Latest / Movie Meltdown / 86.1: To Catch a Predators

Transcript

86.1: To Catch a Predators · Movie Meltdown

• 0:01
  Speaker 1: The following feature has been rated R by the Motion
• 0:04
  Speaker 1: Picture Association of America. It is intended for mature audiences
• 0:08
  Speaker 1: and parental discretion is advised. Our nuclear reactor pumping out
• 0:14
  Speaker 1: one million kilowatts of power.
• 0:47
  Speaker 2: What's up and welcome to Movie Meltdown. I am Brian.
• 0:54
  Speaker 2: I'm Marlena. And, you know, as we alluded to last week,
• 0:58
  Speaker 2: everybody else has skipped town on us. I think they're
• 1:00
  Speaker 2: all running from the cops or something like that. So...
• 1:03
  Speaker 2: For the first time, we've actually delved into the listenership
• 1:06
  Speaker 2: to bring on a new co-host for us. Today, we've
• 1:10
  Speaker 2: brought in Greg. What's up? I'm Greg. I like to party. Oh, no.
• 1:16
  Speaker 2: That's a callback from, like, months ago.
• 1:18
  Speaker 3: Well, you know.
• 1:19
  Speaker 2: Does anybody else get that callback?
• 1:23
  Speaker 4: Isn't that what Eddie said?
• 1:24
  Speaker 2: Yeah, Eddie might get it. So other than that, yeah,
• 1:26
  Speaker 2: everybody's like, so what do we care? Anyway, so yeah,
• 1:32
  Speaker 2: I guess it's been an interesting run. For you, because
• 1:36
  Speaker 2: I've known you for a long time, hadn't seen you
• 1:39
  Speaker 2: in a long... Until this week, hadn't actually come in
• 1:42
  Speaker 2: physical contact with you in, what, eight, ten years? Yeah, probably.
• 1:47
  Speaker 2: It's been a long.
• 1:47
  Speaker 3: Yeah, I run into you at a show or something
• 1:50
  Speaker 3: like that every.
• 1:51
  Speaker 2: Now and then, or... That was like a long... Even
• 1:53
  Speaker 2: that last one was a long time ago, so... Yeah, absolutely, so...
• 1:56
  Speaker 2: But oddly enough, and I don't even know, how did
• 1:58
  Speaker 2: you find out that the show started? Because you were
• 2:00
  Speaker 2: there from like day one, but... Uh... I can't remember.
• 2:04
  Speaker 3: I think you had my email and said that you
• 2:06
  Speaker 3: had something new, a new project coming up, and I
• 2:08
  Speaker 3: want to listen to it.
• 2:09
  Speaker 2: And so I'm a loser and have no life. I
• 2:12
  Speaker 2: may as well listen. That's what we're looking for. That's
• 2:14
  Speaker 2: our staple around here.
• 2:16
  Speaker 3: The rest of the listeners, you're not losers.
• 2:18
  Speaker 2: Just me. Yeah, you guys are all cool.
• 2:20
  Speaker 4: Right.
• 2:22
  Speaker 2: Anyway, so, but yeah, I think that probably is why
• 2:26
  Speaker 2: I sent it. Knowing the movie geek that you are,
• 2:28
  Speaker 2: you know, we did do time in the trenches of
• 2:32
  Speaker 2: movie video store. Video store. Yeah. I have a degree
• 2:35
  Speaker 2: in video store. Yeah, sadly so.
• 2:38
  Speaker 3: Yeah, I may not be the heightened geek that some
• 2:40
  Speaker 3: others are, but I still delve down into it sometimes.
• 2:44
  Speaker 2: See, I don't claim to be anything extra. There's a
• 2:46
  Speaker 2: lot of people out there, most of which who have podcasts,
• 2:50
  Speaker 2: Seem to think they're an authority on everything. I don't
• 2:52
  Speaker 2: claim to be. We just do a show. So I
• 2:55
  Speaker 2: think if you know that going in, it makes it
• 2:56
  Speaker 2: a little easier than people who think they know everything.
• 2:59
  Speaker 2: I don't claim to know a damn thing. No. All right.
• 3:02
  Speaker 2: Anything else to add? Do you want to have some
• 3:05
  Speaker 2: sort of grand entry or do you need a theme
• 3:07
  Speaker 2: song or something?
• 3:08
  Speaker 3: I would love a theme song, but I don't think
• 3:10
  Speaker 3: I warrant one yet.
• 3:12
  Speaker 2: So I would say.
• 3:13
  Speaker 1: All right.
• 3:14
  Speaker 2: I guess we can roll into this week's geek activities.
• 3:17
  Speaker 2: All right. As for mine, the last one I'll save
• 3:21
  Speaker 2: because we cross over there on Friday. But before that,
• 3:25
  Speaker 2: beginning of the week, I actually watched Extract, which is
• 3:29
  Speaker 2: the last Mike Judge movie. Oh, I wanted to see that.
• 3:33
  Speaker 2: It's pretty entertaining, I have to say. It's kind of
• 3:36
  Speaker 2: a low-key movie. It never really goes crazy. It's just
• 3:40
  Speaker 2: sort of a nice little story of slightly complicated everyday lives.
• 3:44
  Speaker 2: But it never really gets.
• 3:47
  Speaker 2: I don't know. I didn't know what to expect going in.
• 3:49
  Speaker 2: I think from the synopsis, I expected a lot bigger,
• 3:52
  Speaker 2: crazier story, and it's a pretty normal, everyday kind of story.
• 3:56
  Speaker 2: It is very blue-collar, everyday people, and it sort of
• 3:59
  Speaker 2: follows them around. With all of Mike's projects, the strength
• 4:05
  Speaker 2: really kind of lies in his characters, and in this
• 4:08
  Speaker 2: one specifically, in his side characters, and that's always sort
• 4:12
  Speaker 2: of been his case. He's had a few really good
• 4:14
  Speaker 2: leads here and there, but In the little amount of
• 4:16
  Speaker 2: work that he's done, yeah, it's always the side characters
• 4:19
  Speaker 2: that are the most interesting and the most quirky and weird.
• 4:22
  Speaker 6: Sure.
• 4:23
  Speaker 2: And that's, yeah, you've got to like that in his stuff. Yeah, Idiocracy,
• 4:28
  Speaker 2: the main character, was about as boring as you can get.
• 4:30
  Speaker 4: Yep.
• 4:31
  Speaker 3: Everybody else was just off the wall crazy.
• 4:33
  Speaker 2: So, yeah. I'm still considering that. I think we might
• 4:36
  Speaker 2: need to throw that one in.
• 4:37
  Speaker 4: Still never seen it. I always hear from people that
• 4:40
  Speaker 4: the idea of the movie is so amazing and the
• 4:42
  Speaker 4: movie itself is kind.
• 4:43
  Speaker 2: Of like, eh.
• 4:44
  Speaker 3: The first half of the movie is pretty funny. The
• 4:47
  Speaker 3: rest of it kind of falls apart by the end.
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  Speaker 3: But it's a good.
• 4:51
  Speaker 2: Idea, I think. I still think it's kind of worth... Well,
• 4:55
  Speaker 2: even this one. It's worth watching. It's not amazing. It's
• 4:57
  Speaker 2: not going to blow your mind. But, you know, it's
• 5:00
  Speaker 2: a fun movie. And you kind of end up liking
• 5:02
  Speaker 2: all the characters. Even like the ones... Like a lot
• 5:04
  Speaker 2: of people do things that are not likable. Like their
• 5:07
  Speaker 2: actions are sort of things that you wouldn't get behind.
• 5:11
  Speaker 2: But yet in the end, you sort of still like everybody.
• 5:13
  Speaker 2: Like even the people you shouldn't like. You're just like, ah,
• 5:16
  Speaker 2: that guy. I like that guy. He's okay. So... Yeah,
• 5:19
  Speaker 2: you've got to give it to Mike Judge for making
• 5:22
  Speaker 2: likable characters, even in the worst of situations.
• 5:26
  Speaker 3: We've had the hard copy of it on DVD ready
• 5:29
  Speaker 3: to watch from Netflix for six months now, which proves
• 5:33
  Speaker 3: that Netflix really doesn't care if you.
• 5:34
  Speaker 2: Ever return it. But we stream nonstop from them. Yeah,
• 5:38
  Speaker 2: I guess that's the rule.
• 5:40
  Speaker 3: Obviously, I've never gotten around to watching it or I
• 5:43
  Speaker 3: would have sent it back. My wife and I keep saying, no,
• 5:46
  Speaker 3: let's keep it one more day.
• 5:47
  Speaker 2: We'll watch it. Never end up watching it. One more
• 5:49
  Speaker 2: day lasts forever. Yeah. So right now I own it,
• 5:52
  Speaker 2: I suppose. I guess. Maybe you can buy it for
• 5:55
  Speaker 2: like an extra buck or something. You know what? Just
• 5:57
  Speaker 2: don't even think about it. I think Redbox is like
• 5:59
  Speaker 2: that now.
• 6:00
  Speaker 4: Yeah, they do. Now they have this little thing at
• 6:03
  Speaker 4: the bottom that says, buy this movie for $ 5.
• 6:05
  Speaker 2: Buy this randomly used by everyone in town, scratched up
• 6:09
  Speaker 2: piece of crap. We don't. With no case. Have fun. Enjoy.
• 6:13
  Speaker 2: You didn't get the movie you wanted anyway. Yeah, they
• 6:15
  Speaker 2: were out of the good movies. You got this piece
• 6:17
  Speaker 2: of crap straight to DVD nonsense. So other than that, yeah,
• 6:22
  Speaker 2: I did have an outing yesterday to Gaddyland. And that's
• 6:27
  Speaker 2: extremely geeky, obviously, especially in my own situation because, you know,
• 6:31
  Speaker 2: it's not like that's the first time I've gone to Gettyland.
• 6:34
  Speaker 2: In our circles for a while there, it was pretty standard.
• 6:37
  Speaker 2: You wouldn't go a month or two without us making
• 6:39
  Speaker 2: a trip to Gettyland or some sort of lame fun
• 6:41
  Speaker 2: park wherein I got tickets to trade for prizes. That
• 6:44
  Speaker 2: was really all I wanted was crappy prizes.
• 6:46
  Speaker 4: I still go sometimes. and there's usually not a small
• 6:49
  Speaker 4: child present.
• 6:51
  Speaker 2: See that that's the thing it's rare that there ever
• 6:53
  Speaker 2: was up until recently now i have my niece and
• 6:56
  Speaker 2: nephew so yesterday was the party for my nephew so
• 6:59
  Speaker 2: i did have a group full of you know five-year-olds
• 7:02
  Speaker 2: running around which which leads to what i think is
• 7:04
  Speaker 2: the really funny part which is as i'm sitting there
• 7:06
  Speaker 2: my cousin and i started talking about it and decided
• 7:08
  Speaker 2: that um there really needs to be a balloon sword
• 7:12
  Speaker 2: fight show on reality television. They're just... Because they gave
• 7:16
  Speaker 2: a whole group of five-year-olds... They made balloon swords out
• 7:19
  Speaker 2: of the balloons and then handed them to them. That's
• 7:22
  Speaker 2: all they did.
• 7:23
  Speaker 4: There probably is one in Japan.
• 7:24
  Speaker 2: Yeah, I mean, they're like, you want to open presents? Whatever!
• 7:27
  Speaker 2: They're just busy beating cake. Who cares? All they wanted
• 7:30
  Speaker 2: to do was beat the hell out of each other
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  Speaker 2: with balloon swords. And yeah, sadly, there probably is one
• 7:34
  Speaker 2: in Japan. Most parents, I think, would get behind that.
• 7:37
  Speaker 2: You know, kids beating... each other's kids up it's a
• 7:40
  Speaker 2: great idea well then but it really was like the
• 7:43
  Speaker 2: more we watched it it was it was kind of
• 7:44
  Speaker 2: like it it suckered you in like you just like
• 7:47
  Speaker 2: you'd think you'd get bored of it but after a
• 7:48
  Speaker 2: while i was like no no this is really entertaining
• 7:50
  Speaker 2: yeah i was like there's there is the comedy there's
• 7:53
  Speaker 2: you know intrigue there's you know it really is like
• 7:56
  Speaker 2: a reality show they're forming alliances and you know they're
• 7:59
  Speaker 2: voting you out of the room they kick your ass
• 8:01
  Speaker 2: out there and you know that Except for the one
• 8:03
  Speaker 2: girl who got a flower. She got screwed. Oh, that's bad.
• 8:06
  Speaker 2: I think she didn't want a sword because that's what
• 8:08
  Speaker 2: the dorky boys had. But she did make her a flower.
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  Speaker 2: The girl making the balloons was pretty talented. She made
• 8:12
  Speaker 2: a flower, which looked really close to what a balloon
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  Speaker 2: sword looks like. But it had an extra balloon on
• 8:18
  Speaker 2: it and made it a flower. She could have called
• 8:21
  Speaker 2: it a mace or something. Yeah, I think she still
• 8:24
  Speaker 2: should have started hitting people in the face with it.
• 8:26
  Speaker 2: But whatever, little girls. The rest of them just pounded
• 8:30
  Speaker 2: on each other. so yeah. And then to wrap up
• 8:34
  Speaker 2: that part, I did at the end of this, probably
• 8:38
  Speaker 2: the most adult thing I've ever done in my life.
• 8:40
  Speaker 2: I played, you know, I hung around there, played skeeball
• 8:43
  Speaker 2: or whatever, stupid games and did really badly at all
• 8:45
  Speaker 2: of them and got a handful of tickets and then
• 8:48
  Speaker 2: use them all to buy my niece a present. I'm disappointing.
• 8:53
  Speaker 2: I'm still, yeah, I know. I was standing there in line,
• 8:56
  Speaker 2: kind of in shock. Like, I think I'm going to
• 8:58
  Speaker 2: get her. So what, The hell? What is this? Ow!
• 9:02
  Speaker 2: Adulthood sucks! Yeah, I didn't buy myself toys with my tickets.
• 9:07
  Speaker 2: I don't understand. It doesn't make sense to me. You
• 9:09
  Speaker 2: didn't want a super high bounce ball or a finger
• 9:13
  Speaker 2: trap or something? I did, but you know, my affection
• 9:17
  Speaker 2: for my niece, I overwhelmed it. It kind of sucks, really.
• 9:20
  Speaker 2: What the hell is that about? Where's my toys, damn it?
• 9:24
  Speaker 2: so yeah that's right gave my.
• 9:26
  Speaker 4: She grows up you're gonna be like you owe me
• 9:28
  Speaker 4: a gaddyland toy give me your.
• 9:30
  Speaker 2: Tickets give me that yeah then i'll just shove her
• 9:32
  Speaker 2: down and take them but by then she'll just kick my.
• 9:34
  Speaker 4: Ass she'll be really old by then so she'll even
• 9:38
  Speaker 4: even push your walker.
• 9:39
  Speaker 2: Even now she's a she's a feisty little kid she
• 9:41
  Speaker 2: just punched people in the face she don't care she's hardcore.
• 9:45
  Speaker 3: She might have to feed you a tapioca pudding at
• 9:47
  Speaker 3: the Old folks home one day, so don't worry about that.
• 9:51
  Speaker 2: I don't think anybody's taking care of me. I'll just
• 9:54
  Speaker 2: be one they push out in the yard in a wheelchair.
• 9:56
  Speaker 2: He likes to look at the sun. Just leave him
• 10:00
  Speaker 2: out there.
• 10:01
  Speaker 4: That's amazing. It amazes me. The small, simple things kids do.
• 10:08
  Speaker 4: You can entertain an adult for hours and hours and hours.
• 10:11
  Speaker 2: If it's your kid or one you know very well. Otherwise,
• 10:13
  Speaker 2: you're just annoyed at that little brat. Whatever they're doing,
• 10:16
  Speaker 2: they can be doing the exact same thing, but you're
• 10:18
  Speaker 2: just like, oh, that kid needs to go away.
