Latest / The Bob Lefsetz Podcast / Gloria Gaynor
Transcript
- 0:08Speaker 1: Welcome, Welcome, Welcome back to the Bob Lefsett's podcast. My
- 0:13Speaker 1: guest today is Gloria Gainer, who has a new EP. Gloria,
- 0:19Speaker 1: why are you recording? Why now?
- 0:23Speaker 2: Well, because I have some things to say. I have
- 0:25Speaker 2: some things that I want to share with my audience
- 0:28Speaker 2: that I think will be enjoyable for them but also
- 0:33Speaker 2: valuable for them.
- 0:35Speaker 1: So what do you want to share?
- 0:38Speaker 2: I want to share hope. I want to share encouragement.
- 0:41Speaker 2: I want to share empowerment and self esteem.
- 0:48Speaker 1: Are these issues that you've wrestled with personally?
- 0:51Speaker 2: Oh? Yeah, yeah, absolutely?
- 0:54Speaker 1: So how do you maintain hope?
- 0:57Speaker 2: I maintain hopeful my faith? I'm an avid Christian?
- 1:02Speaker 1: And have you always been a believer?
- 1:04Speaker 2: Well since I was sixteen years old?
- 1:07Speaker 1: And was there a special event that triggered you?
- 1:09Speaker 2: Then it's a silly event that triggered it. I was.
- 1:21Speaker 2: I was at home and you remember the old Inquirer
- 1:24Speaker 2: newspaper still left the still anyway, there was a they
- 1:29Speaker 2: ran an article that they're saying that the Earth was
- 1:31Speaker 2: going to collide with the moon. And you know how
- 1:34Speaker 2: sometimes you can see the moon and it looks because
- 1:37Speaker 2: of atmospheric changes. Get does look bigger right well, as
- 1:41Speaker 2: a child, I didn't know about that. So when I
- 1:42Speaker 2: saw that, I thought it was true that the Earth
- 1:46Speaker 2: was moving closer to the Moon and eventually they were
- 1:50Speaker 2: going to collide. And one night I during that period,
- 1:53Speaker 2: I went to bed and woke up the next night
- 1:56Speaker 2: that night to go to the bathroom, and on the
- 1:58Speaker 2: way back to my bedroom, I looked out my window
- 2:01Speaker 2: and I saw this red, thick fog. I went to
- 2:06Speaker 2: the window, and the fog was so thick I couldn't
- 2:08Speaker 2: even see the ground, and I couldn't see the neighbor's
- 2:10Speaker 2: adjacent window, and so I determined that it was going
- 2:14Speaker 2: to be happen. It was about to happen. And then
- 2:17Speaker 2: I heard this noise louder than any noise I ever
- 2:20Speaker 2: heard in my entire life, and I was certain it
- 2:23Speaker 2: was going to happen. So I was going to go
- 2:25Speaker 2: and wake up my parents and decided to know if
- 2:30Speaker 2: if we were all going to die, then they didn't
- 2:32Speaker 2: need to suffer the pretension with me that I just
- 2:37Speaker 2: go to bed. I went to bed, and I prayed
- 2:39Speaker 2: that the Lord would take us into heaven. And I
- 2:42Speaker 2: woke up the next one, of course, and found out
- 2:44Speaker 2: the sun was shining on both sides of the street
- 2:46Speaker 2: and everything was fine. But I found out that the
- 2:51Speaker 2: reason why I heard that noise, that this loud noise
- 2:55Speaker 2: that I thought was the earth crashing with the moon
- 2:58Speaker 2: was the first ever play to take off from the
- 3:01Speaker 2: New Newark International Airport and we were in a flight
- 3:04Speaker 2: path I'd never heard a plane pick off before. And
- 3:09Speaker 2: the reason why, well, they even were talking about that
- 3:13Speaker 2: the plane was delayed because of the fog that had
- 3:15Speaker 2: this terrible fog that had rolled into Newark that morning.
- 3:18Speaker 2: And the reason why the fog was read was because
- 3:21Speaker 2: the bar across the street had forgotten to turn their
- 3:23Speaker 2: neon sign off that night, the night before. So it
- 3:27Speaker 2: was said up a perfect storm for a sixteen year
- 3:30Speaker 2: older to suddenly find her faith and decide that it
- 3:35Speaker 2: was time to give my heart to the Lord. So
- 3:37Speaker 2: I asked my mother to take me to church and
- 3:39Speaker 2: let me be baptized, and she did, and I've been
- 3:43Speaker 2: a believer ever since.
- 3:44Speaker 1: Well what did your parents think about you becoming a believer?
- 3:48Speaker 1: Were they believers?
- 3:49Speaker 2: Yes? Yeah, they were glad for the decision.
- 3:52Speaker 1: Okay, so you start going to the church. Do you
- 3:56Speaker 1: go to church still?
- 3:58Speaker 2: Yeah? Yeah, I still go to church every Sunday that
- 4:01Speaker 2: I'm at home, and well.
- 4:04Speaker 1: And did you sing in church?
- 4:07Speaker 2: Yes?
- 4:07Speaker 1: I did.
- 4:07Speaker 2: I didn't. When I was a kid, I didn't. I
- 4:10Speaker 2: didn't go very much. I went for a few weeks,
- 4:12Speaker 2: and then I stopped going as a kid because my
- 4:15Speaker 2: mother didn't go to church. She was in and dated
- 4:17Speaker 2: with church as a child and made a silent vow
- 4:19Speaker 2: that if her children didn't want to go to church,
- 4:21Speaker 2: she wouldn't make them go because she had to go
- 4:23Speaker 2: like four times a week.
- 4:24Speaker 1: And she just.
- 4:25Speaker 2: Decided I wasn't going to do that. So after a
- 4:28Speaker 2: few weeks, I just stopped going. I lost interest in
- 4:31Speaker 2: what was going on in the church, but I didn't
- 4:32Speaker 2: lose interest in God, and so I kept my faith.
- 4:38Speaker 2: I just didn't participate in church until later years. I
- 4:42Speaker 2: really started going back to church. And I had an
- 4:47Speaker 2: incident that happened to me out in California that sent
- 4:50Speaker 2: me running back to church.
- 4:53Speaker 1: So what happened there, Well, I was.
- 4:56Speaker 2: About to long story short, about to indulge in something new,
- 5:00Speaker 2: various things with that we were very common out in
- 5:04Speaker 2: California with drugs and stuff, and I felt the Holy
- 5:07Speaker 2: Spirit grab me in my collar literally felt him, grabbed
- 5:10Speaker 2: me in my calling and say that's enough.
- 5:13Speaker 1: Wow. Okay, going back, So we live in a crazy
- 5:17Speaker 1: world right now, politically, climate weather. For those of us
- 5:22Speaker 1: who are not believers, how do we maintain hope?
- 5:27Speaker 2: I have no idea. I cannot answer that one for
- 5:31Speaker 2: you because I don't know what I would do without
- 5:33Speaker 2: my Lord.
- 5:36Speaker 1: Okay. Another thing you said you wanted to accomplish with
- 5:39Speaker 1: the new ep IS address people's self esteem. Is this
- 5:45Speaker 1: also something you've struggled with?
- 5:47Speaker 2: Oh? Yeah, yeah, I stuff it with self esteem as
- 5:49Speaker 2: a child because I had some very difficult things that
- 5:58Speaker 2: happened to me when I was a child out and uh,
- 6:01Speaker 2: and those things really chipped away at my self esteem.
- 6:06Speaker 2: And so I had a and plus I was overweight.
- 6:09Speaker 2: I had a huge appetite as a skinny little child,
- 6:14Speaker 2: and decided to stuff myself until I started gaining weight
- 6:17Speaker 2: and then couldn't stop. And then they went from calling
- 6:20Speaker 2: me skinny Minnie and Lolo chopsticks to fatty arbuckle and
- 6:24Speaker 2: porky pig. And so all of that chipped away at
- 6:29Speaker 2: my self esteem. And so that at the time I
- 6:31Speaker 2: became a young woman in my early twenties, I had.
- 6:37Speaker 2: I was very low on self esteem.
- 6:39Speaker 1: So how did you build up your self esteem?
- 6:42Speaker 2: I built up my self esteem again with my faith.
- 6:45Speaker 2: I really got involved in my faith and came to
- 6:50Speaker 2: the conclusion that if God loved me, why should it
- 6:54Speaker 2: matter what anyone else thinks.
- 6:57Speaker 1: Okay, you mentioned weight. How did you end up losing
- 7:00Speaker 1: the weight? Did you still struggle with body issues?
- 7:03Speaker 2: Well? I was still struggling with that. And then I
- 7:09Speaker 2: was told by my management that I was going to
- 7:12Speaker 2: be elected Queen of Discos and I said, Oh, that
- 7:15Speaker 2: must mean I'm going to be a star, So I
- 7:16Speaker 2: think I better try to look like one. And I
- 7:18Speaker 2: went to a doctor and he put me on this
- 7:21Speaker 2: ridiculous diet that actually worked, but it was so so dangerous.
- 7:25Speaker 2: I mean it was ridiculous. He put me on ups
- 7:27Speaker 2: to shake my appetite. He put me on downs because
- 7:29Speaker 2: the ups made me nervous. And I say he gave
- 7:31Speaker 2: me a sideways because he gave me a thyroid tablet.
- 7:35Speaker 2: And I lost forty five pounds in six weeks.
- 7:39Speaker 1: Wow.
- 7:39Speaker 2: The diet consisted of a glass of grayfood juice for
- 7:42Speaker 2: breakfast and glass of grayfuo juice for lunch, and a
- 7:44Speaker 2: glass of tomato juice for dinner. Period, I dreamed I
- 7:50Speaker 2: saw fried chickens walking around in the yard.
- 7:53Speaker 1: So when you stop that diet, how did you maintain
- 7:56Speaker 1: your body?
- 7:58Speaker 2: Well? I set some hard fast rules. Never eat after
- 8:01Speaker 2: eight o'clock at night, never overeat, never eat more than
- 8:05Speaker 2: one starch at a meal, and make sure you have
- 8:07Speaker 2: six to eight glass of the water a day. As
- 8:09Speaker 2: long as I maintain that, I kept the weight off.
- 8:13Speaker 1: You know, I have a friend who was on television consistently,
- 8:19Speaker 1: and on Christmas, he went to order takeout and he
- 8:23Speaker 1: was sitting outside and a person came up to you
- 8:26Speaker 1: and said, aren't you so and so? And he goes, yeah,
- 8:29Speaker 1: he goes and the person said, you look like shit.
- 8:32Speaker 1: And so what do you feel that when you leave
- 8:37Speaker 1: the house that you have to have a certain appearance
- 8:40Speaker 1: to what degree? Since you are a famous person, do
- 8:44Speaker 1: you feel pressure to have a physical image commensurate with
- 8:50Speaker 1: the image in people's mind.
- 8:52Speaker 2: Well, there's not a whole lot of pressure on me
- 8:59Speaker 2: for that. I mean, I just came back from from
- 9:02Speaker 2: physical therapy. This is how I look when I go
- 9:06Speaker 2: out of my house, no matter what doesn't have anything
- 9:09Speaker 2: to do with my my stardom. It's just my own
- 9:15Speaker 2: just how I want to be presented to public, to
- 9:18Speaker 2: the public.
- 9:20Speaker 1: And do you tend to be recognized?
- 9:23Speaker 2: No, okay, not here anyway. I'm recognized outside of the
- 9:28Speaker 2: United States, but not here.
- 9:30Speaker 1: That's interesting. So if you're outside the United States, why
- 9:34Speaker 1: do you think that is?
- 9:37Speaker 2: I think they have They don't have as many artists,
- 9:41Speaker 2: you know, not inundated with with with stars in other
- 9:44Speaker 2: countries and uh and certainly not black stars in other countries,
- 9:50Speaker 2: and so they're more likely to, you know, pay attention
- 9:54Speaker 2: and take notice.
- 9:56Speaker 1: So why are you going to physical therapy?
- 9:59Speaker 2: I'm having problem with my back. I've had problems with
- 10:02Speaker 2: my back since I was a kid.
- 10:04Speaker 1: What's the diagnosis?
- 10:07Speaker 2: Just muscular things. I just need some muscle strengthen. You know,
- 10:10Speaker 2: when you get to be a certain age, if you
- 10:12Speaker 2: haven't done things, you know, to say a body in motion,
- 10:16Speaker 2: stays in motion, and certain things. When you get older,
- 10:19Speaker 2: you just stop doing because it's just not a part
- 10:22Speaker 2: of your day. And then when you go to do that,
- 10:25Speaker 2: for whatever reason, your body is like, oh, oh no,
- 10:27Speaker 2: we're not doing that anymore, don't we don't do that,
- 10:31Speaker 2: And so you have to retrain and that's what I'm
- 10:34Speaker 2: doing retrainings.
