Latest / Get Into Gate: A Stargate Podcast / Episode 307: Infection (SG-A 5.17)

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Episode 307: Infection (SG-A 5.17) · Get Into Gate: A Stargate Podcast

• 0:25
  Speaker 1: Get into gates, just do it. This is episode three
• 0:29
  Speaker 1: hundred and seven. Mitch and Maddie here talking some sg
• 0:33
  Speaker 1: A that'd be Atlantis. We're talking about.
• 0:41
  Speaker 2: BA. I was like, I wanna be that guy that's
• 0:43
  Speaker 2: like I.
• 0:44
  Speaker 1: I just thought. I'm like, because you know, I figured
• 0:46
  Speaker 1: you knew how to turn your mic on. But I
• 0:48
  Speaker 1: guess you're being in the studio You're like, I don't
• 0:49
  Speaker 1: want to press anything. Just in case I thought it
• 0:52
  Speaker 1: was gonna be. That's one of those episodes where you're
• 0:53
  Speaker 1: here going I'm looking to say anything. I don't want
• 0:55
  Speaker 1: to say anything.
• 0:56
  Speaker 2: I thought you'd that's three of me already.
• 1:00
  Speaker 1: Well, sometimes the chatter off the mic you are a
• 1:03
  Speaker 1: little bit you know, trek heavy.
• 1:05
  Speaker 2: But no to maybe maybe maybe yeah maybe going into
• 1:08
  Speaker 2: universal it'll be cumulative. It won't be it won't be
• 1:11
  Speaker 2: three references per episode. It would be every third reference
• 1:15
  Speaker 2: I go, I go into a ten minute.
• 1:16
  Speaker 1: To be a bit heavy, is it? Yeah?
• 1:18
  Speaker 2: I've had no idea. I haven't seen it in forever,
• 1:20
  Speaker 2: which is this episode? I this could be the lost
• 1:24
  Speaker 2: episode of Atlanta's I had another one zero memory zero
• 1:28
  Speaker 2: like even in like other episodes, like I'm like, I
• 1:30
  Speaker 2: have a little.
• 1:30
  Speaker 1: Bit of memory. This one interesting.
• 1:33
  Speaker 2: Absolutely no memory this episode interesting.
• 1:36
  Speaker 1: We are talking about in fashion the final disc of SG.
• 1:42
  Speaker 2: Yeah, that was a weird feeling final disc.
• 1:44
  Speaker 1: In for those of us watching on physical media, as
• 1:47
  Speaker 1: your bloody well should be, I sent you a a
• 1:51
  Speaker 1: Black Friday deal a couple of weeks back. SG was
• 1:56
  Speaker 1: SG one, S G A and s GU B Lou
• 2:00
  Speaker 1: Ray all combined box sets four hundred and thirty dollars.
• 2:03
  Speaker 1: You get it for three hundred and ten, I think
• 2:05
  Speaker 1: on DVD. Yeah, but I'm like cool baby if I
• 2:09
  Speaker 1: if I had expendable cash.
• 2:11
  Speaker 2: See, as of next year, that's not gonna be a
• 2:13
  Speaker 2: complete franchise, said anymore. Sure the year after everyone's saying
• 2:17
  Speaker 2: have you heard everyone saying twenty twenty eight?
• 2:20
  Speaker 1: Where are they getting this right?
• 2:21
  Speaker 2: They're just making stuff up?
• 2:23
  Speaker 1: I mean three. The only reason I even said twenty
• 2:27
  Speaker 1: twenty seven is because, well, we're right at the end
• 2:30
  Speaker 1: of twenty twenty five. Twenty twenty six seems way too early.
• 2:33
  Speaker 1: But where over two years until when they could still
• 2:37
  Speaker 1: squeeze it into twenty twenty seven, And if they've already
• 2:39
  Speaker 1: been developing the idea, yeah for eighteen months, I mean
• 2:42
  Speaker 1: who knows what they've put together, Like they could have
• 2:45
  Speaker 1: essentially cast this thing, you know in eighteen. I mean,
• 2:48
  Speaker 1: like you'd said very smartly on that episode back then
• 2:52
  Speaker 1: when we first broke the news was they're probably about
• 2:54
  Speaker 1: to start casting and that was why they had to
• 2:56
  Speaker 1: tell us all. But it's like, I don't know, man,
• 3:00
  Speaker 1: the eight seems lunacy to me.
• 3:01
  Speaker 2: When CV show. And also June or July twenty twenty
• 3:04
  Speaker 2: seven is the thirtieth anniversary of STUI.
• 3:07
  Speaker 1: If you're not going to hit that, why are you bothering?
• 3:10
  Speaker 1: Why bother? Come on and gearro We trust well. Infection
• 3:13
  Speaker 1: Episode seventeen of twenty My God of SGA fourth to
• 3:19
  Speaker 1: last episode, Atlantis restives a distress signal from a hive
• 3:23
  Speaker 1: ship and discovers that all the Raith on board have
• 3:26
  Speaker 1: placed themselves into stasis, the victims of a lethal affliction.
• 3:32
  Speaker 1: What do you think? What? What do you think? Rough? Okay,
• 3:35
  Speaker 1: very short, No, I mean every every episode of Starget
• 3:40
  Speaker 1: is the missing episode of Stargate to me because they're
• 3:42
  Speaker 1: all new. But yeah, I know, I didn't mind this episode,
• 3:45
  Speaker 1: like you know, it's it's funny in hindsights, well not
• 3:49
  Speaker 1: in hindsight, I guess what would have been hindsight, but
• 3:52
  Speaker 1: watching this now knowing that it's the fourth last episode,
• 3:55
  Speaker 1: and I don't know how things wrap up or almost
• 3:58
  Speaker 1: get wrapped up with this show that you know, it's
• 4:02
  Speaker 1: kind of just like an adventure of the week yet
• 4:04
  Speaker 1: tying in again to the to the drug that was
• 4:09
  Speaker 1: hopefully going to be the cure, and some things for
• 4:12
  Speaker 1: the second, third, fourth time have gone wrong with this
• 4:14
  Speaker 1: said cure. But you know, I didn't mind the run
• 4:19
  Speaker 1: arounds trying to like I would have liked it maybe
• 4:22
  Speaker 1: have played a little bit more into being maybe a
• 4:24
  Speaker 1: bit more of a horror movie type thing. But we've
• 4:26
  Speaker 1: already I feel like we've had that maybe twice already
• 4:28
  Speaker 1: this season where we've been stuck like whispers, right, and
• 4:32
  Speaker 1: then something else the other week, even when they got
• 4:35
  Speaker 1: caught up in that village where the Wraith came down
• 4:37
  Speaker 1: and were like hand over all these people.
• 4:39
  Speaker 2: All this happened, Yeah, other got an episode.
• 4:40
  Speaker 1: Yeah exactly. So Yeah, I didn't mind it. I for
• 4:44
  Speaker 1: once fourth episodes ago and they're like, oh, these are
• 4:47
  Speaker 1: the soldier ones. I'm like, they take their masks off,
• 4:50
  Speaker 1: what like this happens? Is this what they look like
• 4:53
  Speaker 1: or is this them if affected by the bloody drug.
• 4:57
  Speaker 2: I think we've only ever seen that once before, where
• 4:59
  Speaker 2: we saw like a newborn wraith dude like be born
• 5:06
  Speaker 2: and then some other wraith like put the scab on
• 5:08
  Speaker 2: his face, like as like a little mask. I think
• 5:11
  Speaker 2: that's the and I can't remember when that was, but
• 5:14
  Speaker 2: that's the only other memory I have of seeing like
• 5:16
  Speaker 2: a scab face without his scab.
