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You Are Not Getting That House Part 1 (S5 E21 "Blame Booze and Melville") · I Am All In with Scott Patterson

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  Speaker 1: I am all in. Let's gus you.
• 0:16
  Speaker 2: I am all in with Scott Patterson, an iHeartRadio podcast.
• 0:21
  Speaker 1: So listen, guys, I'm gonna let's get a little business
• 0:23
  Speaker 1: out of the way. I'm gonna be appearing at the
• 0:25
  Speaker 1: Motor City Comic Con, taking place in Detroit, Michigan, the
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  Speaker 1: week end of November ten through twelve, twenty twenty three.
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  Speaker 1: I think it's a little bit outside the city, but
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  Speaker 1: come and see me there. MotorCity Comic Con November ten
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  Speaker 1: through twelve, twenty twenty three. Also a Galaxy Con Columbus
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  Speaker 1: December two and three, twenty twenty three. Hope to see
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  Speaker 1: everybody there. Let's have some fun. Season five, episode twenty one,
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  Speaker 1: Blame Booze and Melville. I am joined by my Intrepid crew.
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  Speaker 1: But first iHeart Radio and one of a lot of
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  Speaker 1: productions bring you this episode and this Intrepid crew, Amy Sugarman,
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  Speaker 1: Danielle Romo and a very dry terror suit. Tara and
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  Speaker 1: I and the team gathered quite at the rainstorm. I
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  Speaker 1: hope everybody survived intact.
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  Speaker 2: I didn't have any of it.
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  Speaker 3: You didn't have any of it.
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  Speaker 2: It was just sunny here, sunny, sunny Sonny.
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  Speaker 1: Oh really, so you're up there. You didn't get any anything. Francisco,
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  Speaker 1: you avoided it.
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  Speaker 2: Yeah, we just had nothing.
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  Speaker 4: You didn't have a hurricane or an earthquake.
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  Speaker 2: We did have an earthquake about a week or so before,
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  Speaker 2: Like I woke me up at like seven am.
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  Speaker 5: They're calling it the hurriquake.
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  Speaker 2: I don't want to laugh. It's not good to laugh.
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  Speaker 2: I shouldn't laugh because those things are serious. Both things
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  Speaker 2: are serious, I know, just ours work, Scott. Did you
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  Speaker 2: feel the shape?
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  Speaker 1: Yeah, we got a little shaken over here. I went
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  Speaker 1: through the north Ridge quake. I was here, I was visiting.
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  Speaker 2: So I went through that. You remember how like, uh,
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  Speaker 2: either a few years before that was the San Francisco one.
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  Speaker 1: Yes, remember I wasn't here for that. I wasn't in
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  Speaker 1: LA for that. But I remember I.
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  Speaker 2: Was in San Francisco for the San Francisco one and
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  Speaker 2: you were in LA for the north Ridge one.
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  Speaker 1: Yeah.
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  Speaker 2: That was bad.
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  Speaker 1: We have we have. That was bad experience. Bad. I
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  Speaker 1: thought I was going to die in that thing.
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  Speaker 2: Oh really, you were scared.
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  Speaker 1: I was on the sixth floor of a apartment, uh
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  Speaker 1: condo complex, and it felt like and everything in the
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  Speaker 1: kitchen was exploding and everything coming out, and you could
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  Speaker 1: hear the explosions and everything falling over. Oh, and I
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  Speaker 1: was with one who I was visiting at that time,
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  Speaker 1: and uh, I just threw the blanket over the top
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  Speaker 1: of us, got on top of her, rolled as off
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  Speaker 1: the bed onto the side of the bed, because that's
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  Speaker 1: what they tell you to do, to get on the
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  Speaker 1: side of the bed. So if debris is falling, it
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  Speaker 1: hits the bed first and it slows it down before
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  Speaker 1: it hits you. Kind of deal. And then I mean
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  Speaker 1: I felt, actually felt the grim Reaper on the other
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  Speaker 1: side of the bedroom door. I was that scared. So
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  Speaker 1: I thought this, there's going to be a giant hole
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  Speaker 1: going to open up in this floor and we're going down. Yeah.
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  Speaker 1: It was that violent. The shaking was that violent. I thought,
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  Speaker 1: there's no way this structure can withstand this. So terrifying,
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  Speaker 1: And then they read card of the building. They got
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  Speaker 1: everybody out of the building. So we're all like out there.
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  Speaker 1: Nobody that anybody we'd seen it. We'd seen each other
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  Speaker 1: in the laundry room or whatever, but but everybody was
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  Speaker 1: milling a belder. But no way like three am. Oh yeah, yeah,
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  Speaker 1: we couldn't go back in.
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  Speaker 2: No, you were really in the center of it.
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  Speaker 1: They let us back in for ten minutes to get essentials,
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  Speaker 1: and then we had to go to a hotel. Yeah.
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  Speaker 2: No, oh my god.
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  Speaker 3: Away ninety four was scary.
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  Speaker 4: I remember that because I grew up over there too,
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  Speaker 4: and I have never seen my dad so scared of
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  Speaker 4: my entire life other than that night. I, as a
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  Speaker 4: four year old, vividly remember that entire entire night trauma.
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  Speaker 1: Yeah, I thought that was it. I thought, this is it.
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  Speaker 2: Curtains No, so I could feel the San Francisco one obviously,
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  Speaker 2: like very intensely, and it went on and on and on.
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  Speaker 2: But I wasn't in the city, so I was, you know,
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  Speaker 2: twenty minutes away, so it was much less. But my
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  Speaker 2: dad was in the city and like would have normally
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  Speaker 2: gotten on the bridge, but that was when the bridge fell.
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  Speaker 2: Part of the bridge fell, so he had to.
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  Speaker 1: Go Golden Gate Bridge.
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  Speaker 2: That it was the Bay Bridge, so at the piece
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  Speaker 2: of the bay. Yeah, the upper deck fell, and then
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  Speaker 2: another freeway called the Nimens Freeway. It's not there anymore, pancaked,
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  Speaker 2: and so yeah, I was terrifying, but it wasn't as
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  Speaker 2: bad if you were like on the outskirts, and then
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  Speaker 2: the problem was the fires. I mean, it's welcome to
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  Speaker 2: you know, natural disaster talk.
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  Speaker 1: Listen speaking of earthquakes. Well, I tell you, Laura, I
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  Speaker 1: must have felt the tremors coming when Emily was about
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  Speaker 1: to get the magazine or anyway, it's.
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  Speaker 2: A segue from a king.
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  Speaker 1: Let me choose, but I think we are minus a
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  Speaker 1: synopsisization and we need one. Danielle, You're on all right.
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  Speaker 4: This is season five, episode twenty one, Blame Booz and Melville,
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  Speaker 4: Air date May tenth, two thousand and five.
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  Speaker 3: Lorlai discovers her.
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  Speaker 4: Comments about Emily were not edited out of the article.
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  Speaker 4: Big surprise there. In braces for the fallout, Rory's paper
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  Speaker 4: career hits a snag, and Suki goes into labor. A
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  Speaker 4: rival buyer interferes with Luke's attempt to purchase the Twickham estate,
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  Speaker 4: and Emily becomes the patron of a Russian ballet dancer.
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  Speaker 2: By the way, that was just weird.
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  Speaker 1: It was weird, but it all kind of worked, yeah kinda.
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  Speaker 1: I mean it wasn't hilarious. I mean I thought I
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  Speaker 1: thought the ballerina was the bit was funnier than the
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  Speaker 1: Michale bit.
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  Speaker 2: I totally agree with you, Scott. I thought that was
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  Speaker 2: they should have just like it was the joke that
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  Speaker 2: just needed one joke. It was.
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  Speaker 1: It was surreal in this really great way. Yeah, they
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  Speaker 1: just they just went to the well one too many. Yeah,
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  Speaker 1: it just got like cringey.
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  Speaker 5: They just need to give Emily something to do. That's
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  Speaker 5: what A felt.
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  Speaker 2: I thought the Kirk stuff was way better, like finding
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  Speaker 2: out that he has almost a quarter of a million
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  Speaker 2: dollars like that, two forty.
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  Speaker 1: Seven dollars and fifty four cents.
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  Speaker 4: Yeah, and he was so mean about it, Like I
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  Speaker 4: didn't I did not expect to see that side of Kirk.
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  Speaker 2: He was.
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  Speaker 1: He was like a he was like a corporate raider.
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  Speaker 1: No heart, you know, no soul, just take the building away.
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  Speaker 1: It was very anti stars Hollow, didn't you think, Yeah,
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  Speaker 1: that something like that was taking place in stars Hollow
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  Speaker 1: after Luke had been so you know, brotherly and uncle
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  Speaker 1: Lee to to Sean for these yeah who life for
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  Speaker 1: these at least these five seasons. I thought it was.
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  Speaker 2: Very It's true you wouldn't expect Kirk to go up
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  Speaker 2: against Luke because he so revers him that you're like
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  Speaker 2: whoa bro.
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  Speaker 1: I mean, it created him some very funny scenes. I'll
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  Speaker 1: admit I chuckled through all of them. Yeah, but it
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  Speaker 1: just wasn't It didn't ring Star's hollowy to me.
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  Speaker 2: Yeah, it was good.
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  Speaker 1: It was good, tongue in cheek.
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  Speaker 2: Fun and yeah, I enjoyed it. I also, okay, so
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  Speaker 2: we'll go to the opening. I thought, yeah, true, we
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  Speaker 2: take it very serious. I thought the opening was cute
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  Speaker 2: with them dipping. They were they were obviously doing like
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  Speaker 2: chocolate fondue, and they only wanted the marshmallows, and you know,
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  Speaker 2: Emily really wanted them to have the fruit. But I
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  Speaker 2: was like, oh, that makes me want to do chocolate
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  Speaker 2: fawn doing.
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  Speaker 1: Did you find this getting a little bit risquels?
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  Speaker 2: Was there some tawdry jokes there that I went over
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  Speaker 2: my head?
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  Speaker 5: Uh?
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  Speaker 1: Well, the sure, Yeah. I didn't catch it even in
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  Speaker 1: the beginning in the opening.
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  Speaker 2: We do do we have the scripts so we can no.
