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Kevin Hart and Tiffany Haddish Get Some Things Off Their Chest · The Breakfast Club

• 0:00
  Speaker 1: And time time, time to wake up. Ens angel and
• 0:06
  Speaker 1: Charlottagne the Doctor to practice, club Bitches, the voice of
• 0:09
  Speaker 1: the culture. People watch the Records Club for like news
• 0:12
  Speaker 1: to really be tuned in. It's one of my favorite
• 0:14
  Speaker 1: shows to dude, just because y'all always keep you one hunting,
• 0:17
  Speaker 1: y'all keep your real. They might not watch the news,
• 0:19
  Speaker 1: but they're on Twitter, they're on Facebook, they're you know,
• 0:22
  Speaker 1: they're listening to the rest of the Brothers. It's your ass.
• 0:25
  Speaker 1: So good morning. You want to say yo yo yo
• 0:38
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:40
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:42
  Speaker 1: yo yo yo yo good morning. I just felt like
• 0:46
  Speaker 1: doing that. Take good morning, Oh good morning, she's all.
• 0:48
  Speaker 1: I mean, what's up? Past of the planet is Friday.
• 0:53
  Speaker 1: It's Friday. No, Angelie and I are out in Vegas
• 0:56
  Speaker 1: for the I Heart Radio Music Festival. I'm not I'm
• 0:58
  Speaker 1: hearing New York. You're hearing new y'all. Yeah, And we
• 1:02
  Speaker 1: got a special guest joining us this morning. We got
• 1:04
  Speaker 1: a couple of special couple, special guests. Yes, we have it.
• 1:06
  Speaker 1: Kevin Hart and Tiffany had it. He's off, folks right here.
• 1:09
  Speaker 1: You know what I'm saying I'm very biased to both
• 1:12
  Speaker 1: of them, especially Tiffany. Sorry, and also Luke will be
• 1:16
  Speaker 1: joining us, hey man, the og Uncle Luke. It wasn't
• 1:19
  Speaker 1: for Uncle Luke down South of hip hop would not
• 1:20
  Speaker 1: be what it is. A matter of fact, all explicit
• 1:23
  Speaker 1: rap music would not be what it is. You realize,
• 1:25
  Speaker 1: Uncle Luke is the reason that's parented advisory explicit content, yes,
• 1:29
  Speaker 1: stickers on albums. Absolutely, Uncle Luke did not get it.
• 1:32
  Speaker 1: Get it okay? And guess what if there's one person
• 1:35
  Speaker 1: that hasn't been me too that probably might be in
• 1:37
  Speaker 1: the futures, Uncle Luke's uncle. Absolutely, God damn it all right?
• 1:41
  Speaker 1: And also right now, get it off your chests eight
• 1:43
  Speaker 1: hundred five A five one oh five one. If you
• 1:45
  Speaker 1: need to vent, hit us up right now. Maybe you
• 1:47
  Speaker 1: had a bad night, horrible weekend, whatever it may be.
• 1:49
  Speaker 1: That's a horrible weekend, horrible morning. Get it off your chests.
• 1:52
  Speaker 1: Eight hundred five A five one oh five one, Hit
• 1:54
  Speaker 1: us up now. It's a breakfast club, come on it
• 1:56
  Speaker 1: what it's Angela from the breakfast class. And y'all know
• 2:00
  Speaker 1: the iHeartRadio Music Festival is the only place that you'll
• 2:03
  Speaker 1: see all the biggest superstars in the planet. All of
• 2:07
  Speaker 1: it is on one stage live from the Team Mobile
• 2:09
  Speaker 1: Arena and Las Vegas, Childish Gambino, Justin Timberlake, Ray Shermott
• 2:15
  Speaker 1: and Moore. Watch it live today and tomorrow at seven
• 2:18
  Speaker 1: pm Pacific, ten pm Eastern only on CWTV dot Com
• 2:23
  Speaker 1: and the CW app. Per moments that you have to
• 2:25
  Speaker 1: see to believe. Wake up, wake up. Wait, you're time
• 2:30
  Speaker 1: to get it off your chest of black. We want
• 2:34
  Speaker 1: to hear from you on the breakfast. Hey, who's this Victor? Victor?
• 2:38
  Speaker 1: Get it off your chests? Bro? Hey, I just want
• 2:41
  Speaker 1: to stay angel the yata here he Okay, that's huh.
• 2:47
  Speaker 1: That's all you got. No, no, no, no. Where are
• 2:49
  Speaker 1: you from. I'm from Miami? Okay, go ahead. Continue. So
• 2:56
  Speaker 1: let me ask you what what what do I want
• 2:58
  Speaker 1: to do? I'm having an issue baby mama. Hell, I
• 3:03
  Speaker 1: want see what She lets me see my song whenever
• 3:06
  Speaker 1: the hell I want. That's a good thing. Yeah, that
• 3:08
  Speaker 1: doesn't sound like a problem. No, no, it is a
• 3:11
  Speaker 1: problem because I want to see my song. You said,
• 3:13
  Speaker 1: she lets me see my son whenever. I No, no,
• 3:16
  Speaker 1: it doesn't let me see my song. But you got
• 3:17
  Speaker 1: to be it's a big day twenty dozen and does sir? No, No,
• 3:20
  Speaker 1: she doesn't. I said doesn't from the beginning. Okay, does
• 3:24
  Speaker 1: what y'all need to do is set up a schedule
• 3:26
  Speaker 1: and maybe you need to do that through the court
• 3:27
  Speaker 1: system so you can make sure that you see your
• 3:29
  Speaker 1: son at certain specific times that she can't interfere with. Yeah,
• 3:33
  Speaker 1: but I tried that and she won't sign the papers.
• 3:37
  Speaker 1: You know, I've gone through a lawyer. It's been an
• 3:39
  Speaker 1: issue for her to get even served. You can't even
• 3:42
  Speaker 1: serve her. Yeah, all right, and I mean in the meantime.
• 3:46
  Speaker 1: So what is your lawyer telling you have to do
• 3:47
  Speaker 1: in the meantime. Well, we're to wait until she's physically served.
• 3:52
  Speaker 1: So there's really nothing you can do until that happens. Well,
• 3:54
  Speaker 1: you better keep at it, and I would recommend that
• 3:56
  Speaker 1: you keep track up all your conversations with her when text, messages,
• 4:00
  Speaker 1: emails where you're trying to resolve the issue, so you
• 4:03
  Speaker 1: can present all of that in court when it's time. Yeah,
• 4:05
  Speaker 1: good luck, bro. Hello, who's is Hey? They ain't you know?
• 4:09
  Speaker 1: Get it off your chess? Bro? Hey listening man? I
• 4:11
  Speaker 1: was I was listening to you guys talking the other day,
• 4:13
  Speaker 1: and you guys are talking about Cat Williams, uh kind
• 4:17
  Speaker 1: of hating on your comics TI kind of hate it
• 4:22
  Speaker 1: was hate. Well okay, well then you also said that
• 4:25
  Speaker 1: one time when Tracey Williams was kind of hate. You know,
• 4:29
  Speaker 1: Tiffany had a tippy tifty hass. Okay, D'll never really
• 4:32
  Speaker 1: said anything about Mike Epps. When Mike Epps we're talking
• 4:35
  Speaker 1: about how Kevin hartes everybody's kept it funnier than Kevin Hart.
• 4:38
  Speaker 1: That was kind of hating to me. You know, No,
• 4:40
  Speaker 1: that's actually an opinion. I don't mind an opinion opinion.
• 4:42
  Speaker 1: If you say that somebody's funnier, are you saying you
• 4:45
  Speaker 1: don't think somebody's funny. That's actually an opinion. But when
• 4:47
  Speaker 1: you're just saying things like, oh, they're getting movies because
• 4:49
  Speaker 1: they're ugly? Are they people like them because they sleep
• 4:52
  Speaker 1: with white men, that's hate. It's different. I mean, like,
• 4:55
  Speaker 1: I can see what you're saying that, you know, but
• 4:57
  Speaker 1: de'sitely the first time Mike Epps has come at kept
• 5:00
  Speaker 1: had it always feels like he's saying that about Kevin Hart.
• 5:03
  Speaker 1: Because Kevin Hart's up there, he, like everybody else is
• 5:05
  Speaker 1: saying but you don't know. I mean, I think Mike
• 5:07
  Speaker 1: is being They're both funny personally, but you know, they
• 5:10
  Speaker 1: are kind of like taking a shot at Kevin for
• 5:12
  Speaker 1: being up there in my opinion. I mean, listen, you
• 5:15
  Speaker 1: probably right, but I can honestly say that every time
• 5:17
  Speaker 1: I hear Mike evs, it's always an opinion, you know
• 5:19
  Speaker 1: what I'm saying. Whether that opinion is hate or not,
• 5:22
  Speaker 1: it doesn't matter. As long as it's a valid opinion.
• 5:24
  Speaker 1: I can argue a valid opinion. You can't just state
• 5:26
  Speaker 1: things that are supposedly fact but they're incorrect. She's in
• 5:31
  Speaker 1: the movies because she sleeps with white men like that,
• 5:33
  Speaker 1: don't make it have nothing to do with nothing said
• 5:35
  Speaker 1: her ex husband is right, that's not even true. It's
• 5:37
  Speaker 1: not even true. Hello, who's this smart? Hey man, I'll
• 5:40
  Speaker 1: get it off your chest, Get off podcast. I think
• 5:43
  Speaker 1: Chris Brown is a sellout, right, It's the kind of
• 5:47
  Speaker 1: cause I like in the morning, say that. Well, recently
• 5:50
  Speaker 1: he posted, uh ka Kaepernick, right, Kaepernick man, Kaepernick. Sorry,
• 5:56
  Speaker 1: but he's doing a video with racist. Who's the racist?
• 5:59
  Speaker 1: He did a video Agne's mo chick, some Agian chick
• 6:02
  Speaker 1: keep kissing all over in the video. Her name is
• 6:04
  Speaker 1: agnes Mo. Agnes Mo. Yeah, I think that's what did
• 6:08
  Speaker 1: she do? Well? It went around, Um, I g that
• 6:12
  Speaker 1: he that she was in an Indonesian TV show and
• 6:15
  Speaker 1: they did black face and she was too entertained by
• 6:19
  Speaker 1: Oh she was laughing too hard. Oh hell yeah, Oh okay,
• 6:23
  Speaker 1: I don't know what to tell you. I don't have
• 6:25
  Speaker 1: enough information. Yeah, we don't know enough about that. We
• 6:27
  Speaker 1: don't know culturally, was you know what? Well? Yeah, Well,
• 6:30
  Speaker 1: what I keep hearing is the Indonesian people who get
• 6:33
  Speaker 1: mad at me because I said something about it, because
• 6:35
  Speaker 1: I tweeted the video, keeps telling me it's cultural to
• 6:39
  Speaker 1: make fun of black folks by wearing black face. Oh
• 6:42
  Speaker 1: that's the case, and that's definitely racist. Well that's what
• 6:44
  Speaker 1: I keep hearing. And why I said Chris to sell out,
• 6:47
  Speaker 1: that's because Chris knows. And actually he got my account
• 6:50
  Speaker 1: deleted because I tweeted the video. Really, yeah, he took
• 6:54
  Speaker 1: the time out to get your accounts deleted. I need
• 6:57
  Speaker 1: to hit Chris up and find out who is connection
• 6:59
  Speaker 1: is because I need to you meet some account you
• 7:00
  Speaker 1: mean who used to but get it off your chests
• 7:02
  Speaker 1: eight hundred and five eight five one on five one.
• 7:04
  Speaker 1: If you need to vent hit this up now. It
• 7:05
  Speaker 1: is the breakfast club. Good morning, the breakfast club. Pick
• 7:11
  Speaker 1: up the mother mother phone and down. This is your
• 7:14
  Speaker 1: time to get it off your chat nother, your manas
• 7:18
  Speaker 1: you wann't hear from you on the breakfast club, so
• 7:20
  Speaker 1: you better have the same energy. Hello, who's this dog?
• 7:23
  Speaker 1: Ain't get it up chess bro. Yeah, to talk about
• 7:27
  Speaker 1: my business. It was just burglar rising. The other thing.
• 7:31
  Speaker 1: I had ad T as a security servant and uh
• 7:35
  Speaker 1: these burglars were in my shop. So about fifteen minute
• 7:38
  Speaker 1: part of my long one off and uh ad didn't
• 7:41
  Speaker 1: notify you, They didn't call the police and nothing. Well,
• 7:44
  Speaker 1: this would have happened many they know tided missed fifteen
• 7:47
  Speaker 1: minutes Lake. I missed the call because I had just
• 7:49
  Speaker 1: got off a flight from Vegas. So they called me
• 7:51
  Speaker 1: at two thirty in the morning. I missed the call.
• 7:54
  Speaker 1: They called HPD h TD Songs to respond. Ten minutes
• 7:57
  Speaker 1: later after my long going off, they stand for a
• 8:00
  Speaker 1: loan and the criminals cut back into my shot finishing all.
• 8:05
  Speaker 1: If they called you when they were supposed to call
• 8:06
  Speaker 1: you because you were on the flight, that's not their problem.
• 8:09
  Speaker 1: That's your problem. But this would be an alternative number
• 8:12
  Speaker 1: that they also called. And shouldn't the police be notified
• 8:14
  Speaker 1: to come right away right away? Now that att calls
• 8:16
  Speaker 1: you first, and then if they and then they call
• 8:18
  Speaker 1: the police, they call a second number first, and then
• 8:20
  Speaker 1: it's the second number doesn't answer whatever it means, then
• 8:22
  Speaker 1: they call the police. We'll see we we were just
• 8:25
  Speaker 1: coming back from we were just coming back from ladies
• 8:28
  Speaker 1: and uh and they that's I got surrender to my
• 8:32
  Speaker 1: in my store. So they weren't in my store for
• 8:34
  Speaker 1: let us kind of my most of them am going off.