• 5:17
  Speaker 1: On, right, Okay, I mean I liked again the the
• 5:22
  Speaker 1: that for me, I'm like, oh, they're slowly building to something,
• 5:25
  Speaker 1: you know, with with this drug and what this will mean.
• 5:28
  Speaker 1: And again knowing that this is the fourth last episode
• 5:33
  Speaker 1: and having heard from you guys that it's like, yeah,
• 5:36
  Speaker 1: just it doesn't get the quiet wrap up you know
• 5:39
  Speaker 1: maybe although you know, me looking at it from only
• 5:43
  Speaker 1: being fresh with SG one, they kind of did wrap
• 5:47
  Speaker 1: up the a I story. But then when they got
• 5:49
  Speaker 1: their movie, they really got to wrap it up. You know,
• 5:53
  Speaker 1: would we have been fine if they never made that movie. Probably,
• 5:56
  Speaker 1: you know, they just sort of went, oh, you thought
• 5:58
  Speaker 1: that happened, Well it did, so let's tell you about it,
• 6:00
  Speaker 1: or hey, you thought this happened during the show. In
• 6:02
  Speaker 1: fact it didn't. But now it's going to happen in
• 6:04
  Speaker 1: the movie, Whereas SGA, I'm like, are we going to
• 6:07
  Speaker 1: get to a point for me as a first time viewer?
• 6:09
  Speaker 1: Am I looking forward to the finale in a couple
• 6:12
  Speaker 1: of episodes time and they're going to get to like
• 6:15
  Speaker 1: wrap things up because they knew they were getting canceled
• 6:17
  Speaker 1: or is it being left open? And then that movie
• 6:21
  Speaker 1: that they really wanted to make happen that never eventuated
• 6:25
  Speaker 1: actually would have been the climax of the story.
• 6:27
  Speaker 2: So I'm just going to have to Jason Siegals tive
• 6:31
  Speaker 2: you and that's fine.
• 6:32
  Speaker 1: I don't The thing is, I don't want to know.
• 6:34
  Speaker 1: I really don't want to know.
• 6:36
  Speaker 2: I guess the only thing you can infer is the
• 6:38
  Speaker 2: fact that I have zero memory of ever watching this episode. Yeah,
• 6:42
  Speaker 2: it obviously mustn't have much of an impact impact on
• 6:46
  Speaker 2: the finale already, kind of you know, leftover circumstances. Yeah,
• 6:52
  Speaker 2: I wonder if because yeah, I agree with you, like
• 6:54
  Speaker 2: I didn't hate it. I mean, it's the first new
• 6:57
  Speaker 2: starget I've watched in the last fifteen years. But yeah,
• 7:01
  Speaker 2: maybe it's recency bias in that we've been spoilt for
• 7:05
  Speaker 2: lack of a better word of shows like The Walking
• 7:08
  Speaker 2: Dead and stuff like that, where you're like, well, if
• 7:09
  Speaker 2: you're gonna do zombies, just do zombies. But it's like, well,
• 7:12
  Speaker 2: a network show in two thousand and eight couldn't have
• 7:14
  Speaker 2: done what what Game of Thrones or The Walking Dead
• 7:19
  Speaker 2: have done? Yeah, so they went. I think they pushed
• 7:21
  Speaker 2: the envelope probably as far as they could at the time.
• 7:25
  Speaker 2: I mean, it's also a late season episodes. I'm probably
• 7:28
  Speaker 2: just tired and they've run out of money and all
• 7:30
  Speaker 2: that kind of stuff, I guess, But yeah, I would
• 7:33
  Speaker 2: have liked it. If if you're going to do it,
• 7:35
  Speaker 2: I would have liked to have gone a little a
• 7:36
  Speaker 2: little Gorria, maybe a little you know. But that's right.
• 7:41
  Speaker 1: Yeah, it's fine, and you know, we've certainly asked a bit.
• 7:44
  Speaker 1: It's not so much season five. I feel like maybe
• 7:45
  Speaker 1: it was a season four question we started talking about,
• 7:48
  Speaker 1: I guess the benefit of me being the first tim
• 7:50
  Speaker 1: but the idea of the Wraiths ship we know these
• 7:52
  Speaker 1: things are organically sort of grown and whatnot. And then yeah,
• 7:58
  Speaker 1: from a person. So we had that earlier episode and
• 8:00
  Speaker 1: the season with that with Keller, and then with this
• 8:03
  Speaker 1: that hey, there's there's a lot going wrong with this ship,
• 8:06
  Speaker 1: and then for for Todd to angrily realize, oh my god,
• 8:10
  Speaker 1: he's in a bad mood when you worke up, well
• 8:14
  Speaker 1: haven't we what today? And uh, and and for him
• 8:17
  Speaker 1: to get oh, I know, the the infection that's getting
• 8:19
  Speaker 1: us and affecting our DNA specifically is now affecting the
• 8:24
  Speaker 1: ship because it is a living ship for all intents
• 8:27
  Speaker 1: and purposes. So I kind of like that, you know,
• 8:29
  Speaker 1: further addition to the law and and what makes these
• 8:33
  Speaker 1: these bad guys and and and their backgrounds and things
• 8:36
  Speaker 1: like that.
• 8:36
  Speaker 2: So I did like John's reaction, like his face when
• 8:41
  Speaker 2: it cut to him when Todd was explaining the the
• 8:44
  Speaker 2: what do you call it, the exchange of fluids between
• 8:47
  Speaker 2: Wraith and Hive, just's like, yeah, okay, well done. It's
• 8:53
  Speaker 2: one of the few times John doesn't piss me off.
• 8:55
  Speaker 1: Yeah, And you know, I liked him from from the beginning.
• 8:57
  Speaker 1: When the Hive ship, you know this has been tracking it,
• 8:59
  Speaker 1: it actually popped out. They get this weird ass transmission
• 9:02
  Speaker 1: that's all broken, and like, hey, we can't tell what
• 9:05
  Speaker 1: he's saying, like good, blow it out of the sky.
• 9:06
  Speaker 1: And John was just like, I'm not looking around this time.
• 9:09
  Speaker 1: This guy he left us for dead last time, like
• 9:11
  Speaker 1: he thought we were betraying him. I think he in
• 9:13
  Speaker 1: the end knew that we weren't.
• 9:14
  Speaker 2: But he's like, screw it, and he's gonna leave us
• 9:16
  Speaker 2: for even leave us for it actively you know, guided
• 9:20
  Speaker 2: the ship and then bailed.
• 9:23
  Speaker 1: Out, so pussy. Yeah, and so it's like, I screw
• 9:26
  Speaker 1: this guy. Oh maybe we need to go up and
• 9:28
  Speaker 1: then and they're like if we if this happens, then
• 9:30
  Speaker 1: these all guys, these guys are all gonna die. He's like, yeah,
• 9:32
  Speaker 1: that's my favorite part of the plan, Like just kill them.
• 9:36
  Speaker 1: And it was Wolsey even on that to some level
• 9:40
  Speaker 1: at the start, was he kind of I know obviously
• 9:42
  Speaker 1: Ronan was, but yeah, anyway, obviously they they then get
• 9:45
  Speaker 1: up there, but just the you know, looking at them
• 9:48
  Speaker 1: at the end where he did you know, I'm really
• 9:50
  Speaker 1: jumping around here. But when he then was the one
• 9:53
  Speaker 1: to fight for Todd's right to go somewhere else and
• 9:59
  Speaker 1: leave via the gate and say, how look he did,
• 10:01
  Speaker 1: he did a good thing by us. It's a good
• 10:02
  Speaker 1: thing by him because maybe just maybe he'll remember this,
• 10:05
  Speaker 1: and then twenty seconds later for Todd to turn to
• 10:08
  Speaker 1: John and go, I will never forget this. Oh yeah,
• 10:11
  Speaker 1: will you though? Or what are you not going to forget?
