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62: Top 10 Perfect 90s R&B Songs | #TheBaldBrothersPodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: This is just great. All right, what up y'all? Welcome
• 0:03
  Speaker 1: to the Bob brother Podcast. I'm Kevin Stage. This is
• 0:09
  Speaker 1: just a podcast amongst friends. Man, we have a good time.
• 0:12
  Speaker 1: We talk about lists. Me and Tony are big fans
• 0:16
  Speaker 1: of watch Mojo and these type of listens don't be
• 0:17
  Speaker 1: hitting on the black culture the way they don't. And
• 0:20
  Speaker 1: they rushed through Sprinklings in, but they rushed through Shout
• 0:23
  Speaker 1: Out Young Deuces. He's a voice for that show.
• 0:25
  Speaker 2: He is one of the newer voices up in here
• 0:27
  Speaker 2: that I know.
• 0:28
  Speaker 1: It's black probably, so me and Tony want to do
• 0:32
  Speaker 1: a podcast together, so we're doing it. Podcast is just
• 0:36
  Speaker 1: a show. It's not much different than the radio Morning Zoo.
• 0:40
  Speaker 1: Just segments, just stuff. Man, we could be we could
• 0:42
  Speaker 1: talk a little bit and say, all right, man, coming
• 0:44
  Speaker 1: them number five, Drew Hill. It's gonna be much different.
• 0:47
  Speaker 1: It's just personalities, you like. All right, Today's episode kicking
• 0:51
  Speaker 1: it off with this your top ten perfect nineties R
• 0:57
  Speaker 1: and B song. Now, this is gonna be okay because
• 1:02
  Speaker 1: deep there's so many Yeah and for me, R and
• 1:05
  Speaker 1: b Uh, there's begging R and B. There's there's there's teachers,
• 1:10
  Speaker 1: there's there's solo. There's groups like but I'm talking, we're
• 1:14
  Speaker 1: just talking. So you had a playlist to present, yeah,
• 1:21
  Speaker 1: you would have the least pushback. Okay with these songs.
• 1:25
  Speaker 1: All right, we're gonna work together to get the top
• 1:28
  Speaker 1: R and B. I think I went first last time,
• 1:30
  Speaker 1: so and so that's on you first.
• 1:32
  Speaker 3: Okay, I'm gonna kick the door open with some nineties
• 1:35
  Speaker 3: R and B. Come and talk to Me by Joason.
• 1:37
  Speaker 3: Let's just kick the door open with some untied boots
• 1:40
  Speaker 3: and leather jackets and and invest on no shirt on underneath.
• 1:45
  Speaker 2: Come and talk to me. I really want me you can.
• 1:51
  Speaker 1: I talk to you. Great nineties ad LIBB nineties, let
• 1:56
  Speaker 1: me know.
• 1:57
  Speaker 3: Let me man, you get you get all the nineties
• 2:01
  Speaker 3: trappings in this song. Yes, not the Remies, I'm talking
• 2:05
  Speaker 3: the original one. All four of them were just standing there,
• 2:07
  Speaker 3: no extra frills. Come and talk to Me by Jodyson,
• 2:12
  Speaker 3: the just staying in there.
• 2:19
  Speaker 1: You know what I'm saying, dug out and you couldn't.
• 2:23
  Speaker 1: I don't believe you could make a top ten R
• 2:26
  Speaker 1: and B songs or groups without Jonason.
• 2:30
  Speaker 2: You can't.
• 2:31
  Speaker 1: So they might have more than one, They might have
• 2:33
  Speaker 1: more than one, might have more than one, and I
• 2:35
  Speaker 1: wouldn't be mad at it, although I feel Drew Hill
• 2:37
  Speaker 1: is closer than them than people think. It's not the time,
• 2:40
  Speaker 1: not the place. I'm gonna introduce my favorite nineties R
• 2:46
  Speaker 1: and B song of all time, snap w Uh Coco,
• 2:53
  Speaker 1: one of the best voices of all time. The Nails
• 2:56
  Speaker 1: was a great separator for her. The song is well
• 2:59
  Speaker 1: written and interviewed her once one time, she says she
• 3:01
  Speaker 1: hated the song. I love when artists hate a song
• 3:04
  Speaker 1: and it becomes their biggest song because it's just such
• 3:06
  Speaker 1: a moral dilemma. Yeah. When they was doing the Escape
• 3:10
  Speaker 1: SWV show, they were trying to decide who would close,
• 3:13
  Speaker 1: and I was like, Escape don't have a song that's
• 3:17
  Speaker 1: as iconic as Weak. No, they have a lot of
• 3:21
  Speaker 1: good songs, Yeah, but Escape if he has. They got
• 3:25
  Speaker 1: two bangers, what's the human nature? The one it's a
• 3:31
  Speaker 1: cheat code, so wise it's a little cheat cody.
• 3:35
  Speaker 2: But I'll give it this.
• 3:36
  Speaker 1: It's a banger.
• 3:37
  Speaker 2: It's a banger for sure, but there's a lot of.
• 3:39
  Speaker 1: Stuff that was sample heavy. It's not their fault, but this.
• 3:41
  Speaker 2: Is a bladant. Like when you hear Week you you
• 3:44
  Speaker 2: think sw V solely.
• 3:46
  Speaker 1: No, that's a good point when you hear when you
• 3:49
  Speaker 1: hear it's rain.
• 3:50
  Speaker 2: But this one, this one's on the back of Michael.
• 3:53
  Speaker 1: Absolutely, And it wasn't that far away either. Yeah, it
• 3:55
  Speaker 1: wasn't like a thirty year old.
• 3:57
  Speaker 2: Sam running back. They didn't they didn't do much.
• 4:00
  Speaker 1: Like Men in Black. I didn't know we forgive me.
• 4:03
  Speaker 1: I didn't know. I didn't have no experience with that song.
• 4:05
  Speaker 1: So I thought, oh, this is great. Then I heard it. Yeah,
• 4:08
  Speaker 1: but you heard on human nature. Come on, man, but
• 4:12
  Speaker 1: what is the song I'm thinking of? Is a human
• 4:14
  Speaker 1: What is their called? Is human nature?
• 4:15
  Speaker 3: That's what And that proves why it ain't straight because
• 4:18
  Speaker 3: you get it's right here.
• 4:20
  Speaker 2: Right here, yeah, right here.
• 4:22
  Speaker 1: But Week, I feel like Week is great. We always
• 4:25
  Speaker 1: feels like a good karaoke song. But it's much longer
• 4:28
  Speaker 1: than you think, and the bridge is hard and it's long.
• 4:32
  Speaker 2: Yeah, but no, no.
• 4:35
  Speaker 1: R and B list will be complete without with that Week.
• 4:38
  Speaker 1: I love it all right, number three, So.
• 4:40
  Speaker 2: I'm gonna go with See now I'm dipping into the boys.
• 4:46
  Speaker 3: The men bag early, but they got they get we
• 4:49
  Speaker 3: get mad choices.
• 4:51
  Speaker 1: Absolutely.
• 4:51
  Speaker 3: I don't know if it's gonna be end of the Road.
• 4:53
  Speaker 3: I don't know if it's gonna be I'll make Love
• 4:54
  Speaker 3: to You. I don't know if it's gonna be on
• 4:56
  Speaker 3: Bend and Knee. Now, out of those three, out of
• 4:59
  Speaker 3: those three, when we're talking boys to Men ballads, I
• 5:04
  Speaker 3: like on Bend and Me the best out of those three,
• 5:09
  Speaker 3: D and the and these songs were record breakers, like
• 5:15
  Speaker 3: they were you know what I'm saying. So so you
• 5:18
  Speaker 3: know they are boys to men's songs that I like
• 5:20
  Speaker 3: more than these songs. But in terms of like we're
• 5:23
  Speaker 3: talking to ten perfect nineties R and B songs, so
• 5:28
  Speaker 3: we're coming in with the hits, I'm not I can't
• 5:31
  Speaker 3: really dip into the to the album cuts.
• 5:34
  Speaker 1: What are the boys of Men songs you like better? Oh?
• 5:37
  Speaker 3: I like uh better, I like I like vibing a lot,
• 5:44
  Speaker 3: I like uh water Runs Dry, I like Please Don't Go.
• 5:49
  Speaker 2: I like it's another one on that Motown Philly joint
• 5:55
  Speaker 2: that I like.
• 5:55
  Speaker 1: Mon Phillies back up again.
• 5:58
  Speaker 2: But then Dan.
• 6:03
  Speaker 1: Don't Don't Take Cava, Please Don't Go to Is that
• 6:07
  Speaker 1: the same song? Please Don't?
• 6:10
  Speaker 2: Sounds different? So I'm gonna go with.
• 6:16
  Speaker 1: Somebody. Patron asks do you actually play boys man on purpose?
• 6:19
  Speaker 1: Or do you just enjoy it when it comes on?
• 6:20
  Speaker 3: I played boys Man like I go back into it.
• 6:23
  Speaker 3: I listen to Vibe in a Lot.
• 6:26
  Speaker 2: Weir just Vibe.
• 6:31
  Speaker 1: Dancing the Night I don't even know that songo.
• 6:38
  Speaker 3: And just Fine This Fire Too by boys Man that
• 6:40
  Speaker 3: was on their third album.