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  Speaker 1: No, I can, I can tell you. I mean give it.
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  Speaker 4: I remember the stuff between Luke and Lorelai. There was
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  Speaker 4: some I thought were at the table.
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  Speaker 1: When they're going through the pictures of the ballerinas in
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  Speaker 1: the ballet Dancers.
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  Speaker 2: Oh wait, yes, that was a little bit.
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  Speaker 1: And then they found one guy who looked like he was,
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  Speaker 1: you know, right right, So they went into this whole
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  Speaker 1: thing and then Laurel I makes the comment I'd like
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  Speaker 1: that dipped in chocolate, and I was like, what is
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  Speaker 1: going on here? What audience they I did? I mean,
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  Speaker 1: I did exactly what you were doing. I covered my eyes.
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  Speaker 2: I was like, it's so funny because I don't have
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  Speaker 2: it in my notes. But then now thinking about it,
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  Speaker 2: I'm like, oh wait, it was.
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  Speaker 1: A little it was a bit risque.
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  Speaker 2: Little chocolate saucy dippy did.
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  Speaker 1: I guess they're both in a state of openness, shalln't
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  Speaker 1: we say? Because they I mean, I don't know how
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  Speaker 1: to put this. That would be very careful.
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  Speaker 2: But well, once in a while Gilmore girls does go
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  Speaker 2: there like that, like you, it's not once in a
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  Speaker 2: blue moon. They definitely. I don't know.
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  Speaker 1: It's like, can I ask you, is this girl talk?
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  Speaker 1: Or is this is this appropriate mother daughter talk?
• 10:13
  Speaker 2: It's girl talk. It's not mother daughter girl talk.
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  Speaker 1: But it's not mother daughter Was it odd that a
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  Speaker 1: mother and daughter were it was funny?
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  Speaker 5: I don't think it's I don't think it's odd for Laura. I.
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  Speaker 1: I guess it's not odd for la or was it?
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  Speaker 2: Also like Loralai's humor sometimes goes over Emily, like her
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  Speaker 2: dirty stuff. I feel like she kind of thinks Emily's
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  Speaker 2: not getting it, but Emily probably is getting.
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  Speaker 1: It would never enter in Emily's mind, right, it's a
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  Speaker 1: bit crude.
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  Speaker 2: Now that it's coming back to me, I'm kind of laughing.
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  Speaker 1: Yeah, it was funny. I mean, listen again along for
• 10:51
  Speaker 1: the ride chuckles ha ha ha. But it was like, hmm, yeah.
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  Speaker 2: Now. The part I didn't get was what was all
• 10:58
  Speaker 2: the transferring from the jeep to Rory's car and backwards?
• 11:02
  Speaker 2: Was it laundry? I didn't get that. I was like,
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  Speaker 2: what's happening?
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  Speaker 5: I thought it was for the baby.
• 11:08
  Speaker 2: Shower, I know, but then they talked about the baby shower,
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  Speaker 2: and I'm like, what is all that?
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  Speaker 4: Like all the decorations. Yeah, I think it makes sense
• 11:15
  Speaker 4: for a baby shower.
• 11:17
  Speaker 1: But that was l she was out of her dorm.
• 11:20
  Speaker 5: Oh is it summer almost? Yes?
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  Speaker 2: Oh my god, I'm so dumb.
• 11:28
  Speaker 1: Thank you no, no, I I you know, Hannah gave
• 11:31
  Speaker 1: me that one.
• 11:37
  Speaker 2: And I will give a shout out to what I
• 11:39
  Speaker 2: think was the Diane von Furstenberg wrap dress over sort
• 11:43
  Speaker 2: of the tight jeans with the flair that was sort
• 11:46
  Speaker 2: of very of the time, because remember that everyone was
• 11:48
  Speaker 2: wearing over jeans, were like fassy dresses over jeans.
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  Speaker 5: That was a look or like leggings.
• 11:58
  Speaker 2: I think it was more gene.
• 12:02
  Speaker 5: I was more likings.
• 12:03
  Speaker 3: How uncomfortable, miss.
• 12:05
  Speaker 1: I did miss the sixties.
• 12:06
  Speaker 2: In the early seventies, I definitely dresses like that over jeans.
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  Speaker 2: It was a whole look and actually I wish I
• 12:16
  Speaker 2: could bring that look back, but I digres. I digress
• 12:24
  Speaker 2: mm hmm. Like low rise, I love.
• 12:28
  Speaker 1: Lower Stones T shirts.
• 12:30
  Speaker 2: That's why I love Rolling Stones T shirts and low
• 12:34
  Speaker 2: rise jeans. I'm such a fan like low rise jean.
• 12:37
  Speaker 4: Yes, yeah, there's nothing I despise more. I will never
• 12:42
  Speaker 4: purchase again in my life.
• 12:43
  Speaker 2: Never literally.
• 12:45
  Speaker 5: I just high high waisted jeans all the way.
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  Speaker 2: No, horrible, You.
• 12:49
  Speaker 1: Don't like low rise jeans down to your hip bone? No,
• 12:54
  Speaker 1: I didn't like that.
• 12:56
  Speaker 2: I did like like like Paris Hilton like read No,
• 13:00
  Speaker 2: I mean like back then with true religions.
• 13:02
  Speaker 5: Yeah, he used to wear more like.
• 13:06
  Speaker 4: The Hollister jeans that like literally had like a zipper
• 13:09
  Speaker 4: this big and a button like, no, no, no, no.
• 13:16
  Speaker 2: I loved it all right, So we go into the diner. Now,
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  Speaker 2: what is the appropriate cost of a wheat toast plate.
• 13:24
  Speaker 1: It's a dollar now, it's a dollar ten.
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  Speaker 2: That seemed very affordable. Too low, it goes up.
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  Speaker 5: I think for now that's normal. But I don't know
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  Speaker 5: about two thousand and five.
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  Speaker 2: What does it cost if you went to a restaurant
• 13:38
  Speaker 2: somebody like, just look this up. So you went to
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  Speaker 2: Denny's and you just got toast? What does that cost?
• 13:42
  Speaker 1: They? I guarantee you they bangive.
• 13:45
  Speaker 2: Come on, that's what I was gonna say. Three fifty Scott,
• 13:47
  Speaker 2: I'm with you.
• 13:51
  Speaker 4: I'm looking it up.
• 13:53
  Speaker 2: Yeah, could be more, No, I can't be sour dough
• 13:56
  Speaker 2: bag get could be more?
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  Speaker 1: Go in?
• 14:01
  Speaker 2: Whoa? So prices have doubled in twenty years.
• 14:05
  Speaker 1: I guess not double Lukes, right.
• 14:09
  Speaker 2: Not that I would dare compare your diner to Dennis.
• 14:14
  Speaker 1: But Denny's is a chain, it's a national chain. Luke's
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  Speaker 1: is one one place you know you're gonna you're gonna
• 14:19
  Speaker 1: pay a little more for the quality.
• 14:21
  Speaker 2: That's sort of an interesting question. Really fast, say we
• 14:24
  Speaker 2: were to compare Lukes to some you know, thing that exists.
• 14:28
  Speaker 2: It's way above Denny's. I'm like, but like, do you
• 14:31
  Speaker 2: guys know farm Shop in La I feel like it's
• 14:34
  Speaker 2: a level below that. It's not so it's not so upscale.
• 14:38
  Speaker 2: It's like, what would be a diner that we could
• 14:41
  Speaker 2: go to, would be like Bob's Big Boy. No, way
• 14:44
  Speaker 2: above that. I think that's fast food. I think it's
• 14:48
  Speaker 2: way better than that I'm talking about.
• 14:50
  Speaker 3: It's like, Okay, but here's the thing.
• 14:53
  Speaker 4: It can't be a chain because Luke's is not a chain, right, So, like,
• 14:57
  Speaker 4: the best thing I can I can relate it to
• 15:00
  Speaker 4: is in Tara. Maybe Scott my note know this reference.
• 15:04
  Speaker 4: But cecs in Oh yep, it's CEC's. It's a really
• 15:09
  Speaker 4: dope brunch spot that's family owned. There's not another one
• 15:13
  Speaker 4: of it, and it's awesome.
• 15:15
  Speaker 2: I love it.
• 15:16
  Speaker 1: But the thing about Luke's is he doesn't have the volume,
• 15:19
  Speaker 1: the daily volume that requires him to skimp on quality.
• 15:25
  Speaker 1: So if you're getting that massive volume, your costs are
• 15:28
  Speaker 1: huge and you want to pay much less per item,
• 15:32
  Speaker 1: and so the quality goes down just to accommodate the volume.
• 15:35
  Speaker 1: So he doesn't have to worry about that. So everything
• 15:38
  Speaker 1: is organic and great and fresh. He gets it. Yeah, yeah,
• 15:43
  Speaker 1: best stuff.
• 15:44
  Speaker 2: I'm going to throw in a name for anyone that's
• 15:47
  Speaker 2: ever been to Lake Tahoe and say, Luke's dinner is
• 15:49
  Speaker 2: very comparable to a fire sign. If you're from Tahoe,
• 15:54
  Speaker 2: give me a give me a shout, because I feel
• 15:56
  Speaker 2: like it's very like local diner. They got a lot
• 16:01
  Speaker 2: of regulars. But then like, if you're from out of town,
• 16:04
  Speaker 2: you go there too?
• 16:05
  Speaker 1: Can we do an event this winter? I want to
• 16:08
  Speaker 1: ski up there for sure?
• 16:15
  Speaker 2: Okay, So we noticed that you haven't raised the toast
• 16:19
  Speaker 2: prices in a really long time. And do you give
• 16:22
  Speaker 2: a discount if you eat it dry? Which then made
• 16:25
  Speaker 2: me want to ask you all, what do you like
• 16:27
  Speaker 2: on your toast?
• 16:28
  Speaker 1: No, because I think the jam and isn't the jam
• 16:31
  Speaker 1: and all the accoutrement on the table?
• 16:35
  Speaker 2: I would think those little packets of smuckers. Do you
• 16:41
  Speaker 2: jam your toast? If you were going to have wheat toast,
• 16:43
  Speaker 2: what would you put on it?
• 16:45
  Speaker 1: Olive oil jam? I like strawberry.