• 10:13
  Speaker 1: You know, you're twist it a little bit, you know,
• 10:16
  Speaker 1: I want to feel like you know that, Yeah, maybe
• 10:19
  Speaker 1: we can. We can trust him, but with three episodes ago,
• 10:23
  Speaker 1: Now what is that? What does that mean?
• 10:25
  Speaker 2: Yeah, you can only trust Todd it so far as
• 10:29
  Speaker 2: your ideals aligned. If what you're trying to do benefits him,
• 10:33
  Speaker 2: you can trust him. But the second anything is slightly
• 10:37
  Speaker 2: out of out of his realm of you know, what
• 10:40
  Speaker 2: he wants to happen. Now, yeah, what The one thing
• 10:43
  Speaker 2: that I thought was really weird because it did seem
• 10:45
  Speaker 2: like the the emotional sort of you know, pinnacle of
• 10:50
  Speaker 2: the episode is the like the tension and the face
• 10:55
  Speaker 2: off between John and Todd when Todd was thrown into
• 10:57
  Speaker 2: the into the cell about Todd wanting to oh it
• 11:03
  Speaker 2: might even just before he was throwing the set. It
• 11:04
  Speaker 2: was oh, yeah, that's right, because it was when they're
• 11:06
  Speaker 2: having their argument and he lifted his hand to try
• 11:07
  Speaker 2: and feed off him and then forgot that he didn't
• 11:09
  Speaker 2: have his hand vagina anymore. But it was the whole
• 11:12
  Speaker 2: argument about Todd wanted to jump into hyperspace and go
• 11:18
  Speaker 2: to the planet, and John was like, oh, you know,
• 11:22
  Speaker 2: the ship's not gonna gonna last or whatever, and I
• 11:24
  Speaker 2: was like, yeah, maybe it is. And then immediately like
• 11:27
  Speaker 2: this the second after Todd fails to feed on John
• 11:31
  Speaker 2: and he has security take him away, Rodney immediately calls
• 11:34
  Speaker 2: him and says, you need to come and come down
• 11:36
  Speaker 2: and have a look at this, and the ship literally
• 11:39
  Speaker 2: splits in half. So it's like it kind of undercut
• 11:42
  Speaker 2: the whole tension of that scene because Todd like threw
• 11:46
  Speaker 2: that thing in John's face about oh, you just want
• 11:49
  Speaker 2: to see my people die blah blah blah blah blah
• 11:50
  Speaker 2: blah blah. But it's like, well, the ship never would
• 11:53
  Speaker 2: have made it a three days journey to that planet anyway.
• 11:56
  Speaker 2: So it just kind of I don't know, just the
• 11:59
  Speaker 2: structure of the episode. I was just kind of like, oh, well,
• 12:01
  Speaker 2: it can't make that less less dramatic, because.
• 12:05
  Speaker 1: Yeah, I wonder I think for me, maybe it was
• 12:07
  Speaker 1: because we'd reached the decision had been made, right, Like
• 12:10
  Speaker 1: the tension was in what are they going to do?
• 12:12
  Speaker 1: Because I I again got to that moment, I'm like, oh,
• 12:15
  Speaker 1: we've still got a few minutes left from this episode,
• 12:17
  Speaker 1: maybe we are going to go to this planet, Maybe
• 12:19
  Speaker 1: we are going to go and try and find this erratus,
• 12:20
  Speaker 1: and then we didn't, so that the decision is made
• 12:24
  Speaker 1: and then Rodney says that, and then we see that
• 12:27
  Speaker 1: that's going to happen. So for me, it's like the
• 12:28
  Speaker 1: tension serves its purpose. But I can absolutely see that,
• 12:31
  Speaker 1: you know. And then you know, we get to witness, like,
• 12:34
  Speaker 1: you know, him pulling off the greatest sort of save
• 12:37
  Speaker 1: that we might have ever seen this show.
• 12:38
  Speaker 2: Like maybe it was just the timing of it, just
• 12:41
  Speaker 2: maybe there were scenes cut or I don't know. Yeah,
• 12:43
  Speaker 2: but if you think about it, because we went you
• 12:45
  Speaker 2: went from the confrontation with John and Todd to the
• 12:48
  Speaker 2: scene with McKay and the ship splitting in half, and
• 12:52
  Speaker 2: then it started falling into war bit and then John
• 12:54
  Speaker 2: went to the cell that Todd was in to say,
• 12:58
  Speaker 2: we need your help to you know, pilot the ship. Yeah,
• 13:01
  Speaker 2: so Todd was in that cell for maybe ten minutes.
• 13:04
  Speaker 1: Yeah, yeah, you know, so it just.
• 13:06
  Speaker 2: Seemed like a weird sort of there wasn't enough time.
• 13:08
  Speaker 1: Chess pieces, like they knew where they were coming from,
• 13:11
  Speaker 1: they knew where they wanted to get to it. It's like, yeah,
• 13:13
  Speaker 1: how do we get from what?
• 13:14
  Speaker 2: Maybe maybe if Todd had been awake when they arrived
• 13:17
  Speaker 2: on it, like he was the only one awake on
• 13:19
  Speaker 2: the ship, and they had that argument really early on,
• 13:22
  Speaker 2: and then they put Todd in the cell and he
• 13:24
  Speaker 2: was in there for maybe Act two or something like yeah, yeah,
• 13:27
  Speaker 2: and then the ship splits in half and it's well,
• 13:30
  Speaker 2: now we've lost the opportunity to take the ship into
• 13:33
  Speaker 2: hyperspace to take us to this planet. Like yeah, just
• 13:35
  Speaker 2: that kind of thing. I was just a little bit
• 13:37
  Speaker 2: like it could have been better, same as at the end.
• 13:42
  Speaker 2: I think it's just you know, Alan McCullough has only
• 13:44
  Speaker 2: been on Stargate for a couple of years, like the
• 13:46
  Speaker 2: writer of this episode. I did find it weird that
• 13:49
  Speaker 2: it's like the big sort of action climax at the
• 13:53
  Speaker 2: end when the ship is you know, basically where we're
• 13:55
  Speaker 2: redoing that that one where John had to ride the
• 13:59
  Speaker 2: ship out of the moon kind of situation is that.
• 14:02
  Speaker 2: But Taylor's just calling out how many thousand feet we
• 14:05
  Speaker 2: are from from the surface and all that kind of stuff,
• 14:08
  Speaker 2: and I'm just like, so Taylor, the alien is reading
• 14:16
  Speaker 2: Wraith measurements and in real time converting them into thousands
• 14:22
  Speaker 2: of feet.
• 14:22
  Speaker 1: Hey, it's well known on the Wraith computer. They're sitting
• 14:27
  Speaker 1: there on conversion dot com. Version dot com obviously.
• 14:30
  Speaker 2: Yes, well because obviously the famous episode from season two
• 14:33
  Speaker 2: where John gets turned into a Wraith conversion.
• 14:37
  Speaker 1: True.
• 14:38
  Speaker 2: Yeah, they do some deep researchsion.
