Latest / Arroe Collins Like It's Live / Fallen Angels Starring The Award Winning Kelli O Hara Live Stage Theater Popcorn

Transcript

Fallen Angels Starring The Award Winning Kelli O Hara Live Stage Theater Popcorn · Arroe Collins Like It's Live

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Speaker 1: It's that one place that has 21 different podcasts to
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Speaker 1: choose from. I mean, I know what that drive is
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Speaker 1: like when you're in the car. If you're sitting at
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Speaker 1: the drama.
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Speaker 2: Oh, my God.
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Speaker 1: Enjoy your exploration. Kelly, I'm so proud of you for
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Speaker 1: this project. And here is the real selfish reason why
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Speaker 1: is that when people see fallen angels, there's going to
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Speaker 1: be a lot of people that this is going to
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Speaker 1: be the very first time they've ever seen something live
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Speaker 1: on a stage. And I'm so proud of you for
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Speaker 1: giving us and not taking us to a Hollywood direction
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Speaker 1: and that you make it authentic and you make me
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Speaker 1: want to go to the Blumenthal Performing Arts Center here
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Speaker 1: in Charlotte or the Knight Theater because then you make
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Speaker 1: me want to go see it live now. And I
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Speaker 1: love you for that.
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Speaker 2: That's exactly, oh, you hit the nail on the head.
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Speaker 2: That's exactly what we want to do with this. I'm so,
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Speaker 2: you know, I've been a theater actor my whole life,
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Speaker 2: but this idea of bringing it to people to entice
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Speaker 2: them to love theater even more, you know, it's something
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Speaker 2: I didn't have as a kid. I didn't have a
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Speaker 2: lot of live theater, nor did I have a filming
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Speaker 2: of live theater. That's exactly what we want, so thank
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Speaker 2: you for saying that.
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Speaker 1: Well, you tease my imagination all the way through the
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Speaker 1: entire production, and there's things that you do in this
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Speaker 1: that make me laugh in a way that, if you
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Speaker 1: would have said, this is what you're going to do
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Speaker 1: when this scene happens inside the play, you're going to laugh,
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Speaker 1: and I'm going to go, I don't know what you're
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Speaker 1: talking about. But when you experience it unexpectedly like you
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Speaker 1: guys do, which is hours of preparation, oh my God.
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Speaker 1: I mean, the payoff is that we're out there belly rolling.
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Speaker 1: I mean, it's just amazing.
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Speaker 2: Well, thank you. You know, we had no idea what
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Speaker 2: this would be. It is a comedy. Noel Coward wrote
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Speaker 2: it over 100 years ago. You know, we made some shortcuts,
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Speaker 2: but basically it's in there. It's all it's just really funny.
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Speaker 2: And for some reason, it really holds up today. And
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Speaker 2: we just had a blast. I literally will always remember
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Speaker 2: this as being one of the most fun times I've
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Speaker 2: had on a stage.
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Speaker 1: And don't you prove that that set is just as
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Speaker 1: important as the actors on that set, that it, too,
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Speaker 1: deserves to be loved and respected just as much?
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Speaker 2: Oh, my goodness. You know, the curtain would come up,
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Speaker 2: and I was sitting on the stage as the curtain
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Speaker 2: came up, and I could hear the audience go, oh! Yes.
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Speaker 2: Because it was so beautiful. It set the tone. It
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Speaker 2: was very champagne-y and art deco. David Rockwell designed that set,
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Speaker 2: was nominated for a Tony for it. It's just so beautiful,
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Speaker 2: and it's so... whenever everything starts to crumble, I won't
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Speaker 2: give a way to play, but when everything starts to
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Speaker 2: fall apart, it's even made better because that set is
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Speaker 2: so perfect, you know?
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Speaker 1: So then do you always film? And the reason why
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Speaker 1: is because if, if the cameras were rolling on a
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Speaker 1: night performance, I would be all nervous knowing that camera
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Speaker 1: is going to catch everything. But yet you guys are
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Speaker 1: going through this as if like, like, like, Oh, these
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Speaker 1: cameras are with us at all times. We're used to
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Speaker 1: them being around us at all times. I mean, you
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Speaker 1: make it feel like I am right there inside that theater.