• 6:42
  Speaker 1: So I'm gonna go with all right now my next one.
• 6:49
  Speaker 1: I don't know if you feel strongly what the people will,
• 6:53
  Speaker 1: but to me, it's kind of like a quintessential begging
• 6:59
  Speaker 1: nineties R and B. It's what I loved about nineties
• 7:01
  Speaker 1: R and B. The minute least they were still begging.
• 7:03
  Speaker 2: They was begging.
• 7:04
  Speaker 1: Nobody begs no more. Everybody's that nigga kuchie nobody. The
• 7:09
  Speaker 1: vulnerability is gone a lot of times, right, Not from
• 7:12
  Speaker 1: Kenyon Dixon. He's great. There's some people who still beg.
• 7:16
  Speaker 1: But I mean the nineties was known for the beg
• 7:19
  Speaker 1: Uncle Sam, I don't ever want to see you again?
• 7:22
  Speaker 1: See her?
• 7:22
  Speaker 2: You don't like go out.
• 7:25
  Speaker 1: It's such a well written song.
• 7:27
  Speaker 2: It could be I just never really rotated it.
• 7:30
  Speaker 1: Early one morning when you were are you saying it
• 7:35
  Speaker 1: needs to be out of the list because we don't
• 7:37
  Speaker 1: know saying the ten strongest though.
• 7:39
  Speaker 2: No, I'm not.
• 7:39
  Speaker 3: I'm not saying it shouldn't be in the list, but
• 7:41
  Speaker 3: for me personally, really, yeah, what is it about it?
• 7:48
  Speaker 3: I never even thought about that song until I don't
• 7:53
  Speaker 3: think about that song.
• 7:55
  Speaker 1: No, they was disappearing in the music video. Put it
• 8:00
  Speaker 1: to the side because I want us to have a
• 8:01
  Speaker 1: strong list. If you ain't feeling I personally feel have
• 8:04
  Speaker 1: strong feelings about this, I can't. But let me introduce
• 8:07
  Speaker 1: something else, because I wanted to have a strong list
• 8:09
  Speaker 1: as a unit. Okay, okay, so let me think because
• 8:12
  Speaker 1: I felt a strong strong about that. Okay, let me think.
• 8:16
  Speaker 1: What do you feel about Tevin Campbell? Okay, okay? The
• 8:25
  Speaker 1: song name is Escaping Me. It's the one we talk?
• 8:27
  Speaker 2: Can we talk for sure?
• 8:30
  Speaker 1: I'm gonna throw that in.
• 8:32
  Speaker 3: Can we talk for a minute?
• 8:35
  Speaker 2: The song still hidden? It still comes up.
• 8:38
  Speaker 1: Absolutely, Kevinvin Campbell great wrote that, right, Probably I feel
• 8:46
  Speaker 1: like he wrote that. That's not a stalker one, is it?
• 8:50
  Speaker 2: I don't know.
• 8:50
  Speaker 3: I saw you standing, yeah it was, Yeah, it's stocker. Yeah,
• 8:55
  Speaker 3: he was watching he was watching No Girl just Live
• 8:59
  Speaker 3: her life.
• 9:00
  Speaker 1: Yeah, I feel like nobody's gonna be okay, So yeah
• 9:05
  Speaker 1: he did right.
• 9:07
  Speaker 3: I'm gonna dip into the late nineties. Bag how go late,
• 9:11
  Speaker 3: I'm gonna go ninety eight?
• 9:13
  Speaker 1: Okay, who's Jack n Edge?
• 9:14
  Speaker 3: No Joe, No, I'm dipping into ninety eight. This This
• 9:21
  Speaker 3: is one of my favorite R and B songs of
• 9:23
  Speaker 3: all time. I listen to it for every day, for
• 9:26
  Speaker 3: a full semester.
• 9:28
  Speaker 1: No snap, you have memories about this.
• 9:31
  Speaker 2: X Factor by Lawn Heill. What do you think?
• 9:35
  Speaker 1: Okay? I thought I would never have to say that.
• 9:38
  Speaker 2: Oh you bet.
• 9:42
  Speaker 3: You better not even remotely even begin to even fathom
• 9:46
  Speaker 3: the thought of not feeling this song. You better not
• 9:51
  Speaker 3: even remotely even have an inkling of a thought, of
• 9:56
  Speaker 3: a fathom of a thought of a fraction molecule millisay.
• 10:01
  Speaker 2: Thought.
• 10:01
  Speaker 1: Let me make sure it's what I feel to disrespect
• 10:04
  Speaker 1: this song, let me think because I I'm not.
• 10:08
  Speaker 2: I'm not gonna deal with it. I'm not gonna put
• 10:09
  Speaker 2: up with it. Come on, man, just that intro alone.
• 10:13
  Speaker 1: It's not the song. Okay, there is a Lord Hill song,
• 10:18
  Speaker 1: you know what I think it's.
• 10:20
  Speaker 3: But you rather and make it hard. You know why
• 10:24
  Speaker 3: I love X Factor because those lyrics feel fresh and
• 10:28
  Speaker 3: new to this day.
• 10:31
  Speaker 1: It's duop that I just be like, what, I don't
• 10:36
  Speaker 1: want to hear that thing? Oh my, that thing, that
• 10:38
  Speaker 1: thing you tripping fact.
• 10:44
  Speaker 3: Reciprocity. She introduced me to the word reciprocity. I was like,
• 10:48
  Speaker 3: what that means?
• 10:49
  Speaker 1: Showed it. It's a lot of syllables for.
• 10:53
  Speaker 3: Game reciponse and the build up and build up to
• 10:58
  Speaker 3: the climax of the song to care for me to
• 11:01
  Speaker 3: build up and in the background.
• 11:11
  Speaker 2: Ye and then the guitar.
• 11:13
  Speaker 3: I know that's Carlos Santana. I gotta be Carlos santapp is.
• 11:19
  Speaker 2: A phenomenal song, you know. I like do because he's
• 11:22
  Speaker 2: talking to men and women.
• 11:24
  Speaker 1: I get the message.
• 11:25
  Speaker 2: I love it.
• 11:26
  Speaker 1: I don't want to hear it.
• 11:27
  Speaker 2: I love it.
• 11:28
  Speaker 1: I'd be like nah nah man Okay, So now I'm
• 11:34
  Speaker 1: actually thinking this. Some of the songs are nineties R
• 11:39
  Speaker 1: and B pheel, but they didn't come out in the
• 11:41
  Speaker 1: nineties like Usher's eighty seven on one album. To me,
• 11:45
  Speaker 1: I still lumped that in with nineties R and B,
• 11:46
  Speaker 1: even though obviously came out in two thousand and one. Oh,
• 11:49
  Speaker 1: it's like on the remnant of that, like feeling doesn't
• 11:53
  Speaker 1: feel dated, but it doesn't feel like late two thousands.
• 11:56
  Speaker 1: R and B Okay, I'm saying or Neil so okay, uh,
• 12:01
  Speaker 1: but I'm gonna say and I want to I'm just
• 12:02
  Speaker 1: trying to make sure this song is in the nineties
• 12:06
  Speaker 1: R and B. That's why, that's what I was saying
• 12:08
  Speaker 1: when Joe, I want to know, come out.
• 12:10
  Speaker 2: I want to know. Wait am I thinking of?
• 12:16
  Speaker 1: Yeah, nineteen ninety nine. I was right on the cusps.
• 12:20
  Speaker 2: I would argue that the Joe song.
• 12:26
  Speaker 3: Baby, I want to do all the stronger pick all
• 12:33
  Speaker 3: the things your.
• 12:33
  Speaker 1: Man want man won't do. You know what I like
• 12:36
  Speaker 1: about that one.
• 12:38
  Speaker 2: I'll do them for you.
• 12:40
  Speaker 1: You know what I'm gonna He's never have a good eraser.
• 12:43
  Speaker 1: This is what I hate.
• 12:44
  Speaker 2: Mechanical pencil eraser is big dress.
• 12:47
  Speaker 1: I always kept the pink eraser. If I got a
• 12:51
  Speaker 1: pack of these, I would always get the pink. This man,
• 12:55
  Speaker 1: you're not it's not it's it's.
• 12:57
  Speaker 2: It's too much glaze on that thing.
• 12:59
  Speaker 1: You could never get a good rhythm going. The pink
• 13:02
  Speaker 1: eraser is the way to go.
• 13:04
  Speaker 2: Never.
• 13:05
  Speaker 1: Uh, I'm gonna go with you to because all the
• 13:09
  Speaker 1: things your man won't do is great R and B,
• 13:13
  Speaker 1: R and B perfection and also good hidden words. I'm
• 13:18
  Speaker 1: not gonna say, I'm gonna eat you out. I'm gonna
• 13:20
  Speaker 1: take the subway downtown. Children don't know what I was
• 13:23
  Speaker 1: the subtlety? Does she live downtown? Why are you taking
• 13:26
  Speaker 1: the right now?
• 13:27
  Speaker 2: They ain't subtle.
• 13:28
  Speaker 3: No, I'm gonna eat your coochy wrong and spit it
• 13:31
  Speaker 3: back in your mouth.
• 13:33
  Speaker 2: I'm like, wait, what this is what we're.
• 13:35
  Speaker 1: Singing in R and B. Now I'm opening up your
• 13:37
  Speaker 1: butt licking at the back. Ooh with things? Did you
• 13:41
  Speaker 1: wash your crack? Hey? Man?