• 10:20
  Speaker 4: Yeah, like yesterday, my best friend's baby, who's only five
• 10:24
  Speaker 4: months old, we like to teach her dances, and she's
• 10:28
  Speaker 4: pretty good at them, but we've been working on this
• 10:30
  Speaker 4: for quite a while. She gets really close to your
• 10:33
  Speaker 4: face and bites your face, but she has no teeth.
• 10:37
  Speaker 4: But we yell, zombie baby! And she puts her mouth
• 10:42
  Speaker 4: on your forehead and kind of just slobbers on your forehead.
• 10:46
  Speaker 4: But it's really funny.
• 10:47
  Speaker 2: Zombie in training.
• 10:48
  Speaker 4: I have pictures.
• 10:49
  Speaker 2: Nice.
• 10:50
  Speaker 4: Pretty funny. That went on for about 45 minutes at least.
• 10:54
  Speaker 2: Yeah, I can see that.
• 10:56
  Speaker 3: I don't know what point it is, but eventually that
• 10:58
  Speaker 3: slobber drool just becomes gross and you don't want your
• 11:00
  Speaker 3: kid to do that.
• 11:01
  Speaker 2: But there's that, you know, I don't know where that
• 11:04
  Speaker 2: point is. Yeah, because I've seen parents do things involving
• 11:07
  Speaker 2: slobber that creep me out. But it was their kid
• 11:09
  Speaker 2: and they didn't blink an eye. And I'm just like, okay,
• 11:13
  Speaker 2: I guess that comes with the having a kid part.
• 11:15
  Speaker 4: Like picking a pacifier off the dirty floor and licking
• 11:18
  Speaker 4: it to clean it.
• 11:19
  Speaker 2: That's kind of the one I was thinking of.
• 11:21
  Speaker 4: It kind of doesn't really make it any cleaner.
• 11:23
  Speaker 2: Yeah, I watched a mother do that. She was like, oh,
• 11:25
  Speaker 2: here you go.
• 11:26
  Speaker 4: Haven't they seen those protestus commercials or whatever?
• 11:30
  Speaker 2: Good stuff. Yikes. That was about all I did other than, um,
• 11:34
  Speaker 2: Friday night, which we sort of crossover Craig and I,
• 11:37
  Speaker 2: cause that was the, our first little interaction before this
• 11:40
  Speaker 2: weekend kicked in. What's sad is before, um, middle of
• 11:43
  Speaker 2: this week, I had no idea I was going to
• 11:45
  Speaker 2: see you at all, let alone that you would be
• 11:46
  Speaker 2: sitting here twice in a week. I know. Yeah. I, uh, yeah, I,
• 11:50
  Speaker 2: I didn't even know for sure. I threw it out
• 11:52
  Speaker 2: there like, uh, the beginning of the week and, uh,
• 11:54
  Speaker 2: Before the show was over last week, Roger bailed on us.
• 11:57
  Speaker 2: I was like, oh, remember when I said we might
• 12:00
  Speaker 2: want you to come by? Guess what? I'm close, but
• 12:05
  Speaker 2: I sometimes show up late. Let it slide this time. Okay. So, yeah,
• 12:10
  Speaker 2: Friday night we ended up going to see Predators. So,
• 12:14
  Speaker 2: before we even get into the movie, would you like
• 12:16
  Speaker 2: to run through the trailers? Because we had the best
• 12:20
  Speaker 2: allotment of trailers I think I've ever seen possibly ever.
• 12:24
  Speaker 2: There was not a downtime in the entire run. We
• 12:27
  Speaker 2: had four trailers. They were worth the price of admission.
• 12:30
  Speaker 2: They were. We had the long new trailer, or new.
• 12:34
  Speaker 3: To me, I suppose, because I don't try to watch
• 12:35
  Speaker 3: too many of those online, but the machete trailer. trailer
• 12:39
  Speaker 3: we knew we've kind of figured that was an upcoming.
• 12:42
  Speaker 2: Being related to rodriguez yeah but um yeah i i
• 12:47
  Speaker 2: think what did we decide can you fit that much
• 12:50
  Speaker 2: awesome in a movie no there's so much awesome just
• 12:53
  Speaker 2: in the trailer it already needs to be a trilogy
• 12:55
  Speaker 2: right right absolutely.
• 12:57
  Speaker 3: And then and then directly after that is another that's
• 13:00
  Speaker 3: crammed full of awesomeness and explosions as explosions the expendables
• 13:05
  Speaker 3: yep um a bunch of old dudes running around Pumping iron.
• 13:10
  Speaker 3: I think it's your laundry list of, hey, you doing anything?
• 13:14
  Speaker 2: No. No. Let's go. Most of them, that's true. I mean,
• 13:18
  Speaker 2: with the exception of Jason Statham, where any of the
• 13:21
  Speaker 2: other ones are working, I don't think you need much
• 13:23
  Speaker 2: money to get Dolph Lundgren in your movie now. He's like,
• 13:26
  Speaker 2: can I eat off the catering table? Okay. I like
• 13:30
  Speaker 2: to eat, and I don't get a chance much.
• 13:33
  Speaker 4: No. No.
• 13:34
  Speaker 2: So yeah the rest of them you know even Jet
• 13:36
  Speaker 2: Li's kind of semi-retired now so I mean he's he
• 13:39
  Speaker 2: was working quite a bit for a while right even
• 13:42
  Speaker 2: he's sort of put himself out the pasture I suppose
• 13:45
  Speaker 2: yeah it's no surprise on most of them but um yeah.
• 13:48
  Speaker 3: I remember thinking with both of them that you know
• 13:50
  Speaker 3: we watched a I don't know three minute four minute
• 13:52
  Speaker 3: trailer and I was thinking there's no way they can
• 13:55
  Speaker 3: fit all of these scenes into one movie yep you
• 13:58
  Speaker 3: know there's 14 explosions in a three second span how
• 14:02
  Speaker 3: does that happen so Only in the movies. It's going
• 14:05
  Speaker 3: to be chock full.
• 14:07
  Speaker 2: And we also were sitting there thinking, going, oh, after
• 14:09
  Speaker 2: those two. I mean, it can't get more awesome than that.
• 14:12
  Speaker 2: They stepped it up. They literally stepped it up. The
• 14:16
  Speaker 2: Step Up 3D trailer. Wow. I am still in shock.
• 14:25
  Speaker 2: I don't even know what to do with that. I
• 14:26
  Speaker 2: just sat there awestruck by the ridiculousness. And yet, I
• 14:31
  Speaker 2: want to go see it.
• 14:32
  Speaker 3: There's smoke coming off their hands coming out at you
• 14:35
  Speaker 3: in the screen. It's going to be fantastic.
• 14:37
  Speaker 2: There's droplets of water flying around, and there's your feet
• 14:41
  Speaker 2: spinning and coming at your face. And I'm just like.
• 14:45
  Speaker 4: Did you have 3D glasses on at the time?
• 14:46
  Speaker 2: No, and it was still, like, you're still watching it going, oh,
• 14:48
  Speaker 2: that's blatantly 3D. Like, all of these are, like, things
• 14:51
  Speaker 2: coming at the screen. So you're like, this is going
• 14:53
  Speaker 2: to be so 3D. It's going to be amazing.
• 14:56
  Speaker 4: I've never seen a 3D movie.
• 14:58
  Speaker 2: Oh.
• 14:58
  Speaker 4: Aside from when I was really young and there was this... It's.
• 15:01
  Speaker 2: Very hit and miss.
• 15:02
  Speaker 4: At Disney World.
• 15:03
  Speaker 2: Captain EO?
• 15:04
  Speaker 4: I don't know.
• 15:05
  Speaker 2: Captain EO is awesome. There's the Muppets, the Muppets 3D experience.
• 15:09
  Speaker 2: I haven't been in a long time. Captain EO was, like,
• 15:12
  Speaker 2: cutting edge when I was there.
• 15:14
  Speaker 3: And I think they've got the Bugs Life 3D, so
• 15:17
  Speaker 3: they go out with 3D at Disney.
• 15:20
  Speaker 2: It's hit and miss, though. Some of them are awesome,
• 15:21
  Speaker 2: some of them are kind of, why am I wearing
• 15:23
  Speaker 2: these stupid glasses? They give me a headache, so I
• 15:26
  Speaker 2: don't like to go. I've only seen one I've been
• 15:28
  Speaker 2: really impressed with, and the rest have been kind of...
• 15:31
  Speaker 2: And which one was that? Well, no, the one I
• 15:33
  Speaker 2: really liked was the My Bloody Valentine. I think they
• 15:36
  Speaker 2: did a really good thing. I did... I did what
• 15:39
  Speaker 2: I saw of.
• 15:39
  Speaker 4: That was kind of the start of the 3D craze.
• 15:41
  Speaker 2: Yeah, that was the first one. And they put all
• 15:43
  Speaker 2: the work in that one. And then I saw Coraline.
• 15:46
  Speaker 2: That was actually pretty impressive, too. But that's just a
• 15:48
  Speaker 2: good movie anyway.
• 15:49
  Speaker 4: I saw that one without 3D.
• 15:50
  Speaker 2: Yeah, it's good. But what they'd done with that was
• 15:53
  Speaker 2: pretty high-tech, too. But yeah, the Final Destination one was
• 15:57
  Speaker 2: pretty lame, really. Not just the movie. But yeah, the
• 16:01
  Speaker 2: 3D was kind of a letdown, too. I don't know
• 16:03
  Speaker 2: if we watched much else. I saw the....
• 16:07
  Speaker 3: Took my kid to see the How to Train Your Dragon. Yeah,
• 16:10
  Speaker 3: I've heard that's good. That didn't need it, but it
• 16:14
  Speaker 3: was really good with it. I've heard the flying scenes
• 16:17
  Speaker 3: are pretty good. Yeah, but you really don't need the
• 16:19
  Speaker 3: flying scenes either. So, I don't know.
• 16:22
  Speaker 2: It's just an excuse to pay $ 3 more. Obviously. So, yeah.
• 16:27
  Speaker 2: Step Up 3D looks amazing. horrible, stupid, and yet somehow
• 16:33
  Speaker 2: I want to give them like $ 14 to go see
• 16:35
  Speaker 2: this thing. Oh my god, it looks terrible. But the
• 16:39
  Speaker 2: last one may have upped it even more because there's
• 16:43
  Speaker 2: lots of death and blood involved. They followed it up
• 16:46
  Speaker 2: with Piranha 3D. Wow. I didn't realize... I mean, I
• 16:51
  Speaker 2: knew this was going to be ridiculous. I don't think
• 16:54
  Speaker 2: I realized the sci-fi-ness of this movie because... Oh my god,
• 16:59
  Speaker 2: it's so big screen version of a sci-fi movie. Yeah,
• 17:02
  Speaker 2: the sci-fi channel missed out on getting this, I guess.
• 17:05
  Speaker 2: I don't know. They made a pass on the script
• 17:07
  Speaker 2: and then somehow it got greenlit to go to the
• 17:09
  Speaker 2: theaters because... They'll have the sequel year in and year out. Oh, yeah.
• 17:15
  Speaker 2: Straight to side by.
• 17:16
  Speaker 3: Unless they make a ton of money off of the
• 17:17
  Speaker 3: box office.
• 17:18
  Speaker 2: I don't know if they would own this place.
• 17:20
  Speaker 3: But the thing that bothered me, I couldn't believe Elizabeth
• 17:22
  Speaker 3: Shue was going to be in it.
• 17:24
  Speaker 2: I'd heard that early on, and that was kind of
• 17:26
  Speaker 2: the selling point. The only other thing I'd heard in
• 17:28
  Speaker 2: the beginning was that she was in it. I'm like, well,
• 17:30
  Speaker 2: now I'm kind of on board. 3D and Elizabeth Shue?
• 17:33
  Speaker 2: Come on now. But then, yeah, this is the first
• 17:37
  Speaker 2: I've seen any footage of the piranha in question. Wow.
• 17:41
  Speaker 2: Holy shit, these are bad. Like, I mean, it's going
• 17:45
  Speaker 2: to theaters. It's going to have a pretty decent budget
• 17:47
  Speaker 2: with all these actors they're pulling in. So I thought
• 17:49
  Speaker 2: they were going to have a decent amount of CGI.
• 17:52
  Speaker 2: I mean, I didn't figure they were going to do
• 17:54
  Speaker 2: much practical effects. But, no, this is all CGI, and
• 17:57
  Speaker 2: it's sci-fi channel level of CGI. Right. Oh, my God.
• 18:01
  Speaker 2: I did not expect that.
• 18:03
  Speaker 3: The one moment where there's a wall of piranha underwater,
• 18:08
  Speaker 3: it looks like Finding Nemo. It's that bad.
• 18:12
  Speaker 2: I mean, not that Finding Nemo is bad, but Finding
• 18:15
  Speaker 2: Nemo is not supposed to be real. It's not supposed
• 18:17
  Speaker 2: to be actual things you can touch. Yeah, it's a cartoon.
• 18:21
  Speaker 2: There's a difference. Right. So, yeah. Do we even need
• 18:26
  Speaker 2: to go into the movie now? That's spent all of
• 18:29
  Speaker 2: it right there. Yeah, we have a whole show of
• 18:31
  Speaker 2: our previews. But really, those four? Can you top those
• 18:35
  Speaker 2: four in a row?
• 18:36
  Speaker 3: No, just Adrian Brody being the alpha male. That's the
• 18:39
  Speaker 3: only thing that can top it.
• 18:41
  Speaker 2: And confusing but semi-worked?
• 18:44
  Speaker 7: Right.
• 18:45
  Speaker 6: I don't know.
• 18:45
  Speaker 2: I still.
• 18:47
  Speaker 2: It was pretty fun. I think we both sort of
• 18:49
  Speaker 2: decided it was what we expected to some extent, but
• 18:53
  Speaker 2: maybe a little better. I think I went in with
• 18:55
  Speaker 2: not high hopes, so the fact that it was pretty
• 18:58
  Speaker 2: fun and entertaining is sort of a plus from where
• 19:01
  Speaker 2: I expected.
• 19:02
  Speaker 4: Right.
• 19:03
  Speaker 2: Yeah, it was pretty fun. It wasn't Alien vs. Predator. No, thankfully.
• 19:09
  Speaker 3: That made me very happy because that stuff's kind of.
• 19:12
  Speaker 2: Horrible. Horrible. There you go.
• 19:13
  Speaker 1: Horrible.
• 19:14
  Speaker 3: So I think the one thing that bothered me about
• 19:16
  Speaker 3: the whole movie and thinking about it after the fact
• 19:20
  Speaker 3: is that it seemed to.
• 19:23
  Speaker 2: They had.
• 19:25
  Speaker 3: Not that you've seen it.
• 19:28
  Speaker 2: I'm sorry.
• 19:28
  Speaker 3: But they had representatives from every ethnic group in the film.
• 19:34
  Speaker 3: And it's like, oh, well, this is the Mexican guy. And, oh,
• 19:37
  Speaker 3: this is the Asian guy.
• 19:38
  Speaker 2: It's a movie. They have to do that, don't they?
• 19:40
  Speaker 3: I don't even think they went out of their way
• 19:42
  Speaker 3: to name them. It's just like, oh, there's the Mexican guy.
• 19:45
  Speaker 3: Because you never would get confused at who they were
• 19:47
  Speaker 3: talking about.
• 19:48
  Speaker 2: Well, it's a Rodriguez-related movie. Guess who the Mexican guy is. Surprise!
• 19:53
  Speaker 4: Is it Danny Trejo?
• 19:54
  Speaker 2: Yes. The second person you see in the film.
• 19:56
  Speaker 3: Danny Trejo.
• 19:58
  Speaker 2: So, yeah. I mean, most of them... I mean, that
• 20:00
  Speaker 2: one you saw coming. But, yes, they did work in...
• 20:02
  Speaker 2: We're going to have to have a girl. Hmm... Let's see.
• 20:06
  Speaker 2: So they have to work in one girl, one black guy.
• 20:10
  Speaker 2: Of all the fighters in the world, there's only one
• 20:12
  Speaker 2: good black guy that's kicking ass out there? That seems off.
