Latest / Booked On Rock with Eric Senich / Best Rock & Roll Books To Read This Summer [Episode 142]

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Best Rock & Roll Books To Read This Summer [Episode 142] · Booked On Rock with Eric Senich

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We're totally booked. I mean, I'll leave you do you're reading Little Hands,
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It's time to run and roll rollo. We are totally booked. Hey,
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welcome back to bookedown Rock, the podcast for those about to read and
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rock. Subscribe and follow on YouTube, Facebook, Twitter, Instagram, and
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TikTok where you get exclusive videos. Links to all the social media sites at
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booked on rock dot com. The latest blog on the website. Vote for
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your favorite Cure album. Just had Martin pop off on the show. He's
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got a brand new book out on the Cure, Wild Mood Swings, Disintegrating
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the Cure album by album that's out now. And you can hear that interview
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in episode one, and that leads us to this episode. We were going
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to run a regular interview, the guest had to reschedule, so we're going
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to do that next weekend. So I figured, now it's a good time
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to maybe go over some books that are a good summer reading, summer rock
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and roll reading, if you have your vacation coming up for even if you've
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already had your vacation. He got some time off on the weekend's head down
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to the beach, bring a book with you. Got some good recommendations,
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so let's get to it. Here are some rock and roll reads for you
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this summer. What my favorite book? You're top priority of the summer.
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It's existential, yet it's so accessible. It'll be a good summer. Who
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doesn't love the Beatles? Right? Most people have a favorite Beatles song.
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In fact, most people grew up having a favorite Beatle. Charles F.
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Roseney put out a brand new book called The Book of Top Ten Beatles Lists,
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sixty four celebrities and Beatles associates revealing their top ten favorite Beatles songs,
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albums, themes, and memories. Roseney's well known to Beatles fans for over
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four decades of promoting conventions, festivals and events. Since nineteen eighty three,
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he's hosted the magical Mystery Tour to London and Liverpool during Beatle Week event which
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brings travelers on the ultimate fan experience. For almost twenty years, he was
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the publisher and editor of the world famous Beatles magazine Good Day Sunshine. After
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years of contacting celebrities, rock stars, actors, athletes, authors and notables
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connected to the Beatles history, Charles has put together this book for pop culture
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enthusiasts, music lovers and fans of the greatest rock and roll band in history,
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The Beatles. That book is out now and we had Charles on the
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show for episode one twenty eight. The Bigger Picture. I always say the
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stars aligned when The Beatles appeared on The Ed Sullivan Show, but they start
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the stars aligned before that because it was meant to be. Pete Best was
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a great drummer, a great personality, a great guy, but he wasn't
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a Fab four. He wasn't the mesh for John, Paul and George.
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And you know, whether whether he sees it or not, it's the truth.
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Will they have gone as far as they did with Pete or not?
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I'm that's a whole book, that's a whole speculation that we can talk about
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forever. I think they would have. But would they have been as happy,
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would they have been as creative? You know, they loved Ringo.
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They loved Ringo more than Pete. You know, why does somebody love a
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friend more and want to be with a friend more than another friend. Yeah,
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they were mates with buddies with Pete, you know, longer than Ringo.
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But there was something that clicked and it proved I mean you look,
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look at the success, Look at the fact that we're talking about a band
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whatever. Sixty years later they did, Okay, they did pretty decent.
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What's better than Summertime and Van Halen undoubtedly one of the most influential rock and
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roll bands America has ever seen and my personal favorite band of all time.
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In Van hill and Every Album, Every Song, author Morgan Brown takes readers
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through the band's classic albums, charting their ascent from sunset strip amateurs to chart
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topping arena rockers and beyond. He explores the components of their music and its
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inspirations, as well as introducing us to the musicians behind the songs, including
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the late Edward Van Hillen, the one of the kind frontman David Lee Roth,
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and Sammy Higgar, who revitalized the band when he took the reins.
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This book is perfect for new fans and longtime fans. Morgan was on episode
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one twenty nine of book Down Rock But Me. Although nineteen eighty four has
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so many great high points, I'd go back to the debut of the two.