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Speaker 2: Well, now listen, we did exactly, they came and filmed
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Speaker 2: a couple of shows. We did exactly what we had
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Speaker 2: done every night with a live audience. We didn't change anything.
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Speaker 2: We tried to give that audience the exact same performance.
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Speaker 2: Live theater changes every single night, depending on the audience. So,
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Speaker 2: of course, we felt those cameras in the theater. Everybody
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Speaker 2: felt them. But at the same time, it was just
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Speaker 2: the same live performance that we've been giving. And so
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Speaker 2: when you watch it in the cinemas, you're going to
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Speaker 2: get that I'm sitting in a Broadway house kind of feeling.
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Speaker 1: Well, Regal Theater is all over all these different plays
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Speaker 1: that they do live. And I mean, they literally have
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Speaker 1: lines going into it here in Charlotte. And I just
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Speaker 1: know that's going to be the same exact thing. And
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Speaker 1: all I want to do is I want to be
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Speaker 1: with the people before they go in. And I want
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Speaker 1: to talk to them when they come out, because I
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Speaker 1: just want to hear that I'm not the freak that's
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Speaker 1: having an experience here. But because of something that that
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Speaker 1: is on stage like that.
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Speaker 2: Oh, I hope that they feel it too. You know,
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Speaker 2: sometimes they're getting more and more advanced with how they
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Speaker 2: film theater. You know, it's not just a box and one,
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Speaker 2: one angle, you know, they had 10 cameras in that room.
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Speaker 2: And so in a way, when you're sitting in that theater,
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Speaker 2: in that cinema house, you're going to see a little
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Speaker 2: closer and more in depth than, than the people sitting
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Speaker 2: in the Broadway house did. So in a way it's a,
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Speaker 2: it's even better and then it'll probably hopefully entice you
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Speaker 2: to come see a real piece of theater in a
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Speaker 2: real room with.
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Speaker 1: A live performance well here's why the guys need to
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Speaker 1: go because it's real talk it's real girl talk and
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Speaker 1: it's about two girls that have the same relationship with
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Speaker 1: the same guy and it's like oh my god we
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Speaker 1: get to get into the dirt we get to see
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Speaker 1: what they really talk about behind.
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Speaker 2: The scenes That's right. And, you know, it's interesting. It
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Speaker 2: was written so long ago. It was so controversial that
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Speaker 2: the site almost didn't get made. They wouldn't allow it.
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Speaker 2: And today, even now, I think it still seems a
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Speaker 2: little controversial and people like to hear what the girls
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Speaker 2: have to say about it. And we had a lot
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Speaker 2: of fun doing that.
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Speaker 1: Well, and the way that you do it, it's almost
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Speaker 1: like you've lived it. And I think that's what makes
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Speaker 1: it so relatable. And especially when you bring in the
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Speaker 1: champagne or the wine and all of a sudden it
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Speaker 1: loosens up. And I just sit there and I start
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Speaker 1: giggling because I'm going, oh, here we go. The party's
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Speaker 1: about to begin. Oh, my God.
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Speaker 2: Yeah, that's exactly how you're supposed to feel. That's great.
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Speaker 1: Do you feel a Julia or a Jane in your life? Because,
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Speaker 1: I mean, those two characters, I mean, it's almost like
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Speaker 1: there should be some T-shirts or memorabilia for people that
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Speaker 1: are going to experience this. And it's like, I'm either
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Speaker 1: a Jane or I'm a Julia. There's one of them
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Speaker 1: in each one of us.
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Speaker 2: Totally. That's so great that you said that. We're very
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Speaker 2: specific friendship where one sort of leads the show, leads the,
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Speaker 2: you know, to more of the alpha, you know, and
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Speaker 2: then there's the follower friend and they both sort of, uh,
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Speaker 2: fall apart in different ways because of that. And you can,
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Speaker 2: you can almost feel how their friendship was when they
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Speaker 2: were little girls. You know, one always saying, let's play
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Speaker 2: this game. And the other thing, okay. Um, you know,
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Speaker 2: and that we had a lot of fun with those,
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Speaker 2: the differentiation between those two girls. And so I think
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Speaker 2: people can come in and say, Oh, I'm definitely the
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Speaker 2: Julia or I'm definitely the Jane, you know?