• 20:15
  Speaker 2: I mean, there's all kinds of crazy depth. What was
• 20:19
  Speaker 2: he part of, the depth team? I don't even recall.
• 20:25
  Speaker 3: I don't watch those military tech shows to find out
• 20:29
  Speaker 3: who all the people in the world can kill me.
• 20:30
  Speaker 3: What's the one where they battle each other, they simulate death?
• 20:34
  Speaker 3: What military group could kick the other one's ass?
• 20:36
  Speaker 2: I don't know. It's on one of the channels. Is
• 20:39
  Speaker 2: this UFC?
• 20:40
  Speaker 3: No, they actually put into a computer simulator the different
• 20:44
  Speaker 3: weapons that each one uses in their training and they
• 20:47
  Speaker 3: see who would win.
• 20:48
  Speaker 4: I think I've I know what you're talking about, but
• 20:50
  Speaker 4: I can't think of the name of it.
• 20:51
  Speaker 2: It was the Death Squads. He was one of the
• 20:53
  Speaker 2: crazy Death Squads in Africa. So it's like, yeah, we've
• 20:55
  Speaker 2: just got one guy? So yeah, they didn't even double up.
• 21:00
  Speaker 2: I guess the closest thing is the extra white guys,
• 21:03
  Speaker 2: but even then it's like, you're a Russian. We have
• 21:06
  Speaker 2: to have a Russian because we have this American guy.
• 21:08
  Speaker 2: So we have to have a Russian because he's a
• 21:10
  Speaker 2: bad guy. Yeah, I don't know. It's ridiculous. It was
• 21:14
  Speaker 2: still definitely, if you liked Predator... this is a definite C.
• 21:20
  Speaker 2: If you really like Predator, you have to see it.
• 21:22
  Speaker 2: Everything else went sort of downhill and steadily downhill as
• 21:24
  Speaker 2: the rest of the Predator-related movies came out. So yeah,
• 21:27
  Speaker 2: this is kind of bringing the bar back up a
• 21:29
  Speaker 2: little bit, I have to say. And I like the setup.
• 21:32
  Speaker 2: That first... initially going in like the characters not having
• 21:36
  Speaker 2: a clue what the hell's going on and that first
• 21:37
  Speaker 2: half of them figuring out where they are and what's
• 21:40
  Speaker 2: going on and it kind of plateaus at that point
• 21:43
  Speaker 2: there's like that mid 15 minutes or so where it
• 21:45
  Speaker 2: really is sort of i guess they're busy then explaining
• 21:48
  Speaker 2: things a little more but it's sort of leveled out
• 21:50
  Speaker 2: and it's it takes a little too long there but
• 21:52
  Speaker 2: by the end it wraps up with lots of action
• 21:54
  Speaker 2: again so.
• 21:55
  Speaker 3: Yeah they have to spend time doing the crazy guy
• 21:58
  Speaker 3: exposition moments yeah and uh i don't know if you
• 22:01
  Speaker 3: want me to get into the crazy guy at all
• 22:02
  Speaker 3: but then after that it's just non-stop action and almost
• 22:06
  Speaker 3: step it up a notch fast paced and you're you
• 22:08
  Speaker 3: know yeah they want to have just a roller coaster
• 22:11
  Speaker 3: eat your popcorn moment so that's that's that's all it is.
• 22:13
  Speaker 2: And it's yeah it delivers on all of that so
• 22:16
  Speaker 2: twists lots of fun yeah so yeah i like that
• 22:20
  Speaker 2: so Guess we can continue on to the rest of
• 22:22
  Speaker 2: your week now, Dave. Oh, my geek week. I'm so honored.
• 22:25
  Speaker 2: I guess you have to be a geek to have one. Oh, wow.
• 22:28
  Speaker 2: I listen to the show. No, that could be one.
• 22:32
  Speaker 2: That's pretty geeky right there.
• 22:33
  Speaker 3: I already informed Brian about this earlier in the week,
• 22:37
  Speaker 3: but I did get to watch on the This Channel,
• 22:39
  Speaker 3: which if you have.
• 22:40
  Speaker 2: This or can....
• 22:43
  Speaker 3: Get access to it, and you listen to the show,
• 22:46
  Speaker 3: you probably should watch this.
• 22:48
  Speaker 2: Where is this? Because you keep bringing it up online,
• 22:51
  Speaker 2: and I'm just like, where do I find this?
• 22:53
  Speaker 4: It's on regular non-cable TV.
• 22:55
  Speaker 3: Yeah, open air broadcast television. And whoever's programming it, it's just.
• 23:01
  Speaker 2: Like weird i mean they're like literally you watch this
• 23:04
  Speaker 2: they're well they're they're probably a dork with a podcast
• 23:07
  Speaker 2: somewhere because everything you tell me is on i'm like
• 23:09
  Speaker 2: wow really like the only other place i hear about
• 23:11
  Speaker 2: people talking about these movies is on other dorky podcasts
• 23:15
  Speaker 2: right that level of geeky movies.
• 23:17
  Speaker 3: Sleep away camp three three three not even one three
• 23:20
  Speaker 3: and of course it had to have colon teenage wasteland
• 23:23
  Speaker 3: like who even made that movie i don't know but
• 23:26
  Speaker 3: i watched uh i watched the apple last last week
• 23:29
  Speaker 3: and uh You know, I couldn't believe this was made
• 23:35
  Speaker 3: in 1980. But it is a musical, and I tried
• 23:38
  Speaker 3: to explain what it was like. And the only thing
• 23:41
  Speaker 3: I can come up with is if you take Southland Tales,
• 23:45
  Speaker 3: filmed in 1980, but it's all surrounding an American Idol competition,
• 23:51
  Speaker 3: that's pretty much what it is. And it's, you know,
• 23:54
  Speaker 3: the winners of the competition and how they spiral down
• 23:58
  Speaker 3: in this dystopian, music-filled... corporation-driven society.
• 24:04
  Speaker 2: And it's a musical. I so want to watch this.
• 24:07
  Speaker 2: Just for the sheer ridiculousness of it. And the only
• 24:11
  Speaker 2: reason I had recently heard about it is it stars
• 24:13
  Speaker 2: Captain Mary Stewart, who I was just... She started talking
• 24:16
  Speaker 2: about it. I was like, even as she was describing
• 24:17
  Speaker 2: it to me, I'm like, holy shit, I need to
• 24:19
  Speaker 2: find this movie. And then, like, little did I know,
• 24:21
  Speaker 2: you brought it up randomly this week. I'm like, okay,
• 24:23
  Speaker 2: now we need to watch this.
• 24:25
  Speaker 3: Yeah, she actually did a pretty decent job for what
• 24:28
  Speaker 3: it was. And I think the film... doesn't take itself
• 24:33
  Speaker 3: super seriously at the same time. So it, you can
• 24:35
  Speaker 3: just say, okay, I thought at the beginning, I thought, Oh,
• 24:39
  Speaker 3: what are they trying to make?
• 24:40
  Speaker 1: You know?
• 24:41
  Speaker 3: And, and after about five or 10 minutes, I was,
• 24:43
  Speaker 3: I knew that this was a horrible movie. And as
• 24:46
  Speaker 3: I got into it, I was like, you know, you know,
• 24:48
  Speaker 3: this kind of works.
• 24:50
  Speaker 2: It makes it okay.
• 24:51
  Speaker 3: It's so bad that it works. So yeah, if you can,
• 24:54
  Speaker 3: if you can get your hands on a copy, I'd watch.
• 24:56
  Speaker 2: I'd watch that. We need to find it.
• 24:58
  Speaker 3: And the, I guess the ultimate thing that Brian informed
• 25:03
  Speaker 3: me was geeky was that I watched the third season
• 25:06
  Speaker 3: of The Guild on Netflix.
• 25:09
  Speaker 2: Yeah, that's great.
• 25:10
  Speaker 3: To get to three seasons of a show that's a
• 25:13
  Speaker 3: streamed television show about people whose lives are run by
• 25:19
  Speaker 3: World of Warcraft is pretty bad. But it's extremely well written.
• 25:24
  Speaker 3: You get your good fixes, you know, of characters. And
• 25:27
  Speaker 3: I think I most identify with the woman who is
• 25:29
  Speaker 3: the stay-at-home mom that locks her kids behind the kiddie
• 25:33
  Speaker 3: gate in the kitchen and tells them to feed themselves
• 25:36
  Speaker 3: while she plays World of Warcraft.
• 25:38
  Speaker 2: That all sounds fine to me. If you haven't watched
• 25:41
  Speaker 2: The Guild, it's definitely worth it. And the episodes are.
• 25:45
  Speaker 3: three minutes long, so a full season will take you
• 25:47
  Speaker 3: two hours.
• 25:48
  Speaker 2: Nice. No, it's definitely worth watching. It seems fun. I've
• 25:52
  Speaker 2: seen very little of it, but what I've seen, I
• 25:54
  Speaker 2: actually really liked. Yeah, it's quite amusing. Is that it
• 26:00
  Speaker 2: for you? I think that's it.
• 26:01
  Speaker 6: All right.
• 26:02
  Speaker 2: Roll on into yours.
• 26:03
  Speaker 4: Well, let's see. I watched something Predator-related, partially. I didn't
• 26:09
  Speaker 4: watch the whole thing. I didn't need to. I didn't
• 26:11
  Speaker 4: want to.
• 26:12
  Speaker 2: Okay. It was some.
• 26:14
  Speaker 4: type of alien versus predator movie on the sci-fi channel
• 26:18
  Speaker 4: oh which well it was a newer movie and it
• 26:22
  Speaker 4: i'm trying to think it looked like it was made
• 26:24
  Speaker 4: by sci-fi channel yeah.
• 26:25
  Speaker 2: I'm trying to decide if it was the last one
• 26:27
  Speaker 2: because the last one is was it what is the
• 26:29
  Speaker 2: last one requiem or yeah yeah that's it it's i
• 26:33
  Speaker 2: haven't even watched it was pretty bad it's yeah the
• 26:36
  Speaker 2: first one's iffy at best but yeah that second one
• 26:40
  Speaker 2: looks like a nightmare.
• 26:41
  Speaker 3: It's We still have all these costumes.
• 26:43
  Speaker 2: We may as well film another. We can make $ 20, 000.
• 26:46
  Speaker 3: That's about it.
• 26:48
  Speaker 4: I didn't even see anyone in the movie that I recognized.
• 26:51
  Speaker 4: But like I said, I didn't watch it for very long.
• 26:53
  Speaker 4: I didn't feel like I needed to at all.
• 26:55
  Speaker 2: I wouldn't have either. I like that they were just
• 26:58
  Speaker 2: cashing in on the fact that the new one came out.
• 27:00
  Speaker 2: What have we got laying around that we can play?
• 27:02
  Speaker 2: Oh yeah, we still got rights to that. Throw it
• 27:04
  Speaker 2: on whatever horrible channel we're on.
• 27:06
  Speaker 4: Yeah, it was sci-fi, I'm pretty sure.
• 27:08
  Speaker 2: Yep, doesn't surprise me. Yep, that was.
• 27:11
  Speaker 4: Erase that from my memory, but when you guys were
• 27:12
  Speaker 4: talking about Predators, it came back up.
• 27:16
  Speaker 2: The Predator's a fun guy. You know, he just needs
• 27:18
  Speaker 2: a better mood.
• 27:20
  Speaker 4: He reminds me of, like, Rolf from Muppet Babies or something.
• 27:23
  Speaker 4: I don't know.
• 27:25
  Speaker 2: Okay. That might be geekier than anything we've said. I guess, yeah.
• 27:31
  Speaker 2: I never hurt anybody, though. Ralph. Rolf. Rolf. Rolf rarely
• 27:36
  Speaker 2: ripped people's spines out.
• 27:38
  Speaker 4: Yeah, I know.
• 27:38
  Speaker 2: Triumphantly held it over his head. You know.
• 27:40
  Speaker 3: And his mouth is just straight and horizontal. It's not
• 27:43
  Speaker 3: that freaky.
• 27:45
  Speaker 2: Which works better with the hand motion. Go ahead. Do
• 27:48
  Speaker 2: it at home.
• 27:48
  Speaker 4: I think it's just his floppy ears and the Predator's
• 27:51
  Speaker 4: dreadlock things.
• 27:52
  Speaker 2: Yeah. I don't know.
• 27:54
  Speaker 4: I don't know why I've always thought that since I
• 27:56
  Speaker 4: was a child.
• 27:57
  Speaker 2: Yeah.
• 27:58
  Speaker 4: Messed up childhood.
• 28:01
  Speaker 2: Were you scared of dogs?
• 28:04
  Speaker 4: No, I'm not scared of predators.
• 28:06
  Speaker 2: That's the problem. You like to grab predators and scratch
• 28:10
  Speaker 2: them behind the ears. Oh, you're a good predator. Muppets
• 28:13
  Speaker 2: are so cute. Predators are so cute. Good boy. Good predator.
• 28:17
  Speaker 2: Way to kill that dog.
• 28:19
  Speaker 4: But the saddest thing, I was at a friend's house
• 28:21
  Speaker 4: and her boyfriend yells, oh shit, predator's on. And I
• 28:24
  Speaker 4: got really excited because I was thinking to catch a predator.
• 28:26
  Speaker 2: Ha ha ha.
• 28:28
  Speaker 4: And then I was like, oh, it's this.
• 28:33
  Speaker 2: Well, that ties into what we were thinking as we
• 28:35
  Speaker 2: walked into the theater the other night.
• 28:38
  Speaker 3: Yeah, I thought that if Chris Hansen just had just
• 28:40
  Speaker 3: come on, he could take care of the Predator right away.
• 28:43
  Speaker 4: I think that's a new spin that they need to
• 28:46
  Speaker 4: go on with the new Predator movie. Chris Hansen comes
• 28:51
  Speaker 4: in and he's like, what are you doing?
• 28:53
  Speaker 2: I was just going to talk to her.
• 28:56
  Speaker 8: I didn't.
• 28:57
  Speaker 2: I mean, I know her mom, and we were just
• 29:01
  Speaker 2: going to hang out and wait until the mom got home. Yeah.
• 29:04
  Speaker 4: And my favorites on that show, a little off track,
• 29:06
  Speaker 4: is when guys, they're like, I just wanted to come
• 29:09
  Speaker 4: over here and lecture her about how wrong it is
• 29:12
  Speaker 4: to meet older men off the internet.
• 29:15
  Speaker 2: Oh.
• 29:16
  Speaker 5: Okay.
• 29:16
  Speaker 2: That works. And you bought some alcohol, too.
• 29:19
  Speaker 4: A 40-pack of condoms.
• 29:23
  Speaker 3: Half the time, they don't bring those.
• 29:24
  Speaker 5: Interesting.
• 29:25
  Speaker 2: They're just going to kill her afterwards. What do they care? Right.
• 29:28
  Speaker 3: This could get bad really fast.
• 29:32
  Speaker 2: Are you okay?
• 29:37
  Speaker 9: They're sharpening up their blade going, that Chris Hansen motherfucker
• 29:44
  Speaker 9: better not be there. I'm bringing my good knives tonight.
• 29:48
  Speaker 2: If I see him when I walk in the door,
• 29:50
  Speaker 2: I'm just going to stab him in the face. Actually,
• 29:55
  Speaker 2: my favorites, though, are the ones that are like, hey,
• 29:57
  Speaker 2: I know you. Like, you know, you should be warned
• 30:01
  Speaker 2: by now. Yeah, you really should know better at that point. Oh,
• 30:05
  Speaker 2: I love that show.
• 30:07
  Speaker 4: I'm sorry, I couldn't talk. I had a drink in
• 30:10
  Speaker 4: my mouth for almost five minutes because when he said,
• 30:14
  Speaker 4: I'm just going to kill her afterwards. And then we
• 30:17
  Speaker 4: all laughed and it was hilarious. And then I was like, hmm,
• 30:20
  Speaker 4: there must be something horribly wrong with us.
