Latest / Ryder Lee / Celebrity Fake Deaths

Transcript

Celebrity Fake Deaths · Ryder Lee

• 0:00
  Speaker 1: All of your information, all of your search history, everything
• 0:04
  Speaker 1: that you've ever done, any products that you've ever bought
• 0:07
  Speaker 1: online that you've ordered to your house. This is why
• 0:09
  Speaker 1: they want people using DoorDash. This is why they want
• 0:11
  Speaker 1: people using Uber wherever they go. This is why they
• 0:14
  Speaker 1: want people using Uber Eats. That's why they're giving promo
• 0:17
  Speaker 1: codes and discount codes for Uber Eats and DoorDash and
• 0:21
  Speaker 1: all this shit. They want you to stay at home
• 0:23
  Speaker 1: because they need to analyze what it is that you're
• 0:26
  Speaker 1: buying on a daily, weekly. This is why they want
• 0:29
  Speaker 1: Amazon to be the main thing to purchase all of
• 0:33
  Speaker 1: your items from. It's because they can track and trace
• 0:36
  Speaker 1: it and they know what you spent it on and
• 0:38
  Speaker 1: how much you spent on it. So then when it
• 0:41
  Speaker 1: comes time for you to go into the store, they
• 0:43
  Speaker 1: can then adjust the digital price tag to match what
• 0:47
  Speaker 1: they've seen that you're willing to pay. That's the agenda.
• 0:53
  Speaker 1: That has been the agenda for the longest time. And
• 0:55
  Speaker 1: the self-checkout is an AI data facial recognition software that
• 1:02
  Speaker 1: has been running for a freaking decade.
• 1:06
  Speaker 2: I think they're starting to move beyond even predicting behaviors
• 1:10
  Speaker 2: they are trying to influence behaviors right now to a
• 1:14
  Speaker 2: degree to where they eventually want to be able to
• 1:19
  Speaker 2: have total predictive control over someone's autonomy.
• 1:22
  Speaker 1: 100 that's exactly what they want they and they want
• 1:27
  Speaker 1: to be able to know this is why the gps
• 1:30
  Speaker 1: is so important too Because the GPS on your phone
• 1:34
  Speaker 1: tracks every place that you've ever been. Any address that
• 1:38
  Speaker 1: you've ever put into your phone, they know where you've been.
• 1:42
  Speaker 1: They have a data sheet showing the exact route that
• 1:47
  Speaker 1: you took on a freaking map. This is what these
• 1:51
  Speaker 1: data centers are for.
• 1:53
  Speaker 3: Yes.
• 1:54
  Speaker 1: And the data centers have been around for decades too.
• 1:56
  Speaker 1: That's another thing that people don't really realize is the
• 1:58
  Speaker 1: data centers have been a thing since the internet's inception.
• 2:02
  Speaker 1: Where do you think that all the data has been stored?
• 2:05
  Speaker 3: Right.
• 2:06
  Speaker 1: The cloud. It has to be stored somewhere. Give me
• 2:08
  Speaker 1: a break. There is no cloud, okay? The cloud is
• 2:11
  Speaker 1: a data center, is a physical data center. They just
• 2:14
  Speaker 1: called the cloud to make you think that it's just invisible,
• 2:19
  Speaker 1: to give you a false perception of reality of how
• 2:22
  Speaker 1: it works. There is no cloud.
• 2:25
  Speaker 2: The new data center's purpose is to have a larger
• 2:32
  Speaker 2: capacity to store information because they want to be able
• 2:38
  Speaker 2: to have a complete database on everyone with a digital fingerprint. Ryder,
• 2:44
  Speaker 2: welcome back.
• 2:45
  Speaker 1: How you doing? What's going on, Chris? Happy to be here.
• 2:49
  Speaker 1: Excited to jump into the craziness that we got going on.
• 2:53
  Speaker 1: We got a lot of doom and gloom. happening right now.
• 2:55
  Speaker 1: And it's really surprising that people haven't figured out by
• 2:59
  Speaker 1: now that, you know, this is just the time of
• 3:01
  Speaker 1: the year that this happens. Right. I made a post
• 3:03
  Speaker 1: on social media where I was like, listen, This is
• 3:07
  Speaker 1: all about the time of the year, you know, and
• 3:09
  Speaker 1: the elites use that against us. You know, the earth
• 3:13
  Speaker 1: is currently going through a darkness phase that it does
• 3:17
  Speaker 1: every single year where the vegetation, the grass, the trees
• 3:21
  Speaker 1: and everything dies. And we feel that emotionally because we're
• 3:25
  Speaker 1: connected to nature, right? That's our mental state is going
• 3:29
  Speaker 1: to be connected to that. And, you know, the earth
• 3:32
  Speaker 1: is going through the darkness phase and the death and
• 3:35
  Speaker 1: then the resurrection. In the spring. That's what the ancient
• 3:40
  Speaker 1: civilizations knew all this and they encoded it into their religions.
• 3:44
  Speaker 1: And people still haven't figured it out by now. But
• 3:48
  Speaker 1: here we are. Yeah, man.
• 3:49
  Speaker 2: The Pred class knows how to use those emotions and
• 3:53
  Speaker 2: this psychology against us in so many different ways. We're
• 3:58
  Speaker 2: going to navigate that today. And we're going to get
• 4:00
  Speaker 2: into your research about the possibility of certain celebrities that
• 4:04
  Speaker 2: may have faked their deaths. You've been looking into some
• 4:08
  Speaker 2: specific musical artists that have supposedly died over the years,
• 4:12
  Speaker 2: but evidence may suggest the opposite. Can't wait to get
• 4:17
  Speaker 2: into this. We've got a few more things we can
• 4:19
  Speaker 2: cover as well. Before we do, for those that may
• 4:22
  Speaker 2: not be familiar, remind the audience a little bit about
• 4:24
  Speaker 2: yourself and let them know how they can get more
• 4:27
  Speaker 2: of your sexy content.
• 4:28
  Speaker 1: Thank you very much, Chris. Yes, you can find me
• 4:31
  Speaker 1: on writerly. I've recently rebranded my channel and my social
• 4:38
  Speaker 1: medias and everything because I think it's important just to
• 4:41
  Speaker 1: make it my name. So it's now the it's just
• 4:44
  Speaker 1: writerly on YouTube and any and all podcast platforms and
• 4:49
  Speaker 1: on all of social media, Instagram X. all of that
• 4:53
  Speaker 1: so if you're interested in looking at my content and
• 4:56
  Speaker 1: my work you can follow me on any of the
• 4:58
  Speaker 1: social media platforms any and all podcast platforms and youtube
• 5:03
  Speaker 1: at writer.
• 5:04
  Speaker 2: Lee right on man you and i were talking a
• 5:08
  Speaker 2: bit before about the insanity underlying right now and before
• 5:12
  Speaker 2: we get into the celebrity deaths how are you navigating
• 5:16
  Speaker 2: this increasingly strange world from UFO whistleblowers discussing reptilian battles
• 5:22
  Speaker 2: to World War III. Supposed impending cataclysms that may destroy
• 5:28
  Speaker 2: our grid, which you just alluded to in the intro there.
• 5:32
  Speaker 2: It's a lot to try and sift through. How are
• 5:34
  Speaker 2: you navigating everything?
• 5:36
  Speaker 1: Dude, it is a complete clusterfuck of information that's going on.
• 5:41
  Speaker 1: And I think that everyone is just in this doom
• 5:43
  Speaker 1: and gloom type of scenario. And I'm like, well, you
• 5:47
  Speaker 1: know what? it's kind of like, so what if it happens?
• 5:50
  Speaker 1: Like it doesn't affect my reality. You know what I mean?
• 5:54
  Speaker 1: It's like, we're on this like consciousness journey. Like we're
• 5:57
  Speaker 1: just supposed to, supposed to be an individual thing. And
• 6:00
  Speaker 1: as we evolve individually, the, we then boost the collective
• 6:06
  Speaker 1: of what's going on. And, and we got Dave Grush
• 6:09
  Speaker 1: on Joe Rogan talking about the reptilian battles and the
• 6:12
  Speaker 1: military taking out the reptilians and the reptilian UFO thing crashing.
• 6:16
  Speaker 1: And I'm like, You guys are mad because I called
• 6:18
  Speaker 1: Tupac an actor. You guys are ridiculous. Oh, and you're
• 6:23
  Speaker 1: mad that I said that Jim Morrison faked his death
• 6:26
  Speaker 1: and that John Lennon also, I mean, Paul McCartney, sorry,
• 6:30
  Speaker 1: Paul McCartney died and they replaced him with a lookalike.
• 6:35
  Speaker 1: Like you guys are really mad about that. And you're
• 6:38
  Speaker 1: not mad about, you know, what everything else is going
• 6:43
  Speaker 1: on in the world. Like, You think that that's nuts,
• 6:46
  Speaker 1: but we just had Dave Grush on Joe Rogan talking
• 6:48
  Speaker 1: about literal reptilian entities crashing their UFOs and aliens coming
• 6:55
  Speaker 1: out in the military having to kill them. Yeah.
• 6:58
  Speaker 2: The level of theater we're subjected to is insane, and
• 7:02
  Speaker 2: people are getting mad at the stupidest shit.
• 7:04
  Speaker 1: They are, dude. They're getting so angry about things that...
• 7:08
  Speaker 1: And I never thought that people would... Defend, you know,
• 7:13
  Speaker 1: people that they never met as hard as they do.
• 7:16
  Speaker 1: It's like you're you're threatening their very livelihood by, you know,
• 7:21
  Speaker 1: talking about this stuff. And it doesn't make any sense
• 7:23
  Speaker 1: to me. Like, I would hope that a lot of
• 7:26
  Speaker 1: them should be lawyers, dude. I think a lot of
• 7:28
  Speaker 1: them should go into law. because they have a really
• 7:31
  Speaker 1: good way of just defending people that they have no
• 7:34
  Speaker 1: idea that they've never met, that are probably, that are
• 7:39
  Speaker 1: actually dead, like Tupac. Though people will disagree and say
• 7:45
  Speaker 1: that Tupac is somehow still alive or something. I don't know.
• 7:49
  Speaker 1: It's just an insanity world, and people will just, you know,
• 7:53
  Speaker 1: jump onto the bandwagon of people that they've met that
• 7:56
  Speaker 1: they have no idea about and defend them to their
• 7:59
  Speaker 1: very core, their very fiber of their being. And I'm like, well,
• 8:03
  Speaker 1: I really hope that you defend people that you know
• 8:06
  Speaker 1: just as much as you defend the people that you
• 8:08
  Speaker 1: don't know.