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Speaker 1: Am I wrong here in thinking, and this only because
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Speaker 1: I like to watch WE TV as well as Antenna TV,
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Speaker 1: that I really did feel the presence of a Jack
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Speaker 1: Benny because the comedy, the way that it was drawn
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Speaker 1: out and the way that you brought us into the
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Speaker 1: storyline and then you would deliver that line and then
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Speaker 1: you gave us that pause and that pause is so
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Speaker 1: important so we can digest it. But did you feel
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Speaker 1: the presence of the vaudevillers or a Jack Benny while
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Speaker 1: you were doing it?
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Speaker 2: Well, you know, actually more people would say, which was
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Speaker 2: such a compliment to me, but they would say, you know,
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Speaker 2: Lucille Ball or Carol Burnett, you know, and I definitely,
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Speaker 2: I grew up on the Carol Burnett show for sure
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Speaker 2: and Lucille Ball. But I like had Tim Conway in
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Speaker 2: my head when I was coming down those stairs and
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Speaker 2: things like that. And I think that one of the best,
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Speaker 2: coolest things about Jack Benny or any sort of comedy
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Speaker 2: that was live like this is that you really feed
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Speaker 2: off of an energy of the audience. And the fun
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Speaker 2: thing and also nerve wracking thing about building the show
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Speaker 2: was we rehearsed it in the room, of course, but
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Speaker 2: we didn't know what it was until we had an audience.
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Speaker 2: And so a lot of the things that we ended
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Speaker 2: up doing that you see in this film are We
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Speaker 2: had to learn, you know, we had to try things
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Speaker 2: and something was worked and something didn't. And so you
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Speaker 2: fall in your face a little bit here and there.
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Speaker 2: There's egg on your face. And and you just you
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Speaker 2: have to be willing to do that. And then you
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Speaker 2: find out what works and then that then you can
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Speaker 2: go from there.
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Speaker 1: See, that reminds me of a conversation with Jerry Lewis,
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Speaker 1: who used to tell me all the time about being
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Speaker 1: live versus a movie. He says it's about the forward motion.
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Speaker 1: You don't stop. You keep going. And by God, make
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Speaker 1: sure that that person up there in the top row
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Speaker 1: can hear every word you're sharing. And so when I
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Speaker 1: was listening to this, oh, my God, it was I
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Speaker 1: sat there and I heard every pitch, volume, tone, inflection
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Speaker 1: that you guys were doing. And I kept going, Jerry
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Speaker 1: would be so proud of you right now. He would
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Speaker 1: be so proud of you.
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Speaker 2: Yeah. I love hearing that. That's fantastic. It's very true.
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Speaker 2: You have to sort of say, you know, it's the
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Speaker 2: whole improv adage, you know, yes. And, you know, so
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Speaker 2: you keep going and keep going forward. You do something
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Speaker 2: doesn't get a laugh. You're on to the next thing,
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Speaker 2: you know, and and you can't get a laugh unless
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Speaker 2: people understand what you're saying and what you're doing. So
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Speaker 2: we were not mic'd for our performance. Of course, for that,
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Speaker 2: for the filming, we did put on microphones just for
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Speaker 2: the show. through the film, the technology of that. But
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Speaker 2: in the theater, we were not mic'd, and so we
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Speaker 2: had to really articulate, and that's why we're chewing our
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Speaker 2: words so much, but hopefully people can understand us.
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Speaker 1: What do you do in a situation like that when
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Speaker 1: you have to throw in an accent, and you know
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Speaker 1: that that microphone is picking up every single breath? Because
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Speaker 1: if you're going to impersonate something, you've got to go
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Speaker 1: all out. It's got to be 150%.
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Speaker 2: Absolutely. I mean, we had a wonderful voice coach, Kate
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Speaker 2: Wilson from Juilliard, who worked with us about enunciation, about dialect. And,
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Speaker 2: you know, we each had a little bit of a
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Speaker 2: different take on it, but hopefully correct in the region. But,
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Speaker 2: you know, to me, that was part of the comedy,
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Speaker 2: just the uppity nature of the women and their sort
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Speaker 2: of articulation. And it was a lot of fun to
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Speaker 2: use those British accents.