- 10:35Speaker 1: So physical therapy is a working for you. Yeah, I
- 10:39Speaker 1: just have physical therapy this morning. So we're on the
- 10:41Speaker 1: same page. Yeah, okay, let's go back to the EP.
- 10:47Speaker 1: So you say you want to get these messages across.
- 10:51Speaker 1: How do you start or what did you do first?
- 10:53Speaker 2: Well, the first thing I did was write the songs.
- 10:57Speaker 2: And well, actually the first thing I did was get
- 10:59Speaker 2: together with some pe people that I wanted to write with,
- 11:02Speaker 2: and then we wrote the songs.
- 11:03Speaker 1: And then stop there. Because you wrote with some very
- 11:07Speaker 1: successful people, how did you hook up with these people?
- 11:11Speaker 2: Through my producer Chris Stevens. He knows a lot of
- 11:14Speaker 2: writers because he's a multi multi multi Grammy Award winner
- 11:19Speaker 2: and so he knows a lot of He's in Nashville,
- 11:21Speaker 2: which is a music town, and so he knows tons
- 11:24Speaker 2: of writers and singers and musicians and he hooked me up.
- 11:30Speaker 1: So everybody has a different style. What was it like,
- 11:34Speaker 1: did you sit in the room together they say, Okay,
- 11:36Speaker 1: we're going to write a song Nashville style.
- 11:39Speaker 2: Well, no, we just we sat in the room together
- 11:41Speaker 2: and said we're going to write a song Glory gainnerstyle.
- 11:43Speaker 1: Well, I meant that's how they do it. Na. Oh yeah, yeah,
- 11:47Speaker 1: not that you couldn't write a country song, but having
- 11:49Speaker 1: heard the song, I.
- 11:50Speaker 2: Have written a country song. I have written a country song.
- 11:55Speaker 1: So you were in the room, had these messages you
- 11:59Speaker 1: wanted to get a out.
- 12:00Speaker 2: I had to start, Well, you start with an idea.
- 12:04Speaker 2: I start when I write. I start with an idea,
- 12:06Speaker 2: what do I What do I want to talk about?
- 12:08Speaker 2: And then what do I want to say about it?
- 12:12Speaker 2: And then we start to figure out how to put
- 12:15Speaker 2: those thoughts and feelings into into sentences, and then how
- 12:20Speaker 2: to make them rhyme and uh yeah, and then we
- 12:24Speaker 2: you know, separate them into verses and chorus. What what? What? What?
- 12:28Speaker 2: What is the main point? The main point is what
- 12:31Speaker 2: you want to repeat and make the chorus.
- 12:34Speaker 1: So how long did it take to write these songs?
- 12:37Speaker 1: And how many songs did you have to write to
- 12:38Speaker 1: get the ones who are on the record.
- 12:41Speaker 2: Uh, well, the ones that were on the record are
- 12:44Speaker 2: the only ones we wrote. Actually we wrote. Uh it
- 12:48Speaker 2: took us maybe three weeks, three four weeks.
- 12:54Speaker 1: Yeah, I'm interested. You work with Liz Rose, who co
- 12:59Speaker 1: wrote all the songs on the first couple of Taylor
- 13:02Speaker 1: Swift Records, because you know there were multiple people you
- 13:06Speaker 1: wrote with. Yeah, and I assumed they had different styles. Yes, Yeah,
- 13:12Speaker 1: tell me what it was like working with Liz Rose.
- 13:15Speaker 2: It was great working with her. The song that she
- 13:18Speaker 2: came up with the idea for this song, and I
- 13:21Speaker 2: loved it because I immediately thought of someone in my
- 13:24Speaker 2: life that I felt that the song her idea reminded
- 13:31Speaker 2: me of. So it was pretty easy for us to
- 13:33Speaker 2: come up with the lyrics for that song because I
- 13:36Speaker 2: already have feelings about it.
- 13:40Speaker 1: Okay, you worked with people Michael Pollock worked with Marie Cyrus,
- 13:44Speaker 1: Sam Tana who worked with Fits in the Tantrums, Matt
- 13:47Speaker 1: Brownleo who worked with Michael W. Smith and Aliambrullia, Caitlin Smith,
- 13:53Speaker 1: Miley Cyrus, and Meghan Trainer, Christi who had success with
- 13:57Speaker 1: country artists like Jason Alden and Kenny Destiny. What was
- 14:01Speaker 1: the difference in writing with all these different people, Well, each.
- 14:05Speaker 2: One of them had each one had a different style,
- 14:07Speaker 2: but uh, they all were lending themselves to what I
- 14:13Speaker 2: wanted because they knew it was going to be my
- 14:15Speaker 2: music and my my recording. The difference was getting used
- 14:19Speaker 2: to their sort of slant on things and their uhh
- 14:28Speaker 2: ideas about what the subject matter and and and and
- 14:31Speaker 2: how it should be expressed and exactly what you wanted
- 14:35Speaker 2: to express in each thing, and so.
- 14:39Speaker 1: It was.
- 14:39Speaker 2: It was a little bit different with each one, but
- 14:42Speaker 2: the great thing was that they were all accommodating to
- 14:45Speaker 2: me what I was looking for and what I wanted
- 14:48Speaker 2: and what I wanted to end up with.
- 14:51Speaker 1: And is it different writing with a woman as opposed
- 14:54Speaker 1: to a man.
- 14:57Speaker 2: No, No, not really.
- 15:00Speaker 1: Okay, so the songs are written, what's the next step.
- 15:05Speaker 2: The next step is the music, and so I have
- 15:09Speaker 2: nothing to do with that. I the only musical instrument
- 15:11Speaker 2: I can play is my phone.
- 15:14Speaker 1: But sometimes with their phone.
- 15:17Speaker 2: Now, so yeah, well I've got some recordings on my phone,
- 15:21Speaker 2: but but not not not with musical and not as
- 15:24Speaker 2: a musical instrument. So I leave that to them. I gave,
- 15:29Speaker 2: you know, we give. I give the lyrics to Chris
- 15:32Speaker 2: and uh and and I don't even I really even
- 15:35Speaker 2: do melodies. I'm a strictly a lyricist. I once in
- 15:39Speaker 2: a while I come up with a melody that that
- 15:41Speaker 2: works and is pleasant to someone besides me.
- 15:44Speaker 1: Okay, So he cut everything and then you just came
- 15:48Speaker 1: in to sing mm hmm.
- 15:51Speaker 2: Yeah.
- 15:52Speaker 1: So when you first heard the tracks, who say, okay,
- 15:54Speaker 1: let's go or do you hear them and you go,
- 15:56Speaker 1: that's not exactly what I envision? Can we change this?
- 15:59Speaker 2: Sometimes? Sometimes I change a thing or two, or want
- 16:03Speaker 2: to add an instrument or or I want something one
- 16:07Speaker 2: thing to be more prominent than the other, and isn't
- 16:11Speaker 2: the way. It isn't like that when he first presents
- 16:13Speaker 2: it to me. But that's very rare. I kind of
- 16:16Speaker 2: leave I Throughout my life, I've been working with people.
- 16:20Speaker 2: I kind of pick people who I feel are the
- 16:23Speaker 2: best that are available to me and then let them
- 16:25Speaker 2: do their thing.
- 16:34Speaker 1: Okay, And are you the type of vocalist do you
- 16:36Speaker 1: sing it once or you have to warm up singing
- 16:39Speaker 1: a million times? And they're comping among some number of tracks?
- 16:42Speaker 1: How does it work?
- 16:45Speaker 2: Generally? I don't have them, don't have a lot of takes.
- 16:49Speaker 2: In fact, I have some recordings that have been released
- 16:51Speaker 2: with first takes.
- 16:53Speaker 1: Wow.
- 16:55Speaker 2: So I don't generally have a lot of takes. I
- 16:57Speaker 2: have more takes to Chris than I have with any
- 16:59Speaker 2: other producer because he's very very don't want to stay
- 17:04Speaker 2: picky exactly yes, that's better word.
- 17:10Speaker 1: Okay. So when you're singing the songs in the studio,
- 17:15Speaker 1: you know, some people insist that it be dark. Some
- 17:18Speaker 1: people are self conscious, some people are in the mood.
- 17:21Speaker 1: What's going through your head when you're singing.
- 17:25Speaker 2: What's going through my head is what's going from my
- 17:27Speaker 2: mouth into that microphone, and nothing else matters. I just
- 17:31Speaker 2: want some water nearby, and that's it. I don't care
- 17:35Speaker 2: about the lighting. I don't care about the space that
- 17:37Speaker 2: I'm in. I don't care. I don't care.
- 17:41Speaker 1: So how do you let yourself be free? Or you're
- 17:43Speaker 1: such a pro you can just stand up and sing it,
- 17:46Speaker 1: how do you get your state of mind in the
- 17:48Speaker 1: right place.
- 17:51Speaker 2: I just concentrate on what the song is about and
- 17:55Speaker 2: the message that I'm trying to get across, and imagining
- 17:59Speaker 2: people hearing it and what they're feeling getting the feelings
- 18:04Speaker 2: that they're getting from the music and from what I'm singing.
- 18:08Speaker 2: And that's where I am. I'm in concert, when i'm performing,
- 18:13Speaker 2: when i'm singing, when I'm doing a recording.
- 18:16Speaker 1: Okay, so the record is done. The record business is
- 18:19Speaker 1: very different than it was in the pre internet era.
- 18:22Speaker 1: When you have these gigantic kits and some of the
- 18:25Speaker 1: most well known acts put out music and it's not
- 18:29Speaker 1: known by many, even the biggest acts. We mentioned Taylor Swift,
- 18:33Speaker 1: she may be very big, but a lot of people
- 18:35Speaker 1: don't know her music. I only mentioned her. They don't
- 18:37Speaker 1: know a lot of other people's music. So what are
- 18:40Speaker 1: your expectations for the recordings?
- 18:43Speaker 2: Well, my expectations is for the fans that I already
- 18:46Speaker 2: have to hear the music and love it and then
- 18:52Speaker 2: try to share it with their friends who don't know
- 18:56Speaker 2: me or having heard these particular news songs, and that
- 19:01Speaker 2: it was spread that way. I also hope that we'll
- 19:05Speaker 2: get more exposure from the internet, you know, from the
- 19:12Speaker 2: internet platforms, musical platforms on the Internet, and that will
- 19:17Speaker 2: be spread throughout the nation and hopefully throughout the world
- 19:21Speaker 2: that way.
- 19:23Speaker 1: Okay, you mentioned your phone. Are you someone who is
- 19:27Speaker 1: on the internet a lot? Are you only using your
- 19:29Speaker 1: phone for phone calls?
- 19:32Speaker 2: I'm not on the internet a lot. I go on occasionally.
- 19:35Speaker 2: I've done some things on TikTok and I go on it,
- 19:40Speaker 2: like this morning, I put on a message about my
- 19:42Speaker 2: mother because it's my mother's birthday today.
- 19:45Speaker 1: Gopy birthday. Thank you who would she have been oof.
- 19:52Speaker 2: One hundred, one hundred and something that she was twenty
- 19:58Speaker 2: something years older than I am.
- 20:00Speaker 1: Okay, you put a post on TikTok. Did you do
- 20:02Speaker 1: it yourself or did somebody help you? Oh?
- 20:04Speaker 2: I did myself.
- 20:05Speaker 1: So how'd you learn how to do it?
- 20:08Speaker 2: I just went on and checked it out. Oh yeah, yeah,
- 20:11Speaker 2: I don't think anybody taught me. I just figured it out,
- 20:14Speaker 2: followed the directions.
- 20:15Speaker 1: Okay, well, you'll be amazed how many people from our
- 20:19Speaker 1: age group can't do that. It's how often I know.
- 20:22Speaker 2: Please don't remind me. I keep telling my friends coming
- 20:25Speaker 2: to the twenty first century for crying out loud.
- 20:30Speaker 1: You're speaking my language. You know. People say I hate TikTok,
- 20:34Speaker 1: it's the worst. Have you ever been on?
- 20:35Speaker 3: No?
- 20:36Speaker 1: I said, at least go on see what it is.
- 20:40Speaker 1: So you post on TikTok? Will you ever scroll on
- 20:42Speaker 1: TikTok see what's going on?
