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Headless' Magical Mailbag- Abracadabra Symbol & More · The Occult Rejects

• 0:02
  Speaker 1: You see something's going to happen.
• 0:06
  Speaker 2: What what's going to happen?
• 0:12
  Speaker 1: I'll think what you up? Everybody? Welcome to another Headless
• 0:27
  Speaker 1: is Magical mail bag. Say hi to my co host Nick, Nick,
• 0:30
  Speaker 1: how are you doing today?
• 0:32
  Speaker 2: What is up is going on? Sir? How the hell
• 0:34
  Speaker 2: are you.
• 0:36
  Speaker 1: Doing well? Doing well? So we got a lot of
• 0:39
  Speaker 1: mail in the mail bag, but first let's get to
• 0:41
  Speaker 1: our symbols.
• 0:43
  Speaker 2: Do you want to go first or it's up to
• 0:45
  Speaker 2: you if you want to go first. I mean, if
• 0:47
  Speaker 2: you want me to go first, I can definitely do that,
• 0:48
  Speaker 2: So that's not a problem.
• 0:50
  Speaker 1: Well, I got mine pulled up, so I might as
• 0:52
  Speaker 1: well add that to the stage. So I want to
• 0:55
  Speaker 1: talk a little bit about Zagrias, and Zagrias is definitely
• 1:00
  Speaker 1: one of the more interesting gods in the Greek pantheon
• 1:03
  Speaker 1: that never gets any attention unless it's in a video
• 1:06
  Speaker 1: game about the underworld, right, So if you've ever played
• 1:10
  Speaker 1: Hades or Hades Too, you know about Zagrias and how
• 1:13
  Speaker 1: he's sort of the main character, but they don't really
• 1:16
  Speaker 1: give you a lot of the backstory. And even in
• 1:19
  Speaker 1: the game, like Dionysus is one of your helpers or
• 1:25
  Speaker 1: patrons in the game, and that doesn't make any sense
• 1:28
  Speaker 1: because Zagrias is Dionysus before dying and being risen again,
• 1:33
  Speaker 1: so it's it's kind of weird. But anyways, I was
• 1:37
  Speaker 1: playing Hades and I thought to myself, I have done Zagrias.
• 1:40
  Speaker 1: I'm gonna bring him up. So Zagrias is said to
• 1:42
  Speaker 1: be the son of Zeus and Persephone, right, and Zeus,
• 1:50
  Speaker 1: in the form of a snake, you know, tempted Persephone
• 1:55
  Speaker 1: away from Hades, right, and then she gave birth thought
• 2:00
  Speaker 1: it was his, turns out it was his brother's. And
• 2:03
  Speaker 1: so this character, Zagrias is a guy that's completely out
• 2:07
  Speaker 1: of place, right, So he doesn't feel at home in
• 2:09
  Speaker 1: the underworld because Hades ain't his father. He doesn't know
• 2:13
  Speaker 1: that his father is Zeups, Hades' brother, and Hades doesn't
• 2:19
  Speaker 1: know that. So this kind of this goes bad for Hara, right.
• 2:25
  Speaker 1: So Harah finds out that Zeus has another kid with somebody,
• 2:30
  Speaker 1: you know, one of her sisters, and she's pissed. So
• 2:34
  Speaker 1: she goes down and throws Zagrias to the Titans, right,
• 2:40
  Speaker 1: and so he gets ripped apart limb from Melm and
• 2:43
  Speaker 1: then she saves his heart. So as the as the
• 2:47
  Speaker 1: Titans are full of Zagrias stuff. Zeus comes down and
• 2:52
  Speaker 1: completely decimates all of the all of the Titans with
• 2:56
  Speaker 1: his thunderbolts, and in doing so, the ashes mixed with
• 3:01
  Speaker 1: the soil, and that's where humans come from. Where the
• 3:05
  Speaker 1: consumed flesh of God's zagrias as it is now made
• 3:13
  Speaker 1: into dirt through the process of the Titans, So where
• 3:17
  Speaker 1: the consumed and regurgitated flesh of the God. So that's
• 3:21
  Speaker 1: sort of where they got their oppression of us. Now,
• 3:23
  Speaker 1: Zagrias also had In some stories they talk about this
• 3:28
  Speaker 1: special mirror he had, and Zagrias's mirror was said to
• 3:32
  Speaker 1: show alternative realities, so if you're thinking about making a decision,
• 3:39
  Speaker 1: it should show you the outcome of that decision. It's
• 3:43
  Speaker 1: really interesting because this is the Greeks talking about multiple
• 3:48
  Speaker 1: world hypothesis, you know, sort of like what if the
• 3:52
  Speaker 1: strings of fate are realigned and they go differently and
• 3:57
  Speaker 1: this gives you the results. So they were thinking about
• 3:59
  Speaker 1: this sort of multi dimensional choose your own adventure thing
• 4:04
  Speaker 1: thousands of years ago, and we're only now starting to
• 4:07
  Speaker 1: think about the multi world hypothesis when it's sort of
• 4:11
  Speaker 1: like central to the story of Zagaras, but Zagoras, after
• 4:17
  Speaker 1: his heart is saved by hera, Zeus puts it in
• 4:20
  Speaker 1: his thigh, oh, and carries it in his thigh until
• 4:25
  Speaker 1: the new Zagaras, Dionysus pops out of his thigh and
• 4:29
  Speaker 1: then becomes the god of wine and drink. But this
• 4:33
  Speaker 1: is one of the reasons why Dinysus is the dying
• 4:36
  Speaker 1: and rising god is because of Zagrias. So Zagariaas becomes Dionysus.