• 13:43
  Speaker 2: Oh man, give us the subtlety?
• 13:47
  Speaker 1: The Isley Brothers he Ronald Isasley has a song. I
• 13:51
  Speaker 1: didn't know what that man was saying. Oh he's like
• 13:57
  Speaker 1: voyage to Atlantis. Hold on where he's like relieve myself
• 14:00
  Speaker 1: or something? He talking about coming. But it ain't straight
• 14:03
  Speaker 1: up subtle Patreon, What is that lyric that Brian Easley
• 14:07
  Speaker 1: is saying? How does he relieve himself? What is the song?
• 14:12
  Speaker 1: Y'all know if you're watching it, he's talking he I
• 14:17
  Speaker 1: like the way you receive me. I like the way
• 14:19
  Speaker 1: you relieve me.
• 14:20
  Speaker 2: Oh wow, I.
• 14:21
  Speaker 1: Said, hey, ron hey, what song is that on? See me?
• 14:32
  Speaker 1: That is between the sheets? Okay, that's what I'm talking.
• 14:38
  Speaker 1: You had to get it on the radio. Yes, you couldn't.
• 14:40
  Speaker 2: Just gotta get it on the radio.
• 14:42
  Speaker 1: Gotta get on the radio. How you can receive me
• 14:44
  Speaker 1: any kind of way you could relieve me, any kind
• 14:46
  Speaker 1: of way you got talk about.
• 14:47
  Speaker 3: Singing it and not knowing what's really what I miss?
• 14:50
  Speaker 3: They want to be just on beat it, beat up man,
• 14:55
  Speaker 3: beat your pussy hmmm, and then I go rinsed off
• 15:02
  Speaker 3: and the sick after like yo, man, subtlety, jeez.
• 15:08
  Speaker 1: Get the hottail because I know, and it's on the
• 15:10
  Speaker 1: rest of it and a little on the bed. Something
• 15:14
  Speaker 1: on you. It's dripping as you walk to the toilet.
• 15:17
  Speaker 1: You need to be or you can get a U
• 15:19
  Speaker 1: T I. This doesn't even rhyme.
• 15:21
  Speaker 2: Man, this is a graphic.
• 15:24
  Speaker 1: This is just descriptive of post sex chitter chordal cord.
• 15:31
  Speaker 1: I came too early. I'm sorry, hey, man, got my
• 15:37
  Speaker 1: kids in the car. I want them not to know. Gee,
• 15:41
  Speaker 1: I agree with you. Joe is he He has such
• 15:44
  Speaker 1: a great nineties R and B voice. He has a
• 15:45
  Speaker 1: great voice, but he's like his voice sounds like all right,
• 15:49
  Speaker 1: so we got six so far, recapain, come and talk
• 15:51
  Speaker 1: to me, Joe to see week on Ben and knee.
• 15:53
  Speaker 1: Can we talk X Factor and all the things man
• 15:56
  Speaker 1: won't do? We only got four left now tone, you
• 15:58
  Speaker 1: kicked Uncle Sam out, Uncle Sam, get him out of here.
• 16:02
  Speaker 1: He was out of here all right, telling you that
• 16:04
  Speaker 1: I'm gonna go with I'm gonna take it to a band.
• 16:08
  Speaker 2: Okay, early nineties main Condition Pretty Brown.
• 16:12
  Speaker 1: Now that is a song.
• 16:14
  Speaker 3: Yeah, you keep telling me that your time is always taken.
• 16:23
  Speaker 1: Voice in the way, the way you made you treating me.
• 16:29
  Speaker 3: Yeah, here you keep holding on to your thought regject show.
• 16:38
  Speaker 2: Yeah, that song is.
• 16:41
  Speaker 1: Quen breaking my heart.
• 16:47
  Speaker 2: Getting breaking my heart?
• 16:54
  Speaker 3: Yeah, that that's fine. Yeah, that's R and B. That's
• 16:59
  Speaker 3: R and D B, Big B right there, R and big.
• 17:03
  Speaker 1: Barn big Bee.
• 17:05
  Speaker 2: We got women on here, we says w V.
• 17:09
  Speaker 1: All right, and we said Laurence Hill.
• 17:12
  Speaker 2: Have we said Lauren here? We got two women here
• 17:14
  Speaker 2: when we talk?
• 17:15
  Speaker 1: Now this song? Okay, now this I was gonna say
• 17:18
  Speaker 1: this anyway, just let me check the date on this. Uh,
• 17:23
  Speaker 1: this is nineties ballad. Power Ballad nineteen ninety eight. Deborah Cox.
• 17:34
  Speaker 2: Oh, nobody's supposed to be my Deborah gat Power Debora
• 17:42
  Speaker 2: cat Ballad.
• 17:43
  Speaker 4: Yeah.
• 17:45
  Speaker 1: She uh, it's just her like she belt at that man,
• 17:50
  Speaker 1: you're talking with your teeth.
• 17:52
  Speaker 2: Lose on that one.
• 17:53
  Speaker 1: I'm standing here, no dancing. She was singing home no frills,
• 17:58
  Speaker 1: I'm finished sing from Canada, Yeah, Canadian Canadian vocals straight
• 18:04
  Speaker 1: up and a blow the house down. Great music video.
• 18:08
  Speaker 2: For like the song the Legs Off Your Kitchen Table.
• 18:11
  Speaker 1: She you know the Bart Simpson when the speakers blair,
• 18:16
  Speaker 1: that's Deborah Cox. Man, listen, this is what I love
• 18:19
  Speaker 1: about ninetyes R and B. You we don't. You don't
• 18:20
  Speaker 1: have to say, debor Cox that you don't have to
• 18:22
  Speaker 1: have an album. You don't have to have a long career.
• 18:25
  Speaker 1: You get the one song, one song, you in the
• 18:28
  Speaker 1: playlist forever.
• 18:29
  Speaker 2: I remember her.
• 18:30
  Speaker 3: Before she even got to that song. I remember her
• 18:32
  Speaker 3: first song was sentimental. There was a single on her
• 18:35
  Speaker 3: debut album. I bought the album on the strength of that.
• 18:37
  Speaker 3: Really the only time the Debrewn Deborah Kay.
• 18:43
  Speaker 1: Never Cox, Nobody supposed to be here. Number eight, we
• 18:45
  Speaker 1: got two more, two more?
• 18:47
  Speaker 2: All right, I'm coming in with uh.
• 18:52
  Speaker 3: I almost want to go with the Mary Jay Join
• 18:55
  Speaker 3: because I love I love Mary J. Blige's first two
• 18:59
  Speaker 3: albums to me a solidified classics.
• 19:03
  Speaker 2: Arguably her third one as well, but.
• 19:09
  Speaker 3: Just the just the hip hop flavor that was the
• 19:12
  Speaker 3: four one one and then the raw emotion of my life.
• 19:16
  Speaker 1: Man, that song My life, he should call is a
• 19:20
  Speaker 1: Mary J. Blige disciple, where like we need to fit,
• 19:24
  Speaker 1: we feel you like you might be able to sing
• 19:26
  Speaker 1: a Kisha Cole song or a Mary J. Blige song
• 19:28
  Speaker 1: technically better than them, but the most you can't make
• 19:32
  Speaker 1: me feel you like Mary J is like a that's why.
• 19:36
  Speaker 1: Like she's like a guttural emotive singer. Stevie Mackie is
• 19:41
  Speaker 1: a voice teacher I know, And he says that singing
• 19:44
  Speaker 1: good singers tell the best stories, and Mary J does
• 19:48
  Speaker 1: that the best of me.
• 19:50
  Speaker 4: You'll be like, dang what he did because he did that, man,
• 19:55
  Speaker 4: my life. If you look at my line and see
• 19:59
  Speaker 4: what I see, you'd be like damn.
• 20:02
  Speaker 3: Even when she was singing be Happy, She's like, all
• 20:04
  Speaker 3: I want to do is be happy, man, Jesus, man,
• 20:07
  Speaker 3: can I just get some joy in this mug?
• 20:09
  Speaker 1: And Mary had such a cool, mysterious sexiness around her.
• 20:14
  Speaker 1: Oh man, she was like carming san Diego. Like I
• 20:17
  Speaker 1: feel like I didn't see her full face for a minute.
• 20:20
  Speaker 1: She was always walking down, you know what I'm saying.
• 20:22
  Speaker 3: Because on the second album, like even even the first
• 20:25
  Speaker 3: album cover, she was in shadow, like when you look
• 20:27
  Speaker 3: at what is black and white, her eyes are kind
• 20:30
  Speaker 3: of shadowed out. And then in My Life she had
• 20:33
  Speaker 3: shades on, she had glasses on a lot. Yea My
• 20:35
  Speaker 3: Life and the Be Happy video and stuff like that.
• 20:37
  Speaker 3: She was really going through it with k C. He
• 20:39
  Speaker 3: was just he was fucking up, and so that pain,
• 20:44
  Speaker 3: that pain was wrong. That's why it's like those two albums.
• 20:48
  Speaker 2: But I I'm a switch it up. I'm gonna dip
• 20:52
  Speaker 2: off in another direction because I'm gonna go after all that.