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I think it's more even, the qualities more even across the album,
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and I think sonically it's a bit Bepper two. I think that's Sunset sound
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recording is great. Obviously the fifty and fifty allowed Eddie so much more creative
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control, which is excellent for him. But I think they made some compromises
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because of that. You get Alex starting to have to use a scale down
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kit and like electric drums to fit to physically fit into the into the room.
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Which, yeah, it's kind of the sound at the time, but
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doesn't sounds so good to my ears now. Van Halen every album, every
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song is out now also out this summer is To Live Is to Die The
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Life and Death of Metallica's Cliff Burton. The updated edition to coincide with the
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fortieth anniversary of Metallica's debut album Kill Them All. Joel McIver has put out
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a revised and updated edition of To Live Is to Die, originally published in
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two thousand and nine. It adds a new chapter that looks at Cliff's legacy
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from a fresh perspective and includes commentary from current Metallica bassist Robert Trahill and aquaman
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star Jason Momola, as well as an eyewitness account of the opening of the
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Cliff Burton Museum in Sweden. In twenty twenty two. Testament bassist Steve de
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Jurjo also adds his memories of meeting Cliff as a teen and then watching he
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and his band Metallica take off. Joel was on episode one, twenty eight
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of the podcast to talk about the life and career of the late great Cliff
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Burton. He had become a bass player for the Ages by this point,
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and yet he was in this thrash metal world, which lows my mind because
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it's not traditionally the home of virtuoso based players. That are the ones we
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just mentioned aside Puppets. I mean, it's to me it's not just Meternica's
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best record. And really that's a generational question anyway. You know, you
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ask people under thirty what their favorite record Meternica isn't it probably won't be Puppets.
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You ask people you know of all generations, may you know where they
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stand on Metallnic You'll get different answer his time, quite riley. But I
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do think that in terms of musical sophistication, that's where they peaked. Although
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and at the same time those songs are catchy as hell as well. You
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don't forget any of them. There's no escape on that record, right,
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there's no slightly dodgy song that they really didn't need to record those eight songs
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that they're all excellent, you know, beautifully put together, unmemorable Tool,
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every album, every song by Matt Karper. Matt was on episode one thirty
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one of the podcasts his book All About All. One of the most unique
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bands in rock and metal history. Their music extremely complex and intelligent, while
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their insistence on privacy makes them an enigma to many. Matt documents all of
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this Los Angeles band Studio releases from the Rhyme Unapologetic n eighteen ninety one dem
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or Tape to their twenty nineteen epic Fear in Ourculum, the stories behind every
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song, including the pivotal track sober Anima, Schism, Ladder, Alice,
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and Rosetta Stone. Here's Matt from episode one thirty one of book Down Rack.
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I specifically remember skis and came on the first time I'd heard of this
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band, Tool, and straight away, you know, just just a name
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Tool. I thought, that's been a strange name for a band, and
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when it leads in with that that base riff, I mean, I was
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like, whoa this is? This is not you? Know, this isn't
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a rap metal song, This isn't this isn't going to be the sort of
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thing we're used to hearing. And yeah, it just came in with that,
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with that, you know that it made you sit up and take notice.
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I guess. I called it a legendary and other worldly based riff,
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and it just came in so different to what he was hearing at the time.
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I've read that an analysis of the track also found that the meter of
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the song altered at forty seven different times. I mean, I'm not going
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to say on the most understanding in terms of the terms of you know,
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used in song structures and different things. So even for tour for this book,
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I had to really sort of delve into the reasoning behind them and what
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sort of everything that went into the song, I guess. And it's quite
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ironic that one of the lead lyrics is I know the pieces fit. Because
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this really was a song that was concocted meticulously. I can imagine why it
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took so long to to be put together, and yeah, it's just absolutely
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that time. I do remember. It was unlike anything I'd ever heard again,
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and it was the reason why I did end up going to the shops
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and buying latter alys to to see what else they was capable of. Arthur
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Sean Kelly has put out a brand new book, Don't Call It Hair Metal
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Art in the Excess of Eighties Rock. The nineteen eighties, it was the
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era of excess. Bigger is Better, a little just ain't enough, a
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time when the musical and cultural ideas of rebellion and freedom of the great rock
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and roll of the fifties, sixties and seventies were taken to dizzying heights of
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neon excess. But time hasn't always been kind to the artists and bands of
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that gold and platinum era. The music often overlooked and ignored by critics,
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with the focus more on what the bands look like and less on the songs
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they wrote and recorded. And Don't Call It hair Metal Art in the Excess
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of Eighties Rock Sean Kelly sets out to give these artists the respect they deserve.