• 4:44
  Speaker 1: So there's an interesting sort of a tie in between
• 4:48
  Speaker 1: all of that stuff, because Dionysus then becomes kind of
• 4:51
  Speaker 1: this Jesus figure, So this is like the proto proto
• 4:55
  Speaker 1: Jesus figure. Again, the underworld is interesting because Jesus goes
• 5:01
  Speaker 1: into the underworld to retrieve the keys. Right while he's
• 5:06
  Speaker 1: you know, in the tomb for three days, he goes
• 5:10
  Speaker 1: to the underworld to get the keys of Hell, right,
• 5:14
  Speaker 1: very Zagrius type thing to do. Like this is very
• 5:17
  Speaker 1: kind of closely related to this underworld mythology that's going
• 5:21
  Speaker 1: on with Zeus and ze there's some sort of keys
• 5:25
  Speaker 1: that keep the Titans in right, So kind of an
• 5:30
  Speaker 1: interesting crossover. What do you think about that?
• 5:33
  Speaker 2: It's interesting. I don't know anything about this, so it's
• 5:35
  Speaker 2: only to me. Yeah, well you know what you said
• 5:39
  Speaker 2: something earlier. I mean, I get stuck on the stupidest things,
• 5:42
  Speaker 2: the whole dirt stuff. I'm like, yo, it was like,
• 5:44
  Speaker 2: how many different stories got us coming from dirt and.
• 5:46
  Speaker 1: Clay, all of them.
• 5:50
  Speaker 2: Yeah, but this one at least at least you're including electricity,
• 5:54
  Speaker 2: at least you're putting some life into it, you know.
• 5:56
  Speaker 2: The Lange, well.
• 5:59
  Speaker 1: They had multiple cos cosmologies and the Greek you know,
• 6:03
  Speaker 1: sort of poetry frame of reference. And Prometheus was said
• 6:09
  Speaker 1: to be the other creator of mankind and he created
• 6:12
  Speaker 1: us out of clay, right, So him and his brother
• 6:15
  Speaker 1: Epimetheus were putting together all of the animals that would
• 6:19
  Speaker 1: populate the earth during the time just past the Golden Age,
• 6:25
  Speaker 1: and so Prometheus got to pick out of the list
• 6:30
  Speaker 1: of like special attributes to give to animals. So you know,
• 6:33
  Speaker 1: birds got wings and lions got claws, you know, and
• 6:39
  Speaker 1: hyenas got the teeth. And when he finally came to mankind,
• 6:43
  Speaker 1: he ran out of the special attributes in the box.
• 6:46
  Speaker 1: So his brother Prometheus comes over and gives us forethought,
• 6:51
  Speaker 1: and so again you've kind of got the same idea
• 6:54
  Speaker 1: of we're giving something divine in our bodies or in
• 6:57
  Speaker 1: our souls from the gods that makes us special. The
• 7:01
  Speaker 1: rest of this dirt.
• 7:05
  Speaker 2: Said, that's a that's even a thought that kind of
• 7:09
  Speaker 2: like permeates through a lot of our thinking. Now that
• 7:13
  Speaker 2: there's a part of God.