- 20:44Speaker 2: Oh yeah, I've got some I've followed a few people
- 20:47Speaker 2: because I love dancing, so I follow some dancers on TikTok.
- 20:53Speaker 1: And you post this stuff. But to what degree do
- 20:55Speaker 1: you interact with your fans?
- 20:59Speaker 2: Not a whole lot, not a lot, Because I'm on
- 21:02Speaker 2: there along. I feel like I'm on there too long
- 21:03Speaker 2: when I'm posting, and then I don't have toime to
- 21:06Speaker 2: hang out on there.
- 21:09Speaker 1: So what does your normal day when you're not on
- 21:11Speaker 1: the road look like?
- 21:13Speaker 2: Hmm, normal day when I'm not on the road, Well,
- 21:16Speaker 2: I've go to physical therapy nowadays, physical therapy, looking over
- 21:24Speaker 2: my wardrobe and making sure that I'm ready and have
- 21:27Speaker 2: what I want and my clothes have been taken care of,
- 21:31Speaker 2: any cleaning or alterations that need to be done for
- 21:35Speaker 2: things that I might want to wear, and checking my makeup,
- 21:39Speaker 2: and then all of those things that I need on
- 21:41Speaker 2: the road, praying, studying the Bible, reading, watching television. I'm
- 21:48Speaker 2: an avid TV fan and and and as I live alone,
- 21:53Speaker 2: I'm often eating alone, and I don't like eating alone,
- 21:56Speaker 2: so I watch TV while I eat, which I don't
- 22:00Speaker 2: don't think it's very good, but I do it anyway.
- 22:03Speaker 2: And uh yeah, changing things, decorating my home, writing, writing songs,
- 22:12Speaker 2: writing just thoughts, some things that I plan to soon
- 22:18Speaker 2: put on onto social media. Even if I don't do
- 22:23Speaker 2: it myself, I'll give it to my social media person
- 22:26Speaker 2: to post.
- 22:27Speaker 1: You know, So, what do you watch on TV?
- 22:32Speaker 2: I'm in love with Equalizer, that the series with that's
- 22:41Speaker 2: her name, just right out of my head, Queen Latifa,
- 22:45Speaker 2: I like, I like, I like Detective stuff pretty much
- 22:49Speaker 2: what I want and I and I love Marvel comics.
- 22:51Speaker 2: I love Marvel. I'm a Marvel Yeah yeah, yeah, like
- 22:56Speaker 2: all the superheroes.
- 22:57Speaker 1: How did you get into that?
- 22:59Speaker 2: Since I was a kid.
- 23:01Speaker 1: So you used to read those comic books? Oh yeah,
- 23:05Speaker 1: so you've seen all the movies, the Superman, the Adventure.
- 23:08Speaker 2: Yes, yes, yes, Smallville even Yeah.
- 23:15Speaker 1: So if I wanted to discuss the Marvel universe, you
- 23:18Speaker 1: could participate in them, I think so. Yeah. Okay, So
- 23:24Speaker 1: how many days a year are you on the road
- 23:26Speaker 1: these days?
- 23:27Speaker 3: Oh?
- 23:28Speaker 2: I'm only doing like thirty shows a year, not a lot.
- 23:33Speaker 1: Okay, So you're talking about being home the glory gainer.
- 23:36Speaker 1: Business is business unto itself. To what degree do you
- 23:40Speaker 1: socialize with friends, go to dinner, talk on the phone.
- 23:44Speaker 2: Well, I go. And I have a vacation place in
- 23:49Speaker 2: Myrtle Beach, South Carolina, and I love it there because
- 23:55Speaker 2: that's where my social life really comes to life because
- 23:58Speaker 2: everyone there is either retired or on vacation, so they're
- 24:02Speaker 2: always up for fun. And so that's a great place.
- 24:05Speaker 2: Matter of fact, I'm playing and go down this summer
- 24:08Speaker 2: and spend a few weeks there here, not so much
- 24:12Speaker 2: because everybody's busy and running, and most of my friends
- 24:16Speaker 2: at my age, of course have grandchildren and they're all
- 24:18Speaker 2: involved with their grandchildren and all of that, and I
- 24:21Speaker 2: don't have any children, so it's not as much. But
- 24:25Speaker 2: I do, you know, go to plays and and once
- 24:28Speaker 2: in a while go to the movies and sometimes have
- 24:32Speaker 2: friends over to watch a movie in my home theater.
- 24:35Speaker 2: I have some dinners at home because I love to cook,
- 24:39Speaker 2: so I have friends over for dinner. And yeah, that's
- 24:45Speaker 2: pretty much.
- 24:46Speaker 1: So you love to cook. What are a couple of
- 24:47Speaker 1: your specialties.
- 24:50Speaker 2: Well, there's one that my that that's probably my my
- 24:53Speaker 2: friend's favorite. That's that I call chicken a lah gainer,
- 24:57Speaker 2: and it's a it's a chicken dish that I came
- 24:59Speaker 2: up with years ago when my husband called me with
- 25:02Speaker 2: forty five minutes he was gonna arrive in forty five
- 25:05Speaker 2: minutes with company for dinner. Came up with this quick
- 25:10Speaker 2: meal and my friends love it because it really tastes
- 25:12Speaker 2: like you've been cooking for hours, but it's really quick
- 25:15Speaker 2: and simple to pull together, and they use it often.
- 25:20Speaker 1: How do you make it?
- 25:22Speaker 2: Well, you roast chicken parts at four hundred and twenty
- 25:25Speaker 2: five degrees so that the skin is crispy. While that's happening,
- 25:28Speaker 2: you make a sauce of cream of chicken, soup, sour cream,
- 25:34Speaker 2: and milk. And when the chicken is crispy and done,
- 25:39Speaker 2: you pour the soup over the chicken so that it
- 25:45Speaker 2: gets a little bit on the skin, but mostly it's
- 25:48Speaker 2: the meat of the chicken is soaking and it goes
- 25:51Speaker 2: back crispy again. But with the flavor now of this sauce,
- 25:55Speaker 2: and then you serve that with saffron rice and some
- 25:58Speaker 2: colorful vegetables. You have her delicious.
- 26:01Speaker 1: So when am I coming over?
- 26:04Speaker 2: Whenever you're feelful?
- 26:06Speaker 1: Okay, So how did you learn how to cook?
- 26:10Speaker 2: With my mother? My mother was a great cook, and
- 26:13Speaker 2: she had to be a well, she didn't have to
- 26:15Speaker 2: be a good cook. But I'm praise God that she
- 26:17Speaker 2: was a good cook because we were very poor. And
- 26:20Speaker 2: what I remember my mother sending me an off and
- 26:22Speaker 2: telling story of my mother sending me to the store
- 26:25Speaker 2: for dinner. With the quarter she told me to get
- 26:29Speaker 2: fifteen cents worth of bacon skins and ten cents worth
- 26:31Speaker 2: of beans, and she made a delicious dinner at which
- 26:35Speaker 2: we had two or three people for company from my
- 26:40Speaker 2: friends came to eat because my mother made dinner fun.
- 26:44Speaker 2: She made the she made She said she didn't have
- 26:46Speaker 2: the the she couldn't afford baking powder to make bread rice.
- 26:50Speaker 2: So she made crackers like animal crackers. She made them
- 26:55Speaker 2: in animal shapes, and she let us play with them
- 26:57Speaker 2: at the table and use our imagination and just have
- 27:00Speaker 2: fun eating and enjoying one another's company. And so they
- 27:03Speaker 2: love to come over for dinner. Okay, So where did
- 27:06Speaker 2: you grow up in Newark, New Jersey?
- 27:10Speaker 1: You know Newark in the sixties, there were riots in Newark.
- 27:14Speaker 1: There was a lot of racial tension. What was it
- 27:17Speaker 1: like when you were growing up there?
- 27:19Speaker 2: Yeah, riots and racial tension, but it was fun and
- 27:23Speaker 2: it was I tell you something we used to have.
- 27:25Speaker 2: Something used to happen in my neighborhood. I don't know
- 27:28Speaker 2: how far it went, but it happened in my neighborhood.
- 27:31Speaker 2: And when I grew up and found out that it
- 27:33Speaker 2: wasn't happening in other neighborhoods or in other cities, I
- 27:36Speaker 2: really felt a sense of sadness for the rest of
- 27:38Speaker 2: the world, because what would happen is in the summer,
- 27:42Speaker 2: spring and summer, one kid would come out with a
- 27:46Speaker 2: set of bongos and he sits there on the corner
- 27:48Speaker 2: playing the bongos, and another kid would come out with
- 27:51Speaker 2: acoustic guitar, and somebody would come out with a horn,
- 27:55Speaker 2: and we'd have a band. And then people would come
- 27:57Speaker 2: out and sing, and before you knew it, the whole
- 27:59Speaker 2: neighborhood stand out on the corner singing and playing songs
- 28:03Speaker 2: together and dancing and having great fun. And I thought
- 28:05Speaker 2: that happened everywhere in the spring and summer. And when
- 28:08Speaker 2: I found out it didn't, I thought, oh my god,
- 28:10Speaker 2: they did.
- 28:10Speaker 1: They did have that. Oh I'm sorry. So were your
- 28:15Speaker 1: parents from Newark?
- 28:17Speaker 2: Yes, well they were. My mother was from Alabama, my
- 28:21Speaker 2: father was from Newark.
- 28:23Speaker 1: So how'd your mother get from Alabama to New Jersey?
- 28:26Speaker 2: Her mother brought her to Newark when she was five
- 28:28Speaker 2: years old. She said. The first thing is the biggest
- 28:31Speaker 2: thing she remembers, with all the yellow buggies, which were
- 28:35Speaker 2: yellow taxicabs.
- 28:37Speaker 1: And how did your parents meet?
- 28:40Speaker 2: I don't know, I honestly don't know. How they meant.
- 28:45Speaker 1: And what did they do for a living.
- 28:48Speaker 2: My mother was a seamstress and my father was a
- 28:50Speaker 2: fireman and a musician.
- 28:54Speaker 1: How many kids in the family.
- 28:56Speaker 2: Five boys and two girls?
- 29:00Speaker 1: Are you in the hierarchy?
- 29:02Speaker 2: I had a younger brother and a younger sister and
- 29:04Speaker 2: four older brothers.
- 29:06Speaker 1: So that's a lot of kids. Did you feel like
- 29:09Speaker 1: you were lost in the shuffle or no?
- 29:14Speaker 2: No, not really. I kind of blended in being tom girl.
- 29:19Speaker 2: I was a tomgirl. My brother and I used to
- 29:22Speaker 2: climb thing. Well, you got such a thing for climbing,
- 29:24Speaker 2: and I still have a thing for heights, taking pictures
- 29:28Speaker 2: from great heights and craziness like that. I took a
- 29:31Speaker 2: picture at Grand Canyon. It was so dangerous it took
- 29:35Speaker 2: me two hours to go to sleep that night. I thought,
- 29:38Speaker 2: what were you thinking? I was hanging off for a
- 29:41Speaker 2: cliff that was a mild drop. It was a beautiful picture,
- 29:46Speaker 2: but what a stupid thing to do.
- 29:48Speaker 1: How old were you when you did it?
- 29:50Speaker 3: This was just a few years ago, So what were
- 29:53Speaker 3: you thinking? I don't know, I don't know, just that
- 29:58Speaker 3: it was going to be a great picture, you know.
- 30:01Speaker 1: I was at the Grand Canyon like fifteen years ago
- 30:05Speaker 1: and on the south rim, you know, you can walk.
- 30:08Speaker 1: The path was like a little dirt path and you
- 30:11Speaker 1: could reach to your left and that was a mild drop.
- 30:14Speaker 1: I mean I was scared walking on the.
- 30:18Speaker 2: On. Yeah, there was a there was a there was
- 30:22Speaker 2: a spot there. We saw a girl taking the picture
- 30:24Speaker 2: as we were walking by. We decided we want to
- 30:26Speaker 2: come back and take a picture, and we did. And
- 30:28Speaker 2: this is this one spot where there's about a one
- 30:32Speaker 2: foot I don't know what a step and beyond and
- 30:39Speaker 2: right on the outside of that step was it was
- 30:42Speaker 2: it was like almost like a stool, but that's all
- 30:45Speaker 2: there was, and we would step down. We stepped down
- 30:48Speaker 2: on that step, held onto the ground, stepped down on
- 30:52Speaker 2: that step, sat on the stool and took the picture.
- 30:54Speaker 2: There was a whole canyon behind you. And it's a
- 30:56Speaker 2: beautiful picture. But how stupid can you.