• 16:47
  Speaker 2: Jam, olive oil.
• 16:49
  Speaker 1: I don't use butter olive oil.
• 16:51
  Speaker 2: Olive oil and do not use butter because it's olive
• 16:55
  Speaker 2: oil is way better for you.
• 16:57
  Speaker 1: Just because I eat so much of it, right, so once,
• 17:00
  Speaker 1: while I like some butter.
• 17:01
  Speaker 4: For sure, I've never held olive oil before me either,
• 17:06
  Speaker 4: But you guys, it's.
• 17:09
  Speaker 5: Not with that.
• 17:10
  Speaker 4: Yeah, but like toast olive oil, Oh sure, Yeah.
• 17:13
  Speaker 1: If I have eggs and toast in the morning, I
• 17:15
  Speaker 1: put all of I toast my rye bread and put
• 17:17
  Speaker 1: olive oil on it. Yeah, sometimes honey on top of that.
• 17:21
  Speaker 2: You never like a restaurant where you dip the oh honey,
• 17:24
  Speaker 2: you never dip it into the.
• 17:25
  Speaker 5: Olive oil for sure, of course, not like it's just
• 17:29
  Speaker 5: I think of like butter and jam.
• 17:31
  Speaker 3: Yeah, same, Yeah.
• 17:33
  Speaker 2: Honey is a good call though, on an English muffin,
• 17:36
  Speaker 2: I like butter and jam, but I might go for honey.
• 17:39
  Speaker 4: But with a drizzle of honey, is yeah amazing.
• 17:45
  Speaker 1: I mean you're sitting there, you're eating bland eggs, right,
• 17:47
  Speaker 1: you can eat bland toast. You know you gotta spice
• 17:50
  Speaker 1: it up, you gotta put some jam. True in a camp,
• 17:56
  Speaker 1: in some kind of a prison camp somewhere, you know
• 17:59
  Speaker 1: we're here your bland stuff, Eat it and go back
• 18:01
  Speaker 1: to yourself. We want jam, all right.
• 18:05
  Speaker 2: So then Laura, I walks in. There's a little kiss
• 18:08
  Speaker 2: and they talk about the party in New York and
• 18:11
  Speaker 2: the article. So they seem to just be really grooven
• 18:16
  Speaker 2: and cruising.
• 18:18
  Speaker 1: I like to til, I like to Tailor phone call.
• 18:20
  Speaker 1: I thought it was.
• 18:23
  Speaker 2: Yes, the phone rings and Caesar answers and it's Tailor
• 18:26
  Speaker 2: and you can literally see him in the window. And
• 18:30
  Speaker 2: we kind of know that you're moving forward with the
• 18:34
  Speaker 2: Twickham house purchase, and uh, is this where we find
• 18:40
  Speaker 2: out that there's another bidder no that comes back in? Yeah, okay,
• 18:45
  Speaker 2: but you've overcharged Kirk by a penny, so we're just
• 18:49
  Speaker 2: definitely getting.
• 18:50
  Speaker 1: I settle out a buck five because I can't stay
• 18:53
  Speaker 1: with them anymore, right, and then has to complain on
• 18:58
  Speaker 1: the sales tax or something like that.
• 19:00
  Speaker 2: Yeah, exactly. So then we cut to Rory at the
• 19:05
  Speaker 2: paper and now I'm satisfied because she's really thriving. She's
• 19:09
  Speaker 2: in the pink top and she's got everything. She's jamming,
• 19:12
  Speaker 2: she knows everybody where everything is. She's just firing on
• 19:15
  Speaker 2: all cylinders, crushing the job. And we get the We
• 19:20
  Speaker 2: get Logan and he says Ace and I like all
• 19:24
  Speaker 2: of it.
• 19:24
  Speaker 1: Yeah, he was all puppy dogging all over her all.
• 19:27
  Speaker 2: Wait, I think, wait, now did we get Are we
• 19:31
  Speaker 2: to that part where he's there in person or is
• 19:33
  Speaker 2: this on the phone and he's talking about her sister's engagement.
• 19:36
  Speaker 2: Somebody keep me honest, No, keep me honest. I can't now.
• 19:39
  Speaker 2: I want to make sure I'm right now. He goes
• 19:42
  Speaker 2: he's there, So this is where he's there. Yeah, you
• 19:45
  Speaker 2: are right. So they're talking about the engagement party and
• 19:50
  Speaker 2: that she's gonna have to cut out of Friday night
• 19:52
  Speaker 2: dinner to get there, and he wants her to go,
• 19:54
  Speaker 2: which I think is also huge.
• 19:56
  Speaker 5: I thought it was too soon for him to ask
• 19:58
  Speaker 5: her to get out of Friday night dinner, Like that's
• 20:00
  Speaker 5: a full commitment and they've been dating for like what
• 20:03
  Speaker 5: a month?
• 20:06
  Speaker 1: Was Friday night dinner such a big deal at this point?
• 20:08
  Speaker 1: Would well, don't you think? Don't you think Richard and
• 20:10
  Speaker 1: Emily would understand, especially with.
• 20:15
  Speaker 4: I think they will be thrilled if Logan Hansburger was like, hey,
• 20:19
  Speaker 4: you got to hang out with me tonight.
• 20:20
  Speaker 3: They would be like, go on, sweetie.
• 20:22
  Speaker 5: Yeah, but for it, I mean, is like I think no,
• 20:25
  Speaker 5: I think they'd be totally fine with it. But like
• 20:27
  Speaker 5: Logan's telling her, like, get out of it, I think
• 20:29
  Speaker 5: if it was coming from Rory, I don't know. For me,
• 20:31
  Speaker 5: I just thought of it like he's really comfortable now,
• 20:34
  Speaker 5: like he just jumped right in. He's like, oh, just
• 20:36
  Speaker 5: get out of it. You see them every Friday. But
• 20:38
  Speaker 5: I would have liked it to come from Rory being like, oh, yeah,
• 20:41
  Speaker 5: let me just tell my grandparents.
• 20:43
  Speaker 2: That actually didn't bother me as much as I'm like, whoa,
• 20:45
  Speaker 2: she's going back into the fire, Like she's literally going
• 20:48
  Speaker 2: to the engagement party with this family that ripped her
• 20:51
  Speaker 2: to shreds. That's true, but good for her, okay, And
• 20:55
  Speaker 2: I think good for him that he's not like, hey,
• 20:58
  Speaker 2: you don't have to come. I know it was normal.
• 21:00
  Speaker 4: I think she feels like she is now interning with
• 21:03
  Speaker 4: the dad so like, and she has been doing really well,
• 21:07
  Speaker 4: and she's been cool with a sister, so why.
• 21:10
  Speaker 1: Not, right, like the dad giving her the job? Is
• 21:13
  Speaker 1: the apology?
• 21:14
  Speaker 3: Yeah?
• 21:16
  Speaker 2: Interesting? Okay, Okay?
• 21:18
  Speaker 1: Was she going to get an apology directly from the grandpa? Medicated?
• 21:25
  Speaker 2: Medicated?
• 21:26
  Speaker 5: No?
• 21:28
  Speaker 2: No, I'm feel like weirdly, even like when I'm not
• 21:32
  Speaker 2: watching thinking about missus Huntsburger and feeling.
• 21:35
  Speaker 1: Like he gets a phone call from the medicated mother. Hello,
• 21:42
  Speaker 1: are you Rory? Yes? Were you here the other night
• 21:46
  Speaker 1: and we were awful to you? Oh right, okay, I
• 21:48
  Speaker 1: have something written down here to say we are Oh
• 21:52
  Speaker 1: we're so sorry. Anyway, Tata, were you here the other
• 21:58
  Speaker 1: night when we were awful to us? No idea what
• 22:01
  Speaker 1: any of it means. She's forgotten about it. She wasn't.
• 22:05
  Speaker 1: My gosh, she doesn't recall it at all.
• 22:09
  Speaker 2: I just like it's subtle. But like when I was thinking,
• 22:12
  Speaker 2: because I I know that Leanne Hunley returns, right, that's
• 22:16
  Speaker 2: not our only time seeing her, and I just think like,
• 22:19
  Speaker 2: oh man, wow, she did seem a little.
• 22:23
  Speaker 1: I just I just wrote him a great scene. Go ahead,
• 22:27
  Speaker 1: go ahead, I'm giving it away to you. Go ahead,
• 22:30
  Speaker 1: all right.
• 22:31
  Speaker 2: So we do get the one question is he treating
• 22:34
  Speaker 2: you all right? You know, which foreshadows a little bit like,
• 22:40
  Speaker 2: uh like, just not unicorns and rainbows with that guy,
• 22:45
  Speaker 2: Mitcham No, it's not.
• 22:47
  Speaker 4: It's not.
• 22:48
  Speaker 1: You know, he's he's a tough he's a hard ass.
• 22:51
  Speaker 1: He's always testing. He's testing everybody.
• 22:54
  Speaker 4: So the thing which will yeah, you know what I'm
• 22:57
  Speaker 4: kind of surprised about is and maybe Logan it just
• 23:01
  Speaker 4: seems like something Logan would do, but maybe he doesn't
• 23:03
  Speaker 4: want to cross this line, like him talking to his
• 23:06
  Speaker 4: dad being like I like this girl, like please don't
• 23:09
  Speaker 4: be mean to her.
• 23:11
  Speaker 2: He's not. He would do it, but it won't work,
• 23:13
  Speaker 2: so he doesn't bother doing it.
• 23:15
  Speaker 3: I don't you know what I'm saying.
• 23:16
  Speaker 1: I don't know that he has the runway to say
• 23:18
  Speaker 1: that to his dad. His dad would eat his face off.
• 23:22
  Speaker 2: I think he talks back to the dad. I think
• 23:24
  Speaker 2: he stands up to the dad, but he's also sort
• 23:26
  Speaker 2: of like it won't.
