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Dialect Coaches (w/ Jon Matteson) · Artists on Artists on Artists on Artists

• 0:00
  Speaker 1: Welcome back to artists on artists on artists on artists.
• 0:02
  Speaker 2: Boy, do we have a panel for you today?
• 0:04
  Speaker 3: The streams screenwriting expert panels new voices in Hollywood.
• 0:08
  Speaker 4: Castumes are character.
• 0:10
  Speaker 5: Buck Mary Kill wide shot, two shot close up on
• 0:15
  Speaker 5: artists on artists on artists.
• 0:16
  Speaker 2: Do you know why they call it show business? I
• 0:19
  Speaker 2: always wondered that.
• 0:24
  Speaker 4: Welcome back to artists on artists on artists on artists.
• 0:27
  Speaker 4: Boy do we have a show for you?
• 0:30
  Speaker 1: Do you like to say anything different about me? That's
• 0:34
  Speaker 1: because a dialect coach helped me say that.
• 0:38
  Speaker 5: If actors are the vessel, then dialect coaches are the
• 0:42
  Speaker 5: water that guides the vessel to where it needs to go.
• 0:46
  Speaker 3: Dialect coaches guide them to hit the correct dialect or
• 0:50
  Speaker 3: accent of a character. We gathered some of the best
• 0:53
  Speaker 3: dialect coaches in all of Hollywood and heard them dialected out.
• 0:58
  Speaker 3: Let's listen in.
• 1:03
  Speaker 4: Wow, it's so funny to be around everybody.
• 1:06
  Speaker 2: It's very good to be here.
• 1:09
  Speaker 5: Fantastic to be around you, nice chaps and partners.
• 1:13
  Speaker 6: It's a pleasure to be with all of you today.
• 1:15
  Speaker 3: Yeah, very good to be here.
• 1:17
  Speaker 7: Should we go around and maybe say, like, what our
• 1:20
  Speaker 7: names are? Okay, mine is Cindy Woo Woo, like Cindy Lulu,
• 1:24
  Speaker 7: but with woo woo woo. I'm fifteen years old and
• 1:29
  Speaker 7: I'm a diect coach on YouTube.
• 1:32
  Speaker 6: I'm very honored to be here. My name is Dylan John's.
• 1:36
  Speaker 6: I grew up in South of Sussex until I moved
• 1:39
  Speaker 6: to the States to start my my dialect training and
• 1:44
  Speaker 6: began the university tours. But honored to be here with
• 1:47
  Speaker 6: all of you professionals.
• 1:48
  Speaker 3: Whoa hello, partners.
• 1:52
  Speaker 5: My name is Don Dodge. I am a dialect coach
• 1:55
  Speaker 5: for British actors trying to learn American English. Benedict Cumberbatch
• 2:02
  Speaker 5: is one of my favorite clients. I teach them how
• 2:06
  Speaker 5: to sound like a yank.
• 2:10
  Speaker 2: What Hello there, I'm Debrah Hysterical and I'm a Transatlantic
• 2:15
  Speaker 2: accent coach.
• 2:18
  Speaker 4: I love your last name.
• 2:21
  Speaker 2: Thank you, it's a family name.
• 2:25
  Speaker 3: What's up? My name is Keith and I teach men
• 2:31
  Speaker 3: who are cast in artist roles to sound like real musicians.
• 2:38
  Speaker 4: Wait, what do you mean?
• 2:40
  Speaker 3: You ever see that movie with Lady.
• 2:43
  Speaker 5: Gaga A Star is Born?
• 2:45
  Speaker 8: Yeah?
• 2:46
  Speaker 3: That was me.
• 2:47
  Speaker 4: Would you go for a vocal coach?
• 2:49
  Speaker 3: I coach him? No, not out of sing how to
• 2:53
  Speaker 3: talk like a real artist? You know, so how to talk.
• 2:57
  Speaker 5: It's as Jack?
• 2:58
  Speaker 3: Yeah, baby, that's aces.
• 3:00
  Speaker 6: Have you ever worked with Tom Waits?
• 3:02
  Speaker 3: Oh yeah. I love Tom Waits. He's still my whole thing.
• 3:05
  Speaker 3: But I love him still my whole thing. We went
• 3:10
  Speaker 3: to high school together and I had an accident when
• 3:14
  Speaker 3: I was fourteen, so this is always sounded back then.
• 3:17
  Speaker 3: And Tom said, hey, man, I love your voice. I
• 3:19
  Speaker 3: want to steal it. And I said, hey, that's Oasis Jack,
• 3:23
  Speaker 3: go ahead.
• 3:24
  Speaker 4: Whoa wait?
• 3:25
  Speaker 7: So can I really quickly ask who works at the universities?
• 3:30
  Speaker 4: And who does set? And who does YouTube? I do YouTube.
• 3:35
  Speaker 6: I've worked at sixteen different universities.
• 3:39
  Speaker 3: Whoa wow?
• 3:40
  Speaker 5: Holy gumbo?
• 3:42
  Speaker 6: Which ones the University of Missouri, the University of Michigan,
• 3:48
  Speaker 6: the University of Texas, Twulane, the Rutgers, and the University
• 3:57
  Speaker 6: of Arizona Phoenix.
• 3:58
  Speaker 5: Great? What are the other?
• 4:01
  Speaker 6: The other ten are NYU, Land Gone, the University of
• 4:07
  Speaker 6: South Delaware, Oregon State and Minnesota You? And there are
• 4:15
  Speaker 6: how many am.
• 4:16
  Speaker 7: I at, say, at the University of Minnesota and yet
• 4:19
  Speaker 7: University You.
• 4:21
  Speaker 6: I don't like to stay too long. I feel like
• 4:24
  Speaker 6: once I've made my imprint, I should my work is done,
• 4:28
  Speaker 6: I can.
• 4:29
  Speaker 5: Move on totally.
• 4:30
  Speaker 9: Six more teach six six more, six more universities teach.
• 4:36
  Speaker 6: University of Los Angeles for a couple of months, and
• 4:41
  Speaker 6: most recently University of Madison, Wisconsin. University of San Juan,
• 4:47
  Speaker 6: Puerto Rico not a state, but I was there for
• 4:51
  Speaker 6: a semester, still the university. And also there was the
• 4:56
  Speaker 6: Duke University. I was there, as well as Butler University
• 5:01
  Speaker 6: in uh In, Utah.
• 5:06
  Speaker 5: Done the final one the resistance I know, I know,
• 5:11
  Speaker 5: I know voices, I know voices, I don't know numbers.
• 5:15
  Speaker 6: And the final one was the University of Boulder, Colorado.
• 5:21
  Speaker 3: School alone.
• 5:23
  Speaker 2: You said you would stay at that school for as
• 5:25
  Speaker 2: long as it takes until the job is done. How
• 5:28
  Speaker 2: long would that typically be?
• 5:30
  Speaker 6: I really feel I can see in in several classes
• 5:34
  Speaker 6: the effect that I've made on the generation or on
• 5:37
  Speaker 6: the curriculum. And then after that I've been asked to leave,
• 5:43
  Speaker 6: or I leave and move on to a new a
• 5:47
  Speaker 6: new home, a new a.
• 5:50
  Speaker 3: New places to live where.
• 5:53
  Speaker 6: I can't legally talk about it. But I'm really proud
• 5:58
  Speaker 6: of all of the work that I have been able
• 6:00
  Speaker 6: to do.
• 6:03
  Speaker 4: So are the others?
• 6:04
  Speaker 7: Are the others on set or university or pardon or
• 6:10
  Speaker 7: the other dialect coaches.
• 6:11
  Speaker 4: Here are you guys on set to a university?
• 6:14
  Speaker 2: Well, I was on set, on stage, on film, on screen,
• 6:17
  Speaker 2: on plays for many many years until the war, and
• 6:21
  Speaker 2: then things have slowed down quite a bit. But that
• 6:24
  Speaker 2: was primarily where I was at.
• 6:26
  Speaker 3: Which which were was there?
• 6:29
  Speaker 2: War two?
• 6:31
  Speaker 6: War two? I feel like I've heard some of your
• 6:34
  Speaker 6: work in some recent films.
• 6:36
  Speaker 2: Yes, you may recognize my work in such films as
• 6:41
  Speaker 2: The Artist. Uh, that wasn't a talkie, but they were.
• 6:44
  Speaker 2: You know, they had to they had to act like
• 6:47
  Speaker 2: they were talking.
• 6:48
  Speaker 5: You know, they had those two lines. John Goodman has
• 6:51
  Speaker 5: a line and then Jean Dejarden has a line of
• 6:53
  Speaker 5: the end when he says.
• 6:54
  Speaker 2: With them four months on those lines, Okay, they wanted
• 7:00
  Speaker 2: to get it right.
• 7:04
  Speaker 3: Yeah. So War two, that's World War two? Right? Just
• 7:08
  Speaker 3: just a little checking, or is it?
• 7:11
  Speaker 6: I feel like some people I wasn't around, but I
• 7:13
  Speaker 6: feel like some people call it War two or two,
• 7:16
  Speaker 6: or the Big one.
• 7:17
  Speaker 3: The Big two probably what.
• 7:21
  Speaker 2: Actions of war at back in the back in the day,
• 7:24
  Speaker 2: back in War two, during the rationing time, we were
• 7:27
  Speaker 2: calling it. We were calling it the Big two, because
• 7:30
  Speaker 2: we have just experienced a big one, and the Big
• 7:34
  Speaker 2: two was a coming and all our boys were gone.
• 7:38
  Speaker 6: Anyway, Is that how you got started? During the war?
• 7:44
  Speaker 3: Were all the men back then the dialect coaches, and
• 7:47
  Speaker 3: then then there was no boys left.
• 7:49
  Speaker 2: So it was exactly like the women's softball teams becoming
• 7:53
  Speaker 2: the baseball teams when the boys were away. I had
• 7:56
  Speaker 2: no ability to become an accent until all the men left.
• 8:02
  Speaker 2: And all those dialect coaches who went to serve our
• 8:05
  Speaker 2: country in the war, they died so quickly. They died
• 8:08
  Speaker 2: ever so quickly.
• 8:10
  Speaker 3: On earthly maybe they became the enemy. You know.
• 8:13
  Speaker 5: Well, I will say this, and I don't want to
• 8:15
  Speaker 5: speak for everybody here, but I believe that the dialect
• 8:18
  Speaker 5: coach is the physically weakest person on any set or
• 8:22
  Speaker 5: university environment, because our voices are our muscles. That's what
• 8:29
  Speaker 5: we're working on, and we're using our ears, and we're
• 8:31
  Speaker 5: using our throats, and we're not using our arms or
• 8:33
  Speaker 5: our legs exactly.
• 8:34
  Speaker 2: We shouldn't be going to the gym, we shouldn't be
• 8:37
  Speaker 2: tiring ourselves out in other ways, and we have to
• 8:40
  Speaker 2: protect the throat.
• 8:42
  Speaker 5: That's what I've always I cannot wait to talk about
• 8:45
  Speaker 5: throat techniques. You know the types of throat coats we
• 8:49
  Speaker 5: use and things like that.
• 8:51
  Speaker 2: Let's talk throat coats. Let's talk throat coats. What's everybody recommending?