• 30:22
  Speaker 2: Well, I mean. You know, one less thing to worry
• 30:26
  Speaker 2: about if you're just going to kill her afterwards. She
• 30:29
  Speaker 2: won't go tell Chris Hansen.
• 30:33
  Speaker 4: Goodness. Oh, let's see. And last night, I had a sleepover.
• 30:40
  Speaker 6: You are 12 years old.
• 30:41
  Speaker 2: Yes.
• 30:43
  Speaker 4: We couldn't remember that game.
• 30:45
  Speaker 2: Luckily, I lured you here from me via the internet.
• 30:48
  Speaker 2: How old are you? Come over and watch a movie
• 30:51
  Speaker 2: with me. Is this on camera? He'll be here later.
• 30:55
  Speaker 2: Hold on.
• 30:56
  Speaker 4: It was our original plan to find that game that...
• 30:59
  Speaker 4: I can't remember it, but it was like... There's these
• 31:02
  Speaker 4: pictures of these cute boys, like cute 12-year-old boys. And,
• 31:06
  Speaker 4: you know... You draw cards and one of them is like.
• 31:09
  Speaker 2: Mystery date. I was going to say, there's not a
• 31:11
  Speaker 2: door involved, is there? Yes, it was. The door was awesome.
• 31:15
  Speaker 4: Yeah, we couldn't think of the name of it.
• 31:16
  Speaker 2: My cousin had that when I was a kid and
• 31:18
  Speaker 2: I loved the door part. I was just always let
• 31:19
  Speaker 2: down that there was a dorky guy on it. I
• 31:22
  Speaker 2: was like, what the hell is this date? Where's the
• 31:24
  Speaker 2: hot babes at? Come on. Yeah, the dud was always
• 31:27
  Speaker 2: the coolest looking guy. I was like, well, I'll at
• 31:29
  Speaker 2: least hang out with this guy, but we're not going
• 31:32
  Speaker 2: past first page.
• 31:34
  Speaker 3: I played my aunts, and it was like the 1960s version.
• 31:37
  Speaker 2: Yeah, that's what she had.
• 31:38
  Speaker 3: The guy that was the bowling guy. I'm like, who
• 31:40
  Speaker 3: the hell goes bowling? That's not a good date.
• 31:43
  Speaker 2: Like, they were all fucking Sochi's and shit. Like, I
• 31:46
  Speaker 2: don't like these guys. These guys suck. Yeah. And the guy,
• 31:49
  Speaker 2: hang out. He's the dud. Oh, well. He's got glasses.
• 31:52
  Speaker 2: Let's go hang out. Let's go play video games, dude.
• 31:55
  Speaker 2: You've never heard of them before, but you'll like them,
• 31:57
  Speaker 2: believe me.
• 31:59
  Speaker 4: Yeah we couldn't think of what that game was and
• 32:02
  Speaker 4: it's not like it's probably still in existence today but
• 32:05
  Speaker 4: would have made our sleepover a lot better so instead
• 32:07
  Speaker 4: we went to red box and it took us a
• 32:10
  Speaker 4: long time to pick out a movie usually everything.
• 32:13
  Speaker 2: Was gone yeah because they all suck yeah so.
• 32:16
  Speaker 4: It was like 12 30 and we're standing in this
• 32:18
  Speaker 4: very dangerous part of town at a red box if
• 32:21
  Speaker 4: we're like And we're trying to figure out a movie,
• 32:24
  Speaker 4: and we just kept adding movies to our list. And
• 32:28
  Speaker 4: the first one was Australia. And then I was just like,
• 32:31
  Speaker 4: I don't really want to watch this. I don't know
• 32:33
  Speaker 4: why we put it on.
• 32:34
  Speaker 2: Nobody really wanted to watch Australia.
• 32:35
  Speaker 4: We ended up with Youth and Revolt and Boondock Saints 2,
• 32:39
  Speaker 4: which we didn't watch Boondock Saints 2. But I'd already
• 32:42
  Speaker 4: seen Youth and Revolt, but I liked it. I thought
• 32:44
  Speaker 4: it was funny. I know it's kind of ridiculous and
• 32:48
  Speaker 4: would probably annoy most people, but the way they talked
• 32:51
  Speaker 4: I thought was funny. The way they would, like, banter
• 32:55
  Speaker 4: back and forth and, like, overly, like, dramatic kind of prose.
• 33:00
  Speaker 4: I don't know how to describe it, but it was
• 33:03
  Speaker 4: like watching an episode of Gilmore Girls, pretty much.
• 33:05
  Speaker 2: We'll see that, yeah.
• 33:07
  Speaker 3: The teenagers are more eloquent than any.
• 33:10
  Speaker 2: Adult can ever be. More well-spoken than, you know, most professors.
• 33:17
  Speaker 4: Like, instead of someone saying, I'm thirsty, they would say
• 33:19
  Speaker 4: something like, I could use a cold beverage right about
• 33:22
  Speaker 4: now or something, you know, they just like make things
• 33:26
  Speaker 4: way too complicated, but it's funny. My favorite, I think
• 33:29
  Speaker 4: the reason I like that movie so much is, well, it's,
• 33:33
  Speaker 4: Steve Buscemi's in it.
• 33:35
  Speaker 2: Well, that's always a plus. I didn't know that. Always.
• 33:38
  Speaker 4: Gene Smart is in it.
• 33:39
  Speaker 2: Wow.
• 33:40
  Speaker 7: Oh, God.
• 33:40
  Speaker 2: Gene Smart. You're reaching back. I haven't heard that name
• 33:43
  Speaker 2: in a while.
• 33:43
  Speaker 4: Don't do that.
• 33:44
  Speaker 2: I love her.
• 33:45
  Speaker 6: 92.
• 33:45
  Speaker 4: She has a list of pickles on the Oblongs.
• 33:49
  Speaker 2: I still watch that. That's true. The Oblongs is awesome.
• 33:51
  Speaker 4: I still watch all four episodes of that when it
• 33:53
  Speaker 4: comes on adults.
• 33:53
  Speaker 2: That they loop on constantly. Yeah.
• 33:55
  Speaker 4: That was a good show. God.
• 33:57
  Speaker 1: But, uh.
• 33:58
  Speaker 4: Yeah, it's a really funny movie. I don't know where
• 34:01
  Speaker 4: I was going with that.
• 34:02
  Speaker 2: There is a phrase for that type of dialogue. It's
• 34:04
  Speaker 2: called Diablo Cody. And now everybody hates that style of dialogue.
• 34:09
  Speaker 2: So it might be the end of it right there.
• 34:11
  Speaker 2: She had nothing to do with that. But at this point,
• 34:14
  Speaker 2: it's all been sort of.
• 34:15
  Speaker 4: Yeah, that's true. I didn't think about that. It is
• 34:17
  Speaker 4: very similar to Juno. I mean, I don't... It was different.
• 34:23
  Speaker 4: Ellen Page did it a little bit differently.
• 34:25
  Speaker 2: And she sort of sells things a little better than
• 34:28
  Speaker 2: some of these other half-assed actresses.
• 34:30
  Speaker 4: And Juno, she was witty and funny, and I know
• 34:34
  Speaker 4: people like that, so I didn't find it too hard
• 34:36
  Speaker 4: to believe. And these kids are less animated, and it's
• 34:41
  Speaker 4: not so much funny as just this ridiculous way that
• 34:44
  Speaker 4: they talk.
• 34:46
  Speaker 2: Sometimes that stuff's real. Everybody wanted to call out that
• 34:49
  Speaker 2: whole run of when everything got like that, especially Juno.
• 34:53
  Speaker 2: But I'm like, some of that attitude is kind of real.
• 34:56
  Speaker 2: I really do know kids that are that attitude. They
• 34:59
  Speaker 2: may not be quite that well spoken about it, but
• 35:01
  Speaker 2: they've got the attitude. They do speak in weird, you know,
• 35:05
  Speaker 2: ways that only their friends pick up on. So, I mean,
• 35:09
  Speaker 2: a lot of it, I think, is a little more
• 35:10
  Speaker 2: realistic than people want to realize. They're just all like,
• 35:13
  Speaker 2: you know, old people now and they don't, they really
• 35:15
  Speaker 2: are out of the loop.
• 35:16
  Speaker 4: Damn kids.
• 35:17
  Speaker 2: Damn kids don't talk like that.
• 35:19
  Speaker 4: Yeah. But that was the point of the movie. They're
• 35:22
  Speaker 4: he was a very specific type of kid. He was
• 35:25
  Speaker 4: weird and didn't fit in and was obsessed with Frank
• 35:28
  Speaker 4: Sinatra and just like kind of a loser. And then
• 35:31
  Speaker 4: she was pretty, but also strange in her own right.
• 35:35
  Speaker 4: Obsessed with like French music and movies and stuff like that.
• 35:41
  Speaker 4: So they were not your average like.
• 35:44
  Speaker 2: No, that's not your usual teenager.
• 35:46
  Speaker 3: They would have gotten shunned and beaten up.
• 35:49
  Speaker 2: They would have had the door closed in their favorite song.
• 35:53
  Speaker 2: Where's the bowling guy?
• 35:54
  Speaker 4: I think the only reason I wanted to re-watch that
• 35:56
  Speaker 4: movie because there's this part where she was talking about
• 36:00
  Speaker 4: her boyfriend, Trent, and how he writes futuristic percussive poetry.
• 36:05
  Speaker 4: And he's like, ah, I'm not familiar with futuristic percussive poetry.
• 36:08
  Speaker 4: And she's like, I'll recite one of Trent's if you
• 36:10
  Speaker 4: like me to. And then it's just like, Ting pong.
• 36:14
  Speaker 4: This isn't a direct quote because there's no way I
• 36:15
  Speaker 4: can remember this, but it's like ting pong tin whistle skillet.
• 36:21
  Speaker 4: It's hilarious.
• 36:23
  Speaker 2: Okay. I didn't know I was writing those. Sometimes I
• 36:27
  Speaker 2: write that stuff.
• 36:28
  Speaker 4: You have to watch it.
• 36:29
  Speaker 2: It's funny. I didn't know I was a poet.
• 36:31
  Speaker 4: So many people either hate the movie because they love
• 36:34
  Speaker 4: the book or vice versa, but I've never read the book.
• 36:37
  Speaker 2: Stop reading. That's what I keep telling people. Just today.
• 36:40
  Speaker 2: Wait for the movie. I was emailing somebody and went
• 36:43
  Speaker 2: into that exact thing. I'm so tired of people bitching
• 36:46
  Speaker 2: about book versus movie bullshit. They're different. Get over it. Right.
• 36:52
  Speaker 4: Everybody does that. And when I got here, we watched
• 36:59
  Speaker 4: quite a bit of Criminal Minds.
• 37:00
  Speaker 2: I wonder why you didn't have time to watch Criminal Minds.
• 37:04
  Speaker 2: I don't know. I wasn't even going to call you out.
• 37:07
  Speaker 2: So yeah, I don't know. Do you want to go
• 37:08
  Speaker 2: into your favorite parts of Criminal Minds?
• 37:12
  Speaker 4: Matthew Gray Goobler?
• 37:13
  Speaker 2: There you go. Which I never will remember his name,
• 37:15
  Speaker 2: but if you just tell me the dorky guy.
• 37:17
  Speaker 4: You can call him Spencer Reed.
• 37:18
  Speaker 2: I'm like, oh, that dorky guy with the long hair.
• 37:20
  Speaker 4: I either refer to him by his real name or
• 37:22
  Speaker 4: I go, oh, my God, I'm Spencer Reed. I get
• 37:25
  Speaker 4: all mystified on him.
• 37:26
  Speaker 2: Oh, there you go.
• 37:28
  Speaker 4: Sorry, Misty. She's not going to listen to this.
• 37:30
  Speaker 2: No, she won't listen. Yeah, she won't listen. She could
• 37:32
  Speaker 2: give a rap. She's not on it. Why would she
• 37:36
  Speaker 2: listen to it?
• 37:37
  Speaker 3: I don't even know her, and I can tell you that.
• 37:40
  Speaker 2: But, no, actually, I just watch it and just go, oh,
• 37:43
  Speaker 2: I wonder what Chandler thinks about this girl pulling a
• 37:45
  Speaker 2: gun on everybody. I can't get past the fact that
• 37:47
  Speaker 2: that girl should be Chandler's girlfriend right now.
• 37:49
  Speaker 4: I can't get past the fact that that guy should
• 37:52
  Speaker 4: be Greg on Darma and Greg.
• 37:54
  Speaker 2: I guess I do that, too. I was like, does
• 37:56
  Speaker 2: Darma know you're doing this? Right. She thinks you just
• 37:59
  Speaker 2: go to your work in your little office.
• 38:00
  Speaker 4: As a lawyer.
• 38:00
  Speaker 2: She doesn't know you've got, you know, like a big
• 38:02
  Speaker 2: FBI bulletproof vest on darting around corners and shit. Yeah.
• 38:06
  Speaker 3: I think that's the reason why I couldn't even start
• 38:08
  Speaker 3: to watch Showgirls. I was like, Jesse, what would Slater think?
• 38:11
  Speaker 4: Yeah.
• 38:14
  Speaker 3: It just ruined it for me before even the movie
• 38:16
  Speaker 3: even started. Not that there was anything to ruin it for.
• 38:18
  Speaker 2: I was going to say, if you're thinking that it's
• 38:20
  Speaker 2: going to be ruined at that point, you haven't seen Showgirls. Right.
• 38:25
  Speaker 5: Wow.
• 38:26
  Speaker 4: I haven't.
• 38:27
  Speaker 2: Oh, don't. Don't make me bust it out again because
• 38:31
  Speaker 2: that was an epic episode, let me tell you. We're
• 38:34
  Speaker 2: all still excited about that. Did you all watch Showgirls? Oh, yeah.
• 38:37
  Speaker 2: It was early on. That was one of the big kickoffs,
• 38:41
  Speaker 2: so it's pretty exciting. Yikes.
• 38:46
  Speaker 4: We just said yikes at the same time.
• 38:47
  Speaker 3: Since we're talking about showgirls, I think I have something
• 38:50
  Speaker 3: to admit.
• 38:51
  Speaker 2: Uh-oh. I know. No, not the.
• 38:56
  Speaker 2: I never told you I want to be a dancer
• 38:57
  Speaker 2: in Vegas. Brian went on.
• 38:58
  Speaker 3: A bit of a rant on that episode. Now here's
• 39:00
  Speaker 3: the show geek listening to, talking about the show. Went
• 39:05
  Speaker 3: on a little bit of a rant about how that
• 39:07
  Speaker 3: was the only movie he'd ever walked out on.
• 39:09
  Speaker 2: See? I was part of that troupe that walked out
• 39:13
  Speaker 2: of the movie. So I'll have to.
• 39:14
  Speaker 3: Take my lashings for that. But I will have to
• 39:16
  Speaker 3: interject in this moment that there were women involved that
• 39:20
  Speaker 3: wanted to leave. Not because they were offended by the film. Wait,
• 39:23
  Speaker 3: I went there with women? there was i don't know women.
• 39:27
  Speaker 6: Maybe just one woman but she was like no she
• 39:30
  Speaker 6: wasn't there but i remember saying you know what i'm
• 39:33
  Speaker 6: getting out of here and i think she needed a
• 39:36
  Speaker 6: ride i think we all needed to ride.
• 39:37
  Speaker 2: That's why yeah i i that was the reason.
• 39:40
  Speaker 3: I was just like fine you guys suck so yeah
• 39:43
  Speaker 3: no i'm not that i'm i.
• 39:45
  Speaker 2: Don't if i remember i don't think you prompted i
• 39:48
  Speaker 2: think i do remember who started the fuck this let's
• 39:50
  Speaker 2: go right i won't call them out and they're not
• 39:52
  Speaker 2: listening anyway but still i yeah i but i.
• 39:56
  Speaker 3: I was part of that and i apologize so.
• 39:59
  Speaker 2: That as well you should yeah but again knowing you
• 40:01
  Speaker 2: know the glutton for punishment that you are otherwise you
• 40:04
  Speaker 2: probably would have sat there and watched the rest of
• 40:06
  Speaker 2: it yeah not.
