Latest / Opie & Carl / Tim’s TIGHT Pants & Crazy Ex Stories

Transcript

Tim’s TIGHT Pants & Crazy Ex Stories · Opie & Carl

• 0:00
  Speaker 1: Oh yeah, Oh my god.
• 0:11
  Speaker 2: For the first time, and I would have to say
• 0:14
  Speaker 2: when was I let go from serious exam last July?
• 0:19
  Speaker 3: So over a year.
• 0:20
  Speaker 2: This is the first time I'm in front of a
• 0:22
  Speaker 2: professional microphone.
• 0:24
  Speaker 3: Carl Ruez.
• 0:26
  Speaker 2: We are at Westwood one in a brand new studio
• 0:28
  Speaker 2: they built for whoa what was that?
• 0:30
  Speaker 1: What?
• 0:30
  Speaker 3: What's that? Jesus bike? You don't ship the bed? What
• 0:33
  Speaker 3: was that? You're good?
• 0:36
  Speaker 4: You're good, dude?
• 0:40
  Speaker 2: Did you hear that?
• 0:43
  Speaker 3: Let's go back on the street.
• 0:48
  Speaker 5: Sorry, Joey New Problems for Joey podcast is going nowhere.
• 0:53
  Speaker 3: Got to turn all sounds off to computer here.
• 0:57
  Speaker 2: I am so excited that I'm in front of a
• 1:00
  Speaker 2: professional microphone for the first time. Although we did that
• 1:02
  Speaker 2: interview up there with brother weis in Rochester, but this
• 1:06
  Speaker 2: is the first time in a studio that is dedicated
• 1:09
  Speaker 2: to me and Carl.
• 1:10
  Speaker 3: And our gang. Uh.
• 1:12
  Speaker 2: This was like kind of just empty space here west
• 1:14
  Speaker 2: We'd won on forty second Street in Manhattan and they
• 1:17
  Speaker 2: built this out for us. What do you think, Carl Boom,
• 1:20
  Speaker 2: Why we're in a cubicle?
• 1:23
  Speaker 3: Huh? You liked this room? Yeah, it's pretty cool, do
• 1:26
  Speaker 3: you know. I gotta tell everybody what you said the
• 1:28
  Speaker 3: microphones on? Yeah, we're talking about some crazy situations. Do
• 1:31
  Speaker 3: you hear that static?
• 1:33
  Speaker 6: No?
• 1:33
  Speaker 3: I hear no static. No, you're good, dude, I totally
• 1:39
  Speaker 3: hear the static. You do hear the status. I'm a
• 1:41
  Speaker 3: professional broadcaster from nowhere.
• 1:44
  Speaker 2: Christ You're always gonna lose his fucking mind if I
• 1:47
  Speaker 2: hand this in and there's static, I'll tell you right now.
• 1:49
  Speaker 3: Go ahead, Carl. What did I say before the mics
• 1:51
  Speaker 3: went on?
• 1:52
  Speaker 4: You were like we were talking about some getting some
• 1:53
  Speaker 4: money or something like I'm gonna put some stuffed animals
• 1:56
  Speaker 4: up in this bitch.
• 2:01
  Speaker 5: I'm sitting in a log cabin in New Jersey. I'm like, this, motherfucker, well,
• 2:06
  Speaker 5: it needs something. It's very it's a small place, you know.
• 2:10
  Speaker 5: We gotta we gotta start from somewhere last night.
• 2:13
  Speaker 3: It's clean, it looks new.
• 2:14
  Speaker 2: Yeah, this is this is just like the state of
• 2:16
  Speaker 2: the art studio they built for me at Serious XAM.
• 2:18
  Speaker 3: Yeah, just just like it, right.
• 2:20
  Speaker 2: Right, Coral, Nope, it's all right though it's a little
• 2:23
  Speaker 2: We got space now though, you know it's my my
• 2:26
  Speaker 2: radio voice came back now that we're in front of
• 2:29
  Speaker 2: professional microphones.
• 2:31
  Speaker 3: I hate that voice on your home of rocking roll.
• 2:34
  Speaker 2: Oh god, all right, So we're we're here Westwood Want
• 2:41
  Speaker 2: and we're trying out the new studio.
• 2:43
  Speaker 3: I kind of like it.
• 2:43
  Speaker 2: We got a phone system so we can finally start
• 2:46
  Speaker 2: taking phone calls.
• 2:47
  Speaker 3: That's good, Mike, he told us. This wasn't looked up
• 2:51
  Speaker 3: theater of the mine.
• 2:52
  Speaker 2: Man, just pick up the hey caller too, Hey Hello, Nope,
• 2:58
  Speaker 2: no one's there yet. You sure the phones aren't hooked
• 3:04
  Speaker 2: up or did we fall that far? The phones aren't
• 3:08
  Speaker 2: hooked up, right, Mike, Key, They're not hooked up yet,
• 3:10
  Speaker 2: all right, And Mike got it.
• 3:11
  Speaker 3: He's got a little like producer booth over there is
• 3:13
  Speaker 3: better than our booth. You know, why is he bigger
• 3:17
  Speaker 3: than booth? This is You weren't involved in the design
• 3:19
  Speaker 3: of this, of course I wasn't.
• 3:22
  Speaker 4: Why would they make the producer booth has like a
• 3:24
  Speaker 4: water slide in it?
• 3:26
  Speaker 3: Why would that? Why would the producer booth be as
• 3:29
  Speaker 3: twice as big as.
• 3:30
  Speaker 7: What's the size better microphone? I got computers in here
• 3:34
  Speaker 7: and everything.
• 3:35
  Speaker 3: He's literally on eBay right now buying shit. We're in
• 3:37
  Speaker 3: this little penalty box. Do play same problems.
• 3:45
  Speaker 2: Radio people, although we're podcasting, but This definitely feels like
• 3:50
  Speaker 2: radio in front of these microphones.
• 3:51
  Speaker 3: Radio people just can't figure it out. They just can't
• 3:55
  Speaker 3: figure it out. That's why it's going out of business.
• 3:59
  Speaker 2: That guy, We're there no offense, Mike. You need to
• 4:02
  Speaker 2: be in a tiny, tiny, tiny little.
• 4:03
  Speaker 3: Spot and then you can use the rest of.
• 4:05
  Speaker 2: The space to make the studio bigger, so then we
• 4:08
  Speaker 2: can invite a lot of people in here and have
• 4:10
  Speaker 2: a party.
• 4:10
  Speaker 4: Man, Mike can actually have a party in the net room,
• 4:13
  Speaker 4: but we can't have.
• 4:14
  Speaker 3: One in this room. Such as when you put in
• 4:15
  Speaker 3: the stuffed animals up in this bitch like that.
• 4:21
  Speaker 4: It's listen, it's a it's a hallway that's like paper thin,
• 4:25
  Speaker 4: and we're in this little room and obvious like in
• 4:27
  Speaker 4: fantasy Land, like in serious where the couches, well, we
• 4:36
  Speaker 4: literally looked like bosom buddies in the stupid little room.
• 4:39
  Speaker 2: Robert, who you might remember from the Philly episode where
• 4:42
  Speaker 2: he closed out the first day in Philly with the
• 4:45
  Speaker 2: with the traffic cone.
• 4:47
  Speaker 3: Remember he was gonna hear that static. There's no static, huh,
• 4:50
  Speaker 3: I hear the static. But right somewhere in Dallas, Joey's
• 4:55
  Speaker 3: pulling his hair out of his head. Oh no, Joey,
• 4:58
  Speaker 3: Joey smooth on top.
• 5:00
  Speaker 2: He's smooth, smooth cat. Oh okay, that that explains everything.
• 5:04
  Speaker 3: I like, Robert. I gotta tell you something, Robert. Yeah,
• 5:07
  Speaker 3: one of the best wingmen I've ever flown with. He's
• 5:09
  Speaker 3: a wingman. He's a wingman. You know who's not a wingman? Who?
• 5:12
  Speaker 3: Who do you think?
• 5:14
  Speaker 4: Tim Sabian is a C one thirty gun ship that
• 5:17
  Speaker 4: just kills everything that you're trying to do, mister Robert man,
• 5:23
  Speaker 4: he flew with me, He flew straight, he flew true.
• 5:26
  Speaker 3: Yeah, he had his head on a swivel. I know
• 5:28
  Speaker 3: you like saying that.
• 5:28
  Speaker 2: Yeah, what's the difference between Robert as a wingman and
• 5:31
  Speaker 2: Tim Sabian as a wingman?
• 5:34
  Speaker 4: Real, it's the difference between an Olympic runner and a
• 5:38
  Speaker 4: dead body. So Robert is like in the shadows, right,
• 5:43
  Speaker 4: but just handling stuff, keeping the drinks coming.
• 5:46
  Speaker 3: Pops out when he's needed ips in.
• 5:49
  Speaker 4: We can we could communicate full sentences via winking.
• 5:54
  Speaker 3: Just get it done.
• 5:55
  Speaker 4: He got it done. He got me to the finish line.
• 5:58
  Speaker 4: And it was a tricky situation. It was a tricky situation,
• 6:01
  Speaker 4: you know, it was out of town er. Yeah, you
• 6:04
  Speaker 4: gotta be careful.
• 6:04
  Speaker 3: Did he go home with the fat one? No, there
• 6:07
  Speaker 3: was no other one.
• 6:08
  Speaker 4: It was just me, no other one. He wings me
• 6:10
  Speaker 4: with nobody else. He was just keeping people away from me, really,
• 6:13
  Speaker 4: mostly Tim Saban.
• 6:16
  Speaker 7: And then give me an even Mikey heard his story, right, Mikey,
• 6:20
  Speaker 7: first thing I did when I saw Robert, He's like,
• 6:22
  Speaker 7: you won't believe what happened last night?
• 6:24
  Speaker 3: The Cubans on the prow And how does Tim Sabian
• 6:27
  Speaker 3: fing up?
• 6:28
  Speaker 4: Bruh, just loud, bro tell me first, there's a bunch
• 6:33
  Speaker 4: of gangsters hanging out, right, because well, gangster's a lot
• 6:37
  Speaker 4: more fun than hanging out with podcast people, you know
• 6:39
  Speaker 4: what I mean.
• 6:39
  Speaker 3: But uh, the first thing he says, he's like, how
• 6:42
  Speaker 3: about that John Gotti movie.
• 6:44
  Speaker 4: I'm like, get this, get this bum clown clown bum
• 6:49
  Speaker 4: child prints they're gonna stab him.
• 6:52
  Speaker 3: All of a sudden, one guy goes get that giant
• 6:54
  Speaker 3: lesbian away.
• 6:59
  Speaker 2: Really, br that's not good.
• 7:01
  Speaker 3: This one. This one gangster's eyes were rolling like a
• 7:03
  Speaker 3: pinball machine.
• 7:04
  Speaker 4: He didn't know what it was so much for him
• 7:07
  Speaker 4: that if a guy showed up in a shark suit
• 7:09
  Speaker 4: and started throwing him out like candy it would have
• 7:11
  Speaker 4: been It would have been less awkward than Tim Staman going, do.
• 7:13
  Speaker 3: You guys know Sammy the Bulgar? He's like, who is
• 7:16
  Speaker 3: this guy? Why would he do that? I don't know, bro.
