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Transcript

Luxradiotheatre - 439Ractioninthenorthatlantic [episode 0] Broadcast 5/15/1944 · Lux Radio Theater | Old Time Radio

• 0:00
  Speaker 1: Luck presents Hollywood. The Luck Rivial Theater brings you George Raft,
• 0:15
  Speaker 1: Raymond Massey and Julie Bishop in Action in the North Atlantic.
• 0:19
  Speaker 1: Ladies and gentlemen, you're producer, mister.
• 0:22
  Speaker 2: Cecil b the Mill.
• 0:30
  Speaker 3: Greetings from Hollywood, ladies and gentlemen. In the dim past
• 0:34
  Speaker 3: of nineteen forty two, the wolf packs of German U
• 0:37
  Speaker 3: boats were sinking ships faster than we could build them.
• 0:41
  Speaker 3: But the undersea killer was beaten, beaten by old weapons
• 0:44
  Speaker 3: and by new by gun and bomb and depth charge,
• 0:48
  Speaker 3: and by the iron hearts of the merchant semen from
• 0:51
  Speaker 3: every part of America. They went down to the sea
• 0:54
  Speaker 3: in ships, and there many are buried in unmarked graves,
• 0:58
  Speaker 3: a thousand fathoms seeps. Some came from marble Head and
• 1:02
  Speaker 3: were born to the smell of salt air, some from Missouri.
• 1:06
  Speaker 2: They'd never even seen the ocean.
• 1:08
  Speaker 3: I would produce the magnificent motion picture tribute to the
• 1:11
  Speaker 3: men of the merchant Ships. It's called Action in the
• 1:14
  Speaker 3: North Atlantic, and we present it as our play tonight,
• 1:17
  Speaker 3: with George Raft, Raymond Massey and Julie Bishop as the stars.
• 1:21
  Speaker 3: Warner Brothers made the picture, and by the way, everyone
• 1:24
  Speaker 3: at that studio is talking about a new comedy called
• 1:27
  Speaker 3: er Make Your Own Bed. Action in the North Atlantic
• 1:32
  Speaker 3: is more than a drama of ships and submarines and
• 1:35
  Speaker 3: sinkings because of his unselfish courage behind these men at home,
• 1:41
  Speaker 3: the courage of wives and children and sweethearts. And to
• 1:45
  Speaker 3: them a grateful nation must give thanks. Americans have always
• 1:49
  Speaker 3: liked to go to sea, from before the time the
• 1:51
  Speaker 3: Yankee Clipper was Queen of the Seventh Seas. There have
• 1:55
  Speaker 3: been lots of changes since then, too, ships powered by steam,
• 1:58
  Speaker 3: the radio, airplane, and even in such everyday comforts as soap.
• 2:05
  Speaker 3: Once it was a long, contigious process of home manufacture
• 2:08
  Speaker 3: to make soap. Now it's as simple as paying Luck's flakes.
• 2:13
  Speaker 3: I was reading the other evening how the first lady
• 2:15
  Speaker 3: of one household washed her silk stockings in seventeen sixty two.
• 2:20
  Speaker 3: To begin with, they were put through four sets of
• 2:23
  Speaker 3: SuDS from a strong soap, and then I and on
• 2:26
  Speaker 3: the wrong side. How long the stockings survived is rather questionable. Naturally,
• 2:31
  Speaker 3: she did it herself, even though she had many servants,
• 2:34
  Speaker 3: because the stockings were very valuable and had to be
• 2:36
  Speaker 3: imported from abroad. The lady's name, incidentally, was Martha Washington.
• 2:42
  Speaker 3: I imagine Martha would be quite envious to see how simply
• 2:46
  Speaker 3: and quickly the whole job is done in nineteen forty
• 2:48
  Speaker 3: four with Lux Flakes. And now there's romance and adventure
• 2:51
  Speaker 3: waiting behind the lux Radio theater curtain as it rises
• 2:54
  Speaker 3: on action in the North Atlantic, starring George Raft as
• 2:57
  Speaker 3: Joe Rossi, Raymond Massey as Captain John, and Julie Bishop
• 3:02
  Speaker 3: as Pearl. It's late at night through the dark and
• 3:14
  Speaker 3: lonely stretches of a North Atlantic. An American tanker bucked
• 3:18
  Speaker 3: its way eastward, completely blacked out, the vessel with a
• 3:22
  Speaker 3: murky stilouette and the waste and sea and sky in
• 3:26
  Speaker 3: front of the wheel house. The first office appears in
• 3:28
  Speaker 3: the patches of part creeping up like curious ghosts around
• 3:32
  Speaker 3: the ship.
• 3:37
  Speaker 2: Met you, mister guesser, and run into Fargo.
• 3:39
  Speaker 4: Last house hour had happened. Baby's got company to submarine.
• 3:43
  Speaker 4: See anything, No sa black Knight. Oh it's a manner.
• 3:48
  Speaker 4: It's that tooth again. I got a mouthful of red
• 3:50
  Speaker 4: hot pick axes. Whose fault is that? Why didn't you
• 3:53
  Speaker 4: get it fixed while we were in port? When I'm
• 3:55
  Speaker 4: in port.
• 3:55
  Speaker 2: I want to see something better looking at the dentist.
• 3:57
  Speaker 2: You deserve what you got. Sure my sins get away
• 4:02
  Speaker 2: with this stuff. Bug is going to shut in full
• 4:04
  Speaker 2: before midnight.
• 4:06
  Speaker 4: Parker, Yes, sir, co man, how's he been, Parker? He'll
• 4:11
  Speaker 4: do merchant marine cuts that dad, sir, think you can
• 4:16
  Speaker 4: find the posing. He's lower the rest of them, Sir,
• 4:18
  Speaker 4: that's room telling the post, the double lookout four and
• 4:20
  Speaker 4: n hi sir by excuse me, sir, expect them trumble kids,
• 4:24
  Speaker 4: fire the captain.
• 4:25
  Speaker 2: I gave you an order. Sorry, sir, Wait a minute.
• 4:29
  Speaker 2: You're here to learn. Here's your first lesson, an old
• 4:31
  Speaker 2: law of the sea. When you get an order, don't
• 4:34
  Speaker 2: ask questions. I get below. Hiye, sir. Oh remember when
• 4:38
  Speaker 2: you were that age skipping? Yes, Minster, I remember when
• 4:41
  Speaker 2: I was Parker's age had been twice round the horn
• 4:43
  Speaker 2: on the square riggor. Oh, it's different nowadays. There's no
• 4:46
  Speaker 2: time to train a crew. Oh else, can you learn
• 4:48
  Speaker 2: the sea by wearing a fancy at that uniform like him?
• 4:51
  Speaker 2: By sticking your nose in a book? Oh, give the
• 4:53
  Speaker 2: kid a chance. He'll catch on. You don't catch onto
• 4:56
  Speaker 2: the sea, missus. I beat across every ocean in the
• 4:59
  Speaker 2: book for thirty years, and I still learned something new
• 5:02
  Speaker 2: every day. And the difference between you and me, Captain
• 5:04
  Speaker 2: is that you remember the grief and I remember the fun.
• 5:07
  Speaker 4: Ow next time we're in port, you better see a
• 5:10
  Speaker 4: dentist first. Yeah, I wonder that they have lady dentists
• 5:14
  Speaker 4: in Liverpool.
• 5:17
  Speaker 2: Yes, we're bond for England to pick up crew and
• 5:20
  Speaker 2: a hole full of high test gasoline. She's an old ship,
• 5:22
  Speaker 2: dirty preyed around the edges, but she's been my home
• 5:26
  Speaker 2: and I give her the best I got. She does
• 5:28
  Speaker 2: the same for me. I'm lucky I got a first
• 5:30
  Speaker 2: officer like Joe ROSSI hired his nails. But he knows
• 5:33
  Speaker 2: what this is all about. He's worried too the others
• 5:37
  Speaker 2: and men below. Maybe it's just as well. They don't
• 5:40
  Speaker 2: think too hard. They do their jobs and leave the
• 5:42
  Speaker 2: rest to us, to the ship, to me and the Joe.
• 5:49
  Speaker 2: What do you want to pucker? Order from the captain, sir,
• 5:51
  Speaker 2: I want the double look out most for that, Okay,
• 5:53
  Speaker 2: jun you run along? What's them on a boat?
• 5:55
  Speaker 5: Old man?
• 5:55
  Speaker 2: Never pour you guys a hook for the deck. I'll
• 5:57
  Speaker 2: send somebody else. I owe the pop six brucks. Tony
• 6:00
  Speaker 2: begot y not okay, guys in it you too, professor
• 6:04
  Speaker 2: beat it, get it? That's some punk kid hampots. How
• 6:07
  Speaker 2: does the Kansas heyshake I like that ever?
• 6:09
  Speaker 4: Get to see?
• 6:10
  Speaker 2: How does any of its abrams? We're all muscle found
• 6:13
  Speaker 2: between the years. Now, want to say a thing like that?
• 6:15
  Speaker 2: For a rust put full of heighth tensed gas.
• 6:17
  Speaker 1: If a torpedo connects, we got one swell chance.
• 6:19
  Speaker 2: Think you got the wrong angle on it, Johnny, the
• 6:22
  Speaker 2: way I see that your ship's number is up the
• 6:23
  Speaker 2: subject did it? If it ain't, Torpedoes can connect right
• 6:26
  Speaker 2: when you're sitting and nothing will happen. I don't want
• 6:28
  Speaker 2: no talk yew where I'm sitting. I'm sensitive God that
• 6:31
  Speaker 2: s and PELASKI I was shipping out when your buttons
• 6:34
  Speaker 2: with safety pins. I was on a tanker in the
• 6:36
  Speaker 2: last war. So it makes you want to ship out
• 6:37
  Speaker 2: again because for twenty years I had my own business,
• 6:40
  Speaker 2: got my own house too, and a little doe for
• 6:42
  Speaker 2: the way. But I want to keep it all, see,
• 6:44
  Speaker 2: and I figured this is the only way to do it.
• 6:46
  Speaker 2: So we didn't ask for this war, but we got
• 6:47
  Speaker 2: it anyway. And I say it's the guy that, like
• 6:50
  Speaker 2: in the song, says we did it before, we'll do
• 6:52
  Speaker 2: it again. Well, you and the war Abrams, we got
• 6:55
  Speaker 2: nothing to worry about. You just think of no faith BERLASKI,
• 6:58
  Speaker 2: But I ain't got faith. And God cousin in Roosevelt
• 7:01
  Speaker 2: and the Brooklyn Dodgers and the Order, if they're important?