• 8:37
  Speaker 1: They called me a two tons five. I missed the
• 8:39
  Speaker 1: call then not the five police right away and police
• 8:42
  Speaker 1: never showed up. Yeah, that's not the that's not at
• 8:46
  Speaker 1: that's the police. Let me ask you a question. One,
• 8:48
  Speaker 1: do you have um? What you should do now is
• 8:51
  Speaker 1: you have in shurance? I'm sure I do, all right, sir,
• 8:53
  Speaker 1: be covered. But what you should do now is what
• 8:54
  Speaker 1: I stole to my house is I have motion senses.
• 8:57
  Speaker 1: So anytime a camera moves in the fires me on
• 9:00
  Speaker 1: my phone and then if you don't wait, it notifies
• 9:02
  Speaker 1: my pops. So no matter what happens, if it's a dear,
• 9:05
  Speaker 1: if it's a beer, if it's my dog, if it's
• 9:07
  Speaker 1: my kids. I got so many motion senses in the
• 9:09
  Speaker 1: house that it always notifies me so I can continue
• 9:12
  Speaker 1: to check. Yeah, I had all that, and all that
• 9:16
  Speaker 1: was a place, so my thing. This is what I
• 9:18
  Speaker 1: felt like. They didn't do everything enough power to try
• 9:21
  Speaker 1: to contact me, you know what I mean, because then
• 9:24
  Speaker 1: silence my alarm. After ten minutes this criminals came back
• 9:27
  Speaker 1: in and started cleaning the house. They were in my shop.
• 9:31
  Speaker 1: That's what they still without with percussing man. They still
• 9:34
  Speaker 1: a whole bunch of inventory from my black room. They
• 9:37
  Speaker 1: hit my register with half pettycash and what kind of shot, bro,
• 9:41
  Speaker 1: it's a man's street where Colden staring out here? Instance.
• 9:45
  Speaker 1: Sorry brother, that sucks. Yeah, I mean, it's just it's
• 9:49
  Speaker 1: just a service I got. You say, these people fired
• 9:54
  Speaker 1: about two thousand dollars a year and then one time
• 9:56
  Speaker 1: you needed it right and the one thing that I
• 9:59
  Speaker 1: needed it to make a count. They're trying to say
• 10:01
  Speaker 1: that they're not responsible after ninety days equipment, you know.
• 10:05
  Speaker 1: Then they try to give you a whole room on
• 10:08
  Speaker 1: just to get someone you have to come walk on.
• 10:12
  Speaker 1: I'm sorry for you, bro, Well, shout out your shot.
• 10:15
  Speaker 1: But Lisa, when you get it, when you get everything back,
• 10:16
  Speaker 1: people know where the coach shop. Yeah, straight up, man,
• 10:19
  Speaker 1: y'all come to the sud Urban. I saw Houston. We're
• 10:21
  Speaker 1: located on the southeast. Shout us Houston, y'all come mess
• 10:24
  Speaker 1: with us with Terry Babe, Supreme everything. Y'all come as
• 10:27
  Speaker 1: with us and that message when they're open. Damn it. Man,
• 10:32
  Speaker 1: all right, sorry for you brother there. It ain't gonna
• 10:36
  Speaker 1: be well. I ain't gonna lie. It's not too many
• 10:38
  Speaker 1: people wear suprem and Baby. That stuff is expensive. So
• 10:40
  Speaker 1: if you see people in Houston wearing that, you kind
• 10:42
  Speaker 1: of know where it came from. Oh yeah, you got it,
• 10:45
  Speaker 1: you got it. Couldn't just care, all right, brother, Yeah,
• 10:47
  Speaker 1: I appreciate your Breakfast Club. Damn get it off your chest.
• 10:49
  Speaker 1: Eight hundred five eight five one on five one, don't move.
• 10:52
  Speaker 1: It's to Breakfast Club. The Morning, the Breakfast Club. DJ
• 10:57
  Speaker 1: Envy Angela Yee, Charlomagne, the guy. We all the Breakfast Club.
• 11:01
  Speaker 1: Now we're out in Vegas for the I Heart Radio
• 11:03
  Speaker 1: Music Festival. Charlemagne is actually here. I'm here now. Who
• 11:07
  Speaker 1: are you looking forward to see you. I'm looking forward
• 11:10
  Speaker 1: to seeing Mariah Carey. Of course. I'm looking forward to
• 11:12
  Speaker 1: seeing Ray Shermann, Um logic. Who else do I want
• 11:16
  Speaker 1: to see? Justin timber Lag little UZI Vert. Yeah, I'm
• 11:19
  Speaker 1: looking forward to seeing Tiffany Addis and Kevin Hart. Oh
• 11:22
  Speaker 1: and chw does Gambino by the way, Okay, I want
• 11:24
  Speaker 1: to see Gambino. I actually saw his last show here
• 11:26
  Speaker 1: and New York City at the Garden. But he's gonna
• 11:29
  Speaker 1: be performing at the I Heeart Festival and his show
• 11:33
  Speaker 1: is amazing, just all of the effects that he has
• 11:35
  Speaker 1: and everything. He's very dramatic, so you guys will enjoy it,
• 11:38
  Speaker 1: and I can't wait to see what he does. Speaking
• 11:40
  Speaker 1: of drama, I'm looking forward to seeing Tiffany hash and
• 11:42
  Speaker 1: Kevin Hart. H they'll be here next time, they'll be
• 11:44
  Speaker 1: here next day. They've been a trending topic for the
• 11:46
  Speaker 1: past couple of weeks. We're gonna play some music and
• 11:47
  Speaker 1: then we're gonna get back with them, all right, So
• 11:49
  Speaker 1: when we come back, Tiffany Haddish, Kevin Hart. Of course,
• 11:52
  Speaker 1: Night School comes out next Friday. We're gonna talk to
• 11:55
  Speaker 1: them next. You don't move, It's to breakfast club. More,
• 11:58
  Speaker 1: what did everybody's d j Envy Angela Yee, Charlomagne the guy.
• 12:02
  Speaker 1: We are the breakfast club. We got some special guests
• 12:04
  Speaker 1: in the building. Yeah, yeah, yeah, you give He had
• 12:07
  Speaker 1: us in, Kevin, Why are you screaming? Man? I'm happy
• 12:13
  Speaker 1: to see them too. For dam energetic I to get
• 12:16
  Speaker 1: him tivin here complaining about chads that he bought, saying
• 12:19
  Speaker 1: if the chads won't go up, No, I'm complaining about
• 12:21
  Speaker 1: the chairs that I But I just don't understand. When
• 12:22
  Speaker 1: you guys know I'm coming. You should have my setting ready.
• 12:25
  Speaker 1: You know what you about what I bought us, about
• 12:29
  Speaker 1: what I need. I told you that this is I'm
• 12:31
  Speaker 1: not saying that you gotta make it a public thing.
• 12:33
  Speaker 1: But put all that's too late. Yeah. My torsos longer, Yeah,
• 12:40
  Speaker 1: tivity is taller. It's fine. Let's I'm making thing out
• 12:42
  Speaker 1: of it. I'm okay doing. I don't know. I don't
• 12:46
  Speaker 1: know where to start with, y'all. Let's start night school.
• 12:49
  Speaker 1: Let's let's start different business. Let's start there, night school
• 12:52
  Speaker 1: hitting theater September twenty eighth, excited, Why, I'll tell you why? Uh? First,
• 12:58
  Speaker 1: he got them right at Jaques, I can see the hell.
• 13:05
  Speaker 1: I want to talk about this movie too. Uh. Reason
• 13:08
  Speaker 1: why because it's the first movie underneath my production umbrella,
• 13:10
  Speaker 1: Heartbeat Productions. Uh. Taking it a step further, you know,
• 13:14
  Speaker 1: from just being the talent, turning the business the business
• 13:17
  Speaker 1: notch up and then doing so. I wanted to put
• 13:20
  Speaker 1: myself in a position to win. So I teamed up
• 13:22
  Speaker 1: with my guy Will power Packer again. Uh. This is
• 13:25
  Speaker 1: our seventh movie together. Four number one's, two number twos
• 13:27
  Speaker 1: hopefully we were talking about one more number one and
• 13:30
  Speaker 1: coming off of a number one success, I said, dude,
• 13:33
  Speaker 1: it makes no sense to not have Tiffany Hats be
• 13:35
  Speaker 1: a part of my first movie, especially understanding Historian where
• 13:39
  Speaker 1: she's coming from. So we cast to Tiffany in the movie,
• 13:42
  Speaker 1: along within another amazing group of actors and actresses. H
• 13:46
  Speaker 1: the list is too long the name and you know
• 13:48
  Speaker 1: right now we're talking about something that was built from
• 13:50
  Speaker 1: the ground up. How much money of you and Will
• 13:52
  Speaker 1: mean together so far? A lot of money, A lot
• 13:55
  Speaker 1: of money. Don't need to get into numbers. Okay, Now,
• 13:58
  Speaker 1: Whilight School have you have you ever been in school?
• 14:00
  Speaker 1: Either of you? I can tell you the whole story
• 14:03
  Speaker 1: behind night School and uh, and the reason behind it
• 14:06
  Speaker 1: is is something that I think people will be able
• 14:08
  Speaker 1: to relate to. Um. You know, it's a movie about
• 14:10
  Speaker 1: second chances in life. So many people do things the
• 14:13
  Speaker 1: first time around and may or may not get it right,
• 14:16
  Speaker 1: and they're doing so you feel like it's over. In
• 14:18
  Speaker 1: this particular case, education is the forefront of the story,
• 14:22
  Speaker 1: and so many people that don't embrace education properly end
• 14:26
  Speaker 1: up going back to have to do it again. And
• 14:27
  Speaker 1: what you find out is when you embrace it the
• 14:29
  Speaker 1: second time, you do it correctly, and the opportunities in
• 14:32
  Speaker 1: life are still there and it may even be more. Uh.
• 14:35
  Speaker 1: This is a movie that embraces that. This is a
• 14:37
  Speaker 1: movie that highlights that, and we do it from a
• 14:40
  Speaker 1: funny perspective, but that people can relate to improve that.
• 14:42
  Speaker 1: I got my diploma in night school. I'm so well spoken.
• 14:45
  Speaker 1: And as we go on, yes, so how were you
• 14:47
  Speaker 1: guys as students in school? In real life? I was okay,
• 14:50
  Speaker 1: I was all right, you know, I did, I did.
• 14:52
  Speaker 1: I had a two point five right, everything that's not
• 14:56
  Speaker 1: all right? I gradual. I graduated. I had a lot
• 15:02
  Speaker 1: of credits because I went to summer school every year. No,
• 15:08
  Speaker 1: because I didn't want to get in any trouble and
• 15:10
  Speaker 1: it was boys in summer School of Education. I celebrated
• 15:16
  Speaker 1: the two point five. I'm talking about exactly what I'm
• 15:21
  Speaker 1: talking about. Listen, we hate these conversations about equal pay
• 15:24
  Speaker 1: in Hollywood and tipping cab, y'all both are on the bill.
• 15:26
  Speaker 1: How does that work out? Look? I know what you know. Look,
• 15:32
  Speaker 1: I'm all about the female, the female growth, especially in entertainment.
• 15:38
  Speaker 1: You know. I think that that women and the voices
• 15:42
  Speaker 1: that are coming from these women should be heard. The
• 15:44
  Speaker 1: opportunities should be given that money. Though I don't think so,
• 15:50
  Speaker 1: but you know what he's producing on it and what
• 15:53
  Speaker 1: you know, but he we both just got houses. You know.
• 15:56
  Speaker 1: His house is in the hills somewhere. We can't find it.
• 15:58
  Speaker 1: My houses in South Central. No. Look, I think that
• 16:03
  Speaker 1: the conversation is one that needs to be had, and
• 16:06
  Speaker 1: now that it's being had, you're going to see more
• 16:08
  Speaker 1: opportunities for women to get what they've been requesting and
• 16:12
  Speaker 1: what they deserve. Um, I think it's all it's all
• 16:15
  Speaker 1: project dependant. It's all about U. The level of stars
• 16:18
  Speaker 1: that you're dealing with, and you know, you you have
• 16:21
  Speaker 1: to understand. How do you know what your level is?
• 16:23
  Speaker 1: All within box office draw What people ignore is that
• 16:26
  Speaker 1: within the talent, this box office drawing, this box office success,
• 16:29
  Speaker 1: this is the biggest start in the movie. So she
• 16:31
  Speaker 1: should be You know what, if that's what people personality
• 16:38
  Speaker 1: this week, I would bottle that my system. That was
• 16:46
  Speaker 1: the case, I'll tell you the difference in old ka
• 16:48
  Speaker 1: Hart and I use this as a segue. Okay, the difference,
• 16:51
  Speaker 1: the difference in me. If that was the case, there
• 16:55
  Speaker 1: is no reason to put a dimmer on that light.
• 16:59
  Speaker 1: The reason why I say that is because I've been there.
• 17:02
  Speaker 1: I'm there, I sit in the chair. I sat in
• 17:05
  Speaker 1: this chair for a long time. Naturally, there's other people
• 17:07
  Speaker 1: that will come behind and will surpass. Wherever you are
• 17:11
  Speaker 1: in this business, when that happens, you support it, especially
• 17:14
  Speaker 1: when you're coming from a position where there's been a
• 17:16
  Speaker 1: demand for people of color to get a shot. So
• 17:19
  Speaker 1: here's my frustration. Because I know you're gonna get into it,
• 17:21
  Speaker 1: let me tell you my frustration. Here's kind of frustration. Okay,
• 17:27
  Speaker 1: I'm gonna tell you it's been on my mind, what's
• 17:29
  Speaker 1: been on my heart? Heavy. I want to talk about
• 17:32
  Speaker 1: the movies sold the movie is gonna be out all right. Now,
• 17:38
  Speaker 1: I want to get to what's really bothering me. Okay,
• 17:40
  Speaker 1: I want to ask black people what we want? What
• 17:43
  Speaker 1: do we want? We complain that people of color weren't
• 17:47
  Speaker 1: getting opportunities in Hollywood. We were getting ignored for the Oscars.