• 7:19
  Speaker 4: He was like, it was like my little pony loosen
• 7:22
  Speaker 4: their and it just made no sense.
• 7:24
  Speaker 3: And what pants was was he wearing?
• 7:25
  Speaker 4: He was wearing a pair of dockers that were so up.
• 7:31
  Speaker 4: The back pocket was in his small intestine. I mean
• 7:40
  Speaker 4: his wallet was wet. God, the credit cards were bent
• 7:47
  Speaker 4: in it.
• 7:48
  Speaker 3: It tips out. That's the pressure. Oh what was that noise?
• 7:51
  Speaker 3: Oh we're good.
• 7:52
  Speaker 7: I'm just trying to charge my phone.
• 7:54
  Speaker 3: Oh my, is that part of our podcast? Now? This
• 7:58
  Speaker 3: is all because he's charging his phone? Definitely? Oh my god. Anyway, yeah,
• 8:03
  Speaker 3: sorry Joey. Uh yeah.
• 8:04
  Speaker 2: Tim's pants are a bit on the tight side. You
• 8:06
  Speaker 2: think he's got an amazing bunt brow.
• 8:10
  Speaker 4: From the back, he looks like Michael Phelps ready to
• 8:12
  Speaker 4: jump into the pool.
• 8:12
  Speaker 3: That's how tight those fucking things are.
• 8:15
  Speaker 4: Because you could see his underwear like speedo out like
• 8:17
  Speaker 4: I see his pantyline.
• 8:23
  Speaker 3: It's one of my favorite things. There's the song on
• 8:25
  Speaker 3: Tim Saviens tight pants. It's one of my favorite things
• 8:28
  Speaker 3: in the world.
• 8:29
  Speaker 4: And I'm trying to close, man, and and I'm closing
• 8:32
  Speaker 4: from zero. Mike, you know, you know what it is
• 8:34
  Speaker 4: when you go from zero, like I'm coming out of
• 8:36
  Speaker 4: the gate cold, like I don't know this girl.
• 8:38
  Speaker 3: I don't know.
• 8:38
  Speaker 7: Nothing, and she doesn't have a she has no friend
• 8:41
  Speaker 7: with her.
• 8:41
  Speaker 4: No, she's by herself, solo, and I'm with I'm with.
• 8:46
  Speaker 4: I came with the date, so I'm already with somebody,
• 8:51
  Speaker 4: and I gotta And then I saw that my date
• 8:53
  Speaker 4: was cold, full blown transition. Let that fucking pigeon fly
• 8:59
  Speaker 4: and while they met each other, and then I just
• 9:01
  Speaker 4: jumped on the second one and closed.
• 9:04
  Speaker 2: It was good day and all with Tim Sabian in
• 9:06
  Speaker 2: the Wadia, just screaming and lighting off fireworks, putting the
• 9:11
  Speaker 2: eighties in the toilet.
• 9:13
  Speaker 3: It was a mess. It's like a giant squirrel.
• 9:20
  Speaker 2: Love. He walks around like he just put a finger
• 9:22
  Speaker 2: in electric electrical Fuck it, I fucked that it up.
• 9:26
  Speaker 3: And edit that out, Joey, thank you, Oh my god,
• 9:31
  Speaker 3: no one.
• 9:31
  Speaker 2: I want to get Tim Sabian for Christmas a pant
• 9:35
  Speaker 2: a pants, suit pants.
• 9:37
  Speaker 3: He does look like Hillary Clinton. I think he could
• 9:39
  Speaker 3: I think he could wear it. I think he would
• 9:41
  Speaker 3: well with Timmy's the best. We love Timmy.
• 9:47
  Speaker 2: Any chance we get to make fun of his tight pants.
• 9:50
  Speaker 3: Do you think it's just because he's stuck on that size?
• 9:52
  Speaker 3: He likes that size.
• 9:54
  Speaker 7: No, it's been going off for a while. This is
• 9:56
  Speaker 7: old open Anthony history. People love when I bring up
• 9:58
  Speaker 7: the old O and A stuff as a stalker fan.
• 10:01
  Speaker 3: First, he was just here to charge his phone.
• 10:03
  Speaker 7: Yeah, I'm at eighty three. I'm almost out. Called their
• 10:08
  Speaker 7: first show at WYSP. Back in the day when you
• 10:10
  Speaker 7: first got syndicated, your whole show, the first alley, like,
• 10:13
  Speaker 7: we're in Philly, dude, what's up with that dude? Tim Sabian,
• 10:16
  Speaker 7: he has two bulls. The whole first hour of the
• 10:18
  Speaker 7: show was about his tight hans. So nothing's changed with
• 10:21
  Speaker 7: that dude in fifteen years.
• 10:23
  Speaker 2: I do remember that Tim walked us around Philly, showed
• 10:26
  Speaker 2: us all the historical sites, and this is where Betty Roth,
• 10:30
  Speaker 2: Benjamin Viking and the whole time me and Jimmy were
• 10:35
  Speaker 2: walking behind him just pointing at body barts.
• 10:40
  Speaker 3: We're just pointing in giggling, We're just.
• 10:45
  Speaker 2: Pointing, giggle. Tim's trying to have a serious conversation you know,
• 10:50
  Speaker 2: I think you guys are gonna do great here in
• 10:51
  Speaker 2: Philly and syndication, and we're all here to support you.
• 10:54
  Speaker 2: And then and then til you would turn around and
• 10:56
  Speaker 2: we would point out his tiny little.
• 10:57
  Speaker 4: Ball back looked like a little robin egg, two little
• 11:01
  Speaker 4: Robin eggs, and a little makeshift nest.
• 11:05
  Speaker 3: A mess made out of match sticks and newspaper.
• 11:08
  Speaker 2: And then he turned around to go to the Liberty
• 11:10
  Speaker 2: bell or something, and then me and Jimmy backed way
• 11:13
  Speaker 2: off so he could see, you know.
• 11:14
  Speaker 3: Well, what crack was bigger his or the one on
• 11:16
  Speaker 3: the bell.
• 11:20
  Speaker 2: So he can walk behind him and his point his point,
• 11:23
  Speaker 2: and he's making soup.
• 11:24
  Speaker 3: And it's fucking all the pubic hair looks.
• 11:28
  Speaker 4: Like Robin Robin noodles.
• 11:33
  Speaker 2: It was supposed to be this really huge bonding experience.
• 11:36
  Speaker 3: I got it. I'm not lying.
• 11:37
  Speaker 4: This is total truth. When I'm when I'm when I'm
• 11:40
  Speaker 4: going in for the kill, I become hyper aware of everything.
• 11:43
  Speaker 4: And the girl that I'm talking to at one point
• 11:45
  Speaker 4: was looking at me and kept looking down at Tim
• 11:47
  Speaker 4: Savings sweaty pants because he's a shuffler.
• 11:53
  Speaker 3: One moment he was like on the right of me.
• 11:54
  Speaker 3: Then he was on the left of me. It's like
• 11:56
  Speaker 3: a wizard.
• 11:56
  Speaker 4: He just keeps popping wherever he could be loudest and
• 11:59
  Speaker 4: most way. That's where Timmy's gonna be. And he was
• 12:02
  Speaker 4: having it.
• 12:03
  Speaker 3: He's like, this just Greay call.
• 12:04
  Speaker 4: You're hanging out with mobsters and and that is she
• 12:08
  Speaker 4: an attorney.
• 12:09
  Speaker 3: I'm like, she's a prosecutor. Bro shut up. He's like,
• 12:12
  Speaker 3: in the same room. I'm like, this is where they belonged, Like,
• 12:17
  Speaker 3: of course, this is where they feel the most comfortable.
• 12:20
  Speaker 4: And everything, every there was, everything he experienced was out loud.
• 12:25
  Speaker 3: Right, there's an elevator, doors open. How what are you drinking? Delicious?
• 12:30
  Speaker 3: I was like, oh my god.
• 12:32
  Speaker 2: Basically he vocalizes every thought that goes through his brain.
• 12:36
  Speaker 3: Going to the bathroom number one and I'm trying to close.
• 12:45
  Speaker 4: I'm setting I'm setting one home and putting one in,
• 12:48
  Speaker 4: you know what i mean. He's like, it was like,
• 12:50
  Speaker 4: you know the first one, the picture, you know, she
• 12:53
  Speaker 4: wasn't she wasn't getting.
• 12:54
  Speaker 3: It down the pipe.
• 12:55
  Speaker 4: So I had to I had to call him for
• 12:56
  Speaker 4: the relief, and that relief that she was pitching.
• 12:59
  Speaker 2: You had to call on the left, and she was
• 13:00
  Speaker 2: pitching really.
• 13:02
  Speaker 4: Robert, I tell you I hold Robert at dinner. He
• 13:04
  Speaker 4: was just Marty Brodor. He blocked everything that.
• 13:08
  Speaker 2: Was good for Robert.
• 13:10
  Speaker 3: He even blocks some other girl. Right, where's Robert.
• 13:12
  Speaker 2: Let's get him on the you know, as we try
• 13:14
  Speaker 2: out this new studio at West.
• 13:15
  Speaker 3: With One, I like it. Yeah, I mean that's potential.
• 13:18
  Speaker 3: It does right, I could for a closet. Well, you know,
• 13:22
  Speaker 3: I mean, what are you gonna do? Are we gonna
• 13:24
  Speaker 3: get live calls and stuff? Yeah?
• 13:26
  Speaker 1: I think so.
• 13:27
  Speaker 2: As my voice gets highed because I'm starting to think
• 13:29
  Speaker 2: where I used to be in this business.
• 13:30
  Speaker 3: Hold on, it is my boy. Who's Aaron? All right?
• 13:33
  Speaker 6: Uh?
• 13:34
  Speaker 3: Chef?
• 13:34
  Speaker 8: Yeah?
• 13:34
  Speaker 3: Yeah, you don't hear that static? I hear static. Mike's
• 13:42
  Speaker 3: saying that. I guess we're good with the static.
• 13:44
  Speaker 2: I know, maybe it's just in the old headphones.
• 13:46
  Speaker 3: Who knows. So if I can hear it, can't everybody
• 13:50
  Speaker 3: else hear it? I would assume so.
• 13:51
  Speaker 2: But Mike, who is insisting it's not a problem. We'll
• 13:55
  Speaker 2: we'll find out when we put this podcast out. Oh now, Aaron, thanks,
• 14:02
  Speaker 2: get Robert down here. Let's get Robert on the podcast.
• 14:05
  Speaker 3: I'll right him.
• 14:05
  Speaker 7: Yeah, I just texted him. He's coming down.
• 14:07
  Speaker 3: Oh, is he really okay to bring water because I'm thirsty? Yeah?
• 14:10
  Speaker 4: God, there's no service here. It was at Serio six CEM.
• 14:13
  Speaker 4: You had that weird out campus that.
• 14:15
  Speaker 2: Would bring stuff, bring some refreshments and stuff six him.
• 14:18
  Speaker 3: For me, that was that was weird being outside serious
• 14:21
  Speaker 3: XM today. Carl was in the area. Carl was in
• 14:25
  Speaker 3: the area, so I met him there. That was a
• 14:27
  Speaker 3: little strange to be outside that building. Huh.
• 14:31
  Speaker 1: Yeah.
• 14:31
  Speaker 3: It brought back memories, though not good ones. Huh. I
• 14:39
  Speaker 3: don't know I have.