• 8:10
  Speaker 2: I was doing a show about the possibility of the
• 8:13
  Speaker 2: dead internet and maybe we're interacting with more bots or
• 8:18
  Speaker 2: AI or algorithms than we realize. Do you think a
• 8:24
  Speaker 2: lot of these people comments and things that you're dealing
• 8:27
  Speaker 2: with are genuinely real people with psychological issues, or could
• 8:32
  Speaker 2: it be some of it's just bots?
• 8:36
  Speaker 1: I think it's a good mixture. I mean, I think
• 8:38
  Speaker 1: that whenever you get comments from people that don't have
• 8:41
  Speaker 1: a profile picture and don't put them, so it's like
• 8:44
  Speaker 1: they're fucking lawnmower or some shit, you know what I mean? Yeah.
• 8:47
  Speaker 1: Like it's just some random ass shit. Uh, then it's
• 8:50
  Speaker 1: probably some kind of a bot or some kind of,
• 8:54
  Speaker 1: account that that they don't want to put their actual
• 8:58
  Speaker 1: face on or their identity the shit posting accounts i
• 9:01
  Speaker 1: do think there's a lot of shit posting accounts like
• 9:04
  Speaker 1: sock puppet accounts is what they would call them and
• 9:07
  Speaker 1: uh and i do think that there are a lot
• 9:10
  Speaker 1: of bots as well and it really seemed it's really
• 9:13
  Speaker 1: strange because when I did the Tupac thing and I
• 9:16
  Speaker 1: kind of already talked about this a little bit with
• 9:18
  Speaker 1: Mark Devlin, I was just on his show recently promoting
• 9:21
  Speaker 1: the documentary psychic agent, the gate program available on Amazon prime. Uh,
• 9:26
  Speaker 1: I talked to him about this and I was like,
• 9:28
  Speaker 1: you know, it seemed like that everyone's response in the
• 9:32
  Speaker 1: comment section, especially like on Instagram and some on Facebook
• 9:36
  Speaker 1: as well. It was kind of like verbatim, the exact
• 9:40
  Speaker 1: same thing. Really odd, Chris. Like it was really strange.
• 9:43
  Speaker 1: It was like, Tupac never said that he was a
• 9:47
  Speaker 1: gangster because that's what I led the entire short video
• 9:50
  Speaker 1: with was.
• 9:51
  Speaker 2: Well, I'm not sure we ever got into the Tupac
• 9:53
  Speaker 2: thing on this show. Maybe tell us a little bit
• 9:55
  Speaker 2: about what show we're discussing.
• 9:58
  Speaker 1: Okay, let me just see if I can. uh i
• 10:01
  Speaker 1: might just be able to play the video here it
• 10:03
  Speaker 1: might be a bit easier just to play it instead
• 10:06
  Speaker 1: of um remembering.
• 10:08
  Speaker 2: Yeah let's piss some people off let's piss some bots
• 10:10
  Speaker 2: off let's do it.
• 10:12
  Speaker 1: Piss them bots off baby all right tupac wasn't a
• 10:15
  Speaker 1: gangster an actor In 1986, Tupac auditioned for and was
• 10:20
  Speaker 1: accepted into a prestigious gifted art academy where only 10%
• 10:25
  Speaker 1: of kids got accepted into called Baltimore School for the Arts,
• 10:30
  Speaker 1: where he studied poetry, acting, jazz, and ballet. His former
• 10:34
  Speaker 1: theater department had described him as exceptionally gifted as an actor.
• 10:40
  Speaker 1: and then his family just randomly up and moved to L.A.
• 10:43
  Speaker 1: This is a rare interview from Tupac in 1988. Let's
• 10:47
  Speaker 1: take a listen.
• 10:50
  Speaker 4: Okay. My name is Tupac Shakur, and I attend Tamipai
• 10:53
  Speaker 4: High School, and I'm 17 years old.
• 10:57
  Speaker 2: Do you like being 17?
• 10:59
  Speaker 4: It's like 17 is such a weird age.
• 11:01
  Speaker 2: It's such an in-the-middle age.
• 11:03
  Speaker 4: You're not 18 yet, and you're older than 16. But
• 11:07
  Speaker 4: I like it. It's nice. It's like a learning stage
• 11:10
  Speaker 4: for me.
• 11:11
  Speaker 1: Tupac wasn't. Bro, he is the worst. He sounds like
• 11:16
  Speaker 1: Kamala Harris up there. Well, it's not nice, but it
• 11:20
  Speaker 1: is nice. But it is kind of like one of
• 11:22
  Speaker 1: those Christian gobbledygook people. They get up there and be like, oh,
• 11:26
  Speaker 1: God is love and love is God. If God is love,
• 11:28
  Speaker 1: then love is definitely God. You know, about some rambling
• 11:32
  Speaker 1: on about some nonsense.
• 11:35
  Speaker 2: Wow, that was not the Tupac that I remember from
• 11:39
  Speaker 2: my childhood, from the MimTV videos and the rap videos
• 11:47
  Speaker 2: that I remember him from. That was not the gangster
• 11:50
  Speaker 2: that I remember.
• 11:51
  Speaker 1: It definitely wasn't, and people got real butthurt about that. Yeah.
• 11:57
  Speaker 1: But here's the thing, though. I didn't mention anything about
• 12:00
  Speaker 1: his sexual orientation. That was not mentioned at all in
• 12:04
  Speaker 1: the entire video. I'm like, he's just an actor, which
• 12:06
  Speaker 1: he is an actor. That's what he went to Hollywood.
• 12:08
  Speaker 1: That's what he moved to California to be, was an actor.
• 12:12
  Speaker 1: And he was in movies before he was a musician, right?
• 12:16
  Speaker 1: Before he got into the rap career. But I think
• 12:20
  Speaker 1: that people... were like, you call that my favorite rapper gay.
• 12:25
  Speaker 1: You know, my childhood hero is gay. And I was like, well,
• 12:30
  Speaker 1: For one, why are you idolizing somebody that's been demoralizing
• 12:34
  Speaker 1: an entire generation for the prison industrial complex? Because that's
• 12:40
  Speaker 1: really what he was. That's what the whole thing was
• 12:42
  Speaker 1: designed for to do. That's what rap music and hip
• 12:46
  Speaker 1: hop music was designed for the incarceration rate to go
• 12:52
  Speaker 1: through the roof. Because what makes the most money? Private
• 12:55
  Speaker 1: prisons make the most money. That's why we see all
• 12:58
  Speaker 1: these court cases everywhere. taking so freaking long chris because
• 13:03
  Speaker 1: they make more money when the person that's being prosecuted
• 13:07
  Speaker 1: stays in jail.
• 13:08
  Speaker 3: Okay and they don't get uh so they string it
• 13:13
  Speaker 3: out as long as possible because it's a money-making scheme
• 13:18
  Speaker 3: yeah okay so that's what the the entire And it's
• 13:22
  Speaker 3: that way with any type of music that you listen to.
• 13:25
  Speaker 1: There's different agendas. It's not just rap and hip hop.
• 13:28
  Speaker 1: And I think that people thought that I was like
• 13:29
  Speaker 1: coming after just rapping, but it's that way with any music.
• 13:32
  Speaker 1: So you can kind of talk about the, the rock, right?
• 13:36
  Speaker 1: The 80, the sixties and seventies, eighties rock without too
• 13:39
  Speaker 1: much of a pushback, right? But the further that you
• 13:44
  Speaker 1: get it to modern times, it seems like, the more
• 13:48
  Speaker 1: of a pushback that you in turn get with the
• 13:52
  Speaker 1: mass population, right? We can talk about how the CIA
• 13:57
  Speaker 1: infiltrated the hippie movement to take down the anti-war movement
• 14:03
  Speaker 1: of that time and how they basically fed everybody LSD.
• 14:06
  Speaker 1: That's a commonly accepted thing right now. But whenever you
• 14:10
  Speaker 1: inch it a little bit closer to modern times and
• 14:13
  Speaker 1: you start getting into rap and hip hop, then it's like, oh,
• 14:16
  Speaker 1: that can't possibly. Well, they were doing it 40 years
• 14:19
  Speaker 1: ago with just a different genre of music. Why wouldn't
• 14:22
  Speaker 1: they continue to do it with this genre of music?
• 14:25
  Speaker 1: It makes absolutely no sense. But the same people that
• 14:28
  Speaker 1: won't accept that Tupac was an actor or on the
• 14:32
  Speaker 1: other hand, will say that the CIA was involved with
• 14:37
  Speaker 1: the infiltration of the rock and hippie movement and all
• 14:40
  Speaker 1: these people's families were, you know, the children of high
• 14:44
  Speaker 1: ranking military personnel out of the sixties in Laurel Canyon
• 14:48
  Speaker 1: up at lookout mountain. So let's say, what are we
• 14:50
  Speaker 1: even doing here?
• 14:52
  Speaker 2: We're going to bulldoze our way all the way through
• 14:55
  Speaker 2: the modern ages. And I'm sure we're even going to
• 14:57
  Speaker 2: touch on how most celebrities and politicians have been groomed
• 15:03
  Speaker 2: for that position, not just to be an actor or
• 15:07
  Speaker 2: a singer or a politician, but but usually for multiple
• 15:10
  Speaker 2: unknown purposes to steer culture in certain ways, which it's
• 15:15
  Speaker 2: always been that way. But let's start with some of
• 15:17
  Speaker 2: these celebrity deaths. Maybe we could start with Jim Morrison.
• 15:22
  Speaker 2: Here's a very popular one. I've always heard that Jim
• 15:27
  Speaker 2: Morrison was, he actually died and there was, you know,
• 15:36
  Speaker 2: No comeback of him whatsoever, no clones, no strange conspiracies
• 15:41
  Speaker 2: other than he was being used by the CIA or
• 15:45
  Speaker 2: military industrial complex to push a certain culture. But you
• 15:50
  Speaker 2: believe he may have faked his death, right?
• 15:54
  Speaker 1: Yeah, so Jim Morrison's dad, George Stephen Morrison, he was
• 15:59
  Speaker 1: a high-ranking U.S. Navy admiral who was responsible for the
• 16:04
  Speaker 1: Gulf of Tonkin incident that got the United States involved
• 16:07
  Speaker 1: with the Vietnam War, that false flag operation incident. And
• 16:14
  Speaker 1: it's not just that way with Jim Morrison. It's that
• 16:16
  Speaker 1: way with pretty much everybody out of that scene out
• 16:19
  Speaker 1: of Laurel Canyon in L.A. If people are interested in
• 16:22
  Speaker 1: digging more into that, they can watch my documentary, A
• 16:25
  Speaker 1: Clockwork Shining, The Kubrick's Odyssey 3, which is available on
• 16:28
  Speaker 1: Tubi and Amazon Prime for free.
• 16:30
  Speaker 4: But.
