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Denver International Airport · Conspiracy! The Show

• 0:10
  Speaker 1: Welcome to Conspiracy The Show with your hosts Adam Todd
• 0:15
  Speaker 1: Brown and Connore mcspaden. Hey, everybody, welcome to Conspiracy The Show.
• 0:26
  Speaker 1: I am Adam Todd Brown. I'm the other guy. That
• 0:30
  Speaker 1: is Connor mcspadden, just finishing up his drink of water.
• 0:35
  Speaker 1: How we start every pod?
• 0:36
  Speaker 2: We started last episode where I'm like, I got a
• 0:41
  Speaker 2: I like hydrate for a podcast, like how Michael Phelps
• 0:43
  Speaker 2: carbo loads just like six pancakes before the race and
• 0:46
  Speaker 2: I just burn it off in like forty five seconds.
• 0:49
  Speaker 2: So he always throws to me, I'm expecting a little
• 0:52
  Speaker 2: more vamping, but it's just like all right, man, Yeah,
• 0:55
  Speaker 2: but you know, you know, let's get right into it.
• 0:57
  Speaker 2: I don't vamp this other do you even vamp? Bro's
• 1:01
  Speaker 2: a it's an old school, you know, radio host listening
• 1:04
  Speaker 2: to a podcast. You're like, you guys don't even know
• 1:06
  Speaker 2: how to reset after a break. You're not giving out
• 1:08
  Speaker 2: the time, or the weather or the travel Well, it
• 1:10
  Speaker 2: would vary from location to location.
• 1:12
  Speaker 1: Yeah, we do have a block of the Doobie Brothers
• 1:14
  Speaker 1: coming up after this break.
• 1:16
  Speaker 2: We're playing the side too of the whatever the I
• 1:19
  Speaker 2: almost broke up with a girl over the Dewbee Brothers
• 1:21
  Speaker 2: one time because she was a musician and you know,
• 1:23
  Speaker 2: so I was two at the time, and you know,
• 1:25
  Speaker 2: we played music together. And then she wanted to watch
• 1:27
  Speaker 2: this live Doobie Brothers DVD and it's like two hours
• 1:30
  Speaker 2: and we watched the whole thing and I'm like going
• 1:32
  Speaker 2: insane at thirty minutes because every Doobie Brothers song sounds
• 1:35
  Speaker 2: the same, like, yeah, exactly the same. Great man, you know,
• 1:38
  Speaker 2: it's I've no problem with the Doobie Brothers. But I
• 1:40
  Speaker 2: was just like crawling the wall and I was just
• 1:42
  Speaker 2: like and she could just tell I and I deal
• 1:46
  Speaker 2: with my emotions about as well as you'd expect me to.
• 1:48
  Speaker 2: So I'm just sitting there becoming quietly enraged, and she's like,
• 1:51
  Speaker 2: are you okay. I'm like, yeah, I'm fine, Yeah, fucking yeah,
• 1:53
  Speaker 2: everything's fine. Doobie Brothers. Yeah, And every song ends with
• 1:57
  Speaker 2: the twenty minutes before the final fresh symbol. It's god
• 2:01
  Speaker 2: fucking damn it.
• 2:03
  Speaker 1: Uh So what are we talking about today?
• 2:05
  Speaker 2: We're talking about the Denver Airport along in story conspiracy
• 2:08
  Speaker 2: and the un pops uh history analys long, long, long history.
• 2:12
  Speaker 3: Here.
• 2:13
  Speaker 1: We were big fans of war Horse that's what we
• 2:16
  Speaker 1: call warhorse. Yeah, the horse that's outside the airport, the Lucifer,
• 2:20
  Speaker 1: is what the locals.
• 2:21
  Speaker 2: Call him, the Red Eyed Stallion. He is a he
• 2:24
  Speaker 2: sounds like what they'd call like a really strong olbino guy,
• 2:26
  Speaker 2: like from like you know, Red Eyes the eighteen hundreds.
• 2:30
  Speaker 2: He's just like we won a bunch of like, you know,
• 2:31
  Speaker 2: obscure like you know, local wrestling man, the Red Eyed Stallions,
• 2:34
  Speaker 2: moving from town to town. There'd be like a weird
• 2:36
  Speaker 2: shitty mibiograph of him, you know, just like beating the
• 2:39
  Speaker 2: ship out of some guy at a farm.
• 2:40
  Speaker 1: He's almost invisible because technology was shitty back then.
• 2:43
  Speaker 2: Yeah, yeah, yeah, we should get uh, we should get
• 2:46
  Speaker 2: those on shirts. Oh the yeah, you should get the
• 2:50
  Speaker 2: uh get the red ed get a fucking I forgot
• 2:53
  Speaker 2: what his other name was.
• 2:54
  Speaker 1: Yeah, we're already war Horse. Yeah, yeah, we're all We
• 2:57
  Speaker 1: do have war Horse shirts coming really soon.
• 3:00
  Speaker 2: Oh sick.
• 3:01
  Speaker 1: So yeah, the Denver Airport, let's talk about a little
• 3:03
  Speaker 1: bit of the history. The Denver Airport opened on February
• 3:08
  Speaker 1: twenty eighth, nineteen ninety five. It was sixteen months behind
• 3:13
  Speaker 1: schedule and two billion dollars over budget.
• 3:17
  Speaker 2: Here's one question I have is our airports are those
• 3:21
  Speaker 2: Is this like tax payer money or are they Is
• 3:23
  Speaker 2: it a privatized thing. I think it would have to
• 3:25
  Speaker 2: be tax payer money. I think it is. I wasn't
• 3:29
  Speaker 2: completely sure.
• 3:30
  Speaker 1: Yeah, I don't know if there's a group that owns
• 3:33
  Speaker 1: the Denver Airport. I mean besides the Illuminati obviously, Yeah, besides.
• 3:36
  Speaker 2: The you know, Liz Tech nothing to see here ventures.
• 3:40
  Speaker 1: But they're not They're not into footing their own bills,
• 3:43
  Speaker 1: I'm sure. Yeah, so they figured out a way to pay.
• 3:45
  Speaker 2: Also, this like long over like schedule and over budget.
• 3:49
  Speaker 2: It's probably a government thing, you know, because they didn't
• 3:52
  Speaker 2: earn the money, so they have no like, you know,
• 3:54
  Speaker 2: problem with spending it frivolously. Right.
• 3:57
  Speaker 1: Yeah, this is probably why weed is legal and Colorado
• 4:01
  Speaker 1: still paying off the bill from this airport.
• 4:03
  Speaker 2: It's a good point. Yeah, everyone thought it was the
• 4:05
  Speaker 2: Joe Rugan's proselytizing about the mountains, but we just really
• 4:09
  Speaker 2: screwed the pooch on these fucking lizard bunkers. By the way,
• 4:12
  Speaker 2: I like the episode eight of this conspiracy Theory podcast,
• 4:14
  Speaker 2: and I'm already sound like a fucking libertarian over here,
• 4:17
  Speaker 2: Like well, yeah, I mean when you do nothing to
• 4:18
  Speaker 2: earn them, you know, there's no incentive for you to
• 4:20
  Speaker 2: spend a judiciously. But that is insane. I mean that's yeah,
• 4:25
  Speaker 2: because it was like two point five million, that's like,
• 4:27
  Speaker 2: that's one hundred and fifty percent more than they are,
• 4:29
  Speaker 2: one hundred and twenty percent more than they thought it
• 4:31
  Speaker 2: was gonna cost.
• 4:32
  Speaker 1: Right, they ended up spending four point eight billion dollars.
• 4:36
  Speaker 1: It's just twice as large as the next largest US airport.
• 4:39
  Speaker 2: That's enough to fund the warn I wreck for almost
• 4:41
  Speaker 2: fifteen minutes. I mean exactly, it's pretty.
• 4:44
  Speaker 1: Penny, but that's still a huge amount of money even
• 4:46
  Speaker 1: for the size of the airport, and.
• 4:49
  Speaker 2: It's like unnecessarily huge.
• 4:51
  Speaker 1: Yeah, it's super huge. I mean it's the biggest airport.
• 4:54
  Speaker 1: Does Denver handle that many flights?
• 4:57
  Speaker 2: Though?
• 4:58
  Speaker 1: To justify it, it's like a it's one of these cities.
• 5:00
  Speaker 2: It's almost like a rural city where it's a large
• 5:02
  Speaker 2: metropolitan area, but it's kind of the middle of nothing.
• 5:05
  Speaker 1: Yeah, in this airport is in the middle of like
• 5:09
  Speaker 1: sixteen or like six it's sixteen miles outside the city
• 5:15
  Speaker 1: and it's on this big, huge swath of empty land
• 5:19
  Speaker 1: that used to be very hilly, and that's part of
• 5:22
  Speaker 1: the conspiracy too. Now it's all flat, and people think
• 5:25
  Speaker 1: that's because of all the excavating for the bunkers underneath.
• 5:29
  Speaker 2: Yeah, it's twice as large as the next largest US airport,
• 5:32
  Speaker 2: and it's farther away from Denver than their old.
• 5:36
  Speaker 1: Airport, right, which according to most people was fine, Like
• 5:40
  Speaker 1: they had a perfectly fine airport. There was no huge
• 5:43
  Speaker 1: need for the Denver Airport.
• 5:45
  Speaker 2: I mean, I don't know if they're just trying to
• 5:46
  Speaker 2: pick up like more like layover business, you know, like
• 5:49
  Speaker 2: make it a bigger hub and a bigger more room
• 5:50
  Speaker 2: with yeah, swastika runways, which we should probably address at
• 5:54
  Speaker 2: some point. We will get into those. I like that
• 5:58
  Speaker 2: they've recently opened an exhibit.
• 6:01
  Speaker 1: Yeah they do like tours on Halloween now Yeah, where
• 6:04
  Speaker 1: I need to get out to one of those for sure,
• 6:06
  Speaker 1: Oh definitely. But uh yeah, because it's not like it's
• 6:09
  Speaker 1: hard to fly there, especially from La No. Take us
• 6:11
  Speaker 1: about forty five minutes and costs maybe one hundred bucks.
• 6:14
  Speaker 2: Oh totally fly from here to Denver. I mean that's
• 6:17
  Speaker 2: what are you doing with Adam for his birthday? Well?
• 6:20
  Speaker 2: Were he wants to go to the Denver Airport Halloween tour. Well,
• 6:23
  Speaker 2: I almost feel like doing that is a brilliant if
• 6:25
  Speaker 2: it is an Illuminati bunker doiant marketing move where it's
• 6:28
  Speaker 2: just like, yeah, this is such a joke. I mean,
• 6:30
  Speaker 2: if it was real, would they be giving tours like
• 6:31
  Speaker 2: well maybe? I mean they just don't tell the guy
• 6:33
  Speaker 2: with the vest that's yeah, a struggling actor that this
• 6:38
  Speaker 2: is where Prescott Bush's robot body is going to be hidden.
• 6:41
  Speaker 2: That's a callback to last episode, but.
• 6:43
  Speaker 1: Last episode that's going out after going up two weeks
• 6:45
  Speaker 1: from Yeah, just as I remember that the Princess Diana
• 6:48
  Speaker 1: one was going to be coinciding with the anniversary.
• 6:50
  Speaker 2: So my bad. Never mind, man, I tell you these
• 6:53
  Speaker 2: podcasters they don't know how to reset after breaks, all right,
• 6:56
  Speaker 2: They're always plugging shit in reverse order. And let me
• 6:59
  Speaker 2: hear them, will live Live read for a item is
• 7:01
  Speaker 2: supplement that doesn't work? I don't think so.