• 23:28
  Speaker 4: Leave it be Yeah, because it's interesting because right now,
• 23:32
  Speaker 4: as we've seen me seeing it for the first time,
• 23:36
  Speaker 4: Mitchen seems kind of chill, not chill, but he seems
• 23:40
  Speaker 4: like he's like a cool a cool cat, you know
• 23:43
  Speaker 4: what I mean. Like, obviously I can tell, especially at
• 23:47
  Speaker 4: the end of this episode, that is changing real quick,
• 23:50
  Speaker 4: but at this moment, he seems like he's kind of like, yeah,
• 23:54
  Speaker 4: head guy in charge, but he's kind of cool.
• 23:59
  Speaker 1: I haven't argue he's intense.
• 24:01
  Speaker 2: This guy, he's intense. But here's my question and I'm
• 24:05
  Speaker 2: jumping ahead, but just let me because Danielle brought it up,
• 24:08
  Speaker 2: so be mean to her on Instagram. Did Mitcham do
• 24:14
  Speaker 2: the wrong thing happen the Queen? Did Mitcham? I mean,
• 24:19
  Speaker 2: Mitchell's just giving his opinion, right, and everyone's like, and
• 24:23
  Speaker 2: I get it. You'll learn more as we go into
• 24:25
  Speaker 2: these next episodes, but it's like Mitchell can give his opinion,
• 24:30
  Speaker 2: it's Rory's job to ignore him, right, you know what
• 24:33
  Speaker 2: I'm saying.
• 24:34
  Speaker 1: Yeah, it's like, don't take the hit. If you take
• 24:37
  Speaker 1: the hit personally and then go away, then he's right.
• 24:41
  Speaker 2: You know, like you must have had plenty of people
• 24:43
  Speaker 2: probably along the way tell you, oh, you're not cut
• 24:46
  Speaker 2: out for this business, Scott, or you're not going to
• 24:48
  Speaker 2: be a great actor, or like even maybe after Guilmard girls,
• 24:51
  Speaker 2: oh your career's over, or you don't know, and you
• 24:54
  Speaker 2: just have to go Okay, thanks for sharing, but I'm
• 24:57
  Speaker 2: just going to keep at it if that's what you
• 24:59
  Speaker 2: choose to do, or you can also pivot if that's
• 25:02
  Speaker 2: what you choose to do, right.
• 25:04
  Speaker 5: Yeah, Yeah, it made me think about like I feel
• 25:07
  Speaker 5: like everyone at some point in our lives, like you,
• 25:09
  Speaker 5: you had that person who was like, you're not good
• 25:11
  Speaker 5: at this, you know, in some way, shape or form,
• 25:13
  Speaker 5: and and she like I mean, she's valid to feel upset,
• 25:18
  Speaker 5: for sure, but like you said, Amy, like it's his opinion,
• 25:21
  Speaker 5: Like she can pivot and do whatever else she wants
• 25:24
  Speaker 5: and and continue her career.
• 25:27
  Speaker 2: People tell us every week, we're not good at this podcast,
• 25:34
  Speaker 2: and we just we're still here.
• 25:37
  Speaker 3: Take ourselves up, and we just keep on trucking.
• 25:42
  Speaker 1: Being good at a podcast. It's about being ourselves exactly.
• 25:51
  Speaker 2: That's exactly right. So my thing is like, and again
• 25:55
  Speaker 2: it's sort.
• 25:55
  Speaker 1: Of a and if you want a to Z button
• 25:58
  Speaker 1: down in order structure, then go listen to the ninety
• 26:01
  Speaker 1: nine point nine percent of other podcasts and be bored
• 26:04
  Speaker 1: to death.
• 26:06
  Speaker 2: Right totally, My thing is like this.
• 26:10
  Speaker 1: You know, I'm sleep sleep in five minutes.
• 26:14
  Speaker 2: So my thing is like, and I know we'll continue
• 26:16
  Speaker 2: this conversation because I do have sort of a a
• 26:20
  Speaker 2: thing to say at the end that people will get
• 26:22
  Speaker 2: mad at me for. But okay, so Mitcham said it. Okay,
• 26:27
  Speaker 2: so be butt hurt for a second and then go
• 26:30
  Speaker 2: whin your pulletzer or go when your emmy or whatever.
• 26:33
  Speaker 3: You like, as like to prove him that, yeah.
• 26:36
  Speaker 1: No, it's exactly what she did. Maybe yeah, because I
• 26:39
  Speaker 1: don't see any evidence. I don't see any evidence of
• 26:43
  Speaker 1: what he's talking about being accurate. When she did that
• 26:46
  Speaker 1: article and Curbs or something, you know, Doyle gave her
• 26:51
  Speaker 1: some ridiculous assignment, and she did all of this research
• 26:54
  Speaker 1: and impressed the hell out of him, and she got
• 26:56
  Speaker 1: a better article and a better you know what I mean. Right,
• 26:59
  Speaker 1: She showed capable of digging deep and getting to the facts.
• 27:03
  Speaker 5: But I think it's I think it's his way of
• 27:05
  Speaker 5: trying to get her out of Logan's life.
• 27:08
  Speaker 3: Well, that's what we have just to say it. I tried.
• 27:12
  Speaker 1: Why do you want her out of Logan's life? She's
• 27:16
  Speaker 1: so obviously, you know.
• 27:19
  Speaker 2: For the same reason, obviously a.
• 27:22
  Speaker 1: Good catch, you know what I'm saying. So why would
• 27:25
  Speaker 1: Mitcham want Rory out of Logan's life?
• 27:28
  Speaker 2: The grandpa doesn't like her, and neither doesn't.
• 27:30
  Speaker 1: What the grandpa says, he think he thinks is a
• 27:35
  Speaker 1: gold digger.
• 27:36
  Speaker 2: No, they don't.
• 27:37
  Speaker 3: They don't think it's they.
• 27:40
  Speaker 4: They didn't even meet her before.
• 27:42
  Speaker 3: They didn't like her, you know what I mean.
• 27:43
  Speaker 4: It's not her, it's her as a waiting. Yeah, she's
• 27:50
  Speaker 4: a history that she can't control.
• 27:53
  Speaker 2: Rock up Gilmore or whatever.
• 27:55
  Speaker 5: Well, I did see a comment on Instagram that actually
• 27:57
  Speaker 5: made me think. So we were talking about how like, oh,
• 28:00
  Speaker 5: but she's a Gilmore, like it's in her blood. But
• 28:03
  Speaker 5: and like the way she looked at like, you know,
• 28:05
  Speaker 5: the the house when she walked in, and they're like,
• 28:08
  Speaker 5: we have to remember that, like she really wasn't in
• 28:11
  Speaker 5: this world they brought up lower lie.
• 28:13
  Speaker 1: If I was Mitch, I would say this is the
• 28:15
  Speaker 1: best of both worlds. She wasn't raised to have her
• 28:19
  Speaker 1: head up her own urse, right, Yeah, she still has
• 28:22
  Speaker 1: the buzz, but.
• 28:24
  Speaker 2: I think they don't think the Gilmour's. That's what I'm saying,
• 28:27
  Speaker 2: is like, Okay, so if we're talking levels, right, Huntsburgers
• 28:31
  Speaker 2: are even higher up. They're Rockefeller, they're Rothschild.
• 28:36
  Speaker 1: No, they're not that level. Stop no OANs No, Yeah.
• 28:41
  Speaker 2: I think you're wrong.
• 28:43
  Speaker 1: He's not. He's not. No, he's not one of the
• 28:47
  Speaker 1: great families of the United States, the wealthiest families in
• 28:50
  Speaker 1: the United States.
• 28:51
  Speaker 2: He's not the fine So then he has thirteen newspapers,
• 28:56
  Speaker 2: but he's above Gilmore in his mind.
• 29:00
  Speaker 3: He's Richard's not even.
• 29:01
  Speaker 1: An owner of that insurance agency, that insurance That's.
• 29:05
  Speaker 2: What I'm saying Huntsburgers are above, Yeah, but they're not
• 29:09
  Speaker 2: roth Child mind. Come on, okay, fine, bad choice of
• 29:12
  Speaker 2: what's the guy?
• 29:14
  Speaker 1: I'm saying a couple hundred million not not billions. There
• 29:18
  Speaker 1: are a hundred millionaires maybe net worth, but I don't what's.
• 29:23
  Speaker 2: The guy that owns Fox?
• 29:25
  Speaker 1: What's that guy's names? Got some influence? Sure? Do you?
• 29:33
  Speaker 1: So you think he's on a Murdoch level huns Burger.
• 29:36
  Speaker 2: I don't know what we're supposed to think. I think
• 29:37
  Speaker 2: we're supposed to think he's something above.
• 29:40
  Speaker 1: You know what bothers me is that we've never seen
• 29:43
  Speaker 1: mitcham Huntsberger's office. Now, if they established this guy in
• 29:48
  Speaker 1: an office and he's a super powerful guy with this
• 29:51
  Speaker 1: unbelievable office, then you could get a sense of where
• 29:54
  Speaker 1: he stands in a food chain. But we haven't seen
• 29:57
  Speaker 1: that yet.
• 29:57
  Speaker 5: Well, from this episode, when he said his times all
• 30:00
  Speaker 5: most done at the paper, it made me think that
• 30:01
  Speaker 5: he just goes from paper to paper and consults like that.
• 30:05
  Speaker 5: That was my takeaway. Don't know anyone else, yeh, that's
• 30:07
  Speaker 5: what he does. Like, yeah, he just like I didn't
• 30:10
  Speaker 5: think he has an office. He just travels a lot.
• 30:12
  Speaker 1: Oh No, he's got to have an office.
• 30:15
  Speaker 2: No, I get it. He's got a total like, right,
• 30:17
  Speaker 2: he's got a whole Huntsburger building, but he's just at
• 30:20
  Speaker 2: this paper because they just took over this paper, right,
• 30:24
  Speaker 2: So he's just in there kind of Oh, I just
• 30:26
  Speaker 2: bought this, so now I need to They want to.
• 30:28
  Speaker 1: Show us how powerful this family is, then they need
• 30:31
  Speaker 1: to take us into an office building and take us
• 30:32
  Speaker 1: into Mitchem Huntsberger's office and see him operate, you know,
• 30:37
  Speaker 1: from his office, because those are impressive offices, right, Yeah.
• 30:43
  Speaker 2: I mean I think I don't know, Like I think
• 30:44
  Speaker 2: it's kind of left for interpretation, but I still do
• 30:47
  Speaker 2: get the vibe, Like, I don't know, he's above her,
• 30:50
  Speaker 2: he's above the Gilmour's.