• 14:41
  Speaker 1: Obviously. I kind of like the Hey, we know that
• 14:43
  Speaker 1: we're into our final couple of episodes, so there was
• 14:46
  Speaker 1: reason enough for like a lot of the characters to
• 14:49
  Speaker 1: be up there, you know, like the fact that Keller
• 14:51
  Speaker 1: was up there. I know I had to deal with
• 14:52
  Speaker 1: the infection, but still, like we get our core for
• 14:56
  Speaker 1: and then we get Keller coming up, and then we
• 14:58
  Speaker 1: get what's old mate that's leader of like g A
• 15:00
  Speaker 1: two lawn, Like Lauren comes up with his people, and
• 15:03
  Speaker 1: there's some other what do you call them? You know,
• 15:06
  Speaker 1: I'm moving anna ask, but the people that are expendable,
• 15:08
  Speaker 1: that wear certain colored shirts and other franchises. I'm not
• 15:11
  Speaker 1: going to say it, but you know a few I
• 15:14
  Speaker 1: was gonna say faceless, but no, we actually deal with
• 15:17
  Speaker 1: they're not faceless, good guys. But yeah, just just canon fight,
• 15:20
  Speaker 1: just to be thrown out and and to be killed
• 15:23
  Speaker 1: off and and you know, even just the idea, Hey
• 15:27
  Speaker 1: this worked a little bit. The hand vaginas are gone,
• 15:30
  Speaker 1: but now they're having to feed using their mouths at
• 15:33
  Speaker 1: the first time. So it did make them like or
• 15:35
  Speaker 1: they regress them and turn them a bit more animalistic.
• 15:38
  Speaker 1: I kind of like that, you know, like de evolution,
• 15:40
  Speaker 1: that they're just like they became so carnivorous in a way,
• 15:44
  Speaker 1: like ravenous in a way that they just you know,
• 15:49
  Speaker 1: without without knowing what to do, just went for and became.
• 15:53
  Speaker 1: It became so primal and so instinctual to.
• 15:56
  Speaker 2: We can all relate to resorting to our primal urgers
• 15:59
  Speaker 2: and not knowing what to do the first time we
• 16:02
  Speaker 2: graduate from not using our hand to using our mouth,
• 16:04
  Speaker 2: you know, like we all we all, you know struggle,
• 16:08
  Speaker 2: we all struggle with that.
• 16:09
  Speaker 1: Oh so well, I mean sure some of us must, but.
• 16:14
  Speaker 2: Some people not you obviously, no, no, I would have
• 16:17
  Speaker 2: you never struggled.
• 16:19
  Speaker 1: Now. I think I think I nearly got caught. I graduated.
• 16:24
  Speaker 2: I was going to say, you know, you're alphabet but
• 16:26
  Speaker 2: we might be talking about two different things.
• 16:28
  Speaker 1: We'll talk there, Okay.
• 16:37
  Speaker 2: Yeah, it's just like that's not something I'm willing to
• 16:38
  Speaker 2: have as public.
• 16:41
  Speaker 1: It's not even a Patriot special.
• 16:42
  Speaker 2: This one that's the only fans special. I don't know
• 16:48
  Speaker 2: if this is a inadvertent uh commentary on the quality
• 16:54
  Speaker 2: of this episode or not. But ironically no commentary ah right,
• 16:59
  Speaker 2: no commentary in one and no commentary on next week's episode.
• 17:03
  Speaker 2: I noticed when I popped in the DVD.
• 17:05
  Speaker 1: I mean, that's you know, you're so close wine, And
• 17:07
  Speaker 1: there was one missing a couple of weeks ago too.
• 17:10
  Speaker 1: I think, what are you saying? I can't remember? Maybe
• 17:14
  Speaker 1: I'm getting lost. You know, we've been pumping out a
• 17:16
  Speaker 1: lot of episodes over.
• 17:17
  Speaker 2: They do start to run together.
• 17:20
  Speaker 1: To keep track of. But you would think in an
• 17:22
  Speaker 1: episode like this that just got to do some things
• 17:24
  Speaker 1: a little bit differently, that you're gonna like this could
• 17:28
  Speaker 1: be McCulloch's last episode, right writing last.
• 17:32
  Speaker 2: Weep as Martin giras last episode at oh.
• 17:35
  Speaker 1: Really yeah wow? And did he jumped on? Is he
• 17:38
  Speaker 1: involved heavily?
• 17:39
  Speaker 2: And I wouldn't say heavily, but I believe he does.
• 17:42
  Speaker 1: A consulting producer maybe or something like that.
• 17:44
  Speaker 2: I guess because it was so different, and this is
• 17:46
  Speaker 2: Allen's last episode for Atlanta, not.
• 17:49
  Speaker 1: Coming back doing a commentary for it, you know.
• 17:52
  Speaker 2: Yeah, next week Identities is written by Carl Binder Vegas.
• 17:58
  Speaker 1: You love this episode, dang, you were talking about it?
• 18:01
  Speaker 2: Written by Robert C. Cooper, directed by Robert C. Cooper,
• 18:09
  Speaker 2: and then the season finale written by John Paul Ah great,
• 18:13
  Speaker 2: so excellent, Yeah, which I think is probably their first
• 18:15
  Speaker 2: one in a while. I feel like gear is.
• 18:17
  Speaker 1: I feel like I haven't said their name in a
• 18:19
  Speaker 1: long time. Yeah, written and directed by Yeah.
• 18:21
  Speaker 2: Yeah, okay, so yeah that'll be interesting.
• 18:25
  Speaker 1: So is there any I was asking the final three
• 18:29
  Speaker 1: is instead of saying is there any sort of like
• 18:31
  Speaker 1: you know, leading towards the end? But you know, because
• 18:34
  Speaker 1: I feel like this one without knowing, I'm like, ah, well,
• 18:37
  Speaker 1: obviously the drug that the cure is is, you know,
• 18:41
  Speaker 1: it's been We've been speaking around it for the last
• 18:44
  Speaker 1: couple of episodes, last little while. It hasn't been the
• 18:48
  Speaker 1: ongoing storyline like in and out of every episode, but
• 18:51
  Speaker 1: it is this they're talking about it a lot. So
• 18:53
  Speaker 1: they're just planting some more seeds, so it's going to
• 18:55
  Speaker 1: come into play. But like it also maybe just doesn't
• 18:59
  Speaker 1: like I just I really don't know, Thank you. I'm
• 19:02
  Speaker 1: not even looking at you in the eye, because I
• 19:05
  Speaker 1: genuinely just don't want to know. But I feel like
• 19:07
  Speaker 1: I haven't had to feel like this yet because going
• 19:10
  Speaker 1: into SG one's final episodes, I'd already been there, so
• 19:13
  Speaker 1: I already knew what to expect. I already knew when
• 19:16
  Speaker 1: to start feeling like the show was being wrapped up
• 19:18
  Speaker 1: or to know. Oh now, I feel like it is
• 19:21
  Speaker 1: too late because I know how many I know what
• 19:22
  Speaker 1: they do with the final episode, and I don't want
• 19:26
  Speaker 1: to feel about SGA.
• 19:27
  Speaker 2: I'll give you this much information, So identity next week's
• 19:30
  Speaker 2: episode very much a standalone O just very much just
• 19:33
  Speaker 2: a stand alone you know, Adventure Vegas, the penultimate episode
• 19:38
  Speaker 2: of the series. Mo I would say, ninety nine point
• 19:45
  Speaker 2: five percent of it nothing to do with the overall wow,
• 19:50
  Speaker 2: and then just one little, one little little drip, one
• 19:53
  Speaker 2: little just a little just a little eye drop up
• 19:56
  Speaker 2: and then the finale Wow. You like all the n
• 20:01
  Speaker 2: C I, s C S I, Laura and order procedurals, procedurals,
• 20:05
  Speaker 2: don't you.
• 20:05
  Speaker 1: Yeah, I get around a procedural. Yeah, I don't mind.
• 20:08
  Speaker 1: I mind a procedure. I don't need an ongoing story.
• 20:10
  Speaker 2: Well two things obviously one. Yes, everyone check out. I
• 20:12
  Speaker 2: think it dropped. Second of December. Lincoln's episode n c
• 20:17
  Speaker 2: I Sydney.