• 17:51
  Speaker 1: For the end, it was a big thing. After that
• 17:53
  Speaker 1: big thing, people of color got recognized for their hard work,
• 17:57
  Speaker 1: for their efforts and run awards. People of color also
• 18:00
  Speaker 1: one Emmy's. People of color are now being giving opportunities
• 18:04
  Speaker 1: to start to lead in various projects. People according to something, Okay,
• 18:11
  Speaker 1: when the people have when the people of coloring in
• 18:14
  Speaker 1: these opportunities at why are the people of color the
• 18:18
  Speaker 1: ones that are tearing the people that are getting the
• 18:20
  Speaker 1: opportunities down. My frustration comes from you don't realize when
• 18:25
  Speaker 1: I preach about the crabs and the barrel mentality that
• 18:27
  Speaker 1: eventually we have to take responsibility for our actions. So
• 18:31
  Speaker 1: if I'm looking at people that share my craft, I'm
• 18:34
  Speaker 1: going to bring up the people that Kat William's name,
• 18:36
  Speaker 1: Little Rel, Gerard Carmichael, Hannibal Birds, myself, Tiffany Hattish correct
• 18:42
  Speaker 1: little Rel is seeing so much success after doing a
• 18:45
  Speaker 1: special relevant. He went on to get out. He now
• 18:47
  Speaker 1: has a show that he's producing and starting in on Fox.
• 18:50
  Speaker 1: Gerard Carmichael had his own show and he started wrote, produced.
• 18:54
  Speaker 1: Gerard Carmichael was on to a second special. Hannibal Burrs
• 18:57
  Speaker 1: saw success within comedy specialism is now doing various movies,
• 19:00
  Speaker 1: are getting the opportunity to have features into having presents.
• 19:03
  Speaker 1: Me Kevin Hart, the guy that sits on top right now,
• 19:07
  Speaker 1: have taken advantage of all the money that I have
• 19:09
  Speaker 1: a shot over fifty six specials for the upcoming generation
• 19:12
  Speaker 1: of comedy. Why because I'm trying to create opportunities for us.
• 19:14
  Speaker 1: We wasn't complaining about it. I'm fixing it. I'm putting
• 19:17
  Speaker 1: my money when months. I also take four responsibility for
• 19:20
  Speaker 1: any and everything that I've done in the business, good
• 19:23
  Speaker 1: or bad. All right, we have more with Kevin Hart
• 19:24
  Speaker 1: and Tiffany Hattis who don't move. It's to breakfast Club.
• 19:26
  Speaker 1: Good Morning, the breakfast Club Morning. Everybody is DJ Envy
• 19:33
  Speaker 1: Angela Yee, Charlomagne the guy. We are the breakfast Club.
• 19:37
  Speaker 1: We got special guests in the building. Tiffany Haddish and
• 19:40
  Speaker 1: Kevin Hart go off Cavi, they go off my frustration
• 19:43
  Speaker 1: with Kat Williams comes from you keep pointing at Hollywood, Hollywood, this,
• 19:47
  Speaker 1: the white man, this, this and this. When do you
• 19:50
  Speaker 1: take responsibility for your actions? You had the shot? Cat
• 19:54
  Speaker 1: was in that position. You were the guy, you were
• 19:57
  Speaker 1: set up to be the star. You didn't show up
• 19:59
  Speaker 1: to work, You've off promo shoots. You became a risk
• 20:03
  Speaker 1: to the studios, which is why the studio stopped. He
• 20:07
  Speaker 1: chose drugs. Take responsibility for what you chose and say,
• 20:11
  Speaker 1: you know what, I gotta fix me and I'm gonna
• 20:13
  Speaker 1: come back, and I'm a stand up for comedy. So
• 20:16
  Speaker 1: when you say Tiffany Hattish doesn't deserve or isn't really
• 20:19
  Speaker 1: a comedian and these other women have worked hard, which
• 20:22
  Speaker 1: they have shots out to Melanie Comancho, shots out to
• 20:25
  Speaker 1: Lou Now, shots out to Leslie Jones, who are all
• 20:27
  Speaker 1: beneath the umbrella of Kat Williams. Cat Williams, have you
• 20:31
  Speaker 1: ever used your platform to bring the people that were
• 20:34
  Speaker 1: under you up? You haven't, So because you haven't, don't
• 20:39
  Speaker 1: knows that now are I've used my platform and I've
• 20:43
  Speaker 1: brought my guys and girls. Oh. The brand of Kevin
• 20:46
  Speaker 1: Hard is a brand that's expanded so far far. Whether
• 20:49
  Speaker 1: you like me or not, My presidents a comedy will
• 20:52
  Speaker 1: forever be felt Because I'm a boss. I sit on
• 20:55
  Speaker 1: the top of it and the opportunities that I'm giving
• 20:56
  Speaker 1: all the ones that I'm creating. So take responsibility for
• 21:00
  Speaker 1: what you did. You've you nobody else did? You don't
• 21:04
  Speaker 1: hear Chris Rock, Dave Chappelle, The Kings of Comedy, Seinfeld,
• 21:09
  Speaker 1: You don't hear George Lopez, Eddie Griffin. Who else can
• 21:13
  Speaker 1: I go down? The road of other comedians? Steve Martin
• 21:17
  Speaker 1: Martin Short, you don't hear now. Guys that got on
• 21:20
  Speaker 1: time and that made it by doing what they love,
• 21:24
  Speaker 1: complain about the people that are coming under them. The
• 21:26
  Speaker 1: reason why it's because they're happy with themselves. Don't blame
• 21:29
  Speaker 1: everybody else for your don't show my Sister Light because
• 21:33
  Speaker 1: you're not happy with Sis. This has earned, it's not given.
• 21:36
  Speaker 1: I don't give you a Tiffany Hash fan. It's earned.
• 21:39
  Speaker 1: Tiffany has got years in the game. It's not an
• 21:41
  Speaker 1: accident that Tiffany Hash got an opportunity to start in
• 21:44
  Speaker 1: the movie. It's not an accident that that character popped
• 21:46
  Speaker 1: in the movie. Written or not written, a character has
• 21:49
  Speaker 1: to pop it, and he even acknowledged the years that
• 21:51
  Speaker 1: you've put in before that. Now I want to ask
• 21:53
  Speaker 1: you are very classy in your response in social media,
• 21:57
  Speaker 1: because the first thing I thought was, that's after, what's
• 22:00
  Speaker 1: Tiffany gonna say? Because it has to be hurtful when
• 22:02
  Speaker 1: somebody said something like that. Especially I'm sure you are
• 22:04
  Speaker 1: a fan of his, you know at some point I
• 22:07
  Speaker 1: still I'm a fan of his. I think he's hilarious.
• 22:09
  Speaker 1: So what did you think when you heard that? Before
• 22:12
  Speaker 1: you respond? Well, I thought I was like, damn, what
• 22:14
  Speaker 1: did I do to him? Did I? His? Man? And
• 22:15
  Speaker 1: then I was like, beautiful, That's what I thought. That's
• 22:23
  Speaker 1: what I always think when people say many things. I
• 22:25
  Speaker 1: always think that because I think they got to be
• 22:27
  Speaker 1: I must have tell me something, I must have did something.
• 22:30
  Speaker 1: And then I realized I never did nothing to that man. Then,
• 22:32
  Speaker 1: and then when I started like really listening to it,
• 22:34
  Speaker 1: I was like, oh, he got his facts wrong. He's
• 22:36
  Speaker 1: obviously not paying attention to me, and somebody must have
• 22:39
  Speaker 1: been complaining to him about me or whatever, and maybe
• 22:41
  Speaker 1: he felt some type of way. I don't know. I
• 22:43
  Speaker 1: just feel like, well, you know, it is what it is.
• 22:46
  Speaker 1: I don't I'm not tripping, I'm not mad, I'm not upset.
• 22:49
  Speaker 1: But did he apologize because we've seen a picture there.
• 22:51
  Speaker 1: The first thing he apologized, he said less and less
• 22:54
  Speaker 1: and less and let men explain what's going on, and
• 22:56
  Speaker 1: then he explained himself. And then I was just like, well,
• 22:59
  Speaker 1: you know what, did he explain it? Kind of explanation?
• 23:02
  Speaker 1: I want to step because I'm gonna let my sister
• 23:04
  Speaker 1: keep it classy. Yeah, he's just somebody kicked my sister
• 23:07
  Speaker 1: ball over the fence. I want it back. It doesn't
• 23:10
  Speaker 1: matter what he said. It doesn't matter what the apology was.
• 23:13
  Speaker 1: You didn't like. It's not about the apology. And I
• 23:16
  Speaker 1: want to get this very clear. I want to make
• 23:17
  Speaker 1: it very clear. Cat Williams is an amazing talented comedian,
• 23:20
  Speaker 1: which is why I'm so frustrated. I sit from afar
• 23:24
  Speaker 1: and I admired a man's talent. I don't like that
• 23:27
  Speaker 1: you said anything negative about a woman of color that's
• 23:31
  Speaker 1: getting her shot, saying to me, I'll take it all
• 23:34
  Speaker 1: hate me. You do seem to be more offensive about this.
• 23:37
  Speaker 1: I have said back, I have ever been the humble guy.
• 23:42
  Speaker 1: I have time to not be humble today, I have
• 23:45
  Speaker 1: time to fact check everything he said, because the world
• 23:47
  Speaker 1: of Kat Williams is a fictional world. Is he selling?
• 23:57
  Speaker 1: I was like, when was she married to a white man?
• 24:00
  Speaker 1: I was like, because I've not been proposed to buy
• 24:02
  Speaker 1: a white man before, and they found out he was
• 24:04
  Speaker 1: really black when we did that DNA test. But it
• 24:07
  Speaker 1: is what it is. So you weren't married to a
• 24:08
  Speaker 1: white man. No, No, I know that. But two point
• 24:12
  Speaker 1: four million tickets on his last tour. That's more than
• 24:16
  Speaker 1: beyond fan jay Z. That's more than Justin bieber and
• 24:18
  Speaker 1: Justin Timberlake. That's more than Billy Joe Eagle. That's one
• 24:21
  Speaker 1: Beyonce and Justin Timberlake combined. You understand how many tickets
• 24:26
  Speaker 1: two point four men and tickets are right now? You
• 24:29
  Speaker 1: can google it. It's all researchable information. I'm sitting on
• 24:32
  Speaker 1: one point three mini tickets sold. There is nobody close
• 24:35
  Speaker 1: to me in ticket sales and comedy, and I am worldwide.
• 24:40
  Speaker 1: I am on par with the likes of your Bruno Mars,
• 24:43
  Speaker 1: your jay Z and Beyonce. So in comedy it's unheard
• 24:46
  Speaker 1: of to get those numbers. Also, to say fifteen consecutive
• 24:50
  Speaker 1: one hundred city tours. It's false. Where did you do
• 24:53
  Speaker 1: the new stuff? When did you ever work on something?
• 24:55
  Speaker 1: Consecutive means in a row where there's a Forbes list
• 24:59
  Speaker 1: every year to come out. Go back to two thousand
• 25:01
  Speaker 1: and seven, Go back to two thousand and six. Cat
• 25:03
  Speaker 1: Williams has never been on it. Go back to my
• 25:05
  Speaker 1: last five years in comedy. I have one year where
• 25:07
  Speaker 1: I got number one. This year I'll be number one again.
• 25:09
  Speaker 1: I have one year while I was number three. The
• 25:11
  Speaker 1: other years i'm number six, I'm number seven. These lists
• 25:14
  Speaker 1: are researchable. Another fact, a hard fact. Kat Williams is
• 25:18
  Speaker 1: not owned all the specials. He trashes the white man.
• 25:22
  Speaker 1: The white man owns your content. So Cat Williams own
• 25:24
  Speaker 1: that false is false. I am now coming to get
• 25:30
  Speaker 1: my sister's ball that was over the fence. I think
• 25:33
  Speaker 1: you got it. I am only saying this because of
• 25:37
  Speaker 1: how you attack innocent people. Yes, Partiffity does have an
• 25:40
  Speaker 1: hour stand up special show tim From the Hood to Hollywood.
• 25:43
  Speaker 1: You got two. Also, Netflix specials are not given by
• 25:47
  Speaker 1: what you sell on the road. That's the most ridiculous
• 25:49
  Speaker 1: I've heard of my life. Another fact, So it's not
• 25:51
  Speaker 1: about tickets, No, what about about tickets. It's about your brand.
• 25:55
  Speaker 1: It's about your return. If I'm a business and I
• 25:58
  Speaker 1: want to invest a high amount of money in you,
• 26:00
  Speaker 1: how am I getting my money back? Everybody can't demand
• 26:04
  Speaker 1: the money if you can't justify how I'm getting my
• 26:07
  Speaker 1: money back. All these announcements came out for the specials.
• 26:10
  Speaker 1: I kept minding the wraps just because Nothings gave me
• 26:13
  Speaker 1: forty million dollars. This is a fact. Listen, like I
• 26:26
  Speaker 1: told you about it. The part that I'm making is
• 26:33
  Speaker 1: that that's information. This is all research for information if
• 26:36
  Speaker 1: you go look for it. I just told to keep
• 26:38
  Speaker 1: it to myself because I don't care. I'm only saying
• 26:41
  Speaker 1: this now because I'm fat checking what was put out
• 26:43
  Speaker 1: as fiction. That's not how they do deals with that
• 26:46
  Speaker 1: being said, once again, when you look at all the
• 26:50
  Speaker 1: comedians that are up and coming, young, old, whatever. As
• 26:53
  Speaker 1: a comedian that's sitting in a position of power, if
• 26:56
  Speaker 1: you've got any financial growth, put your money where your
• 26:59
  Speaker 1: mouth is and you changing so if you got a
• 27:02
  Speaker 1: team of people what she does, which are very funny.
• 27:04
  Speaker 1: Once again, shall out the red grit Man mancho lou
• 27:07
  Speaker 1: now Leslie Jones that was there for a minute and
• 27:10
  Speaker 1: knows them all. I love old people, but I can't
• 27:12
  Speaker 1: name one of these jokes. It doesn't matter. I would
• 27:14
  Speaker 1: never shut on them at West said, I would say,
• 27:16
  Speaker 1: take your money and create opportunities for them so they
• 27:19
  Speaker 1: can pop within your brand and make you better. All
• 27:21
  Speaker 1: the negativities that I receive from Kat Williams and Mic Ups.