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Speaker 1: Please do not move. We're going to be right back
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Speaker 1: with Kelly O'Hara. You got to see this inside the
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Speaker 1: theaters and do me a favor, go dressed up. Don't
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Speaker 1: just go in your jammies and bring a blanket with you.
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Speaker 1: I mean, you can, but it's going to be more
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Speaker 1: fun when you see fallen angels inside the theaters and
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Speaker 1: you're all dressed up. We are back with Kelly O'Hara.
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Speaker 1: To see you two on the piano.
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Speaker 2: Come on.
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Speaker 1: That's real honest to God humor because we've all been
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Speaker 1: there at a Christmas party or just a gathering at
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Speaker 1: the neighborhood or at a business and we're all out
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Speaker 1: of tune. But yet, why did I laugh so freaking
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Speaker 1: hard when I knew that my ears were going, but
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Speaker 1: it's out of tune.
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Speaker 2: Yeah, exactly. That was that was very funny when Rose
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Speaker 2: decided to do that was perfect.
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Speaker 1: Was that ad lib when she did that?
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Speaker 2: Yes, because, you know, I'm I am a singer. I
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Speaker 2: am a singer. And so I started to the director,
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Speaker 2: Scott Ellis, the amazing good friend of mine. He wanted
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Speaker 2: me to sing very well. And and so the juxtaposition
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Speaker 2: of me starting the song very well and then her
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Speaker 2: coming in completely off pitch. It was just another reason
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Speaker 2: to kind of love these two ladies because they have
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Speaker 2: these different talents and these different abilities. Hmm.
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Speaker 1: All right, now just between the two of us, because
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Speaker 1: we've both been on stage, how many times when you
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Speaker 1: went out on the balcony inside the story, did you
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Speaker 1: forget to close the doors to the balcony when you
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Speaker 1: came in? Because that seemed to be so important on
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Speaker 1: the version that I just watched.
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Speaker 2: Oh, interesting. Okay. There was only one time I can
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Speaker 2: remember them saying, you're going to have to close that door.
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Speaker 2: You have to close it. I forgot to close that door.
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Speaker 2: And then one time I slammed my hand in it too.
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Speaker 2: So there was always something going on. I had so
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Speaker 2: many nicks and bruises and things from falling, but it
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Speaker 2: was worth it.
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Speaker 1: Well, see, that's one of the reasons why when I
11:37
Speaker 1: go to the theater, I like to kind of sit
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Speaker 1: back further so I can see the entire stage and
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Speaker 1: I can take note of something such as something as
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Speaker 1: simple as that. Did she close the door the same
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Speaker 1: way the last production? What did she do in this
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Speaker 1: moment when she sat down at the piano? I just
11:53
Speaker 1: want to make it into a drama situation on every
11:55
Speaker 1: time I see something live like that.
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Speaker 2: I mean, thank you for noticing. Obviously, these things are
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Speaker 2: very well planned out. They have to be right. Things
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Speaker 2: that the audience would never notice. You have to place
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Speaker 2: something down in a very specific place. You know, even
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Speaker 2: even when I would do my falls, I had to
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Speaker 2: have the chairs in just the right place. Otherwise, I
12:18
Speaker 2: would hurt myself, you know. So I there was, you know,
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Speaker 2: during the last scene. I don't know if anybody notices,
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Speaker 2: but I was taking my leg and pushing a chair
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Speaker 2: to a certain location so that it was just in
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Speaker 2: the right place as other people were talking. You know,
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Speaker 2: I don't know if they didn't pick that up on
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Speaker 2: the cameras, but definitely things like that are definitely happening
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Speaker 2: all the time.
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Speaker 1: Oh my God, that's the way I am on a
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Speaker 1: stage and people think that I'm a freak and I'm going,
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Speaker 1: you don't understand. It's my peripheral vision is the one
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Speaker 1: that's giving me the window to what's going on. I mean,
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Speaker 1: if I'm sitting here and I'm delivering something and I'm
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Speaker 1: looking at somebody straight in the eyes delivering a line,
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Speaker 1: my peripheral vision is the one that's got to keep
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Speaker 1: my direction and balance going on. How important is that
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Speaker 1: to you?