- 30:59Speaker 1: Be when you say we? Who is we?
- 31:03Speaker 2: My manager?
- 31:06Speaker 1: So you've been around the world? Where have you not been?
- 31:09Speaker 2: Oh, there's a lot of tons of places I haven't been.
- 31:11Speaker 2: I've only been to ninety countries. And there's how many
- 31:16Speaker 2: countries are there in the world, like four hundred or something.
- 31:19Speaker 1: Is there any place you haven't been that is on
- 31:21Speaker 1: your bucket list.
- 31:24Speaker 2: I want to go to probably like Nigeria. I haven't
- 31:28Speaker 2: been to that kind of part of Africa. The parts
- 31:31Speaker 2: of Africa that I've been to are like Egypt and
- 31:37Speaker 2: Cape Town, Johannesburg, Bapuda, Swana, But those are like really
- 31:43Speaker 2: well known places. I just want to go like real
- 31:46Speaker 2: get into the crux of it Africa.
- 31:49Speaker 1: Are you the type of person who's into genealogy, your history,
- 31:53Speaker 1: et cetera. Not really, okay, So what are a couple
- 31:58Speaker 1: of the place you know? I certainly haven't traveled as
- 32:01Speaker 1: much as you have, but I find, you know, the
- 32:04Speaker 1: places where the people don't really speak English that well
- 32:08Speaker 1: and more of the beaten path are a better experience.
- 32:11Speaker 1: So where are some of the places you've gone and
- 32:13Speaker 1: had great experiences?
- 32:16Speaker 2: My best experience the only place I've ever been in
- 32:20Speaker 2: the world where you walk down the street and people
- 32:24Speaker 2: come out of the stores and say, welcome to our country.
- 32:27Speaker 2: When you go into a store, you have to have
- 32:30Speaker 2: a coke or a coffee or a tea before you
- 32:32Speaker 2: can even tell them what you came in there for.
- 32:35Speaker 2: And that's Lebanon.
- 32:38Speaker 1: Really, How long ago was that your experience. Leven has
- 32:42Speaker 1: been through a lot of changes. Yeah.
- 32:44Speaker 2: No, the last time I was in Lebanon was probably
- 32:47Speaker 2: twelve years ago. The first time was in nineteen eighty five,
- 32:51Speaker 2: during the war, right, Yeah. Matter of fact, they had
- 32:55Speaker 2: me on sixty minutes and they said, on one street
- 32:58Speaker 2: there's Gloria Gainer, the next street there's the war.
- 33:02Speaker 1: So you were there to play a gig.
- 33:05Speaker 2: I was there to do several shows.
- 33:06Speaker 1: Yeah, Okay, in the back of your mind you say, well, no,
- 33:09Speaker 1: should I be here?
- 33:12Speaker 2: Well, not until after they told us they bombed the
- 33:15Speaker 2: place that we were supposed to work in the night
- 33:19Speaker 2: before the show. That was all right up until then.
- 33:34Speaker 1: Okay, So you're growing up. What kind of kid are you?
- 33:38Speaker 1: You're a good student. You have a lot of friends.
- 33:42Speaker 2: No, I didn't have any friends. I didn't have any
- 33:44Speaker 2: friends because I was a neighborhood conscience.
- 33:48Speaker 1: Tell me more.
- 33:49Speaker 2: I was practical to a fault, and so I believe
- 33:54Speaker 2: that it made sense to obey your parents rather than
- 33:58Speaker 2: go along with what your friends wanted to do, even
- 34:00Speaker 2: though if you thought it was gonna be fun, because
- 34:02Speaker 2: you were gonna get found out, you were gonna get punished,
- 34:05Speaker 2: and you're gonna get spanked and it wasn't gonna be
- 34:07Speaker 2: worth it in the end. So I just wouldn't do things,
- 34:09Speaker 2: and I would try to talk to them out of it.
- 34:11Speaker 2: And so they didn't like me very much until they
- 34:14Speaker 2: got in trouble and then they called me to come
- 34:16Speaker 2: and talk their parents out of the punishment.
- 34:19Speaker 1: And you said you were tom Boy. Were you playing
- 34:21Speaker 1: ball et cetera in the show?
- 34:23Speaker 2: Oh yeah, yeah, yeah, a lot of kickball. I was
- 34:27Speaker 2: just talking about that recently with a friend of mine.
- 34:29Speaker 2: I love playing kickball Hopscotch double Dutch.
- 34:35Speaker 1: Yeah. And so how were you in school?
- 34:39Speaker 2: Well, I had a teacher say I can always if
- 34:43Speaker 2: no one else, I can always depend on Gloria giving
- 34:47Speaker 2: me her undivided attention.
- 34:49Speaker 1: Wow.
- 34:49Speaker 2: And that was because of being practice. Was just being practical.
- 34:53Speaker 2: I got to pay attention. So when when school is over,
- 34:55Speaker 2: I can go home quickly do my homework and have
- 34:57Speaker 2: time to go out and play.
- 35:01Speaker 1: So how did the lives of your siblings play out?
- 35:07Speaker 2: Well, they all grew up and I was the only
- 35:08Speaker 2: one that wanted children. I'm the only one that doesn't
- 35:10Speaker 2: have any. So they all grew up and had children.
- 35:13Speaker 2: My brothers went to the armed forces one at a
- 35:15Speaker 2: time and came out, got married, had children and.
- 35:21Speaker 1: Yeah, so you wanted to have children and you didn't
- 35:25Speaker 1: have children Is that a big regret?
- 35:28Speaker 2: Not a regret anymore. It was a regret when I
- 35:32Speaker 2: was a child bearing age, Not a regret anymore. Something.
- 35:36Speaker 1: This is my life. Okay. So you're in school, say
- 35:43Speaker 1: people are singing out on the street. At what point
- 35:46Speaker 1: do you say, hmm, this is interesting and might like
- 35:49Speaker 1: to do this for a living.
- 35:52Speaker 2: Oh, very early on, probably when I was in fact,
- 35:55Speaker 2: as matter of fact, I know when I made it
- 35:57Speaker 2: the stage the decision that I was going to be
- 36:00Speaker 2: a singer. And I was thirteen years old. I was
- 36:04Speaker 2: standing in the stairwell of my building waiting for my
- 36:07Speaker 2: friend to come down and play, and a neighbor came down.
- 36:11Speaker 2: A woman came down the stairs and I was standing
- 36:15Speaker 2: there singing, And when she reached me, she said, glory,
- 36:17Speaker 2: was that you singing? I said, yes, ma'am. She said,
- 36:20Speaker 2: oh my god, I thought that was the radio. And
- 36:22Speaker 2: I was singing a song by Frankie Lyman, why do
- 36:24Speaker 2: Foods Fall in Love? And he was the same age
- 36:27Speaker 2: as I am, and so I thought if he could
- 36:30Speaker 2: do it. I can do it too, So that's what
- 36:31Speaker 2: I'm gonna do. I'm gonna be a singer.
- 36:34Speaker 1: So what were your first steps?
- 36:38Speaker 2: It was hard. I really wanted to be a singer,
- 36:40Speaker 2: and I had no idea how to go about it.
- 36:44Speaker 2: And I thought I was going to just run over
- 36:46Speaker 2: to New York and run bust into a record company
- 36:49Speaker 2: and just stand there and start singing. And of course
- 36:51Speaker 2: I never did that, but got took cold, and so
- 36:58Speaker 2: one night my brother and I, Well, first thing that
- 37:00Speaker 2: happened was that I happened to be babysitting for a
- 37:04Speaker 2: friend of mine. I was on vacation for my job.
- 37:07Speaker 2: She needed somebody for a couple of weeks, and I
- 37:09Speaker 2: went to babysitter for her. And while I was babysitting
- 37:11Speaker 2: for her, I heard somebody walking in the apartment upstairs,
- 37:14Speaker 2: and I reasoned that if I could hear them walking,
- 37:17Speaker 2: they could hear me singing if I sang loud enough.
- 37:20Speaker 2: I just wanted somebody to hear me sing. At that point.
- 37:22Speaker 2: I didn't want accolades or anything. I just wanted someone
- 37:25Speaker 2: to hear me sing, to recognize that I could sing.
- 37:27Speaker 2: Because my brothers weren't paying attention to me because I
- 37:30Speaker 2: was a girl. So I did that for a couple
- 37:35Speaker 2: of weeks and then went back to work, and my
- 37:37Speaker 2: brother and I went to this school. I was a
- 37:41Speaker 2: sales auditor at at Bamberger's department store. Yeah, so my
- 37:49Speaker 2: brother and I passing by this club on the way
- 37:53Speaker 2: to the bus stop, and I said, I heard about
- 37:56Speaker 2: this group. Let's go in and see them, and so
- 37:58Speaker 2: we did. And while I was sitting there, they played
- 38:01Speaker 2: a song that I knew, and so I'm singing it
- 38:03Speaker 2: to myself, not where anyone could hear me, but singing
- 38:06Speaker 2: it to myself. And then someone went on the stage
- 38:08Speaker 2: and said, ladies and gentlemen, as a young lady in
- 38:10Speaker 2: the audience, she has a wonderful voice. We don't know
- 38:13Speaker 2: her last name, but her first name is Gloria, and
- 38:16Speaker 2: if we give her a great round of applause, maybe
- 38:18Speaker 2: we can get her up to do a number for us.
- 38:20Speaker 2: And so at first I was afraid. I was petrified,
- 38:25Speaker 2: but I went up and sang this song that I
- 38:29Speaker 2: had heard them play earlier, which was Save Your Love
- 38:32Speaker 2: for Me by Nancy Wilson, and got a standing ovation,
- 38:36Speaker 2: and they came over and asked me if I wanted
- 38:40Speaker 2: to sing with them because the singer that they had
- 38:44Speaker 2: was unreliable. She hadn't showed up that night, and I said, yeah,
- 38:48Speaker 2: I would love to. And in that I recognized the
- 38:53Speaker 2: wisdom of my mother, who had told me, you need
- 38:56Speaker 2: to prepare for war in peacetime, which I translated to
- 39:01Speaker 2: mean that if I was going to be a singer,
- 39:03Speaker 2: I need to be prepared for So I'd had her
- 39:05Speaker 2: make me some dresses, and so I was already and
- 39:09Speaker 2: I went home that they asked me that they wanted
- 39:11Speaker 2: me to sing with them, and I said, well, we
- 39:13Speaker 2: can get together for a couple of weeks. And the
- 39:15Speaker 2: other thing that I had done was that I'd written
- 39:18Speaker 2: down in an autograph album from high school all this
- 39:22Speaker 2: every song that every time I learned the song, I
- 39:24Speaker 2: would write it down in that book. And by this
- 39:25Speaker 2: time I had like nearly two hundred songs. So I said,
- 39:29Speaker 2: I'll get my book and come back, and you can
- 39:31Speaker 2: choose a repertoire because any songs that you want from
- 39:34Speaker 2: from my songs because I know them all. And came
- 39:38Speaker 2: back the next night and started singing with them and
- 39:40Speaker 2: never looked back.
- 39:42Speaker 1: Okay, you start to sing with them first, night. You know,
- 39:47Speaker 1: you get this supplause, but playing can be a grind.
- 39:51Speaker 1: How long did you do? What happened? Could you quit
- 39:53Speaker 1: your day job? What was going on?
- 39:56Speaker 2: Well? First, I was working three jobs. I singing. I
- 40:01Speaker 2: was working at Bamburgers from nine to five, working in
- 40:06Speaker 2: the beauty culture because I had told my mother I
- 40:08Speaker 2: wanted to be a singer. She said, that's nice, but
- 40:11Speaker 2: in case you don't make it, you need to have
- 40:12Speaker 2: some work under your belt because if you don't something,
- 40:17Speaker 2: because if you don't, nobody's going to want to hear
- 40:19Speaker 2: ten years from live from now that you never had
- 40:20Speaker 2: a job. So I went to beauty culture school and
- 40:24Speaker 2: so I was working at Bamburgers from nine to five,
- 40:27Speaker 2: working in the beauty shop from five to ten, and
- 40:31Speaker 2: then working in a nightclub from ten thirty to two
- 40:35Speaker 2: in the morning.
- 40:37Speaker 1: How long did that go on?
- 40:39Speaker 2: Oh, about two or three years.
- 40:42Speaker 1: That's a tough schedule, it was, It was okay. So
- 40:48Speaker 1: was there any upward mobility at Bamburgers or you were
- 40:51Speaker 1: just one of many people working there?