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Sean stop by for a visit for episode one thirty two of Booked on
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Rock. We covered the book, plus I asked them about Motley Crewe and
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how they've replaced Mick Mars with guitarist John five. Listen Man John five is
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a remarkable musician, an absolutely incredible musician. I've got nothing but respect from
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But I also have no interest in a Motley Crew without mc mars. And
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you know what, even with the Karab stuff, I actually love that Karab
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record. I love it. I love John. It's a beautiful record.
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Sure they have called it Motley crue. I don't know, because, honest
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to God, Vince Neil, he's not the technical the most technically gifted vocalist
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in the world. We know that. But the sound and even Nikki back
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in the day, I don't know how much. I don't know if he
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played everything on Too Fast Beloved, but it showed at the Devil. If
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you listen to the isolated bass tracks, we're not talking about a virtuoso at
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work here, like I'm listen, but together the slop, with the tight
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the musicianship of lean Mars, the vision, I'm really Nikki six. It's
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thought about being a bass player. It's about being a visionary and seeing it
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through and and and a lyricist and a songwriter, right like I mean that
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those are his gifts. Yeah, you know, and being a great bass
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player doesn't really matter in that context, you know, you got Mick Mars
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He's covering all the basses. You're good, you know, Uh yeah,
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I'm just not that interest. Who knows. Maybe they'll come up there in
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the studio with Bob Rock right now, Maybe they'll come up with something mind
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blowing, and I hope they do because the world needs more mind blowing rock.
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Why do you go? But at that time, it was those four
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personalities that made that happen, and I don't think it could have been anybody
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else. Another phenomenal book to read this summer, especially if you're a Bruce
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Springsteen fan, Deliver Me from Nowhere. The Making of Bruce Springsteen's Nebraska by
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Warren Zanes fascinating story behind the making of Bruce's most surprising album, Nebraska from
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nineteen eighty two. Bruce considers this his best album, and we find out
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why from Warren, who spoke to Bruce Springstein himself for the book, along
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with the many people involved with the making of the album. Here's Warren from
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episode one thirty three. Bruce, he gives you a great description of what
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it was like recording the songs. This is chapter eleven. He uses a
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teac one forty four four track recorder. Is that. Yeah, it looks
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kind of like what I'm recording my podcast. I was like a little you
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know, I went on eBay. Um, I just I found a broken
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one. And when I do book events, I bring it with me just
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because it's good to make contact with the material history and to see this thing.
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You know, it's it was ahead of its time at that point,
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right ahead of its time, and now it looks like just this artifact of
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deep funkiness and it's cool for people to see it. When we did the
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CBS Sunday Morning, Um piece, I brought it out there and you know,
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it's beautiful. Bruce kind of put his hands on it, you know,
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but both his hands just like feetle things like yeah yeah, um.
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But it's recording on a cassette that you could buy. You know, at
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the time, you could go buy that CVS and you know, little kids
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would use them to tape their voices and play it back. The difference with
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the TAE forty four was that it's four track recording, and so that was
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the revolution. It had been there for a couple of years, been out
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on the market for a couple of years. But to put it really simply,
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it was the first consumer multi track machine. You know, now multi
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track recording is a mundane thing. It's on everybody's laptop, you know,
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if you choose to do it. But then it was like whoa multi track
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recording? And pretty soon you see that shift where people are starting to take
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it home. And in that respect, the Spring scene's move was very prophetic
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of what was coming. Author David Jackson was on the podcast for episode one
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thirty four to talk about his book Peter Asher Life in Music, another must
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read for this summer. It covers the life and career of English guitarist,
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singer, manager and record producer Peter Asher, who was one half of the
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sixties pop duo Peter and Gordon before going on to a successful career as a
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manager and record producer. He's worked with James Taylor, Linda Ronstat, Bonnie
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Raid, Steely, Dan's Donald Fagan, Diana Ross, Share, Neil Diamond,
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Randy Newman, Kenny Loggins, Morrissey, Ed Shearon, and Steve Martin.