• 7:17
  Speaker 1: Outam came from dirt. Even in the Aztec in mayand
• 7:22
  Speaker 1: they they say that we are now the dirt people.
• 7:25
  Speaker 2: Right.
• 7:25
  Speaker 1: So they had four sons before this one, and in
• 7:29
  Speaker 1: the other sons they had like corn people, and they
• 7:32
  Speaker 1: had you know, other people that were made out of water.
• 7:35
  Speaker 1: I believe I could be wrong about that, but now
• 7:37
  Speaker 1: we were the dirt people. So even they call us
• 7:40
  Speaker 1: the dirt people, you know, a whole continent away. So
• 7:42
  Speaker 1: it's interesting how that continuity is sort of shared in there.
• 7:50
  Speaker 2: What is going on you put that one up out
• 7:55
  Speaker 2: of all of if you choose that one, I got
• 7:59
  Speaker 2: a sledge a right, I'm done right now.
• 8:09
  Speaker 1: Prometheus and Inankee you have a lot in common. It's like,
• 8:11
  Speaker 1: this is the guy that's bringing all the sciences. This
• 8:14
  Speaker 1: is the one who feels pity for mankind. And in
• 8:17
  Speaker 1: the case of Prometheus, he felt such pity for mankind
• 8:21
  Speaker 1: that Zeus in punishment of his bringing fire back to
• 8:24
  Speaker 1: humanity as we were shivering and cold there, he nailed
• 8:29
  Speaker 1: Prometheus to the Caucasus mountains for a thousand years. And
• 8:34
  Speaker 1: so Ankie is the one who saves us sort of
• 8:37
  Speaker 1: from the flood idea. He gets us away from his
• 8:39
  Speaker 1: brother and so, and again there's not brothers too. So
• 8:43
  Speaker 1: you've got Prometheus and Epimetheus, and then you've got Anki
• 8:46
  Speaker 1: and Leo, and they're kind of like these brothers in
• 8:49
  Speaker 1: kind of opposition. In the case of Prometheus, his brother
• 8:52
  Speaker 1: was just a moron. So he's got Prometheus, which means forethought,
• 8:57
  Speaker 1: and that Epimetheus means at a thought. So this is
• 9:01
  Speaker 1: the guy who's always living in the past and he's
• 9:04
  Speaker 1: always stuck on stupid and so he's he's the dim
• 9:07
  Speaker 1: one and Prometheus is the smart one.
• 9:10
  Speaker 2: I like it. That's funny. So you want me to uh,
• 9:17
  Speaker 2: you want me to hit up my Yeah, we got
• 9:20
  Speaker 2: the uh did I pull it up? Yeah? Oh no,
• 9:23
  Speaker 2: I forgot the ship. I've been forgetting to share it lately.
• 9:25
  Speaker 2: Jesus my man. I'm sorry, that's all right. It was
• 9:32
  Speaker 2: Oh God, the one I opened up. I should have
• 9:33
  Speaker 2: known I had. It's like black, it's it's it's transparent,
• 9:37
  Speaker 2: so it's I'm not gonna look right, Hold on one second,
• 9:39
  Speaker 2: I do have another one to choose. I apologize, right glyphs. Yeah,
• 9:45
  Speaker 2: I have the aberc at dabor, which yeah, which is
• 9:49
  Speaker 2: interesting because I actually it had nothing to do with
• 9:52
  Speaker 2: uh with dirone mentioning it, but it is interesting how
• 9:55
  Speaker 2: that came up as a as a schedule for me
• 9:58
  Speaker 2: to pick keeps it up? Yeah, yeah, yeah, I was like,
• 10:01
  Speaker 2: you know what, I think we'll go with that. So
• 10:04
  Speaker 2: here is the abracadabra symbol or diminishing triangle amulet, if
• 10:10
  Speaker 2: you might like to call it that. What is it.
