
even
36:09
got
36:09
a
36:09
special
36:09
one
36:09
for
36:10
the
36:10
occasion
36:10
with
36:10
a
36:10
hollow
36:11
point.
36:11
Look.
36:11
Make
36:12
sure
36:12
it
36:12
blows
36:12
the
36:12
back
36:12
of
36:12
my
36:13
goddamn
36:13
head
36:13
out.
36:13
Do
36:14
the
36:14
job
36:14
right.
36:15
Every
36:16
single
36:16
day
36:16
I
36:17
wake
36:17
up
36:17
and
36:17
I
36:17
think
36:17
of
36:18
a
36:18
reason
36:18
not
36:18
to
36:18
do
36:18
it.
36:19
Every
36:19
single
36:20
day.
36:21
And
36:22
you
36:22
know
36:22
why
36:22
I
36:22
don't
36:22
do
36:22
it?
36:22
This
36:23
is
36:23
going
36:23
to
36:23
make
36:23
you
36:23
laugh.
36:23
You
36:23
know
36:24
why
36:24
I
36:24
don't
36:24
do
36:24
it?
36:25
The
36:25
job.
36:26
Doing
36:27
the
36:27
job.
36:27
Now
36:27
that's
36:28
the
36:28
reason
36:29
you
36:29
want
36:29
to
36:29
die?
36:30
I
36:30
don't.
36:30
I'm
36:30
not
36:31
afraid
36:31
of
36:31
it.
36:31
I
36:31
ain't
36:32
afraid
36:32
of
36:32
it.
36:33
Yeah.
36:33
Take
36:33
my
36:33
gun.
36:34
Don't
36:34
nibble
36:35
on
36:35
the
36:35
barrel,
36:35
pull
36:36
the
36:36
trigger.
36:36
Go
36:37
ahead,
36:37
pal.
36:37
Be
36:38
my
36:38
guest.
36:38
Go
36:38
ahead,
36:39
if
36:39
you're
36:39
serious.
36:40
You
36:40
shouldn't
36:40
tempt
36:40
me,
36:41
man.
36:42
Put
36:42
it
36:42
in
36:42
your
36:43
mouth.
36:43
Bullet
36:44
might
36:44
go
36:44
through
36:44
your
36:45
ear
36:45
and
36:45
not
36:46
kill
36:46
you.
36:46
Yeah,
36:46
under
36:46
the
36:46
chin.
36:47
Yeah.
36:47
Yeah,
36:47
under
36:48
the
36:48
chin.
37:01
Ow.
37:05
You're
37:05
not
37:05
trying
37:06
to
37:06
draw
37:07
a
37:07
psychopention.
37:10
You
37:10
really
37:10
are
37:11
crazy.
37:11
Bye.
37:14
Movies
37:14
should
37:15
know.
37:16
Movies
37:16
should
37:16
know.
37:17
Crinkle,
37:18
Single
37:18
Green
37:19
B
37:19
Trivia.