• 8:55
  Speaker 7: Well, I tell my followers, go in you mama's fwitge
• 8:58
  Speaker 7: and get some Dijon mustard and put a little bit
• 9:02
  Speaker 7: of that dijon mustard in a cup. Was whisked the
• 9:05
  Speaker 7: Dijon mustard and then add hot water to it.
• 9:10
  Speaker 4: And one single cheerio.
• 9:13
  Speaker 3: Oh yeah, that can't be good, and that should wouldn't
• 9:16
  Speaker 3: the cheerio?
• 9:16
  Speaker 6: Wouldn't that dry out your voice?
• 9:19
  Speaker 4: One cheerio?
• 9:20
  Speaker 5: Want you just don't even say that word cheerio. All
• 9:23
  Speaker 5: the Brits that I work with, they come in saying
• 9:26
  Speaker 5: that left and right.
• 9:26
  Speaker 6: In the video, do you really have to work it out?
• 9:30
  Speaker 5: Oh my goodness better? Nex couldn't stop saying cheerio on
• 9:34
  Speaker 5: Doctor Stranger said, man, you're ruining the fucking film.
• 9:37
  Speaker 6: I've met him. He's obsessed.
• 9:40
  Speaker 4: You met him, You met him.
• 9:41
  Speaker 6: I met him. Yes, he came and he was doing
• 9:44
  Speaker 6: some book signing at the University of Kansas, and he
• 9:46
  Speaker 6: just wouldn't stop talking about cheerio. Cheerio, and I said,
• 9:50
  Speaker 6: lay off, and you're just yes, and I'm a brit
• 9:53
  Speaker 6: But you're laying in order. You're you're laying the the
• 9:56
  Speaker 6: marmalade on a little thick bend, is what I said.
• 10:00
  Speaker 9: He just just.
• 10:01
  Speaker 3: A quick question about that. Were you at the book
• 10:04
  Speaker 3: signing as a fan or a fan?
• 10:06
  Speaker 6: I didn't teach that. That wasn't one of the sixteen
• 10:08
  Speaker 6: I mentioned.
• 10:09
  Speaker 4: So that was a Kansas you would just saying yeah.
• 10:12
  Speaker 3: Yes, said you confronted him. You just didn't like him
• 10:15
  Speaker 3: at a certain point, you just said, you know what
• 10:17
  Speaker 3: it's note, I.
• 10:19
  Speaker 5: Hated him, Yes, but uh, that's a funny thing though
• 10:26
  Speaker 5: about Ben. You must have caught him after he shot
• 10:29
  Speaker 5: Power of the Dog, because a thing about this guy,
• 10:32
  Speaker 5: I think.
• 10:34
  Speaker 9: It was pretty recently.
• 10:37
  Speaker 5: The thing about it is that I feel like the
• 10:39
  Speaker 5: more American he's acting in movies, the more British he
• 10:42
  Speaker 5: tries to act out of the movies. And I've talked
• 10:45
  Speaker 5: to him a lot about this. We we both have
• 10:47
  Speaker 5: Golden Retrievers, and we take him to parks together all
• 10:50
  Speaker 5: the time. We say that they're brothers because I spent
• 10:54
  Speaker 5: a lot of time with him and he's constantly constantly
• 10:57
  Speaker 5: getting more and more British. Oh how about the digest
• 10:59
  Speaker 5: It that was the digestive things like that, you know,
• 11:02
  Speaker 5: and I'm like, we call them.
• 11:03
  Speaker 3: Cookies here, Ben.
• 11:04
  Speaker 5: You know your characters would call them cookies, Ben, stuff
• 11:08
  Speaker 5: like that.
• 11:08
  Speaker 4: Did you work on the Crown?
• 11:11
  Speaker 5: Uh? I worked on the Crown, specifically with the guy
• 11:16
  Speaker 5: who played Billy Graham, but other than that, I didn't
• 11:20
  Speaker 5: work on the Crown.
• 11:22
  Speaker 2: Didn't have a lot of work to do on the Crown.
• 11:24
  Speaker 4: Now did you you still show Opposite? That's the Opposite?
• 11:28
  Speaker 3: Well?
• 11:29
  Speaker 5: No, the character, the person playing Billy Graham was American
• 11:32
  Speaker 5: on The Crown, but they were shooting it in the
• 11:34
  Speaker 5: UK and they tried to get me to work with
• 11:35
  Speaker 5: John Lithgow, who was playing Winston Churchill. That would be
• 11:38
  Speaker 5: more in the realm of Deborah hysterical. I think you've
• 11:40
  Speaker 5: probably been working with John Lithgow on his Translianic accident
• 11:43
  Speaker 5: for his whole life. I'm guessing since.
• 11:46
  Speaker 2: He was a baby, changing his diapers and then telling
• 11:49
  Speaker 2: him how to talk for the stage and screen. I
• 11:52
  Speaker 2: tell you the amount of people I've seen go through Hollywood,
• 11:56
  Speaker 2: it's incredible. It's incredible to watch people learn and grow.
• 12:00
  Speaker 2: And the thing I keep wondering is why can't I die?
• 12:03
  Speaker 2: I've been around for so long.
• 12:07
  Speaker 3: Yeah, I feel that, whoa, I feel that sometimes I
• 12:10
  Speaker 3: just walk.
• 12:11
  Speaker 2: I would love to know more about YouTube, though, yeah,
• 12:15
  Speaker 2: no mind just in general.
• 12:17
  Speaker 5: Yeah, you want to know what YouTube is?
• 12:20
  Speaker 2: I question, it's twofold. One what is it? And two?
• 12:25
  Speaker 2: How do you learn to work with it?
• 12:28
  Speaker 4: Well?
• 12:29
  Speaker 3: I I do.
• 12:31
  Speaker 7: And I don't know if we're going to do this
• 12:33
  Speaker 7: today and do a bunch of voices, because I don't
• 12:36
  Speaker 7: want to just make this the twade. But I love
• 12:40
  Speaker 7: voices and I do so many voices. I can do
• 12:43
  Speaker 7: so many animals. I can do so many different types
• 12:46
  Speaker 7: of just anybody.
• 12:48
  Speaker 4: And my mom was saying. My mom was saying that
• 12:52
  Speaker 4: a lot.
• 12:52
  Speaker 7: Of girls get on YouTube and teach things like if
• 12:55
  Speaker 7: you want to like a girl went to high my
• 12:57
  Speaker 7: high school, and she knew how to do the splits,
• 13:00
  Speaker 7: and she went on YouTube and said this is how
• 13:02
  Speaker 7: you do the splits, and it blew up and now.
• 13:05
  Speaker 4: She has a quop top line.
• 13:07
  Speaker 7: So I said, I'm gonna get on YouTube and teach
• 13:09
  Speaker 7: people how to do voices like me. And sure enough,
• 13:12
  Speaker 7: out of no where, I asked my mom, what's a dialect?
• 13:14
  Speaker 7: To call me a dialect coach?
• 13:16
  Speaker 2: And while now when you say voices and dialects, are
• 13:20
  Speaker 2: you talking to French and German and British or are
• 13:23
  Speaker 2: you talking about teaching people how to talk like tweety birds.
• 13:29
  Speaker 5: Yeah?
• 13:29
  Speaker 3: I could do towns.
• 13:32
  Speaker 7: I could do made up town dialects. I could do
• 13:34
  Speaker 7: the Whoville dialect.
• 13:35
  Speaker 2: Please give us one, Please give us five?
• 13:40
  Speaker 3: Please five.
• 13:44
  Speaker 4: Five from Whoville.
• 13:46
  Speaker 5: Yeah, there's gotta be more. No, I mean you can have.
• 13:49
  Speaker 7: Made This is the accent from a town I made
• 13:54
  Speaker 7: up called sandwich Town.
• 13:56
  Speaker 4: Gott got schn.
• 14:00
  Speaker 3: Right.
• 14:01
  Speaker 7: And then another town I made up and a voice
• 14:03
  Speaker 7: for is called uh coffee in the morning.
• 14:07
  Speaker 4: Town, Hello per. And then I have a French which is.
• 14:20
  Speaker 3: Oh, well that's actually good.
• 14:22
  Speaker 5: That's just a real French. Let's just well, let's just
• 14:27
  Speaker 5: reacap them real quick. Sandwich Town, Coffee in the morning town, French.
• 14:31
  Speaker 5: Let's keep going.
• 14:33
  Speaker 7: Made up languages and oh you want more made up? Okay,
• 14:36
  Speaker 7: gymnastics town. I made up this this accent and it's.
• 14:41
  Speaker 4: Ah ah, how you got it? A gymnastics town.
• 14:47
  Speaker 3: I didn't really have anything to do with gymnastics and
• 14:50
  Speaker 3: just no I just picked it.
• 14:51
  Speaker 4: I pick it off of words.
• 14:53
  Speaker 5: And then how did you choose how you going? By
• 14:55
  Speaker 5: the way, did you just settle on? How you say
• 14:57
  Speaker 5: how you're going?
• 14:58
  Speaker 7: Which is such an interesting what they say in gymnastics
• 15:01
  Speaker 7: towns that I made up because if we all know
• 15:03
  Speaker 7: anything about accents, you use words like cheerio or whatever
• 15:07
  Speaker 7: to get in the words.
• 15:09
  Speaker 4: So I have ones for my made up towns too,
• 15:11
  Speaker 4: and then German.
• 15:12
  Speaker 6: Nine Hawk, Germantown, Just Germany.
• 15:18
  Speaker 4: Anyway.
• 15:19
  Speaker 7: Next, I want to hold on, hold on, hold on,
• 15:26
  Speaker 7: hold on.
• 15:26
  Speaker 2: You're you're successful in your field. People watch these.
• 15:31
  Speaker 7: I have about fifteen million reviews minimum on each video.
• 15:34
  Speaker 2: Wow, Christ, So do actors ever come to you and
• 15:38
  Speaker 2: they say, I have an audition coming up, I have
• 15:41
  Speaker 2: to play something in Sandwich Town? Does that ever happen?
• 15:46
  Speaker 5: No?
• 15:47
  Speaker 7: I don't know why, and I no, No, it's I
• 15:52
  Speaker 7: just make the videos and go to school.
• 15:56
  Speaker 6: You go to school for dialect training, pass on that training?
• 16:00
  Speaker 4: No, just eighth grade.
• 16:01
  Speaker 6: So you've had your self taught?
• 16:03
  Speaker 4: Yeah? Yeah, I got on YouTube and they and they.
• 16:07
  Speaker 2: Self taught ourselves things from our own brain.
• 16:09
  Speaker 7: It seems like, yeah, I think I read somewheya that
• 16:12
  Speaker 7: I didn't read some way, they told me that I
• 16:15
  Speaker 7: was in a publication and they said I was the
• 16:17
  Speaker 7: youngest most famous dialect coach.
• 16:19
  Speaker 3: Oh wow, yeah wow.
• 16:21
  Speaker 4: So anyway, Keith, I'm dying to know who you are.
• 16:24
  Speaker 3: Oh, I am nobody under the guy, I under the
• 16:28
  Speaker 3: guy with a voice. You know, Keith?
• 16:31
  Speaker 5: You say that. But and if I can be honest
• 16:33
  Speaker 5: with you, we've all been speaking, but all of us
• 16:36
  Speaker 5: have been staring directly at you. You are so alluring.