- 40:53Speaker 2: Well, No, what happened was I did a cop I
- 40:56Speaker 2: was just one of many people working there, and then
- 40:59Speaker 2: I got into a contest at a club one night
- 41:05Speaker 2: when Deal and Walwould happened to be one of the contestants.
- 41:09Speaker 2: But I won the contest and two of the people
- 41:13Speaker 2: there were a couple of guys that were recording for
- 41:19Speaker 2: Johnny Nash on his label, and they took me to
- 41:22Speaker 2: Johnny Nash and I did my first recording there.
- 41:26Speaker 1: Wait, wait, wait, a little bit slower from the time
- 41:29Speaker 1: that you step on stage with the band to the
- 41:33Speaker 1: time you go to Johnny Nash's house. How long is that?
- 41:37Speaker 2: Five years? By five years?
- 41:38Speaker 1: Five years? So how do you maintain your optimism? Oh?
- 41:42Speaker 2: I was just loving what I was doing. I was
- 41:46Speaker 2: just loving it.
- 41:47Speaker 1: So playing in clubs you were loving it? Oh?
- 41:49Speaker 2: Yeah, I was loving it. And then of course I
- 41:51Speaker 2: hoped that one day i'd record. But in the meantime
- 41:53Speaker 2: I was loving what I was doing.
- 41:55Speaker 1: And how many nights a week would you sing? Six
- 42:00Speaker 1: six nights a week? How many cents.
- 42:05Speaker 2: Nine to two am, every hour forty five minutes performing
- 42:10Speaker 2: fifteen minutes rests?
- 42:12Speaker 1: And how did you maintain your voice?
- 42:16Speaker 2: Well? I didn't drink or smoke, and I vocalized consistently
- 42:23Speaker 2: and just took care of my throat.
- 42:26Speaker 1: Okay, what'd you give up first beauty school or Bamburgers.
- 42:32Speaker 2: Bamburgers Okay, yeah, And did you.
- 42:35Speaker 1: Ever work in a salon like as a regular job.
- 42:39Speaker 2: Yeah, I was saying I was working from Bamberger's at
- 42:43Speaker 2: nine to five, beauty shop from five to ten, and
- 42:46Speaker 2: then the club. I did that for five years.
- 42:50Speaker 1: So you're in a contest with Dion Warwick. So, Dion Warwick,
- 42:56Speaker 1: this is before she signs the scepter. She has no hits, right,
- 43:01Speaker 1: I think not? So how did you feel when she
- 43:04Speaker 1: had success before you?
- 43:09Speaker 2: I don't remember, honestly, don't remember if I thought anything
- 43:13Speaker 2: about it at all.
- 43:16Speaker 1: Okay, And you know she ultimately had the Psychic Network
- 43:21Speaker 1: on TV. Oh okay, I remember that if someone came
- 43:26Speaker 1: to you, would you take a check for that or
- 43:27Speaker 1: say no? Not for me?
- 43:30Speaker 2: Yeah? I said no, no. I never believed in it anyway.
- 43:34Speaker 1: Okay. So this one contest you win. Were there a
- 43:39Speaker 1: lot of contests?
- 43:41Speaker 2: No, that was the only one.
- 43:43Speaker 1: So tell me exactly how you end up beating Johnny Nash.
- 43:48Speaker 2: I was. I did that contest and two of the
- 43:49Speaker 2: people in the audience were singers, and they had they
- 43:54Speaker 2: recorded for Johnny Nash. They liked my voice and thought
- 43:56Speaker 2: that he should hear me singing that they should record me.
- 44:00Speaker 1: Okay, so they say, should record. What was the next step?
- 44:03Speaker 1: You went to meet Johnny Nash.
- 44:04Speaker 2: And I went to meet Johnny Nash. I went to
- 44:06Speaker 2: meet Johnny Nash and he listened to me singing. He said, yep,
- 44:10Speaker 2: you shet, They're right, You're great, and he recorded me.
- 44:14Speaker 1: Okay. So how did you decide what material to record?
- 44:18Speaker 1: And what happened then?
- 44:19Speaker 2: Well, he kind of decided he had somebody write a
- 44:21Speaker 2: song for me and didn't like the song. It's kind
- 44:26Speaker 2: of corny. But I had an opportunity to record. I thought,
- 44:30Speaker 2: if I recorded, this is the only opportunity I have
- 44:33Speaker 2: to record. If I dropped this, I may not never
- 44:35Speaker 2: have another opportunity. If I take this, it might lead
- 44:37Speaker 2: to something more.
- 44:39Speaker 1: And it did. And at what point do you change
- 44:42Speaker 1: your last name.
- 44:44Speaker 2: With Johnny Nash? He told me, Gloria Fowls is not
- 44:51Speaker 2: a stage name. Nobody will be able to pronounce it,
- 44:54Speaker 2: nobody'll be able to spell it. No, you need another name,
- 44:59Speaker 2: And I think he said, I think you should use
- 45:01Speaker 2: a name that starts with a G, because then your
- 45:03Speaker 2: fans will probably give you a nickname. They'll call you
- 45:06Speaker 2: Gig And I said, well, that's that sounds nice, but
- 45:09Speaker 2: I don't know any names that start with G. He said, well,
- 45:11Speaker 2: let me see. There's Gainer. I said, that's good.
- 45:17Speaker 1: And on your passport does it say fouls or Gainer?
- 45:21Speaker 2: It says Gainer fowls.
- 45:23Speaker 1: Okay, So you make this record with Johnny Nash, the
- 45:28Speaker 1: record comes out and what.
- 45:34Speaker 2: The record comes out? And I began to do a
- 45:38Speaker 2: little touring and did a few performances, you know, with
- 45:45Speaker 2: on the tours, and came back and the record didn't
- 45:49Speaker 2: really do anything. It did absolutely nothing, And so I
- 45:53Speaker 2: just got with a band. I got a band and
- 45:56Speaker 2: got first I got an agent, and the agent got
- 45:58Speaker 2: me a band, and I began and to stop singing
- 46:02Speaker 2: that song because I never liked it anyway. And the
- 46:05Speaker 2: band we did top forty songs with my band. So
- 46:09Speaker 2: we're traveling up and down the East coast doing top
- 46:11Speaker 2: forty songs until I was discovered by a go go girl,
- 46:19Speaker 2: actually discovered me again. She was working in the club
- 46:24Speaker 2: where I was performing, and she took me to her well.
- 46:26Speaker 2: She brought her manager, told her manager to come and
- 46:29Speaker 2: hear me sing, and then He took me to Paul
- 46:35Speaker 2: Leka at Columbia Records, who took me to Clive Davis
- 46:41Speaker 2: who had me do some auditions for him, and I
- 46:45Speaker 2: sang for him, and he decided he would record me.
- 46:48Speaker 2: So he had this two brothers, Marvin and Mervin Steele
- 46:53Speaker 2: write my first, well my second recording, which was Honeybee.
- 47:07Speaker 1: Okay, so ultimately it ends with you in Columbia. Why
- 47:13Speaker 1: is that what you mean?
- 47:15Speaker 2: It ends with me at Columbia.
- 47:17Speaker 1: Okay, you're on Columbia Okay?
- 47:20Speaker 2: Ye did that end?
- 47:23Speaker 1: Oh? Yeah? I mean how do you end up moving
- 47:25Speaker 1: to MGM?
- 47:26Speaker 2: Well, Clive Davis left the company to form his own company,
- 47:31Speaker 2: but I was signed to the company. I wasn't signed
- 47:34Speaker 2: to him, so he couldn't take me with him. So
- 47:37Speaker 2: I was left at the company and then a company
- 47:39Speaker 2: nobody was interested in an artist that had been brought
- 47:42Speaker 2: there by somebody was no longer there, so I was
- 47:44Speaker 2: just kind of just hanging out there. And then, praise God,
- 47:51Speaker 2: the president of MGM Records heard Honeybee that I had
- 47:56Speaker 2: recorded at Columbia decided he wanted me on his label,
- 48:00Speaker 2: so he bought the contract.
- 48:03Speaker 1: Okay, And what were the first steps there.
- 48:07Speaker 2: Well, first of all, I had to if you see
- 48:09Speaker 2: my documentary, you see me my what do you call it,
- 48:12Speaker 2: my docky drum, you'll see me running across New York
- 48:16Speaker 2: to get the contract and sign it before six o'clock
- 48:19Speaker 2: that night so that I could be moved over to
- 48:25Speaker 2: MGM Records, and I recorded Never Can Say Goodbye I
- 48:30Speaker 2: Never Can Say Goodbye album there. They wanted cover song
- 48:36Speaker 2: for the album, and I thought that the version that
- 48:39Speaker 2: my band and I were doing was good and that
- 48:43Speaker 2: I should record that. And so I told the president
- 48:47Speaker 2: that and he sent someone to see my show because
- 48:51Speaker 2: I said, used to send someone to see the show
- 48:53Speaker 2: and see the response to this version of Never Can
- 48:56Speaker 2: Say Goodbye, And he did, and they agreed and it
- 49:00Speaker 2: became this covered the title song of my first album.
- 49:06Speaker 1: Okay, that was very successful. After all these years in
- 49:09Speaker 1: the trenches, you know, in excess of a decade, did
- 49:14Speaker 1: you you had a lot of ups and downs? Did
- 49:16Speaker 1: you still believe?
- 49:17Speaker 2: Oh? Yeah, But I was doing what I wanted to do.
- 49:20Speaker 2: And that's why I tell people all the time, if
- 49:22Speaker 2: you you know, they say, if you if you work,
- 49:24Speaker 2: if you work at what you love, you never work
- 49:27Speaker 2: a day in your life, and that is just so true.
- 49:29Speaker 2: It's so true. I was loving what I was doing
- 49:31Speaker 2: and the progress as I was making doing it was
- 49:35Speaker 2: kind of incidental.
- 49:37Speaker 1: Okay, what's it like to have a hit?
- 49:41Speaker 2: It's awesome, It's wonderful. I remember the first time I
- 49:44Speaker 2: was in a public place and heard my song playing.
- 49:47Speaker 2: I wanted to go around saying, that's me, that's me,
- 49:49Speaker 2: that's me, that's me. Of course, I didn't just stood
- 49:53Speaker 2: around trying to see people's reactions to it, if anybody
- 49:57Speaker 2: was reacting to it.
- 49:59Speaker 1: And how did your life and opportunities change with a hit?
- 50:04Speaker 2: Well, my opportunities to buy nice things certainly did change,
- 50:08Speaker 2: because I was for making more money and doing more
- 50:11Speaker 2: performances and making more money and loving you know it
- 50:17Speaker 2: even more, and getting an opportunity to travel, something I'd
- 50:22Speaker 2: always wanted to do but hadn't had an opportunity. So
- 50:24Speaker 2: now I'm traveling, and then, you know it expands and
- 50:28Speaker 2: I'm not only traveling in the country, but now I'm
- 50:29Speaker 2: traveling the world.
- 50:32Speaker 1: Okay, And you wrote a song on that album and
- 50:36Speaker 1: co wrote another, So what point did you begin writing songs.
- 50:42Speaker 2: I began writing songs while I was working with Johnny Nash,
- 50:50Speaker 2: I wrote a song. As matter of fact, I wrote
- 50:52Speaker 2: a song, and I can't remember now. I think that
- 50:55Speaker 2: the song that I wrote, the first song that I wrote,
- 50:59Speaker 2: is on the B side of Honeybee and it's called
- 51:04Speaker 2: let Me Go Baby. I think kind of corny song,
- 51:11Speaker 2: but yeah, it's a start.
- 51:14Speaker 1: Okay, you continue to record for MGM, you don't have
- 51:19Speaker 1: a hit as big as that initial hit. What's the
- 51:22Speaker 1: experience for you?
- 51:26Speaker 2: I'm loving what I'm doing. I'm loving what I'm doing,
- 51:30Speaker 2: and I always say, you know, people say, well, do
- 51:32Speaker 2: you always try to make sure that the song that
- 51:35Speaker 2: you the new recording that you're doing, is better than
- 51:37Speaker 2: the last. No. I try to make sure that everything
- 51:42Speaker 2: I do, when I do it, i'm doing my best.
- 51:46Speaker 2: Then may not be as best as good as my
- 51:48Speaker 2: best was last week, but it's my best now. And
- 51:52Speaker 2: my mother would say even an angel can't do better
- 51:55Speaker 2: than her best.
- 51:57Speaker 1: Okay. How do you end up moving from MGM.
- 51:59Speaker 2: To they merged or one bought the other and something
- 52:06Speaker 2: like that, so you're.