• 14:40
  Speaker 2: I've moved on and I wish them nothing but the best.
• 14:43
  Speaker 2: What are you gonna do, Carl, right? Are you gonna
• 14:45
  Speaker 2: just like, uh, you know, just dwell on it? Or
• 14:47
  Speaker 2: do you move on from those things?
• 14:49
  Speaker 3: What do you think? I dwell on everything?
• 14:51
  Speaker 2: You know?
• 14:51
  Speaker 3: I run on Spike.
• 14:52
  Speaker 2: Really, I have no spite. I wish him nothing but
• 14:55
  Speaker 2: the best. It was very weird to be outside that
• 14:58
  Speaker 2: building today.
• 14:59
  Speaker 3: And I and I know we're doing a podcast, but
• 15:01
  Speaker 3: I take this funk call. What's up? Man? Talk to me? Yo?
• 15:05
  Speaker 3: Do you hook up Priles with that? Rezie?
• 15:08
  Speaker 4: What's that Jess Priles? Did you did you talk to her?
• 15:14
  Speaker 4: She's a big barbecue girl in Austin. And she's a
• 15:17
  Speaker 4: smoke show too. She's good looking.
• 15:24
  Speaker 3: He's laughing. It's very it's it is important. It is important.
• 15:31
  Speaker 4: Yeah, if you can hook her up, because if if
• 15:33
  Speaker 4: she promised me a date at the Golden Corral in Austin,
• 15:36
  Speaker 4: if we if I get her the reservation.
• 15:40
  Speaker 3: Yeah, I didn't know what you take care of it.
• 15:43
  Speaker 3: Thank you, man. I love you. I'll call you letter
• 15:47
  Speaker 3: so yeah, I mean iron May. He just texted me
• 15:49
  Speaker 3: you can hear the static. Yeah.
• 15:51
  Speaker 2: And then I got to rop coming in, and then
• 15:53
  Speaker 2: I got to run into my old friend Demos.
• 15:55
  Speaker 3: It was nice to say, what's I go? Like, top
• 15:58
  Speaker 3: on the window, turn on three. How does that work?
• 16:00
  Speaker 1: Yeah?
• 16:01
  Speaker 2: That works?
• 16:02
  Speaker 3: So I have the thumbs up. I was just telling Carr.
• 16:05
  Speaker 3: We started outside serious XM today. It was a little weird.
• 16:07
  Speaker 3: I'm not gonna lie to you.
• 16:07
  Speaker 2: And then a good friend of mine, Demos, who I've
• 16:09
  Speaker 2: known since he was eighteen years old and I took
• 16:11
  Speaker 2: care of him back.
• 16:12
  Speaker 3: In the day.
• 16:12
  Speaker 2: He stopped by and pushed me the best and we
• 16:15
  Speaker 2: chatted for a couple of minutes, and then we finally
• 16:18
  Speaker 2: walked over to Westwood One.
• 16:19
  Speaker 8: Yeah, so you had a nice day out in the
• 16:21
  Speaker 8: New York City heat and went by the old school.
• 16:23
  Speaker 3: Okay, first of all, that shit's got it. I'm glad
• 16:25
  Speaker 3: I'm in here. First of all.
• 16:26
  Speaker 4: Why Second, well, I don't understand why Mike doesn't bring
• 16:28
  Speaker 4: me water. He's literally texting his girlfriend right now.
• 16:31
  Speaker 7: You want what, I'm trying to run the mic here
• 16:33
  Speaker 7: with some static going for.
• 16:36
  Speaker 1: You.
• 16:36
  Speaker 3: Just you just push record and make sure the mics
• 16:38
  Speaker 3: are on go. I hope he makes me walk.
• 16:43
  Speaker 4: First of all, he calls me at eleven o'clock in
• 16:45
  Speaker 4: the morning, like, let's do podcast stuff. I said, no problem,
• 16:49
  Speaker 4: and he I finally ran into him at three.
• 16:53
  Speaker 8: So you were wandering around New York alone.
• 16:55
  Speaker 4: He's like, sorry, man, ran into Gumbay Johnny like I
• 16:58
  Speaker 4: give a phone.
• 16:59
  Speaker 8: You know who Johnny?
• 17:00
  Speaker 3: Yeah, we go way back as well.
• 17:02
  Speaker 8: Another radio guy who's in uh what's that he's been
• 17:07
  Speaker 8: in those Marvel TV shows.
• 17:08
  Speaker 2: On Uh yeah.
• 17:09
  Speaker 3: He does a little acting acting exactly give me the water, Mike,
• 17:13
  Speaker 3: thank you. And then you know Carl. When I finally
• 17:16
  Speaker 3: called him, he happened to be close to serious X.
• 17:18
  Speaker 2: I'm like, ah, you know what, it'd be kind of
• 17:20
  Speaker 2: fun to start this podcast from outside of the building a
• 17:22
  Speaker 2: little weird because you don't you don't know if there's
• 17:24
  Speaker 2: gonna be like people coming out, you know what I mean?
• 17:27
  Speaker 8: Did security no former perimeter.
• 17:30
  Speaker 2: I walked through the lobby because then I found because
• 17:33
  Speaker 2: I couldn't find.
• 17:34
  Speaker 8: Well, you went in the building.
• 17:35
  Speaker 2: I walked through it, right through the middle of it
• 17:37
  Speaker 2: because there's an area you could walk from one side
• 17:39
  Speaker 2: to the other, so I couldn't.
• 17:40
  Speaker 3: I didn't see him on.
• 17:41
  Speaker 2: What's our old street, forty eight, so I walked through
• 17:45
  Speaker 2: to go to forty seventh. He's outside the fox area.
• 17:47
  Speaker 3: It was my fault because I made him wonder because
• 17:49
  Speaker 3: I want to get a picture of him with the podcast.
• 17:52
  Speaker 8: He called me, that's the that's the big foot shot
• 17:56
  Speaker 8: on your Instagram.
• 17:56
  Speaker 3: That I've put celebrities sighting building.
• 18:01
  Speaker 2: So this idiot sees me for a couple of minutes
• 18:03
  Speaker 2: with his giant podcast equipment and doesn't say a word.
• 18:06
  Speaker 3: He just wants me to look like a fool while exactly.
• 18:08
  Speaker 2: But when I walked through the building, the security guys
• 18:11
  Speaker 2: were always really cool to me.
• 18:12
  Speaker 3: The one guy saw me right away.
• 18:14
  Speaker 2: I wasn't trying to go upstairs or anything, and he
• 18:17
  Speaker 2: looked at me, pointed, just started laughing.
• 18:20
  Speaker 3: I go, yep, that's me. Do what you gotta do.
• 18:24
  Speaker 2: Did you interview huh no, No, but I wasn't gonna
• 18:27
  Speaker 2: interview anyone. But we were outside and then my old
• 18:30
  Speaker 2: friend Demos walked by, so I put.
• 18:32
  Speaker 3: Him on for a minute.
• 18:33
  Speaker 4: Now that I have Robert here and Robert trade because
• 18:35
  Speaker 4: Robert knows how to speak shady code like me, I
• 18:37
  Speaker 4: just want to personally thank Robert, one of the best
• 18:39
  Speaker 4: wing men I've ever dealt with in New York.
• 18:41
  Speaker 3: You really got it done anytime. Good job.
• 18:43
  Speaker 2: He was telling me, just stay in the shadows, just
• 18:46
  Speaker 2: blocking everything.
• 18:47
  Speaker 3: Little is more right, mm hmm, you don't get too involved.
• 18:50
  Speaker 4: Just got it done. Great wingman. Great, it was a
• 18:53
  Speaker 4: great transition. I had to transition from one thing to another.
• 18:56
  Speaker 2: But it doesn't sound like it was a wingman situation
• 18:58
  Speaker 2: because it doesn't sound like there was another girl.
• 19:01
  Speaker 3: No, Tim Sabian was going to be the ball.
• 19:05
  Speaker 2: Robert had to walk off with Tim and make out
• 19:08
  Speaker 2: with him in the corner, so you had some time.
• 19:12
  Speaker 3: Bart came back like I banged head. You're good, he's
• 19:16
  Speaker 3: sleepy poo. Now I took one for the tea. I
• 19:21
  Speaker 3: took one for the team.
• 19:22
  Speaker 8: I know he sent him to Chicago. See, I got
• 19:24
  Speaker 8: him out of town.
• 19:24
  Speaker 3: He's in Chicago.
• 19:26
  Speaker 2: Yeah, well, gosh, yeah, because the wingman's supposed to, you know, uh,
• 19:30
  Speaker 2: take care of the one that has their arms folded. Well,
• 19:33
  Speaker 2: and it's not you promise me we'd be home by midnight.
• 19:37
  Speaker 8: But that's also not a significant other kind of a thing.
• 19:39
  Speaker 8: That's you know, there are people within a circle. I've
• 19:41
  Speaker 8: learned over the years that that I think they're looking
• 19:45
  Speaker 8: out and probably are looking out, but but maybe missed
• 19:48
  Speaker 8: the signals of I got it, I'm handled, so you
• 19:50
  Speaker 8: need to call in a reinforcement, which I believe, if
• 19:52
  Speaker 8: I read it right, was what I saw you did.
• 19:54
  Speaker 3: Did a good job, right, very good job. So this
• 19:57
  Speaker 3: is our new studio.
• 19:58
  Speaker 2: Huh.
• 19:58
  Speaker 8: Yeah, it's a a little refurbished.
• 20:01
  Speaker 3: Yeah, I kind of like it. I'm not into I'm
• 20:04
  Speaker 3: not a radio guy.
• 20:04
  Speaker 2: Huh.
• 20:05
  Speaker 4: How come the room for the producer guys bigger than this?
• 20:10
  Speaker 4: His His apartment looks like well coming to America. When
• 20:15
  Speaker 4: hall Ready does it with the hot top and everything, it's.
• 20:19
  Speaker 3: Giant, and you can tell the ace is way better
• 20:21
  Speaker 3: at all his hair.
• 20:22
  Speaker 4: I can see his eyebrows flapping in the way.
• 20:26
  Speaker 3: What the hell he's getting a hot shave in there
• 20:29
  Speaker 3: when we had.
• 20:30
  Speaker 8: To pull out equipment that was recovered from the Germans
• 20:32
  Speaker 8: at the end of the war. So that's kind of
• 20:33
  Speaker 8: why this is. He ain't lying.
• 20:35
  Speaker 2: When I first was thinking about coming to Western One,
• 20:37
  Speaker 2: they they took me through this and they promised that
• 20:39
  Speaker 2: they would build this out. I didn't believe you guys
• 20:41
  Speaker 2: at the time, but the equipment in here was incredibly.
• 20:44
  Speaker 3: Old, and it was a lot of dust.
• 20:46
  Speaker 2: Oh my god, pretty much cobwebs on the stuff.
• 20:48
  Speaker 3: I don't think.
• 20:49
  Speaker 8: Anyone we ate RPM records. That's how commercials got played.
• 20:52
  Speaker 8: I mean, yeah, building has been here since the twenties.
• 20:54
  Speaker 2: Yeah, I think this room sat here for a long
• 20:56
  Speaker 2: long time. But you're gonna put a love seat in
• 20:58
  Speaker 2: the corner.
• 21:00
  Speaker 8: We've asked marketing. They're looking at colors right now, trying
• 21:02
  Speaker 8: to either match that blue or that purple.