• 16:40
  Speaker 3: I don't know because of this giant scar on my throat.
• 16:42
  Speaker 3: Is that why you're staring at me?
• 16:44
  Speaker 2: Had you get so dangerous looking?
• 16:46
  Speaker 3: Yeah? So I was in a big train accident when
• 16:50
  Speaker 3: I was younger. It was a disaster for me and
• 16:54
  Speaker 3: my family. I lost a lot of good people back then. Basically,
• 17:00
  Speaker 3: me and my friends are playing on the tracks and
• 17:03
  Speaker 3: OU don't know where a train comes and hits me
• 17:05
  Speaker 3: right in the throat, I mean right in the throat.
• 17:07
  Speaker 3: We were playing this game. Yeah, we're playing a game
• 17:10
  Speaker 3: called Throaty. You guys are playing Throaty. Sure, yeah, great,
• 17:14
  Speaker 3: so you guys have yes, explain, explain throwty to them.
• 17:19
  Speaker 3: It's a great game, Throaty.
• 17:21
  Speaker 6: It's that game where everyone tries to see how far
• 17:24
  Speaker 6: they can stick their neck out in dangerous places. I
• 17:28
  Speaker 6: was able to stick Whoever is the most danger for
• 17:30
  Speaker 6: the most amount of time wins and everyone else goes
• 17:34
  Speaker 6: thirty throaty too, choo choo. And then but guess what
• 17:37
  Speaker 6: if you get hit In a lot of cases, there
• 17:39
  Speaker 6: are many fatal deaths. But I'm surprised you were able
• 17:41
  Speaker 6: to survive.
• 17:42
  Speaker 2: No, you win the game, if you kind of if
• 17:46
  Speaker 2: you if you pass away, do you win?
• 17:50
  Speaker 7: No, you're you're you're like and you're like you think
• 17:54
  Speaker 7: winning is passing away, deboy because you want to die.
• 17:56
  Speaker 3: But no dying.
• 18:00
  Speaker 2: I just want to figure out how I can do
• 18:02
  Speaker 2: it me too, Hell you one hundred and thirty years old.
• 18:06
  Speaker 3: Man, I'm just sad.
• 18:07
  Speaker 2: I'm not trying to figure it out. I'm not suicidal.
• 18:10
  Speaker 2: I just want to know the physics of it. Anyway.
• 18:13
  Speaker 5: Keith, So, Keith you one throat to technically?
• 18:17
  Speaker 3: Oh yeah, well, you know, I got a big accident,
• 18:20
  Speaker 3: you know, a big accident. But we walked away with
• 18:23
  Speaker 3: a voice like this. And you know, when I was
• 18:26
  Speaker 3: in my late mid twenties, I was hanging out at
• 18:28
  Speaker 3: all the bars in Hollywood, and people you know, I
• 18:31
  Speaker 3: got interested and this guy comes up to me and
• 18:34
  Speaker 3: he says, you know how cool your voice is? Can
• 18:37
  Speaker 3: I borrow it for a movie? And I said, yeah, whatever, dude.
• 18:42
  Speaker 3: And then he said, can you come teach me how
• 18:44
  Speaker 3: to do it? And I said, oh, yeah, whatever? Did? Yeah?
• 18:47
  Speaker 3: Come on? That was Jamie FOXX in dream Girls.
• 18:52
  Speaker 2: Unbelievable what and he's copying.
• 18:55
  Speaker 3: You, m Jay fox and Dreamgirls sounds basically exactly like this.
• 19:00
  Speaker 7: So you have people you don't really coach them, they
• 19:03
  Speaker 7: have you teach them how to copy you.
• 19:05
  Speaker 3: Yeah, well a lot of it is. You know, I'm
• 19:07
  Speaker 3: not a great teacher. So they just come over and
• 19:09
  Speaker 3: hang and we shoot the ship, you know, get faded,
• 19:13
  Speaker 3: get drunk, do drugs, do it all. You know, because
• 19:18
  Speaker 3: when I do drugs, my voice comes out a little
• 19:20
  Speaker 3: bit gruffer. That's crazy.
• 19:24
  Speaker 6: So you're intentionally harming your voice through drugs and alcohol.
• 19:28
  Speaker 3: That's why, no, no, no, no, It's what you got
• 19:30
  Speaker 3: to understand. When I went through my accident, all I
• 19:34
  Speaker 3: ever needed to help was drugs. You know, I have
• 19:37
  Speaker 3: to take heavy pain medication every day because part of
• 19:41
  Speaker 3: the train track is still in my throat. If you
• 19:43
  Speaker 3: guys see that. Can you guys see a little bit?
• 19:47
  Speaker 5: Yeah?
• 19:47
  Speaker 2: Is it? Wow? I've ever seen one.
• 19:50
  Speaker 3: Yeah, it's a little train.
• 19:51
  Speaker 6: That's a little bit.
• 19:52
  Speaker 3: Did I mention? It was a very tiny train that
• 19:55
  Speaker 3: hit my throat, fit out.
• 19:57
  Speaker 2: A smaller version of itself into your throat, And that's
• 19:59
  Speaker 2: why you to speak that way.
• 20:01
  Speaker 6: Was it a train carrying tiny trains?
• 20:03
  Speaker 3: It was this, absolutely, it was toys rust ordered a
• 20:06
  Speaker 3: giant train.
• 20:08
  Speaker 5: It was a train training thirty thirty two chew.
• 20:12
  Speaker 3: Oh wait, that.
• 20:12
  Speaker 4: Makes me think of thirty thirty two choo chew. What's
• 20:15
  Speaker 4: everyone's favorite tongue twister?
• 20:17
  Speaker 5: Mmmmm mm hmm.
• 20:20
  Speaker 3: Well, I don't like to talk about tongue twisters too
• 20:22
  Speaker 3: much because my mom was born without a tongue.
• 20:25
  Speaker 5: So, and that's hard for you to talk about, it's hard.
• 20:30
  Speaker 3: For me to talk about. Yeah, you guys go ahead, though,
• 20:32
  Speaker 3: I'm interested in what you guys think. Oh yeah, hard pass,
• 20:39
  Speaker 3: that's not.
• 20:39
  Speaker 6: Going to be traumatic for you.
• 20:42
  Speaker 3: No, you guys have fun. You guys have fun.
• 20:44
  Speaker 5: So I don't I don't mean to. I do want
• 20:47
  Speaker 5: to talk to you about this, keith I I feel
• 20:49
  Speaker 5: like I don't want to be, you know, uh, psychoanalyzing you.
• 20:53
  Speaker 5: But it feels like mom without a tongue. Another reason
• 20:56
  Speaker 5: you'd get into voice dialect coaching.
• 21:00
  Speaker 3: Why don't you shut the fuck up and stand in
• 21:01
  Speaker 3: your lane, buddy? Okay, why don't you shut the fuck
• 21:04
  Speaker 3: up and stay in your lane?
• 21:05
  Speaker 5: Watch your tone? Bakeroo, what what.
• 21:08
  Speaker 3: Are you gonna do? What are you gonna do?
• 21:11
  Speaker 5: I'm gonna porterhouse roundhouse KICKI in the face, my captain.
• 21:14
  Speaker 3: I'd like to see you try. We're both very weak men.
• 21:17
  Speaker 3: We've established that we're Keith Keith Don.
• 21:19
  Speaker 6: You're both experts in your field. You're both beautiful men.
• 21:23
  Speaker 6: Let's let's let's breathe.
• 21:26
  Speaker 2: Let's do some exercises, Dylan, I'd love I'd love to
• 21:31
  Speaker 2: learn an exercise from you. I hear you're famous for
• 21:33
  Speaker 2: your exercises.
• 21:36
  Speaker 6: I'm I. I always just pull from the classics. I
• 21:40
  Speaker 6: like to go into the international the the I like
• 21:43
  Speaker 6: to pull from phonetics that I'm using that day. Maybe
• 21:46
  Speaker 6: pick a phoneeme and just hear it in my voice.
• 21:50
  Speaker 6: This is my voice, okay, so ha ha ha ha.
• 21:57
  Speaker 6: What is that? Is that a schwa? Is that a
• 22:02
  Speaker 6: higher schwa?
• 22:04
  Speaker 3: I was going to say, it's gonna be a in
• 22:07
  Speaker 3: the category of s for sure family.
• 22:11
  Speaker 6: It certainly is in the Schwa family. So I'd like
• 22:13
  Speaker 6: to put that, let that sit in my voice, especially
• 22:16
  Speaker 6: when I'm eating, showering, grocery, shopping, ha ha, and then
• 22:21
  Speaker 6: see feel it to see felm taking. And then maybe
• 22:25
  Speaker 6: where do I hear that sound in other dialects?
• 22:30
  Speaker 3: You know?
• 22:30
  Speaker 6: If I was to uh go into Afrikaans, where where
• 22:35
  Speaker 6: uh uh start speaking? Uh? What do the what do
• 22:43
  Speaker 6: the Afrikaans where did they have the sound sit in
• 22:46
  Speaker 6: the ah? Where does where does it sit in the
• 22:48
  Speaker 6: voice for people who have the Afrikaans accent? I don't know. Question,
• 22:54
  Speaker 6: it's a question, I asked myself. It's a question, I
• 22:57
  Speaker 6: asked myself, and.
• 22:58
  Speaker 3: That I it's a thinking guttural R. I can't see
• 23:02
  Speaker 3: it's pretty really guttural r. Usually uh uh r right.
• 23:10
  Speaker 2: No, I feel like I'm in electure hall right now
• 23:17
  Speaker 2: watching the professor.
• 23:19
  Speaker 6: I'm sorry, I just wrote. I just roll, I just
• 23:22
  Speaker 6: roll into it. I think I need to hydrate. No,
• 23:25
  Speaker 6: really do I hydrate so much?
• 23:28
  Speaker 5: Good?
• 23:29
  Speaker 6: I'm always hydrating throughout the day.
• 23:31
  Speaker 4: Me too.
• 23:32
  Speaker 7: I have strictly lemonade, lemonade, lemonade, lemonade, lemonade.
• 23:36
  Speaker 3: That can't be good for the voice. Yeah, it's a lot.
• 23:39
  Speaker 7: Of lemonade, le lemon level lemon lemonade, some which tamil
• 23:43
  Speaker 7: lemonade lemonade, some which town lemonade.
• 23:49
  Speaker 2: Now, you guys have probably heard this one. This is
• 23:51
  Speaker 2: a classic from UH. It originated sometime in London, brought
• 23:55
  Speaker 2: over to New Haven in about nineteen ten. It goes
• 23:59
  Speaker 2: like this, Sally sells sea shells by the sea. Mack Mack,
• 24:04
  Speaker 2: you're being crazy, Mark, Why won't you come home to me? Mark?
• 24:09
  Speaker 5: I've never heard the second part of that one.
• 24:11
  Speaker 6: The first part of that one, that's I know it.
• 24:14
  Speaker 2: It's because the first part gets your tongue warmed up,
• 24:17
  Speaker 2: and then the second part gets your your voice warmed up.
• 24:20
  Speaker 2: Because a Transatlantic accent is all about the musicality. It's
• 24:24
  Speaker 2: about sending it up. It's about having a hysterical thought
• 24:27
  Speaker 2: in your stomach and sending it through your mouth.