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David spoke with Peter himself for the book, along with over one hundred
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artists, friends and colleagues. Here's David from episode one thirty four. I
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want to go back to the first album that James recorded, which was under
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Apple Records. There's a familiar song title on that album, but the song
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itself is different from the one that most know, and that's Carolina in my
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mind, the version that's included on James Taylor's Best of from nineteen seventy six
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very different. The story behind that new recording is in your book. Warner
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Brothers asked Peter if James would re record that song and something in the Way
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She Moves from the Apple Records album. Can you talk about why Warner Brothers
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wanted those two new recordings, why did they end up being recorded differently?
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Yes, Well, if you recall in the late seventies early eighties, for
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a while Apple was in you know, there were a lot of lawsuits going
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on between the Beatles, between Apple and Capitol. I mean, it's like,
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you know, just law your heaven for a while, and so those
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tapes, those sessions were kind of in this limbo where you couldn't just license
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them, which you know, would have been the easy thing to do.
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And so because they weren't available and Warner Brothers one of those two songs on
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that Greatest Hits album, they needed to rerecord them, and Peter was always
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and even James Taylor told me that though that first album was a little overproduced,
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Peter was so enamored of James and the talent and the songs that he
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wanted to make them stand out from the folk world. So he, uh,
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you know, there's some string quartet on it. They're fuller production.
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I mean even you know, Carolina in my mind the first time I heard
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it on the radio, it's a great production. But by the time James
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Taylor became a hit with Fire and Rain and those Warner Brothers records, he
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was doing things much more low key and acoustic. And so since they had
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been doing Carolina in my mind in that way for a few years now live,
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it was like, whoa, let's just do it in that way,
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not try to recreate that original version. So it's much more like I said,
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sticky and so little slower. So that's the way those two songs were
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done. For the Greatest Hits. Another fascinating summer read Magic the David Peyton
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Story. David Payton is the singer, songwriter and bass player with the group
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Pilot, and he's written the worldwide hits Magic, January and just a smile.
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He was a member of the Alan Parsons Project for ten years, did
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session work with The Pretenders, Paul McCartney, Kate Bush, Chris de Burgh,
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Chris Ray and Jimmy Page. He also spent three years touring the world
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and recording as a bassist for Elton John. He even performed with Elton at
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nineteen eighty five's Live eight. David was on the show to talk about some
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of those stories, episode number one thirty six. You know, I asked
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people about that song. I've been bringing up the fact I'll be interviewing you,
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and I said, you know, he wrote that song. Oh whoa,
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it's magic, And it's an immediate response, like they'll say, oh
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God, I remember the first time I heard that. That reminds me of
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or you know, I just I play that for my kids and they love
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you write about composing the four bars on piano. And then after that the
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challenge was getting the right verse. Can you cheer with us how that verse
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came to you? Yeah, Well, as you say, I had the
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chorus, I had as little chorus. It just went oh ho ho,
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it's magic. You know, never believe it's not. So it's only four
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bars and I used to sit up my piano with a cassette recorder above the
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piano, and every time I wrote something, even something that was just four
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bars, I would press record and record that little four bar piece, then
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move on to something else. So that little piece was on my cassette player
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waiting for a verse to come along. I had to get up early one
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morning as the sun was rising, and I accidentally woke my wife up as
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I was getting up, and she said to me, wow, look,
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I've never been awake to see the daybreak. And suddenly I heard it as
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a melody, and my little Magic chorus came into my head, and I
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thought, this little line, I've never been awake to see the daybreak.
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Well I modified it a little bit, never been awake, never seen a
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daybreak, but I knew there, and then I had a full song.
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Those songs you only need a verse in a chorus. Sometimes you'll add a
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middle eight, but Magic didn't need the middle late and that was it.