• 20:56
  Speaker 3: So anyway, so anyway, so for Rial, I want to
• 21:03
  Speaker 3: but this song to me, this song I'm putting in here,
• 21:07
  Speaker 3: it puts me in a great peace of mind.
• 21:10
  Speaker 2: I love it.
• 21:11
  Speaker 3: Every time I hear it. I never turn it off.
• 21:13
  Speaker 3: It just makes me feel good. And it's for a
• 21:15
  Speaker 3: good occasion. And it's anniversary by Tony Tony Tony. I
• 21:22
  Speaker 3: did because I know this song makes me feel so
• 21:26
  Speaker 3: good every time I hear it.
• 21:28
  Speaker 1: This song. This is how good this song is. The
• 21:31
  Speaker 1: song is nine minutes long, yes, legit nine minutes and
• 21:34
  Speaker 1: I be like play no skip. I might be halfway
• 21:39
  Speaker 1: to my son's school right now.
• 21:41
  Speaker 2: I love the instrumentation at the end.
• 21:43
  Speaker 3: It's so it's just and I love it every year
• 21:46
  Speaker 3: when it's somebody's anniversary. Whenever I follow y'all, whoever they
• 21:50
  Speaker 3: got an anniversary.
• 21:51
  Speaker 2: In my head, I'm like, man, cute, I play it
• 21:54
  Speaker 2: for y'all.
• 21:55
  Speaker 3: Even though y'all can't even hear me playing it for y'all,
• 21:58
  Speaker 3: I'm still on it. Oh my god, Anita Baker, Anita
• 22:03
  Speaker 3: Baker's not here because if it was an eighties list, yeah,
• 22:06
  Speaker 3: but we talking nineties.
• 22:08
  Speaker 1: Yeah.
• 22:08
  Speaker 2: So yeah, that's my final.
• 22:10
  Speaker 1: Okay, now here's what I want to say. Well, I'll
• 22:13
  Speaker 1: just I'll just I'll just say, as a as a
• 22:17
  Speaker 1: resident Drew Hill advocate, I want to make them be
• 22:21
  Speaker 1: a part of this. Yeah, right, and I love them.
• 22:24
  Speaker 1: But the Patreon has been throwing this song on here,
• 22:26
  Speaker 1: and I'm just like, this is a great nineties R
• 22:29
  Speaker 1: and B song. So because I'm listening to the Patreon's answer,
• 22:34
  Speaker 1: Sweet Lady by Tyresee is a Quinnis RB. It's good
• 22:40
  Speaker 1: this R and B stick to your Bones R and B. Tyresee. Man,
• 22:45
  Speaker 1: he was first of all, he was voluntarily bald. Yeah,
• 22:48
  Speaker 1: he could have grown hair. He was like, no, I'm
• 22:51
  Speaker 1: in the ball. The bald looked good on time. He
• 22:54
  Speaker 1: came up from the co commercial, super young on the
• 22:57
  Speaker 1: bus on the smiling white tea lay whites. He white smile,
• 23:03
  Speaker 1: great smile. I feel like that's quintessential what I want
• 23:06
  Speaker 1: to do. Though. I'm gonna tell you this Drew Hill
• 23:08
  Speaker 1: song that always kills me, like goodness of R and
• 23:13
  Speaker 1: B Early mon morning. No, that's Uncle saying, hold on.
• 23:17
  Speaker 1: He went back to what's the drew Hill you really
• 23:20
  Speaker 1: want this? Uncle saying starts off with no kyo.
• 23:25
  Speaker 2: Five steps, five steps, that's the one. That's the five steps.
• 23:29
  Speaker 1: What is the start of that tone? I'm stuck on,
• 23:31
  Speaker 1: Uncle sayingcause she said he's not worth it? I be
• 23:35
  Speaker 1: this is an R and B open No, not beauty
• 23:41
  Speaker 1: is her name? This? Five steps? For sure? I don't
• 23:46
  Speaker 1: know how much longer, That's what I was thinking. I
• 23:49
  Speaker 1: don't know how much longer. I love this song. It's
• 23:54
  Speaker 1: so funny to me, like they let him sing that,
• 23:56
  Speaker 1: and then Cisco was like.
• 23:57
  Speaker 2: All right, who is that opening?
• 24:00
  Speaker 1: That's yo?
• 24:01
  Speaker 2: Oh wow. They let him get in.
• 24:02
  Speaker 1: They let him get in, but then Cisco came from
• 24:06
  Speaker 1: from forty seven seconds.
• 24:08
  Speaker 2: Because he's the weakest singing in the group. Right.
• 24:11
  Speaker 1: I feel like after Cisco there's.
• 24:13
  Speaker 2: A because you got you got wood and you got.
• 24:16
  Speaker 1: Jazz Woody Cisco, Woody Jazz, Nokiyo.
• 24:20
  Speaker 3: Yeah, Yo was the weakest vocalist. Yeah he looked cool,
• 24:24
  Speaker 3: but there was Yeah he was the cool.
• 24:25
  Speaker 2: Sexy, sexy guy.
• 24:26
  Speaker 1: Yeah it was.
• 24:28
  Speaker 2: And then they was like, all right, man, thanks thanks
• 24:30
  Speaker 2: for cooking this up.
• 24:31
  Speaker 1: Oh that jazz singing? Oh that's Woody.
• 24:35
  Speaker 2: Is it a video?
• 24:37
  Speaker 1: Yes, the video is it Woody? I'm tripping this? Oh snapping?
• 24:46
  Speaker 1: Is Woody?
• 24:47
  Speaker 2: Yo's on the left. So you disrespected Woody.
• 24:52
  Speaker 1: That's my bad. That for sure it's Woody. He looked like,
• 24:56
  Speaker 1: right there, I get it. Yeah, that for sure is Woody.
• 25:04
  Speaker 1: But I feel like I into the top ten perfect.
• 25:09
  Speaker 1: It's just a nineties RB song. I personally feel that
• 25:12
  Speaker 1: I'm gonna be honest with you what you're gonna say,
• 25:16
  Speaker 1: I don't be listening to that song? Really? Do you
• 25:19
  Speaker 1: not like you? Hear you don't like that song?
• 25:22
  Speaker 2: I liked you here, but I don't really be up
• 25:24
  Speaker 2: in there. Really, I'll be listening to.
• 25:27
  Speaker 1: Like I'm wrong. I'm taking this Sweet Lady out, taking
• 25:30
  Speaker 1: a sweet Lady out and taking it out. Stand sweet
• 25:32
  Speaker 1: Lady out of here. I need to interrupt. You didn't
• 25:35
  Speaker 1: realize the song came.
• 25:36
  Speaker 2: Out in the nineties, putting Donelle Jones will want to.
• 25:38
  Speaker 1: Be absolutely not Oh man, I'm well, I want to
• 25:40
  Speaker 1: be Oh incomplete Cisco. That was the nineties, ninety nine.
• 25:45
  Speaker 2: Oh okay.
• 25:46
  Speaker 1: I didn't put it in because I felt like it
• 25:47
  Speaker 1: was I know I was in high school, but I
• 25:49
  Speaker 1: thought it was two thousand and two thousand and one.
• 25:51
  Speaker 2: Oh gotcha.
• 25:52
  Speaker 1: Cisco dipped off and made the complete.
• 25:54
  Speaker 2: I like incomplete.
• 25:55
  Speaker 1: It's my favorite, yeah song? They did you hear? People
• 25:58
  Speaker 1: have to sing it with y'all on the road even
• 26:00
  Speaker 1: though it's a Cisco song. Yeah, okay, it's a good song.
• 26:04
  Speaker 1: Sweet Lady is great.
• 26:06
  Speaker 2: I feel I feel incomplete over Sweet Ladies.
• 26:08
  Speaker 1: It's such a good's it's in the music video. Have
• 26:11
  Speaker 1: the girl disappearing in the photos. That was a very
• 26:14
  Speaker 1: common theme, was.
• 26:18
  Speaker 2: It really is.
• 26:21
  Speaker 1: Some way let's go back. You don't be listening to
• 26:23
  Speaker 1: the five steps.
• 26:23
  Speaker 3: Na, man, it's too slow, but they're building up. I
• 26:28
  Speaker 3: don't stick around for the building. Yeah, I don't really
• 26:33
  Speaker 3: rotate a lot of Drew Hill like that. To be
• 26:35
  Speaker 3: honest with you, really, yeah, I come in there on
• 26:39
  Speaker 3: the on the end of the Drew album, I listened
• 26:40
  Speaker 3: to the song that got with method Man, and then.
• 26:49
  Speaker 2: I like and respect Drew Hill. Don't get me wrong,
• 26:52
  Speaker 2: don't get mistaken.
• 26:53
  Speaker 1: I know you know. I'm not gonna take it to
• 26:55
  Speaker 1: the other round. It's not the Internet where you're like,
• 26:57
  Speaker 1: you don't play that off and you hate them and
• 26:59
  Speaker 1: they can't.
• 27:01
  Speaker 2: When I hear Drew Hill, when when the songs are being.
• 27:06
  Speaker 1: Love for me? Yeah, yeah, I'm all, yeah, yeah, that
• 27:10
  Speaker 1: stuff man, but.
• 27:11
  Speaker 3: Me actually going every time I go to Drew Hill,
• 27:15
  Speaker 3: I go to that song with method Man, this is
• 27:18
  Speaker 3: what we do.