• 24:31
  Speaker 5: I think this is fascinating because a lot of what
• 24:34
  Speaker 5: I'm doing is kind of dulling the accent that they
• 24:37
  Speaker 5: already have to make it a softer American accent. So
• 24:40
  Speaker 5: I actually do a lot of I wouldn't I wouldn't
• 24:43
  Speaker 5: call him a tongue twister. I call it a tongue straightener,
• 24:46
  Speaker 5: and I do something called you know, I take words
• 24:49
  Speaker 5: like Teeter totter and I say Deeter daughter, you know
• 24:52
  Speaker 5: a lot of that stuff.
• 24:54
  Speaker 4: You are so straight?
• 24:56
  Speaker 6: Yeah, daughter, what else did you do? Straighten my tongue?
• 25:02
  Speaker 4: You make Dylan, make Dylan sound American?
• 25:06
  Speaker 6: Yeah, straight my tongue.
• 25:10
  Speaker 5: All right, I'm gonna straighten your tongue, so repeat.
• 25:12
  Speaker 6: After me, gonna get let go again.
• 25:14
  Speaker 5: No, no, no, no, no, We're gonna be okay. I promise,
• 25:17
  Speaker 5: I promise I won't get you fired on this one.
• 25:19
  Speaker 9: All right, Deeter daughter, Deeta daughter, No, you're doing the
• 25:25
  Speaker 9: Deeter daughter, Deeta daughter, Deeter daughter, de daughter, der.
• 25:36
  Speaker 6: Daughter.
• 25:37
  Speaker 5: Whoa don't you guys see that? Did you see that?
• 25:41
  Speaker 6: Wow?
• 25:42
  Speaker 2: Wow?
• 25:43
  Speaker 3: Wow?
• 25:44
  Speaker 4: He looks like Donald Wagan.
• 25:46
  Speaker 5: Yeah, let's do that one.
• 25:47
  Speaker 10: Donald Wagon, Ronald Reagan, Donald Wagon, Donald one old way,
• 25:59
  Speaker 10: follow it, follow Wondald Wigan.
• 26:02
  Speaker 5: Let it sit in the back of your Let sit
• 26:04
  Speaker 5: in the back of your throat like a hot lunch.
• 26:07
  Speaker 6: I'm I'm Ronald.
• 26:09
  Speaker 5: Reagan, Ronald Wagon.
• 26:12
  Speaker 6: I'm going to pull my my guns out of my
• 26:16
  Speaker 6: host holster and viral them in the air.
• 26:21
  Speaker 3: Yeah.
• 26:22
  Speaker 2: Wow, we're really getting daryln Have you never taught an
• 26:26
  Speaker 2: American accent before?
• 26:28
  Speaker 5: Have you never done that?
• 26:31
  Speaker 2: You seem to be a professor of many like languages
• 26:34
  Speaker 2: and dialects, but American seems to be the one you
• 26:37
  Speaker 2: cannot do.
• 26:38
  Speaker 5: And you've taught literally across the country.
• 26:41
  Speaker 6: If I may, The reason I came to the States
• 26:46
  Speaker 6: is because it's the one accent I don't It's the
• 26:50
  Speaker 6: one accent I don't know how to teach.
• 26:52
  Speaker 2: Oh, that's true. I guess you wouldn't have to teach
• 26:54
  Speaker 2: American accents to American kids.
• 26:57
  Speaker 6: It's something I've never admitted before, and I'm ashamed, but
• 27:03
  Speaker 6: I don't know how to crack that American egg.
• 27:07
  Speaker 7: Listen, I wouldn't be don't do it. I tell my
• 27:10
  Speaker 7: students this all the time. Don't be ashamed. I cannot
• 27:12
  Speaker 7: do an accent from piano falling on my head town
• 27:15
  Speaker 7: for the life of me.
• 27:19
  Speaker 2: Something you made up. You can't do it because you
• 27:22
  Speaker 2: made it up. No, you absolutely actually no sidy.
• 27:27
  Speaker 3: You can do it.
• 27:28
  Speaker 2: You can do it because it's whatever you want it
• 27:30
  Speaker 2: to be. You could say blah blah blah blah blah,
• 27:33
  Speaker 2: and that's the accent because it's not real. It's not real, Sandy.
• 27:37
  Speaker 2: You made it up.
• 27:39
  Speaker 3: You are coming for this fourteen year old.
• 27:41
  Speaker 5: Yeah, you're gonna chill.
• 27:42
  Speaker 2: Out helping you, Sandy, I can't help it.
• 27:45
  Speaker 6: But you've been alive too long.
• 27:47
  Speaker 5: I think you're one hundred years older than her.
• 27:50
  Speaker 3: What oh, you do you see in her long hair, nose?
• 27:59
  Speaker 2: Womanly fe get two eyes?
• 28:01
  Speaker 6: Sure?
• 28:03
  Speaker 2: Yeah, two eyes exactly, So.
• 28:06
  Speaker 3: Jim looks just like me? Dylan, is that why you
• 28:09
  Speaker 3: get fired from your universities because you can't do an
• 28:11
  Speaker 3: American accent? I thought it was because you were sleeping
• 28:13
  Speaker 3: with the students.
• 28:14
  Speaker 6: It was because I was sleeping with the students.
• 28:18
  Speaker 2: I was.
• 28:19
  Speaker 6: I've had several inappropriate relationships with sophomore in junior year
• 28:25
  Speaker 6: students and then I.
• 28:26
  Speaker 3: Get tranced, so I get fired and never go senior.
• 28:29
  Speaker 3: You never go senior?
• 28:30
  Speaker 5: Do you would be the easiest, would be the.
• 28:34
  Speaker 2: Safest answer, would be the safest answer if you were
• 28:37
  Speaker 2: sleeping with seniors.
• 28:39
  Speaker 6: First rule of learning a new dialect is be honest
• 28:43
  Speaker 6: with yourself. Be honest with yourself, and be honest with
• 28:45
  Speaker 6: your PRIs I agree.
• 28:46
  Speaker 3: With that.
• 28:48
  Speaker 5: On that one, Jack, agree with that. It's Dylan, Okay, Jack,
• 28:52
  Speaker 5: is a colloquial American phrase. Oh listen, I wanted to
• 28:56
  Speaker 5: talk about all these little uh trigger trigger phrases keys,
• 29:00
  Speaker 5: the verbal keys to get into accents. I think that
• 29:02
  Speaker 5: would be really fun to talk about my American phrase.
• 29:05
  Speaker 5: We already talked about a Deeter daughter. That's it to
• 29:08
  Speaker 5: get your right in there. I had Kiera n Knightley
• 29:11
  Speaker 5: dude Deeter daughter four hundred times before she was in
• 29:14
  Speaker 5: a movie called The Jacket.
• 29:18
  Speaker 3: That makes sense.
• 29:20
  Speaker 6: For Cockney, I like to imagine, has anyone seen my
• 29:24
  Speaker 6: fair Lady?
• 29:25
  Speaker 4: Yeah?
• 29:26
  Speaker 6: For Cockney, I like to think of mister Doolittle himself,
• 29:31
  Speaker 6: and I think of my trigger phrases are why am I? Godness, bow,
• 29:35
  Speaker 6: why am I? And then I'm like, I'm there, I'm there,
• 29:37
  Speaker 6: I'm in the play like I was there, I'm there,
• 29:41
  Speaker 6: and then I'm back, I'm that. So trigger words are
• 29:45
  Speaker 6: an excellent tool for any for transferring in and out
• 29:48
  Speaker 6: of any accident.
• 29:49
  Speaker 4: Keith, what was a twigger word you gave for Lady Gaga?
• 29:52
  Speaker 5: Oh?
• 29:53
  Speaker 3: Yeah, for Lady Gaga and Bradley guys. Now that was big.
• 29:56
  Speaker 3: I said, Hey, one day I was walking on the
• 29:59
  Speaker 3: street and this guy hits me in the shoulder. I go,
• 30:02
  Speaker 3: whoa because I fell, and he goes, I'm so sorry, sir.
• 30:08
  Speaker 3: It lifts me up and goes, I love your voice.
• 30:11
  Speaker 3: I'm shooting a movie. Can I, you know, follow you
• 30:14
  Speaker 3: around and do your voice? And I said this again this,
• 30:17
  Speaker 3: I gotta start getting money for this. So he gave
• 30:20
  Speaker 3: me a couple, have you. Yeah, he gave me a
• 30:23
  Speaker 3: couple of books here and there.
• 30:25
  Speaker 2: Just while showing define a couple please, because that's Bradley Cooper.
• 30:28
  Speaker 3: Isn't it Bradley? Yeah, Bradley Cooper?
• 30:32
  Speaker 2: Or what did I say?
• 30:33
  Speaker 6: You said Bradley?
• 30:35
  Speaker 3: I heard Bradley, I heard Radley, and that is just Bradley.
• 30:40
  Speaker 4: Wow. I love it.
• 30:41
  Speaker 7: A big table of dialect coaches talking about different day
• 30:44
  Speaker 7: ways we heal letters.
• 30:46
  Speaker 3: Okay, I understand why you went off on her in the.
• 30:48
  Speaker 2: Trans Atlantic accent. Not to be typical, not to be technical.
• 30:52
  Speaker 2: In the trans Atlantic accent. You do pronounce it Radley.
• 30:55
  Speaker 2: You don't say the bee, you don't hit the bee.
• 30:57
  Speaker 2: It's Radley Cooper.
• 30:59
  Speaker 3: Oh wow, Okay, Okay. So Radley and I you know,
• 31:02
  Speaker 3: he's a great guy. We're playing pool. All of a sudden,
• 31:05
  Speaker 3: I'm going over to his house to swim in a
• 31:07
  Speaker 3: pool and we're just, you know, hanging yeah, And then
• 31:11
  Speaker 3: this girl comes over and she's like, I heard you're
• 31:13
  Speaker 3: the voice guy. I want to also do your voice.
• 31:16
  Speaker 3: And you know, long story, shirt, I walk out with
• 31:20
  Speaker 3: a six pack of beer, a couple bucks in my pocket,
• 31:23
  Speaker 3: and I'm groovy, golden.
• 31:25
  Speaker 2: You know, it seems like a bad deal.
• 31:30
  Speaker 3: How much are you guys getting paid?
• 31:34
  Speaker 5: I get paid forty five thousand dollars a film.
• 31:37
  Speaker 3: Jesus, Jesus, what how much do you guys get? What's
• 31:42
  Speaker 3: the rest? Is that just a is it just me what?
• 31:46
  Speaker 6: I'm currently looking for a job, but at previous jobs
• 31:55
  Speaker 6: I had, Previous jobs I've made range from seventy to
• 32:00
  Speaker 6: eighty thousand dollars, like.
• 32:02
  Speaker 3: Jesus dealing fucking Christ?
• 32:04
  Speaker 5: Have you ever made ten year doing that? Was my quest?
• 32:06
  Speaker 6: No, I'm not there long enough.
• 32:09
  Speaker 3: I was also gonna ask a question to really quick,
• 32:11
  Speaker 3: do you ever do you ever, like, do the students
• 32:13
  Speaker 3: ever ask you to do the voices? When you guys
• 32:16
  Speaker 3: are you know, kissing and stuff?
• 32:19
  Speaker 6: Sure?