• 7:04
  Speaker 1: So the uh yeah, so so some people thought that
• 7:08
  Speaker 1: there was really no reason to build this airport. Uh,
• 7:12
  Speaker 1: and and that I think kind of kicked the conspiracy off,
• 7:15
  Speaker 1: like people were wondering, what's what's the point. Yeah, And
• 7:19
  Speaker 1: so let's talk about some of the weird things about
• 7:23
  Speaker 1: this airport. For one thing, the runways are laid out
• 7:27
  Speaker 1: in a very unique pattern, which could best be described
• 7:31
  Speaker 1: as swastika.
• 7:32
  Speaker 2: Like, yeah, if you look at it, you can if
• 7:36
  Speaker 2: you see it from a bird's eye view, it's a
• 7:37
  Speaker 2: fairly easy to google. It doesn't doesn't not look like
• 7:41
  Speaker 2: a swastik. Yeah, I mean it would be like super swastika.
• 7:44
  Speaker 2: That wouldn't be probably what the first thing I think
• 7:45
  Speaker 2: of if I saw it.
• 7:46
  Speaker 1: Yeah, the dimensions aren't perfect, but it's swastika like.
• 7:50
  Speaker 2: It looks more like one of those like you when
• 7:52
  Speaker 2: you see someone try to draw Swaska in the bathroom
• 7:54
  Speaker 2: and then realize that they, you know.
• 7:55
  Speaker 1: Didn't locked it up. Yeah, they're like, I meant the
• 7:58
  Speaker 1: one that means peace. It's a different way. It doesn't
• 8:01
  Speaker 1: same one pal.
• 8:02
  Speaker 2: A lot of believe it or not, a lot of
• 8:04
  Speaker 2: Swaska's being drawn to Chino High School. Uh, in the
• 8:07
  Speaker 2: in the late aughts, and uh, no way. What we
• 8:10
  Speaker 2: used to do is go just turn them into windows,
• 8:12
  Speaker 2: like just like finish them out, you know, and play
• 8:14
  Speaker 2: like tic tac toe or whatever. Nice.
• 8:16
  Speaker 1: Yeah, so yeah, that's one of the oddity And like
• 8:21
  Speaker 1: you said, it is kind of with this, it's almost
• 8:24
  Speaker 1: sort of a hiding and plain sight thing where if
• 8:27
  Speaker 1: this is some sort of vast conspiracy, they're being very
• 8:31
  Speaker 1: open and very obvious about it, which you never know.
• 8:35
  Speaker 1: Maybe that's the Illuminats new new new tactic.
• 8:39
  Speaker 2: But uh yeah, kind of hiding in plain sight. I
• 8:41
  Speaker 2: mean it doesn't it's not the it's not the craziest
• 8:43
  Speaker 2: idea I've ever heard. Yeah, and it's also I feel
• 8:46
  Speaker 2: like by virginal of being so far outside of Denver,
• 8:48
  Speaker 2: Like this seems like a good nuclear fallout type stitch.
• 8:51
  Speaker 2: Oh yeah, for sure. Yeah.
• 8:54
  Speaker 1: And also the you know, the swastika thing, that's the
• 8:59
  Speaker 1: one part of that. I look at it and I'm like, yeah, okay, whatever.
• 9:03
  Speaker 1: But then also have you seen like those maps of
• 9:05
  Speaker 1: DC where the monuments all make like, uh like Illuminati stars,
• 9:12
  Speaker 1: Like maybe it's the same thing.
• 9:13
  Speaker 2: Maybe they're going for.
• 9:14
  Speaker 1: That aerial, that breath taking aerial world domination view, Yeah,
• 9:20
  Speaker 1: that you can only get from flying above DC.
• 9:23
  Speaker 2: I don't know where I'm going with this. Like one
• 9:25
  Speaker 2: of my things, like the things about these things, is
• 9:26
  Speaker 2: like I don't see the need for symbolism really if
• 9:29
  Speaker 2: I'm like doing this, you know, right, like if you
• 9:34
  Speaker 2: would think like a group of oligarchs that you know,
• 9:36
  Speaker 2: just care about self preservation. Like I think if that's me,
• 9:41
  Speaker 2: I think like good branding isn't super high on my
• 9:44
  Speaker 2: list of priorities, right, you know that almost makes a
• 9:47
  Speaker 2: little more dubiuess to me. But there is some creepy shit.
• 9:50
  Speaker 1: Yeah, well the dedication stone, that's a creepy thing.
• 9:54
  Speaker 2: Yeah, it's in the lobby. I've seen this thing, I
• 9:57
  Speaker 2: have to. Actually before I made a little visit there
• 10:00
  Speaker 2: because I'd heard about it on the show from Adam
• 10:02
  Speaker 2: before when I had a layover one time. And let
• 10:04
  Speaker 2: me make it a little bigger so I can the.
• 10:08
  Speaker 1: At the bottom, it says the New World Airport Commission,
• 10:12
  Speaker 1: and it lists the names of a few different companies
• 10:16
  Speaker 1: that contributed. And just the way free may I mean,
• 10:20
  Speaker 1: it's got a Freemason symbol on it. That's what, Yeah,
• 10:24
  Speaker 1: the Freemasons do, and it or it's a really weird
• 10:27
  Speaker 1: Google doodle, I don't know, right, And to the left
• 10:31
  Speaker 1: of the Freemason symbol, it says the most Worshipful, Worshipful
• 10:38
  Speaker 1: Prince Hall Grand Lodge F and a M of Colorado
• 10:43
  Speaker 1: and jurisdiction Claude W. Gray Senior grand Master, and.
• 10:50
  Speaker 2: You see that he wrote Wizard, but they had to
• 10:51
  Speaker 2: use rock white out red.
• 10:55
  Speaker 1: So this thing is creepy. It's a it's also a
• 10:59
  Speaker 1: time capsule. I don't know what's in it.
• 11:01
  Speaker 2: I'm probably like smallpox. Yeah, probably on like King Tuts
• 11:05
  Speaker 2: like Dick.
• 11:06
  Speaker 1: But this is one of those things where you know,
• 11:09
  Speaker 1: people you can't look at this and not have questions
• 11:12
  Speaker 1: about it if you're a conspiracy type.
• 11:14
  Speaker 2: Like this is either like a bold faced, like you know,
• 11:19
  Speaker 2: declaration of purpose of this, you know, overinflated spending airport,
• 11:25
  Speaker 2: or it's just a really bad like graphic design move
• 11:28
  Speaker 2: where somebody's like, oh, I'm gonna make it look all
• 11:30
  Speaker 2: bad assult, you know, and it's like, well, yeah, fit's.
• 11:33
  Speaker 2: You certainly are selling a lot extra a lot of
• 11:35
  Speaker 2: extra cinnabonds because of that. But I don't know if
• 11:37
  Speaker 2: it was a great move.
• 11:38
  Speaker 1: It kind of reminds me of the Georgia guidestones. Have
• 11:40
  Speaker 1: you ever seen those?
• 11:41
  Speaker 2: Oh yeah, yeah, yeah, where it's like keep the population
• 11:44
  Speaker 2: onder one hundred thousand.
• 11:45
  Speaker 1: Yeah, it's like a message to the future world. It's
• 11:48
  Speaker 1: not a bad message, really, yeah. Yeah, it's a message
• 11:50
  Speaker 1: I could get behind. But five hundred thousand, goddamn, that's
• 11:53
  Speaker 1: gonna take.
• 11:54
  Speaker 2: It's gonna be some. That's gonna be tough.
• 11:55
  Speaker 1: I'm gonna take some work. Probably not gonna mandicut to
• 11:58
  Speaker 1: keep people under Oh yeah, for sure.
• 12:00
  Speaker 2: I mean, I don't know.
• 12:01
  Speaker 1: We have really good podcasts. They're gonna need those.
• 12:03
  Speaker 2: Yeah, that's what That's my only hope. I'm like, well,
• 12:05
  Speaker 2: I mean, what are you gonna how are you gonna
• 12:07
  Speaker 2: entertain yourself?
• 12:07
  Speaker 1: We're gonna burn them to CDs and then just open
• 12:10
  Speaker 1: our jacket a whole bunch of CDRs.
• 12:12
  Speaker 2: There. We have a we have a fan of our
• 12:14
  Speaker 2: of my podcast, Mean Boys that's going to jail for
• 12:16
  Speaker 2: six years. So we're gonna try to send them the
• 12:18
  Speaker 2: new episodes on cassettes every month, because I think you
• 12:21
  Speaker 2: can send cassettes into jail. So I'm gonna look into
• 12:24
  Speaker 2: the logistics of that, just because I think it would
• 12:25
  Speaker 2: be hilarious. That's all because he was like, yeah, the
• 12:28
  Speaker 2: show really met a lot to me, and yeah, I
• 12:30
  Speaker 2: came along when I was going through all this stuff,
• 12:31
  Speaker 2: and I'm like, I just think it'd be funny if
• 12:33
  Speaker 2: there's a guy in jail listening to your podcast on
• 12:36
  Speaker 2: a cassette. Yeah, that would be great. Probably the only
• 12:38
  Speaker 2: podcast that ever be distributed on cassette. Yeah, that's fantastic.
• 12:42
  Speaker 2: Yeah yeah.
• 12:43
  Speaker 1: Me and Jeff put out our split comedy album on
• 12:46
  Speaker 1: gold cassettes.
• 12:47
  Speaker 2: Oh that's rad. I didn't know there were gold.
• 12:49
  Speaker 1: It was one of our Kickstarter rewards. Oh nice, you
• 12:53
  Speaker 1: could get a gold cassette version. They're so pretty.
• 12:55
  Speaker 2: How many people do you think of actually listened to
• 12:57
  Speaker 2: it on a cassette deck.
• 12:59
  Speaker 1: On a cassette deck, Probably not a lot. Yeah, Like,
• 13:02
  Speaker 1: I haven't even listened to it on a cassette deck.
• 13:04
  Speaker 2: We did for we're just taking their word for it
• 13:07
  Speaker 2: that it's on there. I think I think bands and
• 13:09
  Speaker 2: so cassettes now, I think they're just like, that's it there.
• 13:11
  Speaker 2: They're like, I can't seoul funny. Yeah, I told my
• 13:15
  Speaker 2: pet Cruiser, so I don't have any vehicle in my
• 13:17
  Speaker 2: life that has a cassette deck in it. By the way,
• 13:19
  Speaker 2: my peg heres got total when I got hit by
• 13:21
  Speaker 2: a guy in a different Pezza Cruisers so perfect who
• 13:26
  Speaker 2: had no shoes while it was raining, You're wearing black
• 13:28
  Speaker 2: dress socks and his proven insurance had coupons for the
• 13:31
  Speaker 2: insurance company attached to the proof of insurance. That's amazing.
• 13:35
  Speaker 2: Who was his insurance company? It was like fucking the
• 13:38
  Speaker 2: Big L's crazy insurance. It was just a stupid company
• 13:41
  Speaker 2: that shouldn't exist. Big ass, like one step lower than
• 13:44
  Speaker 2: Adriana's you know.
• 13:46
  Speaker 1: Oh yeah from all the bus ads you see her
• 13:48
  Speaker 1: all the time.
• 13:49
  Speaker 2: Yeah, she's big where I'm from.
• 13:50
  Speaker 1: Uh So, Yeah, there's this this creepy rock.
• 13:54
  Speaker 2: Did she make the five hundred thousand on the Georgia
• 13:56
  Speaker 2: guidestones Adriana from Adriana's Insurance? Pretty cute, just photogenic. Yeah.