• 40:07
  Speaker 3: In any perverted way just i wanted to see that
• 40:09
  Speaker 3: was my thing you know i was like versace again.
• 40:12
  Speaker 2: I was like i want to see where you're going
• 40:14
  Speaker 2: with this nonsense i'm like how do you wrap up
• 40:16
  Speaker 2: this ridiculous and they didn't go anywhere and they didn't
• 40:19
  Speaker 2: really but you know so yeah it was a long
• 40:23
  Speaker 2: time it's.
• 40:23
  Speaker 4: So weird to me that people still even care about
• 40:26
  Speaker 4: that movie I.
• 40:27
  Speaker 2: Think it was so bad that you have to care. No, it's...
• 40:29
  Speaker 2: I mean, really. I think you sort of appreciate the
• 40:32
  Speaker 2: epic level of bad that I do. You will have
• 40:35
  Speaker 2: to watch this. I'll watch it again. I don't care.
• 40:37
  Speaker 4: I have to watch Spice World, I mean.
• 40:39
  Speaker 2: Spice World's a good movie. It's well above and beyond Showgirl.
• 40:44
  Speaker 2: Showgirl is just legitimately bad. Is it like R.
• 40:47
  Speaker 4: Kelly's Trapped in the Closet Bad?
• 40:49
  Speaker 2: Yeah, it's more closer to that level of ridiculous bad.
• 40:52
  Speaker 2: Where Spice World's actually more clever than people will ever
• 40:55
  Speaker 2: admit to. because they think you know because it was
• 40:58
  Speaker 2: so flash in the pan they don't want to admit
• 40:59
  Speaker 2: to liking it truthfully it's pretty well written and it's
• 41:02
  Speaker 2: kind of clever in the way it makes fun of
• 41:04
  Speaker 2: themselves but nobody will admit to liking it other than
• 41:08
  Speaker 2: people on this show because most of us are actually
• 41:11
  Speaker 2: on board with it but.
• 41:13
  Speaker 4: Oh lord i think that was pretty much.
• 41:15
  Speaker 2: It for me Should we wrap up? Are we still
• 41:17
  Speaker 2: talking about your geek talk?
• 41:19
  Speaker 7: I don't know.
• 41:19
  Speaker 2: I think we are. We've tangented 14 times. Sorry about that.
• 41:24
  Speaker 2: That's kind of normal if you haven't noticed. No, I
• 41:26
  Speaker 2: didn't notice.
• 41:26
  Speaker 3: But I didn't want to be part of that, but,
• 41:29
  Speaker 3: you know, we wanted to keep.
• 41:29
  Speaker 4: It nice and clean.
• 41:31
  Speaker 2: It happens. You know, that's how we operate, man. All right,
• 41:35
  Speaker 2: then we will take a break and be back with
• 41:37
  Speaker 2: the buzz of the week. Fantastic. Ach, hello there.
• 41:58
  Speaker 5: Here's a demonstration of my new invention, the goodies machine.
• 42:03
  Speaker 5: Special for patrons of this drive-in, the machine turns out
• 42:06
  Speaker 5: delicious hot doggies one after the other. Gives popcorn of
• 42:13
  Speaker 5: the most tasty kind. Plain and buttered.
• 42:16
  Speaker 2: Candy, too.
• 42:17
  Speaker 5: Crunchy and dandy. Steaming hot coffee. And ice cream, too.
• 42:22
  Speaker 5: These goodies are at a snack bar just waiting for you.
• 42:26
  Speaker 2: He's here. My mystery date.
• 42:30
  Speaker 8: Mystery date.
• 42:33
  Speaker 2: Are you ready for.
• 42:43
  Speaker 1: It's Mystery Date, the thrilling new Milton Bradley game of
• 42:48
  Speaker 1: romance and mystery that's just for you.
• 42:50
  Speaker 2: And you, and you, and you. Mystery Date. Will you
• 42:54
  Speaker 2: be ready for swimming? Or a dance?
• 43:00
  Speaker 1: When you open the door, will your mystery date be
• 43:03
  Speaker 1: a dream? Or a dud. Fun and surprises. That's Mystery Date. Remember,
• 43:13
  Speaker 1: Milton Bradley makes the best games in the world.
• 43:16
  Speaker 2: So girls, open.
• 43:18
  Speaker 8: The door for your mystery date.
• 43:23
  Speaker 2: Get Mystery Date.
• 43:25
  Speaker 7: Hey kids, are you ready for Mid-America's largest genre film festival?
• 43:29
  Speaker 7: That's right, it's time for the 6th annual Fright Night
• 43:31
  Speaker 7: Film Fest.
• 43:32
  Speaker 2: Coming to you July 30th through August 1st in Louisville, Kentucky.
• 43:36
  Speaker 7: Featuring special guests, director, producer, Oscar winner, and living legend,
• 43:40
  Speaker 7: Roger Corman. Plus a Dawn of the Dead reunion, a
• 43:44
  Speaker 7: Night of the Creeps reunion, the Girls of the Nightmare
• 43:46
  Speaker 7: on Elm Street films, plus a 25th anniversary Fright Night reunion.
• 43:50
  Speaker 7: All that plus the Georgetown drive-in experience, live music, and
• 43:53
  Speaker 7: more horror merchandise than you'll know what to do with.
• 43:55
  Speaker 7: And even an appearance from the Movie Meltdown Gang. So
• 43:58
  Speaker 7: come on out and join us July 30th through August 1st.
• 44:01
  Speaker 7: For more details on the show, up to your guest list,
• 44:03
  Speaker 7: or to get your tickets, go to Fright Night Film
• 44:05
  Speaker 7: Fest dot com.
• 44:06
  Speaker 2: Fright Night Film Fest is my favorite film festival. Hands down.
• 44:12
  Speaker 2: Attention shoppers! I trust you've got credit cards to pay
• 44:17
  Speaker 2: for all that stuff. Hi, this is Captain Mary Stewart,
• 44:21
  Speaker 2: and you're listening to Movie Meltdown.
• 44:52
  Speaker 7: All right, we are back with What's the Buzz?
• 44:58
  Speaker 2: Groovy.
• 45:07
  Speaker 4: The people that normally make noises or do something are gone.
• 45:10
  Speaker 2: Well, later we'll have to film it.
• 45:13
  Speaker 3: I'll just have to watch Jesus Christ Superstar on my own.
• 45:16
  Speaker 2: Good. You should. It's nice.
• 45:18
  Speaker 3: Good.
• 45:18
  Speaker 6: It rocks.
• 45:21
  Speaker 2: All right, so as movie fans continue to recover from
• 45:24
  Speaker 2: the possibility that MGM's financial situation may prevent us from
• 45:28
  Speaker 2: ever seeing the two awesome Hobbit movies the way that
• 45:31
  Speaker 2: it's going, there's a whole other issue that comes up
• 45:35
  Speaker 2: this week with the other hugely popular franchise. Maybe the
• 45:38
  Speaker 2: only other one they have. I don't even know at
• 45:40
  Speaker 2: this point. But, yeah, we've discussed it before. James Bond.
• 45:43
  Speaker 4: Hmm.
• 45:44
  Speaker 2: Just a few months ago, they were still in prep
• 45:47
  Speaker 2: to have the third Daniel Craig, James Bond movie. They
• 45:50
  Speaker 2: had it lined up, directed by Sam Mendes, script by
• 45:53
  Speaker 2: Peter Morgan, so they were bringing in all these big,
• 45:55
  Speaker 2: super high-caliber names. Well now, not only is the project
• 45:59
  Speaker 2: on hold, but James Bond 23 may be totally scrapped
• 46:03
  Speaker 2: altogether at this point. Now, at some point, they'll probably
• 46:07
  Speaker 2: find a way to revive it, and, you know, somebody
• 46:09
  Speaker 2: will pick it up and they'll put it out. But,
• 46:11
  Speaker 2: I mean, if you... There's a very small window of
• 46:14
  Speaker 2: time on these bonds. So, I mean, everybody sort of liked,
• 46:18
  Speaker 2: at least the first time out, everybody liked Daniel Craig.
• 46:21
  Speaker 2: So if they put this off for much longer, he's
• 46:23
  Speaker 2: not going to be James Bond anymore. They're perpetually trying
• 46:27
  Speaker 2: to throw in, you know, younger, younger, got to keep him,
• 46:30
  Speaker 2: you know, because Roger Moore got so old towards the
• 46:32
  Speaker 2: end that ever since then, they're like, by the time
• 46:33
  Speaker 2: you hit, you know, 40-ish, time to go, we're throwing
• 46:37
  Speaker 2: you out of there. So... If they push it back
• 46:39
  Speaker 2: a little more, they're going to have to start... They
• 46:41
  Speaker 2: mention on here that by the time they get around
• 46:43
  Speaker 2: to it, they'll be considering Robert Pattinson for the role. Oh, great.
• 46:47
  Speaker 2: How many people just shuddered a little bit?
• 46:49
  Speaker 4: I did.
• 46:49
  Speaker 2: Anyway, so, yeah. I mean, what the hell? I don't
• 46:52
  Speaker 2: understand what's going on with the whole MGM situation. I mean,
• 46:57
  Speaker 2: when you've got huge... That's what makes no sense. Huge properties.
• 47:00
  Speaker 2: I mean, The Hobbit and James Bond. Has anything made
• 47:04
  Speaker 2: more money than these things in the last, you know,
• 47:06
  Speaker 2: hundred years? I mean, shit.
• 47:08
  Speaker 3: I think they could throw anything out, and people would
• 47:10
  Speaker 3: say it was great. I have to admit, I'd never
• 47:13
  Speaker 3: really watched a James Bond film that I really even
• 47:16
  Speaker 3: cared about.
• 47:17
  Speaker 2: They're all there to be entertaining. I mean, there's a
• 47:22
  Speaker 2: few along the way that are better than the others.
• 47:24
  Speaker 2: There's definitely some early on, and even, I guess, a
• 47:28
  Speaker 2: few of the later ones.
• 47:29
  Speaker 4: I watched Quantum of Solace. That's the only one I've
• 47:32
  Speaker 4: ever seen.
• 47:32
  Speaker 2: See, I still haven't even made it all the way
• 47:34
  Speaker 2: through that.
• 47:34
  Speaker 4: I was.
• 47:35
  Speaker 2: It's just... it's more complicated than it needs to be. Again,
• 47:39
  Speaker 2: that's what I think they need to do is tighten
• 47:40
  Speaker 2: up because that script, like midway in, I was just like,
• 47:43
  Speaker 2: I don't care. Like, I'm not sure what he's doing,
• 47:45
  Speaker 2: but I don't really care either. So I'm like, they really,
• 47:48
  Speaker 2: I mean, the old scripts were pretty dumb and, you know,
• 47:51
  Speaker 2: but it kind of works for that type of movie.
• 47:53
  Speaker 2: I mean, you watch some of the Roger Morwens and
• 47:55
  Speaker 2: you're just like, really, this is the plot of this movie. Right. Okay.
• 47:58
  Speaker 2: This is fun. Blow some more shit up. So, Yeah,
• 48:01
  Speaker 2: I think they got to the point where, especially after
• 48:04
  Speaker 2: the first, you know, the Casino Royale was pretty decent
• 48:07
  Speaker 2: and everybody liked it and they got on board with,
• 48:09
  Speaker 2: you know, this new Bond. So they wanted to get like, oh,
• 48:12
  Speaker 2: let's write this big complicated plot. And I just don't care.
• 48:16
  Speaker 2: Like they got so convoluted and brought in all these
• 48:19
  Speaker 2: crazy little looping around. I mean, every 10 minutes he
• 48:23
  Speaker 2: was on a different continent. It was like they constantly
• 48:25
  Speaker 2: had him globetrotting even more. I mean, they've always done that,
• 48:28
  Speaker 2: but this one was just like out of control. I
• 48:30
  Speaker 2: was like, I don't even know why you're going there.
• 48:32
  Speaker 2: I don't care. And then I gave up and quit watching.
• 48:35
  Speaker 2: So I'll finish it eventually, but that isn't even the issue.
• 48:39
  Speaker 2: What I wanted to address is what the hell's going
• 48:42
  Speaker 2: on with MGM and why is it that somebody who's
• 48:45
  Speaker 2: sitting on properties this big, what I don't understand is
• 48:47
  Speaker 2: why is it somebody hasn't just come in and taken
• 48:50
  Speaker 2: them at this point, just taken over? Because almost everything
• 48:54
  Speaker 2: in the world at this point is owned by about
• 48:55
  Speaker 2: seven companies. So why hasn't Time Warner stepped in and
• 48:58
  Speaker 2: been like, you know what, MGM, we're just going to
• 49:01
  Speaker 2: go and take over completely or Sony or somebody that's
• 49:05
  Speaker 2: just sitting on a truckload of money anyway, one of
• 49:07
  Speaker 2: the few people remaining that still have money that just
• 49:10
  Speaker 2: come in buy it just for these properties almost to realize, hey,
• 49:14
  Speaker 2: this is where we're going to make our money from.
• 49:17
  Speaker 3: I'd like to think being an optimist that they're somebody
• 49:20
  Speaker 3: that's sitting back in an office going, hell no, I'm
• 49:23
  Speaker 3: not going to let you touch this and we're not
• 49:24
  Speaker 3: going to put out crap.
• 49:25
  Speaker 2: And we're going to maybe– and I can be wrong
• 49:26
  Speaker 2: about that.
• 49:29
  Speaker 3: The 007 films, because like I said, I've not really
• 49:32
  Speaker 3: watched them. To me, I would care enough about The
• 49:35
  Speaker 3: Hobbit that I would at least hope it would be
• 49:37
  Speaker 3: good to put out. So maybe there's some executive at
• 49:39
  Speaker 3: a desk saying, you.
• 49:40
  Speaker 2: Know what, no.
• 49:41
  Speaker 3: We're going to hold on to this and we may
• 49:43
  Speaker 3: fail and we may not put it out for 10 years,
• 49:45
  Speaker 3: but it's going to be good if we do it.
• 49:47
  Speaker 3: So that would be the optimist, but I'm sure it's not.
• 49:49
  Speaker 3: I'm sure it's money and petty money.
• 49:52
  Speaker 2: Stuff that's that's what made no sense is they like
• 49:54
  Speaker 2: with both of these they had the like dream team
• 49:57
  Speaker 2: set up it's like you had the best director possible
• 50:00
  Speaker 2: to do the hobbit and you bring in an oscar
• 50:02
  Speaker 2: winning director to do this next james bond movie so
• 50:04
  Speaker 2: it's like this is it i mean you're not going
• 50:07
  Speaker 2: to get a better high-end version of either of these
• 50:10
  Speaker 2: and yet they let those just go to hell so
• 50:12
  Speaker 2: it's like Now if they do it, it'll be just, oh, well,
• 50:15
  Speaker 2: let's make a buck. But again, the way Hollywood operates,
• 50:18
  Speaker 2: I'm surprised somebody hasn't come in. Now this is one
• 50:21
  Speaker 2: that they said just happened recently, which is sort of
• 50:24
  Speaker 2: along those lines, but it's just them buying it off.
• 50:27
  Speaker 2: I'm surprised. I'm thinking I can't believe somebody hasn't just
• 50:29
  Speaker 2: come in and bought MGM at this point. Some huge
• 50:32
  Speaker 2: corporation just to salvage it and make what money they
• 50:35
  Speaker 2: can off of it. But no, this one they said
• 50:37
  Speaker 2: that they're considering selling off the rights to The Hobbit
• 50:41
  Speaker 2: to New Line Cinema and Warner Brothers for the extra
• 50:43
  Speaker 2: cash just to help the studio recover as a whole.
• 50:47
  Speaker 2: But I like that the story here says, in Monopoly terms,
• 50:49
  Speaker 2: that's sort of like auctioning off Boardwalk to build houses
• 50:51
  Speaker 2: on Baltic. I was like, that's pretty clever, huh? Nice. So, yeah,
• 50:57
  Speaker 2: I don't understand.