• 16:33
  Speaker 1: It's Sharon Tate's dad as well, which Sharon Tate was
• 16:36
  Speaker 1: a really big heavy hitter in the closing out of
• 16:39
  Speaker 1: that entire chapter of American history with the hippie movement, right?
• 16:45
  Speaker 1: So they needed to orchestrate that entire murder. And that's
• 16:49
  Speaker 1: why Charles Manson was involved with the CIA, more or less.
• 16:54
  Speaker 1: You can say that he learned a lot of his
• 16:58
  Speaker 1: techniques and the things that he would do on people
• 17:01
  Speaker 1: in his hypnosis and was getting LSD from the, the
• 17:05
  Speaker 1: government to work on these, uh, this group of people
• 17:09
  Speaker 1: that were his followers, right. The family, uh, they needed
• 17:13
  Speaker 1: to orchestrate that murder in order to destroy the hippie movement.
• 17:18
  Speaker 1: The thing that they inevitably created in order to take
• 17:22
  Speaker 1: down the anti-war establishment movement, right. Which was a grassroots movement,
• 17:27
  Speaker 1: but that didn't, that wanted to stop, uh, all of
• 17:30
  Speaker 1: the wars right so then they created the hippie movement
• 17:33
  Speaker 1: and then they had to destroy the hippie movement and
• 17:37
  Speaker 1: the way to destroy it was to orchestrate this death
• 17:42
  Speaker 1: this uh this murder because then people don't want to
• 17:44
  Speaker 1: be involved with the hippie movement anymore chris because it
• 17:48
  Speaker 1: it's uh you know about uh murder this it's tainted
• 17:52
  Speaker 1: yeah this charles manson character went out and and murdered
• 17:55
  Speaker 1: these people right so then it's like okay well we
• 17:58
  Speaker 1: got to step away Maybe these hippies aren't all about
• 18:01
  Speaker 1: love and peace anymore, right?
• 18:04
  Speaker 3: Right.
• 18:05
  Speaker 1: So the whole thing with Jim Morrison really comes from
• 18:10
  Speaker 1: a few different aspects here. So in July of 1971,
• 18:15
  Speaker 1: Jim Morrison died. Was, you know, he supposedly died in
• 18:22
  Speaker 1: Paris in an apartment at just 27 years old. And
• 18:27
  Speaker 1: one of the really strange parts of this is that
• 18:30
  Speaker 1: there was no autopsy of this. Now, some people will
• 18:33
  Speaker 1: say that it wasn't customary. to have an autopsy at
• 18:37
  Speaker 1: that time. I don't know. I wasn't there, but we
• 18:39
  Speaker 1: can confirm that there was no autopsy. His girlfriend, Pamela
• 18:43
  Speaker 1: was the last person to be with him and witness
• 18:47
  Speaker 1: him in his final hours. Right. And another thing that's
• 18:51
  Speaker 1: kind of strange is that whenever we found out about
• 18:56
  Speaker 1: Morrison dying in the apartment, whenever the world kind of
• 19:00
  Speaker 1: found out, found out about it, he had already been buried.
• 19:05
  Speaker 1: So it's kind of like with what happened with Pat Price, right?
• 19:10
  Speaker 1: The remote viewer, one of the greatest remote viewers that
• 19:13
  Speaker 1: also strangely died in a hotel room in California in 1975.
• 19:23
  Speaker 1: Whenever he died, which I 100% believe was a complete
• 19:27
  Speaker 1: fake death and they just took him into a more
• 19:30
  Speaker 1: black budget program. They didn't notify his family. The people
• 19:36
  Speaker 1: that his loved ones didn't wasn't notified until after he
• 19:39
  Speaker 1: had already been cremated. So he had died. And then
• 19:45
  Speaker 1: people showed up in black suits and then cremated him.
• 19:50
  Speaker 1: took his body away, whisked his body away real quick,
• 19:53
  Speaker 1: cremated him, and then contacted his family and told him,
• 19:57
  Speaker 1: told them that he was dead. So it's kind of
• 19:59
  Speaker 1: that same type of thing here with Morrison and his body,
• 20:02
  Speaker 1: you know, that we, the world wasn't really You know,
• 20:06
  Speaker 1: privy that he died until he had already been buried,
• 20:09
  Speaker 1: which to me is pretty suspicious. Right. And Jim Morrison
• 20:14
  Speaker 1: had also, you know, reportedly discussed faking his death. To
• 20:22
  Speaker 1: the Doors keyboardist Raymond Zarek. before he went to Paris,
• 20:27
  Speaker 1: and that he would contact Ray through an anagram, which
• 20:34
  Speaker 1: is Mr. Mojo Rising. And so you have this kind
• 20:41
  Speaker 1: of counterculture icon, and there's other things that people have
• 20:45
  Speaker 1: pointed out, and I thought it was important to include
• 20:49
  Speaker 1: was the Rush Limbaugh connection there that some people... See,
• 20:55
  Speaker 1: this is a very old, really, really old theory. One
• 21:00
  Speaker 1: of the commenters in my Facebook post on this said
• 21:02
  Speaker 1: that he was doing a high school project in 1981
• 21:09
  Speaker 1: about Jim Morrison and how Jim Morrison is still alive.
• 21:12
  Speaker 1: So this has been going on for like 45 years.
• 21:15
  Speaker 1: This theory has been persistent throughout the zeitgeist of the world.
• 21:22
  Speaker 1: But some people claim that This was that Jim Morrison
• 21:27
  Speaker 1: faked his death and he became the conservative talk show
• 21:30
  Speaker 1: radio host Rush Limbaugh. Really? Yeah, that is, you know,
• 21:37
  Speaker 1: the voices and that everything seems very similar to Rush Limbaugh.
• 21:44
  Speaker 1: Other people have claimed that he became, that he was,
• 21:50
  Speaker 1: he would be like 82 years old right now if
• 21:52
  Speaker 1: he was still alive. I don't know. I tend to
• 21:54
  Speaker 1: believe that he's probably not still alive. He's probably dead
• 21:59
  Speaker 1: by now. But some people claim that he was a
• 22:04
  Speaker 1: that he's currently a janitor in like New York City
• 22:08
  Speaker 1: or something. So, you know.
• 22:10
  Speaker 3: Wow.
• 22:12
  Speaker 2: Going through all the trouble to fake your death and
• 22:14
  Speaker 2: all the other things just to become a janitor later
• 22:17
  Speaker 2: in life. Damn, bro.
• 22:20
  Speaker 1: Yeah, it's not cool. Yeah, it's definitely not cool. And really,
• 22:25
  Speaker 1: who knows? I mean, there's been claims of that type
• 22:28
  Speaker 1: of stuff. But I think that people don't really understand
• 22:30
  Speaker 1: exactly how fake deaths actually work. One of the original
• 22:37
  Speaker 1: ones is Paul McCartney.
• 22:40
  Speaker 2: Yeah, let's get into it.
• 22:41
  Speaker 1: Okay, so the theory goes is that Paul McCartney died
• 22:46
  Speaker 1: in 1966. And the Beatles.
• 22:49
  Speaker 2: In a car accident, right?
• 22:51
  Speaker 1: Yeah. So it was a car accident in November of 1966.
• 22:53
  Speaker 1: And then he secretly got replaced by a lookalike impersonator
• 23:00
  Speaker 1: named William Campbell. Okay. And people have identified William Campbell
• 23:07
  Speaker 1: as Billy Shears. Okay. And the Beatles and their record
• 23:12
  Speaker 1: label essentially kind of covered up his death to protect
• 23:18
  Speaker 1: the biggest band, because this is the biggest band in
• 23:20
  Speaker 1: the world at this time, right? And people have claimed
• 23:23
  Speaker 1: that the Beatles were leaving clues behind that was hidden
• 23:28
  Speaker 1: in their artwork and even some songs. And one of
• 23:32
  Speaker 1: the biggest ones was the Abbey Road cover, which Paul
• 23:37
  Speaker 1: McCartney has seen barefoot in that and he's walking out
• 23:42
  Speaker 1: out of step with the rest of the other Beatles
• 23:44
  Speaker 1: band members. And there's a Volkswagen Beetle in the background
• 23:51
  Speaker 1: that has a license plate that appears to read 28
• 23:53
  Speaker 1: IF and 28 would supposedly been Paul McCartney's age if
• 24:01
  Speaker 1: he had still been alive. So it's like this. And
• 24:04
  Speaker 1: then also in The Shining, there's a Volkswagen Beetle in
• 24:09
  Speaker 1: the background as well that is the exact same color.
• 24:13
  Speaker 1: And then all four of them are walking in the
• 24:15
  Speaker 1: exact same type. There's so many Beatles references in The Shining.
• 24:19
  Speaker 1: It's really wild. But then there's Sgt. Pepper's Lonely Hearts Club.
• 24:23
  Speaker 1: The album cover resembles a quasi-funeral gathering with flower arrangements
• 24:31
  Speaker 1: and Some people and investigators have interpreted this to be
• 24:38
  Speaker 1: as like a grave for Paul McCartney. And then the
• 24:41
  Speaker 1: name Billy Shears appears in the album's opening sequence. So
• 24:46
  Speaker 1: there's a lot of different clues and a lot of
• 24:49
  Speaker 1: different things that point to that Paul McCartney. I mean,
• 24:53
  Speaker 1: there's been a whole... There's a guy that looks identical
• 24:57
  Speaker 1: to Paul McCartney that's like a lookalike, the person that...
• 25:02
  Speaker 1: has the exact same type of nose. And then there's
• 25:05
  Speaker 1: even like this footage of Paul McCartney walking out because
• 25:11
  Speaker 1: there's a, like recently that looks like John Lennon is
• 25:17
  Speaker 1: behind Paul McCartney. This was like really recent. I also
• 25:20
  Speaker 1: played this with Mark Devlin like a couple of years back,
• 25:23
  Speaker 1: but there's one where the person that they're claiming is
• 25:26
  Speaker 1: Paul McCartney is walking out and then it looks like
• 25:29
  Speaker 1: John Lennon is in behind Paul McCartney there. And it's
• 25:35
  Speaker 1: just really, really strange. It would take me too long
• 25:38
  Speaker 1: to find that clip. But I thought I should have
• 25:42
  Speaker 1: added that into the thing, but it was really not
• 25:44
  Speaker 1: about John Lennon. It was about Paul McCartney, the post was.
• 25:49
  Speaker 1: But then you have the... you know, the people point
• 25:53
  Speaker 1: to the facial features of, uh, Paul and, the teeth
• 25:57
  Speaker 1: and the height. There was actually this report that was
• 25:59
  Speaker 1: done in the UK that said that his height difference was, uh,
• 26:03
  Speaker 1: completely different than the original Paul to the new Paul. And, uh, that, uh,
• 26:09
  Speaker 1: playing portions of the white album, uh, backwards, the backwards
• 26:15
  Speaker 1: masking where you play something in reverse and reveals a secret, um, phrases.