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Speaker 2: Well, you've always got your eye on everything. You know,
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Speaker 2: your sight lines, the proscenium of the stage, you have
13:07
Speaker 2: to know where you are. In musicals, even more so,
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Speaker 2: because there are literally numbers at the edge of the
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Speaker 2: stage because of spacing, you know, and where the lights
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Speaker 2: are set. And so you eventually make it look very natural.
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Speaker 2: But in the rehearsal process, that's one of the things
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Speaker 2: you're doing is to try to hits your mark, as
13:25
Speaker 2: they say, you know, that's just part of it so
13:27
Speaker 2: that you can be seen in the best light. You
13:29
Speaker 2: can be seen in the best proximity to your counterparts.
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Speaker 2: It's just part of it. It's like the technical aspect
13:35
Speaker 2: of it, which makes it fun.
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Speaker 1: We got to give kudos to the guys too, because that,
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Speaker 1: that scene when, when they were switching from set one
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Speaker 1: to set two and the guys came out in front
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Speaker 1: of the curtain, the golf ball. Why did I think
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Speaker 1: inside my theater of the mind mind that I saw
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Speaker 1: that golf ball take off from that stage? I mean,
13:53
Speaker 1: that's what goes into the quality of this show.
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Speaker 2: I think that's wonderful. I'll tell Chris Fitzgerald and Asif
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Speaker 2: Mambi about that. You know, back in this era of theater,
14:05
Speaker 2: there was definitely a typical thing that would happen. It
14:08
Speaker 2: was called down in one. And that was they would
14:11
Speaker 2: close the curtain so that they could change the set
14:13
Speaker 2: behind and down in front of the curtain, there would
14:15
Speaker 2: be some sort of curtain. entertainment for the audience while
14:18
Speaker 2: that happened. So that wasn't written in the script at all.
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Speaker 2: But Scott Ellis had this idea to do a very
14:24
Speaker 2: traditional in one performance. And so the guys came up
14:28
Speaker 2: with this idea to do this golf crossover. And Chris
14:32
Speaker 2: Fitzgerald is a big golfer. And, you know, so hopefully,
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Speaker 2: I guess they made it pretty realistic that they hit
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Speaker 2: that ball and watched it with their eyes. And they
14:39
Speaker 2: had to time that just right so that you believe
14:41
Speaker 2: there was a ball flying to the back of the house.
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Speaker 1: There was, I swear to God, I saw it. I
14:45
Speaker 1: swear I did. My, my, my mind saw the ball.
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Speaker 1: And I was just, I looked at my wife going,
14:50
Speaker 1: did you see that? I swear to God, I saw it, Lee.
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Speaker 1: I saw, I saw, I saw it. And, and that's
14:54
Speaker 1: why I knew I had to talk to you about
14:56
Speaker 1: it because it was like the, just everything, the timing,
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Speaker 1: everything was so spot on.
15:02
Speaker 2: Oh, I love it. I love it. This is what
15:05
Speaker 2: we want everybody to feel. Um, there's something wonderful, wonderfully, uh, traditional,
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Speaker 2: like old school about this in a way that's so fun.
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Speaker 2: But then the themes are so modern and funny. You know,
15:17
Speaker 2: we had big groups of women who came out to
15:19
Speaker 2: watch the show together and laugh their heads off, you know,
15:23
Speaker 2: husbands and wives. We just we just really felt like
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Speaker 2: it got to, you know, to people in all different ways.
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Speaker 2: And a theater lover like you and a theater person
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Speaker 2: like you can appreciate those little things like These guys
15:35
Speaker 2: making it look like the golf ball was up in
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Speaker 2: the air. So that's theater magic, right? It is. It is.
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Speaker 1: And one of the things, speaking of magic, that you
15:44
Speaker 1: guys share inside this story that I know that subliminally
15:47
Speaker 1: people are going to pick up on. The face-to-face time
15:50
Speaker 1: with friends. Because we're so stuck on that screen, on
15:54
Speaker 1: that smartphone. But in this storyline, you're always face-to-face. That
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Speaker 1: meant so much to my heart that it's like, that's
16:02
Speaker 1: what I want to get back to. That's what I
16:04
Speaker 1: want our new normal to be. I want more face-to-face time.
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Speaker 2: Absolutely. That's a great thing to point out. Really, human relations, right?