• 50:58
  Speaker 3: I think that's the key to it.
• 50:59
  Speaker 2: We don't understand. Yeah, nothing they do makes sense to me.
• 51:03
  Speaker 2: They're greenlighting, you know, Marmaduke, but they can't get money
• 51:06
  Speaker 2: to put The Hobbit together? You know, there's just something
• 51:09
  Speaker 2: wrong there.
• 51:10
  Speaker 4: Have you seen that awful, awful movie that's coming out?
• 51:13
  Speaker 4: It's like, called Cats and Dogs, The Revenge of.
• 51:16
  Speaker 2: Kitty, Galore. And they'll make a ton of money on it. Yes,
• 51:19
  Speaker 2: they will.
• 51:19
  Speaker 3: That's right. Nickelodeon and Disney will put it on. Well,
• 51:23
  Speaker 3: maybe not Disney, but Nickelodeon will put it on. Yeah,
• 51:24
  Speaker 3: Nickelodeon will put it on. But did you see the
• 51:27
  Speaker 3: first one? It's weird that they're doing a sequel to
• 51:29
  Speaker 3: a movie from like 10 years.
• 51:30
  Speaker 4: Ago yeah the cats and dogs movie yeah.
• 51:32
  Speaker 2: That one wasn't terrible like i remember again being at
• 51:35
  Speaker 2: the store as we were we ran that because it
• 51:38
  Speaker 2: was pg and we could run it all day long
• 51:39
  Speaker 2: so i inadvertently ended up seeing that repeatedly and the
• 51:43
  Speaker 2: thing is i was like for what it is it's
• 51:45
  Speaker 2: way more entertaining than most things aimed at kids and
• 51:48
  Speaker 2: it had a lot of jokes that were sort of
• 51:50
  Speaker 2: you know worked in for the adults so it wasn't
• 51:52
  Speaker 2: meant to be a full-on dumb kids movie at the
• 51:55
  Speaker 2: time And it also was before the level of CGI
• 51:59
  Speaker 2: animals that is now rampant in every movie in the world.
• 52:03
  Speaker 2: So it's like, it's funny looking at that old one.
• 52:05
  Speaker 2: That old one looks like a fucking treat to watch
• 52:08
  Speaker 2: compared to the, just the trailer. Like I can't even
• 52:10
  Speaker 2: make it through the trailer on this new one because
• 52:13
  Speaker 2: it just reeks of Alvin and the chipmunks and Marmaduke
• 52:15
  Speaker 2: and Garfield and like every bad CGI animal movie. And
• 52:19
  Speaker 2: it's like, that's why they're making it. And it's no,
• 52:21
  Speaker 2: you know, no surprise that they're cranking this thing out now. But,
• 52:25
  Speaker 2: It's sad that just in that small span of time,
• 52:28
  Speaker 2: it's taken such a left turn on these movies that
• 52:30
  Speaker 2: are just horribly bad. And people keep taking their kids.
• 52:34
  Speaker 4: Yes.
• 52:35
  Speaker 3: Because it'll shut their kid up for an hour and
• 52:36
  Speaker 3: a half, and they might be able to doze off.
• 52:41
  Speaker 2: That's what it is. I mean, you're always safe with
• 52:43
  Speaker 2: family movies because there's always a market for it, and
• 52:46
  Speaker 2: you're guaranteed to not just sell one ticket, but two
• 52:49
  Speaker 2: or three or four. You get multiple tickets out of
• 52:52
  Speaker 2: everybody that sets foot in there.
• 52:54
  Speaker 4: I think when I have kids, I'm not going to
• 52:55
  Speaker 4: let them watch kids' movies. I'm going to sit them
• 52:57
  Speaker 4: down and force them to watch, like, Fellini films only.
• 53:00
  Speaker 3: These poor, messed-up kids. My daughter loves, you know, The
• 53:04
  Speaker 3: Last Unicorn and The Iron Giant. So, you know, kids
• 53:08
  Speaker 3: are smart enough. They figure out what good movies are.
• 53:11
  Speaker 3: They see, you know, their daycare takes them once a
• 53:14
  Speaker 3: week to second-run... free movies, I think, just so they
• 53:18
  Speaker 3: don't have to watch them. And, you know, she comes
• 53:21
  Speaker 3: home and, I mean, of course, every movie's good, but
• 53:23
  Speaker 3: she doesn't want to re-watch the bad ones.
• 53:25
  Speaker 2: So I think they, you.
• 53:27
  Speaker 3: Know, well, my nephew, I was just talking with him
• 53:31
  Speaker 3: before I came here, and he was talking about characters
• 53:34
  Speaker 3: from Barrel Hill's Chihuahua.
• 53:35
  Speaker 6: Yeah.
• 53:37
  Speaker 2: And I started, I was making fun of him, of course,
• 53:39
  Speaker 2: because it's Beverly Hills Chihuahua. And he goes, what?
• 53:41
  Speaker 3: It's a good movie. And he actually had a defense
• 53:44
  Speaker 3: of how, why it was good. And, you know, this
• 53:47
  Speaker 3: is the kid that thought Flubber was a great movie.
• 53:49
  Speaker 3: So he's evolved at least at 15 now to know that,
• 53:52
  Speaker 3: you know, there are some redeeming qualities in this movie,
• 53:55
  Speaker 3: even though it's a crappy movie.
• 53:57
  Speaker 2: Dog movie. I mean, I almost appreciate that because if
• 54:01
  Speaker 2: anybody appreciates finding the good things in a terrible movie,
• 54:04
  Speaker 2: it's me. So yeah, it's good to know that, you know,
• 54:08
  Speaker 2: somebody out there, hopefully kids growing up are smart enough
• 54:11
  Speaker 2: to see what's bad. And even if they have to
• 54:12
  Speaker 2: keep watching this because parents keep taking them there or
• 54:15
  Speaker 2: their daycare, right. Yeah. They start to weed through and
• 54:17
  Speaker 2: find out what's good and what's bad. And, and, I
• 54:20
  Speaker 2: think it's kind of cool that he had a defense too,
• 54:22
  Speaker 2: that people aren't just going to go like, no, it
• 54:23
  Speaker 2: was good. We'll back it up with something. Then if
• 54:26
  Speaker 2: you really think it is, then give me the rundown.
• 54:28
  Speaker 2: And that's, it's kind of good that any kid out
• 54:30
  Speaker 2: there is, is willing to take that upon themselves, even
• 54:33
  Speaker 2: if it is Beverly Hills Chihuahua.
• 54:35
  Speaker 3: Just most high school kids aren't going to admit that
• 54:37
  Speaker 3: they would watch Beverly Hills Chihuahua.
• 54:39
  Speaker 2: So I was kind of, that's kind of cool in
• 54:41
  Speaker 2: a dorky way. I give him points for that. So,
• 54:45
  Speaker 2: but the new Steve Carell movie, The one where he's
• 54:49
  Speaker 2: the evil.
• 54:50
  Speaker 1: No.
• 54:51
  Speaker 2: Oh, the anime. Despicable Me. Yeah.
• 54:53
  Speaker 3: That one looks like it might be worthwhile. Anything that
• 54:56
  Speaker 3: the evil character brings in adopted children, it looks like.
• 55:02
  Speaker 2: It might be. It might have its good moments. I'm
• 55:03
  Speaker 2: not sure. I can't tell. There's so many of those
• 55:05
  Speaker 2: they're putting out now that you start to lose track.
• 55:08
  Speaker 2: And then you start to see. It really is the
• 55:10
  Speaker 2: ones that look awesome right off the bat. You're like, oh,
• 55:13
  Speaker 2: this is a good one. And you're like, oh, Pixar.
• 55:15
  Speaker 2: And then there's so many other ones. You're just like.
• 55:18
  Speaker 2: I think I'm going to hold off on that one.
• 55:19
  Speaker 2: I don't know.
• 55:20
  Speaker 4: Sometimes movies like that will surprise you. I guess I
• 55:23
  Speaker 4: like anything that's monster or horror related.
• 55:26
  Speaker 2: Which they're doing a.
• 55:27
  Speaker 8: Lot of those.
• 55:27
  Speaker 2: I like Igor.
• 55:28
  Speaker 4: It was awesome.
• 55:29
  Speaker 1: Yeah.
• 55:29
  Speaker 2: See, it looked more interesting than most of those. And.
• 55:32
  Speaker 4: I don't know, just any movie like that about, like,
• 55:35
  Speaker 4: a monster or something gross. Like, I'm all for it.
• 55:39
  Speaker 4: Anything about, like, anything scary. You know, like I said
• 55:44
  Speaker 4: at one of our previous episodes, like, I was raised
• 55:46
  Speaker 4: on the Beetlejuice cartoon, the Addams Family cartoon, and Ah,
• 55:49
  Speaker 4: Real Monsters. That shaped who I am as a person, so.
• 55:52
  Speaker 3: That's my children's new favorite cartoon is the Ah, Real Monsters.
• 55:56
  Speaker 2: Yeah, that's it. Four and six, and they just think
• 56:01
  Speaker 2: that Ickes is the coolest thing ever. Nice. Yeah, they've
• 56:04
  Speaker 2: been watching that the last few weeks. So we'll get
• 56:08
  Speaker 2: away from these terrible movies. Okay, I'm sorry. This one
• 56:11
  Speaker 2: is actually something I'm actually looking forward to on every level.
• 56:15
  Speaker 2: The property itself, the cast, and the director. So they
• 56:19
  Speaker 2: have signed up. Okay, well, I still need to address,
• 56:23
  Speaker 2: dude needs to realize his name's Ralph. I don't care.
• 56:26
  Speaker 2: Ralph Fiennes needs to realize what country he's in. I
• 56:31
  Speaker 2: was also thinking I may just start calling him the Wraith.
• 56:34
  Speaker 2: Wraith Fiennes. That'd be cool. Wraith. So, yeah, the Wraith Fiennes.
• 56:41
  Speaker 2: Colin Firth, Gary Oldman, Michael Fassbender have all signed on
• 56:44
  Speaker 2: to star in this adaptation of John LaCarre's Tinker Tailor
• 56:47
  Speaker 2: Soldier Spy. All of that. You know, his novels are
• 56:50
  Speaker 2: kind of awesome. Everybody involved is sort of a high-caliber actor. Mm-hmm.
• 56:55
  Speaker 2: And they're also the it will be the English language
• 56:58
  Speaker 2: debut of director Tomas Alfredson, whose vampire drama Let the
• 57:02
  Speaker 2: Right One In, which we were just discussing a week
• 57:04
  Speaker 2: or so, is an awesome movie. So watching him become
• 57:08
  Speaker 2: a bigger director is really cool and he deserves it.
• 57:11
  Speaker 2: And I want to see him, you know, crossover and
• 57:14
  Speaker 2: be able to make. These big movies that hopefully is
• 57:16
  Speaker 2: stuff he wants to make and not just things that
• 57:18
  Speaker 2: will be thrown at him because he's a popular name
• 57:21
  Speaker 2: at this point.
• 57:21
  Speaker 4: I kind of would prefer if he would stick with
• 57:25
  Speaker 4: making his movies.
• 57:26
  Speaker 2: Yeah. it's probably in everyone's best interest because they would
• 57:31
  Speaker 2: be less messed with I.
• 57:32
  Speaker 4: Think once any director starts making Americanized movies it kind
• 57:37
  Speaker 4: of ruins it not always but.
• 57:39
  Speaker 2: Not always I mean you've got del Toro is one
• 57:42
  Speaker 2: of those that I mean went for a long time
• 57:44
  Speaker 2: made Spanish language Did a couple of them, and then
• 57:47
  Speaker 2: went back and did, I mean, he still, yeah, kind
• 57:50
  Speaker 2: of crosses back and forth. And even now, I mean,
• 57:53
  Speaker 2: I still haven't seen that last one, but I mean,
• 57:54
  Speaker 2: he's still putting out pretty, even for it being one
• 57:57
  Speaker 2: of his lesser movies, it's still pretty impressive. So, I mean,
• 58:00
  Speaker 2: there are a few that can do that, but yeah,
• 58:02
  Speaker 2: there's a lot of them that once they've come to America,
• 58:04
  Speaker 2: they've just ruined their career, so. Right. I don't know.
• 58:08
  Speaker 2: I think based on what I've seen in that, you know,
• 58:10
  Speaker 2: let the right one in, he's talented enough that I
• 58:13
  Speaker 2: hope he also has sense enough to steer clear of
• 58:15
  Speaker 2: that kind of garbage and just, you know, already this
• 58:18
  Speaker 2: seems like a pretty good high caliber project. So it's like, I,
• 58:21
  Speaker 2: I kind of want to see it. It's, you know,
• 58:23
  Speaker 2: a retired intelligence expert is brought back to help, you know,
• 58:27
  Speaker 2: find a spy. So, I mean, it's kind of a
• 58:29
  Speaker 2: cool spy story that, you know, if done right, those
• 58:32
  Speaker 2: are awesome. So, it's like it is one I would
• 58:34
  Speaker 2: like to see them do a good job, and everybody
• 58:37
  Speaker 2: involved sounds cool. So, as much as we usually throw
• 58:39
  Speaker 2: out stories that are us bitching, this was one that
• 58:41
  Speaker 2: was actually a good story I wanted to put out there.
• 58:43
  Speaker 2: That does sound good.
• 58:44
  Speaker 4: Why is the world so obsessed with spies again?
• 58:48
  Speaker 2: Because they're real again?
• 58:49
  Speaker 4: I guess.
• 58:50
  Speaker 2: All of a sudden?
• 58:51
  Speaker 4: Yeah, that's true.
• 58:52
  Speaker 2: That's probably what pushed this right over.
• 58:53
  Speaker 4: Those two Russian spies that were recently arrested.
• 58:56
  Speaker 2: I'm sure this was still in the floundering stage until
• 58:59
  Speaker 2: that happened. They were like, oh, quick, green light.
• 59:01
  Speaker 4: Get this out as soon as possible. Every other movie
• 59:05
  Speaker 4: that's coming out is spy related. Even children's movies, you
• 59:08
  Speaker 4: know like that cat dog thing.
• 59:09
  Speaker 3: Oh spy spy that was.
• 59:11
  Speaker 2: By next door what was the jackie chan oh this
• 59:16
  Speaker 2: baby sitting spy whatever the.
• 59:18
  Speaker 4: Hell that was that was bad i think the spy.
• 59:20
  Speaker 3: I think that came from probably the Vin Diesel movie.
• 59:24
  Speaker 2: Yeah, the pacifier. It does look exactly like it. It's
• 59:28
  Speaker 2: the Jackie Chan version of that movie. Oh, yeah. So
• 59:32
  Speaker 2: that Tinker Tailor at Soldier Spy will start filming in
• 59:35
  Speaker 2: London in October.
• 59:37
  Speaker 3: Anything with that unusual of a name, unless it's Percy Jackson,
• 59:40
  Speaker 3: it's probably going to be pretty good.
• 59:42
  Speaker 2: Percy Jackson.
• 59:44
  Speaker 4: God, I kind of want to watch that movie, but
• 59:46
  Speaker 4: I just can't get past Percy Jackson. It should be
• 59:49
  Speaker 4: like an old Motown thing or something.
• 59:51
  Speaker 2: I don't know. I think I have his 45s.
• 59:54
  Speaker 4: Exactly.
• 59:55
  Speaker 2: Percy Jackson. Ow, come on.
• 59:58
  Speaker 1: All right.
• 59:58
  Speaker 2: You know what? You love it. It's time for the
• 1:00:00
  Speaker 2: remakes of the week. Aren't you excited? You get to
• 1:00:04
  Speaker 2: be here in the middle of the remakes of the
• 1:00:06
  Speaker 2: week or reimaginings or repurposing. There's there's one that veers
• 1:00:10
  Speaker 2: off a little, but who cares? It's ridiculous, too. So
• 1:00:13
  Speaker 2: since they continually remake the same stories over and over again,
• 1:00:17
  Speaker 2: it's a little surprising to discover that there has never
• 1:00:19
  Speaker 2: actually been a live action English language movie version of
• 1:00:23
  Speaker 2: Hans Christian Andersen's A Little Mermaid. So as well-known as
• 1:00:28
  Speaker 2: a fairy tale that is, it's kind of weird that
• 1:00:30
  Speaker 2: they've never done it. Obviously, the 89 Disney version is
• 1:00:33
  Speaker 2: huge and became an immediate classic almost.