• 27:19
  Speaker 2: I go to that song and then I bounce.
• 27:22
  Speaker 1: Only one, not five steps. Not tell me you're not here.
• 27:30
  Speaker 3: Tell every time I hear tell me, I'll be like, yeah,
• 27:33
  Speaker 3: I'll be singing alone in my bed.
• 27:36
  Speaker 2: I'll be singing alone.
• 27:38
  Speaker 1: Beauty. Beauty is their name.
• 27:40
  Speaker 2: I'll be singing alone. But then, but now, don't be
• 27:41
  Speaker 2: coming on my own steam.
• 27:44
  Speaker 1: Oh so you enjoy them when they're played, but you're
• 27:47
  Speaker 1: not seeking and you're not going out your way.
• 27:49
  Speaker 2: Not like that, okay, but I love and respect.
• 27:53
  Speaker 1: You heard it here, That's.
• 27:57
  Speaker 2: All right.
• 27:58
  Speaker 1: Moving on to our next topic, recast it today Harlem Knights. Okay,
• 28:06
  Speaker 1: so you got Quick, that's Eddie Murphy, Eddie Murphy. You
• 28:10
  Speaker 1: got Sugar Ray, that's Richard Pryor. You got Phil Canton.
• 28:15
  Speaker 2: That's the cricket cop played by Danny Ilo.
• 28:18
  Speaker 1: Yeah, he's the villain. Bennie Wilson.
• 28:21
  Speaker 2: Who is Bennie Wilson? Is that real?
• 28:24
  Speaker 1: Yes? Bennie? Okay, yep? Vera is Delaice Delares. You got
• 28:32
  Speaker 1: Dominique LaRue.
• 28:33
  Speaker 3: Jasmine guy, yep, she's was she Eddie Murphy lovingterest Yeah
• 28:39
  Speaker 3: she was like an assassin though, but.
• 28:41
  Speaker 1: Yeah, okay, and then you got Sunshine shy Sean and
• 28:46
  Speaker 1: then we're just throwing our senior character.
• 28:49
  Speaker 2: Okay, just.
• 28:51
  Speaker 1: All right? So who is your lead? Who is your
• 28:54
  Speaker 1: Eddie Murphy Quick? In the recasting of Harlem Knights done
• 28:59
  Speaker 1: to day. You gotta have the gravitas, gotta be the
• 29:02
  Speaker 1: leading man. He gotta be legendary or on his way
• 29:07
  Speaker 1: to be a legendary. Does he have to be a comedian.
• 29:14
  Speaker 1: I'm gonna say no, Okay, I'm gonna say no, because
• 29:17
  Speaker 1: that might make it hard. Eddie Murphy is such a
• 29:20
  Speaker 1: singular figure in comedy nobody does, nobody has done what
• 29:25
  Speaker 1: he has done in stand up, TV and movies. He's
• 29:28
  Speaker 1: just so singular it's hard to put any because people
• 29:31
  Speaker 1: don't touch it. Like that. The Saturn Night Live him
• 29:34
  Speaker 1: hosting as a cast member, like that's how big he was.
• 29:38
  Speaker 1: The movies and the stand up all his stuff is
• 29:40
  Speaker 1: the biggest. It could be.
• 29:42
  Speaker 2: Bear with me here, all right, what you got?
• 29:44
  Speaker 1: Beard? With me here?
• 29:46
  Speaker 3: Because I feel like in Harlem Nights, Eddie wasn't firing
• 29:51
  Speaker 3: off mad jokes like that.
• 29:52
  Speaker 2: He was just straight. Richard Pryor really wasn't either, right,
• 29:56
  Speaker 2: So I feel like.
• 29:59
  Speaker 3: Will Smith would be a good quick Well Smith today. Yes,
• 30:05
  Speaker 3: you know, I'm a big fan of Will. You think
• 30:07
  Speaker 3: it's too old We aged amount because I.
• 30:09
  Speaker 1: Think I was young.
• 30:10
  Speaker 2: Will's fifty Will Will, Oh.
• 30:13
  Speaker 3: Yeah he is, because because we have we have to
• 30:15
  Speaker 3: have that, we have to have that between him and
• 30:18
  Speaker 3: rich Brow, because because Will Smith has the components to
• 30:21
  Speaker 3: play for sure.
• 30:23
  Speaker 1: Because you that's the hardest part. You gotta be a
• 30:25
  Speaker 1: standalone yeah star. Right. And we were talking a couple
• 30:29
  Speaker 1: of months ago about like there's not an there's not
• 30:32
  Speaker 1: an obvious Denzel replacement. Will replacement. We're like, you're the
• 30:35
  Speaker 1: next stuff. As far as like a list opening on
• 30:41
  Speaker 1: the poster black Star, that's hard.
• 30:44
  Speaker 2: So with this I'm gonna do Michael B. Jordan's really Yeah,
• 30:50
  Speaker 2: what did what did?
• 30:51
  Speaker 1: What? Did? Harpmins come out?
• 30:52
  Speaker 2: Eighty eight nine?
• 30:55
  Speaker 1: So how was probably around thirty then? Yeah, so Michael
• 30:58
  Speaker 1: Jordan's probably around that age. H. Michael B.
• 31:01
  Speaker 2: Jordan' a little bit older than that, but.
• 31:04
  Speaker 1: He ain't forty.
• 31:05
  Speaker 2: No, he's not forty Yeah, a little bit older than Eddie. Yeah.
• 31:12
  Speaker 1: R J. Syders don't have he's not big enough.
• 31:14
  Speaker 2: But Michael B.
• 31:15
  Speaker 3: Jordan has the charisma to be a quick you feel
• 31:18
  Speaker 3: he can be smooth, he can be quick on his feet.
• 31:22
  Speaker 3: He's gonna be smiling and laughing when need be.
• 31:25
  Speaker 1: What about I've seen in the Patreon let me know
• 31:27
  Speaker 1: how you feel. I've seen a lot of Sterling K Brown, Oh,
• 31:32
  Speaker 1: John Boyega.
• 31:33
  Speaker 2: Sterling plays a little bit too old.
• 31:35
  Speaker 1: I was gonna say that about Sterling. I've seen sterlie
• 31:37
  Speaker 1: K Brown, Damnson and John Boyega.
• 31:41
  Speaker 2: Damnson and John Boyeger.
• 31:44
  Speaker 1: I feel like John Boyega, John BOYE just love John boyegen.
• 31:48
  Speaker 1: If I'm being honest, I don't know if I.
• 31:50
  Speaker 3: Love him too, but I don't. He doesn't have the
• 31:53
  Speaker 3: pretty smoothness required.
• 31:56
  Speaker 2: Now I'm not saying I know.
• 31:57
  Speaker 3: I know John is a good looking man to y'all
• 32:00
  Speaker 3: and stuff like that, but it's not like he's not
• 32:02
  Speaker 3: like because because Eddie Murphy was a pretty boy in
• 32:05
  Speaker 3: Harlem Night, Michael B.
• 32:07
  Speaker 2: Jordan is a pretty.
• 32:08
  Speaker 1: Boy for sure, for sure, and so.
• 32:11
  Speaker 2: Look thea Keith is too.
• 32:13
  Speaker 1: Artie definitely too. That's why he plays good as the
• 32:16
  Speaker 1: Cowboy movie. He plays good in uh the movie with
• 32:21
  Speaker 1: Daniel Caluiampton.
• 32:23
  Speaker 3: Oh oh, judas in the Black Masson. Yeah, because he
• 32:29
  Speaker 3: we we were talking, you know, smooth pretty boy. When
• 32:33
  Speaker 3: you look at when you look at Michael B. Jordan's
• 32:36
  Speaker 3: he's that he for sure. He looks like he's well carried,
• 32:40
  Speaker 3: look like he get manicures. THEA Keith don't look like
• 32:42
  Speaker 3: he get manicured. He Uh, you don't think Damnson Damnson
• 32:54
  Speaker 3: is smooth, but he and he gives me that youth full.
• 33:00
  Speaker 1: Thing Michael Jordan No or Damnson, Yeah, yeah, he does
• 33:04
  Speaker 1: on the younger side. Yeah, baby, even a little too young.
• 33:08
  Speaker 1: He might not even be thirty yet, is he.
• 33:12
  Speaker 2: I still feel like Damnson still feels a little too
• 33:15
  Speaker 2: young for me.
• 33:16
  Speaker 1: That's what I feel like. I don't think for that role. Yeah,
• 33:19
  Speaker 1: I think Damnson's even he's thirty two.
• 33:21
  Speaker 2: He's older. He's older than he appears to be. Dang,
• 33:25
  Speaker 2: but he feels young.
• 33:27
  Speaker 1: He does for sure. Michael B. Jordan's thirty seven. He
• 33:31
  Speaker 1: older than I thought he was. Is he leading man
• 33:33
  Speaker 1: stand alone?
• 33:35
  Speaker 2: Michael B. Jordan?
• 33:35
  Speaker 1: I mean, Michael Jordan, that's quick. I mean he's not
• 33:38
  Speaker 1: really standing alone in that movie. Yeah, but he's on
• 33:41
  Speaker 1: the poster. He's the most prominent person on the poster.
• 33:43
  Speaker 2: He's a leading man now.