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Yeah. I usually get it from something that somebody says to me, you
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know, and just a little line or even you know. I wrote a
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song called love Is, which was based on the little look bad that you
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used to get and I said, love is in the corner. You know,
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little things like that. It's always something somebody says and you just think,
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oh, that sounds like it could be a song. Author Joe Mattera
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was on episode one thirty seven to talk about his book Backstage Passed the Grit
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and the Glamour. Here's a book that's a definite must read for this summer.
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Joe has interviewed artists from all over the world, covering the full spectrum
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of genres. He takes the reader backstage and beyond to get behind the facade
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of the rock stars he's met. He's got stories on Nickelback lem Me from
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Motorhead, The Shadows, guitarist Hank Marvin Riem and Zerich, Brain May,
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George Martin, Gene Simmons, and John Mayer. Here's Joel from episode one
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thirty seven. John came out to Australia. When he came out, no
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one knew who he was. I didn't even know who he was. I
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just got this press release saying, you know, this singer songwriter from America
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has got this album and you know he's coming out to do a showcase.
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So I was invited to the showcase and it's only about twenty people at this
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really sort of dingy, sort of inner city sort of bar, and most
20:36
of them who were there were more interested in having their their free alcohol when
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you know, just sort of checking out who this guy guitar player said,
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John's on stage. He's he's playing all he's tunes. You now, no
20:45
one's sort of really taking much note. And you know, I can sense
20:48
that, you know, this is a guy who's really extremely you know,
20:52
talented on the guitar, and he's got some great songs. And he got
20:56
to the last song and he could see that he wasn't winning you know,
21:00
many people away us, so he decided to throw in a cover of Stevie
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ray Vaughn's Lenny Right and which is He just played it, and all of
21:10
a sudden, everybody just swammed in front and go wow. And he just
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this amazing cover, one of the best covers I've ever sort of heard from
21:18
from an artist, and he won everybody over and I knew straight down,
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I thought, well, this guy is going to be going places. So
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what happened then was six months later he broke he was he was becoming a
21:30
really big star in Australia. So he came out again and I got to
21:33
sort of interview him again. He remembered, he remembered it and in detail
21:37
where we were, what we talked about. I thought, wow, this
21:40
guy is pretty switched on. He remembers me. He must have done hundreds
21:44
of interviews since then. Then, So we got on really well and he
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opened up to me, and he just kept getting bigger and big and bigger.
21:51
One of my favorite bands is Living Color, and there's a brand new
21:52
book out for you to read this summer called Living Colors Times Up. It's
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part of the thirty three and a third series. Kimberly mac has the author.
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She was here for episode one thirty eight of the podcast. This book
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is an in depth exploration of the nineteen ninety Living Color album Times Up,
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recorded in the aftermath of the critical and commercial success of the band's debut record,
22:11
Vivity. She interviewed members of Living Color and others involved in the making
22:15
of Times Up. You know, I think I would describe it as an
22:21
album that if you listen to it right now in twenty twenty three, it
22:26
sounds fresh. I mean, every time I listened to it, it doesn't
22:30
feel dated to me. It doesn't sound old. It sounds like it could
22:36
have been made this year, in part because of the I think the fluidity
22:44
between the different categories of music. I think artists do that more now than
22:51
what was happening in the late eighties or early nineties. So I would say
22:56
this is a record that's going to sound kind of familiar in some ways to
23:00
you, and sonically it's not going to be like, oh, this is
23:03
old or whatever. Also, I would say it's just a fantastic record in
23:10
terms of the level of musicianship, the level of Corey's vocals, and just
23:17
the songs themselves. I think the songcraft on all of them are you know,
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it's just I think it's like a consistently strong record. I don't think
23:25
there's a weak track on that record. And then I would say, from
23:30
a lyrical standpoint, for better for worse, probably for worse, so much
23:34
of it again could have been written right now. You know, history is
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a lie that they teach you in school, a fraudulent view called the Golden
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rule. I mean, you know, when I hear those lyrics, I
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think about all of the kind of you know, panics around you know,
23:49
in case through twelve, around critical race theory and banning books and all this
23:55
stuff. It's like, you know, I think about that when I hear
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that song Time's Up. Yeah, Corey was sounding an alarm, but now
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the environment is worse, you know, like we didn't listen to the alarm.