• 1:00:37
  Speaker 4: And then Ponyo recently.
• 1:00:39
  Speaker 2: Yeah, Ponyo. And I guess they reference Splash here. I
• 1:00:43
  Speaker 2: was going to say, what about Splash? The closest live-action
• 1:00:46
  Speaker 2: version that we've got.
• 1:00:47
  Speaker 4: What about that movie that has, I don't know, those
• 1:00:50
  Speaker 4: girls from the... Disney Channel or Nickelodeon Channel.
• 1:00:55
  Speaker 2: Aquamarine.
• 1:00:56
  Speaker 8: Yes, Aquamarine. What about Aquamarine?
• 1:00:58
  Speaker 4: Who was in that movie?
• 1:00:59
  Speaker 2: That one girl from all those shows. I think Emma
• 1:01:02
  Speaker 2: Roberts is in it, though. Yeah. Who soon will be
• 1:01:05
  Speaker 2: a big name.
• 1:01:05
  Speaker 4: Yeah.
• 1:01:07
  Speaker 2: It's just a dorky game. Her show. If they keep
• 1:01:09
  Speaker 2: telling you enough sooner or later, you'll have to be like, oh, well,
• 1:01:11
  Speaker 2: I guess she is a star.
• 1:01:13
  Speaker 4: Her show on Nickelodeon was cute.
• 1:01:14
  Speaker 2: So, yeah, the director behind this new Little Mermaid is
• 1:01:18
  Speaker 2: Joe Wright, whose first three films were 2005's Pride and Prejudice,
• 1:01:23
  Speaker 2: the Oscar-winning Atonement, and last year's The Soloist.
• 1:01:27
  Speaker 8: Wow.
• 1:01:27
  Speaker 2: So this is.
• 1:01:28
  Speaker 4: Pretty high caliber.
• 1:01:29
  Speaker 2: Yeah, they're going, like, high end on this. So I'm like, well... Good,
• 1:01:32
  Speaker 2: that's the way to go. Yeah, it's like, I don't
• 1:01:34
  Speaker 2: know what to think of this idea, but if somebody
• 1:01:36
  Speaker 2: was going to do it and do not a bad
• 1:01:39
  Speaker 2: version of it, I could see this, you know, being
• 1:01:41
  Speaker 2: the guy to give it to. Yeah.
• 1:01:43
  Speaker 4: Is it going to have Amy Adams in it?
• 1:01:45
  Speaker 2: If it does, it won't work. Now, with that director... Maybe...
• 1:01:50
  Speaker 2: What's her name? Saoirse Ronan? I think she's... He's actually
• 1:01:54
  Speaker 2: working on a new one that's like a... Which, oddly enough,
• 1:01:56
  Speaker 2: a teenage assassination thriller called Hannah that has her... She's
• 1:02:00
  Speaker 2: the lovely bones girl. So I'm thinking, yeah, that's probably...
• 1:02:04
  Speaker 2: She might be still right about the right age.
• 1:02:06
  Speaker 4: I hated her in that movie. I hated that movie.
• 1:02:09
  Speaker 4: That movie was terrible.
• 1:02:11
  Speaker 2: I hated her.
• 1:02:12
  Speaker 4: That movie angrified me. I just wanted it to be over.
• 1:02:16
  Speaker 4: And I hate when people are like, oh my god,
• 1:02:18
  Speaker 4: I love that movie, The Lovely Bones.
• 1:02:19
  Speaker 2: I'm like, fuck you.
• 1:02:20
  Speaker 4: Fuck that movie.
• 1:02:21
  Speaker 2: You're stupid.
• 1:02:23
  Speaker 4: No offense, people.
• 1:02:25
  Speaker 2: Well, as long as you're being open-minded about it. That's right.
• 1:02:29
  Speaker 4: Yeah, exactly.
• 1:02:31
  Speaker 5: All that matters.
• 1:02:32
  Speaker 2: So yeah, little live action, little mermaid. I don't know
• 1:02:35
  Speaker 2: what to think, but I think.
• 1:02:37
  Speaker 3: If people expect it to be little mermaid, it's gets
• 1:02:40
  Speaker 3: going to fail. So if it's going to be a
• 1:02:42
  Speaker 3: very good plot driven, truly Hans Christian Anderson adaptation, which
• 1:02:47
  Speaker 3: if you've done pride and prejudice, then you can handle it.
• 1:02:50
  Speaker 3: But I, yeah, I think, I think people can handle
• 1:02:54
  Speaker 3: it if they, as long as they don't think, Where's
• 1:02:56
  Speaker 3: Ariel and where's Flounder or whatever.
• 1:02:59
  Speaker 2: Prince Eric or whoever the hell it was in that one.
• 1:03:01
  Speaker 4: What was the lobster's name?
• 1:03:03
  Speaker 2: Sebastian. Sebastian, yeah.
• 1:03:05
  Speaker 4: I'll be sad if there's no Sebastian. There better be Sebastian.
• 1:03:08
  Speaker 2: Yeah. I'm not even going to say it. All right.
• 1:03:12
  Speaker 2: So Mad Max is back again and again and again.
• 1:03:18
  Speaker 2: We discussed the... reboot that they've been trying to do
• 1:03:21
  Speaker 2: for a while back. But yeah, Australian director George Miller
• 1:03:24
  Speaker 2: has been trying to get that one off the ground
• 1:03:26
  Speaker 2: for quite a while. So it's taken so long that
• 1:03:28
  Speaker 2: I guess at this point he's decided when it finally
• 1:03:30
  Speaker 2: starts filming, he's going to make two movies. In addition
• 1:03:34
  Speaker 2: to Mad Max Fury Road, which is the one he's
• 1:03:37
  Speaker 2: been working on forever now, he's decided he's also going
• 1:03:40
  Speaker 2: to make Mad Max Furiosa. There's no word what Furiosa
• 1:03:45
  Speaker 2: might be about, but I guess basically if you've got,
• 1:03:47
  Speaker 2: you know, people on set, we got all the blowing
• 1:03:51
  Speaker 2: up cars still on fire over there. Let's, you know,
• 1:03:53
  Speaker 2: let's keep filming. Film it from another angle and make
• 1:03:56
  Speaker 2: another movie. Yeah, I don't know. I mean, again, this
• 1:04:01
  Speaker 2: is one of those that. I don't know that it's
• 1:04:03
  Speaker 2: such a horrible idea because it's been so long that
• 1:04:07
  Speaker 2: only the hardcore Mad Max fans really care about those
• 1:04:09
  Speaker 2: old movies anymore. I think there really is a whole
• 1:04:12
  Speaker 2: new generation of number one kids and number two, just
• 1:04:15
  Speaker 2: people who probably didn't care that much about it. Like
• 1:04:18
  Speaker 2: weren't into that kind of movie back then that if
• 1:04:20
  Speaker 2: you make it a shiny enough version, you could sucker
• 1:04:22
  Speaker 2: them into theaters to go see this thing.
• 1:04:24
  Speaker 3: Plus there's that whole end of the world 2012 thing
• 1:04:28
  Speaker 3: going on anyway that everybody's, that's just everybody ever you
• 1:04:32
  Speaker 3: know the what was the denzel washington movie and oh
• 1:04:36
  Speaker 3: the book of eli book of eli yeah all that's
• 1:04:39
  Speaker 3: just it's it's.
• 1:04:41
  Speaker 2: Perfect timing for it i think i mean it's always
• 1:04:43
  Speaker 2: a fun area to make a movie anyway i always
• 1:04:45
  Speaker 2: i always like those movies but yeah it's funny that
• 1:04:48
  Speaker 2: they've sort of come back around to being kind of
• 1:04:50
  Speaker 2: popular and mainstream so again it's the right timing they
• 1:04:54
  Speaker 2: could make it work um they've got tom hardy who
• 1:04:57
  Speaker 2: was the handsome bob from rock and rolla and the
• 1:05:00
  Speaker 2: title character in bronson so he's he's become kind of
• 1:05:03
  Speaker 2: like yeah he's moving up in the genre rank so
• 1:05:06
  Speaker 2: i mean i guess this is the crowning achievement if
• 1:05:08
  Speaker 2: you get to be mad max you've got three movies
• 1:05:10
  Speaker 2: probably yeah he's the new mad max and uh they've
• 1:05:13
  Speaker 2: got charlize theron signed on to do something to be
• 1:05:16
  Speaker 2: herself in a movie so she hasn't done anything Yeah,
• 1:05:19
  Speaker 2: I think at this point she better cash in, not
• 1:05:21
  Speaker 2: vice versa. But she's a recognizable name. So, I mean, again,
• 1:05:24
  Speaker 2: with all this thrown at it, I think, and it
• 1:05:27
  Speaker 2: almost gives me a little hope that it is still
• 1:05:29
  Speaker 2: George Miller. It isn't them just handing it to, you know,
• 1:05:33
  Speaker 2: who's our terrible director we want to go with here.
• 1:05:40
  Speaker 4: I mean, can we just go with the one we
• 1:05:41
  Speaker 4: always go by at Michael Bay's?
• 1:05:43
  Speaker 2: Like, don't hand it to Michael Bay's? No, I wouldn't
• 1:05:45
  Speaker 2: even think. He's too big for that. I was thinking
• 1:05:46
  Speaker 2: more of... That would be a lot of cool explosions.
• 1:05:49
  Speaker 2: I mean, you know, there's some times where, you know,
• 1:05:53
  Speaker 2: Michael Bay directing a.
• 1:05:54
  Speaker 3: I mean, stuff would be exploding everywhere.
• 1:05:57
  Speaker 2: It would. But no, it would be bad. It would
• 1:06:02
  Speaker 2: be bad. It would have Ben Affleck in it. It
• 1:06:04
  Speaker 2: would be awesome. Yeah. So, yeah, if they give it
• 1:06:07
  Speaker 2: to just Brett Ratner or somebody else that's just one
• 1:06:10
  Speaker 2: of their go-to, here, make a reboot, make a bad,
• 1:06:13
  Speaker 2: you know, property that already exists kind of movie, it
• 1:06:16
  Speaker 2: would worry me more than it is George Miller. His
• 1:06:19
  Speaker 2: original idea, he's coming back and has been toying with
• 1:06:23
  Speaker 2: these ideas for years now. So, I mean, I would
• 1:06:26
  Speaker 2: hope in that way he would take a little time
• 1:06:29
  Speaker 2: and do something useful with it. It could also backfire,
• 1:06:32
  Speaker 2: and he's been building up so long that it's just
• 1:06:34
  Speaker 2: going to be an explosion of mess. It's just going
• 1:06:37
  Speaker 2: to be, ah, jam everything into these movies because I've
• 1:06:40
  Speaker 2: been working on it my entire life. So, I mean,
• 1:06:42
  Speaker 2: it could backfire. But I still think I've got a
• 1:06:44
  Speaker 2: little more hope that he's involved and should be directing
• 1:06:48
  Speaker 2: the way it looks. Yeah. I think that's kind of cool.
• 1:06:50
  Speaker 3: As long as we don't get a Mel Gibson cameo,
• 1:06:52
  Speaker 3: I'll be happy.
• 1:06:53
  Speaker 2: No, I'm sure. If he plays his cards right, he's
• 1:06:56
  Speaker 2: gunning for it. They were in talks. I still haven't
• 1:06:59
  Speaker 2: heard of them confirming that Mel was going to do it,
• 1:07:02
  Speaker 2: but I'm sure he's going to be there. He'll be
• 1:07:04
  Speaker 2: the old fat guy on the throne when they get
• 1:07:06
  Speaker 2: to the end of the movie and the new king
• 1:07:08
  Speaker 2: of the broken down city is old fat Mel Gibson.
• 1:07:11
  Speaker 4: There's a movie that it's trying to be like every
• 1:07:15
  Speaker 4: movie ever made, including Mad Max and then like some...
• 1:07:19
  Speaker 4: Like Lord of the Rings kind of movie and like
• 1:07:21
  Speaker 4: vampire movie and then the Warriors. It's called Doomsday.
• 1:07:24
  Speaker 2: Wow. Not the Warriors thrown in?
• 1:07:27
  Speaker 4: Well, just some of the people look like.
• 1:07:30
  Speaker 2: Like the other Doomsday? Like the one that came out
• 1:07:32
  Speaker 2: like that?
• 1:07:32
  Speaker 4: I think it has like the Kate Beckinsale ripoff girl.
• 1:07:36
  Speaker 4: Like if they can't get Kate Beckinsale, they get this girl. Like,
• 1:07:40
  Speaker 4: Rona Mitra or Rona Mitra or something like that.
• 1:07:43
  Speaker 2: But, I mean, is this the one that came out, like,
• 1:07:44
  Speaker 2: two years ago or something? Okay, yeah.
• 1:07:46
  Speaker 4: Yeah.
• 1:07:46
  Speaker 2: Yeah, that one was, like, I remember.
• 1:07:48
  Speaker 4: It was actually a really good movie.
• 1:07:49
  Speaker 2: Yeah, it's, um, the director's the guy that did The Descent. So,
• 1:07:53
  Speaker 2: I mean, it actually, yeah.
• 1:07:55
  Speaker 4: But it's, like, every movie ever made.
• 1:07:57
  Speaker 2: It's sort of, like, a bad idea, but they gave
• 1:07:59
  Speaker 2: it to a talented person, so it ends up being
• 1:08:01
  Speaker 2: kind of cool. I still haven't watched it, but just
• 1:08:03
  Speaker 2: the trailer was, like, yes, this is very Mad Max.
• 1:08:06
  Speaker 2: This is very, like, dead-end drive-in. Yeah, that's.
• 1:08:09
  Speaker 4: Yeah that's what it is like just the people's uh
• 1:08:12
  Speaker 4: costumes and stuff like that it reminds me of like
• 1:08:14
  Speaker 4: the warriors are dead and driving which is such an
• 1:08:16
  Speaker 4: awesome movie.
• 1:08:16
  Speaker 3: Games in baseball uniform yeah.
• 1:08:18
  Speaker 2: Roller skates no they're just nothing will save your ass
• 1:08:21
  Speaker 2: in the future like roller skates yeah exactly oh lord
• 1:08:26
  Speaker 2: so yeah i don't know that that's another one i
• 1:08:29
  Speaker 2: it could potentially be kind of cool could go down
• 1:08:33
  Speaker 2: the wrong road but we'll have to see how it
• 1:08:35
  Speaker 2: goes All right. And, uh, to round it out here, the, uh,
• 1:08:39
  Speaker 2: the relatively so-so box office results on the TV remakes
• 1:08:43
  Speaker 2: like McGruber, like McGruber and A-Team don't really appear to
• 1:08:47
  Speaker 2: be intimidating the producers in Hollywood because, um, they're, they're
• 1:08:50
  Speaker 2: still mining all the 80s sitcoms that they can or,
• 1:08:53
  Speaker 2: or any bad hour drama action show that they can
• 1:08:56
  Speaker 2: because they've, decided that DreamWorks and producer Walter Parks are
• 1:09:01
  Speaker 2: currently working on a movie version of the 80s action
• 1:09:04
  Speaker 2: drama The Fall Guy. Oh, wow. I have to say,
• 1:09:08
  Speaker 2: I kind of like the fall guy. I'm not going
• 1:09:10
  Speaker 2: to lie. I mean, you got a Hollywood stuntman moonlighting
• 1:09:13
  Speaker 2: as a bounty hunter. What's bad about that? And you
• 1:09:16
  Speaker 2: got Lee Majors in the middle of it. And at
• 1:09:18
  Speaker 2: the time, Heather Thomas was quite on top of my list.