• 33:45
  Speaker 3: Yeah, he is Creed and that that's that's That's a
• 33:48
  Speaker 3: big reason why I chose him, because he's already a
• 33:50
  Speaker 3: leading man. If you look at Creed, if you look
• 33:53
  Speaker 3: at that movie where he is an attorney for Jamie five.
• 33:55
  Speaker 1: Oh, I forgot about that.
• 33:56
  Speaker 2: He's a leading man.
• 33:58
  Speaker 1: Okay, I'm not gonna argue with you.
• 34:00
  Speaker 2: And I feel like he just checks all those quick boxes.
• 34:05
  Speaker 1: Jordan. Yeah, and his movie I think Creed three did
• 34:08
  Speaker 1: the best of them.
• 34:10
  Speaker 2: They keep you know they keep making more.
• 34:11
  Speaker 1: Than Yeah, Okay, I ain't gonna argue with you.
• 34:15
  Speaker 2: Tonball is I like. I like the tone Bell to
• 34:18
  Speaker 2: Bell too. I like the tone to bell is.
• 34:20
  Speaker 3: Yeah, he's funny, he's a comedian, he's good looking, pretty boy.
• 34:26
  Speaker 1: Yeah, tone Bell is not a bad pig either. And
• 34:29
  Speaker 1: ton Bell stars rising. Yeah, he's on.
• 34:33
  Speaker 2: Renewed for a second season.
• 34:35
  Speaker 1: Niggas Tom Bells one also a beautiful nigga.
• 34:38
  Speaker 2: I'm not mad at tone Ball.
• 34:39
  Speaker 1: I'm not mad at tone Bell either. And he's a comedian.
• 34:41
  Speaker 1: He's a comedian and he's definitely smooth.
• 34:45
  Speaker 2: Just put Ton, we know him.
• 34:47
  Speaker 1: Michael be Getting, Michael B.
• 34:49
  Speaker 3: Jordan, Get Your Man. I like Marble Movie, a boxing movie. Yeah,
• 34:54
  Speaker 3: but I know Michael B. Jordan could sell it, pull
• 34:57
  Speaker 3: it off. He's got the box office credential.
• 35:00
  Speaker 1: That's what I'm thinking of it. If a studio, I
• 35:02
  Speaker 1: don't know.
• 35:03
  Speaker 2: If we don't know if tone has the box.
• 35:05
  Speaker 1: Character wise, actor wise, tone Bell is a better fit.
• 35:10
  Speaker 1: But what often happens in movies is they like, yeah,
• 35:12
  Speaker 1: but they're gonna go We're gonna go for the name.
• 35:15
  Speaker 1: So I think a studio studio is gonna pick Michael b.
• 35:18
  Speaker 1: But it's our studio. It's Kevin Tony Movies in corporate.
• 35:23
  Speaker 1: We won the role.
• 35:24
  Speaker 2: We're gonna put money in these comedians.
• 35:26
  Speaker 1: But you can put it back into tone.
• 35:28
  Speaker 2: All right.
• 35:28
  Speaker 1: Now we need Sugar Ray, who's played by the legendary
• 35:31
  Speaker 1: Richard Pryor.
• 35:32
  Speaker 2: So we need somebody older.
• 35:34
  Speaker 1: He probably was like closing in home. He was definitely
• 35:37
  Speaker 1: sixty by then. Yeah, if not mid sixties. Oh oh,
• 35:44
  Speaker 1: he ain't been in anything in a while. Keenan Ivory
• 35:47
  Speaker 1: Wayne O. What you think about Keenan, he got he
• 35:51
  Speaker 1: carries the way to comedy. Richard probably wasn't firing off
• 35:54
  Speaker 1: jokes like that, like the fire if you off. But
• 35:57
  Speaker 1: Keenan can deliver. I like, I'm I love Keenan for
• 36:01
  Speaker 1: this this seven or sixty nine.
• 36:04
  Speaker 2: Yeah, he up there in the sixties.
• 36:06
  Speaker 1: Keenan also gives you he's running like sixty five sixty three.
• 36:09
  Speaker 1: Me and Milissa were just looking at I think Damon
• 36:11
  Speaker 1: Waynas is like sixty two, and I think he's two
• 36:13
  Speaker 1: years older than Keenan. Ivory is sixty five on the okay,
• 36:17
  Speaker 1: sixty five, Damien is sixty two. Let me just look
• 36:19
  Speaker 1: this up.
• 36:20
  Speaker 2: Let's get I like it wayns in the roole.
• 36:23
  Speaker 1: I love it. I like it, and we don't see
• 36:27
  Speaker 1: him enough, so I want to see why I want
• 36:29
  Speaker 1: to see him. He's been writing and producing. He always
• 36:33
  Speaker 1: like you look at his credits. He's been right. They've
• 36:35
  Speaker 1: brought living color. He did that, but they just didn't error.
• 36:37
  Speaker 1: He's been working, working, and he was acting when I
• 36:40
  Speaker 1: was growing up. He was acting in a lot of stuff,
• 36:43
  Speaker 1: low down dirty.
• 36:43
  Speaker 2: He came with the cold yeah, full out yeah. He
• 36:47
  Speaker 2: was in uh wanted yeah meaning man, Yeah.
• 36:51
  Speaker 1: It was Keenan Ivery is on the poster forefront, you know,
• 36:55
  Speaker 1: gotic design cam. They put his you schooed him the
• 36:58
  Speaker 1: persons behind right. Keenan Iry was out there.
• 37:01
  Speaker 2: He was out here, man, all right, cool Keenan Wings.
• 37:03
  Speaker 2: I like it.
• 37:04
  Speaker 1: We're gonna show the ways some love, all right. Phil Canton,
• 37:07
  Speaker 1: Phil Canton, the corrupt cop Italian. He was Italian and Italian.
• 37:12
  Speaker 1: He's probably like fifties, maybe sixties. He's in his.
• 37:16
  Speaker 2: Fifties in like a likable racist, because that's what he was.
• 37:22
  Speaker 3: It was like he had that charm on him. But
• 37:24
  Speaker 3: then he would say some foul shit. He'd be like,
• 37:26
  Speaker 3: I'm looking at you.
• 37:28
  Speaker 1: Colors wasn't fifty yet at Harlem Knights. How was probably
• 37:33
  Speaker 1: when he died.
• 37:34
  Speaker 2: I don't know. I think he was in his late
• 37:37
  Speaker 2: sixties when he.
• 37:38
  Speaker 1: Jam Prior died in two thousand and five. Nineteen forty
• 37:42
  Speaker 1: he was not he Borren nineteen forty Hollow Nightees in
• 37:45
  Speaker 1: eighty nine. Yeah, he was forty nine. Wow, he played
• 37:49
  Speaker 1: older for sure than forty nine. I mean he was
• 37:51
  Speaker 1: only two years older than you.
• 37:52
  Speaker 3: Now that's crazy. He did not look felt older. That's
• 37:56
  Speaker 3: because of his health.
• 37:58
  Speaker 1: He had poor health.
• 37:59
  Speaker 2: Ooh, y'all say Bill Burr, Oh, I like that.
• 38:04
  Speaker 1: That is good. I like that because Bill Burr has
• 38:09
  Speaker 1: the whole Boston thing going. And honestly, Bill Burr, I'm
• 38:13
  Speaker 1: going with that.
• 38:13
  Speaker 2: I like Bill.
• 38:14
  Speaker 1: He often switches on it, but if he went he's like,
• 38:18
  Speaker 1: you know, white people take it talking to he's married
• 38:20
  Speaker 1: to a black woman. If he didn't take the other side,
• 38:24
  Speaker 1: you wouldn't be surprised if if Bill Burr was that character.
• 38:27
  Speaker 1: And he's a solid actor. He got his own shows
• 38:31
  Speaker 1: on animated shows.
• 38:34
  Speaker 2: I like Bill Burr.
• 38:35
  Speaker 1: I like Bill Burr. Mark Wahlberg is in as likable.
• 38:38
  Speaker 1: He's just racist. I don't don't feel I don't ever
• 38:42
  Speaker 1: feel like he's sometimes funny, but he doesn't give me warm.
• 38:46
  Speaker 3: I feel like he has to force himself to be
• 38:51
  Speaker 3: soft and warm and likable. Yes, Like, I feel like
• 38:54
  Speaker 3: he's working for that and he gets that soft hey guys,
• 38:59
  Speaker 3: like I feel like he's working it.
• 39:01
  Speaker 1: And I also just saw a clip of him and
• 39:03
  Speaker 1: MTV with him and Eminem just so awkward. He he
• 39:07
  Speaker 1: just looked Bistedfbert to me. I don't know the man personally,
• 39:12
  Speaker 1: but his true form to me is his character in
• 39:14
  Speaker 1: that Departed Okay, And I feel like that is probably
• 39:18
  Speaker 1: the least acting he's had to do, just angry fighting
• 39:24
  Speaker 1: like that. I feel like I feel like that's probably
• 39:26
  Speaker 1: you You're doing like the other guys, and like Ted,
• 39:29
  Speaker 1: it's like the Zamier party doesn't seem like he jokes
• 39:31
  Speaker 1: around a lot. That's what I'm saying.
• 39:33
  Speaker 2: That's not the vibe I get from him.