• 20:18
  Speaker 1: So episode seven if you want to see Louar, I
• 20:20
  Speaker 1: think is the episode.
• 20:21
  Speaker 2: Okay. I was just gonna say, if you want to
• 20:24
  Speaker 2: see Lincoln's take on a on, what a sexy Steve Irwin?
• 20:28
  Speaker 2: Like Robert Irwin's shaking in his boots, like I know,
• 20:31
  Speaker 2: Robert just one just recently one dancing with the Stars
• 20:33
  Speaker 2: in the US and everyone's like, oh my god, he's
• 20:35
  Speaker 2: so hot. He took his shirt off. You you have
• 20:38
  Speaker 2: not he is butter boy. Yeah, yeah, yeah. It's the
• 20:44
  Speaker 2: difference between watching the first Harry Potter movie. That's that's
• 20:48
  Speaker 2: Robert Irwin, whereas it.
• 20:51
  Speaker 1: Is Daniel Radcliffe naked on stage with the horse. Oh no,
• 20:55
  Speaker 1: I was Harry Potter.
• 20:56
  Speaker 2: I was going to say Channing Tatum in Magic Mic
• 20:59
  Speaker 2: Oh shit.
• 20:59
  Speaker 1: Okay, yeah, we weren't even staying.
• 21:01
  Speaker 2: With none where where. Yeah, we're completely universe. This was
• 21:06
  Speaker 2: I was gonna say, hardcore porn. But I'll bring the back,
• 21:09
  Speaker 2: bring that back and I'll go Magic Mike. But the
• 21:12
  Speaker 2: first Magic Mike, not none of this xx l or
• 21:15
  Speaker 2: an that kind of stuff. I'm not not not that
• 21:17
  Speaker 2: that's a read on Lincoln that he's not xx No,
• 21:19
  Speaker 2: And I'm just thinking, I'm just saying quality wise interesting.
• 21:21
  Speaker 1: Yeah, because the first one was so like serious man,
• 21:24
  Speaker 1: and then the third one.
• 21:26
  Speaker 2: Okay, this is just a difference in now viewing things.
• 21:28
  Speaker 1: But what I mean it wasn't.
• 21:29
  Speaker 2: But I just mean, like Genuine's pony is.
• 21:34
  Speaker 1: Top tier. I think I remember that from the second one,
• 21:36
  Speaker 1: like really getting a ramp up.
• 21:38
  Speaker 2: Oh maybe I'm thinking that.
• 21:40
  Speaker 1: I've only seen two of them.
• 21:41
  Speaker 2: Oh no, I've seen them all. Okay, because the third
• 21:43
  Speaker 2: one had someone high in it. Yeah, Well, and I'll
• 21:45
  Speaker 2: watch anything some high. I'll watch anything Lincoln Lewis is
• 21:48
  Speaker 2: or watching anything.
• 21:49
  Speaker 1: Oh God, get all these shirtless men out of the way.
• 21:52
  Speaker 1: I just want to get the Selma. But she'd go shirtless.
• 21:57
  Speaker 1: Well she's you know, she's she's put her runs the board.
• 22:00
  Speaker 2: She got close in Dogma she got that was one
• 22:03
  Speaker 2: of the lowest cut tops I've ever seen.
• 22:04
  Speaker 1: Well, I mean, I feel like it was old Selmer.
• 22:07
  Speaker 1: She can't help that any she makes any shirt. The
• 22:11
  Speaker 1: shirts are hanging on for dear life. Yeah, Okay, now
• 22:14
  Speaker 1: I'm just thinking it was gonna come as no surprise
• 22:16
  Speaker 1: to you if Lincoln gets to be trandingtated, Could I
• 22:18
  Speaker 1: please be Joe Man?
• 22:19
  Speaker 2: You know, I mean only if you do the Backstreet
• 22:22
  Speaker 2: Boys song?
• 22:22
  Speaker 1: This was Backstreet Was that in the in the petrol station? Yeah?
• 22:26
  Speaker 2: Yeah?
• 22:26
  Speaker 1: Yeah?
• 22:26
  Speaker 2: Was that Backstreet Boys? It was in sync?
• 22:30
  Speaker 1: Ship. I don't know.
• 22:31
  Speaker 2: Yeah, Well I guess that means yeah, yeah, I guess
• 22:35
  Speaker 2: that makes me Matt Bomer in that situation. Is that?
• 22:38
  Speaker 1: Yeah? Okcause names Matt. So there you go. No, you're
• 22:42
  Speaker 1: definitely Matt. I love that. He's great. Yeah. Yeah.
• 22:45
  Speaker 2: So that was part one. Part two is okay, So
• 22:49
  Speaker 2: you went through those procedures, like how do you feel
• 22:51
  Speaker 2: about CSI, because if we're like CSI Miami with like
• 22:54
  Speaker 2: that redheaded guy that's.
• 22:55
  Speaker 1: Like Horatio Creane's one. Yeah, oh no, they're fine. They
• 23:02
  Speaker 1: just were a little bit. I think I was a
• 23:05
  Speaker 1: child of law and order. Where you're going from what
• 23:08
  Speaker 1: he did musk hagaday, muska hagaday, you know, and then
• 23:10
  Speaker 1: like you know, from the very beginning, like sexually based
• 23:13
  Speaker 1: offenses are considered especially heinous, and it's dealing with some
• 23:16
  Speaker 1: light and you watch like criminal intent and it's some
• 23:18
  Speaker 1: like like you're, dude, what do you do with this?
• 23:21
  Speaker 1: This is network television? What do you just settle down
• 23:23
  Speaker 1: a little bit? And then you go to see us
• 23:25
  Speaker 1: side and it's like the sexiest crime fighting you've ever seen,
• 23:28
  Speaker 1: like the editing, you know that, like there everyone's hot
• 23:31
  Speaker 1: and CUSI you know, like all the men are attractive,
• 23:33
  Speaker 1: all the women are attractive. They're wearing high heels when
• 23:35
  Speaker 1: they go to crime scenes. I just feel for what
• 23:39
  Speaker 1: his character was like. He even if not aesthetically as
• 23:42
  Speaker 1: pleasing as some of the like Hispanic men that were
• 23:45
  Speaker 1: in that show, who were like, you know, chiseled from stone,
• 23:48
  Speaker 1: his sexist was in the way that he carried deliveries
• 23:52
  Speaker 1: lines and every sunglasses. I'm sorry to say that your
• 23:56
  Speaker 1: son is dead. He was decapitated.
• 23:59
  Speaker 2: Yeah, I guess if you've got to, you know, if
• 24:03
  Speaker 2: you've got a gray Ginger's, he's probably gonna beat like
• 24:05
  Speaker 2: an Ed Sheer and you know who looks like a
• 24:08
  Speaker 2: bridge control. But he's adorable though, Like he's one of
• 24:11
  Speaker 2: those cute like trolls from the Trolls movie. You know,
• 24:14
  Speaker 2: like you want to hug him, but you don't want to,
• 24:16
  Speaker 2: you know what I mean, I'll hug you after your shower, yeah, yeah, yeah,
• 24:19
  Speaker 2: and brush your hair.
• 24:20
  Speaker 1: Why they was cside because I can see it. I
• 24:22
  Speaker 1: just was never that invested.
• 24:23
  Speaker 2: In Yeah right, Well, all I'll say is I've I've
• 24:27
  Speaker 2: gone ahead and I've prepped some of the audio commentaries.