• 10:13
  Speaker 2: It's a text sigil formed by writing the word abercadabra
• 10:17
  Speaker 2: and a triangle that loses one letter per line until
• 10:20
  Speaker 2: a single A remains. In late antiquity, this was a
• 10:24
  Speaker 2: medical talisman against cyclical fevers, especially malaria. It's not just
• 10:29
  Speaker 2: a word, it's a digrammatic charm whose shape is part
• 10:35
  Speaker 2: of the spell. The earliest known sightings from it or
• 10:39
  Speaker 2: being around is late second early third century CE, in
• 10:43
  Speaker 2: a Latin didactic poem called Liber Medicinalyis by Quintus Serenus
• 10:51
  Speaker 2: Samonocus or s A M M O n I c Us,
• 10:55
  Speaker 2: and he was a physician and a tutor at the
• 10:58
  Speaker 2: Severin court. In chapter fifty one of that book, Lib
• 11:04
  Speaker 2: medicon Analysis or whatever you're saying, that shows up and
• 11:08
  Speaker 2: he gives a step by step instructions to draw the rug,
• 11:11
  Speaker 2: to draw the triangle on paperis and tie it around
• 11:15
  Speaker 2: the neck with linen for fever relief. And excerpt taken
• 11:21
  Speaker 2: from that in parentheses right on a sheet the word
• 11:24
  Speaker 2: abercadaber repeated on the lines below, each time emitting the
• 11:28
  Speaker 2: final letter until a single letter remains, tapering it like
• 11:31
  Speaker 2: a cone, attach it to the neck with a linen thread.
• 11:37
  Speaker 2: So that's how it was actually taken out of a
• 11:39
  Speaker 2: Liber medicinal la whatever and where it's been seen surviving
• 11:45
  Speaker 2: examples University of Michigan. They have a third century Egyptian
• 11:51
  Speaker 2: papyrus fever Ambulet in his sixth century Coptic codex that
• 11:56
  Speaker 2: reproduces the aberca daba triangle. In it what it means
• 12:01
  Speaker 2: the logic of the spell. The diminishing letters enact sympathetic
• 12:05
  Speaker 2: magic as the word visibly wanes. The illness is supposed
• 12:09
  Speaker 2: to dissipate the cone of the triangle is explicitly mentioned
• 12:13
  Speaker 2: by Serenus. The material has to be papyrus and the
• 12:16
  Speaker 2: next placement are all part of how it works. So
• 12:21
  Speaker 2: there we go. I think I have another one that
• 12:26
  Speaker 2: I can show possibly, Yeah does that how does that
• 12:29
  Speaker 2: one show up? Yes? That looks weird? Yeah, there we
• 12:33
  Speaker 2: got that back.
• 12:34
  Speaker 1: Oh there you go.
• 12:36
  Speaker 2: Yeah. So, uh, that is the Abricadabra. I've seen him
• 12:40
  Speaker 2: plenty of times. I never actually knew it had to
• 12:42
  Speaker 2: do anything with sickness or whatever.
• 12:46
  Speaker 1: Hm. Well, it's a very interesting, interesting sigulation of those
• 12:51
  Speaker 1: letters because you know, all of those letters are like
• 12:55
  Speaker 1: big time in magic. When you're talking about the barbarous
• 12:59
  Speaker 1: words and all the rest of Abra kha. You know,
• 13:02
  Speaker 1: these are like the magic letters. You know, that's it.
• 13:08
  Speaker 2: We'll ex give you that.
• 13:09
  Speaker 1: You know that combination, right, And you know in the comments,
• 13:15
  Speaker 1: they're talking about abraxis abra sachs or however they said it,
• 13:19
  Speaker 1: and then it got mistranslated, and it's stuck to the mistranslation,
• 13:22
  Speaker 1: and that's the idea of the three hundred and sixty
• 13:25
  Speaker 1: five degree demon right, So he's in charge of all
• 13:29
  Speaker 1: three hundred and sixty five degrees in the year, and
• 13:32
  Speaker 1: so in essence, it's like almost every clock that's ticking
• 13:37
  Speaker 1: away is being governed by this strange, cockheaded, snake legged entity.
• 13:45
  Speaker 1: But I mean fevers. I'm not seeing the actual connection
• 13:50
  Speaker 1: to fevers. You know, you know it might be code
• 13:56
  Speaker 1: for something else because you got a lot of powerful
• 13:59
  Speaker 1: letters there and there's fevers. Yeah, how do you treat fevers?
• 14:05
  Speaker 2: You know? Right? Right?
• 14:09
  Speaker 1: Is he never know?
• 14:10
  Speaker 2: No, That's why I was surprised when it was for that.
• 14:12
  Speaker 2: I was like, really, okay, you say so do we
• 14:18
  Speaker 2: then you even have this the whole thing, like why
• 14:20
  Speaker 2: did Crowley change it to abra? Abra had to abra?