• 7:05
  Speaker 2: How about you, oney, THI I'm out here for the dough.
• 7:08
  Speaker 2: We're gonna hundred percent bonus, and I figure that ain't seaweed. Quote. Well, boys,
• 7:13
  Speaker 2: I'm here because this is the one place my wife
• 7:15
  Speaker 2: can't catch up with me, at least so farst eight
• 7:19
  Speaker 2: thinks she can cut alimony off of me like bubb
• 7:20
  Speaker 2: her off and a whale. Oh my corn, you and
• 7:24
  Speaker 2: your feet? Hey fellows, how about some music? Huh? I
• 7:27
  Speaker 2: got very delicate feet. Can I help it? In the
• 7:29
  Speaker 2: last one of my corns always hype when there was
• 7:31
  Speaker 2: a submarine around. Oh hey, hey, that machine's playing nothing else?
• 7:39
  Speaker 2: Stop faking you come? I like it. I know a
• 7:42
  Speaker 2: Dane that sound that she had a baby.
• 7:44
  Speaker 6: Face and a brain.
• 7:45
  Speaker 2: The mets home my home on the ings I taught it.
• 7:50
  Speaker 3: You were, well.
• 7:53
  Speaker 2: What did you do that for? Man? How maybe you'll
• 7:55
  Speaker 2: play something else.
• 7:56
  Speaker 3: Say what's he so hot about?
• 7:57
  Speaker 2: I wish you could turned off a dane that easy,
• 7:59
  Speaker 2: he said, How did you do that? Because I'm sicking
• 8:01
  Speaker 2: the guy on. We'll got a quark quarter, gonna alarm
• 8:13
  Speaker 2: all hands on, that hands on that nakens wad, Sir,
• 8:16
  Speaker 2: we've got no rudder. Hangin. I'm trying to make you
• 8:18
  Speaker 2: alarm him. We didn't have a chance. In less than
• 8:26
  Speaker 2: six minutes, the fire reached the gasty all. You can
• 8:28
  Speaker 2: see your great yellow cheeks of flame and smoke that
• 8:31
  Speaker 2: hit you like shot from the cannon. Your ears are
• 8:34
  Speaker 2: full of screaming men and a ship that's being tortured
• 8:36
  Speaker 2: and torn. You know half your cruise log. You do
• 8:40
  Speaker 2: what you can for the rest, and then you abandon ship.
• 8:43
  Speaker 2: One white vote is left, only one. The men swing
• 8:46
  Speaker 2: over the side, some jump into the water, flaming with oil,
• 8:49
  Speaker 2: and you stand there and watch, full of an awful
• 8:52
  Speaker 2: hate and an awful help. You get on in that Boatmann,
• 8:58
  Speaker 2: pull away. I'm waiting for you. Tell him I man
• 9:00
  Speaker 2: are still aboard the train of fact A. There's nothing
• 9:02
  Speaker 2: you can do. Don't tell me what I can do
• 9:04
  Speaker 2: to get over the side. Yes see, fuck there's nothing
• 9:07
  Speaker 2: in the books like you gotta bring with your ship.
• 9:09
  Speaker 2: You can't help those men, maybe not, but I'm gonna
• 9:12
  Speaker 2: try if I get well, Captain, when you come down,
• 9:17
  Speaker 2: blan to blown to fit All right, right, I'm coming
• 9:30
  Speaker 2: somehow through the burning oil. We managed to pull away.
• 9:34
  Speaker 2: Once we were clear of the planes, we shipped oars
• 9:36
  Speaker 2: and watched. We didn't want it, but we couldn't help it.
• 9:39
  Speaker 2: The shock and the horror held it fascinating, and then suddenly,
• 9:42
  Speaker 2: not one hundred yards away from it, the ship of
• 9:46
  Speaker 2: Shape of Doom rose out of the sea. The Nazi
• 9:49
  Speaker 2: submarine was serfaced. They breached and quickly turned their guns boards.
• 9:56
  Speaker 2: We can see them planing in the glare. One of
• 9:58
  Speaker 2: the Nazis started taking pictures. Another shut of it is
• 10:00
  Speaker 2: across the water. He want the captain. I started an answer,
• 10:06
  Speaker 2: but Russie grabbed before we could open my mouth. We
• 10:11
  Speaker 2: left them on deck. He's dead. They killed enough of
• 10:14
  Speaker 2: this as it is. They think they can scare us
• 10:16
  Speaker 2: off a seat. They'll find out different. Excuse me said,
• 10:19
  Speaker 2: we start rolling. Have you all got a right life?
• 10:22
  Speaker 3: Jackets man?
• 10:23
  Speaker 5: All right?
• 10:23
  Speaker 2: Pull away, boys, Look they're bearing down on it. They're
• 10:26
  Speaker 2: gonna round this. They're gonna ramm. Come be alive. Yeh
• 10:30
  Speaker 2: in the water Hi, he cleared the diving bates. But
• 10:32
  Speaker 2: as last you can laughyy heavy just you hit your
• 10:44
  Speaker 2: blood and fire to make your laugh. But our time
• 10:46
  Speaker 2: is coming. We'll pay you back. I swear that God
• 10:50
  Speaker 2: will hunt your town. We'll hunt it down and slice
• 10:53
  Speaker 2: it like a piece of cheese. They can't hear you, captain,
• 10:56
  Speaker 2: holl but God can't. We spent eleven days on the
• 11:05
  Speaker 2: life right. There was no food, no water. Two more
• 11:09
  Speaker 2: of my men died, and then we were rescued. Destroyer
• 11:12
  Speaker 2: picked us up and brought us back home. When we
• 11:15
  Speaker 2: stepped in the dark, there were a lot of reporters,
• 11:17
  Speaker 2: even the newsreel. They asked questions, but there wasn't much
• 11:20
  Speaker 2: to tell. What can you say, but what happened captain?
• 11:25
  Speaker 2: When the torpedo hits your tanker caught fire, floated. What
• 11:28
  Speaker 2: happened then? If you've bandished ship, If you see the submarine,
• 11:31
  Speaker 2: captain couldn't have seen it. It rammed. It's sun water
• 11:34
  Speaker 2: and we spent eleven days on a rag. Look, here's
• 11:37
  Speaker 2: the first office, mister Rocke. You might like to talk
• 11:39
  Speaker 2: to him. Thanks. Oh well, mister Rozi. Yeah, are you
• 11:43
  Speaker 2: going to ship out again? Mister Rothie, Well, if you
• 11:46
  Speaker 2: live on the ladder, your house burn us out, you
• 11:47
  Speaker 2: get another house out there a ship at home. If
• 11:50
  Speaker 2: it burns, we get another ship. That's how it is.
• 11:53
  Speaker 2: They it boys. Thank you, And if you men like
• 11:56
  Speaker 2: to say something, there's nothing to say. Captain and Rosie.
• 11:59
  Speaker 2: They told you every that afternoon we said goodbye, the
• 12:04
  Speaker 2: men drifting automatically to the hiring hall of the Seamen's Union.
• 12:08
  Speaker 2: They're among their own kind. They could talk and pass
• 12:10
  Speaker 2: the time, hours, days or weeks as they saw said,
• 12:14
  Speaker 2: you'll make up their minds to go to sea again
• 12:15
  Speaker 2: or find the job on land. Joe ROSSI had a
• 12:19
  Speaker 2: room in town, but he left me at the nearest cafe.
• 12:22
  Speaker 2: I lived in the suburbs. We had a little house
• 12:24
  Speaker 2: there and I he was waiting for me on the
• 12:27
  Speaker 2: front floor. Even Hello, Sarah, it's been so long, so long.
• 12:33
  Speaker 6: Oh no, they told me two weeks ago the ship
• 12:36
  Speaker 6: was lost.
• 12:37
  Speaker 2: The navy picked us up. He was a fine ship there.
• 12:41
  Speaker 6: What about the men?
• 12:43
  Speaker 2: Good? Many were lost.
• 12:43
  Speaker 6: Oh and you you've all run.
• 12:46
  Speaker 7: You have a terrible sunbursess.
• 12:49
  Speaker 2: I'm fine, fine, say that coffee. Yes, smell, yes, it's
• 12:53
  Speaker 2: all ready.
• 12:54
  Speaker 6: Come on in, we sit down in the kitchen.
• 12:56
  Speaker 2: I sure would enjoy some of your coffee. You've been
• 13:00
  Speaker 2: all right there?
• 13:00
  Speaker 6: Oh oh sure, I guess I worried some. But why
• 13:04
  Speaker 6: that's a new suit steeping?
• 13:06
  Speaker 2: Hum? It doesn't fit so good?
• 13:08
  Speaker 1: Head.
• 13:08
  Speaker 6: I think the coffee's ready.
• 13:10
  Speaker 2: You know what I'm gonna do? What? Take a bag?
• 13:13
  Speaker 2: I could soak for a month. Oh, then soap, my dolling.
• 13:17
  Speaker 2: I'll go light the heather banks. Thanks, Sarah, haven't wonder
• 13:24
  Speaker 2: that's bad I had in my life.
• 13:26
  Speaker 6: Now the dead's ready. You want to go to sleep,
• 13:28
  Speaker 6: don't you.
• 13:29
  Speaker 2: I'm so tired, sir.
• 13:31
  Speaker 6: Well you get in there, lie down. I'll go to
• 13:33
  Speaker 6: the market while you're sleeping.
• 13:35
  Speaker 2: Ah, it feels so good.
• 13:37
  Speaker 6: Sleep well, my darling. Those you're rying, that's.
• 13:41
  Speaker 2: Right, Sarah, I see tears on your face.
• 13:46
  Speaker 6: I though I'm stilling, I'm just crying because I'm so happy.
• 13:51
  Speaker 7: I should be used to it.
• 13:52
  Speaker 2: After all these years.
• 13:53
  Speaker 4: Listen, I have weathered a lot of storm. I've always
• 13:56
  Speaker 4: come back to you.
• 13:58
  Speaker 6: Yes, darling, Yes, sleep now you sleep.