• 32:20
  Speaker 4: I want to talk about that. I may see uncomfortable.
• 32:22
  Speaker 3: Keith.
• 32:23
  Speaker 5: Okay, Sidney, how much do you get paid for for YouTube?
• 32:27
  Speaker 3: Well?
• 32:27
  Speaker 4: The thing I have mostly paid for is my much.
• 32:30
  Speaker 7: I have a bunch of water bottles that say Sandwich
• 32:33
  Speaker 7: Town Gymnastics town water.
• 32:36
  Speaker 5: Bottles, wattles with the fake lands that you're doing.
• 32:43
  Speaker 6: How much do you make? How much do you make
• 32:45
  Speaker 6: in a here?
• 32:46
  Speaker 4: Well, the water bottles really go fast. They go so fast, And.
• 32:52
  Speaker 2: I'm a little bit confused as to how you're a
• 32:54
  Speaker 2: dialect coach. This world is going too fast. I don't
• 32:58
  Speaker 2: understand it anymore. This doesn't make a lick of sense.
• 33:02
  Speaker 5: I'm gonna, I'm actually I'm I'm gonna gonna go ahead,
• 33:05
  Speaker 5: and I'm gonna be on Dever's side here. I think
• 33:08
  Speaker 5: you're a water bottle salesman.
• 33:10
  Speaker 3: Yeah, I'm interested how much you make, like three or
• 33:12
  Speaker 3: four dollars in the end, Well, how much.
• 33:14
  Speaker 4: I make off of water bottles or how much I
• 33:16
  Speaker 4: make off of dialects. If you can't make money off
• 33:18
  Speaker 4: of dialects, I'm.
• 33:20
  Speaker 5: Saying no, that's false. I make forty five thousand dollars
• 33:23
  Speaker 5: a job, Jesus Jesus. But how much you make on
• 33:27
  Speaker 5: the water bottles? I need to know this now, Sydney
• 33:28
  Speaker 5: will book.
• 33:29
  Speaker 7: Well, it depends if your manastic town water bottle goes
• 33:32
  Speaker 7: to about seventy five dollars because because it purified, it
• 33:36
  Speaker 7: purifies the water. That's why you know those water bottles
• 33:39
  Speaker 7: that you could put water from a lake and the
• 33:41
  Speaker 7: water purifies.
• 33:43
  Speaker 4: It's that kind of water bottles.
• 33:45
  Speaker 7: But then also I have a band deal with YouTube
• 33:48
  Speaker 7: for my dialect videos, so I get about my mom
• 33:51
  Speaker 7: does a bookkeeping, but I get about five fifteen thousand
• 33:54
  Speaker 7: a year.
• 33:56
  Speaker 3: So I just want to say something that's crazy.
• 34:00
  Speaker 2: Low.
• 34:02
  Speaker 6: I feel like you should be a doll I'm in school.
• 34:04
  Speaker 3: I'll have your Your parents might be stealing money from you.
• 34:09
  Speaker 3: If you're selling a bunch of water bowls for seventy
• 34:12
  Speaker 3: five dollars each, it's a little more than fifteen thousand dollars.
• 34:15
  Speaker 3: Just to be clear, what is your overhead in this business?
• 34:19
  Speaker 5: That means that means that if you are making one
• 34:21
  Speaker 5: hundred percent profit off of these water bottles, you've sold
• 34:23
  Speaker 5: two hundred water bottles.
• 34:25
  Speaker 4: Oh no, I do about like three hundred a week.
• 34:30
  Speaker 5: Yeah, yeah, your numbers are off.
• 34:31
  Speaker 2: Can I see myself and you sindy moms, two legs,
• 34:35
  Speaker 2: parents stealing from your left and right. I tell you
• 34:41
  Speaker 2: what I used to make two.
• 34:43
  Speaker 6: Hundred a picture, but two hundred thousand dollars a picture.
• 34:48
  Speaker 2: Oh no, two hundred dollars a picture. But you know
• 34:51
  Speaker 2: that was back then money. That was nineteen ten money roughly.
• 34:56
  Speaker 2: Now that translates, so that was pre War one. That
• 35:01
  Speaker 2: was pre War one money. Then we hit War one.
• 35:04
  Speaker 2: Then my rate bumped up. I got a bump up
• 35:06
  Speaker 2: rate because you know, many men, many of the male
• 35:09
  Speaker 2: dialect coaches, went off to World War One, to War one,
• 35:14
  Speaker 2: War War one.
• 35:16
  Speaker 6: World War one came before World War Two.
• 35:20
  Speaker 2: I'm sorry, I feel like I just had a stroke.
• 35:23
  Speaker 3: It was as if you could realize that World War
• 35:27
  Speaker 3: One was a thing actually, and we just called World
• 35:30
  Speaker 3: War two world War two for no reason.
• 35:34
  Speaker 4: You know what I think was so much alike?
• 35:37
  Speaker 3: I think was so Can I just say.
• 35:39
  Speaker 2: One Sindy, We're alike except for I have a job
• 35:42
  Speaker 2: and you don't, and somehow you're making money and it's
• 35:45
  Speaker 2: baffling to me.
• 35:46
  Speaker 3: Can I just say one thing, Cindy, who you are
• 35:48
  Speaker 3: a dialect coach, but you have one of the worst
• 35:50
  Speaker 3: speech impediments I have ever.
• 35:52
  Speaker 5: Heard an easy partner.
• 35:54
  Speaker 3: Listen, listen to her speak.
• 35:58
  Speaker 7: Well, my mouth is a okay, I'll tell you this
• 36:02
  Speaker 7: I'll tell you this. My parents thought for a while
• 36:04
  Speaker 7: that I sounded weird. But I sound weird. It's also
• 36:08
  Speaker 7: my greatest gift because I can make weird sounds. They
• 36:11
  Speaker 7: looked at my vocal cords, and my vocal cords don't
• 36:13
  Speaker 7: go parallel.
• 36:14
  Speaker 4: They they like turn. Well, yeah, and that's why I
• 36:19
  Speaker 4: everything comes out wounded.
• 36:21
  Speaker 3: Well, that's like me. Imagine having a train in between
• 36:23
  Speaker 3: your vocal cords.
• 36:24
  Speaker 2: You know.
• 36:25
  Speaker 4: Okay, wait, now there's a train. I thought the twin
• 36:29
  Speaker 4: cut your vocal cords.
• 36:32
  Speaker 5: Train.
• 36:33
  Speaker 3: I got by a little train that fell off a
• 36:36
  Speaker 3: big train and went right into the courts.
• 36:39
  Speaker 5: I'm kind of imagining like the alien creature from Alien,
• 36:42
  Speaker 5: but it's a train.
• 36:43
  Speaker 3: Hey, why don't you back the fuck off, dude and
• 36:45
  Speaker 3: stay in your lane?
• 36:46
  Speaker 5: Hey, and mego watch yourself? Kay, passa Keith Dawn.
• 36:52
  Speaker 6: I see myself in both of you. You're both I
• 36:57
  Speaker 6: see a couple of friends, a couple of friends maybe,
• 37:01
  Speaker 6: and I see the I see I see the pentitent
• 37:03
  Speaker 6: potential of friendship and also the potential of losing your friend.
• 37:07
  Speaker 6: And I've lost a lot of friends after I got
• 37:10
  Speaker 6: fired from my job.
• 37:12
  Speaker 3: Ok Okay, what what do you keep getting caught.
• 37:16
  Speaker 4: Okay, what's everybody working on.
• 37:21
  Speaker 6: How do you think relationships their open relationship?
• 37:24
  Speaker 3: I don't.
• 37:25
  Speaker 6: I don't believe in open relationships. I don't hide anything.
• 37:28
  Speaker 2: They're open as in public relationships, not polyamorous at both. Yes. Well,
• 37:35
  Speaker 2: now there's your problem, Dylan, there's your problem.
• 37:39
  Speaker 3: How do these universities, the universities know this? Would they
• 37:42
  Speaker 3: hire you? No, it's not too open.
• 37:47
  Speaker 4: It's like the Catholic Church.
• 37:51
  Speaker 2: It just keeps happening.
• 37:52
  Speaker 3: Well, I'm very Catholic. Just watch your back there. Yeah, yeah,
• 37:58
  Speaker 3: very Catholic. My dad was very Catholic when he raised us.
• 38:03
  Speaker 3: And you know it trade it traded down. So I
• 38:06
  Speaker 3: go to church every Sunday. But enough about me. What's
• 38:09
  Speaker 3: everybody's favorite accent? No biters on that least one. Let's
• 38:19
  Speaker 3: just get you know, what do you want me to say?
• 38:22
  Speaker 5: You were raised Catholic? Is there something you say was.
• 38:25
  Speaker 3: His favorite accent to do? That's what I want to know.
• 38:30
  Speaker 5: Well, I like to tour the American South with my accents.
• 38:34
  Speaker 5: I would say all of the American You know, Texan
• 38:37
  Speaker 5: is a little bit more in the front of the mouth,
• 38:41
  Speaker 5: Oklahoma's a little bit.
• 38:42
  Speaker 3: In the middle, little salt, Joel drinking, Joel joke, Joel Jackson.
• 38:51
  Speaker 2: What I never heard anyone talk like that? Who talks
• 38:56
  Speaker 2: like that in real life?
• 38:59
  Speaker 6: Honestly?
• 38:59
  Speaker 3: It's instead of like Bill Cosby?
• 39:02
  Speaker 5: Very like? Who is that?
• 39:04
  Speaker 6: While we're in the South, I'd love to hear the
• 39:07
  Speaker 6: I'd love to hear the creole, the creole accent. I
• 39:12
  Speaker 6: was taking the tour of the South while we're here.
• 39:14
  Speaker 5: Well, they come, get on in this trolley that's a
• 39:16
  Speaker 5: street car named Desire, and roll down with me to
• 39:20
  Speaker 5: the old new worms. Sit down over here, now down
• 39:25
  Speaker 5: bah blah blah you down now?
• 39:27
  Speaker 4: Okay, wait, I know what I know where in the South?
• 39:29
  Speaker 6: Very good?
• 39:30
  Speaker 4: Can you do Burbank?
• 39:32
  Speaker 5: Yes, in California. Your dad's from Burbank. Hey have you
• 39:38
  Speaker 5: guys tried that new grilled cheese place on San Fernando.
• 39:42
  Speaker 5: It's called the melt.
• 39:45
  Speaker 6: Unkenny.
• 39:48
  Speaker 3: If you didn't tell me that was I would know that.
• 39:50
  Speaker 4: Was, okay, Debla deba hysterical. Can you do whales?
• 39:57
  Speaker 3: Yes?
• 39:57
  Speaker 2: No, I can't do wales, absolutely not.
• 40:01
  Speaker 3: No.
• 40:02
  Speaker 4: No, I didn't mean animals.
• 40:03
  Speaker 2: I meant well, I can't do that either. I'm a
• 40:08
  Speaker 2: one trick pony. I was born in eighteen ninety nine.
• 40:13
  Speaker 3: Oh right at the turn.
• 40:15
  Speaker 5: Dylan can do it.
• 40:15
  Speaker 6: Let Dylan do Debra, How would you go about teaching? Uh,
• 40:19
  Speaker 6: what are some techniques to learn the Transatlantic accent?