• 14:23
  Speaker 2: Like like is that for like if your footharts? Like
• 14:26
  Speaker 2: you know what I'm saying, Like, you know, I just
• 14:28
  Speaker 2: find it weird that he he whatever. I just yeah,
• 14:33
  Speaker 2: I was very surprised to hear it was for malaria
• 14:36
  Speaker 2: and fevers?
• 14:39
  Speaker 1: All right, so we got some stories.
• 14:42
  Speaker 2: We still got, uh what's her face in there? No? God,
• 14:44
  Speaker 2: I forgot Winter York.
• 14:48
  Speaker 1: I don't think we have anymore from Winter. I was
• 14:53
  Speaker 1: gotta get in touch with her.
• 14:55
  Speaker 2: But went you gotta send in the address to get
• 14:57
  Speaker 2: some stickies.
• 14:58
  Speaker 1: Right, We gotta get those. So let me see here.
• 15:05
  Speaker 1: We've got a couple of pieces here. Well, let's just
• 15:09
  Speaker 1: go with Liz s right, so high headless Giant. Nick
• 15:15
  Speaker 1: may remember me from around this time last year. We
• 15:17
  Speaker 1: were supposed to meet up and possibly Detroit, but that
• 15:20
  Speaker 1: didn't pan out. Experiences.
• 15:24
  Speaker 2: Yeah, I remember that was for the Juggalo thing. That's right, Oh,
• 15:27
  Speaker 2: that's right. I'm supposed to be sending her stickies. She
• 15:29
  Speaker 2: hit me up, told me she sent you an email
• 15:31
  Speaker 2: and wanted stickies. I totally forgot. Fuck.
• 15:37
  Speaker 1: I've had experiences. I believe six that I attributed to hallucinations,
• 15:41
  Speaker 1: but I saw them before they actually happened. I didn't
• 15:44
  Speaker 1: think that any of them. More did sharing the information,
• 15:47
  Speaker 1: and I wanted to learn more about them, but without
• 15:50
  Speaker 1: sounding like a crackhead. So recently, on August twenty fourth,
• 15:53
  Speaker 1: I had a near death experience that was magnanimous in
• 15:57
  Speaker 1: comparison to the other ones, much more. We're in detail
• 16:01
  Speaker 1: what I believed was the release from my corpse. I've
• 16:04
  Speaker 1: got plenty of information, and I think we could have
• 16:06
  Speaker 1: a high level conversation where you keep me up to
• 16:09
  Speaker 1: what is pertinent. It might be worth sharing on your podcast.
• 16:14
  Speaker 1: That'll be fun.
• 16:16
  Speaker 2: Oh, you should should be a good guess. She's got
• 16:20
  Speaker 2: some crazy stories.
• 16:22
  Speaker 1: All right, No, that was that was a quick one.
• 16:25
  Speaker 1: But she's she's dropping the one. So what do you
• 16:27
  Speaker 1: say next week we get in touch and get her
• 16:30
  Speaker 1: on the show.
• 16:30
  Speaker 2: Yeah, yeah, yeah, yeah. Ultimately she did hit me up
• 16:33
  Speaker 2: and told me I don't she said that she sent
• 16:34
  Speaker 2: you something, So yeah, I'll let her up in the.
• 16:37
  Speaker 1: Yeah, I got her all her info right there.
• 16:40
  Speaker 2: Yeah. Yeah, then yeah, hit her up, man, make it happen,
• 16:45
  Speaker 2: and let's see I've got she already said, let's do it.
• 16:48
  Speaker 2: She's in the chat now, am I in? Yeah? She said.
• 16:56
  Speaker 1: Sweet. So I got another one from another guy named Nick.
• 16:59
  Speaker 1: It says hell, hello Nick, and had less long time listener,
• 17:02
  Speaker 1: first time emailer. So I'm an overnight tractor trailer contractor
• 17:06
  Speaker 1: for the United States Postal Service, moving in bulk from
• 17:10
  Speaker 1: one side of the distribution center to the other in
• 17:12
  Speaker 1: the glorious state of Maine. I love my truck drivers,
• 17:16
  Speaker 1: needless to say, I get plenty of time to myself
• 17:19
  Speaker 1: to listen to podcasts and music while on the road.