• 30:51
  Speaker 1: Or whatever he is. He's an owner, he owns Richard
• 30:57
  Speaker 1: doesn't own the insurance company.
• 30:59
  Speaker 2: That's what I'm saying. That's what he was a.
• 31:02
  Speaker 1: Glorified VP.
• 31:04
  Speaker 2: And Richard came from money too, but then I think
• 31:07
  Speaker 2: he made all his own too. So I just think
• 31:09
  Speaker 2: the Huntsburgers consider themselves not Logan. Logan doesn't think this way.
• 31:14
  Speaker 2: But I think the Huntsburgers, the Grandpa and mitcham and
• 31:17
  Speaker 2: maybe you know, others missus Hunsburger obviously that they're.
• 31:21
  Speaker 1: Above the Sure, yeah they are.
• 31:26
  Speaker 2: So anyway, I digress. I'll get to my bomb drop
• 31:29
  Speaker 2: at the end of this episode. But they have more power, yeah,
• 31:33
  Speaker 2: and more money, and they just.
• 31:34
  Speaker 1: Kill their media influencers, you know.
• 31:38
  Speaker 2: Because remember he says they not he either the grandpa
• 31:41
  Speaker 2: or the grandpa says, this has nothing to do with
• 31:44
  Speaker 2: your mother. They acknowledge at that dinner, like, this isn't
• 31:47
  Speaker 2: because your mother had you at sixteen and went to
• 31:50
  Speaker 2: Stars Hollow. This is like, you're not of the caliber
• 31:54
  Speaker 2: that we want for.
• 31:55
  Speaker 1: This exactly what he's saying. This is crazy and.
• 31:58
  Speaker 2: That's Oh see, I agree that it's not because of LOURAI.
• 32:02
  Speaker 2: I think it's they don't consider the Gilmour's up to
• 32:04
  Speaker 2: their level.
• 32:05
  Speaker 5: That's how I thought of it too.
• 32:08
  Speaker 2: Yeah, I'm on Scott's page.
• 32:09
  Speaker 4: I think it all has to do with the fact
• 32:11
  Speaker 4: that she wasn't bred as a baby to follow the
• 32:15
  Speaker 4: Gilmour way.
• 32:17
  Speaker 1: Yes, I think if Laura l I had grown up
• 32:19
  Speaker 1: in the traditional way and they'd gotten to nowhere at
• 32:23
  Speaker 1: the country club, and it would have been fine, right,
• 32:26
  Speaker 1: it would have been fine, would have been appropriate that
• 32:28
  Speaker 1: her daughter was dating their son, and it wouldn't have
• 32:30
  Speaker 1: been it would not have been an embarrassment.
• 32:33
  Speaker 2: I disagree, respectfully disagree. So now we get to the
• 32:39
  Speaker 2: thing that.
• 32:39
  Speaker 1: Really we're going to still do that ski thing for sure?
• 32:42
  Speaker 2: Of course? Yeah, I mean we'll disagree.
• 32:45
  Speaker 1: I don't want to extremely powerful compared to me. I'm like,
• 32:52
  Speaker 1: I'm like a Gilmore.
• 32:56
  Speaker 5: Oh God, I don't so.
• 33:02
  Speaker 2: Okay, Now we switched to the limo and we see
• 33:06
  Speaker 2: Lorlai and Luke in the limo getting onto the Hudson Parkway.
• 33:11
  Speaker 2: They've just come from the party. Clearly they didn't need
• 33:14
  Speaker 2: anything because they're definitely tipsy and they're getting along quite well.
• 33:22
  Speaker 2: But you know, we're getting that scene for reasons to come.
• 33:28
  Speaker 2: But what did you think of them in the limo
• 33:30
  Speaker 2: and you're rubbing her leg? Did you notice that?
• 33:33
  Speaker 1: It's a very special scene for me because it encapsulated
• 33:42
  Speaker 1: how I feel about Lauren and how I feel about
• 33:47
  Speaker 1: that relationship, the Luca Laureley relationship. And I'm going to
• 33:52
  Speaker 1: share something. I don't know if she would want me
• 33:53
  Speaker 1: to share this, but it's a you know, her mother
• 33:58
  Speaker 1: had had just passed away, her biological mother had just
• 34:03
  Speaker 1: passed away, and nobody, and she was so strong and
• 34:09
  Speaker 1: such a pro about it, and she knew she had
• 34:12
  Speaker 1: to film this very intimate scene with me, and I
• 34:17
  Speaker 1: just really wanted to take care of her in that scene,
• 34:21
  Speaker 1: which is you know, I mean, I've done it before
• 34:25
  Speaker 1: in other scenes, but I especially felt so empathy, such
• 34:29
  Speaker 1: empathy for her going through that and then still having
• 34:33
  Speaker 1: to soul drawn and stick to a schedule and you know,
• 34:37
  Speaker 1: be in a scene. And it was a fun scene, right,
• 34:42
  Speaker 1: definitely a fun scene. She didn't have to carry the scene,
• 34:45
  Speaker 1: and she was as bubbly and as wonderful as she
• 34:47
  Speaker 1: always is. So for me that I mean, I just
• 34:51
  Speaker 1: fell deeper in love with her, you know, as a friend,
• 34:57
  Speaker 1: because of the strength that she was showing through that
• 35:00
  Speaker 1: entire day in production, having just found out that, you know,
• 35:04
  Speaker 1: horrible information. And look, I apologize if if this is
• 35:09
  Speaker 1: too much information. I apologize to her if she doesn't
• 35:13
  Speaker 1: want that out, But I just I just want to
• 35:16
  Speaker 1: say how much respect I have for her ability to
• 35:21
  Speaker 1: just sort of just soldier on, you know, like the
• 35:24
  Speaker 1: show must go on. I will deal with this in
• 35:28
  Speaker 1: my own way, and very special scene for me, it's
• 35:32
  Speaker 1: one of my it's actually my one of my favorite
• 35:35
  Speaker 1: scenes that I've ever done with her, just because of
• 35:37
  Speaker 1: the strength and the professionalism that she showed throughout that
• 35:42
  Speaker 1: entire scene, and that you know, it was a limos scene,
• 35:44
  Speaker 1: so it was like, you know, it was it didn't
• 35:46
  Speaker 1: take forever to do the scene, but you know it
• 35:49
  Speaker 1: took a couple hours, right, three or four hours? Three hours? Man?
• 35:52
  Speaker 2: Yeah, No, it's a sweet scene. You really think that
• 35:56
  Speaker 2: there you two are a couple. You're like, oh my god,
• 35:58
  Speaker 2: I totally just the whole interaction and then the physicality
• 36:02
  Speaker 2: of it because I didn't even at first notice, but
• 36:04
  Speaker 2: you're like rubbing her leg and it's just the body
• 36:07
  Speaker 2: language and the way you are. You're like, oh, that's
• 36:10
  Speaker 2: that's why I think people love you guys as a couple,
• 36:14
  Speaker 2: meaning it endures decades and decades and you're still like
• 36:19
  Speaker 2: one of the favorite couples from television is because it
• 36:23
  Speaker 2: so real.
• 36:23
  Speaker 1: From the moment I met her in Toronto, I just
• 36:26
  Speaker 1: I just I really wanted to just take care of her.
• 36:29
  Speaker 1: You know. It's just I had this there's this instinct
• 36:32
  Speaker 1: you have with people and what's the vibe about? And
• 36:36
  Speaker 1: it's just that I just really liked her and I
• 36:38
  Speaker 1: thought she was really charming and funny and all of
• 36:42
  Speaker 1: that great stuff that you need to make good you know,
• 36:46
  Speaker 1: to make good scenes with. And it was always just
• 36:50
  Speaker 1: a very you know, just just just a very warm,
• 36:53
  Speaker 1: very protect almost protective kind of a feeling I have
• 36:59
  Speaker 1: for her and for her through that entire process. So anyway,
• 37:03
  Speaker 1: that's so cool. Yeah, but I I that's why I uh.
• 37:08
  Speaker 1: To me, that scene ranks right up there with the
• 37:11
  Speaker 1: first time we see them together in Luke Steiner and
• 37:13
  Speaker 1: you know, I need coffee. You said, you're an attic.
• 37:15
  Speaker 2: That right, That's so sweet. That's so cool.
• 37:20
  Speaker 1: So hats off to her for being such a pro.
• 37:24
  Speaker 2: Yeah, and it's a great scene. You'd never know because
• 37:26
  Speaker 2: she seems it's such a great scene. And then we
• 37:28
  Speaker 2: follow it up with this sort of even better scene.
• 37:32
  Speaker 2: But I was okay, So you then cut to you
• 37:35
  Speaker 2: guys are in the bed upside down, which I was like,
• 37:38
  Speaker 2: it's happening and the clothes are everywhere. Now, I at first,
• 37:42
  Speaker 2: I think.
• 37:42
  Speaker 1: The outside down thing was meant. It was meant to
• 37:44
  Speaker 1: show you that it was a really.
• 37:46
  Speaker 2: Wild night, right, what drunkie wild?
• 37:49
  Speaker 1: Right? It got primal, right, like she stated, as long
• 37:54
  Speaker 1: as we like the risk episodes X ray.
• 37:59
  Speaker 2: Exactly. Now. I was confused, and maybe it was just
• 38:03
  Speaker 2: me why she was so freaked out when she left.
• 38:07
  Speaker 2: I did not get that. I did not get it
• 38:09
  Speaker 2: at first, did you guys?
• 38:10
  Speaker 1: Oh yeah, because of the articles coming up.
• 38:14
  Speaker 2: No, it's because she realizes you didn't have safe set.
• 38:17
  Speaker 2: Oh yeah, right, So she was so freaked out and
• 38:24
  Speaker 2: weirded out, and I was like, what is going on?
• 38:26
  Speaker 1: She saw all the clothes thrown down in the primal nature.
• 38:30
  Speaker 4: Of what yeah, and she acted as if it was
• 38:33
  Speaker 4: like a one night stand there.
• 38:34
  Speaker 3: I was just like, right, right, what woke?