• 14:01
  Speaker 2: I mean we're gonna need to ensure our like, you know,
• 14:03
  Speaker 2: our trains that carried like the people to the Swiling
• 14:06
  Speaker 2: Green factory.
• 14:07
  Speaker 1: So yeah, yeah, she'll have to ensure them to make
• 14:10
  Speaker 1: sure they make it to the factory.
• 14:11
  Speaker 2: Yeah. Yeah, there'll be room for Adriana. Congratulations lady.
• 14:16
  Speaker 1: Uh So, also on this guide stone or on this
• 14:19
  Speaker 1: uh this uh it's called capstone in the Denver Airport lobby.
• 14:24
  Speaker 2: There all are.
• 14:25
  Speaker 1: Also people who point out that if you add up
• 14:27
  Speaker 1: the date, it adds up to thirty three, which is
• 14:31
  Speaker 1: the highest level of freemasonry. But no, the you that's
• 14:36
  Speaker 1: only the nineteen and the nineteen ninety four. If you
• 14:40
  Speaker 1: add March in, then it adds up to thirty six,
• 14:43
  Speaker 1: which that one.
• 14:43
  Speaker 2: I feel like, how old is now? Yeah?
• 14:47
  Speaker 1: I feel like if they were trying to be sneaky there,
• 14:49
  Speaker 1: they would have just put the stone there three days earlier.
• 14:53
  Speaker 2: Yeah, you could have. You could have rushed it. You know,
• 14:55
  Speaker 2: you could have had one of the bathrooms out of
• 14:57
  Speaker 2: order for you know, a week and a half. Yeah,
• 14:59
  Speaker 2: to get your like numerology agenda in place. It's like
• 15:02
  Speaker 2: the Rizz's book from Wu Tang if you ever read
• 15:04
  Speaker 2: his book called the Dao Wu. He believes in all
• 15:06
  Speaker 2: this bullshit crazy numerology. Oh yeah, nation of Islam on
• 15:10
  Speaker 2: like bullshit and it's like fucking crazy.
• 15:12
  Speaker 1: They believe white people were created in a lab. Oh
• 15:15
  Speaker 1: my bud evil black scientists named Yaku.
• 15:18
  Speaker 2: Yeah yeah, I was talking to my buddy Kyrie about
• 15:20
  Speaker 2: this and he was raised to believe that Yaku made wipe,
• 15:22
  Speaker 2: you know, out of like pigs, blood and shit and
• 15:24
  Speaker 2: like that is awesome.
• 15:26
  Speaker 1: Yeah, that's one of my favorite tales, sucking. And there's
• 15:29
  Speaker 1: so many rappers who believe that. Oh, it's like one
• 15:32
  Speaker 1: of the main nation of Islam.
• 15:33
  Speaker 2: I can't blame them.
• 15:35
  Speaker 1: Yeah, I mean we've earned that rep Oh definitely, for sure.
• 15:38
  Speaker 2: I'm like a pig. Are you sure it wasn't a
• 15:40
  Speaker 2: rash or some kind of lower mammal?
• 15:43
  Speaker 1: So the uh yeah, the date doesn't actually add up
• 15:47
  Speaker 1: to thirty three, And again under the Mason symbol, it
• 15:51
  Speaker 1: credits the New World Airport Commission for helping to build
• 15:54
  Speaker 1: the airport and for conspiracy theorists. Obviously they take this
• 15:58
  Speaker 1: as a sign that this is related to their.
• 16:02
  Speaker 2: Suppliers at Fourth Reich Building, Which, if you're a conspiracy theorist,
• 16:06
  Speaker 2: why wouldn't you take this as some sort of sign
• 16:10
  Speaker 2: that the New World Order is real. I almost think
• 16:13
  Speaker 2: at a certain point there's got to be some like
• 16:15
  Speaker 2: bureaucrats that's just like fucking with people. Yeah. Sure, it's
• 16:18
  Speaker 2: possible that there's just some guy who's like, let me
• 16:21
  Speaker 2: just arrange the nine to eleven memorial like a star
• 16:24
  Speaker 2: of David just and see what that conclusions people draw
• 16:28
  Speaker 2: from it or whatever? Is that a real thing? No,
• 16:31
  Speaker 2: I just made something up. I would have been I rate.
• 16:37
  Speaker 1: Well.
• 16:38
  Speaker 2: Yeah, they say that the name New World Airport Commission
• 16:41
  Speaker 2: comes from like uh, like the official story is that
• 16:45
  Speaker 2: it's from like the name of a symphony, is that right? Yeah?
• 16:47
  Speaker 1: It was the New World Airport Commission.
• 16:50
  Speaker 2: And this is the thing.
• 16:50
  Speaker 1: We'll watch a video clip from the Jesse Ventura conspiracy
• 16:55
  Speaker 1: show that covered this, And when they talk about this capstone,
• 17:00
  Speaker 1: the guy who's showing Jesse venture around, Uh, Jesse venturre.
• 17:04
  Speaker 2: Goes New World Airport Commission. What does that mean?
• 17:08
  Speaker 1: And the guys like nobody knows, and they just walk
• 17:12
  Speaker 1: off and people totally know the dude. He was an
• 17:16
  Speaker 1: arts advocate who died in twenty ten and the name
• 17:20
  Speaker 1: is a reference to Dvorak's New World Symphony, and the
• 17:23
  Speaker 1: commission was created only to orchestrate the Denver Airport's opening festivities. Sure,
• 17:30
  Speaker 1: let's let me find out the circumstances around that death
• 17:34
  Speaker 1: before I before I buy any of that.
• 17:36
  Speaker 2: Well, that's you know, it was. It was just had
• 17:38
  Speaker 2: a one time thing. It's like when Jelbiofro was in
• 17:41
  Speaker 2: that band with Chris Novsela called No World Trade A
• 17:43
  Speaker 2: No wto Comba or whatever, and they put up that
• 17:46
  Speaker 2: album on Alternative Testicles or whatever. Yeah, uh, tentacles. I
• 17:50
  Speaker 2: don't know what the name of the Alternative test that's
• 17:54
  Speaker 2: the worst stiff Little Finger song. That's the name of
• 17:56
  Speaker 2: the record label. Me and Connor all cassettes, eight tracks
• 18:02
  Speaker 2: and flash drives like the White Stripes tried to do
• 18:05
  Speaker 2: in the late two thousands.
• 18:06
  Speaker 1: I thought of doing that for one of the boxes too,
• 18:08
  Speaker 1: doing flash drives with like all the back episode because
• 18:11
  Speaker 1: we have at this point, like five hundred podcasts now.
• 18:14
  Speaker 2: Yeah, yeah, yeah, we've recorded, and just give them like
• 18:16
  Speaker 2: an apocalypse pendant, you know, yeah, that you could take
• 18:19
  Speaker 2: with you.
• 18:20
  Speaker 1: Yeah, when this all collapses, yep, we won't have electricity
• 18:24
  Speaker 1: for you to listen to those on, but you can
• 18:25
  Speaker 1: look at it and admire it.
• 18:26
  Speaker 2: Every circuit board in the nation's going to be fried.
• 18:28
  Speaker 2: But maybe some aliens to a build a reverse engineer
• 18:30
  Speaker 2: the Yeah, that would be great if that was the
• 18:32
  Speaker 2: Rosetta stone of the human race. Was you and me
• 18:34
  Speaker 2: being like, yeah, maybe this airport is gay. I don't know.
• 18:38
  Speaker 2: I mean it is dick shapes, I don't know. It's
• 18:41
  Speaker 2: a good point. We should save this podcast forever. Let's go,
• 18:44
  Speaker 2: let's send this out on a voyager.
• 18:46
  Speaker 1: Three people also had noticed strange markings and phrases around
• 18:53
  Speaker 1: the airport, and a popular theory is that they're an
• 18:57
  Speaker 1: alien language.
• 18:58
  Speaker 2: This one here reads a here I say broken hearted
• 19:01
  Speaker 2: tried to shit but only.
• 19:06
  Speaker 1: But the strange markings are actually Navajo language characters and
• 19:10
  Speaker 1: reference to other artists in the airport, like the one
• 19:14
  Speaker 1: on the right in the notes just says Villa Reale,
• 19:18
  Speaker 1: And people were.
• 19:19
  Speaker 2: Like, oh, this is an alien foe.
• 19:21
  Speaker 1: Kind of alien speech is this?
• 19:23
  Speaker 2: I don't even think the human mouth can pronounce this.
• 19:26
  Speaker 1: There's also these crazy ass gargoyles in the baggage claim area. Yeah,
• 19:31
  Speaker 1: that seemed to be out of place, but the official
• 19:34
  Speaker 1: explanation here is that if you look close, they're just
• 19:39
  Speaker 1: gargoyles popping out of luggage, so they're not out of
• 19:43
  Speaker 1: place at all, which that still seems out of place
• 19:47
  Speaker 1: to me. I don't wire their gargoyles in people's luggage.
• 19:49
  Speaker 2: That's a bad asthetic choice. Yeah, I mean it's just crazy.
• 19:53
  Speaker 2: It's crazy. I mean, I'm I fully enjoyed the macab
• 19:57
  Speaker 2: imagery and the occult or whatever, but this is just
• 20:00
  Speaker 2: it's not even a very good looking gargoyle. It's yeah,
• 20:03
  Speaker 2: it's just a bad call.
• 20:05
  Speaker 1: It's and also there's no way you could fly with
• 20:08
  Speaker 1: that thing, Like you're not getting through airport security with
• 20:12
  Speaker 1: that gargoyle in your fucking suitcase.
• 20:14
  Speaker 2: Yeah, I mean he's got more than twelve ounces of
• 20:16
  Speaker 2: liquid inside of him, presumably the blood of children. I
• 20:20
  Speaker 2: don't know exactly how gargoyles as assist someone.
• 20:24
  Speaker 1: Someone should try and just get a gargoyle statue through
• 20:27
  Speaker 1: their luggage.
• 20:29
  Speaker 2: I got a fat ass knife through security one time
• 20:31
  Speaker 2: on accident. Wow. I flew up to uh to Portland
• 20:35
  Speaker 2: for a gig and then as I was flying back,
• 20:37
  Speaker 2: they're like, oh, or you gotta you can't have this,
• 20:40
  Speaker 2: And I was like what and they're like, pull out this,
• 20:41
  Speaker 2: and like I flew up here with that. I had
• 20:44
  Speaker 2: a full like three inch like flick it open like cheese,
• 20:47
  Speaker 2: not quite like a gravity knife, but like a hefty
• 20:50
  Speaker 2: pocket knife that my friend has given me for my birthday.
• 20:52
  Speaker 2: And it was a fucking bitch of knife. So I
• 20:54
  Speaker 2: have in my backpack or whatever, you know, just you know,
• 20:56
  Speaker 2: as I'm going around town. Not not for stabbing, but
• 20:59
  Speaker 2: you know, sometimes you a knife and cool, I like
• 21:01
  Speaker 2: to play with it or whatever. But yeah, I've got
• 21:03
  Speaker 2: that on a goddamn plane. And that was scared the
• 21:05
  Speaker 2: ship out of me.
• 21:06
  Speaker 1: This uh An on Pops Fan sent us all weapons.
• 21:10
  Speaker 1: At one point, he sent me a knife that I
• 21:14
  Speaker 1: could murder a motherfucker with it, for sure.
• 21:16
  Speaker 2: Oh yeah, like a big bowie knife.