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Speaker 2: Relationships and how we work together and how we talk
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Speaker 2: and also shared experience. So like being in that audience
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Speaker 2: together in live performance, you're not going to be able
16:23
Speaker 2: to get that from any, you know, screen or AI
16:26
Speaker 2: or anything like that. I mean, I think live performance
16:28
Speaker 2: is going to have to be the next big thing again,
16:32
Speaker 2: you know, because it's going to be so different from
16:34
Speaker 2: what we are all doing, you know, inside our homes
16:37
Speaker 2: at our computer screens or with our phones. To share that,
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Speaker 2: just to feel that energy next to you and the
16:42
Speaker 2: person next to you, to have a conversation about it,
16:46
Speaker 2: to watch the people interacting on stage. That's what makes
16:49
Speaker 2: it so great, especially now.
16:51
Speaker 1: The title of it all is called Fallen Angels. And
16:54
Speaker 1: yet I felt so empowered. I just it was like, OK,
16:57
Speaker 1: I understand. I totally get it. But at the same time,
17:00
Speaker 1: why am I feeling so incredible at the end of this?
17:03
Speaker 1: And why don't why do I want more? Why I
17:05
Speaker 1: want to binge watch out of this. Bring back my girls.
17:09
Speaker 2: I love it. We'll watch it again. Go see it again.
17:12
Speaker 1: I have to. And the reason why I've got to
17:14
Speaker 1: see it in theaters is because I want to dress up.
17:18
Speaker 1: Even if I'm the only one who dresses up to
17:20
Speaker 1: go there to watch this, which I know I won't
17:21
Speaker 1: because here in the South, they take this stuff seriously.
17:24
Speaker 1: I want to dress up and sit in that theater
17:26
Speaker 1: and watch it like I'm really at the Blumenthal Performing
17:29
Speaker 1: Arts Center.
17:31
Speaker 2: Oh, that's a great idea. Let's make that a thing.
17:34
Speaker 2: Let's make that a new thing. Dress up in your best...
17:38
Speaker 2: Take your long cigarette and go to the... But don't
17:40
Speaker 2: light it. But go to the theater and watch this
17:43
Speaker 2: with a glass of champagne. Oh, yeah. It's a great time.
17:47
Speaker 1: Oh, yeah, because theaters have bars in them now. So
17:50
Speaker 1: even if you're going to have a Diet Pepsi or whatever,
17:52
Speaker 1: just go in there and just put it in a
17:53
Speaker 1: fancy glass and we'll all stand around. And this is
17:57
Speaker 1: the funniest thing about... I see something that's British. Of course,
18:01
Speaker 1: I've got to start talking British afterwards because they did
18:03
Speaker 1: it on the stage. I love watching people try to
18:07
Speaker 1: do that. I'm going, you suck so bad, but I
18:08
Speaker 1: love it.
18:09
Speaker 2: It's cute. Well, that's another rule. Nobody can speak in
18:13
Speaker 2: anything but a British accent. So it's a whole character thing.
18:16
Speaker 2: Once you cross the threshold, you have to be in
18:19
Speaker 2: the play.
18:20
Speaker 1: Where can people go to find out more about what
18:22
Speaker 1: you're doing? Because you are active. My God, when do
18:25
Speaker 1: you ever sit down and rest?
18:29
Speaker 2: Well, you can find me on socials. You can find
18:31
Speaker 2: me at Kelly O'Hara dot com. I am. I've got
18:34
Speaker 2: a lot going on. Gilded Age is premiering its next
18:37
Speaker 2: season on November 1st on HBO. Sheriff's Country is on CBS.
18:42
Speaker 2: Lots of concerts everywhere. I was just in North Carolina
18:46
Speaker 2: a couple of weeks ago. I'm all over the place
18:48
Speaker 2: doing those. And I'll be back on Broadway, I think,
18:52
Speaker 2: this spring and next fall. So come see me in
18:56
Speaker 2: any way, any genre you can.
18:57
Speaker 1: Well, you got to come back to this show anytime
18:59
Speaker 1: in the future. The door is always going to be
19:01
Speaker 1: open for you.
19:02
Speaker 2: Well, thanks so much. I'm looking forward to it.
19:05
Speaker 1: You be brilliant today, okay?
19:08
Speaker 2: All right, you too.