• 14:02
  Speaker 2: I'll be back soon. You see so that, Oh, Rosie,
• 14:16
  Speaker 2: say when you get in this morning as well to
• 14:18
  Speaker 2: see it. Jum, how about hot one in the house.
• 14:21
  Speaker 2: What don't you recommend for a Tuesday quiz gets straight?
• 14:24
  Speaker 5: You'll I'll kill you.
• 14:26
  Speaker 2: So you got in deependent? Now? A singer you know
• 14:29
  Speaker 2: jumps not yet, so I'm going to I'll look at this. Yeah,
• 14:33
  Speaker 2: but I'm too far away. I just carry this two
• 14:36
  Speaker 2: bake medicine down. So you got a k of the bar.
• 14:38
  Speaker 2: We see him cleaner than anything going this good. You're
• 14:41
  Speaker 2: speaking about everything now.
• 14:43
  Speaker 1: I even know the names this time.
• 14:44
  Speaker 2: Up. Hey, Jack, the lady singing mine, I don't mind
• 14:49
  Speaker 2: the Western Star sail an hour ago. Lordy with troops,
• 14:51
  Speaker 2: Say Jack, how about you and the thing down in
• 14:54
  Speaker 2: the fool? Come on have a drink? Huh Hey, sure
• 14:57
  Speaker 2: they see you later. Yeah, listening to you, Jack, and
• 15:01
  Speaker 2: maybe says the war. Ain't that exactly what I've been saying?
• 15:06
  Speaker 2: Do shoot to carrying men straight for the front?
• 15:08
  Speaker 1: I see them?
• 15:09
  Speaker 2: You saw them? Huh ship? Yeah, sure I saw them.
• 15:12
  Speaker 5: Well ready, you know, come here.
• 15:15
  Speaker 2: I want to tell you something. Yes, closer, I want
• 15:18
  Speaker 2: a whisper this go ahead, Hey Mike, yeah, Jo, But
• 15:25
  Speaker 2: but on the floor, I think maybe you had a
• 15:27
  Speaker 2: little too much to drink. Huh yeah, better put him
• 15:30
  Speaker 2: in a cab. Hurt your hen, Joe, never do I'll
• 15:33
  Speaker 2: have another drink. Okay.
• 15:35
  Speaker 7: You don't waste much time between drinks, do you?
• 15:38
  Speaker 2: I never waste time? Well, guy, saw you stop that?
• 15:41
  Speaker 4: I try to do it as neatly and quietly as
• 15:43
  Speaker 4: I could.
• 15:44
  Speaker 6: Phy, couldn't you do it outside?
• 15:45
  Speaker 2: I make my living? Yet he should have had his
• 15:47
  Speaker 2: teeth kicked in, big hero.
• 15:49
  Speaker 4: Well, what would you do if a guy was shooting
• 15:51
  Speaker 4: his mouth off?
• 15:51
  Speaker 7: Turn him in so he couldn't go and talk someplace toil?
• 15:54
  Speaker 2: Well that ain't correct enough for me. You want to drink, thanks, but.
• 15:59
  Speaker 4: I don't drinking.
• 16:01
  Speaker 6: Oh, come on, performance huh yeah. I like your voice
• 16:06
  Speaker 6: and the way you were staring at you.
• 16:08
  Speaker 7: That's not all you like about you.
• 16:10
  Speaker 2: That's all I know about you so far. Hey, I jump,
• 16:14
  Speaker 2: I say, I get baby. If you should know each other? Uh,
• 16:17
  Speaker 2: Joe ROSTI fellow Neil, I'm glad to know you.
• 16:20
  Speaker 1: Hey.
• 16:21
  Speaker 2: Uh, don't you ever smile once in a while? If
• 16:24
  Speaker 2: there's a reason for you, maybe I can dream up
• 16:26
  Speaker 2: a reason mind if I hang around shoot yourself, mister ROSSI,
• 16:31
  Speaker 2: when do you knock out here?
• 16:32
  Speaker 3: Sometime after you've letter.
• 16:34
  Speaker 2: Maybe I'm leaving you right now. I guess you made
• 16:37
  Speaker 2: things pretty clear.
• 16:38
  Speaker 6: Oh wait a minute, I'm sorry. I guess I'm just
• 16:42
  Speaker 6: in the jump.
• 16:43
  Speaker 2: I was thinking maybe when you get through, we could
• 16:45
  Speaker 2: go somewhere and have a few laughs. Well, is he okay?
• 16:50
  Speaker 2: Mark had job?
• 16:51
  Speaker 6: Okay, alright, we'll have a few lots.
• 16:54
  Speaker 2: I don't know, Jim, you better have that tooth fixed. Yeah,
• 16:57
  Speaker 2: I think I will.
• 16:58
  Speaker 1: M I think I will one of these weeks, mister
• 17:14
  Speaker 1: d Mills person back too of action in The North Atlantic,
• 17:17
  Speaker 1: starring George Draft, Raymond Massey and Julie Bishop.
• 17:20
  Speaker 7: In just a moment, Oh, mister Kennedy, do you know
• 17:23
  Speaker 7: what year this is?
• 17:24
  Speaker 1: Nineteen forty four, isn't it?
• 17:26
  Speaker 2: No? I mean it's leafyer.
• 17:28
  Speaker 5: Oh yes, I forgot.
• 17:29
  Speaker 1: After all, I'm already married. Have you any plans selling?
• 17:32
  Speaker 7: Yes, sir, I've got my proposal.
• 17:34
  Speaker 6: All you heard?
• 17:35
  Speaker 1: Well, Well, and what kind of a manner you looking for?
• 17:38
  Speaker 7: Well, that's hard to put into words. When I see him,
• 17:41
  Speaker 7: I'll know him, I guess that's all.
• 17:43
  Speaker 2: And what will you tell him?
• 17:45
  Speaker 7: Well, I'll admit I'm.
• 17:46
  Speaker 6: Not an expert on cooking, and I don't.
• 17:48
  Speaker 7: Think I take any prizes at sewing, but.
• 17:50
  Speaker 6: I'm very thristy.
• 17:52
  Speaker 5: Of course you're a lux girl.
• 17:53
  Speaker 7: Yes, why would I save on stockings alone?
• 17:56
  Speaker 2: Is it really a lot of selling plenty, mister.
• 17:58
  Speaker 7: Kennedy, You know stockings are one of the biggest items
• 18:01
  Speaker 7: in any girl's budgets.
• 18:02
  Speaker 1: Let us no wonder, Luck says America's favorite stocking care.
• 18:06
  Speaker 1: Luxing certainly does make stockings last. Recently, for example, a
• 18:10
  Speaker 1: very famous laboratory made hundreds of tests, and they found
• 18:13
  Speaker 1: stockings washed with Luck's flakes lasted twice as long. Stockings
• 18:17
  Speaker 1: rubbed with a cake of soap or washed with a
• 18:19
  Speaker 1: strong soap went and the runs fast.
• 18:21
  Speaker 7: Well, I'm not a scientist, mister Kennedy, but I do
• 18:24
  Speaker 7: know I don't get nearly as many runs as some
• 18:26
  Speaker 7: girls too. And another thing, stockings fit a lot better
• 18:30
  Speaker 7: when you luxed them every night.
• 18:32
  Speaker 1: Here's a good rule for a leap year or any
• 18:34
  Speaker 1: other year. Don't riff cake soap, rubbing or strong.
• 18:37
  Speaker 7: Soap oftenish your ruined rhyme. Stockings that leap into luxe
• 18:41
  Speaker 7: every night are sure to wear longer and sure to
• 18:45
  Speaker 7: sit right now.
• 18:46
  Speaker 3: Our producer, mister de mill Act too of action in
• 18:49
  Speaker 3: the North Atlantic dying. George raft says Joe Rose, Raymond
• 18:53
  Speaker 3: Massey as Captain Jarvis, and Julie Bishop as Pearl o.
• 19:04
  Speaker 2: The days on shore went quickly by. They were starting
• 19:08
  Speaker 2: to turn out those liberty ships fast, and they needed captain.
• 19:11
  Speaker 2: Spent a lot of time in town lining up a
• 19:13
  Speaker 2: new bird. I tried to look up Joe Rossy, but
• 19:16
  Speaker 2: I never could find him. It seems that new girl
• 19:18
  Speaker 2: of his with keeping him pretty busy. Once in a while,
• 19:21
  Speaker 2: I'd see the boys mules ship still killing time, and
• 19:24
  Speaker 2: the hire and all of the seams unions. One one
• 19:28
  Speaker 2: hundred men must have shipped out to day already.
• 19:30
  Speaker 1: That's only a spit in the ocean.
• 19:32
  Speaker 2: It'll take thousands away. They turned out them new ships
• 19:34
  Speaker 2: or oilers, water free abs report to the desert. Come
• 19:38
  Speaker 2: on for last yay, let's sign and get it over it.
• 19:40
  Speaker 2: I ain't no hurry, In fact, I ain't ever gonna
• 19:43
  Speaker 2: sign up again. What are you hanging around here for?
• 19:45
  Speaker 5: If ain't gonna sign up.
• 19:46
  Speaker 2: I'm paid up. I'm still a member of this union
• 19:48
  Speaker 2: list and the only uniform we got is deunion button.
• 19:51
  Speaker 4: But no guys wearing wana.
• 19:53
  Speaker 2: Way got water takes. Oh, I ain't got no guts hand.
• 19:55
  Speaker 1: But look it's different with you single guys. You never
• 19:58
  Speaker 1: got a worry in the world.
• 19:59
  Speaker 2: But I'm married. Say, I got a wife and the
• 20:01
  Speaker 2: kid's coming next month, So all right, I'm nervous and
• 20:03
  Speaker 2: I do what do you mean? Pipe down?
• 20:05
  Speaker 1: No matter, it'll allowed, no more, no more free speech.
• 20:08
  Speaker 2: Come on, forget it, let's play cards. No, I won't
• 20:11
  Speaker 2: forget it. Don't matter. If I want to know if
• 20:13
  Speaker 2: my kid's gonna be a boil a girl, don't I
• 20:15
  Speaker 2: count no more?
• 20:16
  Speaker 5: Go home.
• 20:17
  Speaker 2: I don't want to see my kids see he and
• 20:19
  Speaker 2: I want to be with my wife.