• 27:24
  Speaker 1: Ask yourself, why those two people that themselves over the
• 27:28
  Speaker 1: same movie time to talk with all today? I said,
• 27:34
  Speaker 1: they both got their break in the same movie. They
• 27:36
  Speaker 1: both popped on the same movie Friday, Friday after next.
• 27:39
  Speaker 1: All right, we have more with Kevin Hart and Tiffany
• 27:40
  Speaker 1: Hadis who don't move. It's the Breakfast Club. Good Morning Morning.
• 27:43
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We
• 27:47
  Speaker 1: are the Breakfast Club. We got special guests in the building,
• 27:50
  Speaker 1: Tiffany Haddish and Kevin Hart. You get along with any
• 27:53
  Speaker 1: of your peers with everybody man Blacking and you had
• 27:56
  Speaker 1: a little thing but Mike Blacks and fine, that was
• 27:58
  Speaker 1: more about man Mike Blacks and knowing each other for real.
• 28:02
  Speaker 1: You let this fiction take you out of the realm
• 28:07
  Speaker 1: of saying you really know me, so at that moment, Mike,
• 28:10
  Speaker 1: I'm like, dude, you know me, like enough is enough.
• 28:13
  Speaker 1: You know that at this point when all it is
• 28:15
  Speaker 1: going down, you know how serious it is, and you
• 28:19
  Speaker 1: know me, like we're really are friends. I get it
• 28:22
  Speaker 1: from everybody else, but you different, you know me. That's
• 28:25
  Speaker 1: when me and Michael came in. But me and Michael, fine,
• 28:27
  Speaker 1: I'm saying negativity. I'm saying talk. I'm seeing the constant
• 28:32
  Speaker 1: downing of people that sit in the position of success,
• 28:35
  Speaker 1: that have worked hard for It comes from people that
• 28:37
  Speaker 1: have yet to realize they're fuck up. This is simply
• 28:40
  Speaker 1: me calling you out on your cups. Stop pointing other people.
• 28:44
  Speaker 1: Stop pointing Hollywood for your fuck up. It is changing.
• 28:49
  Speaker 1: It is the biggest comedy start in the world right
• 28:51
  Speaker 1: now on an international level, box office and goddamn touring.
• 28:55
  Speaker 1: Stop talking to me about the opportunities that we're not
• 28:57
  Speaker 1: getting because I'm creating them. Your fup take responsible for yo.
• 29:02
  Speaker 1: Don't kick my sister ball over the fence no more.
• 29:04
  Speaker 1: I can't talking to your cousin. I would never want
• 29:10
  Speaker 1: to get in trouble because I know this a girl's story.
• 29:14
  Speaker 1: Y'all don't understand where my frustration comes from. Homeless the
• 29:20
  Speaker 1: joke of the money that I gave her. I'm talking
• 29:22
  Speaker 1: about a real grind right homeless, no bed back seat,
• 29:26
  Speaker 1: watching your ass in bathroom sinks, and now you finally
• 29:29
  Speaker 1: get millions for moving. Now we want to go. You
• 29:31
  Speaker 1: ain't this and you ain't that? Applause first, And she
• 29:34
  Speaker 1: seems so grateful all the time. And you have nothing
• 29:36
  Speaker 1: bad to say about anybody. I've never seen Tiffany Hattish
• 29:39
  Speaker 1: come at anybody being negative. It seems like you're always
• 29:42
  Speaker 1: support him. Yeah, I'm supporting the fact. Got something bad
• 29:45
  Speaker 1: to say about somebody, I say it to them and
• 29:46
  Speaker 1: they face first straight up, Why are you so loving
• 29:54
  Speaker 1: and forgiving the people who try to discredit you, because
• 29:57
  Speaker 1: they obviously are hurting and they need something, they need
• 29:59
  Speaker 1: some There's there's something wrong with them for them to
• 30:02
  Speaker 1: even come at me. I never did that to them.
• 30:04
  Speaker 1: I never said anything bad about them, So that's something
• 30:06
  Speaker 1: that's personal. And obviously they're crying for help. So I'm
• 30:10
  Speaker 1: gonna be kind and I'm gonna keep it pushing and
• 30:12
  Speaker 1: now it's work. Whatever they're trying to put out. We
• 30:14
  Speaker 1: already reached out to you in the pilot, ask you too,
• 30:15
  Speaker 1: is that true? No? No, no, And I want to
• 30:21
  Speaker 1: make this. I want to make this perfectly clear. This
• 30:23
  Speaker 1: is not a Kevin Hart versus Cat thing. This is
• 30:26
  Speaker 1: not that I don't I don't give. I don't give
• 30:28
  Speaker 1: that much of a I don't I don't have time
• 30:30
  Speaker 1: to care that much. This is a I'm shining a
• 30:32
  Speaker 1: light on what we complain about. We complain that we
• 30:37
  Speaker 1: don't have, then we get, and now we tear down
• 30:40
  Speaker 1: those that are getting what we said we don't have.
• 30:43
  Speaker 1: Make a decision. I'm gonna ride with whatever decision we make.
• 30:45
  Speaker 1: Y'all want a platform, help me figure out so I
• 30:48
  Speaker 1: know what we're sticking to. Maybe I'm wrong, So if
• 30:50
  Speaker 1: I'm wrong, tell me now so I can take the
• 30:52
  Speaker 1: money out of my laugh out Loud network, so I
• 30:54
  Speaker 1: can stop trying to produce these movies and get diversity
• 30:57
  Speaker 1: looks and make a multicultural cast pop because I thought
• 31:00
  Speaker 1: that's what we want it. So it's not what we want.
• 31:02
  Speaker 1: Tell me, and I'll go back and I'll do what
• 31:04
  Speaker 1: was being done that we didn't want. So we're going
• 31:07
  Speaker 1: to fix the problem. Didn't help a problem become fixed
• 31:11
  Speaker 1: by being a part of the solution and not the problem.
• 31:13
  Speaker 1: When you are down and you attack those that are
• 31:16
  Speaker 1: now becoming a part of the solution get a problem.
• 31:20
  Speaker 1: It's interesting that they always say the white man gives
• 31:22
  Speaker 1: people in Hollywood stuff. At least we haven't been watching
• 31:24
  Speaker 1: y'all bust y'all asks for years. Absolutely, I can say
• 31:27
  Speaker 1: that there has been a heavy separation within races and
• 31:31
  Speaker 1: opportunity and the entertainment business. I can say all the
• 31:34
  Speaker 1: complaints that have been given over the past are not
• 31:37
  Speaker 1: only correct, but worthy of the attention that they got. Okay,
• 31:43
  Speaker 1: within all the movements, with all the conversation, but then
• 31:46
  Speaker 1: we need more, you goddamn right, I get it. I
• 31:50
  Speaker 1: was a person that was told movies can't translate overseas
• 31:53
  Speaker 1: with the black lead in the comedy. I was told
• 31:55
  Speaker 1: that's my face. I bade for those opportunities. I pushed
• 31:58
  Speaker 1: for him. I got them. And now you see more
• 32:01
  Speaker 1: movies with people of color in the lead position getting
• 32:05
  Speaker 1: those opportunities because we're pushing for it. They talk about
• 32:07
  Speaker 1: people giving people's stuff. You had to fight for an
• 32:09
  Speaker 1: audition for Girls Trip, right, Yeah, I fought for that.
• 32:12
  Speaker 1: For that, I was constantly on my agent about getting
• 32:15
  Speaker 1: me that audition, and I got it. And then I
• 32:18
  Speaker 1: went in like four times and then finally I got
• 32:22
  Speaker 1: the job. But I mean, I was just thinking about it,
• 32:25
  Speaker 1: like every person that's ever given me an opportunity in
• 32:27
  Speaker 1: this business, or fought for me, or fought with me
• 32:29
  Speaker 1: to get a job or put me on something has
• 32:31
  Speaker 1: been black. So to me, when they say the white
• 32:34
  Speaker 1: man whatever, to me, I don't. I don't see it
• 32:36
  Speaker 1: that way. I mean I have it's been black or Hispanic,
• 32:40
  Speaker 1: Middle Eastern, but mostly black people have helped me. And
• 32:43
  Speaker 1: then when it comes to stand up, it's it's like
• 32:45
  Speaker 1: everybody I feel like, and my job in this business,
• 32:48
  Speaker 1: I feel like, to me, my position I come from
• 32:50
  Speaker 1: bringing joy. And when people like, oh she's not funny,
• 32:53
  Speaker 1: you're not funny, I don't care. And my comedy not
• 32:55
  Speaker 1: for you. You know, I'm here to not make the
• 32:58
  Speaker 1: whole white world laugh. I'm here make the people that
• 33:00
  Speaker 1: buy tickets laugh. That's all I care about. And you know,
• 33:03
  Speaker 1: it's a perfect segue to go back. That's our reason
• 33:06
  Speaker 1: for being here. I want to say, director, when I
• 33:15
  Speaker 1: say perfect segue, I'm saying when I talk about second chances,
• 33:19
  Speaker 1: when I talk about the purpose of the movie, when
• 33:21
  Speaker 1: I talk about why the movie was created. When I
• 33:24
  Speaker 1: talk about the vision behind it, it's to motivate and inspire.
• 33:27
  Speaker 1: Yes you're gonna laugh. But there's a message within it,
• 33:29
  Speaker 1: within everything that I'm saying, Yo, second chances are valuable.
• 33:34
  Speaker 1: Within everything that I said directed towards Kat and what
• 33:37
  Speaker 1: was said, Yo, you got a second chance. Yet people
• 33:40
  Speaker 1: still ride with you. They still what you They always
• 33:42
  Speaker 1: will because you're talented. Acknowledge that. Yo. You know what,
• 33:45
  Speaker 1: the first time I may have done something. Second time,
• 33:47
  Speaker 1: I'm coming back strong than other people. Watch the road
• 33:50
  Speaker 1: back to Kat Williams getting back to the top. You
• 33:52
  Speaker 1: mean like with him win an Emmy. Yes, that's like
• 33:55
  Speaker 1: that's your mom, that's hey man. He didn't write that role.
• 33:58
  Speaker 1: By the way though, just saying, whoever thinks I'm not
• 34:02
  Speaker 1: here to attack that, I'm saying as a fan, I
• 34:05
  Speaker 1: would embrace you, acknowledging whatever and going that's a second chance.
• 34:10
  Speaker 1: Within my movie, you'll see second chances become highlighted. You'll
• 34:14
  Speaker 1: see them be celebrated. Night School is bigger than the
• 34:16
  Speaker 1: last that you're going to get. There's a message in
• 34:18
  Speaker 1: any content. Any content being developed that comes from Heartbeat
• 34:21
  Speaker 1: Productions will have an underlying tone that you will be
• 34:25
  Speaker 1: able to take with you, because that's what I'm trying
• 34:27
  Speaker 1: to do from a production standpoint. So this script came
• 34:30
  Speaker 1: to you first, and then you script was developed by me.
• 34:33
  Speaker 1: I developed by every day you wrote it. Yes, ground up.
• 34:37
  Speaker 1: Ratri shouts out Harry Ratchrick, Joey Wells, Matt Kellard, Glenda Richardson,
• 34:41
  Speaker 1: John Hamburg, Nicolas Soler, all amazing talent writers that came
• 34:45
  Speaker 1: in had helped in within the development of the script
• 34:47
  Speaker 1: done underneath the Heartbeat Umbrella. Then after that, taking to
• 34:50
  Speaker 1: my guy wolf Packer, read it, loved it, took it
• 34:52
  Speaker 1: to Universal, sold it. Universal said let's do it. We
• 34:55
  Speaker 1: did it, and now we're releasing it. That's the steps
• 34:58
  Speaker 1: within the development. But what I love the most is
• 35:01
  Speaker 1: that you're seeing something that can be branded and that
• 35:04
  Speaker 1: can be underlined. Is what Kevin Hart content look like.
• 35:07
  Speaker 1: I want to be a partner. I've been to work
• 35:09
  Speaker 1: for hire for a long time. It's not it's about
• 35:11
  Speaker 1: becoming a partner. So when Universal looks at me and
• 35:14
  Speaker 1: they say we're developing with Kevin, it's because we're partners.
• 35:17
  Speaker 1: The world of being a work for hire was a
• 35:19
  Speaker 1: great one, but the business in me won't allow that
• 35:21
  Speaker 1: to last. The business is now about pulling other people up,
• 35:24
  Speaker 1: embracing the opportunities that can be given, opportunities that can
• 35:28
  Speaker 1: be given. The first learned, given, earned, given because I
• 35:34
  Speaker 1: earned it. I thought you've been doing that with your
• 35:37
  Speaker 1: stand up though you are. Yes, really really not just
• 35:41
  Speaker 1: for radios. It is not once again dissolved research ule information.
• 35:44
  Speaker 1: Well not the one of that just shot. Okay, that's Netflix.
• 35:47
  Speaker 1: That's why they cut that check so they can that's theirs,
• 35:50
  Speaker 1: and that was special. I know I'm doing too them
• 35:54
  Speaker 1: dollars specials. We don't need to get into the manis great.
• 36:00
  Speaker 1: I need to get into that. It was done along
• 36:02
  Speaker 1: at the same time when Rock Chapelle Ellen one, we
• 36:06
  Speaker 1: all we were all staring it out. Eddie Murphy, man,
• 36:08
  Speaker 1: he's up there that that fifty million number is a
• 36:12
  Speaker 1: crazy number. It's the highest grosser standard special of all time.
• 36:15
  Speaker 1: And you know I shot for it. I tried, I
• 36:18
  Speaker 1: gave my all, I made the listener. I have three
• 36:21
  Speaker 1: specials on there, but that man sits the top for
• 36:22
  Speaker 1: a reason. Highest one is thirty six or thirty two,
• 36:27
  Speaker 1: something like that, thirty eight, thirty eight when you have
• 36:29
  Speaker 1: for twenty three twenty three more than you because he
• 36:33
  Speaker 1: did twenty four with one of us. All right, we
• 36:37
  Speaker 1: have more with Kevin Hart and Tiffany had Its who
• 36:39
  Speaker 1: don't move. It's a breakfast club. Good morning, the breakfast
• 36:42
  Speaker 1: club Morning. Everybody is DJ, Envy, Angela Yee, Charlomagne, the guy.