• 17:23
  Speaker 1: One facility I transport to is completely empty while I
• 17:26
  Speaker 1: am there offloading the trailer usually around three o'clock. In
• 17:31
  Speaker 1: the three o'clock hour, last Tuesday, I happened to be
• 17:34
  Speaker 1: in a music mood as I was offloading the trailer
• 17:37
  Speaker 1: full of mail and my Apple Music app malfunctioned. I
• 17:42
  Speaker 1: was at the aforementioned empty facility. I've been using this
• 17:45
  Speaker 1: Apple Music app for years, and never have I experienced
• 17:49
  Speaker 1: such a thing. The song I was listening to seemed
• 17:52
  Speaker 1: to fast forward ten acts and skipped onto the next
• 17:55
  Speaker 1: song that played even faster than then. I stopped that
• 17:59
  Speaker 1: I was in the trailer and closed out the app.
• 18:02
  Speaker 1: I decided to switch over to Spotify and started listening
• 18:04
  Speaker 1: to a cult rejects podcast, The Delphi Murders with the
• 18:08
  Speaker 1: Austin Paccard great episode. I put all my work gloves,
• 18:13
  Speaker 1: grabbed the next case full of mail, and began backing
• 18:16
  Speaker 1: out of the trailer when Spotify abruptly stopped working. In
• 18:19
  Speaker 1: Apple Music Cube back up with Slayers rating Blood. Quite
• 18:25
  Speaker 1: frustrated at this.
• 18:26
  Speaker 2: Point, I've been listening to that.
• 18:29
  Speaker 1: Actually yeah, I can just lay dude. I ever listened
• 18:34
  Speaker 1: to this as high school. Quite frustrated. At this point,
• 18:38
  Speaker 1: I couldn't help but laugh at the song choice and
• 18:40
  Speaker 1: head banged all the way to the male staging area.
• 18:42
  Speaker 1: When I got to the cage to place to place it,
• 18:47
  Speaker 1: I spun it around and noticed that there was an
• 18:49
  Speaker 1: Express mail bag tagged cremated human remains in that very cage.
• 18:55
  Speaker 1: After cleansing. After a cleansing breath, I took my headphones
• 18:59
  Speaker 1: out of my ears and just walked away. I was
• 19:01
  Speaker 1: all set with music for the night. I didn't see
• 19:04
  Speaker 1: any shadow out of the corner of my eyes, or
• 19:06
  Speaker 1: flickering overhead lights or anything abnormal. But I can attest
• 19:10
  Speaker 1: that I had some E MF type technology anomaly definitely
• 19:13
  Speaker 1: occurring during this strange circumstance. Someone or something definitely wanted
• 19:19
  Speaker 1: to listen to that song, and I got his address too,
• 19:24
  Speaker 1: So I'm gonna send that over to you.
• 19:25
  Speaker 2: Oh yeah, thank.
• 19:28
  Speaker 1: You, thank you. Nick Fletcher.
• 19:30
  Speaker 2: Yeah, that was great.
• 19:33
  Speaker 1: Haunted mail bag dude, that's right up this show's alley, yo, Right,
• 19:38
  Speaker 1: that's perfect. He's got the Haunted mail bag fucked out.
• 19:43
  Speaker 2: Yeah, yeah, it's funny. I didn't make that connection until
• 19:46
  Speaker 2: he just said it out. I was like, yeah, yeah,
• 19:52
  Speaker 2: he knew that ship. That's a fabricated story. He's like
• 19:56
  Speaker 2: fucking he said he said last week he said, if
• 19:59
  Speaker 2: you make one up, I'll send down stick is all right? Nice?
• 20:05
  Speaker 2: I gotta tell it out of the stairs and stubbed
• 20:07
  Speaker 2: my toe. Can I get some free sticks? Man?
• 20:13
  Speaker 1: You never know, I've had my my stuff fuck up.
• 20:15
  Speaker 1: When I'm outside of like cemeteries and stuff like, I'll
• 20:18
  Speaker 1: have again, like the apps will switch or I'll hear
• 20:21
  Speaker 1: some sort of radio signal coming through, and it's just
• 20:24
  Speaker 1: like I'm just driving outside of this freaking you know
• 20:26
  Speaker 1: cemetery I drive by every night. Shouldn't be doing that,
• 20:29
  Speaker 1: but something weird happens. And you know it's not on
• 20:32
  Speaker 1: common with electronics and the and the dead to have
• 20:35
  Speaker 1: some sort of conversation.