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You know, information overload. It's kind of predicting the chaos of the
24:11
Internet and you know, and social media. This is the life. You
24:15
could also think about it in terms of social media and you know what young
24:21
people are kind of dealing with in terms of you know, they've been studies
24:25
about young girls in particular and how detrimental the Internet has been for young teenage
24:32
girls on their self esteem, on their feelings about their bodies and their in
24:37
their physical attractiveness. It's just been terrible. So yeah, I think this
24:41
is a record where I would say, for somebody right now, we're young
24:47
somebody right now. There's so many things on there that you can listen to
24:49
and get something out of. Even though it was recorded more than thirty years
24:53
ago. Mud Honey guitar is Steve Turner teamed up with author Adam to pedal
24:57
And to release a book that is one of the best of the summer mud
25:02
Ride a messy trip through the grunge explosion. If you're a fan of nineties
25:06
rock man, this is a great book to read. Chronicles the birth and
25:08
evolution of the Seattle grunge scene, from amateur skate parks and underground hardcore clubs
25:14
to a worldwide phenomenon, told by one of its founding fathers and the lead
25:18
guitarists of legendary alternative rock band mud Honey. Steven Adam appeared in episode one
25:23
thirty nine of Booked on Rock, and Steve revealed, as he does in
25:26
the book, that he was offered the job with Nirvana back in nineteen ninety.
25:30
You mentioned in the book you were asked to join Nirvana as a second
25:33
guitarist. You didn't think that was a good idea. Now why you felt
25:38
they were better as just one guitarist would have? I mean they weren't anything
25:42
yet, you know. Remember this is like right when Dave Roll joined and
25:51
you know, right after they kicked Dan out. So and Dan was my
25:55
roommate at the time too, So I was like, I can't join a
25:57
band that just kicked out Dan, you know. But but I also I
26:03
legitimately just thought they were a great three piece, and so my advice is
26:07
like, don't get a second guitar player. You guys are great as a
26:10
three piece, you know, like there's not that's a rare beast. A
26:12
really good, powerful three piece is a rare beast. And you know,
26:17
I didn't even think of it at the time. It didn't matter or anything.
26:19
And years later I thought about it, like, well, you know
26:25
what, if I had said yes, I wouldn't have lasted more than a
26:27
few weeks, I don't think, because there's just a lot of chaos involved
26:30
with those people. And as much as I love them, Chris is awesome.
26:36
I've known Chris forever. But I wasn't the guy to be in that
26:40
band, and that's pretty obvious. You know, it wouldn't have worked out.
26:44
And they got Pat smear and he was the dude. I was gonna
26:48
ask, what did you think? How did they sound when when they added
26:51
pair it was great, but they had a second guitar player earlier, which
26:55
is terrible. It was just muddied up the sound. But Pat Smeir was
26:59
the dude. He was the right guy for the job. You know,
27:02
he's a great guitar player and could somehow maneuver his way through those very volatile
27:10
personalities. One book, I want to mention it came out in November of
27:15
twenty twenty two, but we just recently had the author on and this is
27:18
a definite summertime read Secret Stars, the greatest Underdogs of the Rock and Roll
27:22
Era. It's by Matt Brenson. Discover some amazing musicians that flew under the
27:26
radar. Some you may have heard of, some you may not have.
27:29
They may not have received as much radio play, if any at all,
27:32
as their more famous counterparts, but their music and stories are just as incredible
27:36
and personally. The one band that I now love because of this book is
27:40
the band Love, with the legendary late great singer and songwriter Arthur Lee.
27:45
Love was a rock band the way you think of a rock band. They
27:48
put out albums, they lay shows, they have had lyrics to their songs
27:52
that you know that. They were not a house band for anyone else.
27:56
They were their own thing, LA band, And basically once I found out
28:00
about them, I found I heard their album Forever Changes, their third album,
28:06
was sort of the album they were famous for and that some people considered
28:10
among the greatest albums of all time. The Library of Congress has it on
28:12
their list, right, Library of Congress. There we go. It turns
28:15
out if you look at almost any list from the twentieth century of the greatest
28:22
rock albums of all time, it'll be there. Rolling Stones five hundred Greatest
28:26
Albums of all Time from like I think it was the year two thousand and
28:27
three. The first one they did, Forever Changes, is like, you
28:32
know, one hundred and fifty on the list. It's way up there,
28:34
you know, any and in the UK it's much bigger than it is here.