• 26:19
  Speaker 1: And it says that, uh, Turn me on, dead man.
• 26:23
  Speaker 1: There's so many different things that people have pointed to
• 26:26
  Speaker 1: with Paul McCartney that gives reasonable doubt that it might
• 26:32
  Speaker 1: not actually be Paul McCartney. There's even one in the
• 26:36
  Speaker 1: song Strawberry Fields Forever. Toward the end of the song,
• 26:40
  Speaker 1: John Lennon says, I buried Paul near the end of
• 26:45
  Speaker 1: the song. So it's like there's so many of these. Now,
• 26:49
  Speaker 1: those people will say that he said something different. You
• 26:52
  Speaker 1: know that he said something that is completely unrelated to
• 26:55
  Speaker 1: the actual song but it's just really interesting and I
• 26:58
  Speaker 1: think that this was the first one that really kind
• 27:00
  Speaker 1: of broke the mold of you know celebrity and musicians
• 27:05
  Speaker 1: fake deaths, because if you fast forwarded to around. 2011,
• 27:12
  Speaker 1: you get the same type of fake death conspiracy of
• 27:17
  Speaker 1: someone reportedly dying but then being replaced by somebody else,
• 27:22
  Speaker 1: and that's Avril Lavigne.
• 27:24
  Speaker 4: Huh.
• 27:27
  Speaker 1: Right.
• 27:27
  Speaker 2: Now, before we get to Avril Lavigne, Jim Morrison, quite
• 27:33
  Speaker 2: the opposite situation from Paul McCartney where they replaced– paul
• 27:39
  Speaker 2: after he supposedly died with someone else there's speculation about
• 27:45
  Speaker 2: the person that they replaced him with the wilder ones
• 27:50
  Speaker 2: come across that he's a clone and some people just
• 27:54
  Speaker 2: believe they found a close lookalike do you lean towards
• 27:58
  Speaker 2: any one of those in particular.
• 28:01
  Speaker 1: With jim morrison or with uh.
• 28:03
  Speaker 2: No with paul mccartney.
• 28:05
  Speaker 1: Paul McCartney, it seems to be a look alike. And
• 28:08
  Speaker 1: I think that that's, uh, what, uh, also happened with
• 28:11
  Speaker 1: Avril Lavigne. That's why I wanted to bring up the
• 28:14
  Speaker 1: Avril Lavigne thing, because that's the same type of scenario
• 28:17
  Speaker 1: that also happened with, uh, you know, people claim happened
• 28:21
  Speaker 1: with Avril Lavigne where she was replaced by a body
• 28:24
  Speaker 1: double look alike. And the Beatles had always claimed that
• 28:28
  Speaker 1: they had had body doubles because they were so popular.
• 28:32
  Speaker 1: that they needed people to essentially impersonate them so that
• 28:37
  Speaker 1: they can go in and get hotel rooms and do
• 28:39
  Speaker 1: all the things that they would need to do. So
• 28:42
  Speaker 1: it seems like that if, you know, the easiest way
• 28:46
  Speaker 1: to do it would be to be replaced by a
• 28:50
  Speaker 1: body double. Now, people have claimed that Well, the musician that,
• 28:55
  Speaker 1: you know, how could they replace a really good musician,
• 29:00
  Speaker 1: you know, that easily? And I was like, well, they
• 29:03
  Speaker 1: really weren't that great of musicians. They really weren't. Some
• 29:08
  Speaker 1: of the producers for the Beatles said that they were
• 29:10
  Speaker 1: the worst musicians that they had ever recorded. Wow. That
• 29:15
  Speaker 1: they were so bad that they had to bring in
• 29:16
  Speaker 1: a group called the Wrecking Crew. to play their instruments
• 29:21
  Speaker 1: for them in the recording studio because they couldn't play
• 29:24
  Speaker 1: them damn so uh you know that that kind of
• 29:30
  Speaker 1: goes by the wayside when uh you know people try
• 29:33
  Speaker 1: and make the claim that you know well how could
• 29:35
  Speaker 1: they find somebody that was just as good as a
• 29:37
  Speaker 1: musician as the original paul mccartney well the original paul
• 29:40
  Speaker 1: McCartney wasn't that great of a musician to begin with.
• 29:43
  Speaker 1: So it wouldn't be that hard. Yeah.
• 29:46
  Speaker 2: Well, you mentioned Avril Lavigne. I have heard this theory
• 29:49
  Speaker 2: before that she was replaced. Never looked too deeply into it.
• 29:52
  Speaker 2: But what have you uncovered about this?
• 29:55
  Speaker 1: So sometime around 2003, it's reported that Avril Lavigne secretly
• 30:00
  Speaker 1: died of suicide and her record label replaced her with
• 30:03
  Speaker 1: a lookalike named Melissa. Now, this came from around 2011
• 30:12
  Speaker 1: is when this theory started to gain popularity online. So
• 30:17
  Speaker 1: it's been around for around 15 years. This was one
• 30:20
  Speaker 1: of the original ones that I had ever heard on this.
• 30:26
  Speaker 1: even though the Jim Morrison one and the Paul McCartney
• 30:31
  Speaker 1: one had been around way longer, this was one of
• 30:33
  Speaker 1: the first forays into this type of content that I
• 30:38
  Speaker 1: ever had. Now, according to their original theory, Melissa wasn't
• 30:46
  Speaker 1: just a you know, some random replacement to keep the
• 30:50
  Speaker 1: whole train, the whole Avril Lavigne, this very popular voice
• 30:55
  Speaker 1: that kind of popped up out of nowhere that had
• 30:57
  Speaker 1: super hit songs. It was a, you know, a goldmine
• 31:00
  Speaker 1: for people, but Melissa was allegedly working as Avril's, uh,
• 31:08
  Speaker 1: body double. So it was someone that was kind of
• 31:12
  Speaker 1: already in the fold and, and already knew everything that
• 31:18
  Speaker 1: was kind of going on. So the idea here is
• 31:21
  Speaker 1: that the They didn't want that money train to sync up.
• 31:28
  Speaker 1: She had killed herself. She had died somewhat tragically. And
• 31:34
  Speaker 1: people began, like, you know, comparing photographs of her from
• 31:38
  Speaker 1: 2002 with later appearances. And they would literally show photos
• 31:44
  Speaker 1: of Different facial features like moles would change. They would
• 31:50
  Speaker 1: move like it's really wild when you really dig really
• 31:55
  Speaker 1: deep into it and they would shift positions. There would
• 31:59
  Speaker 1: be there. Sometimes they would grow a little face and
• 32:01
  Speaker 1: laugh at you. No, I'm just joking. They would. But
• 32:06
  Speaker 1: people have claimed that her handwriting changed, that her scene
• 32:09
  Speaker 1: voice even changed and that her personality had dramatically changed.
• 32:14
  Speaker 1: And people claim that, you know, well, the really interesting
• 32:20
  Speaker 1: one is the actual photograph that she that she was
• 32:23
  Speaker 1: in where she had Melissa written on her hand.
• 32:28
  Speaker 4: I saw that.
• 32:29
  Speaker 1: That's a really big one. It's kind of like, hey,
• 32:32
  Speaker 1: what's going on here? What's actually happening? Now, people will
• 32:34
  Speaker 1: claim that this was for a fan. You know, I
• 32:38
  Speaker 1: don't know. Maybe it was, maybe it wasn't. But, you know,
• 32:41
  Speaker 1: there's a lot of different things here that's going on
• 32:43
  Speaker 1: with Avril Lavigne. Just like with the Paul McCartney thing,
• 32:48
  Speaker 1: people point to messages in her songs.
• 32:52
  Speaker 2: Right.
• 32:53
  Speaker 1: Hidden meanings, hidden messages of the replacement for Avril Lavigne
• 33:00
  Speaker 1: telling you that she's not really Avril Lavigne, that Avril
• 33:03
  Speaker 1: Lavigne has passed away and she's assumed her identity.
• 33:07
  Speaker 2: Yeah, that does seem to be a common theme, the
• 33:11
  Speaker 2: bits and pieces of evidence that point to the very
• 33:16
  Speaker 2: conspiracy that people are discussing. Maybe it's part of some
• 33:20
  Speaker 2: kind of ritualistic aspect there. Maybe it's just gaslighting. Who knows?
• 33:25
  Speaker 2: But staying in more recent times, you've also looked into
• 33:29
  Speaker 2: Michael Jackson a little bit. This is definitely a fun
• 33:33
  Speaker 2: one that I've heard about before that maybe he might
• 33:36
  Speaker 2: have faked his death. He has that friend of his
• 33:39
  Speaker 2: that's burnt in some way. I forget his name that
• 33:43
  Speaker 2: people speculate may be him in disguise. What have you
• 33:47
  Speaker 2: found out about this one? Yeah.
• 33:49
  Speaker 1: So the deal with Michael Jackson was, is that this
• 33:54
  Speaker 1: is a really important one because there's actually a lot
• 33:57
  Speaker 1: of evidence to the Michael Jackson case and the thing
• 34:01
  Speaker 1: just keeps unraveling and unraveling the more you look into it. Now,
• 34:05
  Speaker 1: before his death, there was a phone call that was
• 34:09
  Speaker 1: recorded between Michael Jackson and his manager where Michael Jackson
• 34:15
  Speaker 1: expresses fear that some Very powerful individuals want him dead. Right.
• 34:23
  Speaker 1: And kind of suggest that they could kill him in
• 34:27
  Speaker 1: a multitude of ways. Right. They he suggested his manager
• 34:31
  Speaker 1: on the phone. This was a recorded phone call. Right.
• 34:33
  Speaker 1: That they could shoot him. that they could stab him,
• 34:38
  Speaker 1: or that they could even make his death appear to
• 34:40
  Speaker 1: be some form of a drug overdose. This is a
• 34:43
  Speaker 1: really crazy phone call. People haven't heard this. I haven't
• 34:46
  Speaker 1: put this video together yet, so you guys are getting a... Preview.
• 34:52
  Speaker 1: An exclusive, but it's not an exclusive. It's been talked
• 34:55
  Speaker 1: about for a really long time, but I just haven't
• 34:58
  Speaker 1: put all of everything together yet. So what makes the recording...