• 20:37
  Speaker 2: Yo, there's this dude that I try to contact him
• 20:40
  Speaker 2: and to see if I can get him on the show.
• 20:41
  Speaker 2: He's like a paranormal dude, and sometimes he goes to
• 20:43
  Speaker 2: these places and he'll like clean I don't know if
• 20:45
  Speaker 2: it's a thing with people like paranormal, they like cleaning headstones,
• 20:48
  Speaker 2: likes as a community service. And he's cleaning the headstone
• 20:53
  Speaker 2: of like some child, and he's got like his box
• 20:55
  Speaker 2: with him, and know this thing start's having a conversation
• 20:57
  Speaker 2: with him, telling him to stop cleaning the shit. Yo.
• 21:01
  Speaker 2: I was like, yo, I gotta get you on and
• 21:03
  Speaker 2: you got to show this ship. It was kind of
• 21:06
  Speaker 2: bugged out. It was like kind of answering like that.
• 21:09
  Speaker 2: I'm very skeptical with that stuff, but his quote, my
• 21:11
  Speaker 2: intention just put it that way.
• 21:14
  Speaker 1: Yeah, that's awesome. We had that guy from I think
• 21:17
  Speaker 1: it was Atlanta.
• 21:19
  Speaker 2: Oh yeah, clt Yeah, the guy from Charlotte. Yeah, I
• 21:22
  Speaker 2: gotta make that's right. Yeah yeah, he cleans my headstones. Yeah. Yeah,
• 21:27
  Speaker 2: that was another reason I said, I don't know if
• 21:28
  Speaker 2: this is the thing. I don't know what people do
• 21:29
  Speaker 2: for a community service award, but yeah, I mean it's
• 21:34
  Speaker 2: a cool way to get in. It's a cool way
• 21:35
  Speaker 2: to get into a graveyard and hang out for a while.
• 21:37
  Speaker 2: Like guys clean a couple of heads. Respect for the dead.
• 21:39
  Speaker 2: We hardly ever do that, you know. It's just the
• 21:42
  Speaker 2: cemetery sit there.
• 21:43
  Speaker 1: We just drive by them. You know, hardly anybody ever
• 21:46
  Speaker 1: goes in to onto their ancestors or on the spirits
• 21:50
  Speaker 1: that are hanging around.
• 21:50
  Speaker 2: You know.
• 21:51
  Speaker 1: No wonder we have so many hauntings and so many possessions.
• 21:54
  Speaker 1: It's like we don't honor our debt anymore. So clearly
• 21:57
  Speaker 1: they're kind of pissed about that. At least some of
• 22:00
  Speaker 1: them are.
• 22:01
  Speaker 2: Like arrows up in the chat says, I spend so
• 22:03
  Speaker 2: much time at cemetery. That's a fun.
• 22:09
  Speaker 1: Cemetery, right, Lisa says Hispanic son of the debt all
• 22:16
  Speaker 1: the time.
• 22:17
  Speaker 2: Oh yeah, yeah, that big way.
• 22:19
  Speaker 1: That's south of the border.
• 22:20
  Speaker 2: Not here and agree with it. Yeah, no, for sure,
• 22:23
  Speaker 2: for sure, I.
• 22:25
  Speaker 1: Have insider information. So I found out that America is
• 22:30
  Speaker 1: built on top of an Indian burial grammar.
• 22:42
  Speaker 2: The amount of dead people that needed to be created
• 22:44
  Speaker 2: just for used to be here, right, Fuck, it was
• 22:48
  Speaker 2: fucked out. He was like, every funny, really think about it.
• 22:52
  Speaker 2: But this is a great episode. At about twenty two minutes,
• 22:55
  Speaker 2: Do we have another one coming on tonight? No? No,
• 22:59
  Speaker 2: actually we don't. Oh I can't, uh oh tonight. I
• 23:03
  Speaker 2: don't know. Maybe I don't. I don't remember. We got
• 23:05
  Speaker 2: called call Crush on Saturday night. I just was gonna
• 23:08
  Speaker 2: tell you about that. We got him coming on. I
• 23:10
  Speaker 2: just booked him for seven o'clock, seven o'clock. I figured
• 23:12
  Speaker 2: it'd be a decent time.