• 20:21
  Speaker 4: Go on, make a lower guest and put me in
• 20:22
  Speaker 4: another housepit thinking things like that?
• 20:24
  Speaker 2: Don't go on? Why don't just say something. I don't
• 20:27
  Speaker 2: talk to guys like you. I beat their ears off,
• 20:29
  Speaker 2: playoff boats. You are, your brains are in your fists.
• 20:33
  Speaker 2: If that's the way you feel, Pulaski, you got a
• 20:35
  Speaker 2: right to say so. I got a family too. I
• 20:38
  Speaker 2: think my wife feels good with me at seeing my
• 20:40
  Speaker 2: boy in England and the Air Force. You gotta kit
• 20:42
  Speaker 2: in the air Force? Yes, the why talk about such
• 20:45
  Speaker 2: a common thing. It's trouble with you, Pulaski, is you
• 20:47
  Speaker 2: think America is just a place to eat and sleep
• 20:49
  Speaker 2: and you don't know what signs your futures better than believe.
• 20:52
  Speaker 2: Don't waste your breath? Well maybe or fire two ky
• 20:57
  Speaker 2: here one boat? Hey, come on, you got it's one
• 21:00
  Speaker 2: of them new liberties, a big one in fast. I
• 21:02
  Speaker 2: just got all adults they want to post an a hirah,
• 21:04
  Speaker 2: what do you say? Let's go coming right in? Yeah,
• 21:07
  Speaker 2: I'll go find Jinks. So long, Papa Polaski, what do
• 21:10
  Speaker 2: you mean so long? I'm coming? So I changed my mind.
• 21:13
  Speaker 2: Maybe I talked so much. Welcome home, Perlaski, Welcome home. Yes,
• 21:28
  Speaker 2: I'm looking with Joe Rithy.
• 21:29
  Speaker 7: What do you want to see him about?
• 21:31
  Speaker 2: Or is it baby at you?
• 21:32
  Speaker 5: Joe?
• 21:33
  Speaker 2: Steve? Well, how are you come on in?
• 21:36
  Speaker 5: Joe?
• 21:37
  Speaker 2: You look worse than you didn't met Riot? Maybe, but
• 21:39
  Speaker 2: it's been a lot more fun, honey. I want you
• 21:42
  Speaker 2: to meet a good old friend of mine, Steve Jarvis.
• 21:44
  Speaker 2: I got a new ship, Joe, and I signed you
• 21:46
  Speaker 2: on his fruit, providing you can report in half an hour?
• 21:49
  Speaker 2: Half hour?
• 21:49
  Speaker 4: Huh, you're not gonna go you baby?
• 21:52
  Speaker 2: I told you it was going to be like this.
• 21:53
  Speaker 2: It's another story with Joe and me, is it? I'm
• 21:56
  Speaker 2: always getting them aboard ship when he's tangled up in
• 21:58
  Speaker 2: something like this. Oh, don't mind him, peerl Uh, the
• 22:02
  Speaker 2: old man of the sea. Joe, where's your money?
• 22:05
  Speaker 5: Money?
• 22:06
  Speaker 2: You had a lot of cash when you get paid off. Now,
• 22:08
  Speaker 2: wait a minute, we're not getting out of here without
• 22:10
  Speaker 2: his money. Come on, mass, hand it over.
• 22:12
  Speaker 7: He gave me his money and we put it in
• 22:14
  Speaker 7: the back.
• 22:14
  Speaker 2: We put it in the pa. How do you mean we?
• 22:18
  Speaker 2: Me and the rice Steve? We got splice yesterday? Joke.
• 22:23
  Speaker 2: You stood there letting me make a fool out of myself.
• 22:27
  Speaker 2: I don't know what this savement is roget Oh, it's
• 22:30
  Speaker 2: all right, Joe. How did it happen? I don't know. Uh,
• 22:33
  Speaker 2: better ask her.
• 22:36
  Speaker 7: I guess there's there's no reason that makes any sense.
• 22:39
  Speaker 2: I guess we just like it. Uh, that makes a
• 22:41
  Speaker 2: lot of sense. Kind of hard to believe, Ain't it? Me?
• 22:45
  Speaker 2: All hitched up with him missing? It's fine, Joe, it's fine.
• 22:49
  Speaker 7: Old then you can understand why Joe can't.
• 22:51
  Speaker 2: Joe.
• 22:51
  Speaker 4: Oh, I gotta ship our baby, and when I get back,
• 22:54
  Speaker 4: I'll take you to Naga.
• 22:55
  Speaker 2: Fall.
• 22:55
  Speaker 4: I don't get tired of looking at the water by
• 22:57
  Speaker 4: that time. Joe, please, pearl, that's one thing you gotta understand.
• 23:02
  Speaker 4: You've seen what's been going on and what we've seen
• 23:04
  Speaker 4: a nice and out at the Star War two. You
• 23:06
  Speaker 4: can't just sit around holding hands. Be right way there, skipper.
• 23:10
  Speaker 2: I ain't know how it is, MSUs Rossy. My wife
• 23:13
  Speaker 2: feels just the same as you do, don't you. I'd
• 23:16
  Speaker 2: like to at leave you heard telephone numbers. She's had
• 23:18
  Speaker 2: a lot of experience being a sailor's wife. Thanks you here.
• 23:24
  Speaker 5: I wish you'd call it.
• 23:25
  Speaker 2: Maybe she would tell you I'm not always as dumb
• 23:28
  Speaker 2: as I was when I come in here. Now, why
• 23:30
  Speaker 2: don't you get in there and help him pack? I
• 23:32
  Speaker 2: think i'd better excuse need some help, Joe. Well, you
• 23:38
  Speaker 2: can find me some shirt, parl.
• 23:41
  Speaker 1: Oh.
• 23:41
  Speaker 2: I'm saying good bye to people all my life. It
• 23:44
  Speaker 2: was the first time it really meant anything. That's why
• 23:47
  Speaker 2: I married to Joe.
• 23:48
  Speaker 6: Huh, So you'd have somebody to say goodbye to and
• 23:52
  Speaker 6: come back to.
• 23:53
  Speaker 2: That's what you wanted, isn't it, Joe?
• 23:55
  Speaker 3: Here shirt?
• 23:57
  Speaker 2: Yeah, guess that's what I wanted. Oh? Uh, say, do
• 24:01
  Speaker 2: your mind if I take this along.
• 24:03
  Speaker 6: This picture, huh, I don't look much like a sailor's
• 24:07
  Speaker 6: wife much.
• 24:07
  Speaker 5: Swell.
• 24:08
  Speaker 1: I'm sorry that other fella's in it, Joe.
• 24:10
  Speaker 2: We got it taken once at Coney Island.
• 24:12
  Speaker 5: Who's the guy?
• 24:13
  Speaker 2: Nobody, Joe. I don't even remember me? Ah, just terrible.
• 24:20
  Speaker 5: Joe.
• 24:22
  Speaker 1: When do you be back?
• 24:23
  Speaker 2: I don't know where will you be? They don't tell
• 24:26
  Speaker 2: us that either, honey.
• 24:28
  Speaker 6: Just some place on the ocean.
• 24:30
  Speaker 2: Can't sail on land, no place I can write. Sorry, baby,
• 24:36
  Speaker 2: that's the way it is, though. Well, goodbye Joe, goodbye kids.
• 24:44
  Speaker 2: Thanks for everything already, Skipper. There's a beautiful ship for
• 24:57
  Speaker 2: Sea Witch, all new and shine clean, even fresh leg
• 25:00
  Speaker 2: a racehorse. We loaded to the Princil line with trucks
• 25:04
  Speaker 2: and tangs, ammunition, and carloads of food. The crew was new,
• 25:08
  Speaker 2: but I was thankful for a few familiar faces. O'Hara
• 25:12
  Speaker 2: and Abrams, Lansky, Whitey Doggie and the Navy came aboard too.
• 25:17
  Speaker 2: Hencenote and ten men were a gun crew. Kids so
• 25:21
  Speaker 2: young they were quite a joke to men like O'Hara,
• 25:24
  Speaker 2: And boy, will you get a load of this filk? Baby?
• 25:29
  Speaker 2: Ain't you? Children? Got the wrong ship. This ain't no
• 25:32
  Speaker 2: Hudson River dayline. Alright down, sin Bad. We're here to
• 25:34
  Speaker 2: protect you, guys, They're here to protect us. Now, ain't
• 25:37
  Speaker 2: that sweet? Out of the way? Say well, let us
• 25:39
  Speaker 2: throw now, do not be impetuous. Hey you, what's that
• 25:43
  Speaker 2: starr on your chest? That means you got high mats
• 25:45
  Speaker 2: and music appreciation? Hi kid? Tell them Mousey, tell the
• 25:48
  Speaker 2: wise guy's where you got that star? I used to
• 25:50
  Speaker 2: bail Alex. That means the Lexington wise guy, the Lexington.
• 25:54
  Speaker 1: Are you kidding?
• 25:55
  Speaker 4: Did you knock off any of them jets?
• 25:56
  Speaker 2: Kids? Yeah, we got a few. All right, break it
• 25:59
  Speaker 2: up for it right up? O'Hara, Yes, sir, you aren't
• 26:01
  Speaker 2: able to take these lady man aff Joe says bad Quarters.
• 26:05
  Speaker 2: I'll be in the old man's office. We're sailing in
• 26:06
  Speaker 2: two hours. Take them kind of young these days, mister,
• 26:13
  Speaker 2: the gun crew, Yeah, at least they've been trained. I
• 26:16
  Speaker 2: sure hope.
• 26:16
  Speaker 4: So just between you and me, Skipper, I don't think
• 26:19
  Speaker 4: our boys could hit the deck with our hats.
• 26:21
  Speaker 5: Well.
• 26:21
  Speaker 4: By the way, there's another cadet aboard that skills our crew.
• 26:25
  Speaker 2: Where is he? Con deck? Want to say?
• 26:27
  Speaker 5: Him?