• 39:34
  Speaker 3: And that that little t r L moment with Eminem,
• 39:37
  Speaker 3: because you know there was something but even Eminem picked
• 39:41
  Speaker 3: up on his energy yeah, and played on it in
• 39:44
  Speaker 3: that moment. Let's just be a happy, fun bunch. I
• 39:48
  Speaker 3: was like, oh ship, they about to fight right here
• 39:51
  Speaker 3: on t r l.
• 39:52
  Speaker 1: And I knew they didn't because I've seen it, but
• 39:54
  Speaker 1: I was like, it was so it was so hated
• 39:58
  Speaker 1: the fun Bunch.
• 39:59
  Speaker 2: Funny knew what he.
• 40:02
  Speaker 1: Was doing because he was being a little brother.
• 40:04
  Speaker 3: He peeped the greeting that Mark gave when you could
• 40:07
  Speaker 3: see him react to and then he was just like,
• 40:10
  Speaker 3: I was like, Damn, Marshall, mathis.
• 40:12
  Speaker 2: Is cold, Pete.
• 40:14
  Speaker 1: Matt David might not be bad.
• 40:16
  Speaker 2: Matt David's not bad either.
• 40:19
  Speaker 3: I'm a big man because Matt Damon does have that
• 40:22
  Speaker 3: nice guy but he can flip it. Remember my Treasure
• 40:25
  Speaker 3: as he was and Interstellar Absolutely, You're like what you're
• 40:29
  Speaker 3: doing man?
• 40:29
  Speaker 2: Yeah, and then he was like, oh you dirty basting He.
• 40:33
  Speaker 1: Cut him off completely off guard. And in The Departed
• 40:36
  Speaker 1: he was also that he was dirty bastard and his
• 40:39
  Speaker 1: likability is to the max in like Ocean's eleven franchise.
• 40:43
  Speaker 1: Yeah as Linus, I forget his name, but you.
• 40:46
  Speaker 2: Know, yeah yeah.
• 40:47
  Speaker 1: But then like born Identity, he's on the other side.
• 40:51
  Speaker 1: So Burr is good though, because Bill Burr's Boston.
• 40:57
  Speaker 2: This yeah, like m is also Boston.
• 41:01
  Speaker 1: But I feel like Matt Damon kind of sheds it
• 41:03
  Speaker 1: sometimes and picks it up from Boston movies. Feel like
• 41:06
  Speaker 1: Bill Bird, don't really shut now, he's always quintessent, actually.
• 41:10
  Speaker 3: Coming in there as a pissed off cop trying to
• 41:13
  Speaker 3: be charming at first, but remember your place.
• 41:16
  Speaker 1: Absolutely for sure Bill Bird. All right, So who is Benny?
• 41:22
  Speaker 1: Who's the Red Fox character?
• 41:24
  Speaker 2: Okay, now we're going older. Yeah, Red Fix always looked
• 41:29
  Speaker 2: older than he was, always dead. He's always looked.
• 41:32
  Speaker 3: Like, always looked older even young pictures of Red Fire, like, yo,
• 41:35
  Speaker 3: he was old and he was ten.
• 41:38
  Speaker 1: Got that Morgan Freeman about it. And he's the Red
• 41:42
  Speaker 1: Fox is a legendary comedian.
• 41:43
  Speaker 2: Too, absolutely absolutely the same for The Suns, one of
• 41:46
  Speaker 2: the funniest shows ever made.
• 41:47
  Speaker 1: They weren't that far an age.
• 41:49
  Speaker 2: Somebody says, Simbad.
• 41:55
  Speaker 1: You know what Simbad might be around that age? Yeah,
• 41:58
  Speaker 1: and I love him, love clean comic. Yeah, he is
• 42:03
  Speaker 1: like the north Star of like he never comes across
• 42:06
  Speaker 1: as I'm not a clean comic.
• 42:08
  Speaker 2: Right, he's just he's one of those it happens, not
• 42:11
  Speaker 2: the cuss and.
• 42:12
  Speaker 1: Yeah, but funny for funny.
• 42:14
  Speaker 2: Oh my god, he one of the best ever. To me,
• 42:16
  Speaker 2: he's one of my influences.
• 42:17
  Speaker 1: Yeah, he was killing too money movie Wise and the Guests.
• 42:22
  Speaker 3: First Kid, he had the Cherokee kid Man jingle all
• 42:26
  Speaker 3: the way and then it just stopped.
• 42:30
  Speaker 2: Yeah, I don't know.
• 42:31
  Speaker 3: I don't know what happened. He had a sitcom on Fox,
• 42:33
  Speaker 3: it didn't last, a decembad show, and then he was
• 42:36
  Speaker 3: doing the movies and I don't know why he didn't
• 42:38
  Speaker 3: follow it because First Kid in the House Guests did
• 42:40
  Speaker 3: decent box office.
• 42:41
  Speaker 1: I don't know why Disney.
• 42:43
  Speaker 2: I know he had tax problems like later on, but
• 42:45
  Speaker 2: I still don't know why.
• 42:47
  Speaker 1: Like, but that doesn't that should preclude you from making
• 42:49
  Speaker 1: exactly it's saying, Uh, Mark Curry, I don't know about
• 42:52
  Speaker 1: Mark d L. Hugh Lee. I think Sam Baths recovering.
• 42:59
  Speaker 1: I don't I don't know. I haven't seen an update.
• 43:01
  Speaker 2: Yeah, is not bad.
• 43:04
  Speaker 1: I like David. I don't know. There's nothing I can't
• 43:06
  Speaker 1: see David Allen grid not being able to do. He
• 43:09
  Speaker 1: could do that in the color purple as the dad.
• 43:12
  Speaker 1: You wouldn't even know he's a comedic actor. No, he
• 43:15
  Speaker 1: was just dad who wasn't showing her love. He wasn't like,
• 43:19
  Speaker 1: he never did nothing funny, right, you know what I'm saying.
• 43:24
  Speaker 1: I like David.
• 43:27
  Speaker 2: I don't like David Allen.
• 43:28
  Speaker 1: We're doing Benny Wilson, David Allen Greer. There's also not
• 43:31
  Speaker 1: that comedian of that age that is what Red Fox is.
• 43:37
  Speaker 1: He seems older. I feel like d C. Curry maybe,
• 43:42
  Speaker 1: but yeah, I'm good with Vera. Who was Delarice's character
• 43:48
  Speaker 1: got to be Monique, don't it.
• 43:50
  Speaker 2: I like Monique.
• 43:51
  Speaker 1: I feel like she could do everything Delries did.
• 43:54
  Speaker 2: Like Monique, I could believe her in the Alley Fight.
• 43:57
  Speaker 1: Yeah, you can believe her running the girls people out
• 44:00
  Speaker 1: straight up, I'll shoot your foot off.
• 44:02
  Speaker 3: And she has that tender side when she says sweet babies,
• 44:06
  Speaker 3: she switches the anger.
• 44:08
  Speaker 1: Yeah.
• 44:09
  Speaker 3: Whether the sweet babies is genuine or not, we believe it. Yeah,
• 44:13
  Speaker 3: I gotta be Yeah, I like Monique Monique.
• 44:16
  Speaker 1: Somebody said Miss Pat.
• 44:19
  Speaker 2: Can can Miss Pat be sweet?
• 44:23
  Speaker 1: I don't know. I like Miss Pat, but she be
• 44:27
  Speaker 1: She bes our on her on her comedian I mean,
• 44:30
  Speaker 1: her court show on BBT. She'd be firing off of people,
• 44:33
  Speaker 1: be hilarious. But I think Monique is also a great
• 44:36
  Speaker 1: actress and she's a comedian too. I feel like Monique
• 44:40
  Speaker 1: probably nails that more than anybody. Yeah, Monique now Dominique LaRue.
• 44:45
  Speaker 1: This is Jasmine guy's character.
• 44:47
  Speaker 2: This is the assassin.
• 44:48
  Speaker 1: This is what we get. She's gotta be sultry.
• 44:51
  Speaker 2: Jane as Sunshine.
• 44:54
  Speaker 1: Yes, that's my favorite scene in that movie when the
• 44:56
  Speaker 1: white dude.
• 45:00
  Speaker 2: I'm not coming on. That's a cold click, like yo,
• 45:09
  Speaker 2: you wild dog?
• 45:11
  Speaker 1: Oh my god? Oh now, Helly Bailey is too young
• 45:17
  Speaker 1: a baby, she's too young because.
• 45:20
  Speaker 2: She up with her.
• 45:22
  Speaker 1: Yeah, her is a Jasmine guys probably mid thirties in.
• 45:26
  Speaker 3: This, I think so, or at least in the late twenties.
• 45:31
  Speaker 3: So we need an assassin. So not Lathan, Tianna.
• 45:36
  Speaker 1: Taylor Colby hard probably.
• 45:39
  Speaker 2: Let's put her back upon this. Let's put her back
• 45:46
  Speaker 2: this man, you you know what I'm saying. Why not?
• 45:51
  Speaker 1: Parents could be fun? Who Tianna Parish? Who is that from?
• 45:55
  Speaker 1: Uh barrone?
• 45:58
  Speaker 2: Oh yeah yeah.
• 46:00
  Speaker 1: I like her as an assassin. I like that she's
• 46:03
  Speaker 1: got the bubbly person.
• 46:04
  Speaker 2: She can charm you in and pillow.