• 35:04
  Speaker 1: really interesting because people will claim that the recording hasn't
• 35:08
  Speaker 1: been verified, that we can't verify that this was Michael
• 35:12
  Speaker 1: Jackson's voice really talking to his manager. But the thing
• 35:14
  Speaker 1: that makes it really crazy is that there was an
• 35:18
  Speaker 1: interview on Don Lennon that Michael Jackson's own brother, Jermaine Jackson,
• 35:27
  Speaker 1: claimed that Michael had warned both his mother, Michael Jackson's mother,
• 35:33
  Speaker 1: I think her name was Catherine Jackson, Kathleen Jackson, Catherine Jackson,
• 35:40
  Speaker 1: and his manager, that people had threatened him and wanted
• 35:45
  Speaker 1: to kill him over his music publishing rights, right? Because
• 35:50
  Speaker 1: he had gotten a lot of his, the music publishing
• 35:54
  Speaker 1: rights to really big artists, like not just the Beatles,
• 35:58
  Speaker 1: but a lot of people. A lot of people, huge catalogs, right?
• 36:03
  Speaker 1: And he would even get into a partnership with Sony
• 36:06
  Speaker 1: through these publishing rights and this, and we go into
• 36:10
  Speaker 1: a gigantic, like the most valuable music publishing business in
• 36:16
  Speaker 1: the world at that time was owned by Michael Jackson. Okay.
• 36:21
  Speaker 1: And just a few months after his death, footage had
• 36:27
  Speaker 1: surfaced appearing to show Someone resembling Michael Jackson climbing out
• 36:33
  Speaker 1: of the back of a coroner's van. Have you seen
• 36:35
  Speaker 1: this footage?
• 36:36
  Speaker 4: No, I have not.
• 36:37
  Speaker 1: Okay. So, there's footage out there that shows... Let me
• 36:44
  Speaker 1: see if I can.
• 36:47
  Speaker 1: You just pull it up here really quickly. Actually, I'll
• 36:50
  Speaker 1: just show you the preview that I've already made of
• 36:53
  Speaker 1: the thumbnail that I'm going to make. It's not the
• 36:56
  Speaker 1: actual video, but it's the....
• 37:01
  Speaker 2: Again, anyone listening on the audio side, come over to
• 37:04
  Speaker 2: YouTube to check out the visuals.
• 37:07
  Speaker 1: Okay, let me get this pulled up here. Okay, so.
• 37:12
  Speaker 1: This is really wild. This is a really wild one. Okay.
• 37:16
  Speaker 1: Let me get the zoom share screen.
• 37:18
  Speaker 4: All right.
• 37:22
  Speaker 1: Right here it is.
• 37:23
  Speaker 5: Okay.
• 37:24
  Speaker 1: So, uh, this is the post that I'm going to
• 37:28
  Speaker 1: make tonight. Um, when I compile it and I want
• 37:32
  Speaker 1: to make a video of it as well, but the
• 37:36
  Speaker 1: photograph on the right is from the coroner's van. And, uh,
• 37:40
  Speaker 1: you can see it better in the, in the actual
• 37:42
  Speaker 1: video version, but this person that pops out of the
• 37:46
  Speaker 1: coroner's van here looks like Michael Jackson. Right here. Like
• 37:53
  Speaker 1: the back head of Michael Jackson. Now, what's also really interesting,
• 37:57
  Speaker 1: and you don't see it in this photograph, is that
• 38:00
  Speaker 1: the license plate on this coroner's van is the exact
• 38:04
  Speaker 1: same license plate that was on video transporting Michael Jackson
• 38:12
  Speaker 1: after he had been announced that he was dead. Hmm.
• 38:18
  Speaker 2: Even looks like Michael's dainty little figure there.
• 38:20
  Speaker 1: Exactly. Looks almost identical to him. So I think that
• 38:26
  Speaker 1: there's a lot of evidence for Michael Jackson. Then you
• 38:29
  Speaker 1: have the guy named Dave Dave. Dave Dave, that's it.
• 38:32
  Speaker 1: A longtime friend of Jackson who had, you know, supposedly
• 38:36
  Speaker 1: survived a devastating fire. And he was on Larry King
• 38:41
  Speaker 1: shortly after Michael Jackson's death, you know, and then people
• 38:44
  Speaker 1: began comparing, you know, notes of, you know, the, the,
• 38:50
  Speaker 1: comparing his eyes and his facial features and his mannerisms
• 38:53
  Speaker 1: to Jackson's, you know, suggesting that, you know, Jackson had,
• 38:58
  Speaker 1: you know, become this other individual, which is interesting because
• 39:01
  Speaker 1: Michael Jackson also caught on fire briefly on that Pepsi commercial.
• 39:05
  Speaker 4: Do you remember?
• 39:06
  Speaker 1: Yeah, I do.
• 39:07
  Speaker 2: Do you think these celebrities could actually long-term perpetuate the
• 39:15
  Speaker 2: faking of their death with, The level of technology and
• 39:19
  Speaker 2: surveillance that these three-letter agencies in higher levels have, hidden
• 39:24
  Speaker 2: layers of the music industry, it seems like at some
• 39:26
  Speaker 2: point they would be found out.
• 39:33
  Speaker 1: Yeah, but if everyone thinks that you're dead, then it's
• 39:36
  Speaker 1: pretty easy to go around unnoticed because no one's looking
• 39:39
  Speaker 1: for you. It's like you can just be whoever you
• 39:44
  Speaker 1: want to be because no one is suspecting that they're
• 39:47
  Speaker 1: going to see you walking around.
• 39:50
  Speaker 2: And at that point, it seems like you've just forfeited
• 39:54
  Speaker 2: anything that you had to offer or that you were
• 39:59
  Speaker 2: perpetuating by higher levels. You forfeit all of that propaganda
• 40:04
  Speaker 2: so that. Therefore, they don't really have to worry about
• 40:07
  Speaker 2: you anymore because you're pretty much on your own and
• 40:10
  Speaker 2: you have no more influence.
• 40:12
  Speaker 1: That's exactly right. And what happened with Michael Jackson, I believe,
• 40:16
  Speaker 1: was that, you know, because it's no secret that people
• 40:22
  Speaker 1: wanted him dead, right? That high up people in the
• 40:26
  Speaker 1: music industry, and he was speaking out against them, bro.
• 40:29
  Speaker 1: He was out there. He was like, these freaking scumbag...
• 40:34
  Speaker 1: the Illuminatis pretty much, he didn't say Illuminati, but you know,
• 40:38
  Speaker 1: these elite power players, these people in high positions of
• 40:42
  Speaker 1: power want, you know, they're, they're, they're screwing me around,
• 40:45
  Speaker 1: you know? Yeah. And I think that that's what part
• 40:48
  Speaker 1: of what the blackmail was on him as well. I
• 40:52
  Speaker 1: think that that was a way to kind of knock
• 40:58
  Speaker 1: him down a level, right? Put this blackmail on him
• 41:03
  Speaker 1: of him messing with children, then that brings his status
• 41:08
  Speaker 1: as this unbeatable type of person down to a manageable level, right?
• 41:15
  Speaker 1: It's the same way with what happened, I 100% believe,
• 41:17
  Speaker 1: with Kobe Bryant as well. They did the same thing
• 41:21
  Speaker 1: to Kobe Bryant, uh, that the whole allegations that he, um,
• 41:26
  Speaker 1: you know, was messing around with that underage girl or
• 41:28
  Speaker 1: that molestation allegations or whatever that happened with him. He
• 41:33
  Speaker 1: was getting too big. He was getting too powerful and
• 41:39
  Speaker 1: they had to bring him down.
• 41:42
  Speaker 3: Yeah.
• 41:43
  Speaker 1: Uh, that's, uh, that's what these scandals are. I 100% believe.
• 41:46
  Speaker 1: And the, And that was a way to, because I
• 41:52
  Speaker 1: think that Michael Jackson, he was actually trying to save, like,
• 41:58
  Speaker 1: like actually help children. I believe that he 100% cared
• 42:01
  Speaker 1: about children. He wasn't doing anything weird with them. And, uh, they, they, uh,
• 42:06
  Speaker 1: they slammed him for it. Right. And he had to
• 42:08
  Speaker 1: move out of the country. And, uh, The best way
• 42:13
  Speaker 1: to get out from underneath those types of people and
• 42:15
  Speaker 1: get out from underneath the industry is to fake your death, right?
• 42:20
  Speaker 1: That's the only way that you can really escape the
• 42:23
  Speaker 1: entire system, right? And one thing is 100% clear, right?
• 42:30
  Speaker 1: 100% that Michael Jackson's death, whether it was real or faked,
• 42:37
  Speaker 1: Turned him into a icon. Like he was already an icon,
• 42:42
  Speaker 1: but it just boosted him into a whole other thing, right?
• 42:45
  Speaker 1: It's just cemented his legacy as the king of pop.
• 42:50
  Speaker 1: It's kind of the same thing with Abraham Lincoln, right?
• 42:52
  Speaker 1: Abraham Lincoln. It's the same thing that JFK was also
• 42:57
  Speaker 1: concerned about was his legacy. And that if JFK would
• 43:00
  Speaker 1: go out like Abraham Lincoln did, how would he be
• 43:07
  Speaker 1: looked at through the eyes of the people of that time?
• 43:12
  Speaker 1: And Michael Jackson, his music. How many albums has Michael
• 43:15
  Speaker 1: Jackson come out with since his death? The unreleased recordings.
• 43:21
  Speaker 1: The image, I believe that they even have some AI
• 43:25
  Speaker 1: fake simulated virtual reality version of Michael Jackson out there
• 43:30
  Speaker 1: playing concerts right now, probably. Just like they got Tupac
• 43:33
  Speaker 1: out there doing virtual reality simulated concerts as well, right?
• 43:37
  Speaker 1: And it's just generated enormous amount of revenue for his
• 43:43
  Speaker 1: family and for his estate since the years after his death.
• 43:48
  Speaker 2: So- It's a dangerous game once you get to those
• 43:51
  Speaker 2: levels and you have to play ball if you're going
• 43:55
  Speaker 2: to want to stay in that level of power and
• 43:59
  Speaker 2: have that level of influence. And once you don't, that's
• 44:03
  Speaker 2: when the real trouble happens. And like you said, maybe
• 44:05
  Speaker 2: the only way out of it is to fake your
• 44:07
  Speaker 2: death or actually die. Now, you recently did a post
• 44:12
  Speaker 2: also about Taylor Swift in a pizza code. Please tell
• 44:16
  Speaker 2: us about this.
• 44:18
  Speaker 1: Ooh, Taylor Swift and the Pizza Co. We got to
• 44:20
  Speaker 1: be careful on this one, Chris, because YouTube banned me
• 44:25
  Speaker 1: for this video.
• 44:27
  Speaker 3: They did.
• 44:27
  Speaker 1: Really?
• 44:28
  Speaker 2: They gave you a strikey poo?