• 24:30
  Speaker 2: I only made it eight minutes through the through the
• 24:33
  Speaker 2: Robert C. Cooper audio commentary for Vegas. And one of
• 24:36
  Speaker 2: the things they pointed out is basically to do before
• 24:38
  Speaker 2: they did Vegas, like as preparation for Vegas, they watched
• 24:43
  Speaker 2: an entire season box set of CSI and and listen
• 24:50
  Speaker 2: to all the audio commentaries, just to see how they
• 24:52
  Speaker 2: how they shot things, how they lit things, how they
• 24:55
  Speaker 2: edited things.
• 24:57
  Speaker 1: So oversaturated done on interesting? So will you say that?
• 25:03
  Speaker 1: So I'm like, well, it's not just called Vegas because
• 25:05
  Speaker 1: of it's a cool name.
• 25:10
  Speaker 2: Might might be the location take place.
• 25:12
  Speaker 1: On maybe Earth in Las Vegas.
• 25:14
  Speaker 2: And maybe the working title for the episode was CSI Atlantis.
• 25:20
  Speaker 1: Okay, interesting? Then that you go, huh, we's just say
• 25:25
  Speaker 1: it was polar right, how can we possibly well, were
• 25:27
  Speaker 1: they already like having fun with it? Then if it's
• 25:29
  Speaker 1: cs Atlantis with a almost doing a mock you episode?
• 25:33
  Speaker 2: And it was it was filmed the last episode of
• 25:37
  Speaker 2: the series, so they'd already.
• 25:38
  Speaker 1: Filmed, they'd done their good like in a way, done
• 25:40
  Speaker 1: that they had already.
• 25:40
  Speaker 2: On the final episode, and then this episode was filmed
• 25:44
  Speaker 2: a bit of a bit of so basically the entire
• 25:46
  Speaker 2: production of like what are they going to do? Virus
• 25:49
  Speaker 2: and Robert C. Cooper, who's obviously a visionary.
• 25:52
  Speaker 1: He's not Guiro, but he's no Giro.
• 25:55
  Speaker 2: But he's you know, he's he's a Kubrick. You know,
• 25:58
  Speaker 2: he's no Giro, but he's he's a Kubrick.
• 26:00
  Speaker 1: He's a he's just a child of the art.
• 26:03
  Speaker 2: Yeah. It was the other guy who was compared to
• 26:05
  Speaker 2: the Oh Woody Allen, Wood Allen, Well, do you want
• 26:10
  Speaker 2: to be well true? I mean, two thousand and seven
• 26:13
  Speaker 2: was probably a better time to actively compare yourself to
• 26:16
  Speaker 2: Woody Allen than it is now, isn't it probably?
• 26:18
  Speaker 1: I kind of feel like I'm a mixture of Woody
• 26:21
  Speaker 1: Allen and Roland Polanski. It's like maybe maybe Pabby choose
• 26:26
  Speaker 1: two other girls, you know.
• 26:27
  Speaker 2: Yeah, I really feel like I'm a combination of Harvey Weinstein.
• 26:32
  Speaker 1: And yeah, you couldn't have just picked like, oh, I
• 26:38
  Speaker 1: really see myself more as a like Steven Spielberg and
• 26:42
  Speaker 1: Christopher Nolan and like that type of like, oh yeah,
• 26:44
  Speaker 1: people that generally speak on a personal level. People don't
• 26:47
  Speaker 1: seem to have too many problems. Yeah you know what
• 26:48
  Speaker 1: I mean.
• 26:49
  Speaker 2: Yeah, I see myself as a jafswed and type.
• 26:53
  Speaker 1: I think that's going to age well in the.
• 26:54
  Speaker 2: Future, mixed in with a little bit of Kleine, you know,
• 26:57
  Speaker 2: when I'm in front of the camera.
• 26:58
  Speaker 1: And as an actor, I kind of thinking myself as
• 27:00
  Speaker 1: more of a Kevin Specie change.
• 27:02
  Speaker 2: Yeah, yeah, yeah, yeah, yeah, So that's that's in your future.
• 27:08
  Speaker 1: Okay, not too far two weeks Yeah, well not even
• 27:11
  Speaker 1: the way the way we're going at the moment. Guys
• 27:13
  Speaker 1: will see. Yeah, we are trying to obviously get this out.
• 27:18
  Speaker 1: That was our plan was to wrap twenty twenty five
• 27:21
  Speaker 1: up by wrapping up at Atlantis.
• 27:23
  Speaker 2: Yeah, they did. Being twenty twenty five finish Atlantis, twenty
• 27:26
  Speaker 2: twenty six will be Universe because there's only two seasons
• 27:30
  Speaker 2: to get through there, and then hopefully by mid twenty
• 27:33
  Speaker 2: twenty seven we'll have maybe in the interim between Universe
• 27:38
  Speaker 2: finishing and whatever the new series is starting, maybe we
• 27:41
  Speaker 2: can just do like a I mean, Brendan did say
• 27:44
  Speaker 2: at one point he wanted to re record the COVID episodes,
• 27:46
  Speaker 2: which is definitely not happening, and if it and if
• 27:51
  Speaker 2: it is, if it is, I'm not going to be
• 27:52
  Speaker 2: here for that. We'll just just superimpose everything I said
• 27:57
  Speaker 2: in the podcast and you guys can just re record
• 27:58
  Speaker 2: around everything Ice said during the COVID episodes. But maybe
• 28:02
  Speaker 2: it's like, maybe maybe all of us could watch the
• 28:05
  Speaker 2: first ones and just see if everybody has an opinion
• 28:08
  Speaker 2: on what they think of So.
• 28:10
  Speaker 1: I mad, He's just left us right there, So I'm so, yeah,
• 28:14
  Speaker 1: that's not a bad idea. That's bad. I mean, you know,
• 28:17
  Speaker 1: we organized to do it. You guys just don't show up,
• 28:19
  Speaker 1: and it just means that I have to. Yeah, I
• 28:21
  Speaker 1: have to do it. That's fine.
• 28:22
  Speaker 2: We could and we could redo it. We could watch
• 28:24
  Speaker 2: the non Bush cut of Children of the Gods. I mean,
• 28:28
  Speaker 2: some would say, what's the point?
• 28:29
  Speaker 1: Yeah? Is that what Brennan said he recently watched with
• 28:33
  Speaker 1: his son Jack. Did they watch the.
• 28:34
  Speaker 2: He thought he was watching that one, but he ended
• 28:36
  Speaker 2: up watching just the Bog, the Standard, The Bog Standard.
• 28:39
  Speaker 1: Good.
• 28:39
  Speaker 2: Yeah, it's good for Jack because yeah, they released that
• 28:41
  Speaker 2: version after Continuum.
• 28:46
  Speaker 1: It was the third.
• 28:47
  Speaker 2: It was the third sort of DVD special release was
• 28:49
  Speaker 2: the Children of the Gods Final Cut or whatever it
• 28:52
  Speaker 2: was called or something.
• 28:53
  Speaker 1: I wonder what the temperature was like at the time.
• 28:55
  Speaker 1: With me, I think I was just excited to go
• 28:57
  Speaker 1: and buy something. Oh it's a new version of the
• 28:59
  Speaker 1: Oh my god, we're gonna get some makes extra stuff.
• 29:00
  Speaker 1: But it's like, hey, we're you know, there's Ark of
• 29:03
  Speaker 1: Truth coming. It's continues coming. It's like, okay, hey, there's
• 29:07
  Speaker 1: no more movies, but we've got there's going to be
• 29:09
  Speaker 1: another release brought to you on DVD. Guys, get ready
• 29:14
  Speaker 1: and it will Oh my god. And then it's like,
• 29:16
  Speaker 1: we're just giving you a lesser version of the pilot.
• 29:20
  Speaker 2: We're giving you we're taking the boobs out, but we're
• 29:23
  Speaker 2: putting a cargo ship in.