• 26:27
  Speaker 2: Might as well what's he like, Well, it looks pretty
• 26:29
  Speaker 2: good to me in torpedoes, spend some time in a raft,
• 26:32
  Speaker 2: and he's raring to go again. Send him in, okay, son,
• 26:38
  Speaker 2: the captain will see it. Thanks Parker, Well, Matt, see
• 26:45
  Speaker 2: you again. Thank you, sir. Get any of your working
• 26:47
  Speaker 2: clothes plenty. What are you to do? I'll see you
• 26:49
  Speaker 2: later at the bridge, Yes, sir, thank you, sir. Well
• 26:54
  Speaker 2: Parker again, book learning sailors instead of experience. Well, I
• 26:59
  Speaker 2: must admit did our times chain skipper men in ships
• 27:03
  Speaker 2: with it? You should have your own ship, Joe. You
• 27:06
  Speaker 2: rated a master's license long ago. I made skipper too
• 27:09
  Speaker 2: much worry of PaperWorks. You got a wife now to
• 27:12
  Speaker 2: think about. Well, I just got her orders.
• 27:14
  Speaker 4: We're going to Canada, Canada, and just between you and me,
• 27:18
  Speaker 4: we take on more deck cargo and join the convoy.
• 27:21
  Speaker 4: We put anything more on the ship, we'll have to
• 27:22
  Speaker 4: put wheels on her bottom and push her in line.
• 27:25
  Speaker 2: The man up on deck, I'd like to meet him, yes,
• 27:28
  Speaker 2: her later that week. As we dropped anchor off the
• 27:37
  Speaker 2: Canadian port, the spikes met our eyes and we'll never
• 27:40
  Speaker 2: forget there. In the bay, we're more than seventy ship
• 27:44
  Speaker 2: ship from all over the world, all the street, Russia,
• 27:46
  Speaker 2: England and a dozen other countries. Here in one great convoy.
• 27:51
  Speaker 2: We're all in United Nations and dashing up and down
• 27:54
  Speaker 2: like sheep dogs, tent and a flock with the British
• 27:58
  Speaker 2: and Canadian naval escort. I went as sure that afternoon,
• 28:01
  Speaker 2: Admiral Frankly, the convoy commander, called a meeting of the
• 28:05
  Speaker 2: ship's lancas. All right, now, gentlemen, we've all been given
• 28:13
  Speaker 2: a slip of paper on which has been written the
• 28:16
  Speaker 2: number of your ship. Immediately upon weighing anchor, each ship
• 28:21
  Speaker 2: will display her number by a hoist of flags of
• 28:24
  Speaker 2: the International co You'll proceed to the point of rendezvous
• 28:29
  Speaker 2: and assume your positions in the convoy has shown on
• 28:33
  Speaker 2: this diagram. Here you now know the number of your
• 28:36
  Speaker 2: own ship, and from this diagram you'll readily learn the
• 28:40
  Speaker 2: number of the ships immediately around you. Now, let's take
• 28:43
  Speaker 2: a number at random here, twenty eight, all right, captain.
• 28:49
  Speaker 2: By looking at this diagram, you'll see that the numbers
• 28:52
  Speaker 2: of the ship the beame of you must be twenty
• 28:55
  Speaker 2: seven and twenty nine, and the sturn of your numbers
• 28:59
  Speaker 2: eighteen thirty four. That Clarty, a gentleman. Now, my ship
• 29:04
  Speaker 2: will be the command ship. Watch me at all times
• 29:07
  Speaker 2: to signals.
• 29:08
  Speaker 5: Do we use only flags or communications?
• 29:10
  Speaker 2: We will use five methods of communication blanker line, rocket whistle,
• 29:16
  Speaker 2: flags and loud speaker, but absolute radio silence must be
• 29:21
  Speaker 2: maintained and of course complete blackout at night. Your normal
• 29:25
  Speaker 2: stations will be five hundred yards to five admiral hankers.
• 29:28
  Speaker 2: As should we lose contact with each other or if
• 29:31
  Speaker 2: we're forced to scatter, how do we regain positions by
• 29:35
  Speaker 2: proceeding to a new rendezvous at a time and place
• 29:38
  Speaker 2: indicated in your sealed order. Now, gentlemen, I don't have
• 29:42
  Speaker 2: to emphasize the hazards this convoys likely to encounter. Most
• 29:47
  Speaker 2: of us now are strangers. We will know each other
• 29:50
  Speaker 2: better after this void. Good luck, God's speak, mister ROSSI
• 30:04
  Speaker 2: go ahead, poker, Convoy Commander, stop reading Pennant Moore, William
• 30:10
  Speaker 2: Jay easy acknowledge or yes, sir on the slight ride, Yes, sir, acknowledge.
• 30:16
  Speaker 2: Convoy commander for fifty one signal William Jig easy Ah
• 30:21
  Speaker 2: ey sah, William Jig easy, keep your eyes over pawker
• 30:25
  Speaker 2: hop you up at the bridge. Yes, sir, well, school
• 30:30
  Speaker 2: think captain looks like we're all present. I want all
• 30:33
  Speaker 2: the company I can have on this voyage. He's opened
• 30:35
  Speaker 2: the orders. That's right. Well we headed Russia, isn't it
• 30:39
  Speaker 2: boredomer man? My man? Huh, let's see what you mean.
• 30:44
  Speaker 2: The orders are on my death. When you get a
• 30:46
  Speaker 2: chance read them me, anything can happen. Mister. You might
• 30:49
  Speaker 2: find yourself with a command, whether you want one or not.
• 30:53
  Speaker 2: Nervous missus, Yeah, that's okay.
• 30:57
  Speaker 5: So mind.
• 31:00
  Speaker 2: Oh coming, mister ROTHI well, uh, I was it going
• 31:04
  Speaker 2: poker skipper?
• 31:06
  Speaker 5: Want me?
• 31:06
  Speaker 2: Sir? Oh? Oh, I'm just killing time. I thought you'd
• 31:10
  Speaker 2: be asleep. I was trying to, but I couldn't make it.
• 31:13
  Speaker 2: I've been reading, uh these nice at billies and anything. Well,
• 31:16
  Speaker 2: maybe we'll get used to it. It's going even out
• 31:18
  Speaker 2: four days.
• 31:19
  Speaker 1: Try to sleep, but every time the engine is low down,
• 31:21
  Speaker 1: my heart speaks up.
• 31:22
  Speaker 2: I don't have nerves like you, mister ROTHI I may
• 31:24
  Speaker 2: tell you something about my unnerves. Kid.
• 31:26
  Speaker 4: It's made of rubbing. It's like everybody else's sort of stretch.
• 31:29
  Speaker 4: When I needed people got a funny idea of being brave.
• 31:32
  Speaker 4: Ain't being scared.
• 31:33
  Speaker 2: But I figure that. If you ain't scared, then there's
• 31:35
  Speaker 2: nothing to be brave about. The trick is how much
• 31:37
  Speaker 2: can can you take? I got an idea you can
• 31:40
  Speaker 2: take plenty, I I hope so. Oh uh like your
• 31:45
  Speaker 2: girl's picture? Yes, sir, mm nice looking? How she feel
• 31:49
  Speaker 2: about you going to the city? Well, he didn't feel
• 31:52
  Speaker 2: very good since the same as my life. Yeah, here's
• 31:56
  Speaker 2: a picture. That's what she looks like. Oh see she
• 32:01
  Speaker 2: looks swell. Yeah, Well we didn't have time to have
• 32:04
  Speaker 2: a real good picture taking. You know, it's it's kind
• 32:07
  Speaker 2: of nice. Nobody at home thinking about it? You ain't nothing? Yeah, look, uh,
• 32:12
  Speaker 2: how do you ever happened to jour in the Merchant Marine?
• 32:14
  Speaker 5: Kids?
• 32:15
  Speaker 2: I've been wanting to go to seasons I as a kid.
• 32:18
  Speaker 2: Right now, well it sounds pretty corny, I guess, but
• 32:22
  Speaker 2: right now it seems to me this is the toughest,
• 32:23
  Speaker 2: most important job anybody can do. There's nothing bigger than this.
• 32:28
  Speaker 1: See, mister Rawsy, when you get your own ship, I
• 32:32
  Speaker 1: I sure hope I get a chance to stay with you.
• 32:34
  Speaker 2: Oh I'm too easy going to make it skipping. Well,
• 32:38
  Speaker 2: you go and watch them. Had to get some sleep
• 32:41
  Speaker 2: before you shot 'em and get to your stations now,
• 32:44
  Speaker 2: General alarm and stand by that man, General end ahead, Frank, Frank,
• 32:56
  Speaker 2: look like command a sim.
• 33:00
  Speaker 3: Lace party.
• 33:01
  Speaker 2: I us, mister A doesn't know who they get one
• 33:05
  Speaker 2: of the Greeks here as I can well say of
• 33:07
  Speaker 2: another consay, command of the road for old book, sirt
• 33:11
  Speaker 2: to the deck, thirst to the night, Don maras a
• 33:13
  Speaker 2: nagging on Salva, Porter of con boy, the hack as
• 33:16
  Speaker 2: the spoosal rockets. Okay, mister, take the wheels, emergency cords,
• 33:19
  Speaker 2: zig zag party. They're all around it fenders great by
• 33:27
  Speaker 2: ways Rode. They must have brought up Roderick Galanda f
• 33:33
  Speaker 2: f WI Robert commanded f f wats sat fiery whale
• 33:37
  Speaker 2: ramp stat fiery way ram see hie the toil a
• 33:41
  Speaker 2: ram target the toil rap. I think you're a little late,
• 33:45
  Speaker 2: Sam Peter, Wait, sir pull lamp runners pull mister by
• 33:48
  Speaker 2: sir w laugh Popedo done fine, done, bye Poppo.
• 34:03
  Speaker 5: We pause now for station identification.
• 34:05
  Speaker 1: This is CBS, the Columbia Broadcasting System. After a brief intermission,
• 34:29
  Speaker 1: mister de Mill returns with George Raft, Raymond Massey, and
• 34:32
  Speaker 1: Julie Bishop for Act three of action in the North Atlantic.
• 34:36
  Speaker 1: Now here's our fashion reporter, Libby Cullens. What is it
• 34:40
  Speaker 1: this time, Libby, I'm.
• 34:41
  Speaker 6: Thecauvia fashions mister Kennedy. To be exact, slip or rather
• 34:45
  Speaker 6: half lift?
• 34:45
  Speaker 5: Well, I suppose half a slip.
• 34:47
  Speaker 6: Is better than unslie when it's warned under the popular
• 34:50
  Speaker 6: new bareback style. Talk of petticials help your skirt hang well,
• 34:54
  Speaker 6: yet don't show above a low cut back. There they
• 34:57
  Speaker 6: are half in half lifts to around a suit.