• 21:18
  Speaker 1: Yeah, it's it's a it's a flip flip open. Oh
• 21:21
  Speaker 1: is it a switchblade kind of deal? No, it's not
• 21:23
  Speaker 1: an actual switchblade.
• 21:24
  Speaker 2: Okay, because you can get them where you can open
• 21:25
  Speaker 2: them almost like a switchblade, but it's not single button.
• 21:27
  Speaker 2: You got to get your index finger. Yeah, it's kinda
• 21:30
  Speaker 2: kind of like that. But guy, in middle school, I
• 21:32
  Speaker 2: had a switchblade. Those are fucking sick. If you ever
• 21:34
  Speaker 2: actually got to play with one of those.
• 21:36
  Speaker 1: Yeah, well there's still I mean they're technically you can
• 21:38
  Speaker 1: buy them on the internet. They're not really Yeah, there's
• 21:41
  Speaker 1: there's like modified version.
• 21:43
  Speaker 2: I know what I'm spending my Patreon money on. Yeah.
• 21:45
  Speaker 1: I wrote an article once for Cracked about all the
• 21:48
  Speaker 1: crazy things you can still buy online, and like brass knuckles.
• 21:51
  Speaker 1: One of the weapons he sent us was brass knuckles.
• 21:53
  Speaker 2: Oh, because they just marked them as paper weights, right
• 21:55
  Speaker 2: right right, and with us with my tobacco pipe, my
• 22:00
  Speaker 2: paperweight and yeah, well.
• 22:02
  Speaker 1: With switchblades, there's like one particular mechanism that's illegal and
• 22:08
  Speaker 1: knife manufacturers just started using a different mechanism that still
• 22:11
  Speaker 1: works kind of the same.
• 22:12
  Speaker 2: Way as a switchblok.
• 22:13
  Speaker 1: Okay, and you can buy those I forget exactly what
• 22:18
  Speaker 1: they're called, but yeah, you can still buy.
• 22:20
  Speaker 2: That switch blades in air quotes air quotes. Yeah.
• 22:24
  Speaker 1: So so Yeah, there's the gargoyles, uh. And then and
• 22:29
  Speaker 1: then there's the art. The art is one of the
• 22:33
  Speaker 1: weirdest features of the Denver airport. They have a collection
• 22:37
  Speaker 1: that's reported to be valued at over fourteen million dollars.
• 22:41
  Speaker 2: And again, I just feel like keeping this shit on
• 22:44
  Speaker 2: display near a bunch of like fat assholes with Cheetoh
• 22:48
  Speaker 2: fingers is a silly idea.
• 22:50
  Speaker 1: Yeah, what did Denver do to deserve all this cool
• 22:53
  Speaker 1: shit in their airport?
• 22:54
  Speaker 2: Right? Like, if you've got if you're gonna like commission
• 22:56
  Speaker 2: a bunch of really expensive art, like put it in
• 22:58
  Speaker 2: a place where people can go see it, like, you know,
• 23:01
  Speaker 2: regardless of whether or not they need to go to Tampa.
• 23:04
  Speaker 2: It's basically, the admission of this art museum is like
• 23:06
  Speaker 2: a you know, two hundred dollars fucking plane ticket.
• 23:09
  Speaker 1: You have a shitty layover in Denver. And even then,
• 23:13
  Speaker 1: if you've been to the Denver Airport, which you have.
• 23:15
  Speaker 1: It's not that easy. It's so big, it's not that
• 23:17
  Speaker 1: easy to get around.
• 23:18
  Speaker 2: No, it's humongous.
• 23:19
  Speaker 1: Like you don't want to go it's in like kind
• 23:21
  Speaker 1: of a big ring.
• 23:22
  Speaker 2: Yeah.
• 23:22
  Speaker 1: And you don't want to go from A to the
• 23:24
  Speaker 1: A concourse to the B concourse just to hang out
• 23:27
  Speaker 1: because you have to get on a fucking train for
• 23:29
  Speaker 1: one thing. Yeah, like who knows how long it's going
• 23:31
  Speaker 1: to take to get back.
• 23:32
  Speaker 2: Also having a train there, it's not good if you
• 23:34
  Speaker 2: if you've got world New World Order conspiracies surrounding it. Yeah. Yeah,
• 23:39
  Speaker 2: I did kind of a party follow one time I was.
• 23:41
  Speaker 2: I took a Jewish girl out on a date to
• 23:42
  Speaker 2: the Getty and I didn't know that you had to
• 23:44
  Speaker 2: take a train up the hill. So I'm sitting there
• 23:46
  Speaker 2: with my blue eyes and my Hitler youth haircut and
• 23:48
  Speaker 2: not just like oh so the weather's day. She didn't
• 23:53
  Speaker 2: think of it. It was just something that was so funny
• 23:55
  Speaker 2: to be as a commatively do I bring this up
• 23:56
  Speaker 2: to I know it's date three? Is that the date
• 23:59
  Speaker 2: where you get to, you know, insinuate anti semitism? Okay,
• 24:02
  Speaker 2: let's feel it out. I think that's the rule.
• 24:05
  Speaker 1: I think Date three you get to start letting anti
• 24:07
  Speaker 1: Semitism fly. It's not I'm a Date two guy myself,
• 24:10
  Speaker 1: but you know, to each their own. Yeah, you get
• 24:13
  Speaker 1: a little drunk, and if you've got more traditional values
• 24:16
  Speaker 1: than me, yeah.
• 24:16
  Speaker 2: You start telling you some Prescott Push conspiracy.
• 24:20
  Speaker 1: Prescott Bush, the official mascot is conspiracy the show.
• 24:24
  Speaker 2: You look at him, he looks like a vampire. He
• 24:26
  Speaker 2: looks gooulish and evil. You just look.
• 24:29
  Speaker 1: Will someone please make a stuffed press Prescott Bush doll
• 24:33
  Speaker 1: and send it to a plush Scott.
• 24:34
  Speaker 2: Bush Prescott Plush plus Plush Scott. I like plush Scott Yeah,
• 24:40
  Speaker 2: me too.
• 24:41
  Speaker 1: So the art in the Denver Airport, the most famous
• 24:44
  Speaker 1: one is uh it's its slave name is blue Mustang, which.
• 24:49
  Speaker 2: Is when you get that weird infection and you're pushing
• 24:51
  Speaker 2: and again in an internet meme, I just found out
• 24:53
  Speaker 2: about that blue waffle shit recently, And if you're listening
• 24:55
  Speaker 2: at home, don't google that. If you don't know what
• 24:57
  Speaker 2: it is, don't be like me and learn.
• 24:58
  Speaker 1: I don't know what it is, and I don't want
• 25:00
  Speaker 1: to learn. Like, if you don't want people to know
• 25:02
  Speaker 1: what it is, then I don't fucking want to know.
• 25:04
  Speaker 2: I'm not. I'm so squening. You think I wouldn't be,
• 25:06
  Speaker 2: But I'm real squamish about any kind of like gross
• 25:09
  Speaker 2: medical stuff or gore of any kind of Oh yeah,
• 25:12
  Speaker 2: I can't handle it. I can't even watch c SI. Wow. Yeah,
• 25:15
  Speaker 2: I hate that. I mean, I've I'll write a thousand
• 25:17
  Speaker 2: dead baby jokes or whatever, but like actually seeing it,
• 25:19
  Speaker 2: it's like I need to see that, Yeah, for sure.
• 25:23
  Speaker 2: But yeah, the Blue Mustang his slave name, the Blue Mustang.
• 25:26
  Speaker 2: At this point, he's fucking badass looking.
• 25:28
  Speaker 1: Yeah, it's a it's a great fucking statue. We around
• 25:31
  Speaker 1: the un Pops network referred to him as.
• 25:33
  Speaker 2: Waw hoss Uh.
• 25:36
  Speaker 1: Last year for Christmas, we did in un Pop's Warhorse
• 25:40
  Speaker 1: Christmas Special, where me and Jeff May told the story
• 25:43
  Speaker 1: of how Warhorse came to town one Christmas and it's
• 25:48
  Speaker 1: still one of my favorite things we've ever done on
• 25:50
  Speaker 1: this network.
• 25:51
  Speaker 2: Go back and find that. I gotta check that out.
• 25:54
  Speaker 2: It is an.
• 25:54
  Speaker 1: Epic, epic story. I wrote it in a day. I
• 25:59
  Speaker 1: went to a free music website and like piece together
• 26:02
  Speaker 1: like a score, and like what you gotta.
• 26:05
  Speaker 2: Do and mean was is just steal all the music
• 26:06
  Speaker 2: from YouTube via VID to MP three. Oh yeah, that
• 26:09
  Speaker 2: makes sense, a good move. Eventually, I'm gonna get popped
• 26:12
  Speaker 2: for something and it's gonna be a big deal.
• 26:14
  Speaker 1: Oh well, you just put your you'll get like automatic
• 26:18
  Speaker 1: copyright notices when you upload stuff to YouTube.
• 26:21
  Speaker 2: I got, I got it. My inbox was flooded the
• 26:23
  Speaker 2: other day when I like put my backlog on, just
• 26:25
  Speaker 2: like Kating, Kating, Kating that episode that every episode has
• 26:28
  Speaker 2: ads that are making money for other people. Now, yeah, yeah, yeah, no,
• 26:33
  Speaker 2: it kind of looks like paulm Onions, like big blue
• 26:35
  Speaker 2: ox and like you know, like the paces from Hercules
• 26:38
  Speaker 2: kind of put together.
• 26:39
  Speaker 1: Yeah, it's it's an imposing figure. If you're driving in
• 26:42
  Speaker 1: to the Denver Airport at night and you see that thing,
• 26:45
  Speaker 1: it's it's a fucking site, that's for sure.
• 26:48
  Speaker 2: Yeah.
• 26:48
  Speaker 1: But also, the Denver Broncos are a team, and this
• 26:53
  Speaker 1: doesn't it's this isn't unlike their eighties uniform mascot, which
• 26:58
  Speaker 1: was just a big blue horse.
• 27:00
  Speaker 2: Also, isn't it like a different kind of horse Bronco
• 27:02
  Speaker 2: and a Mustang or is that the uh?
• 27:04
  Speaker 1: I know, just listen, I don't I don't see breeds Okay,
• 27:09
  Speaker 1: we're all horses.
• 27:10
  Speaker 2: Yeah, we're all the same horse. What's funny is when
• 27:12
  Speaker 2: my my I come from a family of like professional
• 27:15
  Speaker 2: horse razors. Is real. My grand grandmother had a farm
• 27:19
  Speaker 2: and raised in bread profet like race horses and shit
• 27:22
  Speaker 2: like that. And uh, the way she will talk about
• 27:25
  Speaker 2: horses because she loves horse racing is like the way
• 27:27
  Speaker 2: you hear like, you know, like Nazis talk about eugenic.
• 27:29
  Speaker 2: She's just like, look, unless it's an Arabian, it's not
• 27:31
  Speaker 2: gonna win. All right, you might see the Mustang coming
• 27:33
  Speaker 2: like second or third, but I mean, really, you got
• 27:35
  Speaker 2: to have an Arabian. Wow. You know, like their skulls
• 27:38
  Speaker 2: are the shape of them makes the more aer dirty, Like,
• 27:40
  Speaker 2: oh my god, that's amazing.
• 27:42
  Speaker 4: Yeah.
• 27:43
  Speaker 1: I heard a girl on a date once. I was
• 27:45
  Speaker 1: at out at a restaurant with someone else and there
• 27:47
  Speaker 1: was a girl sitting next to us and she was
• 27:49
  Speaker 1: clearly on a date and just talking about horses the
• 27:53
  Speaker 1: whole fucking time.