• 29:25
  Speaker 1: Like, whoa, yeah, we know what you want, less boob,
• 29:30
  Speaker 1: more ship. Yeah yeah, So you wouldn't have thought so, guys.
• 29:34
  Speaker 2: Wouldn't have thought. So. A couple of things I noticed in
• 29:36
  Speaker 2: this episode though. One maybe I've just been behind it,
• 29:39
  Speaker 2: but I feel like the last few episodes Shepherd hasn't
• 29:42
  Speaker 2: been using a p ninety. I only really noticed in
• 29:44
  Speaker 2: this episode, it's holding almost like what Cam was holding
• 29:48
  Speaker 2: in like the last season of SG one, like like
• 29:51
  Speaker 2: the two handed grip kind of yeah yeah kind of situation.
• 29:53
  Speaker 2: And I feel like maybe somethen using that for a
• 29:55
  Speaker 2: couple of weeks or something like that. I didn't notice that.
• 29:58
  Speaker 2: And then you're a bit of a like an edity
• 30:01
  Speaker 2: kind of person, you pick up stuff like that. There
• 30:03
  Speaker 2: was a super weird edit, and I feel like this episode,
• 30:07
  Speaker 2: did you notice if there were any like fade to
• 30:09
  Speaker 2: black act breaks or anything like that, or did you
• 30:11
  Speaker 2: feel this was.
• 30:12
  Speaker 1: It was funny because the way the music builds up,
• 30:15
  Speaker 1: you know before they do a cut, and I'm like, oh,
• 30:17
  Speaker 1: here we going to cut the black like the DVD is,
• 30:19
  Speaker 1: don't cut to black like a what am I looking for?
• 30:21
  Speaker 1: But you can clearly tell like where it's setting up
• 30:24
  Speaker 1: for a commercial and other times where it's just a
• 30:27
  Speaker 1: sort of you know, mid break, yeah set up.
• 30:29
  Speaker 2: So maybe maybe this wasn'tthing to be a commercial break.
• 30:31
  Speaker 2: Have you listened to this and see if you can
• 30:32
  Speaker 2: pick it up.
• 30:33
  Speaker 3: I believe I know why this ship is malfunctioning, the
• 30:40
  Speaker 3: diseases in the ship.
• 30:42
  Speaker 2: Yeah, I believe I know where the device is the
• 30:44
  Speaker 2: ship is malfunctioning, and then it just cuts to an
• 30:46
  Speaker 2: outside shot of the hive just and so it's like
• 30:50
  Speaker 2: they cut outside for his explanation and then cut back
• 30:53
  Speaker 2: in for the calor to go and to reiterate.
• 30:55
  Speaker 1: What he said.
• 30:56
  Speaker 2: Yeah, oh that felt really odd.
• 30:58
  Speaker 1: Yeah, now I felt I probably have to watch it
• 31:00
  Speaker 1: as well to to like listening to it. Obviously is one. Yeah,
• 31:03
  Speaker 1: I mean you're.
• 31:03
  Speaker 2: Probably sixty forty it watching lawn, like folding laundry and
• 31:06
  Speaker 2: stuff at the time. Maybe yeah, yeah, that would makes sense.
• 31:09
  Speaker 1: And some dishes making school lunches or something. You know,
• 31:13
  Speaker 1: it was on the TV, not my laptop, some a
• 31:14
  Speaker 1: little bit further away, but you know, I had headphones on,
• 31:17
  Speaker 1: so I was immersed.
• 31:19
  Speaker 2: And then that's a good call.
• 31:20
  Speaker 1: Obviously, beautiful Jill State was on screen, so I was attentive.
• 31:26
  Speaker 2: Mate next week, next week is your episode?
• 31:32
  Speaker 1: Well, say a little bit more, okay.
• 31:34
  Speaker 2: Okay, Well it's a it's a it's a Keller based episode.
• 31:39
  Speaker 2: And maybe she makes reference to eagerly wanting to watch
• 31:45
  Speaker 2: one of your favorite movie franchises while consuming one of
• 31:50
  Speaker 2: your favorite movie snacks.
• 31:52
  Speaker 1: This is within the story, the narrative. This is Okay,
• 31:56
  Speaker 1: what's my favorite snack? She would be.
• 31:59
  Speaker 2: I grabbed the udio when I labeled it Mitch's ideal woman, Mitch's.
• 32:03
  Speaker 1: Perfect woman outside of my wife. How dare you? Okay, So, like,
• 32:09
  Speaker 1: you know, if it was like, hey, do you want
• 32:12
  Speaker 1: to grab a party bag size packet of vinegar chips
• 32:19
  Speaker 1: and when rings? Obviously, thank you. You're a perfect woman.
• 32:28
  Speaker 2: Missing one vital component, oneotle component. You're perfect.
• 32:34
  Speaker 1: Look, get a giant hand, we'll call it. Even.
• 32:38
  Speaker 2: Pretty sure I can order those Amazon these days, So
• 32:40
  Speaker 2: don't take me it's been a while in a dry spell.
• 32:43
  Speaker 1: Vagina or anything. Yeah, okay, good, good deposit. I don't
• 32:47
  Speaker 1: think either of those things are going to come up,
• 32:49
  Speaker 1: maybe one more than the other. You know what, well,
• 32:51
  Speaker 1: what are you talking about?
• 32:53
  Speaker 2: What's what's coming up?
• 32:54
  Speaker 1: Stop? Lord of the Rings is definitely uh, it's it's like, yeah,
• 32:58
  Speaker 1: it's sitting at like two dollars twenty bedding. Sultan vinegar
• 33:02
  Speaker 1: crisps or or potato chips are probably at nine hundred
• 33:08
  Speaker 1: to one.
• 33:09
  Speaker 2: Yeah, So I don't I don't think there is even a
• 33:10
  Speaker 2: thing in the States, no.
• 33:12
  Speaker 1: Get around in America, Sultan vinegar.
• 33:14
  Speaker 2: I mean it is, it is weird though that when
• 33:16
  Speaker 2: you go to other countries and it's like the bags
• 33:17
  Speaker 2: of the wrong color.
• 33:18
  Speaker 1: Oh, I can't like half round it like have for
• 33:21
  Speaker 1: them like I think some vinegar I've had to find
• 33:24
  Speaker 1: it was like red or something, and it just.
• 33:26
  Speaker 2: No, they're blue, aren't They aren't smith something because you
• 33:28
  Speaker 2: love the lays Lays Sultan vinegar I think are blue.
• 33:31
  Speaker 1: And you can't really get them here.
• 33:33
  Speaker 2: Yeah, same as Starburst. She can't get starbursed here anymore either,
• 33:35
  Speaker 2: what like packet and stuff, you can't. You can't get
• 33:37
  Speaker 2: starbus if you got to Colson Mornings, you can't buy
• 33:39
  Speaker 2: star Wars choosing.
• 33:40
  Speaker 1: I'm done, Yeah, I mean I haven't sought out to
• 33:44
  Speaker 1: buy them in.
• 33:45
  Speaker 2: Someone had to point it out to me because decade,
• 33:47
  Speaker 2: years and years ago I mourned the loss and severely
• 33:50
  Speaker 2: mourned the loss of Starburst jelly beans.
• 33:54
  Speaker 1: When you say severely mourned the loss of jelly beans.
• 33:58
  Speaker 2: It's someone who's lost their mother in the last five years.
• 34:00
  Speaker 1: By the way, you compare that morning.