• 44:29
  Speaker 1: They didn't give me a strikey poo. They just banned
• 44:32
  Speaker 1: the video for worldwide distribution. Nobody could see it. But
• 44:36
  Speaker 1: they eventually disputed it. But we're not going to play
• 44:40
  Speaker 1: that one. We're going to play the other one. I'll
• 44:43
  Speaker 1: just tell you about the other one. Okay. Let's play this.
• 44:47
  Speaker 1: So Taylor Swift basically did a podcast with... Uh, Travis
• 44:51
  Speaker 1: Kelsey and his brother, they somehow also have a really
• 44:55
  Speaker 1: popular podcast. Anybody can just do a podcast now, especially
• 44:57
  Speaker 1: these celebrities, you know, they don't have to really be
• 44:59
  Speaker 1: talking about anything.
• 45:01
  Speaker 2: On day one, they got millions of followers, bro.
• 45:03
  Speaker 1: Day one, 100%. They just spring up out of nowhere.
• 45:07
  Speaker 1: That's like, you can get deep C-list celebrities, B-list celebrities,
• 45:11
  Speaker 1: D-list celebrities. Everybody's got a podcast, you know, and everybody's
• 45:14
  Speaker 1: vying for that attention. And they think that they can
• 45:17
  Speaker 1: just get on there and talk about a bunch of
• 45:18
  Speaker 1: nonsense garbage and make hundreds of thousands of dollars. That's
• 45:22
  Speaker 1: not the way that it works, bro. But anyway, I
• 45:26
  Speaker 1: made a video of Taylor Swift talking about on the
• 45:31
  Speaker 1: Travis Kelsey's, the Kelsey's podcast and her talking about her putting.
• 45:37
  Speaker 1: symbolic images and imagery inside of her music and her
• 45:45
  Speaker 1: music videos and even her songs that nobody, if you're
• 45:51
  Speaker 1: not looking for it, then you're not going to see it, right?
• 45:53
  Speaker 1: So it's essentially this.
• 45:55
  Speaker 2: Occultistic image.
• 45:59
  Speaker 1: Version of what we've been talking about for a really
• 46:02
  Speaker 1: long time you know people have been saying that they
• 46:04
  Speaker 1: put things inside hidden messages inside of movies and inside
• 46:07
  Speaker 1: of music and inside of tv and all that so
• 46:10
  Speaker 1: it's just like another con and we were gaslit for
• 46:12
  Speaker 1: that for a really long time yeah we're like oh
• 46:15
  Speaker 1: yeah they're not putting symbolism inside of the movies you
• 46:20
  Speaker 1: all are stupid but they are and they have been
• 46:23
  Speaker 1: for a really long time and this just kind of
• 46:25
  Speaker 1: cements that narrative into people's minds, and I thought that
• 46:31
  Speaker 1: it was important to show Swift talking about this, and
• 46:35
  Speaker 1: here is the video. Do you guys remember when Taylor
• 46:40
  Speaker 1: Swift said the quiet part out loud?
• 46:42
  Speaker 5: If you are a part of the fandom and you
• 46:44
  Speaker 5: want to experience music in a normal way, then you
• 46:48
  Speaker 5: don't even see these. You don't even care what that
• 46:51
  Speaker 5: thing is above that doorway, under that dimly lit flickering
• 46:56
  Speaker 5: light over there that's upside down backwards in braille i
• 47:00
  Speaker 5: you don't you don't need to know what that is
• 47:04
  Speaker 5: yeah but if you want if you want to look
• 47:06
  Speaker 5: at that.
• 47:07
  Speaker 1: In braille but if you do then it's there yeah you.
• 47:11
  Speaker 5: Know what i mean like if you know you know
• 47:13
  Speaker 5: you know.
• 47:14
  Speaker 1: Oh yeah if you know you know did you guys
• 47:17
  Speaker 1: see travis kelsey there just kind of nudge her and
• 47:20
  Speaker 1: be like shut up you're giving too many of the
• 47:23
  Speaker 1: secrets What she just said right there is what we've
• 47:26
  Speaker 1: been trying to tell you for freaking years. They put
• 47:29
  Speaker 1: the occult and esoteric symbology, numerology inside of music videos, movies, commercials,
• 47:37
  Speaker 1: and TV. Do you guys? Yep. That's what they do.
• 47:42
  Speaker 1: And that's been, that's been the way that, you know,
• 47:44
  Speaker 1: she just kind of said the secret out loud. You know,
• 47:48
  Speaker 1: that's been like the untold unsaid thing that, uh, that
• 47:54
  Speaker 1: Hollywood has always done.
• 47:56
  Speaker 2: She said something really interesting about this thing in Braille.
• 48:01
  Speaker 2: Now I'm thinking how much symbolism is put in music
• 48:05
  Speaker 2: videos or films or cinema that's in Braille or some
• 48:10
  Speaker 2: kind of Morris code that has really important, deep occult
• 48:14
  Speaker 2: messages that most people wouldn't even notice, but it's there
• 48:18
  Speaker 2: for some reason.
• 48:20
  Speaker 1: Yeah, bro. Like when she said that, too, that's why
• 48:23
  Speaker 1: I said in the video, I was like in Braille.
• 48:27
  Speaker 1: Like that's so wild that they could put things that
• 48:31
  Speaker 1: mean something in in a way that is not even
• 48:36
  Speaker 1: overt that you couldn't. And that's what she meant by that.
• 48:40
  Speaker 1: She was like, there are things that I put in
• 48:43
  Speaker 1: my music and in my music videos that nobody will
• 48:46
  Speaker 1: ever know.
• 48:48
  Speaker 2: These celebrities seem to undergo a level of initiation just
• 48:53
  Speaker 2: enough to where they're aware of certain occult effects and
• 48:59
  Speaker 2: human psychology to where they can interact with their audience
• 49:04
  Speaker 2: on a hidden level and steer human psychology in certain
• 49:08
  Speaker 2: directions just by working with certain symbols. certain psychological techniques
• 49:15
  Speaker 2: that they may have learned through different occult methods but
• 49:20
  Speaker 2: these celebrities in those levels that have access to very
• 49:24
  Speaker 2: large audiences it would seem are subjected to some kind
• 49:29
  Speaker 2: of occult training to where they have just enough understanding
• 49:36
  Speaker 2: to where they can use their music or whatever they're
• 49:38
  Speaker 2: working with to slightly manipulate their audience. 100%.
• 49:43
  Speaker 1: And do you remember the movie Leave the World Behind
• 49:47
  Speaker 1: that was produced by Barack Obama? Yeah. About the EMP
• 49:53
  Speaker 1: that hits that wipes out all the power, which is
• 49:55
  Speaker 1: kind of interesting because that's kind of what people are
• 49:57
  Speaker 1: talking about right now. And this film came out not
• 50:00
  Speaker 1: too long ago. But there was a big theory that
• 50:04
  Speaker 1: within that movie was this ELF frequency. Do you remember
• 50:10
  Speaker 1: hearing about this?
• 50:11
  Speaker 2: Yeah, a little bit.
• 50:13
  Speaker 1: That there was like a disharmonic frequency that was.
• 50:18
  Speaker 2: Embedded in the soundtrack, right?
• 50:20
  Speaker 1: Yeah. Now, if they're doing that with a movie, okay,
• 50:26
  Speaker 1: what have they been doing with the music? 100%. They've
• 50:31
  Speaker 1: figured out all of the tones and things that they
• 50:35
  Speaker 1: could put into music that can elicit an emotion or
• 50:41
  Speaker 1: a reaction out of the person or out of the listener.
• 50:46
  Speaker 2: I've done a few shows now with Dr. Juliet Engel,
• 50:49
  Speaker 2: who I'm sure you're familiar with, and Kathy O'Brien. And Dr.
• 50:52
  Speaker 2: Juliet was heavily involved previously. with the early onset of
• 50:57
  Speaker 2: the music industry in the 50s 60s and 70s and
• 51:02
  Speaker 2: she was working behind the scenes with high level music
• 51:05
  Speaker 2: producers and artists and her specialty was learning how to
• 51:10
  Speaker 2: embed certain frequencies into music to have psychological effects so
• 51:15
  Speaker 2: that shit is a hundred percent real.
• 51:19
  Speaker 1: One hundred percent. I mean, that's what the Beatles, their
• 51:22
  Speaker 1: original thing was the 432 hertz was their original music.
• 51:26
  Speaker 1: That's why they became so popular. And then they changed
• 51:28
  Speaker 1: the frequency of a lot of the music to become
• 51:31
  Speaker 1: a disharmonious sound coming out so that it's like a disruptor. Yeah,
• 51:38
  Speaker 1: is what it is to elicit a certain kind of reaction.
• 51:41
  Speaker 1: And then that's where you get into the mind control thing.
• 51:44
  Speaker 1: Of Hollywood. So they're doing this through the music. They're
• 51:47
  Speaker 1: doing it through the visuals. They're implanting things that you
• 51:50
  Speaker 1: would never. You would only. Symbolically or subconsciously. Or even unconsciously. Recognize.
• 51:59
  Speaker 1: That you don't actually. Consciously recognize. But it's still embedding
• 52:04
  Speaker 1: into your subconscious. And into your unconscious mind. This is
• 52:07
  Speaker 1: what Stanley Kubrick was. Known to do. The foray into
• 52:12
  Speaker 1: Stanley Kubrick's work. Is. subliminal and unconscious types of mind control, right?
• 52:20
  Speaker 1: You flash something, but people think that it's like, you know,
• 52:24
  Speaker 1: that it's for advertising, but it's not just for advertising.
• 52:28
  Speaker 1: It's to train your mind to get something to, when
• 52:36
  Speaker 1: later on, whenever that opportunity comes for you to do
• 52:39
  Speaker 1: that thing, then you're more likely to go along with
• 52:43
  Speaker 1: that agenda, you're more likely to believe that thing that
• 52:47
  Speaker 1: you're seeing online. Now, it used to be on the TV, right?
• 52:51
  Speaker 1: The news and the propaganda machine, which is kind of
• 52:54
  Speaker 1: falling away. It's more on social media now, like, Yes.
• 53:00
  Speaker 1: Let's run an experiment on what we can get people
• 53:03
  Speaker 1: to do, what we can get them to believe. That's
• 53:06
  Speaker 1: where the concept of all of the challenges. Remember the
• 53:08
  Speaker 1: icebox challenge? Yes. The challenge, the condom through the freaking nose,
• 53:13
  Speaker 1: the Tide Pod challenge where people were smoking or eating
• 53:16
  Speaker 1: the Tide Pods. Yeah. That's where all of that shit
• 53:18
  Speaker 1: came from, dude. It's a giant MKUltra operation. It's a
• 53:22
  Speaker 1: mind control operation. What can we get people to believe today?
• 53:29
  Speaker 2: Well, I think they've leveled that up to unfathomable levels.