• 27:54
  Speaker 2: This I don't know. I don't want to come across uh,
• 27:56
  Speaker 2: you know, sexist or whatever, but I don't understand what
• 27:58
  Speaker 2: women think is so cool. But horses they're big, stinky,
• 28:02
  Speaker 2: mean animals.
• 28:03
  Speaker 1: Maybe it's a sex thing, just the motion of riding
• 28:05
  Speaker 1: a horse maybe. Oh, or maybe they're fucking horses.
• 28:09
  Speaker 2: I don't know, man, I think that just made it
• 28:12
  Speaker 2: admeasurably worse.
• 28:12
  Speaker 1: Maybe just the big dicks in the Yeah, maybe they've
• 28:15
  Speaker 1: seen that Zoo documentary.
• 28:17
  Speaker 2: I don't know. I've always just thought they were just
• 28:19
  Speaker 2: completely uninteresting. But my mom goes ape shit for horses
• 28:22
  Speaker 2: every every woman I feel like I've ever known almost
• 28:25
  Speaker 2: it's just like loves. I'm like, I just don't get it.
• 28:27
  Speaker 1: You heard it here first, fuck horses. Fuck horses and
• 28:31
  Speaker 1: fuck horses both like sex thing and oh and yeah yeah,
• 28:35
  Speaker 1: which is concept Okay, get back to it.
• 28:37
  Speaker 2: Anyway, the nuclear bunkers so well, some.
• 28:40
  Speaker 1: People believe that this horse is a representative of the
• 28:43
  Speaker 1: horsemen of the Apocalypse, harbinger of the Apocalypse and the
• 28:47
  Speaker 1: New World Order. It's got really uh troubled beginning.
• 28:52
  Speaker 3: Oh.
• 28:52
  Speaker 1: Also, the glowing red eyes have also helped fuel the conspiracy,
• 28:56
  Speaker 1: because that's a weird feature.
• 28:58
  Speaker 2: It's a weird aesthetic choice. Yeah.
• 29:00
  Speaker 1: Yeah, and they even glowed during the day, which is weird.
• 29:04
  Speaker 2: I feel like it's bright enough where you see them
• 29:07
  Speaker 2: glow and during the day. Wow, that's a lot of
• 29:10
  Speaker 2: wattage going in.
• 29:12
  Speaker 1: A whole lot of wattage. Wattage is that?
• 29:15
  Speaker 2: That's Mike Watt's new solo project.
• 29:17
  Speaker 1: We are on the We do a Nirvana fan podcast,
• 29:21
  Speaker 1: and we were talking at one point about Kurt Cobain's
• 29:24
  Speaker 1: early years writing songs, and one of the songs he
• 29:28
  Speaker 1: wrote was called Wattage in the Cottage. Really amazing that
• 29:32
  Speaker 1: never made it on Nevermind? Was that is it was
• 29:34
  Speaker 1: that like on Matter? No, this was like pre fecal
• 29:38
  Speaker 1: matter when he was just like jamming at people's houses. Okay,
• 29:42
  Speaker 1: And I don't think it's a song that's ever come out, Okay.
• 29:44
  Speaker 2: Yeah, Yeah, that's so weird. Yeah, you heard some of that,
• 29:47
  Speaker 2: some of those weird unreleased like solo tapes on the
• 29:50
  Speaker 2: about a Sun doc. Those are pretty cool.
• 29:53
  Speaker 1: The so the sculptor of Warhorse or Blucifer or blue Mustang,
• 29:59
  Speaker 1: what the fuck war Horse? He was killed in two
• 30:02
  Speaker 1: thousand and six when a section of the horse fell
• 30:06
  Speaker 1: on him while he was making it.
• 30:08
  Speaker 2: Well, his name is Louis Jimenez, which is clearly some
• 30:11
  Speaker 2: kind of alien language human. Yeah.
• 30:14
  Speaker 1: So they got this Anastazzi guy to come down here
• 30:16
  Speaker 1: from space.
• 30:17
  Speaker 2: Yeah, they they found one of the one of the mines.
• 30:20
  Speaker 2: They sent him back from the other side of the
• 30:22
  Speaker 2: moon to commission this from him. Yeah, I mean that's
• 30:24
  Speaker 2: just unlet well, it's like one of these things were like,
• 30:27
  Speaker 2: did someone topple the statue onto him to keep him
• 30:30
  Speaker 2: quiet about its intentions? Because was he like, all right,
• 30:32
  Speaker 2: I'll make this horse statue. You gotta let my faintly
• 30:34
  Speaker 2: have a space in the bunker. They're like, nice, try.
• 30:37
  Speaker 1: Nerds take a Yeah, he was apparently had finished it
• 30:41
  Speaker 1: and was trying to move it and horse statue. That's yeah,
• 30:46
  Speaker 1: that's statue in one on one. You pay people to
• 30:48
  Speaker 1: do that. Yeah. When it was installed in two thousand
• 30:52
  Speaker 1: and eight, residents were up in arms, calling it ugly
• 30:55
  Speaker 1: and demonic and saying it was cursed. But the red
• 30:58
  Speaker 1: eyes were not meant to be demonic. Instead, they were
• 31:00
  Speaker 1: an homage to Jimenez's father, who was a k neon
• 31:04
  Speaker 1: sign artist, which look, dude, no one gives a fuck. Yeah, like, no,
• 31:08
  Speaker 1: don't don't homage your father in public like that.
• 31:10
  Speaker 2: You're You've literally created a massive web of speculation just
• 31:16
  Speaker 2: because you wanted to do something nice for your insignificant.
• 31:18
  Speaker 2: I'm sure very nice.
• 31:19
  Speaker 1: Dad, right right, Yeah, Like, I mean my dad died
• 31:22
  Speaker 1: when I was real young, but I don't like put
• 31:25
  Speaker 1: clips of him talking on the soundboard or anything. No,
• 31:28
  Speaker 1: I don't have clips of my dad talking. It's got
• 31:32
  Speaker 1: really sad.
• 31:34
  Speaker 2: I mean, not that. At least it wasn't a knee
• 31:35
  Speaker 2: on sign artists.
• 31:38
  Speaker 1: What a piece of shit.
• 31:39
  Speaker 2: Yeah, my dad helps advertise for strip clubs. It was
• 31:43
  Speaker 2: a great man, he's hot. Yeah. Well calling it ugly,
• 31:46
  Speaker 2: demonic and cursed. If something can't be cursed if it
• 31:49
  Speaker 2: was made in two thousand and eight, all right, Curses
• 31:51
  Speaker 2: are things.
• 31:52
  Speaker 1: From Yeah, curses and religions you can't have started back
• 31:56
  Speaker 1: when in recent times.
• 31:58
  Speaker 2: I'm not buying that anything's cursed unless it dates back
• 32:00
  Speaker 2: to like at least like Vietnam. Like maybe there some
• 32:02
  Speaker 2: weird jungle voodoo or some shit. Sounded more racist than
• 32:06
  Speaker 2: I wanted it to. Just I was picturing like weird
• 32:08
  Speaker 2: you know, indigenous like fucking temples or what. I don't
• 32:11
  Speaker 2: even know, but you like it. At least, Like seventy
• 32:14
  Speaker 2: three is my cutoff for cursed artifacts. I feel like
• 32:17
  Speaker 2: that's fair. Two thousand and eight, all right, If Katie
• 32:20
  Speaker 2: Perry currently had a song on the charts. You can't
• 32:24
  Speaker 2: have anything that was possessed by the devil.
• 32:28
  Speaker 1: There's also the murals, which are one of the weirder features.
• 32:33
  Speaker 2: Oh, these are fucking badass. Yeah.
• 32:35
  Speaker 1: These are by an artist named Leo Tanguma, who.
• 32:38
  Speaker 2: I don't know what kind of alien he is. Yeah,
• 32:40
  Speaker 2: I don't. I think he's a gray.
• 32:41
  Speaker 1: I wonder if we can get him on Skype via
• 32:44
  Speaker 1: whatever planet he lives on. Uh, that would be interesting.
• 32:47
  Speaker 1: We should just talk to this guy and be like,
• 32:49
  Speaker 1: what the fuck? Yeah, but instead, let's speculate about his
• 32:52
  Speaker 1: paintings a little more. Uh.
• 32:54
  Speaker 2: There, we might need some more iTunes reviews to get
• 32:56
  Speaker 2: him on the hook. I think he might be like, hmm.
• 32:59
  Speaker 1: These uh, these murals have been cited as evidence by
• 33:03
  Speaker 1: conspiracy conspiracy theorists, conspiracy dearities, conspiraty dewties that there is
• 33:09
  Speaker 1: either a secret Masonic Apocalypse shelter, an alien colony, or
• 33:13
  Speaker 1: a secret CIA base beneath passenger's feet, because again, that's
• 33:17
  Speaker 1: exactly how a secret CIA base would work. You want
• 33:21
  Speaker 1: to put clues and tip offs up top so people know.
• 33:24
  Speaker 2: I mean, that's kind of the thing about these. The
• 33:27
  Speaker 2: one thing that makes me, you know, skeptical about this
• 33:29
  Speaker 2: is one of the things that makes you skeptical about
• 33:30
  Speaker 2: this is like we used to have Norad inside the mountain, right,
• 33:33
  Speaker 2: and that was like a nukeproof fucking bunker with the
• 33:35
  Speaker 2: right systems in it. But now the nuclear bonds we
• 33:37
  Speaker 2: have would just vaporize that mountain instantly. I mean, I
• 33:40
  Speaker 2: feel like that the Denver Port bumbakers might keep you
• 33:43
  Speaker 2: safe if like North Korea nuke Denver with like their
• 33:45
  Speaker 2: like shitty like swap meat like Plute right right, you know,
• 33:48
  Speaker 2: but if any like name brand country like nuke's Denver,
• 33:52
  Speaker 2: they're gonna have a much more powerful like this is
• 33:54
  Speaker 2: I feel like sixteen miles outside of town. I think
• 33:56
  Speaker 2: that's still toast.
• 33:58
  Speaker 1: Yeah, I think you would have to though, if there
• 34:03
  Speaker 1: was say, let's say there was just a massive people
• 34:05
  Speaker 1: hiding under the Denver Airport in the event of an apocalypse,
• 34:09
  Speaker 1: you would have to bomb those bunkers directly to guarantee
• 34:14
  Speaker 1: you're gonna kill all those people. Just because of the
• 34:17
  Speaker 1: way we researched it for an episode of Pretty Scary
• 34:21
  Speaker 1: and the way nuclear weapons work if you're underground when
• 34:25
  Speaker 1: that blast goes off, as long as you stay underground
• 34:28
  Speaker 1: long enough for the fallout to pass, you'll totally survive. Really, Like,
• 34:33
  Speaker 1: there's a really interesting New York Times article.
• 34:37
  Speaker 2: You would have to google it.
• 34:38
  Speaker 1: I always forget the name of it, but it's about
• 34:40
  Speaker 1: this study that came out. I think it was Department
• 34:44
  Speaker 1: of Homeland Security did this study. And if there was
• 34:47
  Speaker 1: a nuclear blast in Los Angeles, obviously everyone within the
• 34:52
  Speaker 1: blast radius is going to die. But if the people
• 34:55
  Speaker 1: outside the blast radius, if everyone just took shelter in
• 35:00
  Speaker 1: their car for as long as it would take the
• 35:03
  Speaker 1: fallout to pass, we would lose like one hundred thousand people, which.