• 21:04
  Speaker 3: I think, just get us a love seat.
• 21:06
  Speaker 4: So so you're saying there's a fifty percent chance that
• 21:09
  Speaker 4: there's gonna be a purple couch in here.
• 21:11
  Speaker 3: I could wit.
• 21:14
  Speaker 8: Look at one of those what are your slipcovers for?
• 21:16
  Speaker 1: It?
• 21:16
  Speaker 8: Just you know, mos Elastic.
• 21:17
  Speaker 4: Draped Tim Sagan giants on top of.
• 21:25
  Speaker 3: His neopreme khakis.
• 21:28
  Speaker 9: It's when we do this, Oh, I know he's a
• 21:30
  Speaker 9: big time executive.
• 21:31
  Speaker 3: I'm like, now he's in Chicago. I go, Tim, I
• 21:33
  Speaker 3: got this.
• 21:34
  Speaker 2: I could balance the fact that yeah, you're a big
• 21:36
  Speaker 2: time executive and also show that you're kind of a goofball, right, Robert, exactly, Yes,
• 21:43
  Speaker 2: this room.
• 21:44
  Speaker 3: What's the size of this room?
• 21:45
  Speaker 2: For the people, I would say it's that's not even
• 21:47
  Speaker 2: ten feet across that way. That's maybe ten feet across
• 21:50
  Speaker 2: that way, let's say, and then maybe twelve feet this way.
• 21:55
  Speaker 2: So we're looking at probably a ten x twelve foot
• 21:58
  Speaker 2: room right now.
• 21:58
  Speaker 8: For those of you that are obsessed of about opium
• 22:01
  Speaker 8: Carl and Vick's Instagram, it's probably one and a half
• 22:03
  Speaker 8: Carl's wide and about that.
• 22:06
  Speaker 3: Long.
• 22:08
  Speaker 8: That's all right, he'll do get Look the microphones work,
• 22:11
  Speaker 8: that water comes in. We'll get a mini fridge for beer.
• 22:14
  Speaker 3: Well, the MIC's sort of work.
• 22:15
  Speaker 2: There's a lot of static going on, and Mike swears
• 22:18
  Speaker 2: that he can't hear it, so this should be okay.
• 22:21
  Speaker 3: I'm just trying to get a love seat in here.
• 22:22
  Speaker 3: I have a lot of room. I might get a
• 22:23
  Speaker 3: sectional up in here. You can get bunk beds in there.
• 22:26
  Speaker 2: Dude, this this is nicer than the creepy cabin.
• 22:29
  Speaker 3: Though, no, it's not.
• 22:31
  Speaker 2: This is nicer than the creepy cabin.
• 22:32
  Speaker 3: Do you think so?
• 22:33
  Speaker 1: Yes?
• 22:34
  Speaker 4: No bugs, no bugs, no bugs, but people, but a
• 22:38
  Speaker 4: lot of people.
• 22:39
  Speaker 3: You don't like people? You like people anymore? What happened
• 22:43
  Speaker 3: to a lot of things? Some are well documented.
• 22:47
  Speaker 2: You're you're a man of the people. Though you are
• 22:51
  Speaker 2: a man of the people. I'm trying to like I'm
• 22:54
  Speaker 2: trying to follow your lead a little bit.
• 22:55
  Speaker 3: That's not working. I'm trying to be a little more friendly.
• 22:57
  Speaker 2: We are trying to be friendly, right, it's a the
• 23:00
  Speaker 2: street Naked Cowboy recognized me to Yeah. That was really awkward,
• 23:06
  Speaker 2: and then I awkwardly he was telling him that he's
• 23:08
  Speaker 2: still in really good shape. But I had to say
• 23:10
  Speaker 2: it because I've known him since Uh well, he said
• 23:12
  Speaker 2: he's celebrating his twentieth anniversary. He's trying to get a
• 23:15
  Speaker 2: life size statue made of him for Times Square.
• 23:19
  Speaker 3: I don't know if I'll ever get that done, but
• 23:21
  Speaker 3: he's pretty famous for the Times Square. Yeah, for the
• 23:24
  Speaker 3: people that don't know. Oh, we should explain guy naked cowboy.
• 23:27
  Speaker 2: So all he wears his cowboy boots and really really
• 23:31
  Speaker 2: tight underpants. And I learned years ago he's got a
• 23:34
  Speaker 2: couple layers on, right, you know, because he doesn't want
• 23:36
  Speaker 2: his fucking dick popping out, right, And then that's it.
• 23:40
  Speaker 3: Even in the winter, he dresses like that.
• 23:42
  Speaker 2: That's all he's got on is his underpants, cowboy hat, guitar,
• 23:45
  Speaker 2: and cowboy boots.
• 23:47
  Speaker 3: Yeah. It's a big dude. Yeah, he'll fuck you up.
• 23:50
  Speaker 8: And there was a there was a girl for a while, right,
• 23:52
  Speaker 8: didn't there There.
• 23:53
  Speaker 3: Was Sandy Kane ick snake on the girl a why
• 23:56
  Speaker 3: she sued you twice? She sued you? Yeah, I love
• 24:00
  Speaker 3: her for what I love her? What did she see for?
• 24:04
  Speaker 2: Sandy King goes back to the Ona days, and she's
• 24:07
  Speaker 2: the naked cowgirl and the naked cowboys suit her and everything,
• 24:11
  Speaker 2: and she's she gets mad when I say her age,
• 24:13
  Speaker 2: but she's way up there, like what like say, an
• 24:16
  Speaker 2: age twenty five.
• 24:17
  Speaker 3: Way higher well above fifty, wow, well above fifty.
• 24:25
  Speaker 2: And she she goes there with just pasties on, with
• 24:29
  Speaker 2: these boobs that pretty much fall and I broke her
• 24:32
  Speaker 2: guitar doing one of my dumb bits, of course, and
• 24:34
  Speaker 2: then she sued me. And this is why I love
• 24:37
  Speaker 2: her for real and it and it pissed Anthony off
• 24:40
  Speaker 2: at the time, and I had it.
• 24:41
  Speaker 3: I had to talk it.
• 24:42
  Speaker 2: I had it.
• 24:43
  Speaker 3: I had to explained to him that it's actually really funny.
• 24:45
  Speaker 2: So she she has a frivolous lawsuit against us because
• 24:49
  Speaker 2: I busted her guitar. We had to go all the
• 24:51
  Speaker 2: way downtown, take a day off from the radio show,
• 24:54
  Speaker 2: go down there, wait all day and all these small
• 24:57
  Speaker 2: claims cases are going before because she's.
• 25:00
  Speaker 3: Not there yet.
• 25:02
  Speaker 2: We wait all day listening to this landlord and the
• 25:07
  Speaker 2: and all this horseshit, right, which was really entertaining to me,
• 25:11
  Speaker 2: And she never showed.
• 25:13
  Speaker 3: So that well showed me a picture Sandy Kane.
• 25:17
  Speaker 2: Oh yeah, that was the perfect time to show them
• 25:19
  Speaker 2: the picture of Sandy Kane. We're gonna teach him timing
• 25:22
  Speaker 2: and rhythm and all that, right, right, that's your job,
• 25:25
  Speaker 2: Robert as a wingman for the for the podcast.
• 25:28
  Speaker 3: So so long story short, with their all day.
• 25:30
  Speaker 2: She never shows. So we go to the judge like
• 25:32
  Speaker 2: you got to throw this out.
• 25:33
  Speaker 3: She's not here. I'm gonna give her another chance.
• 25:37
  Speaker 2: So then they put it back on the docket for
• 25:39
  Speaker 2: I don't know a few months down the road, how.
• 25:41
  Speaker 3: To do the whole thing again. Did you show up?
• 25:47
  Speaker 3: She got you good.
• 25:49
  Speaker 2: She was busted our balls, and then I came to
• 25:51
  Speaker 2: realization she's never showing up.
• 25:53
  Speaker 3: This is hilarious. And that broke the ice.
• 25:56
  Speaker 2: And then she started doing the radio show again after
• 25:59
  Speaker 2: suing us.
• 26:00
  Speaker 3: Did you ever get her new guitar?
• 26:04
  Speaker 2: See when I when I caused destruction, I throw money
• 26:07
  Speaker 2: at it. So I gave her way more money than
• 26:09
  Speaker 2: what that guitar was worth. But she still suitos There.
• 26:14
  Speaker 8: Were probably four of them sitting in the closet in
• 26:15
  Speaker 8: anw that in dinner since the seventies.
• 26:18
  Speaker 2: And you know what, all the money I gave or
• 26:19
  Speaker 2: the lawsuits, she still plays the exact same guitar with
• 26:22
  Speaker 2: the giant hole in it that I put in.
• 26:24
  Speaker 3: She does well.
• 26:25
  Speaker 8: Now it's a conversation piece.
• 26:26
  Speaker 3: So if you go to Times Square, I look for
• 26:29
  Speaker 3: Sandy Kine. She's wonderful.
• 26:31
  Speaker 2: Oh she was in that movie too, Oscar nominated film
• 26:35
  Speaker 2: that I didn't see.
• 26:35
  Speaker 3: Helped me out A little independent.
• 26:37
  Speaker 2: Film she was in about like it's about a motel,
• 26:42
  Speaker 2: it's uh psycho. Uh, well she could have played the corpse,
• 26:46
  Speaker 2: that's for sure.
• 26:50
  Speaker 4: Now.
• 26:53
  Speaker 2: And you know, and you know she's got like she
• 26:55
  Speaker 2: swears it's not general herpes, but she's got a growth.
• 26:58
  Speaker 4: Let me tell you something first of all, Yeah, the
• 27:01
  Speaker 4: minute you say she swears it's not a herpie, if
• 27:03
  Speaker 4: you're even arguing that something.
• 27:05
  Speaker 3: Is a herpie, you're out. I'm convinced it is. Well,
• 27:07
  Speaker 3: whatever it is, you're out. But you don't want to care.
• 27:10
  Speaker 3: But you don't want to get you don't want to
• 27:13
  Speaker 3: you gotta go. You're out, but you don't want to
• 27:14
  Speaker 3: get sued by her.
• 27:15
  Speaker 2: So I'm saying, she's telling me it's actually won't even
• 27:18
  Speaker 2: show up.
• 27:21
  Speaker 3: We swore as gentle herpes at the time.
• 27:24
  Speaker 2: She says it was a shaving accident that that that
• 27:26
  Speaker 2: grew out of control somehow she cut herself down there,
• 27:29
  Speaker 2: and then.
• 27:29
  Speaker 4: Some and then and then all of a sudden she
• 27:31
  Speaker 4: like mask down there.
• 27:32
  Speaker 2: It's half an ear hanging to the side of her
• 27:36
  Speaker 2: U her vagina. Yeah, just far enough away, but close enough.
• 27:43
  Speaker 1: Man.
• 27:45
  Speaker 3: What's the name of the movie.
• 27:46
  Speaker 8: Man, I can't find her on IMDb.
• 27:47
  Speaker 3: The Florida Project.
• 27:48
  Speaker 2: Yes, my gay charging the phone in the fact our
• 27:53
  Speaker 2: old friend Sandy Knees in that movie.
• 27:55
  Speaker 3: Yeah, and it did very well.