- 52:07Speaker 1: Working with different people now that it was Polydor or
- 52:10Speaker 1: the same people, same people Okay, disco, depending who you
- 52:15Speaker 1: listen to, rock the boat in nineteen seventy four, there
- 52:19Speaker 1: are all these disco songs. Then, of course, in seventy
- 52:24Speaker 1: seven seventy eight through Saturday Night Fever, the world becomes
- 52:27Speaker 1: reware a disco. While this is happening, what do you
- 52:31Speaker 1: think about disco?
- 52:33Speaker 2: I think disco is great. I think like about disco then,
- 52:37Speaker 2: as I think about disco now, and keep saying, because
- 52:40Speaker 2: I know it to be true, Disco music is the
- 52:43Speaker 2: only music in the history of music ever to bring
- 52:46Speaker 2: together people from every race, creed, color, nationality, and age group.
- 52:54Speaker 1: Okay, how do you end up recording? I will survive.
- 53:01Speaker 2: Well? I had had an accident on stage. I fell
- 53:05Speaker 2: backwards over a monitor and finished the show, went out
- 53:10Speaker 2: to breakfast with the group afterwards, went home, went to bed,
- 53:14Speaker 2: woke up the next morning paralyzed on the waist down.
- 53:17Speaker 1: Wow.
- 53:18Speaker 2: Ended up in hospital for three months, and during which
- 53:22Speaker 2: time the record company told me they were not going
- 53:24Speaker 2: to renew my contract. And so I'm praying, really calling
- 53:29Speaker 2: on my faith and crying out to God. Left the
- 53:33Speaker 2: hospital with nothing but knowing that God was going to
- 53:38Speaker 2: do something, just didn't know what. And sure enough, within
- 53:42Speaker 2: a week or so, the record company called and said
- 53:45Speaker 2: that they weren't renewing my contract because they had gotten
- 53:49Speaker 2: a new president over from England, where I was popular.
- 53:53Speaker 2: He'd had a hit with a song there that he
- 53:56Speaker 2: wanted to repeat the success with here in the United States.
- 54:00Speaker 2: He specifically wanted me to record that song. Sent me
- 54:04Speaker 2: out to California to record this song, and while I
- 54:07Speaker 2: was there, I asked the producers what would be the
- 54:10Speaker 2: B side, and they said they didn't know, or asked
- 54:14Speaker 2: me what kind of songs I like. I said, I
- 54:16Speaker 2: like songs that are uplifting and encouraging and have good
- 54:21Speaker 2: melodies and lyrics. And so they had a little pow
- 54:26Speaker 2: wow and came back and said, we think you're the
- 54:29Speaker 2: one we've been waiting for to record this song we
- 54:31Speaker 2: wrote two years ago. And that was I was sur vive.
- 54:36Speaker 1: Okay, they come in, they say they have this song.
- 54:41Speaker 1: They play a demo for you. How do you hear
- 54:43Speaker 1: the song?
- 54:44Speaker 2: They give me the words they've written down X matter
- 54:47Speaker 2: for He didn't have anything. He wrote the verds down
- 54:49Speaker 2: for me and I looked at it and I thought,
- 54:52Speaker 2: in fact, I said, then, what are you nuts? You're
- 54:56Speaker 2: gonna put this on the B side? Said this is
- 54:58Speaker 2: a hit song. I'm standing here relating the fact to
- 55:02Speaker 2: this song, the fact that I'm in a back brace
- 55:03Speaker 2: and hoping I'll survive that. I'm relating to the fact
- 55:06Speaker 2: that my mother only passed away a few years ago,
- 55:08Speaker 2: something I never thought, I said, vived. Everybody's going to
- 55:11Speaker 2: relate to whatever they're going through and hoping they'll overcome.
- 55:15Speaker 2: They're going to relate it to this song. I said, Well,
- 55:20Speaker 2: that's the deal we made. I said, well, if it's
- 55:22Speaker 2: left to me, it won't stay on the B side.
- 55:25Speaker 1: Okay, he writes down the lyrics. What's the next step?
- 55:30Speaker 2: Well, I recorded it.
- 55:31Speaker 1: Did you walk in and they already had a track.
- 55:33Speaker 2: And you just said no, No, they had to No,
- 55:36Speaker 2: they just had the they I don't know what they had.
- 55:39Speaker 2: They just gave me the words, but I suppose they
- 55:41Speaker 2: had a demo of it, and then they recorded it.
- 55:44Speaker 2: They got my key, I sang it, They got my key.
- 55:48Speaker 2: They they made the track and they and I recorded it.
- 55:51Speaker 1: Okay, you're there. You see the lyrics, you saying this
- 55:55Speaker 1: is a hit? Yes? Are you singing and going? Man,
- 55:59Speaker 1: this is my tick? This is great.
- 56:02Speaker 2: No, I'm just thinking this is a hit song. I'm
- 56:04Speaker 2: gonna have a hit song. That's what I'm thinking. I'm
- 56:07Speaker 2: gonna have his song.
- 56:08Speaker 1: Okay, So the song is recorded, how long after that
- 56:13Speaker 1: is released and how long after that does it catch fire?
- 56:17Speaker 2: Well, it was released on the on the B side
- 56:20Speaker 2: about I guess about three months later, and they gave
- 56:26Speaker 2: me a box of the CDs and me and my
- 56:30Speaker 2: management team took took the who who at the time
- 56:33Speaker 2: was my husband slash manager. We took it to Studio
- 56:38Speaker 2: fifty four and as a matter of fact, he wasn't
- 56:41Speaker 2: my husband yet, he was just my manager and boyfriend
- 56:45Speaker 2: and had it played there and the audience immediately jammed
- 56:51Speaker 2: the dance floor. And I'm thinking, this is a New
- 56:53Speaker 2: York jaded audience. Okay, if they're immediately responding to a
- 56:58Speaker 2: song that they're hearing for the first time like this,
- 57:02Speaker 2: I am absolutely right. This is a hit song. So
- 57:04Speaker 2: we gave him the DJ the box of CDs, told
- 57:09Speaker 2: him to give them to his DJ friends have them
- 57:11Speaker 2: play it and their clubs, and they did, and people
- 57:14Speaker 2: began to request it, and then people going to call
- 57:16Speaker 2: the record company at radio stations asking for it because
- 57:20Speaker 2: now they want to hear it in traffic on the
- 57:22Speaker 2: way to work. On the way home from work and
- 57:24Speaker 2: all of this, and the record company got calls from
- 57:28Speaker 2: the radio station saying, where is this song? We keep
- 57:31Speaker 2: asking a requests for it, and they had to say,
- 57:33Speaker 2: with much chagrin, I on the B side of that
- 57:38Speaker 2: other record. And so then they flipped it and the
- 57:41Speaker 2: next time they released it, they made it the A side.
- 57:45Speaker 1: Okay, going back to Studio fifty four, were you a
- 57:48Speaker 1: club rat or were you just aware are these clubs? No?
- 57:51Speaker 2: It was definitely not a club rat. I never believed
- 57:55Speaker 2: in working where I performed. I didn't hang out where
- 57:59Speaker 2: I performed a matter of fact, I tried to go
- 58:01Speaker 2: to the Studio fifty four one night with some friends
- 58:04Speaker 2: of mine who had come over from England and wanted
- 58:05Speaker 2: to experience it because they'd heard all about it. And
- 58:08Speaker 2: the guy that I call the casting director was the
- 58:12Speaker 2: guy behind the velvet rope, came over to my car
- 58:14Speaker 2: and said, Mims, Caanna, you don't want to come in
- 58:16Speaker 2: here tonight?
- 58:18Speaker 1: Steve.
- 58:20Speaker 2: No, it wasn't Steve. It was someone he had hired.
- 58:23Speaker 1: And he said, why didn't you want to come that night?
- 58:26Speaker 2: Because it was too much debauchery going on inside? And
- 58:31Speaker 2: I said, thank you, very much and drove off.
- 58:35Speaker 1: And at that point, where were you living?
- 58:37Speaker 2: I was living at that point and back in New
- 58:41Speaker 2: Jersey because I had moved in with my ex husband,
- 58:47Speaker 2: who actually wasn't my husband yet, moved in with my
- 58:51Speaker 2: husband after being released from the hospital just before doing
- 58:57Speaker 2: I Will Survive.
- 58:59Speaker 1: Okay. The dream back then, certainly is to go to
- 59:03Speaker 1: the big city. So what point do you leave Newark
- 59:06Speaker 1: and live in the city before you move back?
- 59:10Speaker 2: No, I left there. I've left New York and moved
- 59:13Speaker 2: into the city. I think I've moved into the city
- 59:21Speaker 2: right after recording. Never can say goodbye.
- 59:24Speaker 1: Yeah, So how did you meet your rex's husband?
- 59:29Speaker 2: That's a long, wonderful story. Actually short, long story short,
- 59:33Speaker 2: his mother introduced us.
- 59:35Speaker 1: We'll tell it to give me a little bit more
- 59:37Speaker 1: than that.
- 59:38Speaker 2: His sisters was singing background for me in my shows,
- 59:44Speaker 2: and they showed me pictures of him, of showing pictures
- 59:48Speaker 2: of they were sharing picture family pictures, and I saw
- 59:51Speaker 2: his picture and I said, that's my husband. She said
- 59:54Speaker 2: what I said, that's my husband. I'm going to marry him.
- 59:58Speaker 2: Of course she laughed it off, and some weeks later
- 1:00:01Speaker 2: I was at their house waiting for them to go
- 1:00:03Speaker 2: to do a show with me, and he came in
- 1:00:07Speaker 2: to visit his father who's ailing, and his mother introduced
- 1:00:11Speaker 2: us and we invited him to the show that night.
- 1:00:16Speaker 2: He came to the show and ended up taking me
- 1:00:19Speaker 2: home and that started there.
- 1:00:23Speaker 1: Okay, it was literally love at first sight for you.
- 1:00:26Speaker 2: How about oh yeah, well that's what he said.
- 1:00:30Speaker 1: Okay, you're living in nightclubs. You're an entertainer before you
- 1:00:36Speaker 1: meet your ex husband, you know, because you portray yourself
- 1:00:40Speaker 1: as a goodie goodie. Okay, you're always blowing the whistle.
- 1:00:43Speaker 1: So did you have relationships with other people who just
- 1:00:46Speaker 1: didn't meet the right person?
- 1:00:49Speaker 2: No, not really. I went out a couple of times
- 1:00:52Speaker 2: with a couple of guys, but I know I didn't really.
- 1:00:57Speaker 1: Okay, and then you want children. Why did you not
- 1:01:02Speaker 1: end up having children?
- 1:01:05Speaker 2: Well it was just wasn't in the cars for me,
- 1:01:07Speaker 2: I guess.
- 1:01:08Speaker 1: Okay, so you meet this guy. How did he become
- 1:01:14Speaker 1: your manager?
- 1:01:17Speaker 2: Well? He I started going out with him, but he
- 1:01:20Speaker 2: had managed his sisters, the girls who were singing with me,
- 1:01:23Speaker 2: He had they had a group on their own before
- 1:01:25Speaker 2: they started singing with me, and he was their manager.
- 1:01:28Speaker 2: So I figured he and plus he was a policeman
- 1:01:31Speaker 2: and told me that he had gone to John Jay's
- 1:01:36Speaker 2: School of law. And what really made me decide to
- 1:01:42Speaker 2: make him my manager was that my manager had We
- 1:01:46Speaker 2: were on our way out going somewhere. One day, my
- 1:01:49Speaker 2: boyfriend and I and my manager came running downstairs with
- 1:01:53Speaker 2: these papers for me to sign, and I signed the
- 1:01:54Speaker 2: papers and gave them to him, and my boyfriend said,
- 1:01:59Speaker 2: what was that? I said, I don't know. He said,
- 1:02:02Speaker 2: why did you sign it? He said, because he told
- 1:02:04Speaker 2: me to. He asked me to. He said, you signed
- 1:02:06Speaker 2: papers without telling without reading them. I said, he's my manager.
- 1:02:11Speaker 2: He's not going to have me do anything wrong. He said,
- 1:02:14Speaker 2: he may not have anything you do anything wrong, but
- 1:02:16Speaker 2: there's such a thing as conflict of interest. And he
- 1:02:20Speaker 2: started telling me all about that and how the things
- 1:02:23Speaker 2: in my contract could be good for my manager and
- 1:02:25Speaker 2: not good for me. And with all of that, I
- 1:02:28Speaker 2: started questioning my manager and asking him about things, and
- 1:02:32Speaker 2: he was like really reluctant to tell me about with things,
- 1:02:36Speaker 2: you know, he just didn't want to explain things to me.