• 38:39
  Speaker 1: Yeah, that's an every night stand, you know what I mean.
• 38:42
  Speaker 4: And we'll get to this eventually. But I have some
• 38:46
  Speaker 4: thoughts about that, like, in particular, well.
• 38:50
  Speaker 2: Should we talk about should we talk about it now or.
• 38:53
  Speaker 1: Let's talk about it?
• 38:55
  Speaker 4: Well, I'm like, what so, because there's a few scenes
• 38:59
  Speaker 4: that like lead up to what I want to talk
• 39:01
  Speaker 4: about it?
• 39:01
  Speaker 2: Right, so we'll keep going Because I was very much like,
• 39:03
  Speaker 2: what is going on? Why is she so weird it out?
• 39:07
  Speaker 2: And then when we find out, I'm like, she's not sixteen,
• 39:11
  Speaker 2: Like she knows what she's doing. So then I was
• 39:13
  Speaker 2: like she's not on the pill, Like are they trying
• 39:18
  Speaker 2: some methods that are a little dicey? Like anyway, we'll
• 39:23
  Speaker 2: get to that. So okay, So then we see Rory
• 39:29
  Speaker 2: with the bags and she's gotten the decorations from doceies
• 39:34
  Speaker 2: and Laura lies kind of mad because the decorations sort
• 39:37
  Speaker 2: of suck, but whatever, and then all of a sudden
• 39:40
  Speaker 2: it's happening and Suki comes out of the house and
• 39:43
  Speaker 2: is basically going into labor, and it was kind of funny.
• 39:46
  Speaker 2: Rory's like, I can't watch this is did anyone like you? Yeah,
• 39:51
  Speaker 2: the whole thing was weird because it's like, I never
• 39:52
  Speaker 2: knew Rory to be freaked out by like birth, and
• 39:54
  Speaker 2: like it's not like the baby's coming out at that moment,
• 39:57
  Speaker 2: and it's.
• 39:57
  Speaker 5: Like the second kid, Like Suki already has a kid.
• 40:00
  Speaker 5: We've been through this.
• 40:01
  Speaker 1: You know why I think they did that. And that's interesting,
• 40:05
  Speaker 1: Tara that you bring that up, because I watched the episode.
• 40:09
  Speaker 1: Now I remember Rory being kind of weirdly grossed out
• 40:13
  Speaker 1: by anything having to do with birth, and I think
• 40:18
  Speaker 1: now I know why they did it, because I think
• 40:20
  Speaker 1: it was a very odd choice overall thematically, that laurel
• 40:27
  Speaker 1: ized character would have to be so concerned about getting
• 40:32
  Speaker 1: pregnant with Luke Luke's child in the first place. Why
• 40:37
  Speaker 1: is that a problem for Laurel. I so if you have,
• 40:41
  Speaker 1: because it just seems odd. It's a love story. They're together,
• 40:45
  Speaker 1: they've destined to be together. And now she has some
• 40:48
  Speaker 1: dialogue that says, well, I just you know, I just
• 40:50
  Speaker 1: got rid of you, Rory, and I'm having enjoying my
• 40:52
  Speaker 1: first moments as a free woman. I understand that. I
• 40:55
  Speaker 1: get that, But you're talking about, you know, the seminal relationship,
• 41:00
  Speaker 1: your life with a man, and it's working out, and
• 41:04
  Speaker 1: she doesn't want to ruin it with a baby. What's
• 41:06
  Speaker 1: she talking about? I mean, it just it doesn't seem
• 41:08
  Speaker 1: just to track. So I think they do the Rory
• 41:12
  Speaker 1: gross out stuff to make her, you know, anti Luke
• 41:16
  Speaker 1: baby stuff seem kind of reasonable, not such a stretch.
• 41:21
  Speaker 2: Maybe the only reason I think it was somewhat tracking.
• 41:26
  Speaker 2: And I'll give that it's been a it took a
• 41:28
  Speaker 2: big left turn a couple an episode or two ago.
• 41:32
  Speaker 2: When she's you know, Richard says, the guy's coming that
• 41:35
  Speaker 2: wants to buy the inn, and he may want to
• 41:37
  Speaker 2: you know, bring you on as a consultant and you'll
• 41:39
  Speaker 2: travel the world. And as we talked about we got
• 41:43
  Speaker 2: kind of intense about it because I've always said there
• 41:47
  Speaker 2: is a life that she doesn't live, meaning she never
• 41:52
  Speaker 2: wants the Gilmour life. She doesn't want that, and she
• 41:54
  Speaker 2: loved her Stars Hollow life, but it's that middle life.
• 41:58
  Speaker 2: And we kind of talked about this that seems intriguing
• 42:02
  Speaker 2: to her. And I think she's panicking because a baby
• 42:05
  Speaker 2: prevents that choice. She doesn't get to travel, she wouldn't
• 42:10
  Speaker 2: get to travel. I don't think it's about Luke. I
• 42:12
  Speaker 2: think she's a very admitted.
• 42:14
  Speaker 1: It's a big it's a big decision. I agree that's
• 42:17
  Speaker 1: a big life changing decision. It is.
• 42:20
  Speaker 2: And she's been raising a kid for sixteen eighteen years,
• 42:23
  Speaker 2: sorry not sixteen, pardon me, eighteen nineteen, almost twenty one
• 42:27
  Speaker 2: years now, but it has to start all over again.
• 42:31
  Speaker 1: Is this really the writers taking a position on how
• 42:34
  Speaker 1: they feel about children having children, because it's not. You know,
• 42:40
  Speaker 1: they're sort of sucking everybody in to believe that this
• 42:44
  Speaker 1: is the magical, you know, confluence relationship of the universe
• 42:49
  Speaker 1: happening in Stars Hollow between these two you know, these
• 42:52
  Speaker 1: this Romeo and Julia type of situation, you know what
• 42:56
  Speaker 1: I mean. Yeah, and then it comes time to consume
• 43:01
  Speaker 1: and perhaps a baby on the way, and it doesn't
• 43:04
  Speaker 1: create joy in her. It creates trepidation, fear, and anxiety
• 43:09
  Speaker 1: that's not consistent.
• 43:11
  Speaker 2: And I think it's only not consistent because she's got
• 43:16
  Speaker 2: this potential opportunity to have an experience she hasn't had. Right,
• 43:23
  Speaker 2: like she loved she obviously made the choice to have
• 43:25
  Speaker 2: Rory and raise her and leave home and build this
• 43:29
  Speaker 2: life and stars hollow. But now she's launched Rory, right,
• 43:32
  Speaker 2: She's fully got her launched essentially, so now she's like, oh,
• 43:38
  Speaker 2: maybe it's me time now and I can think about
• 43:41
  Speaker 2: traveling or doing all these things with my work or
• 43:43
  Speaker 2: that I'm passionate about why she's.
• 43:46
  Speaker 1: Like, Okay, now I get that, But why is she
• 43:48
  Speaker 1: wasting Luke's time if she's not all in?
• 43:51
  Speaker 2: Okay, I think she is all in in the relationship.
• 43:53
  Speaker 1: She knows that that guy is s'sham house because he
• 43:58
  Speaker 1: wants to have he wants to fill it with children.
• 44:00
  Speaker 2: She doesn't know that. She just thinks.
• 44:03
  Speaker 1: He's carrying around a horoscope and as wallet, you're the
• 44:06
  Speaker 1: one eight years. I suffered three years. You dated all
• 44:09
  Speaker 1: the bumps her and with her.
• 44:10
  Speaker 2: That's her?
• 44:11
  Speaker 1: What do you mean that's her? That's that's he. She
• 44:13
  Speaker 1: knows how he feels.
• 44:15
  Speaker 2: About her, yes, but she doesn't know that he wants kids.
• 44:18
  Speaker 1: Oh, for God's sake, of course she doesn't.
• 44:21
  Speaker 3: He never talked it.
• 44:22
  Speaker 2: They've never talked about it.
• 44:24
  Speaker 1: Gosh, guys, come.
• 44:26
  Speaker 3: On, I'm on your page, Scott.
• 44:28
  Speaker 1: She's wasting guy's time at this point, that reveals she's
• 44:31
  Speaker 1: wasting his time. I don't that's like a guy conveniently
• 44:37
  Speaker 1: being in a relationship with a girl who's obsessed with him,
• 44:40
  Speaker 1: and she's just wasting his time because she doesn't really
• 44:42
  Speaker 1: want He doesn't really want to have kids with her.
• 44:44
  Speaker 1: He already had a.
• 44:45
  Speaker 2: C I don't think it's necessarily occurred to her how
• 44:48
  Speaker 2: serious Luke is about a family. I do not think
• 44:51
  Speaker 2: she knows that.
• 44:53
  Speaker 1: If she's, if she hasn't made inferences, drawn inferences from
• 44:57
  Speaker 1: his behavior and the type of guy he is and
• 44:59
  Speaker 1: she stupid and she's not.
• 45:01
  Speaker 2: They've they've touched on it a couple times, right, There's
• 45:05
  Speaker 2: been a couple moments where they it was subliminal or
• 45:09
  Speaker 2: even a little bit more than subliminal. But they've never
• 45:12
  Speaker 2: really like sat down and said, are we going to
• 45:14
  Speaker 2: have kids? And she's only what thirty two? How old
• 45:18
  Speaker 2: is she now? She's like two, No, no, she's thirty five,
• 45:21
  Speaker 2: thirty six. Yeah, I guess you're right that they the
• 45:26
  Speaker 2: clock is ticken.
• 45:27
  Speaker 4: But what I was gonna say earlier is there's obviously
• 45:33
  Speaker 4: a divide that's going to be happening soon, like because
• 45:38
  Speaker 4: as you as we can all tell, Luke is all
• 45:41
  Speaker 4: all one hundred percent in like fully invested, wants to
• 45:46
  Speaker 4: buy this house. It's pretty clear that he wants to
• 45:49
  Speaker 4: like have a family. However that whatever that looks like
• 45:54
  Speaker 4: to them, he wants to have a family and start
• 45:57
  Speaker 4: building something more with Lorli. But then you see Laura Lai,
• 46:02
  Speaker 4: who is very freaked out about the thought of even
• 46:06
  Speaker 4: being pregnant. And I thought that her conversation with Rory
• 46:10
  Speaker 4: was very enlightening because Rory was like, it's Luke, this
• 46:15
  Speaker 4: is a good thing, right, And she couldn't even be like,
• 46:19
  Speaker 4: you know what, yeah, you're right, this is a good thing. Like,
• 46:23
  Speaker 4: So it just made me, it just made me like
• 46:26
  Speaker 4: backtrack a little bit and be like, does Laura I
• 46:29
  Speaker 4: really want this. I don't know.