• 36:48
  Speaker 1: We all the breakfast club. Now normally we do rooms here, yes,
• 36:52
  Speaker 1: but since Envy and Angela Ye are in Vegas. No,
• 36:55
  Speaker 1: since Tiffany had in Vegas. But Tiffany and keV are here.
• 37:00
  Speaker 1: But we're all together. Don't worry about it. It's radio magic.
• 37:03
  Speaker 1: That don't matter how it's getting done. It's just getting done.
• 37:05
  Speaker 1: Don't try to trick or fire me, bro, don't try
• 37:07
  Speaker 1: to trick and find me. But let's get back into
• 37:08
  Speaker 1: our interview with to. Doesn't it feel like as the
• 37:12
  Speaker 1: success comes and things get bigger for you, it's just
• 37:15
  Speaker 1: so much more. Hate comes with it at times as well,
• 37:17
  Speaker 1: especially because they seems like they love you on the
• 37:20
  Speaker 1: way up, and then when you get there it's like, oh,
• 37:22
  Speaker 1: she ain't funny, Oh she did all she's that, But
• 37:24
  Speaker 1: they love you when you're on your way up. Yeah,
• 37:25
  Speaker 1: Now all of a sudden, oh she reinforces the negative
• 37:28
  Speaker 1: stereotypes of black women. Well I expected. I mean that's
• 37:30
  Speaker 1: a part of the process. I've been researching and studying
• 37:33
  Speaker 1: in the entertainment business for a long time, and that's
• 37:35
  Speaker 1: part of the process. They love you for a minute,
• 37:37
  Speaker 1: then they hate on you. Then they love you again,
• 37:39
  Speaker 1: and they hate on you. It's like a dysfunctional relationship. Ever, bother,
• 37:42
  Speaker 1: you not really know because my check he is getting
• 37:45
  Speaker 1: bigger and bigger. So continue to continue to be a
• 37:47
  Speaker 1: publicist for free. I'll told me from my upbringing, I mean,
• 37:50
  Speaker 1: I grew up in foster care. One minute and I'm
• 37:52
  Speaker 1: in the most wonderful home. Next thing, I'm snatched out
• 37:54
  Speaker 1: to the next thing, thinking nobody, nobody there cared about me.
• 37:57
  Speaker 1: So I've been training and built for this. My mamma
• 37:59
  Speaker 1: used to talk mess about I mean, next second, eleven
• 38:01
  Speaker 1: kids on me. So to me, this is I was
• 38:03
  Speaker 1: made for this. I'm built for it. So y'all can talk, Artists,
• 38:05
  Speaker 1: y'all want to talk, I'm still gonna be smiling at
• 38:07
  Speaker 1: you because I know what a minute you're gonna be like. Dang,
• 38:09
  Speaker 1: I love what you said right there. That made me
• 38:11
  Speaker 1: feel good. Someone I'm gonna keep it pushing. I love
• 38:14
  Speaker 1: how you protecting, uh, you know, tipping in this situation.
• 38:16
  Speaker 1: But how do you protect you know, other artists, including
• 38:18
  Speaker 1: her just in the business period, protect him by giving
• 38:22
  Speaker 1: him the opportunity. I protect him by being an open
• 38:25
  Speaker 1: book and an example. You get to see the hard
• 38:29
  Speaker 1: work and effort that was put into my craft, and
• 38:31
  Speaker 1: in return, I take it and I say, hey man,
• 38:33
  Speaker 1: I can't wait to see the next version of what
• 38:35
  Speaker 1: I am, if not bigger, I can't wait to see
• 38:38
  Speaker 1: the next version of the next generation that surpasses all
• 38:41
  Speaker 1: this amazing that I'm doing, and that creates other opportunities
• 38:45
  Speaker 1: for others. I got to see a blueprint that so
• 38:48
  Speaker 1: many did before me, and I took what I saw
• 38:50
  Speaker 1: and I said, how can I be different? What impact
• 38:52
  Speaker 1: can I hear? So when you say how do I
• 38:54
  Speaker 1: change or how do I have an effect on them?
• 38:56
  Speaker 1: My effect is by saying, hey man, take this, use
• 39:00
  Speaker 1: this for whatever you feel you can, and when you
• 39:03
  Speaker 1: get the opportunity that you feel you're going to get
• 39:05
  Speaker 1: from this, don't get up be better than me. The
• 39:07
  Speaker 1: people in our craft of comedy, which is one of
• 39:11
  Speaker 1: the hardest god damned professions to make it in. So
• 39:14
  Speaker 1: when you're a person that SIPs in this chair, that's
• 39:16
  Speaker 1: in this field, come on, man, you got no choice
• 39:18
  Speaker 1: but to support the ones that made it out that gauntlet.
• 39:21
  Speaker 1: How y'all seal man, everybody all right? You come on now.
• 39:26
  Speaker 1: Even when people are hating, when they can name five
• 39:28
  Speaker 1: or six black comedians, that's big because usually there's only
• 39:31
  Speaker 1: one huge huge. That's why I was so taken back,
• 39:35
  Speaker 1: like it's the shot for real. I couldn't be prouder
• 39:38
  Speaker 1: of Rel. I couldn't be more happy, thin, great guy. Man,
• 39:44
  Speaker 1: that man don't bother nobody attractive though. Look man, that's
• 39:48
  Speaker 1: that's That's not to me to determine right's got he's
• 39:55
  Speaker 1: got killed. Somebody find somebody was okay, you don't. You
• 40:05
  Speaker 1: don't let that happen to something that you feel it
• 40:07
  Speaker 1: is disgusting. That's a mutual agreement, right, And you helped
• 40:12
  Speaker 1: you a lot early with the stand up special. I
• 40:14
  Speaker 1: was lucky enough for Real to allow me to help
• 40:18
  Speaker 1: him out. I came to Rel as a fan. Dude,
• 40:20
  Speaker 1: I'm a fan. I would love to produce your special.
• 40:22
  Speaker 1: Me and Rel had a conversation. I said, I want
• 40:24
  Speaker 1: you to do it. Your way, I just want to help.
• 40:26
  Speaker 1: I'm a fan. I'm a fan of the craft. I
• 40:30
  Speaker 1: love comedy. I love watching the ones that did it
• 40:32
  Speaker 1: before me, and I love watching the ones that are
• 40:35
  Speaker 1: coming up after me. If you take nothing else from
• 40:38
  Speaker 1: this interview and take the fact that I want to
• 40:41
  Speaker 1: see other people winning, I'm not selfish with my position.
• 40:44
  Speaker 1: So for all of our black people out there that
• 40:47
  Speaker 1: want to see more people of color in a position
• 40:50
  Speaker 1: where they're winning, ask yourself if you're part of the
• 40:52
  Speaker 1: solution of the problem. Is that simple? We love you
• 40:55
  Speaker 1: for being honest. Man. One of the things that you're
• 40:57
  Speaker 1: super honest about that's been like intriguing me lately, like
• 41:00
  Speaker 1: the fact that you be getting your head died and
• 41:01
  Speaker 1: your bided because I got grace problem up here. But
• 41:06
  Speaker 1: he has at least no. No, I definitely got to die.
• 41:11
  Speaker 1: He's the only no that's honest. No. But here's the thing, though,
• 41:17
  Speaker 1: I think I was using the wrong color for a
• 41:19
  Speaker 1: minute because of my no. I was going dark brown.
• 41:24
  Speaker 1: But when they go back, my turn like a dirty brown,
• 41:27
  Speaker 1: like you're washing your head, your head look dirty. I'm
• 41:33
  Speaker 1: talking about it. Didn't nobody, It's my natural color. Y'all
• 41:35
  Speaker 1: think about getting something for the bid, not the Beijing.
• 41:38
  Speaker 1: I don't I don't do that. Do that. You got
• 41:41
  Speaker 1: some rich even when you watch your forehead just now,
• 41:43
  Speaker 1: ain't nothing came up. You gotta go a good product.
• 41:45
  Speaker 1: The last thing you want to do, especially when you're married,
• 41:48
  Speaker 1: is get up from a pillowcase yourself. I don't know.
• 41:53
  Speaker 1: I washed my die the Beijing. The Beijing is coming out.
• 41:58
  Speaker 1: It was. I'm not gonna do that publicly because it's
• 42:01
  Speaker 1: my secret. I'll tell you'll hear them. I got a
• 42:05
  Speaker 1: nice product, man. And you know, here's the thing. You
• 42:08
  Speaker 1: can't overdo it. R do it when it's necessary sometimes
• 42:11
  Speaker 1: embrace the gray. Let that go out and just look
• 42:13
  Speaker 1: like look like Morgan Freeman for a good two weeks.
• 42:17
  Speaker 1: Accept it. And then and then after that, surprising everybody
• 42:20
  Speaker 1: about Yeah, who're trying to go dance? Right? School is
• 42:26
  Speaker 1: ever week? Make sure you go check it out and
• 42:29
  Speaker 1: make sure you support. So listen, if all these people apologize,
• 42:31
  Speaker 1: it'll be all good, right, Listen, I'm not here for drama, brothers.
• 42:35
  Speaker 1: It's not about the apology. It's not about like, man, Kat,
• 42:38
  Speaker 1: don't ever have to talk or we can't talk. It
• 42:40
  Speaker 1: doesn't it doesn't matter. It's not gonna affect me anyway.
• 42:42
  Speaker 1: I am about support. I said, I'm gonna support that man.
• 42:46
  Speaker 1: I'm gonna be a fan forever, whether I like, even
• 42:49
  Speaker 1: whether we don't like each other. I'm a fan. I'm
• 42:50
  Speaker 1: a fan of his talent. It has nothing to do
• 42:52
  Speaker 1: with that. I want to make that very clear. This
• 42:53
  Speaker 1: has nothing to do with that. This is not a thief.
• 42:56
  Speaker 1: This is correcting what you said that you know you
• 42:58
  Speaker 1: shouldn't have said. This is about are you embracing your
• 43:01
  Speaker 1: fails yours? And you acknowledging what you did and stop
• 43:05
  Speaker 1: pointing a finger to everybody else. Eventually you got to
• 43:08
  Speaker 1: point it back to you. Well, thank you for joining us.
• 43:11
  Speaker 1: I've got two more movies coming out this year. Yeah,
• 43:13
  Speaker 1: what movies tell them? I got The Old coming out
• 43:15
  Speaker 1: in October, and then I got another movie called Nobody's
• 43:18
  Speaker 1: Full coming out in November. Aren't you on TV? Two?
• 43:20
  Speaker 1: Oh yeah, I'm on TV on the show called The
• 43:22
  Speaker 1: Last Og. And I got some more group on commercials coming,
• 43:26
  Speaker 1: and I got some seeds and then saw my Netflix
• 43:30
  Speaker 1: specials coming, and then I'm also gonna bring up six
• 43:33
  Speaker 1: other comics in that special. I'm doing a Tiffany how
• 43:36
  Speaker 1: to presents my favorite comedians, and it's like comics that
• 43:39
  Speaker 1: have been doing comedy for more than ten years that
• 43:41
  Speaker 1: deserve a chance to shine. Oh so you mean to
• 43:42
  Speaker 1: tell me you got put putting a position to pause
• 43:44
  Speaker 1: and now you're putting other people on. Yeah, that's what
• 43:46
  Speaker 1: you're supposed to do. That's what my big brother taught me. Wow,
• 43:50
  Speaker 1: transferred down. Man, give me a second. I want to
• 43:53
  Speaker 1: run down stuff I got going on. You guys got
• 43:56
  Speaker 1: a second just before we get out. I just it
• 44:00
  Speaker 1: a good sixty seven seconds and times out earlier. Okay,
• 44:04
  Speaker 1: first and foremost night school. That's the priority. Guys. Please
• 44:07
  Speaker 1: go out and support this movie September twenty eight. Like
• 44:09
  Speaker 1: I said, it's a big meaning behind it. First movie
• 44:12
  Speaker 1: underneath the production company of mine, Heartbeat Production. So I
• 44:15
  Speaker 1: need you to support other than that. Got a drama
• 44:18
  Speaker 1: coming out. Let's call the Upside me Brian Cranton, the
• 44:20
  Speaker 1: cole Kitman that dropp of January drama. This is gonna
• 44:25
  Speaker 1: be It's a it's a great look. I can't wait
• 44:27
  Speaker 1: for people to sit it. Seek Life of Pets too,
• 44:29
  Speaker 1: Get ready for that one. I'm that is in that too.
• 44:31
  Speaker 1: That's why I brought it up because you forgot to
• 44:33
  Speaker 1: say it. I don't know when it's coming, well I do.
• 44:35
  Speaker 1: That's twenty nineteen. You'll get hit with that. The tour,
• 44:41
  Speaker 1: Irresponsible Tour. I'm on my last three months. We're rapping
• 44:43
  Speaker 1: that up strong. Uh, big cities coming up. If you
• 44:46
  Speaker 1: don't have your tickets, go get them. Kevin Heartnation dot Com.
• 44:48
  Speaker 1: Also filming Jumanji two at the Film of jumand You two.
• 44:52
  Speaker 1: Working on another animation. Working on a comedy called Little Kevin.
• 44:55
  Speaker 1: That's gonna be about my life but me being told
• 44:57
  Speaker 1: I'm telling this life to uh, the little version of
• 45:00
  Speaker 1: me with an adult voice. It's pretty dope. So it's
• 45:02
  Speaker 1: the same. It's it's you right now pretty much. Yeah
• 45:06
  Speaker 1: when you say like that, yes, exactly what it is.
• 45:08
  Speaker 1: I got a movie coming out with Melissa McCarthy as well.
• 45:12
  Speaker 1: Oh yeah, that's yeah The Kitchen. Yeah, and that's a
• 45:14
  Speaker 1: gangster movie. Go you. Yeah, I'm learning from you everyone more.