• 27:56
  Speaker 7: I'm gonna add myself into the conversation. You want to
• 27:59
  Speaker 7: hear my first appearance on Opian Anthony Nope. I ate
• 28:02
  Speaker 7: raw lamb liver off Sandy Kane's foot in the Wheel
• 28:05
  Speaker 7: of Crap challenge that I was sixteen years old. At
• 28:07
  Speaker 7: WNEW they had the Survivor challenge to win WrestleMania tickets.
• 28:12
  Speaker 7: I went there ate raw lamb level off Sandy Kane's
• 28:14
  Speaker 7: foot and threw up Yeah.
• 28:16
  Speaker 4: Yeah, yeah, thanks Bro.
• 28:22
  Speaker 3: And he's been a stalker ever since anyway. Yeah, well
• 28:27
  Speaker 3: but that's.
• 28:27
  Speaker 8: An ultimate success story. By the way, the guy's been
• 28:29
  Speaker 8: stalking you for twenty years and he's here in the booth.
• 28:32
  Speaker 3: Oh, this looks like success.
• 28:33
  Speaker 4: Robert, Robert, you're a big deal here at Western One.
• 28:36
  Speaker 4: Did you put like shades on this thing or like
• 28:38
  Speaker 4: a Venetian blind?
• 28:39
  Speaker 6: Sure?
• 28:39
  Speaker 8: We got a little curtain action.
• 28:43
  Speaker 3: Mike is crazy. Mike says everything three times.
• 28:47
  Speaker 4: Lamb liver off the foot, lamblever off the foot, the
• 28:49
  Speaker 4: lamb liver off a foot.
• 28:51
  Speaker 3: Yeah right, I've been here ever since.
• 28:56
  Speaker 4: Every story he has ends with and I've been here
• 28:58
  Speaker 4: ever since.
• 29:01
  Speaker 3: Oh more static, that's great.
• 29:02
  Speaker 4: Oh that's Mike's phones getting a call his Amazon packages
• 29:05
  Speaker 4: got home.
• 29:09
  Speaker 3: That's his ring gap. He's checking on who's ringing his
• 29:11
  Speaker 3: doorbell right now.
• 29:14
  Speaker 2: In a way, I hope there is static. I mean,
• 29:15
  Speaker 2: we hear the static, but he's saying that, you know,
• 29:18
  Speaker 2: it's it's definitely static, Mike. Mike is just giving us
• 29:22
  Speaker 2: to blow through that. It's okay.
• 29:24
  Speaker 3: Joey is going to murder him on this spot.
• 29:29
  Speaker 4: It's this all right, guys, and then he's gonna just
• 29:32
  Speaker 4: it's gonna be a murder scene.
• 29:34
  Speaker 2: I gotta say for the record, So Joey is a
• 29:38
  Speaker 2: major professional audio professional, and he wants everything to sound perfect.
• 29:43
  Speaker 2: And we love each other and he's a great addition
• 29:45
  Speaker 2: to this whole pot.
• 29:46
  Speaker 4: And every time I call himhim, like I call him
• 29:48
  Speaker 4: with terrible news, I'm like, hey, uh, Joey, can you
• 29:52
  Speaker 4: take something out that I said?
• 29:53
  Speaker 3: He's like, what, I'm like all of it. He's like,
• 29:57
  Speaker 3: from what minute to what minute? I'm like from minute one,
• 30:00
  Speaker 3: I think to minute forty three? No way outright.
• 30:03
  Speaker 2: But see the conflict is I want to be doing
• 30:05
  Speaker 2: a lot of these podcasts out out and about on
• 30:07
  Speaker 2: the streets. So you got street noise, you got the wind,
• 30:10
  Speaker 2: you got subways, you got bus everyone's honking, you got dogs.
• 30:14
  Speaker 3: It's driving him insane because he's a true professional.
• 30:18
  Speaker 2: But to me, I'm like, I love all those all
• 30:20
  Speaker 2: the noise that's around us when we're uh, when we're
• 30:22
  Speaker 2: out there. You know, it's just trying to record it
• 30:26
  Speaker 2: better and keep it to a minimum, and that's what
• 30:28
  Speaker 2: me and Joey are working on. But it drives him insane,
• 30:31
  Speaker 2: especially when people bitch about it.
• 30:33
  Speaker 3: But we're trying to we're trying to do better with that.
• 30:36
  Speaker 4: In my left here, I hear the little static yeah,
• 30:38
  Speaker 4: and Joey is praying punch.
• 30:41
  Speaker 3: There's gonna be holes in his wall, you know.
• 30:43
  Speaker 8: Just be the headphones too in might oh way.
• 30:47
  Speaker 4: You know, we don't know when you're like you see
• 30:50
  Speaker 4: the nod like Mike's confident, like, yeah, I absolutely and
• 30:54
  Speaker 4: that's why I'm still here.
• 30:55
  Speaker 2: Look, if you're hearing this and it's crystal clear, okay, fine,
• 30:58
  Speaker 2: but when we recorded the US, there's a lot of statics.
• 31:03
  Speaker 3: They're not going to hear this ship. It's quieter on
• 31:12
  Speaker 3: this street. Sounds like we're making bacon.
• 31:18
  Speaker 8: See but all that street stuff. I was the last
• 31:22
  Speaker 8: episode and I thought, you know, would be great. And
• 31:24
  Speaker 8: I haven't told Tim yet. Yeah, I'm gonna work it
• 31:26
  Speaker 8: through sales first, but I think you could do a
• 31:28
  Speaker 8: whole compilation, like take a vacation. We'll just do half
• 31:31
  Speaker 8: an hour of just all of the podcast noise. You
• 31:33
  Speaker 8: setting up podcast Noise Beautiful.
• 31:36
  Speaker 2: I got an idea for a podcast episode that I
• 31:39
  Speaker 2: ran by Joey.
• 31:41
  Speaker 8: Is it about plants.
• 31:42
  Speaker 3: I don't want to give.
• 31:43
  Speaker 2: It away, but it's going to drive everyone insane and well,
• 31:48
  Speaker 2: and Carl pointed out today how I love Revel.
• 31:52
  Speaker 4: And hating him. I've never seen anything like it, Like
• 31:56
  Speaker 4: I s tried my whole life like that. I'm trying
• 31:57
  Speaker 4: to be a nice guy.
• 31:58
  Speaker 3: This guy's like God is so bad at me right now.
• 32:04
  Speaker 2: So anyway, with the audio thing, though, there's a video
• 32:06
  Speaker 2: that I put on my YouTube channel when Mike Maschetti's
• 32:09
  Speaker 2: palsal was secretly filming me, and because it was video,
• 32:14
  Speaker 2: I put it up on my YouTube channel. So the
• 32:16
  Speaker 2: audio quality of that video is not good whatsoever. So
• 32:20
  Speaker 2: everyone has assumed that's how the podcast sounds. So that's
• 32:24
  Speaker 2: driving Joey nuts.
• 32:26
  Speaker 3: I had nothing to do with that.
• 32:27
  Speaker 2: The actual recording of that episode is way better than
• 32:30
  Speaker 2: that video recording, because I mean, they didn't want good
• 32:33
  Speaker 2: they didn't want good audio video because they were secretly
• 32:36
  Speaker 2: taping me. In the end, I was fine with it,
• 32:39
  Speaker 2: but I was like, you guys were filming.
• 32:41
  Speaker 1: Me the whole time?
• 32:42
  Speaker 3: What the fuck?
• 32:42
  Speaker 7: Man?
• 32:44
  Speaker 8: Like this weird kind of it was a low angle
• 32:45
  Speaker 8: if I'm.
• 32:46
  Speaker 3: Oh, yeah it was.
• 32:48
  Speaker 4: Yeah, it was an undercover boss at Mike's house.
• 32:52
  Speaker 3: I'm just trying to do it.
• 32:53
  Speaker 8: I'm just here for the cookies.
• 32:54
  Speaker 3: I was just killing it. Yeah you were.
• 32:58
  Speaker 2: I was just trying to do this podcast for Mike
• 33:00
  Speaker 2: Shitty's house with his mom and uh, you know you
• 33:02
  Speaker 2: got the yip yapp dog. And then I hear the
• 33:04
  Speaker 2: creak of a closet door opening because they're filling me, like,
• 33:09
  Speaker 2: what is going on in this place?
• 33:11
  Speaker 3: Might be in trouble open? Why what's up?
• 33:13
  Speaker 4: Just checking my text messages to see if this girl
• 33:15
  Speaker 4: texts me.
• 33:16
  Speaker 3: I might like somebody that's no good? Really? Oh you're
• 33:19
  Speaker 3: checking over and over again for text messages. Oh you're done,
• 33:24
  Speaker 3: my brother. You when I started, just when I started
• 33:28
  Speaker 3: getting that.
• 33:29
  Speaker 2: Full power, can I tell you a really douchey story.
• 33:32
  Speaker 2: Oh my no, no, I not only here in one headphone.
• 33:35
  Speaker 3: Okay, I'm back. You can't tell us a douchey story.
• 33:38
  Speaker 3: You got a fucking catalog and those.
• 33:41
  Speaker 2: So when I first started dating my wife, I don't
• 33:45
  Speaker 2: know why, but I only had a picture of one
• 33:47
  Speaker 2: of her eyes.
• 33:51
  Speaker 3: Shut the ship down, Mike, we're going home. I only
• 33:55
  Speaker 3: had a picture of one of them.
• 33:58
  Speaker 4: Even your super fanaged, I got it.
• 34:01
  Speaker 3: I got over done, Mike, wrap it up.
• 34:04
  Speaker 2: I got asked my wife why I only had a
• 34:07
  Speaker 2: daughter of one of her eyes because I don't remember exactly,
• 34:09
  Speaker 2: but it was all I had at the at the time,
• 34:11
  Speaker 2: because we first started dating, right, it was way before
• 34:13
  Speaker 2: the smartphones. You really didn't have pictures on your phones
• 34:17
  Speaker 2: back then. I was on a BlackBerry that sort of started,
• 34:20
  Speaker 2: you know, you were able to get a picture or
• 34:22
  Speaker 2: two out. Anyway, Uh, my sister was in the city
• 34:25
  Speaker 2: visiting me, and I was.
• 34:27
  Speaker 10: Like just ridiculously in love with my wife, and I
• 34:32
  Speaker 10: was trying to brag to my sister and I'm showing
• 34:34
  Speaker 10: her the picture of of my now wife and her
• 34:37
  Speaker 10: just one eye, and I was going, man, isn't she beautiful?
• 34:41
  Speaker 3: But was it like, Lindsay, Lindsay, I was talking.
• 34:43
  Speaker 4: I was talking to Opie about this today when I
• 34:45
  Speaker 4: was sitting in the bathroom, I'm talking about my ex
• 34:47
  Speaker 4: wife and and Lindsay.
• 34:50
  Speaker 3: How funny was that shit? That was right?
• 34:53
  Speaker 4: I was sitting I was like, you know, your wife
• 34:57
  Speaker 4: was hot, man, I said, because and I really I
• 34:58
  Speaker 4: didn't realize how hot she was till she till my
• 35:00
  Speaker 4: wife stood next to her.
• 35:02
  Speaker 3: And they look like a different.