• 46:34
  Speaker 1: She's having a good time. Obviously they have a good chemistry.
• 46:38
  Speaker 1: She's maybe she's just biting her time. Who knows. But
• 46:41
  Speaker 1: it was an odd reaction, odd reaction in the face
• 46:46
  Speaker 1: of somebody, like a loop dance.
• 46:48
  Speaker 4: You know.
• 46:49
  Speaker 2: I don't know, because.
• 46:50
  Speaker 1: I just think that guy puts his cards on the table.
• 46:53
  Speaker 1: I mean, you know where you're stand through.
• 46:55
  Speaker 4: But even if you're like, why isn't he putting the
• 46:57
  Speaker 4: Twickham house on the table? That's the only thing I'm
• 47:00
  Speaker 4: still not understanding.
• 47:01
  Speaker 1: Talk because he doesn't because he wants to surprise her.
• 47:04
  Speaker 1: It's the big romantic move, it's the big imagine. He's
• 47:08
  Speaker 1: taking a big risk. It's a big risk. It's a
• 47:12
  Speaker 1: huge risk. But he's at I guess at this point
• 47:16
  Speaker 1: he's a bit delusional. Isn't he thinking that this woman
• 47:18
  Speaker 1: is in love with him?
• 47:19
  Speaker 2: Is he?
• 47:20
  Speaker 1: I mean, he's crazy about her. He finally got the
• 47:23
  Speaker 1: dream woman, finally. I don't know that he's and he's
• 47:29
  Speaker 1: We've already seen this in a couple of scenes where
• 47:31
  Speaker 1: he realizes that he's just sort of not up to snuff,
• 47:36
  Speaker 1: up to Gilmore standards, and he's willing to just continue
• 47:40
  Speaker 1: to bludget, go through this gauntlet, this sort of Gilmore gauntlet,
• 47:44
  Speaker 1: and just deny. And he's living in a state of
• 47:47
  Speaker 1: denial basically, isn't he. And he's not going to discuss
• 47:51
  Speaker 1: it with her out of out of this romantic ideal
• 47:54
  Speaker 1: that he has, you know, that is his north star.
• 47:57
  Speaker 1: Get the house, marry me, you know, this kind of thing,
• 48:02
  Speaker 1: and let's have children in boom. It's all going to
• 48:04
  Speaker 1: happen for him. That's his path for his life. This
• 48:07
  Speaker 1: is what he wants. He has no doubt, and he's
• 48:12
  Speaker 1: just barking up the wrong tree. I guess I don't.
• 48:15
  Speaker 2: Yeah, No, it's complicated, right, it's complicated because I think
• 48:19
  Speaker 2: about it too, like, and I don't want to speak
• 48:21
  Speaker 2: for all women. I can only speak for some women,
• 48:24
  Speaker 2: I guess, But like, think about this, you're no, just go.
• 48:27
  Speaker 1: Ahead and speak for all of them.
• 48:28
  Speaker 2: Go ahead, speak for all of them. So you've just
• 48:32
  Speaker 2: launched your kid off to Yale. Right, they're in their
• 48:34
  Speaker 2: sophomore year, Sorr. I think I said freshman earlier, but
• 48:36
  Speaker 2: I meant sophomore. So you are in this relationship, but
• 48:42
  Speaker 2: it's not it's it's a newer relationship, even though you've
• 48:46
  Speaker 2: known the person forever, right, because it's they're not even
• 48:48
  Speaker 2: like at their year right yet. I can't remember when
• 48:51
  Speaker 2: the kiss was, but we're coming up on maybe that,
• 48:53
  Speaker 2: and suddenly you're pregnant. I think any woman would be
• 48:56
  Speaker 2: freaked out. I think just anyone would be freaked out.
• 49:00
  Speaker 1: She loves not if she loved the.
• 49:01
  Speaker 2: Guy, Danielle, when she really.
• 49:04
  Speaker 1: Loved the guy, if he was the be all and
• 49:05
  Speaker 1: end all, and she loved him and really appreciated what
• 49:09
  Speaker 1: he has been to her and her daughter.
• 49:13
  Speaker 2: And she'll say, Danielle and her husband, he's not good
• 49:17
  Speaker 2: enough for her. No, I don't think so, Danielle.
• 49:21
  Speaker 1: Maybe she just maybe she's just too insecure to be
• 49:24
  Speaker 1: with somebody that is that solid.
• 49:26
  Speaker 2: Possibly that's you're more accurate.
• 49:29
  Speaker 1: There, But she probably wants to sabotage your own life
• 49:31
  Speaker 1: again and keep sabotaging relationships because that's what she's used to.
• 49:35
  Speaker 2: That's probably correct, Scott. But Danielle, when you found out
• 49:38
  Speaker 2: you were pregnant, even though you're married and you were
• 49:40
  Speaker 2: like planning this, were you freaked out?
• 49:43
  Speaker 4: I wasn't freaked out, to be honest, No, I wasn't.
• 49:46
  Speaker 4: I was just like, WHOA Okay.
• 49:48
  Speaker 3: Let's do this.
• 49:50
  Speaker 4: But I think it I think it's all relative. To
• 49:53
  Speaker 4: be completely honest with you, I think it depends where
• 49:56
  Speaker 4: you are in your life. Like my husband that I've
• 50:00
  Speaker 4: been with for the last eleven years of my life,
• 50:02
  Speaker 4: if I found out year one into dating him that
• 50:06
  Speaker 4: I was pregnant right at twenty three years old, I'd
• 50:09
  Speaker 4: be like, Okay, this is not cool.
• 50:12
  Speaker 3: But you know, like if if I was dating.
• 50:14
  Speaker 4: Him now in my mid thirties, I'd be like, Okay, well, yeah,
• 50:18
  Speaker 4: I want to spend the rest of my life with this.
• 50:20
  Speaker 3: With this guy.
• 50:21
  Speaker 4: This isn't the worst thing in the world, But it
• 50:24
  Speaker 4: all depends. It all depends on your relationship and where
• 50:27
  Speaker 4: you're at.
• 50:27
  Speaker 2: Because maybe I'm an idiot, but I do have some
• 50:30
  Speaker 2: sympathy for Loralai being a bit wigged out because she's
• 50:34
  Speaker 2: just not this is not the vision she's got for
• 50:37
  Speaker 2: herself right now.
• 50:38
  Speaker 1: I think she needs this, right I think she needs
• 50:40
  Speaker 1: some control.
• 50:42
  Speaker 2: She's definitely intrigued by this prospect of someone coming in
• 50:46
  Speaker 2: and buying the in and finally, for once she's got
• 50:50
  Speaker 2: financial security and then she's going to have this job
• 50:53
  Speaker 2: where she travels all over the world to ends and
• 50:56
  Speaker 2: consulting with him. There's something that's like, she's very interested
• 51:00
  Speaker 2: in that. I don't know, so I digress. We move on.
• 51:08
  Speaker 1: Too, well, and that's what she'll have and she won't
• 51:10
  Speaker 1: have this guy. Well, she's not gonna she's not gonna
• 51:14
  Speaker 1: get both. You think he's gonna wait around while she
• 51:17
  Speaker 1: rejects the Twickham House and says, no, I don't want
• 51:19
  Speaker 1: to have a baby, and I'm going to go travel
• 51:21
  Speaker 1: the world and do this thing and take this money.
• 51:23
  Speaker 1: I mean, it's going to completely change the whole dynamic
• 51:25
  Speaker 1: of the relationship. I mean, what's he supposed to do?
• 51:29
  Speaker 2: Hard for me to answer that totally know what happens, Danielle,
• 51:33
  Speaker 2: What do you think.
• 51:34
  Speaker 3: Say Thatikin Scott?
• 51:37
  Speaker 1: What that He's just gonna sit back and, you know,
• 51:41
  Speaker 1: be that guy on the sideline and where she goes
• 51:44
  Speaker 1: off and sells the inn and starts traveling and does
• 51:46
  Speaker 1: a travel show and becomes a big celebrity or whatever.
• 51:48
  Speaker 1: He's just gonna sit around and flip his pancakes and
• 51:51
  Speaker 1: wait for her to come back. His whole life is like, well,
• 51:54
  Speaker 1: she's in Paris. I'm sure she's having a great time. Anyway, Kirk,
• 51:58
  Speaker 1: let me get into another argue, stupid argument about you
• 52:01
  Speaker 1: with one cent raise on the price a toast. You know,
• 52:04
  Speaker 1: I mean it's like his life compared to what hers
• 52:06
  Speaker 1: would become. I mean, come on, that would end the relationship.
• 52:15
  Speaker 2: Danielle and Scott. I have respect for somebody in loralized
• 52:20
  Speaker 2: position that's like, you know what, I don't want another baby.
• 52:23
  Speaker 2: I want to do It doesn't It doesn't lessen the
• 52:26
  Speaker 2: love she has for Luke. If she doesn't want another baby,
• 52:30
  Speaker 2: I agree, in my opinion.
• 52:32
  Speaker 4: I agree, it's just they aren't on the same page, correct,
• 52:38
  Speaker 4: But they could.
• 52:38
  Speaker 2: They might be able to get on the same page
• 52:40
  Speaker 2: even if they're not on the same page. And I
• 52:43
  Speaker 2: don't know what that means. It might mean she doesn't
• 52:45
  Speaker 2: want to have another baby right now. It might mean
• 52:48
  Speaker 2: she never wants to have another baby. It might mean
• 52:50
  Speaker 2: Luke might have thought of children but wants the relationship
• 52:56
  Speaker 2: with her more. I don't know what it is that's
• 52:58
  Speaker 2: for them to figure out.