- 1:02:39Speaker 2: And so I got the idea to get my papers
- 1:02:45Speaker 2: from the lawyer that my manager used. That was our lawyer,
- 1:02:49Speaker 2: and he said, you shouldn't be our lawyer, you should
- 1:02:51Speaker 2: be his lawyer, and you're a lawyer. Anyway, I got
- 1:02:53Speaker 2: the papers and found out that some things were not
- 1:02:56Speaker 2: right and decided that I was going to fire him
- 1:02:59Speaker 2: as my manager and make my boyfriend my manager. So
- 1:03:01Speaker 2: that's what I did.
- 1:03:10Speaker 1: Okay, was your boyfriend soon to be husband a good manager?
- 1:03:15Speaker 3: No?
- 1:03:15Speaker 1: No, he was not.
- 1:03:19Speaker 2: He wasn't knowledgeable enough, and he he had some character
- 1:03:28Speaker 2: flaws that did not allow him to learn. Tell me
- 1:03:32Speaker 2: a little bit more, well, he had low self esteem,
- 1:03:36Speaker 2: and so he was afraid to be around I believe
- 1:03:40Speaker 2: he was afraid to be around the other managers for
- 1:03:42Speaker 2: fear that they would show him up, and therefore he
- 1:03:44Speaker 2: couldn't learn from them because he wasn't around them.
- 1:03:49Speaker 1: And how long did it take you to learn that
- 1:03:51Speaker 1: he wasn't good?
- 1:03:56Speaker 2: It took me quite a while to learn that he
- 1:03:57Speaker 2: wasn't good, because the first manager that I had was cracked,
- 1:04:00Speaker 2: and I wasn't around any other managers to know what
- 1:04:03Speaker 2: he didn't know, or to know what he wasn't doing
- 1:04:07Speaker 2: that was right or that he should have been doing.
- 1:04:10Speaker 2: So it took me quite a while to find out
- 1:04:13Speaker 2: that he wasn't a good manager. I found out he
- 1:04:15Speaker 2: wasn't a good husband before I found out he wasn't
- 1:04:17Speaker 2: a good manager.
- 1:04:19Speaker 1: That was what I was going to ask. So how
- 1:04:21Speaker 1: did you find out he wasn't a good husband? Oh?
- 1:04:23Speaker 2: Well, he was cheating on me.
- 1:04:25Speaker 1: How'd you find out?
- 1:04:27Speaker 2: I caught him? I mean I didn't actually catch him
- 1:04:30Speaker 2: in the act, but I found evidence in the house
- 1:04:32Speaker 2: when I came home, you know.
- 1:04:34Speaker 1: And how long you been married at that point.
- 1:04:39Speaker 2: When I first found out? Twenty years? Twenty years?
- 1:04:46Speaker 1: Okay, so you found out? How long from when you
- 1:04:49Speaker 1: found out till the end of the marriage?
- 1:04:53Speaker 2: Another five years?
- 1:04:55Speaker 1: And why another five years?
- 1:04:59Speaker 2: Because I was hoping that he would change. I would
- 1:05:01Speaker 2: hoping that he was. I was, you know, trying to
- 1:05:03Speaker 2: talk to him, and as a Christian, I know that
- 1:05:06Speaker 2: God hates divorce, and so I was trying to honor
- 1:05:09Speaker 2: my faith and hoping that he would, you know, become
- 1:05:13Speaker 2: a Christian. Would well, he would say he was a Christian.
- 1:05:15Speaker 2: But I was hoping that he would, you know, just
- 1:05:18Speaker 2: do the right thing, you know.
- 1:05:21Speaker 1: And how did it end?
- 1:05:23Speaker 2: It ended with me divorcing him.
- 1:05:26Speaker 1: But when you said I'm done, did he say give
- 1:05:29Speaker 1: me one more chance, No, I'll be good.
- 1:05:31Speaker 2: Mm hmm.
- 1:05:34Speaker 1: So it ended with him, how'd you find a new manager? Ah?
- 1:05:43Speaker 2: Well, I had been working in this agency with him
- 1:05:47Speaker 2: that he fired unbeknownst to me. But I the girl
- 1:05:52Speaker 2: who worked in the agents, one of the well the girl,
- 1:05:55Speaker 2: it was only one girl working in the agency. What
- 1:05:57Speaker 2: was it?
- 1:05:58Speaker 1: It was.
- 1:06:00Speaker 2: Ideal Entertainment. And after working with her for a few weeks,
- 1:06:06Speaker 2: I bought her a sign to put over her desk
- 1:06:08Speaker 2: that said, do you want to talk to the man
- 1:06:10Speaker 2: in charge of the woman who knows what's going? And
- 1:06:14Speaker 2: so I decided to contact her. I contacted her to
- 1:06:18Speaker 2: be a personal assistant while I looked for a manager.
- 1:06:22Speaker 2: I could not find a manager. And during the time
- 1:06:25Speaker 2: that I was looking for a manager, we were working
- 1:06:27Speaker 2: together and I realized she was managing my career. She
- 1:06:32Speaker 2: was doing all the things that a manager was supposed
- 1:06:34Speaker 2: to do and doing them, you know, upfront and right
- 1:06:38Speaker 2: out in the open and looking out for me. And
- 1:06:41Speaker 2: so I finally made her my manager.
- 1:06:44Speaker 1: And is she still your manager?
- 1:06:46Speaker 2: She's still my manager?
- 1:06:48Speaker 1: Okay, looking back, were you ripped off?
- 1:06:53Speaker 2: Oh poof, Yes, yes, terribly, terribly. Tell me a little
- 1:06:59Speaker 2: bit more well, there was some advances taken from royalties
- 1:07:04Speaker 2: you know, that I didn't know about.
- 1:07:07Speaker 1: There was.
- 1:07:11Speaker 2: Monies used that I didn't know had been that had
- 1:07:14Speaker 2: been used. When the divorce came and the moneies weren't available,
- 1:07:17Speaker 2: I first found out they were, you know, had been misappropriated.
- 1:07:22Speaker 1: Yeah, okay, let's go back. I will survive because that
- 1:07:30Speaker 1: and we are a family or probably the two biggest,
- 1:07:34Speaker 1: longest sustaining disco hits. It is beyond belief successful. What's
- 1:07:40Speaker 1: it like being at the center of that.
- 1:07:44Speaker 2: It's wonderful. It's wonderful for me because I what I
- 1:07:50Speaker 2: take from that is that I will forever have something
- 1:07:56Speaker 2: that helps me to accomplish what I always wanted and
- 1:08:00Speaker 2: always will want to accomplish with every show, and that
- 1:08:04Speaker 2: is to give my audience something that lasts them beyond
- 1:08:07Speaker 2: the duration of my concert.
- 1:08:11Speaker 1: Okay, you have this scar gansu and hit. You don't
- 1:08:16Speaker 1: have a hit of that level. You don't have a
- 1:08:18Speaker 1: big hit after What's going through your mind? You're saying, well,
- 1:08:22Speaker 1: I haven't got the right song, the record company is
- 1:08:24Speaker 1: not working, the time moved on. What are you thinking.
- 1:08:28Speaker 2: I'm thinking I'm going to continue doing what I do
- 1:08:31Speaker 2: because whether my the level of my career goes up
- 1:08:34Speaker 2: or down, I am always going to be able to
- 1:08:37Speaker 2: perform and I'm always gonna love it, and so I'm
- 1:08:40Speaker 2: always going to be successful.
- 1:08:43Speaker 1: Okay, are you the type of person because you work
- 1:08:47Speaker 1: with a lot of people? Are you the type of
- 1:08:49Speaker 1: person who maintains relationships with all the other acts? Are
- 1:08:53Speaker 1: you more of a singular loaner type person.
- 1:08:57Speaker 2: Well, I'm the kind of person that would would maintain
- 1:09:00Speaker 2: friendships if we weren't ships passing in the night. We're
- 1:09:04Speaker 2: just ships passing in the night, and a few people
- 1:09:06Speaker 2: that I have passed, you know, and wanted to become
- 1:09:11Speaker 2: friends with. Littlev on the other coast. Everybody lives on
- 1:09:14Speaker 2: the west, on the East coast, you know, and I'm
- 1:09:17Speaker 2: over here on the West coast. So I don't really
- 1:09:18Speaker 2: have long term friends in the business. I have long
- 1:09:22Speaker 2: term friends outside of the business. Friends that are people
- 1:09:25Speaker 2: that I've been friends with for twenty thirty forty years.
- 1:09:30Speaker 1: Okay, you did not write I will survive. No, So
- 1:09:37Speaker 1: subsequent to that and today are you working to survive?
- 1:09:42Speaker 2: And oh no, no, I'm working because I love it absolutely.
- 1:09:48Speaker 2: I could stop right right now.
- 1:09:49Speaker 1: Okay, So In the New York Times article about you,
- 1:09:54Speaker 1: they start talking about you doing tours singing to tape.
- 1:09:58Speaker 1: How did that start?
- 1:10:00Speaker 2: My ex husband decided that it would be cheaper if
- 1:10:05Speaker 2: we didn't have a band and we didn't have because
- 1:10:08Speaker 2: we wouldn't have the salaries and we wouldn't have the
- 1:10:11Speaker 2: airfares for them, and I could sing to tracks.
- 1:10:16Speaker 1: How did you feel about it?
- 1:10:17Speaker 2: I hated it. I hated it, but he was my
- 1:10:20Speaker 2: manager and I felt like I didn't have control.
- 1:10:25Speaker 1: Okay, the peak of disco was almost fifty years ago.
- 1:10:33Speaker 1: Has there always been a need for I will survive
- 1:10:36Speaker 1: such that? Really you never fall below the radar screen,
- 1:10:40Speaker 1: You're not the trams with disco inferno? Whatever? Is it
- 1:10:43Speaker 1: such that it's so iconic, kind of like dominic Lean
- 1:10:46Speaker 1: an American pie. People always know what, people always are
- 1:10:49Speaker 1: calling you, always working. Is it like that?
- 1:10:52Speaker 2: It's absolutely like that. It's absolutely like that. And really
- 1:10:58Speaker 2: I really feel that this song is like they said,
- 1:11:02Speaker 2: we think you're the one we've been waiting for to
- 1:11:04Speaker 2: record this song that we wrote two years ago. I
- 1:11:06Speaker 2: always believe that God told them, sit down, write a song,
- 1:11:10Speaker 2: hold on till I'm going to send you somebody because
- 1:11:12Speaker 2: he told me. God told me, no one can keep
- 1:11:16Speaker 2: you from getting what I have for you except you.
- 1:11:20Speaker 2: So I believe that this song is a gift from
- 1:11:22Speaker 2: God and will carry me through to the end.
- 1:11:26Speaker 1: Now there's a docu drama, there's a footage, there's one
- 1:11:31Speaker 1: where somebody's playing your role. There's a book in terms
- 1:11:34Speaker 1: of legacy. Do you feel you get the respect and
- 1:11:38Speaker 1: acknowledgment you deserve? I do. Yeah. So, being Gloria Gainor
- 1:11:47Speaker 1: who has this amazing career, what kind of doors does
- 1:11:51Speaker 1: that open?
- 1:11:54Speaker 2: I don't know. I never thought about it because I
- 1:11:56Speaker 2: don't really use my name like that, you know, to
- 1:11:59Speaker 2: open an.
- 1:12:00Speaker 1: Let me put it in a different way. You pull
- 1:12:03Speaker 1: up the studio fifty four, the guy who's the bouncer comes,
- 1:12:06Speaker 1: j I'll goes not tonight. He's doing that for you.
- 1:12:09Speaker 1: He's not doing that for every car that pulls up. Okay,
- 1:12:15Speaker 1: So how much of that do you experience? Oh?
- 1:12:19Speaker 2: Well, that kind of thing I experienced quite a bit.
- 1:12:21Speaker 2: I mean, if I go to a restaurant and I
- 1:12:24Speaker 2: have done that a couple of times, not a lot,
- 1:12:26Speaker 2: but I've done it a couple of times where I
- 1:12:28Speaker 2: really want to get into this restaurant because I have
- 1:12:30Speaker 2: people from out of town that I want to experience it,
- 1:12:33Speaker 2: and we can't get in, so I send one of them,
- 1:12:36Speaker 2: tell them you have Glory Gainner outside and and yeah,
- 1:12:39Speaker 2: and they'll let us and they'll make room for us. Yeah,
- 1:12:42Speaker 2: it's always nice.
- 1:12:45Speaker 1: Tell me about a couple of famous people you met
- 1:12:48Speaker 1: that impressed you a couple of well.