• 40:22
  Speaker 2: Well, the Transatlantic accent is all about keeping the breath
• 40:27
  Speaker 2: in the back of the throat. You're keeping it in
• 40:29
  Speaker 2: the back and you're rolling it out. You're keeping it
• 40:32
  Speaker 2: in the back and then you're sending it out. You
• 40:36
  Speaker 2: have to put yourself to do the Transatlantic accent. You
• 40:40
  Speaker 2: have to put yourself in the shoes of a wife.
• 40:43
  Speaker 2: You have to think of yourself as a wife. Doesn't
• 40:45
  Speaker 2: matter if you're playing a male detective, if you're a judge,
• 40:48
  Speaker 2: if you're a jury, if you're playing Jesus Christ himself.
• 40:51
  Speaker 2: You have to think of yourself as a wife. I'm
• 40:54
  Speaker 2: a wife and my husband isn't home yet. That's the
• 40:57
  Speaker 2: heath isn't back.
• 41:00
  Speaker 3: No, this is just for the accent.
• 41:02
  Speaker 2: What a you fucking things? Do you think my husband
• 41:07
  Speaker 2: is alive? No, a stupid question. I can't die. He
• 41:13
  Speaker 2: died in nineteen seventy three, and he lived for a
• 41:17
  Speaker 2: long time. That was old when he died. That was
• 41:22
  Speaker 2: the jumping off point.
• 41:23
  Speaker 5: I could have hit can I be honest with you, Deborah,
• 41:25
  Speaker 5: When you said you had a stroke earlier, I got
• 41:28
  Speaker 5: a little excited for it.
• 41:29
  Speaker 6: I thought you might die.
• 41:32
  Speaker 3: We were all praying for you there. And I'm Catholic,
• 41:34
  Speaker 3: so you.
• 41:35
  Speaker 2: Know, someday I'll get there. Someday I'll get it a
• 41:38
  Speaker 2: little bit more, I will say. Talking about our favorite accents, though,
• 41:42
  Speaker 2: my favorite accent is the Jackie Kennedy accent. It's a
• 41:47
  Speaker 2: different variation on Transatlantic and it's the only one that
• 41:52
  Speaker 2: gets me work nowadays because the Transatlantic is gone. But
• 41:55
  Speaker 2: Natalie Portman in twenty sixteen raked me in the big box.
• 42:00
  Speaker 2: She wriped me in the big box.
• 42:02
  Speaker 4: We want to say every day.
• 42:05
  Speaker 2: I was on set every day, eating popcorn, telling her
• 42:08
  Speaker 2: how to say white hose, telling her how to say
• 42:12
  Speaker 2: chick things like that. Anyway, what about what about?
• 42:19
  Speaker 3: Uh uh? What's yours? Yeah?
• 42:24
  Speaker 6: My favorite? My favorite accent?
• 42:27
  Speaker 3: Yes?
• 42:27
  Speaker 5: What do you like to do? Well?
• 42:30
  Speaker 8: I like to.
• 42:32
  Speaker 6: I like to do my friends across the pond, the
• 42:36
  Speaker 6: other pond, the pond that is between England and France.
• 42:41
  Speaker 11: Okay, you mean you mean a fairytown land, I mean Frances,
• 42:50
  Speaker 11: a real place.
• 42:51
  Speaker 2: We're talking about real the.
• 42:52
  Speaker 3: Only real one that you know as well? Didn't you
• 42:56
  Speaker 3: deal a fred Jack? I guess it's so fucking co
• 43:00
  Speaker 3: used by you guys, Dylan.
• 43:02
  Speaker 5: You do French, though, I want to do your French
• 43:05
  Speaker 5: all right.
• 43:05
  Speaker 6: I like to think of my my favorite musical, uh,
• 43:09
  Speaker 6: the Scarlet Pimpernel, and I think, all right, and an
• 43:16
  Speaker 6: excellent performance of Marguerite. It's amazing when one it's a
• 43:22
  Speaker 6: trap or or or I like to think about my
• 43:25
  Speaker 6: other favorite French musical, ratatui ah, and I think of
• 43:30
  Speaker 6: ah RETAUI. Oh, you are such a little cook, you
• 43:37
  Speaker 6: little cook. You are not such a meal. You are
• 43:40
  Speaker 6: not you are not a little rat. You are a
• 43:43
  Speaker 6: cook and a good cook. Now and now I'm now,
• 43:47
  Speaker 6: I'm back.
• 43:48
  Speaker 5: Well, I think I think it was in the film.
• 43:51
  Speaker 6: I think it was in the film. I'm not sure.
• 43:52
  Speaker 3: What other accents can you do? That's amazing you said
• 43:55
  Speaker 3: it's so French. I can do on two very distinct
• 43:58
  Speaker 3: French people, different accents. Mhm.
• 44:00
  Speaker 6: I could do about four more more.
• 44:03
  Speaker 2: Let's hear four accents total, four.
• 44:08
  Speaker 3: Twenty universities, sixteen sixteen.
• 44:10
  Speaker 6: Looking when I'm seventeen, I'll have I can send you
• 44:12
  Speaker 6: on my resume, I have it. I'm also I'm also
• 44:18
  Speaker 6: on LinkedIn. I'm looking for.
• 44:20
  Speaker 4: Work obviously Tinder.
• 44:23
  Speaker 5: I'd like to add you to my professional network. I'll
• 44:26
  Speaker 5: my professional network and easy.
• 44:30
  Speaker 3: You're fourteen, you got another four years.
• 44:34
  Speaker 6: I am not on Tinder anymore.
• 44:37
  Speaker 2: I'm dying. What did you get kicked off of Tinder
• 44:42
  Speaker 2: as well?
• 44:45
  Speaker 6: Yes, it's well, it's too snobbish people there. We're talking
• 44:53
  Speaker 6: about accents, not dating profile.
• 44:56
  Speaker 3: That's true. One are the other three that you could do?
• 45:00
  Speaker 6: Irish and Italian and Russian? Oh, I'd love to hear
• 45:09
  Speaker 6: that and Japanese.
• 45:12
  Speaker 3: Okay, let's skip that. Let's take a skip of that one.
• 45:19
  Speaker 7: Okay, okay, fair enough, Okay, everyone's favorite client they ever
• 45:25
  Speaker 7: work with.
• 45:26
  Speaker 5: Wait, I gotta hear Sydney. I gotta hear your favorite
• 45:29
  Speaker 5: accent to do, and I gotta hear I gotta hear
• 45:31
  Speaker 5: Keats as well.
• 45:33
  Speaker 4: Oh whoopsie, Uh my favorite is uh probably d m
• 45:39
  Speaker 4: V Town.
• 45:42
  Speaker 7: Okay, it's not a real place, Okay, Okay, well, then
• 45:46
  Speaker 7: probably f Wedge.
• 45:47
  Speaker 3: Well I guess d m V Town is at least
• 45:49
  Speaker 3: closer to something than Sandwich.
• 45:51
  Speaker 6: I actually like to hear DMV Town.
• 45:55
  Speaker 3: Dombba raw are.
• 45:59
  Speaker 4: Hey, it's really deep and hot to do this.
• 46:02
  Speaker 3: Girl makes fifteen thousand dollars a year at least, what
• 46:07
  Speaker 3: about you? Well, you know, The Crazy Thing is my
• 46:11
  Speaker 3: last movie. You know. Somebody said, hey, you're the dialect coach,
• 46:14
  Speaker 3: and I went to the hood or whatever, but the
• 46:16
  Speaker 3: whoda we're there? I went the what the fuck are
• 46:19
  Speaker 3: you talking about? Staying your lane? And he said, no,
• 46:22
  Speaker 3: you're the dialect coach. You do different dialects. So I
• 46:25
  Speaker 3: went to the internet. I looked up oh accents. So
• 46:28
  Speaker 3: I've been, you know, messing around with some accents recently.
• 46:31
  Speaker 3: My favorite one right now is a little bit of Scottish.
• 46:34
  Speaker 3: I find it really fun.
• 46:37
  Speaker 4: Oh do it please?
• 46:42
  Speaker 3: How's it going?
• 46:43
  Speaker 8: One?
• 46:44
  Speaker 3: Two, three, five? Welcome to my house? Oh yes, I'd
• 46:48
  Speaker 3: love to go to the little pub down there. We'll
• 46:51
  Speaker 3: have a great, great time down at the pub. Why
• 46:53
  Speaker 3: don't you come here? That's not coming here, that's key, key, absolutely.
• 46:59
  Speaker 5: I want to talk.
• 47:00
  Speaker 3: It's bad. No wait, well, see my voice wears off
• 47:03
  Speaker 3: on other people. You hang out, just get a little
• 47:08
  Speaker 3: bit of the grain.
• 47:09
  Speaker 5: But want to I want to talk to you about
• 47:11
  Speaker 5: this because when you did that accent, your voice got
• 47:14
  Speaker 5: higher and I saw the train for true your throat, Yeah.
• 47:19
  Speaker 3: It hurts.
• 47:19
  Speaker 2: Maybe that's what happened because Scottish is such an open
• 47:23
  Speaker 2: mouth accent, right, it lives, it's it's living in the breath.
• 47:27
  Speaker 2: Your mouth is so open when you do it, perfect
• 47:29
  Speaker 2: amount of time for the train to pop right out
• 47:31
  Speaker 2: of there.
• 47:33
  Speaker 3: Well, the train can't go through my throat, out of
• 47:36
  Speaker 3: my mouth, that'd be well.
• 47:37
  Speaker 2: I could certainly see it when you are pulling, when
• 47:39
  Speaker 2: you were pulling up the bowels.
• 47:42
  Speaker 8: When I opened my mouth, you can see the train. Yeah,
• 47:45
  Speaker 8: it looked like a little uvula kind of.
• 47:48
  Speaker 2: No one ever told you that before.
• 47:49
  Speaker 3: Now what I've never heard this before.
• 47:51
  Speaker 2: You can actually see the very closed accent. You're speaking
• 47:55
  Speaker 2: with a very closed accent. But if you were Scottish
• 47:58
  Speaker 2: then then we'd be seeing it.
• 48:00
  Speaker 3: Yeah. Well yeah, I've been trying a couple of accents.
• 48:02
  Speaker 3: But then you know, I've got no future the biz.
• 48:05
  Speaker 3: So okay, if I have a future, you have a future, Cindy,
• 48:10
  Speaker 3: Can I come on your YouTube? Maybe? Ye use a
• 48:13
  Speaker 3: little fun if you want, great, we'll range that off camera.
• 48:17
  Speaker 6: Cindy, do you need any help selling water bottles?
• 48:20
  Speaker 3: No?
• 48:20
  Speaker 2: No, no, no, she doesn't need any help from you, Dylan.
• 48:24
  Speaker 4: My mam will want me hang.
• 48:25
  Speaker 3: How are you you know, Cindy, he's a hole, to
• 48:31
  Speaker 3: be fair, he's looking up with nineteen or twenty year olds.
• 48:33
  Speaker 4: I no, no, I'm not assuming. I didn't assume that
• 48:36
  Speaker 4: my mom just hates British people.
• 48:38
  Speaker 2: Oh hell, we hate ourselves, ye, Dylan, I'd love to
• 48:44
  Speaker 2: know something. This is a professional Hollywood talk shop question.