• 53:35
  Speaker 2: I think that what they've done with social media and
• 53:39
  Speaker 2: algorithms and pharmaceuticals and drugs and high-impact events and the
• 53:44
  Speaker 2: level of technology that we're subjected to that we have
• 53:47
  Speaker 2: no idea the levels of penetration that it has into
• 53:52
  Speaker 2: our psyche, these algorithms can train a person's mind to
• 53:59
  Speaker 2: go in several directions. They have been gathering data on
• 54:02
  Speaker 2: us for years, so they are able to predict behaviors
• 54:07
  Speaker 2: to pretty accurate degrees, I'm sure by now. We have
• 54:12
  Speaker 2: phones with us everywhere we go. We know that it
• 54:17
  Speaker 2: reads everything, not only from our phone, but probably listens
• 54:21
  Speaker 2: to our conversation, probably has a level of video access
• 54:25
  Speaker 2: so that it can tell what we're doing. Some people
• 54:27
  Speaker 2: even believe it has the ability to read our minds
• 54:30
  Speaker 2: in some ways. I think it's more of being able
• 54:33
  Speaker 2: to predict behaviors based on this ongoing MKUltra program that
• 54:39
  Speaker 2: they've implemented on society. And now the algorithms are so sophisticated,
• 54:45
  Speaker 2: it can show you something scrolling through social media that
• 54:48
  Speaker 2: will have an effect on your subconscious to where it
• 54:52
  Speaker 2: could change the course of your day, your week. Or
• 54:55
  Speaker 2: maybe even the rest of your lives just based on
• 54:58
  Speaker 2: something they showed you that they knew it would have
• 55:01
  Speaker 2: that effect on you.
• 55:03
  Speaker 1: And they're getting your biometric data. If you look into
• 55:06
  Speaker 1: what Walmart– the new Walmart terms and conditions, this is
• 55:10
  Speaker 1: completely freaking ridiculous, Chris. Like they– The digital price tags.
• 55:15
  Speaker 1: Have you heard about this? Yes.
• 55:17
  Speaker 2: I've seen them.
• 55:18
  Speaker 1: I've seen them. You've seen them? Okay. I'm glad you've
• 55:21
  Speaker 1: seen them because I've seen them too. And whenever you,
• 55:23
  Speaker 1: what it, what it's doing though, is it's taking, it's
• 55:26
  Speaker 1: activating a Bluetooth signal on your phone, right? So when
• 55:29
  Speaker 1: it's Bluetooth on all the time on your phone, when
• 55:32
  Speaker 1: you go into the store, it just extracts all the
• 55:35
  Speaker 1: data off of your phone. And this is how the
• 55:37
  Speaker 1: digital price tags are going to get their digital price
• 55:40
  Speaker 1: and how they can change it based off of the
• 55:42
  Speaker 1: person that that's going to buy the product, right? Because
• 55:46
  Speaker 1: everything is on your phone. All of your information, all
• 55:49
  Speaker 1: of your search history, everything that you've ever done, any
• 55:53
  Speaker 1: products that you've ever bought online that you've ordered to
• 55:56
  Speaker 1: your house. This is why they want people using DoorDash.
• 55:58
  Speaker 1: This is why they want people using Uber wherever they go.
• 56:01
  Speaker 1: This is why they want people using Uber Eats. That's
• 56:04
  Speaker 1: why they're giving promo codes and discount codes for Uber
• 56:08
  Speaker 1: Eats and DoorDash and all this shit. They want you
• 56:10
  Speaker 1: to stay at home because they need to analyze what
• 56:13
  Speaker 1: it is that you're buying on a daily, weekly. This
• 56:16
  Speaker 1: is why they want Amazon to be the main thing
• 56:20
  Speaker 1: to purchase all of your items from. It's because they
• 56:23
  Speaker 1: can track and trace it and they know what you
• 56:25
  Speaker 1: spent it on and how much you spent on it.
• 56:28
  Speaker 1: So then when it comes time for you to go
• 56:30
  Speaker 1: into the store, they can then adjust the digital price
• 56:33
  Speaker 1: tag to match what they've seen that you're willing to pay.
• 56:39
  Speaker 1: That's the agenda. That has been the agenda for the
• 56:42
  Speaker 1: longest time. And the self-checkout is an AI data facial
• 56:47
  Speaker 1: recognition software that has been running for a freaking decade.
• 56:53
  Speaker 2: I think they're starting to move beyond even predicting behaviors
• 56:58
  Speaker 2: they are trying to influence behaviors right now to a
• 57:02
  Speaker 2: degree to where they eventually want to be able to
• 57:06
  Speaker 2: have total predictive control over someone's autonomy.
• 57:10
  Speaker 1: 100 that's exactly what they want they and they want
• 57:15
  Speaker 1: to be able to know this is why the gps
• 57:17
  Speaker 1: is so important too Because the GPS on your phone
• 57:22
  Speaker 1: tracks every place that you've ever been. Any address that
• 57:26
  Speaker 1: you've ever put into your phone, they know where you've been.
• 57:30
  Speaker 1: They have a data sheet showing the exact route that
• 57:34
  Speaker 1: you took on a freaking map. This is what these
• 57:38
  Speaker 1: data centers are for. Yes. And the data centers have
• 57:42
  Speaker 1: been around for decades too. That's another thing that people
• 57:45
  Speaker 1: don't really realize is the data centers have been a
• 57:47
  Speaker 1: thing since the internet's inception. Where do you think that
• 57:50
  Speaker 1: all the data has been stored? Right. The cloud. It
• 57:54
  Speaker 1: has to be stored somewhere. Give me a break. There
• 57:56
  Speaker 1: is no cloud, okay? The cloud is a data center,
• 58:00
  Speaker 1: is a physical data center. They just called the cloud
• 58:03
  Speaker 1: to make you think that it's just invisible, to give
• 58:07
  Speaker 1: you a false perception of reality of how it works.
• 58:11
  Speaker 1: There is no cloud.
• 58:13
  Speaker 2: The new data center's purpose is to have a larger
• 58:20
  Speaker 2: capacity to store information because they want to be able
• 58:25
  Speaker 2: to have a complete database on everyone with a digital fingerprint.
• 58:32
  Speaker 1: They would need to because of China, Chris. We need
• 58:34
  Speaker 1: to do a bit for the China. Yeah. It was
• 58:38
  Speaker 1: Russia before, but now it's China. If we don't do that,
• 58:41
  Speaker 1: if we don't surveil, we don't make the surveillance state
• 58:43
  Speaker 1: of 100% reality, then China is going to do it. Well,
• 58:46
  Speaker 1: I don't give a fuck what China, bro. Yeah. China
• 58:50
  Speaker 1: already has it. China already has the digital ID. What
• 58:55
  Speaker 1: is it called? The, the system based off of your
• 58:59
  Speaker 1: social media, social credit, social credit system. Yeah. Like, why
• 59:03
  Speaker 1: do we need that here? It makes no damn sense, dude.
• 59:08
  Speaker 1: Makes zero sense. You think people are happy in, in,
• 59:12
  Speaker 1: in China?
• 59:15
  Speaker 2: We're in wild times, bro.
• 59:17
  Speaker 1: What do you mean government? What do you mean? But
• 59:20
  Speaker 1: that's the way it's shifted. It's shifted from all, well,
• 59:22
  Speaker 1: you know, during the cold war and everything, we've got
• 59:24
  Speaker 1: to do this because Russia's doing it. We've got to
• 59:26
  Speaker 1: implement all of this, these programs and do all this
• 59:28
  Speaker 1: stuff because If we don't, then Russia is going to
• 59:30
  Speaker 1: do it first. Like, why? Who cares?
• 59:34
  Speaker 4: Who really cares?
• 59:35
  Speaker 1: But now it's just shifted into, you know, China. Oh, China, China, China.
• 59:41
  Speaker 1: You know, that's the excuse for everything now. You know,
• 59:44
  Speaker 1: if we don't get on top of our AI, artificial intelligence,
• 59:48
  Speaker 1: if we don't have AI president by 2030, then China
• 59:52
  Speaker 1: is going to have an AI president by 2030.
• 59:56
  Speaker 2: Seems like the only answer is to scale back our
• 59:59
  Speaker 2: reliance on some of this anti-human technology as much as possible.
• 1:00:04
  Speaker 2: Maybe even going back to living in caves and living
• 1:00:08
  Speaker 2: in the woods.
• 1:00:09
  Speaker 1: Who knows?
• 1:00:10
  Speaker 2: That may be the only answer for the future, but
• 1:00:12
  Speaker 2: I don't know.
• 1:00:14
  Speaker 1: I don't think that I want to go back that far, Chris.
• 1:00:16
  Speaker 1: I think you're pushing it. That would have sucked. It
• 1:00:20
  Speaker 1: would have sucked even living like back a hundred years ago,
• 1:00:22
  Speaker 1: I think. Yeah. It would have sucked. I think we're
• 1:00:25
  Speaker 1: still living in the greatest time ever.
• 1:00:28
  Speaker 2: I just think we're over-reliant on a lot of this
• 1:00:31
  Speaker 2: technology that does not benefit us whatsoever. And we need
• 1:00:36
  Speaker 2: to change what we're interacting with, what we're giving our
• 1:00:39
  Speaker 2: energy to, what we're giving our data to, to the
• 1:00:42
  Speaker 2: things that benefit us instead of the things that benefit
• 1:00:46
  Speaker 2: technology and the system and the oligarchs and the elite.
• 1:00:50
  Speaker 1: Oh, I got another video here for you real quickly.
• 1:00:52
  Speaker 1: Let's do it. Delete every single app on your phone
• 1:00:56
  Speaker 1: that had the spy on you. This guy did a
• 1:00:58
  Speaker 1: breakdown of these free game apps that basically track and
• 1:01:04
  Speaker 1: trace all the data on your phone. It's really insane.
• 1:01:11
  Speaker 1: Here it is. Delete every single free app on your
• 1:01:16
  Speaker 1: phone right now. They're all tracking and tracing data at
• 1:01:19
  Speaker 1: harvesting doom loops. Take a listen.
• 1:01:21
  Speaker 4: First engineered block blast to figure out how a free
• 1:01:24
  Speaker 4: puzzle game makes over a hundred million dollars in ads.
• 1:01:26
  Speaker 4: That's more than candy crush. And it turns out how
• 1:01:29
  Speaker 4: well you do in the game has less to do
• 1:01:30
  Speaker 4: with your skill and more to do with how much
• 1:01:32
  Speaker 4: you're worth to.
• 1:01:32
  Speaker 1: Them in ads.