• 35:03
  Speaker 4: Species, Like you know, all purses they have like a
• 35:07
  Speaker 4: standard like like a standard length her shoulder to the purse,
• 35:11
  Speaker 4: so they both have the same purses. And Lindsay standing
• 35:14
  Speaker 4: next to Marie, and my wife's purse is literally dragging
• 35:17
  Speaker 4: on the moor because her body's all odd and she
• 35:20
  Speaker 4: has these like giant feet in this big head, but
• 35:23
  Speaker 4: all her eyes are all close together. And then Lindsay
• 35:25
  Speaker 4: standing here like wonder woman, and I'm just shaking my hand.
• 35:28
  Speaker 3: I'm like, that's what a couple more million do? Look
• 35:30
  Speaker 3: at that?
• 35:31
  Speaker 4: You really you cross all the t's and dot the eyes,
• 35:34
  Speaker 4: you know what I mean? While my mind mine looks
• 35:36
  Speaker 4: like a pre me that got loose.
• 35:37
  Speaker 3: Out of the hospital. Her hair extensions are falling out.
• 35:42
  Speaker 3: What a mess.
• 35:43
  Speaker 2: It was just like a who was killing the cockroaches
• 35:46
  Speaker 2: though with their shoes Mike, Marie with her giant sasquatch foot.
• 35:50
  Speaker 3: Lindsay, I think the roach came out of her purse.
• 35:58
  Speaker 4: Marie's first, because it's so close to the ground.
• 36:02
  Speaker 3: Hoped it was trying to commit suicide. The person's too
• 36:10
  Speaker 3: low to the ground.
• 36:16
  Speaker 2: And who picked up their shoe and smashed it right
• 36:18
  Speaker 2: in front of everyone.
• 36:19
  Speaker 3: I'm trying to remember my wife. It was her, okay
• 36:22
  Speaker 3: for the five hundred dollars sand though She's like, oh,
• 36:24
  Speaker 3: I got it and then whack right in front of everyone,
• 36:28
  Speaker 3: and Lindsay.
• 36:29
  Speaker 4: Lindsay is like very very calm, no matter what.
• 36:32
  Speaker 3: She's like, oh thank you, it's way worse.
• 36:36
  Speaker 4: My wife's face is full of roach, blood and ship
• 36:41
  Speaker 4: all over all over her.
• 36:43
  Speaker 8: Come in, Yeah, but why did you have? Was it
• 36:46
  Speaker 8: like a printed out picture a gobber?
• 36:50
  Speaker 3: I was happy we were done with it. Bro, He's
• 36:52
  Speaker 3: literally talking about having a picture somebody's eye, that is,
• 36:55
  Speaker 3: it was.
• 36:56
  Speaker 8: Folded over, was in his wallead and it got torn.
• 36:58
  Speaker 2: You know, I don't I will talk about it on
• 37:01
  Speaker 2: a future episode because I don't remember why. I only
• 37:04
  Speaker 2: had a picture of one of her eyes. But I'm
• 37:07
  Speaker 2: trying to sell that to my sister, like, look how
• 37:10
  Speaker 2: beautiful she is.
• 37:10
  Speaker 3: I was love is Mike con I don't hear it.
• 37:15
  Speaker 3: I don't know. The volume went way low in my headphones.
• 37:19
  Speaker 3: Who knows? Oh there we go? Oh what you do?
• 37:25
  Speaker 3: You just adjusted volume?
• 37:27
  Speaker 7: All I did was touch a volume because Carl's laughing
• 37:29
  Speaker 7: so loud, so I have to make.
• 37:30
  Speaker 6: A little lower might get your fat hands off the
• 37:33
  Speaker 6: board or whatever your touch and stop touching it.
• 37:36
  Speaker 3: Geez, we're good, We're good. Please tell me you're not
• 37:39
  Speaker 3: licensed to carry. He was lowering you out of the mix, there, Carl.
• 37:43
  Speaker 3: Not good thing. He's trying to take my gig. You
• 37:45
  Speaker 3: could have it, Mark, I don't want the gig.
• 37:47
  Speaker 7: And you call me an intern during the Bruce Pritchette
• 37:49
  Speaker 7: anything and everyone on Twitter is called me intern boy.
• 37:51
  Speaker 3: Now, oh that's a shame. Many you know what, Mark
• 37:54
  Speaker 3: this day, Mark this day. This is when it started.
• 37:58
  Speaker 3: This is the toxic environm has begun. Congratulations, it started
• 38:04
  Speaker 3: already started already. This radio thing is everything shine.
• 38:08
  Speaker 6: It was a studio, right, yes see, that's why we
• 38:12
  Speaker 6: can't be in here.
• 38:13
  Speaker 2: This sounds great, we're having a good time, but I
• 38:15
  Speaker 2: ain't staying and doing too many of these in here.
• 38:17
  Speaker 3: You better because the other way sucks.
• 38:20
  Speaker 8: And forgive me for this idea, but I just I've
• 38:22
  Speaker 8: been reading you.
• 38:23
  Speaker 3: Forget it. You got to bring.
• 38:25
  Speaker 8: What's that that sage stuff?
• 38:26
  Speaker 1: Right?
• 38:27
  Speaker 6: No?
• 38:29
  Speaker 3: Want some? She walks around me, Bro, Mike, Mike, watch
• 38:33
  Speaker 3: this sage, y'all. This is for the abandoned building. Almost
• 38:38
  Speaker 3: fought them. This is for the abandoned building. We need matches.
• 38:41
  Speaker 3: Don't forget matches.
• 38:42
  Speaker 7: I got Julia gave me stage to gift you for
• 38:44
  Speaker 7: the studio.
• 38:45
  Speaker 3: Told you this is shaman. I got to I got
• 38:49
  Speaker 3: one for Carl. I'm sorry, Robert, but I did bring
• 38:51
  Speaker 3: you a moon rock though. If you want a moon rock,
• 38:54
  Speaker 3: where's my moon rocks? I brought my stage. It's called
• 38:56
  Speaker 3: an ed Brown forty five ACP. That's my stage. Yeah,
• 39:04
  Speaker 3: let me see. I got a moon rock for you.
• 39:06
  Speaker 8: Look at that.
• 39:07
  Speaker 4: Oh yeah, I hope that goes to hell.
• 39:10
  Speaker 3: Where's my moon rocks? Jesus, don't make fun of this ship.
• 39:14
  Speaker 3: Oh gosh, there you go. Moon rocks. You want one?
• 39:17
  Speaker 8: Robert from the actual moon?
• 39:19
  Speaker 2: Huh?
• 39:19
  Speaker 3: Yeah? Where his brain's from?
• 39:20
  Speaker 2: It oh, I gotta get on all fours and find
• 39:24
  Speaker 2: my That's what Carl, take it away.
• 39:27
  Speaker 3: I gotta find my moon rock. I'm not saying anything.
• 39:30
  Speaker 8: Literally on the ground, I found the moon Rock.
• 39:33
  Speaker 4: I hope talk space you're using that ship, bro, because
• 39:36
  Speaker 4: you need talk space.
• 39:38
  Speaker 3: Yeah. Do we have a library there, Mike Gay we
• 39:42
  Speaker 3: got two of them. All.
• 39:43
  Speaker 4: Let's uh you do it because I literally I'm itching
• 39:45
  Speaker 4: to check my text message.
• 39:47
  Speaker 3: I might be going down a rock. Really, I'm feeling it.
• 39:52
  Speaker 3: Which one is this one from that thing that I
• 39:54
  Speaker 3: told you? From that other thing?
• 39:57
  Speaker 2: I can't I mean, Jesus, Skinny, Tim Savian?
• 40:03
  Speaker 3: Which why drive Skinny? I was thinking the one for
• 40:10
  Speaker 3: the pump. I called her? Did you really girl? And
• 40:16
  Speaker 3: what happened it?
• 40:17
  Speaker 6: In?
• 40:17
  Speaker 3: She just she checked in though she said Hi. Yeah.
• 40:21
  Speaker 2: We talked about that on the first episode of the
• 40:24
  Speaker 2: from Philly No the second when we were coming home.
• 40:27
  Speaker 3: Yeah yeah, and we stopped at the pub, which that
• 40:30
  Speaker 3: place was awesome. He ate like a man. I was
• 40:33
  Speaker 3: so happy. No joke, the best filet I've ever had
• 40:35
  Speaker 3: in my life, you know.
• 40:37
  Speaker 8: And he suggested the jokes you suggested.
• 40:40
  Speaker 4: I suggested this flavor him. It really works there like
• 40:44
  Speaker 4: a charb real. It just sometimes fil a. It doesn't
• 40:48
  Speaker 4: have flavor right, not really, but when you char it
• 40:51
  Speaker 4: like that on the outside, it's.
• 40:52
  Speaker 3: Delicious because you get all that caramelization.
• 40:55
  Speaker 4: On the outs, on the top, and then in the
• 40:56
  Speaker 4: middle it's just tender.
• 40:58
  Speaker 2: Yeah, just because we were at this, they joined the
• 41:00
  Speaker 2: pub it's close to. People were bitching that it's not
• 41:02
  Speaker 2: officially in cammed and it's just over the Benjamin Franklin
• 41:05
  Speaker 2: Bridge down in Philly. Literally, like I forgot what Townley
• 41:08
  Speaker 2: said it's in but it's technically not cammed, And I'm like,
• 41:10
  Speaker 2: what ever, do just go with it? And uh, you know,
• 41:13
  Speaker 2: I knew it was a really nice steak place, so
• 41:15
  Speaker 2: I did.
• 41:16
  Speaker 3: I asked Carl, like, for real, which one should I order?
• 41:18
  Speaker 3: Because I do order a lot of filets.
• 41:20
  Speaker 2: It's I either go Fla or Porterhouse, as simple as that.
• 41:23
  Speaker 3: And he goes, no, this is a place that you
• 41:25
  Speaker 3: should order the Fla And man, that thing melted in
• 41:28
  Speaker 3: my mouth. It was so damn good.
• 41:30
  Speaker 8: So from a listener perspective, so I was listening to that,
• 41:32
  Speaker 8: You're talking about the sign, and you know, restaurants should
• 41:36
  Speaker 8: say what they were about without being cute. And all
• 41:38
  Speaker 8: that sort of stuff. And you you guys were walking
• 41:40
  Speaker 8: in and I'm listening to it and I can visualize
• 41:45
  Speaker 8: and almost feel, so I want to check to make
• 41:47
  Speaker 8: sure I got this right. They probably banned smoking in
• 41:50
  Speaker 8: that restaurant an hour and a half ago, does it?
• 41:53
  Speaker 8: But does it have the tobacco stain?
• 41:55
  Speaker 3: Yellow? Everything is yellowed inside it? It's beautiful.
• 41:59
  Speaker 4: The the cake carousel, you know, the refrigerated one is
• 42:03
  Speaker 4: old and it's starting to rust on the bottom because
• 42:05
  Speaker 4: it's so old.
• 42:06
  Speaker 3: But they can fixing it.
• 42:07
  Speaker 8: Really cleaned it.
• 42:08
  Speaker 4: No, if they've cleaned it, that's why it's rusty.
• 42:11
  Speaker 3: The place was spotless. Well, you don't clean things.
• 42:13
  Speaker 4: They don't rust in something, right, but that means that
• 42:15
  Speaker 4: it keeps getting hit with the mop And.
• 42:17
  Speaker 3: That's what this place was spotless.