• 45:18
  Speaker 1: Also got a cart food coming out on Netflix. I'm
• 45:20
  Speaker 1: cooking Bertie. Yeah, I thought Rose Barn that's coming. Twenny's
• 45:31
  Speaker 1: seen as well. That's a comedy. I'm limited partners. I'm
• 45:34
  Speaker 1: producing that food yeah, did you get more for your
• 45:38
  Speaker 1: Netflix pression than Monique? Don't say that. Thank you guys
• 45:42
  Speaker 1: for the time you guys. Uh, this has been real.
• 45:46
  Speaker 1: You know, this is what it's about, and we got
• 45:50
  Speaker 1: and we do have to take congratulations about you guys
• 45:52
  Speaker 1: are both up here. Honestly, I know we're all cool
• 45:54
  Speaker 1: with each other and we joke around a lot. But
• 45:56
  Speaker 1: that's huge that you guys are doing so much, so
• 45:58
  Speaker 1: many big things. So congratulate to Tiffany appreciate It's the
• 46:05
  Speaker 1: Breakfast Club. Good morning, Sharla Mayne, say the game. Don't
• 46:10
  Speaker 1: get out the shape man you are, don't It's time today,
• 46:17
  Speaker 1: Donkey today. Just not discriminate. I might not have the
• 46:19
  Speaker 1: song of today, but I got to donkey that. If
• 46:22
  Speaker 1: you ever feel I need to be a Donkey man,
• 46:24
  Speaker 1: hit it with the Breakfast Club bitch. Don't give today today,
• 46:32
  Speaker 1: Dunkey Today. For Friday, September twenty first goes the twenty
• 46:36
  Speaker 1: year old Carlo Salvador of the state we know in love.
• 46:39
  Speaker 1: When Andrew Gillham is soon to be governor Florida. What
• 46:44
  Speaker 1: did your uncle Sharla always tell you about Florida kids?
• 46:47
  Speaker 1: The craziest people in America come from the Bronx and
• 46:50
  Speaker 1: all the Florida. Drop on the clues bomb for Florida,
• 46:52
  Speaker 1: real quick and the Bronx. Okay, that is a fact
• 46:56
  Speaker 1: that the craziest people in America come from the Bronx
• 46:58
  Speaker 1: and all the Florida. It's a fact. All the satistics
• 47:00
  Speaker 1: show us that. And I'm not going back and forth
• 47:02
  Speaker 1: with you and words about science. Okay. Now, Carlo Salvador
• 47:06
  Speaker 1: is a man who, according to him, suffers from anxiety.
• 47:10
  Speaker 1: I believe him. The reason I believe him is because
• 47:12
  Speaker 1: anxiety is the number one mental illness in the US.
• 47:14
  Speaker 1: I suffer from it. I mean, we truly are in
• 47:17
  Speaker 1: the United States of anxiety. And that's why I have
• 47:19
  Speaker 1: a book coming out about it next month. My second
• 47:22
  Speaker 1: book that releases October twenty third, is all about anxiety.
• 47:26
  Speaker 1: It's called Shook One. Anxiety playing tricks on me, and
• 47:28
  Speaker 1: I am discussing things that have made me historically anxious
• 47:32
  Speaker 1: and things that make me anxious now and how with
• 47:35
  Speaker 1: the help of therapy, I am dealing with it all. Okay.
• 47:38
  Speaker 1: You can pre order now wherever you buy books. By
• 47:41
  Speaker 1: the way, so anxiety is a real issue for me,
• 47:43
  Speaker 1: and I know it's a real issue for us, and
• 47:45
  Speaker 1: if you live in Florida, you have every right to
• 47:47
  Speaker 1: be anxious. But the reason my book is so important,
• 47:50
  Speaker 1: at least I think so, it's because I'm not just
• 47:52
  Speaker 1: discussing the problem of anxiety, but I am giving solutions.
• 47:56
  Speaker 1: And I have a doctor by the name of doctor
• 47:58
  Speaker 1: Ish Major who has also provided in clinical solutions to
• 48:01
  Speaker 1: anxiety in my book. And I'm pretty sure that the
• 48:04
  Speaker 1: remedy Carlos Salvador has for his anxiety wouldn't do anything
• 48:08
  Speaker 1: but create more anxiety for most of us. But keep
• 48:11
  Speaker 1: in mind, this is Florida. Let me tell you the story. Now,
• 48:16
  Speaker 1: around two thirty am, inside of twenty four hour laundry
• 48:18
  Speaker 1: Matt and clear Water, Florida, a nine one one call
• 48:21
  Speaker 1: was made and a witness reported that a male had
• 48:24
  Speaker 1: an erect penis and was masturbating out in the open. Yes,
• 48:28
  Speaker 1: Carlos was answering the bona phone, doing a little backstroke roulette. Okay,
• 48:33
  Speaker 1: a little assault on a friendly weapon, all right, cranking
• 48:36
  Speaker 1: the shank, a little five finger knuckles shuffle in the
• 48:40
  Speaker 1: laundry matt for everyone to see. Now, listen, many people
• 48:43
  Speaker 1: love the washing machine sex position. Okay, because it can
• 48:47
  Speaker 1: lead to some really powerful orgasms. I know you're sitting
• 48:50
  Speaker 1: there like uncle Shalah, what is you're talking about? The
• 48:53
  Speaker 1: the washing machine sex position? Okay, ask your mama, your daddy,
• 48:56
  Speaker 1: your uncle's in your aunts, all right, they know. Okay,
• 48:59
  Speaker 1: if you know nothing about this, let me school you.
• 49:01
  Speaker 1: You will need a washing machine and you start a
• 49:04
  Speaker 1: load of laundry of dishes, then lean over it while standing,
• 49:07
  Speaker 1: you know, behind your bay thrusting and that's it, all right.
• 49:11
  Speaker 1: The thing that gets your lady off is the extra
• 49:14
  Speaker 1: vibrations the washing machine gives off. Now, Carlos is twenty
• 49:18
  Speaker 1: twenty year olds and this generation's comprehension scales be all
• 49:22
  Speaker 1: the way off. So Carlos probably heard about the washing
• 49:25
  Speaker 1: machine position but didn't pay attention to the details, meaning
• 49:28
  Speaker 1: you have to have a sexual partner to put on
• 49:30
  Speaker 1: the washing machine in order to get the most out
• 49:33
  Speaker 1: of the washing machine position. I feel like a combination
• 49:36
  Speaker 1: of Carlos being twenty and being from Florida led him
• 49:40
  Speaker 1: to take in this information all wrong. All he probably
• 49:43
  Speaker 1: heard or skim through was the washing machine can make
• 49:46
  Speaker 1: you have the best orgasm of your life. So he
• 49:48
  Speaker 1: decided to go in a twenty four hour laundry mat
• 49:51
  Speaker 1: and sit there and watch and listen to the washing
• 49:53
  Speaker 1: machines as he made stomach pancakes for breakfast. Ye have
• 49:57
  Speaker 1: old Carlos had to jack the bean stalk to those
• 49:59
  Speaker 1: washing machine Can you imagine treating a washing machine like
• 50:03
  Speaker 1: a point on? Why is the LG top load washer
• 50:07
  Speaker 1: and dryer set in your spank bank. It's a lot
• 50:10
  Speaker 1: of images that should be in your spank bank to
• 50:12
  Speaker 1: help you leak the main drain, massage your purple headed warrior,
• 50:16
  Speaker 1: but the Samsung Platinum front load steam washer shouldn't be
• 50:19
  Speaker 1: any of those images. Imagine watching someone paddled a pickle
• 50:23
  Speaker 1: to the Kenmore top load washer with the porcelain basket. Famam,
• 50:29
  Speaker 1: how you treating the Whirlpool load washer with a stainless
• 50:32
  Speaker 1: steel wash basket like it's Tiana Taylor's fade video. Now,
• 50:35
  Speaker 1: I'm not here to shame the man from masturbating, because
• 50:38
  Speaker 1: we all play a little pocket pool from time to time,
• 50:40
  Speaker 1: just not in public and a laundrymack. But that's only
• 50:43
  Speaker 1: part of the reason I'm giving them donkey of today.
• 50:45
  Speaker 1: The reason he's getting donkey of today is because during
• 50:48
  Speaker 1: police questioning he admitted the polishing his chrome dome in
• 50:54
  Speaker 1: public before, and the reason he said he likes to
• 50:57
  Speaker 1: roll flesh blunts in public it's because of the helps
• 51:00
  Speaker 1: with his anxiety. I agree basturbation does help take the
• 51:05
  Speaker 1: edge off when it comes to being anxious. But he
• 51:07
  Speaker 1: is a double damn lie if he's gonna make me
• 51:09
  Speaker 1: believe that shooting putty at the moon in a public
• 51:12
  Speaker 1: place will not make your anxiety go through the roof?
• 51:14
  Speaker 1: Are you kidding me? In a twenty four hour laundry matt,
• 51:17
  Speaker 1: people walking in and out, you're not worried about people
• 51:19
  Speaker 1: calling the police on you. You're not getting the anxious
• 51:22
  Speaker 1: because you're thinking about being recorded. That is not an
• 51:24
  Speaker 1: anxiety free situation. Somebody please get this man a therapist
• 51:29
  Speaker 1: or a fidget spinner or a gym membership. It's all
• 51:33
  Speaker 1: kinds of ways to ease your anxiety that are better
• 51:36
  Speaker 1: than you teasing the weasel in public. We don't want
• 51:40
  Speaker 1: you in jail, my brother. Trust me when I tell
• 51:42
  Speaker 1: you it's a lot of remedies in my upcoming book
• 51:44
  Speaker 1: to deal with anxiety, and the sticky page rumble, the
• 51:48
  Speaker 1: urky jerky in public is not one of them. Please
• 51:51
  Speaker 1: let remy ma give Carlos Salvador the biggest he hall
• 51:54
  Speaker 1: he ha he ha, you stupid mother? Are you dumb?
• 51:58
  Speaker 1: All right? Charlemagne, thank you for that dunk. The day
• 52:00
  Speaker 1: when we come back, Uncle Luca being the building, we'll
• 52:02
  Speaker 1: kick it with Lukes and don't move. It's the Breakfast Club.
• 52:04
  Speaker 1: Go morning. Nobody is dj Envy Angela yee, Charlomagne and God,
• 52:09
  Speaker 1: we all the Breakfast Club. We have a special guest
• 52:11
  Speaker 1: in the building, a legend in the building, Lucy Campbell,
• 52:14
  Speaker 1: Uncle Luke, what's happening in my brother? I'm good man,
• 52:16
  Speaker 1: What about yourself? I'm blessed man you are. You're a
• 52:19
  Speaker 1: leader of men out here. Hey hey, hey, I'm trying
• 52:21
  Speaker 1: to be a leader of people, not just men but everybody.
• 52:26
  Speaker 1: I mean, with the Warriors of Liberty City, man, you're
• 52:27
  Speaker 1: responsible for a lot of successful brothers out here. Oh yeah,
• 52:31
  Speaker 1: no doubt, no doubt. I mean it started the program
• 52:33
  Speaker 1: twenty nine years ago with me and my other co founder,
• 52:37
  Speaker 1: coach Sam. I mean when we started, we don't think
• 52:39
  Speaker 1: that it would be around for twenty nine years. But uh,
• 52:42
  Speaker 1: you know, we're just happy of all the kids and
• 52:46
  Speaker 1: all the people that came out of the program, especially
• 52:48
  Speaker 1: the ones who are now adults, the ones who are
• 52:50
  Speaker 1: doing great things in the community as well as around
• 52:52
  Speaker 1: the world. Let's talk about the program for people that
• 52:54
  Speaker 1: aren't informed about what the program is. But it does
• 52:57
  Speaker 1: and while you started it and so passionate about it,
• 53:00
  Speaker 1: we started, you know, like I said, twenty nine years ago,
• 53:02
  Speaker 1: and uh, you know, I was busting South Beast to
• 53:05
  Speaker 1: play organized football, you know sports. And when I got
• 53:08
  Speaker 1: to South Beach, you know, twenty nine years ago before that,
• 53:12
  Speaker 1: you know, blacks had to be off the beach at
• 53:13
  Speaker 1: after six o'clocks. If you didn't, if you were in white,
• 53:17
  Speaker 1: you'll go to jail, you know. So I didn't want
• 53:19
  Speaker 1: no other kids to have to go through that. So,
• 53:21
  Speaker 1: you know, I started the program in my community. I
• 53:23
  Speaker 1: said myself, when I get to center my lunch money,
• 53:26
  Speaker 1: I started, you know, get my obviously get my mom
• 53:29
  Speaker 1: my house, but then started youth football program. What kids
• 53:32
  Speaker 1: don't have to be subjected to that? I read that
• 53:34
  Speaker 1: in your book. How did that make y'all feel? Being
• 53:36
  Speaker 1: black and being told that y'all can't be here after
• 53:38
  Speaker 1: six pm? Oh? That was that was rough? I mean,
• 53:41
  Speaker 1: you know, unfortunately, that was the only way we could
• 53:43
  Speaker 1: play organized sports, you know, because it wasn't any in
• 53:46
  Speaker 1: my neighborhood. There was never no rebellion against the white people. Oh,
• 53:50
  Speaker 1: you know, we just left as kids. You know, you
• 53:52
  Speaker 1: don't really think about it. You just go over there,
• 53:54
  Speaker 1: you go have fun, you go play. You know, the
• 53:56
  Speaker 1: coaches and everybody that's involved, they take care of you.
• 53:59
  Speaker 1: You know, you end up coming back home and your
• 54:01
  Speaker 1: parents are privately don't you get out there and get
• 54:03
  Speaker 1: in trouble, like come home like you're supposed to. Yeah,
• 54:06
  Speaker 1: And I always stayed in trouble. What I love about
• 54:10
  Speaker 1: watching this docu series, The Warriors Liberty City is a
• 54:13
  Speaker 1: six part docuseries, yes, is that you get to see
• 54:15
  Speaker 1: a lot of what goes on behind the scenes, because
• 54:17
  Speaker 1: it is true a lot of times, these kids are
• 54:18
  Speaker 1: coming into school, they're coming into their athletics, and they
• 54:21
  Speaker 1: have all kinds of baggage that's going on at home
• 54:23
  Speaker 1: that we don't even know about, right right, I mean,
• 54:26
  Speaker 1: you know, as a coach, you know, once my career
• 54:28
  Speaker 1: kind of died down, I started going back out and coaching,
• 54:31
  Speaker 1: And that was one of the first things that you've noticed.