• 1:01:33
  Speaker 4: It takes your phone model your country how much your
• 1:01:35
  Speaker 4: past ads have made them even whether you turned off
• 1:01:37
  Speaker 4: the vibration on your phone it all goes into an
• 1:01:39
  Speaker 4: xg boost model that runs locally on your phone that
• 1:01:41
  Speaker 4: predicts how much you can be worth to them in
• 1:01:43
  Speaker 4: ads then depending on your value it'll make the game
• 1:01:45
  Speaker 4: easier or harder one rule called boost then kill secretly
• 1:01:48
  Speaker 4: makes it easier so you think you're on the best
• 1:01:50
  Speaker 4: run of your life right up until you hit your
• 1:01:51
  Speaker 4: average game link and if it detects a really expensive
• 1:01:54
  Speaker 4: ad is ready That's when it turns on you. A
• 1:01:55
  Speaker 4: rule called high value ad harvest confirms that you have
• 1:01:58
  Speaker 4: a history of watching ads, then helps you beat your
• 1:01:59
  Speaker 4: high score before it triggers something called the death algorithm,
• 1:02:02
  Speaker 4: which rigs your next turn so there's no way to survive.
• 1:02:04
  Speaker 4: And the moment you lose, the first thing you see
• 1:02:06
  Speaker 4: is an offer to revive if you watch that same ad.
• 1:02:08
  Speaker 4: And if you do revive, don't even secretly add 10%
• 1:02:10
  Speaker 4: to your high score so you keep coming back for more.
• 1:02:12
  Speaker 4: In fact, they even run experiments on the exact minute
• 1:02:15
  Speaker 4: to make you lose. And they measure which one gets
• 1:02:17
  Speaker 4: you to watch the revive ad. So all things considered,
• 1:02:19
  Speaker 4: Block Blast isn't really a puzzle game. It's more of
• 1:02:21
  Speaker 4: an ad harvest with a rigged game loop built to
• 1:02:23
  Speaker 4: squeeze every penny out of you.
• 1:02:24
  Speaker 1: Well, now you know those free apps really aren't free. Right? Damn, dude.
• 1:02:30
  Speaker 1: Holy shit, dude. That is insane.
• 1:02:34
  Speaker 2: I'm glad I stopped playing those cheesy little phone games
• 1:02:37
  Speaker 2: so long ago. I always felt there was something so
• 1:02:41
  Speaker 2: wrong with this. It was draining my brain to begin with.
• 1:02:45
  Speaker 2: But now with what we know what we know about surveillance,
• 1:02:49
  Speaker 2: definitely not.
• 1:02:50
  Speaker 1: Yeah, bro. It's like this whole thing to just get it.
• 1:02:55
  Speaker 1: Who would have known 20 years ago, Chris, that data,
• 1:03:00
  Speaker 1: like online data would be like a number one commodity.
• 1:03:04
  Speaker 1: That's how you can take, say, extract someone's data and
• 1:03:07
  Speaker 1: then sell it to another freaking country or sell it
• 1:03:10
  Speaker 1: to a corporation. Yeah. Like it's insane for actual money.
• 1:03:15
  Speaker 1: Like there's companies that do this.
• 1:03:18
  Speaker 2: We got to start really paying attention what we're giving
• 1:03:21
  Speaker 2: our energy to, what we're supporting, what we are scrolling
• 1:03:25
  Speaker 2: through online, what we're allowing to affect us in certain ways.
• 1:03:30
  Speaker 1: Do you remember when Taylor Swift was on stage?
• 1:03:32
  Speaker 2: Like you said, man, it's all MKUltra implementation into our reality.
• 1:03:39
  Speaker 2: And how far will they take it? I think that's
• 1:03:41
  Speaker 2: just going to be up to us.
• 1:03:42
  Speaker 1: Yeah, it was going to be what we let, uh,
• 1:03:44
  Speaker 1: what we let in, uh, really quickly before we go,
• 1:03:46
  Speaker 1: I want to do, uh, do this other Taylor Swift thing.
• 1:03:50
  Speaker 1: I'm going to pause it before it gets to the
• 1:03:51
  Speaker 1: part that was banned. So we don't have any issues.
• 1:03:54
  Speaker 1: The part that was banned is actually, I'll explain it
• 1:03:57
  Speaker 1: once we.
• 1:03:57
  Speaker 2: Yeah.
• 1:03:58
  Speaker 1: Yeah. Do you remember when Taylor Swift was on Stephen
• 1:04:02
  Speaker 1: Colbert and had a really awkward exchange about pizza?
• 1:04:05
  Speaker 5: I dug out, um, my, my old mood board.
• 1:04:11
  Speaker 4: Okay.
• 1:04:14
  Speaker 1: Taylor, those are all pictures of me.
• 1:04:20
  Speaker 4: No. This is a pizza.
• 1:04:23
  Speaker 1: A pizza? Funny story.
• 1:04:26
  Speaker 5: I was pretty hungry because I had stayed up for
• 1:04:27
  Speaker 5: three days making this vision board. And so I got
• 1:04:31
  Speaker 5: pizza and I ate it. So inaccurate statement on your
• 1:04:34
  Speaker 5: part that it's only pictures of you because this is
• 1:04:37
  Speaker 5: a pretty big picture.
• 1:04:40
  Speaker 1: And if that wasn't weird enough for you, check out
• 1:04:42
  Speaker 1: this clip of Stephen Colbert talking about sacrificing a child
• 1:04:45
  Speaker 1: live on the open air. that's the part that got
• 1:04:49
  Speaker 1: banned we didn't play i wonder why yes yes yes
• 1:04:55
  Speaker 1: and i had a really hard time finding that footage
• 1:04:57
  Speaker 1: too so i should have known that the footage wasn't
• 1:05:00
  Speaker 1: readily available on youtube so i should have known whenever
• 1:05:03
  Speaker 1: i put it together that there's a reason why it's
• 1:05:07
  Speaker 1: not uh you know that's hard to find but it
• 1:05:10
  Speaker 1: basically Shows Stephen Colbert pulling out a child out from
• 1:05:15
  Speaker 1: underneath his desk and saying that and giving it to
• 1:05:19
  Speaker 1: this entity off screen like this. And it's like, don't
• 1:05:24
  Speaker 1: eat me. Eat the baby. Don't murder me. Murder the baby.
• 1:05:29
  Speaker 1: And then he comes back out and he's like, oh,
• 1:05:32
  Speaker 1: I'm sure the baby's just fine. So. You know, was
• 1:05:35
  Speaker 1: that a joke? I don't care if it was a
• 1:05:37
  Speaker 1: joke or not, bro. You said, don't eat me, eat
• 1:05:39
  Speaker 1: the baby. I don't know how many people joke about,
• 1:05:42
  Speaker 1: you know, sacrificing babies and children. And the audience was
• 1:05:47
  Speaker 1: like laughing and cheering. I'm like, you guys are freaking insane.
• 1:05:50
  Speaker 1: But yep. That's all I got for today. Thanks so much, Chris. Oh,
• 1:05:55
  Speaker 1: before we go, though, let people know because I'm going
• 1:05:57
  Speaker 1: to post this on my side as well. Let people
• 1:05:59
  Speaker 1: know about your documentary, your movie that you got going
• 1:06:03
  Speaker 1: on and when we can expect that to be out.
• 1:06:06
  Speaker 2: For sure, man. And thank you for your work and research.
• 1:06:10
  Speaker 2: This is great stuff. We'll have to continue to update
• 1:06:13
  Speaker 2: the audience on everything you've been finding. First, you can
• 1:06:17
  Speaker 2: find my podcast, Forbidden Knowledge News, all podcast platforms, YouTube, Rumble.
• 1:06:23
  Speaker 2: We're on Facebook, Instagram, all the silly socials. My film
• 1:06:28
  Speaker 2: is being reworked at the moment. We're doing some heavy
• 1:06:31
  Speaker 2: duty tweaks, a couple of reshoots. We really want to
• 1:06:35
  Speaker 2: polish this movie to where it's something that I'm really
• 1:06:40
  Speaker 2: super proud of. It's almost there. It's getting there. I'm
• 1:06:43
  Speaker 2: hoping a couple more months of work on it, and
• 1:06:45
  Speaker 2: we'll have it uploaded to some streaming platforms. We have
• 1:06:49
  Speaker 2: the movie cover out already. That's on our social media.
• 1:06:52
  Speaker 2: We'll be posting that out a little bit more. The
• 1:06:55
  Speaker 2: film is Case 369, Chris and the Quantum Gate. It
• 1:07:00
  Speaker 2: is a sci-fi comedy mockumentary which stars a few different
• 1:07:05
  Speaker 2: versions of myself and some other wonderful content creators and
• 1:07:10
  Speaker 2: researchers that kindly agreed to be in the film. And
• 1:07:13
  Speaker 2: hilarity ensues. We really hope you enjoy this one. We're
• 1:07:17
  Speaker 2: really enjoying making it. It's a great time so far.
• 1:07:20
  Speaker 2: But like I said, a couple more months and hopefully
• 1:07:23
  Speaker 2: it will be out there. But we're going to keep
• 1:07:25
  Speaker 2: you all updated on that situation. And thank you for that, Ryder.
• 1:07:29
  Speaker 2: And thank you again for coming on. This was great.
• 1:07:31
  Speaker 2: Like I said, we'll do it again, of course. And
• 1:07:34
  Speaker 2: until next time. Oh, before we go, you remind the
• 1:07:37
  Speaker 2: audience where they can get all your content.
• 1:07:40
  Speaker 1: Yes, I'm really looking forward to your movie. Unfortunately, I
• 1:07:43
  Speaker 1: wasn't able to be in it because I was currently
• 1:07:45
  Speaker 1: filming the movie for my, you know, the information and
• 1:07:49
  Speaker 1: the interviews for my documentary. But hopefully on the next one,
• 1:07:52
  Speaker 1: I'm looking forward to seeing it. Hopefully it comes together
• 1:07:54
  Speaker 1: really well. And please check out Chris's information that will
• 1:07:59
  Speaker 1: be in the description of this video. If people are
• 1:08:01
  Speaker 1: interested on his channel to check out more about me,
• 1:08:04
  Speaker 1: you can find me on YouTube and any and all
• 1:08:05
  Speaker 1: podcast platforms and YouTube. the forbidden knowledge news network at
• 1:08:09
  Speaker 1: writer lee and follow me on social media on all
• 1:08:13
  Speaker 1: of the platforms besides tiktok i kind of just gave
• 1:08:17
  Speaker 1: up on tiktok uh i mean writer lee thanks so
• 1:08:20
  Speaker 1: much for having me on i hope everyone enjoyed it
• 1:08:22
  Speaker 1: and until
• 1:08:23
  Speaker 2: Next time thank you brother until next time everyone have
• 1:08:26
  Speaker 2: an excellent evening we'll talk again tomorrow see y'all then