• 34:59
  Speaker 7: The bottom part is dark so it won't show through if.
• 35:01
  Speaker 6: Your skirt has no open weeds, but the top part
• 35:04
  Speaker 6: is white because most lauses are light colored. And speaking
• 35:07
  Speaker 6: of glauses, the sheer pizza booth styles are back again,
• 35:10
  Speaker 6: so they are lovely cameusels top slips to round of them.
• 35:13
  Speaker 1: I guess that's one time when it's all right to
• 35:15
  Speaker 1: sell a lady or slip is showing, of.
• 35:17
  Speaker 6: Course, but we have to be careful that what shows
• 35:20
  Speaker 6: is starking, fast and dainty looking frayed faded lace of
• 35:23
  Speaker 6: torn shoulder stats would look awful under a sheer blouse.
• 35:27
  Speaker 6: So it's more important than ever to give under things
• 35:29
  Speaker 6: chant of care, and by that I mean lux care.
• 35:32
  Speaker 1: Yes, lux care makes a real difference in the way
• 35:34
  Speaker 1: fabrics look and in the way they wear. Recently, a
• 35:38
  Speaker 1: famous laboratory tested different washing methods, and here's what they found.
• 35:42
  Speaker 1: Slips and nightgowns washed the luxe way stayed color fresh
• 35:46
  Speaker 1: and lovely, looking three times longer.
• 35:48
  Speaker 7: It certainly pays to stick to LUs late, as most.
• 35:50
  Speaker 6: Of us know already, mister candidate, you're right, Libby.
• 35:53
  Speaker 1: The tests showed that harsh wash day method not only
• 35:56
  Speaker 1: faded color but often frayed shoulder straps pulled out scenes.
• 36:00
  Speaker 5: It's the least.
• 36:02
  Speaker 1: We'll say it in music under things lead a long
• 36:04
  Speaker 1: life when they lead a luxe life. Now, mister the
• 36:13
  Speaker 1: mill returns to the microphone.
• 36:15
  Speaker 3: We'll have a chat with the captain and the first
• 36:17
  Speaker 3: mate after the play. But now the curtain righted. On
• 36:19
  Speaker 3: Act three of action in the North Atlantic tying George Raft,
• 36:22
  Speaker 3: Raymond Matthey and Julie Bishop.
• 36:26
  Speaker 2: Hoop By Hoel saw the torpedo cut the water like
• 36:36
  Speaker 2: a shark across our balls, but the sub had no
• 36:39
  Speaker 2: time to try again. That British destroyer poured down like
• 36:42
  Speaker 2: a carrier on a ramp master's turn and finished the
• 36:45
  Speaker 2: job with shelved by. Our path of escape was clear.
• 36:48
  Speaker 2: Now we left the convoy in a nightmare of loud
• 36:52
  Speaker 2: and battle and speeded northeast. Then late that afternoon, Joe
• 36:56
  Speaker 2: rush He asked me to come aft. He handed me
• 36:58
  Speaker 2: as binoculars point out to sea. Well, why do you
• 37:03
  Speaker 2: makeing a skipping? It's a sub orran following us, playing
• 37:07
  Speaker 2: tag and wear it. I'm going forward, mister. I got
• 37:10
  Speaker 2: some chance to look at from thinking to do if
• 37:13
  Speaker 2: she changed his course, call me one eye eye, sir.
• 37:19
  Speaker 2: The sub come to us like a leech, out of
• 37:21
  Speaker 2: gun range, but close enough to keep us in sight.
• 37:25
  Speaker 2: Just before dusk, I called the ship's office to my
• 37:27
  Speaker 2: captain and gentlemen, as you know, a submarine has been
• 37:35
  Speaker 2: tailing is now for hours. I've been trying to figure
• 37:38
  Speaker 2: out why she hasn't put on speed and come within
• 37:40
  Speaker 2: torpedo range. Mister Wright, he's keeping out of rain, sir,
• 37:44
  Speaker 2: because she doesn't want to match guy. I think she'll
• 37:46
  Speaker 2: dog us still dot Marge, then attack. Maybe what's your opinion,
• 37:51
  Speaker 2: mister Rosie, Well, I don't think that sub's interested in
• 37:53
  Speaker 2: that Charles crazy, but I think she knows we'll be
• 37:56
  Speaker 2: trying to rejoin the convoy. Why should she think us
• 37:59
  Speaker 2: what we can we to write back to the whole works.
• 38:01
  Speaker 2: It's the whole convoy that's good. Sand Smith due at
• 38:04
  Speaker 2: least I figure it the same way, and I've changed chords.
• 38:08
  Speaker 2: I'm leading that job away from the convoy. You all
• 38:11
  Speaker 2: know what that means. We can't rejoin. We're on our own.
• 38:15
  Speaker 2: Is that clear? We can't expect any help. Man. Our
• 38:19
  Speaker 2: first job is to shake off that's up. Our next
• 38:22
  Speaker 2: is to beat our way to Murmansk and deliver the
• 38:23
  Speaker 2: good with God's help. That's what we intend to do.
• 38:27
  Speaker 2: I want every member of the crew to be informed
• 38:29
  Speaker 2: of it. You want me or be ast? What? Thank you? Parker?
• 38:36
  Speaker 1: Hi?
• 38:36
  Speaker 2: I sir, how is your pouse kids? Oh, mister Russy,
• 38:40
  Speaker 2: it's been recognizing the doctor.
• 38:42
  Speaker 5: I'm okay, sir. I just at this forward.
• 38:43
  Speaker 2: Watch if any excitement tonight, it will become asked.
• 38:46
  Speaker 5: Yeah, not much chance of losing them, I guess.
• 38:48
  Speaker 2: I give him about two more hours to get a
• 38:50
  Speaker 2: beam on us. We run those followers. If we stop
• 38:52
  Speaker 2: those spotus with a listening devices. Huh what did you say?
• 38:55
  Speaker 2: I said, if we stopped those spotters with the listing devices.
• 38:58
  Speaker 4: Yeah, there's anything to listen to, to poker? Where's the
• 39:01
  Speaker 4: old man chart rope? Get a little Tell the chief
• 39:03
  Speaker 4: engineer we report to ride away in the chart room.
• 39:06
  Speaker 4: I think maybe I got an idea.
• 39:15
  Speaker 2: Say that again, mister. Instead of trying to run away,
• 39:18
  Speaker 2: we stand still. It's too dark and then to see us.
• 39:21
  Speaker 2: And if we see let me sound up tight. They
• 39:23
  Speaker 2: won't be able to pick up anything on their listening apparatus.
• 39:26
  Speaker 2: They'll say right past us. Well, can you do it? Chief?
• 39:29
  Speaker 2: Black out every sound on board, engine, humps, generators, the
• 39:33
  Speaker 2: whole works. I can do it, sure, but I won't
• 39:35
  Speaker 2: be responsible for the safety of the ship.
• 39:37
  Speaker 4: You be responsible. We get kissed by a torpedo, how
• 39:39
  Speaker 4: long will it take you to secure everything?
• 39:41
  Speaker 2: Ten minutes? But you get up steam again half and now, yes, sir,
• 39:44
  Speaker 2: it's worth the risk. Go ahead, as drossy, check the
• 39:48
  Speaker 2: wind and estimate the drift fast word to the boat.
• 39:51
  Speaker 2: We've got to have complete silence throughout the ship. That
• 40:06
  Speaker 2: said's getting all self black down.
• 40:10
  Speaker 4: Yeah, we're getting We only got to get the most
• 40:13
  Speaker 4: sting in the rocket.
• 40:15
  Speaker 2: Very lucky as it is. No mood. Yeah, all we
• 40:19
  Speaker 2: gotta do now is sit wait, hey, what's that? It's
• 40:24
  Speaker 2: made by asking night down on the deck. My your
• 40:27
  Speaker 2: heart's bombing so fast it's gonna bust right out of
• 40:29
  Speaker 2: my chest. Oh, I'm just sorry, Yeah, Brooks, I didn't see.
• 40:33
  Speaker 2: Oh I wish I was in Times Square.
• 40:36
  Speaker 3: Whit Times Square.
• 40:37
  Speaker 2: I'd take this subway home. Hey, what does that? My
• 40:42
  Speaker 2: here's I'm sure it's my hard Shut up and listen.
• 40:46
  Speaker 2: That's it. That's the sub ultr.
• 40:49
  Speaker 1: Bratton boy Alter.
• 40:50
  Speaker 2: Hey, I got a sneak old for Johnny. Oh no,
• 40:55
  Speaker 2: got her, I got her Johnny fuck Ultra Mason up
• 40:59
  Speaker 2: a do like this. It'll hurt a little bit. It's
• 41:01
  Speaker 2: guarantee to stop sneezing. You ready, Yeah, yeah, it's good.
• 41:08
  Speaker 1: But he comes to uh.
• 41:11
  Speaker 2: O'hana. Yeah, they get him closer.
• 41:14
  Speaker 4: Yeah, you suppose I should tell the captain she's.
• 41:16
  Speaker 2: Got he his watch him lastly if he comes to
• 41:19
  Speaker 2: stock him again, the people for capt him. You're here
• 41:26
  Speaker 2: about a quarter a mile of starbus. Wait a minute,
• 41:28
  Speaker 2: she's fading, she's gone or blacked out to maybe maybe
• 41:36
  Speaker 2: I gotta hunt she ring for good. Trying to think
• 41:40
  Speaker 2: of a prayer, mister and the stark prayer. Hey, it's
• 41:53
  Speaker 2: almost daylight it how does it look more clear? Years er?
• 41:58
  Speaker 2: It's the right ice fort side?
• 42:01
  Speaker 5: What do you see?
• 42:02
  Speaker 2: All clear? Sir? Can't pick up a thing. Good check
• 42:06
  Speaker 2: with the crows man. Mister ROSSI tell McGonagall I expect
• 42:09
  Speaker 2: full boilers in half an hour. He'll get him. Skip back.
• 42:12
  Speaker 4: Don't want to keep your voice down.