28:38
Any list of the greatest albums of all time in any UK music magazine
28:44
will include Loves Forever Changes. So they are bigger there and better known in
28:48
the UK than they are here. But they never had any They had one
28:52
top forty hit here, minor hit called well two, but really like not
29:00
huge hits at all. One was a cover of a Burt backrock song called
29:03
My Little Red Book, which was fantastic. Their version of it is so
29:06
much better than his. And then a song called seven and seven Is,
29:11
which I was actually surprised was their biggest hit here because it's very punk.
29:18
It sounds like a really agro early punk song, really early punk song because
29:22
it was, like, you know, nineteen sixty six. They were way
29:25
ahead of the curve, and I just fell in love with all of it.
29:27
Their first three albums, which are the three with the original lineup,
29:33
and then really he recorded several great albums as Love after that, but not
29:38
as great as those three. The first song Jimmy Hendricks ever played guitar on
29:42
was written by Arthur Lee, and it was recorded by a female artist before
29:48
Love existed, even when Arthur was a teenager. He wrote a song when
29:51
he was nineteen. He and Arthur met each other then and remained friends for
29:55
the rest of Jimmy's life. And I tracked that friendship through the whole through
29:59
the whole chapter. As you know, So Arthur Lee starts an integrated rock
30:04
band, and wouldn't you know, so does Jimmy Hendrix. So Jimmie Hendricks
30:07
and Sly and the Family Stone were the first famous integrated rock bands, or
30:12
in the case of Sly and the Family Stone, R and B soul.
30:17
But you know, Jimmy Hendricks learned a lot from Arthur Lee. That's all
30:19
I can tell you. Arthur loves guitar player Johnny eccles used to play the
30:25
guitar behind his head. Yeah, so Jimmy Hendricks was around before the Jimmie
30:30
Hendrix experience. There was love And I mentioned earlier Martin Popo's book whild Mood
30:34
Swings Disintegrating The Cure album by album that is definitely one to add to your
30:40
list for this summer, presented in a Q and A format, and it
30:42
takes a critical analysis of The Cure's thirteen studio albums and some books that will
30:48
be coming out very soon that you definitely should check out. One of his
30:51
brothers and sisters, The Almer Brothers Band and The Inside Story of the Album
30:53
That Defined the seventies. Author Alan Paul will be on the podcast. I've
30:59
got that interview set up for this week, so should get it out by
31:02
the end of the week. It's due out July twenty fifth, to out
31:04
August fifteenth through Backbeat Books. The Jive of ninety five and Oral History of
31:08
America's Greatest Underground Rock Radio Station KSA N and San Francisco. An Oral History
31:14
of America's greatest underground rock radio station KSA N San Francisco. It's an oral
31:18
history of America's first hippie underground FM station. Hank Rosenfield du on the podcast
31:25
very soon to talk about that book. Looking forward to that. Another author
31:29
we're looking forward to having on as Nina Antonia. Nina wrote the cult Bible
31:33
of all things Johnny Thunders with their book Johnny Thunders and Cold Blood back in
31:37
nineteen eighty seven, The Definitive Portrait of the Condemned Man of Rock and Roll,
31:41
from the baptism of fire and tragedy that was the New York Dolls,
31:44
through the chunky punk years of the Heartbreakers to his sudden and mysterious death in
31:48
nineteen ninety one. There's a brand new edition out now, a new closing
31:51
chapter and photos and more. We're gonna have Nina on the show very soon.
31:56
Also looking forward to that one. That's to look at some of the
31:59
summer rock and roll books that are out now or coming out soon. You
32:01
can go to bookdown rock dot com as well to get a link to all
32:05
the new releases. Make sure you subscribe to the podcast wherever you listen.
32:09
We're on Spotify, Apple, Stitcher, Google Podcast, YouTube, iHeart Spreaker,
32:16
tune in and more. That's it for now. I'm Eric Senich.
32:20
Thanks for listening to book Don Rock, that's it's in the books.