- 1:12:51Speaker 2: Michael Jackson, of course impressed me. He not only impressed
- 1:12:55Speaker 2: me with his talent, but he impressed me with his kindness.
- 1:12:59Speaker 2: And and my impression of him actually didn't come through
- 1:13:03Speaker 2: my meeting him. It was nice to meet him after
- 1:13:06Speaker 2: having heard accounts from people who worked with him about
- 1:13:10Speaker 2: how kind and generous he was, So it was wonderful
- 1:13:14Speaker 2: meeting him, and I was impressed with him. And then
- 1:13:18Speaker 2: he called me and told me he was impressed with
- 1:13:20Speaker 2: me because you see me perform, and that he truly
- 1:13:25Speaker 2: enjoyed my performance. We did a show at Madison Square
- 1:13:30Speaker 2: Garden the night before that, Faithful nine to eleven, and
- 1:13:35Speaker 2: I was on that show. So he called me the
- 1:13:38Speaker 2: next day and told me how much he was impressed
- 1:13:42Speaker 2: with my performance. And I had done his song. Never
- 1:13:45Speaker 2: could say goodbye, And but I dedicated. I will survive
- 1:13:48Speaker 2: to him. So yeah, not a lot.
- 1:13:55Speaker 1: How about non musicians.
- 1:13:58Speaker 2: Non musicians, Oh yes, yes, actors and of course I'm
- 1:14:05Speaker 2: gonna lose the names right now. I met Jeffrey Wright,
- 1:14:10Speaker 2: who I was very much impressed with. Love his work.
- 1:14:14Speaker 2: I met Harry Belafonte, love his work and told him so.
- 1:14:20Speaker 2: In fact, I told them both and just saw a
- 1:14:24Speaker 2: movie with what was the one who played? Oh god,
- 1:14:29Speaker 2: h Samuel Well. I met Samuel L. Jackson. That was
- 1:14:35Speaker 2: wonderful meeting him. Charles Barklay, great meeting him. And one
- 1:14:43Speaker 2: one one really great experience I had was I was
- 1:14:47Speaker 2: over in Spain and we're doing a show and I
- 1:14:52Speaker 2: was at this event that I didn't really know what
- 1:14:54Speaker 2: the event it was.
- 1:14:55Speaker 1: It was the premiere of The.
- 1:14:59Speaker 2: Expendables, okay, and they were out, the cast were outside
- 1:15:05Speaker 2: taking I was outside building around and with with the
- 1:15:08Speaker 2: people who were in attendance, and they were taking pictures
- 1:15:12Speaker 2: and I wanted to meet them because I'm a big
- 1:15:15Speaker 2: fan of those at that series of show of movies.
- 1:15:18Speaker 2: And uh so I gathered my nerve and walked over
- 1:15:23Speaker 2: to them and I said, gentlemen, Glory Ganner, may I
- 1:15:27Speaker 2: take a picture with my American toys and spun around
- 1:15:30Speaker 2: in front of them and stretched my arms out to
- 1:15:31Speaker 2: take this picture. And they were like, oh my god,
- 1:15:36Speaker 2: glory Ganer glory again, which I never expected. I never
- 1:15:38Speaker 2: expected them to know who I was. And so there
- 1:15:42Speaker 2: was Wesley Snipes and Arnold Swarzenegger and who else was there?
- 1:15:52Speaker 2: Like I said, names always escaped me, but you know
- 1:15:54Speaker 2: the whole cast of those guys, and it was just
- 1:15:57Speaker 2: great taking a bitch of But I was so disappointed
- 1:15:59Speaker 2: to find none of the pictures showed up in the
- 1:16:01Speaker 2: papers the next day. And my tour manager who took
- 1:16:06Speaker 2: pictures had a car accident that night and ended up
- 1:16:11Speaker 2: in the hospital with broken ribcage and the camera was smashed,
- 1:16:18Speaker 2: So no pictures.
- 1:16:20Speaker 1: I don't know what the God's message is on that.
- 1:16:23Speaker 1: I don't either, But that's a pretty bold move. Are
- 1:16:28Speaker 1: you normally that bold?
- 1:16:29Speaker 2: No? Never, I've never done anything like that before.
- 1:16:32Speaker 1: Since Okay, you're in America, forget Europe, and it comes
- 1:16:39Speaker 1: out that you're a Gloria Gainer? Does anyone not know
- 1:16:44Speaker 1: who you are?
- 1:16:47Speaker 2: You know what? People know the song? Far far more
- 1:16:54Speaker 2: people know the song than know the name. Because I've
- 1:16:59Speaker 2: had you know introduced me. This is Gloria Gaynor. And
- 1:17:02Speaker 2: the people they're looking like, oh, nice to meet you.
- 1:17:05Speaker 2: This is Gloria Gaynor. And they're like, okay, do you
- 1:17:09Speaker 2: know the song I Will Survive? Yeah, well this is
- 1:17:12Speaker 2: the one who's saying. Oh. They then they light up.
- 1:17:16Speaker 1: And how about young people? Young people know I will
- 1:17:18Speaker 1: survive too?
- 1:17:19Speaker 2: Right from A to eighty. My audience is from A
- 1:17:22Speaker 2: to eighty.
- 1:17:23Speaker 1: Okay, let's say I come to see you. What am
- 1:17:27Speaker 1: I going to expect?
- 1:17:30Speaker 2: Well, the same thing I always say to my audience.
- 1:17:33Speaker 2: Something old, something new, something borrowed, nothing blue.
- 1:17:38Speaker 1: Nothing blue. Wow. Okay, it's a business, it's a skill.
- 1:17:45Speaker 1: Every once in a while you're there and the audience
- 1:17:48Speaker 1: is so enthusiastic, they're with you the whole time. Other
- 1:17:52Speaker 1: times you have to win them over. So what are
- 1:17:55Speaker 1: some of the skills you use?
- 1:17:59Speaker 2: I talked to them. I talked to them. You know,
- 1:18:02Speaker 2: I used to go to England a lot. I haven't
- 1:18:04Speaker 2: been in England that much recently, but I used to
- 1:18:06Speaker 2: go to England a lot, and because they're so laid back,
- 1:18:09Speaker 2: I came up with this speech that I used to
- 1:18:12Speaker 2: say before every show. Because I knew they were going
- 1:18:15Speaker 2: to be non responsive, so in order to get them
- 1:18:18Speaker 2: to be responsive, I would say, welcome to my show.
- 1:18:24Speaker 2: It's wonderful to have you here. I understand that the
- 1:18:27Speaker 2: British are very reserved. We will have no reserve this evening.
- 1:18:32Speaker 2: You will remember that everyone in front of you, behind you,
- 1:18:34Speaker 2: to the side of you is the very soul of discretion.
- 1:18:37Speaker 2: No one will tell that you had a wonderful time
- 1:18:39Speaker 2: this evening. So clap your hands, stump your feet, sing along,
- 1:18:43Speaker 2: and do whatever makes you happy without knowing anyone else,
- 1:18:46Speaker 2: and we will have a wonderful time this evening. You're
- 1:18:48Speaker 2: already getting me excited, and that would just tay down
- 1:18:54Speaker 2: the barriers.
- 1:18:55Speaker 1: And yeah, okay, you've done thousands of shows. Tell me
- 1:19:00Speaker 1: two shows that were really memorable for you, and why.
- 1:19:05Speaker 2: One show that was merely memorable for me was not
- 1:19:08Speaker 2: that long ago, just a few months ago, and that
- 1:19:10Speaker 2: was in Rio where my audience was one hundred and
- 1:19:13Speaker 2: fifty thousand people.
- 1:19:16Speaker 1: What were the circumstances that you were playing. Was it
- 1:19:20Speaker 1: a multi act bill? What was the bill?
- 1:19:22Speaker 2: It was a multiac bill. Yeah, it's a multiac bill,
- 1:19:25Speaker 2: and I thought that several acts were on at once.
- 1:19:30Speaker 2: They had several stages, but only one stage was lit
- 1:19:33Speaker 2: up and in use at a time, so each act
- 1:19:37Speaker 2: had one hundred and fifty thousand people. It was incredible.
- 1:19:41Speaker 2: It was really incredible.
- 1:19:43Speaker 1: Okay, did they know why I Will Survive in Rio?
- 1:19:46Speaker 2: Oh yes, oh yes, and they sing along and I
- 1:19:50Speaker 2: sing it in Spanish, which I'm disappointed to know find
- 1:19:54Speaker 2: that they don't really want to hear it in Spanish. Well,
- 1:19:58Speaker 2: they don't want to hear it in Spanish and real
- 1:20:00Speaker 2: because they speak Portuguese, right, But in Spanish speaking countries
- 1:20:04Speaker 2: they don't want to hear it because they've bothered to
- 1:20:06Speaker 2: learn it in English, so they want to sing. But
- 1:20:09Speaker 2: it was wonderful hearing them sing it in English along
- 1:20:12Speaker 2: with me one hundred and fifty thousand people at one time.
- 1:20:15Speaker 2: It was incredible. The other show outstanding show for me
- 1:20:24Speaker 2: was that show at Madison Square Garden the night before
- 1:20:27Speaker 2: nine to eleven. And because the response to me in
- 1:20:33Speaker 2: New York, which was practically my hometown, was incredible. I
- 1:20:38Speaker 2: was told by a number of people that nobody got
- 1:20:41Speaker 2: the response that I got except Michael Jackson.
- 1:20:45Speaker 1: I believe that. Okay, so you're divorced. Any romance since then? No, no, no, no.
- 1:20:54Speaker 2: As I told my friends, one let's bill to answer
- 1:20:56Speaker 2: and one let's the egg to fry. Don't sound like
- 1:20:58Speaker 2: a sad song to me.
- 1:21:02Speaker 1: Okay, if you bumped into somebody and you felt something,
- 1:21:07Speaker 1: would you run with it or would you say no?
- 1:21:09Speaker 3: No?
- 1:21:09Speaker 2: Well, listen, I'm open to whatever God has for me.
- 1:21:13Speaker 1: Okay, are you going to die on stage?
- 1:21:17Speaker 2: I probably will.
- 1:21:19Speaker 1: Is it any harder to do it now?
- 1:21:23Speaker 2: Physically?
- 1:21:24Speaker 1: Yes?
- 1:21:25Speaker 2: But otherwise absolutely not.
- 1:21:27Speaker 1: Well you're talking about physical therapy, how about vocally? Yeah?
- 1:21:31Speaker 2: No, no, not at all and.
- 1:21:35Speaker 1: All this experience. Are you basically in the glory of
- 1:21:38Speaker 1: gainer business or are you a student of the game.
- 1:21:41Speaker 1: You're listening to new stuff, You're aware of what other
- 1:21:44Speaker 1: people are doing. What's your viewpoint?
- 1:21:47Speaker 2: To some degree, I listen to what other people are doing.
- 1:21:50Speaker 2: I don't like a lot of what other people are doing,
- 1:21:53Speaker 2: so I'm not listening to a lot of it. But
- 1:21:55Speaker 2: I do try to keep up and fresh, and I
- 1:21:58Speaker 2: add songs to my show that I know the young
- 1:22:01Speaker 2: audiences will know, like I sing Seas and Unstoppable, and
- 1:22:07Speaker 2: my background singers do some stuff from Bruno Mars, and
- 1:22:11Speaker 2: you know, we add stuff to the show current stuff
- 1:22:14Speaker 2: to the show. You know from time to time, do
- 1:22:18Speaker 2: you have.
- 1:22:18Speaker 1: To rehearse on the road to go on the road
- 1:22:20Speaker 1: where everybody's done it so many times? Well, o, old machine,
- 1:22:22Speaker 1: we just show up.
- 1:22:24Speaker 2: No, I don't rehearse. We rehearse whatever's new.
- 1:22:28Speaker 1: But other than that, No, Okay, you have survived. Okay,
- 1:22:34Speaker 1: you're in your ninth decade. What advice do you give
- 1:22:38Speaker 1: to everybody else to survive?
- 1:22:41Speaker 2: Put most of your energy into becoming the best version
- 1:22:45Speaker 2: of you that you can possibly be.
- 1:22:51Speaker 1: I think we'll leave it at that. That's Gloria Gainor
- 1:22:54Speaker 1: she's got a new EP. Very honest and open. Gloria,
- 1:22:59Speaker 1: thanks so much for taking this time with my audience.
- 1:23:02Speaker 2: Thank you so much. It's been a leisure.
- 1:23:04Speaker 1: Until next time. This is Bob left sets playh