• 42:13
  Speaker 2: Get crazy, sorry, jo In the full wash in morning sunlight,
• 42:25
  Speaker 2: everything seemed wonderfully fresh and good again. Before noon the
• 42:29
  Speaker 2: radio man picked up a signal, but it was in
• 42:31
  Speaker 2: German cold and it meant nothing to it. The sea
• 42:33
  Speaker 2: was clear for miles around it unmolested. We put about
• 42:37
  Speaker 2: and headed from her Man. And then it came, not
• 42:41
  Speaker 2: from the seas we might have expected, but from the sky,
• 42:44
  Speaker 2: the double drone of approaching planes, unigendified plane off the
• 42:49
  Speaker 2: top of the ball down. General Lum had a crap
• 42:52
  Speaker 2: battery Fike target Rossy, Yes, up, those are Nazi planes
• 42:56
  Speaker 2: on in Norway. Stalk at the radios. Enemy planes lay
• 43:01
  Speaker 2: the deck, Come in smiling, Come in smiling. We're leaving
• 43:04
  Speaker 2: the Bridgeland with Connor fro WHEELOS may have us give
• 43:07
  Speaker 2: us that's right after guns? After guns? Answer? Answer, yes,
• 43:13
  Speaker 2: I can't raise the acpic and get back there on
• 43:15
  Speaker 2: the coble. Yes, and keep those guns firing. What are
• 43:21
  Speaker 2: you doing there? The christ who white? I let's get
• 43:24
  Speaker 2: on the street. Leave the target leader.
• 43:25
  Speaker 4: Okay, here we go.
• 43:27
  Speaker 2: Here they come to me, but keep your headphones for
• 43:29
  Speaker 2: last year. Spit right back we go. We got him,
• 43:34
  Speaker 2: hey quick, we hear haaka papa and by my mom
• 43:38
  Speaker 2: and my my bomb. And I don't even remember being hit.
• 43:52
  Speaker 2: When I woke up, I was on the bunk. It
• 43:54
  Speaker 2: was the smell of ether in the air, and Joe
• 43:56
  Speaker 2: Rossie was taking off a pair of rubber glove. My
• 44:00
  Speaker 2: right leg was on fire. So how do you feel?
• 44:02
  Speaker 2: See him? What happened when he got my way of
• 44:05
  Speaker 2: a puck up a bomb? I just took it up.
• 44:08
  Speaker 2: What's the condition of the ship. And she still a float?
• 44:12
  Speaker 2: You keep her float? And we got to hear in
• 44:14
  Speaker 2: no condition to swim? What about the man taking Wait?
• 44:18
  Speaker 4: You better try to get some sleep and it might
• 44:21
  Speaker 4: help you know we knocked off the plane, both of 'em.
• 44:25
  Speaker 2: Looks like you got to ship your own after all. Joe,
• 44:28
  Speaker 2: you're this skipper from now uh uh.
• 44:30
  Speaker 4: I'll try to take care of him. When you see him,
• 44:33
  Speaker 4: I'll drop him later on, No Park up here in
• 44:37
  Speaker 4: my cabin. When you're through, send 'em back to the
• 44:40
  Speaker 4: folks in Kansas. Yes, sir, h uh what with Lesson?
• 44:44
  Speaker 2: It's a it's a letter to his girl. I guess
• 44:47
  Speaker 2: he never finished writing. I didn't mean too m de LASSI,
• 44:51
  Speaker 2: but I read him that's okay. He wrote about being scared.
• 44:55
  Speaker 2: He said it was okay because he had confidence in US,
• 44:58
  Speaker 2: US guys and the crew. I used to ride 'em
• 45:01
  Speaker 2: all the time. It made a good officer. Uh. These books,
• 45:05
  Speaker 2: he was always studying them, and we got a land
• 45:08
  Speaker 2: it one way or another. Suppose I could borrow a
• 45:10
  Speaker 2: couple of them books. Why, I don't think he'd mind
• 45:13
  Speaker 2: passing thanks. We're having a burial service for Park and
• 45:17
  Speaker 2: the rest of the man.
• 45:17
  Speaker 4: At three o'clock passed the word, yes, sir, feeling betterste
• 45:29
  Speaker 4: a little Joe.
• 45:31
  Speaker 2: I got to know just how we stand. Oh, we're
• 45:33
  Speaker 2: getting patched up. Call a shaft out of line. Midship
• 45:36
  Speaker 2: fights are none too good, and the cargoes all over
• 45:38
  Speaker 2: the hole. He'll be back. Joe cleans his sup or both.
• 45:41
  Speaker 2: I uh, they had the air pack. Gunners were okay.
• 45:43
  Speaker 2: Forward gunners knocked out. You could come about, maybe reach
• 45:48
  Speaker 2: Scotland and pick up another convoy. Yeah, I guess I could.
• 45:51
  Speaker 2: We're holding the cors skipper. We're going to my man. Thanks.
• 45:55
  Speaker 2: Why I better go out on technical burial service. I
• 45:59
  Speaker 2: wish I could go for you. Maybe you could mark
• 46:01
  Speaker 2: the courts. I should read the Bible. Joe and and
• 46:10
  Speaker 2: whose weather liveth and believes in me, and I'll let
• 46:13
  Speaker 2: her die. Brought nothing into the world, and ex certainly
• 46:17
  Speaker 2: carry nothing out. The Lord gave and the law had
• 46:20
  Speaker 2: taken away. Blessed be the name of the Lord. Well,
• 46:26
  Speaker 2: that's the word of God, and it's good. These nine
• 46:29
  Speaker 2: men here on the deck were just like uh as
• 46:32
  Speaker 2: we eat, were then slept when in thought with well, uh,
• 46:36
  Speaker 2: sorry that folks going off here to see we're doing
• 46:37
  Speaker 2: the best we can for them, and know they feel
• 46:40
  Speaker 2: better about it. Sorry they had to die. Well, never
• 46:45
  Speaker 2: have a chance now to finish the things they once
• 46:47
  Speaker 2: set out to do. If there was out of breaks,
• 46:50
  Speaker 2: any of us could be lying here tomorrow and somebody
• 46:52
  Speaker 2: read the book overs and we're tossed 'em to the sea.
• 46:55
  Speaker 2: And that ain't what's important. A lot more people are
• 46:58
  Speaker 2: gonna die before this is over. And it's up to
• 46:59
  Speaker 2: the one that comes through to make sure that they
• 47:01
  Speaker 2: didn't die for nothing. I'd like now if you all
• 47:05
  Speaker 2: say the Lord's prayer with our father who are in
• 47:10
  Speaker 2: heaven hollow and see I name die, seeing him come,
• 47:16
  Speaker 2: I will be done on earth as it is in heaven.
• 47:19
  Speaker 2: Give us. The Sea Witch was a cripple ship, and
• 47:29
  Speaker 2: I was a crippled captain. But Joe kept us a
• 47:32
  Speaker 2: floating We dragged along at six knots. They found us
• 47:35
  Speaker 2: again the next morning at daybreak. Another uff.
• 47:38
  Speaker 5: It was so easy for him.
• 47:40
  Speaker 2: How much more could we take? How much more? Hopito said,
• 47:47
  Speaker 2: there's a whole barge you could give a tank through.
• 47:49
  Speaker 2: They got all the gasoleen and oh you have got
• 47:51
  Speaker 2: ready a midship that's fat, yes, which tu isno what
• 47:54
  Speaker 2: put damage down there? Alas? But I think I can
• 47:57
  Speaker 2: keep on a cantoll put down at you not to
• 47:58
  Speaker 2: send a party for its secure our book, mister Wright,
• 48:04
  Speaker 2: turn your gut stopper. The lower fires that sub comes up,
• 48:06
  Speaker 2: y sir, pick up those firefuckert you guys, we're out
• 48:09
  Speaker 2: the sand and pharmacathlie how you nuts? That's orders blood
• 48:12
  Speaker 2: the power deck.
• 48:13
  Speaker 7: With that fire do right?
• 48:15
  Speaker 2: Tire. He's trying to bring that stub to the touch.
• 48:19
  Speaker 2: Whitey Jack, bring cat, get on those fire hoses and chemicals,
• 48:22
  Speaker 2: stands by. Do we need him? Bat to the indine room,
• 48:25
  Speaker 2: Mac go ahead, look let the al to the fire
• 48:28
  Speaker 2: of Bilers. I want to smoll screams open a five
• 48:31
  Speaker 2: to seven ARUs. We can't let us learn much more, sir,
• 48:39
  Speaker 2: by us start to the split. Stop those chemicals end,
• 48:42
  Speaker 2: but keep the fire going. Midchief, Yes, sir ask here
• 48:44
  Speaker 2: is the port compass, Stacy. Let a hard right, hard right,
• 48:48
  Speaker 2: hard right, Sir, reach your engine room, give her all
• 48:51
  Speaker 2: your god max, all you've got stagings. Men, stand by
• 48:55
  Speaker 2: the lamb. Stands by the lamb. Hang on, Whitey, stay
• 48:57
  Speaker 2: as you go said, he's to go to.
• 49:04
  Speaker 1: Call me right?
• 49:05
  Speaker 2: All right? What's going on? Mister Rasteve? What's hit it?
• 49:19
  Speaker 2: I relaxed, skipper and lie down. Why doesn't anybody report
• 49:23
  Speaker 2: to me?
• 49:24
  Speaker 5: Steve?
• 49:25
  Speaker 4: Remember when they got that old tanker and then as
• 49:27
  Speaker 4: he's rammed our lifeboat, he swore you hunt him down
• 49:30
  Speaker 4: and slice him like a piece of cheese. Well you
• 49:33
  Speaker 4: can consider him sliced.
• 49:35
  Speaker 2: Thanks mister Hanks. Hey who told you you could get dressed?
• 49:50
  Speaker 2: If it weren't for Abrams and Hulanski, I wouldn't know
• 49:52
  Speaker 2: anything that was going on. They're taking me to the
• 49:54
  Speaker 2: bridge when we get into my mind, right are they?
• 49:56
  Speaker 2: I am? And right now, Skipper Joe, we're there.
• 50:00
  Speaker 4: That's rights team. The whole convoys in the harbor. Looks
• 50:03
  Speaker 4: like we're pulling up the rear.
• 50:04
  Speaker 2: Not exactly the place is, Honor. Oh, I don't know.
• 50:07
  Speaker 2: They sent out a squad of the flames to show
• 50:08
  Speaker 2: us in it did Huh, that's fine, mister, that's fine. Well,
• 50:12
  Speaker 2: come on, let's go, Yo. That's for the ship, Skipper,
• 50:23
  Speaker 2: to you and your ship and your men alive and dead.