• 35:09
  Speaker 2: Really like once you get out to like Sam Reddino
• 35:11
  Speaker 2: or wherever.
• 35:12
  Speaker 1: Well, the further out you get, the better you are.
• 35:15
  Speaker 1: And if you're the.
• 35:16
  Speaker 2: Only good, the only time, it's good to live in
• 35:17
  Speaker 2: Beaumont exactly.
• 35:19
  Speaker 1: And if if we were in this building and a
• 35:21
  Speaker 1: nuclear weapon went off, if we could just get to
• 35:24
  Speaker 1: the hallway and kind of chill there while the fallout passes,
• 35:28
  Speaker 1: which could be a matter of like a day or
• 35:31
  Speaker 1: two at most, you'll live. Like it's a nuclear war
• 35:35
  Speaker 1: is a very survivable thing. A lot of what we
• 35:39
  Speaker 1: think that's crazy. A lot of what we think about
• 35:41
  Speaker 1: nuclear war is based on science from the eighties, like
• 35:46
  Speaker 1: the idea of a nuclear winter. For that to happen,
• 35:51
  Speaker 1: these a series of firestorms would have to which are
• 35:55
  Speaker 1: a real thing that nuclear weapons cause.
• 35:58
  Speaker 2: Where there's jetstream on fire.
• 36:01
  Speaker 1: Yeah, there's just so many fires that it kind of
• 36:03
  Speaker 1: turns the atmosphere into fire.
• 36:05
  Speaker 2: Yeah, but that would have to.
• 36:07
  Speaker 1: Happen almost globally for a nuclear winter scenario to happen,
• 36:12
  Speaker 1: like if North Korea were to bomb Alaska. Unless they're
• 36:16
  Speaker 1: really fucking accurate, there's a chance they might not even
• 36:20
  Speaker 1: kill anybody, because if it, like a nuclear weapon that
• 36:24
  Speaker 1: explodes above the surface doesn't create that nuclear fallout. Nuclear
• 36:29
  Speaker 1: fallout happens when a bomb hits the surface and surface
• 36:33
  Speaker 1: material flies up with all this radioactive material and becomes
• 36:37
  Speaker 1: radioactive itself and gets distributed.
• 36:39
  Speaker 2: Throughout the world via wind and whatnot.
• 36:43
  Speaker 1: But when it explodes above the surface, like what happened
• 36:46
  Speaker 1: to Hiroshima, the casualties are mostly just going to be
• 36:51
  Speaker 1: the people on the ground in the direct path of
• 36:54
  Speaker 1: the bomb. That's why there wasn't like massive fallout that
• 36:57
  Speaker 1: affected other cities after World War Two. After we drop
• 37:00
  Speaker 1: the bombs on World War two, and it would kind
• 37:02
  Speaker 1: of be the same thing here.
• 37:04
  Speaker 2: Interesting. So it's like if you if you, if you
• 37:06
  Speaker 2: pop one off in the upper atoms for you, you
• 37:08
  Speaker 2: create an EMP.
• 37:10
  Speaker 4: Yeah.
• 37:10
  Speaker 2: I always am scared about.
• 37:13
  Speaker 1: Yeah, because again, how do we podcast?
• 37:16
  Speaker 2: Again? That's really this is really all that this comes
• 37:18
  Speaker 2: down kind of all I've got going on.
• 37:20
  Speaker 1: I wonder if they have podcast studios in the bunkers
• 37:23
  Speaker 1: under the Denver Airport.
• 37:24
  Speaker 2: Am I gonna have to become like three Dog from
• 37:26
  Speaker 2: Fallout and play the same twelve songs while I make these?
• 37:30
  Speaker 2: Isis jokes? I hope not.
• 37:32
  Speaker 1: I would be into that, though it would be. It
• 37:34
  Speaker 1: would be fun, be a good bit. Yeah, carry you
• 37:36
  Speaker 1: through the apocapyse.
• 37:36
  Speaker 2: I think I could get a lot of mileage out
• 37:38
  Speaker 2: of the character, don't get me wrong. Yeah, certainly not
• 37:40
  Speaker 2: going to be turning down any opportunities from the Illuminati,
• 37:43
  Speaker 2: but uh yeah, I mean I could distribute my cassettes.
• 37:46
  Speaker 2: I guess my podcast cassettes.
• 37:49
  Speaker 1: So let's talk about these murals. Uh, they're called in
• 37:53
  Speaker 1: Peace and Harmony with Nature and the other one is
• 37:57
  Speaker 1: called Children of the World Dream of Peace. And they've
• 38:00
  Speaker 1: been at the center of these conspiracy theories. Uh, for
• 38:04
  Speaker 1: as long as these conspiracy theories have existed.
• 38:07
  Speaker 2: And they kind of look like the liner notes for
• 38:08
  Speaker 2: like a shitty Herbie Hancock album. Yeah, yeah, right and weird.
• 38:13
  Speaker 1: And then you but then you look at them closer,
• 38:16
  Speaker 1: and there's a lot of violence.
• 38:18
  Speaker 2: Oh yeah, there's literally a robot Nazi stormtrooper stabbing a
• 38:24
  Speaker 2: dove in the taint with a scimitar while a city
• 38:26
  Speaker 2: burns around.
• 38:27
  Speaker 1: Him with an assault rifle in his hand, and while
• 38:29
  Speaker 1: children cry underneath him.
• 38:31
  Speaker 2: Oh yes, I lost that detail because I was looking
• 38:35
  Speaker 2: at the scimitar tainting of a dove.
• 38:40
  Speaker 1: And then there's also oh why is this happening?
• 38:42
  Speaker 3: There we go?
• 38:43
  Speaker 1: Uh, there's also in the left panel of Children of
• 38:47
  Speaker 1: the World Dream of Peace, children from many cultures come
• 38:51
  Speaker 1: together to destroy swords and daggers that are sheathed in
• 38:54
  Speaker 1: the flags of many nations. In the smaller right panel,
• 38:57
  Speaker 1: a menacing soldier impales with saber while branching a machine gun,
• 39:02
  Speaker 1: and theorists point to the German fascist type soldier killing
• 39:07
  Speaker 1: peace with his saber and forcing the other countries to
• 39:11
  Speaker 1: give up their weapons and submit to the New World Order.
• 39:15
  Speaker 2: Yeah, if you look at these pictures individually, you're like, Okay,
• 39:17
  Speaker 2: that's very clearly a condemnation of wars evil, and then
• 39:21
  Speaker 2: that's clearly saying we should all just But if you
• 39:22
  Speaker 2: look at them together, it's like, oh, yeah, I'm going
• 39:24
  Speaker 2: to force you to pretend to be happy and disarm
• 39:27
  Speaker 2: you know. Yeah.
• 39:28
  Speaker 1: And the thing is, even if the you know what, people,
• 39:32
  Speaker 1: the defense of this is that these are murals that
• 39:36
  Speaker 1: are meant to be taken as one long, continuous story.
• 39:40
  Speaker 1: And even if that's the case, it's a terrifying fucking story.
• 39:44
  Speaker 1: Like there's some dark before we get to all the
• 39:47
  Speaker 1: rainbows and happy kids at the end. Oh yeah, and
• 39:50
  Speaker 1: none of it seems good, no, like the even the
• 39:53
  Speaker 1: part where the kids are destroying flags of other nations,
• 39:57
  Speaker 1: like that seems like some New World ordershits.
• 40:00
  Speaker 2: It's like anything. It's like a corporate rebranding where it's like, yeah,
• 40:03
  Speaker 2: I guess McDonald's can try to sell itself as a
• 40:05
  Speaker 2: classier place, but we're gonna have to pretend that aoli
• 40:07
  Speaker 2: is good for a long time. And this I was thinking,
• 40:11
  Speaker 2: if you're gonna have a one world government like the
• 40:13
  Speaker 2: I really think the best flag would just be the
• 40:15
  Speaker 2: futurama flag where it's the American flag when instead of
• 40:17
  Speaker 2: the stars, it's the globe. Yeah. I really think I
• 40:19
  Speaker 2: don't think you could top that. I think that's perfect.
• 40:22
  Speaker 1: Yeah, that would be Yeah that and that's probably what
• 40:24
  Speaker 1: it will be.
• 40:26
  Speaker 2: Yeah, It'll probably just be like a blue flag, you know,
• 40:28
  Speaker 2: a blue flag with the globe in the middle of it. Yeah.
• 40:30
  Speaker 2: I think that's probably gonna have. I think that. I
• 40:32
  Speaker 2: think I'm very just gonna start to see the beginnings
• 40:34
  Speaker 2: of that in my lifetime.
• 40:36
  Speaker 1: Yeah, I mean maybe we are already with the Denver Airport. Yeah,
• 40:40
  Speaker 1: could have already started, right.
• 40:42
  Speaker 2: Uh, They're just gonna shake the etchr sketch and then
• 40:44
  Speaker 2: go wait for shit to cool off in the fucking vaults.
• 40:47
  Speaker 1: So the the subject matter, the thing about these murals
• 40:50
  Speaker 1: is that this artist, this is kind of his thing.
• 40:54
  Speaker 1: He is a Denver based Chicano artist who, throughout his
• 40:58
  Speaker 1: career has combined symbol from history and mysticism with the
• 41:02
  Speaker 1: techniques of the twentieth century Mexican muralist. Quick name your
• 41:06
  Speaker 1: favorite twentieth century Mexican muralist.
• 41:09
  Speaker 2: The Diamond Street gangsters in my neighborhood. They keep the
• 41:13
  Speaker 2: property values low so they don't build more tower block
• 41:16
  Speaker 2: apartments by graffiti and everything.
• 41:18
  Speaker 1: That's a good choice. Yeah, it's like fantastic choice. He
• 41:22
  Speaker 1: frequently separated the context of his work kind of from
• 41:28
  Speaker 1: the creation, and this, he says, tells a hopeful story
• 41:33
  Speaker 1: of peace and environmental stewardship following times of war and pollution. So,
• 41:39
  Speaker 1: you know, conspiracy types really focus on the negative, but
• 41:43
  Speaker 1: there's positive in those pictures too. Still creepy as shit, though, like,
• 41:47
  Speaker 1: you're never gonna convince me.
• 41:50
  Speaker 2: I think I think you can get that message across
• 41:52
  Speaker 2: maybe and not quite as poignant away without making it
• 41:54
  Speaker 2: super creepy, especially because this is a very public space.
• 41:57
  Speaker 2: Right If you're pinning a mural on an entry school
• 42:00
  Speaker 2: and you know it's just a cheatah decapitating a drug dealer,
• 42:03
  Speaker 2: it's like, well, yeah, I think drugs are bad, but
• 42:05
  Speaker 2: I don't know if this is the best way to
• 42:06
  Speaker 2: sell this to the community.
• 42:08
  Speaker 1: I would have been psyched if that was on the
• 42:10
  Speaker 1: side of my school though.
• 42:11
  Speaker 2: Oh I saw it. Every kid, Yeah, PTA would get
• 42:14
  Speaker 2: their dix and a bunch about it.
• 42:17
  Speaker 1: One of the things people do point out about this
• 42:19
  Speaker 1: theory and how up and arms people get about the
• 42:23
  Speaker 1: art is that there's plenty of boring art around the
• 42:25
  Speaker 1: Denver Airport. Also, it's you know, there's a statue of
• 42:29
  Speaker 1: an astronaut.
• 42:30
  Speaker 2: There's a I didn't name brand astronaut either, A yeah,
• 42:33
  Speaker 2: Jack Swigert, not even a Michael Collins.