• 54:33
  Speaker 1: You go with a kid, when the kids not functioning right.
• 54:36
  Speaker 1: With this doctor series, what we did unlike any other thing.
• 54:39
  Speaker 1: You know, you see these blind side stories where some
• 54:42
  Speaker 1: white person coming grab a black kid like a Scottie Pippen,
• 54:47
  Speaker 1: move them to the suburbs and they just saved us life.
• 54:50
  Speaker 1: You know, we wanted to show these black men and
• 54:52
  Speaker 1: the things that these kids have to go through at home,
• 54:54
  Speaker 1: and the things that the kids have to go through
• 54:56
  Speaker 1: when one of the other kids are shot by drive by,
• 55:00
  Speaker 1: which you see in the document series, or if your
• 55:02
  Speaker 1: father's in jail, your father, Yeah, we have all that.
• 55:05
  Speaker 1: I mean, this is real Miami. I don't know what
• 55:07
  Speaker 1: y'all been seeing on TV, you know, whether it's loving
• 55:09
  Speaker 1: hip hop Miami. Oh that's not me. Yeah. Do you
• 55:12
  Speaker 1: think Miami has been documented right? No? Who he is? No,
• 55:15
  Speaker 1: not at all. No, especially right now. And I was
• 55:17
  Speaker 1: watching Robert that really made me tearr eye. Like he
• 55:20
  Speaker 1: was thirteen years old and he talks about how all
• 55:23
  Speaker 1: the other kids' dads are coming to see them place
• 55:26
  Speaker 1: and his dad isn't there and he gets angry about it. Yeah,
• 55:28
  Speaker 1: and parents have to think about that, like his dad
• 55:31
  Speaker 1: is in and out of jail, and how is that
• 55:33
  Speaker 1: affecting my son and how he's growing up in the
• 55:34
  Speaker 1: anger issues he's having and feeling like left out and
• 55:37
  Speaker 1: not having his father right and those those and that's
• 55:40
  Speaker 1: what we tried to do. We tried to document those
• 55:42
  Speaker 1: backstories so candid about it. Yeah, yeah, people to really
• 55:46
  Speaker 1: express himself. Yeah, you normally see you don't really see
• 55:48
  Speaker 1: shows whereas where you see the over a old good
• 55:51
  Speaker 1: football player, great football player, came out of program, but
• 55:54
  Speaker 1: you don't see that parent, that mother sitting there trying
• 55:58
  Speaker 1: to be able to cope with her son, you know,
• 56:00
  Speaker 1: And we showed it. I mean, you can't script that
• 56:03
  Speaker 1: when the dad is in the federal printer tuntry and
• 56:06
  Speaker 1: unfortunately at that time when they're shooting, uh, this kid
• 56:09
  Speaker 1: in interviewing him and now the dad calls up, you know,
• 56:12
  Speaker 1: and he's talking to him about still the dads still
• 56:14
  Speaker 1: trying to be a dad even in that situation, and
• 56:17
  Speaker 1: the kid, you know, the kid just you know, rebelling
• 56:20
  Speaker 1: in some situations because his dad is not there. And
• 56:23
  Speaker 1: that you don't don't really see those kind of stories
• 56:26
  Speaker 1: you got. Lebron James is the ep that relationship that
• 56:28
  Speaker 1: got established when he were playing Man yeah, yeah, yeah,
• 56:31
  Speaker 1: you know, you know Maverick and Lebron them, you know,
• 56:34
  Speaker 1: we met on a few cages and you know, with
• 56:37
  Speaker 1: him having kids and his kids running around hanging out
• 56:40
  Speaker 1: with the same kids from the program in an area,
• 56:43
  Speaker 1: you know, it made it much more more more sense
• 56:46
  Speaker 1: because he understood, you know, how important football is in Miami.
• 56:51
  Speaker 1: And what I saw in the beginning of the first
• 56:53
  Speaker 1: episode two was the NFL players that come from Florida. Right,
• 56:56
  Speaker 1: there's a large majority of NFL players. What about Florida,
• 56:59
  Speaker 1: you can players, Well, it's more in Miami. Miami. I
• 57:04
  Speaker 1: mean we have at our program, we probably have about
• 57:08
  Speaker 1: twenty five NFL stars right now, and in the five
• 57:13
  Speaker 1: square miles away from the park, we have more NFL
• 57:16
  Speaker 1: players than any other city in the United States of American. Well,
• 57:19
  Speaker 1: you ain't never open the sports anacy, man. My wife
• 57:22
  Speaker 1: actually is an agent, you know. Uh. She represents Duke
• 57:26
  Speaker 1: Johnson DeVante Freeman, two guys that you see on the
• 57:29
  Speaker 1: Doctor series, and she would have represented more, but unfortunately
• 57:34
  Speaker 1: a lot of these other kids, you know, go in
• 57:35
  Speaker 1: a different direction. I mean fortunately, you know she's a lawyer,
• 57:38
  Speaker 1: and uh, we we talked about it because a lot
• 57:41
  Speaker 1: of kids come back broke through this same situation right here.
• 57:45
  Speaker 1: If you look when you look at the Doctor series
• 57:47
  Speaker 1: and you see why kids go to college and then
• 57:49
  Speaker 1: the little agent comes by and he gives a kid
• 57:52
  Speaker 1: the money, and they said, well, why these kids are
• 57:53
  Speaker 1: taking this money because they got to sending the money
• 57:56
  Speaker 1: back home because mom and Dad's get ready to get
• 57:58
  Speaker 1: throwed out. You know, in nine there on the hook
• 58:00
  Speaker 1: with some of these unscrupulous agents who are not educating
• 58:04
  Speaker 1: them on how to take care of your money. And
• 58:06
  Speaker 1: so unfortunately we're able to help the ones that want
• 58:10
  Speaker 1: to be helped. Ain't nobody running around after no player.
• 58:12
  Speaker 1: How important is it instilling these kids and when y'all
• 58:15
  Speaker 1: do make it to the NFL, bring it back to
• 58:17
  Speaker 1: your city. It's very it's very important. I mean, you know,
• 58:20
  Speaker 1: like with Dude Get Davonte, you know, that's the first
• 58:23
  Speaker 1: thing they do. They're back on the park. You know,
• 58:25
  Speaker 1: they're back in the building. You know they you know,
• 58:28
  Speaker 1: instead of lifting weights at some beautiful facility you know,
• 58:31
  Speaker 1: are working out in the off season. You see them
• 58:33
  Speaker 1: right out there with those kids. And that's very, very
• 58:36
  Speaker 1: inspiring because those kids get to see them on TV
• 58:39
  Speaker 1: every Sunday and they look up to them. But you know,
• 58:41
  Speaker 1: for them to be able to have a relationship with them,
• 58:43
  Speaker 1: it's very, very important. I feel like you're more passionate
• 58:46
  Speaker 1: about this than you worry about music. Oh, no doubt
• 58:48
  Speaker 1: about it. This saves lives, you know what I'm saying music,
• 58:51
  Speaker 1: You know, I get to save some lives, you know.
• 58:54
  Speaker 1: You know Trick Daddio in jail, and I'll discover him
• 58:57
  Speaker 1: and help his life out and put them on in
• 59:00
  Speaker 1: pit bullers out there, you know, selling drugs. You know.
• 59:03
  Speaker 1: You see, we changed lives in the music industry. But
• 59:06
  Speaker 1: at the same time, this changing lives on a massive scale,
• 59:09
  Speaker 1: and I love it. I mean, that's what we set
• 59:12
  Speaker 1: out to do, and we're doing it all right. We
• 59:13
  Speaker 1: got more with Luca. We come back, don't move. It's
• 59:15
  Speaker 1: a breakfast club. Good morning, pointing. Everybody is DJ Envy,
• 59:19
  Speaker 1: Angel La Yee Shlominea God. We all the breakfast club.
• 59:22
  Speaker 1: We have a Luke in the building. Yea. So now
• 59:24
  Speaker 1: I see you're on a team, Andrew Gillam, because your
• 59:27
  Speaker 1: candidate didn't actually be Andrew Gillim Why more, and Andrew
• 59:30
  Speaker 1: from the beginning, Uncle Luke, why my friend my friend
• 59:34
  Speaker 1: is Philip Levine. You know what I'm saying. You know,
• 59:36
  Speaker 1: so do I support somebody that I don't know because
• 59:40
  Speaker 1: of the color of the skin. It bothered me for
• 59:42
  Speaker 1: a little while, but I was like, no, I gotta
• 59:44
  Speaker 1: be real about this. This guy's not my friend. This
• 59:47
  Speaker 1: guy's my friend, you know. You know, I want Andrew
• 59:50
  Speaker 1: to do well, you know what I'm saying, But this
• 59:52
  Speaker 1: guy is my genuine friend. Now if I didn't know him,
• 59:55
  Speaker 1: I'm m gillam. Were you ever torn about supporting the
• 59:58
  Speaker 1: NFL with everything that happened with recapping it? You know,
• 1:00:01
  Speaker 1: the NFL is obviously a slave mentality, you know, I
• 1:00:06
  Speaker 1: mean the owners, they're confused as to what they're trying
• 1:00:09
  Speaker 1: to do, you know what I'm saying. When you look
• 1:00:11
  Speaker 1: at it there in all these liberal cities, you would
• 1:00:13
  Speaker 1: think they would have a liberal mindset, unlike the NCAA.
• 1:00:16
  Speaker 1: You know, they're in the backwoods where, you know, next
• 1:00:19
  Speaker 1: to crocodiles, so they can you know, then they can
• 1:00:23
  Speaker 1: ask racist you know, in the nca But then when
• 1:00:26
  Speaker 1: it comes to the NFL, they're in liberal cities. You know,
• 1:00:29
  Speaker 1: they're in blue cities, so you would think that they
• 1:00:32
  Speaker 1: would think you know, more down the lines of the players.
• 1:00:35
  Speaker 1: But then at the same time they're looking at the
• 1:00:37
  Speaker 1: bottom line, which is bad because you know a lot
• 1:00:41
  Speaker 1: of those you know, they're not supporting there. They're players
• 1:00:43
  Speaker 1: the way they should support them. Man, you know, I
• 1:00:46
  Speaker 1: just have a real problem with that. They can't figure
• 1:00:49
  Speaker 1: it out. And then when you have you know, racist
• 1:00:51
  Speaker 1: owners like you know, Jerry Jones and some of these
• 1:00:54
  Speaker 1: other people, then you got Craft running up the neat
• 1:00:56
  Speaker 1: Mills jail house and I'm like, come on, man, you
• 1:00:59
  Speaker 1: know that's that's all ps. You know, what are you doing.
• 1:01:02
  Speaker 1: You're trying to save your brand in one of the
• 1:01:05
  Speaker 1: most racist cities, Boston in America. And I'm a cowboy
• 1:01:08
  Speaker 1: fan me too, the Dolpin fan. Sometimes when you're like, man,
• 1:01:18
  Speaker 1: a cowboy fan, what am I supposed to do? Hurt?
• 1:01:21
  Speaker 1: It kills me. I'm like, bring back tex Stram, bring
• 1:01:24
  Speaker 1: back Tom Landry, Jesus Christ? Why do yeah? Why does
• 1:01:28
  Speaker 1: this guy by the team? You know it's the worst.
• 1:01:31
  Speaker 1: I'm lame it all my daddy. I'm like, look, man's
• 1:01:33
  Speaker 1: in my blood. My daddy was a Cowboy fan. He
• 1:01:34
  Speaker 1: put it on me. What you want me to do?
• 1:01:36
  Speaker 1: Just put Cowan my whole life. He's like the worst
• 1:01:41
  Speaker 1: one out of all of them. Yeah, oh no, Jerry Jones,
• 1:01:44
  Speaker 1: I mean just publicly like the things. He's Horrible's crazy.
• 1:01:48
  Speaker 1: Do you ever think about it? He gets all the
• 1:01:51
  Speaker 1: players with sketchy backgrounds, so those players don't have no
• 1:01:55
  Speaker 1: they don't get no no money, no sponsorship money. Everybody
• 1:01:59
  Speaker 1: has a sketch background that's on his team. If you've
• 1:02:02
  Speaker 1: robbed somebody, you could play for the Cowboys. And easy
• 1:02:05
  Speaker 1: to control. It's easy to control. So that's why when
• 1:02:08
  Speaker 1: Dan's Brian turns into a smart, intelligent black man, then
• 1:02:12
  Speaker 1: he loses his man. Oh you got you got a
• 1:02:14
  Speaker 1: different agent. Oh you don't supposed to do that. I
• 1:02:16
  Speaker 1: was like, okay, this Brian's gonna Yeah, you got rock
• 1:02:18
  Speaker 1: Nation and getting represents represented by black people. I can't
• 1:02:22
  Speaker 1: control that. You gotta go. A matter of fact, I'm
• 1:02:24
  Speaker 1: a black ball. You're out of the NFL because you
• 1:02:26
  Speaker 1: turned into a black man. I said, you talking about
• 1:02:28
  Speaker 1: that in our own league potentially, Yeah, you think that's
• 1:02:31
  Speaker 1: something that could happen, like sometime soon. I think it
• 1:02:34
  Speaker 1: can happen. I mean especially right now. I think you know,
• 1:02:38
  Speaker 1: I think you gotta start off about eight teams. You know,
• 1:02:41
  Speaker 1: you get some, get a few billionaires, you know, get
• 1:02:44
  Speaker 1: your own TV contracts, and you can start your own
• 1:02:46
  Speaker 1: NFL league. I think it's really simple. I had a
• 1:02:49
  Speaker 1: couple of models and talk to a couple of people,
• 1:02:51
  Speaker 1: and I think, you know, it can happen. So what's
• 1:02:54
  Speaker 1: something on the two Live crew bio pick Man, Well,
• 1:02:57
  Speaker 1: I just did a deal with Lions Kate. You know,
• 1:03:00
  Speaker 1: we obviously own the stars, and uh, you know we're
• 1:03:04
  Speaker 1: right now. We probably two drafts into the actual script
• 1:03:09
  Speaker 1: got to be X rated, man, like, it can't be. No,
• 1:03:14
  Speaker 1: it got to be. I think, hold on, I don't
• 1:03:16
  Speaker 1: know about that, but maybe they could be an uncut version.