• 23:14
  Speaker 1: Yeah, that's perfect.
• 23:16
  Speaker 2: Yeah, that's great tomorrow night. No, No, I don't think
• 23:20
  Speaker 2: I do. I have. Unfortunately, I have somebody tomorrow. But again,
• 23:24
  Speaker 2: this guy is only available during the day Richard Kazinski.
• 23:27
  Speaker 2: But I don't even think I'm going live with the guy.
• 23:30
  Speaker 1: Yeah, yeah, all right, well we'll see, yes, but you
• 23:34
  Speaker 1: have anything special coming out? You want to talk to
• 23:37
  Speaker 1: him about your appearances?
• 23:38
  Speaker 2: And oh yeah, I totally forgot about that. I totally
• 23:40
  Speaker 2: forgot about that. Oh that's right. And tomorrow's Friday. I
• 23:43
  Speaker 2: am trying to get somebody for tomorrow night. Believe it
• 23:45
  Speaker 2: or not, I'm trying to I'm gonna see if I
• 23:46
  Speaker 2: can get that guy on for Shakespeare who was supposed
• 23:48
  Speaker 2: to do it last week. I hit him up. I
• 23:50
  Speaker 2: just don't know if he's gonna be available in me
• 23:52
  Speaker 2: asking him what's up with tomorrow? It's already Thursday. But
• 23:54
  Speaker 2: uh yeah, the events. I wanted to say that at
• 23:57
  Speaker 2: the beginning. Unfortunately I totally forgot myself. October fourth, we
• 24:02
  Speaker 2: will be at let me see here, October fourth, Bigfoot
• 24:07
  Speaker 2: Comic Con at the Fun Factory, and that is at
• 24:11
  Speaker 2: ten to twenty four Georgia Road, Franklin, North Carolina. That
• 24:15
  Speaker 2: should be me, Tyrone or maybe one or two other
• 24:19
  Speaker 2: people from the ECLT Rejects might be the surprise. Yes,
• 24:23
  Speaker 2: we got that going on. We will have T shirts
• 24:25
  Speaker 2: and we should have I mean, if the mail doesn't
• 24:27
  Speaker 2: get here by then there's a problem. It must be
• 24:30
  Speaker 2: another unted mail bag. I should have headless as art
• 24:32
  Speaker 2: too with us, so I will have that. I think
• 24:36
  Speaker 2: this thing is like literally five dollars at the door.
• 24:38
  Speaker 2: So I mean, if you're in the area, it's gonna
• 24:40
  Speaker 2: cost your five bucks. I mean you can come hang out.
• 24:42
  Speaker 2: Like I said, if you don't like to show you
• 24:44
  Speaker 2: coul stop buy it. Tell us you go fuck ourselves
• 24:45
  Speaker 2: for five dollars. You know what I'm saying. So maybe
• 24:48
  Speaker 2: buy a T shirt while you're there. But yeah, come
• 24:52
  Speaker 2: check that out. And then the eighteenth we got another one.
• 24:54
  Speaker 2: But I also promoting that as we get closer to
• 24:56
  Speaker 2: that one. But yeah, if you're in anywhere close to Franklin,
• 24:58
  Speaker 2: North Carolina, the ocult Rejects will be there. Chunk, come
• 25:01
  Speaker 2: check us out.
• 25:03
  Speaker 1: We got to start doing a podcaster Dunk Tank. Pay
• 25:08
  Speaker 1: five dollars dunk the podcast. Oh god, yeah right, it'd
• 25:12
  Speaker 1: be amazing. We make so much money.
• 25:14
  Speaker 2: You make that like you basically they do that in
• 25:17
  Speaker 2: like the second degree of the OTO. They toys you
• 25:19
  Speaker 2: in like a fucking water tank, so I mean you
• 25:20
  Speaker 2: can even make an initiation out of it in this life.
• 25:22
  Speaker 2: At this point, you're being baptized, right man.
• 25:30
  Speaker 1: You just kicked it up a notch. I've got visions
• 25:32
  Speaker 1: of rituals squirming around in my head. But this is
• 25:35
  Speaker 1: a great episode. Guys, go out and check out these events.
• 25:38
  Speaker 1: We got to start a community, you know, we got
• 25:40
  Speaker 1: to get to know each other, so that's always important.
• 25:44
  Speaker 1: And uh, definitely we'll see you next time. Hell yeah, La,