• 42:36
  Speaker 1: You know, he's probably the one who time traveled forward
• 42:40
  Speaker 1: to tell them what they needed to build to protect
• 42:43
  Speaker 1: us in the Denver Airport.
• 42:45
  Speaker 2: You guys got to legalize weed. Maybe a couple of
• 42:48
  Speaker 2: three story buildings, you know. I think they do this.
• 42:50
  Speaker 2: I think this is what's gonna happen to my dystopian
• 42:52
  Speaker 2: sci fi novel. They have a big like Ted Talk
• 42:55
  Speaker 2: type thing in Denver and everybody like a G twenty
• 42:58
  Speaker 2: sum at almost yeah, And there's like a is AC
• 43:00
  Speaker 2: festival where they have all the time some of the
• 43:02
  Speaker 2: most prestigious musicians and like you know, cam and all
• 43:05
  Speaker 2: this stuff. And then they're like they're having an after
• 43:07
  Speaker 2: party and they're like, all right, get on the train.
• 43:09
  Speaker 2: What get on the train? Trust us? And then and
• 43:13
  Speaker 2: then they get to the airport. And then the movie
• 43:14
  Speaker 2: follows one guy who like snuck in and bullshooted any
• 43:16
  Speaker 2: street worthy that people are gonna find out that he's
• 43:18
  Speaker 2: not one of the special ILLUMINAI he seem to have
• 43:20
  Speaker 2: five hundred thousand and one people here, is that right?
• 43:23
  Speaker 2: So odd?
• 43:26
  Speaker 1: So the uh yeah, let's talk about those bunkers.
• 43:29
  Speaker 2: Yeah. Uh.
• 43:30
  Speaker 1: There are theories that hidden beneath the airport's underground baggage
• 43:33
  Speaker 1: transport tunnels is a secret bunker or series of bunkers,
• 43:38
  Speaker 1: designed to house billionaires and global political elite in the
• 43:42
  Speaker 1: event of an apocalypse.
• 43:43
  Speaker 2: That's mostly just an abandoned hallway where the janitors play
• 43:45
  Speaker 2: with all the confiscated throwing part stars from people to
• 43:48
  Speaker 2: carry on. So I think, yeah, yeah, it's of Illuminati
• 43:50
  Speaker 2: going on down here, fucking drinks a Colt forty five
• 43:53
  Speaker 2: tries to hit a cardboard box with a Ninja star.
• 43:56
  Speaker 1: But at the same time, it doesn't it make sense
• 43:58
  Speaker 1: that a place like this would exist. Definitely, I'm I'm
• 44:05
  Speaker 1: probably gonna get together and be like, okay, so where
• 44:07
  Speaker 1: do we go, Like we like we know it's gonna happen,
• 44:10
  Speaker 1: Where do we go when it happens?
• 44:11
  Speaker 2: Like that's their version of roommates, Like even like rich
• 44:13
  Speaker 2: people like, look, we're gonna need to go in with
• 44:15
  Speaker 2: Oprah and Brad pitt On the bump.
• 44:17
  Speaker 1: Yeah you know, yeah, so it uh. Granted, some people
• 44:21
  Speaker 1: also believe it's where the lizard people aka the reptoids
• 44:27
  Speaker 1: basic uh, and others believe there's evidence of an alien
• 44:32
  Speaker 1: cover up or special facility down there, which I still
• 44:38
  Speaker 1: if I'm picking between those, I like apocalypse bunker, My
• 44:42
  Speaker 1: most bunker makes the most sense to me, Like everything
• 44:45
  Speaker 1: about the way that airport is set up makes apocalypse
• 44:48
  Speaker 1: bunkers seem like the most sense.
• 44:50
  Speaker 2: Yeah, And if I I believe that intelligent life exists,
• 44:55
  Speaker 2: but I don't think that. I think they're real laissez
• 44:57
  Speaker 2: fair with humanity. I don't think they've ever visited I
• 44:59
  Speaker 2: doubt yeah have you know, And I think if I was,
• 45:02
  Speaker 2: if I was going to, I would I think that,
• 45:03
  Speaker 2: you know, like, it sounds silly because it's a fucking,
• 45:06
  Speaker 2: you know, television show, but uh, the prime directive seems
• 45:10
  Speaker 2: like a pretty good, you know, m for this kind
• 45:11
  Speaker 2: of thing. Like I'd be pretty fans off unless they
• 45:14
  Speaker 2: like because I used to try to do a joke
• 45:15
  Speaker 2: about this until no one realized thought it was funny
• 45:17
  Speaker 2: at all. Is that? Oh, why the only stupid people
• 45:20
  Speaker 2: and rednecks get abducted by aliens. Well that's who I
• 45:23
  Speaker 2: would go abduct the dumbest people. And I'm like, all right,
• 45:25
  Speaker 2: Kletius isn't ready for the warp drive yet. Once the
• 45:27
  Speaker 2: lowest common denominator is on the average, you know, enough
• 45:32
  Speaker 2: to handle the technology, and then maybe we'll start telling
• 45:34
  Speaker 2: them about the you know, cosmic neighborhood. Yeah, completely has
• 45:37
  Speaker 2: nothing to do with the Denver Airport. Adam's too efficient
• 45:41
  Speaker 2: and the show would be really short if I wasn't
• 45:43
  Speaker 2: here so periodically. I just to talk about jerking off
• 45:47
  Speaker 2: on the bus. Yeah, we need this so people get
• 45:49
  Speaker 2: their money. Just canceled stand up comedy routines about rednecks. No, absolutely,
• 45:54
  Speaker 2: I think uh, I'd like it's over bud place for
• 45:58
  Speaker 2: the symbolism. Isn't as convincing to me? Is the overbudget stuff? Right?
• 46:02
  Speaker 1: The the over budget and just why do you need
• 46:05
  Speaker 1: that much space? Like why did it need to be
• 46:08
  Speaker 1: in the middle of nowhere? Why did you need it
• 46:10
  Speaker 1: in the first place?
• 46:11
  Speaker 2: Not gonna be cheaper. I mean it's like, you know,
• 46:13
  Speaker 2: the vacant lot is a vacant lot, and I mean
• 46:15
  Speaker 2: it's maybe there's a slight surcharge for proximity to Denver
• 46:18
  Speaker 2: but I mean, you've also got to ship millions of
• 46:20
  Speaker 2: pounds of fucking building materials out there and bust all
• 46:23
  Speaker 2: your labor back and forth.
• 46:25
  Speaker 1: And the the explanation at first when they were, you know,
• 46:29
  Speaker 1: doing all of this underground work, was that there was
• 46:33
  Speaker 1: gonna be this multi million dollar automated baggage system that
• 46:38
  Speaker 1: these tunnels were supposed to be designed for. And that
• 46:42
  Speaker 1: never happened. Those never like, they never worked, and now
• 46:46
  Speaker 1: now your teenagers throwing shit onto a fucking go kart
• 46:48
  Speaker 1: like it's and so the tunnels are are still there.
• 46:55
  Speaker 1: Workers on the tunnels have reported evidence of bunker entrances
• 46:59
  Speaker 1: and unexplained tunnels. There are actually about a thousand people
• 47:02
  Speaker 1: who work in the various levels underneath the Denver Airport,
• 47:06
  Speaker 1: ferrying luggage among ticket counters, planes, and baggage claim areas
• 47:10
  Speaker 1: in a pair of seven thousand foot long tunnels that
• 47:13
  Speaker 1: run alongside the airport's underground trains. These were not immediately
• 47:18
  Speaker 1: ready to use upon the airport's opening. Airport workers have
• 47:21
  Speaker 1: been known to don lizard masks as pranks while the
• 47:24
  Speaker 1: media are on tour That's just awesome, including one caught
• 47:27
  Speaker 1: on camera by Fox thirty one. KDVR Denver in a
• 47:32
  Speaker 1: video that has since been circulated, often uncredited as evidence
• 47:36
  Speaker 1: of the underground Lizard People's existence.
• 47:39
  Speaker 2: What are these trains in tonals allegedly even for? Is
• 47:42
  Speaker 2: it just to transport personnel and supplies? Or yeah? I
• 47:47
  Speaker 2: mean are they just funneling the cinnabon packets through there? Like?
• 47:50
  Speaker 2: Have you?
• 47:51
  Speaker 1: Like those in the tunnels are weird, Like even the
• 47:53
  Speaker 1: tunnels have weird like artwork, and they have those crazy
• 47:57
  Speaker 1: fans that are used to propel the the trains along.
• 48:01
  Speaker 2: Are you sure you're not thinking of Willy Wonko when
• 48:03
  Speaker 2: they physy listening to that could be? Yeah, it could be.
• 48:07
  Speaker 1: That's yeah, it's bizarre. Yeah, it's super bizarre. Like there's
• 48:10
  Speaker 1: obviously something down there. They wouldn't have moved that much dirt.
• 48:14
  Speaker 2: I mean, the only thing that makes me feel like
• 48:15
  Speaker 2: this is, uh, you know, there's plausible deniability. Is like
• 48:18
  Speaker 2: with like government infrastructure projects, a lot of like stupid
• 48:22
  Speaker 2: shit just gets like, you know, someone bowls a favor
• 48:26
  Speaker 2: and then this guy gets this contract and he tells
• 48:28
  Speaker 2: them that they need an underground automated luggage system, right,
• 48:31
  Speaker 2: you know, so I can't tell if I hope this
• 48:33
  Speaker 2: is real or not. I mean, I know I'm not
• 48:35
  Speaker 2: making the cut, like yeah.
• 48:36
  Speaker 1: Yeah, I mean I hope it is, Like I want
• 48:39
  Speaker 1: this to be a real thing just because I want
• 48:41
  Speaker 1: I want that moment, because you know, there's gonna be like,
• 48:44
  Speaker 1: depending on what kind of disaster happens, there's gonna be
• 48:47
  Speaker 1: like generations who are born down there.
• 48:49
  Speaker 2: Yeah, and they find have a bunch of like mole children. Yeah.
• 48:52
  Speaker 1: They finally realize there's something above the surface and they're like, Papa,
• 48:56
  Speaker 1: what's up there. He's like, it's a sabarro Son food
• 49:02
  Speaker 1: court quality pizza that's so funny.
• 49:04
  Speaker 2: Upper level. They go up there and he's like, daddy wise,
• 49:08
  Speaker 2: it's seven dollars for a toothbrush. Now this has gone
• 49:12
  Speaker 2: from like a deep comedy by the nature of government
• 49:15
  Speaker 2: to just us being traveling comedians that are just mad
• 49:18
  Speaker 2: they didn't bring their own cliff bar.
• 49:22
  Speaker 1: So let's end by watching a quick clip of the
• 49:27
  Speaker 1: Jesse venture because Jesse Ventura. Did you watch his conspiracy
• 49:31
  Speaker 1: theory show?
• 49:31
  Speaker 2: I didn't know it exists until I watched this clip,
• 49:33
  Speaker 2: but it's pretty amazing. It's actually pretty great. No better
• 49:38
  Speaker 2: man to take his home than Jesse, No, no, oh,
• 49:41
  Speaker 2: my god, you forget how bald and how ponytail he is.
• 49:45
  Speaker 3: That's nineteen Stapleton Airport, which seemed to be just fine.
• 49:51
  Speaker 3: And they didn't just lay down runways and build terminals. No,
• 49:56
  Speaker 3: they've got enough fiber optic cables to cover a city.
• 50:00
  Speaker 2: A refueling system that's.