• 42:20
  Speaker 2: It was spot And I felt, like I said it
• 42:21
  Speaker 2: on that podcast, like I was going back in time
• 42:24
  Speaker 2: having dinner with my family when I was growing up,
• 42:26
  Speaker 2: like a ground round.
• 42:27
  Speaker 3: Right, or like you know what I mean those type
• 42:30
  Speaker 3: of places. All right, I'm checking my message. All right, Well,
• 42:33
  Speaker 3: we could wrap up.
• 42:34
  Speaker 2: We just want to come to Westwood one and try
• 42:36
  Speaker 2: out the new studio. We we start outside sirious, which
• 42:40
  Speaker 2: was weird, but it kind of made sense for this podcast.
• 42:43
  Speaker 3: I guess. You know, sometimes these things just work out
• 42:45
  Speaker 3: on their own. You know.
• 42:46
  Speaker 2: We did many years over there, and I met Carl there.
• 42:49
  Speaker 2: Then we walked over and uh, I like this little
• 42:52
  Speaker 2: joint that you guys have made for me.
• 42:53
  Speaker 3: Thank you, Robert. Well, I really appreciate it, for real.
• 42:56
  Speaker 8: I'm very appreciative you are.
• 42:59
  Speaker 3: I'm very appreciative of the first year of uh huh.
• 43:05
  Speaker 2: I'm calling people too, but I'm really appreciative the first year,
• 43:09
  Speaker 2: and then maybe I'm gonna try to be appreciative into
• 43:12
  Speaker 2: the second year.
• 43:13
  Speaker 3: If we get a second year with Westwood one, I
• 43:15
  Speaker 3: doubt it. We're gonna fuck this up, you think, Yeah,
• 43:18
  Speaker 3: this is pretty much the end. I'm calling Sharad. He's
• 43:23
  Speaker 3: still sleeping. No, he just texted me.
• 43:26
  Speaker 2: He wants to know if we're still doing the other
• 43:28
  Speaker 2: podcasting another one, yes or or you? Okay, okay, all right,
• 43:40
  Speaker 2: well this was fun.
• 43:42
  Speaker 3: I like the place.
• 43:43
  Speaker 2: We'll add some stuffed animals and we got a little
• 43:46
  Speaker 2: love seed for the corner.
• 43:47
  Speaker 8: Right, Yeah, we'll work on that sure, all right.
• 43:49
  Speaker 3: Thank you Robert for real. Thank everybody at Westwood one
• 43:52
  Speaker 3: who put this together. I don't know who to thank you?
• 43:53
  Speaker 3: So could she text me? She did? Oh, now you
• 43:56
  Speaker 3: could breathe look at you another hour? Where does she?
• 44:00
  Speaker 3: Where she live? Who cares? Earth? No, you don't even
• 44:06
  Speaker 3: know how to talk code. You've been married too long, bro.
• 44:09
  Speaker 2: But I'm just saying, like, if she doesn't, he's.
• 44:11
  Speaker 4: A pillow talker, Like he'll come home and say everything
• 44:14
  Speaker 4: Carl's having sucks with the whole world.
• 44:19
  Speaker 3: Where's my yogurt part?
• 44:23
  Speaker 4: He's such a fucking full blong turncoat pillow talker.
• 44:28
  Speaker 3: We are done talking about shit.
• 44:30
  Speaker 4: I bet you the next time Lindsay Caesar's gonna spit
• 44:32
  Speaker 4: on the floor in front of me because the ship
• 44:35
  Speaker 4: that I tell Opie, No, I'm like.
• 44:37
  Speaker 3: She's in the freezer.
• 44:42
  Speaker 2: Sharagas wrote, I will ring you back in a few minutes,
• 44:44
  Speaker 2: So there's something's going on there.
• 44:47
  Speaker 3: But anyways, it's going on.
• 44:48
  Speaker 6: No.
• 44:48
  Speaker 2: I was asking if she was in the area because
• 44:51
  Speaker 2: if she is, then I know you're gonna probably bail
• 44:53
  Speaker 2: on continuing to podcast. That's all that is the only
• 44:56
  Speaker 2: reason I was asking. But it sounds like, well that
• 44:58
  Speaker 2: doesn't sound right right. It sounds like we got open road.
• 45:01
  Speaker 3: When I when have I ever built on a podcast?
• 45:03
  Speaker 3: That's true?
• 45:04
  Speaker 8: No, And I think you would, especially this early into
• 45:07
  Speaker 8: a whatever. Do you want to make sure that it
• 45:10
  Speaker 8: was on your terms?
• 45:12
  Speaker 3: I think this one's got me bro No.
• 45:15
  Speaker 8: Even more so, why you gotta make sure it's on
• 45:17
  Speaker 8: your terms?
• 45:17
  Speaker 3: I'm nervous.
• 45:19
  Speaker 4: Really, I was sudden her like I sent her like
• 45:21
  Speaker 4: a heart emoji and shit, real bad ship.
• 45:25
  Speaker 3: You want to hear my opening line? Yes, I can't
• 45:29
  Speaker 3: look at you. Go ahead.
• 45:31
  Speaker 2: This is where you turn it to me.
• 45:32
  Speaker 3: Ahead, you kidd and you got it in you. I
• 45:36
  Speaker 3: aspect frum that right. Go ahead. So we're on a
• 45:40
  Speaker 3: golf cart.
• 45:41
  Speaker 4: We're in a golf cart going back to my room
• 45:42
  Speaker 4: because I throw parties in my room there.
• 45:44
  Speaker 3: I'm they're legendary. Anybody I've ever been to my room,
• 45:48
  Speaker 3: I've been.
• 45:48
  Speaker 4: I've delivered babies. That's how the eclectic mix. And I'm
• 45:53
  Speaker 4: with a pro ball player, pro football player.
• 45:56
  Speaker 3: Donate names. I'm not no names subject.
• 46:03
  Speaker 4: So so no, I'm just joking, but it really is.
• 46:08
  Speaker 1: Check.
• 46:08
  Speaker 4: But but what we're doing is so there's not a
• 46:10
  Speaker 4: lot of room in the golf cart.
• 46:12
  Speaker 3: Let me see how I said it.
• 46:13
  Speaker 4: It was so nice so she's sitting on my lap
• 46:16
  Speaker 4: and I tell the driver, I said, of the golf cart,
• 46:19
  Speaker 4: I said, can.
• 46:20
  Speaker 3: You slow down?
• 46:20
  Speaker 4: He's like why, I said, because this girl's angel wing
• 46:23
  Speaker 4: feathers are poking me in the eye.
• 46:25
  Speaker 3: And everyone in the cart's like, are you fucking serious?
• 46:28
  Speaker 3: And she was like, oh my god, that you. I
• 46:30
  Speaker 3: was like, oh, it works. The ship, the corny ship works.
• 46:35
  Speaker 3: You got the fee the fuck I know.
• 46:38
  Speaker 8: When I was leaving, I was like, son, you run
• 46:40
  Speaker 8: into full check though, right, you gotta run full background
• 46:43
  Speaker 8: checks these days.
• 46:44
  Speaker 4: Oh no, no, no, no, I spind the I spind the
• 46:46
  Speaker 4: I spin the revolver.
• 46:47
  Speaker 3: Buddy.
• 46:48
  Speaker 4: You think if I ran it back whom truck, I
• 46:50
  Speaker 4: would have married that gypsy that showed up.
• 46:56
  Speaker 3: What's the odds that it happens twice?
• 46:59
  Speaker 8: Yeah, I've had drugs planning on me by psycho. I
• 47:03
  Speaker 8: I will no come.
• 47:05
  Speaker 3: On, Robert, tell listen to tell you real stuff. I
• 47:07
  Speaker 3: don't care. I don't even look into that stuff that
• 47:09
  Speaker 3: I do. Now.
• 47:10
  Speaker 4: Do you know that a week after I was married,
• 47:13
  Speaker 4: I found out that she didn't have green eyes that
• 47:15
  Speaker 4: were contacts the whole time, the whole time, really one
• 47:20
  Speaker 4: contact fell out.
• 47:21
  Speaker 3: I'm like, oh shit, really she never said nothing or nothing.
• 47:25
  Speaker 3: I thought she had green eyes. Tell the story, Robert, yeah,
• 47:29
  Speaker 3: Robert's just devastating.
• 47:30
  Speaker 8: I uh know, I was seeing this girl when I
• 47:33
  Speaker 8: lived down in Georgia for a little while and it
• 47:36
  Speaker 8: just wasn't gonna go anymore. So I you know, I
• 47:39
  Speaker 8: ended it. And that takes three weeks of conversation ending
• 47:41
  Speaker 8: in and.
• 47:42
  Speaker 4: Well, well that she sounds like a nerd because the girls,
• 47:45
  Speaker 4: I said, I'm leaving them like.
• 47:46
  Speaker 8: Back now, this one was. This one was clinging and
• 47:48
  Speaker 8: following right, it would show up places and she uh
• 47:52
  Speaker 8: she had barred a Duffel bag from me, and my
• 47:54
  Speaker 8: psychiatrist friend said, just let it go, you don't need
• 47:57
  Speaker 8: the bag back. But I'm stubborn.
• 48:00
  Speaker 4: We got a back up. Sorry, I'm gonna have to
• 48:02
  Speaker 4: call you out, m like I do with Opie, your
• 48:05
  Speaker 4: psychiatrist's friend. Yeah, let's your shrink.
• 48:09
  Speaker 3: Let's go.
• 48:10
  Speaker 4: All of a sudden, you're just sitting there with bullshitting
• 48:12
  Speaker 4: about psych shit with your psychologist friend.
• 48:16
  Speaker 8: If I have a friend who's a psychiatry and you
• 48:18
  Speaker 8: pay him an hour, go ahead, go so uh, I
• 48:22
  Speaker 8: don't listen, I do the trade of stuff right and
• 48:26
  Speaker 8: I get this bag, and she says, listen, this new
• 48:28
  Speaker 8: job must be really stressing you out. So I I left.
• 48:32
  Speaker 8: She goes, well, excuse me, it's hugging. She goes, I
• 48:35
  Speaker 8: left some destressed stuff in that bag for you. And listen,
• 48:38
  Speaker 8: when everything goes to ship and it will, you just
• 48:42
  Speaker 8: call me and I'll help you pick it up and
• 48:43
  Speaker 8: we'll just leave this area and we'll just build a
• 48:45
  Speaker 8: whole new life whatever. And I'm driving down the road
• 48:50
  Speaker 8: and I'm replaying the conversation in my head, and I'm like, who,
• 48:53
  Speaker 8: wait a second, she said, when all the shit?
• 48:57
  Speaker 10: Oh?
• 48:58
  Speaker 3: Who says, when isn't it? If?
• 49:01
  Speaker 8: If I can, hair in the back of my neck
• 49:02
  Speaker 8: stands up, I pull off the side of the road
• 49:04
  Speaker 8: into it, like the next exit, a little strip mall
• 49:06
  Speaker 8: kind of a thing. Pull in the back of the
• 49:07
  Speaker 8: parking lot. Pop open the trunk, Pop open the bag.
• 49:10
  Speaker 8: There are five pill bottles. You know, you're starting to
• 49:15
  Speaker 8: put It's like Bruce Wills the end of sixth cent.