• 46:07
  Speaker 1: Yeah. I feel like you would buy her whatever she's
• 46:10
  Speaker 1: selling and you would be genuinely surprised that she's about
• 46:13
  Speaker 1: to kill her. Yeah, because she was in She was
• 46:16
  Speaker 1: really funny and they cloned ty wrong. She was but
• 46:18
  Speaker 1: as Monica Rambo, She's like, yeah, different character. I love her, Yeah,
• 46:22
  Speaker 1: I like her. Jones isn't bad. She's kind of young though.
• 46:26
  Speaker 1: Alicia Keys, I don't know if Alicia Keys getting Tessa
• 46:30
  Speaker 1: Thompson probably is good. I know she can pull it
• 46:32
  Speaker 1: off on that Thompson probably could do it. Yeah, she
• 46:36
  Speaker 1: literally is she warm though she kind of gives you
• 46:39
  Speaker 1: like a little closed off in most of her characters. Always,
• 46:41
  Speaker 1: she usually has a hard exterior in her characters. She's
• 46:44
  Speaker 1: not really warm a lot.
• 46:46
  Speaker 2: Well, she doesn't have to be warm. She just needs
• 46:48
  Speaker 2: to be seductive. Because Dominic LaRue was seductive.
• 46:52
  Speaker 1: Testa Thomas can be seductive. Yeah, she could be.
• 46:56
  Speaker 2: Mm hmmm.
• 46:58
  Speaker 1: Joey Kravitz is a good choice. Let's do.
• 47:00
  Speaker 2: Zoe is the perfect a sass.
• 47:03
  Speaker 1: She's one thousand.
• 47:06
  Speaker 2: Zoe is the perfect sass.
• 47:07
  Speaker 1: Zoe crat. That's good, Zoe Kravit, Zoe Kravitz is Yeah,
• 47:14
  Speaker 1: that's it for sure.
• 47:15
  Speaker 2: She looked like she got the gun under the yes,
• 47:23
  Speaker 2: Zoey Cravit.
• 47:25
  Speaker 1: Yeah good, Now that's good. Okay, Now Sunshine. Sunshine's gotta
• 47:29
  Speaker 1: make a white man leave his family, and not really
• 47:32
  Speaker 1: leave his family, but.
• 47:33
  Speaker 2: Also be a call girl, but also look wholesome.
• 47:36
  Speaker 1: Yeah, Leila ra Sean at that time was just down
• 47:41
  Speaker 1: right gorgeous for sure. Okay, wholesome, who's ass he beats.
• 47:49
  Speaker 3: Wholesome though she looks she looks pretty wholesome like when
• 47:52
  Speaker 3: you look at her in different episodes of Atlanta.
• 47:55
  Speaker 1: Okay, let me throw this out to you. Let me
• 47:57
  Speaker 1: throw this out to you. What's her name?
• 47:59
  Speaker 2: The Chloe Bailey?
• 48:01
  Speaker 1: Though?
• 48:01
  Speaker 2: I just feel like she she just looked like a
• 48:04
  Speaker 2: baby to me.
• 48:05
  Speaker 1: She does chloy baby.
• 48:06
  Speaker 2: Yeah. I was feeling like, you're too young to be
• 48:08
  Speaker 2: working the streets.
• 48:10
  Speaker 1: Okay, hold on, IM gonna throw this one out till
• 48:11
  Speaker 1: you to see what you think. They keep throwing name
• 48:15
  Speaker 1: for everything. Who they wanted her originally for Sunshine Natalie
• 48:19
  Speaker 1: Emmanuel Oh from a Fast and Furious, Fast and furious.
• 48:23
  Speaker 2: Oh, she got that wholesome thing going.
• 48:25
  Speaker 1: She got the wholesome thing. But would you buy her
• 48:27
  Speaker 1: as a call girl? No? I don't think so. Leilu
• 48:32
  Speaker 1: Lashan she sold she had the wholesome, but she sold
• 48:35
  Speaker 1: you on the call girl. Yeah, because we got to
• 48:38
  Speaker 1: believe the call girl part, because that's what that was.
• 48:40
  Speaker 1: The angle because Dela Reice's character she was. She was
• 48:43
  Speaker 1: running I run the girl. You guys run the numbers,
• 48:46
  Speaker 1: the trunk to the boost.
• 48:47
  Speaker 2: I run the girl right.
• 48:50
  Speaker 1: Uh, Sadi's from Pee Valley? Who's that is that?
• 48:54
  Speaker 2: I don't know anybody from Pee Valley.
• 48:56
  Speaker 1: I don't know the character. I know Brandy is on there.
• 48:58
  Speaker 2: Who who does Shannon play on P val.
• 49:02
  Speaker 1: Shannon Thornton, Yes, that's probably Mercedes. Shannon Thornton's good she
• 49:08
  Speaker 1: Shannon Thornton. That's a good pick. Is that Mercedes? No,
• 49:17
  Speaker 1: she's Keishan mm hmm.
• 49:19
  Speaker 2: I don't know nothing about p Valley, but I know
• 49:21
  Speaker 2: Shannon Thornton.
• 49:22
  Speaker 1: I could buy it, but I haven't seen that show.
• 49:25
  Speaker 1: I saw Brandy Evans and she came.
• 49:27
  Speaker 3: Out, and I've never seen the show. I was like
• 49:31
  Speaker 3: Brina was watching it for a time, but I never
• 49:33
  Speaker 3: tapped in.
• 49:35
  Speaker 1: Oh, Brandy's Mercedes? Okay, mm hmm. I like Shannon, though, Shannon,
• 49:43
  Speaker 1: you could you could leave your you could be like
• 49:45
  Speaker 1: I'm leaving my family.
• 49:47
  Speaker 2: Most off the gorgeous Absolutely.
• 49:49
  Speaker 1: She looks like Leela Rashawan in the nineties, like the
• 49:52
  Speaker 1: black Bombshell Jet Beauty of the Week page forty three.
• 49:55
  Speaker 2: Let's just put because I want her in there. I
• 49:59
  Speaker 2: don't want to leave my family for Shannon.
• 50:02
  Speaker 1: Right now, tell you the funniest thing. You tell your mother,
• 50:06
  Speaker 1: I'm not coming to the kids. Kids, he didn't wait
• 50:08
  Speaker 1: for mommy. Was your mother?
• 50:10
  Speaker 2: You know you're telling your kids this.
• 50:11
  Speaker 1: Tell you, I'm damn Tell the baby mommy. Daddy said
• 50:18
  Speaker 1: he's not coming home. Why Sunshine man. Now he was
• 50:21
  Speaker 1: so confused.
• 50:23
  Speaker 2: Yeah, he was happy with his choice. He was like,
• 50:25
  Speaker 2: I did it. I did it.
• 50:30
  Speaker 1: Ah, Nah is too young, Jesus, sweetheart, she's like twenty six,
• 50:36
  Speaker 1: twenty eight maybe now, yeah.
• 50:38
  Speaker 2: She's she's the kids. Some people will always be the
• 50:41
  Speaker 2: kids to be Listen, y'all kept bringing up Chloe and
• 50:44
  Speaker 2: her and z and the kids.
• 50:47
  Speaker 1: They're playing with barbies.
• 50:48
  Speaker 2: They grown women, but they kids, all.
• 50:52
  Speaker 1: Right, are sitting to your hall just for fun, just
• 50:55
  Speaker 1: a funny scene, trying just a funny like all you
• 50:58
  Speaker 1: need to do is going there and be funny. But
• 51:02
  Speaker 1: kind of silly. He was silly in that as that
• 51:05
  Speaker 1: role because he wasn't in the movie a lot.
• 51:07
  Speaker 2: He was just it was short.
• 51:09
  Speaker 1: It was short.
• 51:12
  Speaker 2: I would like to see to hear in this role,
• 51:18
  Speaker 2: to hear more just crying and carrying on.
• 51:24
  Speaker 1: We're giving love to the comedian to hear what absolutely
• 51:28
  Speaker 1: he could he could pull off the don't shoot that.
• 51:33
  Speaker 2: No more because his voice is kind of gravelly.
• 51:37
  Speaker 1: Oh, Marlon Wayns would be good too, he would, Marlon
• 51:40
  Speaker 1: would be good, you would. But to hear man, man
• 51:43
  Speaker 1: put putting to him, get here and there, man, all right,
• 51:48
  Speaker 1: Harlem Knights has casting today. You got Tom Ball as Quick,
• 51:52
  Speaker 1: Kennan Ivory, Wayne's and Sugar Ray. You got Bill Burry
• 51:56
  Speaker 1: is Phil, you got David Allen, Greer is Benny Wilson,
• 51:59
  Speaker 1: you got Moreek is Della Reese's character, Vera Dominique, LaRue
• 52:03
  Speaker 1: is Zoy Kravitt, Sunshine is Shannon Thornton. And our senior character,
• 52:07
  Speaker 1: I don't know his name is. To hear more, congratulations
• 52:10
  Speaker 1: to hear you booked it. See y'all next week on
• 52:13
  Speaker 1: the Bob Brothers Podcast. Now, unfortunately you got to go
• 52:16
  Speaker 1: back to work, no.
• 52:17
  Speaker 2: Right, quit your job.
• 52:18
  Speaker 1: Quit youall jobs.
• 52:19
  Speaker 2: Man, with your job