• 48:48
  Speaker 2: What is the timeline from when you are mentoring a
• 48:51
  Speaker 2: pupil to when you date them?
• 48:55
  Speaker 3: A good question, day dying this one.
• 48:59
  Speaker 6: I don't see how that's related to We're.
• 49:02
  Speaker 5: Just talking shop, man.
• 49:03
  Speaker 12: We're just talking shop about a semester, about about a semester,
• 49:11
  Speaker 12: just once one semester for what the.
• 49:14
  Speaker 4: Recording or the making out and which part?
• 49:17
  Speaker 3: Okay case, Cindy Luke, we're talking shop.
• 49:23
  Speaker 4: We're talking shop.
• 49:26
  Speaker 6: That's just the courting. I don't think that that has
• 49:28
  Speaker 6: anything to do with our tech technique.
• 49:30
  Speaker 5: Of I'm sorry, I feel like really playing into Dylan
• 49:34
  Speaker 5: a little bit on this accents, you know, having relations
• 49:39
  Speaker 5: with teachers. We haven't had schomances. Nobody else here has
• 49:42
  Speaker 5: had romances at work on setn you dog, of.
• 49:46
  Speaker 7: Course, I don't there was an article about your big
• 49:50
  Speaker 7: crush on Emily Blunt.
• 49:52
  Speaker 5: Yeah, that was a really inappropriate ar Verry Weird.
• 49:57
  Speaker 2: On deadline dot com the crush on her local action
• 50:03
  Speaker 2: crush on Emily Blunt.
• 50:08
  Speaker 6: It almost it almost felt like the person writing the
• 50:10
  Speaker 6: article had a grudge because they just talked.
• 50:14
  Speaker 3: About how how, how how pathetic.
• 50:18
  Speaker 6: You were always liking their posts, and.
• 50:22
  Speaker 5: That up ended my life, my life that they put.
• 50:28
  Speaker 2: That goofy headshot of you from the eighties, yes, back
• 50:32
  Speaker 2: when you would be in a stage actor.
• 50:35
  Speaker 5: So that almost cost me. Ben Bennetett called me and
• 50:37
  Speaker 5: he said, what is this like? How do I process this?
• 50:41
  Speaker 3: I said, I don't know it, deny it. Though you
• 50:44
  Speaker 3: did have a crunch, but what was over.
• 50:52
  Speaker 5: It felt incredibly invasive to write then about me.
• 50:55
  Speaker 2: They got your diaries, yes, I mean town, your cheeks
• 51:02
  Speaker 2: were rosy red by all accounts every time someone mentioned
• 51:05
  Speaker 2: her name.
• 51:06
  Speaker 6: They're read right now.
• 51:08
  Speaker 3: Entry and said, Don Blunt, Don Blunt, incursive with hearts everywhere.
• 51:13
  Speaker 5: I don't think it's wrong to have an innocent crush.
• 51:15
  Speaker 5: I also told nobody about that. Okay, everyone could just
• 51:20
  Speaker 5: tell's working with her closely on a quiet place. Okay,
• 51:24
  Speaker 5: I was working with her closely, okay, And there's a
• 51:27
  Speaker 5: lot of silence.
• 51:28
  Speaker 2: Need a dialect?
• 51:29
  Speaker 5: Why always there's no talking about She physically acted British
• 51:36
  Speaker 5: all the time. You could tell.
• 51:37
  Speaker 6: But she could see it. You could you.
• 51:41
  Speaker 5: You could see the crumpets in her eyes. You could
• 51:44
  Speaker 5: see them.
• 51:47
  Speaker 6: Down. And I are very much alike.
• 51:48
  Speaker 5: We are not we are no no no no no
• 51:53
  Speaker 5: no no no no no. Sap in my in my
• 51:58
  Speaker 5: notesap diary said I, oh, this is foolish, but I
• 52:00
  Speaker 5: got a crush on Emily Blunch. That's what I wrote.
• 52:04
  Speaker 8: Somebody have to put it down, somehow release it. Somehow
• 52:07
  Speaker 8: that got that got looped into the to say it
• 52:10
  Speaker 8: out loud soniac.
• 52:14
  Speaker 5: Somehow I looked it in the Soniac and it went everywhere,
• 52:18
  Speaker 5: And I am mad at the north. I don't want
• 52:22
  Speaker 5: to talk about this anymore. I'm getting red in the
• 52:25
  Speaker 5: face with anger.
• 52:26
  Speaker 7: You know, for a group of dialect coaches wore woast
• 52:29
  Speaker 7: in each other's next.
• 52:33
  Speaker 3: Come on, guys, roast me, do it. I'm so interested,
• 52:37
  Speaker 3: you know, Catholic? Right?
• 52:38
  Speaker 5: Yeah, well, how it's I don't feel like roasting you
• 52:41
  Speaker 5: because you've already been railed by a train. WHOA sorry
• 52:46
  Speaker 5: I don't know. I'm trying to deflect from that embarrassing
• 52:49
  Speaker 5: crush story.
• 52:50
  Speaker 6: No, don don't deflect. Come forward and be honest about
• 52:54
  Speaker 6: your love, Dylan.
• 52:55
  Speaker 5: I like a lot of your I like a lot
• 52:57
  Speaker 5: about you, But the thing that you're pushing right now
• 52:59
  Speaker 5: with thing I don't. I'm trying to be your pal pal,
• 53:08
  Speaker 5: but it's but you can't loop me into the alligator bit.
• 53:11
  Speaker 5: That's all I'm saying.
• 53:12
  Speaker 6: I don't understand that expression.
• 53:14
  Speaker 5: Yeah, it's an American phrase. We all say it.
• 53:16
  Speaker 6: Well, Debrah, why can't you die?
• 53:25
  Speaker 2: Dylan? I've been asking myself the same question for fifty years.
• 53:30
  Speaker 6: Are you actively trying to die? Or you're just to
• 53:33
  Speaker 6: leading a healthy lifestyle and you're not getting sick?
• 53:36
  Speaker 3: Well.
• 53:36
  Speaker 2: I go for a power walk every day. I always
• 53:40
  Speaker 2: talk to my friends and family. I eat Celery Creanes
• 53:44
  Speaker 2: and ginger tea all the time. I don't know what
• 53:48
  Speaker 2: I'm doing wrong. I keep trying to kick myself off
• 53:53
  Speaker 2: this earthly coil.
• 53:56
  Speaker 4: It must be so hot with.
• 53:58
  Speaker 7: Your friends and family because keep they keep dying, so
• 54:01
  Speaker 7: you need more friends than family.
• 54:03
  Speaker 2: It's true. I've had to come up with a whole
• 54:05
  Speaker 2: new second family, a whole new second generation of You know,
• 54:09
  Speaker 2: it's awkward calling your great great great grandchildren because they
• 54:14
  Speaker 2: don't really care. The connection is lost. You know, it's
• 54:18
  Speaker 2: not the same as calling your grandma. It's like calling
• 54:22
  Speaker 2: a pile of bones. So I hear anyway what.
• 54:25
  Speaker 6: They call you.
• 54:29
  Speaker 3: Very?
• 54:31
  Speaker 9: Did you hear that?
• 54:32
  Speaker 3: You hear?
• 54:36
  Speaker 2: I heard the grape vine that my great great great
• 54:40
  Speaker 2: grandchildren are saying, Oh, it's the old second bones birthday,
• 54:45
  Speaker 2: gonna call her up.
• 54:46
  Speaker 7: That's probably why you hate me so much, because you're
• 54:49
  Speaker 7: projecting on me because I'm fourteen.
• 54:52
  Speaker 2: Wow. You know what, Cindy, that's not fair.
• 54:54
  Speaker 6: That's not fair of me.
• 54:55
  Speaker 2: I do apologize.
• 54:58
  Speaker 3: I've got a question, Cindy. How did you get this
• 55:00
  Speaker 3: water deal? Are you? Do you have a giant water supplier.
• 55:04
  Speaker 4: I have to be clear.
• 55:05
  Speaker 7: I don't sell water. No, I sell water bottles that
• 55:08
  Speaker 7: say different parts of it's March. Because when when I
• 55:12
  Speaker 7: saw the other girl from my high school high the splits,
• 55:14
  Speaker 7: she got March, and I heard you can't make that
• 55:17
  Speaker 7: much money off of just YouTube itself. Did you like
• 55:19
  Speaker 7: band deals?
• 55:21
  Speaker 3: So I did a band you're getting fifteen. I will
• 55:23
  Speaker 3: explain something for you because I do know this. I
• 55:25
  Speaker 3: looked into YouTube. If you're getting fifteen million views on
• 55:29
  Speaker 3: one YouTube video, that equates to roughly one hundred and
• 55:33
  Speaker 3: fifty thousand dollars or at least fifteen thousand dollars without
• 55:38
  Speaker 3: brand deals or sponsored content. Don't ask me how I
• 55:42
  Speaker 3: know that I did a gig with a YouTuber once.
• 55:46
  Speaker 2: What did you work with?
• 55:47
  Speaker 5: Who?
• 55:47
  Speaker 3: Charlie Booth?
• 55:48
  Speaker 9: Yeah?
• 55:51
  Speaker 5: You know Charlie Pooh.
• 55:52
  Speaker 2: You know Charlie Booth.
• 55:54
  Speaker 5: I also love Charlie. He's a blast.
• 55:56
  Speaker 3: He's great. We did a project once where he used
• 55:59
  Speaker 3: my voice in a duck and he made it a song.
• 56:02
  Speaker 6: Did he did he pay you?
• 56:05
  Speaker 3: No? What what is that?
• 56:07
  Speaker 4: You gotta get paid?
• 56:08
  Speaker 2: Hell, you're on Cindy's case but not getting paid the
• 56:11
  Speaker 2: correct amount. But you seem to not have a concept
• 56:14
  Speaker 2: of what money is.
• 56:15
  Speaker 3: No servitude, I'm Catholic. I don't know what you're talking about.
• 56:19
  Speaker 5: Cindy. I actually did want to bring something up.
• 56:22
  Speaker 4: Uh, boy, are we woasting each other?
• 56:25
  Speaker 2: No?
• 56:25
  Speaker 5: No, no, I'm not trying to roast you here. I
• 56:26
  Speaker 5: think I have a job opportunity for you. I've been
• 56:28
  Speaker 5: working on a lot of these Marvel films, Uh, you
• 56:31
  Speaker 5: know with Ben in Doctor Strange, and some of that shit.
• 56:35
  Speaker 5: I can't make heads or tails of it. Honestly, sounds
• 56:38
  Speaker 5: like sandwich Town sometimes. You know. I just worked on
• 56:41
  Speaker 5: this Multiverse of Madness movie. I swear to God no spoilers.
• 56:44
  Speaker 5: One of the plot points is they go to sandwich Town,
• 56:46
  Speaker 5: him and wand division they go together in the sandwich Town.
• 56:51
  Speaker 5: I don't know the specifics, but.
• 56:52
  Speaker 4: What but that's my ip.
• 56:55
  Speaker 5: That's well, that's why I'm freaking out. You should get
• 56:59
  Speaker 5: a job because I feel like you're the only person
• 57:01
  Speaker 5: I have to I have to tell Ben, you know,
• 57:04
  Speaker 5: I have to say yeah. Then you say we have
• 57:06
  Speaker 5: a problem. You know, there's something going on in sandwich Town,
• 57:10
  Speaker 5: and I'm like, oh, fuck, the ship is. I think
• 57:12
  Speaker 5: you could work on some of these movies.