• 1:09:22
  Speaker 2: I was never one for Cheesecake Girls, but for some reason,
• 1:09:25
  Speaker 2: like that one worked okay when I was 12 or
• 1:09:27
  Speaker 2: however old I was when that show was on. All
• 1:09:29
  Speaker 2: of a sudden it was like, hey, those posters they're
• 1:09:32
  Speaker 2: selling at Spencer's look pretty cool.
• 1:09:34
  Speaker 3: Are there any stuntmen in Hollywood anymore?
• 1:09:37
  Speaker 2: That was going to be my question, though. I mean,
• 1:09:40
  Speaker 2: we've already had a couple of, you know, I'm thinking,
• 1:09:42
  Speaker 2: you know, a stuntman movie could be cool. But I
• 1:09:44
  Speaker 2: was like, we had Hooper and we had the stuntman.
• 1:09:46
  Speaker 2: These are all the 70s and 80s versions of it. So, like,
• 1:09:50
  Speaker 2: now in the post-CGI, you know, green screen effect world...
• 1:09:55
  Speaker 2: I mean, how much does that change the life of
• 1:09:58
  Speaker 2: a stuntman, period? Right. But on top of that, also,
• 1:10:01
  Speaker 2: how much does the technological computer nerdery change the cool, old,
• 1:10:06
  Speaker 2: rough character that we envision as this stuntperson? It's like,
• 1:10:10
  Speaker 2: does that change it now that he's hooked up on
• 1:10:12
  Speaker 2: wires in front of a green screen, just kind of
• 1:10:14
  Speaker 2: bouncing back and forth? I mean, he's not actually... I mean,
• 1:10:17
  Speaker 2: there are still plenty of projects that they are throwing
• 1:10:19
  Speaker 2: themselves off a building and dodging fireballs. There's a lot
• 1:10:22
  Speaker 2: of them out there still working like that, but... It's
• 1:10:24
  Speaker 2: a very different world than it was in, you know, 70s,
• 1:10:28
  Speaker 2: early 80s. They were still making all this stuff. So
• 1:10:30
  Speaker 2: I don't know. Is it possible to do a version
• 1:10:34
  Speaker 2: of this now and still have it be, you know,
• 1:10:36
  Speaker 2: that cool, you know, rough character that we all want
• 1:10:39
  Speaker 2: it to be? Or is it just going to come
• 1:10:41
  Speaker 2: off kind of lame? Yeah.
• 1:10:43
  Speaker 3: As long as they don't go down the Get Smart path,
• 1:10:45
  Speaker 3: I'll probably be happy.
• 1:10:47
  Speaker 2: See, that's what they do with all those shows. They
• 1:10:48
  Speaker 2: turn around and try to make it a comedy that
• 1:10:51
  Speaker 2: realizes it's a comedy. I mean, most of them were
• 1:10:53
  Speaker 2: funny back in the day, and they had no clue
• 1:10:55
  Speaker 2: why they were so funny. But now that they're doing it,
• 1:10:58
  Speaker 2: and it's so obvious and so aware of itself as
• 1:11:01
  Speaker 2: to the funny aspect of it all, it's not funny anymore.
• 1:11:05
  Speaker 2: Tell a joke.
• 1:11:06
  Speaker 4: Wait for the laughter. Face the audience.
• 1:11:09
  Speaker 2: Cheese at the camera. That's what I was going to say.
• 1:11:11
  Speaker 3: The entire cast winking at the audience just drives me nuts.
• 1:11:15
  Speaker 2: It's just not cool. Now, what I was thinking was,
• 1:11:18
  Speaker 2: I mean, it could be a good idea for a movie.
• 1:11:19
  Speaker 2: But what almost pains me to say this is it
• 1:11:23
  Speaker 2: occurred to me what would almost be more interesting. And
• 1:11:26
  Speaker 2: I hate thinking this because I hate this lame, beaten-into-the-ground format.
• 1:11:31
  Speaker 2: but I don't know that this exists. Uh, why isn't
• 1:11:33
  Speaker 2: there a reality show about stunt people?
• 1:11:36
  Speaker 3: Yeah.
• 1:11:37
  Speaker 2: Because to me, it's like people who fucking repo cars.
• 1:11:40
  Speaker 2: That's what I'm saying. I was like, but if somebody
• 1:11:42
  Speaker 2: has an interesting life, it's like, if you could follow
• 1:11:44
  Speaker 2: around one or like a group of stunt people and like,
• 1:11:48
  Speaker 2: you know, actually like from movie to movie. So it's
• 1:11:50
  Speaker 2: going to be a different scenario. It's going to be different,
• 1:11:52
  Speaker 2: you know, backdrops and other characters and you can have
• 1:11:54
  Speaker 2: celebrity guest stars. I'm like, who hasn't made this show
• 1:11:57
  Speaker 2: what idiots out there making you know small people buying
• 1:12:01
  Speaker 2: shoes what was the what show was that they had
• 1:12:04
  Speaker 2: a little person but they were watching her buy shoes
• 1:12:06
  Speaker 2: and i'm.
• 1:12:07
  Speaker 4: Like is that a little couple but no they have
• 1:12:09
  Speaker 4: one about little people like rescuing pitbulls that i would
• 1:12:13
  Speaker 4: totally watch i'm like i mean it's.
• 1:12:14
  Speaker 2: Cool that you can go buy shoes but why do we.
• 1:12:16
  Speaker 4: Have to watch yeah they have these stupid fucking spin-offs
• 1:12:19
  Speaker 4: of these Apparently there's all these like housewives shows. It's
• 1:12:23
  Speaker 4: just these like gross old cougars who have no lives
• 1:12:27
  Speaker 4: just being like, catty conniving bitches in their huge houses
• 1:12:31
  Speaker 4: while their husbands work and they just like sit around
• 1:12:33
  Speaker 4: and like yeah.
• 1:12:34
  Speaker 2: While their husbands sleep with.
• 1:12:35
  Speaker 4: Younger yeah they just sit around and get plastic surgery
• 1:12:39
  Speaker 4: and lay by the pool and tan but then they
• 1:12:41
  Speaker 4: get fucking spinoffs.
• 1:12:42
  Speaker 2: It's like get a bad mouth at but that's so
• 1:12:44
  Speaker 2: soap opera yes it will work just fine yeah.
• 1:12:46
  Speaker 4: Then those women get spinoffs i think there's this one
• 1:12:49
  Speaker 4: show i was watching bravo because i like top chef
• 1:12:51
  Speaker 4: i watch it all.
• 1:12:52
  Speaker 2: The time You're my new friend. That's my favorite show.
• 1:12:57
  Speaker 4: I mean, some of the reality shows in Bravo are
• 1:12:59
  Speaker 4: really good. Like, I like the work of art.
• 1:13:02
  Speaker 2: It's kind of stupid, but I just don't like reality.
• 1:13:04
  Speaker 2: The format. I'm just, I'm done with it. I rarely
• 1:13:07
  Speaker 2: liked it at all. But I mean, if there was
• 1:13:09
  Speaker 2: something that seemed kind of like a, someone's life, who's
• 1:13:13
  Speaker 2: actually interesting enough to follow them around, you know, you're
• 1:13:16
  Speaker 2: watching them get almost blown up or jump off a
• 1:13:19
  Speaker 2: car or something like that. So, I mean, that seemed
• 1:13:21
  Speaker 2: like a good idea.
• 1:13:22
  Speaker 4: Things like top chef and things. It's like a game
• 1:13:24
  Speaker 4: show competition thing. That's why I like those.
• 1:13:26
  Speaker 2: But, I'm done with those two.
• 1:13:27
  Speaker 4: There's this one on Bravo called Bethany Getting Married. I
• 1:13:31
  Speaker 4: guess she was just some, I don't know who she is,
• 1:13:33
  Speaker 4: but I think she was probably just some dumb housewife
• 1:13:36
  Speaker 4: from one of those shows or something, maybe. I don't know.
• 1:13:38
  Speaker 4: I mean, I might be wrong, but it's just like,
• 1:13:41
  Speaker 4: this is the dumbest fucking thing ever. Like, you have
• 1:13:44
  Speaker 4: a really ugly face. Why do we want to follow
• 1:13:47
  Speaker 4: you around and watch you try on maternity dresses, like,
• 1:13:51
  Speaker 4: for a whole hour every day? We don't. I don't know.
• 1:13:55
  Speaker 2: Oh God. I don't know. I just, I don't like
• 1:13:58
  Speaker 2: so many ideas of all these reality shows, but that
• 1:14:01
  Speaker 2: one occurred to me as like, if there was ever
• 1:14:02
  Speaker 2: going to be one, why not this one? And why
• 1:14:04
  Speaker 2: are they throwing money at all these stupid ideas? And
• 1:14:07
  Speaker 2: to my knowledge, if anybody knows of one out there, Hey,
• 1:14:09
  Speaker 2: let me know. But I, yeah, I've never seen anything
• 1:14:12
  Speaker 2: similar to this and it seems kind of cool. So Yeah. Instead,
• 1:14:17
  Speaker 2: we'll probably get a horrible, cheesing at the camera, Fall
• 1:14:21
  Speaker 2: Guy movie with Steve Carell. Or The Rock, I don't know.
• 1:14:25
  Speaker 2: Probably The Rock. More than likely. Vin Diesel would be perfect. Oh, God, no.
• 1:14:30
  Speaker 4: I don't like Vin Diesel.
• 1:14:31
  Speaker 2: I'd rather watch The Rock. So, yeah, I don't know.
• 1:14:36
  Speaker 2: That's a horrible idea for... I don't know. Again, I
• 1:14:40
  Speaker 2: like the old show. If they could do it right,
• 1:14:41
  Speaker 2: I'd be okay with it. But I'm afraid they're not
• 1:14:43
  Speaker 2: going to go the stuntman drama version of it. They're
• 1:14:46
  Speaker 2: going to go the cheesy Brady Bunch movie version. So, yeah.
• 1:14:50
  Speaker 2: That's what I'm afraid of. Starsky and Hutch. Dukes of Hazzard. Fuck.
• 1:14:56
  Speaker 3: They ruined another small part of my childhood.
• 1:14:58
  Speaker 2: Yeah. What's wrong with people? Quit screwing up these perfectly
• 1:15:02
  Speaker 2: good retarded shows and making them more retarded.
• 1:15:04
  Speaker 4: Right. why isn't there an alf show or alf.
• 1:15:07
  Speaker 2: Movie yet don't don't invite it jesus.
• 1:15:10
  Speaker 4: It's gonna happen i mean it is it's gonna be
• 1:15:13
  Speaker 4: a girl cgi like garfield movie but why hasn't it
• 1:15:16
  Speaker 4: happened it is it's probably in production right now i had.
• 1:15:19
  Speaker 3: A theory that that that uh alf was just like
• 1:15:23
  Speaker 3: garfield alf is basically garfield but an alien so i
• 1:15:28
  Speaker 3: think they meant to make.
• 1:15:29
  Speaker 4: A puppet yeah instead of being a cat.
• 1:15:32
  Speaker 3: That's how they were to make a puppet and really
• 1:15:34
  Speaker 3: did a bad job like let's just make it an alien.
• 1:15:39
  Speaker 2: This wood is gonna be a cat.
• 1:15:40
  Speaker 4: But i don't know what i can't remember because it's
• 1:15:43
  Speaker 4: been so long but was he like an operated puppet
• 1:15:45
  Speaker 4: or was there like a really small person inside.
• 1:15:47
  Speaker 2: No it was a hand yeah It was behind the couch.
• 1:15:49
  Speaker 2: The whole, I mean, they had better ones that you
• 1:15:52
  Speaker 2: could see him sitting on the couch or something, but
• 1:15:54
  Speaker 2: I mean, you could see his feet, but most of
• 1:15:56
  Speaker 2: the time it was a hand doing everything. Yep. Which
• 1:16:00
  Speaker 2: I appreciate that. Especially now. I long for those days.
• 1:16:04
  Speaker 2: It's the sad part that I'm like, man, why can't
• 1:16:06
  Speaker 2: more shows be like Alf? That's sad.
• 1:16:09
  Speaker 5: Yeah.
• 1:16:12
  Speaker 2: Didn't think I'd hear myself say that ever.
• 1:16:15
  Speaker 3: The aquaponics were pretty good. The neighbors, they worked. That
• 1:16:19
  Speaker 3: was about the best characters on the show.
• 1:16:21
  Speaker 2: I just like that he was from Melmac. Oh, Lord. So,
• 1:16:28
  Speaker 2: I guess that will wrap up the first half here.
• 1:16:31
  Speaker 2: All right. As we wrap up part one, we will
• 1:16:34
  Speaker 2: invite you to come back and join us for the
• 1:16:36
  Speaker 2: second entry in our Greedo-esque triple feature. Come back and
• 1:16:40
  Speaker 2: join us for The Cremators.
• 1:16:42
  Speaker 3: Sounds awesome.
• 1:16:44
  Speaker 2: Sounds awesome. So does Blood Mania, but we learned the
• 1:16:48
  Speaker 2: hard way.
• 1:16:49
  Speaker 4: Not so awesome.
• 1:16:51
  Speaker 2: Come back and join us. Well, I'm not the kind.
• 1:16:54
  Speaker 10: To kiss and tell But I've been seen with Farrah
• 1:16:58
  Speaker 10: I've never been with anything less than a nine So
• 1:17:02
  Speaker 10: fine I've been on fire with Sally Field Gone fast
• 1:17:06
  Speaker 10: with a girl named Bo But somehow they just don't
• 1:17:10
  Speaker 10: end up as mine It's a death defying life I
• 1:17:16
  Speaker 10: lead I take my chances I die for living.
• 1:17:20
  Speaker 2: In the movies and TV But the hardest thing.
• 1:17:26
  Speaker 8: I ever do is watch my leading lady kiss some
• 1:17:30
  Speaker 8: other guy while I'm bandaging my knee. I might fall
• 1:17:35
  Speaker 8: from a tall building. I might roll a brand new car.
• 1:17:40
  Speaker 2: Cause I'm the unknown.
• 1:17:42
  Speaker 8: Stuntman that made Redford such a star.
• 1:17:52
  Speaker 10: I've never spent much time in school, but I taught
• 1:17:56
  Speaker 10: ladies plenty.
• 1:17:58
  Speaker 8: It's true, I hire my body out to pay. Hey, hey,
• 1:18:03
  Speaker 8: I've gotten burned over Cheryl Teague's blown up old rock
• 1:18:07
  Speaker 8: and welch.
• 1:18:08
  Speaker 2: But when I wind up in the hay, it's only hay, hay, hay.
• 1:18:13
  Speaker 8: I might jump an open drawbridge or Tarzan from a vine.
• 1:18:19
  Speaker 8: Cause I'm the unknown stuntman that makes Eastwood look so fine.
• 1:18:31
  Speaker 8: They'll never make me president, but I got the best girls, ladies.
• 1:18:36
  Speaker 8: Some days I've got them as far as the eye
• 1:18:39
  Speaker 8: can see. A morning dive with Jackie Smith, I crash
• 1:18:45
  Speaker 8: in the night with Cheryl. But in the end, they
• 1:18:48
  Speaker 8: never stay with me.
• 1:18:50
  Speaker 2: Me.
• 1:18:52
  Speaker 8: I might fall from a tall building so Bert Reynolds
• 1:18:56
  Speaker 8: don't get hurt. I might leave a mighty canyon so
• 1:19:00
  Speaker 8: he can't quit and flirt. While that smooth talker's kissing
• 1:19:05
  Speaker 8: my girl, I'm just kissing dirt. Yes, I'm the loneliest
• 1:19:09
  Speaker 8: stuntman that made a lover out of dirt.
• 1:19:24
  Speaker 2: This show is a production of Movie Meltdown, produced and
• 1:19:26
  Speaker 2: edited by Brian Renfro, with opening music performed by The Empires.
• 1:19:31
  Speaker 2: To help support the show, email producer at moviemeltdown.com for
• 1:19:34
  Speaker 2: ways that you can contribute or advertise with us.