• 34:07
  Speaker 2: Pretty d par pretty on par. Yeah, no Starburst jelly
• 34:12
  Speaker 2: beans because I and this is really discussing. So I
• 34:14
  Speaker 2: apologize to anyone who's listening to this in the lunch break,
• 34:16
  Speaker 2: whatever it may be. But I do remember once consuming
• 34:19
  Speaker 2: in one sitting watching a movie or something like that,
• 34:21
  Speaker 2: an entire bag of Starburst jelly beans and ma poop
• 34:24
  Speaker 2: the next day being green because of all the dyes
• 34:27
  Speaker 2: and colors and stuff like that.
• 34:29
  Speaker 1: So yeah, you're welcome.
• 34:33
  Speaker 2: Yep, you're welcome. I do have one bit of other
• 34:36
  Speaker 2: audio here, but I have no idea how to set
• 34:38
  Speaker 2: it up because I do not remember. It just says influence,
• 34:41
  Speaker 2: so I don't know. We're here anyway.
• 34:44
  Speaker 1: You do remember the last rate that came out of
• 34:46
  Speaker 1: one of those parts eight, one of our marines.
• 34:47
  Speaker 2: He was just a warrior drone.
• 34:49
  Speaker 3: Look, we've long suspected that they spend the majority of
• 34:51
  Speaker 3: their life under the controlling mental influence of the other rate.
• 34:54
  Speaker 3: It's not surprising if you remove that influence they revert
• 34:56
  Speaker 3: to an animal state. But that shouldn't happen with Hoard theoretically.
• 35:00
  Speaker 2: Oh yeah, that's the thing that we've suddenly four episodes
• 35:03
  Speaker 2: from the end of the series, they're like, oh, we've
• 35:06
  Speaker 2: always suspected that the higher up rates have an influence
• 35:09
  Speaker 2: over the drone, like.
• 35:10
  Speaker 1: Some kind of almost uh cerebral control, like yeah, like
• 35:14
  Speaker 1: their you know, their thoughts almost.
• 35:16
  Speaker 2: Yeah, in the same way like in the first episode,
• 35:17
  Speaker 2: saw the Queen like make John Neil like.
• 35:19
  Speaker 1: Neil, Yeah, yeah, that sort of ship.
• 35:21
  Speaker 2: I can't but I don't think anyone's ever positive that
• 35:25
  Speaker 2: they could do the same thing to the drones.
• 35:27
  Speaker 1: Yeah, yeah, well you're right here for like four episodes
• 35:30
  Speaker 1: to go, and I'm like, oh, that would have been
• 35:32
  Speaker 1: something to play, but this just seemed to serve something
• 35:34
  Speaker 1: else that was there to serve something else, as opposed
• 35:37
  Speaker 1: to being something interesting to explore on its on its own. Like,
• 35:41
  Speaker 1: you know, theoretically, maybe if they were able to sort
• 35:43
  Speaker 1: of tap into that or give Taylor that sort of
• 35:45
  Speaker 1: ability or boost up her thing, she could use those
• 35:48
  Speaker 1: drone soldiers, yeah, as their own you know where was.
• 35:52
  Speaker 2: That a few weeks ago when she was impersonating a queen?
• 35:54
  Speaker 1: Yeah right, yes, I mean yeah.
• 35:58
  Speaker 2: Alan mccullor, oh don't. I don't know if he'll get
• 36:01
  Speaker 2: an invite back for the new series.
• 36:02
  Speaker 1: No. I've got this soft spot for Alan McCulloch as
• 36:05
  Speaker 1: a as a writer, because there's one of my favorite
• 36:08
  Speaker 1: Brisbane Broncos that's ever put the jersey on the at
• 36:11
  Speaker 1: the Club Andrew McCulloch, and so it's just similar enough
• 36:15
  Speaker 1: that I actually like, Yeah, I like Alan McCallum. I
• 36:17
  Speaker 1: don't know that I liked any of these episodes. I'm
• 36:18
  Speaker 1: sure I did. This one was fine, This is good,
• 36:20
  Speaker 1: but I just you know, i's got a weird so
• 36:23
  Speaker 1: I will miss saying McCulloch. Yeah, podcast, we'll do one
• 36:26
  Speaker 1: more to write, really wrap things up at the end. Yeah,
• 36:28
  Speaker 1: in a true like Cooper gear a way, but in
• 36:30
  Speaker 1: a far nicer tone mcclor Yeah, and like a real
• 36:36
  Speaker 1: stellar So we'll get there.
• 36:37
  Speaker 2: Because we know that my accents are perfect. So when
• 36:39
  Speaker 2: I you're very when I go very, you know, Irish
• 36:42
  Speaker 2: slash Scottish, because I don't know the difference, but they're
• 36:45
  Speaker 2: always spot on.
• 36:46
  Speaker 1: Yeah, McCulloch, Yeah, mccallough. As far as two countries being
• 36:49
  Speaker 1: confused with one another, I'm sure they'd be fine with that.
• 36:54
  Speaker 2: You call an American a Canadian, Oh my god, they're like,
• 36:56
  Speaker 2: we get called New Zealanders. Well South African?
• 36:59
  Speaker 1: Is that I don't know. I've yeah, I heard the
• 37:00
  Speaker 1: South African thing. I'm like, really though, yeah really anyway, Yeah,
• 37:06
  Speaker 1: it's fine, Denny, you know, I release a video on
• 37:09
  Speaker 1: Instagra a month and a half ago now, and I
• 37:14
  Speaker 1: only said one line, and one of that line, one
• 37:17
  Speaker 1: of the words was decade, And I say, what decade
• 37:20
  Speaker 1: is it? And because I sort of said it so
• 37:23
  Speaker 1: quickly and I was walking away from the microphone as
• 37:25
  Speaker 1: it happened, it sounded like clearly to a foreign audience
• 37:30
  Speaker 1: and probably did half the people in Australia as well.
• 37:32
  Speaker 1: All the comments up to work. What dickhead is it?
• 37:36
  Speaker 1: I love it? Yeah? You know what? That may as
• 37:38
  Speaker 1: well be my cat trace now that could be on
• 37:39
  Speaker 1: a shirt. You know, what dickhead is it? I'm like,
• 37:42
  Speaker 1: oh yeah, I guess I've got that real Queensland twang
• 37:45
  Speaker 1: or something.
• 37:46
  Speaker 2: Clag What dickhead is it?
• 37:49
  Speaker 1: What dickhead is it?
• 37:51
  Speaker 2: New merchant confirmed? Check out our Patreon What fate?
• 37:54
  Speaker 1: What dickhead? Amaroka? All right, Well, we'll see you back
• 38:01
  Speaker 1: next week for a very kell I inspired and influenced
• 38:04
  Speaker 1: in heavy episode what's it called again?
• 38:07
  Speaker 2: Identity?
• 38:08
  Speaker 1: Identity good two thousand and three thriller, by the way,
• 38:11
  Speaker 1: great start sounding John Cusack.
• 38:13
  Speaker 2: Oh yeah, well, I mean you say that Identity final
• 38:16
  Speaker 2: episode of two thousand and eight of Stargate.
• 38:19
  Speaker 1: Ah so they squeeze into to own eye.
• 38:21
  Speaker 2: Yeah. The the next two after that go into January
• 38:24
  Speaker 2: of only okay nice apparently, according to Google Welcome.
• 38:27
  Speaker 1: Holy won't happen here. It's all going to be wrapped
• 38:30
  Speaker 1: up in December. So that is our plan, unless, of course,
• 38:34
  Speaker 1: something bad happens and I edit all of this out,
• 38:39
  Speaker 1: but I'd keep that laughing, so it'll just laugh and
• 38:41
  Speaker 1: come out of nowhere.
• 38:42
  Speaker 3: To get into the Geek, get into the Gate, get
• 38:47
  Speaker 3: into eight stargates.