• 57:14
  Speaker 6: I feel like you could sue Marvel.
• 57:17
  Speaker 3: Don't try. Don't try.
• 57:20
  Speaker 5: Have you tried?
• 57:21
  Speaker 4: Have you why?
• 57:22
  Speaker 3: Dylan? Do not try to sue them? Done?
• 57:27
  Speaker 2: Thank you.
• 57:27
  Speaker 7: I appreciate it. This whole time, I thought you was
• 57:30
  Speaker 7: some sick freak because I saw you on Deadline and
• 57:32
  Speaker 7: you had some sick crush.
• 57:33
  Speaker 5: That's not sick.
• 57:34
  Speaker 3: That's not the second.
• 57:35
  Speaker 5: It was inappropriate.
• 57:37
  Speaker 3: It was pretty great.
• 57:39
  Speaker 5: I just said I like her personality. I like spending
• 57:42
  Speaker 5: time with her, I like her talent. It was a genuine,
• 57:44
  Speaker 5: just kind of sweet, and I knew I was gonna
• 57:46
  Speaker 5: get over it. Dylan, don't wait, don't include yourself in
• 57:51
  Speaker 5: what I'm saying.
• 57:55
  Speaker 2: Dylan saves himself and you.
• 57:57
  Speaker 7: No, okay, wait before I have to go to that,
• 58:00
  Speaker 7: because I have so much math homework. But before we end,
• 58:03
  Speaker 7: I would die to know what everyone's working on. Next
• 58:08
  Speaker 7: good question, I'm sewing Marvel.
• 58:12
  Speaker 3: Don't do it, do not try. I'm telling you us
• 58:15
  Speaker 3: know with THEE.
• 58:16
  Speaker 6: I am on LinkedIn Dylan John's ex thirty years of
• 58:23
  Speaker 6: experience teaching dialects, molding young minds. And I'm also coming
• 58:28
  Speaker 6: out with a book.
• 58:30
  Speaker 2: What's the book called.
• 58:32
  Speaker 6: The book is called Find Your Voice with Me by your.
• 58:36
  Speaker 2: Side, that sort of a man seeking women.
• 58:46
  Speaker 6: No, No, I can see now where you're I can
• 58:52
  Speaker 6: see the connection. I'm I'm regretting.
• 58:55
  Speaker 2: There's a book picking out of your bag. There. It's
• 58:57
  Speaker 2: showing you hugging a young woman. She's speaking.
• 59:00
  Speaker 5: It's a big picture book.
• 59:04
  Speaker 3: I will say, though she does look older than eighteen.
• 59:06
  Speaker 3: To be fair, no one thought that.
• 59:09
  Speaker 4: No one thought that about you, Dylan.
• 59:11
  Speaker 6: She was a a colleague, not even a student. That's
• 59:17
  Speaker 6: not that I'm completely unrelated. It was just a photo
• 59:20
  Speaker 6: up that I took that someone took and used and
• 59:23
  Speaker 6: I thought, oh, that's she's I'm I'm comforting. That's completely unrelated.
• 59:28
  Speaker 6: I don't like this is a witch hunt.
• 59:30
  Speaker 4: Do you guys see the way that his voice is clenching.
• 59:33
  Speaker 5: Let's all talk about his voice, right, there was.
• 59:36
  Speaker 4: That voice that almost came out of power cocky.
• 59:41
  Speaker 6: Hey, that's impossible. I wasn't even thinking.
• 59:44
  Speaker 3: Almost it almost even sounded a little It almost sounded
• 59:50
  Speaker 3: a little bit American. Maybe anger is your cue into
• 59:55
  Speaker 3: the American accent.
• 59:57
  Speaker 2: Yes, to use it, use it?
• 59:59
  Speaker 6: Anger good the key to an American accent.
• 1:00:02
  Speaker 5: Yeah it is?
• 1:00:03
  Speaker 4: Actually yeah twyet twyl Wana wagon thing again.
• 1:00:07
  Speaker 5: Old wagon.
• 1:00:09
  Speaker 6: Won, old way, use it.
• 1:00:12
  Speaker 2: Your husband's gone.
• 1:00:14
  Speaker 5: What I'm.
• 1:00:19
  Speaker 6: Sexual relations ships.
• 1:00:23
  Speaker 5: Not a bad person here, I'm not a bad person.
• 1:00:31
  Speaker 4: Keeping through, blake through, blake through?
• 1:00:35
  Speaker 5: Yes, Yes, that was really good to how I feel?
• 1:00:39
  Speaker 6: Oh my goodness, Oh my goodness, were well? Am I
• 1:00:43
  Speaker 6: come back?
• 1:00:43
  Speaker 5: Come back? Does anybody have any smelling salts?
• 1:00:46
  Speaker 3: I got tons? I got to let me just get wow.
• 1:00:50
  Speaker 6: Yeah, thank you for that breakthrough? Really I think I
• 1:00:55
  Speaker 6: think that breakthrough was I learned a lot about the
• 1:01:01
  Speaker 6: difference between professional and personal relationships. In the middle of that,
• 1:01:08
  Speaker 6: I think I'm open getting another job and trying again
• 1:01:13
  Speaker 6: and starting over.
• 1:01:15
  Speaker 5: I'm glad you. I'm glad you came to that agreement.
• 1:01:18
  Speaker 5: I think I got exciting and I got.
• 1:01:21
  Speaker 6: A gig for you.
• 1:01:21
  Speaker 3: If you're interested, I'm working on this pool. Later, we
• 1:01:24
  Speaker 3: were just doing a remodeling job on this pool.
• 1:01:26
  Speaker 4: If you're interested, Oh you anct.
• 1:01:30
  Speaker 3: No, No, I'm construction. Basically, I was. I'm working for
• 1:01:34
  Speaker 3: this guy. You guys heard of this guy, Robert Pattinson.
• 1:01:38
  Speaker 3: He just asked me to do this pool thing and
• 1:01:40
  Speaker 3: hang out with me.
• 1:01:41
  Speaker 5: And I just worked with him on The Batman.
• 1:01:43
  Speaker 3: Yeah, that's the movie. Yeah. He said, hey, come on
• 1:01:46
  Speaker 3: over and I'd love to hear your voice.
• 1:01:48
  Speaker 5: For you that that is a mind fuck for British
• 1:01:50
  Speaker 5: actor saying Alfred in an American accent. They can never
• 1:01:53
  Speaker 5: do it, they can never do it. My next job,
• 1:01:56
  Speaker 5: I'm working with Benedict. We're going to Moab. We're shooting
• 1:01:59
  Speaker 5: Power of the Dog too, Power of the Dog Bark two,
• 1:02:01
  Speaker 5: that's what we're calling.
• 1:02:02
  Speaker 3: It's motion capture it's moab.
• 1:02:08
  Speaker 5: No, it's live action. I don't want to spoil the
• 1:02:12
  Speaker 5: movie for you, but let's just say Ben's back and
• 1:02:16
  Speaker 5: he's pissed a.
• 1:02:21
  Speaker 4: Hysterical What you up to?
• 1:02:23
  Speaker 3: Well?
• 1:02:25
  Speaker 2: As I said, not much in the working arena for Deborah,
• 1:02:29
  Speaker 2: hysterical post.
• 1:02:31
  Speaker 4: World War two?
• 1:02:33
  Speaker 2: Am I saying that right now?
• 1:02:35
  Speaker 5: Yeah?
• 1:02:36
  Speaker 2: I am working. I'm working with Sirsha Ronan on a
• 1:02:43
  Speaker 2: a role where she doesn't have to speak in a
• 1:02:45
  Speaker 2: trans Atlantic accent, but she has to slap her husband
• 1:02:48
  Speaker 2: in a Transatlantic way. And so I'm sort of coaching
• 1:02:52
  Speaker 2: her on the wrist movement, on the slapping back and forth,
• 1:02:56
  Speaker 2: as if she's here to say, you've never loved me,
• 1:02:59
  Speaker 2: have you, Harry? You've never loved me, have you? And
• 1:03:03
  Speaker 2: so I'm I'm working with her on that. I'm also
• 1:03:05
  Speaker 2: throwing myself off the Glendale Galleria to see if that
• 1:03:09
  Speaker 2: does anything.
• 1:03:10
  Speaker 3: Don't try it, don't try it, not worth it.
• 1:03:14
  Speaker 5: Try it.
• 1:03:15
  Speaker 3: If you bounce right back, Oh well that's not gonna
• 1:03:18
  Speaker 3: work for me, Sandy.
• 1:03:19
  Speaker 5: What are you up to next?
• 1:03:21
  Speaker 2: Uh?
• 1:03:22
  Speaker 4: I got a huge English paper do.
• 1:03:25
  Speaker 3: Tomorrow, and all that math homework too, jeez.
• 1:03:29
  Speaker 7: Yeah, and papers on Hucklebally Fin and then I then
• 1:03:36
  Speaker 7: have a brand deal with I don't know if I'm
• 1:03:40
  Speaker 7: allowed to say it yet, but I have a bland
• 1:03:42
  Speaker 7: deal with birch Bees. They're coming out with a throat
• 1:03:45
  Speaker 7: coat that I'm gonna plug on my YouTube's.
• 1:03:51
  Speaker 5: You lucky son of a gun? They asked me to
• 1:03:53
  Speaker 5: do birds Bees. I ended up saying no.
• 1:03:56
  Speaker 4: But then why would I be lucky if you got
• 1:03:58
  Speaker 4: the job and you to go.
• 1:04:00
  Speaker 2: You got the offer that.
• 1:04:02
  Speaker 3: Was weird done sounds you're so lucky.
• 1:04:05
  Speaker 5: I turned it down.
• 1:04:06
  Speaker 6: Hey, hey, leave don alone and.
• 1:04:12
  Speaker 3: A couple of American I say, I tell you guys,
• 1:04:15
  Speaker 3: I'm Catholic.
• 1:04:16
  Speaker 4: This has been Artists on Artists on Artists answering the question. Now,
• 1:04:20
  Speaker 4: that's why they call it showbiz. Hi, I'm Angela Jerretana,
• 1:04:24
  Speaker 4: I'm Jeremy.
• 1:04:25
  Speaker 5: Colhayne, I'm Patrick McDonald's, and I'm Kylie Brakman.
• 1:04:28
  Speaker 2: Artists on Artists on Artists on Artists is an improvised
• 1:04:31
  Speaker 2: Hollywood roundtable podcast available on iTunes and Spotify.
• 1:04:34
  Speaker 3: You can follow us at ao ao ao a pod
• 1:04:37
  Speaker 3: on Twitter and Instagram.
• 1:04:38
  Speaker 5: That's right, four a's with three o's in between. Then.
• 1:04:42
  Speaker 3: Pod music for this week's episode was provided by Gabriel
• 1:04:45
  Speaker 3: Ponton Stars.
• 1:04:47
  Speaker 1: They're just like us, and if you like this episode,
• 1:04:49
  Speaker 1: you can give us five of them by rating and
• 1:04:52
  Speaker 1: reviewing us.
• 1:04:52
  Speaker 2: On Apple Podcasts. That's all for now, good Night Hollywood,