• 53:00
  Speaker 1: Let me ask you, guys question. You think Luke would
• 53:01
  Speaker 1: stand in front of a bullet.
• 53:03
  Speaker 2: For I do.
• 53:06
  Speaker 1: Yeah, he'd surrender his life for those two, wouldn't he.
• 53:10
  Speaker 1: I do you think maybe he deserves a baby.
• 53:13
  Speaker 2: I just don't think it works like that.
• 53:16
  Speaker 1: I agree it works, it doesn't work like that, but
• 53:20
  Speaker 1: in Luke's brain it does work like that. That's what
• 53:23
  Speaker 1: you're not getting.
• 53:24
  Speaker 2: No, Because here's why I think he loves her. He
• 53:29
  Speaker 2: might have had this vision right of the Twickham House
• 53:32
  Speaker 2: and you know, two kids, a boy and a girl.
• 53:37
  Speaker 2: You know, this life with Laura I blah blah blah.
• 53:40
  Speaker 2: But I think he would adjust that vision that he
• 53:43
  Speaker 2: has because what he really wants is her. And I
• 53:47
  Speaker 2: believe that at the end of the day, like he's like,
• 53:49
  Speaker 2: you know what I want is work a minute.
• 53:52
  Speaker 1: When you truly love a woman, you want top procreate
• 53:55
  Speaker 1: with her.
• 53:57
  Speaker 2: That's not true. Nope.
• 53:59
  Speaker 5: I think there are a lot of people who don't
• 54:00
  Speaker 5: want kids though.
• 54:02
  Speaker 3: Yeah.
• 54:02
  Speaker 4: I mean even Eastern our engineer, fully in love with
• 54:05
  Speaker 4: his wife, been together for a long time, they don't
• 54:08
  Speaker 4: want kids.
• 54:09
  Speaker 5: I have a friend who's been in a relationship for
• 54:11
  Speaker 5: like six years and they're madly in love, want to
• 54:13
  Speaker 5: get married, but they don't want kids and on the
• 54:15
  Speaker 5: same page.
• 54:17
  Speaker 4: But I do think it's important to be on the
• 54:19
  Speaker 4: same page something. And I think that's the disconnect with
• 54:23
  Speaker 4: Luke and Lorlai, right, now.
• 54:25
  Speaker 2: That's exactly right. Some people want to have kids, have
• 54:29
  Speaker 2: a family, do that more than anything, so they have
• 54:33
  Speaker 2: to find somebody that's on the same page as them. Now,
• 54:36
  Speaker 2: there are also times when somebody wants to have kids, right,
• 54:41
  Speaker 2: but then they fall in love with somebody who doesn't
• 54:43
  Speaker 2: want to have kids, and they may decide I like
• 54:49
  Speaker 2: Big and Carrie. Big and Carrie perfect example, they thought
• 54:54
  Speaker 2: about having kids, they decided not to. And even if
• 54:59
  Speaker 2: either of them sort of to do, they made that decision.
• 55:01
  Speaker 2: And I think that can happen too, where somebody is
• 55:03
  Speaker 2: with somebody and if one doesn't want kids and the
• 55:05
  Speaker 2: other one does, sometimes it doesn't ruin the relationship. They
• 55:09
  Speaker 2: just change what they want.
• 55:13
  Speaker 1: I can see that. Yeah, I guess it's it's it's different.
• 55:18
  Speaker 2: I think for you, you wanted kids so much.
• 55:22
  Speaker 1: Oh, I want to children from the time I was twenty.
• 55:26
  Speaker 2: Right, And there's a lot of people like you. There's
• 55:28
  Speaker 2: a lot of people like you, and so for those
• 55:31
  Speaker 2: people it does seem a little foreign when someone doesn't
• 55:35
  Speaker 2: want kids. And Lorla has a kid, so that's the
• 55:40
  Speaker 2: other thing. She's done it and now she's just like
• 55:43
  Speaker 2: I'm on to chapter two, and I don't know exactly
• 55:47
  Speaker 2: what that holds, but I don't know that she's right
• 55:50
  Speaker 2: now ready to have another kid.
• 55:53
  Speaker 1: So February of twenty twenty four, Lake Tahoe, the ski
• 55:58
  Speaker 1: event at four I am all in dual slalom race
• 56:02
  Speaker 1: will be taking place. You're you're you're right that there
• 56:09
  Speaker 1: are plenty of people that that are in love and
• 56:12
  Speaker 1: they don't want to have kids, and they have their
• 56:14
  Speaker 1: reasons for that. I suppose you're right. I just just
• 56:18
  Speaker 1: in this circumstance though, in this magical circumstance between these
• 56:23
  Speaker 1: two star crossed unlikely lovers, she doesn't want to have
• 56:28
  Speaker 1: a kid with them. For me, it's I get it
• 56:31
  Speaker 1: because it doesn't track storytelling wise.
• 56:35
  Speaker 2: It weakens seeing wise. I disagree. Again, I disagree, but
• 56:42
  Speaker 2: here's why, because I'm coming from a place where I
• 56:46
  Speaker 2: am Loreli right, I want to be Loreli. I don't
• 56:49
  Speaker 2: have kids. So I get her positioning where you're coming
• 56:52
  Speaker 2: from a place of being you, even though you also
• 56:55
  Speaker 2: portrayed Luke, where you are so passionate and love having
• 56:59
  Speaker 2: a face family so much that you're putting that into
• 57:03
  Speaker 2: Luke too. Because that's what we do with Gilmore girls,
• 57:06
  Speaker 2: we put our own perspective and our own feelings into it.
• 57:11
  Speaker 2: And I see that, I see your perspective, and I
• 57:14
  Speaker 2: think you might be right that Luke wants that so badly.
• 57:17
  Speaker 2: Also because you I also see clearly why Lorelai was
• 57:21
  Speaker 2: freaked out and sort of happy to not be pregnant,
• 57:25
  Speaker 2: because that's my perspective in it.
• 57:28
  Speaker 1: So you're saying that she still loves Luke intensely without
• 57:35
  Speaker 1: needing to have a child with.
• 57:37
  Speaker 2: That's exactly right. He's the love of her life. He
• 57:41
  Speaker 2: is he is the love of her life.
• 57:44
  Speaker 1: But I guess it's all how you define love. I
• 57:49
  Speaker 1: think people have different definitions what love for them means.
• 57:53
  Speaker 1: For me, it always makes we make little versions of ourselves.
• 57:58
  Speaker 1: That's the ultimate expression of love for me. It doesn't,
• 58:02
  Speaker 1: I think, have to for everybody else.
• 58:04
  Speaker 2: And I also think that that's totally accurate what you're saying.
• 58:08
  Speaker 2: I think that that is everybody and for But I
• 58:12
  Speaker 2: also but I, even coming from another place, can see
• 58:14
  Speaker 2: that as a version and get it. I'm like, yeah,
• 58:17
  Speaker 2: that totally is true, but then so is this version.
• 58:22
  Speaker 2: They're both two things can be true even if they
• 58:24
  Speaker 2: seem totally opposite.
• 58:26
  Speaker 1: Mm hmm.
• 58:28
  Speaker 2: In my opinion, it's like I get it. I think
• 58:33
  Speaker 2: Carrie and Big have had a true love, just like
• 58:39
  Speaker 2: Luke and Loralai or just like Ross and Rachel. I mean,
• 58:42
  Speaker 2: we could name all these characters right, each one sort
• 58:45
  Speaker 2: of being a different incarnation. But love can be so
• 58:48
  Speaker 2: many different things.
• 58:49
  Speaker 1: What's your ski boot size?
• 58:54
  Speaker 2: Before we get to that, which I will We will
• 58:56
  Speaker 2: do that, Danielle. I would love your quick prediction. And
• 58:59
  Speaker 2: we still have more talk about on what you see
• 59:01
  Speaker 2: for Rory, just because I'm so curious and I'll keep
• 59:03
  Speaker 2: my mouth shut.
• 59:05
  Speaker 4: Okay, Well, at the end of this episode, I take
• 59:10
  Speaker 4: it that they get arrested. That's my what I think happens. Okay,
• 59:18
  Speaker 4: So with that deying, Just with that being said, I
• 59:23
  Speaker 4: think that Logan takes the fault for it, even though
• 59:26
  Speaker 4: it's Rory's fault, and the Gilmours get really upset about
• 59:30
  Speaker 4: that and kind of like, why is this man getting
• 59:35
  Speaker 4: you in trouble? And then I think the Huntsburgers are like,
• 59:38
  Speaker 4: why are you Why is this girl making you get
• 59:42
  Speaker 4: into more trouble? You know, like that kind of thing,
• 59:45
  Speaker 4: and I think the family start to divide the two
• 59:46
  Speaker 4: of them.
• 59:47
  Speaker 2: That's what I start to see an interesting.
• 59:53
  Speaker 3: I want to know if I'm right or wrong.
• 59:54
  Speaker 2: This is so okay, So we've got more to talk about,
• 1:00:00
  Speaker 2: but I do have to give a quick shout out
• 1:00:02
  Speaker 2: to the color orange. Did anyone notice that Loralai was
• 1:00:05
  Speaker 2: wearing a massive amount of orange in this episode? And
• 1:00:07
  Speaker 2: I like it that the dress was orange. And then now
• 1:00:11
  Speaker 2: as Suki's having the baby, she's wearing the orange white
• 1:00:14
  Speaker 2: blazer with the orange piping, with an orange shirt. And
• 1:00:17
  Speaker 2: then when we go back to the Gilmore, she's wearing
• 1:00:19
  Speaker 2: an orange sweater again.
• 1:00:20
  Speaker 1: All right, that's gonna do it. Everybody. Listen, We're going
• 1:00:23
  Speaker 1: to do a two parter, So this is gonna end
• 1:00:25
  Speaker 1: part one. Thanks for downloading, best fans on the planet.
• 1:00:29
  Speaker 1: We will see you next time for part two. And
• 1:00:33
  Speaker 1: remember we and I I'm all in. Stay safe everyone, everybody,
• 1:01:06
  Speaker 1: and don't forget Follow us on Instagram at I Am
• 1:01:09
  Speaker 1: all In podcast and email us at Gilmore at iHeartRadio
• 1:01:15
  Speaker 1: dot com.