• 1:03:19
  Speaker 1: You need to be able to have, be able to see.
• 1:03:22
  Speaker 1: I don't realize that I literally talking somebody. This is
• 1:03:25
  Speaker 1: this week, Uncle lucas the reason they have parental advisory
• 1:03:28
  Speaker 1: stickers on CDs. I'm talking about that, not wrong, you
• 1:03:33
  Speaker 1: you're right, You're right, And that's why I was struggling
• 1:03:35
  Speaker 1: with the scriptup. But hey man, personal advisory is still
• 1:03:38
  Speaker 1: rated art and they're probably telling you all in this
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  Speaker 1: in this era, with this climate, that you can't show
• 1:03:43
  Speaker 1: women like this. But that was that era. Yeah yeah,
• 1:03:46
  Speaker 1: but now we're to meet you were to meet too movements,
• 1:03:51
  Speaker 1: so you gotta got slow down having mercy. It's like,
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  Speaker 1: oh man, but what's crazy is you never hear no
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  Speaker 1: stories like the perception of what you would be like
• 1:03:59
  Speaker 1: in real life. It's not like what you really are like,
• 1:04:02
  Speaker 1: you know what I'm saying, Like you've always been just
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  Speaker 1: a real chill, cool person, never trying to take like
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  Speaker 1: We've never heard no stories about you doing anything out
• 1:04:10
  Speaker 1: of pocket. Well, you know, I was, you know, I was.
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  Speaker 1: I was a little hustling in my days when I
• 1:04:15
  Speaker 1: was a kid, and they always brewed number one, never
• 1:04:17
  Speaker 1: get high on your own supply. But even just treatment
• 1:04:20
  Speaker 1: of women, yeah yeah, yeah, no, no, no, I mean
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  Speaker 1: all the girls, even the girls that travel with me.
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  Speaker 1: We always treated all the girls top of the line,
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  Speaker 1: whether it scripples or whether it were pon stars, if
• 1:04:31
  Speaker 1: that's what they wanted to do. You know, I never
• 1:04:33
  Speaker 1: got into into that. Somebody said something crazy about me
• 1:04:36
  Speaker 1: on Twitter one day, and you responded and I appreciated it.
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  Speaker 1: Oh yeah, you know, more custom people something like they
• 1:04:44
  Speaker 1: were like Angela then everybody dada da da da, and
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  Speaker 1: then they named Luke and he was like, first of all,
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  Speaker 1: Angela has always been a professional and all of that,
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  Speaker 1: and that absolutely not has never happened, Like you went
• 1:04:55
  Speaker 1: in on them and house like, I appreciate somebody saying something, yeah, yeah,
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  Speaker 1: well when you know I'm loyal you, I mean, when
• 1:05:01
  Speaker 1: when you know a person for so many years, like
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  Speaker 1: I know you, you know for I mean when you
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  Speaker 1: just doing a little reporting and I mean you ain't
• 1:05:09
  Speaker 1: never you ain't never come off like that, you know,
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  Speaker 1: you ain't never had that kind of reputation and show
• 1:05:14
  Speaker 1: somebody all that you like that in that way, then
• 1:05:16
  Speaker 1: you know I'll jump on him and jump out the
• 1:05:18
  Speaker 1: real quick. Well, thank you, I appreciate it, And don't
• 1:05:21
  Speaker 1: do the Two Live Crew movie if they're not gonna
• 1:05:23
  Speaker 1: let you do it the way they need to be done.
• 1:05:24
  Speaker 1: You know why I hate because they wanted to naked? Yes,
• 1:05:26
  Speaker 1: because you know why, because when white people want to
• 1:05:27
  Speaker 1: tell the story about slavery, they don't mince that. You know,
• 1:05:31
  Speaker 1: they give it to you. Ron Getting read Men getting
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  Speaker 1: home kind of limits. It limits the amount of people
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  Speaker 1: that can see it and where it can go. That's
• 1:05:39
  Speaker 1: why I said, read the triple read it all. I
• 1:05:48
  Speaker 1: want to see the real life situation how I went
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  Speaker 1: down though, So you want to see the part when
• 1:05:52
  Speaker 1: I the girl, you know, jumped out of the band
• 1:05:55
  Speaker 1: and went to the all that went to the desk
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  Speaker 1: at the hotel and like it and asked for our room.
• 1:06:00
  Speaker 1: I read the book all that, Oh you want it,
• 1:06:03
  Speaker 1: Let's get into a Luke Mini mix. Keep it locked
• 1:06:05
  Speaker 1: as a breakfast club the morning, the breakfast club. Everybody
• 1:06:10
  Speaker 1: is DJ Envy, Angela Yee, Charlomagne, and god, we are
• 1:06:13
  Speaker 1: the breakfast club. We have a Luke in the building. Charlomagne.
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  Speaker 1: I realized, like a lot of artists from Miami didn't
• 1:06:19
  Speaker 1: have that Luke sound for a while, and like I
• 1:06:22
  Speaker 1: got recently put onto the City Girls. And I really
• 1:06:25
  Speaker 1: liked the City Girl because they remind me of that
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  Speaker 1: old Miami sound, that Luke, that old Trina that yeah, no, no,
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  Speaker 1: no doubt about that. That's why I like it, you know,
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  Speaker 1: because so many people they started doing music, you know,
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  Speaker 1: they went away from what we do and we lost
• 1:06:40
  Speaker 1: our identity for so long. You know, when we had identity,
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  Speaker 1: you know, you based music, just expand on it, you know,
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  Speaker 1: and keep the party going. But then everybody wanted to
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  Speaker 1: be you know, international for a little period of time.
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  Speaker 1: And just like you say, the music don't go away.
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  Speaker 1: You know, those kids in the neighborhood in Miami, they
• 1:07:00
  Speaker 1: listen the same thing, whether they get it on underground
• 1:07:02
  Speaker 1: radio or not. You know, so when you see a
• 1:07:05
  Speaker 1: group like City Girls come around, you know that was
• 1:07:07
  Speaker 1: a good thing. Or emotionally, how is it for you
• 1:07:10
  Speaker 1: dealing with these kids who you know, they're bringing a
• 1:07:13
  Speaker 1: lot of baggage and sometimes you have to feel like
• 1:07:16
  Speaker 1: I just want to take care of everybody. But then
• 1:07:18
  Speaker 1: at certain times you kind of have to, I guess,
• 1:07:21
  Speaker 1: be more numb to certain things. It's it's it's difficult,
• 1:07:26
  Speaker 1: you know. But at the same time, you know, when
• 1:07:27
  Speaker 1: you're dealing with little boys and you know our girls,
• 1:07:31
  Speaker 1: our lady, you know, Ambassador Chill Leader coaches, they do
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  Speaker 1: a great job with the girls, you know as well.
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  Speaker 1: But when when it comes to the boys, you you
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  Speaker 1: know the situation. You know, like I coach high school football,
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  Speaker 1: you know, and we have a lot of kids, whether
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  Speaker 1: they come out of my program or other places, they're
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  Speaker 1: in some difficult situations. And that's why it was important
• 1:07:50
  Speaker 1: to do this Doctor Serious, because I mean, when you
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  Speaker 1: go to a house and you got you know, eight kid,
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  Speaker 1: eight people in the house and a bed, a bed
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  Speaker 1: in the living room. You don't kids to come in
• 1:08:00
  Speaker 1: like I don't have any food. You know, are there
• 1:08:03
  Speaker 1: an abusive situation? You know I got kids. You know
• 1:08:06
  Speaker 1: that did make it to the league that mothers. You
• 1:08:09
  Speaker 1: don't have to sleep in a car, you know at
• 1:08:11
  Speaker 1: the park. You know what I mean? These are some
• 1:08:13
  Speaker 1: real deep and you want to help everybody, if you
• 1:08:16
  Speaker 1: want to help everybody, But the best thing that anybody
• 1:08:19
  Speaker 1: could do, whether whether you're affiliated with a park anything
• 1:08:22
  Speaker 1: like that, the best thing you do is give him
• 1:08:24
  Speaker 1: some knowledge. You know, like Devonte Freeman, you know, he
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  Speaker 1: was with me since he was like eight years old,
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  Speaker 1: a part of the program. So it's like almost my
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  Speaker 1: adopted son, you know, just giving him knowledge. You know,
• 1:08:35
  Speaker 1: he's living in the Pokemedian Projects, Scott Square house of projects.
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  Speaker 1: You know he has four or five brothers and sisters
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  Speaker 1: in the house. But then he wants better for itself.
• 1:08:45
  Speaker 1: You know, they didn't go home to it. But then
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  Speaker 1: if you inspire him to be better, you know, if
• 1:08:50
  Speaker 1: they listen, if they listen, the ones who listen, they
• 1:08:52
  Speaker 1: get themself out of those situations. Have those artists that
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  Speaker 1: will come into Miami that you called out before, have
• 1:08:58
  Speaker 1: they started giving back to the city. No, it's just
• 1:09:00
  Speaker 1: don't come back. I mean Kiki does, Ki gives back.
• 1:09:05
  Speaker 1: You know, Kali does a good job. You know, I
• 1:09:07
  Speaker 1: had to call him out there. You know, that's my boy,
• 1:09:09
  Speaker 1: you know. But at the same time, you know, at
• 1:09:11
  Speaker 1: a lot of like Ross, Ross gives back. I mean,
• 1:09:14
  Speaker 1: he's from Miami. But then for the most part, all
• 1:09:17
  Speaker 1: those other ones who who became settlers of Miami, they
• 1:09:21
  Speaker 1: eventually faded off, went away, went and settled somewhere else.
• 1:09:25
  Speaker 1: So we're going to see you as mayor soon. Ah,
• 1:09:28
  Speaker 1: I don't know this. Hey, after I finished a couple
• 1:09:31
  Speaker 1: of these projects that I'm doing, I probably end up,
• 1:09:34
  Speaker 1: you know, jumping back into problem. Okay, y'all gotta get
• 1:09:38
  Speaker 1: him elected, y'all. I'm telling you. I'm telling y'all did that.
• 1:09:42
  Speaker 1: He'll have a job with that, thank you. I'm telling
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  Speaker 1: I think I think when when when when he came
• 1:09:48
  Speaker 1: to this show. No, seriously, I'm serious. I mean because
• 1:09:53
  Speaker 1: even in the state of Florida, even in the state
• 1:09:55
  Speaker 1: of Florida, he wasn't getting that much love, you know,
• 1:09:58
  Speaker 1: from a state wife much money to spend, no, none, none,
• 1:10:03
  Speaker 1: And so when but when I saw him appear on
• 1:10:05
  Speaker 1: this show right here, and how he really he came
• 1:10:08
  Speaker 1: across because you sometimes, you know, you have a lot
• 1:10:11
  Speaker 1: of people that runs and then cornball, you know. But
• 1:10:13
  Speaker 1: when I saw him sit on the show, you don't know,
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  Speaker 1: you know, I know he went to family and I
• 1:10:17
  Speaker 1: know some of his friends. You know, it took that
• 1:10:20
  Speaker 1: took him over the top. This show energized African Americans
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  Speaker 1: in the state of Florida to go out and seriously
• 1:10:27
  Speaker 1: vote for him. And and you know, I commend y'all
• 1:10:30
  Speaker 1: for that because his message, well, hey, oh, we definitely
• 1:10:35
  Speaker 1: gonna do that because I'm the same way with you
• 1:10:36
  Speaker 1: when it come to politicians, like about I gotta know
• 1:10:39
  Speaker 1: you and like, you know, my good friend as Lari
• 1:10:41
  Speaker 1: turned me on the Andrew and I'm like, well, it's
• 1:10:42
  Speaker 1: a brother right here. You don't need to hear from him.
• 1:10:44
  Speaker 1: So y'all, y'all definitely pushed him over the top. I'm
• 1:10:47
  Speaker 1: telling you, you got you woke up every African American
• 1:10:50
  Speaker 1: that had an Obama you know, voter registration car you know,
• 1:10:54
  Speaker 1: and tell people you know, Obama got all us to vote.
• 1:10:57
  Speaker 1: But then that's a lot of us not using the car,
• 1:11:00
  Speaker 1: you know what I'm saying. So a lot of a
• 1:11:02
  Speaker 1: lot of her problems with him. But then when you
• 1:11:06
  Speaker 1: come on a show like this, you know, and y'all
• 1:11:08
  Speaker 1: allow him to come on this platform, may have a
• 1:11:11
  Speaker 1: serious conversation with him. Then all those you know, all
• 1:11:14
  Speaker 1: the smokers with the cards who got the car? Oh okay,
• 1:11:17
  Speaker 1: all right, you know, no, he's cool. That's funny you
• 1:11:19
  Speaker 1: say that. My man Sam Sneak, Sam Sneak from Miami.
• 1:11:21
  Speaker 1: Sam was like, man, I gotta find my vote the
• 1:11:23
  Speaker 1: registration car. Man. Yeah, we got somebody to vote for. Well,
• 1:11:30
  Speaker 1: make sure you guys chake out. Warriors a Liberty City
• 1:11:32
  Speaker 1: that actually debuts Sundays on every Sunday. It's a six
• 1:11:34
  Speaker 1: part series on Stars. So we'll be watching for that.
• 1:11:37
  Speaker 1: We'll be waiting to hear more about this movie. My man,
• 1:11:39
  Speaker 1: Uncle Luke Man, if you word the most Dame, you
• 1:11:41
  Speaker 1: just want to show the Breakfast Club