• 50:27
  Speaker 2: There's the flankship of the convoys. There're run up some
• 50:29
  Speaker 2: signal pennants. What's it said, Joe?
• 50:31
  Speaker 5: Oh?
• 50:31
  Speaker 2: I never as much I'm reading, Skipper. You unhappy, Jarvis.
• 50:35
  Speaker 2: There's Sea Witch. Thanks to you and crew for miracle
• 50:39
  Speaker 2: of American seamanship. Hydridge commander, and we'll have something to
• 50:45
  Speaker 2: write home missus. When you look at that on the dock.
• 50:48
  Speaker 2: Same even rope say, well out that pay the flasky. Hey, Apram,
• 50:59
  Speaker 2: what's the means, Tamar Richie? That means comrade. That's good Hey,
• 51:06
  Speaker 2: will you get a load of that toma Richie yourself duty? Hey,
• 51:09
  Speaker 2: what are you doing tonight? Hey? Hey, ah, that's the
• 51:14
  Speaker 2: first time I ever wanted it. Just a long showman.
• 51:20
  Speaker 2: They're waving at it, Joe, come.
• 51:22
  Speaker 5: On way back, Hey mister, what's wrong with you today?
• 51:27
  Speaker 5: Something like that?
• 51:28
  Speaker 2: Yeah, I was just thinky tinky at the trip back home.
• 51:38
  Speaker 2: Well that's the end of the story. But that's not
• 51:42
  Speaker 2: really the end. The story of the Merchant Marine will
• 51:46
  Speaker 2: go on and on until some dawn the sun will
• 51:50
  Speaker 2: lift over the horizon, look down upon calm waters. The
• 51:56
  Speaker 2: anguish of the seas will be no more in all
• 52:00
  Speaker 2: the world will rise to a new day.
• 52:20
  Speaker 3: The ships of the Merchant Marine are ready now, Ladies
• 52:22
  Speaker 3: and gentlemen, they're in the water waiting for cruise. Are
• 52:26
  Speaker 3: there any experienced semen listening to me? Now, there's a
• 52:30
  Speaker 3: birth in one of those ships.
• 52:31
  Speaker 5: For you.
• 52:33
  Speaker 3: Just telegraph to Merchant Marine, Washington, DC. Telegraph collect. I'll
• 52:39
  Speaker 3: repeat the address. Please wire collect to Merchant Marine, Washington, DC.
• 52:45
  Speaker 3: America needs your help before our.
• 52:48
  Speaker 5: Stars returned for their curtain calls.
• 52:51
  Speaker 1: It is silly saying it's time to do a little
• 52:53
  Speaker 1: wool gather. I understand that in the spring a young
• 52:55
  Speaker 1: months fency turns to who meet the senators?
• 52:58
  Speaker 7: And how man seat on a nice woolen sweater or
• 53:02
  Speaker 7: dress or your sauce is pretty as blanket, especially if
• 53:05
  Speaker 7: they're soiled.
• 53:06
  Speaker 5: You're leading right up to luxe flakes, aren't you selling?
• 53:09
  Speaker 7: Yes, all watchable woods should be lucked before they're put
• 53:12
  Speaker 7: away for the summer. Cream things aren't nearly so tempting
• 53:16
  Speaker 7: to mails. Don't make rich new warm muck studs and
• 53:20
  Speaker 7: rinse in water the same temperature.
• 53:21
  Speaker 1: You can be sure that gentle luxe care will keep
• 53:24
  Speaker 1: wool from shrinking or fading. And here's the point about
• 53:27
  Speaker 1: pecking blankets and woolens away. Be sure that paper package
• 53:31
  Speaker 1: is tightly closed, rull the edges or seal them with
• 53:34
  Speaker 1: gums taste.
• 53:35
  Speaker 7: And don't forget that little place at the top where
• 53:37
  Speaker 7: the hangar comes out of a garment bag. Now, of
• 53:40
  Speaker 7: course there'll be some of your wounds.
• 53:41
  Speaker 6: You'll keep on wearing lightweight twitters, for example.
• 53:45
  Speaker 7: Let's them often they'll stay new looking longer.
• 53:48
  Speaker 5: Now here's mister de Mill with our stars.
• 53:51
  Speaker 3: A convoy has made port and George Raft, Raymond Massey
• 53:54
  Speaker 3: and Julie Bishop by sailing a straight course back to
• 53:57
  Speaker 3: the hood life. By the way, George, they tell me
• 53:59
  Speaker 3: you haven't been seen at the ballpark once this year.
• 54:02
  Speaker 3: You haven't gone back on baseball, have you.
• 54:04
  Speaker 2: No, sir CB. I was overseas for a while with
• 54:06
  Speaker 2: the USO unit. Sally out there fus ms me.
• 54:10
  Speaker 7: George did.
• 54:10
  Speaker 6: A fellow who loves baseball as much.
• 54:12
  Speaker 2: As you do should be taking when I read in
• 54:14
  Speaker 2: the papers they need them.
• 54:18
  Speaker 3: That's out of a sawt point right. You see, George
• 54:20
  Speaker 3: was a ballplayer.
• 54:21
  Speaker 2: One let's see where where was it?
• 54:23
  Speaker 4: I played left field for spose Hill, Massachusetts and the
• 54:26
  Speaker 4: Eastern League.
• 54:29
  Speaker 7: Why people, the secret?
• 54:30
  Speaker 2: Were you good? No? I couldn't hit, but if you
• 54:32
  Speaker 2: can walk, you'll probably get a call from half a
• 54:34
  Speaker 2: dozen teams in the morning.
• 54:37
  Speaker 3: Because of a bad batting AVERAGEA starring in pictures instead
• 54:41
  Speaker 3: of baseball. Well, that isn't how you got into the
• 54:44
  Speaker 3: acting business, is it right?
• 54:45
  Speaker 2: Well, no, DV. I was over in Siberia with the
• 54:48
  Speaker 2: Canadian Army after the last War and I ran into
• 54:51
  Speaker 2: some American wallavilions. We put on a minstrel show to
• 54:54
  Speaker 2: forget the cold weather.
• 54:55
  Speaker 5: So here I am.
• 54:56
  Speaker 3: Well, I've obviously you were the ball player or in
• 54:59
  Speaker 3: the Canadian Jeury, what put you in pictures? Besides a
• 55:02
  Speaker 3: lot of beauty and talent?
• 55:04
  Speaker 2: I know how to ride a horse, h so it's
• 55:07
  Speaker 2: all there.
• 55:10
  Speaker 7: I started in Western piction.
• 55:11
  Speaker 2: For a couple of years.
• 55:12
  Speaker 6: I couldn't act unless I was sitting.
• 55:14
  Speaker 2: In a cell.
• 55:15
  Speaker 7: But speaking of acting, what's.
• 55:16
  Speaker 2: Your play going to be? Next week?
• 55:17
  Speaker 3: Wants you to know the lightful musical comedy, Jeury. It's
• 55:20
  Speaker 3: the twentieth century Fox hit Springtime in the Rockies, and
• 55:24
  Speaker 3: our stars will be Betty Grable, Dick Power and Common
• 55:28
  Speaker 3: Miranda staring ins on Broadway with two dancing partners, starring
• 55:38
  Speaker 3: in a musical team. It finishes in the Canadian Rockies,
• 55:42
  Speaker 3: and in between there's all the music and romance that
• 55:45
  Speaker 3: makes Springtime in the Rockies great entertainment. But Springtime anywhere.
• 55:50
  Speaker 2: That sounds like a sure fire hits CB good Night,
• 55:53
  Speaker 2: good Night moves sailing to all of you.
• 56:05
  Speaker 3: Our sponsors, the makers of Luck Sikes, join me in
• 56:08
  Speaker 3: inviting you to be with us again next Monday night,
• 56:10
  Speaker 3: when the Lux Radio Theater presents Betty Grable, Tick Powell
• 56:14
  Speaker 3: and Common Miranda in Springtime and the RACKI is the
• 56:19
  Speaker 3: set of Beata Marrow saying That Night for You from
• 56:23
  Speaker 3: Holly Wilston. On Friday Night, This will be the most
• 56:31
  Speaker 3: talent that the Great Judge's beauty will be called to
• 56:34
  Speaker 3: service on the amoson Andy Show. Don't miss this hilarious programs.
• 56:39
  Speaker 3: Your local paper will tell you the time and station.
• 56:41
  Speaker 3: The night is Next Friday, May nineteenth on the amoson
• 56:45
  Speaker 3: Andy program.
• 56:47
  Speaker 1: George Rapp's new picture is The Universal Production, followed The Boys.
• 56:51
  Speaker 1: Raymond Massey is currently making the picture The Woman in
• 56:53
  Speaker 1: the Window for International Pictures. Herd and to Night's play
• 56:57
  Speaker 1: were Bill Martell, Leo Cleary, are Herb Litton, Kyler McVay,
• 57:02
  Speaker 1: Bob Young, Norman Field, Griff Barnett, Eddie Emerson, San Ferrar,
• 57:07
  Speaker 1: Regina Wallace, Cliff Clark, Charles Steele, Ralph Lewis, and John McIntyre.
• 57:13
  Speaker 1: This program is broadcast to Our Fighting Forces overseas through
• 57:16
  Speaker 1: cooperations for the Armed Forces Radio Service. Our music was
• 57:20
  Speaker 1: directed by Lord Silver Rebels for three great shows, same time,
• 57:26
  Speaker 1: same station. Listen Tomorrow Night at Luck Time for George
• 57:30
  Speaker 1: Burns and Gracie Allen and their guest star Thorn Sow.
• 57:33
  Speaker 1: Listen Wednesday Night for Frank Snafter singing the late hit
• 57:36
  Speaker 1: Thornsaw Thorn, So will be Frank's guest this time Luck
• 57:41
  Speaker 1: time every Monday, Tuesday and Wednesday for the Tops and Entertainment.
• 57:45
  Speaker 1: And this is your an answer, John M. Kennedy reminding
• 57:48
  Speaker 1: you to tune in again next Monday night to hear
• 57:50
  Speaker 1: Betty Grable, Dick Powell and Common Miranda in Springtime in
• 57:55
  Speaker 1: the Rocky