• 50:02
  Speaker 3: Much bigger than any airport one that's weird. Underground tunnels
• 50:06
  Speaker 3: you can drive trucks through.
• 50:08
  Speaker 2: Maybe they're going to be using people.
• 50:09
  Speaker 3: See it happens to be in the middle of a big, flat,
• 50:12
  Speaker 3: vacant piece of land called my.
• 50:14
  Speaker 2: Force of eighty. You got roasted Jesse.
• 50:21
  Speaker 4: When Jesse arrives, j Widner is there to meet him.
• 50:25
  Speaker 1: Internet, that's old bullshit artist.
• 50:27
  Speaker 4: Yeah, Widener is a renowned twenty twelve conspiracy expert.
• 50:31
  Speaker 1: There's no such thing as a renowned twenty twelve conspicuouscy.
• 50:34
  Speaker 2: It looks like a bootleg Richard Dawkins. I'm not hard
• 50:36
  Speaker 2: to find.
• 50:37
  Speaker 1: Oh so in this episode, I guess we were supposed
• 50:39
  Speaker 1: to be living in this thing by twenty twelve.
• 50:41
  Speaker 2: Okay, oh really, novel.
• 50:44
  Speaker 3: Now this is the symbol of the Freemasons, right it is.
• 50:48
  Speaker 2: I remember my history teacher telling us about twenty twelve
• 50:50
  Speaker 2: and seventh grade when I was like eleven and just
• 50:54
  Speaker 2: blew my mind the woods to the new world order.
• 50:59
  Speaker 3: That says new World Airport Commissions.
• 51:02
  Speaker 2: That's great.
• 51:02
  Speaker 3: Yes, those are strange words. New World Airport Commission. Yes,
• 51:07
  Speaker 3: who are they?
• 51:08
  Speaker 2: And that's actually the sixty.
• 51:09
  Speaker 5: Four million dollar question because we can't find that out. O.
• 51:12
  Speaker 2: Okay, all right?
• 51:15
  Speaker 4: What's around the corner? Ignored by thousands of travelers each day,
• 51:20
  Speaker 4: yet displayed in plain sight we've seen.
• 51:24
  Speaker 3: The hell is this? Why would someone put this in?
• 51:28
  Speaker 2: Well, like you always like reacting to this, like he
• 51:29
  Speaker 2: didn't get a folder full of ships before the shoots.
• 51:32
  Speaker 5: That's the mother of all solar flares.
• 51:35
  Speaker 3: All the kids are crying and they're holding on and
• 51:37
  Speaker 3: they're looking. I mean, this is literally almost all.
• 51:41
  Speaker 2: I did was try to read them a bedtime story.
• 51:44
  Speaker 1: We'll be destroyed by fire, And there it's on my
• 51:47
  Speaker 1: lap all the time.
• 51:49
  Speaker 2: It's not just it, guess even through it sounds both
• 51:51
  Speaker 2: intimidating and like a complete imbecile. Yeah, like he's both
• 51:55
  Speaker 2: threatening and also completely harmless.
• 51:57
  Speaker 5: Strange motif of Ian symbolism mixed in with this end
• 52:03
  Speaker 5: of the world motif, which actually explains the purpose of
• 52:08
  Speaker 5: Denver Internet.
• 52:08
  Speaker 2: This guy like near like one good vocabulary where it
• 52:11
  Speaker 2: was his motif. Yeah, like that'll float the rest of
• 52:13
  Speaker 2: this bullshit.
• 52:15
  Speaker 1: And like I get why me and you aren't interviewing
• 52:18
  Speaker 1: the artist who painted Beast because we don't have the
• 52:21
  Speaker 1: budget in the time to line ship like that up. Yeah,
• 52:25
  Speaker 1: they could have done that. You're got to talk to
• 52:27
  Speaker 1: the guy. This part's fun the most secure. This is
• 52:31
  Speaker 1: an entrance called America's Fortress into the Cyenne Mountains, which
• 52:36
  Speaker 1: apparently officials planned.
• 52:39
  Speaker 2: I thought America's Portress was Hillary Clinton's mural since Chelsea
• 52:45
  Speaker 2: was born in a.
• 52:46
  Speaker 5: Basement and all these people are refugees and the Lord
• 52:50
  Speaker 5: of Death with the Eagle and the AK forty seven
• 52:54
  Speaker 5: is killing the dove of people.
• 52:55
  Speaker 1: Oh well, the part where we're letting refugees into the
• 52:57
  Speaker 1: country in the future doesn't seem realistic at all.
• 53:00
  Speaker 4: The machine gun, he's already here, already guarding the twenty
• 53:05
  Speaker 4: twelve bunkers.
• 53:06
  Speaker 2: They couldn't even make that guy look bad ass, but that.
• 53:08
  Speaker 4: Camera every shocking confirmation of the doomsday plans.
• 53:12
  Speaker 1: We probably will have the blast forest clothes by the
• 53:14
  Speaker 1: time you get.
• 53:14
  Speaker 2: Here, so I knocking on them will do me no good.
• 53:17
  Speaker 3: You can knock all day.
• 53:18
  Speaker 4: Long, Farns evidence that construction for the government's predicted apocalypse
• 53:23
  Speaker 4: is still underway.
• 53:25
  Speaker 2: What in the hell are those?
• 53:27
  Speaker 3: Those are absolutely for a tunnel.
• 53:30
  Speaker 1: What's weird If that was just a person wearing shoes
• 53:34
  Speaker 1: that just looked like big, big, you know, steel boxes,
• 53:36
  Speaker 1: there's probably for irrigation.
• 53:37
  Speaker 2: Jesse. Those are absolutely for a tunnel. You couldn't fit
• 53:41
  Speaker 2: in those, jess Yeah, it's not a dress. I wanted
• 53:44
  Speaker 2: to call him by his first nan to be is
• 53:46
  Speaker 2: Jesse short for anything?
• 53:47
  Speaker 1: I thinks, so Jessica. I don't know, Yeah, it'd be funny. So, yeah,
• 53:52
  Speaker 1: that's the Denver Airport. I still I.
• 53:55
  Speaker 2: Know this one is like if if I'm a MythBusters,
• 53:58
  Speaker 2: I rate it plausible.
• 53:59
  Speaker 1: Yeah, yeah, because especially the part, like no one ever
• 54:02
  Speaker 1: brings up that there's an entrance to these bunkers that's
• 54:04
  Speaker 1: really heavily guarded like that this is one of those things.
• 54:08
  Speaker 2: Well you're gonna heavily goage just about anything of an airport.
• 54:10
  Speaker 1: Well, yeah, that's but guarded by the military, which.
• 54:14
  Speaker 2: Even then, Yeah, I don't know if you can really
• 54:17
  Speaker 2: get a rent a cop to guard a tunnel. Underneath,
• 54:19
  Speaker 2: you know, Yeah, airport, which is you know, basically a
• 54:21
  Speaker 2: place where you think about planes as weapons that you
• 54:24
  Speaker 2: know that have been proof of concept hijacked before. Like, yeah,
• 54:28
  Speaker 2: you do not have to try to debunk too hard.
• 54:29
  Speaker 2: But I mean just the fact that it's sober budget,
• 54:32
  Speaker 2: so sprawling, so out in the middle of nowhere. I mean,
• 54:34
  Speaker 2: all the symbolism is fun. I don't know how incriminating
• 54:38
  Speaker 2: that is, but I mean it certainly doesn't detract from
• 54:40
  Speaker 2: the idea that there might be something down there.
• 54:43
  Speaker 1: Yeah, And I think from from here it's just a mission.
• 54:49
  Speaker 1: The mission in life is to just try and have
• 54:51
  Speaker 1: Denver Airport bunker money before we die.
• 54:55
  Speaker 2: Yeah, that's really that should be a tier on the
• 54:58
  Speaker 2: Patreon as once we get to X a month, gonna
• 55:00
  Speaker 2: be we'll get our We'll get into the club thirty
• 55:03
  Speaker 2: three thirty three of the Apocalypse. You're in the club
• 55:06
  Speaker 2: thirty three. I've never been. I got in once when
• 55:09
  Speaker 2: I was a kid. Oh really, Yeah, friend of my
• 55:11
  Speaker 2: dad's pretty pretty fucking swanky man. Yeah, sold so much
• 55:14
  Speaker 2: shit with the logo on it.
• 55:16
  Speaker 1: I have a friend who is on the track to
• 55:20
  Speaker 1: maybe getting in.
• 55:21
  Speaker 2: Oh is it?
• 55:21
  Speaker 1: Travis Clerk it is Travis Clark. Yeah, yah, yeah, he
• 55:23
  Speaker 1: said he's not supposed to talk about it because I
• 55:25
  Speaker 1: brought it up on a podcast for him. You're ridiculous,
• 55:30
  Speaker 1: But uh, maybe I'll get in with Travis someday.
• 55:33
  Speaker 2: Yeah, that would be cool. I feel like that's kind
• 55:35
  Speaker 2: of the like the uh the minor league team for
• 55:39
  Speaker 2: Denver where you get Club thirty three, you know, and
• 55:41
  Speaker 2: then you gotta have like Adultum platinum member, you know.
• 55:45
  Speaker 1: And then you get that bunker. Yep, we gotta get one.
• 55:49
  Speaker 1: All right? This was fun? Do we uh, do we
• 55:51
  Speaker 1: have anything plug before we get out of here? This
• 55:53
  Speaker 1: episode goes up Monday.
• 55:55
  Speaker 2: Monday. Uh, Mean Boys are on tour in Northern California.
• 55:58
  Speaker 2: I believe it's something like August twenty fifth, Firth twenty first,
• 56:02
  Speaker 2: August twenty fir twenty first through the twenty eighth. Are
• 56:05
  Speaker 2: going pretty much all over Norcalgo on Meanboys podcast dot
• 56:07
  Speaker 2: com slash live shows for all the deats and listen
• 56:11
  Speaker 2: to the podcast itself. Goes out every Tuesday, scripted comedy
• 56:14
  Speaker 2: podcast basically a late night show in audio form. Got
• 56:17
  Speaker 2: some cool guests coming out. Gareth Reynolds, Kyle Kanaane, Mike
• 56:20
  Speaker 2: Lawrence on the book. So yeah, it's a great podcast.
• 56:23
  Speaker 2: I think you like it. We're on Patreon, so check
• 56:25
  Speaker 2: us out. Nice.
• 56:28
  Speaker 1: Come to our live show August twenty third at the
• 56:31
  Speaker 1: alex Theater in Glendale, seven thirty pm, Doors open eight pm.
• 56:35
  Speaker 1: Show starts the Free Show. It'll be Me momandel Lea K.
• 56:39
  Speaker 1: Janey and Jeff may Quincy Johnson and Caitlin cut Spicy.
• 56:43
  Speaker 3: Yeah.
• 56:44
  Speaker 1: Good lineup. Go to event bright dot com and search
• 56:47
  Speaker 1: on pops. You can reserve a spot. It's free, but
• 56:50
  Speaker 1: space will be limited. Subscribe to the rest of our
• 56:52
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• 56:56
  Speaker 1: a month. Get everything we put out completely at free.
• 57:00
  Speaker 1: Let's you count these plugs at the end. Those aren't
• 57:02
  Speaker 1: going away, motherfuckers. And uh, I think that's it. Connor
• 57:07
  Speaker 1: say goodbye.
• 57:08
  Speaker 2: I'm moving a little cookie right now. Goodbye, everybody.
• 57:11
  Speaker 3: We love it.
• 57:11
  Speaker 4: It's sure