• 49:17
  Speaker 8: You're starting to put it together. Five pill bottles from
• 49:19
  Speaker 8: four different doctors with her name on it, full of
• 49:23
  Speaker 8: you know, opioids, oh, and an ounce of weed. So
• 49:28
  Speaker 8: I just put all that in a garbage bag. Kind
• 49:31
  Speaker 8: of wipe everything down, throw it away. Pull into the
• 49:34
  Speaker 8: town I was living in. And as soon as I
• 49:37
  Speaker 8: crossed the town line two and you know, there's sixteen
• 49:41
  Speaker 8: different ways to get into a small city, right, she
• 49:45
  Speaker 8: knew the way I traveled two black and white. Start
• 49:48
  Speaker 8: following me. Oh, followed me?
• 49:50
  Speaker 2: Fuck, swear to God.
• 49:51
  Speaker 8: Follow me all the way into the apartment complex. I'm
• 49:54
  Speaker 8: tending to the whole time, just under the limit. Don't
• 49:56
  Speaker 8: give any reason to you know, right, pull into my
• 50:00
  Speaker 8: I uh parking space, get out, leave everything where, don't
• 50:04
  Speaker 8: I don't pull anything out of the trunk. They I'm not,
• 50:07
  Speaker 8: as if nothing's wrong. I go in the apartment, lock
• 50:09
  Speaker 8: the door. Forty five minutes, I'm peeking through the Venetian blinds.
• 50:14
  Speaker 8: Then they leave. I don't leave the apartment until four
• 50:17
  Speaker 8: o'clock the next morning. Like the dogs. I'm like, here,
• 50:19
  Speaker 8: go walk the dog at four in the morning. Don't
• 50:22
  Speaker 8: see anything, grab the bag running. I'm just petrified that
• 50:25
  Speaker 8: I missed something, so fortunately I didn't. Two days later,
• 50:30
  Speaker 8: she calls me at night. I know it's sorry. I
• 50:32
  Speaker 8: pick up the phone, like, what's up? She goes, how
• 50:34
  Speaker 8: was you ride home? Oh my fine. This is like
• 50:37
  Speaker 8: she's like surprised that I picked up the phone. She goes,
• 50:39
  Speaker 8: was it uneventful? Like yeah, well, you know, just why
• 50:42
  Speaker 8: would you ask that? Well, you know, just sometimes it's
• 50:45
  Speaker 8: a Saturday or whatever. And she said, hey, did you
• 50:48
  Speaker 8: find what I left you? I'm like, yeah, you mentioned
• 50:50
  Speaker 8: something about destressing. What what is it?
• 50:54
  Speaker 1: Oh?
• 50:54
  Speaker 8: You didn't find It's like no, I mean is it
• 50:56
  Speaker 8: like a candle or like tea or something? And I
• 50:58
  Speaker 8: wanted you, well, maybe why don't you tell me what's
• 51:01
  Speaker 8: what I'm looking for in the bag? And she's all
• 51:04
  Speaker 8: cagy on the phone. Holy, I know she's taping me.
• 51:08
  Speaker 8: So I I'm like, well, there's there's nothing in the bag.
• 51:11
  Speaker 8: I make pretend like I'm going through the bag because
• 51:13
  Speaker 8: I'd already done it three times. There's nothing in here.
• 51:16
  Speaker 8: What am I looking for? Nothing? And she hangs up.
• 51:22
  Speaker 8: So the code of the whole thing is that when
• 51:24
  Speaker 8: I first met her, I was in a real low place,
• 51:27
  Speaker 8: and she would say things, you know, like how did
• 51:32
  Speaker 8: she know that I feel this way?
• 51:34
  Speaker 3: And all that I love this fucking story?
• 51:36
  Speaker 8: After that, but she's you know that she say like,
• 51:41
  Speaker 8: you know, people who were like speaking cliches because she doesn't.
• 51:45
  Speaker 4: If a girl does that to me and be like,
• 51:47
  Speaker 4: what'd you find in the bag, I'm like nothing, but
• 51:49
  Speaker 4: I got an extra thirty five hundred right now.
• 51:53
  Speaker 3: Stars open.
• 51:54
  Speaker 8: I found out that she had. She'd gone through my
• 51:57
  Speaker 8: entire Twitter profile, uh, Instagram, everything going back ten years
• 52:02
  Speaker 8: Facebook and was saying, paraphrasing to me, Robert, you got
• 52:07
  Speaker 8: that good that I got conned.
• 52:10
  Speaker 3: That makes girls crazy. You got that crazy d for you.
• 52:14
  Speaker 3: He's got to be hang. Yeah, you gotta be harm Robert.
• 52:17
  Speaker 3: You got me because all I do is end up
• 52:18
  Speaker 3: in court. That's that's the hand that rocks the cradle ship.
• 52:22
  Speaker 7: Yeah.
• 52:23
  Speaker 3: Remember that movie from from the old days.
• 52:25
  Speaker 8: And you're putting the pieces together, and you really that
• 52:26
  Speaker 8: story is so good.
• 52:27
  Speaker 3: I don't even check. If this new girl texts me
• 52:28
  Speaker 3: for five minutes.
• 52:30
  Speaker 8: She had all the other guys. She complained about everyone's
• 52:33
  Speaker 8: you know, one of these people. It's always every somebody
• 52:35
  Speaker 8: else's fault, right, Well, you know, this is this is
• 52:38
  Speaker 8: a con artist. This is she knows I have a
• 52:40
  Speaker 8: thing for broken wings. So it's you know, yeah, so
• 52:43
  Speaker 8: now forget it.
• 52:44
  Speaker 3: You got a cute broken wings right now? Yeah, Yeah,
• 52:49
  Speaker 3: he's broken.
• 52:54
  Speaker 2: You got. Robert's got that d.
• 52:59
  Speaker 3: You can't put on Tim Savian's pants. No way, you're
• 53:05
  Speaker 3: smuggling a midget down.
• 53:08
  Speaker 4: Big d Robert, Robert private, Robert.
• 53:12
  Speaker 3: Good for you.
• 53:13
  Speaker 2: I'm not denying it. That's great, that's good.
• 53:15
  Speaker 3: Yeah. No, that's a bit. That's a big dick story, right, yeah,
• 53:19
  Speaker 3: alright with that?
• 53:20
  Speaker 4: Uh?
• 53:20
  Speaker 3: Where do we go?
• 53:21
  Speaker 2: Man?
• 53:22
  Speaker 1: We go?
• 53:22
  Speaker 3: I don't know.
• 53:23
  Speaker 2: We came here just to try out the Westwood one stone.
• 53:25
  Speaker 2: I've been talking here, who knows how long Mikey.
• 53:28
  Speaker 7: Fifty four minutes and nineteen minutes with static not bad bro.
• 53:34
  Speaker 2: Alright, yeah, so we'll be uh, I guess we'll start
• 53:37
  Speaker 2: doing some episodes from here now that I like how
• 53:39
  Speaker 2: that we tried it out. Yeah, we just gotta like
• 53:41
  Speaker 2: make it like Homie.
• 53:42
  Speaker 3: That's all Robert should be. Could like maybe air conditioning
• 53:46
  Speaker 3: would be dope.
• 53:46
  Speaker 2: Like a pearl jam poster boo a scarface. Uh, you
• 53:52
  Speaker 2: gott to cancel one one pearl jam one pearl.
• 53:54
  Speaker 3: I get a scarface, all right. I don't even get
• 53:56
  Speaker 3: a band. I get a movie. That would be perfect.
• 54:00
  Speaker 3: Because he doesn't even know what music I listened to.
• 54:01
  Speaker 4: He's like, yeah, I'll do Pearl jam and then Carl
• 54:03
  Speaker 4: will get you know, scar Fame Muppets.
• 54:08
  Speaker 3: That would explain it.
• 54:09
  Speaker 2: Picture of spaghetti, those two posters would explain this podcast.
• 54:14
  Speaker 3: It would right, actually would all right. Joey taking away,
• 54:18
  Speaker 3: big deep, big d Robert coming in at the end.
• 54:20
  Speaker 3: Huh Robert, what a story? How big Robert?
• 54:25
  Speaker 8: It works?
• 54:26
  Speaker 6: Is it?
• 54:27
  Speaker 4: It must be big because Mike's licking his lips in there,
• 54:29
  Speaker 4: like like we're at Church's Chicken.
• 54:32
  Speaker 3: I'm gazing over right now. I know he's gazing over.
• 54:34
  Speaker 4: He's like, I'm not the only one with a pistol
• 54:36
  Speaker 4: in here.
• 54:38
  Speaker 9: He just used to work, gazing, gazing, gazey you yeah,
• 54:47
  Speaker 9: good for you.
• 54:48
  Speaker 3: All right, I like it in here. We're gonna be
• 54:50
  Speaker 3: all right, too bad, we're gonna.
• 54:51
  Speaker 2: Get fired, but manna do and we'll enjoy it.
• 54:54
  Speaker 4: Until that happened, Mike over under us get kicked out
• 54:56
  Speaker 4: of Westwood One, out of the studio itself, just this
• 55:00
  Speaker 4: whole thing in general, within a year. Oh, come on,
• 55:02
  Speaker 4: Mike's good with numbers, he's super fan. He's been here
• 55:05
  Speaker 4: since s they wann I got sage. I got to say,
• 55:08
  Speaker 4: sage when you pulled that shit out, Mike, I didn't
• 55:10
  Speaker 4: know what broy my creepy meat.
• 55:13
  Speaker 3: I swear to god, I almost took him out.
• 55:14
  Speaker 7: I got an Asian girlfriend the stage things Nola Man, Yeah.
• 55:17
  Speaker 3: But that's an Asian girlfriend.
• 55:18
  Speaker 4: Now I have an Asian girlfriend too, Fucking Opie, Opie Son.
• 55:24
  Speaker 8: Sure's gonna think that's a giant.
• 55:27
  Speaker 3: Oh, I said that already's good? Think it's no.
• 55:29
  Speaker 2: I'm sure I will be excited when I show him
• 55:30
  Speaker 2: because he'll hollow out.
• 55:31
  Speaker 3: The middle and they'll smoke weed. He'll be good. All right,
• 55:34
  Speaker 3: we're babbling, Joey, take it away better.
• 55:37
  Speaker 6: It'll be reusing than gazing. Is the Cuban really smitten?
• 55:41
  Speaker 6: What's up with Rob's dick? And sick of Van's darker term?
• 55:44
  Speaker 6: Producer Mikey the cup who's getting an aging girlfriend? And
• 55:48
  Speaker 6: I got a Sami's cat?
• 55:49
  Speaker 3: What the fuck? What is she?
• 55:51
  Speaker 1: A pet?
• 55:51
  Speaker 6: Manages to keep the train on the tracks. No static
• 55:54
  Speaker 6: at all, just a few unnecessary sounds and, in my opinion,
• 55:58
  Speaker 6: incoherent sentences.
• 55:59
  Speaker 7: I got can go friend there while we decorate Opie's.
• 56:02
  Speaker 6: New studio like it's nineteen ninety one, we'd like you
• 56:05
  Speaker 6: to rate us five stars at Apple Stop buyopiradio dot com.
• 56:09
  Speaker 3: Buy something.
• 56:10
  Speaker 6: Maybe he's selling some of that sage and by the way,
• 56:13
  Speaker 6: my last name Salvia mean sage. But what does that
• 56:17
  Speaker 6: have to do with anything on Opie Radio.